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Andrew Berardini Losangeles ( at ) moussemagazine.it
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1 Andrew Berardini Losangeles ( at ) moussemagazine.it education Master of Fine Arts, Critical Studies: Writing, California Institute of the Arts, 2006 Bachelor of Arts with Honors, Literature and Writing, California State University, Long Beach, 2003 teaching experience 08 present Faculty, Mountain School of Art, Los Angeles Lead Faculty Critical Art Writing Ensemble, Banff Centre, Banff, Canada 13 Visiting Faculty, Banff Centre, Banff, Canada Visiting Professor, School of Cultural Studies, Southern California Institute of Architecture (SCI Arc) Lecturer, Department of Humanities, California Design College, Los Angeles 07 Adjunct Professor, Department of English, Los Angeles City College 06 Graduate Instructor, School of Critical Studies, CalArts gallery and curatorial positions Adjunct Curator, LA><ART, Los Angeles, CA Assistant Curator, Armory Center for the Arts, Pasadena, CA Archivist, China Art Objects Galleries, Los Angeles, CA editorial appointments 12 present Co Founder and Editor, The Art Book Review, LA, CA 08 present Los Angeles Editor, Mousse Magazine, Milan, IT 14 present Contributing Editor, Artslant 14 present Contributing Editor, Momus 14 present Contributing Editor, Art Agenda Deputy Editor, Artslant, LA, CA Editor, Museum of Contemporary Art, LA, CA Assistant Editor, Semiotext(e) Press, LA, CA Editorial Assistant Afterall Journal, Valencia, CA prizes and grants A Curatorial Resident Grant, Vancouver 15 Grant for the International Research Programme, Danish Arts Foundation 13 Andy Warhol/Creative Capital Arts Writers Grant, Short form Writing Finalist, Premio Lorenzo Bonaldi Enter Prize for Young Curators, GAMeC, Bergamo Italy 11 Focus: Institut Francais Curatorial Travel Grant, Paris & Lyon, FR Artis Curatorial Research Grant, IS curatorial projects Mar 15 In Search of an Author with Chiara Giovando, Kunsthalle UKS, Oslo, Norway Mar 14 Cherub w/ Brian Kennon, 2nd Cannons, Los Angeles, CA. Works from Polly Apfelbaum, Aaron Curry, Eve Fowler and Math Bass, Samara Golden Stanya Kahn, Rachelle Sawatsky, Benjamin Weissman, Basil Wolverton, Nov 13 "Present Future: Vanessa Safavi, Santo Tolone, and Naufus
2 Ramírez Figueroa" with Gregor Muir, and Beatrix Ruf. Castello di Rivoli, Turin IT Jun 13 Chris Johanson: Within the River of Time is My Mind Museum of Contemporary Art, Los Angeles Jun 13 "Arte Sur: Collective Fictions" with Albertine de Galbert, Isabelle Le Normand, Jesse McKee, Anca Rujoiu. Palais de Tokyo, Paris, FR. May 13 Chess Set Bolsky Gallery, Otis College of Art, Los Angeles, CA Feb 13 "Set Pieces" with Lauren Mackler. Cardi Black Box, Milan, IT. Sets by Sarah Cain, Liz Glynn, Samara Golden, and Mateo Tannatt. Works from Scoli Acosta, Kathryn Andrews, Matthew Brannon, Mary Corse, Zoe Crosher, Erik Frydenborg, Friedrich Kunath, Eli Langer, William Leavitt, Anthony Lepore, Carter Mull, Claire Nereim, Raymond Pettibon and Amanda Ross Ho. Nov 12 "Treating Shadows as Real Things" with Lauren Mackler. Church of the Holy Shroud, Turin, IT. A part of Artissima LIDO. Artists: Lucas Blalock, Ry Rocklen, Mark Hagen, Giorgio de Chirico, Carlo Mollino, Samara Golden, Sarah Cain, Anthony Lepore, Andrea Longacre White May 11 "On Forgery" LA><ART, Los Angeles, CA. with Lesley Moon. Artists:Kathryn Andrews, Lisa Anne Auerbach, Darren Bader, Jennifer Bolande, Lia Trinka Browner, Tyler Coburn, Fiona Connor, Eduardo Consuegra, Alika Cooper, Cayetano Ferrer, Erik Frydenborg, Liz Glynn, Matthew Greene, Michael Henry Hayden, Alex Israel (Is it Art or Fart?), William E Jones, Dawn Kasper, Brian Kennon, Nick Kramer, Lisa Lapinski, Sarah Lehrer Graiwer, Andrea Longacre White, Anthony Lepore, Carter Mull, Joshua Nathanson, Davida Nemeroff, Allen Ruppersberg, Robert Russell, Aaron Sandnes, Emily Steinfeld, Mateo Tannatt Jan 10 "The Shortest Distance Between 2 Points is Often Intolerable: New Art from Los Angeles," Brand New Gallery, Milan, IT. Artists: Justin Beal, Jedediah Caesar, Liz Craft, Liz Glynn, Patrick Hill, Anthony James, Brian Kennon, Joel Kyack, Anthony Pearson, David Ratcliff, Kara Tanaka, Mateo Tannatt, Ryan Trecartin, Jonas Wood Oct 10 "Projects and Assignments," Saprophyt, Vienna, AT. Artists: Anton Vidokle, Natascha Sadr Haghigian, Noele Ody, Josip Novosel, Roberta Lima, Nathalie Koger, Jakob Lena Knebl, Can Gulcu, Liz Glynn, Christian Egger, Robert Barry, John Baldessari, Scoli Acosta May 10 "Dead Letter Office" Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA. Artists: Bobbi Woods, Karthik Pandian, Kate Costello, Mark Verbioff, Stefan Lugbauer, Michael Decker, Joel Kyack, Michael Smoler, and Lisa Williamson. Mar 10 Emily Mast, "It Will Never Be Known How ThisHas To Be Told," Steve Turner Contemporary, Los Angeles, CA Sep 09 Bruce Nauman, "Untitled (Leave the Land Alone), 1969/2009," September 2009, Armory Center for the Arts, Pasadena, CA Jul 09 Lawrence Weiner, "Water in Milk Exists" WestCoast Premier and talk with the artist, Cottage Home, Los Angeles Jun 09 "Exquisite Corpse, or the Show That Curates Itself" Initiated, including artists Lucky Dragons, Emily Mast, Jeremy Rocine, Karen Lofgren, Nayland Blake, Christopher Oliveria, Manuel Ocampo, and Robert Crouch. Mihai Nicodim Gallery, Los Angeles, CA May 09 Raymond Pettibon and Yoshua Okon. "Hipnostasis." Armory Center for the Arts, Pasadena, CA. Mar 09 Camilo Ontiveros. "Deportables," Armory Center for the Arts, Pasadena, CA. Brochure. Sep 08 Dave Muller. The mullerstudio Library. The Armory Center for the
