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What is the GTEA stance on Merit Pay? How did GTEA arrive at this stance? To learn a bit more about an issue that often sounds better than it winds up being, take a look at the special section dedicated completely to the topic. {COMING SOON}
gtea related items
What is the GTEA stance on Merit Pay? How did GTEA arrive at this stance? To learn a bit more about an issue that often sounds better than it winds up being, take a look at the special section dedicated completely to the topic. {COMING SOON}
The Gateway Technical Education Association (GTEA) sponsors $500.00 scholarships to continuing students through the Gateway Foundation. Eligibility includes children, step-children, grandchildren, and spouses of current GTEA members.
The Continuing Student Scholarship is for current Gateway students who have completed at least three (3) credits at Gateway, have earned a minimum GPA of 2.0, are in good academic standing, and complete and submit the online application.
The online application process will take about two hours to complete. Read the directions carefully and be sure to answer all the questions including the one asking about the GTEA member in your family
The Gateway Foundation scholarship application form is available here.
The application deadline is October 8, 2017. Scholarship recipients will be announced in January 2018.
Questions? Contact Ellen Pedraza, Kenosha Campus GTEA Senior Representative, via: email@example.com
GTEA members should look in their home mailboxes for a copy of the GTEA NEWSLETTER. Interesting articles include those about Bargaining Unit Salary Preferences, and Summer Union Activities.
GTEA (WEAC/NEA) members receive the Advocate as a part of their dues. The Advocate has contained a number of interesting articles for members of our profession, including a recent article titled "The Color of Student Debt," on the ratio of student debt burden by institution type and race.
This month's issue had a compelling article on "Relational Advising." Join our closed user Facebook group, and share a discussion on how you feel about Relational Advising.
Resistance Radio (WRRD, 1510AM) continues to air unique voices on teaching and education that have not been heard on Milwaukee airwaves in a very long time.
This coming Monday, July 24th, at 7:00 am, 1510AM's Earl Ingram Show will be joined by Joanna Perez Rizzotto, a 21 year teacher, MPS parent and accomplished advocate for all education professions.
In addition to being an active leader in her local, the South Milwaukee Education Association, Joanna is an innovative teacher of at-risk students and has served on multiple DPI committees. She offers an eloquent challenge to the "new normal" of testing, standardization, and market-based "reforms" that are doing so much harm in our public schools.
Tune in to Resistance Radio on Monday to hear a great educator's voice on what is really going on in public education.
WRRD is a Progressive Radio Station (1510 AM) that also can be listened to online.
I wanted to pass along some info I received from my friend and REA President, Angelina Cruz, about some of the battles our fellow public educators are facing within our own three-county district.
I strongly believe that we should share this info with our own membership and encourage them to get active in messaging the RUSD BOE, especially if they are RUSD residents.
… any help you can give in spreading the word with your members and folks that care about public education is much appreciated.
This is clearly a union busting tactic and very disappointing coming from the vast majority of the folks that are likely to vote in favor of it at this point.
[Jay has links to the events Angelina has set up online for the school board meetings for any interested individuals to help and support]:
Thank you for any and all help you're able to give us!
In Solidarity,
New reimbursement forms are now available (as of 7/18/17). Jay Johnson has made the document available via Google Docs as well. Please see the NEW FORMS menu (moved out from the SUBmenu under the REPS menu– now as its own menu) for the NEW Reimbursement forms.
On Thursday, 1 June 2017, the GTEA bargaining team met with Gateway's bargaining team in order to establish our 2017-2018 annual salary. On Tuesday, 6 June 2017, Human Resources presented a formal written Tentative Agreement to us.
I am very pleased to announce that we bargained for the maximum allowed increase under Act 10. This year, that equates to a 1.26% increase in base wage for all employees in our bargaining unit.
While not part of the official bargaining process, we have also advocated for a salary schedule, as this was what the vast majority of unit members have loudly declared they want through our recent survey. Those survey results will be shared with you in more detail over the Summer semester.
Per the rules of the ratification process, the tentative agreement reached today requires GTEA members–those who have elected to maintain their membership in GTEA by paying dues–to vote to ratify this agreement.
Similar to past years, we will hold the ratification vote online.
[ed note: A link to a form for voting has been sent to members via a link sent out via email address of record to all members. Please contact a GTEA rep if you have not received the link]
Please follow the link [in the aforementioned email] to vote on ratification of the maximum increase in salary for 2017-2018. You must include your full name or Gateway ID number as well as voting yes or no on the tentative agreement.
The voting will be open until 11:59PM CDT on Tuesday, 13 June 2017.
We anticipate having a signed agreement approved by the Gateway District Board in time for increases to appear at the beginning of our 2017-2018 annual contract on July 1, 2017.
Please, let the GTEA officers know if you have any questions. And, thank you again for joining with your colleagues to maintain a strong, unified voice for professional employees at Gateway.
Jay Johnson


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A stock market is the aggregation connected with buyers and retailers of stocks; these may include securities listed on a stock exchange along with those only dealt privately. The stock market is among the most important methods for companies to boost money, along with debt markets which are generally more imposing but will not trade publicly. This permits businesses to possibly be publicly traded, and raise further financial capital pertaining to expansion by offering shares of ownership from the company in the public market.
