text:
The article describes how to serialize an object of a class inherited from generic list of interface (i.e. List<InterfaceName>) using XML serialization. I've developed the sample project in ASP.NET 3.5 but the same code can be used in .NET 2.0.
Here I'm assuming that you know the basic implementation of IXmlSerializable inteface. IXmlSerializable interface exposes three methods GetSchema(), ReadXML() andWriteXML() . We will return null from GetSchema() and add code to ReadXML() and WriteXML() function.
GetSchema(), ReadXML()
There was a requirement to create a Workflow engine in one of the project I was working on. This workflow engine (object of type WorkFlow class) contains workflow items and excutes them one by one and then move to next.
Any item of workflow should contain Execute method and ExecutionCompleted event. So I created an interface named IWorkFlowItem which contains the Execute method and the ExecutionCompleted event plus several common properties. Initially, I required two workflow items i.e. Page and Condition. I created these two by implementing IWorkFlowItem interface. Then I created a class WorkFlowItems by inheriting generic List<IWorkFlowItem> and added a member of this type to the main Workflow class.
Everything worked fine till one requirement came to serialize the workflow object and save it. It threw me an error when I tried to serialize it. In the beginning I implemented the WorkFlowItems class with IXmlSerializer and put a dirty code to serialize the class in ReadXml() and WriteXml() methods. But, because the type of workflow items can increase to any extent this solution was of no use. Finally I've come with a solution and sharing it with you.
I couldn't put the actual code and putting here a different example but it will give you the exact picture of my implementation of interface serialization.
Have a look at the definitions of the classes used for this example:
Now have a look at the use of project class:
The above serialization code will throw an error because IProjectMember is not an object, its an interface. An interface can only access members of the object by pointing to same location in memory and it is limited to access only those members which are in scope of its own. That say the IProjectMember interface can only access Name, TotalHoursWorked andResponsibilities properties of an object that implements it.
Name, TotalHoursWorked
Again, if somehow, we were able to serialize the properties what IProjectMember exposes, we would have got a serialized xml something like this:
The problem with above serialization is:
We need a XML like given below to persist the actual state of the SoftwareProject object.
The bad thing about an interface is, you cannot create an object out of it, but the good thing is it points to an object (Instance of a class). Every object in .NET is, by default, inherited from object base class. I've always wondered why .NET has inherited every object from the base object class but it was a life saver for me in this case. The GetType() method of an object returns actual type of that object. We will see that how I've used this method to solve this problem in 'Understanding the Code' section.
Ok, enough story, have a look at the ideas to serialize and deserialize the object/xml.
To Serialize:
The idea is to get exact type of object to which an interface item is pointing while iterating the list. Say, for the first interface item in the Members list it is pointing to ProjectLeader object while the second object is pointing to SoftwareDeveloper object. After getting the type, cast that object to that type and serialize it and then write the serialized data on the xml writer stream in WriteXml() method.
To Deserialize:
To deserialize we need to convert the xml to an object. For this the ReadXML() method of IXMLSerializable interface provides xmlReader parser. We will iterate through the items of SoftwareProject node. Each child node name represents the actual class name. While iterating through items we can create a XMLSerializer to deserialize the data and can use Type.GetType(ClassName) to pass the type as input parameter to this XMLSerializer.
Files Description:
namespace SerializableList { /// <summary> /// Interface to describe a project member /// </summary> public interface IProjectMember { /// <summary> /// Name of the member /// </summary> string Name { get; set; } /// <summary> /// Total number of hours the member has worked /// </summary> int TotalHoursWorked { get; set; } /// <summary> /// Responsibilities the member has. /// </summary> string Responsibilities { get; set; } } }
namespace SerializableList { public class ProjectTeam : List<IProjectMember>, IXmlSerializable { #region IXmlSerializable Members public XmlSchema GetSchema() { return null; } public void ReadXml(XmlReader reader) { GenericListDeSerializer<IProjectMember> dslzr = new GenericListDeSerializer<IProjectMember>(); dslzr.Deserialize(reader, this); } public void WriteXml(XmlWriter writer) { GenericListSerializer<IProjectMember> serializers = new GenericListSerializer<IProjectMember>(this); serializers.Serialize(writer); } #endregion } }
To implement IXmlSerializable interface the class should implement these three methods
To instantiate XmlSerializer object we require to pass a Type as a constructor parameter. Now, in current scenario because the list will contain different type of objects, we need to keep a list of every type of XmlSerializer, so that the list item can be serialized/deserialized with that specific XmlSerializer.
In sample application I've used Dictionary<key,value> to hold list of XmlSerializer. Here, type name is the key and XmlSerializer object is the value. The GetSerializerByTypeName(string typeName) is used to find and add XmlSerializer object from this Dictionary<key, value> object.
GetSerializerByTypeName(string typeName)
Dictionary<key, value>
namespace SerializableList { /// <summary> /// Generic list serializer /// </summary> public class GenericListSerializer<T> { //To retain the serializer list that the T contains private List<T> _interfaceList; //Serializers collection stored with type name private Dictionary<string, XmlSerializer> serializers; /// <summary/> /// Creates a new instance of generic list serializer /// </summary/> /// <param name="interfaceList">Generic list of interface type</param> public GenericListSerializer(List<T> interfaceList) { _interfaceList = interfaceList; InitializeSerializers(); } /// <summary> /// Initializes all the type of XML serializers the /// generic list requires /// </summary> private void InitializeSerializers() { serializers = new Dictionary<string, XmlSerializer>(); for (int index = 0; index < _interfaceList.Count; index++) { //Add new serializer to the serializers list by //passing the class name //Ignore if already added GetSerializerByTypeName( _interfaceList[index].GetType().FullName); } } /// <summary> /// Serializes list /// </summary> /// <param name="outputStream">Ouput stream to write the /// serialized data</param> public void Serialize(XmlWriter outputStream) { for (int index = 0; index < _interfaceList.Count; index++) { //Get appropriate serializer GetSerializerByTypeName( _interfaceList[index].GetType().FullName).Serialize (outputStream, _interfaceList[index]); } } /// <summary> /// Gets serializer by type name from internal XML serializers list /// If specific serializers doesn't exists adds it and returns it /// </summary> /// <param name="typeName">Class type name</param> /// <returns>XmlSerializer</returns> private XmlSerializer GetSerializerByTypeName(string typeName) { XmlSerializer returnSerializer = null; //Check if existing already if (serializers.ContainsKey(typeName)) { returnSerializer = serializers[typeName]; } //If doesn't exist in list create a new one and add it to list if (returnSerializer == null) { returnSerializer = new XmlSerializer( Type.GetType(typeName)); serializers.Add(typeName, returnSerializer); } //Return the retrived XmlSerializer return returnSerializer; } } }
The GenericListSerializer<T> class exposes one constructor GenericListSerializer(List<T> interfaceList) and one public method - Serialize(XmlWriter outputStream).
GenericListSerializer(List<T> interfaceList)
Serialize(XmlWriter outputStream)
GenericListSerializer(List<T> interfaceList) - The constructor accepts the generic list to be serialized as a input parameter and invokes InitializeSerializers() method to create a list of XmlSerializer.
Serialize(System.Xml.XmlWriter outputStream) - This is the main method which serializes the generic list when invoked. It iterate through each item of generic list, while iterating, it gets the class type name of current item with CurrentItem.GetType().Name method and passes this to GetSerializerByTypeName() method to retrive appropriate XmlSerializer object. After getting XmlSerializer it, then invokes Serialize method and passes main XmlWriter output stream and current item(of generic list) to serialize.
Serialize(System.Xml.XmlWriter outputStream)
Generic list deserializer
namespace SerializableList { public class GenericListDeSerializer<t /> { //Serializers collection stored with type name private Dictionary<string, XmlSerializer> serializers; public GenericListDeSerializer() { serializers = new Dictionary<string, XmlSerializer>(); } /// <summary> /// Deserializes list /// </summary> /// <param name="outputStream">Ouput stream to write the /// serialized data </param> public void Deserialize(XmlReader inputStream, List<T> interfaceList) { //Get the base node name of generic list of items of // type IProjectMember string parentNodeName = inputStream.Name; //Move to first child inputStream.Read(); while (parentNodeName != inputStream.Name) { XmlSerializer slzr = GetSerializerByTypeName( inputStream.Name); interfaceList.Add((T)slzr.Deserialize(inputStream)); } } /// <summary> /// Gets serializer by type name from internal XML serializers list /// If specific serializers doesn't exists adds it and returns it /// </summary> /// <param name="typeName">Class type name</param> /// <returns>XmlSerializer</returns> private XmlSerializer GetSerializerByTypeName(string typeName) { XmlSerializer returnSerializer = null; //Check if existing already if (serializers.ContainsKey(typeName)) { returnSerializer = serializers[typeName]; } //If doesn't exist in list create a new one and add it to list if (returnSerializer == null) { returnSerializer = new XmlSerializer(Type.GetType( Type.GetType(this.GetType().Namespace + "." + typeName)); serializers.Add(typeName, returnSerializer); } //Return the retrived XmlSerializer return returnSerializer; } } }
The GenericListDeSerializer<T> class exposes one public method - Deserialize(XmlReader inputStream, List<T> interfaceList).
Deserialize(XmlReader inputStream, List<T> interfaceList)
Deserialize(System.Xml.XmlReader inputStream, List<T> interfaceList) - This method deserializes the serialized object. It accepts two input parameter, XmlReader input stream and the generic list object to which deserialized objects will be added.
Deserialize(System.Xml.XmlReader inputStream, List<T> interfaceList)
When the main XmlSerializer pases XmlReader stream to ReadXml() method of ProjectTeam class, the reader's pointer is located at <Members> tag. It is the member property name of type ProjectTeam in SoftwareProject class. This acts as a root node for all items in generic list of type IProjectMember.
while (parentNodeName != inputStream.Name)
XmlSerializer slzr = GetSerializerByTypeName(inputStream.Name);
ProjectTeam :
Type.GetType(string typeName)
Version 1.0
This article, along with any associated source code and files, is licensed under The Code Project Open License (CPOL)
General News Suggestion Question Bug Answer Joke Praise Rant Admin
Use Ctrl+Left/Right to switch messages, Ctrl+Up/Down to switch threads, Ctrl+Shift+Left/Right to switch pages.


text:
About this sound.
This is a small set of deep, evil laughs, with a spooky reverberant echo effect for production-ready impact. This would be great for all sorts of sinister characters, villains, and monsters, anything from ghosts, to genies, to demons and more. A perfect accent to your magical, fantasy, haunted, and Halloween related projects!Included Tracks.
There are three variations included with this sound effect, of different laughs with a similar feel and effect. Each is about 0:08-0:10 seconds including the full tail/decay, but could easily be trimmed and faded out for a shorter effect. All three are featured in the audio preview.Each variation is its own separate file, included as both a full resolution WAV as well as a high quality MP3 for quick and easy use over the web and portable devices.

subset: commoncrawl


text:
Barco announced that at this year's Los Angeles Auto Show, more than 95% of all the booths using video have selected Barco ILITE 6 XP and ILITE 10 LED tiles for their video display solutions. Working with rental partners XL Video, Creative Technology, IMAG and Impact A/V, over 900 ILITE tiles have been installed in major manufacturer's booths, such as Nissan, Honda, Land Rover, Jaguar, Lincoln, Mercury, Mitsubishi, Kia, Mercedes-Benz, and Ford. "The LA show gives special attention to ...
General Admission
This content is free to access as a registered user onlivedesignonline.com
Why register forlivedesignonline.com? It's simple and free, and here is what you get:
- Daily original news covering the latest in entertainment design and technology
- Features on the latest industry trends
- Insights from thought leaders in the industry
- The ability to view both pay-per-view and free recorded sessions from our live events including Master Classes, LDI and Envision


text:
Unique and Unconventional Version of the National Anthem (Video)
I've heard a lot of versions of the Star Spangled Banner, both good and not-so-good. And as much as I enjoy a traditional rendition, I always love to hear others ways that it can be interpreted. And I have to say, this version is my new favorite! Wow!
It's unconventional, to be sure. Performed by rock band "Madison Rising," it's heavy on guitar and drums, with soaring vocals. Paired with some patriotic pictures, the video is inspiring and uplifting.
Lead singer for Madison Rising is Navy Veteran Dave Bray. Born in England to American parents while his father was in the Navy, Bray's family moved to Pennsylvania when he was 5 years old. Bray followed in his father's footsteps and served four years in the U.S. Navy.
The band is known for its explicitly pro-American message and sound. It's like no version I've ever heard before and includes some new lyrics that just add to the whole thing. I absolutely love it! Check it out!
