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Paul Klee (Swiss, Münchenbuchsee, near Bern 1879 - 1940 Muralto, near Locarno)
The Kettledrum Organ (Die Paukenorgel), 1930
Signed lower left: Klee; dated on stretcher: 1930
Oil on paper board
12 1/2 x 16 1/2 in. (31.8 x 41.9 cm)
R. T. Miller, Jr. Fund, 1944
Paul Klee's Die Paukenorgel, painted during the artist's last year at the Bauhaus in Dessau, shows the influence of French Cubism, Bauhaus Constructivism, and the work of Laszlo Moholy-Nagy (1895-1946) and Lyonel Feiningger in its monochromatic composition of crystallized forms. The title and details place the largely abstract work in a musical context, and bear witness to the fact that Klee was as proficient and knowledgeable in music as he was in art.
Klee painted Die Paukenorgel in 1930, his last year at the Bauhaus in Dessau. In contrast with his earlier intuitive approach to artistic creation, at this time he was conducting planimetric and stereometric experiments into the geometric origins of form. Drawing on scientific data derived from contemporary physical, mathematical, psychological, and aesthetic research, he formulated a theory of pictorial space and its formal relationships and assembled a handbook of motifs.1 Almost obsessively, he drew endless diagrams in which he explored the kinetic variations and rhythms of structure by projecting geometric objects in space.2
As a result of these spatial studies Klee produced Constructivist drawings from 1930 on. The Kettledrum Organ appears to be based on these studies.3 In it Klee built up crystalline shapes with fine, dark spotting, shading, and hatching, and used the texture of the paperboard support to increase the three-dimensionality of the image.
Towards the upper center of the painting emerge two drumsticks topped with red and black balls, which, combined with the windup handle on the lower left side, illustrate the painting's subject, the kettledrum organ. (The original German title, Paukenorgel, actually refers to a calliope, a mechanical organ used in amusement fairs.) The implike figure in the lower center of the painting wears a pointed red cap and reaches out with one shadowy hand. This imp may represent the mechanical "soul" of the organ. On the other hand, he may be an ordinary jack-in-the-box, a humorous touch in a complex, somewhat cerebral composition. Klee's visual wit distinguishes his work from that of his Bauhaus peers.
In February 1931 Die Paukenorgal was purchased by the Anhaltische Gemäldegalerie in Dessau, with funds provided by the city and its mayor, Fritz Hesse, for the purchase of modern art. Hesse and the museum director, Ludwig Grothe, were later sharply criticized by the National Socialists for their promotion of modern "degenerate" art, and were forced to resign from office in 1933. In 1937 Klee's painting was included in an exhibition of "Entartete Kunst" (Degenerate Art) in Dessau and--together with the entire collection of modern art--was confiscated from the museum. The Klee was sold in Berlin. Other works were either sold or destroyed.5
D. Hamburger, with contributions by M. E. Wieseman
Work (C) 1998 Artists Rights Society (ARS), New York/VG Bild-Kust, Bonn
Born 18 December 1879 in Münchenbuchsee near Bern to the music teacher Hans Klee, Paul Klee showed equal talent for music and art early on. After finishing school in 1898, he studied at the private academy of Heinrich Knirr in Munich, and after 1900 at the academy with Franz von Stuck (1863-1928). With the sculptor Hermann Haller, Klee traveled in Italy between 1901 and 1902, and became engaged that same year to the pianist Lily Stumpf, whom he married in 1906; their son Felix was born in 1907. At first disappointed with his painterly effects, Klee concentrated on printmaking and drawing. In 1911 he met Vasilij Kandingsky and other members of the Blaue Reiter, with whom he exhibited in 1912. Although Kandinsky's work and the Orphism of Robert Delaunay (1885-1941) tempted Klee towards a return to color, he continued to concentrate on graphic work until 1914, when a trip to Tunis and Kairouan, where he experienced the Arabian architecture and the intense light, liberated him as a painter.6
In 1915 Klee was drafted into the German army and spent the war years at a Bavarian garrison, where he was able to create drawings and watercolors; his military duties included painting airplane wings. He exhibited his work at Hervarth Walden's Galerie der Sturm in 1913, and in exhibitions of the Neue Münchener Sezession in Munich. Klee had his first major show at the Gallery Hans Goltz in Munich in 1920, where 362 of his works were shown. Upon the invitation of Walter Gropius, he taught at the Bauhaus as "Master of Form" from 1921 until 1931,7 during which time he also traveled to France, Italy, and Egypt. In 1929 he was given major solo exhibitions at the Flechtheim Gallery in Berlin and at The Museum of Modern Art in New York. In 1931 he began teaching at the Düsseldorf Academy, but was dismissed by the National Socialists in 1933. Klee then moved to Bern, where he remained very productive in spite of having developed scleroderma, from which he died on 29 June 1940. Although many of his works were confiscated from German collections in 1937, and seventeen were included in Hitler's Entartete Kunst (Degenerate Art) exhibition held in Munich, Klee's work continued to be shown in New York, Paris, and Zurich in 1938.
General References
Huggler, Max, ed. Paul Klee. Part I: Dokumente und Bilder aus den Jahren 1896-1930, Bern-Bümpliz, 1949. Part II: Bilder und Zeichnungen aus den Jahren 1930-1940, Bern-Bümpliz, 1960.
Klee, Felix, ed. Tagebücher. Vol. 1 (1893-1906); vol. 2 (1907-1940). Cologne, 1957.
Klee, Felix, ed. Leben und Werk in Dokumenten. Zurich, 1960.
Kornfeld, Eberhard. Verzeichnis der graphischen Werke von Paul Klee. Bern, 1963.
Gelhaar, Christian. Paul Klee und das Bauhaus. Cologne, 1972.
Glaesemer, Jürgen. Paul Klee: Handzeichnungen. Vol. 1, Kindheit bis 1920, Bern, 1973. Vol. 2, 1921-1936, Bern, 1984. Vol. 3, 1937-1940, Bern, 1979.
Gelhaar, Christian. Paul Klee. Leben und Werk. Cologne, 1974.
Klee, Felix, ed. Briefe an die Familie. Cologne, 1979.
Jordan, Jim. Paul Klee and Cubism. Princeton, 1984.
Regel, Günther, ed. Kunstlehre: Aufsätze, Vorträge, Rezensionen und Beiträge zurbildnerischen Formenlehre. Leipzig, 1987.
Spiller, Jurg, ed. Paul Klee Notebooks. Translated by Ralph Manheim. Vol. 1, The Thinking Eye. Vol. 2, The Nature of Nature. Woodstock, N.Y., 1992.
Purchased by the Anhaltische Gemäldegalerie, Dessau, in February 1931, for 2000 RM
Confiscated by the National Socialists, 1937 (inv. 10922)
Purchased by Karl Buchholz in Berlin, 18 February 1939, for $120
With Buchholz Galleries, New York, from whom purchased in 1944
Dessau, Palais Reina, 1937. Entartete Kunst. Fall. No cat.
New York, M. Knoedler & Company, Inc., 1954. Paintings and Drawings from Five Centuries: Collection Allen Memorial Art Museum. 3 - 21 February. Cat. no. 75.
Bern, Kunstmuseum, 1956. Paul Klee. 11 August - 4 November. Cat. no. 602.
Hamburger, Kunstverein, 1956-57. Paul Klee. 2 December - 27 January. Cat. no. 265.
Minneapolis, Frederick R. Weisman Art Museum, University of Minnesota, 1958. Music and Art. 4 April - 18 May (also shown at Grand Rapids Art Museum). No cat.
The Denver Art Museum, 1963. Paul Klee in Review. 7 April - 7 May. Cat. no. 32.
New York, The Solomon R. Guggenheim Museum, 1967. Paul Klee: A Retrospective. February - July. Cat. no. 114.
Basel, Kunsthalle, 1967. Paul Klee. 3 June - 13 August. Cat. no. 119.
Des Moines Art Center, 1973. Paul Klee: The Bauhaus Years. 18 September - 28 October. No cat.
Berlin, Neue Nationalgalerie, 1974. Homage à Schönberg. 11 September - 4 November. Cat. no. 65.
The Cleveland Museum of Art, 1975-76. Extended loan for exhibition with the permanent collection. April 1975 - December 1976. No cat.
Cologne, Kunsthalle, 1979. Paul Klee: Das Werk der Jahre 1919-1933, Gemalde, Handzeichnungen, Druckgraphik. 11 April - 4 June. Cat. no. 310.
Purchase, N. Y., Neuberger Museum, State University at Purchase, 1981. Soundings. 20 September - 23 December. Cat. p. 40.
Anhalt im Dienste des Führers. Dessau, 1937, p. 70 ill.
Grohmann, Will. Paul Klee. New York, 1954, p. 398, cat. no. 112.
Stechow, Wolfgang. Catalogue of European and American Paintings and Sculpture in the Allen Memorial Art Museum, Oberlin College. Oberlin, 1967, pp. 94-95, fig. 131.
Homage à Schönberg. Exh. cat., Neue Nationalgalerie, Berlin, 1974. Cat. no. 65.
Soundings. Exh. cat., Neuberger Museum, State University, Purchase, N.Y., 1981, p. 40, ill.p. 39.
Hünecke, Andreas. "'Weg mit Zwitschermaschine & Paukenorgel!' Paul Klee und die Aktion 'Entartete Kunst'." In Paul Klee, Vorträge der wissenschaftlichen Konferenz in Dresden 19. und 20. Dezember 1984. Dresden, 1985, pp. 65-70.
Technical Data
The support is paperboard, probably composed of a pulp core covered with surface plies of rag. The board was tacked onto a wooden stretcher before painting, and the verso coated with a heavy, uneven layer of white paint. The white ground is generally smooth and has been incised in some areas to create surface variation and design lines. The paint is generally thin and evenly applied and remains quite transparent over the ground. It may have been applied with a stencil.
Small areas of inpainting are scattered throughout. Covering the surface of the painting is widespread drying crackle; this condition originated shortly after the painting was completed and has not changed markedly since. Although no cleavage is apparent at present, some paint islands have slightly curled edges. Otherwise the condition of the painting is good and generally sound.
1. See Tony Müller, Willi Brausen, and Wilfried Genniges, Paul Klee: Das Werk der Jahre 1919-1933, Gemalde, Handzeichnungen, Druckgraphik (exh. cat., Kunsthalle, Cologne, 1979), p. 55.
2. Christian Gelhaer (Paul Klee and the Bauhaus [Greenwich, Conn., 1975], p. 14) referred to these studies as "the ultimate radical realization of his theoretical standpoint."
3. Nearly identical, but for the absence of the humor, to Die Paukenorgel is the watercolor Kristallisation (1930; 31.2 x 32.1 cm, Berlin, Kunstmuseum, Paul Klee-Stiftung); reproduced in Tony Müller, Willi Brausen, and Wilfried Genniges, Paul Klee: Das Werk der Jahre 1919-1933, Gemalde, Handzeichnungen, Druckgraphik (exh. cat., Kunsthalle, Cologne, 1979), cat. no. 343.
4. Even in 1917, when his worst fears had been realized, Kirchner continued to carve woodcuts.
5. Information from Margit Schermuck-Ziesché, in a letter dated 23 September 1997; see also Andrea Hüneke, "'Weg mit Zwitschermaschine & Paukenorgel!' Paul Klee und die Aktion 'Entartete Kunst'," in Paul Klee, Vorträge der wissenschaftlichen Konferenz in Dresden 19. und 20. Dezember 1984 (Dresden, 1985), pp. 65-70.
6. As he wrote in almost ecstatic, mystical terms in his diary: "Die Farbe hat mich. Ich brauche nicht mehr nach ihr zu haschen. Sie hat mich für immer, ich weiß das. Das ist der glücklichen Stunde Sinn: ich und die Farbe sind eins. Ich bin Maler." [Color possesses me. I no longer need to try and catch/grasp it. It possesses me for ever, I know that. This is the meaning of this happy hour: I and color are one. I am a painter.] Quoted from Paul Vogt, Geschichte der deutschen Malerei im 20.Jahrhundert (Cologne, 1989), p. 121.
7. Inspired by his teaching, Klee published his Pädogogisches Skizzenbuch in 1925, an important source for the artist's thinking on art.


