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Ameesha Patel
Birth Name: Amisha Patel
Age: 42, born 9 June 1975
Born and residing in: India
Height: 5' 3"
Relationship Status: In a relationship
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Ameesha Patel Videos
Motiyan Ka Kangana Hai - Red Hot Amisha Patel - Chatur Singh 2 Star - Latest Bollywood Item Song
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Description: Grand-daughter of Indian freedom fighter, lawyer, and former Justice Rajni Patel, Amisha, a Gemini, was born in Bombay's Breach Candy Hospital. She is nicknamed Angel and Princess. Her younger brother Ashmit Patel is also a Bollywood film actor and her name is a blend of the first three letters of her father's name Amit and the last three letters of her mother's name Asha. She studied at the Cathedral and John Connon High School in Bombay, and went on to obtain a degree in Economics from Tufts University in Medford, Massachusetts, U.S.A. After graduation she worked for a Finance company and also modeled on the side. She ha ... (more)
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1. Om Shanti Om (2007)
|132 Watched
2. Heyy Babyy (2007)
|57 Watched
3. Kaho Naa... Pyaar Hai (2000)
|45 Watched
4. Mangal Pandey: The Rising (2005)
|31 Watched
5. Bhool Bhulaiyaa (2007)
|32 Watched
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Australian actress Judith McGrath passes away0:28
Australian actress Judith McGrath passes away. McGrath starred in a range of Aussie dramas including 'A Country Practice', 'All Saints' and 'Neighbours'. Courtesy: The TODAY Show/Channel Nine
THE Australian showbiz world is in mourning following the death of veteran actor Judith McGrath.
Ms McGrath, best known for her Logie nominated role as Yvonne 'Von' Ryan in television medical drama, All Saints, was 70.
Industry stakeholders and fans all paid tribute to the late performer following a report from TV Tonight on Sunday evening.
"Her wonderfully dry wit was peerless. Vale is not enough," entertainment reporter Craig Bennett wrote on Facebook.
The endeared actor most recently appeared on Australian television screens as Maria Crawley in Winners & Losers.
Born in Brisbane, Ms McGrath appeared in a total of 263 episodes of Prisoner from 1979 and played Bernice Hudson on A Country Practice. But it was her longstanding run on All Saints that was perhaps most memorable.
She was the only original castmate to star across all 12 seasons of the popular soap, which also featured two-time gold Logie winner Georgie Parker.
Ms McGrath's management and family had not commented on the loss or cause of death on Sunday.
Originally published as All Saints star dies aged 70

subset: commoncrawl


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1907 1C PR66 Red and Brown PCGS Secure....Click the image to load the highest resolution version.
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Description1907 1C PR66 Red and Brown PCGS Secure. Magnificently toned with blended ruby-red and cherry-red on the obverse, while the reverse is orange-red with lilac and apple-green near the rim. Carbon-free and undisturbed by contact. The lowest-mintage post-1877 proof date.(Registry values: N991) (NGC ID# 22AW, PCGS# 2409)
Weight: 3.11 grams
Metal: 95% Copper, 5% Tin and Zinc
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Tagged: open mic
Last night, BigCharlie Poet and I headlined Verbalise at the Brewery. We've known each other for years, and we've been working on these photo challenges for almost as long, so to perform together for the first time was a real buzz. Thanks to all the glories of PowerPoint, we also projected the images onto the screen behind us, and hopefully the audience enjoyed seeing how and why we interpreted each picture.
It was a particularly good open mic, with stand-out performances from Harriet Fraser, John Scott, LD Brown, and three poets I hadn't seen before — Clare Proctor, Louise Barklam and Roland Crowland (sorry if I've spelled your names wrong). I had an excellent time, and sold some more copies of Dare. They're starting to run out, now, so get amongst it if you want one.
BigCharlie and I have now done the photo challenge for Cathedrals, Graffiti, Libraries, Foxes, Scarecrows, Suitcases, New York, Europe and Keys. These last four were the new pieces, and they seemed to go down okay. My stories were called Drums, Murmurations, The Slips And The Cracks, and The Four Things That Happen After You Die. These were the photos — can you guess which image goes with which title?
I'm not going to include the stories here, because they're bound for another flash collection, probably late next year — that will be called Soup Stone. More on this another time. I might submit them for publication, too, when I work out who's printing flash fiction these days. That scene changes so fast, and when I've been away from it, I struggle to catch up. Suggestions very welcome. (Please…)
The photo challenge always freshens me up as a writer. It breaks me out of whatever ruts I've worked myself into, and helps me to look at something new, to consider a story with fresh eyes. As ever, I've enjoyed working on these pieces, but I'm also glad they're done. My head has been stuck in the novel for months, and dislodging myself for this has been a great wee holiday — now I'm ready to get back and get it finished. As if on cue, I woke early this morning, after a fortnight of sleeping in.
I've now written over 100,000 words on the book, which is psychologically well past that tipping point where the inevitability of finishing outweighs any possibility of abandoning it. This is the third (and bloody final) time I've tried to tell this story, and writing it has become like working with blueprints on top of blueprints on top of blueprints — the ghosts of the last drafts keep drifting through, whimpering for love. That said, with only another 20,000 or 30,000 words to go, the chance of the story evolving reduces with every new word I write, and there comes a point when it's simply — done.
But I'm not there yet. I have some big scenes still to write, and it'll need a lot of streamlining when I'm done. I'm trying to keep my head, but in the time I've been working on this novel, I've seen friends and peers publish one, two, three books, and it's hard not to get disheartened sometimes about how S L O W my progress has been. But that's also when I need to remember that I'm writing the story for the story — for myself — and that thinking of anything else will drive me demented.