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subset: commoncrawl


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PHILIPS PM3230/08 Service Manual
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By Courtney FosterWhat do Abe Lincoln, Santa Claus, and Conan O'Brien all have in common? Check their faces. Now more than ever, the latest hot fashion is: the styling of facial hair.We see celebrities and teachers alike sporting carefully and diligently shaped beards. Although the stars may have their beards masterminded by expensive stylists, the unshaven educators in Newton simply have a different opinion: the beard selects the man, not the other way around. "I can't say that I 'chose' it," Physics teacher Alexander Kraus said. "I wanted facial hair, but not a full beard."Others, such as Fine Arts Coordinator Jeff Knoedler go as far as to personify their beards."I didn't really choose my beard style," Knoedler said. "It chose me."Still, a select few not only give their beards personalities, but, in contrast, let their beards rule over them completely."You don't choose your beard," French teacher Sebastien Merle said. "Your beard chooses you, and then you comply with what it has decided for you."These teachers also come to the consensus that a hairdresser to tame one's beard is unnecessary."[My beard is created solely by] my face and me," Knoedler said, as does Merle, denoting that his beard is "all [him]."Whether a recent development or not, it is clear that once a beard is grown it stays, for one reason or another.Kraus was looking to appear wise beyond his years when he chose to grow out his facial hair."I've had the beard for about four years," Kraus said. "I originally grew it to make myself look older. As a short, young teacher, it helped distinguish me from students. In my first couple years at South, the cafeteria workers thought I was a student and would charge me the student lunch rate until I corrected them."Merle was taken aback when he realized he had the ability to grow a beard and continues to sport one for his own personal pleasure."For most of my twenties, I wasn't able to grow a full beard; it was really spotty," Merle said. "I stopped shaving during Spring break two years ago, and much to my surprise, it looked pretty full. So I decided to keep it for a while. I haven't shaved since."For Knoedler, the beard is a relatively new addition to his look. He did enjoy how it looked on him when he grew it out two months ago, but outside influence from a significant other was involved in his decision to stop shaving."[I've had my beard] since February break. I didn't shave over vacation, then just decided to keep it when my wife mentioned she liked it," Knoedler said. "How can I shave it after that?"There are discrepancies over the net effects of the beard on the wearer of the beard and those experiencing it from afar. Some believe a beard can only have a positive impact on one's character."There are only advantages to having a beard," Merle said, although he did not specify what those advantages are.In contrast, others will have problems with their facial hair from time to time."If it gets long, it can get kind of itchy," Kraus said.Although Merle's family would rather see his chin bare and hairless, his friends find his beard amusing and appropriate considering the steryotypic image of a bearded professor."My family hates [my facial hair] with a passion," Merle said. "My friends seem to find it quite fitting, considering my professorial occupation."Knoedler's son objects to his beard, but Knoedler himself is largely a fan of it and feels that it augments his already good looks."My son complains it pokes him when I kiss him," Knoedler said. "[However] I think I'm incredibly handsome. My beard really pushes my handsomeness over the top. My friends are all very jealous."Beards definitely evoke a myriad of reactions amongst the ladies. South girls in general seem to have reservations about beards, preferring that guys shave or at most leave their beards modest and well kept."Honestly, I like the clean shaven look best, but some guys can really rock the beards," freshman Sophie Cash said."I don't mind beards, but only if they are short and neat," sophomore Gil Blume said. "[But] once it goes lumberjack-long, it's time to shave. Mr. Merle has the perfect type of beard. Just putting it out there" Blume said.One student, when comparing her father's facial hair perceptions living in the Northern region versus the Southern region of the United States, believes opinions regarding beards are regionally developed."When my dad came up here from down South, he said it was harder to get a job up North with a beard," freshman Leah Jacobson said. "Up here, large beards mean creepy." Still, unique and original beards are appreciated."I mostly like facial hair when it's entertaining or weird, but not really for attractiveness' sake," Cash said.Freshman Natalie Silverman has a strong opinion about who should and shouldn't have beards. She believes facial hair on South students doesn't make the cut."I think that facial hair on students is gross," Silverman said. "I mean, we're still kids, kind of, and it's just weird seeing a fifteen year old with a full beard and mustache. "Even Silverman, though, will admit that the right type of facial hair on the right type of person can look attractive."With more mature and older men, beards and mustaches can look good. Not like a lumberjack-man kind of facial hair, but something subtle."Silverman shares a similar opinion with many others about the pros and cons of facial hair. She too is quick to highlight its benefits. Both in and outside of the South community, beards are definitely in style."Someone like Adam Levine or Joe Jonas," Silverman said. "That look is, well… sexy."]]>
The progression of the Art and Music programs at South has occurred in lieu of the efforts of countless people, from the parents who assist these programs to the teachers who build their foundations, and finally to the students who push these programs beyond their limits.
From within this sort of family, there is one man in particular who has seen these programs at their heights and struggles. This artist and musician is Dr. Jack Rossini, a teacher who recently re-introduced himself to the South community.
Rossini has a vast history in the Newton Public School system. His career at South began in 1983 when he directed the band, working with Choral Director Helen Taylor and Orchestra Director Gordon Duckel. This was not, however, an opportune time to start teaching at a new school.
During the 1980s, the student population in Newton began to fall increasingly lower. There came to be fewer and fewer students at South, until only several hundred spanned all the grade levels.
All student groups at South grew smaller; the school-wide band had only 25 musicians.
This decline in students led to the schools not needing as many teachers to maintain a proper student-teacher ratio, so Rossini's first tenure ended during a series of staff cuts.
Around 1990, he taught at Brown Middle School.
According to Rossini, this was a tough time for everyone involved in the Newton Public School system, and consequently, everybody suffered.
Fortunately, the 1990's brought a "building decade," and the student population began to increase once more. When Newton South offered Rossini the position of orchestra director, he took the job, and what began as an 11-musician orchestra in 2003 grew to a hearty 45 musicians within six years.
The band and chorus increased in numbers as well with the arrival of Ms. Lisa Linde and Dr. Benjamin Youngman.
Beginning in 2006, Rossini headed the Fine Arts department until his retirement in 2009.
With Youngman's leave of absence to travel to China, Rossini returned to assume Youngman's position as the director of three choruses and as the teacher of music theory classes.
During the time in which Rossini worked at South, much has changed in the Fine Arts department. Changes in student population have largely shaped and defined the progression of the Art and Music programs.
Currently, both of these programs are grappling with the effects of limited funding, and employees are working harder than ever to accommodate for the monetary losses.
Though art and music classes continue to increase in size, Rossini believes, "the student enthusiasm is still there" and are "on the upswing."
Numerous awards have recognized the excellence of these programs, which is always showcased in the students' high level of performance.
These artists have Rossini to thank for helping sculpt this inspirational pathway, which will provoke creativity in young minds for generations to come.]]>


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- C$18 for three Groupons, each good for $10 worth of Mexican food (C$30 value)
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Promotional value expires 180 days after purchase. Amount paid never expires. Limit 1 per person. Valid only for option purchased. Limit 1 per visit. All goods or services must be used by the same person. Merchant is solely responsible to purchasers for the care and quality of the advertised goods and services.
About Taco Del Mar
Before opening Taco Del Mar's startup location in Seattle in 1992, its founders spent years surfing California's coastline and devouring fish tacos and stuffed burritos. During this time, they developed a bottomless appetite for the local specialty—a taco with fried fish, shredded cabbage, lime juice, salsa, and a mystery white sauce—and decided to make it their signature menu item. Since then, the chain has opened locations in more than 20 U.S. states and three Canadian provinces.


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Link found between epilepsy drugs and birth defects
News Nov 29, 2016 | University of Liverpool
A joint study conducted by researchers from the universities of Liverpool and Manchester has found a link between birth defects and certain types of epilepsy medication.
For most women who have epilepsy, continuing their medication during pregnancy is important for their health. Over the last 25 years, research has shown that children exposed to these medications in the womb can be at a higher risk of having a malformation or birth defect.
See Also: Granger causality test can make epilepsy surgery more effective
The study, published in the Cochrane Database of Systematic Reviews, aimed to understand whether pregnant women exposed to antiepileptic drugs (AEDs) during pregnancy were at higher risk of having a child with a malformation.
Minimizing fetal risk
The majority of women with epilepsy will be required to continue antiepileptic drug treatment during a pregnancy.
Previous studies have demonstrated a significant increase in risk of having a child with a significant birth defect in the mother was taking certain antiepileptic drugs and therefore treatment decisions should be made carefully and collaboratively and aim to find a balance between maximizing maternal health while minimizing fetal risk.
Learn More: Researchers use network science to help pinpoint source of seizures
As part of this systematic review 50 published studies were analyzed and it was found that exposure in the womb to the AED sodium valproate was associated with a 10 percent chance of the child having a significant birth defect and that this rose as the dose of the drug increased.
