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Interested in paddling?
Team River Runner has chapters all over the country! Find a local chapter near you and contact the representative listed. They will get you in a boat and on the water as soon as possible! We hope you come out to one of our many chapter events, fundraisers, paddling sessions, pool sessions, and more! We welcome vets of any age/with any disability, family members of all ages, and any one else who is looking to join in on the fun to help support wounded warriors. Healing starts by getting out there! Find a chapter here!
Don't see a chapter near you? Interested in starting a chapter? Click Here

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A Little Gest of Robin Hood [CD]
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This is the story that YOU wanted to hear us talk about! It received 55 percent of the vote in our Radioactive poll!
The Guardian blogger Tim Lott recently came up with the top 10 reasons why couples argue, and a few of the insights could be considered ahead of their time, as far as making it into mainstream consciousness.
Chief among those is what Lott refers to as "false memory syndrome," meaning iffy recollections can often lead to arguments.
Here's how Lott breaks the syndrome down:
Many arguments are not about the facts of what happened but how it is remembered. Everybody mythologises the past in order to put themselves in the best light. So when it comes down to trying to work out what went wrong when you had a disagreement, it becomes very hard, as each party uses imagination to supplement memory – indeed, create memory. As therefore you can never quite agree on common facts, this is rich territory for conflict.
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messing with each other's cooking
blame addiction (constantly blaming others)
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relatives (how your parents, siblings, etc. perceive the significant other)
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President Trump takes a stand on Alabama Senate candidate Roy Moore. Was it the right move or should
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2 Bedroom Detached Bungalow For Sale
Rochester Road, Gravesend, Kent, DA12
Offered to the market with no onward chain, Mann estate agents are delighted to offer to the market this well presented two double bedroom detached bungalow, positioned in a quiet cul de sac location. The accommodation comprises entrance hall, kitchen/breakfast room...
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All Locations > Colorado > Lyons > St. Vrain Canyons > North Fork of the… > Longmont Reservoi… > River Wall II
Dihedral [River Wall] aka Shades of Murky Depths
5.8 YDS 5b French 16 Ewbanks VI- UIAA 15 ZA HVS 4c British
Avg: 1.6 from 21 votes
Routes in River Wall II
|Arresting Arete S 5.10d 6b+ 21 VII+ 21 E3 5b
|Big, Big Gunky Man T,S 5.12 7b+ 27 VIII+ 26 E6 6b R
|Big, Big, Monkey Man T 5.12b 7b 26 VIII+ 26 E5 6b
|Box, The T,TR 5.7 5a 15 V+ 13 MVS 4b
|Brother From Another Planet S 5.13b 8a 29 IX+ 30 E7 6c
|Dihedral [River Wall] aka Shades of Murky Depths S 5.8 5b 16 VI- 15 HVS 4c
|Escape from Alcatraz S,TR 5.11b 6c 23 VIII- 23 E3 5c
|Introducing Meteor Dad S 5.10d 6b+ 21 VII+ 21 E3 5b
|Le Diamant E'ternal S 5.13b/c 8a+ 29 X- 30 E7 6c
|Livewire T,S 5.10c/d 6b+ 21 VII+ 21 E3 5b
|Neurosurgeon T 5.12a 7a+ 25 VIII+ 25 E5 6a R
|New Horizon S 5.12d 7c 28 IX 28 E6 6b
|Pocket Hercules T 5.11d 7a 24 VIII 25 E5 6a
|Redneck Hero S 5.12a 7a+ 25 VIII+ 25 E5 6a
|Surround Sound S 5.11c 6c+ 24 VIII- 24 E4 6a
|Sport, 60 ft
|Page Views:
|2,118 total, 14/month
|Shared By:
|Mike Epke on Aug 26, 2005
|Leo Paik, John McNamee, Frances Fierst, Monty, Monomaniac
You & This Route
21 Opinions
Your To-Do List:Add To-Do
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CLOSED for 2014 Details
Due to floods, this area is unfortunately closed.
DescriptionThe route is on the far right hand side of River Wall and can be accessed without needing to cross the creek. 4 bolts on the left hand side of the dihedral lead to the anchor on top. Fun moves requiring good footwork, but not much pump on the arms. Good route to climb in order to access anchors at the top of several other climbs or to avoid needing to cross the creek to access other routes. Lots of loose rock at the top between the 4th bolt and the anchors. Anchors are set up and right of the final bolt. Enjoy this fun warm up.
4 Comments
Thanks for the comment
Slow down, you've reached your posting limit
Dylan Demyanek Fort Collins, CO
I don't know what the rational was for placing the anchor of Dihedral and Arresting Arete 30 feet beyond the cliff up a chossy trough. It makes top roping impossible from the anchors and is a royal pain in the ass. The routes would be much improved by simply adding an anchor at the top of the vertical portion of these climbs. Feb 6, 2017
Jeremy Franz Berthoud, CO
The route adjacent to this dihedral is Arresting Arete... Supposedly it goes at 10d. Apr 26, 2009
Does anyone know what the bolted arete climb to the left of Dihedral is? Seemed like a pumpy 10b or c to me. Aug 3, 2008
jeremy rudolf
Good bolt placement, negates overuse. You can climb around to the top of the River Wall and TR the routes (really steep and loose or a long bushwhack), but this one has really nasty drag through a groove. Don't lower on belay. Rap this one. Has such great 10d - 13 routes, but they are over shallow water, seems like a great spot for some solo toproping WHEN I get to that level. Nov 19, 2007


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Beyond Nab End : The Sequel to The Road to Nab End Paperback
by William Woodruff
The second volume of Woodruff's memoirs starts with him having arrived in Poplar in the early 1930s.
On spec he turns up at a steel foundry and luckily gets a job.
His digs are with an old couple in Bow where he has to share a single bed (head to toe) with their mentally retarded son.Life in the foundry is grim but William is indomitable.
