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Osho on Sri Aurobindo
Question - Beloved Osho, Sri Aurobindo declared that there is something beyond that which Buddha calls Enlightenment. His whole aspiration was dedicated towards opening a Door for this New Step in human evolution. Beloved Osho, what could not happen with Aurobindo, Is it happening with you?
Osho - Sri Aurobindo is a strange case. He knows everything about enlightenment, but he is not enlightened. He is one of the greatest scholars of this age, a genius; vast is his knowledge. But his knowing is nil. He knows about the scriptures, and he knows better than anybody else. His interpretation is profound, very logical, but heartless. It is dead; it is not coming out of his own realization.
This is one of the great problems for all seekers of truth: one can get lost in knowledge without knowing anything about the reality. He knows all the theories, all the philosophies, but he is just a blind man who knows everything about light but has not seen the light himself. And it is possible to remain in a deception for your whole life -- because you know so much, and people start worshipping you, people start believing you. And belief has its own psychology: if many people believe in you, you are bound to believe in yourself.
I have often told a small story about a great journalist who died and reached the doors of heaven. The doors of heaven and hell are not far apart; they are just opposite each other. The distance is not much, and naturally one would like to enter heaven. So he knocked on the door. The doorkeeper opened a small window in the door and asked, "What do you want?"
He said, "I am a great journalist. I have just died, and I want to enter."
The doorkeeper said, "I am sorry but I have to refuse you -- because we have a quota; we can have only twelve journalists in heaven. That quota has been filled for centuries -- for centuries, no new journalist has entered. And anyway, even those twelve are utterly useless because nothing happens in heaven. They tried to publish a newspaper, but only one issue appeared -- because there are only saints here -- no murder, no suicide, no crime, no politics, no struggle for power... no change ever happens; everything is eternally the same. From where can you get news?"
"And," the doorkeeper said, "you must have heard the definition of news: when a dog bites a man it is not news, but when a man bites a dog it is news. So nothing sensational happens here, no love affair... When people get bored, they read the first issue that was published centuries ago.
"You should go to hell. Every moment tremendous things happen there. All the active people of the world, all the creative people of the world are there -- painters, musicians, poets, actors, dancers, thieves, murderers, rapists, psychoanalysts, philosophers -- you will find every variety.
"Heaven is monotonous. Only dull, dead saints -- skeletons. Their only quality is that they don't do anything. So just go to hell and enjoy. You will find everything that you may have missed on earth -- because for centuries upon centuries, all the juicy people have collected there. In fact, I myself want to go... but once you get into heaven, you cannot escape. So I am stuck here. My suggestion is that you just go."
But journalists are stubborn people. He said, "I have a suggestion, and I think you must be compassionate enough to do it for me. Just give me twenty-four hours' entry. If I can convince one of the journalists inside to go to hell then you can put me in the quota; twelve journalists will remain twelve."
The gatekeeper said, "It is unheard of, there is no precedent. But I cannot say no to you. Go in, have a try. But remember, after twenty-four hours.... I am taking a risk. After twenty-four hours, come back."
After twenty-four hours he came back. In those twenty-four hours he had created a rumor among all the journalists: "A big newspaper is going to be started in hell and there is great need for editors, sub-editors, story writers, all kinds of journalists. The salaries are great. So what are you doing HERE?"
After twenty-four hours when the journalist came to the gate, the gatekeeper said, "Go back. You cannot go out now."
The journalist said, "Why not?"
The gatekeeper said, "I have kept my word, and you have to keep your word. You were very convincing. All twelve journalists have gone. I tried hard to explain that `This is just a rumor; don't spoil your heaven.' But they wouldn't listen."
The man himself had created the rumor, but he had started thinking perhaps there was something in it; otherwise twelve persons wouldn't go to hell for no reason.
He said, "Just open the door!" He was convinced by others being convinced. And this happens to millions of people.
When you see that seven hundred million people are convinced that Catholic Christianity is the only religion, it is difficult to say that those seven hundred million people can be wrong. The sheer number has such weight.
That's why all the religions go on trying to increase their numbers. They have their methods to increase their numbers because the more you increase the numbers the more you convince those who are not in your fold that they are wrong and you are right. Your sheer majority is an argument; it validates anything you say.
Sri Aurobindo was a great intellectual, a very convincing, rational philosophical genius. He convinced many people, and those many people convinced him that he was enlightened.
He knows nothing of enlightenment. It is true that there is something more in existence than the enlightenment Gautam the Buddha achieved. But it is Gautam the Buddha himself who, for the first time in the world, indicated the possibility of the beyond. Naturally, nobody else can say that there is something beyond -- unless they reach that boundary.
So when Sri Aurobindo says there is something more than the enlightenment of Gautam Buddha, he is hiding the fact that it was Gautam Buddha himself who was the first man in the whole of history to say that "This is not all; there is something beyond."
Buddha says -- and you can see the sincerity of the man -- that "A man who has entered the path, srotapanna, who has entered the stream that leads to the ocean, is millions of times more respectable than anybody else, just because he has entered the path in search of the truth. He has not found, but just the urge, just the effort, the first step, and he has become millions of times more honorable than all your respectable generals, kings, emperors and world conquerors.
"The person who has reached the point from which he will not turn back, anagamin, is millions of times more honorable than the srotapanna, than the one who has entered the stream. And the man who has become enlightened, who has become a buddha, is millions of times more honorable than the person who has reached the point of no return."
The point of no return is something worth understanding.
Many people start the search and then drop out. It is arduous, it is moving into the unknown; nobody knows whether there is anything like enlightenment or just a fiction created by a few people like Gautam Buddha. Perhaps they are not lying, perhaps they themselves are deceived -- who knows? There is no guarantee.
So many start, but very few remain. Most of them return to the world. Sooner or later, finding that they are going into an unknown territory without a map, without any guide, they start feeling crazy. Because the whole world is going in a totally different direction, and they are left alone. Their whole strength was in the crowd. Alone, a thousand and one doubts arise. Alone, one starts feeling that millions of people cannot be wrong, "And I am alone, thinking that I am right -- I must be getting crazy."
Anagamin is one who has come to a point from where he cannot return. He is not enlightened but he has seen, from far away, the possibility. He has not reached the peak; he is still in the dark valley. But he can see the sunlit peak; it is a reality, it is not a fiction. Now there is no force in the world which can make him go back.
Buddha says, "But the one who has become enlightened is millions of times more honorable than the person who has reached the point of no return."
And here is the sincerity of the man -- he says: "The man who has transcended buddhahood, who has gone beyond enlightenment, is millions of times more honorable than anyone who is enlightened." He is not claiming that he has gone beyond; he is simply saying "I can see from my place that faraway star."
And he was the first to see that faraway star: beyond enlightenment.
Sri Aurobindo is not sincere. He never quotes this passage, which was his duty to quote. He tries to convince his readers and followers that he is working to open the door beyond enlightenment. He is not even courageous enough to declare himself... to say that he is enlightened. He never declared that. But only indirectly... he is assuming that you will understand that he is enlightened because he is trying to open the door beyond enlightenment. Naturally he must be enlightened, but he is not saying it. To declare it needs courage, not scholarship.
He gives a hint, as if he is enlightened and he is working for others so that they can also go beyond enlightenment. They have not even reached enlightenment. It is hilarious, the very idea that he is trying to open the door... his whole life's aspiration.
All his aspirations were stupid.
This is stupid because others will need that door only if they have become enlightened. First help people to become enlightened! Rather than helping people to become enlightened, you are devoting your whole energy to opening the door beyond enlightenment. And it is not only on this point that he was talking nonsense, he was talking nonsense on many points.
Another of his aspirations was physical immortality; he was working so that man can become physically immortal. Naturally you will think he has become physically immortal -- these are natural assumptions. And his followers all over the world started spreading the great news, the good news, that Sri Aurobindo had become physically immortal: "Now he is trying to find the right techniques so that every human being can become physically immortal." And then one day he died.
One of my friends was living in Sri Aurobindo's ashram. I phoned him immediately and asked him, "What happened?"
But such is blindness... he said, "Here in the ashram everybody was shocked. But the mother of the ashram told us that he has simply gone into a long samadhi. He is not dead; it is part of his project to find immortality. He has found all, but just for the last, missing link he has to go into deep samadhi, to dive deep into the ocean." And he told me that everybody believed it!
For three days they did not cremate his body or bury his body because they believed that he would be coming back. But in three days the body started stinking. Then they became afraid that if the news spread that the body was stinking...
The man was dead, he was not going to come back. After three days they put his body into a marble grave.
Still they did not burn his body because he might come back at any moment. The really faithful ones still believe that one day he will come back. And the whole belief shifted towards the mother -- she was the co-partner in the business of finding immortality for humanity. And it looked as if she had found it, because she lived for almost a century. It seemed probable; perhaps she had found it. And she was saying that she was going to live forever.
Now this is the beautiful thing about spirituality: I can say to you that I am going to live forever and tomorrow I can die -- who are you going to argue with? And one day the mother died. Again the same thing: they waited for three days, and when the body started stinking, she was put into another marble grave next to Sri Aurobindo. And the faithful ones still sit beside the graves every day, waiting for them to return. Slowly slowly, the number of faithful ones is lessening. The hope is turning into hopelessness, into despair. Perhaps they have not yet found the missing link together. It is enough that man has an immortal soul, an immortal consciousness, an immortal life principle.
But Sri Aurobindo was obsessed with the idea that he had to bring some original contribution to the spiritual progress of humanity. That the human soul is immortal is as ancient an experience as humanity itself. Even the VEDAS, five thousand years old, declare man as amritasya putrah -- "you are sons of immortality." Something new, something original... and this was a great original idea, that your body can be immortal.
One cannot conceive how intelligent people can get caught up in such absurd ideas.
Sri Aurobindo was a child, he became a young man, he became old. If the human body is immortal, then you will have to say at what age it is going to be immortal. As a child? As a young man? As an old man? Or as a dead man? The last seems to be the only possibility.
"As a dead man, the human body is immortal" -- and certainly it is, because all the elements of the human body disperse into nature. Nothing is going to die, everything is going to merge -- the earth into earth, the water into water, the air into air... all the elements will go to their sources. In that sense the human body has always been immortal. Not only the human body -- buffaloes, donkeys, monkeys, everybody is immortal. It does not need a Sri Aurobindo to declare that his body is immortal.
Gautam Buddha is the rarest human being in that he recognizes that there is still something more, he has not reached the end of evolution. In Japan, they had a beautiful collection of paintings called "Ten Zen Bulls." It is a series of paintings depicting the whole story of the search.
In the first, a man is looking here and there... his bull is lost. You see forest all around, ancient trees, and the puzzled man standing there looking, and he cannot see the bull.
In the second painting, he looks a little happier because he has seen the bull's footprints. It is the same painting, the same forest. Just one thing he has discovered in this painting and that is, he has seen the bull's footprints, so he knows where he has gone.
In the third painting he moves and sees the backside of the bull -- because it is standing by the side of a tree, and the man is behind him -- so he looks... and just the backside is shown in the painting.
In the fourth he has reached the bull; he sees the whole bull.
In the fifth he has caught hold of the bull by the horns.
In the sixth he is riding on the bull. It is difficult, the bull is trying to throw him off.
By the eighth he is returning home, the bull is conquered.
In the ninth the bull is back in the stall and the man is playing on a flute.
In the tenth, there is no question of the bull at all. The man is seen in the marketplace with a bottle of wine, drunk.
Buddhists were very much embarrassed about the tenth painting. It does not seem to be Buddhist at all -- and there is no connection, because nine seems to be perfect; there is no need for the tenth.
So in the Middle Ages they dropped the tenth painting, and they started talking of the nine paintings. Only recently has the tenth painting been discovered again in the ancient scriptures with its description -- because each painting has a description of what is happening. The bull is lost, your soul is lost -- the bull represents your soul, your energy, your spirit. When the bull is found, you have become a realized soul. You are singing a song on the flute -- that is the stage of enlightenment.
What about the tenth? That is the stage when you go beyond enlightenment; you become ordinary again. Now there is no split between this world and that, now there is no split between good and bad. Now all opposites have joined together into one single harmony; that's what is represented by the bottle of wine, a bottle of wine in the hands of a buddha.
Sri Aurobindo never talked about the Ten Bulls because that again would have destroyed his originality. The paintings of the Ten Bulls are at least fifteen centuries old. The Buddhists in the Middle Ages were cowardly; they could not understand the tenth.
But as far as I am concerned, I can see a natural growth from the ninth to the tenth, from enlightenment to beyond enlightenment.
Enlightenment makes you special. That means something of the ego in some subtle form still remains. Others are ignorant, you are a knower; others are going towards hell, your paradise is guaranteed. These are the last remnants of a dying ego. And when this ego also dies the buddha becomes an ordinary human being, not knowing at all that he is holier than thou, higher than thou, special in any sense -- so ordinary that even a bottle of wine is acceptable. The whole of life is acceptable; the days and the nights, the flowers and the thorns, the saints and the sinners -- all are acceptable, with no discrimination at all.
This ordinariness is really the greatest flowering of human reality.
Sri Aurobindo will be remembered as a great philosopher -- should be remembered as a great philosopher -- a man of tremendous insight into words, scriptures; immensely articulate in bringing meanings, interpretations to them; novel, original.... But he was not a man of realization. And he is not sincere, he is not an authentic man. He had a great desire to prove himself, to prove that he is greater than Gautam Buddha. That was his ego.
To go beyond enlightenment is not to become greater than Gautam Buddha. To go beyond enlightenment is to become an ordinary human being. To forget all about enlightenment and all about great spiritual aspirations and to live simply joyously, playfully... this ordinariness is the most extraordinary phenomenon in the world. But you will not be able to recognize him. Up to Gautam Buddha you will be able to recognize, but as a person moves beyond Gautam Buddha, he will start slipping out of your hands.
Those who have recognized him as an enlightened being may remain aware of who he is, but those who come new will not be able to recognize him at all, because he will be simply a very innocent, ordinary human being -- just like a child collecting seashells on the beach, running after butterflies, gathering flowers. No division of body and soul, no division of matter and spirit, no division of this life and that -- all that is forgotten; one has relaxed totally.
If Sri Aurobindo had known even the meaning of what it is to go beyond realization, beyond enlightenment, he would not have even thought about it. He was thinking that going beyond enlightenment is something greater than Gautam Buddha. He was continuously in a inner jealousy, and of course the jealousy was of Gautam Buddha. And he wanted to come up with some original ideas so that he could prove them, but he has not proved anything.
I respect Sri Aurobindo as a scholar -- but scholars are just scholars, a dollar a dozen.


