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Éole Wind, Paris, IDF, France
September 27, 2017
September 27, 2017
Story for La Grande Classique du Paris Versailles 2017
Robin Decottignies 2090770331624, Mol, Antwerpen, België
September 2, 2017
September 2, 2017
Ironman Maastricht
Sunday 6th of August, 7:00 AM in the morning. I've been awake for 3 hours (you need the time for...
Mirko Montanari, San Francisco, California, United States
December 23, 2016
December 23, 2016
Day 2: Greagle, CA to Little Grass Valley
The second day got us into the Plumas National Forest around Eureka. We had two options: a short...


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So we are plugging away through Richard Baxter's The Christian Directory—whacking topics as they, mole-like, poke their little heads up. Our topic today is taken from I.I.I.3, and has to do with the judicious use of our ears. Specifically, is it sensible to take advice from the devil about religion?
Poisonous ideas have always been ready to hand, but never so ready as now. It used to be that one had to scale the mountain and spelunk the cave in order to meet the guru. Today the guru has a Facebook account and uses Google AdWords. If five hundred years ago the marketplace of ideas was the size of a general store in a one horse town, now with globalization and the internet, it is Alibaba.com. It will deliver the epistemological equivalent of ten tons of scrap rubber foam… right to your front door.
Continue reading ""Yes sir, Mr. Devil, sir.""

subset: commoncrawl


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AC Schnitzer Adler Aermacchi AJP AJS Alfer Aprilia Ariel Arlen Ness ATK Avinton / Wakan Bajaj Bakker Barigo Benelli Beta Big Bear Big Dog Bimota BMS Choppers BMW Borile Boss Hoss Boxer Brammo Britten BRP Cam-Am BSA Buell / EBR Bultago Cagiva Campagna CCM Confederate CR&S Daelim Derbi Deus DP Customs Drysdale Ducati Dunstall Excelsior Exile Cycles Fischer GASGAS Ghezzi Brian Gilera GIMA Harley-Davidson Harris Hartford HDT USA Hesketh Highland Honda Horex HPN Husaberg Husqvarna Hyosung Indian Italjet Jawa Junak Kawasaki KTM KYMCO Laverda Lazareth Lehman Trikes LIFAN Magni Maico Mash Matchless Matt Hotch Megelli Midual Mission Molot Mondial Morbidelli MotoCzysz Moto Guzzi Moto Morini Motus Mr Martini MTT Münch MV Agusta MZ / MuZ NCR Norton NSU OCC Paton Paul Jr. Designs Piaggio Revival Cycles Rickman Ridley Roehr Roland Sands Royal Enfield Rucker Sachs Saxon Shaw Speed Sherco Sunbeam Suzuki SYM SWM Titan TM Racing Triumph Ural Velocette Vespa Victory Vilner Vincent Viper VOR Voxan Vyrus Walt Siegl Walz Wrenchmonkees Wunderlich XTR / Radical Yamaha Zero
Manufacturer List
Laverda 750SFC
Talk big Italian bikes and people
think V-twins. Ian Fallon shows us something different - a big parallel-twin.
Just about every component was produced specifically for the 750SFC. While the
zinc-plated open cradle frame was similar in design to the 750SF, it was quite
different, particularly for the 1974 and 1975 versions. These examples also
included a larger diameter (38mm) Ceriani front fork, and triple Brembo disc
brakes. Although it weighed a considerable 230kg, the wheelbase was a moderate
1,460mm and the tall SFC was a competent handler. Everything about it screamed
racing, particularly with the optional two-into-one megaphone exhaust. There
were no turn indicators, and the only instrumentation was a single Smiths
tachometer mounted on a crude bracket in the fairing. The rider stretched out
over the long 25-litre fibreglass fuel tank to crouch under the lowest fairing
screen of any production motorcycle. Although one concession was made to
civility, an electric start, the 750SFC was not designed for tooling around
Five magnificent things you didn't know about the Laverda 750SFC
Source BikePoint


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Momentum Cold Brew
For this recipe, I recommend the most common ratio of water to coffee at 8:1.
You'll definitely tinker with the potency to suit your taste buds.
- ½ cup coarsely ground dark roast
- 4 cups cold spring water (approximately 1 litre)
- 4 tbsp. of MCT Energy (100 calories per tbsp.)
- Almond milk to taste
- Pinch of Smooth Stevia to taste
- A dusting of finely ground cinnamon
A high-quality French press works great and retains more of the flavour‑rich oils from the bean than brewing and filtering with paper filters. Twenty-four hours of refrigerated steeping is optimal.
Plunge and let stand for an hour before pouring slowly into a Mason jar—this makes for a less cloudy brew—then add remaining ingredients, cover, and shake.
Blend 50/50 with unsweetened almond milk, which contains approximately 60 calories per cup.
Stores well refrigerated for a week.


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Front Yard Fence Ideas : Gates And Fences Design In Wrought Iron
Uploaded by AHMAD ZAIRONI in Montgomery at Sunday, November 3, 2013. The Charming Outdoor Ideas images on this page are the Charming picture that we suggested for you with a dimension of 700 x 521 pixels. Gates And Fences Design In Wrought Iron above are the same as what I saw when I visited my grandmother's villa in Hialeah, United State of America. Don't be hesitate; you can also get the whole information in the Front Yard Fence Ideas which contains picture that I took during a traveling to various Lands such as Switzerland, Poland, and Dominican Republic.
Feel free to use the backyard fence ideas picture that I gave even though you are in tropical or desert Lands like North Korea, United Arab Emirates, and Ghana. Download by right clicking your mouse right on the Charming picture, then give this good definition picture to your home decorator to be applied soon.
garden fences ideasnatural fence ideasdog fencing ideascedar fence ideasfence gate ideascheap privacy fence ideas
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Production of Entertainment Content
Ivanhoe pictures are pioneers in their industry since they are centred around film generation and if you wish to gain a comparable position as a filmmaker, you should raise yourself to speed with the most exceptional systems. It is normal to see enormous budgetary spending films being promoted on ad banners a very long time to their discharge that has been delivered by worldwide creation studios like Ivanhoe pictures which have utilised a lot of assets. Such a huge amount of cash are streamed into ascertain that the highest quality staff and equipment are applied in the production to remove any room for error and produce international quality entertainment content. Owing to their huge investments and advertisements that you cannot miss, they rake in millions of profits barely a month into the movie release. All in all, what is their creation procedure that influences them to make such an incredible progress rate? To make such big leaps and become a renowned market brand like Ivanhoe pictures, you must start slow and progress slowly upwards if you have the interest. You start with all the necessary resources that you possess which if you have the necessary drive and possess the required talent will push you further to your desired success just like how Ivanhoe pictures have managed capture the international scene. This means that you must start producing in your local area and if you give forth great content, you are assured of gaining global recognition as you enjoy what you do best.
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Cosmic Egg [LP] - VINYL
- Artist: Wolfmother
- Release Date: 10/26/2009
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You need to install Flash Player to hear these tracks.
- California Queen
- Phoenix
- White Feather
- In the Morning
- 10,000 Feet
- Caroline
- Eyes Open
- In the Castle
- Back Round
- Cosmic Egg
- New Moon Rising
- Cosmonaut
- Sundial
- Far Away
- Pilgrim
- Violence of the Sun
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Great follow up... 4.5 starsNovember 20, 2014
This album has more sounds from the 80's and 90's than their 1st album, but it's still very good and you can definitely hear more of their influences. 10,000 ft, Sundial, & Pilgrim are the standout tracks for me and Violence Of The Sun has a "Comfortably Numb" sort of ending to it.
I would recommend this to a friend
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Facts about Oak Grove town in Arkansas
|Oak Grove town
|Latitude Longitude
|36.463751, -93.430322
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Last Updated Date: 20-11-2016
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Facts about Oak Grove town in Arkansas
|Oak Grove town
|Latitude Longitude
|36.463751, -93.430322
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text:
Epicurean Restaurant
4301 Ringgold Rd, Chattanooga, TN, 37412
6903 Lee Hwy
8.13 mi
Vietnamese RestaurantsAsian RestaurantsRestaurants
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Rude reception and selective attention to guests. Not even have the basic manners. Even if the food is great and your facility is great , all will go in vain because of the Worst hospitality.
The front desk hospitality is one of the Worst. Rude reception and selective too. Did not expect in a franchise of a world famous restaurant chain
Love this place! Sushi is wonderful and half priced ���� Will totally be going back. I just wish they delivered.
It is as horrible as always… in an hour they brought 6… yes 6 crab legs that were the size of baby fingers… I asked if they were going to put more out… she told me to be patient with a distinct attitude…I told her I had been but that was ridiculous… and bathrooms were dingy and dirty… the waiter was nice… told her it had been a long time since I'd been there… would not be back…
The food is dry the chicken is slimy and the rice is mushy ,very rude people they don't listen, the crab cakes are really brunt
Horrible food. Chicken was recooked and egg drop soup smelled like rotten eggs. Owner forced us and shamed us in front of other customers saying no other customer complain. Will never be back. We didn't eat but he made us pay for our food. Wrong wrong wrong.
This is my favorite buffet in town, hands down! The decor is beautiful, the food is delicious, and in all the years I have lived in Chattanooga, they have never done me wrong.
love love love their crab legs and sushi bar!! and that the waitress comes and refills my drink when it gets half empty!!
Really yummy food that never disappoints. Also, the lunch specials make it a bargain few other places can match
I Ordered 8:30, here it is 9:55 still have not received my food, the ( what I believe to be a 9 year old) girl who took my order said 45 minutes. Same thing last time, "she on her way, she's on her way" guess it will be 2 hours plus. If you want good Chinese food, at a downtown price, please dine in or carry out. Definitely not worth waiting almost 2 hours. Smh.


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text: namelessalex Play via YouTube OPEN IN APP NSFW Safe Is this playlist safe for work? breakups March 13, 2014 | 9 tracks | 70 2 | Stats Damien Rice EricMercer The Neighbourhood soundtrackbreakupsfast and slow Liked Collect Share Edit Liked! Share this mix with friends: breakups Wrong video Collect Share Liked! Share this mix with friends:


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It's your task to save the world from a mysterious underground lab. Use your vehicle to shoot the mutants!
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Today's Devotional
A Prayer for Thanksgiving Day - Your Daily Prayer - November 23, 2017
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A collection of Christian music for different moments in life to encourage and grow your faith
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Las Vegas Used Cars for sale (http://findlayauto.com/blog/blog.cfm). Findlay has auto dealerships throughout Las Vegas, Henderson, Reno Nevada, Flagstaff, Bullhead City, Arizona, St. George, Utah, Post Falls, Idaho, and Wilsonville, Oregon just to name a few. We will have the new, used or pre-owned vehicle that you are looking for.


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Question about Apple iPhone 4S
I get error code 36 on my lap top in iTunes menu
Posted by Alex on
SOURCE: I have freestanding Series 8 dishwasher. Lately during the filling cycle water hammer is occurring. How can this be resolved
a 6ya expert can help you resolve that issue over the phone in a minute or two.
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This is a beautifully decorated, large, garden apartment in a great location, one of London's prime locations. The apartment is really comfortable with all the mod cons to make your holiday relaxing and even more special. One of it's best features is easy distance to hot spots and public transport.
The space
You will be able to relax and feel nice and cosy in this beautifully decorated apartment. If you like the beautiful blue skies and freshness of London winters, you can always go outside to enjoy the garden. You will be able to relax in the living room watching Sky. If you want your early morning coffee to be a quality coffee, you can use the Nespresso machine provided or walk to a local cafe to have your coffee fix. The kitchen is fully functioning with microwave, oven, hob and dishwasher - no one should be washing up on their holidays!
- No high heals in house
- If in garden after 10pm, please keep the volume down to respect the neighbours
- No access to cupboards or doors that are locked
- No additional guests
- No bookings via 3rd partiy, the person booking must be the person staying
- I require details of all guests staying (maximum of 2 people)
- All food must be removed from the house before leaving
- All rubbish must be removed from the house in bin liners and placed in bins at the front of the house before leaving
- All dishes and cooking items must be washed and put away (there's a dishwasher to help!)
Hello I am a frequent traveller and really enjoy the comfort of a home to stay in whilst I am away. Sometimes hotels are great but for stays over 3 or more nights, I value the chance to unwind in a living room instead of my bedroom!
I love good food, wine, experiences and a lot of laughs. I really enjoy nature walks and hikes - sounds a bit boring when put it in writing, but I find it is good for the soul! When I am travelling it's all about getting involved in the local culture, cuisine (finding 'the best and must try' food is always a bonus) and checking out some of the tourist hot spots and what nature has to offer.
I am also a landlady so I understand how precious people's homes and properties are to them and how a good guest is worth their weight in gold!


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Bamboo Tips - Tips Area
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Is it possible to design a 3-piece parabolic rod? I am a paraholic, but I'm not much of a taper designer. Most of the paras that I see are 2-piece rods, so I'm asking those who know. I'm thinking of making a 3-piece Driggs River Special and I am curious, will it work? (Hal Manas)
My program shows the deflection of a Driggs River rod with two ferrules is only slightly more than with one ferrule. In fact the difference is the equivalent of only three more feet of line out. That doesn't account for the difference in stiffness at the ferrules. But like someone commented earlier about hinges: "It takes a significant change in diameter over several stations to make a noticeable difference in feel". The addition of an extra ferrule affects only about 2 1/2 to 3 inches of a rod, not the whole thing.
That's my two cents! (Al Baldauski)
Just looked at the taper. I think you will be fine with 2 ferrules fitted. The ferrules will fall on the two section were the rod has most backbone and not on the weaker spots. Go ahead it will be fine. (Gary Nicholson)
I'm currently making a Para 15 with tips for both wet and dry flys and that got me to thinking. What if anything would I need to do to the dimensions of the wet tip to make it a good rod for weighted streamers. Normally, I fish streamers with a 6 weight. Is it the increased dimensions of a 6 wt tip that makes it a better streamer rod, or the weight of line used for casting them? (Mark Lenarz)
I have built the para 15 with only dry tips. The last one I gave to my father and we have both cast streamers with it no problem. IMHO I'd say leave the tips as the are -- maybe because the para flexes so deep it allows for heavier casting? (Don Peet)
My Para 15 doesn't come alive until I've got more than 30 feet out on the dry fly tip. It handles weighted streamers real well from 30 +. Less than 30 feet and I need a 6 wt to get it to load even a little bit. (Al Baldauski)
The Para 15 is a 6 weight rod. That's probably why it takes a 6wt to load it correctly! ;^) (Todd Talsma)
I agree, the para 15 is a 6wt and hell, it fishes better up close with a 7wt, but all the taper info I find including that from which I built it call it a 5wt. (Al Baldauski)
Hmmm. I don't think I've ever seen a 5wt Para 15. I went back and looked at the RodDNA database and sure enough. Some are listed as 5wt's! The one I made was the "PT Keller" version with the light tip and heavy tip. It's a nice rod, but I may have made it a little heavy. It really does cast better with a 7wt DT line! (Todd Talsma)
It all depends on the water you're fishing.
If you're going to fish those little rivers and streams of the east than you can fish those little light rods. If however, you're going to fish the big, and often windy rivers, out west, you'll need more muscle. Myself I wouldn't think of fishing a streamer with less then a 7 wt. You need to get the fly out there and down on the bottom. Also wear a helmet. (Mark Dyba)
OK, anyone wish to attempt this one. How would you go about designing a parabolic fly rod That's from scratch not from dissecting or copying one of the list. Any one willing to explain this. (Gary Nicholson)
Do you have a definition of a Parabolic or can we make an assumption based on the fact that we HAVE SEEN "parabolic" tapers? (Al Baldauski)
Check out Tom Faulk's design. A perfect arc will produce a perfect para (??) You can center the arc to place the thickest spot where you like. (Jerry Foster)
A good general definition of parabolic action might be - relatively thin butt, relatively thick tip. (Bill Fink)
I would say you would first have to write a set of specifications for the parabolic rod you are interested in. Since there is such a variety of Para rods already out there, one should have a good idea of what the end results should be.