Skeletal and limb defects
The types of birth defect that were increased were skeletal and limb defects, cardiac defects, craniofacial defects and neural tube defects.
Children exposed to carbamazepine, topiramate or phenytoin were at an increased risk of having a significant birth defect but the exact types of defects were not clear and children exposed to phenobarbital were found to be at an increased risk of cardiac defects.
See Also: Heart rate variability predicts epileptic seizure
The review also found that children exposed to lamotrigine or levetiracetam were not found to be at an increased risk of significant birth defects in comparison to control children and had lower risks when directly compared to the children exposed to carbamazepine, phenytoin or topiramate.
Informing complex discussions
Professor of Neurology Tony Marson from the University of Liverpool's Institute of Translational Medicine, said: "This is a really important review that informs complex discussions during consultations about epilepsy treatment choices for women of childbearing potential, who represent around a third of people with epilepsy worldwide.
Read Next: Women with epilepsy just as likely to get pregnant as healthy women of childbearing age, new analysis shows
"Based on current evidence, levetiracetam and lamotrigine appear to be the AEDs associated with the lowest level of risk, but more data are needed, particularly concerning individual types of malformation."
Note: Material may have been edited for length and content. For further information, please contact the cited source.
University of Liverpool press release
Bromley R et al. Treatment for epilepsy in pregnancy: neurodevelopmental outcomes in the child. Cochrane Database of Systematic Reviews, Published October 30 2016. doi: 10.1002/14651858.CD010236.pub2
Abnormal Prion Protein Found in the Skin of Patients That Died of CJDNews
Scientists have detected abnormal prion protein in the skin of nearly two dozen people who died from Creutzfeldt-Jakob disease (CJD).READ MORE
Whole-Brain Map of Memory Circuits Constructed from Human DataNews
The work elucidates the way different regions of the brain communicate during cognitive processes like memory formation.READ MORE
Long-Term Negative Physical and Mental Health Effects Associated With Disordered EatingNews
Findings from large twin study show disordered eating among 24-year-old women and men was an indicator of higher body weight, larger waist circumference, and lower psychological well-being ten years later.READ MORE
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Kimberley Garner enjoys Barbados holiday with handsome boyfriend as she shows off her athletic curves in skimpy black bikini
She's been enjoying herself in Barbados for the past week and a bit.
And it looks as though Kimberley Garner wasn't yet bored of her sunny getaway as she fooled around on the sand on Saturday with her handsome boyfriend.
The 24-year-old former Made In Chelsea star looked utterly incredible as she showed off her athletic figure under the sunshine, rocking a skimpy bikini of her own design.
Scroll down for video
Sun-kissed: Kimberley Garner showed off her enviable tan and slender curves as she paddled in the surf while on holiday in Barbados
The TV star-turned-swimwear designer displayed her effortless slender curves in the black two-piece swimsuit, which included an interested crossover strap detail under her bust.
And the beauty proved she hasn't an inch of extra flesh on her enviable frame, showing off her long legs and trim, pancake flat torso.
The striking bikini more than showed off her shape and highlighted her small but ample cleavage as she frolicked in the surf and on the sand with her beau.
Unsurprisingly, she could barely wipe the smile off her face as she took a dip in the cool blue ocean, feeling refreshed amid the sun's relentless heat.
Loved-up: Kimberley was joined on her Caribbean getaway by her handsome hunk of a boyfriend
Playful: The loved-up twosome mucked about while spending time together on the idyllic beach
In she goes! The former Made In Chelsea star's boyfriend almost threw her into the water
Effortless: Wearing a black bikini with a crossover strap from her own range, the 24-year-old revealed her athletic figure, lean legs and flat tum with ease
She kept her blonde tresses down for her beach jaunt, which she later got wet after ducking underwater, and also went make-up free.
Throughout her vacation, Kimberley has worn a wide array of swimwear from her own fashion line, Kimberley London.
As well as the gorgeous sunshine and luxurious location keeping her in great spirits, she also had her hunky boyfriend to thank for her good mood.
Chilled: Even when sitting down, Kimberley's figure was faultless
Making waves: The former reality TV star took the weight off her feet as she sat on the very edge of the sand
Relaxing day: In the midst of her Barbados holiday, the swimwear designer took a dip in the sea to cool off
Happy thoughts: And she couldn't hide her expression of utter peace and tranquility as she took a dip
He looked just as sun-kissed as his girlfriend, and proudly displayed his honed and toned muscles in just a pair of long black beach shorts.
The good-looking twosome playfully frolicked in the water, with the strong man picking Kimberley up at one point, seemingly to throw her into the water while in a playful pout of wrestling.
Although she keeps her love life relatively private, the former reality TV star previously revealed she has been in a relationship with her beau since Valentine's Day 2014.
Beach babe: Now a swimwear designer, the former Chelsea starlet certainly proved she has the model figure to flaunt her wares
Beach ready: The slender star worked her look with style, and also managed to reveal her subtly toned abs and pert derriere
The TV star and swimwear designer has been letting her hair down ahead of a busy 2015, in which she intends to work on some of her business ventures.
Kimberley, who left Made In Chelsea at the end of 2012, recently revealed to MailOnline that she had been offered three different reality TV show ideas, two in America and one in the UK.
She explained: 'It won't have any affiliation with Made in Chelsea. It's so fun, but I just want to make sure I pick the right show. I genuinely don't have any idea at the moment.'
The potential move will mark her first significant TV work since appearing on the E4 show that won her wider recognition – but she admits she's nervous at the prospect.
'It's one of those things you think you really want and then you're really nervous about it', she said.
'They will all be based around me but I just need to figure out which one I want.'
Smitten: Although she doesn't speak much of her romance, it's known that Kimberley has been with her handsome boyfriend since Valentine's Day last year
Hold my hand! The twosome barely let go of each other
Rocky patch? Keeping active, the pair of lovebirds decided to step away from the ocean and climb across some large rocks instead
Careful! Kimberley watched on as her man precariously balanced on the rocks
Beach bums: Their tryst on the sand marked the end of their sun-soaked holiday
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Some Fans Upset That The Red Sox Aren't Good Enough at Begging
Fenway Park photo by Joyce Vincent / Shutterstock.com
Complaining about the Red Sox is one of the great rites of being born or living in Boston. You can complain about the pitching, you can complain about the manager, you can even complain that ownership cares too much about TV ratings and not enough about winning. But today in the Globe, we learn that some fans have found something entirely new to complain about: the team didn't try hard enough to get them to keep their season tickets. Yes, apparently the Red Sox are not good enough at begging for some folks.
Reporter Amalie Benjamin writes that, with season ticket sales down 10 percent from last year, the team has made some efforts to win back folks who aren't renewing. But for many Sox fans, it just hasn't been good enough:
To Richard Drowne, it seemed as if the Sox simply wanted to confirm he was done so they could move on to the next name on a waiting list that is at 7,500, according to senior vice president of ticketing Ron Bumgarner.
"I wouldn't describe their call as a 'reaching out,'" Drowne wrote in an e-mail.