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In fact, it's not the only lounge chair in a fabric I've spotted lately: Dr. House on House also has one upholstered in a super-wide wale corduroy.
Tuesday, October 21, 2008
Eames::Twisting the Classics
In fact, it's not the only lounge chair in a fabric I've spotted lately: Dr. House on House also has one upholstered in a super-wide wale corduroy.
12 comments:
- ERIN said...
i saw the chair on House and thought it was awesome!
- October 21, 2008 1:06 PM
- Brad K. said...
Don't mess with a classic.
- October 30, 2008 1:40 PM
- Terri said...
If I could afford an Eames lounge (in good condition)I don't think I would mess with perfection.
- November 06, 2008 11:00 AM
- smart mama said...
I'd have to say case specific...
ps I totally love MCM!
I'll have you know I have to 2 of the most fab MCM dining sets in my house and still pining for a S. tulip table (if only i didn't have too many kids I just don't dig the oval as much!)
- November 10, 2008 10:51 AM
- Rich Wood said...
Man, I love that you love these kind of houses in Provo. I have always wishing Provo had more houses like they have around Center street... BUT seeing your love for them is helping me see them in a new light.
- November 10, 2008 2:13 PM
- April said...
I would only feel ok recovering an Eames lounge if it wasn't in good shape and really needed the new upholstery.
- November 12, 2008 4:35 PM
- Lisa said...
I'm totally onboard with it. I LOVE IT! WANT ONE! TELL SANTA!
- November 12, 2008 10:02 PM
- slmodern said...
Just thought I'd let you know from 1956-1962 Herman Miller offered the Eames lounge chair and ottoman in leather, naugahyde or FABRIC. From 1962 on it it has only been offered in leather. But for me, I prefer the leather. In fact mine has the original early 60's red/oxblood leather. I don't think I would ever change it.
- November 21, 2008 12:18 PM
- Markus said...
I've noticed the corduroy eames lounge on HOUSE a few times now. I'd rather it be a real leather one. I've also noticed some other great furniture pieces on that show. I remember seeing a white Arne Jacobsen Egg Chair once.
- November 25, 2008 7:19 AM
- april said...
I must agree. That IS the cutest gingerbread house EVER!
- January 07, 2009 5:29 PM
- Jeannie said...
absolutely i'd love an(other) Eames in a current fabric or leather. why not? it's cool. i love mid century, and i love it with a 21st century edge.
proud owner of 2 Eames lounges & ottomons (1 in black leather and the second one in a caramel leather); Noguchi table; Nelson bench; Nelson chest.
- January 17, 2009 10:54 AM
- Azúcar said...
It's killing me that I can't get the font of this text to courier. Killing me.
- February 26, 2009 12:21 PM

subset: commoncrawl


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The MAHHA thread is getting long and I wanted to make sure people see this request.
We've rented the pavilion all day Saturday and need large tarps to be put up early, early Saturday morning to act as a wind block for the day in case weather gets dodgy. Will make it nicer for Dutch's Saturday breakfast, all the activities and the Sat. dinner at the pavilion.
We've had the MAHHA with the tarps and without them. It's usually nicer with the tarps up if weather is chilly. They are put along the long backside that opens next to the trees. So a few tarps are necessary. Post here if you can help with this request.
Picture of pavilion attached so you can see full length of pavilion.


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Join the Nation's Conversation
To find out more about Facebook commenting please read the Conversation Guidelines and FAQs
On the Job: Don't take blame for others' mistakes
Be assertive when the problem isn't your fault.
Everyone makes mistakes, but it's often difficult to own up to them at work.
We may fear getting in trouble with the boss, or we may worry that confessing will hurt our reputation or career permanently.
COLUMN: Make mistake? You can repair reputation
COLUMN: Learn from mistake, then get back to work
When people make mistakes, the biggest problem is often fear that causes them to try to cover it up, says Daryl Pigat, a branch manager with Robert Half International in New York.
"You have to own it. If you don't admit it, it's going to come back to haunt you," he says. "Take responsibility, say what you've learned from it, be willing to move on and don't harp on it for six months."
What if the mistake wasn't really your fault, but you get the blame?
According to a recent OfficeTeam survey, managers can get caught in this situation.
Thirty percent senior managers say they've accepted blame at work for something that wasn't their fault, according to the survey, based on telephone interviews with more than 1,000 senior managers at companies with 20 or more employees. Why? Some 34% report they felt indirectly responsible for the problem; 28% said they didn't want to get someone else in trouble.
While the attitude of taking one for the team may be admirable, Pigat says such a strategy can undermine your career if you're constantly shouldering the blame for mistakes.
"You don't want to become the scapegoat," he says. "You have to walk a fine line because you do need to worry about yourself. While it may be easier to diffuse a situation by accepting blame and moving on, you don't want to be a lackey."
For some workers, it's not easy to avoid becoming scapegoats when the boss constantly blames errors on them.
In that case, document what's really happening and show how you were not responsible for the error, Pigat says. If the situation doesn't improve, it may mean you have to talk to the boss privately about his penchant for heaping unwarranted blame on your shoulders.
When confronting a boss on difficult issues, some basic rules apply, says Renee Evenson, author of "Powerful Phrases for Dealing with Difficult People." She has this advice:
• Stay calm. Focus on the facts and offer a positive solution.
Don't approach your boss unless you believe you can maintain your confidence and stay assertive. No matter the situation or what the boss says, you must remain respectful. Never badmouth the boss or the organization.
• Offer examples. This is where documentation can come in handy because it will help you stick to the facts.
• Use "I" statements. When talking to the boss, use phrases such as "the situation makes me uncomfortable" or "this issue matters to me."
• Define the problem. State clearly what you see as the issue.
• Offer a solution. Say it something like, "I'd prefer that if you believe I made a mistake that you ask me about it before blaming me in front of others."
• Agree on a resolution. Thank the boss for her attention to the matter and offer reconciliation by noting you'll focus more on key issues that seem to concern her.
Dealing with a colleague who likes to blame others may be easier, Pigat says, since it can be done over a friendly get-together after work. This can be especially effective if this co-worker also has blamed others unfairly.
"You can use documentation in these cases to also back up your point, but you can often just let the person know that you're aware of what he's doing and so are others," Pigat says. "Often these people think they're being really crafty, and you just need to let them know you're onto them."
Anita Bruzzese is author of 45 Things You Do That Drive Your Boss Crazy ... and How to Avoid Them, www.45things.com. Twitter: @AnitaBruzzese.


