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I have a new addiction….PLANNERS. Crafting and organizing all wrapped into one exciting and addictive new way of living. And all thanks to my friend San who not only introduced me to planning but who has also linked me up to planner groups and giveaway opportunities. Needless to say I went a little crazy.
Through my unpacking, I discovered a planner given to my by my BeautiControl director which I hadn't really started using yet AND an unused gift card. What a perfect blank canvas! So after reviewing how others planner people were applying their personal touches, I did what I do best and started shopping.
The coolest packaging award goes to The Reset Girl!
Then I took a trip over to inkWELL Press which is all the rave and though they were temporarily sold out of planners, I picked up this cool menu planner and day marker.
I've always been interested in menu planning at home. I've done menu planning for work so I have a little experience with planning ahead, but I felt that I could maybe use this to manage what I'm putting in my mouth, save more money, AND cook from home now that I have a kitchen worth cooking out of. I intended to start last week but then had company and I want to take my time getting use to this new way of planning.
I also picked up a few other random bits to help give my planner some pizzaz.
FACT: Up until two weeks ago, I seriously thought this stuff was call WASABI tape. Thank you San for bringing me up to speed! LOL
So I bought some pretty WASHI tape to add to my planner pages!
So here is my first attempt at being a planner geek.
My mission board for October.
Last week.
This week.
Not bad for my first attempt. I've been slowly creating my weeks and tackling obstacles as they come, such as CHANGED PLANS! Since I plan in pen and add corresponding flair, it kind of annoys me when something changes. But thus is the adventure of crafty planning!!


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This is the amplicon context sequence in accordance with the minimum information for the publication of real-time quantitative PCR experiements (MIQE) guidelines. For more details, please refer to the following publication, "Primer Sequence Disclosure: A Clarification of the MIQE Guidelines."
Real-time PCR probe assay designed for gene expression analysis. Probe assays consist of unlabeled PCR primers and a dual labeled fluorescent probe.
PrimePCR™ PreAmp for Probe Assay: TMEM70, Human
PrimePCR™ Template for Probe Assay: TMEM70, Human
Assay Information
Gene Information
This gene likely encodes a mitochondrial membrane protein. The encoded protein may play a role in biogenesis of mitochondrial ATP synthase. Mutations in this gene have been associated with neonatal mitochondrial encephalocardiomyopathy due to ATP synthase deficiency. Alternatively spliced transcript variants have been described. [provided by RefSeq Feb 2010]
Products used to generate validation data:
Summary Data:
Amplification Plot
Amplification of cDNA generated from universal RNA.
Melt Peak
Melt curve analysis of above amplification.
Standard Curve
Standard curve generated using 20 million copies of template diluted 10 fold to 20 copies.


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Up and coming star to open for Toby Keith in Beaumont
Photo: Michael Loccisano, Getty Images
Dubbed by Rolling Stone as an artist you need to know, Ashley McBryde will open for country star Toby Keith at Ford Pavilion on June 30.
McBryde, an Arkansas native, has "the swagger of Hank Jr. and the songwriting of Miranda Lambert," Rolling Stone said. She has opened for Chris Stapleton, Willie Nelson and Hank Williams Jr.
McBryde will perform along with Texas native Granger Smith.
Tickets for Toby Keith's "Should've Been A Cowboy Tour" are on sale now.


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Pre-2020 arrangement on long-term finance
The work programme on long-term climate finance, launched by the Conference of the Parties (COP) at its seventeenth session and extended at its eighteenth session, concluded its work at COP 19 in Warsaw.
COP 19, by decision 3/CP.19, and subsequently with further specifications in decision 5/CP.20, decided to continue deliberations on long-term finance with three core elements for the period 2014 to 2020: biennial submissions by developed country Parties on their updated approaches and strategies for scaling up climate finance; annual in-session workshops; and biennial high-level ministerial dialogues on climate finance.
Post-2020 arrangement on long-term finance
The CMA, by decision 12/CMA.1, decided to undertake the arrangements related to the biennial submissions, in-session workshops and biennial high-level ministerial dialogues on climate finance post-2020. Further information can be viewed here.
3rd Biennial Ministerial High-Level Dialogue on Climate Finance
"Translating climate finance needs into action"
Katowice, 10 December 2018
Event page
Preliminary Draft Programme
2018 In-session Workshop on Long-term Climate Finance
Bonn, Germany, 7 - 8 May 2018
Summary report by the secretariat
More information on the workshop
Previous long-term climate finance events
|LTF events in 2017
|LTF events in 2016
|LTF events in 2015
|LTF events in 2014
|LTF events in 2013
|LTF events in 2012


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Celebrating 100 episodes, we welcome several live call ins from our listeners and ponder the great moments of the past 99 clean-comedy episodes.
Random Noodle Updates
- Jeremy throws his iPhone around, and yet Siri still loves him, but won't marry him.
- Jenny was reminded of an old romance she witnessed between a tractor and picnic table.
100th-episode celebration!
Thank you so much to Brian, Winnie, RoseIsDancin4Christ, Docxen, Harasnai, SlashRacer, Justin, and others who made this 100th episode special by being a part of it!
Listen to episode 1 from October 10, 2007 and realize how far we've come (or fallen?).
Jeremy's birthday!
Please send birthday greetings, songs, or stories by February 15 for our 99th episode, which will contain some birthday festivities for Jeremy.
