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http://ojs.unica.it/index.php/between/issue/feed Between 2018-05-19T11:02:47+02:00 Between Journal firstname.lastname@example.com Open Journal Systems
Between is the international, peer-reviewed and open access Journal of the Italian Association for the Theory and Comparative History of Literature - Compalit. The journal is published twice a year.

"Today, despite the storms and tides ... comparative literature continues along its path. Its dissemination throughout the world remains changeable and surprising." (Guillén, Entre lo uno y lo diverso, 1985-2005).  Read more
 http://ojs.unica.it/index.php/between/article/view/3273 Icarus' Flight to the Tragic 2018-03-18T09:47:16+01:00 Claudia Cao, Alessandro Cinquegrani, Elena Sbrojavacca, Veronica Tabaglio email@example.com Introduction to the currenti issue "Masks of the Tragic" (7.14, 2017) 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/2693 It Ends Wretchedly. Othello and Nonlinear Female Tragedy 2018-01-30T19:03:13+01:00 Rocco Coronato email@example.com
The articles focuses first on the Elizabethan theory of tragedy, being based on the Medieval traditioon of the Fall of Princes and then implemented with the discovery of Artistole's Poetics. Then it shows how Othello, and more generally Shakespearian tragedy, veers away from this canonical format and instead pursues a model of plotmaking based on the imagery of weaving, as is made clear by the numerous references in the play to knitting and weaving and to women's domestic work, resulting in a purposedly indistinct, complex result if compared to the canonical fall of the tragical hero.
 2017-11-30T23:47:26+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2812 Oedipus the King and Hamlet: A Descent to the Fathers 2018-01-30T19:03:13+01:00 Chiara Lombardi email@example.com
My contribution aims to highlight some relationships between Sophocles and Shakespeare starting from the main hypothesis regarding the circulation of the ancient Greek tragedy in the sixteenth-century Europe, and looking at the Freudian thesis. The analysis does not concerns single mythological figures, but involves the relationships between different symbols and characters: Oedipus, for example, may be seen not only behind the rich palimpsest of Hamlet, as has been widely shown, but also throughout King Lear's complex plot and symbology. At the same time, Electra and Antigone could be considered as important patterns for understanding the notion of conflict in Hamlet. Accordingly, I would like to show that Shakespeare turns to Greek tragic models (and especially to Sophocles), in a sort of descent to fathers, in order to investigate and represent power in its abysmal – both familiar and individual – relationships.
 2017-11-30T23:47:25+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2785 The Father's Shadow. The Torment of Revenge in Adelchi, Cid and Hamlet 2018-01-30T19:03:13+01:00 Elena Maiolini firstname.lastname@example.com
This study analyzes similarities and differences between the figures of Adelchi, in Alessandro Manzoni's tragedy, and the Cid of Pierre Corneille, significantly close to some aspects of the Hamlet's character, and between the figures of theirs fathers, eager for revenge whose fulfillment falls on the shoulders of their children. Through the analysis of the remarkable Manzoni's comments on the Cid and their echo in the first version of the Promessi Sposi, it intends to observe the importance for the writer of the representation of the desire for revenge as a literary subject that leads to discovering pulsating motives of truth on man.
 2017-11-30T23:47:26+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3067 The Trouble of Innocence: Tragedy, Theory and the Modern Novel 2018-01-30T19:03:13+01:00 Cristina Savettieri email@example.com
This article is divided into a premise and two parts: in the first, the author discusses how, from Aristotle's Poetics onwards, tragic theory and criticism have tackled the issue of innocence and undeserved suffering; in the second, by analyzing the conventional opposition between tragedy and the novel, the author claims that the idea of the novel as an anti-tragic genre stems from a substantially anti-tragic idea of tragedy itself, which proves very resilient in modern theories. Undeserved suffering is then discussed as a conceptual means to overcome this theoretical stalemate.
 2017-11-30T23:47:27+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3082 "Me pare nu film" [It Looks Like a Movie]. High and Low Tragedy 2018-01-30T19:03:13+01:00 Piermario Vescovo email@example.com
A comparison between the medieval revival of tragedy and some contemporary experiences,, before and after the chronological area in which it becomes a normative "literary genre", tries to detect some characteristic features, taking as reference bands the theory of René Girard and Walter Benjamin's essay on "destiny and character".
 2017-11-30T23:47:27+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2764 The Tragic Before the Tragic 2018-01-30T19:03:13+01:00 Enrica Zanin firstname.lastname@example.com
It is generally assumed that the tragic becomes a philosophical theory at the end of the eighteenth century, when Schelling and Hegel consider a genre (the tragedy) and draw from it a philosophical thought (the tragic). Before then, writes Szondi, there was no theory of the tragic, but only a poetics of the tragedy. I do not wish to criticize this assumption but rather to show that, before the philosophy of the tragic, there was an idea of the tragic (though fragmented and non systematic) that influenced and prepared its theory. In this paper, I will study its origins and its development through the analysis of the early modern uses of the words tragedy and tragic.
 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2784 Poetics of the Sublime. The Coro di morti, from Operette morali to Goffredo Petrassi 2018-01-30T19:03:13+01:00 Giovanni Vito Distefano firstname.lastname@example.com
In an author such as Leopardi, inclined almost entirely towards the serious and not at all devoted to the dramatic art, it is nevertheless in a small tragicomic masterpiece that the first traces of a modern aesthetic of the sublime can be detected. The paper firstly proposes a metapoetical reading of Coro di morti, aimed at observing the strong convergence existing in Leopardi's writing between thought advancements – namely the unintelligible if unavoidable lack of happiness in the human condition – and developments concerning his poetry formal properties and his aesthetic – here the rejection of both a classicistic poetics of mimesis and a romantic sentimental one. Lastly, in the second part, the aesthetic paradigm of the Sublime is assumed as an ideal set of values, where to investigate the adaptation process linking to Leopardi's original the musicalization composed by Goffredo Petrassi in 1941.
 2018-01-18T12:25:16+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/2678 Atilius Regulus: A Tragic Hero in the Culture of the Eighteenth Century 2018-01-30T19:03:13+01:00 Stefano Ferrari firstname.lastname@example.com
Atilius Regulus is one of the many tragic heroes that the classical tradition has handed down to Western culture. His fortune in the eighteenth century, however, is marked by an almost unique peculiarity that specifically measures the transition from ancient to modern age. Unlike other figures, that of the Roman consul is submitted between the second half of the seventeenth century and the end of the eighteenth century to a careful philological examination that has the result not only to reject as historically groundless the famous episode of torture suffered in Carthage, but also that of the embassy held in front of the Rome senate to deal with peace between the two rival cities. Despite the authenticity of this last episode of the life of the Roman consul has been questioned, it has also met in the course of the eighteenth century a huge favor by poets, philosophers, art writers and painters.
 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2781 Don Juan: eine Tragödie. Faustian intertextuality and tragic rewriting in E. T. A. Hoffmann's tale 2018-03-07T10:21:30+01:00 Francesco Marola firstname.lastname@example.com
The literary myth of don Juan, arose in the comedy, is reformulated in the direction of the tragic around 1800. The transformation begins with the Mozart-Da Ponte's opera and finds fulfillment in Hoffmann's tale, which projects the new tragic tone of the Mozartian finale on the whole myth. The purpose of the paper is to highlight the presence in the Don Juan of many intertextual references to Goethe's Faust, not fully noticed by critics so far, through which it is possible to read such tragic rewritingas a declared synthesis of the two myths, where don Juan takes the role of Faust-Mephistopheles and donna Anna that of Gretchen. The rewriting of the myth culminates in the final mirroring of the narrator in Anna-Gretchen. But the value of the tragic is relativized in Hoffmann by the ironic self-consciousness of the romantic artist: confined to the fantastic world of art, it is meaningless in the prosaic reality of the bourgeois life.
 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3094 Tragic and Tragedy: Ancient Conflicts and New Survivals 2018-01-30T19:03:13+01:00 Arturo Mazzarella firstname.lastname@example.com
The essay starts from the need to underline the profound irreconcilability existing in modern times between the terms of tragedy and tragic: two terms that, unlike what happened in the Greek tragedy, promptly revealed a profound divergence over the course of time. The conflict between opposing principles, but also deeply interwoven with each other, personified in the Birth of the tragedy of Nietzsche by Apollo and Dionysius, is present only in Greek tragedy. With the advent of Christianity - according to Hegel's interpretation in his youthful writings - precisely the figure of Christ bears witness, in the suffering required to bring his message of salvation, to the greatest tragedy. After this decisive event there will be no more room for the tragedy considered in its classical form. The tragic spirit will survive, with increasing vigor, in completely secularized genres: first of all, the novel.

