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Longtime Norwich resident leaves behind legacy of generosity
Westerly — On the day he died, George Chartress III was exceptionally happy.
The late 65-year-old was down in Florida, putting the final touches on his quickly approaching retirement after a lifetime of hard work.
He had gone around to get a new driver's license and sort out his taxes and Social Security benefits. A U.S. Army veteran, he had visited the local Veterans Affairs office. Perhaps most importantly, he had spruced up his new Florida hangar with heating/cooling units and toilets.
Before he took off from Lake City, Fla., on the morning of Oct. 31 — he was an avid flyer — he uttered a few memorable words to a friend there, according to Dooney Aviation employee Mike Ferrigno.
"He said, 'This is the happiest day of my life,'" Ferrigno recounted. "A few hours later, he was dead."
Records show Chartress left Lake City in his 1966 Beechcraft Debonair about 7:40 a.m. that day. By 10:30 a.m., he and his Dooney Aviation copilot, Ricky Shawn, were approaching the Columbus County Municipal Airport in Whiteville, N.C., where they had planned to refuel.
About 400 yards south of the airport, the plane lost power, heading straight for the tree line. There wasn't much Chartress could do.
Shawn suffered a broken jaw in the wreck. Chartress didn't make it.
The National Transportation Safety Board continues to investigate the incident.
"He was a good pilot," said Jim Goodrich, a Dooney Aviation employee and longtime friend of Chartress. "What happened down there, I don't think anybody will ever know."
On Friday, Goodrich had nothing but kind words to say about his friend, a plumber by trade and longtime Norwich resident who always was willing to lend a helping hand. The two met about 1999 at Dooney, chatting casually at first and then more frequently as Chartress kept coming around.
Aware of Chartress' reputation as a nitpicky, high-quality handyman, Goodrich at one point asked Chartress to help him construct a log cabin in Stonington.
"It was extremely complicated," Goodrich said of the cabin. "In 2½ years, he got it done ... He was good at everything."
The two, aligned politically as staunch Republicans, were fast friends. They began having lunch every other day. Sometimes they'd fly together — to Long Island, New Jersey, New Hampshire, Pennsylvania.
A mainstay at Dooney, Chartress often would make repairs there. Now the toilets, doors and other things he fixed serve as reminders of his absence.
"He very rarely ever said, 'I can't,'" Goodrich said.
Sometimes Chartress helped Goodrich with sales. Other times Chartress took care of Goodrich's dog.
"It's like my right hand's missing now," Goodrich said.
Downstairs at Dooney, where friends feel like family, Ferrigno and his co-worker Kevin Allen shared similar thoughts. On Saturdays, Chartress would sit in the lobby with a muffin and some coffee. On Sundays, he'd fly. If Allen's daughter, who has Down syndrome, was around, Chartress would chat with her, trying to figure out what makes her tick. A dog lover, he sometimes said hi to Allen's boxer, too.
"Everybody's pretty sad," Ferrigno said when asked about the company's atmosphere.
Standing in Dooney's lobby, Allen recalled when he was dealing with pancreatic cancer. Chartress, unprovoked, went to Allen's house while Allen was in the hospital to install a more accessible tub, free of charge.
"Every time I get into my tub, I think of him," Allen said.
Benevolence was a Chartress trademark. Once, his sister Leslie Tansey said, he came to his mother's house at 3 a.m. asking for a hose. There were children at a nearby group home who were without water, he told her, and he was going to fix it.
Chartress additionally volunteered with two Norwich churches and Habitat for Humanity. And he was quick to offer an airlift to adults who needed rides or children who were curious.
But he also had a quirky side, Allen and Ferrigno explained. When he wasn't flying his plane or helicopter, he was on one of his two motorcycles, one of which was a green Harley-Davidson, Allen said.
"He would wear this chrome helmet with a big spike on top," Ferrigno said, laughing. "I wish I got a picture of that thing."
Chartress' affinity for mechanics started at an early age, Tansey said. At 10, Chartress was helping their uncle install florescent lights. Around the same time, he borrowed money from their mother to buy a lawnmower, then a snow blower, so he could work on other people's yards. By 16, he was working at Radio Shack.
"He worked his whole life," Tansey said.
Chartress lived in Norwich most of his adult life. Recently, however, his mom had moved in with Tansey in New Jersey and Chartress had moved into his mom's Waterford home.
"He worked in her gardens and would keep them just like she did," Tansey said. "He would send her pictures constantly so she could see."
Chartress wasn't married, but he was with his partner, Irene DeJordy, for 27 years. DeJordy's daughter, Renee Kudrak, said she considered Chartress family and he considered her the same.
Tansey knew how much her brother loved flying, but still worried every time he was in the air. She texted him before he took off, she said, and always asked him to let her know when he was back on the ground.
On the day of the crash, Tansey got a message from her son urging her to call as soon as possible.
"I knew immediately what had happened," she said.
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modal verbs conjugations
Structure with Modal Verbs. A Modal verb is followed by another verb in the base form (the infinitive without the To) and they are not conjugated (we dont add an S in third person). Note the pattern of the forms and learn the conjugation of these three verbs.In one or two sentences, describe what you want (auf Deutsch), using the modal verb wollen. Pop-ups: Choose the correct answer from a list of choices. AS German - Modal Verb Conjugations. Choose the verb conjugation which matches with the pronoun provided. The form "should", like all modal verbs, is invariable, so there is no past continuous form for "should". The closest you can come to a past form is "should have" (with a past participle). Conjugation of irregular verbs. In both English and German, modal verbs are used to expressYou must conjugate each modal verb correctly in order to fit the rest of the sentence. Exercises. I would go, if you would also go. here a website with german conjugations (also modal verbs) [2] the form you are interested in is "Konjunktiv II Prsens" good luck and hope that helps Most of the modal verbs are so-called preterite-presents (Prteritoprsentien). A demonstrative example is the German verb wissen (though commonly not counted as modal). Related Video Of German Verb Conjugation Modal Verbs Present Future. A video over the conjugations of German modal verbs in the present and past tenses.
This English verb conjugation guide summarizes the information available on Bright Hub Education all about theIn English, modality is expressed through grammatical mood and modal verbs. Modal verbs require a verb in the infinitive that complements its meaning and all of them are irregular. 1 Introduction. 2 Conjugation. English modal verbs: grammatical peculiarities, meanings, synonyms, substitutes. Forms of the infinitive. Английские модальные глаголы: грамматические особенности, значения, синонимы Modal verbs are used in conjunction with verbs to express their function.Modal verbs are different from other auxiliary verbs as they cannot stand alone in a sentence. Modal verbs sollen. have regular conjugations.Since the modal verb must be conjugated to agree with the subject, it takes the pivotal second position in statement sentences. Subjects: German, verb conjugation, modal auxiliary verbs. Click to Rate "Hated It". Modal verbs (also called modal auxiliary verbs) are used with the infinitive form of the main verb to add additional layers of meaning to a sentence. Ginger explains what modal verbs and modal phrases are.
Click here for a list of modal verbs, and modal verb examples and exercises. German conjugation conjugate a german verb with reverso conjugator see german conjugation models conjugated forms in future participle present indicative. Grammar lesson covering the modal german modal verbs conjugation. From: Internet Comment Copy link November 29. [Summary] MODAL VERBS IN GERMAN MODAL VERBS Modal Verbs: these DO NOT follow Can you name the conjugations of the German modal verbs? Test your knowledge on this language quiz to see how you do and compare your score to others. Quiz by nannizzle. What are Modal Verbs? Modal Verbs are a type of auxiliary verbs that expresses necessity, ability, possibility or probability. Examples of modal verbs are We generally use modal verbs with the infinitive of the full verb. The meaning of the sentence changes depending on which modal verb we use. Conjugation of modal verbs.Since the modal verb must be conjugated to agree with. the subject, it takes the pivotal second position in. Remember: The modal verb is conjugated and the infinitive of the secondary verb comes at the end of the sentence.Here are the following conjugations of mchten in the present tense: ich mchte. All of the modal verbs are used as auxiliaries, and all of them form conjugations in the same way.For instance, the conjugation of the modal auxiliary could with the verb to work is formed as follows Start studying modal verbs conjugations. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Prtero-Prsens Verb Forms. The six modal verbs follow the preterit-present verb conjugational pattern. This means that the first and third person singular conjugations have a zero ending. Knnen is a modal verb.5.1 Tenses and conjugation of German verbs. 5.1.
1 The present tense (Prsens) in German. Modal verbs are both very easy to learn and at the same time extremely difficult to master. The structure of a modal verb is simple: there is never a conjugation or a Modal verbs (also called modal auxiliary verbs) express a variety of attitudes (moods) towards a possible action or state the lexical verb refers to. Modal verbs in English are not used alone, and in combination with the basic meaning of the verb infinitive, when they did not put a particle to (with the exception of ought). PowerPoint Slideshow about Modal Verb Sentences and Conjugation Pattern - belden. Modal Verbs in German - www.germanforspalding.org - Duration: 9:14. blitztag1 18,688 views.Conjugation of Irregular German Verbs - Duration: 11:48. Modals (also called modal verbs, modal auxiliary verb s, modal auxiliaries ) are special verbs which behave irregularly in English.awesome verb activities.pdf | Grammatical Conjugation. Modal verbs: conjugation. Revision: conjugation of modal verbs. For most modal verbs the following is true All of the modal verbs are used as auxiliaries, and all of them form conjugations in the same way.Conjugations of the modal auxiliary Could with the verb To Work. The second verb, after the modal verb, is always in the infinitive and at the end of the sentence.In the conjugation of modal verbs, the1st and 3rd persons are the same. There are 12 modal verbs in English. They are: can, may, must, should, ought to, shall, will, would, need, dare, to be, to have to. The latter two are modal only in one of their meanings. Modal verbs and auxiliary verbs are two different types of verbs, and between which some differences can be highlighted.Conjugation The modal verbs of English are a small class of auxiliary verbs used mostly to express modality (properties such as possibility, obligation, etc.). They can be distinguished from other verbs by their defectiveness (they do not have participle or infinitive forms) Modal verbs can also be regarded as auxiliary verbs (helping verbs). Auxiliary verbs are used only with another verb (the main verb) to operate various tenses, aspects and voices. So what is a modal verb? Also known as a "modal auxiliary" or simply a " modal," its a verb that has no conjugation—its the same for all grammatical Modal verbs (Modalverben), conjugation. Present tense German conjugated modal verbs with sound. The conjunctive II of mgen is included (ich mchte - Id like). German conjugation: conjugate a German verb with Reverso Conjugator, see German conjugation models, conjugated forms in future, participle, present, indicative. All modal verbs are normally auxiliary verbs in English, but the verbs be, do, and have can also be auxiliary verbs. Modal verbs are verbs that modify other verbs, and as such, are never found aloneDutch verbsIrregular verbs gives conjugations for some Dutch modals A modal verb is a type of verb that is used to indicate modality that is: likelihood, ability, permission and obligation. Examples include the English verbs can/could, may/might, must, will/would and shall/should. There are six modal verbs in German, all having conjugation that is different than regular German verbs (discussed in an earlier lesson). Flippo, Hyde. "German Modal Verbs - Conjugation of Duerfen Koennen Moegen." ThoughtCo, Mar. Similarly, the other modal verbs also change their stem in the singular conjugations (except for sollen). In the list below Dutch modal verbs. Need somebody to practise with? Take Skype lessons!Exercise to practice Dutch verb conjugation and tenses 1.
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subset: commoncrawl