Tell us something funny!Whether you have a funny life story, you saw something funny, or you have a joke, please share your funny stuff with us:
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- Home
- Electronics & Accessories
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- TVs
- Sony KD-75X9000E 74.5" 4K Ultra HD Smart LED TV
Sony Kd-75X9000E 74.5" 4K Ultra Hd Smart Led TvAED9,999.00 Jump to: Details - Specifications - Reviews
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Sony Kd-75X9000E 74.5" 4K Ultra Hd Smart Led Tv
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(a) Deliveries are made between Saturday and Thursday and will be undertaken by a third party appointed by Virgin for and on behalf of Virgin. Virgin makes every effort to dispatch Products on time. If the ordered Products are not delivered within the time period Virgin specified in the confirmation email, please contact Virgin's Customer Services quoting the order reference contained in your order confirmation email.
(b) Delivery occurs when the ordered Products are delivered to the delivery address you specified when placing your order. At this point, responsibility for loss, breakage and damage passes to you. Ownership of Products purchased passes to you when payment is received by Virgin in full. You will be asked to sign for acceptance of the Products which will note that the Products are correct and have been received in good condition.
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Product details
Sony KD-75X9000E. Display diagonal: 189.2 cm (74.5"), Display resolution: 3840 x 2160 pixels, HD type: 4K Ultra HD, Display technology: Direct-LED, Screen shape: Flat, LED backlighting type: Direct-LED. Smart TV. Motion interpolation technology: Motionflow 800 Hz. Digital signal format system: DVB-T,DVB-T2. Wi-Fi, Ethernet LAN. Weight: 33.2 kg. Colour of product: Black, Silver
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|Black, Silver
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IEEE 802.11a
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Artist Fion Gunn curator of Intimate Transgressions writes about the artist as curator.
Front row from left: Fion Gunn, Denise Keele-Bedford
Back row from left: Mary Mackey, Niamh Cunningham, Chen Meitsen, Raine Hozier Byrne, Huang Du, Ma Yanling, Gao Yuan, Gail Ritchie, Rikki van den berg
'Intimate Revolution: Discourse in Disappointment' exhibition - Siemens Art Space, 798, Beijing (March 2015) photo: Annie Hastie
In early 2014 I was invited by Harry Liu editor in chief of ArtZip magazine to be feature editor for the Spring/summer 2015 edition. ArtZip is for sale at a number of high profile venues: Tate Modern, Whitechapel & in many galleries in 798. It is the only international bilingual Chinese/English contemporary art magazine.
I was keen to address the issue of the artist as curator and a number of related areas such as the gender rebalancing of public collections, cross-cultural collaboration and audience engagement. The curation of Intimate Transgressions has been informed and shaped by my work as an artist.
Below is an excerpt from the rationale I wrote for the edition.
"The following is a subjective and to some degree anecdotal view of artist curatorial practice, I don't expect that everyone will agree with me and I will probably feel guilty for being critical of those individuals I've named and 'slated' if ever I run into them in the future. I have interviewed a number of my fellow artist curators who are quoted in this article and carried out a questionnaire amongst art practitioners and the general public, so this is in a sense, a micro sample of what is happening on a global scale.
The situation is not binary, it's not about either/or, surely the art world will be a better environment from having a diversity of curatorial and authorial voices? There are many talented and valuable non-artist curators out there, both institutional and independent, whose skills benefit artists enormously and there are a number of concerns which many of us share i.e.
· how to make art available for the widest audience possible without compromising on quality and innovativeness
· how to facilitate diverse practices and diverse viewpoints
· how to gender rebalance public (and private) collections of contemporary art
· how to achieve positive interaction of international and local art & artists
These issues will be explored later on by a range of artist curators, as well as Marko Daniel, curator of public programmes at Tate Modern and Huang Du an independent curator who works in Europe and China. The interviewees do not necessarily agree on every point but I was surprised and cheered by the level of consensus on the key concerns.
Most artist curators are not academics, although I am sure that we can sound as arcane and obscure as the next art world person. I am writing this editorial simply as a practitioner who works with other artists and artist-curators in the UK, Ireland and China. Like all those interviewed, I came to curation through my work as an artist and see the two aspects of my practice as interrelated and mutually enhancing. I am committed to cross-cultural collaborations and making the experience of art available to everyone, however I'm not a joiner, I don't have affiliations with artist led organisations or institutions even when I work with individuals who have. I have, of course, repeat collaborations with associations, organisations or individuals but these are on a project by project basis.
Artist curators are usually independent. We don't have institutional obligations, commercial interests or ties, instead we have intellectual freedom, a wide ranging skill set and ongoing financial precariousness – one can't have everything.
So why is the artist as curator an issue at all? What do we bring to the experience of exhibitions that is any different from the academic, the writer, the museum custodian who dominates the current scene?
The vast majority of artist curators, are not rich, not famous and certainly not like the so called 'Super-curators' listed in the eponymous section. The term is both dubious and worrying, growing out of a celebrity culture that often has a damaging, alienating effect on public perception of what art means to society.
In the section on Emerging Curatorial Models it was very interesting to observe how the issues of inclusiveness and diversity are increasingly important for non-artist curators both independent and institutional. However, I suspect that the awareness on their part may have been inspired by the new accountability required when public funding is involved whereas with most artist curators these are deeply held personal values. Institutions also run the risk of media scrutiny in an age where exposure spreads like wildfire on social media sites and Culture Ministries can ask awkward questions.
Accountability is also key in an area which needs urgent attention – the extreme gender imbalance in contemporary public art collections. It is heartening that many public institutions like Tate Modern are taking this matter seriously. So they should, in 2013, 83% of the artists in their collection were male! Artist curators are very aware of this issue, many of us are women and we are serious about redressing the balance. We are also doing this more efficiently than our institutional partners because we are operating at a more 'grass roots' level.
In a Chinese context it is worth mentioning the inevitable impact of having a largely male intake in the fine arts departments of universities. This has a knock on effect of making any post graduate networking male dominated. From my own observation I don't think that this is due to any particular sexism or an overt desire to exclude women, that is a much more 'gallery'' phenomenon. Simply, most artists who are men, know other artists who are men and therefore tend to move in those circles.