For recreation one day he cycles (then in the days before inflatable tyres) to Berkhamstead to try and track down an old girlfriend.
She's not there and he has to return in a snowstorm - it takes him eight hours to get back to Poplar and then he has to get up three hours later to work at the foundry.Eventually he decides to 'get some leernin' and his first white collar job starts for the water board in ...
Brettenham House! He continues to pursue his studies, finally winning a place at Ruskin College, Oxford.
How the ex-steel worker became an Oxford academic - and William's concluding description of returning from the war to meet the son he's never seen - is deeply moving.
- Format: Paperback
- Pages: 320 pages
- Publisher: Little, Brown Book Group
- Publication Date: 02/01/2003
- Category: Biography: general
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OATH17 - Goblin Champion 2
The Oathmark: Battles of the Lost Age metal Goblin figures will only be available individually during the pre-order period to the 6th of December After this time they will go into multi-packs.
Goblin Champion Nineb the Crusher of Foes.
28mm sized metal figure, supplied unpainted.
Return to: Goblins - Goblins


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Closing -resolved issue
Maintenance successfully completed.
Closing call that was stil open.
patches for three critical vulnerabilities in the Windows DNS client in Windows 8, Windows 10, and Windows Server 2012 and 2016
The Moodle VLE service has been restored.
The issue was resolved yesterday afternoon and we can confirm the affected services (DropBox For Business and the SU website) are now running as normal.
We apologise for the inconvenience caused.
Email: email@example.com / Web: enquirymanagement.royalholloway.ac.uk / Telephone: 01784 41 4321
Work complete
Work Complete
Work completed.
All work successfully completed on Moodle VLE


text:
16 January 2007,
Price realised EUR 8,400
Simon van der Ley (Dutch, 19th century)
The clocktower in Auxerre; and A busy street in Holland
both signed 'S van der Ley' (lower left)
oil on panel
both 56 x 38.5 cm.
a pair (2)
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David Rockefeller and his eldest son on what art, philanthropy and a love of Asian culture have meant to one of America's greatest families
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Annabella M. Lastowski – Board Director
Mrs. Lastowski is a 35 year veteran teacher who taught in the Armstrong School District and retired from the Pocono Mountain School District in 2001. She and her husband, Jerry, reside in Pocono Township. Their family includes three children and six grandchildren.
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A trio of female-fronted bands are not so quietly making some of indie rock's most innovative music. Photographs by Sebastian Kim. Styled by Michael Philouze. Text by Matt Diehl.
69 On the Road
Parisian designer Stephane Rolland debuts his pret-a-porter collection in Abu Dhabi. By Debrina Aliayah.
74 A Merged Experience
Jason Wu has staked his reputation on designing polite, ladylike clothes for Hollywood good girls and the first lady. But he's finally ready to show his wilder side. By Mickey Rapkin. Photographs by Jessica Haye and Clark Hsiao.
A design dialogue that contemplates the need of design and the importance of context. By Sindhu Nair. Photographs by Rob Altamirano.
Haute Couture, the best bespoke handmade clothing, with dresses costing upwards of $100,000 is undergoing a metamorphosis to embrace its new clientele from Asia, Russia and the Middle East. This beast is not extinct. By Alexandra Kohut-Cole.
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The New York Times News Services Clockwise from top left: Toronto band Diana's singer Carmen Elle, wearing Dries Van Noten coat, QR6000; the creative corridors of VCUQatar; the designer Jason Wu playing roulette at the Wynn in Las Vegas; from Stephane Rolland's new pret-a--porter collection.
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Gold prices have gone on a downhill journey this year, but devaluation of the precious metal has little bearing on its cultural significance and its growth in the Middle East.
By DEBRINA ALIYAH
Lion Bracelet in Gold, Ziwiye, Iran.( 8th - 7th century). (Louvre Abu Dhabi/Thierry Ollivier) This bracelet is rightly considered to be one of the major masterpieces of Iranian gold work. The body of the bracelet is made of a thick curved bulrush. At the centre of the curve the edges widen to form a lozenge, on which are placed two symmetrical pairs of high-relief hieratic lion cubs lying down on either side of the central area. But most remarkable are the two full-round sculpted bristling adult lion heads with open mouths, placed at each end of the bracelet. The opposition of the two figures, a classic arrangement in the ensemble into a real animal scene, in the purest Iranian tradition.
T Qatar: The New York Times Style Magazine
Photo credits : Lin Yi, courtesy Cai Studio; Rami kadi, lama hourani's gold earrings, thierry ollivier.
When prices of gold peaked at almost impossible levels during the 2008 financial crisis and hovered comfortably at the apex, for a few years, global retail gold sales stagnated. The speculative nature of the price of gold also means the more discerning clients can afford to wait; there is always a better time to purchase gold. And the time is now. As gold prices began to normalize this year to pre-crisis levels, gold is quickly regaining its status as the precious metal of choice in the Middle East. The spending behavior of the nouveau riche is well documented these days, and gold seems to be at the center of it all. Indulge in a QR200,000 gold leaf cupcake, style the iPad with a QR10,000 24-karat gold cover, and, if you wish, you can even pimp up your washroom adventures with a QR1,600 24-karat pill that will turn your waste shimmering bright gold! The Arabs have long had a unique love-hate relationship with this precious metal. Strictly according to the teachings of Islam, gold is forbidden for Muslim men and was often only used in jewelry for their womenfolk. The Prophet Muhammad disapproved of gold jewelry for men and instead encouraged silverware. But the traditional livelihood of Bedouin Arabs that revolved around traversing the desert required their assets to be protected from the harsh weather of the region. Gold, as compared to silver, is much more resistant to the environment, and many heirloom jewelry passed down from mothers to daughters have survived till this day. Gold jewelry became the ultimate status and social symbol for Arab women, forming the main part of a woman's dowry. A Bedouin bride carried her entire wealth on her in the form of adornments and more gold was bestowed when she became a mother. Arab men, realizing the value and durability of the metal, began adorning their swords and personal estate with gold, something that was permissible in the religion as long as it was not jewelry. The movement gave birth to a highly profitable industry prevalent across the Gulf practised by the modern-day, skilled goldsmith with polished techniques passed down through generations. Gold souqs form an integral part of old cities and are the preferred marketplace for locals when it comes to buying gold. Paving its way towards modernity, Qatar's new Gold Souq opened last year in Souq Waqif and is a tourist attraction while attracting locals too to this market.