In fact any new rod design should start with the required specifications for that rod. I don't think that many people have taken this approach in the past, they may know what they are looking for in a rod, but have not write it down for all to view. (Bob Norwood)
In fact any new rod design should start with the required specifications for that rod
Hi Bob - I think you are right that the designer should have specific characteristics in mind. Here is a scenario for you to consider. This has been a back burner project that evolved in fits and starts over a few years, and I'm not telling the full story here for the sake of brevity. Basically, I was asked to produce a rod to the following specs:
It is designed for bank fishing on larger spring creeks, and should cast a 3 weight line.
It should be of a length and speed that would hold the line high in the air on false casts, and easily keep the line out of the weeds.
The weight should be be appropriate for a 3 weight, so that the rod did not feel like a 5-6 weight casting a 3. It should load easily in close.
The rod should false cast 50 feet of line. (The guy who wants the rod is a great caster )
To keep the weight reasonable, I decided to go with 8 footer, and hollow build. Not knowing of any such taper, I started out by putting a 3 weight line on an F.E. Thomas 4 weight 8 footer. It would cast the line a good distance, but it was obviously not loading properly, and felt too heavy for the line. Here's the Thomas taper, just for reference:
0- .062
For the first attempt, I decided to try a step down taper, figuring about .010 across the ferrules. I kept the Thomas butt, hollow building it, but designed a Garrison style tip to be built solid, slightly on the beefy side to handle the length of line. Here's the new tip.
It took a while, but I finally got the rod built late last year. It felt pretty good, and fished well, but I didn't think I had the 50 foot false cast, although the rod did cast further than most 3 weights without much effort, and did feel good in close. I thought maybe the step down was keeping the butt out of the action. Last weekend, I attended the Heritage Day the PA Museum of Fly Fishing, and met up with the guy who inspired the rod and watched him and a some other good casters cast the rod. All got about the same result, the rod cast very smoothly with 40-45 feet in the air, then just ran out of gas. Some other makers were watching, too. It became apparent that it was not the step down, the rod flexed through the ferrule but stopped loading half way down the butt. The butt swells significantly in that area, and the 3 weight line and tip just could not bend it, so the lower butt contributed nothing to the cast. Close, but no cigar.
Starting at 50", here's what I would do the next time, feeling that the basic idea worked, I'm just going to significantly lighten up the lower butt, keeping the swell, but reducing it significantly.
Having fallen under the influence of Mr. Harms, and his cabal of convex taper theorists, I would also slightly rework the tip to:
All of this worked out with graph paper, not stress curves, although the tip stresses should certainly look familiar. (Tom Smithwick)
This is a reply to Gary that I wrote last night before you posted your excellent description of a typical new taper design. Thanks for sharing this with us.
How is it that you never ask easy questions?
As I said, you have to write a set of specifications which would include not only the rod length and the line size, but also a description of how you want the rod to function. Is it for short or medium line casting or for distance or possibly all three. I think that most Bamboo fly rods perform one of these function best and are maybe fair at the other ones. Do you want a fast rod or do you like one that you can feel the flex it the tip or in the handle or maybe you like a rod that has a flex area in the middle.
You have suggested a rod like a Paul Young Parabolic, well not all of his rods are of this design. Take the PY Smidgen a one piece 6 ft 4 wt rod with a soft tip for short accurate casting but it still is strong enough in the midsection to cast a medium long line. The Midge is not a parabolic either, nor is the rod called JJ's rod. He did make a lot of different types of parabolic, but even the rods of the same name have slightly different tapers
So I think that you have to define the purpose of the rod quite accurately before you can even start to develop a rod that will perform in the way you want it to. I have found that rod design is not an easy task that can be done in a short period of time but more of something that develops over a period of time as the concept is slowly formed into a design and then it is modified until it becomes the actual rod taper you have been seeking. Then, when it is made and evaluated and perhaps modified again and again until it finally becomes the rod you have been looking for.
Sadly, only to find that someone else has designed it long before you; joke joke.
I do not mean to make light of rod taper design; only to point out the many difficulties one must overcome to achieve a new and lasting one. there are precious few of us who are brave enough to put forth our designs for the rest to view. More of us should do it more often and the rest of us should be more tolerant. (Bob Norwood)
P.S. Now after all of this if you really want to attempt a parabolic rod design and can specify it more closely, I would be delighted to try it. I must say that I have never designed one, but will not let that stop us from trying.
After rereading your account describing how you went about designing a new taper I went back and looked at a rod I am in the process of building for a friend. He wants a 7' 4 pc 3 wt for back packing in the Smokey's here in Tennessee. When I looked at your third modification I realized how close our tapers were. Mine has a little softer tip and a larger flex area in the butt; (no step either) with a butt swell that's very similar to yours.
Isn't life interesting ? I think the ferrules will stiffen my design a bit, but hope it will be to his liking.
62 ferrules
back packing in the Smokey's here in Tennessee.
Hmm, Yes, there are a lot of similarities. The tip does look soft, but plenty of meat in the taper behind it. It should be a good small stream performer with a 3 weight. I suspect a #2 might just load it, too, for a faster action. Let us know how it turns out. (Tom Smithwick)
Interesting taper.. but one question.
After several conversations about how to use Garrison stress curve math, I see that at 50' your stresses are in the 260k range. This seems to exceed the Garrison limits you are so adamant about. What happened to 200-220? (Jerry Foster)
For smaller short distance rods , ones that you want to have tip action at short line lengths I use this design. In these cases I disregard the max limit. At longer line lengths the rod will straighten the tip when loaded any way. The rod is really just for 5--20 feet fishing although you can put out more line when you need to.
The 200,000 +- limit is very good to use in most cases as a design point at 50 feet of line, however you automatically pass this when ever you use longer lines.
This rod with the softer tip allows the rod to have tip action only, just a flick of the wrist is all that you need and for small streams that exactly what you want. (Bob Norwood)
Your rod seems to stress well at 35' which is probably a good design distance for a 3 wt. (Jerry Foster)
Just for fun using my Excel method this is what I came up with for the Thomas 8' 4wt Para
0 .062
It's certainly parabolic but it looks way too stiff in the midsection and that's only based on what I know of a PHY Para 15. Your taper looks like it will handle a 4wt ideally at about 40 feet
Those are my guesses. (Al Baldauski)
Larry Blan should jump in here as he is a true para aficionado.
A couple of perceptions:
The best example I have seen of a pure para shape is the Young Para 14... your rod is close..
One of the keys to a good pure para is that it flexes under the grip..
Beginning at 76" you have started to increase the taper again which will stiffen the butt a lot and may create an unwanted hinge at that point (76")
And as Al stated the mid may be a little too stiff, almost in the non flexing range..
Your rod has a very flexible tip.. short vertical stress
But you will only know how close your target you are if you make it.
Remember that Parabolic is just a word that a bunch of drunks thought up by a campfire.. They really aren't a true parabola. Those guys didn't use stress curves so the name was derived from looking at a graph of the taper dimensions.
I will disdain from giving you, or anyone, advice on how to make a taper, as my taste in rods may be very different from yours. (Jerry Foster)
Blan should jump in here as he is a true para aficionado.
Interesting exercise Ken. I have never designed a parabolic, and prefer other tapers for most fishing, but I do like to cast them. I have looked at a bunch of tapers over the years, and also thought you might have gone too far with the convex curve, particularly in the tip. Here I have flattened it out a bit, moving the apex of the curve back a little and reducing it a bit too. I also was confused by the butt swell, and flattened that out as well. NO ONE should built this taper without getting it checked out by a certified (certifiable?) paraholic. I just offer it as part of the discussion. I'd like to hear from some of the para guys, too.
Your deflection curve compares more favorably with a Para 14 but it's still a little stff in the midsection. I think it would feel real hingy near the grip. It looks well loaded at 35 feet with 4wt line. (Al Baldauski)
That looks more like it Tom. (Gary Nicholson)
I've posted FlexRod images of Ken's original taper, Tom's revised version and a Para 14 on the blog. Click on the images to review or save the charts.
