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Thursday, October 5th, 2006
By Gary R. Rasberry
Roughriders look to knock off Indians
With two league losses already, St. Marys will now look to play spoiler in the Western Buckeye League the rest of the season while looking to get back into playoff contention.
This week, the Roughriders will look to put the WBL into additional disarray should they beat Shawnee on Friday at Shawnee Field.
The Indians helped smash up the three-way tie that they shared with Wapakoneta and Kenton for first place in the league by beating Wapak 28-20 at Harmon Field. That, and Kenton's 14-7 loss to Defiance, gave the Indians sole possession of first place in the WBL at 5-0.
The series between the schools is clearly in St. Marys' favor with a 32-11-1 mark, but the past several seasons have seen Dick West's squad make inroads. In 2004, the Indians won a hard-fought 7-6 battle in Shawnee Township, snapping a 17-year losing streak to the Roughriders.
"I think coach West has done a very good job of getting the athletes out for football, first of all. Second of all, he's gotten them in the weight room," said St. Marys coach Doug Frye. "They're very physical in the trenches. They are a senior-dominated team."
The matchup has made for a lot of excitement as well, highlighted by the 2003 game where West chose to punt near his own end zone in a tied game. Nick Yahl got the block and Adam Maze recovered the ball in the end zone with no time left to give St. Marys a 32-26 win at Skip Baughman Stadium.
The Indians have been paced by a balanced offense that highlights running back Brandon Stephenson and quarterback Josh Miller, both of whom are sophomores.
Stephenson, whose older brother Brian was a stalwart for the Indians in 2004 before heading to Yale, has carried for 725 yards this season and scored four times.
His yards picked up since he changed his jersey number from 34 to 1 - his brother's number at Shawnee - before the Celina game, rushing for 450 yards his last three games.
Miller has become a potent passer, throwing for 801 yards and eight touchdowns this season. Senior Jesse Norris (6-3, 191 pounds) is Miller's favorite target, snagging two touchdowns in the win over Wapakoneta last week.
Frye credits Shawnee's large, senior-laden offensive line, which averages 236 pounds with 6-4, 320-pound Joey Latsha manning a tackle spot, as helping the offense shine.
"You talk about Stephenson, Jacquice King of Defiance or Koby Frye of St. Marys, the first thing you talk about is the offensive line," said coach Frye. "Those kids have done a great job on the offensive line. That's where it starts. Shawnee has an exceptional line. That's going to be a key matchup, we're going to have to play in the trenches."
Defensively, Frye sees concerns with not only the defensive line, but also linebackers Derek Ligenfelter (6-2. 235, senior) and Kenny Marsh (6-2, 232, senior).
"Both are three-year starters. The kids are seniors," said coach Frye. "Both kids are big. ... Both can run. Division I-type linebackers. They're the first thing that sticks out right off the bat. They're big in the trenches with 280 (pound) and 240 (pound) tackles. They're big and they're physical."
The Roughriders have recovered from losing back-to-back games to Defiance and Wapak this season to pick up easy wins over Ottawa-Glandorf (35-7) and Van Wert (42-0) the last two weeks.
The vaunted wing-T of St. Marys has led the charge. Junior Koby Frye leads the Grand Lake area in rushing with 828 yards while Scott Laman has been solid when called upon rushing for 360 yards.
But a strange sight has been spotted of late on the football field when St. Marys plays - a passing game.
Quarterback Derek Dunlap has shined brightly over the last couple of weeks by displaying his throwing arm. Dunlap is 16-of-30 this season with 205 yards passing and four touchdowns, recording a quarterback rating of 148.07.
"Derek has emerged for us the last couple of weeks," said coach Frye. "We've given him a lot more time up front, so our offensive line has improved immensely. Derek is a kid, I think, who is going to be an exceptional quarterback here at St. Marys. His confidence level has grown immensely. We're very comfortable and confident in throwing the ball when we need to and at anytime."
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Welcome! Thank you for taking her in and doing what you can to help her. Your hearts in the right place, and this is the forum for you! If your current dog is not dog friendly, I would suggest a crate/rotate. There are threads in the training section you need to check out. Start with the "2 weeks, give em a break!" Then look for crate and rotate, as well as crate training. Many of us here have multiple dog homes, and do crate rotation. It's something you will get the hang of after a schedule is in place, and it works great for us. If you do not wish to keep her, but rather find her a home, you can have her spayed, shots, etc, then post an adoptable ad for her in the adoptable section. We do not allow rehoming of personal pets here, but we do allow homing of rescues. I hope you enjoy it here and we can help you out with your current situation.
PS... I LOVE Bull Mastiffs! Can we get pics?
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Lady Antebellum win five trophies
Country music had a big night at Sunday's 53rd Grammy Awards, as top-selling trio Lady Antebellum took five of its six nominated categories, including country album, record and song of the year. But the threesome's perfect score was spoiled by super-sized Canadian rock band Arcade Fire, whose "The Suburbs" was named album of the year.
While the group had scored a No. 1 album this year, few had predicted the group would prevail in a field that included megasellers Eminem and Lady Antebellum. "What the hell?" said Arcade Fire lead singer Win Butler as the group's win was announced. Lady A's Dave Haywood, Charles Kelley and Hillary Scott and collaborator Josh Kear took song of the year with "Need You Now." The tune also collected record of the year (an artist's and producer's award) and best country song honors (a writer's award). The group noted that performing "Need You Now" on last year's Grammycast was a big boost to its momentum. "What an amazing year," said Heywood, calling "Need You Now" "a song that has turned our world upside down." "Need You Now" was also named best country performance by a duo or group, while the like-titled Capitol Nashville album, which has sold nearly 3.2 million copies to date, was also deemed best country album. "We are completely floating," Scott said backstage. "We're on a cloud." Fellow band member Charles Kelley added, "It feels like we've arrived in a way…You're not going to win five Grammys ever again." After Arcade Fire's album of the year, the biggest shocker of the night at the Staples Center was Esperanza Spalding's triumph as best new artist. The bassist-vocalist — virtually unknown outside jazz circles before her nomination — topped a field that included teen idol Justin Bieber (4.5 million albums sold to date), rapper Drake, and buzzy rock units Mumford & Sons and Florence and the Machine. Spalding is the first jazz performer to win the category, and her surprise was evident onstage. "I take this honor to heart so sincerely and I'll do my damnedest to make great music for all of you," said Spalding. "It's such an honor and God bless." Up for six awards, rap titan Jay-Z triumphed in the early going, taking three awards at the afternoon pre-telecast ceremony at the nearby L.A. Convention Center. His "Empire State of Mind," a love note to New York in which he duets with Alicia Keys, was named best rap song and best rap/sung collaboration. He won a third trophy for "On to the Next One," his collaboration with Swizz Beatz, which was named best rap perf by a duo or group. But he didn't touch his wife Beyonce's 2010 total of six awards. Fellow rap eminence Eminem, the year's comeback kid (his album "Recovery" sold 3.5 million) and the day's biggest nominee with 10 nods, was roundly dissed in most categories. The Detroit hip-hop star won best rap album for "Recovery" and best rap solo performance, for "Not Afraid," but "Love the Way You Lie," his duet with Rihanna, was an also-ran in the categories won by "Empire." Shortchanged by a technicality last year in the new artist slot, the flamboyant Lady Gaga, nominated in six categories, took three awards, for pop vocal album (for the mini-album "The Fame Monster") and female pop vocal and short-form video (both for "Bad Romance"). Cee Lo Green's pull-no-punches "Fuck You," which was up for record and song of the year, was selected best urban/alternative perf. Green's Gnarls Barkley partner Danger Mouse was named non-classical producer of year for his work with his group Broken Bells, the Black Keys and on "Dark Night of the Soul," his collaboration with the late Mark Linkous (Sparklehorse). John Legend and the Roots took three awards in R&B categories for their collaborative work on the album "Wake Up!" Usher's smash "Raymond V Raymond" scored contemporary R&B album, while his "There Goes My Baby" took male R&B vocal performance. Bruno Mars, who boasted the second biggest tally of nominations with seven, took home the male pop vocal performance award for "Just the Way You Are." In an upset, the Black Keys' slow-rolling hit "Brothers" trumped Arcade Fire's "The Suburbs" as best alternative album. The Ohio duo also won in the rock duo/group performance slot, for "Tighten Up." Country firecracker Miranda Lambert, the big winner at the Academy of Country Music Awards last year, collected her first Grammy for the breakthrough single "The House That Built Me." A iTunes live version of Train's radio ubiquity "Hey, Soul Sister" was selected as top pop perf by a duo or group. As ever, old-school acts found some love at the afternoon ceremony. In recognition of the 5 million albums they sold in 2009-10, the Beatles' boxed set of studio recordings won as in the historical album category. Paul McCartney won a solo rock vocal performance Grammy for his version of "Helter Skelter" on the concert set "Good Evening New York City." Rock guitar great Jeff Beck took a piece of the "Imagine" award, and also pulled in two more trophies, in the pop instrumental and rock instrumental categories. However, he was nosed out by English unit Muse's "The Resistance" in the rock album category Sunday evening. Iron Maiden took metal performance honors for "El Dorado," from their album "The Final Frontier." It was their first Grammy recognition. Folk-rock icon Neil Young won just his second Grammy award, and his first for music, for rock song, for "Angry World" from his album "Le Noize." He won his first Grammy for package design last year, for his "Archives Vol. 1"; he was honored as MusiCares' Person of the Year last year. Mavis Staples, whose career dates back to the family gospel group the Staple Singers in the '50s, won her first Grammy in the Americana album category, for the Jeff Tweedy-produced set "You Are Not Alone." Herbie Hancock, who has collected a dozen small Victrolas in the past, was acknowledged for best improvised jazz solo, for his work on "A Change Is Gonna Come" from his album "The Imagine Project." The set was the follow-up to the keyboardist's 2009 album of the year winner "River." Hancock also shared in the pop collaboration with vocals award, for the track "Imagine" from the same album. Jazz saxophonist-flautist James Moody, who died in December, received a posthumous Grammy (his first) for jazz instumental album for his final release, "Moody 4B." Jailed reggae vocalist Buju Banton, whose second trial for cocaine trafficking begins in Miami on Monday, received reggae album accolades for "Before the Dawn." In the film and TV categories, T Bone Burnett and the late Stephen Bruton's "Crazy Heart" soundtrack won the compilation soundtrack album award, and the pic's Oscar and Grammy-winning song "The Weary Kind," by Burnett and Ryan Bingham, won as song written for a motion picture. Randy Newman won his sixth Grammy for his work on Disney's "Toy Story 3," which collected the nod for score soundtrack. "American Idiot," the stage adaptation of Green Day's 2005 rock album winner, took the Grammy for musical show album. And the winners are: RECORD OF THE YEAR"Need You Now" – Lady Antebellum
Lady Antebellum & Paul Worley, producers; Clarke Schleicher, engineer/mixer
Track from: "Need You Now" [Capitol Records Nashville] ALBUM OF THE YEAR
"The Suburbs" – Arcade Fire
Arcade Fire & Markus Dravs, producers; Arcade Fire, Markus Dravs, Mark Lawson & Craig Silvey, engineers/mixers; George Marino, mastering engineer [Merge Records] SONG OF THE YEAR
"Need You Now" – Lady Antebellum
Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott, songwriters
Track from: "Need You Now" [Capitol Records Nashville; Publishers: Warner-Tamerlane Publishing/DWHaywood Music/Radiobulletspublishing, EMI Foray Music/Hillary Dawn Songs, Year of the Dog Music, Darth Buddha Music] BEST NEW ARTIST
Esperanza Spalding FEMALE POP VOCAL PERFORMANCE
"Bad Romance," Lady Gaga
Track from: "The Fame Monster" [Streamline / KonLive / Cherrytree/
Interscope ] MALE POP VOCAL PERFORMANCE
"Just the Way You Are" – Bruno Mars [Elektra] POP PERFORMANCE BY A DUO OR GROUP WITH VOCALS
"Hey, Soul Sister" – Train [Columbia Records] POP COLLABORATION WITH VOCALS
"Imagine" – Herbie Hancock, Pink, India Arie, Seal, Komono No. 1, Jeff Beck, Oumou Sungare
Track from: "The Imagine Project" [Hancock Records] POP INSTRUMENTAL PERFORMANCE
"Nessun Dorma" – Jeff Beck
Track from: "Emotion & Commotion" [Rhino] POP INSTRUMENTAL ALBUM
"Take Your Pick" – Larry Carlton & Tak Matsumoto [335 Records, Inc.] POP VOCAL ALBUM
"The Fame Monster" – Lady Gaga [Streamline/KonLive/Cherrytree/Interscope] DANCE RECORDING
"Only Girl (In The World)" – Rihanna
Kuk Harrell, Stargate & Sandy Vee, producers; Phil Tan & Sandy Vee, mixers [Island Def Jam] ELECTRONIC/DANCE ALBUM
"La Roux" – La Roux [Cherrytree/Interscope/Polydor/Biglife] TRADITIONAL POP VOCAL ALBUM
"Crazy Love" – Michael Bublé [143/Reprise] SOLO ROCK VOCAL PERFORMANCE
"Helter Skelter" – Paul McCartney
Track from: "Good Evening New York City" [Hear Music/Universal/Concord] ROCK PERFORMANCE BY A DUO OR GROUP WITH VOCALS
"Tighten Up" – Black Keys
Track from: "Brothers" [Nonesuch] HARD ROCK PERFORMANCE
"New Fang" – Them Crooked Vultures
Track from: "Them Crooked Vultures" [DGC/Interscope] METAL PERFORMANCE
"El Dorado" – Iron Maiden
Track from:"The Final Frontier" [UMe] ROCK INSTRUMENTAL PERFORMANCE
"Hammerhead" – Jeff Beck
Track from: "Emotion & Commotion" [Rhino] ROCK SONG
"An Angry World" – Neil Young
Track from: "Le Noise" [Reprise; Publisher: Silver Fiddle Music] ROCK ALBUM
"Resistance" – Muse
Track from: "The Resistance" [Warner Bros.] ALTERNATIVE MUSIC ALBUM
"Brothers" – The Black Keys [Nonesuch] FEMALE R&B VOCAL PERFORMANCE
"Bittersweet" – Fantasia
Track from: "Back To Me" [J Records / 19 Recordings LLC / S Records] MALE R&B VOCAL PERFORMANCE
"There Goes My Baby" – Usher
Track from: "Raymond V Raymond" [LaFace/Jive] R&B PERFORMANCE BY A DUO OR GROUP WITH VOCALS
"Soldier of Love" – Sade
Track from: "Soldier Of Love" [Epic/Sony Music] TRADITIONAL R&B VOCAL PERFORMANCE
"Hang On in There" – John Legend & The Roots
Track from: "Wake Up!" [G.O.O.D. Music/Columbia Records/Home School Records] URBAN/ALTERNATIVE PERFORMANCE
"F*** You" – Cee Lo Green [Elektra] R&B SONG
"Shine" – John Stephens
Track from: "Wake Up!" [G.O.O.D. Music/Columbia Records/Home School Records] R&B ALBUM
"Wake Up!" – John Legend & The Roots [G.O.O.D. Music/Columbia Records/Home School Records] CONTEMPORARY R&B ALBUM
"Raymond V Raymond" – Usher [LaFace/Jive] RAP SOLO PERFORMANCE
"Not Afraid" – Eminem
Track from: "Recovery" [Aftermath/Shady Records/Interscope] RAP PERFORMANCE BY A DUO OR GROUP
"On To The Next One" – Jay-Z & Swizz Beatz
Track from: "The Blueprint 3" [Roc Nation] RAP/SUNG COLLABORATION
"Empire State Of Mind" – Jay-Z & Alicia Keys
Track from: "The Blueprint 3" [Roc Nation] RAP SONG
"Empire State Of Mind" – Jay-Z & Alicia Keys
Shawn Carter, Angela Hunte, Alicia Keys, Jane't "Jnay" Sewell-Ulepic & Alexander Shuckburgh, songwriters (Burt Keyes & Sylvia Robinson, songwriters)
Track from: "The Blueprint 3"
[Roc Nation; Publishers: Carter Boys Music/Al Shuckburgh/Global Talent Publishing/Foray Music/Masani Elshabazz Music/EMI April Music/J Sewell Publishing/Lellow Productions/Twenty Nine Black Music/Gambi Music] RAP ALBUM
"Recovery" – Eminem [Aftermath/Shady Records/Interscope] FEMALE COUNTRY VOCAL PERFORMANCE
"The House That Built Me" – Miranda Lambert
Track from: "Revolution" [Columbia Records] MALE COUNTRY VOCAL PERFORMANCE
"'Til Summer Comes Around" – Keith Urban [Capitol Records Nashville] COUNTRY COLLABORATION WITH VOCALS
"As She's Walking Away" – Zac Brown Band & Alan Jackson
Track from: "You Get What You Give"
[Southern Ground/Atlantic] COUNTRY PERFORMANCE BY A DUO OR GROUP WITH VOCALS
"Need You Now" – Lady Antebellum
Track from: "Need You Now" [Capitol Records Nashville] COUNTRY INSTRUMENTAL PERFORMANCE
"Hummingbyrd" – Marty Stuart
Track from: "Ghost Train: The Studio B Sessions" [Sugar Hill Records] COUNTRY SONG
"Need You Now" – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott, songwriters (Lady Antebellum)
Track from: "Need You Now" [Capitol Records Nashville; Publishers: Warner-Tamerlane Publishing/DWHaywood Music/Radiobulletspublishing, EMI Foray Music/Hillary Dawn Songs, Year of the Dog Music, Darth Buddha Music] COUNTRY ALBUM
"Need You Now" – Lady Antebellum
Track from: "Need You Now" [Capitol Records Nashville] NEW AGE ALBUM
"Miho: Journey To The Mountain" – Paul Winter Consort [Living Music] CONTEMPORARY JAZZ ALBUM
"The Stanley Clarke Band" – The Stanley Clarke Band [Heads Up International] JAZZ VOCAL ALBUM
"Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee" – Dee Dee Bridgewater [Emarcy] IMPROVISED JAZZ SOLO
"A Change Is Gonna Come" – Herbie Hancock
Track from: "The Imagine Project" [Hancock Records] JAZZ INSTRUMENTAL ALBUM, INDIVIDUAL OR GROUP
"Moody 4B" – James Moody [IPO Recordings] LARGE JAZZ ENSEMBLE ALBUM