Some years back when I became really concerned about having a 90% male participation list proposed by my Chinese collaborators, I spoke very candidly with my co-curator Zheng Xuewu (who is also an artist) and asked him to find me some women artists to include. He promised to do his best, and he did! Next time I went to China I had 7 women artists to include in the shows which brought the percentage level up to about 40%. Of course once you have one woman artist involved they are happy to suggest their peers, who are mainly women....... institutions need to do much more proactive outreach!
So perhaps for artist curators the tide is turning, in many publicly funded museums and galleries a more respectful, facilitative curatorial approach is becoming common. At the time of writing this article the Hayward Gallery had invited 7 artists to curate History Is Now: 7 Artists Take On Britain an exhibition which explored 70 years of cultural and social history from their uniquely personal perspectives. I went to the exhibition and interviewed a number of the artists; these interviews are included later in the feature.
Participating artist Anita Glesta was interviewed recently by Yale Radio during which she spoke about her involvement with the project. Follow this link to hear the whole interview:
Art & Violent Protest
I have just read a very eloquent article written by Anish Kapoor about his sculpture 'Dirty Corner' in the gardens of Versailles which was recently vandalised.
I quote "Political violence however is not the same as artistic violence. This political vandalism uses an "art material" (paint) to make actual violence. It could have been a bomb or a hood thrown over someone's head to kidnap them. Artistic violence is generative, political violence destructive. Artistic violence may scream at the tradition of previous generations. It may violently overturn what was before but in so doing it follows a long tradition of re-generation. It always, however, advances the language of art. Political violence, seeks erasure. Its aim is the removal of the offending idea, person, practice or thing. Simplistic political views are offended by the untidiness of the art object. In this context Art must be seen as obscene and destroyed."
Anish Kapoor - 19 June 2015
The distinction Kapoor makes between the aim of political violence i.e. erasure and the aim of artistic violence which is to advance the language of art is a very telling one. Our Intimate Transgressions exhibition is not seeking to offend anyone for the sake of giving offence, although there probably will be some people who are offended by it, the intention is very different. In keeping with Kapoor's interpretation the exhibition - the artworks in it will be generative and questioning, we hope to advance the language of art, the discourse around sexual violence and 'othering'.
Comment by Fion Gunn 25 June 2015
Beautiful e-book of Chen Qingqing's work featured in her recent solo show in Beijing.
Ma Yan Ling
"My name is Ma Yan Ling , I'm an artist who comes from Beijing. I have been doing art performance for many years. When I was doing my live art performance named " Gun" in Tian An Men square. I was holding a gun while walking in the crowds and ignoring people's eye contact. When I stood in front of the Tian An Men building, and held gun right next to my head. I felt my heart rushed out from my body, my blood was burning. I was extremely excited. You can see freedom and happiness in my smile. As a female artist, the happiest thing for me is that both body and soul are free. "
Participating artist Chen Meitsen describes her approach to making an artwork for Intimate Transgressions.
Chen Meitsen working on her FORMOSA ORCHID series
Formosa Orchid is inspired by the trauma of Taiwanese women caused during and after the Second World War. These women endured in silence all their lives both in body and mind, the deep impact of barbarity.
With this inspiration came the desire to create Formosa Orchid - a pristine flower shape which is carefully stitched and seamed with white lambskin as symbol of sacrifice; it exposes an elegant fragility which references the female genital. The folds of 'skin' are splashed and stained with red and violet in an inventive composition of abstract forms, which resemble a map of furrowed scars. Hanging on a meat hook like a carcass at the butcher's, ready for consumption, Orchid reveals the suffering caused by internalised conflict and nightmarish memories on this most intimate territory.
Orchid is not a random creation or a simple reference to historical fact, it follows on from my previous body of work - Suture. That series was an exploration of trauma and included artistic research about the nature of disclosure and of the organic imprint of Memory. Responding to the psychological environment from an artistic perspective I feel deep concern about sexual violence which is so damaging and so commonplace.
Formosa Orchid is my protest against the world which is descending into a state of chaos.
Participating artist Atsuko Nakamura speaks of her response to the issues touched on in 'Intimate Transgressions'
Why society cannot eradicate sensual violence, although it has been 70 years from "comfort women" during WWII?
Nowadays the victims of sexual violence in Japan are often young children rather than adult women.
The fundamental motivation of this crime i.e. someone's distorted and arbitrary desire to hurt someone physically and mentally is not changed, but why it is repeated?
The border of conscious and unconscious is the theme of my recent practice, the aim is to highlight and raise awareness of things which no one may have noticed before. As a Japanese person, I would like to explore the issue of sexual violence towards young children, to focus on what lies behind this crime and its impact as well as the 'mind control' by media and economic disparity which exacerbates its occurance.
Atsuko Nakamura June 2015
Participating Artist Niamh Cunningham describes the making of her artwork for Intimate Transgressions.
I first met Niamh in Beijing in 2011 where she cut a striking figure with her golden hair. The following March 2012 she had completed a wonderful knitted 'Pillar of Time' which stood over 3m high and made a wonderful centrepiece for the exhibition I was curated in Siemens Art Space, 798.
For this exhibition Niamh has literally been pulling her hair out to produce an artwork of wonderful intricacy - a padlock made with hair. The short film she has made is a really eloquent narrative of her approach to making the work and the inspiration behind it.
In 2005 in the course of an artist's residency in Beijing I first encountered Chen Qingqing's work and knew immediately that this was an artist with whom I wanted to work. The multilayered nature of her practice, its delicate, refined aesthetic combined with a sense of acuity, a fearlessness in confronting uncomfortable truths about gender, history, the nature of violence & suffering, resonates powerfully with the concept of 'Intimate Transgressions'
Qingqing's artwork for the New York Exhibition is an exquisite pillow woven from plant fibres and packed in an old suitcase, a metaphor for the lives of women in war all over the world; a memory of home, love, normality when destruction lies all around and then penetrates within.
