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Published: 2/13/2019 1:20 PM
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Annual Fund Balance Reports
The Fund Balance reports show what percentage of a district's general fund dollars remain at the end of the year. In committed, assigned and unassigned fund balance.
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Beginning with 2014-15 projects, the fourth digit of the project code will be a letter to identify the fiscal year with A representing 2014-15, B representing 2015-16, C representing 2016-17, and so on.
Due to the implementation of MUNIS v10.3 which includes "database normalization", additional time-consuming procedures would be necessary to continue to re-use project codes as has been done in the past. In an effort to reduce the burden on district staff, KDE is changing the numbering convention for project codes to an alpha character.
The latest revision of KDE's COA is effective July 1, 2018.
Chart of Accounts revisions effective 7-1-18
Chart of Accounts revisions effective 7-1-17
KDE Chart of Accounts Quick Reference Guide FY2018-2019
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COA:Mass Change of GL Account Codes & GL Comply Utility 6/3/09
Indirect Cost Rates
Please find the web link below to access your district's indirect cost calculations. The method used to calculate indirect costs is called the "predetermined" method, which requires a 10% reduction in the rate to allow for changes and fluctuations from year to year. The calculation is performed electronically using numbers reflected in your district's Annual Financial Report from two years prior and any adjustments made by your district via the SEEK web form Indirect Cost Adjustments (adjustments do not change the AFR data submission for other calculations).
The indirect cost rate calculations and procedures for applying rates to actual expenditures to recover indirect costs from federal programs are described in the Indirect Cost Guidelines document below.
The non-restricted indirect cost rate is for use with food service and the restricted indirect cost rate is for use with grants. Both, the non-restricted and restricted Indirect Cost Rates can be viewed by selecting the district and scrolling to the bottom of the report.
If you have questions pertaining to your indirect cost rates, please contact KDE.
Indirect Cost Calculation 3/10/14
SEEK Web form for Indirect Cost Adjustments 3/10/14
Indirect Cost Guidelines 6/1/17
Instructions for Indirect Cost Adjustments 3/10/14
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Indirect Costs 2018-2019
Indirect Costs 2017-2018
Indirect Costs 2016-2017
Historical Indirect Costs
Key Financial Indicators Template
Key Financial Indicators Template is provided to assist in conducting the financial analysis of the district. No one number can adequately measure the financial health of an entity but these factors as a whole can provide a basic financial picture. The annual amounts are significant as well as the trend for each indicator and at what rate the indicator is increasing or decreasing.
To use the template: Yellow highlighted cells indicate data where should be entered. Notes to the right provide guidance on obtaining that data. Take care to avoid overwriting or deleting the formulas built into the template.
Key Financial Indicators Template 2014
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Find Wedding Spas near RaundsWhen it comes to choosing the perfect spa, there are lots of great options to choose from in near Raunds. Whilst some spas offer fun hen weekend packages and a wide range of facilities, others offer a more exclusive service focusing on privacy and relaxation. Book a relaxing aromatherapy massage at a local spa and do everything you can to feel pampered and relaxed for your wedding day. Whether it be with your hens or fiancé, indulge in some pre wedding relaxation with a spa escape. Many offer last minute spa deals so keep an eye out for a spa getaway deal.
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Five Little Monkeys Jumping on the Bed
Peppa Pig is a children's cartoon demonstrate that consists of five-minute fun-filled episodes. Peppa the pig lives just like humans do. She's her own house, where her family lives too. Her friends often pay visits, but she fulfills them most frequently in school where she and her friends are taught by a certain Madama Gazelle.
The episodes center around the exciting lifetime of Peppa the pig along with her family and friends, the little problems she faces as well as the steps she takes to solve them. Peppa has became popular through the years for being probably the most watched children's cartoons on television. To go along with this success comes an array of Peppa Pig merchandise and Peppa Pig games that has sold like hotcakes around 2010.
One of the most popular within this franchise is the number of games that come both in game boards and internet based flash-based games. If your child has a lot of spare time in his or her hand, why don't you encourage her or him to play some games where she or he can learn about counting, the alphabet, and language. Peppa Pig games for example Splash and Spell teach children the way to spell. The game gives clues concerning the word being spelled while alluding to the cartoon show as well.
Children can color and improve on their art by way of a range of games you can find Painting Games and Georges Space adventure. These toysare available too for children who are more hands on with their playtime. There are a variety of available Playsets that are perfect for children, regardless of whether they are a boy or even a girl. The Classroom Set is an ideal example of this.
Enable your children relive a day in the classroom with Madame Gazelle as they play with toy figurines, classroom desks, a chalkboard, and a playable Madame Gazelle. Give your children their first taste of technology by giving her or him the Peppa Pig My First Laptop. My First Laptop allows your young ones to learn about numbers, counting, language, spelling, and much more using a very colorful interface that the child is sure to understand. My First Laptop is portable, durable, and shock proof, which makes it a perfect toy for the child and his or her friends. Peppa Pig is more than just an exciting cartoon in television. Its a location for learning, sharing online websites, and instilling values that your children are bound to carry until they develop. For more about these and other toys in this range begin to see the link below.
Last updated 1009 days ago by NurseryRhymes5z


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By Lucy Maud Montgomery
Anne Shirley has come far because her days as a mischievous orphan in the home at eco-friendly Gables. She is now eighteen and headed to far off Redmond collage in Kingsport. Anne's collage years are absolute to be packed with enjoyable, yet they're going to even be a time for soul-searching and massive judgements. while her longtime pal Gilbert Blythe proposes, Anne feels they could by no means be greater than pals. yet is her new admirer, the good-looking and filthy rich Roy Gardner, quite the fellow of her dreams?
Continues the adventures of Anne Shirley and her acquaintances in school.
Read or Download Anne of the Island (Anne of Green Gables series, Book 3) PDF
Similar juvenile fiction books
Janet Taylor Lisle's Angela's Aliens (Investigators of the Unknown, Book 4) PDF
Janet Taylor Lisle - Angela's Aliens
Investigators of the Unknown sequence, ebook 4
When their ally adjustments greatly, the Investigators suspect extraterrestrial trouble
Georgina and Poco shouldn't be mountaineering an apple tree at midnight. yet Poco, who talks to animals, has lately built a major weigh down on a robin, and he or she will get fearful while the chook doesn't go back to his nest one evening. Poco convinces her pal to come back together with her to examine at the nest, and whereas they're peering throughout the tree branches, they see unusual sparkling gadgets within the sky. The array of lighting can in basic terms suggest something: extraterrestrial beings. the following morning, Poco's robin returns and, extra importantly, so does Angela. Angela have been the girls' ally sooner than relocating to Mexico a yr in the past, yet she comes again absolutely replaced. ahead of, she was once brief, chatty, and innovative. Now she is tall, sullen, and chilly. whilst Georgina reminds her in their former membership, the Investigators of the Unknown, Angela shrugs her off. Paco and Georgina notice that the extraterrestrial beings have claimed their first sufferer, and they're going to need to movement speedy to avoid wasting their buddy.
This booklet contains a own historical past by way of Janet Taylor Lisle together with infrequent photos and never-before-seen records from the author's personal assortment.
Wayside School Is Falling Down (Wayside School, Book 2) - download pdf or read online
More enjoyable in
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Additional resources for Anne of the Island (Anne of Green Gables series, Book 3)
Sample text
I'll go in and see for myself. After nightfall, when the healers are asleep. Alone. Alone? Busy morning for the Podhu healers… You'll keep watch in case they try to make their escape while I'm inside. Very well. Halt! Indeed. State your business. Our business…? Entertainment is our business, good sir! …A lively tune...! A somersault, a bawdy joke…! some tricks with rope! Throwing knives…! …Dressed as wives! And if all that fails… …A monkey that burps on cue! Tumblers, then. You're not on my list.
As you might expect, it's difficult for me to move around without calling attention to myself. And possibly damaging to me and to the crown. But you… You're on guard all night. And with Greyfalcon and the other Dragons gone, you could search high and low without risking notice. If the letter still exists, as you suspect, sire, it will be in your hands before sunrise. I'd like to get started right away. It's… It's personal. I serve the Throne of North Huntington, sire. Your will is my command. I trust you, Drake.
You're not on my list. Who hired you? Well, it was… What was their name again? They had a…thing. On theiR whatzit. Wait here. …I won't ask again. Now where is it? …The letter has been destroyed. Just as you wished. I assure you, sire… God's teeth, Greyfalcon! If it was to be destroyed, I'd have seen to it myself, to be— To be certain it really was? Majesty, I am injured by your lack of trust. You'll be injured by the point of my sword if you don't watch your step, chamberlain. Don't you walk away from me!
Anne of the Island (Anne of Green Gables series, Book 3) by Lucy Maud Montgomery
by William