"Mingus Big Band Live at Jazz Standard" – Mingus Big Band LATIN JAZZ ALBUM
"Chucho's Steps" – Chucho Valdes and the Afro-Cuban Messengers GOSPEL PERFORMANCE
"Grace" – BeBe & CeCe Winans
Track from: "Still" [B&C/Malaco] GOSPEL SONG
"It's What I Do" – Jerry Peters & Kirk Whalum
Songwriters (Kirk Whalum & Lalah Hathaway)
Track from: "The Gospel According To Jazz Chapter III" [Rendezvous Music/ Mack Avenue Records; Publishers: Whalumusic/Jerry Peters Music] ROCK OR RAP GOSPEL ALBUM
"Hello Hurricane" – Switchfoot [Atlantic Recording Corp/ Credential Recordings] POP/CONTEMPORARY GOSPEL ALBUM
"Love God. Love People." – Israel Houghton [Integrity Music] SOUTHERN, COUNTRY, OR BLUEGRASS GOSPEL ALBUM
"The Reason" – Diamond Rio [Word] TRADITIONAL GOSPEL ALBUM
"Downtown Church" – Patty Griffin [Credential Recordings] CONTEMPORARY R&B GOSPEL ALBUM
"Still" – BeBe & CeCe Winans [B&C/Malaco] LATIN POP ALBUM
"Paraiso Express" – Alejandro Sanz [Warner Music Latina] LATIN ROCK, ALTERNATIVE OR URBAN ALBUM
"El Existential" – Grupo Fantasma [Nat Geo Music] TROPICAL LATIN ALBUM
"Viva La Tradición" – Spanish Harlem Orchestra [Concord Picante] TEJANO ALBUM
"Recuerdos" – Little Joe & La Familia [TDI Records] NORTENO ALBUM
"Classic" – Intocable [Sony Music Latin] BANDA ALBUM
"Enamórate De Mí" – El Güero Y Su Banda Centenario [A.R.C. Discos] AMERICANA ALBUM
"You Are Not Alone" – Mavis Staples [ANTI] BLUEGRASS ALBUM
"Mountain Soul II" – Patty Loveless [Saguaro Road] TRADITIONAL BLUES ALBUM
"God Willin' and the Creek Don't Rise" – Ray LaMontagne and the Pariah Dogs CONTEMPORARY BLUES ALBUM
"Living Proof" – Buddy Guy [Silvertone/Jive] TRADITIONAL FOLK ALBUM
"Genuine Negro Jig" – Carolina Chocolate Drops CONTEMPORARY FOLK ALBUM
"God Willin' & The Creek Don't Rise" – Ray LaMontagne And The Pariah Dogs [RCA Records] HAWAIIAN MUSIC ALBUM
"Huana Ke Aloha" – Tia Carrere [Daniel Ho Creations] NATIVE AMERICAN MUSIC ALBUM
"2010 Gathering Of Nations Pow Wow: A Spirit's D
ance" (Various Artists) – Derek Mathews, Dr. Lita Mathews & Melonie Mathews, producers [Gathering Of Nations Records] ZYDECO OR CAJUN MUSIC ALBUM
"Zydeco Junkie" – Chubby Carrier And The Bayou Swamp Band [Swampadellic Records] REGGAE ALBUM
"Before The Dawn" – Buju Banton [Gargamel Music, Inc.] TRADITIONAL WORLD MUSIC ALBUM
"Ali And Toumani" – Ali Farka Touré & Toumani Diabaté [World Circuit/Nonesuch] CONTEMPORARY WORLD MUSIC ALBUM
"Throw Down Your Heart , Africa Sessions Part 2: Unreleased Tracks" – Béla Fleck [Acoustic Planet Records] MUSICAL ALBUM FOR CHILDREN
"Tomorrow's Children" – Pete Seeger With The Rivertown Kids And Friends [Appleseed] SPOKEN WORD ALBUM FOR CHILDREN
"Julie Andrews' Collection Of Poems, Songs, And Lullabies" – Julie Andrews & Emma Walton Hamilton [Hachette Audio] SPOKEN WORD ALBUM (INCLUDES POETRY, AUDIO BOOKS & STORY TELLING)
"The Daily Show With Jon Stewart Presents Earth (The Audiobook)" – Jon Stewart (With Samantha Bee, Wyatt Cenac, Jason Jones, John Oliver & Sigourney Weaver) [Hachette Audio] COMEDY ALBUM
"Stark Raving Black" – Lewis Black [Comedy Central Records] MUSICAL SHOW ALBUM
"American Idiot" (Featuring Green Day)
Billie Joe Armstrong, producer (Green Day, composers; Billie Joe Armstrong, lyricist)
(Original Broadway Cast With John Gallagher, Jr., Michael Esper & Others) [Reprise] COMPILATION SOUNDTRACK ALBUM MP/TV/OVM
"Crazy Heart"(Various Artists) Stephen Bruton & T Bone Burnett, producers [New West Records] SCORE SOUNDTRACK ALBUM MP/TV/OVM
"Toy Story 3" – Randy Newman, composer [Walt Disney Records] SONG MP/TV/OVM
"The Weary Kind" (From "Crazy Heart")
Ryan Bingham & T Bone Burnett, songwriters (Ryan Bingham)
Track from: "Crazy Heart" [New West Records; Publishers: Lost Bound Rails Publishing/Henry Burnett Music/Bug Music] INSTRUMENTAL COMPOSITION
"The Path Among The Trees" – Billy Childs, composer (Billy Childs Ensemble)
Track from: Autumn: "In Moving Pictures Jazz – Chamber Music Vol. 2" [ArtistShare] INSTRUMENTAL ARRANGEMENT
"Carlos" – Vince Mendoza, arranger (John Scofield, Vince Mendoza & Metropole Orkest)
Track from: "54" [Emarcy/Universal] INSTRUMENTAL ARRANGEMENT ACCOMPANYING VOCALIST(S)
"Baba Yetu" – Christopher Tin, arranger (Christopher Tin, Soweto Gospel Choir & Royal Philharmonic Orchestra)
Track from: "Calling All Dawns" [Tin Works Publishing] RECORDING PACKAGE
"Brothers" -Michael Carney, art director (The Black Keys) [Nonesuch] BOXED OR SPECIAL LIMITED EDITION PACKAGE
"Under Great White Northern Lights (Limited Edition Box Set)" – Rob Jones & Jack White III, art directors (The White Stripes) [Third Man/Warner Bros.] ALBUM NOTES
"Keep An Eye On The Sky" – Robert Gordon, album notes writer (Big Star) [Rhino] HISTORICAL ALBUM
"The Beatles" (The Original Studio Recordings) – Jeff Jones & Allan Rouse, compilation producers; Paul Hicks, Sean Magee, Guy Massey, Sam Okell & Steve Rooke, mastering engineers (The Beatles) [Capitol/Apple] ENGINEERED ALBUM, NON-CLASSICAL
"Battle Studies" – Michael H. Brauer, Joe Ferla, Chad Franscoviak & Manny Marroquin, engineers (John Mayer) [Columbia Records] PRODUCER OF THE YEAR, NON-CLASSICAL
Danger Mouse
"Broken Bells" (Broken Bells) (A)
"Dark Night Of The Soul" (Danger Mouse And Sparklehorse) (A)
"Tighten Up" (The Black Keys) (T) REMIXED RECORDING, NON-CLASSICAL
"Revolver" (David Guetta's One Love Club Remix)David Guetta & Afrojack, remixers (Madonna) [Warner Bros.] SURROUND SOUND ALBUM"Britten's Orchestra" – Keith O. Johnson, surround mix engineer; Keith O. Johnson, surround mastering engineer; David Frost, surround producer (Michael Stern & Kansas City Symphony) [Reference Recordings] ENGINEERED ALBUM, CLASSICAL
(TIE) "Daugherty: Metropolis Symphony; Deus Ex Machina" – Mark Donahue, John Hill & Dirk Sobotka, engineers (Giancarlo Guerrero & Nashville Symphony Orchestra) [Naxos]
"TiePorter, Quincy: Complete Viola Works" – Leslie Ann Jones, Kory Kruckenberg, Brandie Lane & David Sabee, engineers (Eliesha Nelson & John McLaughlin Williams) [Dorian Sono Luminus] PRODUCER OF THE YEAR, CLASSICAL
David Frost
Britten's Orchestra (Michael Stern & Kansas City Symphony)
"Chambers, Evan: The Old Burying Ground" (Kenneth Kiesler & The University Of Michigan Symphony Orchestra)
"Dorman, Avner: Concertos For Mandolin, Piccolo, Piano And Concerto Grosso" (Andrew Cyr, Eliran Avni, Mindy Kaufman, Avi Avital & Metropolis Ensemble)
"The 5 Browns In Hollywood" (5 Browns)
"Mackey, Steven: Dreamhouse" (Gil Rose, Rinde Eckert, Catch Electric Guitar Quartet, Synergy Vocals & Boston Modern Orchestra Project)
Meeting Of The Spirits (Matt Haimovitz)
"Two Roads To Exile" (ARC Ensemble) CLASSICAL ALBUM
"Verdi: Requiem" – Riccardo Muti, conductor; Duain Wolfe, chorus master; Christopher Alder, producer; David Frost, Tom Lazarus & Christopher Willis, engineers/mixers; Silas Brown, mastering engineer (Ildar Abdrazakov, Olga Borodina, Barbara Frittoli & Mario Zeffiri; Chicago Symphony Orchestra; Chicago Symphony Chorus) [CSO Resound] ORCHESTRAL PERFORMANCE
"Daugherty: Metropolis Symphony; Deus Ex Machina" – Giancarlo Guerrero, conductor (Terrence Wilson; Nashville Symphony) [Naxos] OPERA RECORDING
"Saariaho: L'Amour De Loin" – Kent Nagano, conductor; Daniel Belcher, Ekaterina Lekhina & Marie-Ange Todorovitch; Martin Sauer, producer (Deutsches Symphonie-Orchester Berlin; Rundfunkchor Berlin) [Harmonia Mundi] CHORAL PERFORMANCE
"Verdi: Requiem" – Riccardo Muti, conductor; Duain Wolfe, chorus master (Ildar Abdrazakov, Olga Borodina, Barbara Frittoli & Mario Zeffiri; Chicago Symphony Orchestra; Chicago Symphony Chorus) [CSO Resound] INSTRUMENTAL SOLOIST(S) PERFORMANCE (WITH ORCHESTRA)
"Mozart: Piano Concertos Nos. 23 & 24" – Mitsuko Uchida (The Cleveland Orchestra) [Decca] INSTRUMENTAL SOLOIST(S) PERFORMANCE (WITHOUT ORCHESTRA)
"Messiaen: Livre Du Saint-Sacrement" – Paul Jacobs [Naxos] CHAMBER MUSIC PERFORMANCE
"Ligeti: String Quartets Nos. 1 & 2" – Parker Quartet [Naxos] SMALL ENSEMBLE PERFORMANCE
"Dinastia Borja" – Jordi Savall, conductor; Hespèrion XXI & La Capella Reial De Catalunya (Pascal Bertin, Daniele Carnovich, Lior Elmalich, Montserrat Figueras, Driss El Maloumi, Marc Mauillon, Lluís Vilamajó & Furio Zanasi; Pascal Bertin, Daniele Carnovich, Josep Piera & Francisco Rojas) [Alia Vox] CLASSICAL VOCAL PERFORMANCE
"Sacrificium" – Cecilia Bartoli (Giovanni Antonini; Il Giardino Armonico) Decca] CLASSICAL CONTEMPORARY COMPOSITION"Daugherty, Michael: Deus Ex Machina" Michael Daugherty (Giancarlo Guerrero)
Track from: "Daugherty: Metropolis Symphony" [Naxos] CLASSICAL CROSSOVER ALBUM
"Tin, Christopher: Calling All Dawns" – Lucas Richman, conductor (Sussan Deyhim, Lia, Kaori Omura, Dulce Pontes, Jia Ruhan, Aoi Tada & Frederica von Stade; Anonymous 4 & Soweto Gospel Choir; Royal Philharmonic Orchestra) [Tin Works Publishing] SHORT FORM MUSIC VIDEO
"Bad Romance" – Lady Gaga
Francis Lawrence, video director; Kathy Angstadt, Nicole Ehrlich &Heather Heller, video producers [Streamline/Interscope/KonLive/Cherrytree] LONG FORM MUSIC VIDEO
"When You're Strange" – The Doors
Tom Dicillo, video director; John Beug, Jeff Jampol, Peter Jankowski & Dick Wolf, video producers [Eagle Vision]