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Hey loves! Do you have a mom, grandma, aunt, or lady-figure you want to celebrate on Mother's Day? I know I do. My mom is my absolute best friend. I don't know what I'd do without her and I'm gutted I can't spend Mama's Day with her this year. I thought I would share a lovely gift wrap idea with you all in the meantime and in honor of Mother's Day.
I found this style of gift wrapping for my Nana's birthday when I couldn't find any gift bags and didn't have time to wrap a present. What I could find was this adorable green flower pot. Go figure. I'm all for getting your favorite ladies the best money can buy, but even if all you put in the pot (or bag..or box...you get where I'm going here) is lotion and candy, they're going to love it if you put a little extra effort to make it magical. And don't forget the card!
For this project you'll need:
Your gift of choice
Tissue paper (white, colorful, newspaper, whatever suits your style!)
Ribbon (again, you get to choose the colors here! You could even use washi or duct tape to decorate the side of the pot)
2) Take some tissue paper, scrunch it up, and put it in the bottom of the pot to cushion your gift. I put the tissue you care least about in here, because the only function of this paper is to prevent jangling noises and breakage.
3) Place your gift in the center of the pot.
4) Lay out a piece of tissue paper flat, find the center, and create a cone-shape from the tissue. You should have a pointed end and a ruffly end (the ruffly end is sticking out from the top of the pot in the picture above).
5) Poke the pointed end of your tissue-ruffle-cone into the bottom of the pot around your gift. Repeat until the gift is completely surrounded and you can't see it. Zhoosh as needed to cover the gift and make sure the ruffles are suitable to your tastes. The goal is to make it fluffy, almost like cotton candy.
6) Take your ribbon, washi tape, or duct tape of choice and about 1-1.5 inches down from the top of the pot tie your ribbon or create a circle of tape. This will dress up the gift and make it a little more personalized. I tied a simple bow-ribbon, but you can get as fancy as you like.
Optional: I placed some of my Nana's favorite suckers (Sugar Daddy's in case you were wondering) in the tissue paper to look like flowers poking up. You could add candy or something else fun. You could also create pinwheels or tissue flowers to keep with the flower theme.
Tips: Get creative! It's important to have fun with the gift and not worry about perfection. They are going to love it no matter what and destroy the tissue paper anyway ;)
I hope you enjoyed this quick little gift DIY! I think it would be great for any occasion, but especially Mother's Day. Let me know in the comments if you want to see more DIYs in the future!