Detail of Cai Guo-Qiang's installation, Ninety-Nine Horses, Mathaf: Arab Museum of Modern Art, Doha, 2011. Commissioned by Mathaf as part of Saraab exhibition last year in the museum, the artist was inspired by the number ninety-nine, because it represents infinity in the Chinese culture and the ninety-nine names of Allah in Islam. Horses are drawn with gunpowder exploded onto paper while gold-leafed horses are hung from the ceiling and seen galloping into space. Art discussions have theorized that the gold was used by the artist to reinforce the artwork's reference to the universal, historical and spiritual.
24 Karat Gold Embroidered Couture Dress by Rami Kadi : The Lebanese couture designer Rami Kadi made headlines in the regional press when he dressed celebrity Myriam Fares in a custom couture gown embroidered in 24-karat gold. Fares, a big supporter of Kadi, wore the gown to appear on a local talk show. Kadi is one of the rising couture designers in the Middle East who favor the use of golden elements in his designs.
Gold Pendant with Quran verses by Dibaj Oman Oman is rich in traditions and jewelry culture cultivated through its unique geographical location at the meeting of South Asia with the Middle East. Traditionally Omani women would be heard before they were seen, as they would wear heavy gold jewelry that produced sounds when they moved. The practice of wearing gold jewelry with inscriptions of Quran verses serves to protect and ward off evil. Ecuestre Drop Earrings in Yellow Gold, Amethyst and Diamonds. Carrera y Carrera pays homage to the majestic Andalusian horse in its latest bespoke collection. The horse, a much revered symbol in Arabian culture, was a form of livelihood for the Arabs and in modern times,is part of the equestrian hobby.
Gold Souq, Souq Waqif, Qatar. The new Gold Souq that opened in 2012 was an initiative by the Qatar Chamber to refresh the gold trade in the country. The new gold market retains old architecture and gold traders from the previous souq. The souq is one of the biggest tourist attractions in the city.
September-October 2013
Gold Mosque, Katara Cultural Village, Qatar. The highlight architectureal piece of the cultural village is the Gold Mosque, a structure tiled completely in gold mosaics and designed with Ottoman influences. The mosque glistens in glittering gold in sunlight and features a distinctive golden minaret. The mosque was built as part of the Katara Cultural Village project that was launched in October 2011.
Arena Qatar
French Connection
From There to Here
Parisian designer Stephane Rolland debuts his pret-a-porter collection in Abu Dhabi.
By DEBRINA ALIYAH
T Qatar: The New York Times Style Magazine
he late Arab visionary Sheikh Zayed bin Sultan Al Nahyan, who founded the United Arab Emirates, left an imprint on Stephane Rolland when he was just a child. The Emir of Abu Dhabi, who was also the first president of the UAE, shaped the country into one of the world's powerhouses and captivated the aspiring dreams of a young Rolland. When the first offer to house Rolland's inaugural pret-a-porter boutique in Abu Dhabi landed on the designer's desk, he was startled by the strange twist of fate. For years he had been intrigued by the nation built by Sheikh Zayed, and now he had been given a chance to shine in that very city. "It was a simple decision," says Rolland as the Middle East region had always been his most lucrative market, and the rising luxury capital of Abu Dhabi offered the niche that the almost-tired Dubai could not. "Abu Dhabi is elegant. It is discreet and private, and it is more appropriate for the vision I have. This first boutique has to be emblematic of my image, and as a tribute to the Middle East, I wanted it to be here before Paris," Rolland says. Beyond just pure adoration for Sheikh Zayed, the decision was cemented by the fact that Rolland has been making dresses for the who's who of the Emirates for the past decade. He may not have had the opportunity to meet the ruler himself, but he was wildly excited when he met many of Sheikh Zayed's family members. He recalls a chance encounter with a client from Abu Dhabi in his couture atelier, where he was effortlessly praising the Arab ruler as he showed her the portrait of Sheikh Zayed hanging in his office. The woman then
HAUTE COUTURE: (right): Rolland's latest couture collection presented in Paris, (bottom): the finale bridal gown at the haute couture show.
revealed that she was a daughter of the late emir. "I was shocked, and unbelievably elated. I deeply revere the man for his pragmatic work in the region," he says. The world's first Stephane Rolland pret-a-porter boutique now sits at the entrance of Etihad Towers, a collective of luxury offices, apartments and retail space. One of the towers in the development is the tallest building on Abu Dhabi Island, a reflection of the newest and latest that is rapidly turning the emirate into the next retail playground after Dubai. But while fashion has turned style makers into celebrities all around the world, in the Middle East, sophisticated buyers of fashion still remain anonymous, not only to the world, but sometimes even to the people who are selling them the season's latest picks. "It is a very interesting phenomenon and it is very unique to this region. Clients will call the boutique to have the latest look books sent to them. They take their time to pick the pieces and will come back with their measurements and payment details. The buying takes place at home, with most of them, never even stepping into the boutique," Rolland explains. Odd as it may seem, this has allowed for a more
personalized and intimate way of serving clients for Rolland and his team. Relationships are built over time, and the singular focus on constructions of clothing strips away prejudices and assumptions about regional clienteles. Attention is brought back to the basics of making the perfect piece for individual women. Inside the boutique, it is easy to mistake the space for a French atelier, for the DNA of the preta-porter collection is strongly reminiscent of Rolland's haute couture work, and the interior gives a luxurious picture of a Parisian apartment on a warm summer day. Designed by Thierry Lemaire, it is a minimalist vision of space marrying both the elements of warm and cold. Heavy carpets set off by metal finishes with wood and marble giving life to the boutique. "I want people to be comfortable where you can lounge, have a drink, read books and have great conversations. Unfortunately smoking is frowned upon these days, but if I could, I would," he says. The first pret-a-porter collection was released just before Ramadan this year, with a heavy focus on kaftans and sculpturally strong and simple dresses. It drew raves and praise from regional clients and press, many ecstatic that the collection
September-October 2013
Arena Qatar
French Connection
ART IN DESIGN: (far left): The interiors of Rolland's boutique in Abu Dhabi, designed by Thierry Lemaire, (right): glimpses from Rolland's preta-porter collection.