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WTCC Team Chevrolet Take on Suzuka
October 21st, 2011
The 19th and 20th rounds of the FIA WTCC will take place in Japan, at Suzuka's East Circuit this weekend. This is the fourth consecutive visit of the FIA World Touring Car Championship to the Country of the Rising Sun, however it is the first time that the WTCC Race of Japan will take place at Suzuka. From 2008 to …


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WASHINGTON (AP) — Budget cuts are hurting the Internal Revenue Service's ability to go after tax cheats, the agency's inspector general said Tuesday.
Tax collections from enforcement actions dropped by 9 percent in the 2012 budget year, to a little more than $50 billion, said the report by J. Russell George, the Treasury inspector general for tax administration. It was the second year in a row that enforcement collections dropped.
In 2011, enforcement revenue dropped by more than $2 billion. Last year, it dropped by $5 billion more. At the same time, the IRS is opening more delinquent taxpayer accounts than it is closing, the report said.
The IRS has shed about 8,000 jobs since 2010, the report said. It comes as the IRS is taking on big new responsibilities implementing President Barack Obama's new health care law, even as congressional Republicans want to cut the agency's budget even more.
"The IRS is facing many new challenges while operating with fewer resources and employees," George said. "Several indicators showed the effect of this, including a decrease in enforcement revenue and a continued increase in accounts receivable."
Overall, federal tax collections are on the rise as the economy slowly improves. That's because the vast majority of Americans pay the taxes they owe, according to IRS statistics.
The IRS said budget cuts are hurting the agency's ability to go after people who can't or won't pay. In June, acting IRS head Danny Werfel told Congress that additional dollars for enforcement would yield a return of better than 6 to 1.
The agency said other factors were also at play. For example, the IRS said enforcement collections were unusually high in 2010 and 2011 because of a voluntary disclosure program for people hiding money overseas. More than 38,000 people disclosed offshore accounts under a program that offered reduced penalties and no jail time.
The sluggish economy also slowed collections, the IRS said, noting that most of the delinquent taxes collected in 2012 were from cases that were opened in previous years.
Colleen M. Kelley, president of the National Treasury Employees Union, said in an emailed statement, "the budget cuts we have seen in recent years combined with an increasingly complex and changing tax code result in the IRS being unable to collect the revenue it otherwise could and would. Clearly, this is an unwise course for our country, and Congress should not be pursuing it."
Like many federal agencies, the IRS has seen its budget and workforce shrink since 2010, when the agency was allotted $12.1 billion. This year, the IRS is expected to spend $11.2 billion. Obama's proposed budget for next year is $12.9 billion — a 15 percent increase over current spending.
As funding declined, the IRS shifted resources from auditing individuals to auditing businesses, according to agency statistics.
In the 2010 budget year, the IRS conducted nearly 1.6 million audits of individuals, including those done by mail. In 2012, the number dropped below 1.5 million.
During the same period, the number of audits for businesses increased, from 58,000 to more than 70,000.
The IRS budget for next year will likely be decided as Congress deals with two financial deadlines this fall. Funding for the federal government is scheduled to run out at the end of September. Unless Congress acts, the government could face a partial shutdown. Later in the fall, the government will reach the legal limit of its ability to borrow money.
Many Republicans in Congress want to use both deadlines to negotiate spending cuts with Obama and his Democratic allies in Congress.
Follow Stephen Ohlemacher on Twitter: http://twitter.com/stephenatap