3 Arts, Pasadena, CA. Nov 08 The Dissemblists. Little Tree Gallery, San Francisco, CA. Artists: Callyann Casteel, Maeghan Reid, and Lyla Rose. Jul 08 "A Chinatown Double Feature: How to and Film Noir. A film series on Chung King Road in LA: Bob Ross, Karl Erickson, Erin Cosgrove, Dane Picard, Nasty Nets, Agathe Snow, Terri Phillips, Chris Doyle, Ciprian Muresan, Michele O Marah, Carlee Fernandez, John Baldessari, Matt Marello, and Drew Heitzler. Feb 08 "You Whose Beauty Was Famous in Rome," Mandarin Gallery, Los Angeles, CA, with Sarah Lehrer Graiwer. Artists: Richard Hawkins, Morgan Fisher, Eduardo Consuegra, William E. Jones, Hedi El Kholti, Brian Kennon, and Elad Lassry. Catalogue. translations and editorial books and brochures Revised Translation. In the Shadow of the Silent Majority, by Jean Baudrillard. Semiotext(e). Research Editor. David Wojnarowicz: A Definitive History of Five of Six Years of the Lower East Side. Semiotext(e). Editor, Bruce Nauman: Untitled (leave the Land Alone) 1969/2009. Armory Center for the Arts, Pasadena, CA Editor. Hipnostasis: Raymond Pettibon and Yoshua Okon, Armory Center for the Arts, Pasadena Editor, Camilo Ontiveros: Deportables, Armory Center for the Arts, Pasadena Co editor, with Lauren Mackler, The Foreign Correspondant. With contributions from Charlie White, Jonathan Lethem, Isabelle Cornaro, Travis Diehl, Aude Pariset and others. Writing books monographs 2015 Relics: Danh Vo, Mousse Publishing, Milan, IT 2010 Richard Jackson, The Rennie Collection, Vancouver, BC Book contributions and catalogues 2016 Twelve Romantic Encounters Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery/Black Dog, Vancouver Philip Guston s The Red Sea The Collection, SFMOMA, San Francisco The Skyline Beckons Wanda Koop: In Absentia, Division Gallery, Toronto Memory Power The Search Drive: A Hack ography, ed Warren Neidich, Motto Choose Your Own Adventure: Notes and Meditations on a Few Works by Neil Beloufa Artes Mundi 7, Cardiff I see a man chasing the horizon The Floating Island, Walter Phillips Gallery, Banff The Elusive Ecstasy of Beauty and the Possibility of Freedom Ryan Mcginley: Four Seasons, GAMEC, Bergamo Ry Rocklen Wasteland. New Art from Los Angeles, LAND
4 Introduction The Inborn Absolute: The Art of Robert Ryan, Featherproof I Wandered Lonely as a Cloud: Flaka Haliti Ars Viva 2016, Hatje Cantz 2015 Forward ABCs for Ten Seconds Ago, Sterling Bartlett Or, a vision in a dream. A fragment. An Te Liu, Black Dog Letter to a Disorganized Poet UH OH: Frances Stark , Hammer Museum/Prestel Feelings: Soft Art, Skira Rizzoli Every House I ve Ever Lived in Drawn From Memory / All My Failed Utopias Have Brought Me To This, Alex Morrison: phantoms of a utopian will / like most follies, more than a joke and more than a whim, Burnaby Art Gallery/Simon Fraser University Art Gallery, Vancouver The City of Glass, Xavier Veilhan, Gallerie Perrotin, Paris DO NOT TIRE. EVERYTHING IS OPEN : On Robert Motherwell, Paul Kasmin Gallery Cory, Cory, Cory, Cory Arcangel: This Is All So Crazy, GAMEC, Bergamo Nose Job, Art and Olfaction Awards, Institute for Art and Olfaction, Los Angeles 2014 Hand in Glove, Make.A.Match, Revolver Verlag Battle Painting Leander Schwazer: Bikini. Museion, Bolzano Home is the Place You Left, Biography: Elmgreen & Dragset, Astrup Fearnley Museum, Oslo Your looks are laughable/ Unphotographable/ Yet you re my favorite work of art Sarah Anne Johnson: Wonderland, CAM Raleigh On Record, w/piero Golia, Gagosian, Edition of Who s in a Name? Edited by Susan Silton, biographies on Pierre Molinier, Margie Schibbe, Unica Zurn, Kim Schoen, Christine Pflug, Marcus Civin, Watanabe Kazin, Lisa Anne Auerbach, Pat O Neil, and Richard Matthews. Three Letters, One Torino, Artissima, Turin, IT Taxidermy, Bownik Disassembly, Mundin, Warsaw, PO Flora and Fauna: Nádia Rodrigues Ribeiro, BES Revelação 2013, Serralves Museums, Porto, PT Three Letters: Vanessa Safavi, Naufus Ramirez Figueroa, Santo Tolone One Torino, Artissima/Castello di Rivoli/ Fondazione Merz / Fondazione Sandretto Re Rebaudengo / Palazzo Cavour Epistle, Privata Vanitas: Luigi Presicce. A+Mbookstore, Milan 2012 "The Life, Adventures and Unparalleled Sufferings of Michael Fliri, Artist" Michael Fliri, Folio Verlag "This is a crossword puzzle" Compilation of Translations: One Year at Ludlow 38. Clara Meister (Ed.). Sternberg Press. "She Comes in Colors" Sarah Cain, LAND, Los Angeles "Firstly, Eric and Kathleen and Devin and Giles and (((Dawn))) and then Ariel and Jason and Geneva and Giles and Simon and Daniela et al." 2012 Whitney Biennial, Whitney Museum New York, NY "This is a crossword puzzle": Natalie Czech Ludlow 38, Sternberg Press, Berlin "Five Courses I Witnessed at Art School" Draw it with your eyes closed:
5 The Art of the Art Assignment. Paper Monument, New York 2011 Succumb (Documents Remain). With Brian Kennon. 2nd Floor Projects, San Francisco Sep 11 "Set Piece: The Spaces of Ginger Wolfe Suarez" Ginger Wolfe Suarez: Proximetric, Glendale College Art Gallery, Glendale, CA. Catalogue, Projects in Assignment, Saprophyt, Vienna The Most Beautiful World in the World. With Sarah Lehrer Graiwer, White Cube, London Essay, "The Thrill of Permanently Unrealized Transgression: The Recent Work of Charlie White," Singapore Biennial 2011: Open House, catalogue Get In. With Brian Kennon. 2nd Cannons. Los Angeles 2010 Essay, "Greetings from Beautiful Ader Falls," Bas Jan Ader: Suspended Between Laughter and Tears, Pitzer Art Galleries/Claremont Museum of Art, Claremont, CA Contributing Essay. 5 Years: The Mountain School of Art. Colophon Essay and Marginalia. Desert Interviews: Piero Golia. JRP/Ringier & Jumex Foundation and Collection. Essay, Yoshua Okon: US, Museo Carillo Gil, Yerba Buena Center for the Arts. Essay. "Let me fall out of the window with confetti in my hair," All Time Greatest. Fellows of Contemporary Art, Los Angeles Essay. "Leave the Land Alone," Cornerstones. Witte de With Contemporary Art Center and University of Amsterdam Press. Ten Short Essays. Frieze Yearbook. London, UK. Essays on Marlo Pascual, Mark Hagen, AIDS 3D, Frank Haines, Mateo Lopez, Benjamin Butler, Tercerunquinto, Jessica Jackson Hutchins, Kertsin von Gabain, Bojan Sarcevic 2009 Essay, I like your work: Etiquette and Art, Published by Paper Monument, New York, NY Essay, Camilo Ontiveros: Deportables, Brochure in conjunction with exhibition Armory Center for the Arts, Pasadena Essay, The mullerstudio Library, made with Dave Muller, Armory Center for the Arts, Pasadena, CA and 2nd Cannons Publications Essay, "Leave the Land Alone," Bruce Nauman: Untitled (leave the Land Alone) 1969/2009, Armory Center for the Arts, Pasadena Interview and Editor. Hipnostasis: Raymond Pettibon and Yoshua Okon, Armory Center for the Arts, Pasadena 2008 Essay. "Introduction," Check In Architecture Reader, Milan, Italy. Catalogue Essay, "After School Drama: The State of Young Painting in Los Angeles," LA Potential, Basis Wien, Vienna, Austria. Essay. Interview with Piero Golia, 2008 California Biennial. Orange County Museum of Art, Newport Beach, CA. fiction