T Qatar: The New York Times Style Magazine
Pics: Courtesy Stephane Rolland
is an extension of his couture pieces, rather than a diffusion line that has not proved to be a popular strategy with die-hard fans for some luxury brands. And, taking things into a completely different direction alltogether, Rolland is shying away from the seasonal fashion calendar. The fromwill see up to ten capsule collections yearly, with no clear distinctions between spring and autumn. Understanding this strategy requires an insight into his core clientele, affluent jet-setters who travel all year-long. "I don't see why I should do that (producing distinct spring and autumn collections). My clients are from all over the world, and they travel all the time. They need cashmere and linen at the same time as they trot all over the globe. And realistically, world weathers are becoming more temperate and unpredictable," Rolland explains. The mystique behind Rolland's popularity in the region defies the stereotype of the typical Khaleeji woman. In a land where Anna Dello Russo's "more is more" philosophy rings even truer than Italian Rococo influences, Rolland's clean and sleek silhouettes seem a world apart. For a designer whose deepest impression of the ultimate sex bomb is the tuxedo-wearing woman of the Yves Saint Laurent era, it would have been an unlikely formula to work in the Middle East. And yet, the women of the Gulf surprise. "The Stephane Rolland woman is an intellectual who understands my sartorial language and my philosophy. Of course, I have observed that buying has changed in recent years for the better. They now have a better knowledge and know what they want, but there will always be
"I don't see why I should be producing distinct spring and autumn collections," says Rolland, "My clients are from all over the world, and they travel all the time."
women who want tacky dresses and they will go to tacky brands!" Rolland quips. This year's foray into the cut-throat world of prét-a-porter has been a long homecoming plan in Rolland's blueprint for his eponymous label. The designer is a self-professed purist, someone who references the likes of Cristobal Balenciaga and Christian Dior, design legends of the past, as models for his own ventures. Following the footsteps of these titans, Rolland wanted the world to see his signature and his sartorial message in his couture work before developing off-the-rack options. From a business perspective, luxury wear and haute couture will only become more coveted in times of economic crisis as Rolland feels quality trumps all when decadence is not an option. The French designer has been at the forefront of the wave of fashion labels who have responded aptly to the changing world economy, turning their keen creative eyes to the cities of Hong Kong, Moscow and Dubai and away from established traditional European markets. And yet, one must remember that the surge of demand from new economies is to emulate the great Old World symbols of luxury, namely Parisian haute couture. Rolland, who is a member of the Chambre Syndicale de la Haute Couture, the trade union of haute couture designers in Paris, is fiercely protective of the savoir faire ( a term he assures me has no adequate English translation) of the Parisian dressmaking techniques. The world might think haute couture to be increasingly irrelevant, but Rolland knows, that with education and knowledge, clients will always revert to Paris. "We are going through a cycle of life and economy. Haute couture collections now are going back to the founding eras where cut and volume is king. Emphasis on femininity and body shape is more important than elaborate tailoring or embellishments," Rolland says. In this new world where fast fashion and nondescript gossip seem to flourish, the credibility and fortitude of Rolland's principles are deeply gripping. The art of persuading a Saudi princess to pick a tuxedo over a fairytale ball gown and the seduction of Carmen Dell'Orefice on his couture runway to represent timeless beauty remains a realm only a true Parisian couturier can enter
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Coat: Double faced cashmere coat with cape in black colour. Price on request. Skirt: Silk organza skirt with goat suede fringe in black colour. Price on request. Lulu clutch: Clutch in mat Crocodile Qatar Burgundy colour. QAR 66000. Faried boots: Cigh ankle boots with a 13.5 cm Wave heel and 3 cm platform in black Haras leather. QAR 5100.
T Qatar: The New York Times Style Magazine
the birth of A qatari brand
From the land of oil and gas comes QELA, A new luxury offering that tries to seize the fashion spotlight away from the West.
TEXT By DEBRINA ALIYAH photographs by karl moreto AND rob altamirano (SPECIAL TO TQATAR)
September-October 2013
INTERIORSThe boutique occupies two floors at The Pearl-Qatar.
here are a million and one ways to jump-start a luxury brand. Reviving the "heritage" of posthumous fashion legends seems to be the preferred choice. While we delve deep into appreciation for the archived works of Schiaparelli and Halston, the reality of contemporary brands taking after storied legendary names is often more aligned to marketing objectives than design visions. Is there really no room in the industry, to move forward and to put the focus on cultivating of new visions, and in turn creating new legacies for the generations after?
