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The better you prepare for your first consultation with an attorney Mobile Alabama firm, the smoother your visit will go. One crucial element of your preparation should be gathering the documentation that affects your case. Use the following checklist to help you gather the necessary information and paperwork before your appointment with your Alabama lawyer:
Names, Dates and Contact Information
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Your preparation before the case can speed up the legal process as you provide your attorney with vital information right up front. Call Maloney-Lyons, LLC now at (800) 809-3669 or (251) 433-4440 to schedule a free consultation with an attorney.


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PM turns down Dáil address
Theresa May has declined the opportunity to address the Dáil during her first official visit to Ireland as Prime Minister.
She is to meet with Taoiseach Enda Kenny in Dublin to discuss Brexit and the Irish PM had invited her to speak before TDs.
It would have been an historic event – had she accepted, Mrs May would have been the first Tory leader and only the second British Prime Minister to address the Irish Parliament, following on from Tony Blair's groundbreaking appearance in 1998.
The invitation was originally prompted by the Green Party and advanced by the Ceann Comhairle – the house speaker – but Mr Kenny said that he understood his UK counterpart had declined the offer.
"My understanding is that the Prime Minister's schedule will not allow that to happen and I am not in control of that schedule," he told the Dáil.
"Obviously, when details are absolutely finalised, we will be aware of those.
"My understanding is that the visit was to come to Government Buildings to have a Taoiseach to Prime Minister discussion, and to follow that with a particular set of issues. It is around this that the visit will take place."
The PM's action has caused quite a stir in the UK's political realm, with Nick Clegg tweeting:
So, PM rushes to be photographed with Trump and Erdogan but won't find time to speak to Irish Dail. Has No.10 completely lost the plot?
— Nick Clegg (@nick_clegg) January 25, 2017
Mr Kenny visited Mrs May in Downing Street in July last year to discuss the initial implications of Brexit.
On that occasion, both leaders stressed that there would be "no return to the hard borders of the past".
They have reiterated this point in several speeches since and have added that the two nations will need to work together to maintain their unique relationship.
During that initial meeting, the two also agreed to engage in annual bi-lateral meetings and promised to work closely as the UK moves towards leaving the European Union.
Green Party leader Eamon Ryan had said it was vitally important that Mrs May sets out her views on how Brexit will affect Ireland during her visit.
Last November, Scotland's First Minister Nicola Sturgeon got a standing ovation when she addressed the upper house of parliament, the Seanad.

subset: commoncrawl


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Around the time we cheered Kelley on during her half-marathon, I thought a lot about what activities in my life give me bursts of good chemicals. Just being around all those runners was giving me ambitious feelings. Remembering running the 10k and overcoming something I'd once thought impossible reminded me of the BRAVE feelings that coursed through my body during the race.
|Enjoying our time (and the view!) in Charlottesville, VA.
And then suddenly I thought: what if I spent my pregnancy doing awesome, brave things? If I was growing a baby while I was having awesome, brave experiences, would the baby grow up to be brave and ambitious as a result of all those chemical jolts received while he/she was growing?
Admittedly, I've been a little distracted and have not been paying close attention to doing awesome, brave things of late. But this is still something I kick around my mind during subway rides.
I'd like to teach a course this summer. I don't much care what the content is, but it's something I laid out for myself during Camp Mighty. I'm going to get on that.
I'd like to sing a song with my brother's band. That's another one I identified at Camp Mighty. I think I can make that happen.
We are what we eat, but we are also what we DO! Our actions not only represent who we are to others, but in the case of growing a baby, our actions might also influence the kind of little person we raise. Kind of interesting to think about.
(Note: Um. I'm not a scientist. I'm mostly talking in metaphor here... so... full disclaimer that I have no idea whether doing brave things results in a brave kid.)


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I live with three cats; three cats with the most unimaginative names ever: Blackie, Little Grey, and Big Grey.
Funnily enough, Little Grey is the biggest pussy of the three, figuratively speaking of course. The slightest disturbance will send her flying to hide in the basement.
Notice in the picture how she is trying to blend into the grey carpet, as I try to get her picture with my new camera.
Little Grey has gotten friendlier with me over time, though. She now deigns to let me pet her head on occasion. I love her, too.
Sunday, April 16, 2006
Little Grey: Big pussy
I live with three cats; three cats with the most unimaginative names ever: Blackie, Little Grey, and Big Grey.
1 comment:
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- May 02, 2006 4:45 AM


text:
Searching for just a few words should be enough to get started. If you need to make more complex queries, use the tips below to guide you.
Purchase individual online access for 1 year to this journal.Price: EUR 410.00
Impact Factor 2018: 0.725
Fundamenta Informaticae is an international journal publishing original research results in all areas of mathematical foundations of computer science and their applications. Papers are encouraged which contain:
1. solutions, by mathematical methods, of problems emerging in computer science
2. solutions of mathematical problems inspired by computer science
3. application studies that follow the situations in 1 and 2.
Topics of interest include: theory of computing, complexity theory, design and analysis of algorithms, programming language theory, semantics and verification of programs, computer science logic, database theory, logic programming and automated deduction, formal languages and automata, concurrency and distributed computing, cryptography and security, theoretical issues in artificial intelligence, data mining and knowledge discovery, machine learning and pattern recognition, algorithmic game theory, theory of multi-agent systems, bioinformatics and computational biology, natural computing, neural networks, quantum computing, soft computing including fuzzy sets, rough sets and granular computing.
This list is not exclusive.
Authors: Devillers, Raymond | Valmari, Antti | Penczek, Wojciech
Article Type: Other
Citation: Fundamenta Informaticae, vol. 146, no. 1, pp. v-vi, 2016
Authors: Triebel, Marvin | Sürmeli, Jan
Article Type: Research Article
Abstract: One way to express correctness of a Petri net N is to specify a linear inequality U , requiring each reachable marking of N to satisfy U . A linear inequality U is stable if it is preserved along steps. If U is stable, then verifying correctness reduces to checking U in the initial marking of N . In this paper, we characterize classes of stable linear inequalities of a given Petri net by means of structural properties. We generalize classical results on traps, co-traps, and invariants. We show how to decide stability of …a given inequality. For a certain class of inequalities, we present a polynomial time decision procedure. Furthermore, we show that stability is a local property and exploit this for the analysis of asynchronously interacting open net structures . Finally, we study the summation of inequalities as means of deriving valid inequalities. Show more
Keywords: Petri net analysis, inductive invariants, linear inequalities, stable properties, traps, co-traps, invariants
Citation: Fundamenta Informaticae, vol. 146, no. 1, pp. 1-34, 2016
Authors: Badouel, Eric | Hélouët, