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Cheap and Luxury Hotel Deals
Very Best Hotel Rates
Hotels Booking
Online hotel, Cheap Hotel And Travel Guides Worldwide
Hotel Online | Travel Online | Cheap Hotel And Traveling Reservations
Cheap and Luxury Hotel Deals
Very Best Hotel Rates
Online hotel, Cheap Hotel And Travel Guides Worldwide
Hotel Online | Travel Online | Cheap Hotel And Traveling Reservations
USD 15 per day
Late check-in
24-hour reception
24-hour room service
24-hour security
Swimming pool
Seasonal outdoor pool
Indoor swimming pool
Air conditioning
Individual air conditioning
Facilities for kids
Video games
Game room
Private beach
Beach access
Private beach
Beach umbrellas
Beach towels
Tropicana Casino And Resort is not a super luxury hotel, but it's a great place to stay if your Atlantic City visit is centered on spending time in the casinos. Keep in mind that you also have the added feature of being near the beach and the boardwalk. If the weather is right, do not miss the outdoor bar. There is also a good choice of restaurants. So if you do not want to spend money on luxury hotel features, this may be the place you are looking for.
Situated near a lighthouse, a theater and monuments, the 3-star Tropicana Casino And Resort is a good place for a stay offering allergy friendly rooms, a hairdresser and a steam room. Renovated in 2008, the hotel has welcomed guests since 1981.
The hotel is set in the central location 15 km away from Ocean City Boardwalk. Nestled in the entertainment district and 2 km from the city center.
The hotel allows quick access to parks and gardens.
Tropicana Casino And Resort lies within 25 minutes' drive to Atlantic City Intl airport.
This property comprises 2072 rooms featuring luxury tower queen room, luxury tower king room and ocean tower king room with a minibar, heating, wireless internet, a laptop safe and a dressing room. Some rooms at Tropicana Casino And Resort have a view over the sea. The rooms are designed with antique décor and have carpet floors.
A range of Irish dishes is offered at the 24-hour restaurant. Guests can try refreshing drinks in the coffee bar. Palm Restaurant and Cuba Libre Restaurant & Rum Bar are located within 50 meters away.
A full breakfast is served and charges are applicable.
Tropicana Casino And Resort features such facilities as a storage room, a cash machine and a beauty shop.
Guests can revive with aromatherapy, mineral baths and pedicure. The hotel offers a gym, weight training and a fitness centre to ensure guests keep fit.
Wireless internet is available in the entire hotel for free.
Private parking is possible on site at USD 15 per day.
Year renovated: 2008. Number of floors: 73. Number of rooms: 2072.
|Very Bad
|Rate this hotel
In general
|from 3 pm
|until 11 am
|One child
0 - 2 years
|Existing bedding
|All children
3 - 12 years
|Existing bedding
|Extra bed
|Children above12 years or adults
|Extra bed
|Maximum capacity of cribs and extra beds depends on the room you book. Please check room details before you make a reservation.
|Pets are not allowed.
2831 Boardwalk, Atlantic City, United States, 08401
4 persons
1 Single bed, 2 Double beds, 1 Double bed
4 persons
2 Queen-size beds
2 persons
1 King-size bed
2 persons
1 King-size bed
4 persons
1 Double bed
4 persons
1 Double bed, Sleeping arrangements for 4 persons, Sleeping arrangements for 3 persons
Deluxe|Luxury Room
2 persons
1 King-size bed
Hover above the icons to see hotel photo and details.
Click the hotel to go to the main hotel page.
Address: 2801 Pacific Avenue
Phone: 609 572 9300
68% likes this, based on 386 reviews
Cuisine: Italian
Price Range: USD 16 - USD 31
Address: 2801 Pacific Ave #101
Phone: (609) 348-4600
71% likes this, based on 205 reviews
Price Range: USD 0 - USD 30
Address: 2801 Pacific Ave
Phone: 609-344-7256
66% likes this, based on 168 reviews
Cuisine: American, Italian
Price Range: USD 40 - USD 60
Address: 2801 Pacific Ave
Phone: 609-348-6700
76% likes this, based on 250 reviews
Cuisine: Caribbean, Latin, Cuban
Price Range: USD 25 - USD 35
Address: The Quarter at the Tropicana
Phone: (609) 348-8600
74% likes this, based on 106 reviews
Cuisine: American, Irish
Price Range: USD 10 - USD 15
Guest reviews are submitted by our customers after their stay at Tropicana Casino And Resort
2831 Boardwalk, Atlantic City, United States, 08401


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Frozen bathroom decor with TraditionalBy Kitchen & Bathroom Designers Photographed in New Orleans
Date uploaded: June 20, 2017
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subset: commoncrawl


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Choose your room
Hotel Miramar Arrecife 3*
Wi-Fi/Wireless LAN
24-Hour Front Desk
Express Check-In/Check-Out
Sports activities
Golf course
Spa and relaxation
Meeting facilities
Meeting room
No Smoking
Non-Smoking Rooms
Miramar Hotel is rated 3 stars and is placed about 7 km from Pueblo Marinero. Featuring French architecture, the hotel is welcoming guests since 1973.
This property is positioned in the center of Arrecife. A 10-minute walk to the center of Arrecife.
A shopping street, a market and commercial centers are located nearby.
This comfortable property has 85 bright guestrooms with an individual safe, television, a fridge, coffee/tea makers and a kitchenette. Some rooms overlook the castle. The guestrooms feature en suite bathrooms with a bathtub, a shower and a hairdryer along with an electric kettle and a dishwasher as well as simple furniture.
Guests can start their day with buffet breakfast served at the bar. El Notario and Museo del Vino & Bar Pinxto Taverna offer an assortment of dishes within 100 meters of the property.
The hotel's stunning location offers to get to Lanzarote airport in 15 minutes by car.
The hotel provides guests with car and bicycle rental services.
Beach facilities at Miramar Hotel include sunbeds, sunshades and towels.
Hotel Policy
- Children and extra beds
- All children under the age of 2 may stay free of charge when using existing bedding.
- All children under the age of 2 may stay for free in a crib.
- No parking
- Wi-Fi in public areas
- 24-Hour Check-In
- 24-Hour Front Desk
- Non-Smoking Rooms
- Allergy-free rooms
- Suites
- Family Rooms
- Rooms/Facilities for Disabled
- All Public and Private Spaces Non-Smoking
- Safety Deposit Box
- Business Center
- Printers
- News Stand
- Terrace
- Luggage Storage
- Barber/Beauty Shop
- Elevator
- Bicycle storage
- Vending Machines
- Public areas with access for disabled
- Pets Allowed
Food & Drinks
- Breakfast
- Buffet
- A la carte restaurant
- Breakfast room
- Snack Bar
- Cafe
Leisure & Activities
- Solarium
- Picnic Area/Tables
- Golf course
- Beach umbrellas
- Towels
- Sun terrace
- Massage
- Airport Shuttle
- Concierge
- Room Service
- Tours/ticket assistance
- Meeting/Banquet Facilities
- Business services
- Fax/Photocopying
- Newspaper service
- Currency Exchange
- Medical Service
- Bellboy
- Hairdresser
- Shops/Commercial Services
- Car Rental
- Bicycle Rental
- Self-service laundry
- Dry Cleaning
- Ironing Service
Room Amenities
- Air Conditioning
- Cable/satellite television
- Dressing area
- Living room
- Balcony
- Carpeted floor
- Rollaway Beds
- Wardrobe
- Mini-Bar
- Mini-refrigerator
- Kettle
- Telephone
- Bathtub
- Hair dryer
- AM/FM Alarm Clock
- Cribs Available
- Beachfront view
AmenitiesShow All
- No parking
- Wi-Fi in public areas
- 24-Hour Check-In
- 24-Hour Front Desk
- Non-Smoking Rooms
- Allergy-free rooms
- Suites
- Family Rooms
- Rooms/Facilities for Disabled
- All Public and Private Spaces Non-Smoking


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Sunday, August 24, 2014
4 comments:
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Here's to being unstuck one of these days
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Choose your room
Hotel Da Aldeia 3*
Free Wi-Fi
Free parking
Free Parking
24-Hour Front Desk
Swimming Pool
Outdoor Swimming Pool
Sports activities
Tennis Court
Golf course
Horse Riding
Mini Golf
Spa and relaxation
Spa & Wellness Centre
Meeting facilities
Conference room
Offering an outdoor swimming pool and loungers, Hotel Da Aldeia lies in an entertainment area of Albufeira near to Jet boat ride. Awesome., Cerro da Vila and San Vicente de Albufeira Statue.