 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2775 Blood relatives. Intertextuality of Tragic in Kleist and Kafka 2018-01-30T19:03:13+01:00 Mauro Nervi firstname.lastname@example.com
In a very famous letter to Felice, Kafka includes Kleist (with Dostoevskij, Flaubert and Grillparzer) in a group of «blood relative» writers; however, in the case of Kleist, Kafka's interest was almost exclusively focused on the prose tale Michael Kohlhaas. I argue that the main intertextual connetion between Kafka and Kleist rests upon their common idea of the tragic (defined accordingly to Szondi's Essay on the Tragic). For both, the tragic core consists in a lack of awareness, leading the main character to the final catastrophe. Both for Kleist and for Kafka, register and context are lowered if compared to classical tragedy: in Kohlhaas the main character is a merchant, in The Trial or The Metamorphosis a middle-class employee. However, in Kleist for the first time we have an authentically tragic element in the previously rather untragic prose tale, an element which will undergo huge developments in the following narrative until Dostoevskij. The general lack of awareness of the main character and the lowering of tragical context (which is reduced to everyday bourgeois routine) are also present in Kafka's novels, which are surprising similar to Kleist's tales from a textual, thematic and stylistic point of view. The Kleistian obsession for justice – often pointed out as a striking similarity with Kafka – turns out to be only a particular case of the general need to put the world in order, to bring back the world to a state of equilibrium, still untouched by the tragic event.
 2017-12-16T19:53:02+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2663 Don Carlos: Variations of Tragic from Schiller to Verdi 2018-01-30T19:03:13+01:00 Fabio Vittorini email@example.com In 1867 Giuseppe Verdi makes a grand opéra out of the dramatic poem Don Carlos, Infant von Spanien (1787) by Friedrich von Schiller. The workshop of Don Carlos lasts twenty years, from 1866 to 1886, when Verdi (re)opens and closes several other workshops (Simon Boccanegra, La forza del destino, Aida, Requiem, Otello), creating a porous work in progress, whose analysis keeps giving us surprises. The libretto by Joseph Méry et Camille Du Locle, under the supervision of the composer, is a palimpsest where, under the official text referable to the common historical nucleus and its best known literary versions, some hidden or deleted heterogeneous texts appear, in a supranational, multilinguistic, intercultural and intertextual dimension, not always stirring along the road of a locatable derivation, of a voluntary imitation, but sometimes taking the shape of an unpredictable dissemination. 2017-11-30T23:47:27+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2720 Virginia: a Political Subject for the European Tragedy between the Seventeenth and the Eighteenth Century 2018-01-30T19:03:13+01:00 Enrico Zucchi email@example.com
The paper takes into account several tragedies based on the Roman subject – drawn by Titus Livius – of Appio and Virginia, composed in English, French and Italian between the seventeenth and eighteenth centuries, in order to show how the subject's progressive refinement allows the dramatists to cope with essential matters of the Early modern political philosophy, from the relationship between the sovereign and the law to the gap between public and private happiness. The analysis aims to prove that, at the beginning of the eighteenth century, the subject of Virginia becomes an unavoidable passage for dramatist interested in representing political tragedies.
 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3064 The Journey Without νόστος: Franz Kafka and Gracco 2018-01-30T19:03:13+01:00 Raffaella Bertazzoli email@example.com
The short story Gracchus Hunter written by Franz Kafka (1917) is about the 'unheimlich' adventure of Gracchus, a dead man traveller and Kafka's alter ego, who is unable to overcome the limits of life. The inattentive boatman Charon takes a wrong path and Gracchus is compelled to roam in the sea - that is in the border between life and death - forever. This story is an allegory of Kafka's existential condition of illness and discomfort.
 2017-11-30T23:47:30+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2657 Early Twentieth-Century: what is the attack against the tragic, what its defense 2018-01-30T19:03:14+01:00 Mimmo Cangiano email@example.com Between the last few years of the nineteenth century and the beginning of the twentieth century the tragic discourse went through a significant revaluation. This, practically embodied in Henrik Ibsen, found expression both in the theoretical work of authors such as György Lukács and Otto Weininger, and in the artistic production of figures such as Hugo von Hofmannsthal or – in Italy – Scipio Slataper and Giovanni Boine. Early twentieth century tragic discourse represents an attempt to react to the epistemological crisis that – differently interpreted by authors such as Henri Bergson, Ernst Mach and clearly Friedrich Nietzsche – is imposing as the hegemonic thought of the first part of the century. Early twentieth century tragic discourse was therefore one of the main actors in the philosophical and artistic confrontation the followed the announcement of the "death of God". It is actually possible to say that Modernist tragic represented one of the most effective weapons for those intellectuals that did not consider positively the cultural horizons embodied by nihilism and relativism. My article, on the one hand, briefly delineates the clash between tragic and anti-tragic conceptions in early twentieth century, clarifying the theoretical genealogies that underlined the two positions. On the other the article points out the connections between the two positions and structural developments of the time (Taylorism, specialization, atomization, etc.) 2017-12-16T13:53:15+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2681 The Faceless Masks. The Tragic "Hero" in the Nouveau Roman 2018-03-07T10:23:16+01:00 Andrea Chiurato email@example.com
As many other experimental writers of the XX century, the nouveaux romanciers have paid a particular attention to the role and the scope of the tragedy in the modern world. By questioning its conceptual and prototypical structures they thus wished to understand its everlasting influence on our civilisation and, at the same time, to undercover its ideological underpinnings. That's perhaps the reason behind their fascination for the long vexed questions related to status of the tragic hero in the contemporary age; the same questions which, since the beginning of the Fifties, aroused a heated debate among themselves.