The answer lies in the workshops that form the backbone of QELA, a homegrown Qatari luxury brand that has been thoroughly researched and constructed over the past three years. In the workshops, craftsmen with impressive experience and skills speak with much enthusiasm and energy about this rare opportunity to truly create something original. To be part of such an exceptional initiative, these craftsmen had no qualms in leaving the comforts of the established couture industry in Europe to come to Qatar. And in these local workshops, the magic begins in crafting products where quality is foremost and the birth of a new
brand — imminent. QELA comes from the name "Kahilah", given to a breed of Arabic horses known for their beautiful eyes that have the appearance of wearing kohl. With such a strong Arabic identity to its name, it is easy to assume that QELA would steer towards a traditional design brief, but the collection is surprisingly contemporary and subtle. Adopting a couture approach in delivering the final pieces to the client, the inaugural collection presents wearable pieces that women from all over the world could identify with. This design accessibility is precisely the focus that QELA is founded on as part of its quest to emerge as the
COMING TOGETHER: Al-Nasr (far right), works closely with the artisans of the workshops to develop the final design brief for QELA.
next big global luxury brand. "It embodies an international style married with understated Arab influences and so it represents straightforward, modern elegance with a sense of modesty and intimacy," explains Haya Al-Nasr, vice-chairperson and managing director of Qatar Luxury Group (QLG), the institution behind QELA. There is a strong camaraderie among the design team that works to make this DNA shine through. QELA eschews the fashionable trend of presenting a single creative director as the face of the brand; rather focusing on the synergy between the design studio and the workshop expertise to produce final collections. In keeping with the cultural mix of the country Qatar itself, there are talents from all around the world in the workshops thus making the creative process a unique experience. On the walls of the workshops, translations of couture terms across several languages are posted to assist with communication. "The workshops, are indeed a special place," says Al Nasr, "The environment we have created in our studio and workshops, where we have brought together some of the world's most talented craftsmen and provided them with the time and resources to create pieces of the highest standard, is highly conducive to creativity. Our designers come from all over the world, and there is an intimate relationship between the
T Qatar: The New York Times Style Magazine
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products and their craftsmanship." With all the right expertise in place, it is no surprise then that every item in the collection, from a couture dress to a pair of calf leather sandals, stands testament to quality workmanship. Only materials of fine standards sourced from around the world, including handpicked crocodile skins, and gemstones from non-conflict zones, are used. All special orders, exotic leather pieces, jewelry and couture garments are produced right here in Qatar, a true mark of luxury in today's mass factory production. To let the products speak for themselves, there are no emblazoned logos on any of the items, only a small personalized engraving plate is placed inside the leather goods if requested. The letter 'Q' is etched inside all QELA diamond jewelry to certify that it has been handcrafted according to timehonored traditions of cutting and setting. Beyond just the making of products, the building of legacy and heritage is the inherent process that is happening behind-the-scenes of QELA. Artisans like Didier Larue, a jeweler who has spent 25 years at Van Cleef & Arpels, couturier Gil Picard, who has worked with the biggest French houses; leather goods expert Guillaume Bernard de Bayser, who is a member of the Compagnons du Tour de France; and shoe specialist Aram Khajadourian, form the core group of technical
Jacket: Leather Mashrabiya lambskin jacket, price on request, Skirt: Wool skirt with front pleat, price on request, Top: Silk Draped neck top, price on request, Elyah handbag in young bull leather,QR16,200, Fatien sandals with rings, QR3660.
September-October 2013
HANDMADE: Clockwise from top, The couture clothing workshop where custom orders are made, 1796: Crocodile leather clutches bearing the signature clasp of QELA, the moodboard in QELA.
"Our designers come from all over the world, and there is an intimate relationship between the products and their craftsmanship"
T Qatar: The New York Times Style Magazine
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WORKMANSHIP: clockwise from top, a haven of fine leathers in the workshops, Qatar-based fashion designer Selina Farooqui is one of the team members in the clothing workshop, all special orders, exotic leather pieces and prototypes are made here, workshops provide an opportunity for Qatari talents to develop their technical skills,QELA secured its own leather cuttingmachine and Gil Picard is head of the couture clothing workshop and brings more than five decades of experience working with various couture houses.
September-October 2013
DETAILS : Clockwise from left, Didier Larue, a jeweler who has spent 25 years at Van Cleef & Arpels, is the head of the jewelry workshop, Guillaume Bernard de Bayser, a member of the Compagnons du Tour de France, heads the leather making workshop, members of the Compagnons du Tour de France working in QELA as part of their training.
masters who are passing on their art to the new budding new talents of the QELA team. Education and sustainability form a big vision for the brand and so is providing the platform to nurture and cultivate the next generation of artisans. "We don't want the invaluable craftsmanship that is now an integral part of QELA to fade away," says
Al-Nasr, "Our vision is to accommodate highly talented designers, and to support the development of Qatari talent." From a sustainability perspective, Qatar, being a desert country is no stranger to careful management of natural resources, something that has been incorporated into the brand's operations.
UNIQUE Clockwise from top, The letter 'Q' is etched inside all QELA diamond jewelry to certify that it has been handcrafted according to time-honored traditions of cutting and setting, de Bayser shows the crocodile leather and its quality.
The first QELA boutique opened its doors this month at the prestigious The Pearl-Qatar. Staying true to its signature, the facade is exquisitely discreet, covered in a mashrabiya wall feature with just two small signs of the name "QELA" in both Arabic and Roman letters to the side of the entrance. The boutique, set in deep colors, is spacious and designed to emulate the home of an art lover. Lounging sets with ottomans and side tables with reading lamps further reinforce the welcoming nature of the space like the hospitality of a Qatari home. The finishing stroke of design identity is the paintings of renowned Qatari artist Ali Hassan that hang on the walls of the store. This is symbolic of QELA's emphasis on its association with art as an international language understood by all. With this first establishment, the brand wants to communicate to the world its design vision and to share the experience of a new legacy. The location of Qatar at the crossroads of East and West gives QLG a geographical advantage in identifying emerging fashion trends and new markets. Brand awareness will be the main
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objective and when that is achieved, the label is confident that its quality offerings will create a loyal fan base. "The second boutique will be in Paris. The first collection embodies these values as part of a multicultural brand. We are confident that we are highly relevant to a discerning international clientele who are very interested in what we have to offer, regardless of their geographical location or nationality," says Al-Nasr. With strong, yet realistic ambitions, QELA seem to have found its groove for now by setting the wheel in motion with strong foundations. The creation of the workshops, establishing high benchmarks and a clear process of creation for its products is truly admirable and may just be the formula for the building blocks of a successful global luxury brand. If anything, perhaps, Qatar has created an opportunity for its budding designers, as a learning post, and give them hope that their design dreams and careers will not, like many, be just a one-season wonder.