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November 14, 2017
On Dec 2, 2017, inside the famous Hartville Kitchen, at least fifty vendors will participate in the Market Place & More holiday sales event. Shoppers can look forward to an experience that will restore comfort in holiday shopping. Each vendor attending this eight hour event, offers individually unique products. Patrons will browse with ease, while well informed and experienced vendors address their inquiries.
Hartville's Famous Kitchen,located at 1015 Edison St NW, Hartville, OH 44632, has been a community staple and family attraction since 1966. For more than 50 years in this location, Hartville Market Place hosts a dine-in Kitchen, Children's Boutique, Market Place, Gift Shop, Hardware & Flea market. Families and patrons have an array of exciting shops to visit. With a superb preexisting reputation, hosting the Market Place & More Craft & Vendor Show will only compliment an already excellent public rapport.
Some vendors are local artisans and shop owners while some travel from other states. Ranging from professionally hand crafted gifts to well known household brands, the Market Place & More Craft & Vendor Show reveals a well balanced vendor line up.
For more information on this historical event and the vendors, visit the following links below.
Information contained on this page is provided by an independent third-party content provider. This Site make no warranties or representations in connection therewith. If you are affiliated with this page and would like it removed please contact support [at] perpetualwire.com.


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Hydrocortisone Acetate Side Effects
What should I watch for?
Visit your doctor or health care professional for regular checks on your progress. Tell your doctor or health care professional if your symptoms do not improve after a few days of use. Do not use if there is blood in your stools.
If you get any type of infection while using this medicine, you may need to stop using this medicine until our infections clears up. Ask your doctor or health care professional for advice.
Common and Rare Side Effects
Along with its needed effects, a medicine may cause some unwanted effects. Although not all of these side effects may occur, if they do occur they may need medical attention.
Check with your doctor as soon as possible if any of the following side effects occur:
Less common or rare
Burning and itching of skin
false sense of well-being
mood swings
painful, red or itchy, pus-containing blisters in hair follicles
personality changes
rectal bleeding, burning, dryness, itching, or pain not present before therapy
sensation of pins and needles
stabbing pain
straining while passing stool (with tixocortol only)
Additional side effects may occur if you use this medicine for a long time. Check with your doctor as soon as possible if any of the following side effects occur:
Abdominal or stomach pain
coughing up blood
decreased resistance to infection
dryness of mouth
filling or rounding out of the face
gradual blurring or loss of vision
increased thirst
irregular heartbeat
loss of appetite
menstrual irregularities
mood or mental changes
muscle cramps or pain
muscle weakness
nausea or vomiting
nonelevated blue or purplish patch on the skin
osteoporosis or bone fractures
pain in joints
pain or discomfort in the area of a vein
rapid weight gain
reddish purple lines on arms, face, legs, trunk, or groin
redness of eye
sensitivity of eye to light
shortness of breath
skin rash
slow wound healing
stunting of growth (in children)
swelling of feet or lower legs
trouble in sleeping
unusual decrease in sexual desire or ability in men
tearing of eyes
unusual increase in hair growth (especially on the face)
unusual tiredness or weakness
unusual weight loss
weak pulse
Some side effects may occur that usually do not need medical attention. These side effects may go away during treatment as your body adjusts to the medicine. Also, your health care professional may be able to tell you about ways to prevent or reduce some of these side effects. Check with your health care professional if any of the following side effects continue or are bothersome or if you have any questions about them:
Less common or rare
dry, scaly skin
increase in appetite
increased sweating
lightened skin color
passing of gas (with budesonide only)
sensation of spinning
thin, fragile skin
thinning hair on scalp
unusual weight gain
Other side effects not listed may also occur in some patients. If you notice any other effects, check with your healthcare professional.
Call your doctor for medical advice about side effects. You may report side effects to the FDA at 1-800-FDA-1088.


text: Hey whats up.. Im new to AO and Hacking in general. I am knowlegable in C programming and have some networking experience... Pretty much I am a newbie and would like some help. What do I need to learn to get a solid base on security and finding holes?? I am learning perl, python and getting my UNIX admin certificate.. What else should i do?? Thx in advance for the help


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|2012-12-29, 11:46
|Link #2105
Join Date: Mar 2011
Location: Chile
|2012-12-29, 18:04
|Link #2108
Join Date: Feb 2006
Age: 35
Oh my, thanks for the translation, that's .. some intro. I can't imagine Mayumi, Mari, Azusa and Miyuki being able to converse about those topics without combusting though..
And I always knew Suzune had .. something .. about her that tweaked my amusement.
|2012-12-30, 22:53
|Link #2114
Join Date: Apr 2007
I read from somewhere that Mayumi younger twin sisters would soon be introduce, is that true?
|2012-12-30, 23:01
|Link #2115
Senior Member
Join Date: Dec 2005
|2012-12-30, 23:41
|Link #2116
Lover of Purity
Join Date: Feb 2012
|2012-12-31, 01:51
|Link #2117
Senior Member
Join Date: Mar 2008
Didn't see anyone mention it yet but next bit of the election story is up. That last bit with convincing A-chan to be President, including the "gift" was great.
Last edited by Xacual; 2012-12-31 at 07:01.
|2013-01-01, 01:40
|Link #2119
Senior Member
Join Date: Mar 2012
Location: Costa Rica
Hi!, thanks to the staff for the hard work on BT, BTW: theres some place I could read summaries?? I try search here, but still dont want to read the past 105 pgs
About some stuff:
Tatsuya is emotionally handicap??, I think he have somekind of autism, but due his max power could be the recomendable personality, ret. major gen Kudou said on the interview with major Kazama, not revealing too much but just put it simple: Mazaki can "handle" batallions" but Tatsuya its far beyond that level. Far I understood he is cousin of Miyuki (his mother its Miya, sister of Maya, current head of the Clan and Miyuki mother), this is from Kuduo/Kazama "talk", looks like something serius happened 3 years before school entrance, if I understand Tatsuya used his special abbility on Miyuki to save her life: Body reconstitution?, similar to he used in the battle against Masaki, according the mentioned talk Yotsuba Clan was in charge to create new kind of super soldiers or better said super human weapons integrated magicians, far mentioned, on the entire Country only 2 have that power, Yanagi seems to be the could only could fight Tatsuya, seems all that super power is under Yotsuba Clan, wich the next step its overpower or submit the rest of the houses and probably the Gov, thats why they will try to separate Tatsuya from the Clan, DNA speaking Tasuya is more value than Political, Katsuto offer to marriage Saegusa daughter its far beyond than a mere offer, even said he can choose freely any of the 3 girls, take on account Saegusa Clan share the top with Yotsuba, BTW: Miyuki said Tatsuya weakness its the personality, inteligence and manners and not other, thats why she hug him, claim and even kick his butt after the cad ajust on vol 1, to be accurate: she was jealuos from Mayumi or Mari, he seems to have a puzzle with Mayumi and even Tatsuya seem to react with her, wich is strange due his lack of emotions towards other people.
But they dont know about Tatsuya its plannig a coup d etat on Yotsuba Clan, not for himself, its for Miyuki, he suffered from the age of 6 to 13 years old medical experimentations, thats why his first priority is Miyuki, to be clear I am Mayumi supporter, but to be accurate on the novel, its mentioned several times Tatsuya understand Miyuki feelings but to him shes just a little sister (summer break chapter define its very clear), but who knows what the author have on mind?, i think sometime he over develop magoc and theories explanations than caracter evolution, so the their partipation is lower and we missing parts.
Last edited by Chimurry; 2013-01-01 at 01:50.
|action, fantasy, harem, incest, magic, mahouka, rettousei, school life, shounen, siblings
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The work of artist Vanessa Marsh is perhaps most accurately described as photography. Marsh creates her richly layered compositions one layer at a time. Using drawings on clear acetate sheets and small- scale models she creates a narrative unfolding on a landscape. After producing several such landscapes Marsh photographs the combined layers. The resulting photographs are pictured here. The numerous planes in each piece are similar to past and present time and the memories that accompany it. In fact, of her work, Marsh says:
"Within the series I am exploring not only the working of memory and imagination but also our contemporary relationship to the landscape, where we might find ourselves in the future and how our feelings towards the landscape often center around ideas of dislocation, need and yearning."