So Verbalise with BigCharlie will be my last gig for a while. I'm treating it as a watershed between then and next. I'm so desperate to focus on the novel and get it finished that I've been turning events down, lately — and while I'm reluctant to step away from the readings and the communities that I love, I absolutely need to have nothing else to do. No deadlines, no events, no short story submissions — nothing but novel until it's done. My blogging has been sparse this year, and will probably become even sparser, but I'm so close to finishing, and finishing it properly — and then I'll return to the world, and wonder at whatever comes next.
What's For You Won't Pass You By
Well, I could scarcely be more pleased with this: the mighty Liar's League of London have accepted another of my short stories. After Carrie Cohen did such a fine job with Art Is Long, Life Is Short, I'm absolutely delighted to share this brilliant reading of What's For You Won't Pass You By.
The actor, Cliff Chapman, has transformed the story. The dull-witted violence I imagined for the farmer is gone — and in its place something far more human, far more visceral, and far more frightening. The farmer has become more downtrodden, more wounded, sadder and more reactive, and the character is all the stronger for it. I'd imagined him as Irish or Scottish, but Cliff's West Country realisation is absolutely perfect — it's better than my version. This is the second time Liar's League have transformed one of my stories, and I absolutely love seeing what these talented actors bring to my work — on each occasion, they've elevated my story and made it into something bigger.
Here, then, and nicely in time for Hallowe'en, is my short story What's For You Won't Pass You By, read by Cliff Chapman for Liar's League.
The sounds of The Hollows
With a first draft of The Hollows finished and sent away, I've emerged, blinking, into the light, with pasty skin and mild RSI. I'm still hungry to keep working while I have these little windows, though, so I've tweaked and typeset all the stories in Dare, and sent it to the printers; I've started thinking about some new flash stories for my guest spot at Verbalise in October; and I'm catching up on some long overdue blog posts, including this one.
When I wrote The Visitors, I had a tight-knit soundtrack to shape my work. This consisted mostly of:
Come On Die Young by Mogwai
Mar of Aran by British Sea Power
Raise Your Skinny Fists Like Antennas To Heaven by Godspeed You Black Emperor
Just Beyond The River by James Yorkston
…and everything by Bat For Lashes.
In combination, they did what I needed them to do; for me, music for writing needs to hit several things at once. It must be engaging, immersive, transporting; but also neutral enough to let me tune out and play it in the background, and not get too involved. For this reason, I tend to go for records with minimal vocals; or, at least, records (like the James Yorkston and the Bat For Lashes) where the vocal is tonally consistent, drifting, utterly woven into the fabric of the music.
On starting The Hollows, I developed a new soundtrack. Some of the same culprits are there, but with different albums; listening to my Visitors soundtrack takes me back into The Visitors, and I needed to be somewhere very new for The Hollows, which is a more fantastical, more magical place. And I say 'evolved' quite deliberately; albums have dropped in and dropped out as the manuscript developed. Ys by Joanna Newsom was a big part of last year's stumbles, but she gradually shifted down the running order as the story unfolded. Instead, Jonathan Eng's wonderful soundtrack from the computer game Sailor's Dream moved in to take her place (thanks in no small part to the wonderful vocals by Stephanie Hladowski). Another video game soundtrack has proven to be extremely good music for writing: Thomas Was Alone is an utterly beautiful game in and of itself, but the score by David Housden stands alone.
The most recent addition is I Want To See Pulaski At Night by violinist Andrew Bird. My friend and colleague Dom introduced me to this record while we were in the depths of a marking slump, and it parachuted into my writing soundtrack next day. Mostly instrumental, Pulaski takes its title from this glorious centrepiece:
The running order is important (to me, anyway – it's totally cool if you don't care). Andrew Bird is first on the list, as I Want To See Pulaski At Night is both sleepy and sparky, making for exactly the right way to start the day. Then comes Thomas Was Alone, which takes me somewhere deeper, calmer, more concentrated:
From Thomas Was Alone, British Sea Power take it up a notch with the drive, shift and transporting tumble of their film soundtrack From The Sea To The Land Beyond. Thanks to pal Kirstin Innes, Mon and I were lucky enough to witness them play this live at the Glasgow Film Festival earlier this year. Their performance was magisterial. I've now seen the film half-a-dozen times, and it's a masterpiece: a social history of Britain told through our relationship with the sea, drawing together a century of archive footage from the British Film Institute. Watch it. Watch it again. Tell everyone.
Next up is Sailor's Dream. By this time I'm ready for something less immersive, and the vocal interludes of the days of the week (this makes sense if you've played the game) saturate my head with little magics, thresholds, otherworlds.
Next comes Balmorhea. I discovered this post-rock band last year when friend Jon kindly gave me his old iPod, and I became addicted in days to their sweeping arrangements. There's a timelessness to Balmorhea's music that I find completely immersive. They sustain this over several records with different measures of minimalism, but it all works for me. After Sailor's Dream I go into their album Constellations, but from this point they recur every other album, working up to Live At Sint-Elisabethkirk, which is perhaps the best £5 you'll spend today, because this:
After Constellations, Mogwai strike back with Rock Action, the follow up to Come On Die Young. Here's why it's one of my favourites of their many awesome albums:
Then comes phase two of the mighty British Sea Power, with their short and astonishingly sweet soundtrack Happiness, then Balmorhea again, then Rachels and Remember Remember. I seldom make it all the way to the end, though. After Happiness, I tend to start the playlist over. It's almost nine hours long, which is most of a working day for me.