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The actor is so impressed with the Ranveer Singh-Sonakshi Sinha movie that she wants to star in a period film now
Watching Lootera has left an impact on young actor Alia Bhatt, who now wants to do a period film. She is not lured in just for the story, but also for the kind of style and look that it promises.
"I would, at least once in my career, love to do a period film. I think a period film is not only very emotional and very dramatic, the kind of fashion you get to do is outstanding," the 20-year-old said on Monday at the unveiling of the cover of Harper's Bazaar magazine featuring her.
"It's ostentatious, beautiful, vibrant and everything is detailed. So I would love to do a period film, not only for the role, but also for fashion," she added.
Alia even had a special word of mention for the recently released Sonakshi Sinha and Ranveer Singh-starrer Lootera, the story of which is set in 1950s.
"Of course, I love Lootera. If you see, Lootera is very beautiful. Every scene is delicate and yet stands out in your face," Alia said.
Talking about the kind of films she wants to do in her career, Alia said: "I have an idea of the different kind of films I want to do. I just want to do lots of films and everything should be different, something that challenges me and caters to the need of the audience as well."
Alia has finished shooting for Imtiaz Ali's Highway with Randeep Hooda. She is currenly shooting for 2 States with Arjun Kapoor.


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I have it: 186 I had it: 40 I want it: 191 My signature: 2
Designers » B » Bond No 9 Chypre « Groups
I have it: 186 I had it: 40 I want it: 191 My signature: 2
The collection dedicated to Andy Warhol, American artist, central figure of pop-art, illustrator, painter, and avant-garde artist in one word, started with the first perfume of the popular brand from New York - Bond No.9.
Third edition of the Andy Warhol collection was named Andy Warhol Lexington Avenue, after the location where Warhol had his first apartment, at 242 Lexington Avenue, very near Murray Hill, on Manhattan. The bottle is cheerful, dynamic and decorated with different colours, with a shoe motif from his old sketches.
The necklace which decorates the bottle is made of sterling silver and has 4 pendants in shape of a shoe, which were also inspired by Warhol's sketches, will be available as limited edition for holiday season. It is creation of Robert Lee Morris, and its launch date would be on September 2008. with suggested retail price $575.
The perfume was created in cooperation with perfumer Claude Dir of Givaudan, and is composed as a chypre-floral one. It consists of blue cypress, fennel and cardamom, the middle notes are made of pink peony, Florentine orris, crème brûlée and pimento berry, and the base includes patchouli and sandalwood.
The perfume Andy Warhol Lexington Avenue is available in two sizes: 50 ml and 100 ml. It will appear on the market next month, when Andy Warhol would have turned 80 years old.
Perfume rating: 4.27 out of 5 with 240 votes.
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Wonderfully unisex--I can see this being amazing on a man, but I feel right at home in it, too, as a woman who favors "feminine" perfumes. Although it is spicy, they are very COOL spices, and the star anise and cardamom are both very apparent. I get the creme brulee note (as a creamy, caramelized vanilla undertone) but this perfume does not go into the gourmand territory for me--the greenness of cypress and the orris root stops it at "sweet" but not edible. I love to wear this one when I am dressed up in a pant suit and heels, or sharp dress slacks and a soft blouse, to play with the androgynous idea. Long-lasting and great sillage.
It starts AMAZING. PLEASE STAY THIS WAY! Will update.
Majalis Les Parfums De Rosine reminds me of Bond no. 9 Andy Warhol Lexington Avenue..
MAJALIS : sweeter, warmer, spicier, more feminine, more powdery, elegant-powerfull-sexy..
ANDY WARHOL LEXINGTON AVENUE : darker aura, fresher, less spicy, more masculine, just a little hint of powderiness, sweaty-i wanna lick u in bed-sexy.. XD
BOTH ARE complex, stunning, heady, unique, love both.. ;D
Well, I got a large decant of this frag from a lovely fragrantica member, and have decided this is definitely a love. However, I have to put this in the same catagory as Prada Candy when it comes to sillage and longevity. Both of them smell so great when they are first sprayed, and for the first half hour you are in heaven, but after that it vanishes and you are left wondering where all the $$ you just spritzed yourself with went.
This is a 5 times a day fragrance. I believe my 15 mls will soon be gone, and idk that it will be worth it to buy more after that, considering the sad longevity. This seems to be a recurring issue with Bond No 9 too - I have noticed this with ALL the Bonds I have tried, and I have read it in many reviews. Not all as bad as this one, but I have never had a Bond frag last more than 3 hours on me.
This is a love hate fragrance, I fell in love the first time I used it. Smelled the cardamom and it's delicious with the creme brûlée. One time I think I sprayed too much, I think I detected cumin or maybe the cardamom and patchouli combination and my skin chemistry just didn't work well, I detected a BO note and it was sprayed too generously on my forearms. This afternoon while decanting it. Got wafts of the creme brûlée and the burned sugar on top of it, don't think this is like pink sugar with that strong burnt note, it doesn't it's just quite creamy and syrupy sweet at the same time. Yumminess in a bottle. I am currently splitting a 100ml bottle still 60ml up for grabs.
This is such a beautiful fragrance. I was surprised to find Bond Lexington Avenue very similar to Helmut Lang edp (which I also love) eventhough they only share three similar notes; sandalwood, patch and someting sugary. What differs the most in the topnotes is Lexingtons aromatic blend versus the lavender in Lang. I think they are both exquisit fragrances. Lexington oozes of delicate spices and woods and developes slightly sharper than Lang.
After some time Lexington Avenue has mellowed down to a very comfortable slightly sweet woody aromatic scent with low to moderate sillage. Lang becomes much more animalistic in the drydown, it smells very much like warm clean skin. The projection is similar between the scents. Maybe the staying power of Lexington Avenue is slightly better.
The lavender edge and the very animalistic drydown makes Lang a bit more interesting to me. But Lexingtons very enjoyable in its own way. I actually have both on my wantlist. Considering how hard it is to get Helmut Lang today I think it's better to get to know Lexington Avenue. Eventhough all Bond fragrances are very expensive Lexington is still available (now in new packaging), and Lang is not.
This is the one fragrance that really brings the holiday season to mind for me.
I must be the cypress, anise and creme brulee that instantly says Christmas?
Of course this fragrance is more than that and speaks differently to everyone.
Lexington Park is a very nice, dry, spicy, gourmand scent, with an aromatic twist, that fans of sweeter oriental fragrances like, Angel and Lolita Lempicka would probably like?
Despite the Andy Warhol shoe art design on the bottle, it's not feminine to me at all, it seems quite universal. So, if you haven't tried this and like the above types of scents, it's different enough from the regular suspects and worth a try.
Good Stuff!
Happy Holidays Everyone!
Creamy, dreamy, spicy goodness! It's soo inviting and cozy, I could wear this all the time. I love the warm spiciness and vanilla sweetness. I'm so bummed though because after 5 minutes, this becomes a skin scent and fades quickly. Projection is poor as well. With that taken into account, I simply can't allow myself to purchase a bottle like I had hoped I would. I've sampled a good deal of Bonds now and this is the softest, most short lived of them all. I sprayed it an hour ago and I can't smell it more than half an inch from my arm. Thankfully there's hope for me because I have Kenzo Jungle L'elephant and it does for me almost what this does and it lasts a long long time!
A soft gourmand cypre, Lexington is the personification of creaminess. I was obsessed with it after smelling a sample. Price was not appealing at all. But to me it is as womanly as it can get, in a sweet, curvy, sensual and mature way. A maturity that comes from the confidence of feeling beautiful inside and out, rather than age.
It's still has mystery with all the soft spices lurking in the background, mainly cardamom. I don't smell any fennel here, or even star anise. Maybe my nose is playing games? I smell instead plenty of milky vanilla, or rather said a creme brulee that is not very "brulee"? And peony... some insense although not as pious as in Chinatown. Plenty of sandalwood, not too dry, cypress, berries, some patchouli.
I find it so sexy! It's a comfort scent, and it smells like warm skin to me... if you have ever been in love, you must know what I mean... when the impossible to describe scent of that person makes you bury your nose and inhale deeply without saying a word.
From other point of view, it is not as intriguing as I thought originally. It is not as strong as I would have liked, nor it's long lasting enough. Silage is rather soft... in terms of value for the money, well, I am not sure it's there. But it's so beautiful and comfortable, so cuddly and sensual, I cannot help it but spray with abandon and wonder why do almost all delicious things in life have to be so expensive.
Edit, long time after .... Very similar to Bois Dolce di Giorno ! Chances are you can find that on sale ( even though it's a numbered edition ) . But that is a tad spicier and more unisex than this .
The manly innocuous nighttime alternative to Chinatown. It's gourmand, but it doesn't appear to be. Sweet anise cookie with spices of cardamom to round out the opening, then woodsy cedar and sandalwood to round it out...
Delicious! Could last a bit longer on my skin! Only getting about 4 hours out of this one....
This was quite an interesting fragrance; it began with a whiff of bright mint, lasting only a second. The mintish note weaved in an out through the first hour or so of the development. The scent then morphed into a lightly gourmand side, reminding me of chocolate, but a good dark chocolate, not too sweet. This did not last long, and as the fragrance went into the final phases, I got interesting and light spice with depth. Might even be full bottle worthy!
Lovely fragrance. To me it smells 'green' and warm. Sorry, I'm not that great at describing fragrances, but this is more or less the way it smells to me -- one of my favorites from the Andy Warhol series. I also recommend Silver Factory.
A nice unisex fragrance, that would go better for women. At start i got a buttery smell, very pleasant, gourmand. And like the french says, everything is better with butter.
This is gorgeous!
Thanks to a generous Fragrantican, I now own some of this beautiful perfume. The first thing that came to mind when I tried this one is, this is what an absinthe perfume should smell like in order to be wearable. I find a lot of absinthe perfumes too scratchy, dry or bitter. Here the cardamom balances the star anise very well and makes it more gourmand. I know this is a chypre, but the cardamom is so "freshly ground" that it is more a sweet note than a spice note to me.
I love any evergreen type of note so I love the cypress in this. It is a wintery/woody scent, very grounding and comforting. The peony adds a surprising floral note that is very creamy and warm. It renders this perfume very feminine althoug I could see a man's skin pulling more of the sandalwood/cypress notes. Truly unisex. The sandalwood note keeps this blend a little mystical to me. Like a "churchy" smell that I just love in fragrances!
The dry down is very chypre floral on me. An unusual development as I usually get florals first and woods/amber, etc. last.
Cypress and cold cardamom - funnily enough I kind of like it. It is not sickening and almost has this aromatherapy-feel to it. Calming, smells like an exclusive tea with one drop of peppermint. Not masculine.
I just received LA today. It is still summer, but I can imagine how wonderful this one is going to be during the cooler months...This is the third Bond fragrance that I have bought blind, and I have yet to be disappointed. The right man could pull this one off, but I would typically categorize this one as more feminine. These fragrances are among the most unique and classy that I have ever smelled.
عطر ممتاز ريحه نظافه. لكن. ثباته ضعيف
This fragrance to me is a steaming cup of artisanal spiced Hot Chocolate on a cold rainy day -- the epitome of comfort! It just makes me feel loved :) and the feeling is mutual...
buona fragranza,femminile e dolce.
chypre a tratti e gourmand all'inizio.. poi
si percepisce sopratutto la frutta che qui' sopra non e' menzionata.credo sia albicocca anche perche' a meta' strada somiglia molto a daim blond di serge lutens.
un pizzico piu' giovanile e speziata.
cmq la crema catalana nel finale ce piace!
Lexington Avenue is a very contradictory scent. I don't usually care for scents in the chypre category, but the notes in this perfume are gourmand, spicy, and soft, making it more appealing to me than a typical chypre. The first 10 minutes of the scent are lively and bright, and then it dries down into a blurry, dreamy, soft blanket of fragrance incense, warmth, and a delicate cinnamon. I get a VERY warm feeling from this perfume, with the slightest hint of peony in the background and finally, the patchouli and sandalwood which add to its appeal. Interesting and pretty scent, more geared toward women than men, IMO.
I get no sense of purpose from this perfume. It doesn't use genre, style or its notes toward any particular point. A confused start, a quick deflation, an off-putting sweet, musky-gourmand lingering finish.
Without intention, or a strong statement of form, all one can read into a perfume is that the producer imagines that somebody out there will think it smells nice. That's not enough for me, especially at this price.
Bond N° 9 Andy Warhol Lexington Avenue. My goodness, what a fragrance this is. A lovely lemon bounces off the top in the first five seconds on skin, but it rapidly and seamlessly fades into a magnificent cypress and anise. This duo, boasting total note clarity and separation, gradually (in about five minutes) melds and loses focus, becoming a warm cardamom, pink pepper and patchouli affair. Hints of peach and vanilla emerge in the far periphery, but little else embellishes the sumptuous Christmas candle effect. The fragrance is muted over time with soft peony, cedar, and sandalwood, but remains solid and quite lush for several hours. I suppose the central criticism of AW Lexington Ave is that it's very close to a Yankee Candle smell, the kind you light in early winter, particularly around Christmas. Applied judiciously, it emanates with utter warmth as a sweet and friendly come-hither-by-the-fire scent. Too many sprays, and you're likely to go into cypress and pink pepper overload. Otherwise, this is a beautiful and amiable seasonal fragrance for either sex.
This one, I found much more to the feminine side, I do not think I could pull it off. I'm finding the smell of Lexington Avenue a little bit confusing with a strange mix that reminds me of those air fresheners. Fruit/spicy/floral aroma all mixed togheter, specially with an opening granted by pear that is very good. (Don't get me wrong, overall it isn't a bad fragrance AT ALL!!)
This perfume is great. It's first chypre that I can wear and it doesn't smell too feminine or too masculine. It has this gourmand sweetness, and I love spicy cardamom, peony, and pronounced patchouli in this. Unusual for me but very wonderful. I love it I wish I bought this instead of Bleecker St, which is also unusual but I hardly want to use it.
Another gorgeous modern chypre by Bond no 9, ANDY WARHOL LEXINGTON AVENUE is a close cousin to BRYANT PARK. I think that Bond has their own unique chypre thing going on here, as I have never smelled this particular genre of chypre anywhere else, yet LEXINGTON AVE and BRYANT PARK really do remind me of one another--and that's a good thing in this case!
The dominant floral of LEXINGTON is peony, in contrast to BRYANT PARK, which features lily of the valley and rose. The former has a very different spice line up as well. Yet somehow the backbone of these frags is the same. I love, love, love 'em! Not too sweet, not too murky, patchouli without the hippy. Floral and spicy and fruity, but all blended together seamlessly. Major wrist-sniffer chypres!
For those looking to acquire one or the other--but not both--LEXINGTON has somewhat better longevity, at least on my skin...
Guuuuuuu!!!! Luvvvlyyyy!!! I tried this perfume in a niche store and, setting apart the crazy pricetag, I enjoyed that till the end. This is a gorgeous intense deep spicy woody scent with a sweet edge and in spite of its intensity it's never cloying.
On my skin it is mostly cypress, allspice and sandalwood: heaven! A warm, cosy heaven for winter!
It's very lively, almost playful, bright and happy. It didn't burn my nose like so many modern mainstream fragrances. It reminds me a lot of old fantastic Guerlain Aroma Allegoria Exaltant with cinnamon and wood notes, a totally uplifting warming scent, sadly discontinued. That said, back to pricetag and on earth, I simply can't afford it.
Quite simply this is absolutely wonderful yumminess! I am so in love the the fresh cypress and the spiciness of the cardamom and allspice that burst right through upon first application. Those notes soften a bit and I smell juicy pomegranate. Then there is an amazing warm, creamy sweetness that is so comforting.
This makes me think of my home on Christmas day. The aromas of spiced pomegranate cider gently warming on the stove, the Christmas pine tree, the warm honey-rich scent of freshly baked pie that is lingering in the air....
Lexington is exciting and comforting at the same time. Love this stuff!
So spicy, it burns deeeeep in my nose when I inhale...so sugary it hurts my teeth. I love this rich and vibrant concoction. It keeps my senses dancing, and at the same time, makes me swoon.
A lot of spicy-fruit scents give me the impression of walking through the door of an arts-and-crafts store in the fall, where cinnamon and potpourri fumes abound, and which I can most certainly do without. A lot of scents from Serge Lutens (for reference, see Ambre Sultan, Arabie, and Five O'Clock Au Gingembre), seem to be far too heavy on the spice, and to have skimped on the dark fruits and vanilla.
Lexington Avenue is a good mix of all three, combining hints of plum and fig, with a hearty dose of sandalwood and vanilla (though most of those notes aren't listed in the scent description, I smell them, loud and clear). There's a hint of almonds and something brighter - more alluring and not fruity or foody, yet yummy and imaginative.
I didn't expect to like this one at first; it seemed unoriginal. But as time wore on, I noticed how well-blended it is, and how it remains spicy and fruity without ever wandering off into dessert, or crafts-store territory. I added it to my wish list because I've yet to find a scent that does an autumnal spiced-fruits theme any better than does Lexington Avenue. However, unlike 99% of the people who like this fragrance, I'm not a huge fan of the bottle itself and wish it were a clear glass bottle decorated with shoes instead of an opaque one, as those always makes me dread that moment when the last spray comes out and you're unexpectedly left with an empty bottle.
I thought I had a bon bon of the Astor Place. I put it on and smelled candied fruit anise, some spice - I couldn't think what, and sandalwood. Later I thought, oh maybe a little patchouli as well. Of course, when I got to work and looked at the notes I was all shades of confused. I just realized what went wrong - I have Lexington Ave not Astor Place. Everything but the fruit. This is a happy scent. It reminds me of holiday candles. I think I prefer it for winter, but I don't think it needs to be worn in winter exclusively. The longevity was not impressive, but it was reasonable.I could smell it for about three and a half hours.
Today I was inspired by a dessert a friend made: Creme Brule with bits of course Black Volcanic Salt.
I enjoyed this scent because it does remind me of a cream brule (my favorite dessert). So using the sample I have, I decided to mix it with Bond No. 9: Coney Island (smells like margaritas to me).
The end result is you are left with the creaminess of this fragrance with hints of saltiness from Coney Island.
I am going to have to purschase a bottle of AW: Lexington Avenue because this combination was truly remarkable.
Update: AW Lexington Ave added to collection 10/2009.
Forget Lolita Lempicka, Jean Paul Gaultier, and of course Angel Man. If you want something with a Gooooood/Sweet Smell go with this, bit pricy, but hey....... you live once!.
Bond No. 9 Fragrances have a way of seducing you. This one, the lastest to the Warhol Collection takes a different approach to the seduction.
First, you are welcomed with the scent of slightly sweet & spicy berry notes. You can smell some flowers near by but unable to locate them. Wondering "what is that amazing floral scent?"
After serveral hours, the dry down is introduced. Imagine yourself in a nice restaurant after a great meal, the waiter brings to you a creme brule. You can smell the sugar that has just been torched. The caramelized sugar notes leaves you wanting more.
Bond No. 9 does it again. They are truly worth the price. I have yet to be disappointed.
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text: Denver's budget problems are growing worse: The city must cut $120 million over the next 18 months, says Mayor John Hickenlooper, citing eight months of declining sales-tax revenues. The $120 million is more than 12 percent of the city's general fund of about $950 million, the Denver Business Journal points out. "We all know that making good financial decisions today, even though they are difficult decisions, will put us in a better position to manage the organization no matter what the future holds," Hickenlooper wrote in a letter to city employees. As for what might be cut--or the possibility of layoffs---Eric Brown, the mayor's communications director, tells 7News that "everything is a possibility." Low sales-tax collections aren't the only reason Denver is suffering. Investment income is down a whopping 41 percent this year, and revenue from construction permits is off by 60 percent, writes The Denver Post. At least Westword has found a way to have a laugh at the bad news, noting that a mayor's office press release outlining the crisis was dated June, rather than July, writing, "Apparently, the administration's first cut was an entire month on the calendar."