If you've never seen a deflection (bent rod) chart you might find the summary chart interesting. Also, take a look at the bent stress curves for these tapers. The detail images include sectional charts as described by Bill Harms and Tom Whittle in Split & Glued (see chapters 8 and 9). FlexRod can be downloaded from the blog if you want to play around with the charts.
Here's the link to the post. (David Bolin)
Good work Dave
Which brings up the point of where each of us prefers the tip rollover point. (Jerry Foster)
On the point of parabolics anyone have any experience of hollow building Parabolics. Without destroying the action of the rod. (Gary Nicholson)
Yes...though not personally, and only indirectly.
Adam Vigil posted here several years ago about a nodeless, hollow built (I think), para 15.
It exploded. (Mike Shay)
Cool stuff. I still don't understand peoples facination with the swelled butt..... (Jim Lowe)
The swelled butt contributes a nice line in the transition between cane and cork. Additionally, it verifies that the section has been designed for the rod, instead of simply being cut to length from a one-taper-fits all blank (the latter, being what most production operations have done). (Bill Harms)
There are swelled butts and there are swelled butts and there is more than one reason for doing them. If it's a fast swell more than .020"/5 in. then usually it's just before the handle and stops the rod action at that point. Then there is the slower swell that gently builds into the handle over 2-4 stations; this is to allow the rod action to move further into the swell before stopping as the rod is loaded heaver. Then there is the flex area just before the butt and the swell at the butt to stop the flex action before the handle. Then there is the small swell that may or may not accomplish what the designer intended. I'm sure there are many other reasons that I have not listed; but, the swell is to complement the rod action that the designer is trying to accomplish in his design. Some times it works just as planed and some times it doesn't.
If you look at all the different tapers that have been designed, then you start to realize that new designs are very difficult to achieve.
All of Everett Garrisons tapers that I have seen have a swell just before the handle. He is the only designed to use the same design for all of his rods. (Bob Norwood)
Bob says, and I quote, "If you look at all the different tapers that have been designed, then you start to realize that new designs are very difficult to achieve."
Hear! Hear!
I couldn't agree more. I build a rod which I claim to be of my own, original design, a 7'0" 4 weight. But in reality, while the numbers have been quite independently arrived at, I am sure that they do not vary significantly from several other tapers, equally the brainchildren of others!
It may be that when you move into the realm of the CNC mill, with its far greater inherent variability, you may start to break new ground. However, I seriously doubt whether I would be capable of detecting those subtle differences based on 1" centres.
A very old question - how many thousandths of an inch represents a palpable action change in any given thickness section? (Peter McKean)
how many thousandths of an inch represents a palpable action change in any given thickness section?
I think that depends on whether you are talking about a localized variation, or a consistent reading along the rod length. It also depends on where the variation is. A .003 variance in the first couple feet of the tip will amount to 1/2 a line weight and certainly be noticeable. The same error in a butt section would hardly be noticed. I have always thought it more useful to think of tolerances in terms of percentage of thickness. Basically, I think if you are within +/- 2%, you have built the rod you set out to. More than that, I think there will be significant differences, but, there are a lot of variables, so that statement can't be carved in stone. (Tom Smithwick)
I agree, sort of. Thinking in terms of percentage change in diameter is most accurate. But an analysis of deflection based on a change of 2 ½ % along the length will change the rod by 1 whole line weight! Certainly, localized changes are much less noticeable. A 2 ½% change in the top 25 inches of a rod will stiffen the tip somewhat and make a difference in close but the overall action won't be changed. On the other hand, if you change the bottom 25 inches of the action length by 2 ½% you will experience about a ½ line weight change in stiffness and that will be felt. (Al Baldauski)
Peter said "A very old question - how many thousandths of an inch represents a palpable action change in any given thickness section?"
OK, I would like to hear answers to that question and the following ones:
Do you mike your tapers after you have made a rod (before and after varnish as appropriate) and compare them with the original taper specifications - How close to the original taper are you along the length of the rod? What is the deviation pattern along the rod length and is that consistent rod to rod that you make? Just how much difference does one have in taper dimensions as designed and as miked?? What rod dimension tolerances do you try to maintain along a rod length?
Now if we can answer these questions we might have a good handle on rod manufacture let alone rod design. (Frank Paul)
I measure the strips as I plane them with my digital calipers them wrap the rod up temporally and measure again. Any differences I get I adjust the forms to size. My finished rods average within about 2 thousandths either way. (Gary Nicholson)
Frank, you ask a very good question. Do makers mike their tapers on finished rods and compare them to the original taper specifications? And I did not notice any replies on the list to this question or your other questions.
I've miked a lot of rods of various pedigrees and the results raise some doubts in my mind.
Of course you must believe that my rods all come out within one thousandth of target spec at every station. (Bill Fink)
I guess that I didn't get Franks post, some time that happens, but at least I did get it roundabout through Bill, thanks.
I do measure every rod that I make and check it against the design taper. Most of the time it comes pretty close and if not I build another section that does. My reasons are personal, I want to know how a particular design works and compare it to my other designs hoping to make that all elusive perfect rod. Of course it never happens, but I keep on hoping maybe one day it will. (Bob Norwood)
I understand the reasons folks give for adding a swell. What I don't understand is how folks say " build such and such a taper, you'll love it, but don't forget to add a swell."
It's always seemed pretty random to me. As if any random swell
improves the rod but doesn't affect the character of the rod. To each his own obviously but it simply seems pretty random.
It seems to me if you add a swell to a rod that wasn't originally designed with that in mind, you end up with butt section that's out of balance with the tip. I know that presumes that folks attempt to design a rod with a particular function that is also in balance and that's not necessarily the case. :) (Jim Lowe)
Interesting, isn't it? We see the same over here -" Make sure you put a butt swell in the rod, won't you?"
I have thought about it a lot, and this is my conclusion - a lot of buyers of bamboo rods do so for reasons of being cool, and, as they say, because "I think it is about that time in my angling I moved up to a bamboo rod".. They REALLY like the feel and the weight of graphite rods, as that is where their experience lies. So the more a bamboo rod resembles a graphite the more they like it. Hence the butt swell - puts all the real weight back at the hands where you can't feel it much, and stiffens up the action and speeds the recovery immensely.
I made a 7'0" 4 weight once just to see how much swell I could cram on with my forms, and it was a monster. I couldn't find a line to make it load, Sir Lancelot du Lac would have jousted with this stick. The first bloke I gave it to to try was a real poseur of rods, and guess what - he loved it! There was nothing to love! No feel, no action, no rhythm, no nothing! Just stiffness! (Peter McKean)
I believe by definition a Parabolic rod design describes the stress curve of a rod which has a parabolic curve to it. Therefore by using a simple Excel file to plot the rod dimensions and converting it to a simple stress curve. Once you have the basic design you can simple adjust the stress curve points to change the rod dimensions to get your parabolic rod. It's actually quite easy. Now all we have to do is define what a parabolic curve actually looks like. (Ken Paterson)
Tough design criteria. Other than for the fun of it, I don't think 3 wts. were meant to do this. Short is easy, long is easy, but the middle range 20 to 30 ft. might be never, never land.
I'd tell the gentleman to use a 5 wt if he wants to aerialize 50' of line. Heehee. (Jerry Foster)
how would you go about designing a parabolic fly rod
Hi Gary - I think you have to start in the middle, the one characteristic they all seem to have in common is one ferrule size larger than you would expect on a progressive or straight taper rod of that length and line weight. It seems to me, however, that designing a parabolic from scratch is a tricky business. If you consider the two leading parabolic designers, Young and Ritz, It seems that both made many prototypes before settling on the final designs. I don't think the tip area presents all that much problem, I suspect the trick is getting just the right balance between the flexible butt, and the stiff middle. Not enough flex, and all you have is a fastish action clunker with too much weight in the middle, too much flex, and the rod won't cast at all.
I would not personally attempt to design one without looking at a bunch of similar tapers. Why do you want to start from scratch? (Tom Smithwick)
Someone in a previous conversation had referred to a "parabolic stress curve". I was just trying to say what you said except I guess I used the incorrect verbiage of "taper dimension " instead of the correct wording, "empirically."
However whether anyone likes stress curves, or deflection, or linear taper graphs, or graph paper, they all reflect the same shape.