The city center is 30 minutes' walk of the property. There are restaurants, golf courses and bars in the area.
The hotel is easy access to the sandy beach in Albufeira.
Guests of Hotel Da Aldeia can make use of satellite TV, wireless internet, climate control, central heating and direct dial phone. Some rooms overlook the garden. The rooms come with en suite bathrooms featuring a bathtub and a shower.
A fine breakfast is served in Hotel Da Aldeia, invigorating guests for lawn tennis and mini golf. Guests can dine at The Cockerel Country Kitchen and Johnny Hooper's Saxophone Bistro, about 350 meters away from the property.
Hotel Da Aldeia lies within 25 minutes' drive to Faro airport.
Corporate travelers are free to use a business center and a conference room offered on site.
A kids' club, a game room and a pool are available for children.
- Parking (fee required)
- Free Wi-Fi
- 24-Hour Front Desk
- Non-Smoking Rooms
- Safety Deposit Box
- Conference room
- Terrace
- Garden
- Elevator
Food & Drinks
- Breakfast
- Buffet
- Restaurant
- Bar
- Cafe
Leisure & Activities
- Outdoor Swimming Pool
- Children's Swimming Pool
- Spa & Wellness Centre
- Tennis Court
- Health Club
- Adventure sports
- Sauna
- Entertainment
- Golf course
- Mini Golf
- Horse Riding
- Paid Shuttle Service
- 24-Hour Security
- Room Service
- Meeting/Banquet Facilities
- Fax/Photocopying
- Currency Exchange
- Medical Service
- Bellboy
- Florist
- Car Rental
- Bicycle Rental
- Laundry
- Baby-sitting/Child Services
Room Amenities
- Individual air conditioning
- Cable/satellite television
- Balcony
- Telephone
AmenitiesShow All
- Parking (fee required)
- Free Wi-Fi
- 24-Hour Front Desk
- Non-Smoking Rooms
- Safety Deposit Box
- Conference room
- Terrace
- Garden
- Elevator


text:
The Porcupine Health Unit is seeking an individual to work in our Moosonee office performing general reception and other office administration duties. Candidates must have a diploma or certificate in Office Administration or related field from a recognized post-secondary institution. They will also possess strong word processing, keyboarding, and organizational skills. Candidates will have excellent communication skills, initiative, enjoy contact with the public, and ability to represent the Health Unit in a positive and helpful manner.
Resumes will be accepted until the position is filled at email@example.com.
If you do not receive a confirmation email that your resume has been received, please contact Human Resources at 705-267-1181 or 1-800-461-1818.


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Lake Helen, FL Broadway Singing Lessons
Looking for private in-home or in-studio Broadway Singing lessons? Our Lake Helen teachers are ready to get you started. Find your teacher today!
Our online tools make booking, managing your schedule and paying for lessons easy and hassle-free.
Easily search and compare teachers in your area, including past student reviews and background checks.
If you're not completely satisfied, we'll help you find a new teacher or refund any unused lesson credits.
Why TakeLessons?
Our teachers have taught
lessons and counting!
Popular Broadway Singing Teachers near Lake Helen, FL
Check out some of our most popular teachers near Lake Helen, FL including Debary, New Smyrna Beach, Deltona, Orange City and Cassadaga.
About Jill H.Close
View Full Profile
The vocalist who loves to sing Broadway music brings the love of acting, singing and dancing altogether. Learning to breathe correctly, to sing with great projection and to understand the care of the voice is what the Broadway singing lessons will achieve.
About Jill
Since Jill is a vocal soloist, instrumentalist, accompanist and music director, she knows what it takes to prepare and rehearse and therefore she makes it clear which concept the student will be working on during
Jill has worked with children, teens and adults in many schools, churches and after school programs that she designed. Her success with students who are very young or students who come with disabilities or autistic spectrum diagnosis are moved by the music Jill creates. With the help of the ORFF-SCHULWERK certification, Jill has many ways of reaching children through the use of instruments, rhythm activities, games and other fun ways of learning. Breaking barriers is Jill's best asset, she will not quit until the student has an understanding of the instrument or his/her voice.
The young and the older adults find that taking lessons with Jill has brought them to a place of realizing their potential. Successful stories include pre-school age through students who are retired. The length of time one studies depends on the student's practice and diligence. Many students have started with Jill in preschool or elementary school and have continued through high school and college. Several college age students wanted to improve their singing or instrumental skills so goals were set and met through Jill's successful teaching ability. Several students learn music theory and many students have learned song-writing and creating arrangements.
Many of Jill's students have become better musicians and a considerable number of students have chosen music professions for their careers. Multiple students have won contests, auditioned for parts in musicals, started local bands and have become songwriters and performers after taking lessons with Jill. One student has recently auditioned for American Idol and has made it through several auditions. Teaching a myriad of students from various places in the world who have come to the United States has been a great experience. The cultural differences makes the teaching of these students exciting since Jill learns about music in their own home countries. Some of the students are from China, Norway, Dominican Republic, Brazil, Colombia, Puerto Rico and many who moved to Florida from some other state in the U.S.A. What a joy it has been to learn to communicate with these students and to verify that music is a universal language. By special request Jill is available for online lessons through internet and devices as well as traveling to student locations when her schedule allows. Students interest in online or in-home lessons should send a message to her to request certain days and times of availability.
"Jill was Steinway Pianos" Concert and Artist Director in Dallas Tx in the 80's, working with Steinway artists and Dallas Symphony, Opera, Ballet and other events like planning pianos for Prince Charles' visit and many other concerts and events. Jill also performed in many Dallas Venues as well as providing pianos for the Cowboys, the clubs, hotels, country clubs and museums including The Dallas Museum of Art.
Plans fail for lack of counsel, but with many advisers, plans succeed. " (Proverbs 15:22) It is Jill's belief that with her teaching qualifications and past record of success with student achievement and great experience studying with wonderful advisers, teaching YOU or YOUR CHILD will be one of success!
*** Lesson Details ***
Jill's teaching technique is flexible. Some students require a stern and strict approach while others seem to work best with more creative license. Jill is open to each student's needs. When booking lessons with Jill, one will find that the first thing she will do is find out more about the student's needs and desires to succeed in their chosen instrument. Meeting goals are important in music and in life!
Because of her flexible approach, method books vary depending on the student's need to succeed. Sometimes young students will need to review several beginning methods until their reading skills are achieved. For the young students, Jill teaches theory and gives the young students time during the lesson to explore musical symbols and try their hands at improvisation, rhythms, manuscripts and creativity.
Some students may desire to learn to play "by ear" or through improvisational skills. Jill is very good with improv and her song writing skills are strong. When a student desires to write music, Jill is there to help with questions about time signatures, note values, key signatures and transpositions.
Taking lessons with Jill is a journey that those who have tried have not had regrets. Several parents and past students would be happy to tell you how their talents and gifts improved after working with Jill for a few months. After three months of working together, Jill will know how to pursue the student's musical career. After 6 months the student will be able to play complete songs and have a sense of basic music theory. The hope is for the student to be confident of their instrument's abilities and to have a list of repertoire for upcoming events in the student's life.