subset: commoncrawl


text: Aim To determine that carbon dioxide (CO2), instead of air, insufflated during colonoscopy reduces pain experienced by patients post colonoscopy. Method A randomised, double blinded, controlled trial with 205 consecutive consented patients referred for elective colonoscopy was undertaken at MidCentral Health Gastroenterology Department between July 2008 and January 2009. Patients were randomised to colonic insufflation with either air or CO2. A comparison of reported pain was undertaken using a 0 -10 point numeric rating scale at several time periods; intra procedure, 10, 30, and 60 minutes post procedure. Results The results were analysed using the SPSS programme. CO2 insufflation was used in 108 patients and air in 97 patients. Pain scores 10 minutes after were 0.43 ± 1.20 for CO2 and 1.61 ± 2.40 for air (P < .0001). 30 minutes after the procedure 90% of patients in the CO2 group reported no pain, compared to 61% of the air group. CO2 significantly reduced the amount of discomfort post colonoscopy at 10, 30 and 60 minutes. Conclusion Those receiving CO2 during colonoscopy experienced less post colonoscopy pain than those who received air insufflation. Carbon dioxide should be considered as the insufflating gas during colonoscopy.


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Monday, February 20, 2017
10:00 am - 3:00 pm
Various locations throughout Oakville.
Build your Family Day tradition with us! Spend the day with family at one of our various locations across Oakville offering free recreational and cultural programming for people of all ages and abilities.
The Town of Oakville invites residents to the ninth annual Make Your Move this Family Day, Monday, February 20, 2017.
Free recreational and cultural programming will be offered at different locations across town for people of all ages and abilities. Drop by the Oakville Museum to experience Oakville's heritage, celebrate art an culture with various workshops at Queen Elizabeth Park Community and Cultural Centre, and take advantage of free swims and skates at participating pools and arenas.
Please visit the Family Day webpage for updates on activities for Family Day 2017.


text: Mr Askin, Mr Donoghue, Miss Willetts and Miss Fellows would like to thank the 32 students from Years 8 & 9 who travelled with them on the 2017 Ski Trip to Passo Tonale in Italy during the Easter break. We had a fantastic time with lots and lots of sunshine and a fair bit of skiing on snow and a little bit on water! The students all should be very proud of just how much they improved and how well they represented the school and themselves throughout the week! I hope that the experience they had has inspired them to want to Ski again. Mr Askin.'


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keep your hard work saved up with gold. Just don't go all out in investing with it because if they
discover some gold mine in Africa and gold prices drop to $50 an ounce, you will lose all your money.
Good Luck with it!