I wasn't trying to say that a Para 14 is the best rod alive, simply that the shape of the curve was a good example of a para.
I also agree that all rods are defined by the caster, no matter the shape. (Jerry Foster)
I had the opportunity of casting a number of Rods built by Paul Young. I liked the Para 14 better than almost any other rod he made. Roger Barrett offered to make a Para 14 for me in exchange for my Henry's Fork. He made an absolutely unique rod of great beauty and design. I am writing an article about it for Power Fibers. (Ralph Moon)
Look on Frank Stetzer's web interface to Hexrod under "start with a classic rod taper" and go to the Para 14 posted by George Maurer. Look at the stress curve. This is what a para stress curve should look like in my humble opinion. It's the "double bump" stress curve that someone mentioned the other day. Notice that the rod is a 7'-9" #5 yet it has a heavier tip than either of those submitted and a smaller butt. In the middle it is almost the same as those. The dimensions graph to a smooth curve showing that it is thick in the middle and falls off toward the butt. It seems to be divided into thirds. Years ago I saw a photo of Charles F. Orvis putting a curve into a rod to show that it curved in a parabolic shape. The rod was attached to a board on the wall and he was adding weight to the tip or a line through the tiptop. I always assumed that this is where the term parabolic rod came from. I could be wrong about that, we all know what we do when we assume. This is copying an existing taper, I know, but it is a good example of what we should be shooting for. I like to go for a slightly heavy tip third, a heavy middle third and a bit of a light butt third. This makes for a terrific rod to cast in close and still have the ability to cast a good long line if necessary. It also does most of the work for you. That's another benefit of the para taper. If you learn to slow down your cast the rod will really help. When I am working on a taper for myself I always put it into Hexrod and look for that "double bump" stress curve. (Hal Manas)
In the event that we might be attaching to much to the meaning of a name, I believe that the designation of a rod as being parabolic came from Charles Ritz. On p. 64 of the revised, English-language version of his book, "A Fly Fisher's Life," he writes, "This is the action which I have called 'Parabolic', though the term is only a figure of speech, and the curve of the rod has absolutely nothing whatever to do with a parabola. This name used commercially dates from 1937." (Tim Anderson)
If you thumb through the Garrison book, you'll also find a story about Ritz and someone else asking Garrison too look at a rod they had overhauled. As the story goes, it seems the rod was caught in a delivery boy's bicycle spokes and shortened at the tip and butt. They put a new seat on it and remounted the guides and found it would now cast a country mile. The book gives Garrison the credit for coining the expression "parabolic". (John Channer)
You are right. The story by Garrison on p. 238 in Hoagy Carmichael's Garrison book IS about Ritz's broken-tip rod and the episode occurred in 1934 in Ritz's presence. The relevant part of the story is:
"So, Jack Knight was so thoroughly impressed with this thing [the rod] and the feel of it he wanted to give it a name. I mentioned the fact that if you just took a plank of uniform thickness and stiffness through its entire length and anchored it into a brick wall so it couldn't move and put a weight on the end of it, its stress curve would be a true 'parabola.' He said, 'That's it. This is the 'Parabolic Rod.'"
So was it Jack Knight or Garrison or Ritz who coined the name? Ritz may have been the first to use it widely, but that would be hard to document now that the people involved are no longer with us. Nevertheless, my point remains the same. The name itself probably means less than we would like to think. (Tim Anderson)
You are most likely correct about the name, but my point is that the tip needs to be a bit stronger than the two examples that we had and the butt needs to be a bit weaker in order to make it all work really well. If it is done correctly it does indeed work really well. (Hal Manas)
In its simplest form a parabolic taper would be a straight line taper with more material added to the middle of the rod. How much more material you add and whether you shift it off center to the tip or butt would be further subtle variegations of the parabolic taper. (Will McMurrey)
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Pokémon Go brought the concept of augmented reality — or AR for short — into the mainstream… well, reality. This two-dimensional, AR, mobile game went viral just over a year ago, and, in doing so, it taught us all what … Continue reading
Posted in 3D Products, Channel Partners, Geek Talk, Hardware Trends, Marketing Guru, Sales Tools, Trade Show Trends Tagged 3D AR, 3D Augmented Reality, 3D interactive product models, 3D interactive trade show solutions, 3D model, 3D Product Catalog, 3D Product Models, 3D Products, augmented reality, B2B Marketing Trends, B2B sales and marketing tools, CiscoLive, Trade show technologies Leave a comment
Kaon Experiences Excite Cisco Live! Attendees
We're right in the middle of Cisco's annual IT and communications conference, Cisco Live in Las Vegas! Numerous Kaon Interactive customers are having success engaging booth attendees and communicating unique value differentiators using Kaon 3D product demonstrations and interactive storytelling … Continue reading
Posted in 3D Products, Hardware Trends, News, Sales Tools, Trade Show Trends, Uncategorized Tagged 3D, 3D demonstrations, 3D interactive product models, 3D model, 3D Product Catalog, 3D Product Model, 3D Product Models, 3D virtual products, Cisco Systems, CiscoLive, interactive content, interactive storytelling, Kaon v-Rack, Kaon vRack, Netapp, technology, trade show booth, trade shows Leave a comment
Showing Complex Products, Simply
Complex products and processes can be a challenge to illustrate well. In the case of the BD Max, a fully-automated molecular diagnostic device, the challenge was showing the physical features of the device as well as a very detailed workflow … Continue reading
Posted in 3D Products, Creative Crackerjack Tagged 3D model, BD Max, Business, complex products, interactive, product marketing, product model Leave a comment


text:
A week in Florence and Tuscany
Florence is best in the off-season; the summer months are painfully crowded. If you love art history, this is your chance to dive deep. Tuscany contains a mind boggling number of sights and experiences. The hill towns, like San Gimignano, are incredibly atmospheric (and touristy). Sienna's duomo is a stunning architectural creation literally cantilevered out over a hill. Get out of town to see the vineyards. Arezzo's stunning Piero Della Francesca murals are worth the trip alone.


text:
Third act may be in store for O'Brien
Published 4:00 am, Friday, November 20, 2009
Is Conan O'Brien ready for his third act?
There's a scenario - one that might seem far-fetched now, but strange, fear-based decisions are made in the television industry all the time, so give it a few days - whereby television's suddenly forgotten man rises again.
But first he has to go down.
How, you might ask, does a guy who just got promoted to "The Tonight Show" desk go down? Isn't he going to be in that job forever?
Be patient. Follow the pattern.
For starters, no: There's nothing that guarantees O'Brien a future at "The Tonight Show" that allows his shock of red to turn gray slowly over the years. Secondly, he works for NBC, so going down is a way of life. And third, he works for NBC - remember? - so crazy unpredictability is a way of life. It's how he got Johnny Carson's chair, after all.
Five years before O'Brien took over for Jay Leno, a deal was brokered for that premature transition. The man who brokered it was Jeff Zucker, a.k.a., The Man Who Broke NBC. Since breaking the network as entertainment president, Zucker has failed upward like a spectacularly mysterious (and dangerous) comet. He's now CEO of NBC Universal, which means he oversees pretty much anything that's not a microwave. He's the one who, five years after brokering that deal so that the suddenly hot O'Brien wouldn't go to another network, had to broker another deal so that the always-hot Leno wouldn't go to another network.
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This from a man who re-upped the most creative NBC entertainment president in ages, Kevin Reilly, only to broker a deal replacing him three months later with the fantastically ill-suited Ben Silverman, which immediately allowed Reilly to take his multiyear contract money and walk across the street to another network (Fox) and continue to pound the Peacock into bloody feathers.
Crazy, right?
Meanwhile, Silverman was dumped two meritless years later and replaced in July by Jeff Gaspin, whose first task was to endorse what Zucker was doing with Jay Leno at 10 p.m. You know, the whole breaking the network thing.
Which could lead to O'Brien's third act. Thank you for following the narrative flow.