Robbe-Grillet – the leading light of the group – regarded indeed such figure with a certain suspicion because of its close connection with the notions of "fate" and "destiny"; while other novelist, as Michel Butor, rather praised its potential as a metaphor of the human condition. The aim of my paper to provide an overview of their production from Les gommes (1953) and L'emploi du temps (1956) to Sphinx en chapeau (1984) in order to highlight their different approaches to the same subject – the story of Oedipus – as well as the differences between their own artistic visions.
 2017-11-30T23:47:28+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2697 The Myth of Ulysses in the Postwar Novel: Tragic and Anti-tragic mode in Stefano D'Arrigo and Walter Jens 2018-01-30T19:03:14+01:00 Nora Moll firstname.lastname@example.com
In Twentieth Century's Literature, the various declinations and rewritings of the Odysseus' theme were conducted both in the tragic and the anti-tragic mode: the latter involving often, but not necessarily, the use of narrative strategies of parody. Referring to Hans Blumenberg (1979), we can speak of a constant "work on myth" that goes hand in hand with the development of postmodern poetics and elaboration of history, characterized by different narrative styles and strategies depending on the literary and cultural context in which they are inserted. Starting from one of the main theories about literary rewriting, as well as about mythopoetic and mythocritical discourse in twentieth century, this article aims to examine in a comparative perspective two novels, conceived almost at the same time in the Fifties, even if published separated by a distance of years. This is the "Mediterranean" novel Hocynus Orca (1975), by the Sicilian Stefano D'Arrigo, and Das Testament des Odysseus (1957), by the German writer Walter Jens, who is also known for his theoretical work on Greek mythology and tragedy. In these novels both authors choose the odyssean hypotext for liaising with the difficult legacy of World War II, but also to express its positioning in the contemporary world. The need to "complete" (Blumenberg) the myth of Ulysses thus produces in D'Arrigo a reinterpretation of the novel in the epic and tragic way, while Jens escapes to the anti-tragic modus offering to its anti-hero a secondary way out from his own myth.
 2017-11-30T23:47:28+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2801 «I oppose to mourning a certain mannerism»: tragic Weltanschauung in last Pasolini's poetry 2018-03-07T10:24:59+01:00 Gian Luca Picconi email@example.com
This research, according to a historical perspective, tries to study why Pasolini, author of "tragic forma mentis", as relevant scholars said, since the late 1960s, even in front of tragic events of Italian history, chose humorous representation mode. The answer to this question is that Pasolini poses the problem of the tragic in relation to the Auerbach's theory of styles, according to whom styles were forms of Mimesis of several social forms of language: and the tragic style, primarily used to represent the people, appeared to Pasolini inadequate in the world of Afterhistory, in which the entire society tended to ideologically recognize herself in the neocapitalist bourgeoisie. Patmos, therefore, the poem dedicated to the massacre of Piazza Fontana, dealing with the anthropological disaster recorded by Pasolini, tries to express itself in humorous forms, since humor is not a rejection of the tragic, but rather its masking.
 2017-12-12T09:21:55+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2803 The Polymorphous Return of the Tragic in J. Littell e M. Amis 2018-01-30T19:03:14+01:00 Emanuela Piga firstname.lastname@example.com
In this article I intend to analyse Jonathan Littell's novel Les Bienveillants (2006) and Martin Amis's novel The Zone of Interest (2014) in their dealing with the traumatic events of the Twentieth Century through literary writing and in their conveying meaning in terms of remembrance and historical awareness of collective traumas. In particular, I tackle the relationship between historical consciousness and the return of the tragic, as a way to identify in the representation of the inner rupture of the self the connection between the psychoanalytic dimension and the tragic dimension, and between private and political unconscious.
 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2800 "Peripeteia" and "Ecstasy of Catastrophe": Figures of Tragedy in the Novels of Proust and Joyce 2018-01-30T19:03:14+01:00 Raffaello Rossi firstname.lastname@example.com
The paper considers the presence of subjects and structures belonging to the aesthetics of the tragic in the work of Marcel Proust and James Joyce. In the first place, the authors' meditations on tragedies and on the concept of the tragic are compared; the influence derived from tragic plays such as Racine's Phèdre and Shakespeare's Hamlet is then analysed and commented on, following the intertextual links and their echo in the characters and plots in the Recherche and Ulysses. Finally, we seek to understand how the tragic meaning of events is developed beyond its aesthetic implications.
 2017-12-01T23:22:09+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2808 Looking Back in Anger. Bianciardi and the Masks of Melancholia 2018-01-30T19:03:14+01:00 Diego Varini firstname.lastname@example.com This paper analyzes the concept and perception of melancholia in Luciano Bianciardi's works, in the context of his cultural framework and especially the American authors he deeply knew as translator. Through close reading and discourse analysis, the melancholia originating from Bianciardi's critique to contemporary life and his simultaneous tragic inability to find a suitable alternative is traced in some of his literary works and compared to the American antecedents. The conclusion pinpoints the similarities between the social and cultural representation brought about by authors such as Saul Bellow and John Barth, and the (even more complex and contradictory) reading of Italian society of the Sixties performed in Bianciardi's works. 2017-11-30T23:47:29+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2765 Tragedy and Delirium in Montevideo: The Theater of Copi 2018-01-30T19:03:14+01:00 Stefano Casi firstname.lastname@example.com In his comic plays, French-Argentine playwright Copi (1939-1987) faces tragedy. References and forms from tragedy are plunged in humor and camp, within a framework characterized by the most extreme relativism – life and death coincide and every character (often transgender character) affirms and denies his/her identity. Copi's "heroes" show a lack of will, that leads their titanic efforts to become losers and they break into stalemate or ridiculous results. His plays are "circus" and "tragedy", as protagonist of Cachafaz (1981) says. In Cachafaz, defined by the author "barbarian tragedy", the tradition of Argentine gauchesco combines with a bloody and supernatural concept of tragedy, recalling Macbeth and The Bacchae. The language of the humorous and camp comedy is the basis for the reconstruction of a new tragic language, and the whole theatrical corpus of Copi doesn't appear as parody or desecration, but as a "reactivation" of tragedy in the century of its "death" (Steiner). 2017-11-30T23:47:30+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2797 Anrigone's Disorder 2018-01-30T19:03:14+01:00 Sotera Fornaro firstname.lastname@example.com Antigone represents the tragedy of politics, that is, the reversal of the logic of the mechanisms of State power. Analysis of Sofocle's tragedy in the light of the Friedrich Hölderlin's
 'Notes' (1804) and its repercussions in the reception of 'Antigone' in Germany in the '70. 2017-12-01T11:54:24+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2695 Interweaving Stories. Hamlet in Jerusalem by Gabriele Vacis and Marco Paolini 2018-02-13T14:36:11+01:00 Franco Nasi email@example.com
In march 2016, playwright and director Gabriele Vacis, together with Marco Paolini and a group of young Palestinian and Italian actors staged Amleto in Jerusalem, the last production of a "school of theater" for adolescents, directed by Vacis and Paolini. Moving from a brief introduction to the pedagogical and aesthetic philosophy that inspired this educational experience, this article offers a critical description of the structurally complex performance, in which two different theatrical genres, storytelling and tragedy, are continuously intermingled. In the performance the text by Shakespeare is revisited, deconstructed, and represented through fragments, which becomes the fundamental dialectical reference for a reflection on problems crucial to the young Palestinian actors, as identity, relations, vengeance, oblivion. Situating this extraordinary theatrical event in relation to the reception of Hamlet in the Arab world, this article explores the narrative development of the reflection urged by an always contemporary Hamlet.
 2017-12-01T08:27:20+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2699 Cassandra: logos and katastrophé on the Greek contemporary stage 2018-03-10T12:23:16+01:00 Gilda Tentorio email@example.com
In Greece, contemporary literature and theatre often resort to myth, above all to the Atrides, when they reflect on their recent history. In the last few years the theatre has been interested in Cassandra, the enigmatic prophetess who is the last witness of the collapse of civilization and visits our present on the weak raft of Memory and Tradition. Ancient Greeks killed her but modern Greeks still need her: in a country severely affected by the crisis, they are unable to describe the catastrophe. The authors focus on the problem of the logos: which language will Cassandra use to talk to XXI century? They also wonder which is her home in the post-mythical and post-modern era. The aim of this paper is to underline the original Greek approach to this mythical character: three paradigmatic plays (Flourakis' Kassy, 2006; Pontikas' Neighing, 2009; Dimitriadis' Annunciation of Cassandra, 2009) employ a frantic, anti-conventional narration in the attempt to find the logos that conveys what can hardly be disclosed.
 2017-12-01T13:01:44+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2687
Critical awareness in the post atomic age: Günther Anders's Diary of Hiroshima and Nagasaki and Ōe Kenzaburō's Hiroshima Notes
 2018-03-07T10:27:56+01:00 Luisa Bienati firstname.lastname@example.com In my essay, I propose an unparalleled comparison between the Hiroshima and Nagasaki diary of the German philosopher Günter Anders who recounts his experience in Japan in 1958 at the "IV International Congress on Atomic and Nuclear Weapons and Disarmament" and the diary that the Nobel Prize for Literature of 1994, Ōe Kenzaburō, wrote in 1963 at the "IX World Conference Against Atomic and Hydrogen Bombs in Hiroshima" in Hiroshima. The center of my analysis is the narrative of the catastrophe as seen from the eyes and the different perspectives of those who have devoted themselves to the nuclear war in Europe (Anders) and Japan (Ōe). The difficulties of a "language of the catastrophe" that both authors experience and the moral problems that the nuclear era has placed on both the victims and those who have faced the theme of survival choices in the face of the danger and the fear of "atomic illness" are explored. Also addressed will be the symbolic power of Hiroshima and the message that tragedy leaves to the contemporary man forced to live in this post-atomic era, living with what Anders calls the "promethean gap", the ever more incoherent distance between man and his technical-scientific discoveries. 2017-11-30T23:47:31+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2795 The Tragedy of Migrants. Gabriele Del Grande's Reportage 2018-01-30T19:03:14+01:00 Luigi Franchi email@example.com
With the expression "tragedy of migrants" mainstream media usually refer to the ever-increasing number of shipwrecks of migrant ships in the Mediterranean Sea. Despite its literary connotation, the term "tragedy" does not help to explain the reasons for the death of thousands of people in the last few years. On the contrary, Gabriele Del Grande's Mamadou va a morire (2007) and Il mare di mezzo (2010), thanks to the hybrid nature of the reportage forms, cast a new light on the interpretation of the migratory phenomenon: the joint action of the journalist approach and the literary imagination can help to grasp the complexity of this tragic events. Moreover, the reverberations in Del Grande's works of some elements of Classical tragedy allow an interpretation of these reportage based on the "mythical method": this reading strategy can be a useful resource to prevent the denial of the audience and to generate forms of solidarity between the migrants and the members of societies who welcome them.
 2017-11-30T23:47:32+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2787 The Star Černobyl'. Telling the Nuclear Disaster. 2018-01-30T19:03:14+01:00 Gabriella Elina Imposti email@example.com
From the Apocalypse: «... there went down from heaven a great star, burning like a flame, and it came on a third part of the rivers and on the fountains of waters. And the name of the star is Wormwood».