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"Tis the season to be jolly!" We all want to feel that way during the holidays, including your pet. Whether you own a dog, cat, bird, or ferret, make sure you pet proof your home during all the holiday festivities. You would be surprised the things your pet can get into when the house is decorated and all kinds of special foods are prepared.
Last Christmas, I thought my 11 year old beagle, Hunter, was old enough not to really have to worry about him during Christmas dinner. After all, he had been around for 10 Christmas's before this without an incident. My whole family was all seated around the dining room table for Christmas dinner when there was a crash and scuffling from the kitchen. I jumped up and on the floor was the pecan pie I had baked the day before. My beagle had already gulped down half the pie, whipped cream and all. By the time I reached him, the whole pie was gone! This all happened within about 30 seconds.
Well, Hunter looked at me with his big brown eyes, whipped cream on the bottom of his floppy ears, and I couldn't get angry with him, after all, it was Christmas. About 10 minutes later, his belly was bloated and he vomited the entire pie back up again. It was not too appealing to the rest of the family trying to eat Christmas dinner. Hunter was miserable for the rest of the day, just lying on his bed with a look of despair in his eyes.
This is only one example of what a pet can get into during the holidays. Fortunately, his stomach misery only lasted a day, but there are many other dangers to watch for when decorating and preparing for the holidays.
Cats love sleeping under Christmas trees, and sometimes climbing them. Make sure your tree is secure, unable to fall over on top of your pet. You will also want to be careful of glass ornaments, as they can shatter easily and your pet could cut a paw or even eat the shards of glass. This is especially likely if you make homemade cookie ornaments. Your dog can't tell the difference between a dog biscuit and a cookie ornament hanging on your tree. One lunge at the tree after a cookie ornament, and chaos will break loose.
Also, be careful of feeding your pet leftovers. If you do, double-check for turkey skewers and small bones. Either one of these things could lodge in your pet's stomach or intestines causing life threatening conditions.
These are only a few of the many hazards the holidays can present to your pet. If you are careful, and pet proof your home, all of you will have a happy holiday. Happy Holidays to all of you and your precious pets.
Valuable tips and techniques for all pet owners. One stop to pet care and dog training.
Tuesday, December 11, 2007
Keep Pets Safe during the Holidays
Posted by Karen Curley at 2:49 PM
Labels: cat safety, dog safety, holiday safety, holidays and pets, keep dog safe, keep pets safe, pet health, pets at holidays, safe pets
2 comments:
Well, we made it through Christmas without Hunter eating another pecan pie! Even our cat, Lucky behaved herself. They each got their own treats in their stockings, enjoying them while the humans ate dinner.ReplyDelete
I guess I'm not the only one. My daughter told me her friend's dog ate a whole lemon meringue pie last week!!ReplyDelete
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Lucas is almost 3 years old. I have learned a lot from Lucas as his nanny for the past year. Mostly, he has taught me about Jesus. After spending 30 hours per week with a child, you begin to see life from a different perspective.
Lucas started pre-school yesterday. He came home, wide-eyed, slightly oversized backpack, lunch pail and coloring pages in hand. His mom reported she was glad he didn't cry when she left his new classroom.
As I "worked" (read, colored and cooked) with Lucas the rest of the afternoon, I discovered a fear, sadness and confusion behind those eyes.
And yet again, I learned how we react to Jesus' love and grace--with completely the wrong mindset.
We often see change as an opportunity, or maybe as a punishment. Getting fired from a job, not getting into graduate school, a friend or family member dying, a broken relationship. But God's perspective sees much farther than our current circumstances, and beyond what our minds can dream up. I am going on this trip to change the world, but I am starting to see that God wants to have the world change me. Change our group. Change our mindset, our expectations, our desires. He wants to take them, shift them, mold and shape them, to look more and more like Jesus.
Praise God, that he is our Father. His children have scared eyes, ambitious eyes, greedy eyes. But God takes our oversized backpack full of hopes, fears, unspoken dreams, and He leads us on an adventure that is greater than any experience we could contrive on our own.


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Sunday, 19 May 2013
This Week - Primal Scream and Vampire Weekend
Primal Scream has never been a band to bow to convention, never staying in the same place for very long and frustrating fans and critics. Without question Bobby Gillespie and the band are at their best when they cut loose with psychedelic pop, none more so than the glorious timeless rhythms of Screamadelica and later the magnificent industrial stomp of XTRMNTR. But it's the disastrous forays into soft indie rock that has been Primal Scream's undoing: the hapless Give Out But Don't Give Up and the woeful Riot City Blues are huge blots on the landscape. So with new album More Light, the band (now without Mani who has returned to The Stone Roses) has returned to what they do best. This is weird and wonderful from the outset, a dark twisted and compelling album which opens with the nine minute monstrous epic 2013, sounding like an orchestra of which Jason Pierce would be proud. A great opening is let down by a weak first half: River Of Pain has sultry guitar work, Gillespie's breathless vocals and big strings, then the immense dark-funk bass and drums of Culturecide; both are impressive but Hit Void is a hopeless mess. A mixed bag leads to the brilliant stomp of Elimination Blues, all supreme guitars and drums, backing vocals and percussion. Only Invisible City, with guitar/trumpet combination works well after the spirited stirring ballad Tenement Kid. More Light shrugs off the inconsistencies and ends in style. Turn Each Other Inside Out is another fantastic bass line with pounding drums and guitars. Walking With The Beast, with echoes of Gillespie's ex-band The Jesus And Mary Chain, is a highlight - gorgeous guitars and vocals deliver throughout, before closer It's Alright, It's OK brings back the Screamadelica-era pop, all jangling guitars, hippie choral vocals and exquisite piano. Easily Primal Scream's best work since 2000 - ambitious, adventurous and wonderfully unique.
Vampire Weekend's third album has delivered the band's most interesting album to date, building on their auspicious eponymous début and adding focus to the pop rhythms of follow-up Contra. Modern Vampires Of The City is smart, precise and cool - exactly what Vampire Weekend should be. Up to now, they have always seemed more style over substance but, as opener Obvious Bicycle proves, the focused industrial acoustic sounds, wonderful songwriting and Fleet Foxes vocals are a winning combination. Unbelievers is an immediate pop-punk highlight while Step is an odd spiky piano-led Elizabethan waltz. Modern Vampires Of The City never quite revisits this opening but Hannah Hunt is a lovely mixed tale of road-trip and love-song with a big Dylan-esque outro and some of the best vocals from Ezra Koenig. Everlasting Arms is cool pleasant string-pop while Finger Back is completely different - punchy and fast, like following song Worship You, they take the album up a notch. Sadly, Ya Hey is a great song ruined by some grating vocal blending, the absurd chipmunk crooning a horror show - the album's only obviously bad move. Then Modern Vampires Of The City falls flat at the end with the spooky drawn-out mournful strings of Hudson followed by fragment closer Young Lion, this is a downbeat ending to an otherwise enjoyable work. Still unique and compelling, Vampire Weekend is full of character, intelligence and pointed observations, but the band still need more substance to dispel the often empty style.
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text: Problem 1: Can someone please tell me how to setup dialup networking in GNOME. Problem 2: For some strange resion I can't access my CD-ROM or my floppy drive without having to go and change the fstab file first. I allways get an error that says "wrong file system type" or something like that. It works after i change the fstab. ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com