Subscribe to WWMJ Ellsworth Maine on


text:
John Robert Warrender, 2nd Baron Bruntisfield | |
Birthdate: | |
Death: | Died in Edinburgh |
Immediate Family: |
Son of Victor Alexander George Anthony Warrender, 1st Baron Bruntisfield and Dorothy Etta Warrender |
Managed by: | Michael Lawrence Rhodes |
Last Updated: |
Matching family tree profiles for John Robert Warrender 2nd Baron Bruntisfield, 9th Baronet
Immediate Family
<private> Warrenderchild
<private> (Warrender)child
<private> Bune (Warrender)child
<private> Warrenderchild
<private> Warrendersibling
About John Robert Warrender 2nd Baron Bruntisfield, 9th Baronet
Colonel John Robert Warrender, 2nd Baron Bruntisfield1
M, #83933, b. 7 February 1921, d. 14 July 2007
Last Edited=6 Feb 2011
Consanguinity Index=0.03%
Colonel John Robert Warrender, 2nd Baron Bruntisfield was born on 7 February 1921.1 He married, firstly, Ann Moireen Campbell, daughter of Lt.-Col. Sir Walter Fendall Campbell, on 15 April 1948.1 He married, secondly, Shirley Ross, daughter of S/Ldr. Edward J. L. Ross, in 1977.1 He married, thirdly, Joanna Kathleen Chancellor, daughter of David Chancellor, in 1985.1 He died on 14 July 2007 at age 86 at Edinburgh, Midlothian, Scotland.2
He was the son of Victor Alexander George Anthony Warrender, 1st Baron Bruntisfield and Dorothy Rawson.1 He was educated at Eton College, Windsor, Berkshire, England.1 He gained the rank of Second World in the service of the in the Royal Scots Greys (2nd Dragoons).3 He was educated at Royal Military College, Sandhurst, Berkshire, England.1 He was decorated with the award of Military Cross (M.C.) in 1943.3 He was Aide-de-Camp to the Governor of Madras between 1946 and 1948.3 He was Lieutenant-Colonel of the North Somerset Yeomanry, 44th Royal Tank Regiment (Territorial Army) between 1957 and 1962.3 He was invested as a Officer, Order of the British Empire (O.B.E.) in 1963.3 He held the office of Deputy Lieutenant (D.L.) of Somerset in 1965.3 He was decorated with the award of Territorial Decoration (T.D.) in 1967.3 He was admitted to Royal Company of Archers.3 He was chairman of Thistle Industrial Holdings in 1973.3 He was Brigadier of the Royal Company of Archers between 1973 and 1985.3 He succeeded to the title of 9th Baronet Warrender on 14 January 1993. He succeeded to the title of 2nd Baron Bruntisfield, of Boroughmuir, in the City of Edinburgh [U.K., 1942] on 14 January 1993.1 He lived in 2003 at 18 Warriston Crescent, Edinburgh, Midlothian, Scotland.3
Children of Colonel John Robert Warrender, 2nd Baron Bruntisfield and Ann Moireen Campbell
- Michael John George Warrender, 3rd Baron Bruntisfield+4 b. 9 Jan 1949
- Hon. Julian Mary Warrender+3 b. 22 Jun 1950
- Hon. Sarah Jane Warrender+5 b. 4 Jun 1952
- Hon. Jonathan James Warrender+3 b. 11 May 1954
- [S2] Peter W. Hammond, editor, The Complete Peerage or a History of the House of Lords and All its Members From the Earliest Times, Volume XIV: Addenda & Corrigenda (Stroud, Gloucestershire, U.K.: Sutton Publishing, 1998), page 751. Hereinafter cited as The Complete Peerage, Volume XIV.
- [S1122] Michael Rhodes, "re: updates," e-mail message to www.thepeerage.com, 8 July 2004. Hereinafter cited as "re: updates."
- [S37] Charles Mosley, editor, Burke's Peerage, Baronetage & Knightage, 107th edition, 3 volumes (Wilmington, Delaware, U.S.A.: Burke's Peerage (Genealogical Books) Ltd, 2003), volume 1, page 557. Hereinafter cited as Burke's Peerage and Baronetage, 107th edition.
- [S2] Peter W. Hammond, The Complete Peerage, Volume XIV, page 752.
- [S37] Charles Mosley, Burke's Peerage and Baronetage, 107th edition, volume 1, page 778.
John Robert Warrender 2nd Baron Bruntisfield, 9th Baronet's Timeline
1921 |
February 7, 1921
2007 |
July 14, 2007
Age 86


text:
The Parent Trap Script
Parent Trap Script by Ryan THE PARENT TRAP February 21, 1997 EXT. MOUNTAIN ROAD - SOUTHERN MAINE - DAY A caravan of THREE CAMP BUSES with the name CAMP WALDEN FOR GIRLS emblazoned on their sides climb a tree-lined road. The Buses turn down a narrow lane and pass through a freshly painted wooden gate as the CAMERA RISES giving us a sweeping view of beautiful CAMP WALDEN. A magnificent lake sparkles in the distance with red canoes lined up on its shores. over this quiet serenity we HEAR the Bus HORNS HONKING to announce the first day of camp has officially begun. EXT. MAIN LODGE - CAMP WALDEN Girls. Girls. Girls. Tall ones, short ones and everything in between. Some carry pillows, others carry stuffed animals, all wear backpacks. There are more pony-tails swinging at this moment than you can imagine. Teenage Counselors try to control the pandemonium without much luck. The only men in sight, the Bus Drivers,. toss duffel bags out of the buses and into a large pile. MARVA KULP, the owner of the Camp, late sixties, four and a half feet tall, wearing khaki shorts, talks through a BULLHORN. Next to her stands her daughter and first lieutenant, MARVA JR., just under six feet, tanned and humorless. She also holds a BULL-HORN. MARVA SR. Marva Jr. lifts her BULL-HORN and starts barking out bunk assignments right into her Mother's ear. Marva Sr. covers her ears in pain. MARVA JR. 2 A MOUNTAIN OF DUFFEL BAGS sits on the quad as one eleven year-old, Hallie Parker, pops up from behind the huge pile. Hallie okay, found my duffel, now the question is, how do I get it out? Hallie wears overalls, a baseball cap that says Girls Rule, sunglasses, and a sweat-shirt tied around her waist. Her ears. are pierced, her hair is short, she wears bright red high tops and metallic blue nail polish. Hallie Hallie pulls on the strap with all her might, her face turning bright red. Hallie A skinny kid with a long neck, ZOE, steps in, carrying her duffel bag on her shoulder and chewing gum. ZOE Hallie ZOE Hallie ZOE Hallie Thanks, it was a going away gift from my Dad. As Zoe and Hallie pull on the strap together, the Bus Drivers
3 Zoe shoot the Bus Drivers a look. Just then, NICOLE, a strapping ten year-old in a tie-dye T-shirt, beads and a bandana around her head arrives and easily pulls her duffel from the center of the pile. Hallie ZOE (cups hands around her mouth) Nicole turns around. Hallie Nicole nods and drops her duffel. It LANDS right on Zoe's foot. Hallie ZOE Nicole yanks Hallie's duffel out of the pile and drops it on Zoe's other
foot. ZOE NICOLE (reading name-tag on Hallie's duffel) ZOE NICOLE Do you like live next door to a movie star? Hallie 4 ZOE Hallie ZOE/NICOLE Zoe and Nicole look at each other, not thrilled. MARVA JR. Hallie MARVA JR. The Girls slap hands and head off toward their bunk. Hallie So, either of you by any chance know how (Nicole and Zoe shake their No? That's a shame. So, tell me, how much cash did you guys bring with you this summer? As the Girls walk off, CAMERA BOOMS UP to a LIMOUSINE pulling up in front of the MAIN LODGE. Heads turn as the Driver, in a dark suit and cap, hops out and opens the limousine's back door. Out steps a PROPER BRITISH BUTLER, perfect posture, elegant grey suit, extremely proper demeanor. His name is MARTIN and he speaks with a stuffy ENGLISH ACCENT. Martin leans into the back-seat and takes the hand of an elegantly dressed eleven year-old, Annie James. Annie wears a powder blue suit and carries a purse and a small vanity case. Her hair is perfectly neat, shoulder length and worn with a powder blue head band. As Annie turns to Martin, we see her face and we realize SHE LOOKS ECACTLY LIKE Hallie Parker! Same hair color, same eyes, same nose, same mouth, same height, same weight. Identical in every way. 5 MARTIN (looks around, with disdain) MARTIN I don't know if that's precisely the term Annie smiles as the Limo Driver lines up four pieces of matching luggage by Martin's side. MARTIN So, lets review, your Mother's list, shall (pulls out a typed list) Annie MARTIN Annie MARTIN List of daily intake of fruits and vegetables? Annie MARTIN Herbal teas, sugarless candy, sun block, lip balm, insect repellent,
umbrella, stationary, stamps, fountain pen, flashlight, batteries, photos of your mother,
grandfather and of course.... 6 Annie MARTIN Annie Martin is suddenly overwhelmed with emotion. He looks away, about to burst into tears, quickly grabs Annie, hugs her tightly, then just as quickly - regains his dignity. MARTIN Annie MARTIN Annie puts out her hand, Martin places his hand over hers and they
proceed to do an extravagantly worked out SECRET HANDSHAKE - with all kinds of moves in it
including a butt bump, a wave under the chin and a shimmy to-and-fro. When it's
over, Martin resumes his proper Butler demeanor and gets into the Limo. As the Limo
pulls away, we HEAR: MARVA JR. Annie JR. 7 MARVA JR. (cont'd) Annie MARVA JR. (indicates her' own nose) Annie MARVA JR. Marva Jr. awkwardly gathers up all of Annie's luggage and leads her
toward her bunk. MARVA JR. -Marva accidentally steps in a gopher hole and stumbles forward... Annie EXT. ANNIE'S BUNK - THE NAVAJOS --A COUPLE OF MINUTES LATER Marva Jr., huffing and puffing, leads Annie up the steps to her cabin. MARVA JR. Marva Jr. holds the screen door open with her LEG as she balances Annie's suitcases under her arms 8 MARVA JR INT. NAVAJO BUNK Eight cots with Seven Girls unpacking and getting into their uniforms. Annie and Marva Jr. enter. MARVA JR. A cherubic-looking Black girl, JACKIE, her hair in corn rows, looks up from her Game Boy. JACKIE MARVA JR. (dropping Annie's luggage) Annie MARVA JR. Annie CROSBY, a freckled camper, with a CD Walkman around her neck, catches Annie's eye and smiles. Annie 9 MARVA JR (as she exits) Marva trips over a sneaker on her way out. The Girls hold in their laughter as she BANGS her head on the door frame. As soon as she's gone, the Girls crack-up. CROSBY ' INT. DINING HALL - TWENTY MINUTES LATER. A hundred and fifty Girls, all in camp uniforms, have arrived for dinner. Two lines of Girls approach a central buffet table. IN ONE LINE we find Hallie. IN THE OTHER LINE, headed right toward her, is Annie. Both Annie and Hallie are busy talking to their friends and don't notice each other. As Annie reaches the front of the line and approaches the buffet table, Hallie does the same. For a split second, they stand directly next to each other. Just as they are about to see each other, Marva, Sr. steps between them with a plate full of food. MARVA SR. Hallie How bout you, dear? Strawberries? Annie MARVA SR. I 0 MARVA SR. (cont'd) INT. SHOWER HOUSE - LATER THAT EVENING Hallie ENTERS a shower stall and begins washing her hair. She wears a small GOLD LOCKET around her neck. A beat later, Annie ENTERS the stall next to her and turns on the water. She wears the IDENTICAL LOCKET. The Girls can not see each other over the partition. Hallie drops her soap and it slides into Annie's stall. Annie reaches over the partition and hands the soap back to Hallie. Annie Hallie As their FINGERS TOUCH, they both STAND FROZEN for a moment... a current
of some sort running between them. They each TURN AND LOOK AT THEIR TOUCHING
HAMS. Then they both let go. Hallie lifts her locket, sucks on it. Annie
does -the exact same thing as she turns off the water... EXT. CAMP - THE FOLLOWING DAY A FENCING MATCH. Two Girls, each wearing nylon jackets and wire-mesh masks are in the middle of a duel. The First Girl is whipping the Second's butt, knocking her sword out of her hand and pinning her against the wall. The other Campers applaud and cheer. Both Girls take off their masks and we see Hallie is the victor. MARVA JR. Hallie takes a bow and moves off with her-friends. Annie,
MARVA JR. Annie She snaps on a vest, flips the sword into the air and catches it, then nods to Marva, Jr. MARVA JR. Hallie, still in her mask, turns to see Annie in her mask and vest. Annie SALUTES briskly with her sword. Hallie hesitates, then does the same. They stand on guard... looking like bookends. Marva, Jr. blows the whistle again and... THE DUEL BEGINS Hallie lunges, Annie parries, then attacks. Hallie tries to knock the sword out of Annie's hand but Annie deflects the blade, whirls around and lunges. Point for Annie! Hallie gets the jump on Annie and comes in low. Point!