Every time I think I won't find any more music that's right for me, something always comes along. Dom introduced me to Andrew Bird, and Jon to Balmorhea. I do wonder, looking ahead to next novels, how the soundtrack will change.
Solstice Songs
After mugging my way through a wonderful intimate spoken word night at Sprint Mill last year as part of the C-Art Open Studios, I'm delighted to say that I've thrown myself into running a follow-up event.
Solstice Songs will be held on midsummer's eve in the amazing 18th century Sprint Mill near Burneside in Cumbria. I've gathered the estimable talents of some wonderful writers throughout the northwest and Scotland to read at the event, and you – yes, you – should come along and hear them do their thing.
I'm honoured to share the line-up. In alphabetical order, we have:
Edward Acland The owner and curator of Sprint Mill shares his startling, disarming and heartfelt reflections on people and place, distilling a lifetime of collection into magical focus.
BigCharlie Poet As well as hosting and running Lancaster's Working Title night, BigCharlie Poet is a ferocious slam poet with word-perfect visions of life and love, all skewed nicely through a balance of wit and wonder.
Alan Bissett Fresh from having a street in his native Falkirk named after him, we're thrilled to be joined by the multi-award-winning playwright, actor, poet, novelist, essayist and consummate performer Alan Bissett. I don't know what he's going to read, but whatever it is will be good.
Luke Brown Writing without exaggeration, I consider Luke to be a true heir to Roald Dahl. He is a superb storyteller of the macabre, bringing a host of weird and wonderful alter-egos to life in his darkly humorous tales.
Joy France The inexhaustible slam-winning poetry powerhouse that is Joy France joins us from Wigan with her witty and reflective take on life – life in the world, in the north, in the past, in the present, and in the weirder corners of her own wonderful mind. Here she is performing one of her signature poems, Hey Mrs B:
Harriet Fraser A multi-media poet of landscape, dreamscape, place and unusual word projects of all sorts: this summer she is poet in residence for a hay meadow, and one of Harriet's most recent canvases was a herd of sheep.
Jonathan Humble Following the launch of his excellent debut collection My Camel's Name Is Brian, the Tripe Poet Laureate™ brings his brilliant, laugh aloud ballads of tea cosies, leeks and rhubarb.
Kirstin Innes The multi-award-winning journalist, essayist, playwright and novelist brings her astonishing new novel Fishnet to Sprint Mill. Meticulously researched and brilliantly observed, Fishnet ducks sensationalism to explore the sex industry through the prism of a missing person.
Ann Wilson Fresh from the launch of her second collection Straight Bananas, the former South Lakes Poet Laureate and driving force behind spoken word night Verbalise delivers her unique blend of stand-up, song and rhyme.
…and me. Just me. (Sorry.)
All this wondrous wordsmithery comes for FREE, so bring a bottle, bring yourself, and shake your rump. Let's get pagan.
Solstice Songs | Sunday 21st June | 7pm | Sprint Mill near Burneside, Cumbria
Verbalise at the Brewery
Last night was my third reading in a week, returning to Verbalise in the Brewery Arts Centre in Kendal. It was a quieter night, after a couple of busy ones, but I enjoyed it. I read from The Hollows for the first time – a draft piece about exploring something like a haunted house, which was a lot of fun to read. I also brought out a couple of older pieces for the first time. Books Like Grains Of Sand and Tank Trap are both flash stories in Marrow. I've never read them before, as I've always thought they were too weird, too abstract for performance. But after what happened with Dora and The Sea Tiger this week, I also wanted to draw a line in the sand for myself – to remember that magic and wonder is why I write. I'm not going to be scared of reading those pieces anymore. And in the end, I think they went better than I'd dared to hope. I've felt just slightly off the boil with my last few readings, but I enjoyed last night a lot. Dora's given me courage.
I also sold three copies of Marrow, which was lovely – I now have fewer than ten copies for sale, so if you want one, get amongst it while you can.
Next gig is at the end of the month in Lancaster – Working Title in The Three Mariners – be great to see some of you hobbitses there.
Joan Shelley at Penrith Old Fire Station
Last night, I had the second of three gigs this week, supporting Joan Shelley at Penrith's Old Fire Station for Eden Arts and New Writing Cumbria. I rattled through new stories, Marrow stories and selkie stories from The Visitors. I think it went OK. I always misplace my critical faculties while reading. I simply have no sense of how it's gone across, whether people have liked it, hated it, how long I was reading for – nothing. But I think, I hope, it went well. Here's the space and me wittering on about something:
The headline act was just fantastic. Joan Shelley's low-key, heart-rending folk and country songs were absolutely wonderful, at once crystalline and compelling, delicate and beautifully raw. She was joined by multi-instrumentalist Colm O'Herlihy for a few pieces, bringing new depths into the sound. Banjos and guitars, foot taps, a box of harmonic tones. It was mesmerising.
Have a listen here:
It was an honour and a privilege to share a stage with Joan and Colm, as well as a reminder to keep striving, to keep aiming high.
We drove to Penrith in dusk. On the way past Shap, we passed right beneath a gigantic murmuration of starlings – perhaps the biggest I've seen firsthand – curving and ballooning in twilight, speckles of black against the blue. We drove back beneath a full moon, trees silhouetted against the night, clouds above in grey and silver, an ocean lapping at the shores of the horizon. The mornings are beginning to bloom.
What go on
Just a quick note to say that I've added an events page to the top of the blog. Hoping to keep this ticking over – I've really enjoyed spending so much time this year with Flashtag, Bad Language, Verbalise, Dreamfired and book groups. Good peoples, one and all.