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Delo Edgar Hansen Northwestern Tear Down
Posted in News by The Slidell Oil Company
6 Feb 2014
Optimizing Your Lubrication Schedule And Wallet
Posted in News by The Slidell Oil Company
27 Dec 2012
Tags: oil changes, lubricant sampling
"Many people change lubricants according to a schedule, but are uncertain as to whether the schedule is such that they experience optimal performance and therefore optimal spending. How are you supposed to know if you're experiencing optimal performance and spending, or need to make changes to your lubrication schedule?"
You can start by looking to the equipment builder for lubrication schedule guidelines, and contacting your lubricant supplier for any useful information.
Slidell Oil customers always have the option of having necessary assessments for lubrication schedule analysis done by one of our certified lubrication specialists.
A lubricant's service life depends largely on its stressing environment. As you can imagine, there are many factors that go into creating these environments, and therefore many many more resulting environments. One standard lubrication schedule cannot possibly be the best fit for every stressing environment.
The types of tests that may be utilized as you attempt to optimize your lubrication schedule are similar to those items on your lubrication's spec sheet. Tests include, but are not limited to: demulsibility, oxidation stability, corrosion protection, and air release. Tests will need to be run on a select few machines, representative of perceived variations in stressing environment. Be sure to include new lubricant in the samples you will send for testing, as it will be your control in the testing process.
Results of the selected tests will enable assessment of the remaining life of your lubricant, as well as informed changes to your lubrication schedule. You will need to monitor your lubricant carefully if changes are made to your lubrication schedule, as well as include a reasonable margin for safety.


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The authors and screenwriters of
Unlike other feature film awards, the Scripter Award honors both the screenwriter or screenwriters of an adaptation, as well as the author on which the screenplay is based.
The nominees announced Thursday morning are:
"Captain Phillips":
"The Spectacular Now":
"12 Years a Slave": John Ridley, screenwriter; Solomon Northup, author of "Twelve Years a Slave."
"What Maisie Knew": Carroll Cartwright and Nancy Doyne, screenwriters, who adapted the novel by Henry James.
Previous Scripter winners include the screenwriters and the authors of
The 2014 Scripter selection committee was co-chaired by Naomi Foner, the Golden Globe Award-winning screenwriter, and Howard Rodman, USC professor and vice president of the
Among those serving on the committee were L.A. Times film critic Kenneth Turan, critic and historian Leonard Maltin and screenwriters Geoffrey Fletcher, Callie Khouri and Steve Zaillian.
The USC Libraries will announce the winners at a ceremony Feb. 8 at the Edward L. Doheny Jr. Memorial Library at USC.


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The Fall of Marath
Medium elemental humanoid (earth); Lurker
Initiative +11
Senses: Perception +12; darkvision
HP 77; Bloodied 38
AC 25; Fortitude 21, Reflex 19, Will 19
Immune petrification
Speed 6, fly 8; see also flyby attack
Claw (standard; at-will)
+14 vs. AC; 2d6 + 5 damage.
Flyby Attack (standard; recharges after using stone form)
The gargoyle flies up to 8 squares and makes a melee basic attack at any point during the move without provoking an opportunity attack from the target. If the attack hits, the target is knocked prone.
Stone Form (standard; at-will)
The gargoyle becomes a statue and gains resist 25 to all damage, regeneration 3, and tremorsense 10. It loses all other senses and can take no actions in stone form other than revert to its normal form (as a minor action).
Alignment: Evil Languages: Primordial
Skills Stealth +12
Str 21 (+9) Dex 17 (+7) Wis 17 (+7) Con 17 (+7) Int 5 (+1) Cha 17 (+7)