6 "Narration" Lost (in LA), Public Fiction / French Los Angeles Exchange, Los Angeles, CA "A Small Bouquet of Diamonds" Natalie Czech: Hidden Poems, Kunstverein Langenhagen, Germany "Wars of Memory" Valeveil: Ready, Able, Sweden "City of Mirrors," MYTTHM edited by Trinie Dalton, Picture Box Books, New York, NY "The Immense Edifice of Memory," Five Senses: 107th St., Collaboration with Alexandra Grant. Watts House Project. Watts, CA translations and editorial Foreign Correspondent. Public Fiction, edited with Lauren Mackler, writers and artists included Neil Beloufa, Isabelle Cornaro, Charlie White and Jonathan Lethem. Funded by the Institut Francais. Revised Translation. In the Shadow of the Silent Majority, by Jean Baudrillard. Semiotext(e). Research Editor. David Wojnarowicz: A Definitive History of Five of Six Years of the Lower East Side. Semiotext(e). Editor, Bruce Nauman: Untitled (leave the Land Alone) 1969/2009. Armory Center for the Arts, Pasadena, CA Editor. Hipnostasis: Raymond Pettibon and Yoshua Okon, Armory Center for the Arts, Pasadena for print periodicals and ephemera 2016 Oct Alex Da Corte at Art+Practice/Hammer Museum ArtReview Oct Preview: Doug Aitken: Electric Earth at MoCA LA Artforum Oct Juliette Blightman at Kunsthalle Bern Artforum Sep Neil Beloufa at Francois Ghebaly Gallery ArtReview Sum Native North America: Portfolios by Raymond Boisjoly, Tanya Lukin Linklater, and Walter Scott. Conversation between Richard Willia, Hill and Candice Hopkins Mousse 54 Jun Jade Hayo 2: East Spr Future Food Spike Art Quarterly May Preview: Made in LA Artforum May Daniel R. Small Uncover Hollywood s Buried Myths Modern Painters May Review: Ali Prosch at Elephant ArtReview Apr Cheap Sofa Odalisques Room With A Review, BICI: Critical Art Writing Ensemble, Banff Cenre, Banff Apr Review: Matthew Lutz Kinoy at Freedman Fitzpatrick ArtReview Apr The Marriage of Heaven and Hell: Jill Mulleady Mousse 53 Mar In the Evening: Nights Among Artists in Los Angele Pelican Bomb Mar Review: Julie Weitz at Young Projects Artforum Mar Review: Michael Henry Hayden at ACME Artreview Feb Review: Robert Barry at Thomas Solomon/Bethlehem Baptist Church Artforum Feb LA Calling BLAU Die Welt Jan Jen Denike at Anat Ebgi ArtReview Jan Future Great: Kelly Akashi ArtReview Jan Preview: Tala Madani at CAM St Louis Artforum
7 2015 Dec Green Umbrella, Walt Disney Concert Hall Dec Broad s Way ArtReview Dec Richard Hawkins at Richard Telles ArtReview Sep Ein unverschämtes Museum Nachrichten DIE WELT Oct "Illusion and Revelation in the Flatlands: The Paintings of Mernet Larsen". Mousse 53 Sep Preview; Diana Thater: The Sympathetic Imagination at LACMA Artforum Sep Sarah Cain at Honor Fraser ArtReview Aut Views: Jeffrey Vallance, Joe Sola, COrazon del Sol, Tala Madani Spike Art Quarterly Fal Just a Little Drop of Poison White Zinfandel Sum Portraits: Lily van der Stokker Spike Art Quarterly Sum Dear Diary. A Lion s Meal. A Hungry Look: Leidy Churchman Mousse 49 Sum Doug Aitken ArtReview Aug Hermetic Memories: Luna Paiva Buenos Aires Review May South of the Border / West of the Sun Hayo May The Inferno We Live in Everyday, The Brooklyn Rail May Birds of America Pelican Bomb Apr SOGTFO at Francois Ghebaly Art Review Sum Ochre Column, Art Review Apr Michael Parker at Human Resources ArtReview Apr Seduction: Cowle s Comprehensive Encyclopedia Spike Apr Views: Apparitions at the Hammer Museum Spike Apr Art About Fucking Mousse Mar Michel Auder/Józef Robakowski at Fahrenheit Artforum Feb Betty Woodman:Comic Strip Gaze, Cosmic Ship Grays, Ceramic Slip Glaze: from Henri Matisse to Betty Woodman Mousse Feb Over the White Cube column, Art Review Jan Review: Brian Bress ArtReview Jan Carlos Motta: Archiving Suppression and Pre Columbian Blow Jobs ArtReview Jan Column: Piero Golia s Chalet ArtReview Jan Review: Jonathan Horowitz at 356 Mission Artforum 2014 Dec Denim Blue Pants Magazine Dec Column: Peaches & Cream ArtReview Dec Review: Lisa Anne Auerbach at Gavlak ArtReview Nov Swimming Pool Blue Art Review Aut Column On LA Collectives ArtReview Asia Oct Column On LA Collectives ArtReview Oct When I See a Train, I Want to Take It in My Arms The Brooklyn Rail Oct Pieced Together: Kim Fisher and Alice Konitz Mousse Sep Emile Halpern and Andrew Cameron at Samuel Freeman Art Review Sum Math Bass: Lies Inside at Overduin & Co, Los Angeles Art Review Jun The Influentially Lewd Allure of Robert Heinecken, Mousse May After School Art Review May Scott Reeder at 356S. Mission Road, Los Angeles Art Review Spr Bienial de Cartgena Art Review Apr LISA WILLIAMSON, ALEX OLSON, LAURA OWENS The empty handed painter
8 from your streets is drawing crazy patterns on your sheets Mousse Apr Unruhe Stiften: Christian Rosa, Die Welt Apr The Fugitive Bruce Conner L Officiel Mar Review: Samara Golden Art Review Mar Perversion is Bliss W/ Torbjorn Rodland, PARIS, LA Feb Patrick Jackson: Three Levels Mousse 2013 Spr Excerpts from the Standard Book of Color The Foreign Correspondent, Public Fiction Feb "Tender Doublings and Found Minimalism: Fiona Connor" Mousse Mar Future Greats: Samara Golden Art Review Mar Laura Owens Paints Us Forward LA Weekly Apr My Favorite Dirt Roads: The Work of Robert Kinmont Mousse Apr Review: Richard Jackson at OCMA Art Review May The Perfect Love Letter to James Lee Byars Mousse May Preview: Urs Fischer, Artforum Sum Review: Channa Horwitz at Francois Ghebaly Gallery Art Review Sum Preview: Urs Fischer at MOCA Artforum Sep Richard Hawkins Art Papers Sep Koji Enokura at Blum and Poe Art Review Oct Alison O Daniel at Samuel Freeman Art Review Oct Percussive Paintings and Quixotic Cadences: The Travels and Travails of Scoli Acosta Mousse Fall Lost in Los Angeles, Paris, LA 51.2 All Art is Contemporary: Michael Govan, ARTAND Australia Dec Francois Morellet Art Review Dec With Flying Colors: Jon Pestoni, Mousse 2012 Dec 27 "Lucy Raven Turns Test Patterns into Art" La Weekly Dec "Review Clare Rojas" ArtReview Dec "This Thin Skin Covers All The Rough Pleasures of Being Alive: Robert Overby" Mousse Nov "The Power 100: John Baldessari" ArtReview (cover) Oct 11 "JP Munro at International Art Objects and Gustave Moreau at the Hammer Museum" La Weekly Oct "Through the Looking Glass: Samara Golden" Mousse Sep "Thomas Houseago" ArtReview (cover) Sum "The Thoroughly Documented, Marginally Fictional Life of Michel Auder, Artist" Purple Magazine, Paris, FR Jun "A Fortuitous Encounter with Color in the Street: Interview with Abraham Cruz Villegas" Mousse May "Excerpted from Secret Societies in America," Public Fiction/MoCA May "Leigh Ledare" ArtReview Apr "Mike Kelley," Pasadena Magazine Apr "What is Essential is Invisible to the Eye: A Few Words on the Work of Robert Barry" Mousse Apr "Leigh Ledare at the Box, Michel Auder at Kayne Griffin Corcoran" LA Weekly Mar "Feature: Lutz Bacher" Art in America Mar "Mono ha, the Japanese "School of Things," at Blum & Poe" LA Weekly Mar "Brian Bress" Art Review