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Revolver vs Semi-auto - has the market softened?
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November 30, 2012, 09:26 PM
Senior Member
Join Date: November 19, 2009
Posts: 3,119
Personal taste but I myself have always preferred revolvers . . . but then I'm an old fart. We grew up in the days when our heroes all used revolvers . . . today, the younger generation have grown up watching most of their rough and tumble favorites using semi-autos.
I have had and have a number of semis and revolvers. I really never thought about it until now, but I have traded or sold off semi-autos . . . I've never sold or traded off any of my cartridge revolvers. I may have a few favorites but in essence, I love 'em all.
My biggest disappointment is when I go into a gun shop and they have display cases up the wha huzzie filled with semi-autos and maybe one or two that have a few revolvers in them. I like the more vintage Colts - Army Special, OP, etc. and when I ask a clerk if they have any, I get these strange looks like "what kind of nut are you" . . . old fashioned I guess. However, when I have run across them, I'm amazed at how someof the more common ones are over priced.
If a pair of '51 Navies were good enough for Billy Hickok, then a single Navy on my right hip is good enough for me . . . besides . . . I'm probably only half as good as he was anyways. Hiram's Rangers Badge #63
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Humans, and many non-human animals, produce and respond to harsh, unpredictable, nonlinear sounds when alarmed, possibly because these are produced when acoustic production systems (vocal cords and syrinxes) are overblown in stressful, dangerous situations. Humans can simulate nonlinearities in music and soundtracks through the use of technological manipulations. Recent work found that film soundtracks from different genres differentially contain such sounds. We designed two experiments to determine specifically how simulated nonlinearities in soundtracks influence perceptions of arousal and valence. Subjects were presented with emotionally neutral musical exemplars that had neither noise nor abrupt frequency transitions, or versions of these musical exemplars that had noise or abrupt frequency upshifts or downshifts experimentally added. In a second experiment, these acoustic exemplars were paired with benign videos. Judgements of both arousal and valence were altered by the addition of these simulated nonlinearities in the first, music-only, experiment. In the second, multi-modal, experiment, valence (but not arousal) decreased with the addition of noise or frequency downshifts. Thus, the presence of a video image suppressed the ability of simulated nonlinearities to modify arousal. This is the first study examining how nonlinear simulations in music affect emotional judgements. These results demonstrate that the perception of potentially fearful or arousing sounds is influenced by the perceptual context and that the addition of a visual modality can antagonistically suppress the response to an acoustic stimulus.
1. Introduction
Many vertebrates, including humans, produce and respond to harsh, nonlinear vocalizations when alarmed, possibly because these are produced when acoustic production systems (vocal cords and syrinxes) are overblown in stressful, dangerous situations [1,2]. These nonlinear sounds are somewhat unpredictable and this lack of predictability is hypothesized to make them difficult to habituate to [2]. Indeed, marmots (Marmota flaviventris), meerkats (Suricata suricata) and tree shrews (Tupaia belangeri) respond in more evocative ways to calls containing nonlinearities [3–5]. Recent work has also shown that meerkats do not habituate as easily to calls containing nonlinearites (S. Townsend & M. Manser 2011, personal communication). Humans respond more to infant cries containing nonlinearities than those not containing nonlinearities [6].
Humans compose music that may contain acoustic attributes that would normally be produced by animals in highly affective situations. For instance, rapid amplitude fluctuations, subharmonics (additional spectral components between harmonics), biphonation (sidebands adjacent to harmonics) and noise can all be seen on spectrograms of music, as well as in improvised vocal music performances [7]. Recent research suggests that abdominal muscle activity involved in vocal production is correlated with perceived noisy 'growl-like' characteristics in aggressive singing [8]. There is little work, however, examining how these features affect emotional judgements. Humans evolved to respond to an array of stimuli from different modalities, and it is important to understand how emotions are evoked in more complex situations. For instance, films contain narrative, acoustic, and visual components—studying sounds divorced from their more natural contexts is, arguably, somewhat artificial.
Previous work [9] has shown that film soundtracks from different genres differentially contain simulated nonlinear sounds and suggests that the soundtracks do so in order to evoke emotions: scary scenes from horror films contain noisy elements, while dramatic films suppress noise and contain more frequency transitions than would be expected by chance. We aimed to better understand the underlying emotional salience of simulated nonlinearities by presenting human subjects with music composed to include either specific nonlinear sounds or no nonlinear sounds, and then by presenting subjects with video clips containing the identical music. If nonlinearities are generally arousing, we expected subjects to rate music or videos with nonlinear elements as more arousing than those without them.
2. Material and methods
We conducted two experiments. The first varied the presence or absence of specific nonlinear attributes in music. Using Avid Pro-Tools 9 and Native Instruments Kontackt 4, we (PK, GB) composed 12 original, 10 s control music exemplars devoid of noise or abrupt frequency transitions that were designed to be emotionally neutral (not in definite major or minor modes, of medium tempi, and average dynamic amplitude range). Treatments modified these 12 compositions by adding either noise (through instrumentation changes, simulated electronic distortion using Native Instruments Guitar Rig 4, or both) or abrupt frequency upshifts or abrupt frequency downshifts at the 5 s mark in the 10 s compositions. Figure 1 illustrates a single composition in both the control condition and the noise condition, with simulated chaotic noise added at the 5 s mark. Thus, we created a total of 36 versions of essentially the same 10 s compositions. In addition, we composed six music 'fillers' that served as additional controls but were not formally analysed. The 36 compositions and six fillers were divided into three counterbalanced lists. These sounds were then presented, in a random order using SuperLab v. 4.0 software (www.superlab.com), to 42 undergraduate students (23 females, 19 males; average age = 20.8 years) at UCLA who received course credit for participation. After hearing a practice stimulus, the experiment began. For each exemplar, students were given unlimited time to rate the stimuli on two dimensions—arousal and valence—on –5 to +5 point scale. Arousal was defined as emotionally stimulating or active, and valence was explained as being positive or negative with the examples of 'happy' and 'sad' provided as illustrations. Responses were analysed in SPSS 18 (www.ibm.com) using repeated measures ANOVA with planned pairwise comparisons (Fisher's least significant difference) to compare treatments. Treatment was included as a within-subjects factor, and subject sex as a between-subjects factor.
The second experiment was identical to the first, except that we added 10 s videos to the identical musical compositions. These 10 s videos were designed to exhibit benign activities that changed at 5 s at the salient narrative point. For instance, a person sat and drank coffee at 5 s, read and turned a book page at 5 s and walked and made a right-hand turn at 5 s (see the electronic supplementary material, for descriptions of all stimuli). By doing so, we created a multi-modal set of exemplars that were presented to 42 different UCLA students (27 females, 15 males; average age = 19.1 yrs) who were asked to rate these multi-modal stimuli on the same dimensions. Additionally, before seeing the next exemplar, students were asked to write a brief statement about what would happen next on the video; these results are not discussed here. Rating results were again analysed with repeated measures ANOVA.
3. Results
Figure 2 illustrates the rating results of both experiments. In the first unimodal (music only) experiment, we confirmed sphericity (Mauchly's test) for arousal (p = 0.262) and valence (p = 0.390). Variation in arousal was explained by treatment, F3,120 = 8.083, p < 0.0001, partial η2 = 0.168. Compared with controls, subjects reported increased arousal after hearing music that contained either noise (p < 0.0001) or upward pitch shifts (p = 0.029), though not downward pitch shifts (p = 0.343; figure 2). Variation in valence was significantly influenced by treatment, F3,120 = 3.574, p = 0.016, partial η2 = 0.082. Compared with controls, valence decreased with the addition of either noise (p = 0.005) or downward pitch shifts (p < 0.0001), but not with upward pitch shifts (p = 0.604). Additionally, valence judgements differed by subjects' sex, with men giving more positive judgements overall than women, F1,40 = 6.092, p = 0.018, partial η2 = 0.132, but there was no treatment by sex interaction, F3,120 = 0.582, p = 0.628. There were no sex differences in arousal judgements.
In the second multi-modal (music + video) experiment, we did not confirm sphericity (Mauchly's test) for arousal (p = 0.086) or valence (p = 0.010), so we report corrected tests (Greenhouse-Geisser) for both measures. No significant variation in arousal was explained by treatment, F2.549,101.959 = 0.398, p = 0.755, partial η2 = 0.010, and no within-subject contrasts using estimated marginal means were significant (all F-values < 1). But significant variation in valence was explained by treatment, F2.525,100.981 = 3.675, p = 0.014, partial η2 = 0.084. Compared with the controls, valence decreased with the addition of either noise (p = 0.014) or downward pitch shifts (p = 0.010). There were no observed sex differences in either measure (all F-values < 1).
4. Discussion
Taken together, our results suggest that certain types of music with simulated nonlinearities can alone be evocative and that the addition of relatively nonevocative video images to music with evocative sound characteristics suppresses some affective responses to sound. To our knowledge, this is the first demonstration that simulated nonlinearities have the predictable emotional effects of increased arousal (i.e. perceived emotional stimulation) and negative valence (i.e. perceived degree of negativity or sadness). When the video images were introduced, arousal was muted, but valence judgements were less influenced. This result implies that perceptual context influences multi-modal perception.
We expected that the introduction of distortion noise to a musical composition would increase arousal based on the role of similar nonlinearities in human and animal vocalizations. Similarly, the finding that human listeners perceive noise as negatively valenced is also consistent with this idea. But it is not clear why the introduction of a benign video would reduce these effects. It could reflect the different sources of potentially important information conveyed by the sounds and the images and the apparent visual dominance seen in this experiment. By design, the images were created to be minimally evocative (see the electronic supplementary material) while the non-control sounds were created to be affectively charged. Thus, the different types of potential information contained in these stimuli could account for the antagonistic perceptual response [10] that we discovered. Alternatively, it is possible that more stimuli increased the cognitive demands or that the visual stimuli distracted [11] participants in some way thus reducing the effectiveness of the simulated nonlinearities to evoke emotional responses. Research on multisensory integration suggests that different sources of information are often combined in domain-specific ways that provide the best available estimate of the relevant properties of a multi-modal stimulus [12]. In the current study, the benign visual information likely mediated the impact of the nonlinear sounds on arousal, and consequently, potentially reduced readiness for an appropriate behavioural response to danger given the apparent lack of danger as evidenced by the visual information.
We studied simulated nonlinearities to gain insights into the biological basis of how people respond to music and other sounds. One potential biologically inspired insight is seen in the difference between rapid upshifts compared with rapid downshifts. We found that subjects reported increased arousal upon hearing upshifts. It is likely that this is because upshifts would naturally be associated with a sudden increase in vocal cord tension; something that might happen when a mammal is suddenly scared.
Future work should examine the physiological effects of these simulated nonlinearities and explore the connections between particular physiological measures and emotional percepts. Moreover, music cognition researchers should explore ecologically based acoustic phenomena beyond traditionally studied dimensions such as melody, timbre, and rhythm. Most of the perceptual and cognitive machinery underlying music processing likely evolved for a variety of reasons not related to music—many related to emotional vocal communication [13]. This research is one example of how acoustic properties inspired from studies of non-human animal vocalizations can be relevant in the study of human music and emotions.
We thank Ava Dobrzynska for assistance creating the visual stimuli; Shervin Aazami, Natalie Arps-Bumbera, Katie Behzadi, Mesa Dobek, Sean Lo, Alex McFarr, Ben Suddath and Jesse Vindiola for help running the experiments; two anonymous reviewers for astute and very constructive comments; and NSF-IDBR-0754247 (to D.T.B.) for partial support. Research was conducted under UCLA IRB no.10-000728.
- Received April 20, 2012.
- Accepted May 22, 2012.
- This journal is © 2012 The Royal Society