The image below, from Qingqing's solo show is that of a cradle, shimmering and tactile yet replete with disturbing organic growths.
For more images follow this link: http://www.ccartd.com/zt/cqqdhmyx/index.html
Review by Clare Pennington in Timeout Beijing
Comment by Fion Gunn
Participating artist Michael Lisle-Taylor's response to 'Intimate Transgressions'
This film documents the creative response of artist Michael Lisle-Taylor to the theme of 'Intimate Transgressions'.
I first saw Michael's work and heard him speak about his practice a number of years ago, during the course of a seminar hosted by the Group for War and Culture Studies at University of Westminster (London). I was deeply impressed not only by the works themselves, but by his approach to and analysis of very complex ethical issues. When I set about selecting artists for this exhibition he was one of the artists at the top of my list. His perspective on the military (he served 12 years in the Navy before going to art college) gives his work an authority and a veracity which is vital if we are to engage seriously with the issue of how sexual violence has become military strategy. Michael gives an insightful male perspective in 'Intimate Transgressions' and provides a subtle complementarity and counterpoint to the female artists' voices.
Comment by Fion Gunn


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Whether you are doing yoga or not, a good pair of leggings can be as functional as they are flattering. Leggings are a great to embrace your legs for the wonderful, beautiful shape that they are. Rock them.
What could be unsafe about a pant so comfortable and versatile, you ask? Panty lines. More specifically, it's how we are dealing with the panty lines problem.
Since yoga pants and leggings are generally–well–quite tight, many women worry about the dreaded "panty line". Sure, there are probably more important things in the world to worry about, but a bout of panty-line woes can dominate the best of us.
To avoid this supposedly embarrassing underwear outline, many women prefer to wear thongs with their leggings. But that is a big mistake. In fact, thongs are probably the least hygienic thing to wear beneath your yoga pants.
"When the [thong] underwear hits your perineum (the patch of skin between the vagina and the anus), the thong can potentially transmit fecal bacteria from the rectum to the vaginal area causing vaginal or urinary tract infections," explais OB/GYN Shannon Clark.


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The German city of Frankfurt is all set for a vibrant season attracting GCC holidaymakers during the summer and upcoming Eid holidays, offering a variety of touristic attractions including the newly opened historical site in its city centre.
Frankfurt proudly announced the completion of its major architectural development close to the famous Römer square after years of reconstruction, reclaiming an important part of its urban history, which had been destroyed by air raid during World War II.
Spread out over 7,000-sq-m, the "new old town" features some 15 historical townhouses that have been rebuilt in its typical style, while 20 new buildings have been erected in the DomRömer Quarter. The new district promises to be a lively meeting place, with an interesting mix of shops, restaurants, museums and residential flats.
In former times, Frankfurt was known for its beautiful medieval timber-framed old town, and widely regarded as one of Germany's largest and most celebrated city centres. With its reconstruction finally completed, preparations are underway for its official inauguration in a major festive ceremony to be held next September, promising a booming season for tourism.
Frankfurt is famous as a centre for business and finance, its skyscrapers housing more than 300 of the largest international banks and financial corporations, insurance and business services corporations.
That said, Frankfurt also ranks as the second most frequented German destination by GCC tourists after Munich and counted 211,720 overnight stays from Gulf nationals in 2017. The city's 700,000 inhabitants navigate the city with great ease, thanks to well-planned and executed infrastructure, which is considered one of the best in Germany.
A flavour for every taste
Frankfurt's cosmopolitan atmosphere offers a wide range of touristic attractions rarely to be found together in any other German city. The city centre bustles with premium hotels, renowned restaurants and great shopping facilities such as the Goethestrasse, where most luxury brands can be found. Tourists find several points of attractions along the river Main, suitable for individual holiday-makers and families. In addition to a vast range of cafes and trendy pop up beach clubs to enjoy lounging at, cruise trips along the river depart from nearby "Eiserner Steg Bridge" and offer a different experience of the city in a charming and romantic setting.
Luxury seekers
Travellers seeking a luxurious and exceptional experience can enjoy custom-tailored VIP services from the moment they land at Frankfurt airport. The VIP services offered by Frankfurt Airport range from receiving personalised reception services, to the use of exclusive limousines and the choice to unwind in one of six sumptuous VIP lounges, and many other customisable details that can be booked in advance.
A promising season
With its many attractions, Frankfurt joins the diverse mix of German destinations that are set to welcome GCC travellers in the upcoming summer season. Recent statistics have shown that the Gulf region ranks as the third largest non-European source market, after China and the US and is one of the top 20 source markets for German tourism. - TradeArabia News Service
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The plane rides were utterly routine, and the one from Philadelphia to Syracuse was empty enough that Andy and I both got window seats. After touching down we went to the mall where my sister works and said hi. She even had a few minutes to talk with us. I also showed Andy the pretty shiny paperweight rock I liked so much, as well as a live version of the rose paperweight whose auction I linked to in an earlier journal entry. We introduced Mom to Cold Stone, then said goodbye to Pamela and headed to Rome.
While at Carousel we found a perfect gift for Pamela, at JC Penney. It's a Pooh shirt which has the usual suspects plus Kanga and Roo. Those two are Pamela's favorites, and they rarely show up on Pooh merchandise. The only catch -- all they had was size small, and Pamela is taller than I am. I also saw a really neat black skirt, but we decided to check the Rome branch to see if they had the shirt in a larger size. THey didn't have the shirt or the skirt. I'm thinking that if we can't find it in large I could buy the small, cut out the embroidered part, and put it on a large shirt or something. We may check out another branch first, though. And we can always go to Carousel for the skirt on the way out of town if we wash out in Utica.