Another word for Wormwood in Russian is "Černobyl'". Once Soviet scientists maintained that nuclear power stations were «stars in the heavens of progress» that the government would disseminate within the URSS territory. Behind this pun, one can see the tragedy of the nuclear power station which after it explosion on April 26, 1986, is still nowadays spreading death, ruin and diseases. Is it an omen of the fall of the Soviet Empire? Is it a warning for humankind against its continual exploitation of the resources of the earth?
This essay analyses the novel by the Russian dissident Julija Voznesenskaja The Star Černobyl' (1987) in particular, comparing it with Christa Wolf's novel Accident (1987), Vladimir Gubarëv's drama Sarcophagus: a Tragedy (1986) and Nobel Prize Svetlana Aleksievič's Chernobyl Prayer: A Chronicle of the Future, written ten years after the catastrophe. It is possible to analyse this novel from a feminist perspective: not by chance the main characters are three sisters who, through their testimony and sacrifice, contribute in keeping alive the memory of the tragedy. 2017-12-13T17:52:27+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2791 On contemporary drama: Sur l'avenir de la tragédie by Albert Camus 2018-01-31T09:17:17+01:00 David Matteini email@example.com
This article aims to shed some light on a little-known conference that Albert Camus held in Athens in 1955: Sur l'avenir de la tragédie. The conference is part of that secondary theoretical-theatrical production, which the Nobel-winning author committed to for his whole life. To this day, this production is a very fruitful source when investigating the historical and political dynamics of post-World War II Europe.

As it is often the case with Camus' essays, the discours proceeds from a conceptual leap, linking the democratic policies of the XX century to Greek theatre in an original way. Following this same epistemological method, my essay pursues to uncover this connection and relate it to the political climate of today's Western societies. Making use of the works of renowned scholars like Lukács and Szondi, I am going to apply the tools of historical comparative studies to justify recontextualizations and parallels that would otherwise seem unfounded or random.

I will thus try to set Camus in the framework of an "alternate" political debate, which in the XX century was often overshadowed by the hegemony of Marxist and engagée critique. Today more than ever, this perspective proves extremely useful when attempting to understand the fragile balance between neo-liberal motivations and nationalistic, centralizing impulses, which marks out the third-century European man as a new tragic entity.
 2018-01-30T17:13:34+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/2794 Waiting for the Barbarians: Conrad, Kafka, Coetzee 2018-01-30T19:03:14+01:00 Simona Micali email@example.com
The threat of the "Barbarians at the gates", who bring chaos and death upon civilization, has gradually become one of the thematic obsessions of contemporary imagination. Along the course of the 20th century, the Enemy became less and less the bearer of another culture, and more and more the carrier of a Nonculture or an Anticulture. Such evolution is particularly evident in popular imagination, in all the comics and blockbuster films which stage the final battle between the heros of (white, Western) civilization against a dreadful army of barbarian enemies. The article focus on three works – Heart of Darkness by Joseph Conrad, Beim Bau der chinesischen Mauer by Franz Kafka, Waiting for the Barbarians by J.M. Coetzee – which investigate on this mechanism from within, highlighting its ideological implications and its tragic potential.
 2017-12-05T15:06:16+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2716 The Tragedy of Work: Working Class Heroes in the Italian 21st-century Literature 2018-01-30T19:03:14+01:00 Claudio Panella firstname.lastname@example.com
The paper aims at exploring how the literary representation of the worker has changed between the end of 20th-century and the beginning of the 21st-century. With the fall of the 20th-century ideologies and raising the fragmentation of labour, texts have emerged in Italian literature which illustrated the tragic social and existential condition of the working class. Among these texts we can find some récits de filiation written by sons and daughters of workers whose health and ideals have been undermined even down to death. These typology of texts let emerged two equally tragic characters: fathers, ill and defeated but still working class heroes and sons, tragically conscious of their roles witnesses-superstites of those 'denied heroes'. Among the texts being tackled in the paper Il nemico (2009) by Emanuele Tonon, Amianto (2012) by Alberto Prunetti, Il fuoco a mare (2015) by Andrea Bottalico, Ilva Football Club (2016) by Fulvio Colucci and Lorenzo d'Alò
 2017-11-30T23:47:30+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2766 'Mind and Body Walls' in Goliarda Sapienza, Pina Bausch and Francesca Woodman's works 2018-01-30T19:03:15+01:00 Alessandra Trevisan email@example.com A thematic itinerary which subtends literature, dance theatre and photography in an innovative plan. Some characteristics about these three authors will be demonstrated intersecting different fields in dialogue as cinema, philosophy and architecture in addition to the mentioned ones. Trying to catch outstanding aspects of the cultural context in which Bausch, Sapienza and Woodman lived and worked, recreating and crossing their "systems" then reading biography and autobiography beyond their works, applying new interpretations never explored before, it is possible to reconstruct the anatomy of a "tragic body" – central in this article –, both singular and plural. In every part it will reveal unknown and intertextual specificities. 2017-12-01T11:55:35+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2769 Mildred Pierce: 'remarriage melodrama' among novel, cinema and television 2018-02-13T14:44:03+01:00 Simona Busni firstname.lastname@example.com
Purpose

This essay intends to analyze melodrama, in its enigmatic and heterogeneous essence, through a female character: Mildred Pierce, protagonist of the novel by the American writer James M. Cain (1941), of the film by Michael Curtiz (1945) and the miniseries by Todd Haynes (HBO, 2011) – three different works and the same title, which coincides with her name. Mildred's story reinterprets the rhetorical myth of the melodramatic unknown women, those heroines searching for an existential way to state the right to tell their stories.

Methodology

Paraphrasing Stanley Cavell, author of a famous philosophical theory on cinematographic genres, that of Mildred Pierce's could be defined a remarriage melodrama, namely a version of the story where we can find the restoration of the first marriage although in a melodramatic context of avoidance. The first step regards a rhetorical datum, that is the negation as the (re)generative tool in a system within which it's possible to obtain a particular kind of melodrama from a certain comedy. Then this datum is incorporated in a wider philosophical perspective – concerning language, skepticism and the concept of "unknowness" – and it's compared with the main theories about melodrama, from literature to cinema (Frye, Brooks, Elsaesser, Doane, Williams, Cook), until the implications connected to TV seriality (Mittel).