9 Feb "Alina Szapocznikow at the Hammer Museum: Sexy Sculptures of a Forgotten Polish Genius" LA Weekly Feb "Marina Pinsky" ArtReview Feb "Future Greats: Brian Kennon" ArtReview Dec "Pacific Standard Time to Night Gallery: The Year in L.A. Art" LA Weekly Dec "Alika Cooper at Eleanor Harwood" Artforum Oct "Pacific Standard Time" ArtReview Sep "Pacific Standard Time: Celebrating the Freaks and Weirdos of LA LA Weekly (Cover) Sep "Way Out West" The Art Newspaper Sep "The Lost Frontier: Llyn Foulkes" Mousse Sep "Jay Tucker's Nudies", Night Gallery Sep "Pacific Standard Time: Timeline " LA Weekly Aug "Night Gallery, Museum of Public Fiction and Other Eastside Experiments" LA Weekly Jul "Piero Golia at Gagosian" LA Weekly Jun "Natural History: Anthony Lepore and Mark Hagen" LA Weekly May "Human Nature at LACMA" LA Weekly Feb "Dawn Kasper and Human Resources," Modern Painters Feb "Marnie Weber: Eternity Forever," Modern Painters 2010 Dec "The Letter Writer, Frances Stark," Mousse (cover) Dec "Sometimes Laid Out, Young, Depressed, Fucked Up...: Nan Goldin in Berlin," Style and the Family Tunes, Berlin Nov "Gymnastics for the Mind: Prefontaine Classic," Rolling Stone Nov "Variable Fashions for Modernist Models: John Baldessari s The Giacometti Variations," Muse Italy Nov "Paul McCarthy at L&M," Artillery Nov "West Coast Love Affair: East of Borneo, Magazines, and Los Angeles," Art Lies Oct "Taxonomy: Alex Israel," Angeleno Sep "Preview: Ruben Ochoa at Suzanne Vielmetter," LA Weekly Sep "Preview: Charlie White at LAXART," LA Weekly Sep "Joel Kyack," Art Review Sep "A Drunk at the Bauhaus Textile Mill: The Work of Mateo Tannatt," Mousse Sep "Interview with Zhang Huan," Muse Italy Sep "Mike Kelley and Michael Smith at Farley Building/West of Rome," Artillery Jul "Conversation Between Barbara T. Smith and Simone Forti," Mousse Jul "Mike Bouchet" Artillery Jun "A West Coast Love Affair with Exotic Polynesiana and Contemporary Art" ArtAsiaPacific Jun "Erik Frydenborg" Art Review Jun "Ketuta Alexi Miskhishvili" Frieze Apr "Joel Kyack," Angeleno Apr "Via: Phase One, LAND," Art Review Apr "Drew Heitzler," Frieze Apr "The Infinitude of the Private Man: Joel Kyack s Messy Makeshift Poetical Individualism," Mousse
10 Mar "Getting Deitch'd: Jeffrey Deitch Goes Los Angeles," Style and the Family Tunes, Berlin Mar "Slideshow: Neil Beloufa," Mousse Mar "Dianna Molzan," Frieze Feb "Guide van der Werve," Art Review Spr "Pop Life: Tate Modern," Highlights Greece Spr 10 "Dan Finsel: Parker Jones Gallery," Highlights Greece 2009 Oct "Neil Beloufa," Frieze Sep "Mark Roeder at Sister," Frieze Sep "The Body Artist: The Performing Sculptures and Sculptural Performances of Martin Kersels," Mousse Sep "Larry Johnson," Art Review Aug "Didier Faustino," Frieze Sum "Performance in Los Angeles," Style & the Family Tunes, Berlin Jun "William Leavitt," Artweek Jun "Tom Lawson," Art Review Jun "On Lifestyle: Los Angeles," Art Review Jun "One of the Landscapes is Not Like the Other: Jedidiah Caesar," Mousse May "Karthik Pandian," Artweek Apr "Purity Contaminated: Nathan Hylden," Style & the Family Tunes, Berlin, (trans. into German) Apr "Dan Graham," Art Review Apr "Los Angeles Playing Itself Again: The Beat and the Buzz by Richard Hertz," Mousse Mar "Fangbangers and Golden Globetrotters: On the set of HBO s Trueblood," Rolling Stone Feb "Portrait: Richard Phillips," Muse Italy Feb "Morgan Fisher: Alien Pendant Paintings," Artweek Feb " Try again. Fail again. Fail better: Interview with Euan Macdonald," Mousse Feb "California Biennial 08," Frieze Jan "Autarchic Wonderland and SlaveCity: Atelier Van Lieshout in Rotterdam" Muse Italy Jan "Friedrich Kunath at Blum and Poe," Art Review 2008 Dec "Dig Forever and Never Hit Bottom: An Interview with Paul Sietsema." Mousse Dec "The Legend of Anthony Burdin," Mousse Dec "The Naked and the Damned: Vanessa Beecroft and Kanye West," Rolling Stone Nov "Julian Hoeber," THE Magazine Oct 15 "Sketches," LA CityBeat Oct 15 "Psychedelic Astronautical Pranskerism: Mungo Thomson," LA CityBeat Aut 08 "From A to Z," Paper Monument. Aut 08 "Beating a Dead Horse: Images, Incantations, Agony, and the Figure in the Work of Matthew Monahan." Mousse Sep 08 "Leave the Land Alone," Mammut #1 Sept 18 "Sketches," LA CityBeat Oct "From Across the Desert, Comes a Prophet Bearing the Word and the
11 Word is Light : Turrell and the Roden Crater," La Stampa, Italia Oct "Focus: Matthew Monahan at MoCA LA," Art Review Sep "Karin Appollonia Muller at Karyn Lovegrove," Art Review Sep "Book Review: No One Belong here More Than You," Art Review Sept 18 "A Hippopotamus Pirouetting: Martin Kersels Heavyweight Champion of the World," LA CityBeat Aug 20 "Sketches," LA CityBeat Aug 20 "Looking at Los Angeles: This Side of Paradise at the Huntington" LA CityBeat July 24 "Stairway to Heaven: Kori Newkirk at LAXART," LA CityBeat Sep "Andreas Golinski at Via Farini," Art Review Jun "Nathalie Djurberg at Fondazione Prada," Art Review May "Gedi Sibony at Galleria Zero," Art Review Apr "California Video," Art Review Apr After Recession, Performance Art Deemed Again Lame, Something Vaguely Gay Supported by NEA, You Are Free: On Self Exploitation in Art, An Art Newspaper Mar "Women in the City," Mousse Mar "Andy Warhol s Blowjob by Peter Gidal," Art Review Feb "Cruising Richard Hawkins," Mousse Jan "Lisa Anne Auerbach at David Patton Los Angeles," Art Review 2007 Win "Deleuze From A to Z," Fillip, Canada Dec "Slater Bradley," Mousse Dec "Francis Alys at the UCLA/Hammer Museum," Art Review Oct MoCA Focus: Matthew Monahan, Art Review Sept Karin Apollonia Muller: Edges, No One Belongs Here More Than You, Art Review Nov "Stephen G. Rhodes at Overduin & Kite," Art Review Jul "Focus: Alexandra Grant at MoCA Los Angeles," Art Review Sum "William Pope.L," X TRA, Vol. 9.5 Sum "Trudi Gallery," Beautiful/Decay Jun "Book Review: REAL LIFE: An Anthology," Art Review May "WACK!: Art and the Feminist Revolution," Art Review Apr "Book Review: Mary Heilman: Save the Last Dance for Me by Terry R. Myers," Art Review Apr "Sarah Greeneberger Rafferty at Sandroni Rey," ArtUS Spr "Wolfgang Tillmans at the Hammer," Beautiful/Decay Feb "Everything is Tiravanija s but It s Also Yours," X TRA, Vol. 9.3 Mar "Mario Ybarra, Jr.," Art Review Jan "David Noonan at Kordansky Gallery," ArtUS articles online (erratically updated) 2016 Aug Critic s Pick: Omul Negru at Nicodim Gallery Artforum.com Aug Made in LA: 2016 Art Agenda Jun "Critic's Pick: EVERYBODY! COME STAND ON THE ALTAR! at PSSST Artforum.com Jun The Tug of the Earth and the Tug of the Sky: The Writhing Stillness of Agnes Martin Momus.ca Jun Critic s Picl: Rachelle Sawatsky at China Art Objects Galleries Artforum.com