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David Savastano, Editor10.24.13
Special effect inks, whether they are metallic, fluorescent or pearlescent, are one of the ways that brand owners attract attention to their products. These inks are among the most challenging to print, and converters are drawn to ink companies that provide innovative products and excellent service.
As a result of its emphasis on customer satisfaction and customization, Arpro M-Tec, LLC has found its niche in the water-based special effects inks for flexo and gravure. Rajive Jhaveri, a 29-year veteran of management and formulating inks for the printing industry, founded Arpro M-Tec in 2011 in Morganton, NC. The company has been growing rapidly, and recently moved to a much larger facility in Morganton.
Jhaveri said that product performance and customer satisfaction are key drivers of Arpro M-Tec's rapid growth. Metallic inks can be a challenge for printers, and Arpro M-Tec formulates its products with an emphasis on performance, quality, low environmental impact and price competitiveness.
"Product performance has been the key to our growth," said Jhaveri. "Overall customer satisfaction is our primary focus. One of our customers commented, 'Your inks are press operator friendly and never get foamy, which has helped increase our productivity.'"
Arpro M-Tec focuses its efforts on water-based flexo tag and label effects inks, and is exploring new markets. "We are currently doing beta site testing for flexible packaging effect inks," Jhaveri noted.
Arpro M-Tec's new facilities offer advantages in manufacturing, R&D and quality control.
"Our new facility has allowed us to further streamline our manufacturing process, increased storage capacity for raw materials and increased lab space for R&D and quality control," Jhaveri said.
Jhaveri said that while the economy presents concerns, he anticipates further growth for Arpro M-Tec due to the company's ability to provide top-quality innovation and service to its customers.
"The future holds challenges with the current state of our economy," Jhaveri said. "However, we look forward to continue growing by addressing current issues that printers face with product performance when printing effects inks (metallic, pearlescent and fluorescent). We expect to meet these challenges with innovation and new product development."


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Duchess Kate did NOT say baby is a girl, video proves
Newly released cellphone video shows Duchess Kate did NOT slip up and reveal royal baby is a girl.
Never mind! All that hyperventilating this week about whether Duchess Kate almost let slip the gender of her royal baby? Not true, according to a newly released cellphone video recording of the exchange.
The former Kate Middleton, now Duchess of Cambridge, visited the English fishing port of Grimsby on Tuesday, where hundreds of locals excitedly greeted her during a walkabout outside a fishing heritage museum.
Someone in the crowd gave her a white teddy bear as a gift and, according to what onlookers later told reporters, she said something along the lines of "Thank you, I will take that for my d —," cutting herself off. When pressed, she laughingly said, "We're not telling."
But the Grimsby Telegraph reports today they found someone else who was in the crowd and recorded the entire exchange and that's not what she said.
"It shows the Duchess of Cambridge accepting a teddy from (Grimsby resident) Diane Burton, saying: 'Oh is that for us? Thank you very much, that is very sweet of you,' " the paper explained. "Our footage was captured by royalist Lisa Hewson, 32, of Healing, who was standing (next to) Diane."
Moreover, the recording is much clearer than another, distorted recording that British media used to suggest that she nearly gave away the big secret of the royal baby. The baby, due in July, will be a future monarch, boy or girl.
The paper quoted Hewson saying that others in the crowd got in wrong and thus so did the British reporters who ran with the story late on Tuesday.
"It was such a mad five minutes. We were all so excited, it would have been easy to get caught up in the moment."


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I like my dresses like I like my sofas
Added Sep 21, 2011
by piferriter
Tallahassee, Flo...
I wore this to work and a colleague exclaimed, "oh! That dress looks just like my draperies!" And I had to admit I made it out of upholstery fabric. I don't know what it is, but I find I always prefer upholstery fabric to apparel fabric … So what if I could be a sofa?
I used Simplicity pattern 2215, a design by Cynthia Rowley. Wasn't too difficult. My first attempt at lining a dress. There's a side zipper so I totally cheated and didn't make button holes – because they don't have to be functional! And I was too eager to take it out for a stroll. I just sewed them straight through the bodice overlap. They still close the bodice … just don't actually open it. And the pattern's pleats are asymmetrical. Which I thought would make it look like I don't know how to sew proper pleats. So I evened them.
Material Notes
Cotton (technically, from the home decor section)
5 Comments Sign in to add a post
Oct 2, 2011, 01.26 AMby piferriter
Oh, you're all so sweet! Thank you! And I'm so glad I'm not the only one who prefers upholstery fabric. I'm not an experienced enough sewer (yet) to know if I was doing something intrinsically wrong by using it. I feel so encouraged. I just bought a bunch more!
Sep 24, 2011, 04.44 PMby pampula
I love this, the fabric is beautiful and I think it isn't a bad thing to sometimes look like drapers;) I love fabrics with big florals and yours is just perfect, and the dress is simple and pretty.
Sep 21, 2011, 08.15 PMby milkyway
I like it too!! really pretty!!
Sep 21, 2011, 03.08 PMby turtlegirl00
I agree—i am drawn to upholstery fabrics—maybe because the patterns are more timeless, less trendy? and they stay crisp and create great lines! I love your dress and think its adorable!
Sep 21, 2011, 12.34 PMby Maureen Kubisz
Your dress is very cute, and the colors, print, fit and fabric are all appropriate. I am glad to hear your co-worker has a well decorated home.
I have used upholstery fabric for ages to create clothes. Most of it is labeled 'dry clean only', so I zig-zag the raw edges, and then wash before cutting to deal with the shrinkage. I read a (Theads?) magazine article encouraging clothes construction with home dec fabric, and I heard a Project Runway contestant say that it is a benefit that you can get more fabric/yard with 60" wide upholstery fabric than with the 45" fabric created for fashion sewing.
It is great that there are more print choices in home dec fabric, and the woven cottons have more substance – so they look better sewn. I received the most complements on clothes created with upholstery fabric. Although, sometimes I wonder if I look like the sofa…
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Hikers Offer
Special rates for Hikers
Give yourself a holiday at the Hotel Rural Las Calas in San Mateo, a privileged place from where you can take a number of routes along paths and country roads that will show you a fascinating insight into the island of Gran Canaria. We offer a 5% off on our web specials. To book this offer, you must know the promotional code.
- Not combinable with other offers.
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Platou Leadership Competition Winners Announced
Awards recognize the leadership skills and innovative thinking of MBA students with medical industry specialization.
The 4th annual Carl N. Platou Leadership Competition Awards were announced at a luncheon at the Carlson School on November 29. The awards recognize the leadership skills and innovative thinking of an elite group of students who are complementing their Carlson MBA education with a medical industry specialization.
Six student finalists competed by submitting leadership statements illustrating a high value exposition of their experiential learning or real world, firm-based project. Leadership statements detailed the student's contributions and accomplishments, as well as insights gained for application in the medical industry. An external review committee determined the three winners.
Taking first place and a $2,000 award was Jennifer Kamstra whose project focused on the leadership role she played on a team charged designing a senior living building for residents with memory loss. Natasha Vragel won second place with a $1,000 award for her intern project at New York-Presbyterian Hospital/Columbia and Cornell Medical Centers. Third place and a $500 award went to Beth Lindborg who described her experience developing as well as assessing market potential for a new technology.
Carl Platou, who recently passed away, was a visionary healthcare executive who was inducted into the Minnesota Business Hall of Fame in 2009. The competition, produced by the Carlson School's Medical Industry Leadership Institute, evokes his vision and leadership in the medical industry.
Platou's widow and daughter attended the event.