I'm somewhat worried about leaving the cats alone. We left enough food and water, and blankets for them to curl up on, but it was bloody cold in the apartment yesterday and the first part of today. Andy has pointed out that kitties in the wild deal with much colder temperatures, and ours are at least sheltered. Also, Noia got outside on a sub-zero day, was out for some eight hours, and is more or less fine. Even if we remain without electricity for several days, the apartment probably won't get much lower than the mid-50s. Now if my intellectual side could just convince the worrier in me, all would be well.
Andy called our number today and actually got a ring. We didn't have a phone at all, just dead silence, for the past two days. People trying to call us got fast busies, so the fact that it rang means that at least some things have been restored. If there's no electricity when we get back we've considered tossing the kitties and some clothes in the car and heading to visit his parents in Indiana. I rather hope the electricity is back before we are, though, if for no other reason than for Thena and Gail's sakes.
It's been a long day, and Andy and I didn't sleep well last night. We're going to try to make up for lost time tonight, then both take very long hot showers tomorrow.


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Joyce Coffee, LEED AP, is president of Joyce Coffee Consulting a climate adaptation and sustainability consultancy. Joyce has global leadership experience in the corporate, government and non profit sectors, Most recently, she was managing director of the Notre Dame Global Adaptation Initiative, inspiring investments that save lives and improve livelihoods.
As vice president at Edelman, she provided strategic counsel to multi-national companies on corporate social responsibility and sustainability. She directed the City of Chicago's Climate Action Plan, driving climate mitigation and adaptation efforts, and managed water and air resources in the City of Chicago Department of Environment and has also worked for the global engineering firm MWH and the cutting edge urban sustainability firm Farr Associates. Joyce started her career in Asia with the World Bank and U.S. Agency for International Development's U.S.-Asia Environmental Partnership.
Joyce is a board member of the American Society of Adaptation Professionals and was a founding board member of the Alliance for Water Efficiency and a Great Lakes delegate to Brookings International Young Leaders Climate Change Summit. She is a Chicago Council on Global Affairs Emerging Leader and an Aspen Institute Socrates Fellow and has been appointed to Illinois FARM and NCAR's Engineering for Climate Extremes Partnership. She received a B.S. in biology, environmental studies and Asian studies from Tufts University and a Masters in city planning from the Massachusetts Institute of Technology. She is the author of the Climate Adaptation Exchange Blog.
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South Side's Whiskey Barrel Flats condos mix modern, rugged styles
Bill Stolze knows buyers of slick, urban condos might not be looking for the rugged brick, heavy beams and thick wooden floors of a whiskey company founded in 1873.
But he believes he is going to offer those buyers a distinct reason to move.
"It's more of a lifestyle than just a place to live," said the managing partner of Wilsto Enterprises in Moon.
Terence Oden, an architect at Desmone Associates Architects in Lawrenceville, said he knows there is a great deal of work to be done to the building, but he believes there's a great deal to be gained from the challenge.
"It's a tank of a building," he said, patting one of the walls, which he said are three- to four-bricks thick.
The two are talking about a three-story structure in the shadow of the Liberty Bridge in the South Side. The building was the headquarters of the Joseph S. Finch & Co. distillery but these days bears the name of the Standard-Machine Supply Co.
It will become Whiskey Barrel Flats, home to at least 10 condos.
Work is expected to begin by fall, Stolze said, and the first residents could be in nine to 12 months later.
He expects his $4.5 million project to develop condos ranging in price from $400,000 to $1.25 million. He purchased the building for $495,000.
Stolze and Oden say there could as many as 13 condos at the site.
"We are trying to be as custom in design as possible," Stolze said.
He said he is trying to make Whiskey Barrel Flats as individual as possible by adding elements sometimes missing from other condo developments. There will be indoor parking for at least one vehicle per unit connected to the back of the building, as well as parking spaces outside.
That garage will include an indoor bicycle rack because right outside is a trail that connects to the Great Allegheny Passage at SouthSide Works.
Another unusual item, Stolze said, will be a bar in the back of the first level. Open only to residents, the bar will have storage units for the condo dwellers favorite liquors. Stolze anticipates a bar-keeper being paid through a homeowners' association fees.
Adjacent to that space will be a glass-enclosed cigar and humidor area.
"Imagine coming home from a hard day's work and being able to relax a bit right in your own building," Stolze said.
The first floor will have only two units. Oden envisions three units on each of the next two floors, and two penthouse units.
But, he and Stolze said, all of that will be determined by the clients.
"I can see someone deciding he wants the whole rooftop area," Stolze said.
They expect the condos to range from 900 to 2,300 square feet of space.
"There will be some places where kitchens and bathrooms will be located because of pipes and vents and things, but we will be allowing a lot of wall-moving," Oden said.
The design of the units will be modern but will include bricks and beams in the building.
Oden has been researching fonts and accessory styles of the Finch distillery and the Schenley Distillery that took it over to find appropriate decorative looks.
Some aspects of the building will stay the same for that reason, he said. For example, the main entrance will move to Second Street, but a doorway on McKean Street will be cleaned and kept because of its solid, arched appearance.
The penthouses will be modern, glass-and-steel structures and will be topped by a pavilion for common use.
Stolze said he heard about the building in fall 2012. He said he recognized its potential and closed on the building on the last day of that year.
One of the biggest changes to the building will be the removal of some floors.
In its distillery days, the ceilings above the first floor were 7 feet high, leading to four levels of keg-storage area.
To make condo space with 14-foot-high ceilings, two of those floors will be removed.
It all seems part of the whiskey heritage that will shape the place. That legacy struck Stolze immediately.
"I was walking around just after I bought it and said, 'Let's call it Whiskey Barrel Flats,' " he said.