"They just didn't really put up much effort to keep me as a season ticket-holder," said Matt Hynes, who told the team he would be interested in renewing if he could get better seats.
So the Red Sox called, but they didn't say the right thing. Well, they never were very good at relationships anyway. But here's what makes Hynes' case particularly tragic: he seems like he didn't really want to break up, but certainly wasn't going to be the one to say they should stay together, and it was only going to be on his terms anyway, so he said, fine, you know what, it's over if you're not going to get down on your knees.
And then we come to the case of Phil Ferraguto, a season ticket holder since 1986:
"I never got a call or an e-mail or anything saying, 'Do you want to rethink this? Are you sure?' They didn't even question the fact that I was bailing. In fact, I was even hurt by it, disappointed. We're ending this marriage and you're not even going to ask why?"
Man, wait til Matt Hynes hears about this! They didn't even call Ferraguto! They just cast him off into the great, season-ticket-less ether, an emotional wreck suddenly without a Fenway Park seat to call his own. Oh, how it must hurt. I hope he doesn't need therapy.
Joking aside, Ferraguto is an adult who says he had been spending $15,000 per season on baseball tickets. Drowne and Hynes are also adults who made what is very likely a financial decision to not renew their tickets. Of course it would have been good customer service for the Red Sox to contact them and try to convince them to stay on board. But come on! You're grown men! The tickets are a financial transaction. One might even argue that by not bombarding you with calls and emails, the Red Sox—with their waiting list of 7,500—are simply respecting your ability to make decisions as adult human beings. It's not for nothing that we Red Sox fans have acquired the reputation of being the neediest, most entitled fans in sports. Stuff like this doesn't help. Let's get it together, people.
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There are countless instances of film writers crossing fields and producing television scripts, plays, or novels, and no one seems surprised when such an event takes place. But when I tell people that there are instances of film writers writing for video games, they're often surprised. People write video games? Of course, this is a naïve, antiquated view of the art of video games. Some of the best games of the modern era also feature some of the best writing. Ask gamers about the end of "Bioshock," the protagonist's journey in "Red Dead Redemption," or the entirety of the "Mass Effect" trilogy, which allowed for the most collaboration between player and screenwriter in gaming history. That series, which has a new entry called "Mass Effect: Andromeda" that we'll review in a couple weeks, allowed gamers to greatly impact storytelling while also providing clear authorship from the other side of the dynamic as well. Such is the dilemma with "writing" for video games in that the best titles leave decisions that impact storytelling up to the gamer without losing the through-line that we need as those looking for a great story. The latest example comes courtesy of one of the most prominent blockbuster screenwriters, Shane Salerno, who has collaborated on Ubisoft's "Tom Clancy's Ghost Recon Wildlands," but you have to look really closely to see where he could have made an impact.
There are certain games that are clearly cinematic in nature, acclaimed works like "The Last of Us" and "Uncharted," but "Ghost Recon Wildlands" is not such a game. After an introduction that implies we'll be watching a "Scarface"-esque tale of corruption and power south of the border, the bulk of the game fills in, and it is largely made up of gamer decisions and deep customization. From the beginning, YOU are the primary writer of "Ghost Recon Wildlands," from the way to craft your protagonist, choose your style of play (co-op or alone), and plan your missions. It's a game built almost entirely on tactical decisions, requiring you to use drones to surveil areas occupied by enemies and get accustomed to pulling out your binoculars as often as your weapons. Where's the writing there?
The contributions from the man behind "Armageddon" and "Savages" (as well as upcoming "Avatar" sequels) likely come more in between missions, as the very loose story of "Ghost Recon Wildlands" is developed. As you work to topple a drug cartel by destabilizing the regions it controls, you encounter characters that feel pulled from Hollywood tales, such as the pair of torturers the bad guys use to interrogate enemies. Sadly, these encounters often feel shallow and poorly developed. The "Ghost Recon" games have always been about giving the gamer the most control, and so Salerno's involvement here was likely for setting and background, incorporating what was learned while working on Oliver Stone's "Savages" perhaps into details of the game but not impacting the narrative as much as I would have liked. One can sense Salerno in the background, capturing the settings of small-town life in a world controlled by the drug trade, but the story here is arguably the weakest element. Having said that, "Ghost Recon Wildlands" is a marvelously challenging game, one with hours of gameplay for you to tackle alone or with friends, and it's incredibly difficult, forcing you take different approaches than you have to more explosive Tom Clancy games like last year's underrated "The Division." However, it can still be hard to see Salerno's impact when so much of the game is user-based and not narrative.
So when does the screenwriter matter in the video game world? As we discussed last month, Guillermo Del Toro almost wrote a game for Konami, and it would have been a title that took place in the world of "Silent Hill." The death of that installment in a beloved franchise has already become legendary, and will likely become even more and more "The Masterpiece That Never Was" as years go by. Del Toro has been openly antagonistic about Konami's financial decision to kill it, but partner Hideo Kojima appears to have incorporated some of that experience into his next game, "Death Stranding," which stars "The Walking Dead" star Norman Reedus and Del Toro himself (although he swears he was just an actor here and not a writer). Del Toro was following a path that horror writers have taken before. In fact, there are a few games created from the ground up by Clive Barker, including "Undying" and "Jericho," that have a loyal following. In terms of genre-jumping, Warren Ellis, the famous comic writer, scored with "Dead Space," an incredibly well-written game, and Alex Garland, the man behind "Ex Machina," wrote the underrated "Enslaved: Odyssey to the West."
The journey Salerno took from screenwriter to video game writer is actually rarer than you might think. Sure, there are other examples, but the fact is that the most successful video game writers approach the form uniquely, knowing that it's not ever going to replicate what we get from film or television directly, but that it has its own strengths and abilities. Take for example Amy Hennig, the WGA-winning writer behind the beloved "Uncharted" series. She develops characters in ways that filmmakers simply cannot, often using hours of supporting character dialogue to give gamers back-story and provide depth of setting that help her games stand out. Or the way Ken Levine used setting in the "Bioshock" games, to immerse the gamer in such a way that it impacts perception and storytelling, which films simply can't do. Hollywood was even interested enough in Levine that they tapped him to work on a "Logan's Run" remake (although that has since gone to Simon Kinberg). As the video game industry gets more ambitious and the art form more intellectually recognized, maybe we won't be talking about screenwriters working on video games so much as video game writers coming to Hollywood.
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Full of heart and hope, The Florentine Bridge is a tear-jerking read for those looking for an Under the Tuscan Sun-inspired setting.
Nineteen-year-old aspiring artist Mia Moretti has been cancer free for nine months. Her battle with the illness has taken its toll on her, leaving her severely depressed and tormented by an overwhelming fear of dying. Inspired to make a fresh start, Mia decides to move to Tuscany to pursue a simpler life where she can, with any luck, find the motivation she needs to paint again.
What she doesn't count on is meeting Luca, a handsome Italian mechanic who sweeps her off her feet. As Mia slowly lets down her walls and allows Luca in, her passion for life is reignited, and her new perspective begins to inspire her art. But just when she's ready to let go of her past, a tragedy dredges up all the anxieties she's worked so hard to overcome and threatens her budding relationship with Luca.