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February 19, 2010 Length: 23:36
As we celebrate the Triumph of Orthodoxy and the victory over iconoclasm, Fr. Tom gives a personal reflection on icons and their use and misuse.
Every year at the beginning of Great Lent, we have of course what is called technically the Feast of the Triumph of Orthodoxy. This celebration on the first Sunday of Lent commemorates the return of the holy icons to the Church and to the churches after more than a century of blood in which the icons were either removed from the churches completely or were placed at a height where they could not be venerated but could be only looked at for the sake of some type of edification. I have already spoken on Ancient Faith Radio. I am sure that almost all of you are familiar with that terrible time in the eighth and ninth centuries, from the 720s to the 800s—843, actually—when the icons were out of the Church. I believe that probably most Christians familiar with ancient Christianity would know that it was officially decided by the seventh and the final of the so-called Ecumenical Councils that icons are to be made, they are to be painted—sometimes we say to be "written": people say you "write" an icon. I honestly think that that's not necessary to say because the word graphein in Greek or pisatz in Slavonic means both to write and to draw, or simply to paint or to make. I don't think there's any particular theological need to say "write icons." But in any case, icons were affirmed.
The veneration of icons [was] affirmed. That we proclaim and confess our faith in words and works, as the Ecumenical Council said, which the kontakion of the feast repeated. That Jesus is not only the Word of God and the Son of God, he's the Icon of God. St. Paul says,: The grace and light and glory of God that shone in Moses and so on in the Old Testament is now shining perpetually and eternally apo tou prosopou tou Kyriou, from the face of the Lord Jesus. And he says: Hos estein eikon tou Theou, who is the icon of God. So Jesus Christ is the icon of God.
In the letter to [the] Colossians, St. Paul said: Jesus is the icon of the invisible God, eikon tou Theou aoratou, the icon of the unseen and the unseeable God, invisible God. And in St. John's Gospel, of course, Jesus said to Philip and to the disciples, "He who sees me sees the Father. How can you say: Show us the Father?" So we believe that Jesus Christ, the man Jesus, is an icon of God himself, and he is God himself in human flesh, and therefore the making of icons and frescoes and the veneration of them is a confession of faith. If you would deny it, you would be denying the Incarnation. St. John of Damascus said: If anyone wants to know what a Christian believes, show him the icon, because the icon shows that the Word became flesh and dwelt among us, full of grace and truth, and we have beheld his glory, the glory of the only Son of the Father.
So we could get into the technicalities of icon veneration and rebuking iconoclasts as iconodules. Iconodules are the ones who venerate the icon; iconoclasts are the ones who reject the icon or break the icons. We could do that, but that's not what I want to do right now. What I want to do right now—and I'm kind of taking advantage of the fact that I've been given a microphone and I can speak on Ancient Faith Radio—I really want to share a very great concern that I have about the use of icons in our time, the veneration particularly of icons in our time, because I'm really very concerned that, as one archbishop put it a couple years ago in an article that I read—he said the irony now is that the iconodules are the new iconoclasts. That was the point of his article, his homily. He said right now the icons are being kind of misused, abused, treated with sacrileges ways and so on—by the very people who venerate them and by the very people who make them and hang them up in their homes and churches and all over everywhere else, and how they use them is a kind of desecration of the icon. I feel just so strongly about this that I want to reaffirm it this year.
Icons are holy. Icons are presences of God. Icons are full of grace. Icons, as the popular saying is, are windows into paradise. They take us beyond ourselves, beyond our world, into the realm of God. In a word, icons are holy. They're the holy icons, and they have to be treated in a holy way. First of all, they have to be made beautiful. They have to be made properly. They have to follow the rules of icon-making, icon-writing, or icon-painting. They have to be done in such a way that they proclaim the Gospel, that they proclaim the faith once for all delivered to the saints. You can't have any kind of drawing. You can't have any kind of painting. You can't even have a painting and distort the figures and make it look Byzantine and then call it an icon.
And not everybody has the gift of being an icon-painter, an icon-maker, an iconographer, no. I think that one of the things we really must do in our time is to be much more careful about making icons. People who don't really have the gift for it shouldn't do it. Oh, a person may love to try to paint an icon, make an icon, and they can do it and put it in their house privately or give it to a friend, but we should not be so—how can you say?—presumptuous, I think, that anyone who paints an icon should have that icon put into the church and consecrated or blessed or whatever and use it for veneration. It just may not be apt for that particular purpose. It just may not be well done.
So when we have icons that are not really good icons—they're not well done, they're not beautiful, they're not proportional, they're not harmonious… In fact, one great iconographer of our time once told me: Sometimes the most beautiful works of art are not real icons, because they make us stop with them. They don't lead us beyond themselves into the realm of God. And you just are fascinated about how beautifully crafted and well-done and how gifted the artist is—but it's not a real icon. So even not only ugly icons or poorly done icons, but sometimes even very wonderfully done artistic works and paintings still do not have the iconographic function, and therefore there is a kind of betrayal of the icon going on by the very people who are making them and using them, because they're using things that are not real icons. You can't be an icon-venerator but then have a thing that you call an icon that's not really an icon.
Then, of course, lots of times in icons things are put that don't belong there or they're not—how can you say?—honest and truthful to what they're trying to depict. Maybe even there's some wrong things put into an icon and so on. So we have to be really very, very careful about that.
But, even more serious than that, in my opinion, because God is merciful… I mean, God can use a bad icon to save a soul. God could use a big work of art, that someone could be thrilled by it, even though it's not technically a really liturgical, dogmatic Eastern Orthodox Christian icon. So that's possible, no doubt about it. It happens.
But what is more serious is how we're treating icons in many of our churches today: with incredible disrespect. First of all, hanging icons all over the place indiscriminately is not treating them respectfully. We don't have to put an icon in every single inch of our church building, for example, especially if it's a temporary quarters, we have a lot of paper icons pasted around. I think—my own opinion would be—people may disagree; I know people who do disagree—but I think a beautiful good reproduction can be used better than a poor original. Of course, the best-case scenario would be to have a good original, a real painted icon that's a real icon and really can lead us to God and really is adequate to the theme that it is presenting. That would be the greatest; that would be the perfection itself. But a good copy is not to be scorned, and I think a good copy can even be venerated. It can be used in church, and it's better probably to use a good copy than a poor original.
But we have to be careful how we hang these icons, where we put them, how we use them. They can't just be decoration, for example, and they can't be just things hung indiscriminately all over the place just because we have them. And then when they get old and when they become dirty, when they become darkened, when maybe they even be somehow hurt in some way—scratched or punctured or whatever—then we should burn them, unless they're icons that have a powerful grace, maybe a wonder-working icon or something like that. Then of course we would put it in a case, and we would venerate it even more. But we should not simply have all kinds of holy pictures and icons hung over that are dirty, that are scratched, that are—I don't know—moldy even or something. You see that; I've seen that around, I do, and I think to myself: the best way of venerating that particular icon is to make a nice fire and to burn it, because that nice icon that one day was beautiful and usable is now no longer so, and that has to be faced and that has to be admitted, just like if you had an old copy of the Bible.
Suppose you had an old copy of the Bible and it was all worn out and pages were ripped, and I don't know maybe your children got at it and wrote all over it with crayon or something. Well, you would then burn it. You would burn it. You would treat it respectfully. If it were particularly holy and venerable and belonged to some saintly person, you might even keep it and put it in a case, but you would treat it with respect. You wouldn't just let it hang around and be there and hang there without much attention given to it. You would give attention to it. You would care for it; you would treat it carefully, responsibly, respectfully. I think that we're not doing that nowadays with icons. I honestly believe that that sin is being committed way, way, way too frequently, which leads to another thing, and that is just storing of icons.