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Natural Weight Loss
Why Women Lose Weight More Slowly Than Men
There is the fact that despite the same or even more effort, women still lose weight more slowly and sometimes not as effective as men. Why? Let's find out the reasons why men lose weight faster than women.
Men are bigger
Overall, men are bigger than women. And as you get bigger, your energy consumption gets increased by just moving here and there or just sitting around on the couch, doing nothing.
Basic metabolism speed of men is bigger and because the basic metabolic rate accounts for 70% of the energy we consume every day, so you can understand why men have the advantage over women when starting losing weight.
Everything the men need is to cut down on the intake a little and increase the energy expenditure capability, which leads to the faster result of losing weight.
Men have more muscle
Men tend to have more muscle than women. Meanwhile, the body with more muscles will burn more energy.
Also, as we get older, our muscle mass decreases, approximately 8% per decade after the age of 40, a phenomenon called myasthenia (sarcopenia). All of these can help to explain why the ability of losing weight depends on age and gender.
When thinking of doing exercises to lose weight, many people think of exercises to increase the respiration rate and heart rate, such using treadmills, running or swimming.
However, the researchers found out that those who apply the mixture of exercise forms, increase the toughness training exercises for strengthening respiration rate and heart rate exercises, which tends to reduce more weight, particularly around the waistline, which is closely related to more health problems.
According to the experts, it is time women competed with men in weightlifting and increase a little muscle to themselves.
Women often serve as a cook
There are more and more men involved in the cooking, but women are usually the ones who cook and prepare meals for the whole family, as well as spend more time and have more opportunity to enjoy dishes created by themselves. This is why women easily load more calories uncontrollably.
Women stay at home more
Though more than two thirds of all women in the world are having a job to earn money, about half of the work is part-time because of family circumstances or other constraints. We all know that, compared to men, women generally spend more time on family care and homemaking.
And it also makes women stay at home more as well as easily form the habit of snacking. In contrast, when busy with work at the office, where the refrigerator containing food is not easy to access, they may pay less attention to satisfy their hunger.
Women are more easily to get emotional eating
The studies have shown that women more likely to eat to relieve their emotions, such as they are ready to devour the food to escape from boredom or pain or many other reasons, not necessarily because of hunger. In contrast, in the same emotional state, many men often seem to seek to "help" from alcohol, which contains less calories. Therefore, this is also the reason why women's weight loss is less effective than men.
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How To Have Healthy Weight Loss Diets
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Lose Weight Effectively in a Short Time
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My mom and I are lucky enough to spend two weeks in Europe this summer… We are visiting Munich, Salzburg, Vienna, Budapest, and Prague. Last summer we were in London and Paris which was wonderful … we try to travel together once or twice a year which is really amazing… it started when we went on a trip to Paris when I was 16 taking art lessons and generally wandering the beautiful streets, museums, and shops. We went to Italy together and the Netherlands when my family came to visit me two summers ago when I was studying abroad in a restored medieval castle in Well, Limbaugh outside Amsterdam (casual…) We also stayed in this amazing nature preserve in Mexico last spring which was absolutely gorgeous! Generally we like to jaunt around…my Dad tends to win all of these trips with his work so we tag along to these and extend after to places we want to go.
Revisiting Germany was pretty spectacular as I was only in Dusseldorf for two days last trip…. This time we got to visit the outlying castles and towns I hadn't experienced before. Also seeing the Alps was fantastic- the photography was unreal.
Vienna and Salzburg were also very interesting as I had never been to Austria before! Our hotel was super modern in the design tower of the second district. The view from our room on the 17th floor and the bar/restaurant on the top floor was breathtaking- the whole city in a 360 panorama! Our room was completely white from beds to sinks- everything very cool and comfortable. I was really inspired by the mix and dichotomy of the old and new paired so unexpectedly together in this city. Baroque facades next to glass modern skyscrapers it was a very dynamic city unlike any other I have been to so far… I have never been very interested in architectural photography but I was really fascinated by the lines and textures of this city and it seemed more of my subject matter than usual. The photos can tell you better so here they are….


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Leaks and rumour have remained consistent in the run-up to Apple's launch of the next iPhone, with a fresh photo or video 'reveal' seemingly arriving on the web each day.
According to one reliable leaker, though, we now have a date for when the device will be available to buy.
A tweet from Evan Blass indicated that the Cupertino company will release the phone in the week commencing September 12.
After the post initially caused some confusion over whether this meant the handset would be announced or ready to buy, Blass confirmed the phone would be available on Friday, September 16.
One important thing to note from the tweets is that Blass doesn't refer to the device as the 'iPhone 7'. While this could simply be following the consensus that the phone will be another 'S' update to the iPhone 6, it potentially says a great deal about the accuracy of the lack of innovation rumours.
If the leaked release date is to be believed, it's also fair to assume that Apple supremo Tim Cook and his pals will be on stage to introduce the next iPhone a week or so earlier.
Until then, you'll just have to rein in your excitement and enjoy the leaks.


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New works by Connie Borup opening January 17th at Phillips Gallery once again demonstrate the power of resurrection. Not just the renewal of nature, but the regenerating endurance of Borup's idiom. Working in oils on medium-sized canvasses, Borup's subject continues to be nature, and how little we really know about it. Not only are we treated to numerous paeans in the finest of details, but are constantly reminded of how many visual surprises are hidden in the most unsuspecting of places.
At the heart of Borup's work lies a fascination with natural process and the cycles of nature: the ying and yang of life. Rich with pathetic fallacy, we are privy to a world of tumult and repose, brutality and recovery. Exemplary is 'Water Journey', which shows a gently sloping beach, half bathed in water. The fluid is completely transparent, giving us a direct view to the riverbed and its mottled lodgers. These consist of an assortment of smooth and rounded pebbles that are strewn across the waterbed, landing in chance positions like dice on a gameboard. The ovoid forms are contrasted by several sharp twigs, which jut into the scene at odd angles, adding agitation where once there was none.
'Watery Resting Place' presents a similar scenario as the tangled branches of an overflowing shrub pour out over a waterway and drop its leaves onto the water's surface. As they drift along, some float away while others stay and idle, perhaps as a parable to the unpredictably of life. Not only does this foliage guard darker recesses of the underbrush, but serves as a harbinger of color, in creamy beiges and greens. In addition, leaf shapes lose their depth, becoming elliptical and lacrymal to evoke Japanese screens. Whereas some of Borup's works use water as a window onto subterranean worlds, it here serves to reflect a gloomy, overcast sky.
Borup's images are often situated at transitional locations, where water meets land and adaptation is required. In particular, the artist's iconography feeds off expired plant life and the resulting decay: the retreat of leaf color and the draining of pigment. Here, stems and branches become splintered and prickly, yet are swiftly remedied by the healing properties of water as the source of all life. In these instances, the harsher effects of nature are mitigated by the interplay of light and water and its dual role as window and mirror. Such is the case in 'Dancing Reeds', where a hillside of reeds has been ravaged by a long, dry summer. All of the plants have expired, their leaves bent in cruel contortions, forming peach and cream arches. In the foreground, a still blue pool reflects the plants, translating their curved leaves into jagged, lyrical patterns. The pool's pale blue and grey hues contrast the warm brick colors of the red rock background. A cluster of plants emerge from the middle of this puddle, showing a Nietzschean perseverence in the fine green sprigs sprouting from their base.
A similar resoluteness is seen in 'Glassy Echoes', where a dried bush defies gravity by growing horizontally above a body of water. Hovering just inches above the surface, we marvel at the architectural tenacity of this achievement Most of the curved branches grow skyward, while a few are downturned, stroking the water like fingers. Bleached by the weather and drained of all pigment, most are chalky white, while a warmer orange hue clings to a few remaining sticks. These weave their way in and out of the lighter twigs, forming a lattice through which the blue-grey water can be seen. While the actual branches posess a gently curving shape, they adopt a more irregular motif in their reflection. Here I can't help thinking that the interplay of water, wind and wood not only mirrors our own existential predicaments, but at times, the folly of human endeavour in general.
Perhaps the most dramatic of this series is 'Tree Reflection', where the view is limited exclusively to a reflection. Pictured is a tree of uncertain origin, with branches twisted into the paths of Rorschach inks, inviting prophetic interpretations. Forming an intricate lace not unlike a splatter painting, this is set against the ripples of a small periwinkle pool. Saturating our vision, Borup has chosen a firey palette of crimson reds and oranges for the tree's reflection. This conjures up sun flares, and the violent alchemy that set the landscapes of Southern Utah in motion. As we experience the tree in reflection form only, we are left to speculate on the original object that inspired this doppelgänger. As such, the work invites parallels with other reflecting pools, and their capacity to misrepresent and deceive. Cautionary tales which expound on the illusory nature of life, such as Plato's Cave, also come to mind. More reassuring is the use of the mirror by Perseus, which functioned as an aid to overcome demons.
Just as we think we have Borup pegged, 'Pond Disguised by Leaves' sends our thoughts into new directions. In this work, water plays a dual role of mirror and window, while incorporating new elements of the environment. Here we see a shallow pond, bordered by two masses of tiny, lanceolate leaves. These flank the water, like golden curtains on either side of a stage. The water inside is still and reflective - like a sheet of glass. In its mirror, a bright grey sky is captured. This is contrasted with the dark silhouette of a nearby tree. Where the shadow falls, a view to the pond bottom is seen, carpeted with pebbles and sludge. Still and cold, this is the birthplace of northern mythology, where Ophelia was laid to rest, and where the Lady of the Lake retreats.
Works such as these not only remind us of the nuances and complexities that can be found in the most unassuming of nooks and crannies. More importantly, they expand the parameters of Utah landscape painting which, subject to market forces, often descends into cliché. Replete with mirages and shadows, mirrors and windows, screens and symbols, Borups works reveal secret worlds – both real and imagined – that inspire a renewed return to nature – and art.
'Waterscapes' will be on display from January 17 to February 14, 2014 at Phillips Gallery,
444 East, 200 South, Salt Lake City, UT 84111.


