text:
Amanda and Michael
How We Met
So here's the fact of the matter: Me and Michael (or Michael and I, depending on who you ask) are getting married. Huzzah. But that's not the beginning of this story, though it is close to the beginning, as our forthcoming joyous exchange of vows is still only the beginning of a much longer and grander story. Then there's the whole history of the universe, which is totally crazy and need not be explored any further here. Let's stick with Me and Michael for now, thank you very much. THE PART IN WHICH WE MEET (SORT OF) So, the real beginning of this story (but not the big bang beginning, because no more universe stuff) opens on myself sitting in Portland OR nearing the eve of relocating to Phoenix AZ. It's December 2014, and I am thinking to myself it would be nice to get an idea of what the dating-pool is like in the sunny southwest before moving. And so I download a dating-app, and like so many have in the cadence of our times, began a journey that will bring love, joy, and my ring. Through this same app, Michael (change of POV ya'll) is idly perusing profiles when one belonging to a beautiful young lady named Amanda (myself of course) comes striking across his screen. We connect. We begin to talk. Things are going super, super well. If you need to know just how well, just re-read the first sentence of this 100% historically accurate document. Proof's in the pudding, friend. But as time goes by, the talking slows. I will admit, I was intimated by some of the other girls in the pictures on Michael's profile. To be clear, I didn't need to be but social media is weird, you know? Anyway. THE PART IN WHICH WE MEET (FOR REALSIES) Flash forward to June of 2015. I have been in Phoenix for a few months settling in, mixing it up, and having a great time. On a whim, I hop back on to the aforementioned dating app. Simultaneously elsewhere in Phoenix, Michael finds himself taking a gander at the app as well. Both of us happened to be online at the same time.
See where this is going? Little thing called serendipity. Michael messaged me, "Hey, Stranger. Been a while." I replied with, "Just been busy." What ensues can be condensed thusly: awkward small talk, playful banter, an exchange of phone numbers, and a date set to meet – we would be watching a movie at Michael's place. And so it goes. THE PART IN WHICH WE HAVE A FIRST DATE (KIND OF) I head over to meet Michael at his place to watch a movie called "The Boy Next Door" (it's the one with Jennifer Lopez and statutory rape, don't worry about it). As happy as we were to meet in-person for the first time, Michael struggled through the beginning of movie, having been up entirely too early for work that morning. J-Lo's barely been on screen for 10 minutes before Michael's eye lids grow heavy, and he's lulled into a deep sleep. He eventually awakes to rolling credits and a slightly perturbed date sitting next to him. We both awkwardly laugh it off, and I hesitantly agreed to a second date. Michael lucks out big-time I might say. THE PART IN WHICH WE CONTINUE TO HAVE DATES (FOR REALSIES) What follows are a series of dates with great conversation, the revealing of a shared love of the show "Friends", and pivoting into a serious relationship. Love blossoms and we move in together. It's a lot of stuff, and it all fits snuggly into one paragraph. Long and short of it, we are very happy and very much in love. Good things. Despite all of this, Michael never officially asked me out and/or to be his girlfriend, but we'll get back to that in a minute. After some time, I began to casually start talking about marriage – preferences in ceremony type, dress, and in ring. Michael wisely pretended not to listen – operative word being "pretended". He is secretly cultivating a mental list and waiting patiently, to exact his plan, which sounds creepy but it isn't. It's terribly clever and sweet.
how they asked
THE PART IN WHICH MICHAEL HAS A RING To set the stage: it is our second anniversary. We got away to the Arizona Grand Resort for a bit of rest and relaxation – fun in the resort's water park, and some entertainment from Guy Fieri via the Food Network on the hotel room's TV. After breakfast Michael told me that we needed to stop by his friend DeAndre's house to pick up my anniversary present. Meeting them there are DeAndre and DeaAndre's brother and Michael's friend Jesse – all for the purpose of helping move my anniversary present into the car on account of being heavy. Little did I expect this "anniversary present" is simply a small jewelry box. Misdirection abounds. Once again back in the hotel room, Michael waits for me to shower before dinner. Once I was in the bathroom, he moves around the room, banging on the closet door to make it seem as though my allegedly gargantuan gift is hiding inside.
He then places the jewelry box discreetly in the nightstand drawer with a small note. THE PART IN WHICH THERE IS A PROPOSAL (MOSTLY) With everything in its place, it's now Michael's turn to shower before dinner. He turns on the water in the bathroom, and texts me, now sitting on the bed, stating that some one may have left something in the nightstand drawer on my side of the bed. There I found a hand-written note and a small box. The note reads in a terrifically great callback, "Will you go out with me?" Inside the box is a ring. I was stunned and barged in the bathroom. "Is this a promise ring?" I asked. "No…," he responds. The gravity of the question, the ring, and the reality of what is happening begin to wash over me. Tears stream down my face. "Really? Are you serious? You want to marry me?" I asked in shock. Michael confirms – yes. THE PART WHERE THERE IS A PROPOSAL (FOR REALSIES) The next ten minutes are a blur of laughter, tears, and excitement. I call mine and Michaels' immediate family. It is my own mother that reminds reminds, "Did he actually ask you? Didn't he never actually ask you out?" My mom bringing it back for yet another phenomenal callback. At once, I put it to Michael to ask, not on a piece of paper, but together in the same room. He tells me he wants to marry me. He asks to be his wife. And as such, I want to marry him too. I immediately said yes. And so ends the very beginning of this love story. Huzzah.


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Chef Ideation Session
To help drive development of new, on-trend beef dishes, NCBA, contractor to the beef checkoff, brought five leading foodservice chefs from across the country to the Culinary Center in Denver for an ideation session. Each chef presented two concepts at the "Beef. It's What's for Dinner." Culinary Center day-long session on June 27. Results of the session will be shared with the foodservice industry, and are on the checkoff's www.beeffoodservice.comwebsite.

subset: commoncrawl


text:
Hard X is Pleased to Exhibit Asian Chocolate Vol.
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Video: AVC, 960x540, 23.976 FPS, 2526 kb/s
Audio: AAC LC, 48.0 kHz, 2 channels, 114 kb/s
Related news:


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Juventus preserved their unbeaten run to their domestic league campaign during their visit to Fiorentina this evening by beating the Fiolas 3-0.
With the scores at 2-0, their summer signing, Cristiano Ronaldo, also got on the score sheet from the penalty spot to take the tie to bed.
His goal during the encounter today makes it his 10th in just 14 Serie A games which marks the greatest start to a Serie A campaign in Juventus in the last 50 years.
What fans are saying:
Cristiano Ronaldo created 4 chances tonight vs. Cagliari; more than any other player on the pitch.
— InfoCristiano (@InfoCristiano) December 1, 2018
Cristiano Ronaldo. Yet another motm performance, that's now his 11th one of the season. 🐐 pic.twitter.com/QmAccwiLwY
— Martin (@VazquezGOAT) December 1, 2018
Ronaldo clearly doesn't like records. He keeps breaking them.
— KREIZI (@LonwaboDyaliva2) December 1, 2018
via: INFORMATION NIGERIA


text: Date: Tue, 28 Mar 2000 02:18:54 EST From: email@example.com Message-ID: (firstname.lastname@example.com) I've been making banana bread like crazy for about 2 months now, trying lots and lots of recipes and altering them to be FF. Banana-Chai Bread 1 3/4 c flour 1 Tbs baking powder 3/4 c sugar 1/2 c FF cream cheese 2 "eggs" (whatever replacement you use. I usually use egg beaters or Ener-G) 3/4 c mashed banana 1/4 c liquid (I used chai tea, hence the name) Preheat oven to 350 degrees. Grease (Pam) 9x5 inch pan. Mix dry ingredients except for sugar and set aside. Beat cream cheese with an electric mixer until creamy. Add your egg-like substance and continue beating. Add sugar and chai (or whatever) to the mixture. Be careful not to get any little clumps of cream cheese, they don't just go away, they stay there even after you've baked the bread. Now, slowly start beating in the flour mixture. Once you've mixed everything up, pour it into the pan and bake for about 50-60 minutes. kwovolacto ovolacto