Results/Findings

Through the case "Mildred Pierce" in its different versions, using categories belonging to philosophical reflection, it's possible to test the theoretical strength of melodrama as crucial and constant mode of modern imagination, as well as to reread its potentialities as intermedial genre.
 2018-01-30T19:02:43+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/2788 «I'll kill him and I'll eat him!»: Peter Greenaway and the cinematic Trauerspiel 2018-01-30T19:03:15+01:00 Mattia Petricola email@example.com
The career of British director Peter Greenaway, now more than four decades long, has often been animated by a profound interest in what one may call the aesthetics of death. This is particularly true for his 80s and 90s films, which explore a wide array of strategies for the staging and ritualization of death. In The Cook, the Thief, his Wife & Her Lover (1989), for the first time, this interest takes Greenaway into the territories of the tragic.

I propose to rethink the fundamental relationship that Greenaway's film entertains with the narrative and aesthetic forms of the tragic. More precisely, I suggest to interpret The Cook in the light of the reflections on the Trauerspiel (mourning-play) that Walter Benjamin elaborates in The Origin of German Tragic Drama [Ursprung des deutschen Trauerspiels].

After giving a short account of the first macro-section of Benjamin's essay, I will argue that the opposition between the Thief and the Lover mirrors the Trauerspiel's opposition between Tyrant and Martyr, that Benjamin regards as one of the conceptual cores of this theatrical form. This, in turn, reflects the presence in the film of a more abstract conflict between two systems for the construction of knowledge and experience. By drawing on Benjamin's study, I will trace this conflict back to the opposition between nature and books in baroque culture.

The battle between the Thief/Tyrant and the Lover/Martyr takes the form of a succession of rites and counter-rites for the (un)making of social bonds, and the film constructs these rites by clearly referring to the Christian imagination and its subversion. I will contend that the motif of the subversion of the Holy Communion can provide us with a unifying key for the interpretation of the film. From a semiotic perspective, this manipulation consists in the substitution of what our culture constructs as food with its dysphoric counterparts: decay, excrement, and human flesh.
 2017-11-30T23:47:33+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3081 Each Girl Kill the Thing she Loves. Melodramatic Variations on the Contemporary Scene 2018-03-29T21:27:27+02:00 Stefania Rimini email@example.com
This essay attempts to draw an innovative map of melodramatic sensitivity according to specific criteria of genre and form. It derives its inspiration from themes found in Fassbinder's cinematgraphy - such as the complex interplay of love, power and desire - and then proceeds on three different axes based on The bitter tears of Petra von Kant, A Streetcar Named Desire andVeronika Voss. Each section analyzes its subject in parallel with with some theatre revisions, combining thematic issues and semiotic patterns.
 2017-11-30T23:47:33+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2799 Iconografie del melodrammatico fin de siècle: Salomé di Wilde/Beardsley e La signorina Else di Schnitzler/Fior 2018-02-13T14:44:55+01:00 Beatrice Seligardi email@example.com The article aims at comparing two works that show a melodramatic representation of the fin de siècle woman: the tragic drama Salome written by Oscar Wilde and illustrated by Aubrey Beardsley and the graphic novel La signorina Else by Manuele Fior based on Schnitzler's novel. 2017-11-30T23:47:32+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/2694 Tragic Oedipus, Precarious Oedipus: Inheritance, Legacy and Crisis' Imaginary in Game of Thrones 2018-01-30T19:03:15+01:00 Valentina Sturli email@example.com
The purpose of this paper is to read the TV series Game of Thrones as a great contemporary narration in which themes and forms of epic and tragic genre intersect and are reconfigured.

By analyzing the main narrative sequences of the plot, it will be shown that Game of Thrones stages an original version of oedipal conflict, which plays a key role in the conceptualization of fight between generations, at the confluence of individual aspirations and community rules. This point of view enables to investigate the subjects' roles and functions in relation to their family units and to the social collectivity, in a serial narration fully focused on fighting for dynastic succession and on the management of power in times of war and turmoil.

It will be proposed that the peculiar configuration of the oedipal theme in Game of Thrones deeply resonates whit the dynamics of increasing financial and social crisis of contemporary times.
 2017-12-16T19:15:14+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3241 "This woman with a neat and joyful visage": Simone de Beauvoir and Italian press 2018-02-20T11:18:40+01:00 Clotilde Bertoni firstname.lastname@example.com
Our rediscovery of Simone de Beauvoir's work, started in the previous issue, goes on: this time we republish two forgotten interviews, given by the writer respectively to Il Giorno and to Paese Sera, in 1959 and in 1961.
 2018-02-18T21:50:52+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3105 Interview with Paolo Puppa 2018-01-30T19:03:15+01:00 Alessandro Cinquegrani firstname.lastname@example.com Interview with Paolo Puppa 2017-11-30T00:00:00+01:00 Copyright (c) 2017 Between http://ojs.unica.it/index.php/between/article/view/3188 Franco Fortini's Legacy: interviews with Elisa Biagini, Paolo Maccari and Guido Mazzoni 2018-03-07T10:29:33+01:00 Riccardo Donati email@example.com
Three short video interviews (roughly 10 min each) to three well-known and internationally esteemed Italian poets: Elisa Biagini; Paolo Maccari;
Guido Mazzoni. The topic is the cultural, aesthetic and political legacy of the Italian poet Franco Fortini (1917-1994) Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3163 Michele Cometa, Archeologie del dispositivo 2018-01-30T19:03:15+01:00 Angela Albanese firstname.lastname@example.com Review of the book Archeologie del dispositivo. Regimi scopici della letteratura by Michele Cometa

 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3164 Adam Kirsch, The Global Novel. Writing the World in the 21st Century 2018-01-30T19:03:15+01:00 Francesco Barbieri firstname.lastname@example.com Review of the book The Global Novel. Writing the World in the 21st Century by Adam Kirsch. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3165 Luciano Curreri, Play it again, Pinocchio. Saggi per una storia delle «pinocchiate» 2018-01-30T19:03:15+01:00 Veronica Bonanni firstname.lastname@example.com Review of the book Play it again, Pinocchio. Saggi per una storia delle «pinocchiate» by Luciano Curreri. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3166 Graziella Parati, Migrant Writers and Urban Space in Italy. Proximities and Affect in Literature and Film 2018-01-30T19:03:15+01:00 Simone Brioni firstname.lastname@example.com Review of the book Migrant Writers and Urban Space in Italy. Proximities and Affect in Literature and Film by Graziella Parati.

 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3167 Michela Graziani – Salomé Vuelta García (eds.), Traduzioni, riscritture, ibridazioni. Prosa e teatro fra Italia, Spagna e Portogallo 2018-01-30T19:03:15+01:00 Paolo Caboni firstname.lastname@example.com Review of the book Traduzioni, riscritture, ibridazioni Prosa e teatro fra Italia, Spagna e Portogallo edited by Michela Graziani – Salomé Vuelta García. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3168 Angus Fletcher, The Topological Imagination. Spheres, Edges, and Islands 2018-01-30T19:03:15+01:00 Corrado Confalonieri email@example.com Review of the book The Topological Imagination. Spheres, Edges, and Islands by Angus Fletcher. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3176 Marina Giovannelli, Variazioni sulle sorelle 2018-01-30T19:03:15+01:00 Monica Farnetti email@example.com Review of the book Variazioni sulle sorelle by Marina Giovannelli. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3169 Paola Bacchetta – Laura Fantone (eds.), Femminismi queer postcoloniali. Critiche transnazionali all'omofobia, all'islamofobia e all'omonazionalismo 2018-01-30T19:03:16+01:00 Lorenzo Mari email@example.com Review of the book Femminismi queer postcoloniali. Critiche transnazionali all'omofobia, all'islamofobia e all'omonazionalismo edited by Paola Bacchetta and Laura Fantone. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3175 Nicola Turi (ed.), Ecosistemi letterari. Luoghi e paesaggi nella finzione novecentesca 2018-01-30T19:03:16+01:00 Salvatore Renna firstname.lastname@example.com Review of the book Ecosistemi letterari. Luoghi e paesaggi nella finzione novecentesca edited by Nicola Turi. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3170 Daniela Brogi – Tiziana De Rogatis – Cristiana Franco – Lucinda Spera (eds.), Nel nome della madre. Ripensare le figure della maternità 2018-01-30T19:03:16+01:00 Serena Todesco email@example.com Review of the book Nel nome della madre. Ripensare le figure della maternità edited by Daniela Brogi, Tiziana De Rogatis, Cristiana Franco, Lucinda Spera. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between http://ojs.unica.it/index.php/between/article/view/3300 Open Access e riviste: prime riflessioni. Il caso «Enthymema» 2018-05-19T11:02:47+02:00 Marina Guglielmi email@example.com Open Access e ricerca sono oggi due termini complementari del discorso scientifico. Nel corso di un periodo relativamente breve le modalità del lavoro di ricerca si sono radicalmente rinnovate, aprendo prospettive fino a poco tempo fa non prevedibili nell'ambito della fruizione dei prodotti di ricerca, della loro gestione, pubblicazione e disseminazione. Obiettivo di questo articolo è proporre una serie di prime riflessioni sull'impatto delle pubblicazioni ad accesso aperto nel settore della critica letteraria e della letteratura comparata. A partire dalla recente pubblicazione di Paola Castellucci (Carte del nuovo mondo. Banche dati e Open Access, 2017) vengono presentati alcuni temi relativi ai concetti di "proprietà" del prodotto intellettuale, di modelli editoriali e di pubblicazioni accademiche. Gli spunti di riflessione vengono inoltre "verificati" nel confronto con una rivista online Open Access. La prima realtà editoriale con cui «Between» apre il dialogo è «Enthymema» nella voce della direttrice responsabile, Stefania Sini. 2017-11-30T00:00:00+01:00 Copyright (c) 2018 Between