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Hilltop News
On April 20th our KWPN mare Uforia (Negro-Fruhling) gave us a big, healthy Sternlicht colt and he is gorgeous! Black with a star and three white socks, we are just thrilled with this new arrival! Way to go Uforia! The name Jane has picked for this guy will be Stetson. Welcome to the world Stetson!
Stallion News
Hilltop Archives
The favorites going into this year's Markel/USEF National Championship, Chris Hickey and Cabana Boy didn't disappoint. After awarding a "9" on submission, judge Hilda Gurney said, "Our general impression, of course, is that he has super talent for collection and for the FEI.
The Lamplight Equestrian Center showgrounds were an exceptional stage for the USEF Young Horse National Championships this past weekend and we could not be happier with the performances of Hemmingway (Hofrat - Archipel) and Qredit Hilltop (Quaterback - Dream of Glory).
Hilltop Articles & Interviews
The manicured grounds of the Lamplight Equestrian Center were superb as was the quality of the equine competitors at the 2009 Markel/United States Equestrian Federation (USEF) National Young Horse Dressage Championships and the 2009 USEF National Developing Horse Dressage Championship, sponsored by the Dutta Corporation and Performance Sales International.
The dramatic view at Hilltop Farm is as beautiful as its magnificent horses, but the facility's scenic side in a relatively rural section of Maryland is just one of the many things that make it unique, the word most often used by people describing this one-of-a-kind property.


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From the Arsenal of Marxism
Eugene V. Debs and the Socialist Party of 1901-1920
By James P. Cannon
Editors Introduction
This months selection from the Arsenal of Marxism is a testimonial to Eugene V. Debs by James P. Cannon that was originally published in the Marxist quarterly, Fourth International under the title The Debs Centennial on the occasion of the centenary of Debs birth (November 5, 1855). Cannons assessment of Debs was subsequently republished in a slightly revised version as an introduction to a collection of writings and speeches by Debs, under the title, Eugene V. Debs Speaks. The original version of Cannons article first published in Fourth International appears below. However, we have added most of the subheads borrowed from the subsequent version of Cannons assessment of Debs and his Socialist Party that appear in the book.
In the best tradition of Marxist analysis, James P. Cannon brings to life Debs role in bringing the Scientific Socialism of Karl Marx and Frederick Engels to the American working class. Cannon explains in great detail Debs outstanding role in orienting workers in the early Socialist Party and in the United States as a whole to the revolutionary Marxist principle of independent working-class mass political action in the streets and workplaces of the land in which they live, as well as in the electoral arena of political struggle.
But Cannon also sheds light on what is less known about Debs, but which was perhaps his only important political limitation as a leader of the Socialist Party. A mistaken approach to leadership that Cannon patiently explains should also be a lesson to those who aspire to continue along the principled line of march that Debs in all other respects led his party so effectively.
That is, Cannon discusses the little-known fact of Debs insistent refusal to accept nomination to the National Committee of the Socialist Party, from shortly after its formation in 1901 until the day he died. A shortcoming that ultimately contributed to a big setback for the American workers and their first mass political organization, the Socialist Party, in its most promising period from 1901 until 1919.
Cannon points out that from 1904 on, Debs refused to attend party conventions, leaving the door wide open for the many preachers, lawyers and careeristswho not having served their apprenticeship in the day-to-day class struggle in the streets and workshops of the country, were ill-equipped to assume the tasks of leading a workers party in the many-sided struggle between the two main opposing classes in modern societyworkers and capitalists.
In contrast to Debs role in the Socialist Party, Cannon compares it to the role of V. I. Lenin, another legendary revolutionary leader of the working class. Lenin, however, was a workers leader who actually succeeded in leading his Bolshevik Party and the workers of Russia to the conquest of state power and the worlds first successful socialist revolution.
Cannon notes that Lenins attitude to the revolutionary party was directly opposite to that of Debs. Cannon points out that Lenin saw the Party Congress as the highest expression of party life, and he was there, ready to fight for his program . He regarded the Central Committee as the executive leadership of the movement, and he took his place at the head of it.
We shall see below that Cannon, like Lenin before him, showed American workers the kind of party needed to lead humanity out of capitalisms accelerating descent into barbarism and the indispensable role of both Party leaders and members to fight for the program they believe is in the best interests of the working class as a whole, as well as in the interests of the natural allies of the workers; that is, all those victimized by capitalism and the capitalist class.
In a word, Cannon convincingly explains why workers need the kind of democratic-centralist party that Lenin built, rather than the pseudo-democratic, all-inclusive party that Debs allowed to be constructed by people less endowed with the virtues of loyalty, devotion and commitment to the cause of the working class and to the human race than was Debs.
Cannons apprenticeship in Debs Socialist Party
Cannon, served his apprenticeship as a revolutionary leader in the workers movement in the Socialist Party of Eugene V. Debs and as a trade unionist, in the Industrial Workers of The World (IWW) in conjunction with and under the leadership of the IWWs Vincent St. John, who Cannon credited as one of his teachers, in the strategy and tactics of industrial unionism.
