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By: Dan Schutte, S.J.
Based on Isaiah 9:60; John 1
Awake from your slumber! Arise from your sleep!
A new day is downing, for all those who weep.
The people in darkness, have seen a great light.
The Lord of our longing has conquered the night.
Let us build the city of God.
May our tears be turned into dancing!
For the Lord, our light and our love,
Has turned the night into day!
We are sons of the morning; we daughters of day,
The One who has loved us, has brightened our way.
The Lord of all kindness has called us to be
A light for his people to set their hearts free. (Refrain)
God is Light; in Him there is no darkness.
Let us walk in his light, His children, one and all.
O comfort my people; make gentle your words,
Proclaim to my city the day of her birth. (Refrain)
O city of gladness, now lift up you voice!
Proclaim the good tidings, that all may rejoice! (Refrain)


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Finishing her laid-back look off perfectly, Kristen accessorised with a pair of orange acetate sunnies by Oliver Peoples.
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How carmakers lure ride-hailer, delivery drivers in Africa
1 months ago, 9 Nov 12:06
At Suzuki Motor Corp's showroom in the Kenyan capital, hundreds of its Alto compact cars are waiting to be collected.
Most of the customers are drivers for ride-hailing company Uber Technologies, which struck a loans and discount deal with the Japanese carmaker and South Africa's Stanbic Bank , at the beginning of the year.
Africa should be a huge growth market for automakers. Transport links are weak and personal car ownership is low. There are 25 cars per 1000 Kenyans compared to 786 in the United States, according to the World Bank. But many in Africa cannot afford to buy a vehicle, particularly just for personal use.
The Alto deal in Kenya, soon to be extended to Uganda and Tanzania, offers financing of up to 100 percent for top-rated Uber drivers and a price of 850,000 Kenyan shillings ($8,349.71), lower than the usual 950,000 shillings. The loans are repaid with the money the driver earns providing services.
Patrick Amenya, the sales director at CMC Motors, the local Suzuki franchisee, said the deal had helped him sell "more vehicles than normally we would." Suzuki sold 523 Altos in Kenya this year.
Auto companies are linking up with fast-growing ride-hailing or delivery services around the world, aiming to transform a threat to their business into a growth opportunity. They offer discounts or financing deals for drivers in the hope they will pick their cars or vans, which could also encourage their clients to buy them.
General Motors Co has invested in U.S. ride services firm Lyft and Toyota is also backing Uber. Japan's SoftBank Group Corp is also an investor in Uber and Southeast Asia's ride-sharing app Grab.
Five blocks from CMC in Nairobi, at Toyota Motor Corp's showroom light trucks and bikes are waiting for buyers. Some of these are drivers for Sendy, a local online delivery company. Like Uber, its drivers own their vehicles.
Companies are becoming less likely to buy their own fleet of trucks, preferring a delivery service instead, said Dennis Awori, the chairman of Toyota East Africa, a Sendy investor.
Toyota provides Sendy with a pipeline of truck owners. At the moment there is no financing deal or discount but Awori and Malaika Judd, Sendy's chief operating officer, said this was under consideration.
Suzuki's strategy has propelled it from the bottom of sales tables in Kenya, where it languished for decades with emerging brands from China, to the top five along with Toyota, Isuzu, Mitsubishi and Ford.
Koichi Suzuki, Suzuki's manager for the Middle East and Africa, hopes it will soon have the edge over the others. The company is planning to adopt the same strategy in other markets.
The Altos, which are tough and fuel-efficient, at CMC are made in India but could one day be made in Africa, Suzuki said.
Nairobi is often a springboard for the rest of Africa and Uber, operates in seven African nations and 13 cities, offering employment to more than 100,000 drivers.
"When you have a success story in one ...
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Very different experience to know some secrets about the Gamla Stan! Our guide is amazingly great! It lasts around 1h and half from 19:00pm(EN). I'm now wondering how is the Halloween version 🤗
I did the halloween special and it wasn't clear that this would be a haunted house and not a historical tour. Whilst it was still fun and a good performance I don't really like haunted houses as it's often really obvious they're fake/playing off stereotypes...More
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Overfishing can be viewed as a case of the tragedy of the commons ; in that sense, solutions would promote property rightssuch as privatization and fish farming. Advertisements Fishing quotas A model of the interaction between fish and fishers showed that when an area is closed to fishers, but there are no catch regulations such as individual transferable quotasfish catches are temporarily increased but overall fish biomass is reduced, resulting in the opposite outcome than the one desired for fisheries.
The fishermen would make a beeline to the goals, catch the fish around them, and say the scientists do not know what they are talking about. Growth in aquaculture increased rapidly in s when the rate of wild capture plateaued.
However, farming carnivorous fishsuch as salmondoes not always reduce pressure on wild fisheries, since carnivorous farmed fish are usually fed fishmeal and fish oil extracted from wild forage fish.
This makes the total yield less than it would be if the fish were allowed to grow to a reasonable size. Overfishing also has a significant impact on dependent human communities. The fish get fewer and fewer, until finally there are none to catch.
We are gradually winning this war to exterminate them. Scientists would survey the entire field, make lots of unsuccessful hauls, and conclude that it contains few fish. Environmentally responsible fisheries management and practices are rewarded with the use of its blue product ecolabel.
These quotas can be fished, bought, sold, or leased allowing for the least cost vessels to be used. Overexploitation and rent dissipation of fishermen arise in open-access fisheries as was shown in Gordon.
These enterprises, as opposed to large-scale fishing ones, typically do far less damage to their marine life because they are on a much smaller scale. A study has found that fish populations rise dramatically after stormy years due to more nutrients reaching the surface and therefore greater primary production.
The " United Nations Convention on the Law of the Sea " treaty deals with aspects of overfishing in articles 61, 62, and It also gives details for port states on effective measures of inspecting and reporting illegal fishing.
Members of the Paulino family Enipein Village in Pohnpei, Federated States of Micronesia examine their catch some of which they will sell to other members of their village community.
A fillet of orange roughy at the store is probably at least 50 years old. Aquaculture now provides approximately half of all harvested aquatic organisms.Overfishing occurs when fishing activities reduce fish stocks below an acceptable level.
This can occur in any body of water from a pond to the oceans. This can occur in any body of water from a. Reef Fisheries Status. Coral Reef Fisheries; Reef Fisheries Introduction. are typically unassessed and unmanaged. Stocks are generally below optimal biomass levels and fishing effort remains too high to maintain healthy fisheries.
The fishery management capacity is inadequate throughout most, though not all, of Asia, Africa, and South and.
What is overfishing. Overfishing can be defined in a number of ways. However, everything comes down to one simple point: Catching too much fish for the system to support leads to an overall degradation to the system.
Sustainable fishing guarantees there will be populations of ocean and freshwater wildlife in the future.
which are usually netted at about meters (1, feet) below the surface, are not a profitable fishery.
Audience: Educator To maintain fish stocks, we need to reduce overfishing and bycatch through fisheries management. Managing. Fish stocks worldwide are depleting due to decades of overexploitation, and action must be taken otherwise fish might vanish from the markets.
These are issues that must be resolved for the survival of the fish. Global warming and overfishing. If you continue the navigation through accessing each element below or you close this banner Founded: Dec 18, Overfishing is a situation where one or more fish stocks are reduced below predefined levels of acceptance by fishing activities.
More precise definitions are provided in biology and bioeconomics.Download


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What the GOP Can Learn from Bad Dog Food
As the old story goes, when you set out to sell dog food, your first step should be to make food that dogs like.
A pet food company learned that lesson the hard way after losing its shirt peddling a new brand of dog food pooches couldn't stomach. That's quite an accomplishment, considering the rancid mysteries dogs have been known to scarf down.
The Republican Party is in a similar position to what those would-be pet food barons endured. It's peddling a political product large numbers of voters can't stomach. Young people and minorities particularly find the party's offerings unappetizing.
Much of the problem stems from the GOP's image. It's crying for a serious makeover to bring it up to date, beginning with its logo — an elephant. Deride Democrats as you wish, but they employ logos that send clear, compelling messages. President Obama's logo, for instance, was a factor in his two presidential victories: you couldn't step out your door and not encounter it. It kept him and his campaign on voters' minds all the time.
The Democratic Party's logo, a bucking donkey, is feisty, with a strong sense of motion and energy. Its message is unmistakable: "Bring that weak stuff on, if you dare," as the hoof-prints on the shorts of Mitt Romney and John McCain attest.
The message of the GOP elephant logo is difficult to discern. It takes a moment, at first, to figure out just what it is. It could be a warped water tower or a teakettle with a misplaced spout. But no, it's an elephant, doing what no elephant does in the wild — stand broadside and stationary. The message it sends is "Easy pickings here."
The logo should have a great deal more oomph and dynamism. An improved logo would rampage, trumpeting a challenge to all comers. It should also have a pair of menacing tusks. Then let that damned donkey come rearing up in its face.
Party faithful might feel that the elephant as it is most popularly portrayed is part of GOP history and shouldn't be tampered with. Naysayers should keep in mind, though, that once you use the word "history," you've already lost two thirds of your audience. America is a today country, especially among the demographic groups the Republican Party hopes to attract.
After all, Williamsburg, Va. may be a historic and charming destination, but no one has to be dragged to Las Vegas. The most historic building in Sin City was built Monday. And you'd better hurry to see it, because it's scheduled to be razed Saturday to clear the way for a new casino.
The party's standard-bearers also need a bit of livening up. McCain and Romney are great American success stories, but both were as exciting and inspiring as store-brand mayonnaise. They simply reeked too much of white-bread, humble, rural America. Which is a polite way of saying they're boring.
You can bet that in 2016, Democrats will bend over backwards to place a minority on the undercard of their national ticket. It will be someone the party's media stenographers will adoringly portray as fresh-faced, exotic, and exciting. Does that remind you of anyone? Make book on either Massachusetts Gov. Patrick Deval or Newark Mayor Cory Booker — both youthful, attractive, and best of all (from a Democrat perspective) black.
The GOP must do the same, no matter what candidate heads the top of the ticket. The choice has to have a self-deprecating sense of humor and be authentic and not a token. He or she should drop an ocassional "g" at the end of words and avoid speaking with the same nasal affectation Richard Pryor used when mocking white people.
The candidate also needs proven street cred, such as at some point publicly stating that not every minority youth wearing a hoodie is a hood or wants to be one. He or she should know that a hoodie is urban camouflage for many kids growing up in tough environments. Kids wearing neatly pressed, well-fitting trousers, polo shirt, and penny loafers are begging for a thumping — even in upscale suburbs.
It's also time for the GOP to sever its strong ties to country music. This especially holds true for Lee Greenwood and his song, "Proud to Be an American," which the singer is sure to perform ad nauseam at hundreds of GOP campaign events now through Election Day in 2016. (Have your barf bag handy.)
Greenwood's song is an inspiring, heartfelt little number, but it has grown tiresome and was always a bit cornball. Republicans repel far more than attract by their close embrace of it. The message they send to independents and wavering Democrats is smug, off-putting, and loud and clear: you're flag-burning, commie-loving turncoats who hate America, and we're not.
Besides, with the possible exception of polka, no other music is apt to make minorities and the young run with bleeding ears to the nearest rap club for relief and Democrat talking points set to a wicked beat. It's not even good country music being made these days. You know — with the twang. It's really bad Southern rock. Lynyrd Skynyrd and The Allman Brothers Band did it much better.
And why they're at it, the GOP also needs to jettison all the rock 'n' roll fossils that have glommed onto it of late. There is something deeply disturbing about seeing your flabby grandparents do the Peppermint Twist to "My Generation" by The Who (average age: 68). Somewhere in this country of 300 million, there just has to be a charismatic, multi-racial rap group that raps on conservative themes. The GOP needs to find them, sponsor them, record them, and put them on tour.
The Drive-By Pundit is the pen name of Perry Drake, author of two recently published e-books, The Book of Racist Democrat Quotes and "Democratic Nigger!": The Long, Racist, Bloody Account of the Democrat Party's Hatred for Blacks. Both are available on Amazon.com. Perry can be reached at firstname.lastname@example.com, on Facebook at www.facebook.com/perry.drake.10, and on Twitter @Perry_Drake.
Read more: http://www.americanthinker.com/2013/08/what_the_gop_can_learn_from_bad_dog_food.html#ixzz2c29rznSg


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Situated in Hokitika in the West Coast region, Hampden Cottage has a garden. The property was built in 1933, and features air-conditioned accommodation with free WiFi.
This holiday home comes with 1 bathroom with a hot tub, a bath and free toiletries. A dishwasher, an oven and a microwave can be found in the kitchen.
Greymouth is 39 km from the holiday home. The nearest airport is Hokitika Airport, 1.4 km from the property....
|173 Hampden Street
New Zealand


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The video player could not be built.
Do you want to chat with a missionary?
We are happy to answer any questions you may have. Start a chat or call us at 1-888-537-6600.
Hi I'm Kelsey
I grew up in Mesa, Arizona. I am currently serving a mission and learning Spanish. I'm a Mormon.
About Me
I love to play tennis, go hiking, and four-wheeling. Before my mission, I went to a year and a half of college and I am studying to become a Physical Therapist.
Why I am a Mormon
I am a Mormon because I have learned for myself that this Church is true. I didn't however always know, I had to study the scriptures and find out for myself. All lot of great friends invited me to youth activities and I found I loved the people and the feelings I had around them. I let this feeling grow within me as I started to ponder the gospel and the scriptures to obtain my own testimony. I now have a strong testimony of the happiness this true church gives you. I have seen the gospel truly change people's lives for the better because of the happiness that the Spirit brings into their daily lives. The knowledge of this gospel truly blesses lives. This happiness I have felt I want to share with others, which is why I decided to serve a mission and share that happiness with those who don't know about it.
How I live my faith
I served as Laurel President in my Young Women's and was a Ward Missionary before my mission.