Hallie charges but Annie side-steps and Hallie runs past her. Hallie stops and whips around to find Annie lunging toward her. ..Hallie steps back, loses her balance and falls butt-first into a WATER TROUGH, landing with a huge splash. The Campers explode with laughter. Annie reaches out to help Hallie but Hallie grabs Annie's hand and yanks her into the trough. The Campers crack-up as the two Girls sit soaking, side-by-side. They climb out together and angrily pull off their masks. Annie tosses her long hair as Hallie shakes her short hair dry. MARVA JR. Neither girl turns around. MARVA JR. Annie and Hallie turn, hands extended. And for the first
12. CLOSE ANGLE - THEIR HANDS as they touch, something electric again passes between them.
Hallie Annie
Hallie Annie Hallie Zoe and Nicole laugh. CROSBY Hallie Annie Hallie angrily steps forward but Marva steps between them. 13 MARVA JR The lunch bell RINGS again. Jackie and Crosby pull Annie away, as Zoe and Nicole pull Hallie in the other direction. ZOE NICOLE ANGLE - Annie AND HER PALS - TRACKING Annie CROSBY Annie looks back at Hallie, who is sneaking a look at her. She
quickly turns away. INT. ANNIE'S BUNK - THE NAVAJOS - NIGHT CLOSE on a PILE of CHANGE, crumpled DOLLAR BILLS, CANDY BARS. ANGLE BACK to see a Crowd of Girls watching a poker game Annie, with a Tootsie Pop dangling from the side of her mouth, is playing with Four Older Girls and winning big-time. Annie Annie spreads out a full house. The Older Girls groan and toss in their hands, as Annie rakes in the pot. Annie LITTLE KID A CRISP NEW FIVE DOLLAR BILL floats on to the cot. 14 HALLIE'S VOICE ANGLE - Hallie standing over Annie, a smile on her face. CUT TO: HALLIE'S HANDSS - SKILLFULLY-SHUFFLING A DECK OF CARDS As she deals, we see A SERIES OF QUICK CUTS of Annie and Hallie, going one-on-one... shuffling, dealing, drawing, bluffing... First Annie rakes in the pot... then Hallie... then Annie... it's back and forth... until finally the entire pot sits in front of Hallie and Annie is down to her last dollar. Hallie Annie checks her hand... she's holding a straight. She bites her lip... knowing she's holding a winning hand. Hallie Annie Nude. Annie Hallie EXT. LAKE - NIGHT CAMERA IS CLOSE on Annie's CAMP UNIFORM as it falls to the sand. Annie's BARE FEET step away from the clothes. 15. ANGLE - THE GIRLS FROM THE POKER GAME huddled on the shore holding candles. Hallie stands in the center of the group, a content smile on her face. ZOE CLOSE - Annie She reaches the dock, teeth chattering. She turns back, looks at the Girls. Hallie and her friends wave. Annie salutes them. THE LAKE as ANNIE'S LEGS gracefully slice through the water, in a perfect dive. Annie pops up in the water, looks out at the Girls but THEY ARE GONE! ANNIE'S WET FEET hurry across the sand and arrive at where her clothes were but all that's left are her sneakers. ANGLE - ANNIE'S WET AND SHIVERING FACE Annie EXT. CAMP WALDEN - THE FOLLOWING I)AY Hallie and her friends are trudging home after a hike. They're hot, sweaty and tired. Annie NICOLE Hallie 16. NICOLE Hallie stops in her tracks, her eyes rising to THE ROOF OF THE BUNK where every single COT is now perched. Hallie EXT. CAMP WALDEN - NIGHT Lights are out. Everything is quiet and peaceful. Suddenly, THREE SHADOWY FIGURES run silently toward Annie's bunk. INT. ANNIE'S BUNK - NIGHT CAMERA PANS past a sleeping Jackie, Crosby and Annie. The door
squeaks open and Hallie steps inside. She signals the coast is clear" and
Nicole and Zoe tip-toe in carrying strange, An industrial-size can of CHOCOLATE M UP is emptied into a bucket. WESSON OIL is poured all over the floor. CUT TO: The bunk looks like one giant spider web. Mazes of string
everywhere. The sound of EMILLE reverberates through the room as the Girls get out
of bed, slide in the Wesson Oil, get stuck in the honey, trip over the string... lots of
yelling and screaming. Annie stands dripping in shaving cream. Annie She's without a doubt, the lowest, most awful creature that ever walked the planet! EXT. ANNIE'S BUNK - SAME TIME Hallie, Zoe and Nicole are peeking in the windows, thrilled with their achievement. Hallie Just then, the Two Marvas appear behind them, clipboards in hand. MARVA SR. Hallie/NICOLE/ZOE MARVA JR. Marva Sr. nods and reaches for the screen door handle but Hallie rushes to her. Hallie Annie crosses to her side of the SCREEN DOOR and watches, wondering what Hallie's up to. Hallie MARVA, SR. She starts to OPEN the door, not realizing she's PULLING on a string attached to a BUCKET that's about to tip right over her head. Hallie's eyes shoot up to the bucket, then back to Marva, Sr. No, really, let go of that door. I insist. She's highly contagious. 18. Annie With that, Marva Sr. swings OPEN the door, TIPPING THE BUCKET which we now see is filled with HERSHEY'S SYRUP. Marva Sr. is instantly covered head-to-toe in CHOCOLATE. Marva Jr. : SCREAMS, slipping in the syrup and tumbling down the stairs. Marva Sr. turns to Hallie, slowly wiping the syrup from her eyes. OVER, we HEAR: MARVA, SR. (V.0.) INT. MARVAIS TENT - MOMENTS LATER Annie and Hallie stand side-by-side as Marva Sr. paces in front of them, holding a towel, still wiping off chocolate. Marva, Jr. stands at her side, also spotted in chocolate. MARVA, SR. MARVA JR. MARVA SR. Annie MARVA SR. MARVA JR. 19. MARVA SR. Hallie MARVA JR. That does somehow say we failed, doesn't MARVA SR. MARVA JR. The Girls both bite their lockets, nervously awaiting their fate, as
MUSIC BEGINS. EXT. CAMP GROUNDS - A LITTLE LATER (MUSIC OVER) The Two Marva's lead Annie and Hallie away from their bunks and up a
long winding hill. Hallie balances her duffel bag .-on her shoulder, as Annie
struggles, her full of luggage. The rest of the Girls, and we mean, the ENTIRE CAMP,
marches in a line behind them. INT. ISOLATION BUNK - A FEW MINUTES LATER The Two Marvas catch their breath as they lead Annie and Hallie into a bunk with just two cots and two trunks. MARVA, SR. MARVA JR. The Marvas exit, leaving Annie and Hallie alone and worse, with each other. Annie lifts her suitcases onto the bed and neatly starts unpacking her things. Hallie, on the other hand, flips 2 0. open her trunk, unzips her duffel and shakes her things out like she's emptying a bag of potato chips into a bowl. A SIGN that reads: Isolation Table - Do Not Disturb. CAMERA TILTS DOWN to see Annie and Hallie eating at a table in the MESS KUL, directly under the sign. They are separate from the other Campers and eat without speaking. Annie eats a well balanced meal while she reads a book as Hallie munches on a cheeseburger and plays Game Boy. They never look at each other. INT. DANCE ROOM - DAY Annie, wearing a black leotard, her hair in a bun, stands at the ballet barre, practicing her plies to SWAN LAKE. Hallie ENTERS in black bike shorts and sports bra, carrying a boom box. She ignores Annie, turns on a JANET JACKSON CD and starts practicing a hip-hop routine. Annoyed, Annie TURNS UP Swan Lake. Hallie BLASTS 7anet Jackson right back at her. INT. BATH HOUSE - NIGHT Hallie stands in front of the mirror, in pajama bottoms and a T-shirt, combing her wet hair. She wraps a towel around her -head as Annie's pal, Crosby enters. . CROSBY Hallie Crosby gives Hallie a strange look, then kisses her awkwardly on the cheek. Just then, Annie ENTERS, holding her toothpaste and toothbrush. CROSBY 21. Annie Hallie Crosby's SCREAM is drowned out by the SOUND of ROLLING TH = ER.
E:XT. ISOLATION BUNK - ANOTHER DAY It's pouring. The wind howls. INT. ISOLATION BUNK - SAME TIM Hallie, in flannel p.j.'s and a sweat-shirt, is pinning up postcards and photos above her cot. Annie, in matching sweater and pants, plays solitaire. Now and then, each sneaks a glance at the other. A sudden GUST of wind blows the door open, sending Hallie's stack of photos flying into the air. Hallie screams, trying to salvage them, as Annie rushes to the door and bolts it shut. Together, the girls tie down the blinds. Annie finds Hallie's favorite stuffed animal, CUPPY, lying on the floor and hands him to Hallie. Hallie Annie Hallie Annie Hallie Annie Hallie 22 Annie Hallie Annie Hallie Annie (points to the back of a Man) Hallie Annie reacts strangely, as if chilled, she rubs the goosebumps on her arms. Hallie Annie Hallie crosses to her trunk and takes out a bag of oreos. Sees Annie watching her. Hallie Annie 23. Hallie Annie You're kidding? Most people find that Hallie Annie The Girls laugh, feel a little guilty for enjoying each other's company, then laugh even harder. Hallie digs a jar of peanut butter from her trunk and opens it. The Girls start eating. Hallie Annie Hallie Annie Both Girls devour their Oreos and peanut butter. Hallie Annie HALLE 2 4 Annie Hallie Annie walks to Hallie and looks her up and down, really studying her, biting on her locket. Hallie, feeling her eyes on her, plays with her necklace. Hallie Annie Hallie Annie Hallie Annie Hallie
Annie 2 5. Annie(cont'd) you only have a father..
You've never seen your Mom, I've never seen my Dad. You have one old picture of your
Mom, I have one old picture of my Dad but at least yours is probably a whole picture.
Hallie Annie Hallie Annie rushes to her trunk, wildly tossing out her things. She pulls out a small box, opens it and carefully takes out her RIPPED PHOTOGRAPH. She walks to Hallie, holding it to her chest. Annie Hallie/Annie
INSERT - THE TWO TORN PHOTOS which, when placed next to each other, fit perfectly, forming one
COMPLETE PHOTO. ANNIE'S MOM sits cozily next to IE'S MM. Behind them, is a
life preserver with the name on it. (biting her nails) Annie 2 6 The Girls stare at the photo, then at each other. A formality of strangeness settles on them. They both reach for their lockets. O.S., the lunch BELL SOUNDS. Annie Hallie I'm not so hungry anymore. So if your Mom is my Mom and my Dad is your Dad... and we're both born on October 11th, then you and I are... like... sisters. Annie Frozen, Annie laughs then tears come to her eyes. Hallie's eyes fill up and soon tears streak her cheeks. They put their arms around each other and embrace, sobbing. They pull apart, look at each other, smile, then begin to laugh. Hallie bites nervously on her locket. Annie Hallie Annie I got mine when I was born, too. Except mine has an "Au on it. Hallie Hallie takes a seat on Annie's bed. Annie They sit for a beat, then: Hallie 27 Annie Hallie kicks off her shoes and they hold their feet out in front of them, side-by-side. Annie They hold out their hands together. Hallie Annie Hallie Annie Hallie Annie Hallie Annie Hallie Annie Hallie 2 8 Annie Hallie Annie
INT. MESS HALL - DINNER TIME Annie and Hallie sit at their Isolation Table, talking a mile-a-minute. Annie Hallie Annie Hallie Annie Hallie Annie Hallie Annie Hallie Annie Hallie Annie Hallie Annie Hallie Annie INT. ISOLATION BUNK - SAME TIME The room is Dark, Annie is sleeping. Hallie
BOLTS STRAIGHT UP IN BED. Hallie I have a brilliant beyond brilliant idea. 3 0 Hallie (cont'd)
Annie Hallie Annie Hallie -- And I'm dying to know Mom. So what I'm thinking is ... Oh man, this is so brilliant, it's scary. Annie Hallie I think we should switch places. When camp's over, I leave as you and go back to London and you leave as me and go to California. (off Annie's look) Annie Hallie Annie The truth is, you know, if we switch, sooner or later they'll have to un-switch US. Hallie And when they do, they'll have-to meet again. Annie Hallie INT. DANCE ROOM - DAY Hallie wears Annie's leotard and Annie wears Hallie's bike shorts and sports bra. Hallie holds a large pad on which she has drawn the layout of her house. Hallie F-XT. LAKE - SUNSET Annie and Hallie sit on the dock looking through a stack of photos, as the sun sinks behind them. Annie wears Hallie's Girls Rule baseball cap. Annie Hallie Annie Hallie Annie Hallie MAIN HALL - NIGHT' The entire camp is assembled for a screening of Father Of The ,Bride, Part II, and naturally, they're laughing hysterically. Hallie and Annie sit in the middle of the crowd, whispering. Annie But I never bite my nails! 32. Hallie Annie (sits on her hands) Hallie Annie rolls her eyes and starts chewing away. INT. MESS HALL - MORNING Annie sits in Hallie's seat and Hallie sits in Annie's. Hallie sips a cup of tea, very lady-like and Annie munches on Fruit Loops. Hallie Annie INT. ISOLATION BUNK - DAY PANS the walls which are now covered with charts, photos and diagrams of Annie's London Town House and Hallie's Napa Ranch House. COMES TO REST on Annie, sitting on a stool in front of a mirror, biting her locket. Annie CLOSE - A DRAWER SLIDES OPEN Hallie Annie As Hallie raises the scissors ... Annie Hallie Annie Hallie Annie Hallie Annie Hallie 3 4 A MATCH is FIRED UP. Hallie holds a sewing needle over the flame. Hallie Hallie professionally carries the needle to Annie, who lies on her bed, petrified, holding an ice cube to her ear. Annie Hallie Annie holds up the earring as her reply. Hallie Annie shuts her eyes TIGHTLY, pulls the ice away as Hallie -STICKS THE NEEDLE through Annie's ear lobe. Both Girls SCREAM at the top of their lungs. CUT TO: Hallie
Annie 3 5 Hallie takes one look at THE NEEDLE and PASSES OUT AGAIN.