By the time the U.S. entered the first imperialist World War, Cannon had become one of the national leaders of the left wing of the SP, which had supported Debs principled position in opposition to World War I. Debs Party, and the Bolshevik Party of V. I. Lenin and Leon Trotsky were the only two national sections of the Second International to have remained true to the principle of international working class solidarity by opposing that war.
In 1919, Lenin and Trotsky faced with the fact that the Second International had failed the acid test of war between imperialist nations called for the formation of the Third (Communist) International as an alternative to the Second (Socialist) International.
In the United States, the Socialist Party left wing was expelled that same year by the SPs chauvinist majority for advocating a break with the Second and affiliation with the Third International.
The fact that Debs was serving time in prison and could not attend this convention, even had he wanted to, helps underscore the superiority of Lenins concept of the revolutionary party and the role of leadership over the organizational policies followed by Debs party which were at odds with Debs own revolutionary political policies and his class instincts.
As a matter of fact, how Debs might have voted had he been able to attend the 1919 SP convention will remain forever unknown because in Debs 1918 Canton Ohio speech, which led to his arrest, indictment, conviction and more than two years served of his ten-year prison sentence, had in that speech famously stated his support for Lenins Bolsheviks and for the Russian Socialist Revolution with these words:
From the top of my head to the tip of my toes, I am a Bolshevik, and proud of it.
Cannon as a leader of the Communist Party
In any case, after its expulsion, the left wing of the SP then constituted itself as the American section of the Communist International. Cannon served as a central national leader of the American Communist Party for its first ten years.
In the late spring of 1928, the Sixth World Congress of the Communist International was held in Moscow. Cannon was part of a big delegation representing all the factions in the Communist Party, which had not yet completely abandoned the democratic traditions of the international workers movement. However, by that time Trotsky had already been expelled from the Soviet Communist Party, which was well on its way to becoming a bureaucratic caricature of what it was before Lenin died.
Cannon, who happened to be assigned to the program commission at the Sixth Congress was inadvertently handed a copy of a document that had been banned by the Stalinist organizers of the Congress, but it had been mistakenly translated, printed and distributed to delegates assigned to the program commission. The document, authored by Leon Trotsky, was a sharp criticism of the draft program introduced to the Congress by Bukharin and Stalin and before the Congress for discussion and vote. Trotskys document was titled, The Draft Program of the Communist International: A Criticism of Fundamentals.
In Lenins time, the notion of obstructing in any way a free discussion in the Party over programmatic and other important political questions was completely alien to the democratic traditions of the Bolshevik Party, and for the first five years of the Communist International. That is, for the most part, Trotskys criticism had been exorcised from the Congress and the overwhelming majority of delegates left oblivious of its existence.
However, Cannon and Maurice Spector, a delegate from the Canadian Party, who was also on the program commission, were among the few with copies which they knew from bitter experience would land them in deep trouble if they dared to keep it, read it, and worst of all, dare to circulate it. In any case, Cannon and Spector, who like Cannon, was also disturbed by the slanderous charges against Trotsky, his expulsion from the Party, his banishment to a remote and sparsely inhabited region of the Soviet Union and other puzzling developments, kept their copies. Both Cannon and Spector studied together and discussed the document carefully and had become totally convinced of the validity of Trotskys criticism.
Cannon describes it thus: Our doubts had been resolved. It was as clear as daylight that Marxist truth was on the side of Trotsky. We made a compact there and thenSpector and Ithat we would come back home and begin a struggle under the banner of Trotskyism.1
After his return from the Congress, Cannon proceeded to fulfill his pledge. But he was compelled to carefully restrict his efforts to win over at least a nucleus of comrades from among those mainly in his faction who were also disturbed by the growing bureaucratization of the Party and the strangling of internal Party democracy. He succeeded in recruiting a small group in the brief period he was able to operate before his dissident views were discovered. The pattern had developed whereby those who dared disagree with decisions made in Moscow were denounced as enemies of the working class and ushered out of the party before they could contaminate other comrades.
Cannons faction had been very influential in the Party before the Sixth Congress. His faction had been in a temporary bloc with the faction headed by William Z. Foster. Together the two factions had held a dominant position on the Partys central leadership committee. But Foster was lined up behind Stalin and Cannon was compelled to conceal his new views from Foster. Consequently, in order not to be prematurely expelled from the Party, Cannon was forced to work quietly to win over as many of his closest comrades as he could before being discovered and quickly expelled.
But before he could get very far, rumors began spreading about Cannons new views and it wasnt long before he was exposed as a supporter of Trotsky. He and two other leaders of the party he had won over after his return from MoscowMartin Abern and Max Shachtmanwere hauled before a joint meeting of the Political Committee and the Control Commission of the Party. After the trial, which Cannon prolonged for several weeks, the three Trotskyist leaders of the Communist Party were expelled on October 27, 1928.
A week afterward, the small cadre of Trotskyists put out the first issue of what would become the newspaper of the Communist League of America (CLA), The Militant. The first issue dated November 1928 included the first installment of Trotskys sharply critical assessment of Stalins Draft Program published in The Militant. The entire document was serialized and published in subsequent issues of the Trotskyist newspaper.
Well that is our introduction to James P. Cannon, but its just a small part of his role in the making of American working class and socialist history. But now we turn the floor over to the founder of American Trotskyism to tell our readers about Eugene Victor Debs.
Nat Weinstein, Editor, Socialist Viewpoint
1 A phrase made famous by Daniel De Leon, a revolutionary socialist (leader of the Socialist Labor Party, and contemporary of Eugene V. Debs. It had been widely embraced by class struggle militants in the IWW and the Debsian Socialist Party and was quoted repeatedly by trade union militants at least from Debs time until the end of the labor upsurge of the 1930s and 40s.
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Unless the Federal Communication Commission intervenes, a national dispute between Mediacom Cable and Sinclair Broadcasting will likely result in Asheville ABC affiliate WLOS TV being pulled from Henderson County cable boxes starting Friday.