Here's how it plays out: Cutting five hours of scripted programming from the NBC lineup to accommodate Leno alienates the creative community. Leno's numbers impress no one. Money saved by cheaper talk-show format is partly lost in reduced advertising rates for unimpressive Leno numbers and lost revenue on DVDs for hit dramas at 10 p.m. Unimpressive Leno ratings ultimately hurt NBC-owned stations airing their local news because they no longer have a ratings-reliable lead-in at 10 p.m. Lesser ratings combined with misplaced O'Brien at 11:30 lead to David Letterman ratings victory and embarrassment for O'Brien and further embarrassment for NBC. Reverberation of lower ratings finally reaches O'Brien's replacement, Jimmy Fallon, who lost last week to CBS' Craig Ferguson for the first time.
Now, this will all be in flux for a bit. But the trends are in, and they are not good. NBC ranks fourth in a four-network race in primetime. Leno is part of that. The damage extends to late night. And if this is allowed to continue, NBC won't just be in shambles, it will be almost worthless, theoretically. Which is funny, because NBC Universal could have its controlling interest bought by Comcast, which apparently has agreed - wait for it - to keep Zucker in charge.
How could the magician Zucker impress his bosses? By fixing his own problem and putting back the pieces of NBC. How in the world would that impact O'Brien? Well, since Leno has already said he wouldn't mind returning to 11:30 p.m. if, aw shucks, that's what NBC wants, then all that's left is figuring out how much it would cost to turn back the clock and get rid of/buy out O'Brien.
A lot, probably, but nothing compared with what the entire network could be hemorrhaging if something isn't done. And doing in O'Brien is something Zucker could do. It would be shocking and unfair, of course. O'Brien - the forgotten man in the zeitgeist between Leno and Letterman - simply can't win. His ratings are down because not all of his late night fans followed him to the early time slot and Leno's fans didn't have a need to defect. O'Brien seems less sure of himself and less funny, too. Worse, he seems less essential.
Yet he remains funnier than Leno or Fallon. Starting over, and later, at another network - one that wants and respects him - might not be such a bad thing. Fox? ABC? Who knows. Something has to give at NBC. It might sound crazy now. But NBC knows how to super-size crazy.


text:
Only ThinkGeek would come up with something like this: a 3D printer that prints in Play-Doh that's controlled via an iPad and manually powered through cranks. It's also ridiculously cheap.
First, some quick assembly (of the snap-together variety) and your Play-Doh 3D Printer is almost ready for action. Add 2 C batteries, plug it into your iPad, and launch the free app: iPlay-Doh 3D. Quickly design all sorts of things on the free app and then send them to your Play-Doh 3D Printer. Add up to 3 different colors (they'll blend like soft serve ice cream) to the top of the Play-Doh 3D Printer and then watch your iPad for directions. The iPlay-Doh 3D app will let you know when the printer is ready for you to start cranking.
There are two different cranks on the Play-Doh 3D Printer: one to drip the Play-Doh down onto the conveyor belt and one to move the conveyor belt back and forth (to make sure the Play-Doh gets in just the right place). Sure, the overall product isn't as sturdy as an expensive 3D printed object, but it will air-harden and can be painted just like one. With the Play-Doh 3D Printer, you'll learn basic CAD skills, bow hunting skills (just kidding), and 3D printing skills
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|iotacons: Pixelated Art by Andy Rash
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|Short Story of Similar Objects
|CaptchaTweet: Write Tweets in Captcha Form
|"The homemade airplane does indeed fly!"


text:
This collection of Peter Barnes' plays comprises three duologues and one three-hander dealing with "the absurdly tragic and the tragically absurd". In "Humour Helps" an actres hamfistedly tries to commit suicide, finally achieving her aim with the unwitting aid of a neighbour. "Waiting for a Bus" has a pair of lovers interrupted in bed by the arrival of the husband - or are they actors rehearsing a new comedy "Waiting for a bus" about a pair of lovers disturbed by the husband's arrival? "Acting Exercise" opens with Rowan, an actor delivering a soliloquy in a rehearsal room. From the shadows emerges a distraught husband demanding the actor give him back his wife. In "Last Things" an elderly couple of thespians awake to find themselves dead. They decide to go on to the next world with their famous husband and wife sketch - to the applause of the heavenly host.
More books by Peter Barnes
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text:
How ME2 PRODUCTIONS Obtains Your Name From An IP Address – ISP Subpoena Defense
Movie company ME2 PRODUCTIONS is suing many people for allegedly downloading its adult entertainment movies using file-sharing technology called BitTorrent. This article analyzes the movie company's motion to the court justifying its desire to obtain the names and addresses of ISP account-holders. ME2 Productions does this through a motion for "early discovery", by issuing a subpoena.
If your internet address ("IP address") is involved, your first notice of the lawsuit will probably be a letter or email from ISP about the copyright infringement lawsuit, your right to file a motion to quash or vacate the subpoena, and a copy of a subpoena from ME2 Productions
Set up a free consultation to discuss the specifics of your case, or keep reading below for more information on what you can expect from your case with ME2 Productions.
What the ME2 PRODUCTIONS Lawsuit Is About
The ME2 Productions lawsuit is a federal copyright infringement lawsuit in which the owner of the copyright to "MECHANIC: RESURRECTION" allege that internet users (here, ISP users) illegally obtained their movies for free using file-sharing technology called BitTorrent.
The lawsuit seeks money through statutory damages under the US Copyright Act potentially up to $150,000 (this amount of an award is rare) plus their attorneys fees and costs, if they can prove to the court they: 1) own the copyright 2) the defendant illegally downloaded the movie. This is a broad summary but at this point its all that probably matters for you to know.
Speak with Antonelli Law For Free
Already know you want to speak with an attorney? Speak for free with Antonelli Law Defense by calling us nationwide at 312-201-8310 or use our confidential contact form below. Antonelli Law and our local counsel have helped protect many people from BitTorrent copyright infringement lawsuits just like the ME2 Productions lawsuits. We will talk with you for free and explain each of your legal options including:
1) Have us negotiate an anonymous settlement on your behalf with ME2 PRODUCTIONS
2) File a motion to quash the subpoena it issued to your ISP, or
3) Defend your innocence in court.
Click here for our free, confidential contact form.
Use our confidential contact form by the link or embedded form below and we will respond to you soon, within 24 hours
ME2 PRODUCTIONS First Has to Find Out Who the ISP Internet Users Are
When ME2 Productions filed the lawsuit, all it had as evidence was a computer's IP addresses (like 188.8.131.52) to try to identify which internet account is associated with that IP address. They can easily determine that on the date and time of the alleged movie downloads that IP address "220.127.116.11" was an ISP customer. But on its own, the movie company cannot tell which ISP customer it was. And it can't serve a lawsuit on an IP address. ME2 Productions needs a name and address.
ISP already knows which of its customers was assigned IP address "188.8.131.52". But internet users are entitled to protection from their identities being revealed in connection with their internet activity. So, the movie company ME2 Productions must ask a federal judge for permission to issue a subpoena compelling ISP to reveal who the internet subscriber is (their name and address) IP address "220.127.116.11"
ME2 PRODUCTIONS Filed a Motion in Court To Justify Revealing Who the Defendant Is
ME2 Productions filed a motion with the Court to obtain permission to issue a subpoena to ISP. This motion's technical name is "Motion For Leave to Issue a Third party Subpoena Prior to a Rule 26(f) Conference". I'll just call it the ISP subpoena for your reading ease. This ISP subpoena request has several parts. The entire motion is embedded below, but here is a summary:
ME2 Productions tells the Court MaverickEye UG, a German company, obtained a direct connection with each defendants' IP address and logged the IP address, time, and hash file number – and the data downloaded from each infringing computer device is matched to the complete file.
What is the amount and type of data allegedly downloaded from each computer device? It does not say.ME2 Productions Motion for ISP Subpoena - Colorado
Is it enough to state a claim for copyright infringement? A judge might find it is not.
What Are These Lawsuits About?
Critics of these BitTorrent copyright infringement lawsuits say its about the movie company generating more revenue. The movie company says it is filing these lawsuits to stop piracy of its intellectual property.
What is My First Notice If I Am Targeted In A Lawsuit?
If your internet address ("IP address") is involved, your first notice of the lawsuit will probably be a letter or email from Comcast Hawaiian Telecom, Optimum Online, Verizon, Spectrum, or Time Warner and a copy of a subpoena from ME2 PRODUCTIONS.