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Reading Challenge 2018
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Anna Karenina
5:00 pm 23 August 2011
1.5 stars?
I have wanted to read this novel for years and considering how highly touted it has been I should have known better. I have always had a soft spot for Russia, except apparently their writers (well Tolstoy at least). Another thing I have come to realize? Realism writing equates to
boring passages that add nothing to the story and make you want to poke your eyes out.
With that said, going into the novel I really had somehow avoided knowing
exactly Anna Karenina was about. Well that may be because the book manages to jump around so much that even while reading it can be difficult to grasp what exactly is the purpose of the book. The title, for one, is completely misleading. Anna is by FAR the most interesting character in the book but she is certainly not the only focus. You will read page after page of the book, which results in adding nothing to the story, and you will sit and wonder where is Anna? Why can we not just follow her everywhere? PLEASE? The controversy that stems from Anna and Vronsky is just ridiculous and outdated for modern readers. With all the tout, I expected something more than just divorce/mistress drama. But all the stars this book is receiving is due to Anna and Vronsky, no one else.
The most utterly boring characters in the book must be Levin (oh please, can we talk about farming MORE?!? Oh let's, it'll only take about 20 more pages then we'll have a brief break), Stiva (Anna's brother) is simply boring and then Alexei (the other one...Anna's husband) just goes on and on and you just want him to decide something and stop victimizing himself. Did I mention that we get to be inside all of the main characters' every thought and action when they are the focus? Not only do we have to "listen" to Levin talk about farming we then have to read his inner dialogue about it for paragraphs at a time. *sigh*
I spent a large portion of the book waiting for something BIG to happen. I kept thinking it has to be right around the corner or the book couldn't possibly be this long. Nope, the most disturbing thing that happens is at the very end of the second to last part, and yes it involves Anna. Then the last part is largely focused on Levin and not Vronsky, who SHOULD be the focus because he just lost Anna to suicide! But he is barely mentioned, we are essentially only being told he went to war. Really Tolstoy? You name the novel after the character that DIES and her lover, the most important person in the book to her is barely mentioned after her death? Piss poor writing move.
This book could be shorter and nothing would be missed, even if you removed all of Levin and Kitty (terribly boring couple, especially in contrast to Anna and Vronksy). After finishing the book I read summaries of the different parts and I must say, had I just read the summary I would not have been missing much more than having read 817 pages. Great literature? No, just a long-winded Russian guy that received notoriety from other writers and now he will just not go away.
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Thread: RE: Knights of the Iron Throne
03-31-1998, 10:30 PM #1jonathan.w.ingram@exgateGuest
RE: Knights of the Iron Throne
There are different degrees of secret. For instance, a lot of people know
that the Freemasons exist, but fewer people know their origins and fewer
still know their rituals. I think that most of the nobles would certainly
know of the order's existence and might even be able to name a few members
(or rumoured members).
If you prefer a secret order you can certainly have one, but the spy-movie
saying about the chance of a secret being blown is equal to the square of
the people who know it is pretty damned accurate. If there are more than
three members in the order, you can be pretty certain that someone else
knows about it. Maybe it was started as a secret order by the secret did
come out and since then the Chamberlain has publicly held these knights up
as the ideal Anuirean knights? There are dozens of ways to play it. I
personally prefer the semi-secret order -- the order's existence is public,
but it's goals and the like are much less widely known.
> -----Original Message-----
> From: Anthony K.G.Shewan [SMTP:firstname.lastname@example.com]
> Sent: Tuesday, March 31, 1998 2:00 PM
> To: firstname.lastname@example.com
> Subject: Re: [BIRTHRIGHT] - Knights of the Iron Throne
> I don't know why. Fredrik Lundberg came up with a great original idea.
> Originally the idea was they were a semi-secret order. If the whole upper
> class knows about them and they receive special treatment (i.e. high
> social
> standing) because of this knowledge then it isn't really a secret is it.
> It
> is up to the powers that be (i.e. Fredrik and/or the OCP Committees) to
> decide if the order is secret, semi-secret or general knowledge. It is not
> up to me. My point is, if it's a secret keep it a secret. Otherwise let
> the
> sycophantic toadying of the Anuirean Regents begin (and that could be fun
> to) as they kiss up to the KotIT for special considerations.
> IMO, either one works, but not both together.
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There are lots of strays who are really in urgent need of the home that could give them food and protection. Their food necessities usually are not the sam e as the necessities of the family pet. When you've a dog, you've got to be sure which they're in health and they're provided with the amazing quality of pet alternatives. With each of the previously being contemplated, a research on this particular theme is mainly maybe not for the target of supporting one to stay which animal they had prefer as a dog. To start with, I will begin with this issue of coaching and housebreaking. Yes, chickens are amazing animals. I'm confident no bird would aspire to be caged. I've usually adored creatures.