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Past Events
Events Search and Views Navigation
June 2018
Loving Awareness: A Retreat for Experienced Meditators
This retreat is full with a waitlist of over 40 people. To be added to the list, submit a registration and deposit. Loving Awareness, practiced as mindfulness and metta, is the gateway to liberation. During this meditation retreat, we will join together as experienced practitioners to quiet the mind, open the heart and see our human life with the eyes of wisdom. The daily schedule for this course will follow a different format from other IMS retreats: in addition to…Find out more »
July 2018
Mindfulness Daylong in Paris
Join me and Jack Kornfield in Paris for a public lecture on Friday, July 6th in the evening and a workshop on Saturday, July 7th during the day. More details are coming soon. Après une première rencontre en 2012, nous sommes ravis de recevoir à nouveau Jack Kornfield et Trudy Goodman pour une conférence publique le vendredi 6 juillet en soirée et un atelier le samedi 7 juillet en journée. Un tout petit peu de patience, les détails arrivent bientôt !!Find out more »
August 2018
Loving Awareness Retreat
Embark on a one-of-a-kind journey into the contemplative, scientific, and healing dimensions of mindfulness with a team of meditation luminaries. Joining renowned meditation teacher Jack Kornfield are his close friends and colleagues Drs. Dan Siegel, Trudy Goodman, Shauna Shapiro, and Teja Bell. Dr. Kornfield is a trained clinical psychologist as well as leader in bringing mindfulness to the West. Dan Siegel is a clinical professor of psychiatry and founding co-director of the Mindful Awareness Research Center at UCLA. Trudy Goodman…Find out more »
AWARE: The Science and Practice of Presence
Please join Dan J. Siegel MD. and InsightLA Founding Teacher Trudy Goodman for a day of practice exploring Dr. Siegel's groundbreaking new book Aware: The Science and Practice of Presence. In this intensive day of practice we will explore and experience the ways in which our inner subjective lives, our interpersonal relationships, and our objective empirical knowledge can be woven together to illuminate the importance for meaning, connection, and equanimity in our lives. AWARE brings us directly into an intensive discussion of what the Greeks called,…Find out more »
September 2018
A Day of Practice with Trudy Goodman
An inaugural day of practice and teachings with InsightLA's founding teacher Trudy Goodman in the San Gabriel Valley. We're excited to invite you to the first ever day of InsightLA practice in this new location. We offer this day for all of you, near and far, to come sit with us and deepen your practice together.Find out more »
Fall Insight Meditation Residential Retreat
Deepen your practice in beautiful Lucerne Valley... Join InsightLA's founding teacher Trudy Goodman and Senior Teacher Christiane Wolf for this very special 6 night retreat at the beautiful and serene Royal Way Spiritual Center. Time in retreat allows us to step out of the complexity of our life, to listen deeply to our body, heart and mind. A retreat provides an opportunity and a caring container deepening our mediation practice. The mindfulness practice on retreats is often accompanied and complemented by…Find out more »
October 2018
Grandparenting Online Summit
Join me and an exceptional team of experts and discover: • How to set boundaries without hurting feelings • How to offer help that lightens the load of adult children • How to create loving in-law relationships • How to handle criticism • How to stay in touch from far away • How to address issues of alienation • How to create a peaceful multi-generational household • Advice for grandparents raising grandkids • How to help children cope with loss…Find out more »
Loving Awareness: A Retreat for Experienced Meditators @ Spirit Rock
Register: Will open for registration on 5/23/2018 Prerequisite: Completion of two silent 5- to 7-night residential retreats and five years of meditation practice. Loving Awareness: practiced as mindfulness and metta is the gateway to liberation. During this meditation retreat, as experienced practitioners, we will join together to quiet the mind, open the heart and see our human life with the eyes of wisdom. This is a new retreat form which will alternate sitting, walking, guided meditations and frequent periods of…Find out more »
November 2018
The Awakened Heart: A Benefit for InsightLA
Join InsightLA and Jack Kornfield for a joyful day of transformative teachings, wonderful stories, heart practices, and awakening together. In these turbulent and divisive times, more than ever we need ways to steady our hearts, calm our minds, clear our vision and inspire our action. We will cultivate the qualities of courage and love, how to dwell in kind awareness, and how to enhance our natural capacity for care and connection, towards ourselves, our society and all beings. Metta and…Find out more »
Open Your Heart in Paradise Retreat w/Ram Dass & Friends
Join Ram Dass and Krishna Das for a memorable Retreat on Maui, including a historic reunion of Jack Kornfield, Sharon Salzberg and Joseph Goldstein, founders of the Insight Meditation Society. Including contemplative practices & guided meditations with Mirabai Bush, Rameshwar Das & Trudy Goodman. Complete 2018 "Open Your Heart in Paradise" Retreat Details (pricing, accommodations, travel to Maui) will be available at www.ramdass.org beginning May 22, 2018. On Line Registration will begin on Wednesday June 6, 2018 at Noon EST.Find out more »