Sometimes you go into churches, even, not to speak of people's homes, and you go into churches and perhaps churches are more offending in this than people's homes are—where you can go into the sanctuary of an altar in a church, and there's icons on the floor. The icons are sitting on the floor, upside-down, backwards. I served in a church one time where the altar table had five pillars on it, so the bottom of the altar table was kind of open. Many altar tables, of course, are not open. They have cloth or wood or marble or whatever covering all four sides, but there are some altar tables that are open. In fact, the more old-fashioned type of altar tables, old Byzantine tables, are often on five legs, five pillars. Well, I was in a church once, serving, where that was the case, and on the floor under the altar, visible to everyone, were just some icons sitting on the floor. Every time I bent over to bow or to kiss the altar table or whatever, I would see these icons on the floor by my feet, because as the presbyter I was standing at the altar.
Well, icons should not be put on the floor. They should not be put on the floor. They should not simply be stacked indiscriminately. If they're not being used, there should be a special, holy place… In fact, [in] the old days, they even had a name for it: skevophylactarion or something, they called it; skevophylaction or something, which meant the place where you keep the holy stuff. So you would put chalices that you're not using there, crosses that you're not using there. You'd have a special compartment for that, a special closet of some sort, a case. I think we have to be much, much more careful about doing that and not just putting icons any old place, and certainly not on the floor and certainly not upside-down and backwards behind a chair.
I was once sitting in a priest's office on a couch, and I had to be careful when I leaned back, because there was an epitaphios, a plashchanitsa, a winding sheet that's carried on Great and Holy Friday on a board so it was stiff, and it was stood up on its side in the office behind a couch. Well, you can't do that. You either hang it up in a proper place or put it in a proper closet with all due respect and treatment. So I think that we must be concerned about this.
Another thing I think very important, for me, anyway, is I don't think icons should be put on covers of books. There can be some other way of making a nice cover of a book. I have to actually say and tell whoever listens to this: When I was the dean of St. Vladimir's Seminary, I begged the press not to put copies of real icons on the covers of books.. I wasn't successful; it was done anyway, but books are thrown all over the place. They're put in packing carts. People take books into the toilet. There's book everywhere. You stack them up in a corner, they fall off the shelf and so on. You can't have the Vladimir Mother of God or the Rublev Trinity just thrown around like that. I don't think that we should put icons on church bulletins, because people take them, they throw them in their car, they step on the floor on them. Those are holy things, really holy things. We can't be sacrilegious. We can't be sacrilegious. We have to care for holy things and use holy things properly. You can't kiss the cover of every church bulletin or every publication. It's not meant for that purpose. Icons are not meant for that purpose.
Some people say the icon is as holy as the eucharistic elements. Other Fathers say icons are holy like holy water. You wouldn't take holy water and just—I don't know—use it in a bad manner. You'd be very careful with it. Anything that's consecrated, that's blessed, that stands for God, that is a presence of God, a presence of grace, you have to treat with great respect.
And then, for me, the worst of all is when icons are put on clothing. I don't even think icons should be on [the] back of vestments, to tell the truth. A vestment is not an icon-holder. A vestment is a vestment; it's a piece of clothing. Icons should be in places where they're clearly to be venerated and respected and kissed, incensed, whatever. Now, of course, there's piety, and you have to face that, but I think we should be more careful. But certainly we can't have icon prints on the front of t-shirts when kids are playing volleyball at camp, some boys and girls running around with the Trinity on their chests.
I was recently at a meeting where a person, a grown person, a grown woman, was walking around with a shirt with an icon on the back of it, an icon of the face of Christ on the back of her shirt, and she was walking around. I didn't know: should I cross myself and go up and kiss her back? Then of course she down and sat on a chair and went around and was doing various things, but I don't think that holy icons should be imprinted on the back of clothing. Still less should holy icons be put on salt shakers and earrings and even bracelets. It's nice to be pious and have a nice bracelet. Well, maybe you could wear a prayer rope around your wrist to remember to pray, but to have six or eight saints on icons on your wrist, walking around with them—I don't know, we usually wear an icon, a medallion or a cross, around our neck and treat it very carefully in that way.
So I think that what we have in our time as the archbishop said are iconodules inadvertently and mindlessly being iconoclasts. Those of us who defend the veneration of icons, we use them in such a way that they're no longer venerated. We use them in ways that they are not really treated properly. I think every one of us—I would almost beg and plead every one of us—to really make a vow to treat icons properly. I think we should make a vow not to put them on just… I've seen posters, for example, which is half of the face of Jesus, and the other half is lettering. I've seen posters with lettering right across the face of our Lord, announcing some kind of a retreat or something.
And then, of course, there's the issue of the computer, where we put all these icons up on computers and people play games with them, and they come apart and they reassemble them, they send cards, greeting cards through the email by using an icon. I always feel very badly deleting an icon of the Lord and putting it in my "trash bin" in my computer. I don't think that that's a good use. You can greet somebody on a greeting without using a holy icon for that purpose. When we do use holy icons through the mail, for example, as nice cards, they should be given to people that they would keep them, that they would treat them reverently, and when they would discard them, they would burn them, but they wouldn't leave them lying around. Or maybe they could put them in holy books or something, so that they would have some kind of safe treatment.
But I think we have to be much, much more careful with computers and printing and reproductions and clothing and articles of earrings, bracelets, things like that. I think that really the Lord God Almighty would really want us to be more respectful of the image of his Son and of his saints, and I think our Lord Jesus Christ would also ask us to be much more respectful about his icons, his holy icons. Being respectful would mean that we don't put them on floors, we don't stack them up, we don't just indiscriminately use them for posters and bulletins, we don't write across the front of the face of them; we treat them with care. And then the beautiful icons that we do have, that we would hang them on our walls or put them in our corners or put them where we pray or even put them in our automobile, hanging down as a presence of the Lord there, but treated with respect and prayer and veneration, because we want to be icon-venerators, not icon-desecrators.
We want really to have the icon always be used in a way that people would know that it's really holy. We don't want to trivialize our faith. We don't want to vulgarize our faith. We don't want to stick our holy things all over the place, think that we're bearing witness or something. It's not bearing witness; in fact, it's doing just the opposite. It's telling people: This can't really be that important if you could just put it all over the place, stack it on the floor, and wear it on your chest when you're playing volleyball. I think it gives the wrong message totally, even when the intention may be good-willed. I'm certain many people are good-willed in their intentions. I'm not so sure that people who sell things are always good-willed, because people who sell things want to make money, so they figure out what they can sell. So the more kind of holy objects they can dream up to sell and they'll find pious people to buy them, and then of course they make money. Well, that's not good, but in any case, the pious people shouldn't be duped.
The pious people should say: If I'm going to buy something and use it in my house, I'm going to buy something that's presented respectfully, properly, truthfully, and when I purchase it or somebody makes it for me, I'm going to use it as it's supposed to be used: for the glory of God, for the hallowing of his name, for the proclamation of his Gospel, for the defense and glory of his beauty and his truth, and I'm not going to use it in any way that could trivialize the faith and vulgarize the faith and, even worse, be sacrilegious to God Almighty himself.
So, forgive me, but I do think that the veneration of the holy icons properly, godly, piously in the best sense of that term, reverently—we who venerate icons have to really think about this and ask ourselves what we are doing, and very particularly in our church buildings, in our classrooms there, in our storage rooms, in our offices, in our altar areas. What are we doing with the holy icons? Are we using them properly or improperly? Are we giving glory to God or are we just treating something holy in a sacrilegious way?
May God help us. May God help us to take upon ourselves this particular ascetical feat of working really hard to make sure that the holy icons are truly, properly, reverently, and in a godly way, venerated the way they are meant to be.