Several of Jill's students have taken their skills, gifts and talents to the professional level. Students who have studied with Jill are professional music directors in high schools, middle schools, elementary schools, churches, soloists and some who are in school studying music as their major. Taking lessons with Jill will be something that will add value to the student's life forever because MUSIC is her life! Without music, the world would be a very dull place and individuals would be unhappy and depressed in every walk of life. Music brings out the beauty of creation and man's ability to skillfully play an instrument for pleasure or for one's occupation.
*** Studio Equipment ***
Yamaha Conservatory Grand
Yamaha keyboard
5 string bass guitar/amp
5 string banjo
small MACKIE mixer with mics
Digital audio recording
Gibson electric guitar with effects and amp
6 string Takamine e-coustic with amp
recorder (the instrument)
tambourines and many percussion instruments
music stands
soprano and baritone ukuleles
many amplifiers and sound system accessories
drum set (at the Lake Underhill Rd. Orlando location only)
various rhythm instruments
Mallets and tone blocks
*** Travel Equipment ***
I can provide my own equipment, but I expect the student to provide his/her own instruments and music stand.
*** Specialties ***
My specialty in voice comes from years of lessons and performance experience. Including Solo gigs, bands and service performances such as parties, weddings, funerals, organizational roles, skills, clubs, recordings, hotels, country clubs, churches, schools and much more. She uses many methods, handouts and books to bring out various ideas to learn to sing correctly. Jill takes each individual at his/her level and tries to improve breathing technique, posture, enunciation with style and phrasing, depending on the student's aspirations.
Jill plays most instruments including piano, guitar, bass guitar, band instruments, ukulele, banjo, dulcimer, drums, percussion, harmonica, trumpet, clarinet, recorder, mandolin and violin. Jill enjoys many styles of music and she has played with many bands and groups throughout her musical career. She is a full time musician, music teacher and music director. Years of experience traveling the U.S. And Bahamas with bands, choirs and ensembles enables Jill to work well with many styles of music including contemporary, rock, Christian, Broadway, classical, country, bluegrass, jazz and her favorite, blues.
Sign up for five lessons today and you will not be disappointed.
Here's to your success!!!
· Violin · In studio
· Singing · In studio
· Banjo · In studio
Thank you 5🌟🌟🌟🌟🌟
Jill H.
Jill H.
About Nicole O.Close
The act of singing changes the chemistry of our bodies! A team of German scientists have found that vocalizing spurs the production of oxytocin, a hormone commonly referred to as the "love" molecule. Oxytocin is known to heighten happiness, well-being, trust and reduce stress and anxiety. We will practice breathing exercises (pranayama) to increase breath capacity and control. You will learn techniques to smooth the break (passagio) to sing with a connected tone. You will know how to engage the "yawning" muscles (soft palate, mylohyoid, sternohyoid, thyrohyoid) to maximize resonance. We will practice exercises to relax the tongue and jaw to belt high notes effortlessly. Developing "middle voice" will extend our vocal range and eliminate strain and fatigue. We will choose repertoire that highlights your vocal strengths and discuss stage presence and expression through song. I highly recommend "The New Voice" by Alan Greene.
About Nicole
I was five years old when I discovered my singing voice. My youthful curiosity soon blossomed into a passion for musical expression through voice, violin, piano, and guitar. My mission is to share the musical exploration that has enriched my life by fostering my students' desires to express themselves through music.
As a teacher, I focus equally on formal technique and artistic expression. Mastering correct form provides the foundation upon which a student's capacity for the latter may grow. Techniques used during lessons are designed to develop a holistic understanding of music through aural, visual, and tactile cues. These include ear training, sight-reading, improvisation and using visualization to navigate the instrument. Progress is e
Nicole has performed with the Rollins College Bach Festival Society Orchestra, under the direction of Dr. John V. Sinclair. She has also performed with the Florida Space Coast Philharmonic under the direction of Dr. Candler Schaffer. She is experienced as a session musician, recording vocals and violin at Wright Entertainment Group Studios (Justin Timberlake) with producer Will Baker (India Arie, Pink). She has performed as a soloist at the White House, Bob Carr Performing Arts Center, Amway Arena, and Hard Rock Live.
Nicole holds Bachelor of Arts degrees (with honors) in Music and Anthropology, graduating Summa Cum Laude from Rollins College. A member of the Honors Program (top 2%), and one of nine Cornell Scholars in her graduating class, she is very grateful to have been awarded a full academic scholarship. Nicole pursued concentrations in Violin and Vocal Performance, as well as Ethnomusicology. Nicole served as co-concertmaster of the Rollins College Orchestra and String Ensemble for three, consecutive years, under the direction of Dr. John V. Sinclair. She was featured at Christmas Vesper services in a solo performance of Winter (The Four Seasons) by Vivaldi, at the Knowles Memorial Chapel. Nicole has studied violin with Joni Roos and Alvaro Gomez, protege of David Oistrakh. She has performed as a soloist with the Rollins College Gospel and Concert Choirs and studied vocal pedagogy and performance with Dr. Edmund Leroy and Dr. Lori Lovell. At Rollins, Nicole studied piano with Dr. Gloria Cook and enjoys playing classical, jazz, and Latin styles. Nicole has studied classical guitar for seven years and especially enjoys playing Latin American folk music and flamenco. Nicole pursued her love of world music in publishing her senior honors thesis, "Cultural Fusion of Music Constructs: A Look at Hybrid World Styles," analyzing the effects of globalization on traditional, ethnic musics. She has published research in the Rollins Undergraduate Research Journal, where she also served as Music and Anthropology Editor for three years.
· Singing · In studio
· Jazz Voice · In home
· Piano · In studio
Nicole O.
Nicole O.
About Kate W.Close
View Full Profile
I've been teaching for over 11+ years. My teaching style is we go at the pace you want to go. I let the student tell me what their goals are, and we work around it.
My philosophy: everyone is their own person. No one is built the same!
About Kate
*** Lesson Details ***
Students need to practice 15 minutes a day. They are required to complete everything that is assigned to them that week, and be prepared for their lessons for the following week. A beginner usually in 3-6 months should be familiar with reading the basic treble and bass clef staff, be familiar with dynamic markings, beginning to understand basic music theory, tempo and minimal sight reading. Voice students study basic vocal technique, and learning to sing properly.
*** Travel Equipment ***
I usually provide the books after the paren
*** Specialties ***
I use the Alfred method for piano.
· Singing · In home
· Singing · In studio
· Singing · Online
Kate W.
Kate W.
About Alayne A.Close
Musical Theatre/Broadway is one of the major genres that I teach. I help with stage presence and audition songs, uptempo and ballad numbers in all vocal ranges.
About Alayne
Engel School of Music, Orlando, Fl. I taught voice lessons at this prestigious downtown music school for six years. Owner/operator, Drucilla Engel.
I graduated from Indiana University in Bloomington, IN in 1974 with a Bachelor of Music Education degree with voice as my major. I studied opera and musical theatre, performed in musicals, operas and the group, "The Singing Hoosiers",
I received a Bachelor of Vocal Performance from Indiana Universtiy in 1975. Languages: Italian, German, French, and Latin. Performed in group, ''The Belles of Indiana".
Paid church soloist for 2 years during college years and worked as a summer stock singer at Cedar Point theme park, Sandusky, Ohio in 1971 and a singer/dancer in a Cole Porter Musical Revue at King's Island, Cincinnati, Ohio in 1972.
Walt Disney World entertainer from 1976-1978. "Kids of The Kingdom", singing and dancing group of 12, performing at Castle Forecourt,and Tomorrow Land stages in the Magic Kingdom . Traveled throughout the US with conventions, and guest starred at Radio City Music Hall in NYC, with the "Rockettes", for 5 months under the direction of Peter Gennaro. Numerous recordings with "The Kids". Recorded 2 demo CD's.
Hoop-de-do Show, Fort Wilderness,Walt Disney World. Dinner show, character: Flora- singing and dancing for one season in 1978.