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Nokia C2-02 review
|Review: September 2011
Last updated April 2012
In a nutshell: The C2-02 is a touch-and-type phone with a slide out keypad and a touchscreen. Combining the best of both worlds is a good concept, but the implementation is poor, with a small resistive screen making the user interface hard work.
Today's best buy: Nokia C2-02 Symbian SIM Free ... from Amazon (£165.99)
The Nokia C2-02 is a touch-and-type style phone with a slideout keypad. It looks like an old-style slide mobile, circa 2005, but the screen is touch sensitive. This could be a good solution for anyone looking for a compact phone with a traditional alphanumeric keypad, who doesn't mind a bit of touchscreen now and then but doesn't want to go the whole hog. Nokia's candy-bar shaped touch-and-type phones, the Nokia C3-01 and Nokia X3-02, have proved popular, so it seems logical to extend the range to include a slide.
The problem with the touchscreen is twofold, however. First the screen is small - about one third the size of the high-end Android phones - so you'll find there's not much room to poke your finger around. And secondly it's an old-fashioned resistive touchscreen, so you'll be doing a lot of poking to make it respond the way you want. It might all seem like too much trouble, unless you're very patient.
In addition to the touchscreen, Nokia have made some attempts to bring the phone into the twenty-first century. There's an app for facebook and twitter for example. It does the basics, allowing you to keep in contact with your friends on the go. But with no 3G or WiFi to deliver data to your phone, you might find that the party's over before you even get to hear about it. Nokia Maps are installed too, so you can find your way around. There's no GPS to tell you where you are, but the phone does use phone network information to try to fix your position. To about the nearest kilometre, anyway. So if you wake one morning in a strange town with no recollection of how you got there, the C2-02 may prove a life saver.
In other ways, the C2-02 is very much still in the dark ages. We mentioned that there's no 3G or Wi-Fi. Well, there's no quadband or even triband either. This is in fact almost the only phone still available with just dual band capability. The camera is lousy - 2 megapixels, with no flash, no focus, and barely usable video recording. Memory is appalling with only 10MB of built-in memory, although a 2GB memory card is included in the sales package.
To end on a positive note, we'll mention that the phone comes with a (basic) MP3 player and an FM radio. Battery life is better than average, although that's because the phone does so little. And there are 6 touch-control games included.
The C2-02 could have been an interesting and decent phone, but with so many corners cut, it's hard to come away liking it. If you like the touch-and-type concept, choose the Nokia X3-02 instead. Or if you want a proper touchscreen smartphone, take a look at the HTC Wildfire S or Samsung Galaxy Mini, which cost about the same and do so much more.
Nokia C2-02 features include:
- 2 megapixel camera with 4x digital zoom
- Video recording at 176 x 144 (QCIF) resolution and up to 15 fps, 4x digital video zoom
- Display: 65,000 colours, 240 x 320 pixels (2.6 inches) resistive touchscreen
- Music player (MP3, AAC formats)
- FM radio
- Ringtones: MP3 ringtones, 32-voice polyphonic ringtones, vibration alert
- Messaging: SMS, MMS, email, Instant Messaging
- Touch-based games: Golf Tour, Solitaire, Memorise, Nature Park, Picture Puzzle, Music Guess
- Internet: Web browser, Facebook, Twitter
- Nokia Maps, with network-based location information
- Connectivity: Bluetooth 2.1, USB, 3.5 mm audio jack
- Memory: 10MB plus 2GB microSD memory card (up to 32GB supported)
- Flight mode
- Dual band, GPRS, EDGE
- Size: 103 x 51 x 17 mm
- Weight: 115g
- Battery: 1020 mAh
- Talktime: up to 5 hours
- Battery standby: 600 hours
User questions
Got a question? This is the place to ask it!
Please don't ask a question that has already been asked. Duplicates will be removed.
What does the following mean message storage memory not ready?
Asked by
from England
on 10th Aug 2017
How do I play mp4 videos?
Asked by Sandi
from Zambia
on 8th Oct 2016
I can't play mp4 videos.
I have a nokia c2-02 and it is refusing to download things on internet. Please help me to solve this problem.
Asked by Clemence
from Zimbabwe
on 23rd Jun 2016
Reply by RASIKLAL
from United Kingdom
on 17th Nov 2016
As previousaly it was straight way downloaded from internet with all contacts/music/diary Plus. Now since longtime it dose not why? Could you please response under proper instructions how to go ahead. Because this products is very useful to me. Dosent matter it is old one. But old is Gold.
Nokia C2-02 user reviews
Love this product? Hate it? Please share your experiences to help other people choose the product that's best for them. Please do not review this product if you have not used it, and please ask questions in our User Questions section above. Please do not use swear words or offensive language, and please, no advertising!
Average rating from 51 reviews:
Reviewed by Richard
from Zambia
on 8th Oct 2016
It a great handset so far, but the problem I face is I can' t play mp4 videos. what should I do?
Reviewed by Devipriya VH
from India
on 1st Sep 2014
Worlds worst worst worst mobile. Memory problem touch problem.............. Hate this mobile.
Reviewed by mostafa
from afghanistan
on 2nd Apr 2014
please put skype,whats app, we chat ...
Reviewed by Daniel
from Zambia
on 12th Jan 2014
The phone is just good as a phone coz browsing is slow, even my young brother, a teenager, gave up on using it. And it goes on and off on its own! Its whack!!
Reviewed by Clare
from UK
on 30th Dec 2013
I have had this phone for over a year. I love it. Easy to use and really appreciate having a key pad and a touch screen. I have read the other reviews. I have never had the screen freeze. I can use it for facebook etc but generally use it as a phone, camera, and listen to music. It is not an iphone but it is not in that price range either
Reviewed by Rachel
from UK
on 5th Oct 2013
Went to bed with a working phone and woke with a dead one!charged for half a day and still nothing...lost all my contacts as well >_<
Reviewed by Martin from Zimbabwe, Africa. on 29th Jun
Well Im enjoying it, its my first ever touchscreen phone although its a 09-09-11 model. I have had this phone for 3weeks now. I was quite disappointed when I found out that I could not change the font colour. Hey all the same Im enjoying my brand new phone.
Reviewed by Erin from United Kingdom on 12th Jun 2013
this phone was great until last week at only 18 months old the screen broke so it is now white all over and unusable however most people dont keep a phone this long so it wouldnt be a problem. I really liked this phone the camera was great and it was good especially as a first phone. My down points of this phone are the slowness, it is extremely slow when accessing the internet and it will not work with out good signal. The phone has a great battery life and is really good.
Reply by Debra from United Kingdom on 10th
Jul 2013
How strange Erin, the same thing has just happened to me with the screen, it just went all white and now wont work at all, I bought my phone in January 2012 (18 months exactly!!)
Reviewed by Elton Thabane from Zimbabwe on 21st May 2013
wel at first i thought it waz a gud phone bt now no
this phone is a pile of junk,my main problem with this phone is it switches itself off and on again and then 1 day it switches off and doesnt switch back u wil have to get it flashed a lot av had myn 4 2years and av flashed it 6times,it slow ,losses network easily,bt e main problem is switching on and off for days then finaly it wil switch off and never switch on unless u get it flashed
Reviewed by ABARNA from INDIA on 13th May 2013
Reviewed by Sandra from Bristol on 5th Apr 2013
Absolutely awful. Keeps locking up in the middle of typing messages or anything really. The keylock, which could be useful if the phone is stolen, seems to be working with the locking up thing to make the whole experience of using this phone an absolute nightmare. You wouldn't believe the number of times it has NOT been thrown through the window. Would rather buy a cheapy than continue to use it Suggest you dont buy it
Reviewed by Tracy from Greatenglandshire on 15th Mar 2013
Useless phone, never worked properly, so turned it off permantly in the garden with a big stone dog.
Reviewed by Tiffany Carne from England on 23rd Jan 2013
My dad gave me this phone yersterday and it is so boring, I am a teenager so when I saw it had Twitter and Facebook I was happy, but I couldnt connect to the internet and some of the apps was locked, it is a piece of junk and the touch screen is stupid and it doesnt have enough features, the Samsung chat is better then this phone. :( dont buy it!
Reviewed by GeordieChris from Telford on 5th Oct 2012
Biggest pile of pooh I've ever encountered.It's going in the bin.
Reviewed by Uncle Burt from Rochester on 3rd Oct 2012
This thing was a total mistake, it froze, the battey life was a joke, no sis installation support and it kept losing reception.
Put it in the bin and got a Samsung Galaxy y for less money and it is fantastic.
Reviewed by jacob from uk on 2nd Oct 2012
biggest pile of junk ever,keeps freezing,saying operation failed,sim card not ready always having to switch on/off will never buy another nokia again
Reviewed by Nicola Davenport from Uk on 28th Sep 2012
Do not buy this phone. This is the worst phone I have ever bought. I have always used Nokia phones and never had a probkem until now. The phone keeps freezing and not sending texts. This has been back for repair twice now and now just won't work at all. I have a complaint in with Nokia and will be going to Trading Standards if this is not resolved.
Reviewed by Wills from Scotland on 25th Sep 2012
I have had this phone for about 6 months now and I have had lots of problems,when opening message have a blank screen,freezes on me, touch screen sometimes does not respond and goes onto internet when I have not touched anything taking my money as I am on pay & go.
Reviewed by Robson from England on 9th Sep 2012
Cant hear anyone talk unless on loud and can't send or receive any text the phones touch screen is non exsistant and phone is slow all togethher 0 stars if I could
Reviewed by Noman.03003448888 from - on 3rd Sep 2012
Nice cell
Reply by pete from uk on 13th Nov 2012
you still happy or do you work for nokia ?
Reviewed by pat hackett from uk on 25th Aug 2012
cant send a photo to anyone just sits and goes nowhere
Reply by Mobile Phones UK from UK on 25th
Aug 2012
MMS enabled? Check with your network.
Reviewed by Helebeth from England on 30th Jul 2012
THE WORST PHONE I HAVE EVER OWNED!!!!!! Don't bother with this one. unresponsive and slow. touch screen is awful and always sticking.
Reviewed by jimbo from england on 4th Jul 2012
what a load of rubish on my second phone first one died on me and was replaced by another C2O2 this one as now given up the ghost
Reviewed by alex from united kingdom on 10th Jun 2012
An absolute disgrace. Have they made this phone for a joke? It is pathetic. The touch screen does not respond, its so frustrating!!!! My blood is at boiling point! Its bulky, weak and flimsy. Its going straight back to the shop, if i can get it back in the box! Even the box doesnt work! Be warned!
Reviewed by janet jones-oneill from ireland on 31st May
awful awful awful....ready to throw it out the window.....screen constantly black....if on silent no indicator u have received message and screen continually locks itself, even mid typing a text (and im not that slow!!) so u have to unlock it to carry on.....driving me nuts and im going up from 6300, so thot this wud be fab....now buying another 6300 second hand to get rid of this....only cost £70 from o2, but has to be the worst nokia ive ever had, and ive had a few!!
Reviewed by Jen from Scotland on 25th May 2012
This was the worst phone I ever had, don't buy it. I now have a samsung galaxy ace which is so much better
Reviewed by val from zim on 18th May 2012
this is nonsense, hate the music player, slow internet and the fact that u always have to slide on most apps
Reviewed by Prasi from India karnataka on 11th May 2012
Guys dnt buy dis mobile
Reviewed by Stuart from UK on 11th May 2012
Don't bother, this phone is rubbish. It's part keypad and part touch screen which doesn't work very well at all, unless you lick your finger. buy an iPhone, at least they work
Reviewed by Muujig from Mongolia on 8th May 2012
The phone is driving me mad too! Unable to adjust screen lit time is just so darn stupid, trying to do something and the screen shuts off! and when u tap on the screen it's dead, no response unless u open it by the sliding key on the side or press on the disconnect button, stupid phone, response is slower than dial up internet, prefer simple cheapest nokia phone
Reviewed by mer from uk on 7th May 2012
nokia c2-02 looks very beautiful but the quality is poor.
I bought one and excitely after 4 months the screen touch stop responding.
Reviewed by sharath from india on 26th Apr 2012
c2-02 is a waste model. touch, software every thing is complent.
and the service given by the nokia is waste than noyhing.
Reviewed by maura o connor from ireland on 19th Apr 2012
i am very disopointed with c2 o2 @ very disopointed with servise i am getting from vodafone.my phone not responding to contact touch from day one.i have had numerous contact with them obout this .with NOsatisfaction so far . Ican see from other reviews a lot of simler complaints ??
Reviewed by Sarah K from Ireland on 14th Apr 2012
Got this phone YESTERDAY!!! It's already driving me mad the selection key on the left is totally unresponsive and I end up somewhere I don't want to be when it eventually does get it's act together. I got it with cherry points so didn't really cost me anything but still it's frustrating. Other than that it's an ok phone
Reviewed by Khan from United Kingdom on 29th Mar 2012
Its a good phone it has facebook chat you can easily surf the internet and the touch screen is not that bad.. m happy with it :)
Reviewed by Borut from Slovenia on 29th Mar 2012
This phone is quite good for this price, 90eur
Reviewed by Sushant magadum from Karnataka on 19th Mar
The touch screan is week
Reply by Apratim from India on 3rd Apr 2012
ur wrong
Reviewed by tina garrett from uk on 18th Mar 2012
Had the same problem with my c202 only had it a week and the the touch screen froze, removed the battery and sim card all the usual tricks, but still no luck, the phones going back on Tuesday hopefully phone number 2 will be ok
Reviewed by Smit from India on 18th Mar 2012
Its good phone to use.
Reviewed by william from USA on 15th Feb 2012
easy for kids, teens and elderly because of the slide out buttons
Reviewed by Katy Smith from England on 30th Jan 2012
I like the phone but am afraid the backlit screen drives me mad, it is only on a second or two then goes off and there is nowhere to alter it
Reviewed by Cm Paudel from Nepal on 25th Jan 2012
I have got /gifted a Nokia C2-02, But its screen touch is not working a few days. How to solution this problem.
Reply by Aben Zin from UK on 23rd Feb 2012
This may sound a bit primative but I've had the same problem and find that slapping the screen seems to work! It is a temporary solution at best though, best get in touch with your phone provider.
Reviewed by Jane Graham from England on 23rd Jan 2012
I love this phone. You can still do predictive text instead of taking an hour to write one on a qwerty. Plus you have the best of both worlds as it is touch screen for everything else.
Reviewed by N ula from Uk on 17th Jan 2012
This phone is AWFULL AVOID the touch screen is very unresponsive take several attempts to open anything once it stops scrolling to the bottom of the screen and once your in to an app it won't do anything took it back after a week !!!!
Reviewed by Chris S from UK on 17th Jan 2012
This phone is fine if you're after something which is a step up from a cheap-and-cheerful phone - it has everything I want and the combination of type and touch is great to my mind. It's neat, reasonably compact and I've had no problems with it at all. I guess those who dislike it (below) are comparing it with much higher grade phones. The camera is fine, the mp3 player has pretty good sound on it's small speaker. Can't speak about the internet access as I'm rarely using that.
Reviewed by AndrewB from Scotland on 29th Dec 2011
Bought this phone for my Mum, Christmas 2011, £40 from phones4u as an O2 upgrade. It is a brilliant wee phone and is great fun. The camera seems fine to me, the touchscreen is a little slow in some functions but you get a vibrate so know just to wait for the function to respond. For this money don't compare it to a smartphone. It's a phone with a camera, mp3 player, radio, it looks sexy, it works fine, it's compact,light, easy to use and cheap. If you want a poser-phone get another £100-£200 out of your pocket. Not giving it 5 stars as only just got it but 5 star so far in use.
Reviewed by Arabella Horton-Carnegie from Chatham on 22nd
Nov 2011
I simply love this phone, everything just works, simple to set up, calls are clear, good internet experience, looks prettier than some of the overly expensive phones available
Reviewed by billy bob england from england on 5th Nov
this is the second c2 02 ive had whith the same typ of falt the first one whent falty as soon as i got home the second 4 weeks later this is the worst nokie ive had they want 2 sort them selfs out at nokie
Reviewed by Dean from Lisaland on 2nd Nov 2011
Nokia must be wanting to dig there own grave by coming out with such poorly specified products like this, for the same money I just got a used 5800 nokia in mint condition.
Reviewed by Tetters from Uk on 30th Oct 2011
Just about to take my 2nd c2-02 back in a week. Both have the same problem. Within hours of using the screen occasionally flickers into black n white stripes for a split second which I could probably live with but the touchscreen on the left hand side fails to select the option even though u can feel it responding through the handset. I'm guessing maybe there's a fault to have this happen on both phones. Apart from that, very basic and a 2mp camera is just not good as the pictures r quite grainy. Love the idea of a touch and slide though. Size and weight r good too.
Reply by jenny from west midlands on 24th
Feb 2012
ive had the same problem with my phone. i had the phone for christmas and my screen flickers after a while. got on my nerves so ive had to take it bac so they can repair it
Reviewed by Jellybean from UK on 27th Sep 2011
There are some basic things wrong here. For a start the lack of a navi key is wierd, for a regular nokia user that is. Maybe it wouldn't work with the touch n type thing but still. And when a call is coming in, there is no option to 'silence' the call. It is answer the call or dump it, no tactful way around it. The touchscreen is slow to respond so you end up trying again and sometimes selecting the wrong option because the screen took its time bringing up your choice. Why the camera is only 2 mega pixel is another mystery. Still it's a small phone, which is a blessing in these days of nouveau bricks which need a handbag to cart them around in.