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This is not news, but a question: Why is Anderson Cooper so juvenile-acting on his morning show?
This is not news, but a question: Why is Anderson Cooper so juvenile-acting on his morning show?
"...each affects the other, and the other affects the next, and the world is full of stories, but the stories are all one." - Mitch Albom, one helluva writer.
When you throw a rock into a pack of dogs, you know which one you hit by the one that yelps!
Because that is who he is and he has no opportunity to expose that on serious news shows. I DVR his shows but exercise FF a lot.
He can be very annoying. "What's the point?" drives me nuts. What is the point of pickles and waffles (to name 2 on a very long list), the taste and texture, Anderson. Surely at your well traveled age you have come to understand many people eat a wide varity of food.
And I could go on with "big hairy Hobbit feet" and other things that he mentions way too many times.
On the flip side I like his outspoken skeptic side. A pet psychic and clairvoyant have been guests and he does not hesitate to poo poo them. I also like the youtube videos he finds amusing. And he seems like a good sport when pushed to try new foods.
Jerry Seinfeld and his wife are close friends and Sasha razzes him endlessly on his food trip.
McDonalds #1 meal is his favorite food and he limits himself to once a month. He is full of quirks, some of them endearing and others not so much!
I happened to see that show. That thing with the jeans just GOT me. FIRST of all, WHY would you not wash your jeans more regularly than every six months, or whatever ridiculous time frame it was that he said? SECOND: WHY IN THE HELL WOULD YOU ADMIT SOMETHING LIKE THAT ON NATIONAL FREAKIN' TV??????????
I was barfing right alongside you, and I haven't sat still for even five minutes of one of his shows since.
"In a world of pollution, profanity, adolescence, broccoli, zits, ozone depletion, racism, sexism, stupid guys and PMS, why the hell do people still tell me to have a nice day?" - Unknown
Spring 2016 FoRT Yearbook Title: "Most Likely to Make a Short Story Long, and a Long Story LONGER!"
About Michael Jackson's family not caring about Michael's children's actual lineage, I meant that they don't care in a good way, if that makes sense. They see them as true family members, and have totally taken them to their hearts, no matter what. I guess if any one really wants to know the parentage, it will have to be the children, themselves.
Anderson is a case of arrested development, very early middle school, complete with the sophomoric giggle.
"...each affects the other, and the other affects the next, and the world is full of stories, but the stories are all one." - Mitch Albom, one helluva writer.
When you throw a rock into a pack of dogs, you know which one you hit by the one that yelps!
I like Anderson. I don't care what his laugh sounds like. I find him endearing. He's a smart guy who got where he is by working his tail off. He never used his family to open doors.
I think he's a product of an upbringing that most of us can't even fathom. He had money and privilege, but he also was raised by someone who I don't think was parented very well.....at least not by her actual parents. I don't think his mother was negligent or not loving, but he does tell stories about how they never had conventional meals and how it wasn't uncommon to eat hors d'ouerves all the time that were left over from big parties. Add to all that the fact that his father died when Anderson was young and then his brother committing suicide. I'm amazed he's as together a person as he is.
Technically, you actually aren't supposed to wash your jeans very frequently as it breaks down the fabric and can cause the fabric to fray and distort. Not that I don't wash my jeans, but I'm just saying.....
Anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that 'my ignorance is just as good as your knowledge.' - Isaac Asimov
I was thinking of the immortal words of Socrates, who said, "... I drank what?"
It's not him, it's the show. The format is dreadful...one minute it's drug addiction or OCD, the next it's beauty tips or celebrity gossip, then it's dinner-in-under-30-minutes recipes. I also dislike all the C-list celebrity guest hosts. He's a nice man (odd giggle notwithstanding) and I enjoy him discussing more serious topics. Frankly, I think he's too good for such a silly daytime show. Right now, if I squint at the TV, I can't tell if I'm watching Ellen or Anderson until the dancing starts.
All my life, I have felt destiny tugging at my sleeve.~ Thursday Next
I don't want to "go with the flow". The flow just washes you down the drain. I want to fight the flow.- Henry Rollins
All this spiritual talk is great and everything...but at the end of the day, there's nothing like a pair of skinny jeans. - Jillian Michaels
The average dog is a nicer person than the average person
-Andy Rooney-
This really belongs in the Bachelor threads under Brad Womack's second season, but the threads are closed. Jackie Gordon, NYC contestant who briefly dated Ames after meeting him on Bachelor Pad, after Brad's season, is engaged. The link I have given does not show a photo of her fiancé,
but if you want to see a photo of them, just google b/c the site I found this info on is not allowed to be posted here.
Jackie Gordon of 'The Bachelor' is engaged - Oklahoma City TV | Examiner.com


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Pilot and Feasibility Project Grants
The Yale Diabetes Research Center is pleased to announce the availability of pilot and feasibility project grants commencing February 1, 2017 for one year to fund collaborative research projects in the amount of ~ $35,000.
Award Description
The DRC Pilot and Feasibility Study Award is intended to provide modest support that will allow an investigator the opportunity to develop sufficient preliminary data to provide the basis for an application for independent research support. Pilot and Feasibility Study support is not intended for large projects by established investigators which would otherwise be submitted as a separate research grant application. Pilot and feasibility funds are also not intended to support or supplement current ongoing funded research by an investigator.
Those eligible to apply fall into three categories:
1) New investigators without current or past non-mentored NIH research project support as a principal investigator.
2) Established investigators with no previous work in diabetes related areas who wish to apply their expertise to a problem in this area.
3) Established investigators in diabetes/endocrinology research who propose testing innovative ideas that represent a clear departure from ongoing research interests.
All eligible investigators must have faculty appointments at the time of the award and be independent investigators.
Priority will be given to new collaborative investigations.
Postdoctoral fellows or equivalent are not eligible.
Each pilot and feasibility study proposal should clearly state the justification for eligibility of the investigator under one of the above criteria. The proposed pilot and feasibility study should present a testable hypothesis and clearly delineate the question being asked, detail the procedures to be followed and discuss how the data will be analyzed. The proposal must be on a diabetes-related topic and be submitted using the NIH research project application (RO1) format (PHS398). Projects should be well focused since funding for these studies is modest and is limited to two years or less. Applications can be obtained through the DRC Office at The Anlyan Center for Biomedical Research at 300 Cedar Street, Room S141, this website or by emailing Kathleen Marcucio.
Pilot project applications should not exceed 7 typewritten pages, excluding the following: title page, abstract, budget, budget justification, biographical sketch and selected references (2 pages maximum), other support (list diabetes-related support first, followed by nondiabetes-related research support), and resources and environment. Please use the following general guidelines:
- Specific Aims (1/2 page limit)
- Background and Significance (1 1/2 page limit)
- Preliminary Data (2 page limit of scientific results)
- Methods (3 page limit)
These shorter write-ups for new pilots will facilitate both internal and external reviews. Please be certain to include an abstract.
You can download the application here.
Application Review Process
In the fall of each year, the oversight committee selects 2 external reviewers for each Pilot and Feasibility submission and then subsequently meets to discuss the merits of each pilot project taking into account the critiques provided by the two external ad hoc reviewers and the recommendation of the assigned committee member to determine a priority score (in accordance with the NIH system) and to determine the level of funding for each proposal. Once a priority score and budget has been determined for all of the applications under review, the Executive Committee gives final approval of the level of funding for the program in the subsequent year. The Oversight Committee, chaired by Dr. Kevan Herold, also reviews the progress reports submitted if a second year of funding is requested and makes recommendations to the Director.
Applications must be received by Kathleen Marcucio by November 16, 2016. These applications will then be sent to external reviewers and we will announce the results by late January 2017.
Please email your application in both word and pdf to Kathleen Marcucio.
Director, Kevan Herold, MD
Department of Internal Medicine
300 George Street, Suite 353
P.O. Box 208020
New Haven, CT 06520-8020
Email: firstname.lastname@example.com
Telephone: (203) 785-7901


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Hello, firends. For sale is my Canon SD 960 IS with canon housing and Inon Wide angle Bayonette style wet lens. This is a great little camera package that served me well, it has just been sitting in my camera closet so its time for it to go to a new home. The camera is great out of water as well and easily fits in a pocket. New this setup would cost:
Lens Mount:120.00
Selling complete package for $650.00 or best offer
Canon SD 960IS Complete Wide Angle Setup
Started by zransom, Nov 23 2012 10:59 AM
2 replies to this topic


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Northern Tool + Equipment Ultra-Tow XTP Ball Mount Products
Northern Tool + Equipment expanded the Ultra-Tow product line to offer new and improved towing products, including a premium line of ball mounts. The premium Ultra-Tow XTP ball mount products were created for advanced rust resistance. The Special Channel System design, in combination with the XTP 2-Coat System, which is comprised of an E-coat base with a black powder-coat finish, prevents the common problem of the ball mount rusting into the receiver, ensuring the ball mount can be easily removed when not in use.
All XTP ball mount models are engineered with a built-in lockrail system, which allows the chrome hitch ball to be tightened or loosened with a single wrench. The Ultra-Tow XTP line offers individual ball mounts or ball mount kits that come equipped with a flat wrench hitch ball, and hitch pin or locking hitch pin to ensure safety and security. A variety of sizes are also available for diverse towing needs. For more information visit www.NorthernTool.com.


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Matthew J. Taylor
Phone: 303-871-2656
Email: email@example.com
Personal Page
2003 PhD, geography, Arizona State University
1996 MS, geography, Louisiana State University
1993 BS, geography and Spanish, Louisiana State UniversityResearch Interests
I focus on human-environment relationships in Latin America. I spend as much time in Latin America as my teaching schedule permits. My interests in human-environment relationships in Latin America run the range of geographical inquiry. For example, I examine the impacts of rural electrification on firewood consumption, how migration to the United States changes land use practices and ownership patterns on Guatemala's frontiers, how forty years of civil war impacted the environment, how community cohesion (social capital) influences resource use, the interplay of human population dynamics and biodiversity, long-term (14,000 years) human modification of the environment in highland Guatemala, and water resource management on evolving frontiers. My teaching interests match my diverse research interests. I love to be in the field in rural Latin America. I encourage students who want to undertake research in Latin America to pop into my office for an exchange of ideas.