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Con il Premio Malossini, dedicato alla memoria del compianto Sindaco di Riva sostenitore della sensibilità ambientale, aperto alle Scuole d'Arte della Regione, si vuole stimolare la conoscenza e l'amore per la natura e l'ambiente anche nei giovani, ai quali non si chiede di descrivere e rappresentare di caccia, ma comprendere e riflettere sul rapporto sempre più complesso dell'umanità e dei suoi bisogni con gli ambienti naturali e la loro difesa e salvaguardia.
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- Written by Jordan Maison
- Published in Tech Talk
Kodak Reveals new Digital Scanner That Takes Film to HD Digital Files
If you have a bunch of film lying around but looking to convert them to a more managable digital format, Kodak has revealed the Scanza, a digital scanner that works for everything from 35mm to 8mm. Come inside to learn more.
Kodak may still be actively advocating the use of film, but that doesn't mean they're ignorant of the digital world and people's desire for it. Today, they've released the Kodak Scanza, a new digital scanner that can take all manner of different film types and convert them to 14-megapixel jpegs. From there you can save and transfer via an SD card and edit/share/print to your heart's content. For old-school film lovers, this is definitely a great way to save your work for the digital age.
Today Eastman Kodak Company announced the availability of the KODAK SCANZA digital film and slide scanner available from its North American brand licensee, C+A Global. The versatile film-to-JPEG converter digitizes a variety of formats including 35mm, 126, 110, super 8 and 8mm negatives and slides into optimized 14-megapixel or interpolated 22-megapixel digital files. Images can then be transferred to any Mac or PC via an SD card for saving, sharing, printing and editing. The all-in-one package comes ready to go with everything needed to start scanning slides and negatives: various film adapters and inserts, a built-in LCD color display, an exceptionally easy-to-use operational interface, plus multiple cables for device hookup.
"Kodak has a steep heritage in film and, perhaps more importantly, helping people preserve life's precious memories. Many folks have boxes filled with KODAK film ready to be given new life, with no means of doing so," said Joel Satin, VP Brand Licensing at Eastman Kodak Company. "With the KODAK SCANZA digital film scanner, reliving these moments and bringing them into the digital world is as easy as scan, save and share."
The KODAK SCANZA Scanner features an intuitive user interface that allows users to enhance the image quality of their film, including the ability to adjust RGB levels and brightness for ideal image coloring. With the scanner's gallery mode, users can display images in a slideshow, then rotate, flip and delete images as they see fit.
KODAK SCANZA Scanner Highlights and Benefits:
Convert Film to JPEG in Seconds - The SCANZA scanner's powerful 14-megapixel sensor captures images from 35mm, 126, 110, Super 8 and 8mm negatives and slides in stunning HD clarity, while its optional integrated interpolation setting enhances images up to 22-megapixels.
Large 3.5" LCD Screen - The high-definition built-in LCD color display features adjustable brightness and convenient tilt for easy operation and image viewing, allowing users to easily edit images using the scanner's various settings.
An Adapter for Everything - The KODAK SCANZA scanner ships with multiple film inserts and adapters for converting various negatives and slides for fast and flexible operation; it's large one-touch buttons allow for one-step scan and save.
Intuitive User Interface - Displayed on the scanner's clear, bright LCD screen, the user interface includes a helpful tray and insert directory, as well as simple-to-navigate image editing capabilities and a gallery for browsing through saved images.
HDMI/Video Cables and More Included - The KODAK SCANZA scanner comes with everything needed to start scanning images, including HDMI/video cables for viewing images on a television, an AC adapter, USB power cable and a film cleaning brush.
The KODAK SCANZA scanner is available now for $169.99 on Amazon.


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Oliver Ellsworth (1745-1807)
This sculpture, located on the clock tower of East Pyne Hall, was created by J. Massey Rhind in the late nineteenth century. Rhind was a well-known sculptor during his time, creating both public monuments and architectural decorations around the United States. Other examples of his work can be found in Washington, DC, and on the facade of Alexander Hall here on Princeton's campus.


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I have a question which I put up on stack overflow which I'm quite interested in…
I save a whole graph of objects using ember data and I'd like a way to not overload my server. As it stands, if you forEach .save() on a whole bunch of objects, it seems to fire them all off at once… and what I'd ideally like is for them to be sequenced on completion of the preceding ones.
Does anyone have any thoughts on how to achieve such a thing, or if I'm doing it wrong?


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#12454: Another variation--REC: Fried Stuffed Britches---Cazuncielli...
Posted by: charlie at 7:49 pm on Oct 31, 2008
1/4 cup light red or white wine -- such as Fiano del Avellino
3/4 cup warm water
1 1/2 ounces yeast
1 tablespoon honey
1 teaspoon salt
1 tablespoon extra-virgin olive oil
3 1/2 cups all-purpose flour
1 tablespoon salt
1/2 pound escarole -- about 1/2 head, cut into 1/4-inch ciffonade
1 tablespoon extra virgin olive oil
2 cloves garlic -- thinly sliced
4 salt packed anchovies -- filleted and rinsed twice
1 cup Gaeta olives -- pitted and left whole
3 tablespoons capers -- smallest available, rinsed
4 tablespoons pine nuts
2 tablespoons currants
olive oil -- for frying
For the crust: In a large bowl, combine wine, water and yeast and stir until dissolved. Add the honey, salt and olive oil and mix thoroughly. Add 1 cup of flour and mix with a wooden spoon until it becomes a loose batter. Add 2 more cups of flour and stir with the spoon for another 2 to 3 minutes, to incorporate as much of the flour as possible. Bring the dough together with your hands and turn it out onto a floured board or marble surface. Knead for about 6 to 8 minutes, until you have made a firm, smooth dough. Place it in a clean, lightly-oiled bowl and cover it with a towel. Let it rise in the warmest part of the kitchen for 45 minutes.
For the filling: Bring 4 quarts of water to boil and add 1 tablespoon of salt. Plunge the escarole into the water and cook 12 to 14 minutes, until very tender. Remove, refresh with cold water, press intensely to remove all possible water, and set aside. In a 10 to 12 inch saute pan, heat oil until smoking. Add garlic and cook 4 to 5 minutes, until light golden brown. Add the anchovies, olives, capers, pine nuts, currants and cooked escarole and cook 8 to 10 minutes, stirring constantly, until all ingredients are well mixed and escarole has started to turn brownish-gray. Remove from heat and allow to cool. Remove a golf ball-sized piece of dough from the batch. Press the ball with your fingers to form a circle about 5 inches across. Repeat this process with all of the dough. Place 2 tablespoons of filling into the center of each dough circle and fold into half moons, pressing with the tines of a fork around all the edges to close the well.
In a high-sided frying pan, heat the oil to 375 degrees F. Drop 2 or 3 half moons into the oil at a time and cook until golden brown on both sides. Remove to drain on paper towels and season immediately with fresh ground pepper.


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The Oklahoma City Thunder are growing increasingly optimistic about their chances of re-signing him.
Paul George has informed the Oklahoma City Thunder will not opt into the final season of his contract at $20.7 million and he will become a free agent.
Many have assumed for years that Paul George is destined to end up with the Los Angeles Lakers, and that could very well come to fruition this summer.
Before his trade, George had told the Pacers that he planned to sign with the Lakers in free agency this summer.
"Here they have made a huge risk in trading for me, knowing I have one year on my deal", George says of the Thunder. He said he'd talk to Presti, Westbrook and coach Billy Donovan before making a decision.
The Lakers are desperate to sign George and potentially add him to a line-up including LeBron James and Kawhi Leonard.
George has spoken out about the free agency process and said his decision will be based on multiple factors.
On Tuesday night, the first of a three-part ESPN series called "Paul George: My Journey" aired and, in it, George discussed his career path to date and the potential free agency that awaits him in mere days. "A lot is playing into this, so it's a bit overwhelming".
George did not make as big of an impact as expected in his first season with the Thunder, and his last game of the year was arguably his worst.
And Russell Westbrook has been in regular contact with George in an attempt to convince the five-time All-Star to stay.
The 5-time NBA All-Star is from Palmdale, California, where he was the Golden League Most Valuable Player and the Antelope Valley Press Player of the Year at Knight High School. "I mean, honestly, I can't say it any more than that".