text: CONTACT INFORMATIONBIOGRAPHYCREDENTIALSAWARDSPUBLICATIONSMarsha N. Wittink, M.D., M.B.E.PsychiatryContact InformationPhone NumbersAppointment: (585) 276-3000A member of the University of Rochester Medical Faculty GroupgroupAn Accountable Health PartnerassignmentNot Accepting New PatientsResearch LabsLaboratory of Integration Services for Complex Needs (LISCN)Visit Lab WebsiteLocationsUniversity of Rochester Medical CenterSchool of Medicine and Dentistry601 Elmwood Ave, Box PSYCHRochester, NY 14642Additional LinksStudy descriptionFaculty AppointmentsAssociate Professor - Department of Psychiatry , Research (SMD) Associate Professor - Department of Family Medicine (SMD) - JointBiographyDr. Wittink is the medical director of the Inpatient Medicine in Psychiatry (IMIP) unit at URMC. IMIP uses a multidisciplinary approach to care for hospitalized patients whose medical care may be complicated by concomitant mental health concerns. The team of nurses, social workers, physicians and mental health providers works together to deliver compassionate care targeted to patients' needs. Dr. Wittink is also involved in medical student and resident teaching focused on integrating medical care . She is passionate about working with patients and families to determine health goals and improve overall quality of life.ResearchDr. Wittink is Associate Professor in the Departments of Psychiatry and Family Medicine. Her research efforts are driven by her clinical experiences as a primary care physician and hospitalist caring for patients with concomitant medical and mental health needs. She has been awarded grants from the National Institute of Mental Health (NIMH) and the Patient Centered Outcomes Research Institute (PCORI) to develop strategies to elicit and incorporate patient priorities into care. She joined the UR faculty in 2010 to work with other researchers interested in health care decision-making and patient-provider communication. Dr. Wittink is currently developing infrastructure to study and improve health outcomes for patients with serious mental illness.CredentialsSpecialtiesFamily Medicine - American Board of Family MedicineEducation1993BA | Cornell UniversityBiopsychology1999MD | Jefferson Medical CollegeMedicine2004MBioeth | Univ of PennsylvaniaBioethicsPost-doctoral Training & Residency07/01/2004 - 06/30/2005Fellowship in Geriatric Psychiatry at University of Pennsylvania School of Medicine07/01/2002 - 06/30/2004Fellowship in at University of Pennsylvania School of Medicine07/01/2000 - 06/30/2002Residency in Family Medicine at Thomas Jefferson University Hospital07/01/1999 - 06/30/2000Internship in Family Medicine at Thomas Jefferson University HospitalVIEW ALL expand_moreAwards2018W.G. Stuber Award (for "unusual promise in an academic career")Sponsor: William G. Stuber Fund2017UR Pursuing Excellence LeaderSponsor: University of Rochester School of MedicineLocation: Rochester NY2017Strong Star for Interdisciplinary Excellence, Inpatient Medicine in Psychiatry Unit 19200Sponsor: University of Rochester School of MedicineLocation: Rochester NY2016 - 2017Academic Medical Professional Leadership Program for Mid-Career WomenSponsor: University of Rochester School of MedicineLocation: Rochester NY2008 - 2010Scholar, Advanced Research Institute (ARI) in Geriatric Mental Health sponsored by National Institute of Mental HealthSponsor: National Institute of Mental Health2007Merck/American Geriatric Society New Investigator Award2005Resident's Faculty Research Award, Department of Family Practice and Community MedicineLocation: University of Pennsylvania School of Medicine2003Summer Research Institute sponsored by National Institute of Mental HealthSponsor: National Institute of Mental HealthLocation: University of California Los Angeles, Los Angeles, California2002Resident Teaching Award, Department of Family Medicine, Thomas Jefferson UniversityLocation: Thomas Jefferson University2001 - 2002Chief Resident, Department of Family Medicine, Thomas Jefferson University HospitalLocation: Thomas Jefferson University Hospital1999Award for distinction in Family Medicine, Jefferson Medical CollegeSponsor: Jefferson Medical College1993Magna Cum Laude, Cornell UniversityLocation: Cornell University1991 - 1993Psi Chi National Psychology Honor SocietyVIEW ALL expand_morePublicationsJournal Articles12/12/2018"When chemotherapy fails: Emotionally charged experiences faced by family caregivers of patients with advanced cancer." Patient education and counseling.. 2018 Dec 12; Epub 2018 Dec 12. 10/1/2018Funderburk JS, Levandowski BA, Wittink MN, Pigeon WR. "Team communication within integrated primary care in the context of suicide prevention: A mixed methods preliminary examination." Psychological services.. 2018 Oct 1; Epub 2018 Oct 01. 3/2018Mohile SG, Magnuson A, Pandya C, Velarde C, Duberstein P, Hurria A, Loh KP, Wells M, Plumb S, Gilmore N, Flannery M, Wittink M, Epstein R, Heckler CE, Janelsins M, Mustian K, Hopkins JO, Liu J, Peri S, Dale W. "Community Oncologists' Decision-Making for Treatment of Older Patients With Cancer." Journal of the National Comprehensive Cancer Network : JNCCN.. 2018 Mar 0; 16(3):301-309. Books & Chapters2018 Chapter Title: Cognitive Assessment Book Title: Handbook of Geriatric Assessment 5th Edition Author List: Wittink, MN Pawar, N Pacos-Martinez, A Published By: JB Learning 20182017 Chapter Title: Person Centered Prevention of Suicide in Primary Care Settings Book Title: Handbook of Suicide in Veterans and Military Populations Author List: Duberstein, P, Wittink, MN, Pigeon, W Edited By: James, S.L Published By: Oxford University Press 20172015 Chapter Title: Person Centered Suicide Prevention Book Title: Psychology and Geriatrics Author List: Duberstein, P.; Wittink, M. Edited By: Bensadon, B.A. Published By: Elsevier 2015 in San DiegoVIEW ALL PUBLICATIONS


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Mystic mounts are the best way to keep your stamps safe and looking great for years to come. Stamps are held securely in place against a black background – making the colors "pop" and adding definition to perforations. With this mount package you'll get 50 split-back mounts of each size collectors most commonly use.
Own a mint souvenir sheet of three Art of Magic stamps featuring a white rabbit seeming to appear and disappear out of a black top hat. The special animation effect was created using lenticular printing and makes this souvenir sheet a fun addition to your collection. Get yours now.
This is a great album to start with because it pictures U.S. stamps that are easy to find and buy. As a bonus, we'll include 100 used U.S. stamps, 1,000 hinges for attaching stamps in their album, and Mystic's Guide to Stamp Collecting – all for FREE. It's a terrific value.
These 12 pocket vinyl coin pages are perfect for quarters or half dollars. They will fit nicely in any standard three-ring binder for easy storage. Minor scuff marks or imperfections mean that you can get them at a great savings, but the quality will not detract from the beauty of your coins.


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The Porter County prosecutor's office has dropped a felony fleeing charge filed against a Portage woman who drove less than a mile to lighted parking lot before pulling over for a traffic stop last month.
"At the time of the arrest, the officer had probable cause to support the filing of criminal charges," Porter County Prosecutor Brian Gensel said in a prepared statement.
"Upon review of the circumstances of the incident as well as information learned after the incident, it was determined that a dismissal of the charges was in the best interests of justice," he said.
The motorist, DelRea Good, was relieved by the news, but said she will remain concerned until the incident is completely removed from her record.
Trending: Feinstein in deep doo-doo over confrontation with young climate alarmists over GND
She fears the dismissal could show up during a background check and hurt her if she seeks a new nursing job.
The entire incident, including the arrest and treatment by the police officer, has also left her afraid to drive.
For your convenience, you may leave commments below using either the Spot.IM commenting system or the Facebook commenting system. If Spot.IM is not appearing for you, please disable AdBlock to leave a comment.