Annie EXT. MAIN LODGE - MORNING Teary-eyed Campers are hugging good-bye, as they load into the buses and cars. Crosby, Jackie, Zoe and Nicole hug Hallie and Annie good-bye and-climb into their buses. Hallie is now dressed in Annie's blue suit and Annie is dressed in Hallie's overalls. Annie Hallie MARVA JR. Annie MARVA JR The Girls hug. Give Dad a kiss for me. Annie 3 6 Annie(cont'd) Hallie rolls her eyes, runs back and the Girls quickly switch lockets, kiss good-bye and Hallie takes off again. Annie WATCHES FROM THE CROWD as Hallie greets the Limo Driver, climbs in the back seat and speeds off. Annie crosses her arms, then crosses her fingers. Annie CUT TO: LONDON from 10,000 feet. ANGLE - Hallie - SEATED BY THE WINDOW on British Air, just moments before landing. Hallie INT. BRITISH AIR TERMINAL - A FEW M A steady stream of Passengers fill the terminal. Hallie cautiously enters, looking into the SEA OF FACES waiting behind a velvet rope, when she HEARS: MARTIN (O.S.) Hallie looks up and sees Martin pushing through the crowd, holding a
small bouquet of flowers Hallie She rushes to him and dives him a big hug. MARTIN Hallie 3 7 MARTIN And you got your ears pierced! Give me five, girlfriend! He puts out his hand to start "the handshake". Hallie
looks at him strangely for a moment, then remembers "the handshake" and executes
it to perfection. LONDON - THE SIGHTS as seen from a moving Limo. We PASS the HOUSES OF PARLIAMENT, WESTMINSTER ABBEY and BIG BEN. INT. LIMOUSINE - MOVING - SAME TIME Hallie has the window rolled down, her head resting on her hands, as she soaks up the sights. Hallie MARTIN Eight weeks at camp and suddenly you act like a American tourist.
Hallie That's what camp's for, silly. Makes you appreciate home. I
just love how everyone drives on the wrong side here. MARTIN You've seen the guards up close a million times. Hallie MARTIN Did they serve you anything funny to drink on that plane? 3 S. Hallie MARTIN The Driver pulls up in front of BUCKINGHAM PALACE and Hallie gets out and runs up to one of the Royal Guards. As is the custom, the Guard doesn't look at Hallie, doesn't even blink. Hallie Suddenly, the Guard clicks his heels, lifts his rifle over his shoulder and snaps to attention. A DOZEN OTHER GUARDS join him, doing the same. immediately, the other side of the gate is flanked by a MATCHED SET OF GUARDS, all switching their rifles from one shoulder to the other and snapping to attention. The enormous Gates to the Palace MAJESTICALLY OPEN and a DOZEN PALACE HORS holding Royal Flags exit in formation, followed by A WHITE ROLLS ROYCE. The Rolls slowly pulls through the Gates and heads directly toward Hallie, who stands frozen among the Palace Guards. Hallie The Rolls comes to a stop in front of Hallie and the tinted window in the back-seat slowly lowers. Hallie starts to fall backwards. The Palace Guard pushes her back upright. From the back-seat, behind the Driver, QUEEN ELIZABETH leans forward and peers out crown and all. QUEEN ELIZABM Hallie QUEEN ELIZABETH Hallie QUEEN ELIZABETH 39 Thank you, Your Highness. Very nice to meet you personally like this ... I didn't even know you were home. I was excited just to see one of your Guards ... I'm supposed to curtsey, aren't I? QUEEN ELIZABETH Hallie QUEEN ELIZABETH Hallie The window rises and the Rolls pulls off amongst The Queen's Guard. PALACE GUARD Hallie turns to Martin and the Chauffeur, who watch, their mouths agape.
An elegant town house on one of London's loveliest streets.
4 0. Hallie Martin helps the Driver with the luggage as Hallie rushes up the
steps. She places her hand on the big round knob and turns it. INT. TOWN HOUSE A beautiful, sun-filled house with a fantastic carved staircase. Hallie stands in the foyer, feeling very small. Hallie She peeks into the Drawing Room, doesn't see anyone, heads around the stairs, counting the doorways and stops at: THE LIBRARY where she sees someone sitting in a leather chair, smoking a pipe, hidden behind The Financial Times. Hallie Hallie's Grandfather, CHARLES James, a small, dapper man, with a moustache and wearing a Saville Row suit, rises with a smile. CHARLES Hallie (takes her in his arms) Hallie CHARLES Hallie CHARLES Hallie He pulls her close, she rests her head on his chest. Then, from the top of the stairs, Hallie HEARS: ELIZABETH'S VOICE Hallie looks up to the balcony at the top of the stairs and sees her Mother - for the first time in her life. ELIZABETH James is a natural beauty in her mid-thirties. Hallie walks trance-like to the bottom of the stairs. Hallie- ELIZABETH Elizabeth rushes down the stairs as Hallie flies up toward her.. Hallie falls into her Mother's arms, tears flooding her eyes. Hallie ELIZABETH And I can't believe it's you and with short hair no less. Hallie MARTIN ELIZABETH So do 1. I absolutely love it. And you got your ears pierced?! Hallie nods. CHARLES Looks very chic if you ask me, although nobody ever does. 42. ELIZABETH Hallie laughs, shakes her head, looks up at her Mother with tears in her eyes. ELIZABETH Hallie Hallie INT. ELIZABETH'S BEDROOM - MOMENTS LATER We hear LAUGHTER OFF-CAMERA then Elizabeth and Hallie E R. Hallie takes in the room... it's beautiful, feminine and gracious. Tea has been laid on a corner table. Elizabeth leads Hallie to a small love seat. ELIZABETH Hallie ELIZABETH Yeah, it was great and I liked this one girl a real lot, I mean... in
particular. She's from California, actually. ELIZABETH 4 3 Hallie ELIZABETH Just then, Martin knocks on the open door and with disdain, holds up Hallie's Teddy Bear, by it's ear. MARTIN Hallie MARTIN Hallie Just then, the PHONE RINGS. Elizabeth answers it. ELIZABETH As Elizabeth talks on the phone, Hallie crosses to the dresser and runs her hand across her Mother's brush, her pearls, smells her perfume, then lifts up a photo of Elizabeth as a little girl. Hallie t = s back, looks at her Mom. Elizabeth makes a face about the phone call. Hallie laughs as Elizabeth continues on the phone. Hallie notices Elizabeth's closet door is open and she enters, gazing at all of her Mother's clothes. She looks at a row of evening clothes and touches the beautiful fabrics. 44. ELIZABETH Hallie pops out of the closet, worried she's been caught trespassing. ELIZABETH Would you mind very much running down to the studio with me?
EXT. KINGS ROAD - LONDON - A LITTLE LATER Through a LONG LENS, shooting through taxi cabs and traffic, we SEE one
very happy Little Girl walking the streets of London, holding her Mother's hand.
A STORE WINDOW - MOMENTS LATER IS CLOSE on a mannequin wearing an EXQUISITE WEDDING GOWN. Above the window is the name Elizabeth Tames Designs. Hallie (O.S.)
ANGLE BACK to REVEAL Hallie and Elizabeth standing in front of the shop. ELIZABETH Hallie ELIZABETH Hallie ELIZABETH 4 5. ELIZABETH James STUDIOS - DAY A skylight fills the foyer of this converted town house with a splash of white light. A huge vase of white orchids sit on an antique table. Elizabeth and Hallie climb a circular stairwell, passing a Bridal Boutique on the first floor. Hallie ELIZABETH An Assistant hurries past them, carrying a veil. ASSISTANT Hallie But Mom, seriously, doesn't designing all these wedding gowns ever make you think about marriage... or maybe just think about the IF' word? ELIZABETH Hallie ELIZABETH HALLLIE ELIZABETH Hey, how did we get into this discussion anyway? 4 6 ELIZABETH (cont'd) As they step into THE LOFT, we see a PHOTO-SHOOT is in progress. A MODEL wears a beautiful wedding gown as a PHOTOGRAPHER, shoots away. Make-Up, Hair people and Assistants scurry about. MUSIC plays in the B.G. Hallie watches like a kid in a candy store. PHOTOGRAPHER ELIZABETH PHOTOGRAPHER ELIZABETH The Model laughs as the Photographer reels off shots. Hallie STUDIO CORRIDOR - MOMENTS LATER Elizabeth and Hallie make their way down the hall, passing a row of design offices. Two Assistants carry a gown past them. Hallie 47. ELIZABETH Hallie ELIZABETH Elizabeth and Hallie head back down the circular staircase. Hallie ELIZABETH Hallie rolls her eyes. ELIZABETH Hallie it starts to RAIN. Elizabeth snaps open an umbrella. ELIZABETH @IE ELIZABETH Hallie ELIZABETH The Queen Elizabeth 2. It's an ocean liner that sails from London to New
York. I was nervous about flying in those days, so was your father.
Hallie ELIZABETH Hallie Hey, I love Americans. I mean, if I wasn't British, I'd be an American. So, was it love at first sight? ELIZABETH I knew you were going to ask me all these questions one day.