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Cava and welcome chocolates for bookings made on the web
Feel the experience of wrapping yourself in a space of 150 m2 full of colours, enjoying the privilege of light that seeps through all the windows and the magnificent views of the Medes Islands.
Our facilities are fully equipped to meet your needs and ensure full relaxation during your stay.
Capacidad para 4 personas
Privileged views of the sea
from all rooms
Main bedroom with private bathroom,
walk-in closet and television
Double room with television
Additional bathroom
Fully fitted kitchen
Living-dining room with TV,
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Optional parking
Optional cleaning and
domestic service
Cap Sa Sal Luxury informs that the client, while executing the Check-in, must deliver in the reception desk a VISA of his property, as a guarantee of damage, if there is any during the stay. The amount to be valued will be 1.000 euros.
You must check-in between 3pm and 7pm. If arrival to reception is after 7:00 pm,
please contact us in advance to inform us.
In summer, the reception is open 24 hours.
In winter, the reception is open from 9am to 6pm.
Cap Sa Sal Luxury permanecerá abierto todos los días hasta octubre.
We remind you that in high season, if you cancel a reservation once the payment has been made, the amount of the first night will not be refunded. In case of cancellation with less than 42 days prior to arrival or non-presentation of the client in the apartments, this amount will not be refunded. If you cancel or modify the reservation after the deadline or do not show up on the booked arrival date, Sant Rafael de Cap Sa Sal Apartments will abide by the legal right to charge 100% of the total stay. If the client is in full enjoyment of our facilities and must leave their holiday before its deadline, Sant Rafael de Cap Sa Sal Apartments also abide by the legal right not to return the differential.


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Ok, so this has to be one of the favorite-st place I have been to. It is even more special as my best friend got married there.
Tijara Fort Palace is a palace situated in a hilltop in Alwar, some 100 km from Delhi (easily accessible by roads). It is super pretty and rustic, has an old world charm and is yet modern. The best part about the wedding decor was it was SO minimal. you just needed some bright pop of colors here and there to compliment the rustic architecture.
Have a look in the pictures below (raw pics, clicked by phone camera)