"Singing Snow White", Walt Disney World, seasonal show. Sang on parade float and on small balcony stage, behind the Castle Forecourt. I sang three solos from this Disney musical.
"Seesaw"-pop nightclub band of four musicians and lead vocalist, performing in Central Florida clubs. Late 1970's.
Opera Camerata Chorus in Orlando, Fl. - 1976-1979
Church and Wedding soloist for local Orlando area. Present day
"The Dickens Carolers', quartets entertaining seasonally. Agent/owner: Carol Becker. Present day.
Recitals and Sacred Concerts in Central Florida. Present day.
*** Lesson Details ***
I teach weekly lessons, with daytime and evening hours available, Monday through Thursday . I recommend an hour lesson. I give vocalizations to practice and develop good technique. Repertoire/songs are chosen by the student and myself. I encourage students to be well-rounded and try different genres/styles and even give me a "wish list" of songs they would like to learn. I give guidelines on how much to practice and what to practice. I help train the student's eye and ear and work with harmonization/parts, if needed. I help the student to develop their voice with strength, stamina, clarity, resonation, projection, expressiveness, and emotional impact. Progress will be continually evident throughout the students' study. Lessons are recorded on CD for every lesson, as this is a great efficient learning tool.
*** Studio Equipment ***
Tascam CD recorder
Mackie Pro mixing board
Korg electric keyboard
JVC karaoke CD player with key change capability
JVC triple CD player with key change capability
Four Advent speakers for super stereo sound
Peavey microphone
Leader microphone
*** Specialties ***
Voice, Sight-singing
I teach in the classical bel canto style and technique, which is how I was trained at Indiana University. I have been teaching all genres, including pop/rock, classical, jazz, country, r&b, and gospel/contemporary christian/traditional sacred.
· Singing · In studio
· Singing · In studio
Alayne is a great listener, very flexible, and made the leason fun. I felt she made my goals a priority to fit into her lesson plan that still covered the basics. I appreciate having the CD to practice with at home.
· Broadway Singing · In studio
I am currently studying Broadway under her, and so far it's been an awesome experience.
Alayne A.
Alayne A.
About Gabriel W.Close
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Nobody has to have a stronger and more flexible voice than the musical theater performer! The competent Broadway singer has a ton of colors, tones and characters available and I'm all about discovering them. I am not an accompanist or a coach, I am a vocal technician. My job is to give you the tools, your job is to come up with your interpretation - but how can you create a good painting without many colors available? If you want more colors in your voice and more strength and flexibility... come see me. Let's unmask that Broadway star you know you are!
About Gabriel
Gabriel doesn't just possess a formal college education, but more importantly an "informal" education based on his experiences on the stage and in the studio in the real world. Gabriel's approach is direct, simple and to the core, getting straight to the heart of the matter: developing the voice from the inside out by breaking things down to the essentials.
An expert at creating vocal warm-ups, vocal exercises, and vocal cool-downs and deeply passionate about psychology, this is your guy for learning to keep your voice in shape and having access to helpful insights and advice. Learn to cultivate a healthy attitude and how to create
With a kind and compassionate, yet stern and strong tone, Gabriel will work with you to develop the focus and dedication necessary to get your voice beyond what you even knew was possible.
*** Lesson Details ***
Regardless of the genre you sing, developing your voice with Gabriel's help will improve your tone, range, power and overall ability. You can expect to become a much better singer without losing any of your personal and unique traits.
His approach isn't a technical or mysterious one. It's all about re-learning the facts about how the voice functions best.
You can expect to clear away a lot of confusions regarding how the voice works and to take away the guesswork from the vocal development process.
If you want to improve your voice quickly, being guided by someone who understands how it all works and by someone who was where you are today and is now closer to where you want to be in the future is the best way to go. And Gabriel is that guy!
Gabriel's approach is quite simple, yet very effective at developing the entire voice.
"There are two basic levels that every singer must address. The first one is addressing the condition of the body and voice and the second one is addressing the functioning of the voice and body."
I - Silent Foundation
The silent foundation refers to the condition of your instrument as it is silent. If we are looking at the body as an instrument that sings, we first have to make sure that our instrument is in good condition. How healthy is your instrument? Is it well rested, well hydrated and loose? Or is it tired, dehydrated and tense? As you could guess, the condition of your instrument will have a significant impact on the quality of the sounds you make. So the first thing to be addressed is how your instrument is before it starts making sound.
II - Conditioning of Singing Behaviors
This is when we get busy. Once we have a well rested, healthy, hydrated and relaxed instrument we can start working it out. The goal is to condition our singing behaviors to be reflexive, reliable and strong. The way to do this is through a series of vocal exercises that will condition your voice to respond to the desires of your heart. Whatever it is that you want to express will be possible once your instrument is conditioned to the point where there is no gap between what you want to express and your ability to do so. Learning to sing is all about learning how to express yourself without barriers. You should be able to develop enough range, power, control and skill so that you can express your heart without feeling like you're incapable of achieving what you pursue. To achieve these abilities training is often necessary.
*** Specialties ***
Confidence Building, Warming-Up, Releasing Tension and Strain, Eliminating Stage Fright, Expanding Range, Improving Tone, Developing Vocal Power and Presence, Eliminating Doubt, Simplifying Singing, Strengthening The Voice, Improving Pitch, Building Stamina, Increasing Creativity, Performance Tips, Artist Development, Acting and Songwriting.
Once we have a good foundation any contemporary genre or style can be improved.
· Singing · In studio
· Broadway Singing · Online
· Singing · In studio
Gabriel W.
Gabriel W.
About Rebekah P.Close
With over 10 years of teaching experience, and 25 years of performance experience, you're in capable hands to learn it all from the basics to the classics! I have a bachelor's degree in music, and a certification in Contemporary Commercial Music.
About Rebekah
My teaching style would be best described as fun and flexible. I'm a total stickler for proper technique and classical learning theory, but I also give my students the power to choose what repertoire they work on. I often tell my pupils, "I don't really care what you're playing or singing, as long as you focus on the fundamentals learned in lessons". I believe students will practice music they like, so I encourage them to pick songs they enjoy hearing. The concept that purposeful learning can be achieved using almost any repertoire is at the core of my teaching philosophy.
· Singing · In studio
· Piano · In studio
· Singing · In studio
Rebekah P.
Rebekah P.
About Rebecca R.Close
View Full Profile
Love Broadway? I'm your girl!
We can work together on your vocal technique, range, stage presence, confidence building, repertoire, and choreography.
About Rebecca
I enjoy teaching contemporary, musical theater, classical, pop, and everything in between.
You will LOVE coming to your lessons each week! I like to teach in a positive, upbeat environment. I get to know my students on a personal level. This is supposed to be FUN!
· Piano · In studio
· Piano · In studio
· Piano · In studio
Rebecca R.
Rebecca R.
About Zack T.Close
1. Zack guarantees progress in these 5 concepts of singing:
-range (how high and low a vocalist can sing)
-power (how impactful a vocalist can sound while maintaining healthy and sustainable technique)
-stamina (how long a vocalist can sing with tiring or fatiguing AND ho long a vocalist can hold an individual note/phrase out without taking a breath)
-freedom (removing detrimental tension and strain from the voice and body)
-artistry (a vocalist's ability to effectively and authentically sing in any genre)
2. Zack uses a professional recording studio to enhance/monitor student progress and gives student's fully mastered/mixed recordings of the songs they work on in lessons!
"I believe anyone can sing; they just need to given the tools to succeed"
About Zack
· Vocal Training · In studio
· Vocal Training · In studio
· Vocal Training · In studio
Zack T.
Zack T.