Taxi! Elizabeth raises her am and hails a cab. It splashes to a stop and
they hurry inside. INT. TAXI - MOVING Elizabeth and Hallie sit side-by-side. Hallie So, did you see each other every single night? ELIZABETH You know, this part of your personality reminds me of you father. You'd think he raised you instead of me. (looking into Hallie's eyes) 4 9. ELIZABETH (cont'd) Hallie ELIZABETH Hallie OhmyGod, you mean, you got married on the QE 2? ELIZABETH Hallie ELIZABETH Hallie smiles. Elizabeth puts her arm around her, pulls her close. Hallie signs. Hallie Dear old Dad. I wonder what he's doing at this very moment? CUT TO: DEAR OLD DAD CAMERA is CLOSE on NICK Parker and he is lovely, indeed. A smiling, ruggedly hancuome guy, who shines among a throng of people waiting anxiously at THE NAPA COUNTY AIRPORT. Suddenly, he brightens and waves. NICK 5 0 ANGLE - Annie WALKING ACROSS THE TARMAC carrying Hallie's duffel bag over her shoulder. Nervous at first, she breaks into a grin at the sight of her father, waving and smiling at her. Annie Annie runs to him and stops just as she reaches him. Annie NICK Nick wraps his arms around Annie and pulls her close. NICK I hope you had a lousy time at that camp 'cause you're never going back - I missed you too much. (Annie smiles, Nick looks at her) What happened to you? Something's changed. Did you get taller? They walk off, arm-in-arm, into the terminal, Nick carrying Hallie's
duffel. INT. TERMINAL Annie NICK Annie A lot's happened to me, too. I feel like I'm practically a new woman. As they walk, Annie keeps peeking at Nick. NICK NICK EXT. NAPA, CALIFORNIA - AERIAL VIEW - DAY NICK Annie NICK Annie NICK Annie 52. NICK Annie NICK Annie I'm sorry, I didn't realize I was doing it, Dad. (realizing she's done it again) Sorry, Dad. They both laugh. Annie NICK Annie NICK 53 Annie Nick smiles as he turns in under a wooden sign that says Parker Vineyard and Winery. Annie looks out the window. Annie NICK EXT. NICK AND HALLIE'S HOUSE - DAY A rambling Victorian-style ranch house, with a wide porch that wraps around the entire facade. Nick toots the HORN as he drives down the long gravel driveway. SAMMY, a big golden mutt, races after the car, barking. JOSE, Nick's right-hand man, arrives from the side of the house, drinking a small bottle of juice. He opens the Surburban's door for Annie. JOSE Annie JOSE Annie JOSE Annie laughs as the screen door swings open and CHESSY EXITS, humming as if she's a one-woman welcome home band. Chessy, the most lovable woman on the planet, early thirties, warm eyes, great sense of humor, lifts Annie right off her feet. 54 CHESSY Annie NICK Did I hear something about cornbread and chili? CHESSY Chessy looks Annie over, hugs her again. CHESSY Sammy bounds down the steps of the porch. Annie Sammy sniffs at Annie's shoes, looks up at her, then backs off suspiciously, BARKING at her. CHESSY 55. CHESSY INT. HOUSE A spacious comfortable ranch house with high ceilings and panoramic views of Nick's vineyards. Annie CHESSY Annie You mean I can eat in my room? CHESSY -As Chessy and Annie head up the stairs, Nick ENTERS, eating a big bowl of chili. NICK Annie NICK Annie continues up the stairs, suddenly stops. Turns to Chessy. Annie CHESSY 5 6 Annie Annie turns back to Chessy and mouths "Who is that? Chessy motions for Annie to follow her upstairs. INT. HALLIE'S ROOM Sunny, warmly furnished with lots of books, CD's, Horse Show ribbons and toys. The French doors are wide open and a gentle breeze billows the curtains. Annie- CHESSY Annie CHESSY Annie CHESSY Annie CHESSY INT. LIVING ROOM - A FEW MINUTES LATER Annie bounds down the stairs, wearing sunglasses and a faded
Annie She's distracted when she HEARS Meredith's LAUGH. Annie lowers her
sunglasses, peering over them at Meredith lounging by the pool ogling Nick.
EXT. POOL Annie joins Nick and Meredith under an umbrella. The vineyards and mountains cascade down from the pool creating an incredible vista. NICK Annie ITH 58. Annie MEREDITH Nick blushes as Annie mouths "Nicky-O MEREDITH The way your father talked about you I expected to meet a little girl but you're so grown up... Annie MEREDITH Annie Only fourteen years older than me. How old are you again, Dad? NICK Annie Nick and Meredith exchange a quick look which is not lost on Annie. Nick heads toward the house as Annie sits by the pool, dunking her feet in the water. A cell-phone RINGS, Meredith flips it open. MERIDITH Hello. Yes, Reverend Mosby... Uh-huh. I'll certainly ask him
but I doubt if he'll be Annie MERIDITH Annie Annie does a huge cannonball into the pool, SPLASHING water all over Meredith. Pissed, but controlling it, Meredith walks to the edge of the pool picks up a towel and pats herself dry as Annie POPS to the surface. Annie MEREDITH (trying to be sweet) just a little, Hal. Annie MEREDITH Annie 60. MEREDITH Annie MERIDITH Annie Just then, Nick arrives with a bottle of Champagne. NICK Annie smiles and dives under the water, just like a little angel. NICK MERIDIITH Grandfather walks right past the RINGING PHONE, reading the morning paper. Elizabeth stands at the top of the stairs, slipping on pair of heels. 61 ELIZABETH Martin passes through carrying a tray with coffee on it. He picks
up the phone, balancing the tray with his other hand. MARTIN I'm sorry, who did you wish to speak with? Annie? Of course. One moment, please. (hands Hallie the phone) Hallie INT. HALLIE'S BEDROOM - NAPA, CALIFORNIA - MIDNIGHT Annie holds the phone as she crosses the bedroom, sneaks into the BATHROOM and locks the door. Annie Hallie Hallie sees the coast is clear and ducks into the hall closet, shutting
the door just as Martin walks past. He does another double-take... Where'd she go?
62 INSIDE THE CLOSET - SAME TIME INTERCUT - Hallie AND Annie Annie Hallie Immediately? Are you nuts? I've had one day with her. I'm just getting to know her. I can't. I refuse. Annie Hallie Get out of here. Dad doesn't fall in love. I mean, not seriously. Annie Hallie Annie Hallie 6 3 Annie Hallie Hallie FINDS A CANDY WRAPPER in one of Annie's coat pockets, WRINKLES it over the receiver making it SOUND LIKE STATIC. MULIE Annie Hallie Annie INT. FOYER - LONDON - SAME TIME Hallie creaks open the closet door and crawls out on all fours, only to find her Mother, Grandfather and Martin standing in the FOYER, all looking down at her. Hallie CUT TO: Two PLATES LOADED WITH BACON, EGGS, TOAST AND PANCAKES ANGLE BACK- with Chessy, as she carries the plates across the
64. CHESSY Annie Chessy waves her hand over the food, sending it's aroma toward Annie. CHESSY Not hungry again? You hardly ate your chili, your favorite food and now you're not eating your breakfast. You're not sick, are you? Chessy puts her hand on Annie's forehead, then joins her at the kitchen table. Annie CHESSY 'I'll just have half a grapefruit, thank you, left about an hour
ago. You overslept and he didn't want to wake you. Of course, I'd oversleep
too if I was up at midnight making mysterious phone calls from my bathroom.
Annie CHESSY Oh, I see and you wanted to call Mildred at a time that was convenient for her. Because of the time difference. Annie CHESSY Annie Annie takes a bite of bacon and gives Chessy a smile. Chessy gives her a stare. CHESSY Annie She rises as Sammy enters, sees Annie and GROWLS as he scoots around her. Annie Chessy looks down at the plate of untouched food. Annie pushes on the screen door but it goes nowhere. CHESSY Annie laughs, pulls on the door and runs out. CAMERA MOVES IN on
Chessy, wondering what's going on. INT. Parker VINEYARDS - BARREL ROOM - A LITTLE LATER Nick and Annie walk through a huge vaulted room that houses hundreds of wooden barrels filled with wine. NICK 66. Annie NICK Annie NICK Annie NICK Annie NICK Annie NICK You know what? You're right. You do. They turn a corner and-bump into MEREDITH who is walking with her British assistant, RICHARD NlCK 67 Annie MEREDITH RICHARD Annie NICK RICHARD You do an absolutely marvelous British accent. Annie MEREDITH NICK Annie smiles. MEREDITH 68. First change I make in that household is to send that two-faced little brat off to boarding school in Timbuktu. RICHARD MEREDITH EXT. HILLTOP 0VERLOOKING NAPA VALLEY A LITTLE LATER A beat and Nick and Annie gallop on horseback OVER THE CREST of the mountain. As they slow their horses to a walk. NICK Annie What camping trip? NICK Annie Oh, that camping trip. Yeah, sure... I can't wait. NICK Annie As what, Dad? Your publicist? Your friend? Your ... ? NICK Annie
KING NAPA VALLEY - A LITTLE LATER 69. Annie(cont'd) NICK Annie Annie jams her heels into Sprout's flanks and the horse takes off like a bat out of hell. NICK EXT. HOUSE - MOMENTS LATER Out of breath, Annie runs up the porch steps and throws open the screen door. INT. LIVING ROOM Annie stops, catches her breath. She's a little panicky. Annie Chessy PEEKS HER H M AROUND THE CORNER of the arm chair she's been sitting in. CHESSY Annie CHESSY Annie 7 0. CHESSY Annie ' CHESSY Annie CHESSY Annie NICK CHESSY 71. CHESSY (cont'd) Chessy, all broken up, hugs Annie like she's hugging her for the first time. CHESSY CHESSY Chessy takes off as Nick approaches Annie. NICK Why's everybody acting so nutty around here? Hal, we gotta talk. Annie NICK Annie NICK Annie I think it's an awesome idea. Inspired. Brilliant really. NICK Annie NICK Honey, I'm afraid you're kind of missing the point. 72. Annie NICK I'm not going to adopt her, I'm going to MARRY her. Annie Marry her?!? That's insane! How can you marry a woman young enough to be my big sister?!? She starts ranting and raving, then slips into French. NICK Annie NICK And in English, if you don't mind. Man, what has gotten into you? Annie Annie storms out. Nick notices Chessy standing in the doorway, biting her nails. CHESSY A HORN HONKS O.S. Nick looks out the window and SEES Meredith getting out of her red Mercedes convertible. Nick sinks into a chair, as, he hears Hallie's DOOR SLAM upstairs. NICK MEREDITH She sits on Nick's lap, wraps her arms around him. Kisses him. Kisses him again. MEREDITH NICK Meredith snaps open her purse and takes out a Tiffany box.
MEREDIITH She RINGS it again. Nick gives her a curious look. MEREDIITH -She RINGS again. Chessy appears, not too wild about the bell. . CHESSY MEREDITH Chessy just stands there. NICK Chessy holds her shirt-tails out as if they were a skirt and curtseys.
(watching her leave) NICK 74. MEREDITH NICK She went ballistic. Started yelling in MEREDIITH NICK She's a little sensitive about you right now. MEREDIITH That's why I need to do it. We've got to break the ice sometime. (unbuttons Nick's shirt button) INT. HALLIE'S ROOM - MOMENTS LATER Hallie sits on her deck, feet propped-up on the bannister, shuffling a deck of cards. Meredith appears behind her, knocking on the open door. MEREDITH Annie MEREDITH Annie MEREDITH Annie MEREDITH Annie MEREDITH Annie ITH Annie MEREDITH Annie '7 6 MEREDITH Annie MEREDITH Now you listen and listen good. I'm marrying your father in two weeks whether you like it or not. So I suggest you do not tangle with me anymore. You're in way over your-head. is that clear? Annie CLOSE ANGLE - A RINGING FAX MACHINE as a FAX slithers out. A HAND reaches for the FAX. ANGLE BACK -to see Martin, standing in ELIZABETH'S KITCHEN in LONDON. He looks at the FAX quizzically, then carries it into: THE DINING ROOM where Hallie is eating dinner with her Mother and Grandfather. Martin refills the adults' wine glasses, holding the FAX behind his back as he pours. ELIZABETH Hallie ELIZABETH Hallie swirls the wine confidently, passes it under her nose, then takes a healthy sip. 77. Hallie Elizabeth and Grandfather laugh, as Martin moves next to Hallie, holding the FAX behind his back. Hallie cocks her head to read it. CLOSE - THE FAX It's a drawing of SAMMY, Hallie's dog, laying on the front porch of Hallie's house. A CARTOON BUBBLE coming out of his mouth says 911! Hallie bends over so far to read the FAX she FALLS OFF HER CHAIR and RIGHT OUT OF FRAME. ELIZABETH Hallie ELIZABETH Hallie Hallie wipes her mouth with her napkin and excuses herself. Her
Grandfather watches her closely as she EXITS. EXT. SHEPHERD'S MARKET - LONDON - EARLY NG Hallie hurries down the picturesque street, turns a corner, spots a phone and rushes to it. She pulls the door closed and dials the Operator. Hallie 78. INT. HALLIE'S ROOM NAPA - SAME TIME Annie paces, biting her nails for real now. The PHONE RINGS. She pounces on it in mid-ring. Annie Hallie (O.S.) INTERCUT Annie AND Hallie Annie Hallie Annie outside the Phone Booth, a MAN reads the evening paper, waiting to use the-phone. Hallie Annie EXT. PHONE BOOTH Hallie hangs up and steps out of the booth, BUMPING into the Man who's been waiting. Hallie The MAN turns around. It's Hallie's GRANDFATHER. 79. Hallie GRANDFATHER Hallie bites her locket as her Grandfather leads her into the park. EXT. James TOWN HOUSE - ESTABLISHING
- MORNING ELIZABETH Hallie appears in the doorway, listening to her mother talk on the phone. Grandfather walks by and gives Hallie a little nudge, pushing her into the room. ELIZABETH Hi, sweetie. Come on in. Elizabeth pats the bed. Hallie crosses and climbs in next to her mother. ELIZABETH Hallie I can't. Mom, sorry, I have to go out of town today. 'ELIZABETH ELIZABETH HALLIE'S VOICE ELIZABETH (playing along) as it hits her. Her eyes widen. She looks up to see HER
FATHER leaning in the door frame, puffing on his pipe. He nods. Elizabeth's
eyes instantly fill with tears. She lifts the covers to see Hallie, hiding, scared
to death. Hallie ELIZABETH Hallie ELIZABETH 81. ELIZABETH Hallie ANGLE - DOORWAY where Martin stands, BAWLING hysterically. Grandfather gently steps in and shuts Elizabeth's door. Martin falls into Grandfather's arms, heaving. MARTIN Hallie ELIZABETH Hallie ELIZABETH Hallie ELIZABETH Hallie ELIZABETH 82.