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All character output in Glk is done through streams. Every window has an output stream associated with it. You can also write to files on disk; every open file is represented by an output stream as well.
There are also input streams; these are used for reading from files on disk. It is possible for a stream to be both an input and an output stream. [Player input is done through line and character input events, not streams. This is a small inelegance in theory. In practice, player input is slow and things can interrupt it, whereas file input is immediate. If a network extension to Glk were proposed, it would probably use events and not streams, since network communication is not immediate.]
It is also possible to create a stream that reads or writes to a buffer in memory.
Finally, there may be platform-specific types of streams, which are created before your program starts running. [For example, a program running under Unix may have access to standard input as a stream, even though there is no Glk call to explicitly open standard input. On the Mac, data in a Mac resource may be available through a resource-reading stream.] You do not need to worry about the origin of such streams; just read or write them as usual. For information about how platform-specific streams come to be, see section 11.1, "Startup Options".
A stream is opened with a particular file mode:
[In the stdio library, using fopen(), filemode_Write would be mode "w"; filemode_Read would be mode "r"; filemode_ReadWrite would be mode "r+". Confusingly, filemode_WriteAppend cannot be mode "a", because the stdio spec says that when you open a file with mode "a", then fseek() doesn't work. So we have to use mode "r+" for appending. Then we run into the other stdio problem, which is that "r+" never creates a new file. So filemode_WriteAppend has to first open the file with "a", close it, reopen with "r+", and then fseek() to the end of the file. For filemode_ReadWrite, the process is the same, except without the fseek() -- we begin at the beginning of the file.]
[We must also obey an obscure geas of ANSI C "r+" files: you can't switch from reading to writing without doing an fseek() in between. Switching from writing to reading has the same restriction, except that an fflush() also works.]
For information on opening streams, see the discussion of each specific type of stream in section 5.6, "The Types of Streams". Remember that it is always possible that opening a stream will fail, in which case the creation function will return NULL.
Each stream remembers two character counts, the number of characters printed to and read from that stream. The write-count is exactly one per glk_put_char() call; it is figured before any platform-dependent character cookery. [For example, if a newline character is converted to linefeed-plus-carriage-return, the stream's count still only goes up by one; similarly if an accented character is displayed as two characters.] The read-count is exactly one per glk_get_char_stream() call, as long as the call returns an actual character (as opposed to an end-of-file token.)
Glk has a notion of the "current (output) stream". If you print text without specifying a stream, it goes to the current output stream. The current output stream may be NULL, meaning that there isn't one. It is illegal to print text to stream NULL, or to print to the current stream when there isn't one.
If the stream which is the current stream is closed, the current stream becomes NULL.
void glk_stream_set_current(strid_t str);
This sets the current stream to str, which must be an output stream. You may set the current stream to NULL, which means the current stream is not set to anything.
strid_t glk_stream_get_current(void);
Returns the current stream, or NULL if there is none.
void glk_put_char(unsigned char ch);
This prints one character to the current stream. As with all basic functions, the character is assumed to be in the Latin-1 character encoding. See section 2, "Character Encoding".
void glk_put_string(char *s);
This prints a null-terminated string to the current stream. It is exactly equivalent to
for (ptr = s; *ptr; ptr++) glk_put_char(*ptr);
However, it may be more efficient.
void glk_put_buffer(char *buf, glui32 len);
This prints a block of characters to the current stream. It is exactly equivalent to
for (i = 0; i < len; i++) glk_put_char(buf[i]);
However, it may be more efficient.
void glk_put_char_stream(strid_t str, unsigned char ch); void glk_put_string_stream(strid_t str, char *s); void glk_put_buffer_stream(strid_t str, char *buf, glui32 len);
These are the same functions, except that you specify a stream to print to, instead of using the current stream. Again, it is illegal for str to be NULL, or the reference of an input-only stream.
void glk_put_char_uni(glui32 ch);
This prints one character to the current stream. The character is assumed to be a Unicode code point. See section 2, "Character Encoding".
void glk_put_string_uni(glui32 *s);
This prints a string of Unicode characters to the current stream. It is equivalent to a series of glk_put_char_uni() calls. A string ends on a glui32 whose value is 0.
void glk_put_buffer_uni(glui32 *buf, glui32 len);
This prints a block of Unicode characters to the current stream. It is equivalent to a series of glk_put_char_uni() calls.
void glk_put_char_stream_uni(strid_t str, glui32 ch); void glk_put_string_stream_uni(strid_t str, glui32 *s); void glk_put_buffer_stream_uni(strid_t str, glui32 *buf, glui32 len);
glsi32 glk_get_char_stream(strid_t str);
This reads one character from the given stream. (There is no notion of a "current input stream.") It is illegal for str to be NULL, or an output-only stream.
The result will be between 0 and 255. As with all basic text functions, Glk assumes the Latin-1 encoding. See section 2, "Character Encoding". If the end of the stream has been reached, the result will be -1. [Note that high-bit characters (128..255) are not returned as negative numbers.]
If the stream contains Unicode data -- for example, if it was created with glk_stream_open_file_uni() or glk_stream_open_memory_uni() -- then characters beyond 255 will be returned as 0x3F ("?").
glui32 glk_get_buffer_stream(strid_t str, char *buf, glui32 len);
This reads len characters from the given stream, unless the end of stream is reached first. No terminal null is placed in the buffer. It returns the number of characters actually read.
glui32 glk_get_line_stream(strid_t str, char *buf, glui32 len);
This reads characters from the given stream, until either len-1 characters have been read or a newline has been read. It then puts a terminal null ('\0') character on the end. It returns the number of characters actually read, including the newline (if there is one) but not including the terminal null.
It is usually more efficient to read several characters at once with glk_get_buffer_stream() or glk_get_line_stream(), as opposed to calling glk_get_char_stream() several times.
glsi32 glk_get_char_stream_uni(strid_t str);
Reads one character from the given stream. If the end of the stream has been reached, the result will be -1.
glui32 glk_get_buffer_stream_uni(strid_t str, glui32 *buf, glui32 len);
This reads len Unicode characters from the given stream, unless the end of the stream is reached first. No terminal null is placed in the buffer. It returns the number of Unicode characters actually read.
glui32 glk_get_line_stream_uni(strid_t str, glui32 *buf, glui32 len);
This reads Unicode characters from the given stream, until either len-1 Unicode characters have been read or a newline has been read. It then puts a terminal null (a zero value) on the end. It returns the number of Unicode characters actually read, including the newline (if there is one) but not including the terminal null.
void glk_stream_close(strid_t str, stream_result_t *result);
typedef struct stream_result_struct { glui32 readcount; glui32 writecount; } stream_result_t;
This closes the stream str. The result argument points to a structure which is filled in with the final character counts of the stream. If you do not care about these, you may pass NULL as the result argument.
If str is the current output stream, the current output stream is set to NULL.
You cannot close window streams; use glk_window_close() instead. See section 3.2, "Window Opening, Closing, and Constraints".
You can set the position of the read/write mark in a stream. [Which makes one wonder why they're called "streams" in the first place. Oh well.]
glui32 glk_stream_get_position(strid_t str);
This returns the position of the mark. For memory streams and binary file streams, this is exactly the number of characters read or written from the beginning of the stream (unless you have moved the mark with glk_stream_set_position().) For text file streams, matters are more ambiguous, since (for example) writing one byte to a text file may store more than one character in the platform's native encoding. You can only be sure that the position increases as you read or write to the file.
Additional complication: for Latin-1 memory and file streams, a character is a byte. For Unicode memory and file streams (those created by glk_stream_open_file_uni() and glk_stream_open_memory_uni()), a character is a 32-bit word. So in a binary Unicode file, positions are multiples of four bytes.
[If this bothers you, don't use binary Unicode files. I don't think they're good for much anyhow.]
void glk_stream_set_position(strid_t str, glsi32 pos, glui32 seekmode);
This sets the position of the mark. The position is controlled by pos, and the meaning of pos is controlled by seekmode:
It is illegal to specify a position before the beginning or after the end of the file.
In binary files, the mark position is exact -- it corresponds with the number of characters you have read or written. In text files, this mapping can vary, because of linefeed conversions or other character-set approximations. (See section 5, "Streams".) glk_stream_set_position() and glk_stream_get_position() measure positions in the platform's native encoding -- after character cookery. Therefore, in a text stream, it is safest to use glk_stream_set_position() only to move to the beginning or end of a file, or to a position determined by glk_stream_get_position().
Again, in Latin-1 streams, characters are bytes. In Unicode streams, characters are 32-bit words, or four bytes each.
A window stream doesn't have a movable mark, so calling glk_stream_set_position() has no effect. glk_stream_get_position() on a window stream will always return zero. [It might make more sense to return the number of characters written to the window, but existing libraries do not support this and it's not really worth adding the feature.]
You can send style-changing commands to an output stream. After a style change, new text which is printed to that stream will be given the new style, whatever that means for the stream in question. For a window stream, the text will appear in that style. For a memory stream, style changes have no effect. For a file stream, if the machine supports styled text files, the styles may be written to the file; more likely the style changes will have no effect.
Styles are exclusive. A character is shown with exactly one style, not a subset of the possible styles.
[Note that every stream and window has its own idea of the "current style." Sending a style command to one window or stream does not affect any others.] [Except for a window's echo stream; see section 3.6, "Echo Streams".]
The styles are intended to distinguish meaning and use, not formatting. There is no standard definition of what each style will look like. That is left up to the Glk library, which will choose an appearance appropriate for the platform's interface and the player's preferences.
There are currently eleven styles defined. More may be defined in the future.
Styles may be distinguished on screen by font, size, color, indentation, justification, and other attributes. Note that some attributes (notably justification and indentation) apply to entire paragraphs. If possible and relevant, you should apply a style to an entire paragraph -- call glk_set_style() immediately after printing the newline at the beginning of the text, and do the same at the end.
[For example, style_Header may well be centered text. If you print "Welcome to Victim (a short interactive mystery)", and only the word "Victim" is in the style_Header, the center-justification attribute will be lost. Similarly, a block quote is usually indented on both sides, but indentation is only meaningful when applied to an entire line or paragraph, so block quotes should take up an entire paragraph. Contrariwise, style_Emphasized need not be used on an entire paragraph. It is often used for single emphasized words in normal text, so you can expect that it will appear properly that way; it will be displayed in italics or underlining, not center-justified or indented.]
[Yes, this is all a matter of mutual agreement between game authors and game players. It's not fixed by this specification. That's natural language for you.]