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My Skin Is Dull, What Can I Do?
Once you have decided to take good care of your skin, all that is left to do is find out what to do and follow through with the best path to follow.
You don't want to try to shave skin that is dry. Shaving when your skin is dry can cause razor burn or ingrown hairs. Once you finish shaving, you should put lotion onto the shaved area. This works to soothe any irritation and moisturizes your skin the moisture it needs.
This clears bad skin away in order to promote clear and healthy radiant cells. Exfoliation helps get the toxins from your skin problems.
Avoid wearing too much makeup when you suffer from acne. This may cause or worsen the acne you are already afflicted with. Try not use makeup until the acne clears up. Do not hide pimples with heavy concealer or toners.
If you have excessively dry or flaky skin, you need to exfoliate regularly to keep the pores of your skin unclogged to prevent the formation of both blackheads and whiteheads. Exfoliation is the skin by whisking away dry and dead skin. This helps the skin look better and encourage it to look hydrated.
Avoid drinking alcohol if you want to improve your skin condition. Having one drink a day can be okay, however more than that risks increasing your pore size and can make your skin oily. This leads to the clogging of your pores that can get clogged more easily and will result in the skin breaking out due to the excess amounts of oil.
Pomegranate pills have a lot of soothing benefits for your skin from the sun's damaging rays. These pills will help you get a tan instead of a sunburn.These are natural and believed to be harmless to the body. All they will do is increase the health of your skin.
Tanning booths are a mistake if you are trying to increase your attractiveness. People sometimes want to tan so they can look less than their years, but they are wrong. Tanning will damage the skin damage and can make you look older.
Your skin is the biggest organ in your body. Your skin normally reflects what's going on inside your body. If you take care of yourself physically, you won't only seem healthy to a doctor, but to others as well.
Clean your eyeglasses or sunglasses and glasses weekly if you wear them on a daily basis. Cleaning your nose piece with soap and water is a simple way to get this done.
Your skin is affected by the many organs that benefits from a healthy diet. To improve skin texture and avoid problems, be sure you give your body the nutrients it requires. Digestion especially is linked to the quality of your skin looks. You can improve your digestion very simply by eating more fiber. Your skin will both thank you when you consume more fiber.
It is best to choose products with only a few ingredients as possible.If you suffer from sensitive skin, more ingredients increase the chance of a bad reaction. The ingredients might actually increase your redness. You might even have a break out because of this.
Oily Skin
It is best to use a powder-based foundation if your skin that is more on the oily side.These foundations are specifically designed to absorb any oil from your skin feeling smooth. If you are prone to oily skin, it is best to avoid liquid foundations, since many of them can worsen oily skin.
People who have oily skin should use products that are formulated for their skin type.Remove excess oil by applying a daily toner. Using a moisturizer that is specially formulated to fight oils will also work to keep your face oil-free.
Don't forget to protect your lips! Choose a quality lip balm containing UV rays. Your lips are very sensitive and you protect them from harmful UV rays. Less than half the people use lip balm that has SPF in it.
Smoking can make your skin at a faster rate because it reduces blood flow and depletes oxygen away from your skin. This means that the skin also depletes key nutrients than it otherwise would. It can cause damage to elastin and collagen. Quitting smoking won't just benefit your skin, but for your skin especially.
A powder-based sunscreen is an easy way to touch up your lotion during the day. The container is incredibly small you can be carried everywhere.
Proper skin care must be practiced regularly. You should now realize that there are a lot of ways to make sure your skin is healthy. Simply use the information provided here to help your skin look its best.
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|WAV support for HTML5 audio and video
|Project Member Reported by email@example.com, Oct 6 2009
|Back to list
http://www.randomthink.net/labs/html5drums/ They use WAV files!! Nooooo!!!! Proper fix is the transcode all samples to {MP3,AAC}+{Ogg} and use canPlayType(). Sounds like a lot of work but WAV support is a slippery slope.
Oct 6 2009,
...and unfortunately having dabbled with professional software drum kits and sampling software, I can guarantee complaints of audio fidelity.
Nov 5 2009,
So what are we going to do about this bug? I see 3 options 1. try to get site to switch to mp3, aac or ogg 2. add wav support to chromium 3. do nothing and not support this site.
Nov 5 2009,
I haven't reached out to them yet, but they should do Vorbis + MP3.
Nov 5 2009,
I understand your concerns about pcm_s16le in RIFF/WAV becoming the defacto standard for HTML5 audio but for an application like this it seems to make a lot of sense. Using a lossy transform codec when properties like masking ratio are going to change based on the chosen output composition seems more than a little silly. In an ideal world where webapps can do anything that desktop apps can, PCM support seems critical for a variety of audio applications.
Nov 29 2009,
Nov 30 2009,
We added support for data URIs not too long ago, but unfortunately that still won't make wave/pcm work :\ A few other people have suggested an "audio canvas" interface and I believe that's the proper solution.
Nov 30 2009,
+1 for audio canvas. Being able to grab decoded buffers as their about to be played would allow 'visualizations' to be done, software graphic equalizers, and other effects, and being able to write to buffers for playback would enable lots of synthesis style apps. However, this seems like something that won't make HTML5, so supporting PCM in the mean time sounds like a good fallback. PCM is practically a 'no-op' codec so it shouldn't be too hard to support.
Dec 2 2009,
If your C64 concern is that you'll be doing many channels of audio and the CPU adds up to too much, then PCM is also prohibitive, from a streaming point of view. A decompression cache, as done for JPG, might be the best solution. But AAC/MP3 is relatively low on our CPU profiles, so no effort has been put into optimizing it. If you can find a use case where <audio> bogs down the CPU, we'd be very interested to see that.
Dec 2 2009,
The C64 emulator already mixes channels in JS, the issue isn't really the expense of generating PCM or even data URL encoded PCM, the issue is, Chrome doesn't support Wave PCM. This means, the only possibility for synthesizing audio-on-the-fly is to have Javascript perform AAC/MP3 compression on the fly, which obviously is extremely inefficient to say the least. Basically, a SID player is impossible to realize in Chrome because of this unless you run it in non-realtime, generate the entire song, encode it, and play it back (which is tricky with SID music since you often don't know where the end of the song since your blindly emulating a 6502 CPU playing back an app) The idea of an AudioCanvas, or at least a method like audio.getSampleArray(), is to go beyond efficient playback of synthesized sample buffers, but to also allow applications to process audio data, either for special effects, equalizers, or the common music visualizations you see in almost every music player out there. The <video> and <canvas> elements allow access to pixels, but the <audio> element allows no access to samples. But I'm not suggesting there's any real timeframe for doing that for HTML5. I just want to be able to generate an <audio src="data:audio/wave;base64,...."> URL out of a JS array of 16-bit 44Khz samples, and have Chrome play it. This works today in Firefox and Safari on all platforms.
Dec 22 2009,
Dec 22 2009,
Jan 11 2010,
Jan 25 2010,
cromwellian, would you have an example of this you can point to?