ELIZABETH (cont'd) INT. ELIZABETHIS BEDROOM - THE FOLLOWING DAY Elizabeth is a mess. She wears a silk blouse over a slip and a few Velcro rollers just on top of her head. She chain smokes as she paces. Open luggage is laid out on the bed behind her. Martin ENTERS carrying freshly pressed clothes. ELIZABETH (pulling out rollers) MARTIN ELIZABETH MARTIN ELIZABETH She yanks the hair out as Hallie ENTERS carrying an overnight bag. Hallie ELIZABETH Hallie ELIZABETH Martin looks at Hallie. She LOCKS EYES with him for an instant, then turns to her Mom. Hallie ELIZABETH Hallie Again, Martin SQUINTS at Hallie, just knowing she's lying. But Hallie rolls on... Hallie ELIZABETH Tomorrow? My, my that's incredibly soon, isn't it? Well, honey, why don't you run downstairs and gather our tickets from your Grandfather while I finish up here? Hallie starts out, Martin follows. 84 MARTIN ELIZABETH Hallie raises her finger to her lips to 'Ssshhh" Martin, as he RE-ENTERS Elizabeth's room. ELIZABETH (Martin nods modestly) MARTIN -- I'd accompany you to make the trip a bit easier for you? ELIZABETH MARTIN Madame, I'd be honored. And as a friend, may I say... (reaches into her closet) (pulls out a little RED DRESS) EXT. ELIZABETH'S TOM HOUSE - THAT AFTERNOON A Limousine waits at the curb. Martin, in a black leather jacket and shades, hands the luggage off to the Limo Driver. Elizabeth hugs her Father good-bye. Then, it's Hallie's turn. She throws her @ around her Grandfather. Hallie GRANDFATHER 8 5 Hallie GRANDFATHER Hallie rises up on her tiptoes and kisses her Grandfather good-bye. GRANDFATHER (as she runs off) Hallie DISSOLVE TO: Meredith walks across the lobby with her PARENTS, a stunning couple in their early fifties. We can see where she gets her looks and confidence. MEREDITH MR. BLAKE MEREDITH 8 6 MEREDITH NICK MEREDITH MR. BLAKE Nick beams. EXT. FOUR SEASONS HOTEL - SAMF. TIME A TAXI pulls up and Martin and Hallie step out. Martin then reaches in the backseat and helps Elizabeth out. She is wearing dark sunglasses and is more than a little tipsy. She takes a small airplane-size vodka bottle from her purse and polishes it off, tossing it over her shoulder. Martin CATCHES IT before it crashes to the ground. As Hallie and Martin guide Elizabeth up the steps to the hotel... 'ELIZABETH 87. MA.RTIN ELIZABETH MARTIN ELIZABETH Hallie INT. HOTEL LOBBY Martin and Hallie lead Elizabeth through the Lobby and deposit her at the Front Desk. Miraculously, Nick and Meredith are nowhere in sight. Elizabeth RINGS the BELL a zillion times. -Hallie stops her by placing her hand over the bell. Hallie ELIZABETH With that comment, Hallie lies her head down on the counter.
MEREDITH -- I'm just saying, I know it's short notice,, but if they can do it, I think it would be a brilliant room for the wedding... Not too big, not too cramped... Not that I don't like the idea of getting married at the house... I do but this could be... amazing... CAMERA WHIPS BACK ACROSS THE LOBBY as Hallie leads Elizabeth away from the FRONT DESK and toward a BANK OF ELEVATORS. Elizabeth tries to hitch a ride on a passing luggage cart. Martin peels her off. ON THE OTHER SIDE OF THE LOBBY Sammy sniffs like a Hound Dog on the hunt, pulling Annie away from Nick, Meredith and Meredith's Folks. Annie holds onto Sammy's leash while at the same time, holding Chessy's hand. They are dragged across the lobby as they others stay behind. MEREDITH MR. BLAKE MEREDITH (kisses her Dad on the cheek) (then, leaning on Nick) AT THE SAME TIME - ELIZABETH, Hallie AND
MARTIN ELIZABETH She RUSHES OUT of the elevator and CROSSES BACK toward the
SNIFFS HIS WAY toward HALLIE'S OPEN ELEVATOR. Sammy looks up, sees his favorite girl! Hallie Hallie and Annie lock eyes as SAMMY BOLTS from Annie and leaps INTO THE ELEVATOR, paws up on Hallie, licking her face. AT THE FRONT DESK - ELIZABETH GRABS HER PURSE and heads back to the elevator where she joins Annie, putting her arm around her. Annie Chessy's eyes widen, she does AN IMMEDIATE ABOUT-FACE so as not-to be seen. ELIZABETH Elizabeth turns back and just misses colliding with a Bellhop carrying a huge BOUQUET OF FLOWERS. Annie slaps her forehead. Annie CHESSY Chessy and Annie get into a waiting elevator, it's DOORS CLOSE and they are gone. A BEAT LATER Nick and Meredith stroll up to the same elevators. Meredith nibbles on Nick's ear as an elevator arrives. They step INSIDE THE ELEVATOR. MEREDITH Meredith folds her arms around Nick's neck. At that very
ELIZABETH - STANDING DIRECTLY IN FRONT OF HIM Nick blinks, unable to believe his eyes. Elizabeth smiles and gives him a little wave.' Nick's EYES WIDEN as Meredith, her back to Elizabeth, continues kissing Nick. As the ELEVATOR DOORS START TO CLOSE, Nick leans further and further to his right, trying to keep his eyes on Elizabeth. He leans, he leans ... but the DOORS CLOSE. He stands there stunned, eyes wide open. INT. HOTEL CORRIDOR - MOMENTS LATER Simultaneously, 7WO DOORS OPEN ACROSS THE HALL FROM EACH OTHER. Hallie stands in one doorway, Annie in the other. ELIZABETH (contd) Annie Elizabeth crosses to Annie and hugs her. ELIZABETH CHESSY ELIZABETH CHESSY ELIZABETH Annie ELIZABETH 92. ELIZABETH (cont'd) On that note, Martin passes through the room wearing only a SPEEDO BATHING SUIT. Elizabeth cracks open an eye, sits up. ELIZABETH MARTIN ELIZABETH She lies down again as Chessy ENTERS from an adjoining room with Sammy. She stops when she sees Martin. CHESSY MARTIN There seems to be something in the air between them. ELIZABETH CHESSY MARTIN CHESSY The Girls can't believe it and suppress their giggles. ELIZABETH 93 CHESSY MARTIN ELIZABETH Everyone freezes. Annie ELIZABETH Annie -- To Cruella de Ville. She's awful, Mom...We can't let him go through with it. ELIZABETH Girls, your father's a grown man and quite capable of deciding whom he wishes to marry.. Hallie Annie ELIZABETH Hallie Annie 9 4 ELIZABETH MARTIN AND CHESSY ELIZABETH CLOSE ANGLE - MEREDITH in THE SUITE NEXT DOOR. MEREDITH Nick nervously runs his fingers through his hair and straightens his clothes as he tries to get out the door. NICK I just need to go downstairs for a few minutes to c-c-clear my head... then I'll meet you for lunch. MEREDITH 'NICK I hope not. I mean... no. What could be wrong? We're
getting married in ten days, everything's perfect. 'He quickly kisses her on the cheek, opens the door. 95. MEREDITH NICK MEREDITH NICK MEREDITH NICK Don't listen to me. I'll see you there. I mean, here. Downstairs. He slips out the door, hurries down the CORRIDOR and bumps right into Annie. Annie NICK Do I look alright? Like presentable and everything? Not too old? Annie LOBBY - MOMENTS LATER Nick rushes off the elevator, looks around for Elizabeth. lie turns a corner and bumps into the real Hallie, who hasn't seen her Dad all summer. Hallie 9 6 NICK I thought you were going to keep Meredith company? Hallie I was? 'I mean, I am. Yeah. I was actually just
looking for her. NICK Nick heads off in one direction as CAMERA TRACKS Hallie back to the elevators. An elevator PINGS and Meredith steps out, checking herself in a compact. She snaps the lid shut when she sees Hallie (who has never laid eyes on Meredith). MEREDITH Hallie ITH Hallie oh! Meredith... Uh, yeah, I just saw him... MEREDITH Hallie MEREDITH Hallie Oh, nothing. You really are pretty... -that's all. 97. MEREDITH If you see your father, tell him I'm waiting. MULIE EXT. HOTEL CORRIDOR Nick ducks his head into THE HOTEL GIFT SHOP, looking for Elizabeth. Instead, he sees Annie buying a candy bar. He does a double-take. NICK Annie NICK Annie INT. HOTEL CORRIDOR - MOMENTS LATER Nick walks along the corridor, looks through a bank of windows and thinks he sees Elizabeth walking through the HOTELIS GARDEN. He tries to get a closer look but gets caught in the midst of a group of Japanese Tourists. Elizabeth notices him and gives a little wave. Nick weaves through the Tourists but when he gets to the patio, Elizabeth is gone. Discouraged, he pauses, then SEES Hallie sitting in a large wicker chair, under a palm tree, sipping a fruit cocktails He jumps, surprised. Hallie 9 8. HOTEL BAR - MOM = S LATER Meredith enters, takes a seat at the nearly empty bar. only one other customer sits at the bar - Elizabeth. Meredith sits one stool away from her. The Bartender delivers a red concoction to Elizabeth, who holds a glass of ice to her head. BARTENDER ELIZABETH Here's to you. May your life be far less complicated than mine. MEREDITH Elizabeth tosses down the drink and winces at the taste. MEREDITH The Bartender hands Meredith her drink and Elizabeth her bill. Elizabeth signs her check and Meredith sneaks a peak at her signature, practically choking on her Martini. MEREDITH ELIZABETH I can't believe it. You're the designer, 9 9 ELIZABETH MEREDITH ELIZABETH MEANWHILE - AT THE POOL Nick steps into the sunlight, still searching for Elizabeth. He sees a Woman resembling Elizabeth sitting under a large straw hat. He crosses to her, takes a quick peek, realizes it's not her and smiles an apology to the Lady and her BodyBuilder Husband. He backs into an umbrella as Meredith's Parents join him. MR. BLAKE MM. BLAKE NICK Nick glances across the pool and spots Elizabeth arrive, talking on a cell phone. She waves shyly at Nick, slipping on sunglasses. MM. BLAKE NICK I 0 0 MRS. BLAKE A small contingent passes in front of Elizabeth, blocking her from Nick's view. Not wanting to lose her, Nick darts around a Towel Boy, side-steps a couple of Toddlers, then trips over a rubber duck. CHESSY Nick glances over at her, gets tangled up in Sammy's leash and almost crashes right into Annie. Annie Too late! Annie and Sammy jump out of the way as Nick SPLASHES head first into the deep end of the-pool. ELIZABETH TURNS and SEES Nick pulling himself out of the pool and coming toward her, soaking wet, cheek bleeding, not looking terribly happy. ELIZABETH NICK Annie appears at her Mother's side. Annie NICK Hallie, you know who this is? Annie Hallie Nick looks from Annie to Hallie, back to Annie, then to Elizabeth. She's nods. He's speechless. NICK Annie ELIZABETH NICK Annie (nods) it takes a moment to sink in, then Nick takes Annie in his arms. NICK Annie Hallie NICK He pulls her to him.. I 0 2 Hallie ELIZABETH The Girls take off. Nick grabs a towel ... dries his hair. NICK ELIZABETH NICK ELIZABETH TOWEL BOY ELIZABETH Nick lies on a chaise as the Towel Boy returns with a First Aid Kit. Elizabeth sits beside Nick, tending to his cut. NICK ELIZABETH They exchange a smile. NICK 103 ELIZABETH NICK ITH'S VOICE Nick and Elizabeth turn, looking CLOSE ENOUGH to be kissing. Meredith is taken aback. MEREDITH NICK ELIZABETH NICK MEREDITH NICK MEREDITH Just then, Annie arrives. AI*IE ITH 10 4 Hallie Meredith SCREAMS at seeing double. NICK MEREDITH Hallie MEREDITH GIRLS MEREDITH ELIZABETH MEREDITH NICK ITH ELIZABETH The Girls smile. I 0 5 MEREDITH INT. TIFFANY - THAT AFTERNOON CLOSE on a JEWELRY CASE filled with DIAMOND ENGAGEMENT RINGS. CAMERA TILTS UP to find Nick and Meredith, browsing in Tiffany. MEREDITH NICK MEREDITH It-s totally true. They see me as the ,evil step-mother., Trust me, I'm not being paranoid. Those girls have something up their sleeve... (without missing a beat, to Saleswoman) Can I try on the emerald cut please? No, the bigger one... The biggest one. NICK MEREDITH I told you to let me represent you on all your negotiations, didn't I?