The letter should tell you the date and time the movie was allegedly downloaded the case name and number, and inform you of your legal right to file a motion to quash or vacate the subpoena it received, by a certain date.
This is the time to talk with us about either having us negotiate an anonymous settlement, file a motion to quash subpoena, or prepare for your defense in court. We cannot help you remain anonymous after the internet company releases your information to the movie company, but can still help you negotiate a fair and confidential release as part of a settlement, or prepare for your defense in court.
What Can Antonelli Law Do For Me?
Antonelli Law will help you decide what to do about the ME2 PRODUCTIONS letters, subpoenas, and summons. We have helped many people accused of downloading movies over the internet in these types of lawsuits.
Remember, don't panic. Learn the facts and your legal options by speaking for free to an Antonelli Law attorney confidentially nationwide at 312-201-8310 or use the contact form here.
Our clients say Antonelli Law is very good at:
- Reducing your anxiety about the problem
- Giving clear information to help you decide what to do
- Responsive and accessible via phone and email
- Tenacious and effective lawyers in lawsuit litigation
We understand the shock you may be feeling from receiving a notice of this action, and have the experience to help you deal with this in the best way possible for you: anonymous settlement, or prepare to fight back.
Antonelli Law is the Most Experienced BitTorrent Copyright Defense Firm in the Country
We can help you learn your legal options if you received an ISP letter informing you a subpoena for your identity was received, a settlement demand letter from the movie company's attorneys, or if you are served with a summons or waiver of service of summons. We have helped nearly 2,000 people nationwide affordably defend themselves from over 50 different movie companies.
Read Even More Details Below About the Lawsuit and How to Defend Against It
- Don't Sign a Waiver of Service of Summons Form Before Speaking with an Attorney
As defense attorneys, we are concerned that people who receive a Waiver of Service of Summons form in the mail from the movie company's lawyer this will lead to an unfair default judgment against them. If you receive one of these forms, please speak with us before signing anything.
- Consider Filing A Motion to Quash Subpoena in the ME2 PRODUCTIONS Case
The best reason for filing a motion to quash subpoena is if a now-anonymous defendant can manage to remain anonymous, it is possible the movie company may never be able to serve him or her with a court Summons and lawsuit Complaint.
That would be a terrific win for the defense, before the case even got started and before the expensive litigation processes of discovery and motions for summary judgment are filed. To do that, we argue that the lawsuit Complaint cannot stand up to a motion to dismiss the complaint. Therefore, if the lawsuit Complaint is not good enough there is no good reason for the subpoena to the ISP to proceed.
The Evidence Needed to Prove Copyright Infringement by ME2 PRODUCTIONS
ME2 PRODUCTIONS must show to the Court that:
- It has ownership of a valid copyright and
- The defendant violated the copyright owner's exclusive rights under the Copyright Act.
We Could Not Find Sufficient Allegations of Evidence by ME2 PRODUCTIONS
We examined the court filings of ME2 PRODUCTIONS in case number 1:17-cv-02280-WYD-ME filed in the United States District Court of Colorado. We also reviewed the motion and exhibits in the case above, 1:17-cv-02280-WYD-ME ME2 PRODUCTIONS v JOHN DOES . From this review, we did not see that the movie company alleged sufficient evidence to show that its copyright was violated by the defendants it accuses.
For the reasons that follow below, we believe filing a motion to quash subpoena to stop the internet company from releasing the name and address of the unnamed Defendant could be justified. Stated simply, when we looked at the court filings by ME2 PRODUCTIONS we found in our opinion a lack of evidence of copyright infringement in the lawsuit's complaint.
For example, ME2 PRODUCTIONS claims in its lawsuit Complaint at paragraph 50(a):"Each Defendant has downloaded a piece of the Plaintiff's Work (emphasis added)"
One or more pieces? Is this even enough data to produce a flash of one image of the movie? If so this may qualify as a defense for what is called "de minimis" copyright infringement, which may entitle the movie company to nothing. You can read more about "de minimis" copyright infringement as well as the fair use defense here.
Finally, if you are curious you can read these filings for yourself by viewing the embedded Complaint below.
In our review of these court filings, in our opinion ME2 PRODUCTIONS has simply failed to allege sufficient evidence to show that its copyright was violated by the defendant it accuses.
In other words:
From what we saw, nothing was said about the size or contents of the portions of the work actually downloaded from the defendants' IP addresses
ME2 Productions Complaint 17-cv-02280 Colorado
What Are Movie Downloading Cases in General About? What Are "Copyright Troll" Lawsuits?
If you want to read more, consider reading the article I wrote about "copyright troll" litigation which was published by the Illinois State Bar Association's Intellectual Property Section:
Torrent Wars
Copyright Trolls, Legitimate IP rights, and the Need for New Rules Vetting Evidence and to Amend the Copyright Act
by Jeffrey J. Antonelli
Call us for a free consultation nationwide at 312-201-8310
Some of our attorneys are listed below. We represent clients in Hawaii, California, Utah, Nevada, Colorado, Texas, Illinois, Indiana, Michigan, Wisconsin, Louisiana, Georgia, New York, New Jersey, Pennsylvania, Maryland, Virginia, and Washington DC.
District of Arizona
ME2 Productions Inc. v
Unknown Parties 2:16-cv-04039
Unknown Parties 2:16-cv-04075
Unknown Parties 2:16-cv-04112
Unknown Parties 2:16-cv-04114
Unknown Parties 2:16-cv-04123
District of Colorado
ME2 Productions Inc. v
Doe 1 et al 1:17-cv-02385
Doe 1 et al 1:17-cv-02280
Doe 1 et al 1:17-cv-01810
John Does (1-8) 1:17-cv-01207
Does 1 et al (1-16) 1:17-cv-01162
Doe 1 et al (1-5) 1:17-cv-00821
John Does (1-7) 1:17-cv-00793
John Does (1-19) 1:17-cv-00724
John Does (1-11) 1:17-cv-00674
Doe et al (1-24) 1:17-cv-00607