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If you had an opportunity to ask Morgan Freeman one question, what would it be? Seriously, think about it. Now that you've taken a moment to contemplate, if your answer is, "Can you record my voicemail?", you are not alone.
Apparently, fans ask Freeman this very question regularly and according to the actor, it gets exhausting.
During Wednesday night's appearance on Late Night with Seth Meyers, the actor revealed, "You know, I can't tell you how many times I've said, 'Hello, this is so and so … is not willing to come to the phone right now."
Morgan did, however, record a message for Zac Braff after losing a bet to him. Turns out, losing a bet is the only way to now get Freeman to be the voice behind your answering machine. "I have to lose a big bet. It gets exhausting," he said.
Meanwhile, Morgan doesn't have his own voice on his own voicemail. Instead, the actor enlisted that of a Southern man with a Mississippi draw. The man says on the 79-year-old actor's answering service, "Hello, leave a number."
Leave a Reply
Eva Marcille And Boyfriend Michael Sterling Announce Gender Of Unborn Child!
Eva Marcille and boyfriend Michael Sterling have announced the gender of their unborn child. The couple is having, drum roll please, a baby boy!!!
Speaking to People magazine, Marcille explained how she broached the subject to her 3-year-old daughter, Marley, whom she shares with ex-boyfrined, Kevin McCall.
"I said, 'Marley, would you like to have a little brother or sister?' And she said, 'Yes, Mom, but you know what? Maybe a baby brother. Make it a brother,' " the 33-yea-old said.
She continued, "I thought that was adorable, but at the time, I had no idea what I was having, so my fear [about] this extremely expressive and outgoing young girl [was] if this baby came out to be a little girl, that might not be a great situation for Marley."
Marcille added, "However, I found out soon after that I was having a boy, and I felt like she willed it in her favor. I'm beyond elated to be having a boy."
Eva has a big year ahead. The beauty, who is now 5-months-along, is not only expecting a new addition to the family, but will continue to showcase her life on Bravo's, The Real Housewives of Atlanta.
Congrats to the couple.
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The Lizzie Bennet Diaries is an innovative, original episodic video and social media series produced for the web. Adapting Pride and Prejudice to the modern era, Lizzie Bennet tells the classic Jane Austen tale from the point of view of an Elizabeth "Lizzie" Bennet who grew up in a world of cell phones, video cameras, and social media. The series was created by popular YouTube personality Hank Green and Streamy Award winning web video writer Bernie Su.
The holiday season is bringing more than cheer for actress Jessica Capshaw. The Grey's Anatomy star announced on Monday that she and her husband, Honest Company co-founder Christopher Gavigan, are expecting their fourth child. "The holidays have certainly arrived … All of our lives are being added to by the lights, the music and cheer!!" she captioned a photo of her family at a Christmas tree farm on Instagram. "This year our family has reason to further broaden our smile … baby number four is on the way!! I am a lucky, lucky girl…"
The quickest way to tell whether an actor is serious about his or her career is to look at their "headshot".Is it a professional photo? Or is it a snapshot taken on prom night? If you're using a snapshot, it's like showing up to race the Indy 500 in a VW Beetle. Nobody is going to take you seriously. I'm sorry, people… you can send me as much angry e-mail as you want about this, but it's true! Don't tell me you're destined to be a major Hollywood star but you cannot scrape together the cash to get professional headshots.
The Grinch from Dr. Seuss' How the Grinch Stole Christmas! The Musical stole the spotlight at the Empire State Building's 86th Floor Observatory December 14, 2012, to promote the musical's limited holiday engagement. Discover the magic of Dr. Seuss' classic holiday tale as it comes to life on stage. Featuring the hit songs "You're A Mean One, Mr. Grinch" and "Welcome Christmas," The Grinch discovers there's more to Christmas then he bargained for in this heart-warming holiday classic.
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|By PR Newswire
Article Rating:
|January 15, 2014 07:00 PM EST
TORONTO, Jan. 16, 2014 /PRNewswire/ -- Dominion Diamond Corporation (TSX: DDC) (NYSE: DDC) (the "Company") reports Diavik and Ekati Diamond Mine fourth calendar quarter production results.
Diavik Diamond Mine
The fourth calendar quarter of 2013 saw a continuing strong performance from the Diavik Diamond Mine. During the fourth calendar quarter of 2013, the Diavik Diamond Mine produced (on a 100% basis) 2.1 million carats from 0.54 million tonnes of ore processed compared to 1.9 million carats from 0.47 million tonnes of ore processed in the comparable quarter of the prior year.
Processing volumes in the fourth quarter were 16% higher than the prior year's comparable quarter. This was a result of improvements in the mining rates as the underground ramp up progressed throughout the year to full production from all three pipes.
A new mine plan and budget for calendar 2014 is under final review by Rio Tinto plc and the Company. The plan for calendar 2014 foresees Diavik Diamond Mine production (on a 100% basis) of approximately 6.1 million carats from the mining and processing of approximately 1.9 million tonnes of ore. Mining activities will be exclusively underground with approximately 0.7 million tonnes expected to be sourced from A-154 North, approximately 0.8 million tonnes from A-154 South and approximately 0.4 million tonnes from A-418 kimberlite pipes. In addition to the 6.1 million carats produced from underground mining there will be production from reprocessed plant rejects (RPR) and production from the improved recovery of small diamonds. This additional production is not included in the Company's ore reserves, and is therefore incremental. Based on historical recovery rates, the tonnage of this material which is planned to be processed during calendar 2014 would have produced 0.6 million carats from RPR and 0.2 million carats from the improved recovery process.