About Victoria T.Close
Victoria is a recent graduate of Belmont University's School of Music in Nashville, TN. Fresh out of Music City, USA, she has a passion for music and sharing it with others. She has recently relocated to Winter Springs, FL, where her husband also teaches voice lessons. Over the course of her formal musical training, Victoria has gained extensive experience with vocal technique, health, and performance. Her credits include over 12 years of vocal study, both classical and contemporary, over 17 years of classical and commercial piano study, and over 8 years experience playing saxophone in band and jazz ensembles. She also has 7 years' experience playing basic acoustic guitar and she enrolled in 2 years' worth of both guitar and songwriting lessons during her time at Belmont. Victoria has developed an advanced knowledge of music theory and ear training skills. She is also experienced in arranging, writing charts, and recording technology. As a teacher, she brings unique perspective and ...
About Victoria
Victoria T.
Victoria T.
About Polina D.Close
View Full Profile
I am a classically-trained vocalist and have been studying/performing for the last ten years. Currently pursuing my Bachelors of Music. I have experience working with youth in music and enjoy other genres including Jazz and Broadway Standards. Also able to teach pop/contemporary. My central focus is on technique and building the foundation for healthy, beautiful singing, giving my students tools that they can apply long into their musical careers. I have quite a bit of performance experience and work with my students to develop their stage presence for auditions and competitions. Can also teach basic theory. Comfortable with both female and male voices.
About Polina
· Classical Voice · In home
I strongly recommend this highly gifted, professional and serious individual to anyone looking for a tutor, in more subjects then one, that can captivate and deliver results, not just talk!
Polina D.
Polina D.
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Everyone utilizes their own method of organization, notetaking, and motivation. Some use "Getting Things Done," others go with "Inbox Zero," or the "43 folders," there's Jerry Seinfeld's "Don't Break the Chain," and a new one called the "Bullet Journal."
I've tried some of these methods, combinations of these methods, and here's what I've come up with for my own life.
- E-Mail
- Reply quickly.
- As Tony Soprano once said, "more important than the particular decision is that it happen in a timely fashion." My number one rule of email management is simply this – reply immediately to anything that deserves a reply. Any timely response, even a non-optimal one, is better than a polished late response.
- If you can't get a quick response out because some action is required…
- Act or Delegate, even to yourself. If there's something to be done, do it already. From now on, you live in a world of "to done's" not "to do's." If you can't do it, then figure out what needs to happen first and work on that. If someone else needs to do it, ask them to take care of it and let you know when they're done. If you need to do something else, copy yourself on the email and ask yourself to do it. Your own email will arrive in your inbox and you'll need to…
- Start a draft. If the matter really requires more information than you have at your fingertips or isn't urgent, start a draft.
- Turn drafts into emails. Every day turn drafts into emails and send them out. Since my job has become roughly 80-90% email, this is how I manage it all.
- Ignore unimportant emails. Most of your emails are unimportant. Ignore them, mark read, move on.
- Reply quickly.
- Web Surfing
- Tabs. Tabs are the enemy. They will rob you of your productivity. If you open a tab, read it, enjoy it, and close it or decide it is information you want to retain. If it is truly important and something you'll need to refer to all the time, bookmark it. But, remember…
- Bookmarks. Bookmarks are the enemy. These are kept to an absolute minimum and only for sites you really visit all the time. Otherwise, that information you wanted to keep will be lost in difficult to search bookmarks forever.
- Everything else. If you find a web page, tweet, or some other information that you want to keep or reference in the future, share it or make a note.
- Sharing
- If you share information you help a friend and preserve the information in your sent folder, twitter stream, etc. Otherwise, make a note. The thing with notes is…
- Notes
- There are only two kinds of notes in the world. Information that is of temporary use and information that is of permanent use.
- Temporary notes. Write these on whatever you have lying around. Discard when done.
- Permanent notes. A permanent note really comes down to how you want to treat information. I like information either in an electronic searchable format or I want it written down so I can reflect on it or refer to it later. A permanent electronic note goes into Google Keep or an email to myself, in outine format, listing things in no particular order, with a few keywords in the subject line and body of the email near the link. When I need to find it again, I just search in Google Keep or for emails from me and specific keywords. A permanent written note goes in my…
- Notebook
- The problem with the Bullet Journal method is that it requires setup, discipline, and maintenance. If you screw those up, the notebook and all the lovely page numbers and organization systems become a burden, a hassle or, worse, useless.1
- There are so many great things about keeping a notebook. It's a quick and easy way to record interesting and useful information. While my handwriting is horrible, but I'm pretty decent at drawing and sketching. A notebook for me is something where I can brainstorm, start drafting an idea I can return to later, or where I can record information for posterity. I tend to work out ideas on scraps of paper before recording that data in a more permanent format by committing it to my notebook. Sometimes this means copying information by hand or, my personal favorite, literally cutting and pasting information into the notebook. The worst thing is probably that it isn't particularly searchable.
- Title and Date. Every entry in the notebook starts on a fresh page with the date at the top right corner and a helpful title at the top of the page. The date does more than provide you with context.
- Cross Referencing. The dates at the top of the page function as your page numbers. When you need to refer to a page in the past, rather than referencing a page number, just reference the date of the prior page. When you write a cross reference down to a prior page, note the future date on the prior page.
- DIY Flags. I placed several pieces of duct tape inside the front cover of the notebook. On top of that, I put several small 1/2″ x 1″ pieces of duct tape. These can be peeled off easily and folded over a page for a sturdy bookmark. More on this later.
- Well, this is my theory. I don't actually know since I haven't actually tried the Bullet Journal method… [↩]
Vacuum Forming an Arc Reactor
If you see me at Maker Faire this weekend, you will likely catch me wearing my vacuum formed goggles and arc reactor. I was inspired by my vacuum former and this awesome Instructable by dgrover.
Once you have everything set up, this neat little "arc reactor" only uses about 50¢ of materials and doesn't require any special soldering skillz.1 Here's how you make your own:
- Make the form
- I specifically bought a stack of silver plastic plates for this project. 50 plates for $10 was a pretty good deal. ((In case you care, I use affiliate links))
- You could use dgrover's lasercut files or design your own model. I designed my own, based on their designs and added 10 degrees of draft to the edges to help it release from the mold.
- You'll also notice lots of little holes in the nooks and crannies of the model. Those serve a dual purpose of allowing the vacuum to pull the plastic down into those parts and then letting air in when you're ready to release the 3D printed part.
- Add the LED and Battery
- Gather the tools and materials
- 5mm fast flashing RGB LED ($7 for 100 LED's!)
- 3V Coin Cell battery, CR2032 ($25 for 100 batteries!)
- Push pin
- Optional: Hot glue gun and glue
- Poke two small holes in the center of the form for the LED leads.
- Push the LED through the holes. I would recommend adding a drop of hot glue just under the LED moments before you pull it against the vacuum formed part. This will help keep it in place.
- Bend the two leads as shown just using your fingers. Notice the bottom lead is bent roughly 90 degrees and the top lead is curved.
- Add the battery. The LED is polarized, so it will only light up when the battery is properly connected. So, just put the battery in, then flip it over if it doesn't light up. :)
- Gather the tools and materials
I really couldn't be happier with the results. It looks way more impressive than the 57¢ worth of materials would suggest.
- You could easily adapt these instructions to add some sweet LED color changing lighting to any other project [↩]
Maker Faire 2017 How to Make a Vacuum Former Presentation Slides
In case you missed me at Maker Faire Bay Area 2017 this year, here are my slides! Don't forget to check out all the blog posts with even more detail and pictures. You can find all the links, including to the 3D printable files, below.
Vacuum Former – Ideas to Improve Vacuum Former
This is less a post and more about just brainstorming some ideas about how to improve my vacuum formed objects:
- Main holes, plus smaller holes
- Perhaps additional, smaller, holes in the center of the vacuum former would allow for additional suction and more detail.
- Taping unused holes
- My thinking is the most useful holes in the vacuum former are those that are just under and immediately around the objects being formed. Other holes beyond those immediately around the object are probably something of a waste of suction power. Perhaps by placing tape over the extra holes, it would apply a greater vacuum force on the plastic immediately over the object, leading to a more detailed form.