text:
Euro zone finance ministers agreed in the early hours of Friday a debt relief package for Greece and a new disbursement of 15 billion euros as part of its current 86-billion-euro bailout program, the head of euro zone finance ministers said.
The deal involves a 10-year extension of maturities on loans from the European Financial Stability Facility and a 10-year deferral on interest payments, Mario Centeno told a news conference.
Centeno added that this will allow Greece to issue bonds across the yield curve. Athens is also likely to pay lower borrowing costs on its new bonds as the new package of aid will help set up a cash buffer totaling 24.1 billion euros that would cover Greek financing needs for 21 months, Centeno said.
The International Monetary Fund welcomed on Friday the deal on debt relief for Greece, saying it will improve debt sustainability in the medium term, but maintained reservations on the long term.
"The additional debt relief measures announced today will mitigate Greece medium-term financing risks and improve medium term debt prospects," the International Monetary Fund's managing director Christine Lagarde told a news conference.
But she added that the fund will not join the expiring 86-billion-euro bailout as the time "has run out", and maintained "reservations" on the long term sustainability of the Greek debt, which runs until 2060.
The fund will begin assessing the sustainability of the Greek debt "as early as next week", Lagarde said, adding that the fund will remain engaged in Greece and will participate to the monitoring of the Greek economic performance and reforms after the end of the program.
Source: cnbc
Euro zone agrees on debt relief package for Greece


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On Blogger since September 2010
Profile views - 1643
My blogs
Blogs I follow
- absquatulating acrobat
- Blackboards in Porn
- Crazy Socks and Ninja Bunnies
- Gabrielle Zevin
- Songs & Stories
- Torasaurus Rex
|Toronto, Ontario, Canada
|As hard as I try, I cannot encapsulate my personality in this box. I'll try to make witty self-referential jokes instead.
|Reading, writing, camping, singing, guitar, learning, Hebrew, drawing, pondering life, internet, special education, Jew stuff, wrestling, science
|Favorite Movies
|The Princess Bride, Scott Pilgrim vs. the World, One Week, movies with spontaneous singing and dancing
|Favorite Music
|I like a lot of music.
|Favorite Books
|The Chronicles of Narnia, Hitchhiker's Guide to the Galaxy, The Book Thief, The Psychopath Test, The Inheritance Cycle, An Abundance of Katherines, The Wonderful Story of Henry Sugar and Six More, The Song of the Lioness, The Outsiders, To Kill a Mockingbird, The Curious Incident of the Dog in the Nighttime, 1984, The Phantom Tollbooth, Harry Potter, Life of Pi, The Fault in Our Stars, booksbooksbooksbooksbooks
Your bow is not broken but you've run out of arrows. How can you fake being a bard?
A one-stringed harp. I thought that that was obvious. Who writes these questions? Seriously. Harp-playing is a necessary skill.


text:
I am a high school graduate with a diploma of Exemplary Recognition and Honors and Distinction. I have taken a variety of honors, AP and Dual classes in different subjects (AP language, AP Literature, Dual Advanced Algebra and Trigonometry, etc.). I am comfortable with and believe that I am authorized to tutor students in grades k-12.
In teaching I let the student tell me what they are having problems with and we go from there. I do require that if I give homework and a deadline is given I expect for the homework to be done. I will give extensions if necessary.
Graduate from Harding University Student at Master's Program at University of Memphis Work shopping with students Relaxed attitude and environment Teaching by example and by critical analysis of work Guide students to finding answers rather than just telling the answer Experience with College, high school, and middle school students.
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I'm passionate about teaching and a patient, friendly, experienced teacher of English language arts and French. I lived in France for 10 years. My students have been in elementary through high school, as well as young adults. They have been from the US and many countries and have had all levels, beginning through university students.
My name is Lucy Fumosa and I am a recent Graduate of Rollins College (class of 2016), a small Liberal Arts College in Winter Park, Florida, with dual majors of English and Environmental Studies. I was born and raised in Sparta, New Jersey and received 12 years of Catholic School education at Reverend Brown Primary School and Pope John XXIII High School.
I approach each topic by gathering all necessary information in order to understand it better. That is the way I teach others. You cannot write about a subject that you know nothing about, so I make sure that you are able to prepare for either your essay, or writing contest, or anything that has a guideline, deadline, and is important to you.
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Bowl Inn getting a facelift
Vicky Dover's face lights up when she talks about her plans for the Jacksonville Bowl Inn.
Dover bought the landmark bowling alley in January 2013 and since then has made a number of improvements to the building, including remodeled restrooms, a new roof, constructed a new parking lot on the north side of the Bowl Inn and made repairs to the south parking lot.
In addition, this summer the Bowl Inn opened a pro shop, where bowlers can buy a ball and have it custom fit.
"I want to keep the Bowl Inn family oriented," Dover said. "I want to keep the facility alive and well in Jacksonville because it is a landmark. There are men and women who have bowled here for over 30-plus years. One of our plans is to create Fatheads (wall decals) of some of these men and women who have spent many years bowling at the Bowl Inn."
Next summer, Dover said plans to remove the counters and bowling racks that obstruct the view of the lanes and get new furniture for the bowlers. "We also plan to give the whole interior a facelift with a new look, including the bar," she said.
The changes will include painting, new flooring, other types of furniture, a video jukebox, additional cosmic lighting throughout the bowling area and the installation of new awnings on the front of the building and above the north entrance.
Dover said she and her fiance, David White, and family and friends have done all the renovations, except for the parking lot work.
Dover is proud to be involved with all the upgrades under way at the Bowl Inn.
"It has been an incredible pleasure to make the changes," Dover said. "The gratitude from the customer base, whether league bowlers or non-league bowlers, has made every bit of it well worth it and encourages us to work harder on the future plans. We have received a tremendous amount of positive feedback about how well the bowling machines are running, the lane quality and the overall atmosphere. I think the community appreciates seeing words put into action with the repairing and remodeling of the beloved Bowl Inn."
Dover said she wants to build youth bowling leagues from surrounding school districts. "We hope with all the changes coming about it will encourage more of your youth from our community to come in and participate in either youth league bowling or open bowling," she said.
League bowling is held at the Bowl Inn Monday through Thursday and open bowling is Friday, Saturday and Sunday. Dover said the Bowl Inn is still accepting bowlers ages 5 to 17 for youth league bowling, which is from 2 to 4 p.m. Sundays. At the end of the 20-week youth league season, the youth league bowlers will receive their own custom-fit ball from the Bowl Inn.
Greg Olson can be reached at 217-245-6121, ext. 1224, or on Twitter @JCNews_Greg.


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text:
Date: April 29, 2004
Start: 8:20pm
End: 9:15pm
Where: Krieg Field #10
Opponents: Crown & Anchor
We were the visiting team.
Outcome: LOSS
Final score: 22-20
Note: Thanks to Pete for subbing. Azzy got an in-the-park homerun in this game.
Batting lineup:
1: Newton, LF/DH*
2: Julienne, 3B
3: Cory, 2B
4: Azzy, 1B/DH**
5: Eric, P/RCF***
6: Michell, 1B/DH**
7: Pete, RCF/P***
8: Lindsay, LCF
9: Neil, SS
10: Carrie, RF
11: Mitch, LF/DH*
12: Susan, C
* - Newton and Mitch traded off between LF and DH every inning.
** - Azzy and Michell traded off between 1B and DH every inning.
*** - Eric pitched for most of the game, but was struggling with his control. Late in the game, he moved to RCF and Pete pitched for the rest of the game.
P - Pitcher
1B - First Base
2B - Second Base
3B - Third Base
SS - Shortstop
C - Catcher
LF - Left Field
LCF - Left Center Field
RCF - Right Center Field
RF - Right Field
DH - Designated Hitter
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So many memories. It did my heart good to attend the news conference yesterday. I saw some familiar faces and met a couple of great people for the first time and started a trip down memory lane. I like those trips.
The Moose Jaw & District Sports Hall of Fame officially put tickets on sale for their 4th Annual Induction Celebration.
Roger Anholt was there. He'll be inducted in the builder category as will the late Hub Gutheridge.
Figure skater Susan Humphreys, the late George Hunchuk, Jim Baba and Doug Smail round out the list of six, new inductees this year.
I'll be sharing stories about all of the inductees in the days to come. I hope you stay tuned and enjoy. I'll do it right here on the commentary. I'll also share at the induction dinner. I have the honour of being the Master of Ceremonies.
You can buy tickets to the event today at Mosaic Place - Moose Jaw, home of the Moose Jaw & District Sports Hall of Fame.