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sql server 2008 r2 express rename instance
Id like to create a new instance for it in SQL Express 2008 R2.hmm never thought if it will overwrite the current instance. I dont know if renaming the instance will cause any issues on the server For new installations you can use an internal evaluation SQL Server 2008 R2 Express database instance. When selected, the installer will automatically install the database instance with an instance name of MailExpress and a database name of MAILEXPRESS. hello friends when i installed sql server express 2008 R2 its inctanec name is coming HEMANT-PCSQLEXPRESS this but i want only HEMANT-PC friends plzz tell me how to do this witout reinstalling my sql is there any way. It renamed the server. You cannot rename an instance. There is a big difference between the two.2008 - General T-SQL (SS2K8) June 2007 CTP Working with Oracle July CTP SQL Server Newbies Security (SS2K8) SQL Server 2008 High Availability SQL Server 2008 Administration Data SQL Server 2008 R2 Express (Runtime Only). Includes the SQL Database Engine only and is designed for deployments and ISV redistribution.It can also manage instances of the SQL Server Database Engine created by any edition of SQL Server 2008 R2 SP2. Is there a way to download the sql server management studio 2008 separately comments you can download Management Studio Express free from Microsoft, In the SQL Server 2008 R2 installer, this feature is renamed to. Uninstall an existing SQL Server 2008 R2 instance, try the following steps: 1) Make sure you have administrative rights on the computer and backup all the user databases.7) Rename / Delete all the SQL Server folders in the computer. Ресурсы Microsoft SQL Server 2014 Express. Материалы Windows Server 2012 R2.
How to: Add Features to an Instance of SQL Server 2008 R2 (Setup).For a renamed computer that hosts a default instance of SQL Server, run the following procedures MSSQL: How to rename an Instance of MSSQL 2008.For example, you can change a computer named MB1 that hosts an instance of SQL Server named Instance1 to another name, such as MB2. SQL Server DBA Tutorial 144-How to Rename SQL Server Instance Name - Продолжительность: 16:49 TechBrothersIT 19 630 просмотров.How to Install the Microsoft SQL Server 2008 R2 Express Edition - Продолжительность: 6:49 itgeared 44 845 просмотров. I have SQL Server 2008 R2 Express default instance installed. I have renamed the machine. Now I am unable to connect to the database. Microsoft has a freely available version of SQL server called: Microsoft SQL Server 2008 R2 SP1 - Express Edition which can be downloaded from the link below.
If this instance is only going to be used for Lucid products it may be appropriate to rename it to LucidSQL. I have SQL Server 2008 R2 Express default instance installed. I have renamed the machine. Now I am unable to connect to the database. Below are the steps to allow remote access to a SQL Server 2008 R2 x64 Express Edition instance after the default install steps where performed. Installation of Microsoft SQL Server 2008 R2 Express.Next. In the third window indicate the name, for instance: Server base. This is a step-by-step guide to install SQL Server 2008 R2 Express Edition.R2 Express Edition. The link to download this program is available from Microsoft in the System Requirements documentation above. Refer : Rename or Change SQL Server Standalone Default Instance The name of the virtual server is always the same as the name of the SQLFollow the steps below to install and configure Microsoft SQL Server In this document we will be using SQL Server 2008 R2 Express which you can Note. Upgrade 2005 instances using SQL Server 2008 R2 Express.Installing SQL Server 2008 R2. 5. Rename the following folders and Windows Registry Keys, by adding a suffix consisting of the current date. In its place, SQL Server 2008 R2 Express (SQL Server Express) is supported.c. On the first screen in the Microsoft SQL Server DSN Configuration wizard, for Server, select the SQL Server Express instance on the SQL Server Express machine, either default instance (host name of SQL Microsoft SQL Server 2008 R2 Express with Service Pack 2 is a free, feature-rich edition of SQL Server that is ideal for learning, developing, powering desktop, web small server applications, and for redistribution by ISVs. SQL Server 2008 R2 Express Edition 64 bit with Tools including SQL Server Management Studio.Define the SQL Instance or accept the default name: SQLExpress, then select Next. SQL Server 2008 R2 Express Edition Installation. We have SQL Express was custom installed by mistake the instance name is the same as the computer name Can we rename the instance to MSSQLSERVER without reinstalling?How to: How to connect to local instance of SQL Server 2008 Express | SevenNet. These instance of the databases are being used in Sharepoint-Integrated Mode.3. Rename the MDF/LDF files in this case ReportServerMySite, ReportServerMySiteTempDB. 4. Copy/Attach these databases into new SQL server. Post New Web Links. Create new instance of sql 2008 R2 server. Posted By: Posted Date: September 16, 2010 Points: 0 Category : Sql Server.How to connect to local instance of SQL Server 2008 Management Studio Express ? Installation Guide for SQL Server 2008 R2 Express. Page 1 of 17.The default instance name is SQLExpress. If this instance is only going to be used for Lucid products it may be appropriate to rename it to LucidSQL. Microsoft SQL Server 2008 R2 Express with Tools.5. Go to HKEYLOCALMACHINESYSTEMCurrentControlSetServices and delete all the keys referencing SQL Server. 6. Rename all the SQL Server folders in the computer. I have installed SQL Server R2 on Windows Server 2008 R2 in a development environment.You may want to install a default instance before renaming the machine, copy/migrate your DBs to the new instance, then follow the steps in the link to rename your default instance. SQL Server 2008 R2 Express with Advanced Services.If you currently have SQL Server 2000, or SQL Server 2005 failover clusters on the 32-bit subsystem (WOW64) upgrade of the failover cluster to SQL Server 2008 R2 is not supported. sql sql-server sql-server-2008-r2.I am using this query to rename the database: ALTER DATABASE BOSEVIKRAM MODIFY NAME [BOSEVIKRAMDeleted]. But it shows an error when excuting 3. In the SQL Server Installation Center dialog, click New installation or add features to an existing installation. 4. In the SQL Server 2008 R2 Setup dialog License Terms window, select I accept the license, then click Next. From Microsoft SQL Server Management Studio, connect to a SQL Server instance. all Moft sample code, and was a snap to get loaded on Express 2008R2. 28 Aug 2014 Microsoft SQL Server 2008 R2 Microsoft SQL Server 2012 Microsoft SQL Server 2014. SQL Server Installation (SQL Server 2008 R2) Installing SQL Server 2008 R 2 Installation How-to Topics.How to: Rename a Computer that Hosts a Stand-Alone Instance of SQL Server .For SQL Server editions other than SQL Server Express, /SQLSYSADMINACCOUNTS is required. Walkthrough: Installing and Configuring SQL Server 2008 R2 Express with Advanced Services.This walkthrough outlines the steps needed to create an instance of SQL Server 2008 R2 Express with Advanced Services. SQL Server 2008 R2 Express. Go to start of metadata.MSSQLSERVER is the default instance for non-Express editions and SQLExpress for Express editions. Upgrade to the same language version as the existing instance of SQL Server. The following are some recommendations before installing SQL Server 2008 R2PowerShell is required for SQL Server Express with Advanced Services. Business Intelligence>Microsoft SQL Server. SQL Server 2008 R2 New Features. What you need to know about the new BI and relational database functionality.Express with Advanced Services. Free. 1 CPU 1GB of RAM BI—SSRS (for the local instance). Rename column SQL Server 2008. How to Delete using INNER JOIN with SQL Server? SQL Server 2008 r2 instance/network connection error. upgrading sql server 2008 R2 express edition to standard edition. There is no way you can rename an instance of SQL Server. You can probably create a new instance with just the machine name so that it suits you requirements. Im not sure of the express version of SQL Server bundled with VS 2010, but with the Standalone SQL Express 2008 (or R2) I dont think its possible to rename a SQL Server instance name, at least not with a bunch of headache. What I would do is: Detach the dbs connected to your SQL Server Express instance and uninstall SQL Server Express. So I have to deal with SQL Database Server renaming Re-configuration of Report Server Over here I am using SQL 2008 with SP1. Lets start operation RE-BIRTH of my SQL Instance. Open SQL Query Manager do some trick to rename our SQL DB Instance Use master. This procedure did not work for me with SQL Server 2012 Express on an SBS 2008 server.You may be able to rename the server portion of the full instance name, but the instance name itself seems to be fairly well intractable. You cannot install two SQL Server instances with TCP/IPturned on as they will both attempt to use the same port (1433) unless you reconfigure one of themto use a different port (see Change SQL Server Port Number(s) I attempted to install SQL2008R2 express default instance Microsoft SQL Server 2008. Renaming SQL 2008 R2 Instance Issue. Hello, I have renamed a SQL server and am in the process of trying to rename the SQL instance. While installing i got one instruction document about how to install it. In that, my system did not show Database Management steps in that.
Can any one give me link a to download the sql server 2005 or sql server 2008. I want to rename the sql server engine instance, not just a table or database name.Changing a SQL Server 2008 installation from instance to default. 3. Can an Instance of SQL Server Express 2008 R2 be used as a Master Server? Optimize for ad-hoc workloads is a new instance level setting that was added in SQL Server 2008 which is designed to help control the amount of memory that is used by single-use, ad-hoc query plans in the procedure cache. SQL Server 2008 R2 Express Edition Setup will not install the below listed requirements for SQL Server Express, SQL Server Express with3. In the Installation Type screen, select New installation or add shared features option to install a new instance of SQL Server 2008 R2 Express Edition. I am using SQL Server Management 2008 R2 Express and getting this Error: A network-related or instance-specific errorIm not really sure that we can use master.mdf and mastlog.ldf can be copy from other SQL Server, but Ill try this by rename my current files, and copy from other SQL Server. SQL2008R2 is my SQL Server 2008 R2 instance name and it is selected by default.Java w/ SQL Server Express 2008 - Index out of range exception. Error while trying to attach .mdf to a SQL Server Express 2008. Go eat something, then wash some dishes. Done! Load up SQL Server Management Studio. Change Authentication to SQL Server Login is sa. Password is the password you specified during setup.
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|Reviews for All That Glitters
| ElionFrost chapter 1 . 11/27/2015
| Panther Moon chapter 1 . 1/8/2011
Awe... ] I love Kenshin. The idea of sentient NPC's that 1/2 Prince uses is so cool. It really makes you think. Besides, Kenshin and Sunshine are two of my favorite characters from the series. Keep up the good writing, I really enjoyed reading this piece.
| Methane chapter 1 . 3/25/2010
Aw I liked this alot .o
You should write another one of those!