Bob Karlovits is a staff writer for Trib Total Media. He can be reached at 412-320-7852 or firstname.lastname@example.com.


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Live sketch completed in two hours yesterday. My sitter went for a somber look while posing and watching TV, only to realize in the end that she would have liked a smiling pose lot more. She vows to watch a funnier episode next time ^_^
All posts tagged Portrait
Life has been very busy lately but I stole sometime the other night for this work.
When you've given yourself just 30 minutes to sketch because it's almost bedtime and you cheat and stretch it to an hour . No outlines, no proportions. A very free hand sketch. What do you think how did this turn out?
Here is my latest sketch/portrait of Ranbir Kapoor. I really liked his work in 'Barfi'. Portrait making processes are fun to watch. So, here is the making of portrait. Click on Video for MUSIC. Click on HD mark on right hand side for better clarity. I hope you guys enjoy watching it.
A shorter version is available here
Here is yet another portrait study from a few days back.
"Humko aaj kal hai…. intezaar…. koyi aaye …."
What do you love about Madhuri Dixit – Nene? Type in comments below.
Some people have a signature feature, which if you don't get right, will toss your portrait right away. And for this reason, somehow I wasn't sure if this one came out alright because Madhuri has a very distinct smile. A friend saw it yesterday and said she loved it. My family said the same. So, I'm posting this work here.
What do you think?
#Art #FineArt #MadhuriDixit #Portrait
From the sketchbook today is a portrait done on 9″x12″ dry media paper. Have a great start to your week with dosa, coffee n what not
A mouth sketch study before I went off to bed yesterday night. Took about 30-40 minutes.
What I like the most about Shah Rukh Khan is his sense of humor; seems like such a jovial guy. Here is a portrait I drew of Shah Rukh Khan during last week. 7 plus hours of work spread over a couple of days, condensed in 1.5 minutes of Video.
Watch it and SHARE this video if you liked it. Click on HD mark on right hand side bottom to see HD quality video. Click on Video for MUSIC.
This is the first time I'm posting a making video of a portrait. I had made one for Batman but this one is quite different with all the skin tones to be done. I hope you enjoy watching the process.
For more of my artworks, find me on Facebook at https://www.facebook.com/penpencilandstories
I have not posted for a while now. Ah! the perks of being at your home and being busy with Ganesh Chaturthi Celebrations in your community. I had a really good time. And now that it's over, I'm back.
Here is a portrait study I completed a few days back. Your feedback is always, always, always awaited.


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Here's to it!
The Chinese Tarot
Perhaps I have always known everything important but will need a lifetime to discover what I know. Tarot and Oracles offer me guides and sign posts to help me along my way.
Monday, March 26, 2018
one, two, Three
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Ladera Taverna y Cocina
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Triple-digit Sonoran heat or no, most of the best bars in the Valley have banned blenders from their countertops, citing incessant noise and the sugar-laden, headache-inducing stigma of margarita, daiquiri and piña colada mixes.
But past is prologue in the mixology game. With the Mezcolada, Ladera Taverna y Cocina, the latest offering from The Vig owner Tucker Woodbury, expertly combines smoky El Silencio Mezcal with freshly squeezed lime and pineapple juices, coconut and – wait for it – taps it directly from a fancy new slushy machine that whirs silently in the corner of the bar.
To make this desert-inspired riff on the tropical classic at home, you'll have to dust off the noisy old Hamilton Beach in your cabinet. Combine 2 oz. of El Silencio Mezcal or Del Maguey Vida with 11/2 oz. Coco Lopez cream of coconut, 1 oz. freshly squeezed lime juice and 2 oz. fresh pineapple juice. Add a couple of dashes of Angostura bitters for a little spice. Blend with ice until the desired texture is reached, and serve with a lime wheel and a few extra dashes of bitters.
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Devon County
Devonshire Rgt.
Directory Listings
Parish Records
War Memorials
3.Naval Pensioner
In 1895, William negotiated another contract for his final five years with the Royal Navy which would terminate with a naval pension. He was re-rated as a Petty Officer 1st Class which was the highest naval rank to which he could aspire and he had risen up through the ranks with all the good conduct awards he could gain and his character never rated as other than "Very Good". For the next five years he went to and fro between the shore base at HMS Vivid (see above) and, in turn, HMS Sybylle, HMS Defiance (the Navy's torpedo school moored at Saltash) and HMS Alexandra.
Left: HMS Sybille
The only ship lost in the Boer War
Right: HMS Defiance
Royal Navy Torpedo School
HMS Aleaxandra
Courtesy of Steve Johnson
The chap at the front doesn't look too happy and no wonder - yet again the sea had come inshore and he was probably standing in some 3 feet of very cold water, wating for the boat to rescue him.
Look at the back of the house above the entrance to the cinema - this sloping roof covered a large hall which had a swimming pool and which could also be converted into a theatre. Beside the cinema entrance was an open garden where tea could be taken but not on this day!
This picture probably dates from the early 1920s when the Winter Garden had been converted to use as a cinema.
A little girl from Tavistock - Winnifred Ball - came next as a foster child - to be followed by yet another little girl two years later.
By the time of the 1911 census, the Winter Gardens swimming baths had closed, and William had a new job. He and Bessie had been appointed caretakers of the Liberal Club in 1908 and lived on the Club's premises at 4 Den Road, Teignmouth.
But in the year following the census, 1912, William and Bessie left this post and had to find another place to live as well as a new job. This description of their leaving presentation appeared in the Western Times on 31 May 1912:
Until the release of another census (that of 1921) we only have one small clue as to what the family did next. It doesn't sound as though William was retiring - in 1912 he was only 52, Bessie was 49, Leonard was still at school. and Winnifred Ball was just 3. So here's our clue. It comes from a local newspaper reporting casualties at the front, on 11 May 1918:
*Mr and Mrs Jefford, caretakers at the |Torquay YMCA Club, yesterday received the news that their only son Private Leonard Jefford who would have been 19 years old yesterday, had been killed in France a week ago. He had only been in France three or four weeks. Before joining up, he was in the employ of Mersrs Grant & Son, Wine and Spirit Merchant."