text: h\u0026k usp compact .357 sig review Good condition, HK USP Compact magazine, Made in Germany Manufacturer: Heckler Koch GmbH Magazine Capacity: 10 rounds Caliber: . 357 SIG Our Price: 20.00 Quantity Available:3. 507 Outfitters 1000 Belmont Street Easton, PA 18042 610-438-4780. Find all information on HK USP Compact including history, reviews, for sale, range of quality accessories, holsters and more.HK USP Compact facts. HK summary. Type: semi automatic. Caliber: 9mm, .40 SW, . 357 Sig. This HK USP compact is in the .357 sig. It is 100 AS NIB. Shot very, very little. Hard to find a . 357 sig any nicer then this on for sale by guilds guns on GunsAmerica - 902567362.News Reviews. breadcrumb link USP Compact. .357 SIG Magazines.Our Picks New Arrivals Best Selling Price: Low To High Price: High To Low Alphabetical: A to Z Alphabetical: Z to A Avg. Customer Review. Опубликовано: 28 февр. 2012 г. HK USP Compact 357 Sig.(Hk) Heckler and Koch USP 40 Compact: Shooting Video and Review - Продолжительность: 17:45 FortWorthColtGuy 40 100 просмотров. Glock 32 357 Sig Review Shooting Video. Ballistics Comparison Note: Ballistics are with factory loaded ammunition. Cartridge.HK USP Compact. The .357 SIG does have a little more "snap" to it then the 40 does. You just get a little more muzzle flip thats all.I carried a HK USP Compact in .40 for years, I got an original HK replacement barrel for it in . 357 (I got the BBL direct from HK, their parts department told me it Less than 100 rounds down the pipe. Available most days in Sonoma county. Monday I will be in between Santa Rosa and West Sac. 650 Heckler Koch USP Compact .357SIG barrel. Manufactured by the HK factory in Germany. Designed to fit the USP Compact. Barrel is 3.58" long. There have been no reviews. COMPACT w/X-Tension 31 Beretta Px4 Storm FULL 32 Beretta Px4 Storm COMPACT 33 HK USP standard 34 Sig P250 COMPACT 35 Smith and Wesson MP 9c 9mm 36 Taurus Millennium G2 37 Taurus Millennium G2 SUB COMPACT 38 Springfield XD Compact 45 w/grip extension 39 The USP Compact series was introduced in 1996 and is available in 9 mm Parabellum, .40 SW, .45 ACP, and, exclusively to the Compact model, .357 SIG.Asian Military Review. Archived from the original (PDF) on 2013-09-28. This magazine has a steel body with a polymer floorplate and comes in a black finish.Specifications: - Fits: HK USP Compact/HK P2000- Caliber: .357 Sig- Capacity: 10 Rounds- Material: Steel - Floorplate: Polymer- Finish: Black. HK USP, USP Compact Pistol USP Specialty Pistols Operators Manual. (Includes LEM). USP: 9mm, .357 SIG, .40 SW .45 ACP USPThe remaining pages of this manual concern information common to all USP pistol models. Please carefully review this preface and the main body of this HK USP-C .357 SIG. Like This Topic Follow This Topic.357 SIG was only chambered in the Compact, never the full size, from the factory.UPDATED 09FEB18 Zenith Z5RS (MKE made MP5) SBR full review 1 day ago. Heckler Koch USP .40 Compact | Gun Gear Reviews.This is the wrong end to be on of an AA date USPc 357 SIG compact recoil assembly. HKCS just put on a new spring back in August. Want an excellent condition USP Compact in .357 Sig. Ill add cash, of course how much depends on the HKs condition/variant, how many magazines, etc. I am not interested in ANY other trade, nor in selling it outright. Overview. Specifications. Reviews. Delivery Info. Overview.Product Reviews are not compatible with your browser. Up for auction is a nice Heckler Koch (HK) Model USP Compact semi automatic pistol. Chambered in 357 SIG, 3.5" barrel, black finished, factory TRU-DOT night sights, accessory rail, de-cocking manual safety, and aggressive grip area. The subject of this review, the USP Compact, is reduced in size to allow concealed carry.HK USP Compact Specs. Here we have a reasonable size, concealable handgun, available in 9 mm, .40 SW, .45 ACP and . 357 SIG. 357 SIG (by special order).The HK USP Compact Tactical airsoft pistols features a full metal slide, tactical sights, and threaded outer barrel. 58V1The HK USP Compact is a small frame pistol capable of firing the most powerful cartridges in 9 mm USP Compact .40 To .357 Sig Caliber Conversion Barrel.New factory HK USP Compact .357 Sig barrel 3.58 in overall length. This barrel is hk 357 sig review. The USP (Universelle Selbstladepistole or "universal self-loading pistol") is a semi-automatic pistol developed in Germany by Heckler Koch GmbH ( HK) of Oberndorf am Neckar as a replacement for the P7 series of handguns. The first USP Compact models appeared in 1994. The HK USP Compact in 9mm is a very good weapon. I just picked up a HK USP Compact .45.I use my P229R .40, or my HK USP Compact .45 for EDC/CCW. Nice thing about the USP Compact it is lighter and easier to carry. Yes, Ive got a USP Compact .357 that I also have the factory .40 SW barrel for. Works great.MP-5, Yes, a .357 Sig caliber barrel will work just fine in your USP40c.( Compact). HK said it was OK. Hk usp compact 9MM/40CAL, P2000. Ruger SR9c sw Mp shield 9/40/45 sccy CPX-2, CPX-1 walther ccp. Keltec P3AT ruger LCP 380CAL, LCP custom, LCP II SIG P238 colt pony, pocketlite, mustang. HK USP Compact Tactical. September 6, 2013 . Here is a pretty informative post that covers all of the Universal Self-loading Pistol ( USP) variants.HK USP Compact Tactical shared a link. August 30, 2011 . Concealed Carry Gun Reviews. MP compact 357 Sig vs HK P2000sk 357 Sig.www.youtube.com. HK USP Compact Review - YouTube.Honor Defense Kahr Kel Tec Kimber Para Remington Ruger SW SCCY Sig Springfield TaurusSKU: P-MPC Categories: MP .357 SIG Compact, MP40c Compact, MP40c M2.0, M40, USP .45, USP 9mm, USP Compact .40, USP Compact .45, USP Compact 9mm, USP Compact Tactical This is a front HK USP Compact sight, made with resin overmold. 40 SW AND .357 Sig Barrels and Magazines!!!!Review our privacy policy and terms of use for more information. Report Illegal Firearms Activity to 1-800-ATF-GUNS. It will come with a conversion barrel so you can shoot .357 sig if you choose. I have the original gray HK box, three mags a holster and double mag carrier.Stainless USP Compact .40 cal with .357 si Heckler Koch X-grip for P2000 SK, P2000/USP Compact MagX-Grip Specifications:The X-Grip converts full size P2000 magazines to fit the P2000 SK pistol.1:02 Sig Sauer SIG716 3 Gun Heavey - 18" Barrel like precision marksman like DMR716. 13:44 Sig Sauer P226 Elite 357 SIG Review New factory HK USP Compact .357 Sig barrel 3.58" in overall length. This barrel is a direct replacement barrel for all HK USPC .40 or . 357.Product Reviews. Write your own review. "A great upgrade". Home>Featured Manufacturers>H>HK (Hecklor Koch)>HK 357 Sig 3.58 Inch USP Compact 217813.Be the first to review HK 357 Sig 3.58 Inch USP Compact 217813 Cancel reply. Description. Reviews. Related Products. P2000/USP, .357 Sig Compact, 10 Rounds Magazine Manufacture ID: 217819S. The Heckler and Koch USP Compact/P2000 magazine is a standard factory replacement magazine. .22 Pistols .25 Pistols .32 Pistols .35 SW Auto Pistols .357 Magnum Pistols . 357 Sig Pistols .38 Pistols .38 Super Pistols .380 Pistols .40 SW Pistols .44Payment Types Accepted: Visa, MC, AMEX, Check, Cashiers and Money Order. HK USP Compact. Description: Pistol is in very good condition. [FIREARM REVIEW] The Heckler Koch USP Compact: Any Way You Want It.The HK USP Compact is a small frame pistol capable of firing the most powerful cartridges in 9 mm, .40 SW, .45 ACP, and . 357 SIG (by special order). I carry a Glock in .357 sig and love it. Yours looks great.I shoot a 9mm HK usp, there really nice weapons no matter the caliber. Although Im more of a .45acp/.45gap guy. 357 SIG 3.58 USP Compact HK217813. December 23, 2016 admin. Find Tactical Gear, Knives, Gun Parts and More!stealthgearusa holster review. hot wheels redlines eldorado rose in blister packs. Heckler and Koch B-square scope mounts. This manual applies to pistol types USP9 COMPACT (9mm), USP357 COMPACT (. 357 SIG), USP40 COMPACT (.40 SW), and USP45 COMPACT (.45 ACP). The handling and operation of all three pistols is identical. MP Compact 357 Sig Vs HK So Whos Gotten ToHK USP Compact Vs USP [Arc Out With The Old.Heckler Koch USP Compact Handgun Review: HK P2000 S Talk Me Out Of An HK Pag The USP is available in both full-size frame and compact models with nine trigger/ firing mode configurations and three major calibers—.45 ACP, .40 SW, and 9 mm (. 357 SIG by special order). usp compact in 9mm, this is a v1 has safety / decocker lever , box and 2 mags , no papers . looking for p2000 in 357 sig also 1911 in commander size any caliber . in or near newnan . Description : USP Compact 357 Sig. Excellent condition. Less than 100 rounds cycled through it.Attached Files: 357.jpg. File size: 254 KB.Search Resources. Most Active Authors. Latest Reviews. HK USP 40 Review. USP Compact CAL.Buy the Heckler Koch USP Compact .40 SW Pistol and more quality Fishing, Hunting and Outdoor gear at Bass Pro Shops. USP Compact 40 SW USP Compact .357 SIG From a review of the HK .45 vs SIG P220: photo | The Truth About Guns. Basically it comes down to ergos: if the USP feels better than the SIG then there are enough advantages in it favour to tilt the scales.I prefer the P229 followed closely by the 226 and the USP Compact. Listing ID: 1114780 HK USP Compact .357 sig.I have a 6 year old HK USP Compact in great condition, with 3 magazines, original HK box, and a GouldGoodrich 807 paddle holster. The HK USP Compact is a small frame pistol capable of firing the most powerful cartridges in 9 mm, .40 SW, .45 ACP, and . 357 SIG (by special order).More Views. HK USP Compact 9mm. Be the first to review this product. Fit - USP Compact. Caliber - 357 Sig.Please add the Heckler Koch Magazines for USP models in .357 Sig 12 Rounds Black Finger Rest to your watch list to be notified when this item is available again. The USP Compact series was introduced in 1996 and is available in 9 mm Parabellum, .40 SW, .45 ACP, and, exclusively to the Compact model, .357 SIG.Asian Military Review. Archived from the original (PDF) on 2013-09-28. new postshunter x hunter 2011 wallpaper for androidneed you now chords and lyricsvw golf mk4 door lock module for saledownload k-lite mega codec pack full crackbaseball bat bags clearancetypedef struct const pointerforgot verizon mobile hotspot passwordbollywood movie 3gp video song download