12 May How to Become a Curator Momus.ca Mar How to Be An Unprofessional Artist Momus.ca Mar Elaine Cameron Weir at Venus Over LA Artforum.com Mar Nathaniel Mellors at the Box Artforum.com Feb Diary Dear John Artforum.com Jan William Leavitt at Honor Fraser Artforum.com Jan How to See the Invisible Momus.ca Jan Chadwick Rantanen and Bill Jenkins at Michael Thibault Artforum.com 2015 Nov Simone Forti at the Box art agenda Nov How to Read an Art Magazine Momus.ca Nov Diary: Simone Says Artforum.com Aug A.L. Steiner s Personal Archive: Underground Heroes, Everyday Lovers, and Global Catastrophe Momus.ca Aug New Babylon at Roberts & Tilton Artforum.com Jul Diary: Rain Dance Artforum.com Jul How to See a Sunset Momus.ca Jun Diary: Different Strokes Artforum.com Apr Dritic s Pick: Ginger Wolfe Suarez at Diane Rosenstein Artforum.com Feb Critic s Picks: Juliette Blightman at KARMA Los Angeles Artforum.com Feb Critic s Picks: Charles Gaines at the Hammer Musuem Artforum.com 2.10 How to Start an Art School, Momus.ca 2.9 The Forgotten Edge, Terremoto.mx JAN Critic s Picks: Mike Kuchar at Francois Ghebaly Gallery Artforum.com JAN Critic s Picks: Mira Dancy at Night Gallery Artforum.com JAN Critic s Picks: Helen Johnson at Chateua Shatto Artforum.com JAN Critic s Picks: Alma Allen at Blum & Poe Artforum.com 1.6 In Praise of Good Art Writing, Momus.ca How to Survive International Art: Notes from the Poverty Jetset, Momus.ca He did not ring my head like a bell: Reviewing Geoffrey Farmer, Momus.ca How to Write About COntemporary Art, Momus.ca Through the Mirror of My Mind: Interview with Samara Golden: East of Borneo Sunstroked & Rigorous: Some Notes on CalArts, Art & Education Nov Diary: Pole Postion, Toronto, Artforum.com Nov Diary: Close Calls, Turin, Artforum.com 11.8 Fake Till You Make It: A Few Words on Forgery, Artslant Oct Diary: Roller Models, Buenos Aires, Artforum.com A Cool, Darkling Swirl: Benjamin Millepied s LA Dance Works at the Ace, Artslant
13 10.21 Transitioning Love Affair: Zach Drucker/ Rhys Ernst at Luis de Jesus Artslant CalArts to Alleged Rape Victim: How Long was Your Dress? Artslant 10.9 Copper Pyramid / Promethean Fire: Kathryn Garcia at Harmony Murphy, Artslant 10.5 Miranda July s Curious Handbag, Artslant Sep Critic s Picks: Edgar Arcenaux, Artforum.com Sep Diary: Islands in the Stream, Artforum.com 9.4 No Long Lonely (but still maybe a little bit brutal: September Openings in LA, Artslant Jul John Altoon at LACMA, Artforum.com Jul Contort Yourself at Kayne Griffin Corcoran Artforum.com Jul Go West, Los Angeles, Artforum.com 7.8 Obsidian Black, Artslant Apr Love Hangover, Los Angeles, Artforum.com 4.8 You Are Free: On Self Exploitation in Art Artslant 3.25 Light Writer: Anthony Pearson at Kordansky Artslant 3.8 The Vitality of the Unknown: The Possible at the Berkeley Art Museum Artslant Feb Carnival Barker, Los Angeles, Artforum.com Feb Critic s Picks: Morgan Fisher, Artforum.com 2.25 Trans Optical: Interview with John Houck, Artslant 1.28 Fairways: ALAC, LA Art Book Fair, and Paramount Ranch Artslant 1.22 Word and Image: An Interview with Raymond Pettibon, Artslant Best of 2013: Los Angeles, Artforum.com Critic s Pick: David Snyder Artforum.com Andrew Berardini on Henry P. Bosse SFMOMA Open Space "Maroon" and "Jet Black" Set to Signal Cover Song: Sam Gilliam at David Kordansky Artslant Sheets Artslant.com Guido van der Werve s Nummer veertien Art Agenda A last loveletter from a sunsetting civilization: JJ Peet at Redling Fine Art Artslant Critic s Pick: David Snyder Artforum Andrew Berardini on Henry P. Bosse SFMOMA Open Space Cover Song: Sam Gilliam at David Kordansky Artslant A last loveletter from a sunsetting civilization: JJ Peet at Redling Fine Art Artslant "Picks: Bernard Piffaretti" Artforum.com Wu Tsang s Wildness Vdrome "Picks: Bernard Piffaretti" Artforum.com "The Legend of Georgia Fee" Artslant "Diary: Practical Magic" Artforum.com "Picks: Miller Updegraff" Artforum.com "Diary: California Uber Alles" Artforum.com "Diary: Los Angeles Plays Itself " Artforum.com
14 "Picks: James Lee Byars" Artforum.com "John Miller's New Realities" Art Agenda Sheets Artslant "Diary: Lost Weekend " Artforum.com "Picks: Abigail Reynold" Artforum.com Wu Tsang s Wildness Vdrome "Diary: Growth Spurts" Artforum.com "Diary Diddy Complex" Artforum.com "Raymond Pettibon s "Desire in Pursuyt of the Whole" Art Agenda "Diary: Star Spangled " Artforum.com "Diary: Not Safe for Work " Artforum.com "Diary: California Dreamin " Artforum.com "Picks: Julian Hoeber " Artforum.com "Diary: Night Watch " Artforum.com "Diary: Pork Chops" Artforum.com "Diary Beer Goggles" Artforum.com "Diary: Tour of Duty" Artforum.com "Christoph Büchel's Secession Sex Club" Artslant "A Misinterpreted Past Resonates in the Present: Robert Mallary at The Box," Artslant "Los Angeles Plays Itself: Madrid," Artforum.com "A Conversation with Raymond Pettibon" Artslant "Garcia Torres at the Reina Sofia" Artslant "A Few Things I Didn t See at ARCO_2010 in Madrid, Spain," Artslant "New Worldwide Order," Artslant "Press Released," Artslant "Appropriative Longing with Mustard and Ketchup: Bobbi Woods at 2nd Cannons" Artslant "An Interview with Joe Sola," Artslant "Dianna Molzan at Overduin and Kite" Artslant "Going Deitch: Los Angeles," Artforum.com "Roamin' Holiday: Los Angeles," Artforum.com "The Trouble, Lately, with Art Criticism: One Suggestion on Saving Art Criticism in Our Newspapers," Artslant "Mas Que Nada: Miami" Artforum.com "Day One at Miami Basel" Artslant "Thirty Years On: Thirtieth Anniversary at MoCA," Artslant "All of My Work is Pantomime: Interview with Desirée Holman," Artslant "Jeffrey Vallance at Margo Leavin," Artslant "Chinatown: Open Sundays," Artslant "Scene & Herd: Collector Call" Artforum.com "Critic s Picks: Brian Bress" Artforum.com Sep 09 "Interview with Ari Marcopoulos," Artslant Sep 09 "Gustavo Artigas at LAXART," Artslant Sep 09 "Ry Rocklen at Parker Jones," Artslant