text:
My Great Outdoors: Cogan's Screened In Porch
Name: Cogan
Location: Crystal Lake, Illinois
Type of space: Screened In Porch
Tell us about your outdoor project and how you enjoy it: This screened in porch was built by my father. My mother always dreamed of having a screened in porch to relax and enjoy the outdoors! As soon as it turns to spring and the weather is just warm enough my parents immediately set up the decor inside the screened in porch. They spend time with the neighbors, have drinks, watch baseball games on the tv (my moms favorite!), watch the golfers on the 12th hole behind our home, talk and spend quality time together...
Out of all the rooms in our beautiful home they clearly enjoy this one the most. It is almost impossible to escape from all the stress that we face during the day but at night when my parents are finished with work this porch turns into nothing but an escape.
How did you create it?:
My father built and decorated it. He wanted it to be an enjoyable space where we could look out over the golfers and the green grass while enjoying the beautiful midwest summer weather.
Recommended store, site, product or resource?
Pottery Barn


text:
Entry requirements
A postgraduate level qualification or equivalent in an appropriate subject and a suitable workplace environment to support the professional research and development project. Applicants are subject to interview. English language proficiency at a minimum of IELTS band 6.5 with no component score below 6.0.
Months of entry
Course content
Why take this course?
The University of Portsmouth was one of the first institutions to respond to the rapid changes within health and social care by offering a Professional Doctorate in Health and Social Care Disciplines programme. This programme started in October 2000, and has been highly successful in its delivery to these professionals.
The Professional Doctorate is an alternative pathway to a doctorate qualification. It is a rigorous programme of advanced study and research, designed specifically to meet the needs of commerce, industry and professional groups and is the professionally oriented counterpart to the more theoretical PhD. It enables students to study a specific subject to the same depth as PhD students, but also allows them to apply learning to their professional practice.
What will I experience?
The Faculty of Science offers seven health and social care programmes at doctorate level:
- Doctorate in Biomedical Science (DBMS)
- Doctorate in Chiropractic (DChiro)
- Doctorate in Health Science (DHealthSci)
- Doctorate in Medical Imaging (DMedImg)
- Doctorate in Nursing (DNursing)
- Doctorate in Pharmacy (DPharm)
- Doctorate in Social Work (DSW)
These routes are taught together and this enables students in each cohort to benefit from the experience of others and provides a unique inter-professional learning environment.
The Professional Doctorate is open to a wide range of health and social care professionals, who have an active interest in practice-based research and professional practice issues, wish to attain the highest level of professional and academic achievement and develop their career within the health and social care arena. Relevance and application of the research to the professional environment will be a pivotal feature of the programme and reflection on practice will be integral to the learning process.
This course is recognised internationally as a qualification granted to those who have reached the highest level of professional and academic achievement in their field of endeavour.
What opportunities might it lead to?
On a personal level, successful completion of the Professional Doctorate will offer personal fulfilment, professional development, career enhancement and encourage reflective practice.
The programme aims to enhance personal development planning for continuing professional development and encourage an advanced level of critical, analytical, debating and publishing skills, plus knowledge of the range of different research methods encountered in professional practice.
Within the National Health Service (NHS) a Professional Doctorate is now being seen as an essential academic qualification for attaining higher level posts within the NHS Agenda for Change career framework.
Module Details
This is a part-time course, which has been specifically designed so that it can be available to health and social care professionals from all over the country, to fit with the demands of fulltime employment. The course structure is only offered in a part-time mode and is divided into two parts.
Attendance for Part 1 will be in six study blocks of three days duration spread over two academic years. Typically, students will be required to attend the University for up to 18 days for the whole of Part 1. Attendance for Part 2 will only be required for tutorials, seminars and oral presentations.Part 1
This is the 'taught' component of the programme, which will equip students with the skills that they will need in preparation for Part 2. Part 1 consists of four units, namely:
Professional Review and Development
Advanced Research Techniques
Publication and Dissemination
Proposal for Professional Research and DevelopmentPart 2
This is the research and professional development component and comprises one or two pieces of practice-based research, linked with a commentary demonstrating the relevance of the research to both practice and the practitioner. The nature of this study may include pure basic research or applied research related, for example, to a management or educational setting. This should normally take between 24 and 48 months to complete.
Assessment will be by a thesis, an oral presentation and a viva voce examination.
The University offers Accreditation for Prior Learning (APL), for applicants with previous learning experience and other academic achievement which could be taken into account for some of the units of study. Claims will be considered on a case-by-case basis.
Programme Assessment
Each student will be assigned one or more University supervisors, depending on the area of research and professional development. Access to specialist advisors in the workplace will be required for Part 2 of the programme and will vary according to the area of investigation. We have excellent support systems for our Professional Doctorate students. All students are assigned a Personal Tutor for Part 1 as well as two Supervisors for Part 2 of the course.
There are further opportunities to attend Research Seminars and Workshops organised by the University's Graduate School.
The Professional Doctorate consists of coursework and research and is credit based. The coursework component is designed to help build on professional expertise by exposing students to challenging and innovative ideas in their field.
Assessment is by coursework (including preparation of an article for publication and a research proposal) and oral presentations. This should normally take 24 months to complete.
Student Destinations
Those students completing the Professional Doctorate in Health and Social Care course will have moved to the next level of qualifications with the advantages that this offers in terms of learning and employability. They will also be in an excellent position to apply for any related doctoral training programme, research assistant positions, graduate teaching positions, or general research related roles.
Fees and funding
Qualification and course duration
Course contact details
- Name
- Research Team - Faculty of Science
- firstname.lastname@example.com
- Phone
- 023 9284 2994