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User Reviews for Warfarin
Also known as: Coumadin, Jantoven
The following information is NOT intended to endorse drugs or recommend therapy. While these reviews might be helpful, they are not a substitute for the expertise, skill, knowledge and judgement of healthcare practitioners in patient care.
Reviews for Warfarin to treat Prosthetic Heart Valves, Tissue Valves - Thrombosis Prophylaxis
Coumadin (warfarin): "I have been taking coumadin for 21 years, since I had an aortic valve replacement."
Anonymous April 10, 2011
46 users found this comment helpful.
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- Drug class: coumarins and indandiones
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Other brands: Coumadin, Jantoven


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Bloomberg (03/14/14) Katherine Peralta
Consumer confidence unexpectedly fell in March to a four-month low. The Thomson Reuters and University of Michigan preliminary index of sentiment declined to 79.9 this month from 81.6 in February. A Bloomberg survey of economists had forecast an increase to 82. Although fewer job cuts and higher home prices helped prop up consumer sentiment somewhat, consumers also indicated that bigger payroll gains that lead to faster wage growth will be needed for them to boost spending.


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I'm sitting here scratching my little blonde head over this post – for a couple of reasons:
- I very seldom become so inspired a recipe that I actually go through the effort of making it.
- I absolutely hate pancakes.
So why is a recipe for pancakes breaking two months of blogging silence?!? Wellllll, I'm a sucker for sprinkles. And whimsy. And this recipe contains a heap of both. DAH! I've also spent the last three weeks inspiring little children to cook and, incidentally, ended up a little inspired myself. I love it when that happens.
I was recently introduced to a new website by a most wonderful, excellent friend of mine named Cristy. This site has awakened dusty nooks and crannies in my heart that I forgot even existed. It took me back to a place in my childhood, wearing a lace-trimmed, heart-print apron and stirring a delicious concoction in my Mamo's kitchen. There is a piece of me that loves creating – whether that be a craft, a recipe, an outfit or otherwise – and THIS recipe took me on a trip to that side of myself when I really needed to go there.
The website? That would be Pinterest.com. Pinterest describes itself as a virtual pinboard where you can collect the things you like. The photos and ideas come from all manner of websites and blogs. It's a like a Facebook of cool ideas and pretty pictures.
So, through Pinterest I came upon the dessert blog howsweeteats.com which is curated by a very clever, foodie woman named Jessica. Since I take NO credit for the brilliance of this cake batter pancake recipe, I am not going to post the actual instructions on this post. Instead, you can head over to howsweeteats.com for the steps:
Even in going and locating the recipe to post right up there, I re-read it and felt warm and cheery all over again.
Well, now I'll say the only thing there is left to say. Make these. Make them for a birthday. Make them for no reason. Make them tomorrow. Make them on a box. Make them with a fox. Just make them.
Yes. True. It is basically cake. But if people can eat donuts and Cinnabons and call it breakfast, then you sure as heck can pour diluted frosting mixed with sprinkles over these pancakes and eat guilt free.
Spoiler Alert: I ate a few bites. And I ENJOYED each of them. <– This has never happened before in the history of my life with a pancake.
Eric, however, being the pancake lover he is, ate more than a few bites and seemed to enjoy them tremendously. Huzzah!
~ Mir


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The 2017 Consumer Electronics Show
If you are a homeowner and love new technology, then Las Vegas, Nevada, is the place you want to be in early January 2017.
From January 5-8, the Consumer Electronics Show (CES) will be held at the Las Vegas Convention Centre - an annual event that now attracts over 3,600 exhibitors and over 170,000 attendees.
So, what exactly is there to see this year's at the big show? Well, lots of course.
What to see at Tech East: Augmented Reality, Cyber & Personal Security, Drones, eCommerce & Enterprise Solutions, Gaming and Virtual Reality, iProducts, and Self-Driving Technology, and Cars.
What to see at Tech West: 3D Printing, Accessibility, Baby Tech, Beauty Tech, Education & Technology, Eureka Park, Family & Technology, Fitness & Technology, Global Technology, Health & Wellness, Kids & Technology, Robotics, Sleep Tech, Smart Home, Sports & Tech, University Innovations, and Wearables.
What to see at Tech South: This is an area that is devoted to the entertainment industry and is also the main hub where keynote speakers will talk about cool tech topics, like cars, virtual reality, phones, wearables, gadgets, and desktops and laptops. As well, keynote speakers will also address new trends in technology and where tech is going in the future.
Keynote speakers include: Kevin Plank (Under Armour), Steve Mollenkopf (Qualcomm Incorporated), Barry Diller (Expedia), Michael E. Kassan (Media Link), Arnold W. Donald (Carnival Corp), Gary Shapiro (CTA), Richard Yu (Huawei), Carlos Ghosn (Nissan Motor Corp., Ltd.), and Jen-Hsun Huang (NVIDI).
You may also be interested in ...
- Avoiding the pitfalls of "smart home" technology
- How to Make Wireless Technology Safer at Home
- Lifestyle Technology Expert Launches New YouTube TV Series
- Music technology hits high note in home tech
- Crestron Offers Home Automation Solutions
- Tech Tuesday- Bullet-proof your "Smart Home"
- Krika keeps your home tech systems running 24/7
- Dream Home Theatre On A Budget: Design Before Demo
- HOSS Magazine At the 2016 SEMA Show In Las Vegas


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Some were born to sweet delight.
I've been thinking an unhealthy amount about the 'burden of the priviledged', the mention of which calls to mind horrific visions of simpering, whiny fools dossing about in cafes and agonizing with studied 'ressentiment' about the perils of indolence and the untenable sophistry of the world pressing in on them.
The 'burden', of course, is the inexcusable failure to direct one's course in life with enough specific intent to create something of some personal worth, perceived or otherwise.
The vehicle for this failure is a foul, gruesome chimera of overfeeding, undervaluation, cowardice and suppressed creativity; the rationalizations for this failure are, of course, far more numerous and convoluted, a veritable web of ridiculous excuses and sleights of hand that offer no actual insight or solution, only perpetual obfuscation.
The crux can easily be precipitated down to two component parts: the desire to leave one's indelible mark in the physical and/or temporal canvases of this Earth (and derive some pleasure from them) and the need for sustenance (i.e., money, at least in our realm of experience). The perennial imbalance between the two is oft the cause of much consternation, inevitably resulting in the most intractable quagmires in which one wades the muck of self-denial and feelings of utter failure while simultaneously questioning the worth of one's outlying achievements.
Perhaps I'm simply messily venting my own spleen. But really, the simple answer is so elusive: how can satisfaction and personal worth be balanced with the necessary evil of monetary gain in a culture that is ultimately so commercialized as to be entirely impersonal and, to some extent, inhuman in the essence of its very nature? Just how long has this been going on?
There's something rotten to the core about us 'first-world' folk in our denial: the struggle behind human societies, the misery, the formless something that we all share, the similitude that persists from the antennas at the tops of skyscrapers to the messy piles of soiled rags and broken glass inside cardboard boxes under the freeway; our foundations share soil with the shattered bones of all those that toiled before us, the same soil that we pack down more and more densely with our circuitous wanderings.
Some were born to endless night.
But not us: not the privileged ones who have time to caper about and decide which piece they might be in this esoteric jigsaw. And amidst the plenitude of nourishment and material comforts we continue to rail bitter invective against the ones that fit in all too easily and painlessly, that fail to adequately question their own roles. After all, this is supposed to be hard, but the more time spent on the fringes the harder it becomes.
And catching the subliminal wave of the next television commercial, blissfully floating in that weightless ether of irresponsibility and programmed derision, we'll be damned by this patterning of ours before we figure out that we're being purposefully woven in, falling prey to doubt and cowardice and lack of resolve.
Stuck between the outstanding and the utterly destitute, the worthwhile and the absolutely pointless, I turn towards the cold wind and try to wash myself of this self-imposed penury.
Try as I might, however, my alchemy suffers the same fate as that of everyone else, for the simple truth is this: not a one of us has successfully, unmistakably turned shit into gold. All we can do is try, and the occasional fleck panned out of the slag makes it strangely and inexplicably worthwhile.