Ekati Diamond Mine
With the Company's senior management now firmly established in Yellowknife, the Ekati Diamond Mine is performing well. During the fourth calendar quarter of 2013, the Ekati Diamond Mine produced (on a 100% basis) 0.4 million carats from the processing of 0.9 million tonnes of ore from the reserves. Activities through the calendar quarter continued to focus on ore production from the Fox open pit, and Koala and Koala North underground. The Company also recovered 0.1 million carats from the processing of 0.1 million tonnes of coarse ore rejects and diamond bearing kimberlite excavated from satellite bodies in the Misery open pit (referred to as Misery South & Southwest).
A new mine plan and budget for fiscal 2015 is under final review by the Company. In fiscal 2015, the Ekati Diamond Mine expects to process (on a 100% basis) approximately 2.7 million tonnes from the mineral reserve and produce approximately 1.0 million carats. The Company expects to process approximately 1.7 million tonnes from the Fox pipe (including stockpiles) and approximately 1.0 million tonnes split between Koala phase 5 and phase 6 & 7. Additional plant feed to keep the processing plant at capacity for the period will be sourced from additional levels in the Koala North underground (inferred mineral resources), the Misery South and Southwest diamond bearing satellite bodies as well as the stockpile of coarse ore rejects. The Koala North underground, Misery South and Southwest satellite bodies as well as the coarse ore rejects are not included in the Company's reserves and resource statement and are therefore considered incremental to production.
Winter Road, Drilling Programme and Permitting
The Winter Road is expected to open in approximately two weeks and the relevant equipment will be mobilized via that road. The Company is working on a pre-feasibility study for the Jay Cardinal project which it aims to complete in calendar 2014.
The diamond and sonic core drilling programme which will be carried out at the Jay and Cardinal pipes and along alignments for the dikes planned for the proposed development is expected to commence in early-mid February 2014.
Permitting of both the Lynx kimberlite pipe and the Jay-Cardinal kimberlite pipes is proceeding as expected. Dates have been set in early February 2014 for public hearings on Lynx which has advanced directly to the permitting phase. At the same time, public scoping sessions are being held for Jay-Cardinal in order that the upcoming environmental assessment adequately focusses on issues of public interest. In parallel, and in support of the processes laid out by regulators, the Company continues discussions with its community partners in order to design the projects in a manner which minimizes any potential environmental impacts and at the same time maximizes local economic benefit.
Updated Life of Mine Plans
The Company expects to release an updated life-of-mine plan for both the Diavik Diamond Mine and the Ekati Diamond Mine including current estimates for anticipated annual production by pipe and associated operating and capital costs shortly.
Diavik Diamond Mine
For the 2013 calendar year, the Diavik Diamond Mine performed ahead of target, producing (on a 100% basis) 7.2 million carats from 2.1 million tonnes of ore processed compared to production of 7.2 million carats from 2.1 million tonnes of ore processed in the calendar 2012.
For the three months ended December 31, 2013
For the three months ended December 31, 2012
Ore Processed
Ore Processed
A-154 South
3.66 (a)
(a) Grade has been adjusted to exclude RPR
For the twelve months ended December 31, 2013
For the twelve months ended December 31, 2012
Ore Processed
Ore Processed
A-154 South
3.26 (a)
3.45 (a)
(a) Grade has been adjusted to exclude RPR
Cost of Sales and Cash Cost of Production
Based on the current mine plan for the Diavik Diamond Mine for calendar 2014, the Company currently expects its 40% share of the cost of sales for the Diavik Diamond Mine in fiscal 2015 to be approximately $280 million (including depreciation and amortization of approximately $100 million). The Company's 40% share of the cash cost of production at the Diavik Diamond Mine for calendar 2014 is expected to be approximately $155 million at an assumed average Canadian/US dollar exchange rate of $1.05.
Capital Expenditures
The Company currently expects Dominion Diamond Diavik Limited Partnership's 40% share of the planned capital expenditures for the Diavik Diamond Mine in fiscal 2015 to be approximately $20 million, assuming an average Canadian/US dollar exchange rate of $1.05.
Ekati Diamond Mine
During the period from April 10, 2013 to December 31, 2013, the Company (on a 100% basis) has mined a total of 4.2 million tonnes from the Ekati Diamond Mine from reserves with approximately 3.5 million tonnes from the Fox pipe, approximately 0.2 million tonnes sourced from Koala Phase 5, approximately 0.2 million tonnes from Koala Phase 6 & 7, and slightly under 0.3 million tonnes from Koala North. During this period, production (on 100% basis) was 1.1 million carats from the processing of 2.8 million tonnes of ore from the reserves. The Ekati Diamond Mine also produced 0.33 million carats from the processing of 0.30 million tonnes of coarse ore rejects and diamond bearing kimberlite excavated from Misery South & Southwest.
For the three months ended December 31, 2013
Ore Processed
Koala Phase 5
For the period from April 10, 2013 (date of acquisition) to December 31, 2013
Ore Processed
Koala Phase 5
Cost of Sales and Cash Cost of Production
Based on the current mine plan for the Ekati Diamond Mine for fiscal 2015, the Company currently expects cost of sales at the Ekati Diamond Mine (on a 100% basis) in fiscal 2015 to be approximately $520 million (including depreciation and amortization of approximately $125 million). The cash cost of production at the Ekati Diamond Mine for fiscal 2015 is expected to be approximately $360 million (on a 100% basis) at an assumed average Canadian/US dollar exchange rate of $1.05.