void glk_set_style(glui32 val);
This changes the style of the current output stream. val should be one of the values listed above. However, any value is actually legal; if the interpreter does not recognize the style value, it will treat it as style_Normal. [This policy allows for the future definition of styles without breaking old Glk libraries.]
void glk_set_style_stream(strid_t str, glui32 val);
This changes the style of the stream str.
There are no guarantees of how styles will look, but you can make suggestions.
void glk_stylehint_set(glui32 wintype, glui32 styl, glui32 hint, glsi32 val); void glk_stylehint_clear(glui32 wintype, glui32 styl, glui32 hint);
These functions set and clear hints about the appearance of one style for a particular type of window. You can also set wintype to wintype_AllTypes, which sets (or clears) a hint for all types of window. [There is no equivalent constant to set a hint for all styles of a single window type.]
Initially, no hints are set for any window type or style. Note that having no hint set is not the same as setting a hint with value 0.
These functions do not affect existing windows. They affect the windows which you create subsequently. If you want to set hints for all your game windows, call glk_stylehint_set() before you start creating windows. If you want different hints for different windows, change the hints before creating each window.
[This policy makes life easier for the interpreter. It knows everything about a particular window's appearance when the window is created, and it doesn't have to change it while the window exists.]
Hints are hints. The interpreter may ignore them, or give the player a choice about whether to accept them. Also, it is never necessary to set hints. You don't have to suggest that style_Preformatted be fixed-width, or style_Emphasized be boldface or italic; they will have appropriate defaults. Hints are for situations when you want to change the appearance of a style from what it would ordinarily be. The most common case when this is appropriate is for the styles style_User1 and style_User2.
There are currently nine style hints defined. More may be defined in the future.
Again, when passing a style hint to a Glk function, any value is actually legal. If the interpreter does not recognize the stylehint value, it will ignore it. [This policy allows for the future definition of style hints without breaking old Glk libraries.]
You can suggest the appearance of a window's style before the window is created; after the window is created, you can test the style's actual appearance. These functions do not test the style hints; they test the attribute of the style as it appears to the player.
Note that although you cannot change the appearance of a window's styles after the window is created, the library can. A platform may support dynamic preferences, which allow the player to change text formatting while your program is running. [Changes that affect window size (such as font size changes) will be signalled by an evtype_Arrange event. However, more subtle changes (such as text color differences) are not signalled. If you test the appearance of styles at the beginning of your program, you must keep in mind the possibility that the player will change them later.]
glui32 glk_style_distinguish(winid_t win, glui32 styl1, glui32 styl2);
This returns TRUE (1) if the two styles are visually distinguishable in the given window. If they are not, it returns FALSE (0). The exact meaning of this is left to the library to determine.
glui32 glk_style_measure(winid_t win, glui32 styl, glui32 hint, glui32 *result);
This tries to test an attribute of one style in the given window. The library may not be able to determine the attribute; if not, this returns FALSE (0). If it can, it returns TRUE (1) and stores the value in the location pointed at by result. [As usual, it is legal for result to be NULL, although fairly pointless.]
The meaning of the value depends on the hint which was tested:
Signed values, such as the stylehint_Weight value, are cast to glui32. They may be cast to glsi32 to be dealt with in a more natural context.
Every window has an output stream associated with it. This is created automatically, with filemode_Write, when you open the window. You get it with glk_window_get_stream(). Window streams always have rock value 0.
A window stream cannot be closed with glk_stream_close(). It is closed automatically when you close its window with glk_window_close().
Only printable characters (including newline) may be printed to a window stream. See section 2, "Character Encoding".
You can open a stream which reads from or writes into a space in memory.
strid_t glk_stream_open_memory(char *buf, glui32 buflen, glui32 fmode, glui32 rock);
fmode must be filemode_Read, filemode_Write, or filemode_ReadWrite.
buf points to the buffer where output will be read from or written to. buflen is the length of the buffer.
When outputting, if more than buflen characters are written to the stream, all of them beyond the buffer length will be thrown away, so as not to overwrite the buffer. (The character count of the stream will still be maintained correctly. That is, it will count the number of characters written into the stream, not the number that fit in the buffer.)
If buf is NULL, or for that matter if buflen is zero, then everything written to the stream is thrown away. This may be useful if you are interested in the character count.
When inputting, if more than buflen characters are read from the stream, the stream will start returning -1 (signalling end-of-file.) If buf is NULL, the stream will always return end-of-file.
The data is written to the buffer exactly as it was passed to the printing functions (glk_put_char(), etc); input functions will read the data exactly as it exists in memory. No platform-dependent cookery will be done on it. [You can write a disk file in text mode, but a memory stream is effectively always in binary mode.]
Unicode values (characters greater than 255) cannot be written to the buffer. If you try, they will be stored as 0x3F ("?") characters.
Whether reading or writing, the contents of the buffer are undefined until the stream is closed. The library may store the data there as it is written, or deposit it all in a lump when the stream is closed. It is illegal to change the contents of the buffer while the stream is open.
strid_t glk_stream_open_memory_uni(glui32 *buf, glui32 buflen, glui32 fmode, glui32 rock);
This works just like glk_stream_open_memory(), except that the buffer is an array of 32-bit words, instead of bytes. This allows you to write and read any Unicode character. The buflen is the number of words, not the number of bytes.
[If the buffer contains the value 0xFFFFFFFF, and is opened for reading, the reader cannot distinguish that value from -1 (end-of-file). Fortunately 0xFFFFFFFF is not a valid Unicode character.]
You can open a stream which reads from or writes to a disk file.
strid_t glk_stream_open_file(frefid_t fileref, glui32 fmode, glui32 rock);
fileref indicates the file which will be opened. fmode can be any of filemode_Read, filemode_Write, filemode_WriteAppend, or filemode_ReadWrite. If fmode is filemode_Read, the file must already exist; for the other modes, an empty file is created if none exists. If fmode is filemode_Write, and the file already exists, it is truncated down to zero length (an empty file); the other modes do not truncate. If fmode is filemode_WriteAppend, the file mark is set to the end of the file.
[Note, again, that this doesn't match stdio's fopen() call very well. See section 5, "Streams"]
If the filemode requires the file to exist, but the file does not exist, glk_stream_open_file() returns NULL.
The file may be read or written in text or binary mode; this is determined by the fileref argument. Similarly, platform-dependent attributes such as file type are determined by fileref. See section 6, "File References".
When writing in binary mode, byte values are written directly to the file. (Writing calls such as glk_put_char_stream() are defined in terms of Latin-1 characters, so the binary file can be presumed to use Latin-1. Newlines will remain as 0x0A bytes.) Unicode values (characters greater than 255) cannot be written to the file. If you try, they will be stored as 0x3F ("?") characters.
When writing in text mode, character data is written in an encoding appropriate to the platform; this may be Latin-1 or some other format. Newlines may be converted to other line break sequences. Unicode values may be stored exactly, approximated, or abbreviated, depending on what the platform's text files support.
strid_t glk_stream_open_file_uni(frefid_t fileref, glui32 fmode, glui32 rock);
This works just like glk_stream_open_file(), except that in binary mode, characters are written and read as four-byte (big-endian) values. This allows you to write and read any Unicode character.
In text mode, the file is written and read using the UTF-8 Unicode encoding. Files should be written without a byte-ordering mark. This ensures that text-mode files created by glk_stream_open_file() and glk_stream_open_file_uni() will be identical if only ASCII characters (32-127) are written.
[Previous versions of this spec said, of glk_stream_open_file_uni(): "In text mode, the file is written and read in a platform-dependent way, which may or may not handle all Unicode characters." This left open the possibility of other native text-file formats, as well as richer formats such as RTF or HTML. Richer formats do not seem to have ever been used; and at this point, UTF-8 is widespread enough for us to mandate it.]
To summarize:
However, if the fileref was created via a prompt (glk_fileref_create_by_prompt), the player may have selected format options that override these rules.
[See also the comments about text and binary mode, section 6, "File References".]
You can open a stream which reads from (but not writes to) a resource file.
[Typically this is embedded in a Blorb file, as Blorb is the official resource-storage format of Glk. A Blorb file can contain images and sounds, but it can also contain raw data files, which are accessed by the following functions. A data file is identified by number, not by a filename. The Blorb usage field will be 'Data'. The chunk type will be 'TEXT' for text resources, 'BINA' or 'FORM' for binary resources.]
[For a 'FORM' Blorb chunk, the stream should start reading at the beginning of the chunk header -- that is, it should read the 'FORM' and length words before the chunk content. For 'TEXT' and 'BINA' chunks, the stream should skip the header and begin with the chunk content. This distinction is important when embedding AIFF sounds or Quetzal saved games, for example.]
[Note that this FORM distinction was added to the Glk 0.7.4 spec in July 2012, several months after the spec went out. This is bad form, no pun intended, but I don't think it'll cause headaches. No games use the resource stream feature yet, as far as I know. A Glk library written in the interregnum of early 2012 will fail to recognize FORM chunks, and if a game tries to use one, glk_stream_open_resource will return NULL.]
[If the running program is not associated with a Blorb file, the library may look for data files as actual files instead. These would be named "DATA1", "DATA2", etc, with a suffix distinguishing text and binary files. See "Other Resource Arrangements" in the Blorb spec: http://eblong.com/zarf/blorb/. The stream should always begin at the beginning of the file, in this case; there is no BINA/FORM distinction to worry about.]
strid_t glk_stream_open_resource(glui32 filenum, glui32 rock); strid_t glk_stream_open_resource_uni(glui32 filenum, glui32 rock);
Open the given data resource for reading (only), as a normal or Unicode stream. [Note that there is no notion of file usage -- the resource does not have to be specified as "saved game" or whatever.]
If no resource chunk of the given number exists, the open function returns NULL.
As with file streams, a binary resource stream reads the resource as bytes (for a normal stream) or as four-byte (big-endian) words (for a Unicode stream). A text resource stream reads characters encoded as Latin-1 (for normal) or UTF-8 (for Unicode). [Thus, the difference between text and binary resources is only important when opened as a Unicode stream.]
When reading from a resource stream, newlines are not remapped, even if they normally would be when reading from a text file on the host OS. If you read a line (glk_get_line_stream or glk_get_line_stream_uni), a Unix newline (0x0A) terminates the line.
res = glk_gestalt(gestalt_ResourceStream, 0);
This returns 1 if the glk_stream_open_resource() and glk_stream_open_resource_uni() functions are available. If it returns 0, you should not call them.
strid_t glk_stream_iterate(strid_t str, glui32 *rockptr);
This iterates through all the existing streams. See section 1.6.2, "Iterating Through Opaque Objects".
glui32 glk_stream_get_rock(strid_t str);
This retrieves the stream's rock value. See section 1.6.1, "Rocks". Window streams always have rock 0; all other streams return whatever rock you created them with.