Feb 3 2010,
Check out http://acko.net/files/audiosynth/index.html which has JavaScript dynamically generating Wave format data, base 64 encoding it, making new audio elements with data URIs, and playing them. I'm trying to do the same thing with MIDI files which John Resig discusses here: http://ejohn.org/blog/embedding-and-encoding-in-javascript/ To generate some static data to cut and paste try a command line like this (in Linux): > base64 --wrap=0 sound.wav My particular concern is to have the same audio application work on the major smart phones and the widest range of desktops. Right now (and for the foreseeable future) HTML5 and JavaScript covers the widest market, and for basic real-ime client-side generated audio Firefox and Safari are okay but Chrome is not. I'll be developing for Safari and Firefox with my fingers cross that Chrome and Android will catch up soon, (before I buy next phone). Please don't forget this problem also matters for generated MIDI as well as raw audio.
Feb 3 2010,
New experimental APIs are being developed to properly address dynamically generated audio. My personal feeling is using base64 encoded data URLs via <audio> is somewhat of a neat trick but we'd all be better off with a dedicated API.
Apr 21 2010,
Apr 28 2010,
Renaming bug for clarity.
Apr 28 2010,
Issue 42687 has been merged into this issue.
May 7 2010,
1. Firefox and Safari support wav files, including their data URI variants. Chrome shouldn't lag behind. 2. Dynamic browser-side audio generation will always lead to a simple sample-by- sample lossless format, thus ruling out any of the mentioned lossy/CPU-intensive audio-representation candidates like MP3, Ogg! 3. Speech technology companies want browser-based applications too - server roundtrips for every audio manipulation in the browser are simply prohibitive. Professional audio is always in a lossless format. Random access inside such audio is crucial. Note that the above comments seem to be restricted to hobbyist/consumer/non- commercial apps, hence this plea to not overlook the professional sector. 4. We can't wait years for "audio canvas" (I was the author of that term in the WHATWG mailing list) to be standardized. WAV can to be supported now, since it fits the spec as it currently stands. In its PCM variant it is an extremely simple format; it is not clear to this commenter why it's not in Chrome already! 5. Base-64 audio manipulation can be done real-time, I have extensive experience in a commercial settings with that. Chrome is way faster than other browser on the display side (<canvas> element), but currently unusable for professional audio. From my point of view, therefore, this bug has high priority.
Jun 9 2010,
Wait, Chrome doesn't support WAV PCM?! WHAT. THE. CRAP. Geez, OGG vorbis doesn't work in Safari, MP3 doesn't work in Firefox, and WAV doesn't work in Chrome. *#%%$!
Jun 16 2010,
.wav seems a reasonable choice for some use cases (e.g. a dictionary playing audio samples). I don't think preventing an uncompressed audio format from becoming a cross-browser standard is a good rationale. On the plus side, it seems like a reasonable assumption that any program that supports a lossy format also supports some non-lossy format. Unless there are technical (i.e. non-political) reasons against it, Chormium should follow its peers in supporting .WAV.
Jun 16 2010,
If a raw Audio canvas API is added, it will alleviate some of the pressure to have this, although some apps might still want *lossless* audio loading/saving, which we do have with image support. Moreover, if WAV support isn't added, people will resort to workarounds, like serializing the WAV as JSON which is far worse for network consumption.
Jun 17 2010,
For the simple purpose of having a standard audio format that works in MORE THAN 2 BROWSERS. Please up the priority on this one!
Jun 17 2010,
^^^Actually 3 browsers. Even Safari supposedly supports WAV.
Jun 17 2010,
Yes, Safari like IE9, supports audio and video tags via the system media playback systems (quicktime in safari's case), and so safari supports anything quicktime does, including mov, wav, aiff, alac, sorenson squish, and even things like flv, avi, ogg vorbis/theora, and mkv if you have the appropriate codecs installed.
Jun 18 2010,
I just realized, I cannot think of a single program/device/whatever that can play audio that cannot play WAV PCM. ...except Chrome.
Jun 30 2010,
I am writing a web-based demo and I was shocked when my first attempt did not work in Chrome. My app loads a few small base64 encoded chunks of audio data, and then manipulates them in several ways client-side to produce a soundtrack in sync with the visual elements. Wav may seem impractical for browsers, but if we're able to generate them client-side, it is the ultimate compression scheme. I could generate an endless, never repeating audio track in a 40kb page. There's no way I'm going to implement an compression encoder client-side, just to have the browser decode it again, so, for now "Not supported by Chrome".
Jun 30 2010,
I was surprised that WAV files were not supported as well. I am writing a professional sound quality testing app that requires lossless audio playback, specifically .wav. I could realistically require users move away from IE but because of this issue in Chrome I will have to resort to writing a flash or java player to embed in the app. There is a real need for WAV playback! Lossy, compressed formats are unacceptable for many applications!
Jun 30 2010,
Apparently falling back to the embed tag works in Chrome, but surely this is not the kind of thing the chromium team would like to see as a practical solution. http://www.phon.ucl.ac.uk/home/mark/audio/play.htm As far as I can tell, this doesn't work in chrome with base64 strings, and so "on the fly" JavaScript audio generators still aren't going to work. I've tried it with mime types audio/wav, audio/wave, audio/x-wav; all of which work in Safari/Firefox.
Jul 9 2010,
I am developing a Flash HTML5 web application with audio and I share the frustrations of other comments posted here. There is NO single format that is supported across all modern browsers. WAV has the most support--if Chrome purports to support HTML5, it MUST play WAV audio, plain and simple, or developers are going to be wary of realizing some of the web apps that HTML5 could open the doors for. If they don't just resort to using Flash instead, a developer would have to transcode every single audio file (which in my case is tens of thousands) into multiple formats, possibly losing audio quality in the process, making their application run slower, and wasting disk space. Why is Chrome lagging behind Safari and Firefox? When will WAV support finally be implemented in chromium?
Jul 16 2010,
I Agree. Chrome should support WAV. We automatically generate web sites for users from a windows app. The user selects sounds to play when certain conditions occur. We do not want the user to have to select multiple file types so it works in Chrome. We also should not have to automatically convert and keep two files around just for Chrome. HTML 5 should mean that we can count on a standard behavior accross browsers. FireFox, Safari, and Opera all currently support WAV. I suspect Internet Explorer will as well.
Jul 19 2010,
Aug 1 2010,
I understand the concerns about WAV becoming a de-facto standard, but I think in reality that's extremely unlikely -- web developers know that using WAV takes up lots of bandwidth, and web users are unlikely to stick around waiting for sites that serve up huge downloads on every visit. It's survival of the fittest: sites that distribute large numbers of uncompressed audio files will quickly collapse under their own weight. Also, while I applaud the idea of an "audio canvas" (which would be great for some of the sound synthesis stuff I've been doing), I don't think it's a replacement for WAV support. There are times when uncompressed audio is exactly what you want, despite its drawbacks, and it would be wonderful if Chrome users could hear those sounds, too. I guess in the end I just don't see how this is different than, say, the BMP format: another uncompressed file format which is (rightly) supported by all major browsers, but is not widely used in practice due to its large file size. The web is a free market; it will regulate itself on an issue like this. In the meanwhile, Chrome users unfortunately have impaired access to uncompressed audio/in-browser sound synthesis.
