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|SPRO Configurations Transaction
|By: Tarun Sharma
How to configure system to allow notification type change?
You can define in SPRO the Allowed change of notification type. Please follow the below path:
Maintenance and Service Processing --> Maintenance and Service Notification --> Notification Creation --> Notification types --> Allowed change of notification type
Why change data not display in order?
Please check if the check box for change documents is checked or not in Customizing
PATH:- Plant Maintenance & customer service --> Maintenance & service processing --> Maintenance & service Orders -->Functions & settings for order types --> Define Change Docs,Collective Pur.Req.Indicator,Operation No.Interval
How overheades are calculated and from where the formula is picked?
Plant Maintenance and Customer Service--> Maintenance and Service Processing--> Maintenance and Service Orders--> Functions and Settings for Order Types-->Costing Data for Maintenance--> and Service Orders--> Maintain Costing Sheet
Select the costing sheet that you are using and push costing sheet rows, next see the column overhead rate, select the row and push overhead rate.
How to set Warrant and Partner screen in equpimnet master data?
1. Set the Class active in the warranty category I in the img CM01
2. Plant Maintenance and Customer Service --> Master Data in Plant Maintenance
and Customer Service --> Warranties --> Define Warranty Types
3. Set the number range BG00 for Master Warranties
4. Create a Characteristic for the Warranty Counter T-Code CT04
5. Use the Characteristic as a Warranty Counter T-code GM04 and make it the Default and time dependent
This will complete the warranty config.
Making (ZIP CODE) Field Mandatory in Maintenance Order
Follow the path in config:
PLant maintenance and customer service----> Maintenance and service Processing -->Maintenance and service Orders-->Define Field Selection for Order Header Data (PM) - Then Execute
Now Double Click on "Field Selection for Order Header Data".
See Also
Have a SAP PM Problems?
SAP Plant Maintenance Books
Main Index
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Doctors Warn Mom Of Baby's Unusual Condition, Mom Looks At Baby & Instantly Notices His Shape
by FaithTap Staff 6/14/2017
Moms are so excited to catch that first glimpse of their gorgeous baby on an ultrasound. Sometimes the babies are swimming about, waving at the camera or hiccupping. But when Corinna Heppner first saw her baby on an ultrasound, her heart dropped.
Corinna was told her baby likely would not survive because he had severe scoliosis and Arthrogryposis Multiplex Congenita (AMC), which is a rare neuromuscular disorder that can significantly reduce mobility in the joints and muscles. But her baby wasn't about to accept his fate. Instead, Rossy Hipkin has been defying the odds since the day he was born.
Rossy was nicknamed "C Man" because he remained in a severely curved and inverted C shape during Corinna's pregnancy. His extreme curvature was detected at 20 weeks gestation.
At that time, his spine extended past 90 degrees. Shockingly, Rossy was delivered in that same shape.
"It was hard because you don't want to see your baby with tubes and wires in a glass box ... He was born and he kind of took it from there and showed them all who's boss."
Miraculously, Rossy only has had to be revived one time, but otherwise acts like any other little guy. He crawls, but without using his arms, because AMC makes it difficult for Rossy to use his arms. He scratches his head with his foot and can drive his power wheelchair with his legs. The way he adapts to life amazes everyone, said his nurse, Kalyn Miller.
"He does it all his own way - nothing conventional the way he does anything. But he definitely does a lot of things that people thought he wouldn't do."
Not only does Rossy shock people, but he's a huge inspiration to everyone who is blessed to be around him. Doctors indicated Rossy would never breathe on his own or lie flat, nor would he live very long after birth. He's defied all that, his mom said.
"He's so happy. And the words 'can't' and 'won't' and 'don't' and 'will never' just don't exist. They don't exist for him. One in three kids with Arthrogryposis Multiplex Congenita, they don't make it to their first birthday."
Still, raising a wee one with a serious health condition isn't easy. But Rossy's bubbly demeanor and incredible outlook on life leads Corinna to cherish every second with her son.
"Some days you wake up and you don't know how you're going to get through the day, but then you look at him and he just smiles through everything. He's been through more than anyone should ever have to go through in their lives, and he's only a year old, and he's still smiling."
Here's an interview with Corinna and C Man, who turned one April 16, 2017.
Caring for a baby with such serious medical issues can be taxing and expensive. Rossy has a host of splints, back braces, oxygen and other specialized equipment to help hold him straight. Even the common cold can land him in the hospital for days on end.
Corinna was unable to return to work and instead oversees Rossy's daily care, medical appointments and more. Family and friends continue to support them emotionally and financially through fundraisers. Bless this little boy and his family as they cherish each day Rossy spends gracing this earth.
Source: Global News FB Image Credit: YouTube/West X East Videos
He Plays "You Raise Me Up" On A Pan Flute, The Unique Rendition Is Taking Everyone's Breath Away
world by FaithTap Staff
With A Simple Piece Of Tape, Man Shows How To Instantly Defog Windows For Good
diy by Cailyn Finkel
Little Girl Blows Santa's Cover, And Has The Internet Losing It In Laughter
family by Cailyn Finkel
Bride Sees Her Husband's Ex At Her Wedding, Halts Everything And Tells Her To Stand
family by Cailyn Finkel
Tiny Girl Nervously Walks Onstage, Then Belts Out Classic That Leaves Everyone In Chills
world by Cailyn Finkel
Cop Walks Up Behind Dancing Coworkers, Now Watch How Quickly He Steals The Spotlight
world by Kristin Danley

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Fri, 10 Nov 17, 9:30pm
Singapore's new title "City in a Garden" is evident in Marina One, a stunning energy-efficient cluster of four high-rises clustered around a spectacular "Green Heart." Designed by ingenhoven architects in collaboration...
Spectacular rainforest-like green heart grows within Singapores Marina One
Fri, 10 Nov 17, 9:30pm
Singapore's new title "City in a Garden" is evident in Marina One, a stunning energy-efficient cluster of four high-rises centered on a spectacular "Green Heart." Designed by ingenhoven architects in collaboration...
You can now explore all 19 of South Africa's National Parks on Google Maps
Sat, 4 Nov 17, 4:59am
Have you ever wanted to walk in the footsteps of Nelson Mandela, track cheetahs on foot, or stroll with elephants — and other exotic creatures — in South Africa? Well, here's your chance...
Scientists discover five new species of the beautiful Peacock spider
Thu, 14 Sep 17, 9:56pm
Even those who despise arachnids can't help but fall for the gorgeous peacock spider. And now there are even more of them to admire. Researchers from Australia have just announced the discovery of four new species and one...