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It's All About The Cycle: Retain Your Perspective During Difficult TimesAugust 24, 17
For most individuals who have been in the diamond and gem world for the last 40 years, as I have, the present moment of business should come as no surprise. During these four decades I have watched the market swing from a marathon to a stroll in the park six times. Essentially, this is the nature of business. All things that go up, especially during good economic times, will eventually hit the ceiling and then will retreat to a position where they will revive.
In these six cycles, it often felt like the industry was in such a negative environment that it was hard to imagine a recovery. If you blow too much air into a balloon it will reach a point where it explodes. If you let some of the air out it can be sustained.
The diamond and gem industry as a whole is in the lower end of the present cycle and has been showing signs of this deflation for a few years. We should have all recognized the signs as it moved from subtle to apparent. Some are better prepared for this moment because they felt the wind blowing in our faces rather than our backs, while others continued to ignore the signs of this cycle of life which leads to a stressful position.
I use the analogy of the prophet Joseph when he predicted seven years of feast followed by seven years of famine. We have to be aware that everything changes over time – and not always in a positive way. From my perspective, we are not in a negative time but an adjustment period. Consumers are focused on many challenges, and diamonds are no-one's priority. We have to give them a chance to catch their breath. We have created the desire as a way to express special feelings. Other material options may not be as symbolic, but priorities exist and diamonds are not one of them. So it is not a time to panic, but to reflect and maybe change our own perspective on how diamonds can evolve to be more desirable again when the opportunity arrives.
The diamond market is not crashing or disappearing just because it has slowed down. It is a function of world economics over which no one has control. Some of us in the industry have lost the true meaning of what a diamond represents, a subliminal association created by marketing that has been the key to industry success over the last 60 years. It's all in the message: love, beauty and a symbol of commitment. When prices start to rise, the shadow marketers push investment as a reason to buy a diamond and are the poison of our industry. They began the infiltration of changing the motivation to the concept of investment. I have witnessed the rise and collapse of this "investment concept" since 1980. In a period of one year, the trading price of the benchmark diamond, a one carat D Flawless, caused speculation, with prices going from $10K per carat to $60K and collapsing to $9k per carat when the critical missing part of the equation was recognized, liquidity.
To this day, no matter what the quality of a diamond or color and size, if there is no liquidity, no buyers, the prices will drop. Even when it comes to exceptional diamonds of rare colors or large sizes, there are always moments where there are no takers. This misleading information is the cancer of our industry because it traps people in false promises. We do not sell investments; we sell joy, pleasure, happiness and love.
With regard to the investment concept, there are a few diamonds that have the potential to appreciate enough over the long term to be considered as an investment, or at least a store of value, but they do not all present such an opportunity.
In an important analysis by diamond expert Ehud Laniado of Mercury Diamond using metrics over the last decade, he pointed out that approximately 1.5 percent of colorless diamonds have the potential to appreciate over time. I believe that Laniado has done an extremely fine job of due diligence in this category. From my perspective, less than 1 percent of natural color diamonds have the potential for financial growth, and a majority of these options are beyond the capacity of the average middle class individual. As a store of value (not necessarily appreciation) there is a little more strength to this perception.
All gems have gone through the cycles of the last 40 years. Gems, including color diamonds, are no exception to the rules of finance, but they must be extraordinary to be considered as investment potential. There are so many beautiful natural color diamonds in the world and consumers have to find the one that fits their taste and budget. It should be something that they want to keep for a lifetime rather than looking for the exit strategy the day they buy it. Too much emphasis is put on the concept of "the best" which is a trap for consumers. There is no such thing as the best, as nature has no limits and people have different tastes and opinions.
When we experience a lull in business, many feel the sky is falling in. They come up with excuses for declining sales, such as competition from alternative choices. Haven't diamonds always been an alternative to luxury fashion and accessories if a customer is more interested in it at that moment? All the substitutes for natural diamonds come up with marketing strategies to lure people by a subliminal message. People need choices. All the alternatives to natural diamonds come up with messaging to sell their product which is usually based on saving money to buy something cheaper that is close to nature's product. All gem substitutes may be cheaper, but they do not offer any store of value and zero liquidity if you want to sell.
Diamonds have a true and real message. Their desire and history began when they were first discovered based on their rare attributes. It is only in the last 50 years that they have become available to the masses, but they were always the choice of the people who could afford them.
So what is the present state of the natural color diamond business? It is relatively quiet at the moment, just like the industry as a whole, but it's not coming to an end because of alternatives or lack of interest. Patience is required and time to reflect on how we make adjustments to our marketing strategies and make beautiful jewels to surround our precious stones, thus creating more desire. We must continuously reinvent our approach and reach out to appeal to consumers in order to remain relevant. Those who don't will be absorbed by the innovating designers, and branding that holds to the belief that a diamond is a connection to love, beauty and nature.
I am confident that sooner rather than later our industry will begin again the upward cycle that makes us proud to be part of this amazing world in which we have been so fortunate to work.
Alan Bronstein is President of the Natural Color Diamond Association.


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Born in Caracas and raised between Orlando and Miami, technology sparked her curiosity since she first heard the dial-up modem squeal.
Now she satisfies her curiosity every day working as a fullstack developer at CARTO where she describes the technology as "complex and challenging in the most satisfying way". To her, the main asset of the company is definitely the team "they are the nicest most brilliant brilliant people I've ever worked with, I never thought it was possible to learn so much every day".
In her spare time she likes to work on small side projects and to take care of her tiny kittens.
Please fill out the below form and we'll be in touch real soon.


text:
It's instructive, not to mention funny in a "wow, look how stupid that lady is" kinda way, to hear her explaining the basis for her belief in AGW. Basically, it boils down to...
- Greenpeace says so.
- I can't be bothered (cuz I have a REAL life and JOB) to do any checking on my own.
- Greenpeace says so! And so do the "reports" I've read (most likely FROM Greenpeace) that tell me a MAJORITY of all life on earth agree with me!
The money quote?
Lord M:"If you were to discover that everything that I said to you....were true, would you think that, therefore, the organization you believe in has misled you?"
GreenPeace Hippie Lady: "No"
LM: "In other words, even if I prove these things to you, you would still prefer to believe a political line given out by an organization, rather than the scientific facts."
GHL: "No. I would have to look at it myself first..."
But wait a minute hippie-lady....you just got done saying how you couldn't check it out for yourself, due to the rigors of your "job" and "life" (neither of which were apparently important enough to keep you away from your protest...). One would think that if she felt THAT strongly about a situation, she might want to do some checking on her own.....
This is why the whole "Climate Change" scam will not go away.....it's adherents are cultists. Pretty soon some one will break out the spiked Kool-aid!


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As Featured On
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I talked to Janet over lunch. She's doing much better. The fluid that was building up around her new transplanted lung seems to be almost gone. They are hoping to take the tube out today. She said she's been walking around the hospital and feeling better. They have started to taper the oxygen again now that there isn't so much fluid.
Janet wants out of the hospital. She's been a trooper. She's been patient. But she's climbing the walls – she wants OUT!
Hopefully that will happen this weekend. Fingers crossed!


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Tuesday, March 16, 2010
W. Davis: Why Ancient Wisdom Matters in the Modern World
Anthropologist and author David Wade gives a lecture on the current state of humanity as a web of cultural societies, threatened by climate change and egocentric nation states. An enthralling and compelling witness of how a dominant culture can wreak havoc for the sake of progress by destroying the very thing that identifies it as unique and wondrous. Our great diversity of culture spans the globe yet our western focus on racial differences obscures our true commonality from the genes of our DNA to the unrelenting questions of who am I, why am I here and what is my purpose.
Click here to see this film depicting our humanity by W. Davis. VIDEO
Posted by Artist, Entrepreneur and Adventurer at 2:38 PM
Labels: ancient wisdom, culture, humanity, religion
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Try to make this elderflower cordial within a couple of hours of picking for best results. Gather elderflower heads on a sunny, dry morning – their aroma fades by the afternoon.
An easy summer supper
Make use of the crisp and salty samphire in this flavour packed dish
A light summer dinner, similar in flavour and texture to sea bass
A member of the mint family, lemon balm has a zingy citrus flavour
Rough textured and packed with flavour
Mediterranean rosemary with its robust, intensely-flavoured oily leaves makes a fragrant addition to an olive oil-enriched flatbread
A perfect light summer lunch or dinner
Basils slightly sweet yet peppery flavour goes with refreshing lemon
Embrace the season whilst it lasts
A blend of classic Pimm's, the crisp notes of sparkling wine and a wedge of fresh orange creates the ultimate summer cocktail
Give this classic summer spirit a new lease of life!
This refreshing cocktail combines two of our favourite spirits - Pimm's and gin
Very quick to make, The Pimm's Short is simply Pimm's No.1, lemonade and an orange peel - the ideal summer evening tipple Ingredients
Best served in a highball glass with ice, The Gentleman's Mule mixes Pimm's and ginger ale for an exciting twist
This is a lovely sharing plate to have with friends or serve it as part of meal with meat or fish alongside.
A substantial vegan bowl packed with flavour, texture and colour
A warm salad that uses south-east Asian flavours to combine the delicious Jersey Royal potatoes with seaweed.
Equally perfect for a family Sunday lunch or a dinner party with friends
They are delicious in sweet and savoury recipes....
Sweet, salty and earthy, this recipe is a heavenly flavour combo
A wonderful summer salad full of colour and goodness
Decadent French toast style to serve as an easy dessert or even as a weekend breakfast treat!
A refreshing drink with a spike of ginger – serve as a wake-you-up drink for breakfast or as a long drink on a summer's evening
A quintessentially English summer light lunch or dinner dish
Cool, refreshing and good for you
Perfect for afternoon tea or over a catch-up with friends
You need to use really fresh fish for this, so make sure it's very clean and bright


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LOL Dealdude! How did you find that!?
This one's for all the wankers out there
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LOL Dealdude! How did you find that!?
Hahaha, I assume he thinks you spend too much time at the computer?
Wow just saw this, seriously dealdude!?
I love to shop!