Aug 7 2010,
I also vote on adding WAV support to Chrome, especially via src="data:...". I've recently played with audio generation on-the-fly and was suprised that only major browser that doesn't support WAV files (which are easiest to generate in JS) is Chrome. Please add this, and I'm not talking about whole WAV spec (which is huge), but maybe only Format & Data chunks (no compressions) for starters. Oh, and while at it, please make it so the gapless playback is possible (as described here: http://forestmist.org/2010/04/html5-audio-loops/)
Aug 10 2010,
Note, that WAV support only solves half the problem. The other is precision timing. Currently, HTML5 media elements lack the rugged timing specifications that SMIL had, so you can't, for example, arrange for 5 <audio> tags to place one after another in serial with no gaps, or play in unison at exactly the same start time. You can't seek to a particular millisecond or frame, among the many limitations. It would be nice to add WAV support, but even better would be to fix the audio/video/mediaelement stuff.
Aug 10 2010,
There is a W3C Incubator group for that called the Audio Incubator Group. Their aim is to provide an interoperable way to edit audiostreams in various browsers. For more information about that you can read the following three links: http://www.w3.org/2010/04/audio/audio-incubator-charter.html http://chromium.googlecode.com/svn/trunk/samples/audio/specification/specification.html http://peter.sh/audio This is, however, not directly related to the playback of WAV files. To cite fbarchard from bug 42687 : "We dont want to see an uncompressed format becoming the web standard."
Aug 10 2010,
That's not a very good reason compared to ones such as "I want to generate audio data on the fly from JavaScript" imo. And as someone else pointed out, the uncompressed nature of WAVs will in fact ensure that it will be used properly, thanks to a hoster's bandwidth and disk space limits. I've built a notification sound effect into my extension and my options page allows you to select a url or a local file. However, on Windows at least, sound effects are usually stored in WAV format. Not being able to use WAV files could be unintuitive. Worst case I can just throw up an error dialog with a link to this thread and a suggestion to star if the user wants to see WAV playback in Chrome. :)
Aug 11 2010,
Aug 12 2010,
This is a minimal testcase for the (hopefully) upcoming WAV support: <audio src="data:audio/x-wav;base64,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" autoplay>
Aug 18 2010,
I can't understand the resistance on adding support for WAV. It's one of the basic resources that we need to develop simple audio apps, even if it's not dynamic. And so, PLEASE, FORGET about the bandwidth issue. We really have other interfaces to access WAV files, e.g. http://dev.w3.org/2006/webapi/FileAPI/. I really expect that we have support for WAV on Chrome before Internet Explorer 9 arrives.
Sep 14 2010,
Sep 14 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=59411 ------------------------------------------------------------------------ r59411 | email@example.com | Tue Sep 14 12:10:22 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromiumOS/linux/x64/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chrome/win/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chrome/linux/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chrome/mac/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromeOS/linux/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chromium/win/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chromium/linux/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chromium/mac/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromiumOS/linux/ia32/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chrome/linux/arm-neon/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromeOS/linux/arm-neon/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chrome/linux/arm/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromeOS/linux/arm/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chrome/linux/x64/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chromium/linux/arm-neon/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromeOS/linux/x64/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromiumOS/linux/arm-neon/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chromium/linux/arm/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/Chromium/linux/x64/config.h?r1=59411&r2=59410&pathrev=59411 M http://src.chromium.org/viewvc/chrome/trunk/deps/third_party/ffmpeg/source/config/ChromiumOS/linux/arm/config.h?r1=59411&r2=59410&pathrev=59411 ffmpeg config files for sept 09 ffmpeg and enable wav and vp8 encode BUG= 23916 , 55562 TEST=none Review URL: http://codereview.chromium.org/3390002 ------------------------------------------------------------------------
Sep 23 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60246 ------------------------------------------------------------------------ r60246 | email@example.com | Wed Sep 22 17:36:13 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/DEPS?r1=60246&r2=60245&pathrev=60246 roll ffmpeg to sept 09 version for Chrome 8. Includes wav decoder and vp8 encoder for all x86 configurations. BUG= 23916 , 55562 TEST=wav should play with <audio> tag Review URL: http://codereview.chromium.org/3393010 ------------------------------------------------------------------------
Sep 23 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60248 ------------------------------------------------------------------------ r60248 | firstname.lastname@example.com | Wed Sep 22 17:48:57 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/DEPS?r1=60248&r2=60247&pathrev=60248 Revert 60246 - roll ffmpeg to sept 09 version for Chrome 8. Includes wav decoder and vp8 encoder for all x86 configurations. BUG= 23916 , 55562 TEST=wav should play with <audio> tag Review URL: http://codereview.chromium.org/3393010 firstname.lastname@example.com ------------------------------------------------------------------------
Sep 23 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60267 ------------------------------------------------------------------------ r60267 | firstname.lastname@example.com | Thu Sep 23 00:19:09 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/DEPS?r1=60267&r2=60266&pathrev=60267 ffmpeg roll for chromium BUG= 23916 , 55562 , 56561 TEST=none Review URL: http://codereview.chromium.org/3496003 ------------------------------------------------------------------------
Sep 23 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60269 ------------------------------------------------------------------------ r60269 | email@example.com | Thu Sep 23 01:17:26 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/DEPS?r1=60269&r2=60268&pathrev=60269 Revert 60267 - ffmpeg roll for chromium BUG= 23916 , 55562 , 56561 TEST=none Review URL: http://codereview.chromium.org/3496003 firstname.lastname@example.com Review URL: http://codereview.chromium.org/3455017 ------------------------------------------------------------------------
Sep 24 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60533 ------------------------------------------------------------------------ r60533 | email@example.com | Fri Sep 24 15:07:49 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/DEPS?r1=60533&r2=60532&pathrev=60533 ffmpeg roll for chromium BUG= 23916 , 55562 , 56561 TEST=should build with clang & freebsd Review URL: http://codereview.chromium.org/3417020 ------------------------------------------------------------------------
Sep 27 2010,
First step is in. WAV+PCM are added to FFmpeg. Should work with <audio> tag in trunk now. Just need to add mimetype
Sep 28 2010,
Horray!!! :D:D:D
Sep 28 2010,
Hello, I apologize, but does this mean WAV support is going to be part of official Chrome release? That would be just great.
Sep 28 2010,
@matt Yes, tentatively planned for the Chrome8 release. This site tests mimetypes and will be a good one to test against: http://beta.html5test.com/
Sep 28 2010,
Issue 53564 has been merged into this issue.