Capital Expenditures
The planned capital expenditures for the core zone at the Ekati Diamond Mine for fiscal 2015 (on a 100% basis) are expected to be approximately $195 million at an assumed average Canadian/US dollar exchange rate of $1.05. The planned capital expenditures include approximately $100 million for the continued development of the Misery Pipe, consisting largely of mining costs to achieve ore release, and approximately $55 million towards the development of the Pigeon Pipe.
Based on the Company's sales during the fourth calendar quarter of 2013 and the current diamond recovery profile of the Diavik and Ekati processing plants, the Company has modeled the approximate rough diamond price per carat for each of the ore types below. The prices for the diamonds recovered from Misery South and Southwest extension as well as the coarse ore rejects that are not in reserves are expressed as ranges since there is limited sample data available.
Diavik Ore Type
December 2013
Ekati Ore Type
December 2013
A-154 South
Koala Phase 5
A-154 North
Koala Phase 6
Koala North
Misery South & South West
$80 - 100
Coarse Ore Rejects
$65 - 120
Non-IFRS Measure
This disclosure refers to cash cost of production, a non-IFRS performance measure, in order to provide investors with information about the measure used by management to monitor performance. This information is used to assess how well each of the Diavik Diamond Mine and Ekati Diamond Mine is performing compared to the mine plan and prior periods. Cash cost of production includes mine site operating costs such as mining, processing and administration, but is exclusive of amortization, capital, and exploration and development costs. Cash cost of production does not have any standardized meaning prescribed by IFRS and differs from measures determined in accordance with IRFS. This performance measure is intended to provide additional information and should not be considered in isolation or as a substitute for measures of performance prepared in accordance with IFRS. This measure is not necessarily indicative of net profit or cash flow from operations as determined by IFRS.
Qualified person
The scientific and technical information contained in this press release has been prepared under the supervision of Mats Heimersson, P. ENG, an employee of the Company and a Qualified Person within the meaning of National Instrument 43-101.
About Dominion Diamond Corporation
Dominion Diamond Corporation is a Canadian diamond mining company with ownership interests in two of the world's most valuable diamond mines. Both mines are located in the low political risk environment of the Northwest Territories of Canada. The Company is the fourth largest diamond producer by value globally and the largest diamond mining company by market capitalization, listed on the Toronto and New York Stock Exchanges.
The Company operates the Ekati Diamond Mine through its 80% ownership as well as a 58.8% ownership in the surrounding areas containing additional resources. It also sells diamonds from its 40% ownership in the Diavik Diamond Mine.
For more information, please visit www.ddcorp.ca
Forward-Looking Information
Certain information included herein, including information about mining activities, estimated production from the Company's mining properties, cost of sales and cash cost of production estimates and planned capital expenditures, constitutes forward-looking information or statements within the meaning of applicable securities laws. Forward-looking information is based on certain factors and assumptions including, among other things, the current mine plans for each of the Diavik Diamond Mine and the Ekati Diamond Mine; mining, production, construction and exploration activities at the Company's mineral properties; currency exchange rates; and world and US economic conditions. Forward-looking information is subject to certain factors, including risks and uncertainties, which could cause actual results to differ materially from what the Company currently expects. These factors include, among other things, the uncertain nature of mining activities, including risks associated with underground construction and mining operations, risks associated with joint venture operations, including risks associated with the inability to control the timing and scope of future capital expenditures, the risk that the operator of the Diavik Diamond Mine may make changes to the mine plan and other risks arising because of the nature of joint venture activities, risks associated with the remote location of and harsh climate at the Company's mineral property sites, risks resulting from the Eurozone financial crisis, risks associated with regulatory requirements, the risk of fluctuations in diamond prices and changes in US and world economic conditions, the risk of fluctuations in the Canadian/US dollar exchange rate and cash flow and liquidity risks. Actual results may vary from the forward-looking information. Readers are cautioned not to place undue importance on forward-looking information, which speaks only as of the date of this disclosure, and should not rely upon this information as of any other date. While the Company may elect to, it is under no obligation and does not undertake to, update or revise any forward-looking information, whether as a result of new information, further events or otherwise at any particular time, except as required by law. Additional information concerning factors that may cause actual results to materially differ from those in such forward-looking statements is contained in the Company's filings with Canadian and United States securities regulatory authorities and can be found at www.sedar.com and www.sec.gov, respectively.
Mr. Richard Chetwode, Vice President, Corporate Development - +44 (0) 7720-970-762 or firstname.lastname@example.com
Ms. Kelley Stamm, Manager, Investor Relations - +1(416) 205-4380 or email@example.com
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Karen Walker No 1 Crazy Tort
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Xiphactinus audax sp., a giant predatory fossil fish
Late Cretaceous, western North America
Xiphactinus was the top predatory fish of the vast inland seas of North America in the Late Cretaceous. Reaching lengths of 18 feet, the tarpon-like Xiphactinus fed on whatever it wanted, as evidenced by some specimens found with a six-foot long fish preserved in its stomach. This replica is of the skull of a large individual. It comes ready to hang.
This fossil cast comes with an informative card.
Size: 22" x 18"
- Item #: 136


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Appraisal Institute of Canada
Affordable and Social Housing: how qualified appraisers can help
As the Canadian housing market continues to see record prices and demand, the need for municipalities to provide safe affordable and social housing is becoming increasingly apparent. In response to this growing need, the Government of Canada announced in Budget 2017 that, in alignment with the National Housing Strategy, $11.2B would be allocated to affordable housing initiatives across the nation, over the next 11 years. These properties can range from single-family homes to larger apartment complexes, and the roles that qualified appraisers can play in affordable housing is equally diverse.