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Interested in a popular vape? Short on time? Be sure to check out the Best Of threads for Plug-Ins and Portables.Dismiss Notice
What does SSTB mean? See our glossary of acronyms.Dismiss Notice
Some thoughts about animal products...
Discussion in 'The Vapor Lounge' started by Abysmal Vapor, Jun 23, 2011.
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Australia seeks Audiologist to live and work in Australia. If your occupation is Audiologist, as described in the Australian and New Zealand Standard Classification of Occupations (ANZSCO) 252711, then your skills are currently in Demand.
Audiologist is on the State Sponsorship List for one or more Australian States/Territories. You may qualify for a lower required pass mark in your points based work visa assessment, and for priority processing to fast-track your work visa application.
Provides diagnostic assessment and rehabilitative services related to human hearing defects. Registration or licensing is required.
If your occupation does not match the


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It serves as a prelude to a collection of new material fans can expect soon courtesy of the Swedish gents. What makes "Calling (Lose My Mind)" extra special is the addition of an A-list vocal by songwriter to the stars and OneRepublic frontman Ryan Tedder. Tedder wrote and sent over a hook intended for another artist to sing, but what Seb and Alesso heard was too good to replace.
Ingrosso leaned on his friends in the business to arrange some one-on-one Tedder time.
"I called a friend of mine who works for Interscope, Dave Rene," Sebastian told MTV News. "He is Mr. Magic when it comes to those kinds of things. I'm like, 'It's going to be a long shot. Do you think that Ryan Tedder could do it?' We sent the track. [Ryan] was like, 'OK. I have 45 minutes in between the American Music Awards.' We ran to the studio, because I live around the corner. Boom. Recorded. Boom. Done."
Having arguably the most sought-after songwriter in the business — Tedder has worked with Beyoncé, B.o.B and Kelly Clarkson, to name just a few — has proven quite successful. This week, the song sits at #2 on Beatport's top 10.
"Ryan Tedder has that voice that everybody likes," Sebastian continued. "You can have his voice in your home, and he's a very nice guy. I think he's one of the most talented songwriters in the world. He does stuff for Adele, so for us, it's a huge honor even to be working with him."
The release of Alesso's next single, the melodious and summery "Years" (Interscope artist Matthew Koma is on the vocal version) is on the way, as well as a banger cut from the cloth of his more sinister hit from last year, "Nillionaire." "He hasn't named it yet," Seb revealed. "I'm dying to release it. I play it all the time. It's one of my favorite tracks at the moment. It's really edgy."
Fans can also expect a Sebastian Ingrosso collab with Tommy Trash, a new solo original, and an Alesso, Steve Angello and Seb team-up on "Why Am I Doing This?" all dropping in the coming months.
Copyright : MTV.com


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A well-known whistle-blower in the Bureau of Alcohol, Tobacco, Firearms and Explosives confirmed to FoxNews.com that he was fired this week, and he claims his complaints about Operation Fast and Furious played a role in his dismissal.
Vince Cefalu said he was served his termination papers Tuesday in a Denny's parking lot in South Lake Tahoe, Calif. But he doesn't plan to go quietly.
"It will be challenged," he said.


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Rocker Jimmy Page at the Mandarin Oriental smiling at an astonished passer-by who could only muster, "Jimmy?" . . . Matt Dillon at Dizzy's Club Coca-Cola . . . Hugh Jackman and wife Deborra-Lee Furnes
s interrupting their tour of a $3.5 million Water Mill home while house-hunting in the Hamptons to check on the welfare of their dog, who was left waiting outside . . . "Bachelorette" Ali Fedotowsky at the bar at Old Homestead Steakhouse . . . John Legend and four friends at Rosemary's on Greenwich Avenue.


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Sponsored by Harvard Business School | HBS Campus
Accounting & Management Unit
All Seminars and Conferences »
Alyssa Konopka Accounting & Management Harvard Business School Morgan Hall 390D Soldiers Field, Boston, MA Telephone: 617.495.6760 E-mail: email@example.com
Welcome to the 2013 Information, Markets, & Organization Conference. Attendees will include practitioners, faculty and doctoral students from HBS and other US and international schools.
The conference will be held at the Harvard Business School in Boston, MA.


text: Nintendo's President Plays a Thief in Game & WarioEvan Narcisse12/05/12 12:44pmFiled to: Wii uGame & WarioSatoru Iwata20EditPromoteShare to KinjaToggle Conversation toolsGo to permalink Announced today during a Nintendo Direct broadcast, Game & Wario bundles together 16 mini-games where players with the Wii U gamepad and Wimotes will compete against each other. One game called Fruits will have players stealing edibles while the others try to catch him. In the video above, Nintendo president Satoru Iwata snatches an apple and challenges you to spot him. Who figured it out?


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36 Units of STELLA ELYSE TROPICAL FLOWERS PRINTED COTTON LEGGINGS
Supplier Details
Verified Supplier (2009)
[ Brooklyn, New York, United States ]
Business Type: Wholesaler
Supplier has 77,280 products
Product Description
Size: Small/Medium Color: Mixed Composition: 95% Cotton, 5% Spandex These cotton leggings are printed with oversized floral blossoms and tropical plants in a pleasing cool color scheme. Please note: 1 unit contains 3 pieces.
Basic Information
About Us
Premier Online Wholesaler and Closeout Dealer on the web. We help small businesses to compete against larger enterprises by offering more than 25,000 high-quality goods at prices close to those at which large chains purchase.
All Time Trading sells its products by the case and prices the goods by the truckload. The company helps its customers to select those items, both seasonal and everyday, which sell quickly to promote both a higher inventory turn and better margins.


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Crisp tortilla bowls transform fruity chicken salad into an eye-catching dish, suitable for a special lunch or party. What a fun, convenient way to make a salad into a meal.—Ronna Farley, Rockville, Maryland
77 Tropical Recipes for a Taste-cation Anytime
- 3 cups shredded cabbage
- 1/2 cup sour cream
- 1/2 cup salsa
- 1/3 cup frozen corn, thawed
- 1/3 cup chopped green pepper
- 6 flour tortillas (8 inches), warmed
- Cooking spray
- 2 packages (6 ounces each) ready-to-use grilled chicken breast strips
- 1/2 teaspoon chili powder
- 2 teaspoons butter
- 1 medium mango, peeled and cubed
- 1/4 cup minced fresh cilantro
- In a large bowl, combine the cabbage, sour cream, salsa, corn and green pepper. Chill until serving.
- Place six 10-oz. ramekins or custard cups upside down in a 15-in.x 10-in.x 1-in. baking pan. Lightly spray warm tortillas on both sides with cooking spray. Place over prepared ramekins, pinching sides to form bowl shapes.
- Bake on the ramekins at 425° for 8-10 minutes or until crisp. Remove from ramekins to wire racks.
- In a large skillet, saute the chicken and chili powder in butter until heated through. Spoon cabbage mixture into tortilla bowls; top with chicken, mango and cilantro. Serve immediately. Yield: 6 servings.
Originally published as Chicken and Mango Tortilla Bowls in Country Woman
February/March 2012, p37
Sweet White Wine
Enjoy this recipe with a sweet white wine such as Moscato or a sweet Riesling.
Reviews for Chicken and Mango Tortilla Bowls
Please Log In or Join to add a rating and review.
Click stars to rate
Any changes to your rating or review will appear where you originally posted your review
Reviewed Jan. 31, 2013
"My husband and I loved this meal! We halved the recipe since it's just two of us, and it worked perfectly. I did find the tortillas were good at 8 minutes in the oven. We also left out the cilantro as we're not a fan."


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Homes & Land of Southeast Coastal Georgia Including St Simons Island real estate and homes for sale in Brunswick, Townsend, Darien, and more. This Issue's Cover This issue, our magazine is full of great properties and services to help you in your real estate search. Look for us in hundreds of popular retail and office locations throughout this community. |
Homes & Land of Southeast Coastal Georgia
Area Resources Real Estate Services Visit our Local Real Estate Blog Sea Island Receives Forbes 5 Star Articles & Tips Whatever your Real Estate needs or interest, we have information that can help! View Articles About This Magazine For Advertisers Current advertisers login here. Southeast Coastal Georgia |


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markkevin (Fan Art Portfolio) "I'm alive!!"
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text:
Raymond James Downgrades InfoSpace
Raymond James downgrades InfoSpace (INSP ) to outperform from strong buy.
Analyst Mike Latimore downgrades based on what he sees as increased scrutiny regarding the mobile content strategy at Cingular (InfoSpace's largest wireless customer).
Based on industry contacts, he believes Cingular is doing a detailed review of its content strategy, and is seriously considering doing more direct relationships with record labels, as well as using additional content aggregators.
While the company stands to benefit from increased subscribers from AT&T Wireless, he believes there is enough uncertainty about Cingular's long-term strategy regarding content.