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Posting ID : A1068509315
Date Posted : 2015-08-19
Category : General For Sale By Owner
32" screen Samsung Flat Screen TV SRS True Surround HD; Dolby Digital; Energy Star for sale. Cash only. Great TV! Screen image is blurry, only because my hands don't hold still taking a picture! Picture quality is great on this TV!


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As noun
a male given name, Germanic form of John
Han [hahn] /hɑn/ Spell Syllables
As noun
a forked bone, formed by the fusion of the two clavicles, in front of the breastbone in most birds; furcula
an offensive formation in which the fullback is positioned directly behind the quarterback and the two halfbacks are positioned farther behind and to the left and right, respectively
As noun
a seat, especially for one person, usually having four legs for support and a rest for the back and often having rests for the arms
something that serves as a chair or supports like a chair:The two men clasped hands to make a chair for their injured companion
a seat of office or authority
a position of authority, as of a judge, professor, etc
the person occupying a seat of office, especially the chairperson of a meeting:The speaker addressed the chair
(in an orchestra) the position of a player, assigned by rank; desk:first clarinet chair
the chair, Informal
electric chair
sedan chair
(in reinforced-concrete construction) a device for maintaining the position of reinforcing rods or strands during the pouring operation
a glassmaker's bench having extended arms on which a blowpipe is rolled in shaping glass
British Railroads
a metal block for supporting a rail and securing it to a crosstie or the like
As verb (used with object)
to place or seat in a chair
to install in office
to preside over; act as chairperson of:to chair a committee
to carry (a hero or victor) aloft in triumph
As verb (used without object)
to preside over a meeting, committee, etc
As Idioms
get the chair, to be sentenced to die in the electric chair
take the chair, to begin or open a meeting
to preside at a meeting; act as chairperson
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Today I had the opportunity to give the communion meditation at church. Here is what I said (or close to it).
Jesus was the most intentional person who ever lived.
Everything He did was on purpose.
Everything He said had meaning.
Let's look at two of the things He said.
The first is His encounter with the woman caught in adultery. He finished their short discussion with "Go and sin no more". There was no why, no list of benefits of not sinning – He just gave her a command. Plain, straightforward.
Then at the Last Supper, He said "Do this in remembrance of Me". He didn't just say "Do this", or else we might have to go to an upper room to take communion, and maybe recline on our sides after eating a meal. But that's not what He said. He said "Do this in remembrance of Me."
We are supposed to remember Jesus. What does that mean?
A few years ago, I was suffering from depression. I had been diagnosed with clinical depression, and I needed treatment. It's OK – I'm better now. The psychologist who was helping me said he knew I was getting better because I was starting to internalize the therapist. I started carrying him around inside me.
And that's what Jeff has been preaching about these past few weeks in talking about The Jesus Experiment. What would Jesus feel? What would He think, say, and do?
That is what Jesus is asking us to do when He says "Do this in remembrance of Me". He wants us to be like Him.


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I've said this before, but:
We had a full-scale guest worker program in this country for 250 years. It was called slavery.
Now certain very powerful voices, like John McCain, are saying that a full-scale guest worker program is needed again.
I am not paranoid enough to think that John McCain is looking for a return to slavery.
But despite everyone's good intentions, and professed safeguards, a full-scale guest worker program -- a huge legally sanctioned underclass -- can get us to slavery very quickly.
I am not naive enough to believe that everyone has good intentions.
The problem is not that there are jobs that Americans won't do.
The problem is not that the wages are too low.
The problem is that the true cost of certain items -- mainly food --- is too high to be politically acceptable, so someone has to bear the burden.
It says here that legalizing second-class workers is a worse solution than ignoring illegal immigration.
The problem is -- I'll let Lincoln describe it. From the last debate with Douglas
"It is the same spirit that says, 'You work and toil and earn bread, and I'll eat it.' No matter in what shape it comes, whether from the mouth of a king who seeks to bestride the people of his own nation and live by the fruit of their labor, or from one race of men as an apology for enslaving another race, it is the same tyrannical principle."
I admit that our current tendency towards slavery (towards a permanent underclass of guest workers) comes less from an impulse towards racism than from an impulse towards union-busting. But at the end of the day, no matter what, today's union members will not be tomorrow's permanent underclass. The underclass will be non-Caucasians coming into this country from Third World nations.
And they will put the legal status of all non-Caucasians in America at risk.
It would be tragic if Barack Obama would be the President to sign this into law.