text:
Reverend Father Ejike Mbaka of the Adoration Ministry, Enugu visited President Muhammadu Buhari at Aso Rock on Friday, December 2015.
Rev. Father Mbaka had earlier prophetized change before the election. He had said that the Holy Spirit told him Jonathan was not favoured to continue as President going by the state of the Nigerian economy and widespread insecurity, which he had failed to contain.
Mbaka arrived a few minutes past 11:00am for the meeting scheduled for 12:00noon. Rev Fr. Mbaka who was accompanied by four men met with Buhari and Vice President Yemi Osinbajo.
He later told State House correspondents that he visited the President in order to commit the nation into God's hand.


text:
South Africa | Bom Bom Islands | Botswana |
Gabon | The Gambia | Ghana |
KenyaLesotho | Madagascar |
Malawi | Mozambique | Namibia |
Swaziland | Tanzinia
Uganda | Zanzibar | Zimbabwe
Discover the equatorial African tropical islands of Sao Tome et Principe, serenely anchored in the Atlantic Ocean, 320 kms off the West Coast of Africa.
With volcanic origins, the Bom Bom Islands consist of jumbled masses of rocky peaks, tropical rain forests and striking waterfalls. The prolific bird life (many endemic to the area) will enchant visitors. Unexpectedly for the equator, the weather is sublime
Deep sea fishermen never had it so good. The ocean surrounding the Bom Bom Islands is alive with blue marlin, yellow-fin tuna and record sailfish. Fully equipped sport fishing boats offer the incomparable thrill of pursuing a marlin. The resort has a fleet of the following fishing crafts: a 36' "T-craft, a 28' "Blackfin and 28' "Bertram, fully equipped with 50 and 80 lb tackle.
The wild coastline of the Sao Tome et Principe invites exploration. Clear waters are home to a whole spectrum of tropical marine life, enriched by the merging hot and cold currents. Snorkelling and scuba diving in these waters is an unrivalled undersea experience to which you will vow to return.
Pack a picnic lunch, take an inflatable to a deserted cove and enjoy total privacy on your own slice of heaven. The overgrown primeval forests are idyllic for visitors. The bird life is vast and many parrots and parakeets are legion on the islands. Fish eagles swoop past and, at dusk, you can hear owls hoot. Coconuts are there for the picking and palm fronds gracefully line the beaches.
The serenity and old worlds' charm of this incredibly picturesque place is pure enchantment. Sao Tome et Principe is home to Creoles who date back to 1470, when the Portuguese colonised the Islands, bringing a penal colony, slaves, settlers and traders. Slaves worked the sugar and timber lands, with exports to the Netherlands and Germany.
The Dutch blockaded, then occupied and plundered the islands in the sixteenth century. They withdrew in 1648 and the Portuguese moved back. Plantation owners who came at the end of the fifteenth century received grants of land (rocas), used slave labour and became a wealthy elite. They married locally, creating a Creole class whose families survived into the twentieth century.
After five centuries of Portuguese colonisation, independence was declared in 1975 and two of the unusual islands became a Socialist Republic. Socialism did not work, and real democracy has now overtaken the islands. Productivity fell disastrously and now, a decade later foreigners are being cajoled back to restore motivation and productivity.
Five-star distinction takes you to the northern coast of Sao Tome et Principe, featuring 25 top class individual twin-bedded bungalows. Each air-conditioned chalet has a comfortable bedroom, en-suite bathroom and lounge complete with bar, TV, video, safe and telephone. There are foreign exchange facilities and all major international credit cards are accepted.
The resort reflects the style of the island by merging with the beautiful surroundings. The chalets lead onto exclusive, private beaches. A little bridge links the accommodation to the restaurant and casino on the islet of Bom Bom. You can wade through at low tide!
The restaurant offers a wide range of exotic meals, such as fresh fish, mouth-watering tropical fruit, or the national dish "cululu". Relax and enjoy a beach barbeque.
The staff of Sao Tome et Principe are helpful, the atmosphere is relaxed and the place frankly fantastic. So enquire about a trip to the Bom Bom Islands today and let us plan your ultimate getaway!
©copyright African Outposts 2004 | emarketing by quirk


text:
It shouldn't have to be this way in our lucky country.
Did you know that more than one in five Australian children are going hungry each year? Isn't this heartbreaking.
It's not what we want for our kids. It's not what we want for their future. But you can change that.
Your tax-deductible gift before June 30 towards our School Breakfast 4 Health Program will help stop kids from going hungry and give them hope for a brighter future.