Sixth mass extinction on Earth is driven by industrial farming, says leading academic
Thu, 31 Aug 17, 12:00am
Earth is presently experiencing its sixth "mass extinction," and humans are largely to blame, says a leading academic. In his new book The Value of Nothing: How to Reshape Market Society and Redefine Democracy, Professor...
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I don't know where to start. I really don't "text mining" oy ~ctm From Eurekalert Public Release: 3-Aug-2017 A new method of surveying published research, which has highlighted current issues faced by the marine...
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We already knew dogs are saviors to humankind - but it turns out they are heroes to other species as well! Recently a golden retriever named Storm rescued a baby deer from drowning off the coast of Long Island, New York...
Climate change impacts Antarctic biodiversity habitat
Tue, 4 Jul 17, 1:00am
From the University of Queensland IMAGE: Climate change impacts Antarctic biodiversity habitat. view more Credit: Peter Ryan Ice-free areas of Antarctica – home to more than 99 per cent of the continent's terrestrial...
China breaks ground on first Forest City that fights air pollution
Mon, 26 Jun 17, 6:00pm
A pollution-fighting green city unlike any before is springing to life in China. Designed by Stefano Boeri Architetti, the first "Forest City" is now under construction Liuzhou, Guangxi Province. The futuristic city will...
Gas grab and global warming could wipe out Wadden Sea heritage site
Fri, 16 Jun 17, 4:00pm
The world's largest unbroken intertidal system and a haven for migratory birds on the Dutch coastline is at risk of sinking out of existence
Green streets are the way to go
Fri, 16 Jun 17, 6:30am
Green roofs and walls insulate buildings and soak up rain. And like trees and hedges, they absorb pollutants. What's not to like?
7 biggest threats to the environment - why we still need Earth Day
Wed, 19 Apr 17, 3:20am
This Saturday is Earth Day, and while it's a time to celebrate our planet, it's also a prime opportunity to take a closer look at the serious environmental issues we're facing and the solutions that need to be put in place...
The 10,000-year-old East Coast Grand Canyon 100 miles from NYC
Wed, 5 Apr 17, 10:08pm
The East Coast has its own Grand Canyon-like natural wonder - just 100 miles southeast of Lady Liberty in New York City. And the mile-deep Hudson Canyon brims with biodiversity, but it is at risk of being exploited for oil...
World's biggest river island could be India's first carbon-neutral sector
Fri, 24 Mar 17, 2:32am
Pollution has plagued India recently; a 2017 report showed people are more likely to die from air pollution not in China, as might be your first guess, but in India...
50,000 new seeds deposited in Arctic Circle's Svalbard Global Seed Vault
Fri, 24 Feb 17, 1:53am
Nearly 10 years ago, a group of scientists got together to build the Svalbard Global Seed Vault in the Arctic Circle, to prepare for a world threatened by climate change, wars, and natural disasters...
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Utopia In the Eyes of a Beast [CD]
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Debunking Myths about Clicker Training
By Stephanie Kwok
There is always more than one way to train your horse a new skill. If you're like me, you tend to try more traditional methods first, but are flexible and open to different ideas when your horse's feedback indicates the need for another approach.
have found many applications for which clicker training is particularly well suited, and enjoy introducing this approach to other horse owners. But as I talk with people, I've noticed that there are still some myths about clicker training circulating out there, and I offer some clarity for those who are curious to learn more about it.
Myth: Clicker training is new-age feel-good nonsense
The fundamental principle of clicker training is the use of positive reinforcement, a solidly researched subject in the analysis of human and animal behaviour for more than 70 years. Starting in the 1960s, animal trainers began using positive reinforcement in real world situations, with great success, and there was a surge of activity in the 1980s as this method started being applied to dog training. With the advent of the Internet in the mid-1990s, word spread and clicker training gained popularity among horse trainers as well. The basic idea
of positive reinforcement is to provide the horse with precise feedback about what he is doing correctly, instead of what he is doing wrong. He is given a "Yes!" signal at the exact moment he is performing a desired behaviour, and receives a reward as reinforcement shortly after the signal is given. Decades of scientific research has established that a behaviour which is marked and rewarded in this way will increase in frequency.
Myth: Your horse won't listen to you if you don't have your clicker
The clicker is simply a tool to help achieve clarity in communication. It is not a remote control. You don't get the behaviour with a clicker, you mark the behaviour with Station on mat a clicker. In fact, you don't even need to use a clicker at all. You can be effective with just your voice or a tongue-click, so long as your signal is consistent, distinct and well timed. Once a particular behaviour is being performed consistently, can be cued multiple ways and is strong in a variety of environments (on the trail, in the ring, with/
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We do not mind misogyny in politics—heck, we practice it in philosophy, we denounce it and talk about it, and go on practicing it. Ditto racism. Ditto anti-Semitism. But for me it matters that we are prepared to tolerate Heidegger's misogyny (he gets a free pass: think of Arendt, not that we actually do) but not his anti-Semitism.
1. What Eignung is to artifacts and acorns, Ereignis is to ex-sistence – but with an important twist.
Ereignis does have to do with κίνησις, and κίνησις does have to do with incompleteness2. Ex-sistence is unique in being already "complete" in its incompleteness, already "whole" as never being whole.
However, Ereignis applies exclusively to existential κίνησις.
Ex-sistence is perfectly "perfect" in its imperfection, its inability to achieve complete self-coincidence.3. Appropriation names the fact that ex-sistence has been brought a priori into its proper ownness (er-eignet) as the finite, mortal Open (GA 73,1: 226.26; GA 12: 128.29-30.; 248.16; 249.5–6).
In SZ, what accounted for ex-sistence's finitude (its open-ended-ness vs. full selfpresence) was called "thrownness." But in 1936 Heidegger began calling thrownness "Er-eignis" ("ap-propri-ation"), a term modeled on Eignung.
The word "Ereignis" simply reinscribes the basic structure of ex-sistence that SZ had called thrownness. (GA 65:34.8–9; 239.5; 252.23–25; 322.7–8 with SZ 325.37; GA 9: 377, note d; GA 73, 1: 642.28-29; etc.)4. Appropriation is not an "event" in any sense of that term (GA 14: 25.33; GA 11: 45.19-20; GA 70.1719). It is an existential fact, the very facticity of ex-sistence.
Appropriated ex-sistence is Zu-sein: as possibility, ex-sistence is in the condition of ever-becoming.
To name this asymptotic condition of ex-sistence, Heidegger adopted Heraclitus' hapax legomenon ̓Αγχιβασίη, "ever approaching" (fragment 122).