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Land Rover RUC TANGI (early)
Not currently for sale - Like to see it return? Comment below | �Permalink to LRA012
Customers who purchased this item also purchased these quality products from Accurate Armour
RUC Humber 'Pig' Mk-2
Developed from the FV1600 1 ton 4x4 Truck designed by the Humber Motor Car Company in the late 1940's, the FV1611 was produced as a general purpose troop carrier. The requirement came about due to the high running and purchase costs of the Alvis Saracen. Over 1700 were constructed, and served in all British Army theatres of operation in the 1960's and 1970's. Many were modified for internal security duties, and served in N.Ireland. The Mk-2 was developed
STOP CHECKPOINT Signs (UK)
A set of two 1/35th scale Stop Checkpoint signs in etched brass with waterslide decals. This set is suitable for use in the UK and Northern Ireland
Crowd control barrier set
A set of four 1/35th scale crowd control barriers in resin and etched brass. These interlocking galvanised steel barriers are typical in the UK, Northern Ireland (and elsewhere) for crowd control. Each barrier panel is 2"(52mm) wide x 1.5"(30mm) tall
Road concrete barrier set
A set of 6 1/35th scale resin cast concrete road barrier blocks. This set is suitable for use in the UK and Northern Ireland or anywhere as an improvised vehicle barriers for light non military vehicles
HOTSPUR Armoured Land Rover
The HOTSPUR Armoured Land Rover was developed by the Royal Ulster Constabulary (RUC) in Northern Ireland and is based on the 109" chassis, Series III Land Rover. Its development was the direct result of the increasing use of high-velocity weapons against Police in the province. Protection provided by the VPK (Vehicle Protection Kit) Land Rovers that preceded Hotspur was sufficient to defend against bomb blasts, nail bombs and reduced the energy of high-velocity munitions but could not prevent
Land Rover 'One Ten' Chassis set
This 1/35th scale resin chassis set designed by Rob Tearle contains all the parts required to complete the Accurate Armour Land Rover TANGI conversion (LRA012) and Land Rover SNATCH conversions (LRA013 & LRA014) as full vehicle kits, and without the need to buy a Hobby Boss plastic donor kit. Metal springs and full instructions are included. This set can also be used to complete a Hobby Boss kit that has already been used as a donor kit for
This 1:35th scale conversion set (For the Hobby Boss Land Rover kit) by Rob Tearle covers the early part of the TANGI service life up to approximately 1999 whereupon the fleet was upgraded further, re-liveried and fitted with the same chassis and engine as the contemporary Military 110 'Wolf'. (These later TANGI vehicles will be the subject of a future product) The set contains full internal and external detail, engine, rear axle and extensive etched brass mesh and full complement of coloured clear castings for searchlights, beacons and tinted 'armoured glass'. RUC registrations and alternative markings and a pre-printed glazing sheet are also included.
IMPORTANT NOTE:- A Hobby Boss kit Land Rover 110 kit is required to complete this model, OR our "One Ten" Chassis replacement set (LRA007) which can be used to make up a full kit (or to replace the Hobby Boss chassis on thier One Ten Land Rovers if you have previously used them for our LRA012, LRA013 or LRA014 conversions)
By the mid 1980's the RUC's Hotspur fleet was reaching the end of its service life and the replacement, 'Simba,' was proving too time consuming to produce. As a result there was an urgent requirement for stop-gap replacement for Hotspur. The solution was a number of rolling chassis that old Hotspur armoured bodies were bolted to. These chassis were of the more modern coil sprung 'One Ten' type fitted with the same Rover 3.5ltr V8 petrol engine as the late model Hotspurs, and were branded TANGI.
As time passed the threats encountered steadily grew and more armour was added such as the 'Dawson' Roof that created a double skinned canopy. This protected the vehicle from drogue bombs and was named after the road where such a weapon was first used. Another device used against the RUC was the coffee jar bomb, essentially a glass jar filled with explosive that would detonate on impact as the glass shattered. To protect the vehicle from this, a foam panel faced with a plastic sheet and encapsulated in vinyl fabric was fitted to the rear body sides with the aim of absorbing the impact so that the jar didn't smash. Despite being intended to be a stop-gap vehicle, the Tangi outlived the 'Simba' and the 'Tenba' that was intended to replace it and is still found in service today.
14 Reviews
- Stuart says:
Hi there, this looks fantastic just wondering if they will ever be available with the new PSNI colours? Many thanks
Posted On: Thursday, November 23rd, 2017 @ 9:51 am
- Robert Tearle says:
Thanks Stuart. Yes we hope to eventually do the current PSNI scheme as little else has changed on the vehicle. We re-visit the NI theme from time to time so watch out on the NEW section.
Posted On: Thursday, November 23rd, 2017 @ 10:49 am
- Stuart says:
Thanks Robert thats great
Posted On: Friday, November 24th, 2017 @ 1:41 pm
- Jim says:
I too am interested in buying a Tangi model if still available, and at an affordable price. Please advise. Thank you.
Posted On: Sunday, April 22nd, 2018 @ 3:32 pm
- Rob Tearle says:
It is available now
Posted On: Sunday, April 22nd, 2018 @ 3:39 pm
- tony gomersall says:
hi as i grew up in N.I and seen the frequently what else do i need to complete this icon ?
Posted On: Wednesday, June 13th, 2018 @ 6:31 pm
- Chris Pratt says:
Can you buy these models fully assembled And painted
Posted On: Sunday, September 16th, 2018 @ 6:56 pm
- GJ says:
Hello,I understand I need another kit to make this model? Do you sell that and what does it cost? And do you have als a newer version of this LandRover in Police-livery?
Posted On: Tuesday, September 25th, 2018 @ 11:01 am
- Derek Hansen says:
Yes GJ, you need a Hobby Boss kit OR our set LRA007
Posted On: Tuesday, September 25th, 2018 @ 11:49 am
- Richie says:
I want to buy one!
Posted On: Saturday, December 8th, 2018 @ 5:22 pm
- Michael McIvor says:
Please bring this brilliant kit back, I want to build more of them! I would like to correct your instructions slightly - the seats in the Tangi were never an oatmeal colour, they were always black vinyl. The interior of the Tangi was initially black, but in the timeframe your kit depicts it was then coated with a cork-coloured liner to prevent condensation ( secondary benefit was to help prevent spalling when struck by high-velocity rounds) This liner had a small square pattern approx. 1cm in size. This was initially left in natural cork colour for a year or two, but then it was also painted matt black. Can provide photos to illustrate this liner if you need them!
Posted On: Saturday, December 29th, 2018 @ 1:48 pm
- David says:
I would love to get this one, you just sent the other RUC Landrover to me, would like to have both
Posted On: Thursday, January 17th, 2019 @ 5:58 pm
- Tom Monaghan says:
Available to buy ??
Posted On: Tuesday, January 29th, 2019 @ 6:53 pm
- Ed says:
Since you're the only company that does anything like this that I know of, please let me know when this becomes available again. I really want to get this model Tangi.
Posted On: Friday, February 15th, 2019 @ 11:21 pm


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do the personalization for the Tablet UIs.
Please note the &sapbyd-agent=TAB parameter at the end of the URL.
Any change you make using this URLs will be reflected in Responsive UI always.
"Open Layout in HTML5" from Responsive UI will launch the Responsive UI floor
plan in HTML5.
So this will have only the work centers/work center views and functionalities that are available in Responsive UI.
Inorder to access the full version of HTML5 kindly use the option "Launch HTML5" from Responisve UI by clicking on the User name on the top right.
Hi Benjamin,
Thank you for your prompt reply. Unfortunately the link does not work. I looks as if the last part of the url is not correct or complete.
There fore it shows the screens without the new page lay outs.
Hello Marie,
Hope you are doing great.
In order to edit the layout of RUI, instead of using a URL, you can just follow the steps provided by me in the below SCN Tread, there I have attached some screenshots for better comprehension :)
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Volume 91, Issue 64
Thursday, January 22, 1998
By Sabrina CarinciGazette Staff
Smokers across the country are being asked to butt out for National Non-Smoking Week by the Council For a Tobacco-Free Ontario.
The national campaign has been taking place since the 1970s with this year's theme being "Smoke-free works for all of us," said Alwyn Robertson, executive director of the National Non-Smoking Week.
"We wanted to work with the accomplishments that had been made recently such as the non-smoking areas that have been implemented in many work places," Robertson said. He added awareness weeks like this one are important because 45,000 people die of tobacco-related diseases each year.
The Canadian Cancer Society has been backing National Non-Smoking Week for over 10 years, said Kirsten Ring, communications manager of the society.
"We support the event with various activities at the community level," Ring said. Events are taking place in local areas such as shopping malls, schools and community centres.
Some of these events, including the mall displays, health fairs and local television programs may continue until May 31 World No Tobacco Day, Robertson said. "We just keep researching and trying to find the best ways to change people's behaviours."
The non-smoking week may not necessarily cause people to quit smoking but it may cause people to smoke less, said Lorraine Fry, general manager of the Non-Smokers' Rights Association. "It's been proven beyond a doubt that second-hand smoke causes cancer it is also the third-ranking cause of lung cancer."
The NSRA was established 25 years ago as an organization to protect non-smokers and children from second-hand smoke, Fry said.
"We wanted to eliminate [second-hand smoke] in public places and have been fairly successful in doing so. There is no smoking allowed in hospitals, food courts, schools or any work place in Toronto. Restrictions have also been placed in bars and restaurants."
With regards to the ban of smoking in Toronto bars and restaurants, Fry said old provincial by-laws were the cause of its failure. "The public was ready for non-smoking in restaurants but not in bars and the by-law says that you can't separate bars and restaurants."
Meanwhile, Western's own Pit Stop in the UCC sold 210 packages of cigarettes on Tuesday. They sell as many as 80 different brands and sizes of cigarettes, said Paul Tomlinson, manager of retail and service operations for the University Students' Council. "Du Maurier large, extra light is the most popular."
To Contact The News Department: firstname.lastname@example.com
Copyright © The Gazette 1998