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Maker of Monsters: The Extraordinary Life of Beau Dick opens March 29th in select cities across Canada! MakerofMonstersScreenings
Canadian Film Fest, Toronto, March 20-24th
Tickets still available for all the great, Canadian films playing at this year's fest! For more info visit: CanadianFilmFest
Call For Submissions
Telefilm Canada's, Talent to Watch: Inside Out LGBT Film Festival is now a Designated Partner of Telefilm's Talent to Watch (formerly the Micro-Budget Program). Info at: Talent to Watch
FWC at the 2018 Canadian Screen Awards
Our team was live at the CSAs and caught some fun moments. Browse our photo album: CSAs2018
Join Film Market Access at Cannes 2018
Apply Now! FilmMarketAccess.com or email your inquiries to: firstname.lastname@example.com
It's Canadian Screen Awards week!
Follow us this Sunday as we share live from the awards gala! You can watch on CBC, Sunday at 8pm.
8th Annual Irish Film Festival, March 2-4
We're proud to co-present The Breadwinner on March 2nd. Tickets now on sale at bit.ly/2EbZ5JH
Our 15th Anniversary!
Champions of #CdnFilm coast-to-coast, supporting 750+ films since 2003, along with 250+ SOLD OUT opening night screenings! And releasing them to rent online @CanadaScreens! Join Canada's Film Club today! www.FirstWeekendClub.ca
Call for Submissions
7th Annual Breakthroughs Film Festival – June 8 + 9, 2018 Submit your films: Regular Deadline – March 16, 2018 Late Deadline – April 1, 2018 Submit: https://filmfreeway.com/BreakthroughsFilmFestival
Celebrating Powerful Stories During Black History Month
First Weekend Club and CanadaScreens invite you to see and share these powerful stories during Black History Month. We are pleased to offer acclaimed Canadian Films, 'Mighty Jerome' by Charles Officer, 'Home Again' by Sudz Sutherland … Continued
Jay Switzer to receive Board of Directors' Tribute Award
He will be honoured for his commitment to the growth of the Canadian media industry at the 2018 Canadian Screen Awards
It's a wrap on The African Space Project
Marc and Emily loop us in on some of the challenges and surprises that occurred during filming. FWC YouTube link


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Cursos ofertados pelo prof. Artur Strzelecki da University of Economics in Katowice, Poland (em inglês). Digital Analytics with Google 29/11/2017 – 13:00 – 16:15 – L501 – bloco B – Capacidade 32 pessoas Prof. Artur Strzelecki University of Economics in Katowice, Poland Abstract: Introduction to concepts of digital analytics, devices that are being tracked and concept of European cookie law which is strongly connected with digital tracking. Secondly students will work in Google Analytics service, I provide a real account…Continue Reading
Encontro Paulista de Pós-Graduandos em Computação
Inscrições até 20 de novembro O Encontro Paulista de Pós-Graduandos em Computação tem como principal objetivo estimular o intercâmbio de recursos e iniciativas entre seus participantes e também de estimular a busca constante pelo ensino e a pesquisa de qualidade. O encontro será realizado no dia 04 de dezembro no ICMC-USP de São Carlos, contando com a apresentação de pôsters pelos alunos, além de duas palestras convidadas.Continue Reading
Brazil-China Workshop of Computational Modeling and Simulation
Propósito: O Brazil-China Workshop of Computational Modeling and Simulation trata-se de uma série de palestras de quatro pesquisadores do Beijing Computational Science Research Center (CSRC). As palestras são focadas em modelagem e simulação computacional com ênfase em modelagem e simulação de fenômenos quânticos, supercondutividade, mecânica dos fluidos, e sistemas biofísicos. As palestras serão apresentadas em inglês. Data: 16 de outubro de 2017 Horário: 13:00 às 16:10 Local: Campus Santo André, bloco A, auditório A-101-0 Programação: Horário Palestrante Título 13:00…Continue Reading
Workshop Brazil-China: Li-Shi Luo
Título: Computational Mechanics: What Do We Do? An Introduction of Division of Mechanics at CSRC Palestrante: Li-Shi Luo (Beijing Computational Science Research Center) Resumo: The mission of Division of Mechanics at CSRC is to build amultidisciplinary and interdisciplinary research platform for modern computational mechanics in its broadest sense, with focuses on multiscale and multi-physics systems (of fluids). One particular research interest is in non-equilibrium fluid systems. In this presentation I will briefly introduce the profiles of our faculty members, their…Continue Reading
Workshop Brazil-China: Jin Yu
Título: Revealing Physics from Life's Key Protein Machines in Metabolic and Genetic Control Palestrante: Jin Yu (Beijing Computational Science Research Center) Resumo: Bio-molecular machines are made of nano- to micrometer scale protein complexes as mechano- chemical vehicles with energy self-sufficiency. My researches have been focused on physical mechanisms of these naturally evolved machines, for example, on how they maintain sufficiently high energy efficiency and accuracy despite of environmental noises and fluctuations. Advancements in single molecule technologies and high-resolution structural characterizations…Continue Reading
Workshop Brazil-China: Hai-Qing Lin
Título: Studies on correlated systems Palestrante: Hai-Qing Lin (Beijing Computational Science Research Center) Resumo: In this talk, firstly I will introduce research topics my group is working on and also mention projects conducted by the Simulation of Physical Systems Division. Then I will report a few recent works including "Wilson Ratio and Quantum Phase Transition" and "Study of Superconductivity in Polycyclic Aromatic Hydrocarbons". Basically my research focuses on many-body correlations and possible novel phases. For example, we are interested in…Continue Reading
Workshop Brazil-China: Rubem Mondaini
Título: Many-body localization and thermalization in quantum systems Palestrante: Rubem Mondaini (Beijing Computational Science Research Center) Resumo: In this talk, I will introduce the research directions in my group, which mostly encompasses the interface of Atomical Molecular and Optical Physics with Condensed Matter. Specifically, I deal with in and out-of-equilibrium systems, where strong interactions are fundamental to explain its properties. I will then introduce in more details a fundamental question in this community, namely, in what conditions an isolated quantum…Continue Reading
Seminários em Computação Workshop de eScienceContinue Reading
Workshop de eScience: Roberto Marcondes Cesar Jr
Título: São Paulo Research Foundation (FAPESP) and International Collaboration Palestrante: Roberto Marcondes Cesar-Jr (IME-USP) Resumo: The São Paulo Research Foundation (FAPESP) has been stablished in 1962 in order to support research activities in the state of Sao Paulo. FAPESP and the research in Sao Paulo will be discussed in this talk. Special focus on the funding opportunities for international collaboration will be presented, including mobility, grants and scholarships. Sobre o palestrante: Roberto is a professor of the University of São…Continue Reading
Workshop de eScience: Xiaoyi Jiang
Título: Pattern Recognition and Image Analysis Research @WWU Palestrante: Xiaoyi Jiang (University of Münster – Germany) Resumo: In this talk I will present an overview of the research activities in my group. Particular focus will be given to biomedical imaging and consensus learning. Sobre o palestrante: Xiaoyi Jiang studied Computer Science at Peking University and received his Ph.D. and Venia Docendi (Habilitation) degree in Computer Science from University of Bern, Switzerland. He was associate professor at Technical University of Berlin,…Continue Reading


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