The historian may protest that to be interested in Aristotle, al-Kindi, or Kant, is unlike voting for a politician: it need involve no approval of the author's worldview. I've met many experts in Aristotelian cosmology, and not one of them has thought that the Sun orbits the Earth, as Aristotle did. So we might treat the bigotry of the past the way we treat the scientific mistakes of the past. That is, rather than detaching hateful remarks from the rest of the theory, we detach ourselves, offering an objective analysis of these thinkers' ideas without ever adopting those ideas as our own. This will often involve situating the thinkers in their historical context. We might for example note – as a historical observation, not as a matter of praise or blame – that when Plato argued in the Republic that women can do everything men can do, but not so well, he was being unusually 'feminist' for his time – while simultaneously being sexist by modern standards. This seems a reasonable solution, but it will not be enough for those philosophers who do not see themselves as 'mere' historians, but seek truth in historical works. Most notorious in this regard is the case of Heidegger. There is an ongoing debate as to whether his Nazism effectively poisons his thought as a whole, making it off limits as a source of philosophical inspiration.
1. Heidegger interprets δύναμις as a moving thing's Eignung (GA 9: 215.25; GA 19: 265.14; etc.), its condition of
• coming-into-its-own/eigen, coming-ad-proprium, that is:2. Two examples, one from nature (ϕύσις), the other from human know-how (τέχνη): 2.1 Nature (ϕύσις): An acorn has the δύναμις/Eignung of being an oak tree.
• being ap-propri-ated by and unto its τέλος.
It is "drawn" into its proper wholeness by its τέλος ("oak tree"). This τέλος lies within the acorn; it is the origin and ordering (ἀρχή) of its movement.2.2 Know-how (τέχνη): Guiding the construction of a cabinet is the carpenter's know-how (τέχνη).
Put otherwise, the acorn already has itself in its τέλος (ἐν τέλει ἔχει), but not fully.
The realness (actuality) of the acorn has the form of ἐν-τελ-έχεια ἀ- τελής.
The process begins with the carpenter's prior projection of an idea of the outcome, the εἶδος προαιρετόν that will function as the τέλος of the activity.4. In short, Eignung names the reality of a something that is in the process of being brought-ad-proprium, still coming into its proper status as complete and whole.
The wood that has been selected as appropriate (geeignet) for the task then undergoes a process of appropriation (Eignung) to being a cabinet.
In this case the process is guided not by an internal τέλος, as with the acorn, but by the external τέλος residing in the mind of the carpenter who first projected the outcome (GA 9: 191-93).
In fact, this computer-generated statement is itself an artwork called Variable by the Instanbul-based artist Selcuk Artut. At the press of a button, Variable generates a new artist's statement for one of eight different screens. Each screen chooses a title for the art piece, like "movement," "presence," or "weakness," and then each statement is concocted with a machine learning algorithm that was trained on the book Being and Time by the philosopher Martin Heidegger. Artut writes that he was inspired by the book's complexity; his algorithm remixes Heidegger's text and transforms it into new meditations on the nature of being, an appropriate topic for contemporary art, which so often ponders the same questions. All the statements sound appropriately vague and baffling–just like actual artist statements.It seems to me the postmodernism generator has been doing something similar with simple algorithms for a couple decades. Using machine learning for the same ends just consumes more energy -- carbon.
In 1971, I wrote my PhD dissertation on a comparative study of Mawlana (Rumi) and Meister Eckhart. Karl Löwith was my supervisor. I found out there is actually similarities between western philosophers and Muslim mystics (Sufis)—that the comparisons are not without merit. I published it under the title of Historical Sociology. In this book, I showed that Mawlana, Eckhart and Heidegger's ideas are not philosophical but mystical. Gadamer read my works and told me that I was right, he told me that "for the last thirty years, I've been saying that my dear teacher, Heidegger, is a mystic, but no one believes me. You are the first one that has written this down." It is surprising that Mr. Ayatollahi, Davari Ardakani and Dinani also believed this and they told me once that Heidegger's being a mystic is the reason that they agree with his ideas. I told them that because I believe that Heidegger is a mystic, I am rejecting and criticizing him; because Heidegger is deviating from the rational German philosophy.
The philosopher Heidegger believed that impending death is an essential feature of human existence. "Heidegger saw death as a pervasive feature of your being in the world and not just an unfortunate event that happens at the very end," says [Taylor] Carman. "He thought we can't really understand ourselves unless we see ourselves as finite." After all, "If my time is finite, what's important and how do we live?"
Heidegger and Bentham had different notions of honesty around death. While Heidegger believed that anxiety about death was inevitable in life, Bentham's point was to "demystify our mortality and finitude and render it tractable," says Carman. Both, though, were considerably more honest about death than most. And this honesty makes life all the more meaningful.
[P]hilosophers from Socrates onwards have been in the business of questioning accepted communal pieties, often at their own peril. One lineage beginning with Plato has thus seen philosophers repeatedly attracted to forms of tyrannical government. For in these regimes, their controversial wisdom can directly shape policy, by-passing any need to court popular consent. The most influential 20th century figure in this lineage of 'Platonic political philosophy' is Alexander Dugin's philosophical hero, the German philosopher Martin Heidegger....
"A different, special, exclusive place in the history of philosophy that can be set aside for Heidegger should be recognized," Dugin has proclaimed: "in the case that we fully trust Heidegger, immerse ourselves in his thinking, and make him our highest authority, … even in the event that his deeds went beyond the accepted norms of common morals. Geniuses are forgiven by everyone."...
Heidegger's Germanism might then seem to pose a sizeable problem for a Russian ethno-nationalist like Dugin. But the latter's fidelity to Heidegger sees him proposing to carry the German thinker's anti-modernist project forwards, by relocating it on different "Indo-European", Slavic or Russian soil. For Dugin, the "putrefaction" of the West diagnosed by Heidegger meant that Nazism could not break out from modernity. One needed to look further East: to the untapped telluric riches of the Russian narodi (very roughly, "people") and its language.
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With the phrase "Je est un autre" Rimbaud anticipated the unconcious as being an essential part of the subject. Moreover, Rimbaud's "I', in the transitional poetry between Romanticism and Modernism, to which Rimbaud's statement should be seen as belonging, is not only a questioning of a stable, indivisible subject, that is, the unity of the subject with itself, the subject's, but also a breaking up of the lyrical subject and the Cartesian self-identity of the "I" of poetry. Indeed, what Rimbaud can be said to precursor is the free play of Modernism and even more so of Postmodernism.