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BEST. EPISODE. EVAAA. We've officially reached the midpoint of the series. OK – 'nuff said. On to the recap!
Seol Hee meets Jin Bae near the entrance and he hands off the CD. Ji Wook and Seung Hye discuss why Seol Hee could possibly want a recess (are they that dense?) and they only realize what's going on when told that she requested a media room. Ruh-roh.
Ji Wook dashes to catch up to Seol Hee and asks her what she's holding. Stupid question. He tries to stop her from using the evidence, because it might be fraudulent, but Seol Hee says she's only going to check it. Getting desperate, Ji Wook says, "Now that I consider it, there's no reason things have to be this way. How much do you want? Tell me what you want. I'll give it to you."
Her curiosity piqued, Seol Hee muses what could possibly be on the CD if he's acting this desperate. She wants to talk later, but Ji Wook demands to know her price. Seol Hee replies, "Not once have you ever listened to my words. This time, you will have no choice but to listen." And she goes in the room.
BOO YA! Nothing tickles my funny bone more than seeing two desperate lovers caught in the act. It's OK Ji Wook – you're not the first wannabe politician to have an affair; don't worry, you'll fit right in and you'll get elected.
In the room, Seol Hee hesitates for a moment on whether or not she should play the CD. But she plays it – and sees her husband and Seung Hye making love.
Back to the courtroom we go – Seol Hee announces that she has a piece of evidence to submit, and it will "show the reason for the failure of the marriage between the defendant" and her. Seung Hye tries to stop it from being played, saying that Seol Hee never submitted a list of evidences before trial, but the judge lets Seol Hee get by. He seems to want to side with Seol Hee, but doesn't have unbiased proof to base it on.
The CD is played…. and it's a collection of clips from Seol Hee and Ji Wook's wedding and honeymoon. Everyone, get ready for your bug-eyed close up shot please!
The Ji Wook of five years ago is very loving, and considerate of his pregnant wife during their wedding. And he's smiling. They switch to their honeymoon, where Seol Hee greets their unborn baby with a video camera and calling him "Kkong", which used to be Ji Wook's nickname too. Though Ji Wook is concentrating on his work, he takes the time to greet their baby and wave at the camera. He even does a "heart" sign – WHERE IS THIS JI WOOK NOW?!
Ji Wook is clearly affected by a glimpse of his past. Even Seung Hye is tight-lipped – I doubt she's ever seen this side of him. There isn't a dry eye left in the room (except MoaE's) and Seung Hye stands up for an objection – Seol Hee just showed the court irrelevant evidence.
Seol Hee requests to make her final statement, which the judge agrees to.
"While forgetting all of our past memories together, I found this CD. Of course, you calling me a relentless, money hungry snake, this evidence may not flip that argument around. Though I hate you so much I could die, and I want revenge on you, it seems I just couldn't throw it away. Whether you admit it or not, you and I – a long time ago in that one moment – I think we truly loved each other. Even today, sitting here, I thought for a long time, 'Why on earth am I fighting this fight?' 'What is it that I want from you?' Thinking over all the things that happened in the past, what I wanted from you was one word of apology. 'For a short while, I loved you. I can't do that any longer. I'm sorry. I couldn't let you go as you were. For starting this horrendous war, I'm sorry.'
"Your Honor, when I first thought of divorcing, it all started because of my rage towards my husband and my in-laws for not allowing me to do the bone marrow transplant for my dying sister. I dont' deny it. However, during the trial I was accused of being a woman who entered a fraudulent marriage for money, a shameless woman who trampled over a blameless man's life. I felt wronged and couldn't help but feel angry. All the evidence that the other side brought in…how solid and tight they fit…I even wondered if I was that sort of person. I was so mortified and vexed that I couldn't sleep or eat. No matter what I had to do, I had to clear my name of this wrongful accusation. I would reveal Cha Ji Wook's hypocrisy for all to see. But…as I found more evidence to destroy that person, I had a strange thought. The things that made me so angry…the behavior of my in-laws… I realized I was doing it too. I was so ashamed of myself. From now on I won't lead a cowardly life. I won't lie to myself any longer. Mother – always hearing you calling me 'worthless' and 'a thing like you', whatever you call me, the fact that I am 'Jun Seol Hee', I am proud of that. From now on I will show you this. That is the exact reason I came into court."
What does Seung Hye have to say in return for her closing statement? Nothing more than just reiterating that Seol Hee made Ji Wook's entire marriage become a sham. But Ji Wook no longer believes that – he doesn't look like he does. And Seol Hee just smiles.
They all leave the courtroom, and Ah Reum breaks down in tears. The four girls support each other, and everyone cheers Seol Hee on, knowing that she is the winner no matter the outcome. Seung Hye and MoaE on the other hand, think that they've got it in the bag. After all, they have the evidence; Seol Hee just brought the emotion. But Ji Wook is still stunned. He tells Seung Hye that Seol Hee really did have the incriminating CD. She just didn't use it.
Tae Hyun is also anxious about the outcome for the case, and he waits until Jin Bae comes back. Tae Hyun is convinced that Seol Hee lost, but Jin Bae says he takes back his comment about Seol Hee being too kind-hearted. He gave her the most solid piece of evidence, and she didn't use it. It took a lot of guts to show her wedding video instead, and in the end, she'll come out as the winner.
That night – Ji Wook drinks himself to a stupor, trying to erase memories of Seol Hee's speech. And Seol Hee sings a ballad that evokes her loneliness. Tae Hyun passes by the studio, and listens, without ever announcing his presence.
But life moves on! The Comeback Madonna Band have a hard time booking gigs because all people want is Ran Hee. That, and Seol Hee hasn't shown up to practice in over a week. When Hwa Ja goes on a sales call to a manager at a supermart, she overhears that they're in need of singers at the last minute. Hwa Ja, using her fluttery language, convinces the manager to hire the band. Now if only the Madonnas would agree…
Seol Hee shows up, but mainly because they have a gig down and scheduled. No one is pleased to find out that they're performing in a local supermart, even less so when they find out that Hwa Ja sold the band by misleading the manager into thinking that Ran Hee would be present. Since they have no choice but to let the band perform, the girls take the stage. A bunch of ahjummas and their daughters all gather around the makeshift stage, and the Comeback Madonna Band start getting really into the performance. Even some of the ahjummas recognize the girls as the band that was in the documentary.
Too bad that the supermart also decides to broadcast their meat sale at the same exact moment, and the Comeback Madonna Band's audience disappears.
Hwa Ja throws a fit with the manager, who fires back that she lied to him. Seol Hee takes control of the situation and apologizes, but the manager throws the last insult: he won't be needing ladies like them who sing only old songs.
The girls get into a freight elevator, where "Genie" is playing in the background. They ask Ah Reum if SNSD is considered modern enough, and the dance can't be too hard right? Cue four girls dancing to "Genie" in the elevator! (Seol Hee even does the "leg move" backwards. LOL)
Kwang Yul tells Soo In that practicing will make no difference if they don't have a gig. Soo In suggests that he train them, give them some direction, but Kwang Yul offers Tae Hyun as a director. After all, it can't hurt to ask him. Soo In doesn't think he would, but Kwang Yul disagrees – after all, Tae Hyun was the one who got them the gig at the Live Cafe. Kwang Yul also dishes that Tae Hyun may like Soo In.
Soo In gets all flustered, even though Kwang Yul immediately voices his disapproval. She laughs off his comment and runs away. But as she sits alone in the attic, her face becomes serious and thoughtful. And the hints were not for nothing!
Since Soo In also asked Seol Hee to see if Tae Hyun would be interested in helping out, Seol Hee reaches out to him first. She thanks him for snagging that second performance for them. Tae Hyun asks if she's really planning on being a musician full time – after all, she may not get anything from the divorce case, and he teases that no one is going to want to hire someone as old as she. Seol Hee huffs, and then hands him a cake – for Noori. She awkwardly apologizes for being short and insensitive towards him when he admitted his connection to Seung Hye. Tae Hyun only smiles, and, getting a little flustered herself, Seol Hee runs off.
Finally the outcome of the trial is out: Seol Hee and Ji Wook will divorce, and Seol Hee will not get a penny.
Ji Wook has no reaction, although he's a bit bothered by the verdict. Seung Hye notices it, but he brushes it off. She's losing her footing now, because she had completely expected him to be happy and rejoice in her arms…and Ji Wook is having none of that.
Instead – Ji Wook calls to meet Seol Hee. This time, Seol Hee is reluctant to meet because they technically have nothing to do with each other. Ji Wook hands her an envelope of money. He doesn't want her to misunderstand though – he merely wants to help her until she can get back on her feet and earn money. Of course, it can't hurt if she keeps a low profile as well, but this time that is not a condition to accepting the money.
Seol Hee rejects the money. She isn't going to be offended, but she just doesn't want to rely on him. She's afraid that because of this "gift," she might be somehow connected to him and will never really be able to let go of him. And then, she leaves – hopefully to never see him again. I highly doubt that, but OK.
It's a noble act to reject the money, but also a little dumb because Seol Hee finds herself hit with a bunch of bills and very little left in her savings. She starts job hunting, but every position is either already filled, or she does not qualify. As she slurps up some ramen, Seol Hee gets a bright idea.
She goes over to Jin Bae's office, bearing cake and a sweet disposition…but no one is there. As she sits down to wait for Jin Bae to return, a beaten woman suddenly rushes in and hides behind Seol Hee, asking for help. In comes the woman's abusive husband.
The husband wants Seol Hee to get out of the way so that he can properly beat his wife. Seol Hee immediately takes control of the situation (I love how she always takes control and people just listen to her), and she looks at the bruises on the wife's face.
Seol Hee: From the extent of her injury, it looks like you hit her with more than just your hand. This is not just regular assault, but one with weapons, and trespassing on another's property…we will sue you… If you are going to keep acting this way I will call the police!
The very-pissed-off husband lunges at Seol Hee, ready to hit her, when Jin Bae reenters the office. He reprimands the husband – just what exactly is he doing to his office clerk?
Office clerk!?
Jin Bae orders Seol Hee to get the necessary paperwork. Seol Hee is stunned, but she plays along, and Jin Bae gives her a sly wink.
I LOVE LOVE LOVE LOVE THIS EPISODE! I don't know why, I just do. I think it's because it pulled at all my emotions at the right pace at the right time. I had tears in my eyes when Seol Hee showed her wedding video instead, and I felt vindicated in seeing Ji Wook suffer from intense guilt. I felt anticipation rising in my chest in hopes that they could perform successfully at the supermart, deflated when they didn't, and giddy when they danced to "Genie." And then I felt total angst when Soo In wondered why she was overreacting so much to the news that Tae Hyun may like her.
By the way, that is SO going to be a twist! Woo! I think that would be VERY interesting to see – especially since Soo In and Seol Hee are such best friends. I want to see how either is going to deal with their affections for Tae Hyun, and I hope Soo In's emotions get explored more. To have all those hints dropped from about four episodes ago is a credit to the writing and the actors for showing just enough to keep us wondering.
I don't know about some, but I am definitely happy that Seol Hee did not show the incriminating CD in the end. Her method worked better for her character, and in the end, everyone who should know, knows about the CD. Kim Seung Soo's nuanced acting really killed me – he was so confused and so startled and so heartbroken at knowing that in the end, it was his fault. And partially MoaE's because she probably brainwashed him.
The post-trial scene killed me: I've said this before, but, I like that each of the four women in the band are at different stages in their lives. Hwa Ja is happily married, with a husband who loves her more than life itself. She has plenty of scenes with her husband – but it's mostly them being lovey-dovey and swearing not to turn out like Seol Hee and Ji Wook. Soo In is single and living it up, but now starting to wonder about what love is like. Ah Reum has everything but an actual ring on her finger, and she is also young, so her desires don't really go well with her present life. Her breakdown after seeing what could possibly go wrong in a relationship shows her youth and her fear that something like that could happen to her and Min Kyu. And Seol Hee is just getting out of marriage, having experienced a very bad relationship, and is ready to stand on her own two feet. If anything, the series may not really end with Seol Hee and Tae Hyun together, but hint that she will keep her heart open for him in the future.
Or he can just go to Soo In.


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This page is archived. It is no longer maintained, and information in it may be dated. A synthesis of our work on Open Educational Resources can be found in the book "Into the wild – Technology for open educational resources" |
CETIS OER Contacts | |
Phil Barker [1] | |
Email: email@example.com | |
Based at: ICBL Heriot-Watt University | |
Phil's JISC CETIS blog | |
Lorna M Campbell [2] | |
Email: firstname.lastname@example.com | |
Based at: CAPLE, University of Strathclyde | |
Lorna's JISC CETIS blog |
CETIS are engaged in a wide range of open educational resource initiatives both nationally and internationally in support of JISC's work in this domain. A major part of our work in this area is to provide technical guidance and support to the UK Open Educational Resource (UKOER) Programmes run jointly by JISC and The Higher Education Academy. CETIS also provides strategic technical input and synthesises and disseminates the technical outputs of these programmes.
This page and subsections provide an overview of CETIS's work with Open Educational Resources (OER), including our support for the UKOER programmes, and list some key resources.
This page and subsections provide an overview of CETIS's work with Open Educational Resources (OER), including our support for the Open Education Resources programme, and list some key resources.
Key sections include:
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