15 Sep 09 "Luke Butler at Jessica Silverman," Artslant Sep 09 "Mitzi Pederson at Ratio 3," Artslant Sep 09 "Sitting by the Dock of the Bay: A Discussion on the State of Art," Artslant "Scene & Herd: Trial by Fire," Artforum.com Aug 09 "The Hans Ulrich Obrist Map of the World," Artslant Aug 09 "The Making of The Americans: Robert Frank at MoCA," Artslant Aug 09 "California Conceptualism: Baldessari and Nauman at Cirrus," Artslant Aug 09 "Interview: Neil Beloufa & Andrew Berardini," Artslant "Critic s Pick: Karen Lofgren," Artforum.com "Black Market: Los Angeles" Artforum.com Jul 09 "Excerpted Primer on Appropriate Art World Etiquette (If There Even Is Any)," Artslant Jul 09 Word Problems: Wrong at the Eighth Veil, Artslant Jul 09 "Work in a Range of Mediums: Simone Forti at the Box," Artslant Jul 09 "Jesse Redling Fleming," Frieze.com Jul 09 "Word Problems: Wrong A Program of Text and Image at the Eighth Veil," Artslant Jul 09 "Work in a Range of Mediums: Simone Forti," Artslant Apr 09 "Tourist Trap," Artforum.com Mar 09 "Richard Jackson, Franz Ackerman," Artforum.com Feb 09 "Golden Graham," Artforum.com "Another Woman," Artforum.com "California Dreaming" Artforum.com 2008 Aug 08 "Cottage Industry," Artnet.com Jul 08 "Please Stay Out We re Open at Redling Fine Art." Artforum.com May 08 "Speck n Span: Bolzano," Artforum.com Sum 08 "Interview with Piero Golia" Afterall.com Mar 08 "Critic s Pick: Euan MacDonald," Artforum.com "Smock and Awe," Artforum.com "Foot Traffic" Scene & Herd, Artforum.com "Critic s Picks: Männerphantasien at Chung King Project" Artforum.com "Rise & Sprawl" Scene & Herd, Artforum.com "Luxury Import" Scene & Herd, Artforum.com "Critic s Pick: Matthew Higgs," Artforum.com "Box Trot," Scene & Herd, Artforum.com "Critic s Pick: Julie Orser," Artforum.com "Critic s Pick: Matt Chambers,"Artforum.com "Critic s Picks: Matt Greene," Scene & Herd, Artforum.com "Critic s Picks: Channa Horwitz," Scene & Herd, Artforum.com "Painting the Town," Scene & Herd, Artforum.com "Wack Pack," Scene & Herd, Artforum.com "Critic s Pick: Kinky Sex (Makes the World Go Round). " Artforum.com "Lighter Fair," Scene & Herd, Artforum.com "Delirious Los Angeles," Scene & Herd, Artforum.com
16 "Critic s Pick: Interventions " Artforum.com "Last Supper," Scene & Herd, Artforum.com "Meet and Magritte," Scene & Herd, Artforum.com "Critic s Pick: Dietmar Lutz," Artforum.com "County Fair," Scene & Herd, Artforum.com "John Bock at Regen Projects," Afterall.org "Broad Daylight," Scene & Herd, Artforum.com "On the Road," Scene & Herd, Artforum.com "Intoxicating Atmosphere," Scene & Herd, Artforum.com "Hollywood Premiere," Scene & Herd, Artforum.com "Lorna Simpson at LA MoCA," Afterall juries and selected panels/lectures 2015 Art School of the Future, Te Ara Hihiko, College of Creative Arts, Massey University, Wellington, NZ Noise and the Possibility for a Future w/ John Wiese, Goethe Institit, Los Angeles Counter Culture Forum Presentation House Gallery, Vancouver, BC Collage on the Page and in the Street Los Angeles Art Book Fair, MOCA Geffen, Los Angeles Reading from The Standard Book of Color w/martha Kirszenbaum, MODEL, Vancouver Gen F Reading w/ Mary Woronoz, Bunny Visick, and James Hayward, Book Soup, West Hollywood 2014 Gen F Reading at Stories, Los Angeles, CA 2013 Department of Cultural Affairs French Los Angeles Exchange Residency Panel USC, Advance Sculpture Lecture, Instructor: Jonathan Pylypchuk Premio Bonaldi Prize Conference, Lecture Organized Panel, Vancouver Art Fair Colloquy: Parenting in the Art World, MOCA Grand, Los Angeles 2012 Doctorow Prize for Painting, Juror Illy Present Future Prize, Artissima 2011 Doctorow Prize for Painting, Nominator Scholastic Art & Writing Awards 2010 Conversation with Joel Kyack and Cesar Garcia, Hammer Museum, Los Angeles, CA Otis Visiting Critic Lecture, Otis College of Art & Design, Los Angeles Curatorial Panel with Shamim Momin, Pilar Tompkins Rivas, and Franklin Sirmans, Big City Forum, Los Angeles, CA The Escape Artist, Moderator, Panel with Dennis Oppenheim, David Levine, Charlie White, et al. Mandrake, Los Angeles, CA The Future of Arts Criticism, Panel with Sharon Mizota, Sasha Anawalt, and Bennett Simpson, MoCA, Los Angeles, CA The Ferus Gallery, Panel with Hal Glicksman, Larry Bell, Hunter Drohohowska Philps, and Carol Eliel, Art LA Contemporary, Los Angeles 2009 Is Conviction in Painting Possible? Mod: Ed Schad, w/ Courtney Martin, Jens Hoffman, et al., Honor Fraser Gallery, LA Afterall Conversations, CAA Conference, Mod.: Andrew Berardini, w/ Richard Jackson, Piero Golia Panelist. Art Criticism in LA, CAA Conference, Los Angeles, CA Moderator: Peter Frank
17 2008 Visiting Lecture, Documentary and Imagination: A Reductive History of Photography to the Present, Broad Art Center, UCLA Panelist, Art and Education, Rotterdam Dialogues: The Critics, Witte de With Contemporary Art Center, Rotterdam 2007 Panelist, Launch of REAL LIFE: An Anthology with Susan Morgan, Thomas Lawson, Miriam Katzeff, and Andrea Bowers, REDCAT, LA, CA Another Fifty Years of Little Magazines, Afterall and Fillip Launch, with Tom Lawson and Jordan Strom, Mandrake, LA, CA 2006 Assistant to the Organizers, noulipo: Experimental Writing, Conference, REDCAT, LA, CA 2005 Assistant to the Organizers, Séance in Experimental Writing, REDCAT, LA, CA Special Projects 2015 Collaboration/performance, Pierre Huyghe s The Public Writer, Pierre Huyghe Retrospective, LACMA, Los Angeles 2014 B. INGRID: THE VASES MY MONITORS THEIR FRAMES, curated by Alex Ross, with contributions from Andrew Berardini, Cecilia Canziani, Quinn Latimer, cura.basement, Rome 2014 Performance/Collaboration On Record, Endurance Conversation, LA Art Book Fair, MOCA Geffen, Los Angeles 2013 May Some Notes on Space and Chance, Sound and Sonority Program Notes for the Calder Quartet performing John Cage, Morton Feldman, and Christian Wolff in the exhibition The Bride and the Bachelors: Duchamp with Cage, Cunningham, Rauschenberg and Johns, Barbican Gallery, London 2012 Two Women in Conversation w/brian Kennon, Nero Magazine, Rome 2011 Collaboration, A Small Bouquet, w/ Natalie Czech, Kunstverein Langenhagen, Germany 2008 The Lost Works of Andrew Berardini Exhibition, Raid Projects, Los Angeles, curated by Amanda Browder
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Christmas resources for kids learning English, including games, rhymes, riddles, songs, printable worksheets, plus teaching materials. Christmas Lesson Ideas. Christmas Board Game. Students think of their Christmas wish and write it in English on a Christmas tree ball. I collect all the. Fun and engaging ESL activities, games and worksheets for English teachers to use. Christmas; Clothes& Fashion. editable and can be easily adapted to students. Christmas - Links to free ESL Christmas crossword puzzles, Christmas ESL games and quizzes, Christmas English language teaching activities, printable Christmas worksheets, Christmas lesson plans, Christmas teaching ideas, and more!
Christmas in the ESL Classroom. with students. Many ESL web sites now have sections where you can use your own vocabulary words to create Christmas Bingo cards. In this game, your students will take turns describing different Christmas and holiday related items. Start by brainstorming a list of different holiday items.