Heidegger first asks about how rhythmos relates to the incompatible terms nearness and the unapproachable, which, according to the Greek poet Archilochos, is supposed to keep the human being in line. Second, he asks if poetry still has the force to save language from the Gestell of modern science as represented by the sciences of language, linguistics, and informatics. Third, Heidegger answers these questions by answering that Rimbaud remains vital to poetry if poets keep asking these questions in their poetry, which means becoming a seer that can hear the call of the unknown. For poets to be able to do this they must find a way to make the unknown still, the rhythm of poetry must still the unknown.
P. 138From James M. Magrini and Elias Schwieler's Heidegger on Literature, Poetry, and Education after the "Turn": At the Limits of Metaphysics.
The statements of Derrida and Heidegger might have the appearance of complimenting non-Western philosophy for avoiding the entanglements of Western metaphysics. In actuality, their comments are as condescending as talk of 'noble savages', who are untainted by the corrupting influences of the West, but are for that very reason barred from participation in higher culture.
In the end, Jim neither flees nor fights, refusing the "anxious" retreat and escape from his destiny, and refuses to fight as if recognizing the uselessness of mere human machinations in acts of doing violence through the power of techne. Rather, he understands what is required is a "self-opening or a stance of receptivity that relates to beings by looking beyond them," to their "source and ground in concealment and mystery". In direct relation to the understanding of Heidegger's poetizing of the ταμηχανα, against which no one can avail themselves, Jim releases himself over to an approaching destiny, realizing there is "no escape" and "nothing to fight for," and so he solemnly with the "hearty' knowledge of Being (as φρην), declares, "Time to finish this". It is not Jim's death per se that is of supreme interest but, rather, der Augenblick, the 'right time." or time of Being's historical presencing and appropriation (Ereignis), when Jim takes up the δεινον prior to ever standing before Doramin and uttering his final words, "I am come ready and unarmed". In this moment (der Augenblick) Jim becomes because he already is, what is poetized, the story, the telling, the saying (muthos), namely, the supreme unhomely One (to deinotaton), which for Heidegger indicates that he is "nothing other than becoming homely in being unhomely," and in the poetic telling, it must be understood, and this is what sets the telling of from a saying associated with works of "free inventing [Erfinden] in the sense of will imagining by authors and poets, that the telling "always remains only as a potential for being that pertains to risk--as something to be poetized and poetically decidable".
P. 174From James M. Magrini and Elias Schwieler's Heidegger on Literature, Poetry, and Education after the "Turn": At the Limits of Metaphysics.
For Heidegger, authenticity could only be achieved within a community. Authentic existence, he argued, unfolds as a "co-happening" with others – not strangers, but people with whom we are connected. He situated authenticity as an emergent aspect of individuality that was amplified by a community's shared past. In other words, authentic being (Dasein) outside of a grounded community – the underlying premise of which tourism scholars have claimed is the existential basis of travel – is, according to Heidegger, impossible. The world of Dasein is a world shared not with humans in general but those who share the same norms, assumptions, and, in short, culture.
In the first part of the book, which draws extensively on Heideggerian philosophy, Baracco and Wright argue that Boyd's work deviates from mainstream international modernism and displays an "affinity with cultures and sensibilities that are in touch with the history, geography and culture of their places." This point is well taken and, like Baracco and Wright's suggestion that Boyd's buildings were spatially ingenious and established a relevant dialogue with their context, it is widely accepted. Thus, when reading the first part of the book, a question emerges: Do we need Heideggerian theory to validate these observations? And, more broadly, does Boyd's work need to be theorized in this way? What does drawing out parallels between Heidegger's "critique of the objectifying nature of Western thought" and his philosophy to mitigate the modern overemphasis for rational representation through "meditative thinking" as a coexisting and parallel sensibility of "calculative thinking" on the one hand, and the "spatial continuity" recognized in Boyd's work on the other, add to our knowledge of the architect's thought and design approach? Particularly given that – to the authors' admission – Boyd was "hardly involved with the field of philosophy, and there is no evidence that he read or discussed any work by the German philosopher."
Rumi goes beyond identity to geographies of "placement" and settled habitation in any sense. Hence: "do not belong to any land, or to any known or unknown sea. Nature cannot own or claim me, nor can Heaven." The question arises, particularly in our current context of diasporic and reverse diasporic migration, refugee migration and more: Can one ever claim to be "placeless"? Surely, we are "thrown" as Heidegger would have it (a brutally expressive metaphor), not "merely' into "the world", but also into a specific life world by virtue of birth and conditioning? Yet, our own unsettled diasporic consciousness points to a portal beyond the entrapment in any given life world. Our "thrownness" is challenged gently or forcefully disrupted by exposure to multiple lifestyles and value systems.
For Jim, in Conrad's novel, the moment of decision is the moment when all hope is gone, when complete uncertainty governs, it is an instant in which life and death come together as one, when there is no difference between them, when time is suspended for an in an instant. At that moment there is the leap, the jump that changes everything. The decision to jump cannot even be said to be a choice, it is pure de-cision, in which existence is put on hold. From thereon causality and consequences rule, whatever they might be, and existence and meaning are put into play again. But exactly in the moment of decision there is an instant of clearing or aletheia, which takes place as an Ereignis, as what we propose to name the cision of enowning [Ereignis].
An essential de-cision is thus a suspension of decision, but comes to happen, ereignet, in the turning that opens up for the truth of Being and the Being of truth. Moreover, and to translate this in terms of Conrad's novel, it is the de-cision that is staged in Lord Jim through Jim's jump from the Patna. The jump, in the way Heidegger conceives the leap, is necessary for us to be able to think essentially about the de-cision and about doubt viewed as the Abgrund of Conrad's novel as a work that leads us to the limit of metaphysics. This means conceiving the jump not only as part of the plot of the novel but also, at the same time, as the leap (der Sprung) into the other beginning, which makes it possible to think the de-cision and doubt essentially. This is, furthermore, the movement (Satz) that leads us to the leap, which lets us make the jump to essential thinking as the other beginning. The other beginning is a beginning that provides a path to think the unthought as other than a form of representational thinking and hermeneutical thematization.
P. 155From James M. Magrini and Elias Schwieler's Heidegger on Literature, Poetry, and Education after the "Turn": At the Limits of Metaphysics.
because the word says, and is, beyng, it intrinsically bears the structure of beyng itself, a structure previously covered over by language (and by the opinions that think concomitantly with it) and expressed in "categories", in accord with the predominance of metaphysics.
P. 241, Ponderings X.
Asked if there was any way philosophy — or ordinary people, for that matter — might get us out of this world-historical mess, Heidegger gave an infamous reply: "Only a god can save us." This cryptic phrase has kept the commentators busy for the last 40 years, but Zabala is not necessarily interested in joining the fray. Too many thinkers have taken Heidegger's invocation of divinity "too literally," he says, on the very first page of his book, and quickly moves on. As if to reinforce the idea, his book's dust jacket reproduces an image of Cattelan's controversial sculpture The Ninth Hour (1999), which depicts Pope John Paul II struck down by a meteorite. There's no dithering over the divine here. Zabala wants to answer in the affirmative the question that Heidegger evaded with talk of an absent god: Surely there is something we can do.
Livingston stresses a reading of Heidegger's conception of being (presencing) as intentional. For as with Frege's theory of sense, whereby sense consists of being an intentional entity that is neither the object signified nor the utterance or psychological processes associated with the utterance, so too for Heidegger, on Livingston's reading, the presencing of being is neither to be confused with beings, nor is it reducible to the psychological processes of a subject -- yet another being. Although seeking to avoid psychologism, Heidegger was nonetheless committed to understanding the manner in which the theoretical (our use of categories) is already 'given in pretheoretical experience and in the kind of availability of objects that is displayed in ordinary, nontheoretical life'.
Truth is not a relation that is "just there" between two beings that themselves are "just there"—one mental, the other physical. Nor is it a coordination, as philosophers like to say these days. If it is a relation at all, it is one that has no analogies with any other relation between beings. If I may put it this way, it is the relation of existence as such to its very world. It is the world-openness of existence that is itself uncovered— existence whose very being unto the world gets disclosed/uncovered in and with its being unto the world.
Aristotle certainly did not really see this phenomenon, in any case not in the ontological structure that is proper to it. But even less did he invent anything like a copy-theory of truth. Rather, he stuck to the phenomena and understood them as broadly as possible. That is, he avoided a fundamental error in seeing, and thus kept the road open— only, of course, to have it thoroughly blocked again.
The swelling feeling of threat, mixed with love of military and, to a lesser extent the police, seem to have amalgamated, of late, into emotions tightly wound into the US flag and national anthem. They represent symbols of who we are: good, decent people misdirected into believing that a nation which starts more wars than any others is 'exceptional' and the military that does so is religion. Bring any American out of there shell of work, family, hobbies and friends and into the Heidegger 'Open' of the world and they will see that – yes, America is still great for its ability to incorporate people worldwide into an experimental venture where freedom and opportunity, at least in theory, are allowed. But it is also a storm cloud raining upon the world.
To equate man exclusively with his ontological structure is inadequate. The inadequacy of this position lies in the fact that man, ontologically revealed and defined, can be conscious of this state of being only insofar as it realizes itself as being something other than the practical states of being such as the political, social, and economic. These forms are for the ontological, the "other." These "other" forms of being are historical and describe man's doings, creations, and achievements. These are descriptive items or adjectives. They describe man as he does things. These adjectival qualifications belong to man and describe him, not ontologically but historically.
The ontological dimension of man transcends all adjectival qualifications. The adjective can only describe one aspect of the ontological dimension but cannot exhaust it or identify itself with it. The dimension of Being transcends all other dimensions and each adjective can bring forth only one aspect of Being, It is this fact which limits each adjectival qualification and points to the inexhaustible nature of Being.


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The most balanced, comprehensive and current animal behavior text available.Principles of Animal Behavior, Second Edition, builds on the first edition's reputation as a contemporary and forward-looking text with several distinct features:
"synopsis" may belong to another edition of this title.
Lee Alan Dugatkin is a professor and Distinguished University Scholar in the Department of Biology at the University of Louisville. His main area of research is the evolution of social behavior. He is currently studying the evolution of cooperation, aggression, antibiotic resistance, risk-taking behavior, and the interaction between genetic and cultural evolution. Dr. Dugatkin is the author of over 145 articles on evolution and behavior in journals such as Nature and The Proceedings of the National Academy of Sciences and several trade monographs on the evolution of cooperation and the history of science. He is also the author of Principles of Animal Behavior, Second Edition.
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Australia's most energetic golf tournament, the Australian PGA Championship is back at RACV Royal Pines Resort from 30 November – 3 December.Find out more »
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Movies Under the Stars – The BFG
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Me & My Shadow
Well-known stage and television entertainer, Tim Maddren salutes the great saloon singers; Frank Sinatra, Sammy Davis Jr. and Bobby Darin. Maddren and his pianist, Russell Dick, perform many of the great saloon classics such as Mack the Knife, Mr Bojangles and New York, New York. This intimate experience recreates the sounds, style and performance techniques […]Find out more »
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|Small Christian Communities lead a kind
of double life
By ARTHUR JONES
It was a Saturday morning Catholic gathering that has its counterparts all over North America -- a small Christian community working group.
The resigned priests around the dining-room table in Edith and Tony Gvoras apartment here were François Broussard, in the chair, Arthur Menu, Chris Diamond and Dick Perrott, the editorial team. At hand, the next issue of the Xristos communitys Journal.
Xristos is a registered Canadian charity designed to promote and develop small faith communities, explained Menu. It comes out of Corpus Canada.
Like the U.S. Corpus, continued Menu, we were trying to influence the bishops. We realized that was a waste of time and moved on, to encouraging small community development. Vancouver Island boasts some 50 small Christian communities, a sizable number given a Catholic population of around 90,000 in an overall population of about half a million (1996 figures). Small Christian Communities, commonly known as SCCs, are encouraged by Bishop Remi De Roo. Most SCC members also belong to the larger parish.
Said Menu, I think Im typical, we lead a kind of double life. Many [SCC] people are not disaffected from the local church, but they feel they need something more than theyre getting from their local parish.
Canada has 30 million people, better than a third of them Catholic, nearly 13 million in 70-plus dioceses. There are about 9,000 priests (diocesan and religious), around 25,000 nuns, serving in 5,700 parishes along with 2,100 pastoral assistants, 2,500 brothers and 829 permanent deacons.
According to some around the table, the Canadian Catholic mainstream is very spiritual but very disaffected. They said that typically teens are ceasing to participate in the church, and only about half return when they marry. If youre a Catholic in Canada, youre either laughing or crying, said one. And if you take this pope seriously, youre crying.
National Catholic Reporter, December 25, 1998


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E-140: Rangeland Risk Management for Texans: Managing Climatic and Financial Risk with Grazing
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Free electronic download only. Both climatic and financial risks can be reduced through proper grazing management. The effects of grazing, the importance of animal numbers, and the principle of rest and graze are detailed here, along with strategies for survival. (2 pp., 1 photo) By: Jerry L. Holechek, Robert K. Lyons, C. Wayne Hanselka
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Add Storage Space Under Your Deck > Handyman Club of America
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With National Lottery income making up nearly 40% of Creative Scotland's and sportscotland's total income, these reductions are of critical concern and put both jobs and provision at risk. Figures released by National Lottery operator Camelot in June 2017 showed arts funding was down £55m, with expectations that the "disappointing" sales would continue this year. Creative Scotland told AP its lottery income fell by £5.3m in 2016/17, to £29.1m.
Archives for November 2017
The (Considerable) Consequences Of Memoirs
"At one minute past midnight on July 19, 1975, my father was hanged. For twenty-seven years, I told no one about it. Then I published a memoir. I have lived with the aftermath of that decision ever since, as does anyone who has published their own story, who has unwrapped what had previously been concealed: the skinned inner self dragged out and, shrinking in the light, placed beneath the bright hot gaze of strangers."
Love The Art, Hate The Artist?
"I expect art to be troubling because I expect people to be troubling. I am prepared to like and dislike something in every work. I can also appreciate the aesthetic genius of a moral monster without feeling that I am becoming inured to monstrosity. Just as I can read Heidegger without becoming a Nazi, I can look at one of Adolf Hitler's juvenile watercolour paintings and appreciate a bit of pink in the sky there, and understand it as a painting of its era and one by a tyrant at the same time. And if I do this and am judged immoral for it, is it because it is bad for just me or bad for society at large?"
Stabilization? Met Museum Cuts Its Projected Deficit, Adds To Endowment
"Where a shortfall of $15 million had been projected for the fiscal year 2017, which ended in June, that figure was contained to $10.1 million, according to the report, and the Met said it is on track to eliminate its deficit by 2020. In addition, the museum's endowments increased by almost $300 million, to a total of $2.9 billion; and the Met said it raised $232 million in philanthropic gifts, membership dues and government support."
What Place Do Art Fairs Have In Art-Rich Berlin?
"Yet another fair feels like a car company offering another new model: there are already more than enough different cars, besides other options like bicycles, trains and planes. But, like the possibility of a new and really interesting car model entering the stage—an electric one, for instance—there's always a chance of a new and really interesting art fair showing up. Anything truly innovative could of course change my calendar."
Memphis College Of Art Says It Will Close
The final decision had been made two weeks earlier, spurred by a combination of declining admissions — down by 35% just this year, according to High Ground Memphis — increasing real estate debt, and the school's small endowment fund. Tuition at the school is $35,000 per year. While many remain optimistic that the school could remain open, it would take a miraculous $30 million endowment donation to make this possible.
How France Is Branding Its Culture Across The Globe
"The opening of the Louvre Abu Dhabi over the weekend is the latest example of how traditional French cultural diplomacy is being supplanted by brand politics: Abu Dhabi bought the rights to use the Paris museum's famous name at a price tag of over $500 million over three decades. This example of "soft power" goes beyond museum names such as the future Shanghai Pompidou Center — and can be seen in the exporting of Sorbonne's academic reputation, the proliferation of Christian Dior boutiques in Asia, the increasingly popular fizz of Moet & Chandon champagne, the cuisine of master chef Alain Ducasse and Louis Vuitton's status handbags."
New Plays At The Center Of A Touring Scheme
The organization acts as a producer and manager all in one, from mapping out a show's tour route to managing it on the road. "We view ourselves as being in service to the artists and the work, and we also view ourselves as being in service to our colleagues who will be our client."
French Teachers Suggest Practical Alternative For The 'Masculine Prevails' Grammar Rule
"The teachers' objection was not just philosophical; it was philological. The rule, they said in the French version of Slate, was a parvenu (it was enunciated in the 17th century and became widely taught only in the 19th century) and politically motivated (it buttressed French laws that denied women equal rights). … In its place, the teachers suggested using 'the rule of proximity,' in which the adjective matches the gender of the noun closest to it, which was common practice for centuries."
Our Struggle With The Idea Of Scientific "Progress"
"Accelerating scientific invention does not make human beings any more good-natured or reasonable but simply increases their capacity to achieve their goals. In practice, this means the groups that are most powerful will increase their hold over the rest. Schemes for improving the human animal by technological means will not alter these facts. What counts as improvement will be decided by existing human beings, with the most powerful among them having the biggest say. The result is more likely to be enlarged versions of human vanity and cruelty than a higher version of the species."
Now 'Downton Abbey' Has Its Own Traveling Museum
"All the old habitats, including Mr. Carson's pantry, the servants' dining room and Lady Mary's bedroom (faintly scandalous with its memory of Kemal Pamuk's coital demise) are painstakingly recreated, right down to the forks and spoons arranged just so on the Crawley dinner table. Behind the green baize door lies the servants' quarters just as you left them, along with Mr. Carson's old desk, complete with period-era bills and correspondence."
Oliver Sacks' Essential Qualities Of Creativity
"All of us, to some extent, borrow from others, from the culture around us. Ideas are in the air, and we may appropriate, often without realizing, the phrases and language of the times. We borrow language itself; we did not invent it. We found it, we grew up into it, though we may use it, interpret it, in very individual ways. What is at issue is not the fact of "borrowing" or "imitating," of being "derivative," being "influenced," but what one does with what is borrowed or imitated or derived; how deeply one assimilates it, takes it into oneself, compounds it with one's own experiences and thoughts and feelings, places it in relation to oneself, and expresses it in a new way, one's own."
Why We Still Need Chekhov's Plays, Even After A Century
Lyn Gardner: "If the anniversary of the Russian revolution offers one reason for the current glut of Chekhov revivals, the other may well be the way the plays speak so directly to a world in flux, where the characters cannot comprehend or adjust to the cultural, social and political earthquakes that engulf them."
Do Civilizations Actually "Collapse"?
"The stories are often presented as cautionary tales to frighten us into correcting the error of our ways – lest we bring about the end of our own global civilisation. They promote an ethic of environmental responsibility that we ignore at our peril. It is no coincidence that they focus on climate change, human-caused environmental impacts and overpopulation because these three factors are the major global concerns of our times."
So, When Are We Going To See The First Billion-Dollar Painting? (Probably Not For A While)
Some people are asking that very question following the record-smashing sale of Leonardo da Vinci's Salvator Mundi for $450 million. But there were some special factors at play here that are unlikely to be repeated – as Robin Pogrebin reports, "the artwork achieved an unprecedented price because it was an unprecedented piece."
*This* Is Probably The Right Way For An Orchestra To Do A Nightclub Concert
Anne Midgette on a National Symphony Orchestra concert at Anthem, a new riverfront club in southwest DC: "[Rather than] pander to a younger audience by giving it what they think it wants to hear, … this performance had the orchestra, in street clothes, simply playing the music it does well, including large chunks of this week's subscription program. Rather than chasing the audience, it introduced itself as it is and let the audience come to it."
Athens – 'Whatever You Do, Don't Call Us The New Berlin'
"Artists, collectives, new bars, farm-to-table restaurants, startups, and alternative music venues are amassing in Athens. Abandoned buildings, the scars from what Greeks simply call 'the Crisis', are turning into cultural spaces and homes for startups. Political statements are now emblazoned as street art. Artists from Mexico, Bali, New York and Western Europe are making Athens a new base. Is Athens the New Berlin? No, it is Athens. But, something is happening."
Kyle Abraham Explains Why He's A Political Choreographer
"There are times when I do just want to make a dancey dance. … But for me, I always get to a certain point when I feel it's a waste of time and energy. Being black and gay there's so much that I've faced in my life that I can't be oblivious to what's happening in the world. I can't put all that aside and say: 'Let's just choreograph this pretty picture.'"
From A Rural South African Township To The National Ballet Of Canada
Siphesihle November, aged 19 and a new member of the NBC corps de ballet, talks to Q about his personal and artistic journeys to the far side of the globe. (audio)
An Angry Marina Abramović Explains What Happened To The $2 Million Raised For Her Institute
Responding to a New York Post article – headlined in the print paper "The Art of the Steal" – questioning the fate of the funds intended for her now-abandoned performance-art institute in Hudson, New York, Abramović – in a statement titled "The Art of the Truth" – wrote that "the [tabloid's] allegations are so false, libelous and in every way untrue that I must address them."
Last Missing Piece Of Magritte Painting Found After 85 Years
"The enigma of The Enchanted Pose, which depicts side-by-side female nudes, began decades ago. It is listed in the comprehensive catalog of Magritte's works, but its location had been marked as 'unknown' since 1932. Magritte, who died in 1967, never said anything about its fate." Turns out he cut it into four, painted over the pieces, and sold them as separate paintings. They were all hiding in plain sight, as it were, and the last of the missing quarters has now been identified.
L.A. Phil Picks Seattle Symphony's Simon Woods As Next CEO
"The Los Angeles Philharmonic's spring news earlier this year that its longtime president and CEO, Deborah Borda, was departing for New York sent the arts world spinning. Since then, one question has hung – or rung, like a symphonic triangle – in the air: Who would replace her?" We now have the answer.
Matthew Halls Says No One At Oregon Bach Festival Notified Him Of Any Complaints About Behavior
Following the report that, at the time Halls was fired from the OBF artistic directorship, he was being investigated over claims that he discriminated against women, he wrote in a statement, "I am reading about these complaints for the first time now. At no stage did anybody from the University of Oregon or the Oregon Bach Festival leadership present me – or my attorney – with these documents."
Comcast In Talks To Buy 21st Century Fox: Report
"Comcast is interested in the same set of assets that Disney approached Fox about earlier this year, sources said. Also of interest to Comcast is acquiring the international assets of Fox, given that the Philadelphia-based company is heavily concentrated in the U.S." (includes video)
'How To Survive A Plague' Wins UK's Top Prize For Nonfiction
"Opening with a quote from Paul Monet, 'Grief is a sword, or it is nothing', [David] France's book chronicles how the activist community fought to develop the drugs that would turn HIV into a largely treatable condition. … [The book] beat titles including Simon Schama's Belonging and Christopher de Bellaigue's The Islamic Enlightenment to win the £30,000 award," the Baillie Gifford Prize.
Gaudí's First Masterpiece, Casa Vicens, Opens To Public In Barcelona
"The Moorish-influenced Casa Vicens, commissioned by the stockbroker Manuel Vicens Montaner [as a residence] and built between 1882-88, was the architect's first major project. … Fifteen lavishly decorated rooms by Gaudí have been restored with input from the descendants of its original tenants as well as extensive archival research."
Sydney's Largest Art Museum Announces New Wing, Which Everyone Will Now Argue About
"[The Art Gallery of New South Wales's] new wing, Sydney Modern, will step across the Cahill expressway and spill north down the Domain towards the harbour, under an ambitious plan to increase visits to the city's pre-eminent gallery. But the latest plan, though more modest than the first version released in 2015, is still likely to spark a furious debate about the loss of open space in Sydney."
Toxic Culture? No, Everything's Lovely Here, Say Queensland Symphony Chairman And Musicians
In response to a news report saying that staff turnover has been high and morale low at the Brisbane, Australia-based orchestra – with sources blaming music director Alondra de la Parra and CEO David Pratt – the QSO section principals released a statement supporting the two, and the board chairman said, "I know that morale is strong under David's and Alondra's leadership; we promote a culture of speaking up, of respect and achievement."
Top Posts From AJBlogs 11.16.17
Did Ken Griffin Buy the Leonardo (or provide $$$ for Art Institute of Chicago to acquire it)?
While we're all still coming to terms with the fact that a damaged 26″ x 18″ oil-on-walnut painted panel has just sold for $450.3 million, here's a potential scoop that is based on some data, … read more
AJBlog: CultureGrrl Published 2017-11-16
"Sotheby's Drudgery": My Storify on Contemporary Art Sale Short on Excitement
Last night's Contemporary Art sale at Christie's, headlined by a certain very non-contemporary religious painting, was a hard act for Sotheby's to follow. It did interpose its own anomalous lot to jazz things up – a red Ferrari. … read more
AJBlog: CultureGrrl Published 2017-11-16
Chief Operating Officer, Cultural Facilities & Services
Houston First Corporation invites applications for the position of Chief Operating Officer, Cultural Facilities & Services.
The Position:
The Cultural Facilities & Services/Chief Operating Officer (COO) is responsible for the overall management of Theater District Facilities, developing and maintaining relationships with resident companies, the City of Houston and the business community in order to ensure the goals and objectives of the organization are met.
The Cultural Facilities & Services Department is a department within Houston First Corporation dedicated to promoting arts and culture in Houston. This is accomplished through the effective and exemplary management of several performance destinations and attractions.
Houston First strives to set the standard by which all other arts districts are compared through beautifully maintained facilities, a well-trained staff, and a collaborative spirit. Enriching the quality of life for Houstonians and tourists alike motivates every decision and every project undertaken by this department.
The facilities under the purview of this department are: Jesse H. Jones Hall for the Performing Arts; Wortham Theater Center; Miller Outdoor Theatre; Talento Bilingue de Houston; Jones Plaza; the Theater District Parking Garage; and various ancillary spaces (as well as Houston First Ticketing Services).