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American Composers Orchestra Announces 2017-2018 Emerging Composers
American Composers Orchestra continues its commitment to the creation and development of new orchestral music with the announcement of sixteen emerging composers who will participate in its catalytic programs. Six emerging composers will participate in the 27th Annual Underwood New Music Readings on June 21-22, 2018 at a location to be announced. Ten emerging composers receive 2018 EarShot New Music Readings presented by Fort Wayne Philharmonic (February 7, 2018), Charlotte Symphony Orchestra (March 1, 2018), and Jacksonville Symphony (April 20, 2018). EarShot is a partnership between American Composers Orchestra, League of American Orchestras, American Composers Forum, and New Music USA.
Underwood New Music Readings:
ACO's 27th Annual Underwood New Music Readings give audiences a chance to look behind the scenes of bringing new, diverse orchestral music to life. The first day of Readings, an open rehearsal, is Thursday, June 21, 2018 at 10:30am; the second day of Readings is Friday, June 22, at 7:30pm, during which the new works will be polished and performed in their entirety. ACO Artistic Director Derek Bermel directs the Readings; ACO Music Director George Manahan conducts.
This year, six of the nation's most promising composers in the early stages of their professional careers are selected from over 250 submissions. Carlos Bandera, Lily Chen, Scott Lee, Ryan Lindveit, Tomas Peire Serrate, and Liliya Ugay represent a broad spectrum of musical backgrounds and sound worlds. One composer will receive a $15,000 commission for a new piece to be performed by ACO during an upcoming season. Additionally, one composer will receive the Audience Choice Award with an associated commission.
Each composer participating in the Underwood New Music Readings receives rehearsals, a reading, and a digital recording of his or her work. Feedback sessions with ACO principal players, mentor composers, and ACO's artistic and music directors provide crucial artistic, technical, and conceptual assistance. This year's mentor composers are Derek Bermel, ACO Artistic Director, Tania Leon, John Corigliano, and Robert Beaser.
In addition, the Readings offer a Career Development Workshop for composers, students, or anyone interested in exploring the business and realities of being a professional composer on Thursday, June 22 from 10am-3pm. These invaluable talks, led by leaders in the industry, present topics ranging from copyright and commission agreements to music preparation, from promotion to fundraising. Speakers and specific schedule will be announced by June 1. The cost for the Workshop is $10; reservations can be made at http://bit.ly/ACOUnderwood2018.
For over a generation, ACO's Underwood New Music Readings have provided all-important career development and public exposure to the country's most promising emerging composers, with over 150 composers participating. Readings alumni have won every major composition award, including the Pulitzer, Grammy, Grawemeyer, American Academy of Arts & Letters, and Rome Prizes. Orchestras around the globe have commissioned ACO Readings alumni.
The New Music Readings have launched many of today's top composers, such as ACO's own Artistic Director Derek Bermel, Lisa Bielawa, Anthony Cheung, Anna Clyne, Cindy Cox, Sebastian Currier, Jennifer Higdon, Pierre Jalbert, Aaron Jay Kernis, Hannah Lash, Carter Pann, P.Q. Phan, Tobias Picker, Narong Prangcharoen, Paola Prestini, Daniel Bernard Roumain, Huang Ruo, Eric Samuelson, Carlos Sanchez-Guiterrez, Kate Soper, Gregory Spears, Joan Tower, Ken Ueno, Dan Visconti, Wang Jie, Dalit Warshaw, Randall Woolf, Nina Young, and Roger Zare.
EarShot New Music Readings:
In 2018, ten emerging composers recieve EarShot (the National Orchestral Composition Discovery Network) New Music Readings with Fort Wayne Philharmonic, Charlotte Symphony, and Jacksonville Symphony. The New Music Readings are the culmination of a series of private readings, feedback sessions, and work with mentor composers.
On Friday, April 20, 2018 at 8pm, EarShot and the Jacksonville Symphony present new works by four emerging composers in Robert E. Jacoby Symphony Hall (300 Water St.) led by Jacksonville Symphony Music Director Courtney Lewis. This performance is the culmination of a series of private readings, feedback sessions, and work with mentor composers Courtney Bryan, Marcos Balter, and Steven Mackey. The selected composers, chosen from an international candidate pool, are Nicholas Bentz (E.W. Korngold Goes to Kikkatsu), Will Healy (Kolmanskop), Ursula Kwong-Brown (Night & Day), and Meng Wang (Blooming in the Long Dark Winter's Night).
The selected composers and compositions for Fort Wayne Philharmonic (February 7, 2018) are Nathan Kelly - Redwood, Sohwa Lee - Palindrome, and Robert Rankin -Nijinsky Dances with mentor composers Melinda Wagner, Chen Yi, and Alex Mincek. For Charlotte Symphony Orchestra (March 1, 2018) the selected composers and compositions are Niloufar Iravani - Fantasy, Jihyun Kim - At Dawn, and Felipe Nieto - Artesania Sonora with mentor composers Trevor Weston, Wang Jie, and Robert Beaser. Of the experience in Fort Wayne, Robert Rankin remarks, "The opportunity to work with a professional orchestra is rare for young composers ... and this program did a fantastic job allowing me to experience the environment of a 'real world' orchestra" while Nathan Kelly echoes, "I can't imagine it being a more wonderful experience!"
EarShot enables connections between orchestras and emerging composers. Drawing from a national network of advisors and advocates, EarShot works with orchestras around the country to identify and support promising composers in the early stages of their careers. Orchestras have relied on EarShot to advise them on commissions, competitions, and program design in addition to identifying composers consistent with the orchestra's artistic vision. EarShot residencies include established composer mentorship, orchestra readings, and musician and conductor feedback sessions, and are customized to the orchestra's aesthetic and/or demographic interests and community and education activities.
About the Selected Composers and Their Music
Carlos Bandera (Lux in Tebebris): Underwood New Music Readings
Carlos Bandera (b. 1993) is fascinated by musical architecture and by the music of the past. His recent music explores these fascinations, often by placing a musical quotation, be it a phrase, scale, or sonority, within dense microtonal textures.
Carlos' music has been performed in the Faroe Islands, Scotland, Uzbekistan, China, and several spaces in the US, including Stern Auditorium, Carnegie Hall. He has attended the Fresh Inc Music Festival where he studied composition with Dan Visconti and the Wintergreen Summer Music Academy where he studied with Daron Hagen and Gylda Lyons and had his Florestan premiered by members of the Wintergreen Festival Orchestra.
Carlos earned his Bachelor of Music degree in Music Theory and Composition from the John J. Cali School of Music at Montclair State University, where he studied with Elizabeth Brown, Dean Drummond, and Marcos Balter. Carlos recently received his Master of Music degree in Composition from The Peabody Institute of the Johns Hopkins University, where he participated in masterclasses with Christopher Rouse and Georg Friedrich Haas and studied privately with Kevin Puts.
Carlos notes about his piece, "Upon first hearing the music of Anton Bruckner, I felt deeply connected to the composer and his work. His Eighth Symphony in particular, with its immense harmonic landscapes, devastating silences, and profound 'darkness-to-light' narrative, continues to be one of my greatest influences - no doubt, in more ways than I am even aware of. Lux in Tenebris explores these elements of the Eighth Symphony by allowing Brucknerian light to pierce through a dense micropolyphonic fabric." For more information, visit www.carlosbandera.com.
Lily Chen (A Leaf Falls After): Underwood New Music Readings
Taiwanese-born Lily Chen (b. 1985) is a composer exploring timbral materials with subtle theatrical potentials in both acoustic and electronic music. Lily has received first Prize of Asian Composers League Young Composers Award, first and second Prizes of Nicola de Lorenzo Prize in Music Composition, among others. Her music has been performed at June in Buffalo, Mise-en Festival, International Computer Music Conference, SEAMUS, New York City Electroacoustic Music Festival, and Asian Composers League Conference and Festival. Lily has collaborated with St. Louis Symphony Orchestra, Eco Ensemble, Ensemble Signal, Mivos Quartet, Ensemble Mise-en, and National Taiwan Symphony Orchestra.
In December 2017, she received her Ph.D. in music composition from the University of California at Berkeley, where she studied with Ken Ueno, Franck Bedrossian, Edmund Campion, and Cindy Cox. She also holds M.M. (2009) and B.F.A. (2007) from Taipei National University of the Arts in Taiwan, under the instruction of Chung-Kun Hung. For more information, visit www.chenlily.com.
Of her piece, Chen notes, "A Leaf Falls After is inspired by my recent memories of living in Europe. In the fall of 2015, I received the Ladd Prize funded by UC Berkeley and had the great opportunity to live in Paris for ten months. This was my first time in Paris as well as in Europe; I experienced intimate incidents of fragile beauty that touched me, but also shocking and terrifying ones during my residence there. Based on such images, I created a constantly flowing process of different kinds of vibrations along with air sounds to represent falling leaves, fallen leaves, and flaps of rising butterflies' wings. Besides this, metallic sounds/noises either with pure resonances or with intense pressure make up another important element, which is associated with my memories of the ringing bells and the metal 'fallen leaves.'"
Scott Lee (Anadyr): Underwood New Music Readings
Composer Scott Lee (b. 1988) writes concert music infused with the visceral sounds of popular music. Lee has worked with the Baltimore Symphony Orchestra, the North Carolina Symphony, the Portland Symphony Orchestra, Winston-Salem Symphony members, Symphony In C, and the Peabody Symphony Orchestra, chamber groups such as the Jack Quartet, yMusic, the Da Capo Chamber Players, Deviant Septet, chatterbird, and ShoutHouse, as well as multi-platinum pop artist Ben Folds. He has received commissions from the Aspen Music Festival, the Baltimore Classical Guitar Society, loadbang, the Raleigh Civic Symphony, and the American Craft Council.
Notable honors include a Charles Ives Scholarship from the American Academy of Arts and Letters, two ASCAP Morton Gould Young Composer Awards, winner of the Symphony In C Young Composers Composition, the grand prize in the PARMA Student Composer Competition, and the Gustav Klemm Award in Composition from the Peabody Institute. Lee has also received fellowships to attend the Tanglewood and Aspen Music Festivals.
As a James B. Duke Fellow, Lee recently earned a PhD in Composition at Duke University, mentored by Scott Lindroth and Steve Jaffe. He earned the Master of Music degree at the Peabody institute, where he was the recipient of the Philip D. Glass Endowed Scholarship in Composition and studied with Michael Hersch. He received his Bachelor of Music degree from the Blair School of Music at Vanderbilt University, where he studied with Michael Rose, Michael Slayton, Stan Link, and Michael Kurek. For more information, visit www.scottlee.net.
Of his piece, Lee says, "Anadyr refers both to a remote port town in Northeastern Russia and to the secret 1962 operation ('Operation Anadyr') in which Soviets deployed missiles and supporting forces to Cuba, prompting the Cuban missile crisis. The mission involved a complex campaign of deception, and was shrouded in secrecy. This work aims to evoke the deception and subterfuge that characterized this period in international dealings with Russia."
Ryan Lindviet (Like an Altar with 9,000 Robot Attendants): Underwood New Music Readings
Ryan Lindveit's (b. 1994) works have been performed across the United States and abroad by Alarm Will Sound, "The President's Own" United States Marine Band, Orkest de Ereprijs, the USC Thornton Symphony, the Donald Sinta Quartet, FearNoMusic, and the City of Tomorrow, among others. His music has received recognition from BMI, ASCAP, SCI, the American Modern Ensemble, the National Band Association, Tribeca New Music, and the Texas Music Educators Association. Ryan grew up in Texas and is a graduate of the University of Southern California, where he was selected as Salutatorian for the class of 2016 and named the Thornton School of Music's Outstanding Graduate. He is currently a master's student at the Yale School of Music. His past teachers include Aaron Jay Kernis, Christopher Theofanidis, Andrew Norman, Ted Hearne, Frank Ticheli, and Donald Crockett. Recent and upcoming projects include Mysterious Butterflies ?for chamber ensemble and eight voices, a wind ensemble version of Like an Altar with 9,000 Robot Attendants commissioned by a consortium of 30 university wind ensembles organized by conductor H. Robert Reynolds, a commission for the Big 12 Band Directors Association, and pieces for chamber ensemble and orchestra to be premiered at the Aspen Music Festival in the summer of 2018. For more information, visit www.ryanlindviet.com.
Lindviet notes, "Like an Altar with 9,000 Robot Attendants was inspired by Ray Bradbury's short story 'There Will Come Soft Rains' (1950). The futuristic story describes a computer-controlled house, in which robots perform a myriad of tasks such as cooking breakfast, cleaning house, and telling time. Bradbury's futurist prose remains characteristically exuberant in describing these household robots-a tension which calls to mind the satirical ebullience of Stanley Kubrick's Cold War satire Dr. Strangelove. My piece lives in the same brazenly ecstatic spirit as Bradbury's story and Kubrick's film. Sometimes the only response to misfortune is a wild, full-teeth smile."
Tomas Peire Serrate (Rauxa): Underwood New Music Readings
Barcelona-born Tomas Peire Serrate (b. 1979) studied piano at the Sant Cugat del Vallès conservatory and composition at the Escola Superior de Música de Catalunya (Barcelona) with Salvador Brotons andthe Sibelius Academy (Helsinki) with Tapio Tuomela and Risto Väisänen. In 2013 he graduated from New York University with a Master´s in Scoring for Film and Multimedia. That year he moved to Los Angeles to explore the film music industry and participate as a composer in different projects including writing the music for the films The Anushree Experiements and Prism, and orchestrating and arranging music for If I Stay, Minions or Love and Friendship.