(Leonard fought in the Berkshire Regiment.)
This post card shows the main post office in Den Road (The single storey building in the centre). To its right is the building which housed the Teignmouth Liberal Club on its top floor. Look on the facade and you can just see the word "Liberal" - at the other end of the facade, it said"Club" This is where William and Bessie lived for some four years - in the attic rooms up in the roof (you can just see the dormer windows.
Just imagaine bringing three children up in this space. Coal had to be carried up as did every drop of water. Let's hope there was a space at the back where poor Bessie could hang out the washing. As well as all this for her own family, she would have been expected to maintain the rooms below her (with the larger windows) in an absolutely spotless state and she and William would both have been "on call" every evening and weekend which was when the members used the premises.


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Senegal defender Papy Djilobodji has signed a four-year deal with Chelsea, Nantes have announced.
The Premier League champions made their move for the 27-year-old after seeing their overtures for Everton's John Stones repeatedly rebuffed.
Chelsea have conceded nine goals in four games in accruing four points to sit eight adrift of leaders Manchester City.


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the complete debate with materialists see this
Sina's 2nd response to Truthspeaker
It is very
good that someone is doing some serious studies on this subject and does
not merely dismiss it as placebo effect. The recognition that
acupuncture works after so many years of bald face denial that it does
not, is heartwarming.
However, it must be noted that the acupoints fall neither on the nervous
system nor on the veins. In fact if the needles rupture a vein it causes
bleeding and if it touches a nerve it causes pain. While acupuncture if
correctly performed should not cause neither bleeding nor pain.
We should also remember that needles are not the only way one can
stimulate the acupoints. Shiatsu, moxibustion, electric charge and even
laser applied on these points can have the same effect.
So the theory that acupuncture blocks the flow of blood to certain parts
of the brain and thus stops the pain, although not conclusive could be
true. If true it does not eliminate the concept of qi.
According to Chinese medicine qi is what regulates the function of the
body including the blood circulation. So if with acupuncture the follow
of the blood to the brain is reduced that is caused by the manipulation
of qi. Since the acupoints do not fall on the veins this is a very
plausible theory.
Qi is very much the same as my idea of the Single Principle as presented
in Rational Spirituality. It is not only the vital energy that gives
life to the living but it is the essence of everything. See few
definitions of qi by ancient Chinese philosophers:
Zhuangzi writes: "Everything under heaven is a single qi."
Wang Chong writes: "The generation of the ten thousand things, all
are endowed by the original qi."
Luo Qinfeng writes "Throughout heaven and earth, from ancient times
to the present, everything is a single qi. The qi is originally one, but
now moving now still, now coming now going, now opening now closing, now
ascending now descending, circulating ceaselessly, accumulation of
subtlety becomes manifest, this is the four seasons of warm, cool, cold
and hot, this is the generation, growth, gathering and storing of the
ten thousand things."
In the Song Era, Neoconfucian philosophers elaborated a cosmology in
which all entities are composed of li (principle or pattern) and qi (the
driving force of li).
Qi was also conceived as the medium through which heaven, earth and the
ten thousand things interact. The idea of "resonance" or
"induction" (ying), inspired by magnetic phenomena and
resonance of musical instruments, was generally considered to occur
through the medium of qi.
The existence of qi is debated passionately. Naturally the western
materialistic ethos is not comfortable with the idea of something
ethereal and immaterial regulating the functions of the body.
F. Gates writes:
Scientists can measure a difference in electrical conductivity on the
surface of the skin at acupoints, but they cannot yet account for the
pathways of the meridians nor, with any certainty, for the effects of
acupuncture or moxibustion on areas distant to the points stimulated.
(For instance, moxa on the point UB-67, Zhiyin, located beside the fifth
toenail, is often used successfully to correct a malposition of the
fetus, breach presentation, prior to childbirth.) Whether or not Qi
exists as it was explained by the ancients—an uncertainty that leads
TCM researchers and philosophers to use the term "TCM theory,"
rather than "the Laws of TCM"—the venerable, somewhat
mystical-sounding-to-Western-ears explanations of the earliest Chinese
philosophers still serve to guide practitioners of this medicine in
directions that prove clinically useful. Until a better theory is
introduced or (more likely, I believe) the current theories are
scientifically validated, the ancient theories of Qi, its movements, and
its meridians will continue to guide us in (and the martial artists, and
meditators, and massage therapists) our practices.
You may translate and publish the articles in this site only if you
provide a link to the original page.


text:
Naked mileena mortal kombat
Deception hating her with a passion because of her appearance.
Mileena had a brief role in the Midway-produced Mortal Kombat II comic book that was written and illustrated by John Tobias, and took place prior to the second tournament.
Related videos Premium videos Recommended videos. Kate beckinsale nude sex. I just ultimately found her to be rather pointless and annoying and I know there was signifance with her MKD storyline by helping Onaga.
Not a big deal at all. She was the first Mortal Kombat female to appear topless. I loved the concepts. Naked mileena mortal kombat. Defenders of the Realm Conquest Rebirth Legacy episodes. The adolescent Mileena is clad in violet, does not appear to be Kitana's twin, and is seen wearing a mask only in some of the animated sections in which both of them are wearing outfits similar to those in Mortal Kombat II. Kard Game Epic Battles.