Sep 28 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60856 ------------------------------------------------------------------------ r60856 | email@example.com | Tue Sep 28 15:25:20 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/net/base/mime_util.cc?r1=60856&r2=60855&pathrev=60856 add audio/wav mimetype BUG= 23916 TEST=http://beta.html5test.com/ Review URL: http://codereview.chromium.org/3474015 ------------------------------------------------------------------------
Sep 28 2010,
The following revision refers to this bug: http://src.chromium.org/viewvc/chrome?view=rev&revision=60859 ------------------------------------------------------------------------ r60859 | firstname.lastname@example.com | Tue Sep 28 15:41:46 PDT 2010 Changed paths: M http://src.chromium.org/viewvc/chrome/trunk/src/net/base/mime_util.cc?r1=60859&r2=60858&pathrev=60859 add audio/x-wav mimetype for apache BUG= 23916 TEST=http://fbarchard0-w.ad.corp.google.com/mediatests/2ch_test_folded_16int.wav Review URL: http://codereview.chromium.org/3554001 ------------------------------------------------------------------------
Sep 29 2010,
@dr.marikos your test case works in chromium trunk now. http://www.randomthink.net/labs/html5drums/ plays but the timing seems off
Sep 29 2010,
7.0.538.0 (60891) Vista Ultimate SP2 WAV files play in chromium. see http://www-eng-x.llnl.gov/documents/a_sound.wav There are issues with the built-in "player" as far as refreshing/repainting go. E.g., open the above URL and then resize the browser window. Or, click wrench > About Chromium > OK button. Attached is the player controls I see when opening a WAV file. Should this problem be opened in a new issue? As for the test case mentioned in comment 56, it may have a problem playing multiple files at once. If you just check one effect, slow the tempo down to 30, and space it out enough, it will play them all & at the right time. Too close together (either by close placement in the columns or by faster tempo) and it won't play all samples as it should. If you add a second effect, even at the same time, it only plays one of them (most of the time - occasionally it will play both). Also, shouldn't the handling of WAV files show up in about:plugins? I notice that it overrides, for example, the Quicktime plugin that is enabled and set to handle WAV files sent as audio/x-wav or audio/wav. The URL above sends as audio/x-wav.
Sep 29 2010,
can someone detach comment 60 and add as an attachment so that we don't have a super-long horizontal scrollbar on this issue? :)
Sep 29 2010,
fbarchard: that page also supports playback using OGG audio-files, making the page work fine in the dev (and presumably beta/stable) channel. Timing is off there as well, so it's likely to be a separate issue. Playing the wav file in comment 57 works fine, however, the tab crashes after I reload the page. The volume icon also indicates that the audio player is entirely muted, but it's perfectly audible. Chromium 60909 on Windows Vista Business SP2.
Oct 1 2010,
Using Gooel Chrome 7.0.540.0 (Official Build 61029) canary build - I cannot listen to any WAV file. They do not play. They seem to be supported (they show the player when you browse there), but not listenable. Example from the W3Schools (codec - pcm_u8) - http://www.w3schools.com/media/liar.wav Example from another website (codec - pcm_s16le) - http://ws.d.co.il/PhoneReader/Default.aspx?custId=18938250&RandomFileName=8711285951441&headingCode=38010 Both of them are recognized by FFMPEG. Also, both of them cannot be played with Chrome 7.0.536.2 (Official Build 60818) dev (which is supposed to support them, but not their MIME type, like you mentioned). (If it matters, I use these command lines, some come from about:labs and some are derived from --enable-nacl - --enable-gpu-rendering --enable-remoting --enable-experimental-extension-apis --enable-accelerated-2d-canvas --enable-nacl --enable-video-fullscreen --enable-file-system --internal-nacl --enable-gpu-plugin --enable-match-preview --enable-tabbed-options --enable-vertical-tabs)
Oct 1 2010,
http://junk.mzzt.net/monk_rant04.wav Doesn't play. Attempting to reload the page after trying to play it crashes the renderer.
Oct 3 2010,
@comment 60: 7.0.538.0 (60900) & 7.0.541.0 (61296) Ubuntu 9.10, I can play the w3schools WAV. The older build had problems with the "playing" tab & other tabs crashing when either refreshing or closing the "playing" tab. A player was shown for the co.il URL, but the play button was not operable. @comment 61: I had no problem playing that file, either. Refreshing the tab (during playback or after playback has stopped) crashes the tab, although a 2nd refresh loads the file w/ no problem.
Oct 7 2010,
http://www-eng-x.llnl.gov/documents/a_sound.wav http://www.w3schools.com/media/liar.wav http://junk.mzzt.net/monk_rant04.wav all work for me on 7.0.549.0 (Developer Build 61784) Note that only 3 formats are supported: pcm_u8 pcm_s16le and pcm_f32le A crash to do with graphics was fixed recently, that was affecting controls. This affected all audio formats. WAV is added to mimetypes, so http://beta.html5test.com/ shows PCM audio support. If there are new bugs/feature requests, please open a new crbug.
Oct 10 2010,
Do you seriously want me to open a new issue for something that never worked? With Chrome 8.0.549.0 (Official Build 61915) canary build on Windows XP Professional SP 3 and on Windows Vista Home Premium SP 2 - all of these samples do not work. This OGG sample does work - http://upload.wikimedia.org/wikipedia/commons/a/a9/Tromboon-sample.ogg But these do not work - http://www-eng-x.llnl.gov/documents/a_sound.wav http://www.w3schools.com/media/liar.wav http://junk.mzzt.net/monk_rant04.wav
Oct 10 2010,
Maybe you should try it with a canary\official build and see for yourself. The sound does not play, the play button gets greyed out when you try to hit it after the file has (supposedly) loaded.
Oct 10 2010,
Confirmed, Canary 8.0.549.0 won't play these samples. It's not in 8?..
Oct 10 2010,
I too still can't play these files. in 549.0 canary or the latest dev. Perhaps it's an OS specific issue, or some other factor that only breaks it for some people and not others? I'm running Windows 7 64-bit.
Oct 10 2010,
Works for me on Linux: 8.0.550.0 (62060) Ubuntu 10.10
Oct 11 2010,
Canary 8.0.549.0 doesn't play for me either on Windows XP Professional SP3: http://www-eng-x.llnl.gov/documents/a_sound.wav gets curiously enough wrapped in <video> instead of <audio> according to Chrome's own web developer tools (elements view), and shows these log messages in the same, together with some kind of -1 return code for a_sound.wav: Resource interpreted as document but transferred with MIME type audio/x-wav. Resource interpreted as document but transferred with MIME type . Failed to load resource Same for all other examples given. Hth, Markus
Oct 12 2010,
My js gameboy color emulator tries to default to WAV PCM data uri generation when mozilla's proprietary extension isn't available. Unfortunately the WAV PCM sound is getting chopped off, even though the simultaneous instances of WAV PCM data playing should not interfere with each other. GBC emu: http://www.grantgalitz.org/gameboy/
Jan 8 2011,
peepo.com uses wav and at least on os x play audio in Safari, Opera and Mozilla, but not Chrome.... it's a guess, but surely even IE9 beta plays wav...
Apr 5 2011,
Related issue 78452 (alaw compressed WAV files are not supported).
Oct 12 2012,
This issue has been closed for some time. No one will pay attention to new comments. If you are seeing this bug or have new data, please click New Issue to start a new bug.
Mar 10 2013,
Mar 13 2013,
Apr 6 2013,
Jun 20 2014,
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