The annual operating budget for 2017 is approximately $17.9 million with a staff complement of 38 full-time and 10 part-time positions, as well as contracted services. Additional funds for repair and restoration work after Hurricane Harvey have also been allocated. The department serves over 1 million patrons a year at over 700 events in 1.6 million square feet.
This position reports directly to the President and Chief Executive Officer of Houston First, Dawn Ullrich.
Houston First Corporation/ Background:
Houston First Corporation is leading the effort to promote Houston as one of the premier travel destinations in the world. Its employees operate the city's finest convention, arts and entertainment venues.
A local government corporation formed in 2011, Houston First manages more than 10 city-owned buildings and properties and underground and surface parking for nearly 7,000 vehicles.
Houston First owns the Hilton Americas-Houston hotel, manages the George R. Brown Convention Center (GRB) and 11 city-owned properties and is the driving force in developing the new Avenida Houston entertainment district.
Houston First is responsible for the day-to-day maintenance, licensing and operation of these properties as the sites of conventions, trade shows and theatrical performances that enrich the lives of Houstonians.
In 2014, Houston First and the Greater Houston Convention & Visitors Bureau completed a strategic alignment to create a single, clear voice that speaks for the Houston product in all sales and marketing efforts.
The George R. Brown Convention Center was opened in 1987 and expanded in 2003. The GRB has more than 1 million square feet of exhibition, meeting and registration space, and ranks as one of the nation's 10 largest convention centers. The GRB is the site of over 250 conventions and other meetings annually.
Across the street are the 1,200-room Hilton Americas-Houston, which is connected to the convention center via double-deck pedestrian sky bridge, and the 12-acre Discovery Green park. The 1,000-room Marriott Marquis just north of the park opened in 2016.
In the Theater District, Houston First facilities include the Wortham Theater Center (home of the Houston Ballet and Houston Grand Opera opened in 1987 with two performance spaces, the 2,405 seat Brown Theater and the 1,100 Cullen Theater); Jones Hall (home of the Houston Symphony and the Society for the Performing Arts) opened in 1966; 2,912 seats). The venues also include tenant, administrative, rehearsal, catering, and storage spaces.
Other facilities managed by Houston First include Miller Outdoor Theatre (opened in 1923; rebuilt in 1968; capacity 6,200); Jones Plaza, Ray C. Fish Plaza and Talento Bilingue de Houston (240 seats).
Houston First interacts with several partners that benefit from its passion and resources such as Discovery Green, Bayou Place, Buffalo Bayou Partnership, Downtown Aquarium, Hobby Center for the Performing Arts, Miller Theatre Advisory Board, Mid-town Arts and Theater Center Houston and the Greater Houston Convention and Visitors Bureau.
While on August 27th, Hurricane Harvey caused extensive water damage to some of the properties managed by Houston First, the Corporation took immediate action to prevent further damage and to repair the buildings in order to re-open them for public performances. The Corporation, in the words of President & CEO Dawn Ullrich, is "steadfastly committed to seeing that everyone is back on their home stage as soon as possible."
The mission of Houston First Corporation is to enhance quality of life, advance economic prosperity and promote the Houston region by inspiring the world to think Houston first; Houstonians to believe in Houston first; and Houston to deliver first-class hospitality. The vision for the Cultural Facilities & Services Department is to provide first-class destinations and services that contribute to rich experiences steeped in arts and culture.
In accordance with the mission and goals of the organization, the COO provides general oversight of the day-to-day management of theaters, ancillary spaces, and staff.
The COO develops, plans and monitors long-range plans and capital projects; directs short-term and long-range planning to support strategic business goals; develops and maintains partnerships with resident companies and all arts groups in the city, attends meetings and events as a representative of Houston First; and implements best practices and innovative programs that strengthen the theaters, parking facilities, and green spaces.
The COO participates as a member of the Executive Team in developing and implementing the strategic direction for the organization; preparing and monitoring the department's annual budget, and overseeing the overall day-to-day operations of the ticketing and box office departments.
- A minimum of ten (10) years' experience as a senior manager in large, complex performing arts facilities or cultural organizations.
- A track record in building and nurturing excellent management teams and the personal leadership qualities, political acumen, tact and patience required to manage a complex operation successfully.
- A graduate degree in arts, arts management, or not-for-profit administration is preferred or equivalent experience in facility management and administration. Contract negotiation skills, legal training, experience in working with municipal governments and urban planners, and/or knowledge of the region would be useful attributes.
- The applicant should have a comprehensive knowledge of many performing arts forms and all aspects of arts venue management.
- The new COO will have excellent analytical, financial and organizational skills. Other necessary characteristics will include political savvy and diplomacy, good oral and written communication skills, a track record in community partnerships and co-presenting, and knowledge of ancillary businesses such as catering, ticketing, parking, corporate and other outside rentals, and the like. We seek an industry professional with existing networks within the cultural sector and a personal vision of how the arts play a role within the life of a community.
Application Process:
Salary is commensurate with experience and qualifications. Excellent benefits package. Deadline for applications: Friday, December 15, 2017.
Interested candidates are invited to submit a cover letter and resume with a list of references and salary requirements in confidence to:
Margaret Genovese
Genovese, Vanderhoof & Associates
77 Carlton Street, Suite 1103
Toronto, Ontario
Canada M5B 2J7
For additional information:
www.Houstonfirst.com, www.VisitHouston.com, www.genovesevanderhoof.com .
Houston First Corporation is an equal opportunity employer.


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A Scottish husband and wife were travelling in a car together that was hit by another car. The wife was a passenger in the car, was seriously injured and required to be cut out of the car. Liability for the accident was accepted by the other driver. The woman suffered a fractured right thigh bone, fractured both calf bones, dislocated her left hip and fractured of her thigh bone.
Despite not losing consciousness following the accident the lady was unable to remember the accident for four weeks. The woman was in hospital for 3 months and, during her time in hospital, developed MRSA. She is registered disabled, required to have a stair lift installed in her home, her left leg is two inches shorter than her right leg, and uses a wheelchair when outside her home.
The lady's husband took care of her following her discharge from hospital. Her husband suffers ill-health and it was necessary to negotiate a care package for the client to ensure that all future care needs are met. A significant six figure settlement was achieved.
Elaine Russell, Partner of the Motor and Personal Injury teams in Glasgow comments "This was a difficult case which was dealt with by one of our senior solicitors, Kathleen Lang. Kathleen and our team have worked extremely hard to achieve a reasonable settlement for this lady. Our client was involved in a very frightening and life changing accident. The level of settlement ensures that any future commercial care can be provided. We established an excellent relationship with this client and I take this opportunity to wish both the client and her husband well for the future."
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Learner Driver And Passenger Jailed After Pleading Guilty To Double Death Crash
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