NICK MEREDITH I 0 6 NICK MEREDITH EXT. FOUR SEASONS HOTEL - THAT NIGHT Nick and Hallie exit, both dressed to the nines. A LIMO waits by the curb. NICK Hallie Just then, Elizabeth and Annie step out of the hotel. Elizabeth is wearing the red dress Martin recommended. Nick tries not to admire her too openly. NICK ELIZABETH NICK Annie (as they cross to Limo, hands them eye shades) NICK Hallie A DARK STREET - NIGHT A FOGHORN sounds, as the Limo pulls to a stop. The Girls hurry out. 107 Annie Nick and Elizabeth exit, taking off their blindfolds. Their eyes widen as they look ahead and SEE: AN EXQUISITE 150 FOOT YACHT NICK Annie Annie Nick and Elizabeth exchange a quizzical look, as they follow -the Girls down the steps to the DECK, where a Uniformed Captain welcomes them aboard. Hallie AN ROMANTIC DINING ROOM where a candle-lit table is set for two. The windows reveal the San Francisco Bay, lit by the yacht's twinkling lights. NICK Annie 108 ELIZABETH The Girls smile and shake their heads as Chessy ENTERS, dressed as a Ship's Steward, in tropical white. CHESSY At that moment, out steps Martin, also dressed in ship's whites and carrying a bottle of champagne. MARTIN CHESSY Annie pushes a few buttons and the LIGHTS DIM. Moonlight spills into the room as we HEAR Sade's Smooth Oper-ator play over the cabin's speakers. Annie Hallie The Girls disappear behind double doors, leaving Nick and Elizabeth looking thoroughly confused. Chessy approaches with a tray of hors d'oeuvres. CHESSY ELIZABETH Nick notices a LIFE RAFT with a homemade sign that says QE2 hanging on the wall. 1 09 NICK They're recreating the night we met ... CHESSY 'ELIZABETH NICK NICK ELIZABETH A soft wind blows Elizabeth's hair. NICK ELIZABETH NICK (not exactly what he was thinking, but okay) To our daughters. THROUGH A PORTHOLE Hallie and Annie sneak a peek, thrilled to see their Parents toasting. BACK TO SCENE NICK ELIZABETH An awkward moment, they each sip their champagne. As they glance over at the porthole, the Girls drop out of sight. NICK ELIZABETH NICK ELIZABETH NICK MARTIN CHESSY They start back toward the galley. It's tight, they try to pass
one another and get momentarily stuck, their eyes lock, then they squeeze past each other.
(pulling himself together) CHESSY MARTIN CHESSY THE I)INING ROOM - SAME TIME ELIZABETH NICK .ELIZABETH NICK Chessy ENTERS carrying two bowls of soup and places them in front of Elizabeth and Nick. NICK ELIZABETH CHESSY NICK ELIZABETH NICK CHESSY NICK ELIZABETH NICK ELIZABETH NICK ELIZABETH NICK ELIZABETH NICK ELIZABETH A beat of silence. Nick starts to eat again, stops. NICK ELIZABETH 1 13 foolish things... So I packed... Got on my first 747 and... you didn't come after me. Dead silence. NICK ELIZABETH NICK Elizabeth starts her soup. Nick joins her, not a word passing between them. ANGLE - THE PORTHOLE Annie and Hallie watch, crestfallen. Elizabeth signs her bill, turns to Martin who tips the Bellman.
ELIZABETH The ELEVATOR OPENS and Hallie and Annie step off, dressed identically in T-shirts and overalls. it's impossible to tell them apart. I 1 5 NICK Hallie I hope you're right, Dad. You wouldn't want to send the wrong kid all the way back to England. Nick looks to Elizabeth, he can't be sure. Annie ELIZABETH Annie And when you bring us back, we'll tell you who's Hallie and who's Annie. ELIZABETH CUT TO: BOOMS DOWN to... MEREDITH Elizabeth exits the house looking very Out of Africa, carrying a backpack. N=ITH 11 6 NICK MEREDITH ELIZABETH MEREDITH ELIZABETH MEREDITH ELIZABETH EXT. NICKIS HOUSE - A FEW MINUTES LATER Annie and Hallie exit-with Chessy. As the Kids climb into the car, they notice Elizabeth and Meredith come out of the house. Meredith is now dressed in tight black work-out gear. Hallie NICK The Girls look at each other, then to Chessy, as Meredith smiles and climbs into the front seat. ELIZABETH NICK ELIZABETH Annie ELIZABETH MEREDITH ELIZABETH Nick catches Elizabeth's eye. She blows him a kiss. ELIZABETH As the car pulls off, Chessy turns to Elizabeth. CHESSY A VISTA OF RUGGED TERRAIN as far as the eye can see. CAMERA DISCOVERS Hallie and Annie climbing a steep hill, wearing back-pack and baseball caps. They're followed by Meredith, puffing and perspiring, dabbing sunscreen, on her nose as she tries to keep her balance. Nick brings up the rear. Meredith plops down on a rock, trying to catch her breath. MEREDITH NICK Hallie NICK Behind Nick and Meredith, we SEE Annie SLIPPING LARGE ROCKS into Meredith's Prada Backpack. MEREDITH Annie spots a SMALL LIZARD, grabs it and places it on top of Meredith's water bottle. Annie Meredith takes the bottle, lifts it to her mouth and finds herself =-TO-EYE with the LIZARD. She SCREAMS, tossing the Evian bottle in the air, losing her balance and SLIPPING off the rock. NICK Annie MEREDITH Annie Annie walks behind Meredith and gently DEPOSITS the Lizard right on top of Meredith's head. NICK Nick moves off. Meredith rises, still not knowing the Lizard sits
on top of her head. MEREDITH Hallie Hallie MEREDITH Hallie The Girls-walk ahead. Meredith reaches up and feels her hair... then her HAND lands on the LIZARD. She SCREAMS a BLOOD-CURDLING SCREAM and the Lizard panics and runs down her 12 0. FACE and right INTO HER MOUTH. Meredith's EYES BULGE, she
NICK Bright RED and in SHOCK, Meredith stomps her feet and points to Annie and Hallie. We can almost see the smoke pouring out of her ears. Annie EXT. TRAIL - A LITTLE LATER Meredith walks by herself, banging the buttons on her cell phone. MEREDITH Meredith stops when she SEES Annie and Hallie bent over examining something on the ground. Meredith sneaks up behind them and OVERHEARS: Annie Hallie The Girls pick up sticks &,ad move off down the trail, CLACF,ING
them together. Meredith stoops, picks up two sticks, CLACKS them together and
follows. A CRACKLING CAMP FIRE THAT NIGHT Nick, the Girls and Meredith sit around the campfire. Everyone eats trout, except Meredith, who sits on a rock, wrapped in a blanket, swatting at mosquitos and rubbing lotion on her arm. 12 1. Annie MEREDITH NICK AND THE GIRLS NICK MEREDITH NICK Meredith looks to the Girls, who busy themselves eating. MEREDITH She picks up her two sticks and WHACKS them together as she moves off toward her tent. NICK MEREDITH 122 Nick shakes his head. Meredith glares at the Girls, drops her sticks in the fire, walks to Nick and gives him a luscious kiss goodnight, smiles at the Girls and marches off to her tent. NICK Annie NICK EXT. CAMPSITE - MIDNIGHT Everything is quiet. An Owl HOOTS in the distance. The Girls sneak out of their tent and tiptoe over to Meredith's tent. INT. MEREDITH'S TENT The Girls step inside, see Meredith fast asleep on her air mattress. They position themselves at Meredith's head and feet and on the "count of three", LIFT her up on her mattress. It isn't easy. As they carry her out, Meredith -moves her arm, brushing her hand across Hallie's nose. Hallie twitches her nose but keeps going. The Girls step out of the tent carrying Meredith on her mattress. CAMERA TRACKS them down a path to the lake-front, where they quietly drag the air mattress into THE LAKE, nod to each other and push her off. Hallie EXT. LAKE - HIGH SHOT - DAWN Meredith is sound asleep on her back in the middle of the lake. A BIRD rests on-her nose. CLOSER ANGLE - MEREDITH She flops an arm into the water. MEREDITH 12 3 She gently moves her fingers in the water, then her EYES SPRING OPEN. She looks straight up as the BIRD flaps its wings and flies across her face. Meredith SC sits up, realizes she's in the middle of the lake. She SC again, her voice ECHOING off the mountains. MEREDITH Nick sticks his head out of his tent, half-asleep, spots Meredith thrashing around, screaming, in the middle of the lake. NICK Hallie and Annie peek out of their tent and see Meredith splashing back to the shore in her soaking wet pajamas. She storms past the campfire, kicks the coffee pot into the air and marches up to Nick. NICK MEREDITH NICK MEREDITH NICK EXT. NICK'S HOUSE - AT SUNSET Elizabeth sits on a rocker on the front porch, reading when she hears Nick and the Girls pull up. She rises to greet them. ELIZABETH Annie 124 Hallie We've been punished through the end of the century. NICK ELIZABETH Hallie NICK (shows Elizabeth the ring) ELIZABETH NICK ELIZABETH Annie Hallie NICK ELIZABETH NICK ELIZABETH 12 5 NICK ELIZABETH NICK ELIZABETH UPSTAIRS HALLWAY - A FEW MINUTES LATER Nick, now clean shaven and wearing fresh clothes, passes the Girl's room. Inside, we SEE Hallie and Annie in pajamas, getting into bed. Hallie NICK INT. KITCHEN - MOMENTS LATER Elizabeth sets the table as Nick enters. NICK ELIZABETH NICK ELIZABETH 12 6 NICK INT. STONE STAIRWELL leading to Nick's private WINE CELLAR. A cavernous space lit by beautiful lanterns. The walls are lined with bottles of wine... ladders lean against the walls, library style. NICK ELIZABETH NICK Elizabeth laughs. Nick leads her into a small cozy room, pulls a bottle from a rack. NICK ELIZABETH NICK ELIZABETH NICK ELIZABETH 127 NICK ELIZABETH NICK ELIZABETH NICK Nick pulls a bottle from the shelf, dusts it off. He looks at Elizabeth and sees her eyes are teary. NICK ELIZABETH NICK ELIZABETH NICK ELIZABETH just then, they HEAR the cellar door opening above them and footsteps. CHESSY (O.S.) Nick hesitates, looks to Elizabeth, who shrugs. NICK 128. Nick and Elizabeth climb the stairs and enter the KITCHEN where they are greeted by Martin and Chessy. Martin wears shades and a Laker baseball cap. ELIZABETH CHESSY Who knew the man wanted to eat in L.A.? We drove eight hours to have a picnic in a city with no parks. MARTIN But what a town! I saw mountains, beaches, I saw Michael Keaton, not to mention I found out I have the same hand size as John Wayne and the same shoe size as John Barrymore. CHESSY ELIZABETH Nick looks at Elizabeth, wishing she hadn't invited them to stay. CHESSY NICK ELIZABETH As Chessy and in Join them, Nick slips the bottle of-wine into a cabinet
and closes the door. CLOSE - ON A ROW OF SUITCASES lined up IN FRONT OF NICK'S HOUSE. CAMERA TILTS UP as Elizabeth comes down the front steps and joins Annie and Martin, who are dressed and ready to go. 12 9 ELIZABETH ANGLE NICK, MULIE, CHESSY AND SAMMY sadly watching as a Cab Driver loads the baggage into the trunk. The Girls hug and promise to see each other over Thanksgiving. Chessy and Martin hug and promise to see each other over Christmas... Then Nick and Elizabeth hug in a distant way and let go very quickly. NICK ELIZABETH The trunk is closed and Elizabeth hugs Hallie hard... Nick hugs
Annie. Elizabeth, Annie and Martin wave, then duck into the cab. As the taxi
pulls off, Chessy, Hallie and Sammy all look up to Nick. He turns away...