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Rosalind Hat - Hc07 by Lisa Craig
Welcome! You are browsing as a guestCreate a free account to see projects made from this pattern and more... What am I missing?
© Lisa Craig
© Lisa Craig
© Lisa Craig
© Lisa Craig
© Lisa Craig
Rosalind Hat - Hc07
by Lisa Craig
This pattern is available for $5.50 USD
buy it now or visit pattern website
buy it now or visit pattern website
Rosalind Hat Pattern
Honey Cakes by lisaFdesign - Hc07
A lacy ribbed beanie with a garter stitch flower and a little stalk to top it off.
Knitted in 8ply/DK yarn with 4mm (6 US) needles with easy to follow instructions.
The pattern is knitted on the round on double pointed needles
To Fit: 53 cm (21 ins) Adult
Honey Cakes is the Adults accessories range by lisaFdesign.
For more information, see: http://www.littlecupcakes.co.nz
About this pattern
by Lisa Craig
1 project, in 4 queues
About this yarn
by Patons Australia
100% Merino
94 yards / 50 grams
rating of 4.3 from 68 votes
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'Everything, Always' is an Exhibition set up by the Students of Level Two (BA Hons) Photography at the University of Portsmouth, located at Portsmouth Cathedral...
Individual Threads is a new local garments printing company being set up in Southsea. They are looking for artists who would like the chance to..
The aspex gallery at Gunwharf Quays has some new events during January and February for the kids, including Animation, Fridge Magnet Art, Painting Without Brushes..
An open platform for artists working with digital media this is a celebration of 21st century café culture, a live art happening for the noughties,..
Created Local – When We Were Kids Apparel
Local graphic designer Rob Trigg has been part of the Southsea design scene for many years now, putting out some seriously strong tee shirts like..
Local creative photographer Duncan Allen when not taking amazing photos makes handmade, bespoke frames and mounts for photography, artwork, etc. Duncan is a member of..
Peace Cafe & Noir et Blanc Exhibition
Peace Cafe in Castle Road (Southsea's only Buddhist Internet cafe) is opening it's gallery space today for the first time with an exhibition by the..
Fenchurch 'Southsea' Look Book by ilovedust
Southcoast grandmaster design house ilovedust recently did the new Fenchurch Spring/Summer 09 Look Book, and where did they shoot it? Well, I gave that away..
Warehaus Studio are an awesome little design studio based a stones throw from the Southsea seafront. You've probably seen plenty of their work already on..
Ari Folmans groundbreaking animated documentary is visually stunning, highly personal and ferociously honest. I've not seen it yet, but that's what i've read and the..


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Prior to this week, my only real Bieber-related research was prompted by my sister who thoughtfully alerted me to the existence of an amusing website (http://lesbianswholooklikejustinbieber.tumblr.com/) that may well have single-handedly influenced our young Canadian icon to ditch his signature hair-style.
This week began with a Technology cover lesson with a distinct lack of work set. While a kindly LSA (Learning Support Assistant), scampered off to find some work, I took on the challenging task of entertaining the class and attempting to keep them seated. Noticing the boys and girls seemed to have migrated to separate sides of the room, I decided to ask the boys what was wrong with the girls to be told in less kind terms: "they ming". Asking the boys who they deemed acceptable, I was surprised when a well-spoken boy admitted he fancied "Kate Middleton" - less surprising was the amount of females claiming Bieber to be their ideal man. I've previously taken a Technology lesson in another school where pupils had to design watch straps for celebrities and found Bieber to be just as popular, although a surprising amount of male class members seemed to be designing pink flowery watches with him in mind.
As the week went on, most of our study centre pupils managed to get themselves excluded for their poor behaviour. In order to alleviate the learning support unit and to ensure we were usefully occupied, we started to take on overflow pupils. Instead of mouthy students calling us "fat cows" and telling us "they hope we get stabbed and they get to watch" or that "we'd be shitting bricks after meeting" their parents, we were faced with a cooperative student who'd refused to remove a new ear piercing. Covering the Hindu belief in reincarnation for R.E., the Biebs popped up again as our blushing diligent pupil decided she'd like to be reborn as the Canadian boy wonder.
Later on deciding to somehow tackle a music lesson with no instruments or teaching resources, we found a lesson plan online that involved watching a music video with and without sound to discuss the marrying of visual imagery and song lyrics. After watching and dissecting Blind Melon's No Rain,
we had time to spare so decided to allow our pupil to choose an artist. Drum roll.... can you guess who I finally Youtubed?
Watching "One Less Lonely Girl" was an amusing exercise as we, like our lone student earlier, blindly watched Bieber's video having no idea what the song might be about, except for clues the title gave us - would it be a sinister-sounding rock song about a serial killer ridding households of moping lonely girls? We had no idea but watching our infatuated pupil smiling inanely at the screen was entertainment enough.
I was never really one for crushes as a teenager and can't even come up with a similar late 80s/early 90s phenomenon to the Biebs. New Kids On The Block were pretty fresh-faced but I don't remember nearly as much hype. Perhaps early Take That is the 80s/90s equivalent I'm looking for? Whoever it is, I'm pretty certain there was no solo artist matching Bieber's popularity or tender age, possibly because marketing tools were somewhat more limited back then (3D films?!).
What this whole music exercise did reveal is how misleading muted videos can be, while Bieber's was pretty predictable, Zero 7's Distractions was the exact opposite of what I'd imagined would accompany the lyrics:
An interesting exercise for those unusual moments in life where we actually have some time to spare – especially if you're rarely exposed to music videos.


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Activity View Permissions
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Applies to:Oracle Fusion Sales - Version 126.96.36.199.0 and later
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text:
The fifth film from the 'Worlds Apart' film programme to watch was Barbarella, which was directed by Roger Vadim and released in 1968.
Truth be told Barbarella doesn't solely stick to a particular genre and if you've seen the film you'll understanding what is meant by this. It picks on a bit of everything as reviewer Kim Newman writes for Empire Magazine;
"Barbarella is cheerfully catch-all in its mix of notional sci-fi elements (spaceships, other planets, super-weapons) with even more fantastical fairytale gambits (angels, suits of living leather, invisible keys) and bits of business taken from genres as far afield as the swashbuckler, the avant garde art movie ("psychedelic" and decadent imagery courtesy of Fellini and Godard) and even the porno film (Fonda does a zero-g strip under the credits and has bizarre sex with most of the male character"
Barbarella is an exploration of genres, Roger Vadim didn't appear to want to stick to a single genre, no that was too boring. Instead he takes a little of every and mixes it up so that the audience can't tell or begin to guess what is next to come (unless you've seen the film of course). It is rare to find a film that does everything and that is meant literally.
Sexual intentions are a very obvious and vital role in this film as Film4 relay in their review;
"...consisted of Fonda either in peril or preparing to have another other-worldly, futuristic sexual experience."
Barbarella doesn't just use sexual scenes, it abuses them and thrives on it. It would be difficult to find a scene in which Jane Fonda isn't stripping or having some sort of sexual encounter which begs the question of why this film is rated as a 15. If you're really pushing it, Barbarella isn't much more than a high budget fantasy/sci-fi porno film which would be completely inappropriate for adolescents.
And then there's the story. Cliche but in a sexual way. The 'must save the universe from an evil force' has been done before and leads to the belief that Vadim couldn't be bothered to invent something new for a film that's so exploratory. Almar Haflidason writing for the BBC says;
"With peace at threat, Fonda is forced to battle through an incredible amount of indignities on increasingly fur-lined planets"
We all know that the cliche story works but to use it for something as original as Barbarella is a bit of an insult. It isn't that hard to come up with something new that fits more to the characters and if Vadim chose to do something like it the story would be so bad.


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Wednesday, 25 March 2015
Scylla is released
Anyway well done CCP on the release and *golf clap* for the really silly NPC wreck bug.
Patch Notes can be found here and feedback here.
I'm not really exicted about Scylla, aside from the nerfing of the SkyNet play-style and Download On Demand there isn't anything that I feel makes this worthy of being a release.
But that's me. Your mileage will vary.
4 comments:
Same here, meh... I'm still waiting for my yachts dammit.ReplyDeleteReplies
I believe you have them now :)Delete
Sure this is a total meh patch.ReplyDelete
If we add up the complete cycle of patches we received since the new schedule was released. Did we get more or less as with two old style expansions?
It's not a bug, it's a feature! This helps players that don't want to attract attention to their PVE. A month ago I was in low running combat sites and I shot every wreck immediately to prevent wrecks from showing on dscan and drawing undue attention. Ok that's a silly argument for a silly bug....Replies
Every patch up to Scylla has (in my opinion) had at least one feature that everyone would get something out of. Be it a reimaging of an existing feature or a totally new thing.Delete
Scylla had nothing like this. It was a maintenance release rather than a feature release, and after so many feature ones I felt let down.