Your list might include the following: Christmas tree, holiday lights, presents, menorah, Santa Clause. In this insightful Christmas game, students learn about English Christmas traditions by completing sentences with adverbs of frequency. The students are divided into teams of three or four and each team is given a copy of the worksheet. The first sentence about Christmas in England is read aloud to the class.
Christmas ESL Printable Vocabulary Worksheets, Exercises, Handouts, Quizzes, Tests, Activities, Teaching and Learning Resources, Materials, Picture Dictionary, Posters and Puzzles for kids! Show your students a Christmas cookie recipe like this one. After reading the recipe, see if students can act out the process for making the cookies. After reading the recipe, see if students can act out the process for making the cookies.
In each parcel put a group activity with a Christmas theme for students to try e. g. a word search, a dialogue to practise, a questionnaire to ask each other, a poem to read aloud.
Spread the boxes around the class and students can work through each parcel, passing them around. ESL Crosswords, wordsearches, and activities for Christmas. Christmas Cards: A guided writing activity with two supporting worksheets and three card templates to get the students writing cards to people they know. If you're looking for great kids games or need some winter boredom busters, you and your family will love these 30 awesome Christmas games for kids!
Fun and engaging ESL Christmas activities, games and worksheets to help teach students Christmas vocabulary and traditions. Everyone knows it's easy to plan a Christmas lesson with kids, but don't leave your adult ESL learners out of the holiday fun!.
How to Teach a Christmas Lesson. " Lesson plans, and other activities for teachers at Christmas Dec 16, 2012. This post focuses on Christmas activities and games for the ESL classroom. Ranging from young learners to adult there are fun activities for all. Show your students a Christmas cookie recipe like this one. After reading the recipe, see if students can act out the process for making the cookies. After reading the recipe, see if students can act out the process for making the cookies.

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We are not Indians in the pure sense, we are African Indians
PSYCHOLOGIST and author Dr Devi Rajab says South Africans rarely know each other outside a group stereotype. "After 21 years of democracy we still display the residuals of our apartheid socialisation. This self-negation is a grave stumbling block to our economic and social development."
According to Rajab who was speaking at the social cohesion seminar at the Durban ICC, until South Africans can overcome the fear of another, social cohesion remains a pipe dream.
"For as long we are alive and a society there will always be this thing of differentiating one by another. The challenge for social cohesion is to get ourselves away from playing like two-year-olds, not alongside each other but together. You listen to the radio and you hear the preservation of 'their culture'. You…


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Last week I went into an elementary classroom and observed a solid language arts class. It was a solid program with students learning independently and knowing just what to do and what was expected.
I had been wanting to try using Google Drawings more for a long time, and I could see a few ways I could easily substitute it in.
It went OK. The students were engaged, but they were not speaking as much as I thought they should be speaking.
So now I have a followup lesson where the students will take the words they practiced and use them in sentences.
So, what do you see that I could do to make either one of these better?
If you are interested in either of these Google Drawings templates, let me know.


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Some of the atoms eventually change from one element to another by a process called radioactive decay.If there are a lot of atoms of the original element, called the parent element, the atoms decay to another element, called the daughter element, at a predictable rate.This paper is available on the web via the American Scientific Affiliation and related sites to promote greater understanding and wisdom on this issue, particularly within the Christian community.
Most of the elements in nature are stable and do not change.
However, some elements are not completely stable in their natural state.
Many Christians have been led to distrust radiometric dating and are completely unaware of the great number of laboratory measurements that have shown these methods to be consistent.
Many are also unaware that Bible-believing Christians are among those actively involved in radiometric dating.
But because God has also called us to wisdom, this issue is worthy of study.
Rocks are made up of many individual crystals, and each crystal is usually made up of at least several different chemical elements such as iron, magnesium, silicon, etc.
This paper describes in relatively simple terms how a number of the dating techniques work, how accurately the half-lives of the radioactive elements and the rock dates themselves are known, and how dates are checked with one another.
In the process the paper refutes a number of misconceptions prevalent among Christians today.
However, some Christians suggest that the geologic dating techniques are unreliable, that they are wrongly interpreted, or that they are confusing at best.
Unfortunately, much of the literature available to Christians has been either inaccurate or difficult to understand, so that confusion over dating techniques continues.
The passage of time can be charted by the reduction in the number of parent atoms, and the increase in the number of daughter atoms.Tags: Adult Dating, affair dating, sex dating


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Sujain ThomasJune 25, 2018
If you are the owner of a restaurant, you should choose the correct mobile marketing service for promoting your restaurant effectively. Often this choice is a challenge for most owners of restaurants generally because they are not aware of the latest developments in the market. It is true you would prefer a marketing message to grab the attention of the targeted customer, but at the same time, you need a flexible tool to reach out to them.
Why should you opt for an SMS marketing service?
If you are the owner of a restaurant, it is prudent for you to choose the correct SMS marketing service for promoting your business. This will help you to deliver your offers to interested subscribers. SMS marketing is popular today primarily because 85% of people in the USA have a cellphone. They check their phones throughout the entire day and sometimes late into the night. There is research that state that most people check their phones within 15 minutes of waking up. Even before they are dressed for work, they check their phones and respond to messages. Unlike the other popular forms of print and banner advertising, SMS marketing helps you to remain in touch with your customer throughout the whole day no matter where you are.
Some interesting facts about SMS marketing that works for your business
The following are some interesting facts about SMS marketing you should consider before you use it for your restaurant marketing and promotion campaigns-
The above is just some of the interesting facts for you to know. As a restaurant owner, you can use SMS marketing services to share alerts, mobile coupons, give them information on new items on the menu and an effortless way for you to be in touch. With the aid of the above, you effectively can draw in customers for your business and make them satisfied with exclusive items on your menu.
How can mobile coupons sent via SMSs increase foot traffic to your restaurant?
Mobile coupons are one of the ways via which you can bring in new customers. With the aid of mobile coupons, you effectively can improve your returns on investment for your restaurant business. The following are the reasons why-
Experts in the field of SMS marketing in the USA, Simpletexting.com says the above are just some of the few reasons as to why restaurants should use SMS marketing for promoting their restaurants. The following are some other salient points you should note to bring in more customers via SMS –
The following are some creative ways via you can draw in more diners to your restaurant-
You can also use MMS to invite customers to come to your restaurant as pictures along with text can invoke the interest of your targeted audience to your restaurant. If you can attach a relevant message with an image, you can invoke your customers to come to your restaurant and try out the new dishes that you wish to promote. MMS campaigns also give you an advantage in the restaurant business as customers often get engaged when they see images of mouth-watering dishes.
Send personalized text messages to your customers on anniversaries, birthdays and holidays
You can build customer loyalty for your restaurant when you send out personalized messages to your customers on their birthdays, anniversaries and holidays. This allows you to give them offers and discounts. They get the reason to dine with these offers and make the occasion more memorable. You may also keep exclusive items on your menu to delight your customers.
With the aid of a customized SMS marketing campaign for your restaurant, you can invoke customer loyalty and make them happy as well. There are professional SMS marketing companies that will help you create and frame the right campaign for your restaurant. Contact them and start getting the strategic edge in the market and make your customers happy with tasty food!


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Dixons Mills, AL Medicare Supplement Insurance
To get the best Medicare Supplement insurance in Dixons Mills, AL, it is important to compare your options. Our website enables you to do that quickly and efficiently. Simply enter your Zip at the top and click Compare Options button. You will be taken to a page with a list of the best insurance carriers in your Marengo area. We recommend comparing quotes from at least 3 companies before settling on a coverage. This way you can make sure you are not overpaying on your Medigap premium.If you have been thinking about getting some type of supplemental health insurance, and you have recently retired, Medigap insurance is available for those that are over the age of 65. This is supplemental insurance that you absolutely need to have if you are going to rely upon Medicare. Although having national insurance coverage is good, it's not enough. People that do not have supplemental coverage often spend tens of thousands of dollars extra every year just to cover the costs of hospitalizations, tests, and prescription drugs. In order to offset this, Medigap insurance was created and is available from many different companies.