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Monday, September 28, 2009
sweet lemon & black olive wafers
6 comments:
- Gail P said...
oh my but this recipe sounds good! Thanks for passing it along. It's 3am here so I know what you mean about working into the wee hours. One has to go with whatever works!
- September 29, 2009 at 6:49 AM
- tiedyejudy said...
Your calendar sounds like mine! Who keeps putting those appointments down for me? All I really want to do is stay here and play... but life takes over!
The recipe sounds yummy, but I'm on a quest to drop at least 9 more pounds, so cookies are out... darn!
Enjoy one for me...
- September 29, 2009 at 8:24 AM
- Aleeda said...
Those look yummy Rayna....I'll try to bring them as a house guest gift next week.
- September 30, 2009 at 6:47 AM
- Linda Branch Dunn said...
Best part is, if I make them, they are all for me, since no one else tolerates olives.
- September 30, 2009 at 5:06 PM
These were a big hit with my art group. Went well with a little wine and cheese. They asked where I got the recipe from and told them from the same blog with the tomato soup cake and they all smiled. Terry
- October 1, 2009 at 11:40 PM
- David Thompson said...
Surprisingly, olives and sweets go well. I once had to make brownies when the only oil I had was olive oil. What a find! It turns out that olive oil makes wonderful brownies.
- October 3, 2009 at 1:57 AM
I've moved my blog
Follow me over to https://rgillman.wixsite.com/studio78/blog , subscribe to get the updated posts, and please leave me a comment (a...
I am still in the process of responding individually, wherever possible, to your generous and comforting comments to my last post. Forgive ...
But a brief one. Making it an early night. Last night I was up until 2:am, actually sitting at the sewing machine and stitching on a p...


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Monday, June 29, 2009
Made the American Way
Posted by Erin at 11:55 AM No comments:
Labels: Holiday Decorating, Miscellaneous
Friday, June 19, 2009
Lila Jane's Neapolitan
I painted this chair for my high school friend's daughter that just turned two. The colors remind me of Neapolitan ice cream, which probably explains why I've been craving ice cream every night. Hmmm...
I took these pictures in my backyard this morning. So the lighting isn't that great. But I painted the spindles on the arms and crossbar white with tiny dots of all the colors that I used. The middle rails on the back have pink and white stripes.
This magazine box, in Lila's room, is is what I matched the chair to. I hope that Lila loves this chair in her new big girl room. Happy 2nd Lila!
Posted by Erin at 9:09 PM No comments:
Labels: Rocking Chairs
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once upon a time
I made a wish upon a star
for a knight in shining armor
time went by and life moved on
and little did I know
that sometimes wishes take a while
to blossom and to grow.
I kept my head up high
I have been hurt many times.
my heart filled with so much pain.
but now that pain has gone away.
for my heart is tasting candies
savoring the exclusive sweetness
melting like delicious divine chocolates
smiling and singing like the birds in summer sky
in your arms I have felt and seen,
a wonderful feeling that I cannot believe.
in your kisses I have awaken,
my sleeping heart.
now my heart just can't stop smiling
whenever I am with you.
*a special dedication to Bubbles...*
Poem by Joselyn Lee


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Alvaro Quiros shot a solid 2-under 70 in windy conditions to push into a one-shot lead after two rounds of the Trophee Hassan II in Morocco on Friday.
Quiros fought the elements, carding seven birdies and five bogeys to move to 7 under overall and take the outright lead at the halfway point of the European Tour event.
The Spaniard was one clear of Andrew Dodt, who moved into contention with a 4-under 68 at the Royal Golf Dar Es Salam course. Dodt dropped two shots in his first six holes but the Australian recovered from that shaky start to collect four birdies and an eagle.
Erik van Rooyen of South Africa was another shot back in third on 5 under after his...


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Welcome to our blog! If you're here, it's because you love what we love... Wine, Beer, Spirits, and Food! Here you will find our reviews on the latest and greatest drinks. We will also feature a TOP TEN LIST of our store favorites so you can drink & eat like a rock star without breaking the bank!
Wednesday, April 25, 2012
Tröegs | Dreamweaver Wheat Ale
While I do love a good traditional German Hefeweizen, I decided to go for an American version this time, with Tröegs Dreamweaver Wheat.
Poured into a Weizen glass, Dreamweaver has a semi-cloudy golden straw color with two inches of fluffy white head. Pronounced carbonation makes this beer look very light in body, while retaining a creamier looking head.
The aroma is smack in the middle between light spicy clove/coriander and sweet banana. Mild hints of medicinal funk from the yeast are just noticeable in the nose, but really don't get in the way of the spice and banana tug-of-war.
The taste starts with a nice bite of carbonation that injects flavors of banana and bubble gum sweetness right off the bat. Clove spice and other yeast esters fill in through the middle, while the finish is rounded off by a lightly toasted malt. Crisp and refreshing all the way through.
A Hefeweizen really hits the spot for summertime day drinking, and Tröegs Dreamweaver is no exception to that. The Pennsylvania locals have done a great job in keeping with Bavarian tradition. While Dreamweaver is not my all time favorite wheat beer, it's a definite must try, and is without a doubt a better choice than the typical watery light beers you'll be offered at a summer barbecue.
Personal: 7/10
Style: 8/10
Posted by Pat (Tap Talk) at 1:28 PM
Labels: hefeweizen, troegs, weiss, wheat
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As of February 1st 2007, the United States Patent and Trademark Office (USPTO) will no longer accept submissions under its Document Disclosure Program. This is a program that once allowed information on an invention to be stored on file with the U.S. Patent Office. Disclosures were kept up to two years for a fee of $10, at the request of the inventor. Submissions that were filed before February 1st 2007 will be kept on file at the USPTO for the full two-year period, however, regardless of when they were filed.
Many people were already aware that this was a powerful tool for independent inventors, as well as seasoned professionals. I understand that the U.S. Postal Service saw a much larger-than-normal volume of mail to the USPTO in the days leading up to the cutoff date. I personally submitted four disclosures during that time.
The Document Disclosure Program (DDP) had always been intended to serve as a preliminary step toward an eventual patent. It was never intended to provide any protection on its own. The DDP may have been given notoriety by companies who would use it unscrupulously. Many uninformed inventors have undoubtedly been duped into relying on the DDP, and consequently funneled into a vulnerable position with their intellectual property.
As it stands now, the U.S. Provisional Patent Application is the most accessible form of protection through the USPTO. The filing fee for a provisional is currently $100. This is a bit more than the old fee for the DDP. And, a provisional application requires much more detail than a document disclosure did. Yet, even a provisional application must be followed by a utility patent application within one year.
As a substitute for the DDP, I will accept disclosure documents, review them, recommend necessary changes (if required), and keep them on file for two years, at no charge. If you are interested, simply contact the Affordable Patent Service about your idea. If you like, a non-disclosure agreement will be forwarded to you promptly.
Wednesday, February 14, 2007
PTO Abandons Document Disclosure Program
Posted by Ken Campbell at 11:07 AM
2 comments:
Интересная мысль, возьму на заметку.
- October 28, 2010 at 4:18 PM
Неплохо. Есть сколько почитать. Побольшеб таких постов.
- December 1, 2010 at 8:14 PM
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... no handlebars." Not really, but it's a funny lyric, isn't it? And a funky lead-in to today's essay.
Actress Angie Harmon (Law & Order, Women's Murder Club, Rizzoli & Isles) @Angie_Harmon tweeted this morning: Today we're teaching #1 to ride a bike w/ no training wheels... Any tips?? Yikes! Why, yes, yes I do.
It got me thinking about how my dad taught my sister and I to ride a bike and why it worked. I talk through this same process with my customers at the bike shop when they ask me the best way to teach their kid to ride a bike. Here goes:
- Helmets are a must and make sure it fits properly. If the old one is more than three years old, replace it. At the rate a child grows, you might be looking at a new helmet every few years until their head quits growing. Fortunately, helmets these days are incredibly adjustable and you should be able to get at least a year or two out of it.
- Adjust the saddle (seat) height so that your child can touch the ground with flat feet. This will make it easier for them to maintain control of the bike when they loose their balance.
- It helps to have a slight decline to your driveway, and have your driveway empty into a cul-de-sac or a quiet street. This will help gravity do some of the momentum work for you.
- First off, don't worry about the pedaling. Start out just having the child push themselves with their feet and then lifting their feet off the ground. This will make it easier for them to learn to balance on two wheels.
- Once they've mastered balancing with their feet off the ground, have them push themselves with their feet, take their feet off the ground, and put them on the pedals. Don't worry about actually pedaling. That part comes next.
- Once they've got the hang of balancing and putting their feet on the pedals, have them push off with their feet, put their feet on the pedals, and start pedaling!
See? That wasn't so hard, was it?
Until next time, ride long and keep the rubber-side down.