text:
Frequent Skin Cancers May Signal Risk of Other Cancers, Too Individuals who have frequent recurrences of the common skin cancers may be in increased threat of a variety of other malignancies, a new research suggests. an extremely treatable type of epidermis tumor diagnosed in over 3 million People in america each complete yr stendra better than viagra . like the most serious type, melanoma. which was not seen before, said lead researcher Dr. Kavita Sarin. typically 11 times more than 10 years.
Country wide Tumor Institute has even more in physical cancer and activity.. Lack of Exercise Can Boost Cancer Risk Few Americans understand that inactivity can raise the threat of colon, breast and other styles of cancer, a fresh study finds. An analysis of survey responses from 351 people revealed that even though many knew a inactive lifestyle improved their threat of cardiovascular disease and metabolic complications such as for example diabetes , only 3.4 % were aware it adds to cancer risk. The review also found low awareness that inactivity escalates the threat of respiratory diseases and gastrointestinal circumstances . The analysis was published Aug. 9 in the Journal of Wellness Communication. 'Many people understand that not really obtaining enough exercise can boost your likelihood of having heart disease or obtaining diabetes.


text:
Celebrity marriages are like buses, it seems like a new one is passing by every few minutes. These celebrities very openly gave into temptation and sacrificed their current relationships for a shot at something fresh and new. It's unfortunate for the kids involved, but hey, that's life.
1. Bruce Springsteen and Patti Scialfa
It is very cliché to run off with your band mate, but this happened in the case of legend Bruce Springsteen. While on tour in 1988, Bruce and Patti Scialfa began a courtship that would culminate in them getting married in 1991. They have three children together.


text:
An IT specialist is celebrating its 15th anniversary in business – and it has plenty to shout about following a significant recruitment drive, and a financial forecast nearing the £2 million mark.
Founded by IT expert Jamie Watson, the managing director has spearheaded the development of Brighouse-based Fusion to offer IT support to UK and international clients – with a particular focus on the legal sector.
As the company celebrates 15 years in business, Fusion is enjoying a purple patch following the recruitment of 12 new additions, the development of its cloud-based solutions and a projected turnover for 2017/18 of £1.92 million – a 20 per cent increase on 2016/17.
"I am incredibly happy with the growth, acquisitions and developments we've made as a business and how we've strengthened the Fusion team," said Jamie.
"I feel proud to mark our 15th birthday and am excited for the future plans we have in place to see Fusion enhance its client services and product offerings even further."
Fusion's 30-strong workforce now includes Ian Eskriett as technical team leader. Ian joined the company in February and brings with him experience from RBS, ComB and Provident Finance.
Shakeel Sadiq is another addition to the team, coming in as software developer to head up the client portal project side of MatterSphere 3E – a robust client and matter management system used by several legal firms globally and originally launched by Thomas Reuters Elite.


text:
Beaute Nail
Pamper yourself with a pretty gel manicure treatment that gives you beautifully painted nails that lasts longer. Gel polishes are typically more chip-proof compared to normal nail varnishes. Glam it up with a broken glass effect nail art that will give your nails a unique look.
Package includes:
Fine Print has been changed to include a RM30 surcharge for peak period reservations on Jan 2, 2018. Partner will honour original terms for customers who purchased on or before this date.


text:
can anyone help me out how to reuse my DW body code in diff flows. Thank you @ryanandal @mulsoft @brad_c @sulthonyh
Dec 05, 2018 at 06:04 AM, sadik_ali answered with:
@chintu_4709 : Please global functions in DW to re-use logic muliple times...
Hope it will solve your requirement
Thanks, Sadik Ali
Dec 05, 2018 at 02:31 PM, anirban37 answered with:
Why don't you use
.dwl files for dataweave?
You can use the same logic across the application
Dec 05, 2018 at 05:11 PM, chintu_4709 answered with:
@sadik_ali @anirban37 Thank you for response. I can encapsulate custom functions, variables, namespaces and types into reusable modules, which you can then import into any DataWeave code. This saves you from having to define these in the DataWeave header every time.
Modules are stored in regular .dwl files in my project folder, for example, test.dwl, I can use the same syntax as any other transformation file.
Right now i can only reuse the custom functions, variables, namespaces and types into reusable modules in .dwl file. But my question is how can i reuse the DW body code in .dwl file and how to reference(import) into any DataWeave. thank you.
How Can I compare two structure in payload (Dataweave)? 2 Answers
Required Dataweave Transformation 1 Answer
Convert DB String to List of Json Objects 1 Answer
Need help in JSON TO CSV transformation. 3 Answers
data weave ransformaion 4 Answers


text:
House panel unanimously advances federal anti-BDS legislation
Foreign Affairs Committee passes controversial Israel Anti-Boycott Act, sending the legislation to the entire House chamber
Eric Cortellessa covers American politics for The Times of Israel.
WASHINGTON — The House Foreign Affairs Committee unanimously passed controversial legislation on Thursday to target boycott efforts against Israel and Israeli businesses, advancing the measure to now be considered by the entire House chamber.
The Israel Anti-Boycott Act prohibits "US companies from participating in boycotts promoted by international organizations, like the UN, that target US partners, like Israel," said Rep. Ed Royce, a California Republican who chairs the panel.
Liberal advocacy groups, however, argue the legislation poses a constitutional infringement on Americans' First Amendment protections, which includes a constitutional right to participate in political boycotts.
Faiz Shakir, national political director of The American Civil Liberties Union, wrote a letter to House members last year saying the bill "would impose civil and criminal punishment on individuals solely because of their political beliefs about Israel and its policies." He urged them not to co-sponsor or support the bill.
The measure's supporters counter that, if passed and implemented, this law would prohibit discrimination on the basis of national origin, in this case, directed at Israeli companies and individuals.
Democrats pushed through several edits to the text earlier this year to address concerns that the bill restricts speech rights. Yet the ACLU still objected to the legislation. Other liberal Jewish groups, such as J Street, also oppose it.
"This latest version would still allow people who boycott to be slapped with criminal financial penalties," said an ACLU's staff attorney Brian Hauss. "It suffers from the same fundamental flaw as the original draft by criminalizing participation in constitutionally protected boycotts."
Sponsored by Rep. Peter Roskam, a Republican from Illinois, and Juan Vargas, a Democrat from California, the bill would specifically amend the Export Administration of 1979, which bars US companies from adhering to Israel sanctions or boycotts administered by the Arab League.
The new provision would make it illegal for US businesses to join international boycotts against Israel.
Rep. Eliot Engel, a Democrat from New York who serves as ranking member on the committee, defended the law's constitutionality at today's hearing before the votes were cast. "Current law already prohibits US companies from participating in state-sponsored boycotts of countries friendly to the United States," he said in his opening statement.
"This legislation simply adds boycotts by international government organizations to that law," he continued. "This bill does not infringe on free speech. It makes it clear that this prohibition only applies when a person is acting in an official capacity and if the intent was to comply with the international government organization's boycott. Individual, personal speech remains protected. Period."