In the fall of 2015, Tomàs initiated his PhD studies at UCLA, where studies with Bruce Broughton, Richard Danielpour, Ian Krouse, Mark Carlson, Peter Golub and David S. Lefkowitz. His research at UCLA is about music, space and media, with particular interest in new technologies and virtual reality. His concert works have been performed in Europe, US and Asia, and is currently working on a short opera-monologue that will be premiered at the Off-Liceu series in Barcelona in June 2018. For more information, visit www.tomaspeire.com.
Of his piece, Serrate notes, "Rauxa is a sudden determination, like the impulse I had to write this piece, or an outburst, which actually is how this work begins. It is a Catalan word that has been used in pair with another one, Seny, meaning balance and sensibleness, to describe or refer to the Catalan people and their character. This duality, like in other cultures and traditions, is essential, indivisible, and necessary to understand each part separately, which is what I tried to explore here. I worked on sketches and sections of Rauxa in different moments and places, always away from my home country, Catalonia, and I kept coming back to it looking to improve it as well as to learn more about myself and about music."
Liliya Ugay (Rhapsody in Color): Underwood New Music Readings
Music by the award-winning composer and pianist Liliya Ugay (b. 1990) has been performed in many countries around the globe. Recipient of a 2016 Charles Ives Scholarship from the American Academy of Arts and Letters, and a 2017 Horatio Parker Memorial prize from the Yale School of Music, Ugay has collaborated with the Nashville Symphony, Albany Symphony, New England Philharmonic, Yale Philharmonia, Raleigh Civic Symphony, Aspen Contemporary Ensemble, Molinari Quartet, Antico Moderno, Omnibus ensemble, and Paul Neubauer among others. Her music has been featured at the Aspen, American Composers, New York Electroacoustic Music, June in Buffalo, and Darmstadt New Music festivals, as well as the 52nd Venice Biennale. During 2017-2018 season Ugay has worked on a new opera as a Resident Composer at the American Lyric Theater.
Originally from Uzbekistan, Liliya is currently a Doctor of Musical Arts candidate at the Yale School of Music studying with Aaron Kernis and David Lang. Besides new music, Liliya is passionate about the music of the repressed composers from the Soviet era. She regularly presents a series of the lecture-recitals on this topic with guidance of Boris Berman. For more information, visit www.liliyaugay.com.
Of her piece, Ugay notes, "I chose the title Rhapsody in Color to evoke two musical associations: Liszt's Hungarian Rhapsodies and Gershwin's Rhapsody in Blue. The idea of Rhapsody in Color is similar to the process of reproduction of old sepia photographs or films into color with individual, unrealistic to the time of the original, touch. Rather a simple, and, in a sense, traditional, motive and harmonic progression are taken through the contemporary lens by coloring it out with the sporadic and often unpredictable formal and orchestral realization. Similarly, in the second half of the piece, the idea of the ostinato dance is approached from modern perspective, transforming it into what sounds more like an electronic dance loop track with constantly adding/changing shades and timbral colors."
Nathan Kelly (Redwood): EarShot, Fort Wayne Philharmonic
Nathan Kelly (b. 1980) is a composer whose music reflects an eclectic mix of musical cultures and influences. From playing gospel piano in East Texas churches, to Broadway in pit orchestras in New York City, to sprinting leaps around the world playing in bands on cruise ships, to working in Hollywood with music producers and film composers, Nathan's music draws from a variety of inspirations. His work seeks to situate between notions of pulses, ambiguity, virtuosity and quiet beauty. He has orchestrated for artists such as Dionne Warwick, Rod Stewart, Jackie Evancho, Andrea Bocelli, Jennifer Lopez; Broadway shows (Gypsy, Curtains, The Tony Awards); TV's Macy's 4th of July Fireworks on NBC, Audra McDonald on PBS and more; and was recently a Visiting Artist at The American Academy in Rome. For more information, visit www.nathankelly.com.
Kelly notes, "Redwood opens with a 'pedal point' on Ab that expands in its intensity and stretches its melodic limbs ever-upward, frequently using intervals of the 7th and 9th in its mighty twists and turns, as it infuses brief contrasting moments of alternating powerful and delicate textures that display a somber and majestic dissonant beauty. The expansive orchestral tuttis mark prominent, relentlessly unfurling musical material writhing and aching with intensity and passion that fearlessly clash -- above, below and in-between -- balancing registral development with motivic seeds of growing contrapuntal figuration and ornamentation that evolve into dense, complex textures and overlapping, competing voices. The churning and undulating fluidity of multiple stratifications of voices explore the enormous and awesome colorful orchestral range and dark tessitura of the orchestra, like a fitting musical portrait of our towering national treasures, the great Redwoods."
Sohwa Lee (Palindrome): EarShot, Fort Wayne Philharmonic
Korean-born composer and theorist Sohwa Lee (b.1987) received Bachelor's and Master's degrees in composition at Sungshin Women's University in Seoul. She currently studies music composition and theory at Mannes School of Music in New York City. She strongly embraces a sense of humor in her approach to music. Under the proposition that humans are social animals, she thinks interacting each other is the key aspect of music. She actively writes music to develop her career as a composer and lives with communicating in the joy of music every day. To hear recordings of Lee's music, visit www.soundcloud.com/sohwalee1987.
Palindrome was premiered by the Mannes School of Music Orchestra on March 10th, 2017. The title is inspired by Joseph Haydn's Symphony No. 47 in G major, nicknamed "The Palindrome." Palindrome, by definition of the word, has a backward point in the middle of the music. The first section maintains a tranquil mood and follows with a rhythmic passage. This piece is inspired by Gamelan music and Asian themes and was arranged for Fort Wayne Philharmonic Orchestra from the original composition.
Robert Rankin (Nijinsky Dances): EarShot, Fort Wayne Philharmonic
Robert Rankin (b. 1994) is an Indiana-based composer of concert and theatre music. His works are characterized by colorful orchestration, a neoclassical nod to the past, and a deep love of narrative storytelling through music. Robert's music has been commissioned and performed by the Burning Coal Theater Company, the Lux Quartet, Split The Lark, and several middle school and high school wind ensembles across the country. He has attended the Atlantic Music Festival (2014) and the Brevard Music Center (2016 and 2017) where he worked as both a composer and teaching assistant. In addition, he has received several awards and honors including from New York's Tribeca New Music in which he was named an "Emerging Composer" in 2015 for his Clarinet Quartet. For more information, visit www.robertrankinmusic.com.
Of Nijinsky Dances, Rankin says, "Valslav Nijinsky has often been described as the greatest male dancer of the 20th century. In addition, Nijinsky was arguably the greatest choreographer of the 20th century, choreographing such landmark ballets such as Debussy's L'après-midi d'un faune, Strauss' Till Eulenspiegel, and Stravinsky's Le Sacre du Printemps. Myself, alongside countless other concert goers, rank these early 20th century ballets as some of our top pieces. In Nijinsky Dances, I create a quasi 'pocket concerto for orchestra' that highlights each section of the orchestra doing what they do best while making subtle reference to the masterful orchestration of those famous ballet scores."
Niloufar Iravani (Fantasy): EarShot, Charlotte Symphony Orchestra
Niloufar Iravani (b. 1990) is a composer of acoustic and electroacoustic music. She received her Bachelor of Music in Piano Performance and Master of Music in Composition from University of Tehran, Iran. Iravani achieved several national honors including the second rank in the field of Musical Arts at the National Master Degree Examination before starting the PhD in Music Composition at Louisiana State University, under the supervision of Prof. Dinos Contantinides. She is now the graduate teaching assistant and the coordinator of the Composers Forum at LSU. Her music has been performed in Iran, Greece, and the USA by great ensembles and soloists including Athanasios Zervas, Maria Asteriadou, Kostas Tiliakos, Angela Draghicescu, and Amalia Sagona. The Summer 2017 concert series at Baton Rouge libraries, conducted by Prof. Constantinides, featured her work, Shadows in Chase, for string quartet. Recent highlights include the performance of DIR for solo violin at LMTA 65th Annual Convention at the University of New Orleans and the performance of Seven for fixed media for seven channels at the University of Tennessee Contemporary Music Festival. For more information, visit www.niloufariravani.com.
Fantasy, for Symphonic Orchestra, was part of Iravani's final thesis for her Master of Music degree in Composition. In this work, she tried to demonstrate her innovate and personal approach to the concept of fantasy as a musical genre. The work presents meaningful imitation and development of thematic ideas as well as the dynamic use of rhythm, register, and texture. The second and fourth intervals, as the main intervallic materials, are smoothly combined with larger intervals to provide a distinct impression of unity and diversity throughout the work. The work has the formal structure of ABCDA.
Jihyun Kim (At Dawn): EarShot, Charlotte Symphony Orchestra
Jihyun Kim (b. 1988) was born in Seoul, South Korea in 1988. Studying composition with Shinuh Lee, she graduated early from Seoul National University with a Bachelor of Music as valedictorian and then earned a Master's degree in Composition. Later, she graduated with a Master of Music from Indiana University where she studied with Don Freund, Aaron Travers and PQ Phan. She is currently pursuing a Doctor of Musical Arts at Rice University, studying with Karim Al-Zand and Shih-Hui Chen. Her music has been performed at the Korean Music Expo, the Daegu International Contemporary Music Festival, the Pann Music Festival, and the 2016 ISCM World Music Days, the 2017 John Donald Robb Composers' Symposium, the 2017 ISCM New Music Miami Festival, the 2016 LaTEX Festival, the International Symposium of New Music at Curitiba, the RED NOTE New Music Festival Composition Workshop, and the Midwest Composers Symposium. Additionally, she won the Libby Larsen Prize in the International Alliance for Women in Music 2015 Search for New Music Competition, the Merit Award in the 1st Lin Yao Ji International Competition for Composition in Hong-Kong, and second place in the Contemporary Music Society Competition for Composition in Korea. For more information, visit www.coolsound88.wixsite.com/jihyunkim.
Kim notes, "At Dawn for orchestra portrays a silent village where church bells ring in the distance. For me, the two phenomena - light from the sun slowly brightening the village and the sound from the church bells slowly filling the air - look and sound similar, because these phenomena gradually change the environment. In this piece, the gradual shift from low light to brightness and meaningless noise to meaningful sound. In order to depict such imaginary sceneries, I use the fundamental and the overtones from bell sounds."
Felipe Nieto (Artesania Sonora): EarShot, Charlotte Symphony Orchestra
Originally from Bogota (Colombia), Felipe Nieto's (b. 1988) music is rooted in a combination of lyricism and rhythmic complexity and intends to touch upon themes that range from political commentary to simple sound exploration. At the same time, he believes strongly in versatility and feels that his musical language is open to the exigencies of every piece he composes. Felipe has received first prize at the annual PUBLIQuartet Composition Competition, first prize at the Exit 128 Ensemble Composition Competition, Honorable Mentions at the Buffalo Chamber Players call for scores and the Boston Guitar Festival Composition Competition, and is a two-time recipient of the Smadbeck prize for Music Composition at Ithaca College.
Recent engagements include his assignment as Assistant Artistic Director of Las Americas en Concierto (New York) and collaborations with Brower Trio (Spain), Vox n Plux (New York), and the Bogota Chamber Orchestra (Colombia). Felipe holds a Bachelor of Music in Composition from Oklahoma City University where he studied with Edward Knight and a Master of Music in Composition from Ithaca College where he studied with Jorge Grossmann and Dana Wilson. For more information, visit www.facebook.com/FelipeNScomposer.
Of Artesania Sonora, Nieto says, "It is a work conceived in the manner of an artisanal piece. The opening passages represent raw material from which all other elements of the piece emanate, through a process of constant transformation and growth. As in much artisanal work, form and content are earned and not exposed from the outset. I borrowed this idea from the aesthetic values I encountered in the artisanal work on gold in the indigenous cultures of South America, particularly that of the Colombian territory where I come from."
Nicholas Bentz (E.W. Korngold Goes to Kikkatsu): EarShot, Jacksonville Symphony
Nicholas Bentz (b. 1994) is forging a path of the composer-performer that hasn't been explored in generations. His music often takes its inspiration from pieces of literature and poetry, film, and visual art. He has received commissions from the Johns Hopkins University Applied Physics Laboratory, the Robinson Jeffers Association, the College of Charleston Contemporary Music Ensemble, SONAR New Music Ensemble, Troika, Symphony Number One, and the Charleston Symphony Orchestra, and has had his music played by the Peabody Modern Orchestra and the Peabody String Sinfonia. Nicholas was a winner of SONAR New Music Ensemble's RADARLab Competition