text:
Surging 'Melo, Knicks host Bucks
The New York Knicks will take their 10-game winning streak into action on Friday night when they host the Milwaukee Bucks at Madison Square Garden.
The Knicks haven't lost since March 18 in Utah and they are 5 1/2 games ahead of the Brooklyn Nets in the race for the Atlantic Division. New York is one- half game ahead of the Indiana Pacers for the all-important second seed in the Eastern Conference.
The Knicks' winning streak reached 10 Wednesday night when they bested the Atlanta Hawks 95-82 in Atlanta.
"This team is playing for something. We know every game counts," said head coach Mike Woodson. "Atlanta's played well this year. They're fighting. We're one of those teams trying to stay at the top."
Carmelo Anthony is playing at a preposterously high level of late. One night after torching the Miami Heat for 50 points, Anthony went for 40 points against the Hawks.
Is this the best he's ever played?
"I had games before where I felt pretty good, had a good rhythm," Anthony said. "In a row like this, I can't recall that."
J.R. Smith chipped in 19 points off the bench and Raymond Felton added 14 points.
The Bucks have yet to clinch a postseason berth, although they are six games ahead of the Philadelphia 76ers. The reason they haven't clinched is because they aren't playing great basketball.
Milwaukee has lost two of three and six of its last eight.
On Wednesday, the Bucks fell at home to the Minnesota Timberwolves, 107-98.
The Bucks finished with 20 turnovers on the night, which translated into 24 points for the Timberwolves. Milwaukee shot 43.8 percent from the field.
"Offensively I think we missed 10 layups in the first half alone, combined with eight turnovers in the fourth quarter. It was a very sloppy game," Bucks coach Jim Boylan said.
Ersan Ilyasova was spectacular on Wednesday with 29 points and 12 rebounds. Larry Sanders also recorded a double-double with 11 points and 10 to go along with two blocked shots.
Monta Ellis (18), Mike Dunleavy (15) and Brandon Jennings (11) all scored in double figures.
The Knicks have won four in a row against the Bucks, but the two teams have split the last 12 matchups in Madison Square Garden.


text:
From Our Editors
With several locations across the capital, Urban Krav Maga aims to teach participants how to defend themselves in various scenarios. Drawing on inspiration from various fighting styles including karate, boxing and jiu jitsu, the sessions teach participants how to stay one step ahead of attackers, and are therefore suitable for men and women of all abilities. Classes are held on weekday afternoons and evenings at a number of city-centre locations, including Covent Garden, Borough and Southwark.


text:
This one is for all those who are interested in African-styled music. This pack comes complete with four different songs, all with a unique tribal flair.
"One Africa", "No Place for War", and "To Africa, With Love" are all 'a cappella' pieces with anywhere from 4-part to 12-part harmony throughout. An all male choir performs each song, and each song is unique in its own way. As an added bonus, the song "Amazon" is also included in this music pack. Different continent (South America), same awesome feeling.
1. One Africa: 3:16 2. No Place for War: 2:08 3. To Africa, With Love: 2:24 4. Amazon: 2:32
Enjoy, Dave


text:
How to do Halloween on the cheap
(SNN) - Time is running out to find that perfect costume in time for the next Halloween party.
Some people are turning to thrift shops to dress up and save at the same time.
Kellie Forbes is on the hunt for the perfect Halloween costume.
"I'm looking for something that doesn't come with a hefty price tag," Said Forbes.
That doesn't come with a hefty price tag.
And she's sure they'll be something in her budget at this goodwill thrift store.
"I'm gonna be a zombie country girl. I do a haunted backyard every year and so I kind of get ideas," Forbes said.
Forbes and others are choosing thrift shops to be creative and cost-efficient for Halloween.
We came here with $30, looking for a cowboy costume that keeps us under budget.
We found boots for $12 dollars and a western shirt for just under 5 bucks.
It takes some hunting around which we found for $4.99.
One more thing and the costumes complete.
The grand total for our cowboy costume $28.42.


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text: With a WLAN card and a sniffer, it is not difficult for a hacker to find a company's wireless network from a position outside the building. 'From there, it's possible to flood the network with traffic and create a denial of service,' AMR Research analyst Dennis Gaughan told Wireless NewsFactor. Read it here.


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text:
Hurricanes cool off previously hot Stars
Raleigh, NC (SportsNetwork.com) - John-Michael Liles recorded a goal and two assists during a second-period barrage that carried the Carolina Hurricanes to a 4-1 win over the Dallas Stars at PNC Arena.
Liles set up scores from Eric Staal and Justin Faulk that staked the Hurricanes to a 2-0 advantage before adding a power-play tally later in the middle session.
"Tonight was his best game," Hurricanes head coach Kirk Muller said of Liles. "With the guys that were out of the lineup, we needed veteran guys to step up, and he was one guy I thought played really well tonight."
Anton Khudobin made the lead stand with a sharp 33-save effort in Carolina's second impressive win in three days. The Hurricanes returned home off Tuesday's 4-1 road decision over Metropolitan Division leader Pittsburgh.
"It's a matter of all getting on the same page, and I think tonight we were all pretty well on the same page," Liles said.
Dallas, which came in having outscored the opposition 16-5 in winning its last three, remained tied with Phoenix for the final playoff spot in the Western Conference. The Stars do have a game in hand on the Coyotes.
Tyler Seguin had Dallas' lone goal. Stars netminder Kari Lehtonen was pulled midway through the second period after letting up three goals on 16 shots, with Tim Thomas stopping 15-of-16 chances in relief.
After the teams battled to a scoreless opening period -- with Khudobin coming up with 13 saves to keep it deadlocked -- the Hurricanes erupted for three goals over the first seven-plus minutes of the second.
The first came on a Liles shot that deflected off Staal and bounced high up into the air before landing behind Lehtonen and over the line, with Staal credited with the goal 2:30 into the stanza.
A penalty to Stars rookie Patrik Nemeth shortly afterward allowed Carolina to extend the margin on Faulk's booming shot that whistled past Lehtonen's glove with 4:08 elapsed in the frame.
The Hurricanes capitalized on another Nemeth penalty less than three minutes after Faulk's score, with Liles making it 3-0 by placing a long wrister through with Jordan Staal successfully screening Lehtonen.
"I didn't like the fact that we weren't able to kill off a couple penalties," said Stars head coach Lindy Ruff."
Dallas cut into the lead on Seguin's 34th of the season, a short-range chip shot over Khudobin's glove that capped a transition rush near the midway mark of the second period, but failed to solve the Carolina goaltender the rest of the way.
Just over a minute after Khudobin stopped Dustin Jeffrey on an in-close attempt, Riley Nash put the game away by connecting on a rebound of Brett Bellemore's long drive with 7:40 elapsed in the final period.
Game Notes
Stars forward Ray Whitney exited in the first period with a lower-body injury and did not return ... Liles notched his first three-point game since Jan. 18, 2011 against Vancouver, while then a member of Colorado ... Carolina had lost four straight to Dallas and earned its first win over the Stars since Dec. 16, 2009 ... Hurricanes forward Alex Semin missed a second straight game due to illness, while defenseman Andrej Sekera was held out with a lower-body injury.


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Still here…Let's get Rugged!!!
So…I completely dropped the ball on blogging but I have been training as much as possible and today is the day. My Rugged Maniac adventure starts in 2 1/2 hours and I am as ready as I am going to be. I have been walking 3 miles a day for the past month and getting more walking in when I can. I have also been in a Brazilian dance class once a week. So…I hope it helped but I won't really know until I get there. Luckily I am going with a lot of people so I won't feel alone out there. I am pretty excited but also nervous enough to feel like I'm going to puke. But hey…life's a roller coaster, right? So I have done all the physical and mental prep I could and now I just have to get out there. I'll will definitely blog my experience as soon as I get back. Wish me luck!!!