Affordable and social housing properties can exist as anything from rent-to-own single-family homes to large apartments or seniors' properties owned by cooperatives or non-profits. They all share the goal of making housing safe and accessible, often to at-risk groups. So in what ways can appraisers help municipal governments and other housing stakeholders move this important initiative forward?
There are many significant roles that valuation professionals can play in the affordable housing projects, from the planning and development of new affordable and social housing units to the refinancing of existing affordable housing properties. Because a large portion of the funding announced in Budget 2017 will be allocated to the development of new (or expansion/renovation of existing) housing projects, there will be an increased focus on how vacant land or existing buildings can be developed or repurposed into affordable and social housing.
At the planning phase, appraisers can provide developers with a comprehensive understanding of the housing market under consideration, as well as the impact that potential developments would have on the area. Because the planning of these projects often considers a variety of assumptions, constraints and hypothetical conditions, the unbiased expert opinion of a professional who specializes in understanding and analyzing market trends offers unparalleled insight.
At this stage, housing groups often need to provide their lenders with a third-party estimate of market value of the property before being receiving financing. Qualified appraisers will work with a group's finance team, to ensure that the housing project being planned is beneficial to the client's long-term goals.
Through the design process, valuation professionals can work with a developer's finance professionals to determine any property tax advantages, highest and best use, and value estimates that could impact program operations. During this phase, valuation professionals often also work closely with architects to determine the market value of the proposed property. Appraisers, for instance, can evaluate how below-market vacancies or lower rents can impact property values. This insight highlights the effect that the proposed development has on the surrounding community, but also sheds light on what kind of housing units are needed, and what rents should be set at.
In addition to the new affordable and social housing projects that will stem from Budget 2017 and CMHC's National Housing Strategy, there are initiatives (both underway and in the pipeline) that will see the renovation and renewal of existing housing units. As operating agreements from these properties begin to expire, valuation professionals can be engaged to facilitate the refinancing or restructuring of their existing housing programs. Because these programs are so heavily relied on, involving a third-party appraiser at the early stages can help to accelerate the restructuring or refinancing process, ensuring that programs are not halted unnecessarily.
To learn more about the way that designated appraisers from the Appraisal Institute of Canada can assist in affordable housing projects, visit www.AICanada.ca.
For more information :
Appraisal Institute of Canada
403-200 Catherine Street
Ottawa, Ontario
Canada, K2P 2K9


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Darkest Hour
Darkest Hour stands apart from more routine historical dramas.
Darkest Hour stands apart from more routine historical dramas.
Not particularly keen on nuance or subtlety, this is a film in which everything, especially Stevens' decidedly manic take on Dickens, is pitched as broadly…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about female actors and directors in contention for Oscars this year.
An article about my decision to not attend a country music concert because of racial fear.
An article about female actors and directors in contention for Oscars this year.
One of the best superhero films, in large part because the title character sincerely believes in values larger than any one person.
Stop watching movies made by assholes. It'll be OK.
A study of the 1965 film "The War Game" and its relevance a half-century later.
An article about this year's nominees for the Film Independent Spirit Awards.
A review of Netflix's "She's Gotta Have It," an adaptation of Spike Lee's 1986 film.
"We're Losing All Our Strong Female Characters to a Trinity Syndrome." For The Dissolve, Tasha Robinson writes about Hollywood's tendency to offer up women who are not as strong as they appear to be, and who are in fact there mainly to support the hero.
"Bringing in a Strong Female Character™ isn't actually a feminist statement, or an inclusionary statement, or even a basic equality statement, if the character doesn't have any reason to be in the story except to let filmmakers point at her on the poster and say "See? This film totally respects strong women!""
"Release Dates Set on Steven Spielberg's Next Two Films." The Hollywood Reporter's Rebecca Ford says the director will helm a Cold War spy thriller followed by an adaptation of a Roald Dahl book.
"An untitled Cold War spy thriller directed by Spielberg will hit theaters on Oct. 16, 2015, while the adaptation of Roald Dahl's children's book The BFG will open on July 1, 2016. Tom Hanks is starring in the untitled drama, which is based on the true story of James Donovan, an attorney who finds himself thrust into the centerof the Cold War when the CIA sends him on the near impossible mission to negotiate the release of a captured American U2 pilot. The Coen Brothers wrote the latest version of the script with a previous version written by Matt Charman. Spielberg, Marc Platt and Kristie Macosko Krieger will produce."
"For All of 'Louie''s Ambition, That One Ugly Scene Still Lingers." A conversation about Season 4, by Vulture recapper Danielle Henderson and RogerEbert.com editor Matt Zoller Seitz.
"This is a minefield. And this show has given everyone an engraved invitation to go skipping through it. That's why I said last night, after watching the final two episodes, 'F--- you, Louie, and I mean that as a compliment.' I truly do mean it as a compliment. I don't think everything worked this year, but I mean it as a compliment."
"'Mad Men': It's All About Family Values." For The Millions, Sonya Chung writes about a recurring, perhaps central notion in Matthew Weiner's historical drama. Related: "Mad Men"'s Sprawl Problem," by Andrew DeYoung of The Stake.