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Master-level studies involve specialized study in a field of research or an area of professional practice. Earning a master's degree demonstrates a higher level of mastery of the subject. Earning a master's degree can take anywhere from a year to three or four years. Before you can graduate, you usually must write and defend a thesis, a long paper that is the culmination of your specialized research.
Students taking a Master in Business degree will gain core business skills such as accounting, marketing, finance, management, law, and ethics. Qualified graduates will have a wide range of career choices in many sectors and industries.
Switzerland (German: Schweiz, French: Suisse, Italian: Svizzera, Romansch: Svizra. Switzerland has some of the world renown universites like ETH in Zurich, EPFL in Lausanne, IHEID in Geneva, University of Lausanne or the University of St. Gallen. Keep in mind, it's much better to speak the local language, so if you can't speak either French, German or Italian, better go for a language course first.
Top Master Programs in Business in Switzerland 2018
Search for similar programs here


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Please Be Seated 2 is the sequel mixtape of Please Be Seated. Please Be Seated was originally a 6-track mixtape featuring samples from people such as; Lisa Mitchell, Genisis, B.O.B and more.
Please Be Seated 2 is an 8-track mixtape featuring artists such as; Seth Sentry & Justice. 360 used samples from people like Kings of Leon & Tame Impala.
I can honestly say these two mixtapes are some of 60's best work. When he's not batteling or working on his new album he is keeping updated with some pretty dope tracks. I can't get over some of the mixes & the way he uses samples.
This mixtape also expresses every emotion in just 8-tracks.
I can't wait for Falling & Flying to drop, especially if its anything like these mixtapes.
Please download these mixtape from http://www.360music.com.au & support your local acts .


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In a 5-0 vote, the Commission agreed to proceed with a trade petition brought by a coalition of
REG Chief Financial Officer
"Today's unanimous vote by the ITC is a key step in stopping unfair biodiesel trade practices that significantly harm
Note on Forward Looking Statements
This press release contains forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995, including statements related to future actions involving an ongoing investigation by the ITC. These forward-looking statements are based on current expectations and assumptions, are subject to change, and actual results may differ materially. Factors that could cause actual results to differ materially include the inherent uncertainty as to how the ITC investigation will proceed and the results and timing of the investigation. All forward-looking statements are made as of the date of this press release and REG does not undertake to update any forward-looking statements based on new developments or changes in our expectations.
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Anthony HulenExecutive Director, Corporate Affairs + (703) 822-1972 firstname.lastname@example.com
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Debbie Millman is a designer who has devoted most of her life to design. She has worked with Sterling Brands and designed many things that probable have been purchased in everyday purchases. In addition to this, she is a writer and has enjoyed working with Print magazine to write some articles. She is also in the process of writing and publishing two books: How to Think Like a Great Graphic Designer and Principles of Graphic Design. She teaches at the School of Visual Arts and Fashion Institute of Technology, gives lectures around the US as a board member of AIGA and also hosts an internet talk show: Design Matters.
Design Matters is an internet talk radio show that talks about issues about graphic design. It is very opinionated and provocative and is listened by over 150,000 people.
Interviews are scratchy...gross...
Debbie Millman seems really bold. The interview with Trollback was similar to the TED lecture I listened to at the beginning of the semester. Because they went over the same things he mentioned during his lecture, he was self-taught, a dj, he begain designing by getting books from designers and imitating their work. Debbie seemed really impressed by him and how he was self-taught. I mean I would be impressed too if I saw anyone who was succeessful at something being only self-taught.
Monday, April 13, 2009
Journal Entry: Debbie Millman
Posted by Alexandra Avila at 10:22 AM
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First images from the '80s remake
Update! I've tossed eight more behind-the-scenes pics into the gallery, including a look at Shannon Elizabeth as Angela (I've got a hi-res version coming soon).
Last night, Angela held a party – a two-night affair brimming with booze, babes and Halloween accoutrements. ShockTillYouDrop.com was there mingling with the crowd and wearing…a straight-jacket and alligator mask (I'll explain later).
It was all for Night of the Demons, the latest horror remake lensing in New Orleans and starring Shannon Elizabeth (playing Angela), Monica Keena, Diora Baird, Edward Furlong and Bobbi Sue Luther. A full set reporting is coming soon, in the meantime, I thought I'd share with you a few behind-the-scenes pics from the production.
Just click on the photo below (with stars Keena and John Beach) below for more. We've got a ton of Demons-related goodies on the way!
Source: Ryan Rotten, Managing Editor


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Rising senior Alexa Middleton will leave the Lady Vols program, head coach Holly Warlick announced Friday.
Middleton, a 5'9 guard from Murfreesboro, TN, played in 32 games for the Lady Vols during her junior season at Tennessee. She will complete the spring semester at UT before transferring to another basketball program.
"I appreciate the contributions Alexa made to our program," Warlick said. "She's a great young lady who felt like she needed a change, and we will do our best to help her find that opportunity. I wish her nothing but the best as she pursues a new path."
Middleton started in 13 games during the 2016-2017 campaign and averaged 25.5 minutes. She averaged 7.9 points per game, and led the team with 42 three-pointers. She shot 38.9 percent from outside the arc, with an overall field goal percentage of 39.5.
"I am so thankful for Coach Holly and the rest of the staff, my teammates and the amazing fans at Tennessee," Middleton said. "I had some incredible experiences here, competing on a big stage, playing in some highly-competitive games and even traveling to Italy. This was a personal decision, and I just felt I needed to go somewhere to reach the goals I have set."