Doe et al (1-11) 1:17-cv-00508
Doe et al (1-11) 1:17-cv-00387
Doe et al (1-15) 1:17-cv-00301
Doe et al (1-20) 1:17-cv-00170
Doe et al (1-20) 1:17-cv-00033
John Does (1-2 4) 1:16-cv-03128
Doe et al (1-26) 1:16-cv-03069
Doe et al (1-20) 1:16-cv-03005
Doe et al 1:16-cv-02978
Doe et al 1:16-cv-02629
Doe et al 1:16-cv-02580
Doe 1 et al 1:16-cv-02629
Doe 1 et al 1:16-cv-02770
Doe 1 et al 1:16-cv-02788
Doe 1 et al (1-19) 1:16-cv-02827
Doe 1 et al (1-10) 1:16-cv-02891
Doe 1 et al (1-4) 1:17-cv-01031
Doe 1 et al (1-7) 1:17-cv-01089
District of Connecticut
ME2 Productions Inc. v
Does 1-11 3:16-cv-01834
Does 1-14 3:16-cv-01835
Does 1-19 3:16-cv-01837
Does 1-19 3:16-cv-01838
District of Georgia
ME2 Productions Inc. v
Does 1-14 1:16-cv-04055
Does 1-12 1:16-cv-04054
Does 1-11 1:16-cv-04052
Does 1-13 1:16-cv-03904
District of Hawaii
ME2 Productions Inc. v
Doe 1 et al 1:17-cv-00320
Does 1-20 1:17-cv-00155
Does 1-20 1:17-cv-00131
Does 1-20 1:17-cv-00130
Does 1-15 1:17-cv-00098
Does 1-16 1:17-cv-00096
Does 1-20 1:17-cv-00078
Does 1-19 1:17-cv-00079
Northern District of Illinois
ME2 Productions Inc. v
Does 1-25 1:17-cv-03914
Does 1-25 1:17-cv-03913
Does 1-29 1:17-cv-03912
Does 1-20 1:17-cv-03911
Does 1-27 1:17-cv-03910
Does 1-28 1:17-cv-03852
Does 1-27 1:17-cv-03851
Does 1-23 1:17-cv-03850
Does 1-18 1:17-cv-03847
Does 1-20 1:17-cv-03846
Does 1-36 1:17-cv-02467
Does 1-31 1:17-cv-02466
Does 1-31 1:17-cv-02465
Does 1-29 1:17-cv-02464
Does 1-25 1:17-cv-02462
Does 1-24 1:17-cv-02423
Does 1-22 1:17-cv-02421
Does 1-21 1:17-cv-02420
Does 1-19 1:17-cv-02419
Does 1-23 1:17-cv-02418
Does 1-28 1:17-cv-01541
Does 1-34 1:17-cv-01539
Does 1-31 1:17-cv-01536
Does 1-28 1:17-cv-01535
Does 1-23 1:17-cv-01532
Does 1-24 1:17-cv-01478
Does 1-25 1:17-cv-01476
Does 1-33 1:17-cv-01473
Does 1-34 1:17-cv-01471
Does 1-32 1:17-cv-01469
Does 1-25 1:17-cv-00706
Does 1-25 1:17-cv-00708
Does 1-26 1:17-cv-00710
Does 1-25 1:17-cv-00712
Does 1-42 1:17-cv-00714
Does 1-24 1:17-cv-03183
Does 1-27 1:17-cv-03184
Does 1-37 1:17-cv-03186
Does 1-36 1:17-cv-03188
Does 1-29 1:17-cv-03189
District of Indiana
ME2 Productions Inc. v
Doe 1 et al (1-8) 1:17-cv-01723
Doe 1 et al (1-9) 3:17-cv-00186
Doe 1 et al (1-11) 2:17-cv-00096
Doe 1 et al (1-9) 3:16-cv-00764
Doe 1 et al (1-12) 2:16-cv-00478
Doe 1 et al (1-7) 1:16-cv-03020
Doe 1 et al (1-9) 2:16-cv-00468
Doe 1 et al 1:16-cv-02757
Doe 1 et al 1:16-cv-02758
Does 3:16-cv-00695
Does 3:16-cv-00697
Does 1:16-cv-00390
District of Kentucky
ME2 Productions Inc. v
Does (1-10) 3:16-cv-00702
District of Maryland
ME2 Productions Inc. v
Doe 1 et al (1-15) 8:16-cv-03730
District of Missouri
ME2 Productions Inc. v
Doe 1 et al (1-2) 4:16-cv-01271
District of Nevada
ME2 Productions Inc. v
Does (1-21) 2:17-cv-00724
Does (1-18) 2:17-cv-00723
Does (1-24) 2:17-cv-00722
Does (1-18) 2:17-cv-00676
Does 2:17-cv-00668
Does (1-31) 2:17-cv-00667
Does (1-27) 2:17-cv-00666
Does 1-30 2:17-cv-00665
Does (1-22) 2:17-cv-00126
Does (1-20) 2:17-cv-00124
Does (1-19) 2:17-cv-00123
Does (1-21) 2:17-cv-00122
Does (1-23) 2:17-cv-00121
Does (1-23) 2:17-cv-00114
Does 1-21 2:17-cv-00049
Does 1-19 2:16-cv-02875
Does 1-33 2:16-cv-02783
Does 1-20 2:16-cv-02788
Does 1-12 2:16-cv-02799
Does 1-15 2:16-cv-02563
Does 1-15 2:16-cv-02520
Does 2:16-cv-02513
Does 2:16-cv-02384
Does (1-25) 2:16-cv-02657
Does (1-25) 2:16-cv-02660
Does (1-14) 2:16-cv-02662
District of New York
ME2 Productions Inc. v
Doe-220.127.116.11 et al 1:17-cv-05053
Doe-126.96.36.199 et al 1:17-cv-05701
Does (1-15) 1:17-cv-03467
Does (1-15) 1:17-cv-02645
Does (1-15) 1:17-cv-02175
Does (1-15) 1:17-cv-02284
Does (1-14) 1:17-cv-01604
Does (1-15) 1:17-cv-01456
Does (1-16) 1:17-cv-01196
Does (1-14) 1:17-cv-01049
Does (1-19) 1:16-cv-06161
Does (1-19) 1:16-cv-06160
Doe 126.96.36.199 et al 1:17-cv-02717
District of North Carolina
ME2 Productions Inc. v
Does 1-5 5:17-cv-00131
Does 1-5 5:17-cv-00121
Doe 1-12 1:17-cv-00150
Doe 1-15 5:17-cv-00099
Doe 1 et al (1-7) 1-11 4:16-cv-00273
Doe 1 et al (1-8) 1-11 5:16-cv-00885
Doe 1 et al 1-11 5:16-cv-00881
Doe 1-9 5:16-cv-00202
Doe 1-9 5:16-cv-00875
Doe 1 et al (1-12) 5:16-cv-00896
Doe 1 et al (1-12) 5:16-cv-00206
Doe (1-8) 7:16-cv-00383
Doe (1-8) 7:16-cv-00384
Doe (1-9) 7:16-cv-00385
Doe (1-10) 7:16-cv-00386
Does (1-13) 4:16-cv-00278
Does (1-16) 7:16-cv-00394
Does (1-16) 4:16-cv-00279
Doe 1 et al (1-9) 5:16-cv-00917
Doe 1 et al (1-10) 5:16-cv-00920
Doe 1 et al (1-11) 5:16-cv-00922
District of Ohio
ME2 Productions Inc. v
Does 1-8 3:16-cv-02715
Does 1-14 3:16-cv-01062
Does 1-9 1:17-cv-00863
Does 1-8 2:17-cv-00342
District of Pennsylvania
ME2 Productions Inc. v
John Does 1-10 2:17-cv-01618
John Does 1-13 5:17-cv-01352
John Does 1-13 2:17-cv-00572
John Does 1-8 2:16-cv-06138
District of Texas
ME2 Productions Inc. v
Doe 1 et al 4:17-cv-01212
Doe 1 et al (1-14) 4:17-cv-01033
Does 1-11 4:17-cv-00862
Does 1-11 4:17-cv-00695
Does 1-12 4:17-cv-00501
Does 1-12 4:17-cv-00404
Doe 4:17-cv-00275
District of Utah
ME2 Productions Inc. v
Does 1-24 2:17-cv-00664
Does 1-26 2:17-cv-00663
Does 1-24 2:17-cv-00662
Does 1-26 2:17-cv-00626
Does 1-27 2:17-cv-00625
Does 1-36 2:17-cv-00624
Does (1-27) 2:17-cv-00576
Does (1-29) 2:17-cv-00547
Does (1-25) 2:17-cv-00526
Does (1-26) 2:17-cv-00525
Does (1-22) 2:17-cv-00523
Does (1-14) 2:17-cv-00225
Does (1-12) 2:17-cv-00224
Does (1-24) 2:17-cv-00223
Does (1-23) 2:17-cv-00198
Does (1-26) 2:17-cv-00199
Does (1-22) 2:17-cv-00200
Does (1-27) 2:17-cv-00191
Does (1-29) 2:17-cv-00190
Does (1-22) 2:17-cv-00189
Does (1-25) 2:17-cv-00179
Does (1-23) 2:17-cv-00178
Does (1-25) 2:17-cv-00169
Does (1-26) 2:17-cv-00168
Does (1-25) 2:17-cv-00158
Does (1-23) 2:17-cv-00157
District of Virginia
ME2 Productions Inc. v
Does (1-11) 3:17-cv-00002
Does (1-13) 5:16-cv-00083
See Also:
Chicago Defendant Fights ME2 Productions Movie Lawsuit On His Own – Court Says No But Can Try Motion to Quash Subpoena Again – Antonelli Law Defense
ME2 Productions Lawsuit: Don't Get Farmed Out By a Referral Service – Antonelli Law Defense


text:
🌷The Lily & The Eagle🦅
Jimin had just reached his dream, starting his very own floweriest business. Little did he know the village he moved to was run over by the most ruthless gang, lead by the man that would change his perspective on life forever… 9/?
Be sure to read the previous part, otherwise this won't make much sense!
Also thanks to everyone who is supporting this Au! It means a lot to me me you're all so sweet and kind, it makes my heart melt!
I hope all the future posts will make you happy! ✨💜