"It seems at times implausible that these characters go about their days in such close proximity, pitching and collaborating and strategizing around conference tables, smirking and drinking scotch with their feet up. How is it that these subtexts matter so much and at the same time not at all? Is this how life is really lived? I would say, No, not really. In our world, one wouldn't work side by side, year after year, with so much water under the bridge; the bridge would have flooded and collapsed long ago. Again, these are the behaviors of family, not co-workers. "
"The Evolution of the Mental Hospital in Music Videos, From Björk and 'N Sync to JJ." Self-explanatory. By Moze Halperin, for Flavorwire.
"Sometimes the psych ward appears as a heavy-handed shout-out to a song's lyrics, sometimes as hyperbole for a song's emotional tone, and sometimes, crazily, for reasons of actual social importance. Regardless of the meaning, though, the recurrence of the stylized mental hospital in music videos proves that yellow wallpaper is the not-so-new black."
Cover of the 'WKRP in Cincinnati' DVD box set, due for release by Shout Factory at some future date (as soon as they get the rather complicated music rights issues sorted out).
A selection of Roddy McDowall's home movies, video copies of which were given to a YouTube user. (Hatttip: BoyCulture.) Among the featured celebs in this extraordinary 16mm color films: Paul Newman, Lauren Bacall, Ben Gazzara, Julie Andrews, Hope Lange, Natalie Wood, Rock Hudson and (pictured up top) Robert Redford.
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Stop watching movies made by assholes. It'll be OK.
A review of Netflix's new Marvel series, "The Punisher."
One of the best superhero films, in large part because the title character sincerely believes in values larger than a...
The work of the late author, writer and director William Peter Blatty will continue to haunt the dreams of readers an...


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Embolism of fat and bone marrow tissue is quite often due to bone fractures but it is seldom with signs of systemic involvement as a fat embolism syndrome. The main forming factor is late stabilization of fractures and hypovolemia too. Clinical image of fat embolism syndrome results from lung and systemic microembolism which leads to activation of… (More)
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Always Stay PositiveLast Online on 11/18/17 8:16PM
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Hourly rate Freelancerları ya da İşleri mi Arıyorsunuz?
Hourly rate konusunda yardıma mı ihtiyacınız var? Bugün bir freelancerı işe alın! Hourly rate alanında uzman mısınız? Hourly rate becerilerinizi kullanın ve bugün online para kazanmaya başlayın! Freelancer dünyadaki işler için en büyük pazardır. Şu anda üzerinde çalışmanızı bekleyen 17,764 iş var!İş Vermek İstiyorum Çalışmak İstiyorum
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|Project for M K.
|Hi M K., I'm looking for someone who can install Oracle on a hosted Digital Ocean server and import an Oracle dump file. The other option, which is more preferable, is to convert and import the file to mySQL. Is this something you have experience in? I've set an hourly rate, but happy to discuss a fixed price.
|PHP, Java, JavaFX, Oracle, MySQL,
|Nov 18, 2017
|Nov 18, 20178g 8s
|Work with me to build a simple dashboard using Python and public APIs
|I need someone to work with me at an hourly rate while we create a data dashboard by pulling data from public APIs. It must be written in python.
|Nov 18, 2017
|Nov 18, 20175g 8s
|Xamarin Android Form expert Needed - | 3.60 ~ 4.6 USD / hourly pay.
|will require programmer: Expert in Xamarin Form / Xamarin Android [url kaldırıldı, görüntülemek için giriş yapın] period 30hours, 3.6USD, during test period daily can't work for 8 hours, will not pass. [url kaldırıldı, görüntülemek için giriş yapın] pass test Please make sure you fine with the hourly rate, weekly commit should be more than 40...
|PHP, Mobile App Development, iPhone, Android, Xamarin
|Nov 18, 2017
|Nov 18, 20174g 23s
|Will require programmer : Expert in socket.io / VueJS / Ajax , work at day time
|Hi there, Will require programmer : Expert in [url kaldırıldı, görüntülemek için giriş yapın] / VueJS / Ajax , work at day time [url kaldırıldı, görüntülemek için giriş yapın] period 40hours, 3.0USD, during test period daily can't work for 8 hours, will not pass. [url kaldırıldı, görüntülemek için giriş yapın] pass test Ple...
|AJAX, CMS, e-Ticaret, HTML5, HTML,
|Nov 18, 2017
|Nov 18, 20177g 23s
|Looking for a WordPress Developer for custom theme and Plugin development at $3/hr
|Hi I am looking for a full time WP developer for my Marketing Agency. This is my Company website: [url kaldırıldı, görüntülemek için giriş yapın] I need a good developer for my on growing company. You will be coding and developing tons of wordpress websites. Hourly rate is $3/hr and long term. Make sure your code is clean and bugs free. I hate sloppy work. Plus you sho...
|PHP, Web Sitesi Tasarımı, WordPress , CSS, HTML
|Nov 18, 2017
|Nov 18, 20174g 21s
|Looking for a Clone of BlackLane
|The website and mobile app will have to do the following: 1. book online and pay online same with my driver dot com or black lane.com. Payment method would be flexible, Credit Card, Debit Card, PayPal and other types of Payment Method. 2. The website and mobile will copy its computation on Rates per hour and one way from mydriver dot com or blacklane dot com 3. Distance and hourly estimates...
|PHP, Javascript, Mobile App Development, Android, HTML
|Nov 18, 2017
|Nov 18, 20174g 19s
|Chemical Engineer with paint experience (hourly)
|Require formula made for epoxy floor coating. Epoxy Siloxane formulation so must have knowledge of this. Ability to mix and test formulation also a plus
|Mühendislik, Kimya Mühendisliği, Ürün Tasarımı
|Nov 18, 2017
|Nov 18, 20174g 18s
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