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• • • Pulse-code modulation ( PCM) is a method used to represent sampled. It is the standard form of in computers,, and other digital audio applications. In a PCM, the of the analog signal is regularly at uniform intervals, and each sample is to the nearest value within a range of digital steps. Linear pulse-code modulation ( LPCM) is a specific type of PCM where the quantization levels are linearly uniform. This is in contrast to PCM encodings where quantization levels vary as a function of amplitude (as with the or the ).
I have an Android app called Virtual Recorder which records audio in.PCM format. However, I cannot get this file to play on my PC. I tried with Audacity but it did not work. PCM files are Audio Files primarily associated with Sound File. PCM files are also associated with Embroidery Design File, Image Photoline, LaserJet Printer Cartridge Metric (Hewlett-Packard Development Company L.P.), OKI MSM6376 Synth Chip PCM Format, Bliss for Windows (Handicom), Opera Binary Voice-related File (Opera Software ASA) and FileViewPro. How Audio File Formats Differ and What This Means for Listeners MP3, AAC, WMA, FLAC, ALAC, WAV, AIFF, and PCM Explained.
Though PCM is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the, which is the number of times per second that samples are taken; and the, which determines the number of possible digital values that can be used to represent each sample. Contents • • • • • • • • • • • • • • History [ ] Early electrical communications started to signals in order to samples from multiple sources and to convey them over a single telegraph cable. The American inventor conveyed telegraph (TDM) as early as 1853. Electrical engineer W. Miner, in 1903, used an electro-mechanical for time-division multiplexing multiple telegraph signals; he also applied this technology to telephony.
He obtained intelligible speech from channels sampled at a rate above 3500–4300 Hz; lower rates proved unsatisfactory. In 1920, the used telegraph signaling of characters punched in paper tape to send samples of images to 5 levels. In 1926, Paul M. Rainey of patented a which transmitted its signal using 5-bit PCM, encoded by an opto-mechanical. The machine did not go into production. British engineer, unaware of previous work, conceived the use of PCM for voice communication in 1937 while working for in France.
He described the theory and advantages, but no practical application resulted. Facebook Video Upload App. Reeves filed for a French patent in 1938, and his US patent was granted in 1943. By this time Reeves had started working at the. The first transmission of by digital techniques, the encryption equipment, conveyed high-level during. In 1943 the researchers who designed the SIGSALY system became aware of the use of PCM binary coding as already proposed by Alec Reeves. In 1949, for the Canadian Navy's system, built a working PCM radio system that was able to transmit digitized radar data over long distances. PCM in the late 1940s and early 1950s used a with a having encoding perforations.
As in an, the beam was swept horizontally at the sample rate while the vertical deflection was controlled by the input analog signal, causing the beam to pass through higher or lower portions of the perforated plate. The plate collected or passed the beam, producing current variations in binary code, one bit at a time. Rather than natural binary, the grid of Goodall's later tube was perforated to produce a glitch-free, and produced all bits simultaneously by using a fan beam instead of a scanning beam. In the United States, the has honored and as the inventors of PCM, as described in 'Communication System Employing Pulse Code Modulation', filed in 1946 and 1952, granted in 1956. Another patent by the same title was filed by in 1945, and issued in 1948:. The three of them published 'The Philosophy of PCM' in 1948. The system, introduced in 1961, uses two twisted-pair transmission lines to carry 24 PCM telephone calls sampled at 8 kHz and 8-bit resolution.
This development improved capacity and call quality compared to the previous schemes. In 1967, the first PCM recorder was developed by 's research facilities in Japan. The 30 kHz 12-bit device used a (similar to ) to extend the dynamic range, and stored the signals on a.
In 1969, NHK expanded the system's capabilities to 2-channel and 32 kHz 13-bit resolution. In January 1971, using NHK's PCM recording system, engineers at recorded the first commercial digital recordings. In 1972, unveiled the first 8-channel digital recorder, the DN-023R, which used a 4-head open reel broadcast to record in 47.25 kHz, 13-bit PCM audio. In 1977, Denon developed the portable PCM recording system, the DN-034R.
Like the DN-023R, it recorded 8 channels at 47.25 kHz, but it used 14-bits 'with, making it equivalent to 15.5 bits.' In 1973, (ADPCM) was developed, by P. Cummiskey, and. The (CD) brought PCM to consumer audio applications with its introduction in 1982.
The CD uses a sampling frequency and 16-bit resolution and stores up to 80 minutes of stereo audio per disc. Implementations [ ] PCM is the method of encoding typically used for uncompressed digital audio. • The introduced time-division switching into the US telephone system in 1976, based on medium scale integrated circuit technology.
• LPCM is used for the lossless encoding of audio data in the Compact disc (informally also known as Audio CD), introduced in 1982. • (specified in 1985, upon which is based) is a particular format using LPCM. • with digital sound have an LPCM track on the digital channel. • On PCs, PCM and LPCM often refer to the format used in (defined in 1991) and audio container formats (defined in 1988). LPCM data may also be stored in other formats such as, (header-less file) and various multimedia. • LPCM has been defined as a part of the (since 1995) and (since 2006) standards.
It is also defined as a part of various digital video and audio storage formats (e.g. Since 1995, since 2006 ). • LPCM is used by (defined in 2002), a single-cable digital audio/video connector interface for transmitting uncompressed digital data. • container format (defined in 2007) uses LPCM and also allows non-PCM bitstream storage: various compression formats contained in the RF64 file as data bursts (Dolby E, Dolby AC3, DTS, MPEG-1/MPEG-2 Audio) can be 'disguised' as PCM linear.
Modulation [ ]. See also: and PCM can be either (RZ) or (NRZ). For a NRZ system to be synchronized using in-band information, there must not be long sequences of identical symbols, such as ones or zeroes.
For binary PCM systems, the density of 1-symbols is called ones-density. Ones-density is often controlled using precoding techniques such as encoding, where the PCM code is expanded into a slightly longer code with a guaranteed bound on ones-density before modulation into the channel. In other cases, extra are added into the stream which guarantee at least occasional symbol transitions. Another technique used to control ones-density is the use of a on the which will tend to turn the raw data stream into a stream that looks, but where the raw stream can be recovered exactly by reversing the effect of the polynomial. In this case, long runs of zeroes or ones are still possible on the output, but are considered unlikely enough to be within normal engineering tolerance.
In other cases, the long term value of the modulated signal is important, as building up a DC offset will tend to bias detector circuits out of their operating range. In this case special measures are taken to keep a count of the cumulative DC offset, and to modify the codes if necessary to make the DC offset always tend back to zero.
Many of these codes are, where the pulses can be positive, negative or absent. In the typical code, non-zero pulses alternate between being positive and negative. These rules may be violated to generate special symbols used for framing or other special purposes. Nomenclature [ ] The word pulse in the term pulse-code modulation refers to the 'pulses' to be found in the transmission line. This perhaps is a natural consequence of this technique having evolved alongside two analog methods, and, in which the information to be encoded is represented by discrete signal pulses of varying width or position, respectively. [ ] In this respect, PCM bears little resemblance to these other forms of signal encoding, except that all can be used in time division multiplexing, and the numbers of the PCM codes are represented as electrical pulses.
The device that performs the coding and decoding function in a telephone, or other, circuit is called a. See also [ ] • • • (SQNR) – One method of measuring quantization error. • Among the first recordings was Uzu: The World Of Stomu Yamash'ta 2. • The first recording with this new system was recorded in during April 24–26, 1972. • Other methods exist such as used also on. • Some systems use to remove some of the aliasing, converting the signal from digital to analog at a higher sample rate such that the analog is much simpler. In some systems, no explicit filtering is done at all; as it's impossible for any system to reproduce a signal with infinite bandwidth, inherent losses in the system compensate for the artifacts — or the system simply does not require much precision.


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