I don't think so. Something like this maybe: The storyline completely goes against this, yet the MK team decided to ruin her with a horrid alternate costume. I don't see why people in Edenia refuse to wear pants. Tiffany trump nude photos. Poor blond fucked by a machine. I didn't care for her oriental st yle alt. Mileena was the first evil female character to appear in the series. I hope Sonya always stays decent, but if she doesnt for 1 game, I guess it wouldnt be a big deal eaither, since she has always dressed properly.
She makes excuses for Kahn and later fights an inconclusive duel against Kitana, broken by Shao Kahn. Sexy, but not slutty and I think it should stay that way. Deceptionwhen she began a pattern of wearing more revealing outfits. Please stay dead, forever. Despite conflicting messages from the dualism of her design, leading to some negative criticism, Mileena has had mostly positive reception from fans and critics alike. Her moveset and general gameplay are absolutely phenomenal. Neither suffers disadvantages against anyone else.
After the ruler of the other dimensional realm Outworld, Shao Kahnconquered the realm of Edenia and merged it with his own, he decided he would keep the former king's daughter Kitana alive and raise her as his own. Nude old lady sex. She's a very unique, very appealing character, but she is queen of Edenia.
A busty white girl, a fat ass black girl, a nice long haired girl, a gothic kinda chick. With Mileena and Jade at her side, Kitana formed a fighting force dedicated to bringing justice to the realms.
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Sonya - I agree with what Crow and Queve are saying. Milf tied up and fucked hard. Several publications commented on her cannibalistic tendencies. Or do you press start to switch? Archived from the original on March 23, Mileena naked would be horrible You are seeing this message either because your Flash Player is outdated or because your browser does not support HTML5 player.
Shadow of a Doubt". In "Ravenous", as the name suggests, Mileena gains an expanded number of biting and pouncing attacks, highlighting her beastly and cannibalistic tendencies and turning her into a more aggressive fighter. It didn't suit her story or her face coz you couldn't see it or her skin tone.
Keep the hat and veil, since it's very indicative of her character. Naked mileena mortal kombat. Someone trying to escape damnation would not be wearing that. Her face will friggin' bite your face off, which is never a sign of a good date. Mileena is shown to be a Shang Tsung-created clone like in the games, but of an age similar to Kitana's, as they were together since their infancy, and her scarred but otherwise normal-looking mouth with lips, except as a baby [88] changes as her teeth grow when she is overcome by a cannibalistic rage.
Annihilationand was played by martial artist and stuntwoman Dana Hee. Pussy naked massage. Topic Archived Page 1 of 2 Last. Archived from the original on November 7, The costume used for the bluescreen filming session was Kitana's blue and it was later altered digitally while creating their digitized sprites. Archived from the original on December 24, Mileena has been renowned as a notable female villain in video gaming. Since her debut, Mileena's characteristic weapon is a pair of sharpened, dagger-like sai[NOTE 5] that at first she has been using in combat only as projectiles and during some of her finishing moves eventually, the sai were given more use in Mortal Kombat And once again, More equals less.
No reason for that thong in MK: Her alternate costume in MK: Her costumes have always stayed somewhat along the same track of assassin and tease since MK2. I strongly doubt that, if you can tell me where you got this information from then fine, but most consider Jade to be black. Films Mortal Kombat Annihilation. Despite conflicting messages from the dualism of her design, leading to some negative criticism, Mileena has had mostly positive reception from fans and critics alike.
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Lung Cancer
On April 28, 2017, the FDA accelerated the approval of brigatinib (Alunbrig; Takeda Oncology), a new-generation oral ALK inhibitor, for the treatment of patients with ALK-positive metastatic NSCLC who do not tolerate or have had an inadequate response to crizotinib.
The updated guidelines from the National Comprehensive Cancer Network on the management of metastatic non–small cell lung cancer reflect the addition of osimertinib as a first-line option in patients with an epidermal growth factor receptor (EGFR)-sensitizing mutation and as subsequent therapy in patients whose disease progresses following another tyrosine kinase inhibitor if they develop a T790M resistance mutation.
In this Special Edition, we direct our attention to lung cancer and the positive impact navigators have had in this disease state.
To be effective, navigators are required to stay up to date on the constantly changing landscape of lung cancer care.
Osimertinib improves progression-free survival by 54% compared with standard first-line therapy in patients with EGFR-mutated non–small cell lung cancer (NSCLC), according to late-breaking results from the FLAURA trial presented at the ESMO 2017 Congress in Madrid.
Durvalumab, a PD-L1 inhibitor, improved progression-free survival (PFS) by 11.2 months compared with placebo in patients with locally advanced, unresectable stage III non–small cell lung cancer (NSCLC) that did not progress after standard treatment with chemoradiotherapy, according to results presented at the ESMO 2017 Congress.
Findings of a randomized study suggest that follow-up CT scans may not be needed every 3 to 6 months during the first 2 years after surgery for patients with non–small cell lung cancer (NSCLC).
In the longest follow-up on single-agent nivolumab to date, 5-year overall survival (OS) was 16% in patients with advanced non–small cell lung cancer (NSCLC) in updated results from a phase 1b dose-ranging study (CA209-003).


text:
Guys, I can't believe Valentine's Day is just two days away! 😱 I already covered dinner and dessert but why not also start the day of love with a healthy yet sweet breakfast?
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Glam up your Valentine's Day with Champagne
Listen up, champagne lovers! This Valentine's Day you are up for a treat! 🥂
Continue reading "Glam up your Valentine's Day with Champagne"


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42º C (IV),
Seville, Spain, 2011
From the 42º series
Website – Espaliu.com
Manolo Espaliú was born in 1970 in Seville, Spain. His professional background is not related to photography, except for specific collaborations with media in Spanish newspapers and travel & outdoor magazines. He has been recently awarded Nuevo Talento FNAC de Fotografía 2012 (2012 FNAC New Photography Talent) for his work on the 42º series.