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Multi-award winning York development set to launch this weekend
David Wilson Homes has announced that its celebrated Derwenthorpe development is reaching the final stages of build, with the launch of its final quarter. The iconic development has been praised for its unique approach to green living, with the final quarter launching, 66 new homes will be available to purchase at the development, which launches to the public this coming weekend, 7th January.
Accessible through the Meadlands area, The Rowntree Quarter will offer a range of 66 spacious family homes. Unique to this quarter is a selection of much anticipated semi detached two to three bedroom dormer bungalows, with all homes across the site featuring innovative eco materials and an energy efficient structure.
In a beautiful location close to York city centre, The Rowntree Quarter blends green living with effortless city access, via a direct bus route and cycle paths. The new homes include a thoughtfully designed, spacious and bright open living space perfect for a range of buyers, with a car club scheme, offering residents the opportunity to have access to a shared car.
Leonna Hardcastle, Sales Manager at David Wilson Homes, commented: "This final phase of Derwenthorpe has been much anticipated by hopeful home owners across the city, so we're delighted to be in a position to launch these new homes. We have worked hard to deliver a pioneering development that not only meets the needs of a range of buyers, but also provides York with a sustainable legacy that can be used as a blue print for future housing projects.
"The entire scheme has been a resounding success, proving highly popular from start to finish. The community has totally embraced the concept and it's fantastic to see how the development is growing and blossoming to become an iconic and lasting legacy for this historic city."
To find out more about The Rowntree Quarter and to register your interest go to www.dwh.co.uk