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Reasons Why the Cannabis Grow Box Is Very Beneficial
The idea of growing cannabis indoors may appear as a crazy or retarded idea as the plant is illegal in most countries but actually, it is quite beneficial for growing the plant indoor rather than outdoor. For those looking to grow cannabis indoors especially for medicinal use, using a cannabis grow box is definitely the way to go. Although growing cannabis indoors has its own risks, given the right growth conditions and care can turn out to be very beneficial. Read on to pick up the advantages or growing cannabis indoors using the cannabis grow box.
Just like every other plant grown out there, cannabis gets attacked by pests and weeds and its growth really gets affected. The plant getting attacked by these pests and surrounded by weeds has retarded growth which has a negative impact on the harvest to be obtained. Using a cannabis grow box ensures that there is no infestation of pests to the plant as they come from out there and the grow box protects the plant ensuring maximum growth and output.
Since the plant can also be wrongly used to produce hard drugs, growing the plant in a cannabis grow box indoors ensures children and other members of the society who might have ill intention with the plant do not get access to it. Having the plant under your watch indoors or the watch of the gardener will ensure that all that it yields solely come to you and that you use it for the right reasons.
Using a cannabis grow box is also economical. The nutrients and water supplied to the plants in the cannabis grow box are fully utilized by the plant ensuring maximum growth and plenty of harvest. Compared to indoor, growing the plant outdoors require a lot of nutrients in form of fertilizer and manure and also water which is not the case when using the cannabis grow box hence you are able to greatly cut down on cost of growth.
Using the cannabis grow box put you at a heads up in the growth of the plant as you are in full control of all the growth conditions required such as light and you are able to provide them all the time unlike outdoors. To add on to this, the climatic changes out there such as drought and excessive rain that would affect the growth of the plant are eliminated when using the cannabis grow box to grow the plant thus there is optimum growth.
Cannabis grow box do not use up much space indoors and ensures multiple harvest. All that space that gets used up for the growth of the plant outdoor can be used to grow the plant indoor with as much number of plants outdoor using the cannabis grow box.
What I Can Teach You About Growing


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An easy way to connect FileMaker (or really, any program) to many popular online services is to use the inexpensive "ExpanDrive" utility on Mac and Windows to create a local drive mapping to these services. On Windows, this mapping would be drive letter. On Mac, this mapping would be a volume.
The good news is that, once connected, you access these services as if they were a local drive.
The utility is about $50 (one time), but you can optionally pay an additional $29.95 for lifetime updates!
Expected connection types like FTP, SFTP, SSH, S3 are all supported as well as many others (see below).
Map & Mount SFTP, S3, OneDrive, Sharepoint, Dropbox, Google Drive, Box, WebDAV as Network Drive on Mac and Windows | Exp…
Here are the services currently supported:
To setup an FTP drive, for example, here's all you fill in:
(security field above supports TLS/SSL)
Then, once you have any drive mapped, an FTP site in the example above, you just use it like any other drive and you're working with an (S)FTP site. No third-party plug-ins or other special code necessary.
Check it out.


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ERIC Number: ED078337
Record Type: RIE
Publication Date: 1973-Jun
Pages: 29
Abstractor: N/A
Reference Count: 0
Case Studies in Practical Career Guidance, Number 8: Employability Development Team Cleveland Public Schools, Cleveland, Ohio.
Helliwell, Carolyn
The Employability Development Team of the Cleveland Public Schools is a pilot program to meet the special needs of selected, dropout-prone students. An Occupational Adviser (counselor) and several paraprofessionals offer these students extensive counseling services, a work preparation course, and job placement. The general goal of the program is to reduce the annual influx of disadvantaged youth into the jobless labor pool by increasing their employment potential and encouraging them to remain in school. Other documents in this series are CG 008 165 through CG 008 171 and CG 008 173 through CG 008 176. (Author)
Publication Type: N/A
Education Level: N/A
Audience: N/A
Language: N/A
Sponsor: Office of Education (DHEW), Washington, DC. Office of Planning, Budgeting, and Evaluation.
Authoring Institution: American Institutes for Research in the Behavioral Sciences, Palo Alto, CA.


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RECORD: Overall 0-2 Home 0-1 Away 0-1 ODAC 0-1 GAME INFORMATION: Time: 1:30 pm Site: Farris Stadium (2,500), Danville, Ky. Series: Centre Leads 31-17-2 Last Meeting: 9/27/97 at W&L (Centre won 30-14) First Meeting: 10/30/1897 at Centre (CC won 22-0) Last W&L Win: 9/28/96 at Centre (29-21) Last Centre Win: 9/27/97 at W&L (30-14) Current Series Streak: Centre +1 W&L vs. Centre at W&L: 10-10-2 W&L vs. Guilford at Centre: 6-19-0
Washington and Lee Football ReleaseWeek 3 - W&L at Centre - September 26 - 1:30 pm
LEAGUE STANDINGS Team League Overall Emory & Henry 1-0 2-0 Guilford 1-0 2-0 Randolph-Macon 0-0 1-1 Hampden-Sydney 0-0 1-1 Washington & Lee 0-1 0-2 Bridgewater 0-1 0-3
THE SERIES: This is the 51st meeting all-time between the two schools with Centre holding a 31-17-2 advantage in the series that began during the 1897 season. The Colonels have won three of the last five meetings, including a 30-14 win in Lexington last season. W&L won the last meeting in Danville, Ky., 29-21 in 1995.
THE LAST MEETING: (Centre 30, W&L 14, September 27, 1997 - Lexington, Va.) Centre running back Steve Herron was held to just 66 yards on 22 carries, but scored four touchdowns as Centre downed W&L, 30-14 in Lexington. Trailing just 21-14 at the half, the Generals' high-powered offense was held scoreless the entire second half despite seven catches for 166 yards by wide receiver J.T. Malatesta. The Colonels outgained W&L 320-222 in the contest and racked up 101 yards on five punt returns.
THE HEAD COACHES: Frank Miriello (East Stroudsburg '67) is in his fourth season as the head coach at W&L and his 31st year of coaching. He claims a 14-16-1 (.468) overall record, 1-1-1 against Centre. Centre is led by first-year head coach Andy Frye (Muskinghum '81). He is 0-2 at Centre and in his career.
W&L vs. THE SOUTHERN COLLEGIATE ATHLETIC CONFERENCE: W&L sports a 49-63-3 (.439) all-time record against SCAC competition. However, those records are against only three of the member schools, Sewanee, Rhodes, and Centre. The following is a breakdown of the Generals vs. the members of the SCAC:
Centre (17-31-2) Millsaps (0-0) Rhodes (6-11-1) Sewanee (26-21) Trinity (0-0)
ALL-TIME RECORD: According to research compiled by the sports information department over the years, W&L has compiled a 397-443-39 (.474) all-time record. W&L has been linked to the first intercollegiate football game played in the south, an 1873 matchup with VMI, however, several games before the 1890 season are not offically recognized, including the 1873 contest.
SCOUTING CENTRE: Centre fell to 0-2 on the season, 0-1 in the SCAC after dropping a 22-15 decision to SCAC-rival Rhodes on Saturday, September 19 at Rhodes. The Colonels trailed 12-0 at the half and then 15-0 early in the third quarter before tacking on a couple of touchdowns in the second half, but could get no closer than the final score. Centre outgained Rhodes 280 yards to 239. The Colonels are averaging just 230.5 yards of total offense per game, while their opponents are averaging 287.5 yards per game.
GUILFORD GAME BREAKDOWN - DEFENSE: The Generals' defense played much better against Guilford, allowing 388 yards of total offense but, more importantly, it gave the offense the opportunity to win the game. W&L dug in and held when it needed to, stopping the Quakers on three-straight rushing attempts inside the five-yard line with 5:09 to go in the game, eventually leading to a missed field goal by Guilford to keep the score at 27-20. Then, with :31 remaining, the Generals held again, forcing a Quaker punt deep in Guilford territory allowing for one final offensive attempt to tie the game in the final seconds.
GUILFORD GAME BREAKDOWN - OFFENSE: W&L totaled 351 yards of total offense, exhibiting a more balanced attack then in week one, rushing for 157 yards and passing for 198 yards. The Generals were 7-13 on third down and also converted on a fourth down conversion leading to their first touchdown of the day. The passing game showed plenty of diversity with seven different Generals hauling in at least one pass.
GUILFORD GAME BREAKDOWN - THE INTANGIBLES: W&L committed five turnovers (three fumbles, two interceptions) on the day, while forcing two from Guilford. The Generals continued to play clean football, committing just six penalties for 29 yards on the day as opposed to 12 penaltied by the Quakers for 90 yards. W&L is now averaging 4.5 penalties for 23 yards per game.
HE'S EVERYWHERE: In the Generals' first two games, senior defensive tackle Ben Middendorf has shined, recording 12 tackles, five for loss (-13), two sacks and one blocked field goal. Against Guilford, he amassed eight tackles, three for loss (-6), and a sack.
KEEP AN EYE ON: J.T. Malatesta. The junior wide receiver has grabbed 12 balls for 169 yards and two touchdowns on the season. That's an average of six catches for 84.5 yards and one touchdown per game. In last season's meeting with Centre, Malatesta snagged seven balls for 166 yards.
TWO GENERALS RECORD CAREER-FIRSTS: Two W&L defensive players single-handedly snuffed a Guilford drive last week while recording career-firsts in the process. Junior defensive end Ross Kester and sophomore cornerback Andy Robinson each collected their first career interception against the Quakers. Kester's pick came on the final play of the first half and Robinson's interception came during the third quarter (3:27 remaining) and ended a potential Guilford scoring drive on the Generals' 16-yard line.
THE 1998 W&L TEAM CAPTAINS: The W&L football captains for the 1998 season are senior linebacker Brad Baker, senior wide receiver Chas Chastain, tight end David Ritchey, and junior quarterback Christian Batcheller. Batcheller is the first junior captain at W&L in nearly two decades.
ALL-ODAC GENERALS RETURN TO THE GRIDIRON: Two W&L players return to the field this season after earning all-conference kudos in 1997. Senior offensive lineman Marc Granger was a first team selection from his right tackle slot and senior tight end David Ritchey earned second team honors . In addition, junior quarterback Christian Batcheller and junior wide-out J.T. Malatesta earned second team all-state honors from the Roanoke Times.
RE-WRITING THE RECORD BOOKS: Junior quarterback Christian Batcheller had a break-out season last year, setting school records for passing yards in a season (1,998) and touchdown passes in a season (16). He also tied the school record for touchdown passes in a game twice with four TDŐs in wins over Davidson and Swarthmore. On the baseball diamond, Batcheller owns school records in career home runs (18), season home runs (9 in each of his first two years), home runs in a game (2, twice), career RBI (72), season RBI (45), RBI in a game (7), total bases in a season (92), total bases in a game (10), season hits (51), hits in a game (5), hits in a season (34), extra base hit in a game (3), career batting average (.443), and season batting average (.490). Keep in mind, heŐs only a junior.


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Leke Baiyewu, Abuja
President Muhammadu Buhari has arrived at the National Assembly Complex to present the 2018 Appropriation Bill to a joint session of the two chambers.
The President, who was dressed in a sky blue agbada, arrived at 2pm, the exact time scheduled for his presentation.
Details later…
(Visited 1,299 times, 1 visits today)


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Violence against women and girls is hugely important issue that needs to add our voice to put a stop to it. There are various instances of offense against women go unreported in India because most of the women silently tolerate the torture, harassment, and violence. According to the data released by the National Crime Records Bureau, in 2006, about 19,000 rapes, 36500 molestation, 7500 dowry death cases are reported against women.
In India, many women are facing the various vile attacks silently. The silence of the women makes people believe that they are weak. The women and girls should strongly protest against the crime. The time has come for the women to raise their voice against any kind of antisocial activities. Women and girls should no longer feel that raising voice against their family, friends or strangers, who have been harassing them, will bring shame to her or her family.
We need to promote women through education, skill development, etc. so that they can know their fundamental rights. The prohibition of all forms of violence against women is necessary so that women can actively participate in the social, economic and cultural development of the country.
The violence against women is ruining the life of many women and teen girls. If women do not raise their voice, we cannot able to abolish the discrimination against women. Therefore, the Uttar Pradesh police started the Women Power Line to protest against the crime and to eliminate all the anti-social activity happening in the society. Women hesitate to share their problems related to harassment and violence and also do not want to disclose their identity while filing a complaint. Therefore, Women Power Line provides a platform where any woman or girl can easily share their problem to the woman constable. With an anonymous identity, women can file their complaint and no need of writing any formal letters.
The Power Angles, teen volunteers of Women Power Line encourages the women and girls to come out openly against the miscreants. Power angles of the WPL spread awareness among females and encourage them to speak up against any kind of offense or to stereotype. WPL also provides useful tricks of self-defense through the YouTube channel so that women can utilize them during stressful situations.
The Women Power Line takes strict action against any offenses against women and ensures their safety. The four-digit number (1090) of WPL is providing strength to many women and girls. The Women Power Line is a dedicated service and provides immediate help to the women in distress. The service of the Women Power line is gaining popularity by the girls and women of Uttar Pradesh. Women Power Line empowers women by educating them about their rights, and encourages them to fight against injustices they face.


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"Once a fact is recounted - for transitive purposes, and no longer to act directly upon reality, i.e., exclusive of any function except that exercise of the symbol itself - this gap appears, the voice loses its origin, the author enters into his own death, writing begins." (Adams 1131)Barthes finds that the death of the author, and the emergence of a "voice" which has lost "its origin," are simultaneous events in the beginning of "writing." As in the similarly deconstructive texts of Derrida and Foucault, he explores the position of "the voice" as it is transformed by a new, singularly functional existence. This discursive strategy, which allows for the appearance of a vague, ominous "gap" between the origin and realization of "writing," reveals a seemingly endless range of possibilities to which the concept of "authorship" can be applied.
The act of sampling, in its most simple form, is the "exercise of the symbol," or the recounting of pre-existing symbols beyond their original contexts. Through the process of transference from one context to another, however, the sampled "voice" not only loses the privilege of having an identifiable point of contextual origin, but the sample itself necessarily becomes the only viable referent which can act in the re-shaping of its own, independently resurrected, identity. Once a "voice" is excerpted from one context and projected into another "for transitive purposes," it necessarily discusses only itself.
In the digital age, the range of possibilities in the application and interpretation of sampling techniques involves a multiplicity of technological, social and environmental factors as varied and complex as the workings of language itself. The success of our media (in the broadest sense of the word), economy, and communications systems solely depends on the success or failure of various sampling techniques. What would once have been an unreadable mix of unattached referents, a series of chaotically clipped narratives and self-referential allusions, through the gradual integration of sampled forms, becomes an evening of entertainment or work. An example of this would be the two-hour block of program-free commercials that airs on one of Germany's national television stations nightly.
The immense subjectivity which accompanies the mutation of contextuality and origin, though it may initially undermine the intentions of the creative artist, later becomes a principle ingredient in the formation of the future of his or her works. This implies that, in the age of sampling, no work is allowed the easy death of closure. Instead, works are endlessly mutated and sampled, constantly appearing and fading on different levels of an exterior discourse.
"When a poet's mind is perfectly equipped for its work," Eliot once wrote, "it is constantly amalgamating disparate experience...in the mind of the poet these experiences are always forming new wholes" (247). Sampling technology, as accessible as it is today, allows artists and others to join "disparate experience" with unprecendented ease and comfort, to the extent that the act of transforming, or "recounting," media is something most Americans participate in, knowingly or not, at numerous moments in the course of a day. Whether jumping from one source to another on a computer network, rewinding a rented movie to review a particular scene, or simply switching radio stations on a car stereo, we have become masters of sampling our media.
Unfortunately, or perhaps fortunately, Eliot never had the opportunity to sit in the midst of the "modern" American family through the course of an evening of television viewing:
Here we have a wonderful look at father, sitting lackadaisically in his easy chair. It is, perhaps, 9pm somewhere in lovely eastern New Jersey, and the big game is about to begin! The calm children , sitting at his feet, are waiting for mother to bring the tray of lemonade from the kitchen. Just look at their little eyes! When she arrives, and the family is complete, the amalga mating is set to begin. Father, already committed to the big game, also suggests intermittent bursts of "Predator Night," of the Discovery Channel. Mother casts her vote for a dramatic Movie of the Week, and also mentions the Home Shopping Network as an exciting option. The children, immaculate in their new playclothes, politely ask for their favorite re-runs: "Who's the Boss?", "The Brady Bunch", and "Full House ." And so the viewing, in which exciting new wholes are formed from the disparate experiences of predators, citizens, athletes, housewives, cartoon characters and police officers, begins the family realizing the ultimate goal of their poetical aspirations.(Rhodes, "of the Shopping Network")
Herr Geiser assimilates the information which defines his reality, like the modern family in its channel surfing, as a series of disconnected sequences, "episodic" in form. The epitome of this style of structure is the television sit-com, with its equally spaced and delivered bursts of comedy, segmented by commercials for fast food, automobiles and shampoo. The sit-com is a perfect model because it refers almost exclusively to the time and space in which it is transpiring...nothing beyond its boundaries can intrude and everything in its past is disposable.
The relationship which develops between subject and object through these types of experiences, from the perspective of Barthes', serves as a catalyst in the demise of their separate functions. In the early stages of this relationship, the creative act of rearrangement, shared mysteriously by a given media and its enactor, cannot be reduced, attributed or justified without the inclusion of both parties. As the line between subject and object fades, however, so that the two participants become one, distinctions between the once separated worlds of art, information and self are irreversibly blurred.
In Simulations, Jean Baudrillard elaborates on the conditions of life in the simulated world, in which sampling technology, and the mentality it generates, have full control. "Everywhere, in whatever political, biological, psychological, media domain," he writes, "where the distinction between poles can no longer be maintained, one enters into simulation, and hence into absolute manipulation---not passivity, but the non-distinction of active and passive" (57-58). Like the emergence of the "gap" in Barthes, Baudrillard catches a glimpse of the rapidly vanishing distinction "between poles" as that which creates the merger of the active and passive modes. His simulated world, or "simulacra," is characterized by "absolute manipulation" because its components are perpetually removed from contextualization.
The history of sampling as an artform is intrinsically linked to the arrival of modern, mass-marketed advertising, in every sense of the word. As advertising itself, whether in the form of government propaganda during the Cold War or as the "scandalous" Jordache Jeans commercials of the 1980's, finds its birth in the recent history of western politics and the culture of capitalism, likewise, popular sampling largely emerges as a vehicle for the exploitation of consumer possibilities.
The intentions of the artists responsible for early experiments with sampling, then, primarily involved socio- political motivations of some sort. William Burroughs, in his early experiments with manual cut and paste audio and textual compositions, certainly falls into this category. His deconstructive intentions, perhaps radical and vague at the time, seem amazingly clear, even predictable, from the perspective of our current cultural situation. Likewise, the work of Brian Gysin and John Cage in the 1950's, which largely consisted of an assortment of collage-like audio compositions, essentially involved the realization of a new critical and creative tool for exploring culture.
Early German sound pioneers such as the industrial bands Einsturzende Neubauten, Kraftwerk and Deutsches Amerikan Freundschaft, however, which primitively incorporated manipulations of samples into their sound collages in the early eighties, were perhaps the first artists to move beyond the merely reproductive rearrangements of their predecessors. Along with Robert Fripp and Brian Eno, who sampled frequently in their early experimental (mostly ambient) compositions in the U.K., and the San Francisco group Negativland, the German bands realized that samples could be, either digitally or manually, easily transformed far beyond their "original" sound.
In a recent interview with the journal 9X2, Negativland's Mark Hosler describes the theoretical complexity which has increasingly surrounded the activities of his band (which he qualifies, curiously, as a "totally intuitive, natural thing") as it has evolved over 15 years:
We're making media that's about media about media. It's a sort of hall of mirrors that is eventually a dead end...If the only thing you can do is make culture that's about the culture, can you actually make culture? (29)Mr. Hosler's words express the nature of Baudrillard's "simulacra" from the perspective of an artist who knowingly interacts with the "hall of mirrors" of a culture lost in a perpetual state of self-deconstruction. The concept of "making media that's abo ut media about media" is central to the discourse of a sampling "culture." It is, inevitably, a "culture" that simultaneously creates and destroys everything it touches. He continues:
Beavis and Butthead is one of the most popular shows on TV, and I tune into it and find myself laughing at them because you're laughing at the kind of stupid person that enjoys watching MTV.But of course you are laughing at them and the type of audience that would watch MTV except that YOU ARE WATCHING MTV...and you've just been had. I think Beavis and Butthead is the greatest mind fuck; it's a total mindfuck. The people it's mercilessly mocking really love it, and the people who think they are smarter than that and kind of hip and cool know how exploitative the media is, they like it too! (30)Understanding the "language" of sampling, as with any discourse of its complexity, means recognizing the underlying forms and genres of its application. The four part discussion which follows, then, is historically based on a collection of the primary strategies which have come to govern sampling practices. Each section is accompanied by an "original" composition of isolated samples, and samples combined with non-sampled material (both instrumental and non-instrumental) in order to facilitate the arrival and identification of the terminological and theoretical tools which a truly concise discussion of sampling requires. Perhaps the most important discovery this exercise realizes is the notion that, in the "simulacra," we are ultimately unable to recognize the difference between sampled and "original" sounds.
A+ Audio is the innovative audio study guide series which will help you to better understand, appreciate, and (most importantly?) enjoy great works of literature. With a dramatic presentation by acclaimed actors that gives voice to the printed word, you'll experience classic works as never before. Additional information, both on the tape and in the companion study booklet, provides you with invaluable perspective, including background about the author's social and historical environment, thematic analysis, recommendations for further review, and a critical overview. Welcome to A+ Audio.As A+ Audio is set to give "voice to the printed" words of "great" literature, forming "critical overview" in the presentation of a text, likewise, Limbaugh contextualizes (often unseen) footage of political activity as he "recounts" it. This level of re collective sampling, solely for the purpose of contextual manipulation, forms the basis of the more complex types of sampling which follow.
In the spirit of Burroughs, Limbaugh can be "recounted" in the manner of the sound-bite terminology which he relies on for fuel. From the first half of his "book" on tape titled See, I Told You So, the deconstructed Limbaugh comes across as slightly intoxicated and more than a little bit confused (1). Technologically speaking, the first example is the most accessible and inexpensive of the four, as it is the type of deconstructive surgery that anyone with a cassette deck can realize in the comfort of their own environment. It reads:
"My wit and wisdom are like lies available nowhere else. Just surrender yourself! In other words, there's nothing on my radio program especially for children, need I remind you? I don't pretend to be a prophet. Yet, this statem ent is much more relevant now than it was when I first made it. Now before we precede any further, know that this is what it's all about: chaos and instability. Well let's set the record straight right here: The killing of cops is the liberal's forte. Me so horny. Me God. I have been so horny. That, God forbid, might offend. What's wrong with stealing? I'm motivated by hate and bigotry. The 1980's, we now understand, should, and will ultimately be, remembered as the decade of fraud and deceit. Ta dee da. Try this folks, try empty, insincere rhetoric."The exaggerated contextual manipulation in this instance recreates a (hopefully) more subtle form of re-enactment. This lo-fi, updated Burroughsian cut-up functions as a representative of the initial impulse toward the realization of a language of sampling: resequencing. It evokes a line from Arthur Kroker's project Spasm, which addresses the "mediascape" of potential sampling material. "Life becomes a mediascape," Kroker writes, "where every fragment of the cultural archive, and our subjectivity with it, can be resequenced at will, reconstituted into an endless combinatorial of media effects" (66). Kroker recognizes the availablity of culture as a sampled "archive," in which the act of resequencing reconstitues our "subjectivity" endlessly.
Various forms of self-sampling, in which a vocalist might sing a few lines to be sampled and then repeated, have become increasingly popular, especially in the genre of rap music. The world of advertising, just recently, has discovered the consumer appeal of this type of repetitive sampling. In a recent Microsoft television advertisement, for example, as a group of children sing "the world will never be the same again," in the background, a sensitive voice announces that, "The stuff we make is pow erful, listen, it makes you powerful, take it, gather up ideas, wonderful," which is sampled in bits (such as "we make is powerful") and reintroduced in pieces to the song (2) repetitively.
It was the emergence of rave culture in the United Kingdom in the late 1980's, and the popularity of live DJ's which the movement provoked (which also, coincidentally, provoked a dramatic rise in the popularity of illegal substances with long-lasting effects), along with the emphasis on the role of the DJ in rap music, which spawned a massive demand for lengthy, sample-filled, trance techno music as well as danceable re-mixes of standard recordings. The english electronic band Depeche Mode, another pioneering group in the sampling field, has responded to this trend by often releasing up to eight drastically different re-mixes for each of its singles.
The following composition is an attempt to explore sampling outside of the range of the familiar territory of electronic music. It represents the frictional space "between poles," beginning with a sample of Burroughs, who is joined quickly with a sample from a work by Richard James (known as the Aphex Twin), a composer known for mutilating samples light years beyond recognition. As the two voices merge into a distinctionless whole, playing updated versions of Herr Geiser and the poetical television family, the instrumental comes to life (3). A noteworthy characteristic of this composition is that, though an acoustic guitar is the only instrument involved, one of the acoustic tracks has been manipulated to resemble a synthesized sound, forming a bridge between sampled and non-sampled sounds.
MTV: ...Madonna, she's really sweet, she's user friendly...
MADONNA: I'm sweet and I'm a bitch, you know what I mean? And that's always been the way it is, I'm a human being.This excerpted exchange, reproduced initially as a straightforward sample (4), is further manipulated in three distinctly different sampling exercises. Each successive enactment of the sample in this section reveals a new level of digital manipulation (through relatively commonplace modes of processing) and, as a result, generates a new model for the exponentially escalating discourse of sampling language to engage.
In the second example, the voices of Loder and Madonna are boosted with the aid of a slight digital delay and the addition of a chorus effect. Although this technological massage alters the sample, as each word is regenerated alongside itself, the sample basically exists in its original form. The listener can recognize, with his or her modern ears, that a simple echo effect has been added, but that the basic ordering and structure of the sample (5) has not been manipulated.
The third interpretation, however, marks the beginnings of true manipulation. In this example, the first half of the sample is played through a digital processor, where it is forced to repeat itself endlessly, and the source is paused. The sampling itself does not occur until the first half of the sample, having been momentarily spun, crunched and stretched silly, has been thoroughly washed in a digital delay. The second half of the sample (6) is then released, allowed to begin its life simply, as a straightforward sample, only to end up as a pile of words coincidentally sounding very much like "You know what Madonna wants." (6)
This segment demonstrates the sort of complexity that characterizes the act of sampling in its later stages. Madonna's voice, out of the wreckage of processing, though it remains her voice, is saying something which it has not actually said, even though the ordering of her words is her own. This interpretation raises a number of issues. For example, does the mass-scale inclusion of the sampled voice, which speaks without context or reference, allow the listener to begin to listen without context or reference? Does it imply that, without a centralizing contextuality, we are all, in theory, saying the same things at the same time, which includes everything that can be said? Can we assume that, as sampling technology further dictates our language, we will become capable of assimilating different sounds and words only as minute variables in the construction of a single, all-encompassing sound? Are we unknowingly participating in the construction of a language based on advertising lingo? Will masters of self-sampling, ultimately dictate social, economic and political development simply because they have perfected the art of deconstructive surgery? The final interpretation in this section reveals a great deal about these important issues.
In this last example, the only intelligible word that breaks through is Loder's "Madonna," at the beginning (7). What follows is a radical digital manipulation of the interview's sounds, such that the final product, still composed entirely of sounds generated by the original sample, resembles the noise of a simulated generator of some sort revving into action. The end of this sample bears no real relation to the beginning, or to the interview, or even to what might be considered a commonly experienced type of noise. In relation to the first step of processing, which was essentially an excerpted reproducti on, this interpretation represents a full-circle return (without the knowledge of its history) to an original voice. The structure of this type of evolution bears a striking resemblance Baudrillard's idea of the image in "successive phases" (11).
In the most straightforward form of interpretation, the sample from Madonna's interview "reflects a basic reality" in a new context. In the second interpretation, the reflected reality is perverted by the manipulative action of digital processing. In the third segment, in which a phrase which never actually occurred is generated, the sample "masks the absence of a basic reality" (11). Finally, the outcome of the fourth experiment bears no relation to the initial basic reality, or to any "reality" for that matter, and, in Baudrillard's words, becomes "its own pure simulacrum" (11). The recognizable difference between "simulacrum" and "basic reality," at this point in the sampling process, becomes impossible to determine. As a result, the line of questioning shifts to address the apparent inadequacy of our current language of sampling to express this difference. Is the impossibility of expressing the concept of our current cultural amalgamation of "simulacra" with "basic realities" something which sampling, or any discourse, can overcome? Is there a point at which "the hall of mirrors that is eventually a dead end," perpetuated by sampling, ceases to exist?
The final composition in this discussion, titled"5 Minutes, 52 Seconds and Counting..." represents an attempt at contextualizing the translation that accompanies the transformation of our modern selves and media from one "basic reality" to the next. This composition incorporates each of the types of sampling dissected in the three previous segments, and communicates the type of multiplicity which numerous forms of sampling (generated at various rates and with varying levels of distortion and manipulation), when compiled in one space, creates. Included in this structure are samples of samples, samples of the "basic realities" of actual industrial work, and even self-generating samples. The combination of these generates a unique landscape (8), a new whole, which is nearly impossible to contextualize. It is an example in which the "author" himself sacrifices his knowledge of original context. This factor suggests that the application of a discourse beyond that which relies on structuralist contextuality, a revised discursive strategy that allows for the incorporation of some sense of a central, concrete subject, becomes essential.
In her essay "From One Identity to Another," Julia Kristeva argues that "a definite subject is present as soon as there is consciousness of signification" (1163). She finds this "subject" in the issue of "enunciation," as it "takes shape within the gap opened up between signifier and signified that admits both structure and interplay within" (1164). The final composition, simply because the "gap" itself is as much the "subject" as anything else, seems particularly suited to this type of discourse. This composition's structure, a series of deconstructed structures, insists on a unification of "structure" and "interplay" that demands that the "gap" between contextuality and origin, as expressed by Barthes, becomes "opened up."
In conclusion, we find that sampling applications are both deconstructive and regenerative activities. As such, they dictate that the role of "authorship" must exist only to be perpetually destroyed and recreated. The redefintion of "self," then, in a culture defined by sampling, also occurs perpetually.


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In a good news for students aspiring to take admission to undergraduate programme in UK, the universities there have agreed to recognise plus-two certificates awarded by India's Central Board of Secondary Education (CBSE).
HRD Minister Smriti Irani said United Kingdom has also agreed to help the students facing visa related issues. "Till now, CBSE students faced a problem as their certificate was not being recognised by several institutes.


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Live liver donor requirements include:
are certain situations that may require the liver donor to go through
additional steps to determine whether donation is in their best interest. These
include donors who:
are certain circumstances in which a person would be ineligible to donate. This
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The blood type of the donor and recipient do not
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Breeze is an online program from Lahey to help facilitate organ donations from living donors.


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This is my solo-project "Crashmachine" where I´ve done everything myself and everything is "My style" and how I want it to be. And where the music is inspirered by all the stuff I like. The Rolling Stones, The Vines, The Hives, Pearl Jam, REM, ...to mention a few. The project was started in 2002 by me (Thomas) :D and I´ve recorded a lot of tracks since then. I´ve just released a 12 track Indie-CD (Indie-cent), which can be heard here : www.crashmachine.com ...
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Chrisantha Fernando & Sampsa Sojakka
The Liquid Brain Chrisantha Fernando & Sampsa Sojakka
Motivations Only 30,000 genes, ≈1011 neurons
Attractor neural networks, Turing machines Problems with classical models Often depend on synchronization by a central clock Particular recurrent circuits need to be constructed for each task Recurrent circuits often unstable and difficult to regulate Lack parallelism Real organisms cannot wait for convergence to an attractor Wolfgang Maass' invented the Liquid State Machine (a model of the cortical microcircuit) in which he viewed the network as a liquid (or liquid-like dynamical system).
Liquid State Machine (LSM)
Maass' LSM is a spiking recurrent neural network which satisfies two properties Separation property (liquid) Approximation property (readout) LSM features Only attractor is rest Temporal integration Memoryless linear readout map Universal computational power: can approximate any time invariant filter with fading memory It also does not require any a-priori decision regarding the ``neural code'' by which information is represented within the circuit. Real-time computation using liquid metaphor, I.e. although only one attractor state (rest), liquid represents past inputs with unbiased analog fading memory. Liquid must be sensitive to saliently different inputs but non-chaotic (separation property). Limitations on the computational capabilities of real liquids imposed by their time-constants, strictly local interactions, homogeneity of the elements of the liquid." So Maass develops "Liquids" consisting of Spiking Neurons. Large variety of mechanisms and time-constants. Recurrent connections on multiple spatial scales. He demonstrates real-time UCP. Whereas Turing machines have universal computational power for off-line computation on (static) discrete inputs, LSMs have UCP for real-time computing with fading memory on analog functions in continuous time. The state-transition-function of the LSM is task-independent ("found circuitry") and the readout is memory-less. The LSM only has to satisfy a "Separation Property" for a linear readout element to be able to make any discrimination, or map any input function. It also does not require any a-priori decision regarding the ``neural code'' by which information is represented within the circuit.
Maass' Definition of the Separation Property
The current state x(t) of the microcircuit at time t has to hold all information about preceding inputs. Approximation Property Readout can approximate any continuous function f that maps current liquid states x(t) to outputs v(t).
We took the metaphor seriously and made the real liquid brain shown below. WHY?
BECAUSE. Real water is computationally efficient.
Maass et al. used a small recurrent network of leaky integrate-and-fire neurons But it was computationally expensive to model. And I had to do quite a bit of parameter tweaking. Exploits real physical properties of water. Simple local rules, complex dynamics. Potential for parallel computation applications. Educational aid, demonstration of a physical representation that does computation. Contributes to current work on computation in non-linear media, e.g. Adamatsky, Database search.
Pattern Recognition in a Bucket
8 motors, glass tray, overhead projector Web cam to record footage at 320x240, 5fps Frames Sobel filtered to find edges and averaged to produce 700 outputs 50 perceptrons in parallel trained using the p-delta rule
Experiment 1: The XOR Problem.
2 motors, 1 minute footage of each case, 3400 frames
Readouts could utilize wave interference patterns
Can Anyone Guess How it Works?
Experiment 2 : Speech Recognition
Each sample to drive motors for 4 seconds, one after the other
Objective: Robust spatiotemporal pattern recognition in a noisy environment 20+20 samples of 12kHz pulse-code modulated wave files ("zero" and "one"), seconds in length Short-Time Fourier transform on active frequency range (1-3000Hz) to create a 8x8 matrix of inputs from each sample (8 motors, 8 time slices) Each sample to drive motors for 4 seconds, one after the other Hopfield and Brody experiments showed that transient synchrony of the action potentials of a group of spiking neurons can be used to signal recognition of a space-time pattern across the inputs of those neurons – we show that water can produce this Sound files had to be pre-processed due to small time constant of relaxation of liquid (time window of 3-4sec), limited number of inputs motors, resolution of the camera Limitations in motor frequency response (could be changed only every 0.5 sec) hence 8 time slices (sliding window size set to the closest power of 2 of the sample length) Lot of noise in inputs: variation in amplitude, intonation
Zero One
Generalisation poor (~35% error)
Overtraining? Training set was very large Local minima in a linear readout corresponds to the global minima (no hidden nodes!) – from support vector machine research We have many sources of error though All sound samples effectively different (intonation, amplitude, timing, intensity) Sounds input into the water sequentially -> sequence leaves residue in liquid state Motor frequencies fluctuated widely (drive shafts deteriorated with use) Movement of motors / camera / tank Camera frame rate varied No attempts were made to remove any of the noise
Conclusion Properties of a natural dynamical system (water) can be harnessed to solve non-linear pattern recognition problems. Set of simple linear readouts suffice. No tweaking of parameters required. Further work will explore neural networks which exploit the epigenetic self-organising physical properties of materials.
Acknowledgements Inman Harvey Phil Husbands Ezequiel Di Paolo
Emmet Spier Bill Bigge Aisha Thorn, Hanneke De Jaegher, Mike Beaton. Sally Milwidsky
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On December 20, the press conference of the Co-Chairs of the EU-Armenia Parliamentary Cooperation Committee (PCC) Armen Ashotyan and Sajjad Karim was held in the parliament.
Armen Ashotyan informed that the items discussed at the 17th Meeting of the EU-Armenia Parliamentary Cooperation Committee related to democracy, human fundamental freedoms, the constitutional reforms made in our country, the problems of regional security, the Armenian-Turkish relations, the Artsakh problem settlement, the provisions of the draft law on Prevention of Violence in the Family, the Protection of the Persons Subjected to Violence in the Family and Restoration of Solidarity in the Family.
As a result of two-day discussions a statement was adopted which, according to the speakers, not only records the past and the present of the EU-Armenia relations, but also gives first priorities of development which stem from the top priorities of cooperation between the two parliaments.
"This Meeting is evidently historical, as it was convened after signing of the Comprehensive and Enhanced Partnership Agreement," Armen Ashotyan noted.
"With regards to the NK problem at the Meeting it was recorded that the problem should be solved exclusively through peaceful negotiations – within the framework of the OSCE Minsk Group Co-Chairmanship," the Speaker underlined.
On behalf of the European Parliament, the Co-Chair of the European Union-Armenia PCC Sajjad Karim expressed his gratitude for organizing the works of the 17th Meeting at high level and highlighted the frame of the discussed issues.
Sajjad Karim is full of hope that the relations between the two parliaments would develop.
"The signed Agreement contains financial assistance for implementing different programmes. We have traditionally worked more for more principle which brings with it some conditions and in that aspect it is necessary to show to Armenia that it has distinct progress in the spheres which we have indicated and agreed by both sides. There is desire of Armenia in them as a self-sovereign state, to develop its own future. The European Union is ready to show appropriate assistance to that process," Sajjad Karim noted.
The speakers also answered the journalists' questions.


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30-Second Thought: Welcome to the Club
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