WLOS -- Channel 3 on Mediacom -- is owned by Sinclair Broadcasting. Mediacom has more than 800,000 subscribers who view Sinclair's TV stations in 22 areas across the country, including 40,000 Henderson County customers who receive ABC network programming via WLOS on Mediacom Cable.
The contract to carry Sinclair's stations on Mediacom cable is scheduled to expire Friday. Both sides had been in talks for a new contract for much of the past year, but on Sept. 28 negotiations broke off and it is now doubtful an agreement to extend services past the Nov. 30 deadline will be reached.
Wednesday, Mediacom Chairman Rocco Commisso said his company had repeatedly increased their offer to keep Sinclair stations like WLOS available to cable subscribers, but those offers had been rejected.
Mediacom contends Sinclair negotiated the contract in bad faith and hopes the FCC will grant an injunction which would allow the Sinclair stations to remain on Mediacom cable until a final ruling about the situation can be decided by the U.S. Circuit Court of Appeals by Dec. 8. Lawyers representing Mediacom said Wednesday they have set aside an unspecified amount of money to pay Sinclair to air their programming until the issue is resolved.
"I just hope the FCC comes in (today) and provides us the relief we have requested and do what's right in the public interest," Commisso said during a press conference from Middleton, N.Y. "We have to protect the fairness of our pricing in all markets."
Sinclair Broadcasting Vice President Barry Faber said he does not think a resolution between the two companies will happen and Sinclair's stations may not be available on Mediacom cable boxes after tonight.
"Although the parties have recently engaged in negotiations, we are resigned to the fact that these negotiations likely will not result in an agreement being signed," Faber said in a press release Wednesday. "We sincerely regret any inconvenience to our viewers, but do not believe it is fair for Mediacom to use these stations' programming to attract and retain subscribers without paying what we believe is adequate compensation."
Sinclair Broadcasting said WLOS's signal would continue to be available via antenna and satellite dish after Friday.
Sinclair has offered a $100 rebate for cable customers who switch to DirecTV satellite service in order to continue receiving programming such as WLOS, but Mediacom officials responded by saying that offer requires customers to sign a one-year contract to be eligible for the monthly credit.
Wednesday, Medicom's national representatives said they plan to provide television antennas to any customers who want to receive a Sinclair station's signal if it no longer is available via cable.


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Afriyie Acquah: East Belfast roots for Ghanaian star chasing Africa Cup of Nations dream
He is one of Genoa's newest citizens after signing for top Italian team Sampdoria, and Ghanaian footballer Afriyie Acquah has had a journey that one of its most famous explorers, Christopher Columbus, would be proud of.
Acquah was living on the streets in his home country when an academy, supported by east Belfast club Glentoran, helped turn his life around.
He has since carved out a professional career in Italy, with Palermo and Parma among his previous employers.
On Sunday, the midfielder hopes to inspire Ghana to their first Africa Cup of Nations success in more than 30 years, as they take on the Ivory Coast in the tournament's final in Equatorial Guinea.
Sam Robinson, of the Glentoran Community Trust, has kept in regular contact with Acquah since hosting him as a teenager in Belfast, where he bonded with his two youngest sons.
Robinson says he is still amazed at the transformation in the player from shy youngster to African soccer star.
"It is the fairytale that keeps on giving," he said.
"It was great him reaching the World Cup Finals with Ghana last year, but now he is on the cusp of something very special.
"Ghana have not won the African Nations tournament for 33 years.
"For the World Cup finals we had a party in my back garden with a big screen, we will be looking at doing something similar indoors for the Africa Cup of Nations final.
"A number of other people in east Belfast are trying to organise watching the final via social media, they have all been part of this lovely journey."
Acquah trained with Glentoran's first team during his two-week spell in Northern Ireland in 2007 and Robinson said his talent was immediately evident.
However, he said it was the pace of his progress that had surprised him.
This was brought home when he caught up with the Ghanaian in Verona last year.
"He has gone from this shy, happy-go-luck teenager we met in Belfast to this footballing star in Ghana," he said.
"I think we will see him in the Premier League in England sooner rather than later and the more he plays for Ghana, the easier it will be for him to get a work permit.
""In Verona, it was the first time I had met him in over six years, I met him at the team hotel and saw him play for Parma against Chievo.
"I had a big lump in my throat it was really emotional.
"The last time I had seen him physically was waving him off at George Best Belfast City Airport and I had not known then if I would see him again.
"I had left him as a scrawny, wiry kid, who I brought to the Elk Inn for chicken and chips, and here was this athlete stepping towards me to shake my hand."
Robinson said he was in contact with Acquah "three to four times a week" and had spoken to him after Ghana's semi-final triumph over Equatorial Guinea which was marred by violence off the field.
"We would often speak before a game and then after, he would still ask about Glentoran and my kids," he said.
"He still talks about the club and the people he met when he was over here.
"I was talking to Afriyie on the morning after the Equatorial Guinea semi-final, he was delighted with the win.
"We were worried because of the trouble, but it did not seem to worry him, it didn't affect him in the slightest."
The Glentoran fan hopes his next meeting with his friend will be in Belfast and if he returns as the champion of a continent, then all the better.
"He desperately wants to come back to visit Belfast again, it is part of him and he is always thankful for the Glentoran experience and what people did for him," Robinson added.
"If he came back to Belfast with a winning medal from the Africa Cup of Nations tournament, that would be the icing on the cake."


text:
Black on BlackMay 22, 2017 / byJanet M Perry / Categories : Feeds
The focal point of the design is the black lines with a clef and musical notes. While it would be easy to stitch everything using one thread, I want to clef and notes to stand out. Therefore I'll be using two threads. Very Velvet will be used for the lines and something sparkly, probably Water […]
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