EXT. LONDON - ESTABLISHING - DAY A Taxi ENTERS FRAME, rounds a corner and pulls up in front of Elizabeth's town house. INT. F.LIZABETHIS TOWN HOUSE - MOMENTS LATER ELIZABETH Elizabeth ENTERS THE STUDY, and sure enough, there he is, sitting behind the desk, hidden behind The Financial Times. ELIZABETH 13 0. The paper comes down and Elizabeth SEES it's Hallie sitting behind the desk. Hallie ELIZABETH ELIZABETH NICK 'Elizabeth looks across the study at Nick, her eyes once again filling up, a smile on her face. ELIZABETH They stand frozen, their eyes locked on each other. Annie She signals for Hallie to Join her in the hall. EXT. STUDY - SECONDS LATER Hallie rushes up to Annie. Hallie 13 1. They hug. Annie Hallie OhmyGod, you guys are gonna love living in California.... Annie What do you mean ... California? You two are going to love living in London... Hallie CLOSE ON ELIZABETH AND NICK embracing by the window. CAMERA PULLS BACK through the WINDOW and CONTINUES into THE FRONT YARD, revealing Chessy and Martin, in each other's arms. CAMERA BOOMS UP and AWAY finally REVEALING Sammy barking in the front yard at a little Poodle in the yard next door. And as Grandfather walks down the street, opens the garden gate and enters the path to the house, we fade out |


text:
Le vendredi 03 août 2007 à 21:49 +0200, Thorsten Leemhuis a écrit : > Which leaves a lot of modules out. zaptel, spca5xx or gspca anyone? The webcam drivers just need to be upstreamed ivtv was merged upstream and it is a hell more complex than webcam toys (speaking as someone with spca5xx hardware, so it's not like I can dismiss these because I have no use for them) -- Nicolas Mailhot
Description: Ceci est une partie de message numériquement signée


text:
- Video
- Overview
- Information
- Reviews
- Help
Gear Head Adaptor
Shopping Info
Scotty Gear Head Adaptor - The Gear Head Mount by Scotty provides a quick and easy, drop and lock system. Allows you to secure and re-position your rod holder with just a twist of the gear head. |
This is a good product and was badly needed in order to swivel the Scotty from the top of the extensions. The one drawback is that rotating the rod holder takes both hands which is very inconvenient when your fighting a fish. The lock is cumbersome even with two hands and would be a task for many people.
Rod Swim
Gear Head Adaptor by Scotty for Kayaking
Need More Information About This Item?
Contact Us by Phone
Speak with an expert at 800.994.4327 Mon-Fri 7am-5pm PST.


text:
Ask a Question Please complete this question form so we can get back to you! Thank you.
April Fool Postcard p2835 $ 3.95 This postcard, non-posted, is a April Fool Postcard a reproduction of an antique card .Card in good condition.Find our other postcards on TIAS.com , look for Tymes Remembered. We do accept electronic payments through Paypal
Any Questions?
Your Name
Thank you
Store Home · About Us · Contact · FAQ / Policies · Privacy · Security · TIAS home · Links · Site Map · Tell a Friend! · Join our Mailing List ·
Tymes Remembered Contact us! 705 Rambler CourtMyrtle Beach, SC 29588United States Updated Thursday, March 30 2017Product descriptions copyright© 2017 Tymes RememberedAll else copyright© 1995-2017 TIAS.com All rights reserved.


text: fan art Comments 6 These Easter Bunnies Will Give You Nightmares!!! By Vadim Newquist Apr 17, 2014 Share! Recommend this on Facebook Share on Tumblr Share on Twitter Back 19 of 20 Next More More Slideshows Ball-Dropping New Year's Eve Eye Makeup The Perpetually Anxiety-Riddled Guy's Guide to Not Throwing Up on One's Self When Talking to a Girl You've Never Met! A Hauntingly Horrifying Scientific Fact or Fiction Quiz Back Next more > Back Next more > And he shall NOM forever and ever and ever and ever and ever and ever and ever and ever and ever and… Picture by Gib-Art-And-Pinups Tags: holidays, slideshows, art, fan art, easter bunnies Science Fact or Science Fiction: Earth Day Edition! Science Fact or Science Fiction: Earth Day Edition! Volume 1 of the New TMNT Comic Has Us Hungry For More! Volume 1 of the New TMNT Comic Has Us Hungry For More! Related Posts Morning Announcements for January 19 Top 3 Worst Movie Special Effects of All Time The Crazy Origins of Modern Holidays Top 10 Things That Are WAAAAY Creepier Than They Should Be Write your own comment! Hold up there partner! Before you comment on a post there's one more step. You'll have to choose a nickname to be displayed on your comment. Give 'er a shot below! Write your own comment! OR Remember me OR Please log in first Email Password Remember me Log in Create an account | Lost password ...or log in using


text:
Menzies to play basketball at Point Park
July 13, 2009
PITTSBURGH – Serra Catholic forward/center Dave Menzies has committed to Point Park University, where he will be a freshman on the Pioneers' men's basketball team in the fall.
Menzies is a 6-4 post player who averaged 15.0 points and 8.0 rebounds per game during his senior season at Serra. The McKeesport native was a WPIAL all-section performer and was named to the McKeesport Daily News Fabulous 15 team this past season.
As a starting forward/center last season, Menzies helped the Eagles reach the WPIAL Class A finals and the PIAA quarterfinals. Serra Catholic was 23-4 overall and 9-1 in Section 3-A.
As a junior in 2007-08, Menzies was a key component of the Eagles' run to the WPIAL championship and the PIAA Class A title.
Menzies joins high school teammate, T.J. Heatherington, in committing to play for the Pioneers. Like Menzies, Heatherington will be a freshman at Point Park this coming year. Heatherington was named all-state each of the last two years as Serra Catholic's point guard.


text:
PLEASE PLEASE PLEASE don't treetop hammock without a climbing spec safety harness. I am trying my hardest to find a friend to bivy up in the canopy with me; so if you live in the area I will show you the ropes (ha, litterally). Seriously man, it takes one branch to snap and send you to your death and it is totally not worth it. I mathematically measured the probability of falling 15 feet vs getting eaten alive by racoons and decided that it was much safer to risk falling 15 feet but I would never sleep higher than that without my harness and climbing ropes. Visit a tree climbing forum or check out the link I added to my original post if you want more information on sleeping at height.
The white paracord in the middle of the hammock has nothing to do with safety. I use closed cell foam pads (because I'm too poor to afford an underquilt) for insulation and I used that string to compress the pad into a clamshell shape around my body so that it wouldn't shift when I moved around at night.


text:
Shelby American, a wholly owned subsidiary of Carroll Shelby International Inc., and Team Shelby will host the 2014 Shelby Vegas Bash at the new Shelby American World Headquarters off the Strip. Festivities start on April 14, and run into the Mustang Club of America 50th birthday celebration, which begins April 17.
This year's Vegas Bash includes a Shelby Cruise from Palm Springs to Vegas, Monday night's "Cars Under the Stars" event at the new facility, a Poker Run, exclusive tour and a Shelby GTS giveaway.
"With the Shelby Vegas Bash leading right into the MCA 50th birthday celebration, we're expecting this year to be bigger and better than ever," said Joe Conway, CEO of Shelby American. "This will be the first opportunity to host Shelby members and enthusiasts at our new world headquarters in the heart of Las Vegas. This year's Vegas Bash and MCA 50th celebration will be one for the record books."
The Pacific Coast Team Shelby Region will kick off festivities April 13 with a 300-mile Shelby Run out of Palm Springs, ending in Las Vegas on April 14, just in time for "Cars Under the Stars" at the Shelby American World Headquarters at 6405 Ensworth St.. The meet and greet will include live music, cash bar, food and hundreds of Shelby cars on display.
The next morning, participants will meet at South Point and caravan to tour a revered private auto collection that features rare and old and new Shelbys.
After the tour, the group will embark on a drive during the 150-mile Poker Run through the Valley of Fire.
That night, in celebration of the new location and official grand opening of the Shelby Heritage Center, Shelby American will host a dinner for all participants.
On April 16, which is the final day of the Shelby Vegas Bash, breakfast, a Shelby American car show and awards ceremony are on the agenda. That afternoon will be the calm before the storm, as hundreds of Mustang and Shelby cars will pour into Las Vegas. All MCA 50th birthday celebration festivities run from April 17-20 and require separate registration.
"Shelby American will be fully participating in all MCA 50th celebration activities, including my personal favorite, open track time at Las Vegas Motor Speedway," said Gary Patterson, vice president of sales and factory driver for Shelby American. "Like in years past, our factory drivers will be happy to show enthusiasts on the track how to enter turns, hit the apex and give as many pointers as possible. There's nothing like seeing a fellow gear head's face light up when they realize how much more confident they are in their own car at high speeds."
Founded by legend Carroll Shelby, Shelby American manufactures and markets performance vehicles and related products. The company builds authentic continuation Cobras, including the 427 S/C, 289 FIA and 289 street car component vehicles; it offers the Shelby GT, 1000, GT500 Super Snake and GTS post-title packages for the 2005-2014 Ford Mustang. Shelby American also builds the Shelby Raptor muscle truck and Shelby Focus ST hot hatch. For more information, visit www.shelbyamerican.com.


text:
Masterworks from Budapest. From the Renaissance to the Avant-Garde
From 18 February to 28 May 2017
Although his assimilation of the lessons of Gauguin and his emphasis on decorative composition distinguished him from the Impressionists, over time Bonnard returned to them; in a sense he was the last great heir of Impressionism until well into the 20th century. The radical tendency of Matisse and the Fauves, firstly, and later Cubism distanced Bonnard from avant-garde trends and his painting became more atmospheric and naturalistic. There was an accentuation of his affinities with Monet and especially Renoir, with whom he shared an interest in the nude and a tendency to dissolve the edges of shapes with fluffy brushstrokes. From the time of the Great War onwards, Bonnard became a kind of antidote to the accelerated experimentation of the avant-gardes for art lovers and more moderate critics.
Bonnard's constant focus on landscape became more pronounced in the 1920s. A good many of his works were painted in Normandy in the house that the artist owned near Vernon, on the banks of the Seine. Even when he moved to Le Cannet, near Cannes, he continued to visit Normandy every year, as he loved its light so much. In contrast to the Impressionists, Bonnard did not paint his landscapes directly from the subject but rather worked from memory with the aid of drawings. He was happy to start a canvas in Normandy and finish it in the Midi, blending his impressions of north and south.
The present landscape shows a view of the garden of "Ma Roulotte", the artist's house in Normandy, a garden that grew wild in a woodland profusion. In the foreground there is a winding path with a cat, humorously indicating the scale of the tall trees. In the background, glimpsed through the foliage, is the river, a tributary of the Seine which the artist used to explore in his boat.
Picasso, who loathed Bonnard's style of painting, left us a description of it that is in fact revealing if we discount its critical tone. Bonnard, he said, "never goes beyond his sensibility. He does not know how to select. When he paints a sky, for example, first of all he paints it blue, more or less the way it is. Then he looks at it a little more closely and sees some mauve; so he adds a touch or two of mauve, without committing himself. And then he says to himself that there is also a bit of pink. So there is no reason not to add pink too. The result is a hotchpotch of indecision. If he goes on looking for long, he ends up by adding yellow, instead of deciding what colour the sky should really be. It's impossible to work like that. Painting is not a matter of sensibility. One must seize control, taking the place of nature and not being dependent on the information that nature provides." Picasso also referred to Bonnard's tendency to "fill the whole surface of the canvas, creating a continuous extension that quivers imperceptibly, from brushstroke to brushstroke, from centimetre to centimetre, but is completely devoid of contrast. Black is never set against white, nor a circle against a square, nor a sharp angle against a curve. In this highly orchestrated surface which develops organically, you search in vain for an unexpected cymbal clash striking with calculated violence".
The indecision that Picasso criticised in Bonnard was simply an extreme form of loyalty to sensation, with its whole range of delicate, shifting nuances. From such impalpable, inconstant material Bonnard created a continuous, seamless tapestry. In this picture, where the essential theme is the luxuriance of the vegetation, the texture of leaves and branches is suggested by the subtle texture of merged, overlapping brushstrokes. Diffuse touches of white and yellow indicate the glints of the dazzling sunlight and add a magical quality to the entire scene.
Guillermo Solana
© 2009 Museo Thyssen-Bornemisza
Paseo del Prado 8, 28014 Madrid, España
We use our own cookies and those of third-parties to analyze the use of our website and display personalized advertising. If you continue browsing, we will consider that you consented to its use. For more information see our Cookie Policy.