- Rigid top
- When the vacuum is turned on, it causes the bottom of the bucket (or, rather, the top surface of the vacuum former) to bow in slightly, going concave. This hasn't been a big problem for anything I've formed thus far, so I'm not that worried about it.
- Build a dedicated vacuum box
- There are tons of plans out there for flat boxes with holes on top and a round hole for a vacuum attachment. There's no doubt in my mind, that a dedicated flat vacuum box for a vacuum former would work better than the bucket top I'm using. That said, the bucket setup is working just find for now. :)
- Plastic frame holder and/or a dedicated oven mitt
- I'm still using mini binder clips and a bent coat hanger. This works just find for my purposes right now. However, my fingers get pretty toasty as I'm holding the coat hanger. Right now I'm just using a large sheet of vinyl shower liner to insulate the coat hanger handle and protect my hands (a little) from the heat. I'm going to pick up an old oven mitt I can dedicate to this project. It would be nice if I had a better way of holding the plastic than a coat hanger, but it's the best I have right now and probably better than most ways for holding a circular piece of plastic.
- Also, as a public service announcement, if you get a chance, pick up a foot wide sheet of the vinyl shower liner. It's cheap and you'll find all kinds of uses for it.
- Virgin plastic
- Plastic plates are great because they're free/cheap depending on how you use or source them. But, they've already been heated, molded and formed. That means that when you re-heat and re-mold and re-form them, they'll be more brittle than they used to be. I haven't priced out plastic sheets for vacuum forming, but they can't be that expensive.
- Better designed forms
- I managed to design a 3D printable arc reactor with "draft," so that the molded parts would release easier from the molded plastic. I used a draft angle of 10 degrees, which seemed to work pretty well but still required a little effort to remove the part from the molded plastic. However, I think I'll design my next part with even more draft; perhaps as much as 15 or 20 degrees.
Vacuum Former – Things to Form
Here's a list of things I'm thinking about vacuum forming:
- Arc Reactor parts
- Star Trek communications badge
- Cell phone case or cell phone stand
- Hair clip accessories
- Replacement emblem
- Goggles
- Paint or small part tray
- Molds from play dough, sculpey, or model magic
- Molds for soap, candy, ice, lollipops, or popsicles
- Light switch cover, electrical outlet cover
- Christmas ornaments
- Lego toy car shells
- Rocket nose cone and fins
- "Shrink wrap" parts to make them smoother and/or watertight
How to Use a Vacuum Former
This is the second post in a short series about vacuum formers. You can start with the first post about how to make your own inexpensive and easy to use vacuum former or skip to the bottom of this post with a list of all of the posts in this series.
- Theory
- I discussed the theory behind a vacuum former in the prior post. This post is really about how to actually use a vacuum former in conjunction with a heat source.
- Parts
- "Buck"
- The things you're going to create molds of with your vacuum former are called the "bucks."
- Wire coat hanger
- The coat hanger will be bent out of shape and won't be usable for hanging clothes after this. A coat hanger from your local dry cleaner would do just fine.
- The good news is that this is the only thing, besides the consumable plastic plates, that you can't put back into its ordinary service as soon as you're done vacuum forming.
- 4 or more binder clips
- Pretty much any size binder clips would work, as long as they can get around the thick gauge wire of the coat hanger. I only had four on hand, (which is probably the minimum necessary) but the more the better. As you heat the plastic, it will contract and deform. The more clips you have, the more circular you can keep the plastic as you lay it on top of the object.
- Oven mitt
- I used a cotton oven mitt that has a silicone rubber grip. This is probably overkill, but better safe than sorry.
- Everything you'll be touching with the oven mitt will be cool to the touch within about a minute of taking it out of the toaster oven. I'm pretty sure a thin towel which has been folded over several times would work just fine.
- Toaster oven
- Preferably one that can do small round pizzas. If you're out shopping for one, try and find one that will fit the 10″ diameter plastic plates. You can find a cheap toaster oven for about $30 on Amazon and about $15-20 on Craigslist. If you're short of funds, I'm pretty sure garage sales or Goodwill would have a bargain.
- Out of an abundance of caution, I was using my toaster oven outside on the off-chance that heating the plastic was giving off some undesirable fumes. I'm also utilizing a used toaster oven donated by my brother. I'm pretty sure the process of heating a few pieces of plastic in the toaster oven don't make it unsafe for cooking food, but again, I'm erring on the side of caution here.
- There's nothing special about the toaster oven; it's nothing more than a convenient and cheap heat source. If you were a more daring sort you could probably use your standard kitchen oven. I suppose in a pinch you could also use a cheap heat gun, but I haven't tried this yet.
- Pliers (Optional)
- I got these out to help shape the coat hanger. In the end, I didn't use it very much and it probably wasn't necessary.
- "Buck"
- Consumables
- Round plastic plates (~10″ diameter, without dividers?)
- These are just the bulk plastic plates we had left over from Party City. Next time I'm there, I'll check and see just what kind of plastic they're made of. Their website suggests they carry plastic plates with diameters from 9″ to 10.25″ to 10.5″. The plates I had were 10.25″ and they worked out really well. You can probably find a pack of 50 plates for less than $10. You might be able to do even better by hitting up a dollar store.
- Make the Plate Holder
- Using your hands or a pair of pliers, bend the coat hanger as pictured. The goal is to get it to fit around the underside of the rim of the plate.
- Clip the Plate to the Plate Holder
- Using four or more small binder clips, clip the coat hanger to the paper plate. Put two clips on either side of where the coat hanger handle meets the plate. Put the other two clips approximately 180 degrees from the first two clips. If you have more than four binder clips, they would be helpful since the plastic will pull away from the frame as it heats up. (I only had four on hand)
- Turn on the Toaster Oven
- Remove all the racks, except for the bottom drip tray, from the inside of the toaster oven.
- When it's empty, turn it all the way up.
- Ready the Vacuum Former
- Set up your vacuum former as close to your heat source as is practicable. You want to be able to transfer the molten plastic plate to the vacuum former as quickly as possible so that it doesn't cool down in transit.
- Prepare Buck and Turn on Vacuum Former
- Organize the bucks (the things you want to mold) on top of the vacuum former, then turn on the vacuum.
- You may notice the vacuum pushes or pulls some of the objects out of the way. Just rearrange them as necessary. I try to place things so that they're surrounded by the holes in the top of the vacuum former.
- Basically, you want the vacuum pulling on the hot plastic plate, but not sucking air freely from around it. If the holes in the top of the vacuum former are spaced out way outside the perimeter of the plate, you'll want to cover those holes up with some tape. Regular masking tape worked just fine for me.
- Heat and Vacuum!
- Put on your oven mitt, open the toaster oven, and hold the plate in the oven near the top heating element.
- The plates I used went through several physical changes before they were ready. First they softened a little, then they actually flattened all the way out, then then pulled away from the wire frame, then, finally, the plastic got very droopy. This whole process took less than a minute with the oven at full power.
- Once the plastic is nice and droopy, pull the frame out and place it on top of the vacuum former.
- The vacuum should pull the hot plastic around your objects. After a few seconds the plastic should no longer be flexible and warm. Once it's cool, turn off the vacuum.
That's it!
How to Make a Vacuum Former
First, a huge thank you to Airship Noir and their Maker Faire Kansas City 2016 project, "Make Your Own Vacuum Formed Steampunk Goggles." They were kind enough to post pictures and instructions about how they made an incredibly cheap, but effective, vacuum former.
Inspired by their project, I wanted to pay-it-forward and help others build their own vacuum former. Here's how I built mine:
- Theory
- A "vacuum former" is a device which allows you to create thin plastic molds of objects by heating a sheet of rigid plastic until it is very malleable, placing it over an object, and applying a suction to pull the flexible plastic around the object.
- The plastic shell can be used for a variety of purposes such as actual tools, creating reusable molds, or just a simple form fitting shell for another project.