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Let's take image A: 2560*1920 pixel image in perfect focus. Sharp as a razor. That's 5 Mpix.
Let's take image B: image A resized to 5120*3840. It's now a 20 Mpix file, but there's no new data in the image, so - using common sense - it's still just a 5 Mpix file, just "bloated".
Theoretically, one should be able gradually to reduce image B's dimensions until reasonable sharpness is detected (bringing it as close to image A as possible, although without actually comparing them at this point), and thus derive the image's "true" megapixel count: the size below which imagery is starting to lose its details.
This value could easily be used to determine the usefulness of a photo - if I shoot it slightly out of focus, I can still print it in a smaller size, and no-one will notice. Or, it could help with assessing lens or sensor quality - if a 24 Mpix camera is unable to capture an image with more than "true" 8 Mpix, then something isn't right.
So, cutting to the chase: is there a software program that does just that? Or am I doomed to writing my own?


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Do you live in North Clare? Do you grow fruit and vegetables in your garden? Do you keep hens or ducks? Do you keep bees?
Are there some weeks when you have more produce than you can cook or eat?!!
If you grow food for the enjoyment of it, or to put the highest quality produce on your table, the Doolin Saturday Market and Craft Fair would like to talk with you! We have vendors who will be happy to sell your surplus for you. This is a classic win-win situation! You get a fair price for your produce and no longer have to think of increasingly desperate ways to use up your spare vegetables! And our customers get a wider variety of fresh, locally grown foods, with great flavour and low food miles!
For more information, contact Toby at email@example.com
Wednesday, July 9, 2008
Calling All Gardeners!!!
Posted by Doolin Market at 3:51 PM
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What Can Landscaping Rock Do For Your Design?
You can use natural rocks and stones in your landscaping to add depth and texture to the design. Landscaping rock is a very effective material that is used to create stunning and elegant landscape features. The use of natural stones as well as manufactured bricks offers a versatile array of colors and shapes to really customize your landscape with. Your design will determine the size and shape of your rocks or you can create a design around a specific type of beautiful stone.
The trick to using landscaping rocks successfully is to fully integrate them into your yard and landscape design. You need to strategically place them in places that will enhance the yard, not in places that will make it look like you are trying to cover something up or take attention away from another part of the yard. If you were to just put your landscaping rock here and there you will be doing nothing for the yard and your yard will end up looking strange and unbalanced. You should plan exactly where each landscaping rock should be placed for maximum results.
When the landscaping stones are buried, it has a more natural effect. This will make them look planted and they will blend in and look as if they are where they really should be, as opposed to anything that looks forced or artificial.
The depth that you bury your landscaping rock will depend on the type of rock you have chosen to accentuate your design with. If you choose a very large landscaping rock then it should be deeper than a smaller landscaping rock. However, four to six inches is often a good point of reference for most rocks.
Rocks, boulders and stones can be used in many landscaping elements to add elegance and tranquility to your décor. A stacked stone waterfall is both stunning and relaxing. A stone garden adds an element of peace to your outdoor living area. Landscaping rocks can be used to enhance any other feature of your landscape as well. A well placed boulder here, stacked stones there and you have effectively put the perfect finishing touches on your landscape.
If you are interested in integrating landscaping rocks into your design, consult with a landscape design expert. A free consultation with a qualified landscaping rock contractor can reveal the many options you have with stone features.


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The zipless fuck is absolutely pure. It is free of ulterior motives. There is no power game. The man is not "taking" and the woman is not "giving". No one is attempting to cuckold a husband or humiliate a wife. No one is trying to prove anything or get anything out of anyone. The zipless fuck is the purest thing there is. And it is rarer than the unicorn. And I have never had one.
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submitted by FussyNitpicker, July 2, 2015
Fear of Flying, Erica Jong (1973)
This quote was added November 29, 2007.