- This set of instructions will teach you how to create a suction device for use with a heat source of your choice.
- Parts
- Home Depot "Bucket Head" ($23)
- I had no idea this thing existed until I saw Airship Noir's post. It's basically a vacuum that clamps onto a bucket, turning it into a cheap low-power shop vac. I believe "Bucket Head" is the Home Depot branding for this, but that you can find alternates under the title of "Power Head."
- 5 Gallon Bucket ($5)
- I bought a Home Depot brand bucket for this exact task. Although I have other 5 gallon buckets, it was worth the $5 to me to make sure I had something that would easily attach and detach from the vacuum top.
- 1/2″ wooden dowel, 4′ in length ($2)
- My own design uses 3D printed parts, a length of a 1/2″ wooden dowel, and a little hot glue. However, you can substitute whatever you have on hand. The Airship Noir vacuum former used wood shims, some nuts and bolts, and PVC pipe.
- Home Depot "Bucket Head" ($23)
- Tools
- Chisel
- Drill and 1/8″ drill bit
- Hot glue gun / hot glue
- Ruler
- Pen / pencil
- Hacksaw
- Sharpie
- Masking tape
- 3D Print Parts
- You can download all the 3D printable parts from Thingiverse.
- Print one vacuum cork. This will just be placed into the vacuum where the hose would normally go. This will cause the vacuum to suck air through the bottom of the bucket.
- Print two dowel caps. These will go on either end of a short length of wooden dowel, to keep the "float" inside the vacuum from falling into the vacuum.
- Print three bucket attachments and three "toes." These will be used, with wooden dowels to elevate the bucket off the ground.
- Print the PDF of a 1″ grid on paper. This is actually a 1/2″ grid, with bold lines forming the 1″ grid. I searched for more information about optimal hole size and placement, but didn't find anything dispositive. I think as long as you get close, you'll be fine.
- Cut Wooden Dowels
- Use the hacksaw to cut three pieces of wooden dowel to approximately 8″ each. These will become the feet for the bucket.
- Cut a fourth piece of wooden dowel to approximately 6″. This will be used to keep the vacuum float from falling into the vacuum, when the bucket is turned upside down.
- Prepare the Bucket
- Turn the bucket upside down and, carefully, use a chisel to remove as much of the raised areas at the bottom of the bucket. Working slowly and carefully, it took me about 30 minutes to move the rim at the bottom of the bucket and all the little raised areas.
- Add Feet to the Bucket
- When the "Bucket Head" attachment is on the bucket, the top will be rounded. However, we're going to need to turn the entire thing upside down to use the bottom of the bucket as the surface of our vacuum former. This means we'll need to raise the vacuum top of the bucket off the ground so that it can stand flat – and so we can access the power switch.
- I designed the three bucket attachment parts so that they will slide snugly into the rim under the bucket. The rim has approximately 24 little fins under the rim. Place each of the three feet equally around the bucket – approximately 8 fins apart. Mark the outline of the part on the bucket with a Sharpie, remove the part, add hot glue, and slide the part back into place.
- Add a little hot glue to the end of each of the three 8″ wooden dowels, then some hot glue to the inside of the "toes," then slide the gluey end of the dowel into the feet. You should end up with three short "drumsticks."
- Don't glue these into the attachments at the bucket sides. The attachment and bucket feet parts were designed to be as minimally obtrusive to the function of the bucket as possible. If placed properly, they shouldn't interfere with the handle or bucket usage. The newly formed feet can be placed into the holes in the bucket attachments when you're ready to start vacuum forming – and placed back inside the bucket for easy storage.
- Drill Holes
- Print the PDF of 1″ ruled grid paper from the Thingiverse page, courtesy of Kent State. Center the paper on the bucket, then tape it down.
- Drill 1/8″ holes 1″ apart along the grid.
- A word about these holes. The more holes you drill, the more holes you might have to cover up when making parts later. However, the more holes you drill now, the bigger the parts you can make later. It's a little bit of a trade off.
- Once the holes are drilled, use the chisel to remove the burrs off the bottom of the bucket. You don't need to remove the burrs from the inside of the bucket, but I did to keep the inside of the bucket as clean and useful as possible.
- Raise the Float
- Underneath the vacuum top there is a plastic cage surrounded by the filter, held in place by a big rubber band. Remove the rubber band and filter and you'll see a little plastic cup that is designed to act as a "float" inside the cage. If you turn the vacuum upside down, the float will fall against the vacuum – and would prevent it from working.
- Holding the vacuum upright, insert the 6″ length of wooden dowel through the plastic cage and above the float, pushing it against the bottom of the cage. Use the plastic dowel caps to hold the ends of the dowel in place so it won't slip out or rattle.
Put it All Together
- Place the Bucket Head on the bucket. You may need to rotate the Bucket Head slightly to make sure you can insert the feet into the plastic parts glued to the sides of the bucket.
- Insert the feet into the holes in the bucket attachment parts.
- Invert the bucket and you're done!
I'll do another post soon about how to actually use the device. If you've read the Airship Noir post, you know the basic steps are to place things on the bottom of the bucket, heat a plastic plate with a toaster oven, and lower the heated plate over the things you want to mold while the vacuum is one.
SMUD Tiny House Competition 2016
The Sacramento Municipal Utility District sponsored a Tiny House Competition, modeled on the U.S. Department of Energy Solar Decathalon, started in October of 2014 and presented to the public on October 15, 2016. The goal was for each team to design and build a zero net energy house on wheels for 100 – 400 square feet, with up to $25,000, using green building techniques and sustainable living.
I've been interested in tiny houses since first seeing some of the Tumbleweed homes at Maker Faire many years ago. In the last few years it seems like the idea of tiny homes has really exploded – with multiple television shows devoted to the design, construction, and purchase of very small homes.
The event this weekend was held in a parking lot at the Cosumnes River College in Elk Grove from 9am through 4pm and included music, prizes, food trucks, and a little bit of windy and rainy weather. Despite the seeming niche appeal of the competition and inclement weather, the crowds and lines to each the houses were unreal. People were waiting 45 to 60 minutes to see the inside of these houses! Since each house is so small and only reasonably accommodate a few people at a time, the lines moved slowly. While we were able to talk to a few people from the various colleges and teams, we didn't get a chance to see the inside of any of the houses.
A big part of the competition was "communication" including documentation, brochures, and educational videos. Unfortunately, most of the tiny homes either didn't have or had run out of their materials by the time we arrived around noon. Some of the teams had websites or Facebook pages for their projects, while others had a few posts on their college's pages. Hopefully the teams will post more information and pictures in the weeks to come. (More than one team suggested they'd get right on it – after they caught up on their homework…) Here's the links I was able to find:
- CSU Fresno
- Laney College
- College of the Sequoias
- UC Berkeley
- Cosumnes River College
- Santa Clara University
- San Jose City College
- UC Santa Cruz & Cabrillo College
- CSU Sacramento
- CSU Chico
Paper Circuits: Project Enclosures, Lamination, Encapsulation
While I'm nominally focusing this series of posts on paper circuitry, I'm actually looking to put together a resource for myself and others for any kind of electronics project. To that end, there are some ideas below that have nothing to do with affixing a circuit to paper, but that might still be an interesting or fun alternative.
Table Of Contents
2. Repurposed Plastic Enclosure
4. Off the Shelf Plastic Enclosures
1. DIY Adhesive Lamination with Tape or Contact Paper
3. DIY Heat Lamination with Plastic Bags
1. Tins
Altoids and other tins are cute, small, and easy to source containers for projects. However, since they're metal be sure to take extra care to wrap your electronics (or the inside of the tin) so that parts aren't accidentally grounded against the tin. When I put a project in a MintDuino tin I used the paper cardstock from the packaging to insulate the project board.
Anything from paper to plastic should work fine. Cutting holes in the tin required a little more trial and error – since punching holes and using tin snips caused sharp edges. I solved these problems by wrapping the sharp edges in electrical tape – further adding insulation.
2. Repurposed Plastic Enclosure
Plastic is probably a superior choice for an electronics project enclosure. As with tins, they come in a variety of shapes/sizes/colors, are cheap-to-free, and sturdy. Unlike tins, they don't require any special insulation to work.
Besides rescuing containers from the recycle bin, don't forget to check out your local dollar store. I picked up a particularly nice looking piece of tupperware with a big red screw top lid from the dollar store for a project and couldn't be happier with it. If you do go to the dollar store, keep your eyes out for more than empty containers. Since everything in the store is a dollar, you can always dump the unused contents of a useful container.
If you do use/reuse a plastic container for a project, I would strongly suggest going very, very, slowly when drilling holes. Seriously, go as slow as you can manage to run the drill because rigid plastic has a tendency to crack under stress. Ideally, drill a small hole, then work your way up with larger bits. If you've got the equipment, you may want to consider actually melting holes instead.
3. 3D Printed Enclosure
This is probably my favorite way to encapsulate a project. If you have access to a 3D printer and enjoy 3D design, you can have a cheap bespoke project container.
4. Off the Shelf Plastic Enclosures
I remember Radio Shack carrying a dizzying array of plastic enclosures when I was a kid. However, these days, I can't think of a single reason to get an off-the-shelf project enclosure when there are just so many repurpose and dollar store options. I'm really only mentioning this option for the sake of completeness.
5. Lamination
I've really only tried one "lamination" project/experiment so far with very mixed results. However, I feel like this is a promising avenue for exploration and experimentation. These ideas allow for a project being sandwiched under or in between one or more layers of plastic. This could make a small and thin project more durable, while still leaving the parts visible for inspection and teaching. I also like the idea of potentially using additional with extra information printed on them which could be laid over the circuits for additional context and annotation.1
1. DIY Adhesive Lamination with Tape or Contact Paper
A much cheaper DIY alternative to off-the-shelf adhesive lamination sheets would be to use clear packing tape or contact/shelf paper. Both are inexpensive and durable options, but would need to be cut to size. I actually use the packing tape method to copy and consolidate cards for my minimalistic wallet.
2. Heat Lamination
I love the idea of designing a project, affixing it to a sheet of clear plastic like an overhead transparency, and then laminating it with a standard heat laminator. As the offspring of two elementary school teachers, I had ready access to a laminator as a kid and have some fond memories of (mis)using these machines. These days desktop sized laminators and the plastic heat lamination films are quite inexpensive and good for lots of different applications besides small electronics projects. My favorite laminator electronics use, ever, is easily this amazing modular solar panel project from rcpederson.
3. DIY Heat Lamination with Plastic Bags
This is an idea I'm really really looking forward to trying. Several years ago at a Benicia Mini Maker Faire I was introduced to the idea of fusing plastic bags together using a household clothes iron. The Makers showing this method let people cut scraps out of thin grocery and shopping bags, layer them between sheets of wax paper, and then fuse them together using an iron. They were using this process to create large colorful sheets of very durable plastic that could be cut and sewn like cloth.
While writing this post it occurred to me that this same method could be applied to paper circuitry, to embed a project within sheets of plastic. There are some interesting parallels to the process of using an iron to fuse aluminum foil to the toner on a laser printed page, described above. Additionally, by layering a project between sheets of plastic one might be able to dispense with some soldering since the fused sheets of plastic might be able to hold parts in direct physical contact with one another.
4. My Lamination Fail
The project I tried involved using 8B soft graphite art pencil traces and HVAC aluminum tape contact pads on copier paper, "laminated" in place with inexpensive clear packing tape. I believe my experiment didn't quite work out because the packing tape may have pulled up some of the pencil traces, causing a break in the circuits. If you try to mix pencil graphite and packing tape, just be on the lookout for this possible issue.
There are several self-adhesive lamination plastic sheets available. Basically, there are two sheets of plastic, each with a sticky coating, which sandwich over your desired material. These come in various sizes from business card up to full 8-1/2″ x 11″ sheets.
These tend to be much more expensive than the heat lamination options, but require no additional materials. However, this is a decent option if your project cannot be subjected heat or pressure.
6. Encapsulation
1. Silicone Mold Material
As far as I know silicone rubber mold material comes in either a two-part liquid or two-part putty-like format. You mix the liquids in proportion, pour around desired object, cut apart and you get your mold. The putty kind is considerably less messy, but also much more expensive. You mix two balls of putty together well to activate them and they harden/cure into silicone rubber. I haven't tried it, but I think either would work well to encapsulate a small electronics project.
2. Sugru
Sugru is a moldable silicone rubber which starts off as a sticky putty which then dries2 into a flexible rubber. It is incredibly useful but very expensive with a relatively short shelf life.3 At roughly $4 per 0.5 gram packet, it is ideal for small fixes around the house, but would be prohibitively expensive for all but the smallest projects.
3. Oogoo aka DIY Sugru
Oogoo is a DIY version of Sugru made from 100% Silicone caulking and corn starch.4 Silicone caulking dries from the outside in and takes about 24 hours. By mixing in corn starch5 the silicone will also dry from the inside out at the same time – in as little as 5 to 10 minutes. Corn starch is easily found in many kitchens and a tube of silicone is very inexpensive (around $4 for a large tube).
I haven't tried this process yet, but I've purchased the silicone and am looking forward to giving it a go. A note of caution – drying silicone is smelly due to the acetic acid released as the silicone cures. It will smell strongly of vinegar while it cures, but should be harmless.
4. Resins
As I mentioned above, some of these ideas have been kicking around in my head for years just waiting for the right inspiration to bring them together. More than four years ago I saw an interesting article on Hackaday about someone who had designed a circuit and then embedded the entire thing within a block of clear resin. There's so much to love about this process. A resin encased project shouts, "I have made this thing; it is perfect and eternal."
As I was writing this blog post I began to run into a George R.R. Martin problem – I have so many inspirations, so many ideas, and written so much that I felt I was in danger of never hitting "Publish."6 Finally I decided to break up the post so that I can share what I have so far. I hope you find it helpful and gives you some ideas of your own – and share them here.
- Though, now that I think about it, this transparency idea could be used as an overlay for any flat project [↩]
- Or cures??? I honestly do not know which is applicable – but I think "cure" is more accurate [↩]
- Let's just say the cost and shelf life is on par with conductive ink pens. [↩]
- Do not use Silicone II, any quick-curing silicone, or anything less than 100% – this process won't work [↩]
- and colorants [↩]
- By way of context, this post is about 1,600 words and the draft I began to split up is about 4,000 words and still growing [↩]


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Long Prairie MN ZIP Code
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Long Prairie city is located in Minnesota State, Todd County and has a unique zip code assigned by the US Postal Service Office.
You can search for the Long Prairie MN zip code by its streets and block numbers if we have some of the Long Prairie streets loaded in our website
Long Prairie Area Code is 320 and Time Zone is Central (GMT -06:00).
Long Prairie Zip Code - Minnesota
The US ZIP Code basic format consists of five decimal numerical digits assigned to the Long Prairie City. An extended ZIP+4 code, introduced in the 1980s, includes the five digits of the Long Prairie ZIP code, a hyphen, and four more digits that determine a more specific location within a given ZIP code in Long Prairie, Minnesota.
The Long Prairie Zip Code is 56347.
If you want to send a mail to Long Prairie City, you should use the 56347 Zip Code.
In 1983, the U.S. Postal Service introduced an expanded Long Prairie ZIP code system that it called ZIP+4, often called "plus-four codes", "add-on codes", or "add ons". A ZIP+4 code uses the basic 56347 Zip code plus four additional digits to identify a geographic segment within the five-digit delivery area, such as a Long Prairie city block, a group of apartments, an individual high-volume receiver of mail or any other unit that could use an extra identifier to aid in efficient mail sorting and delivery in Minnesota.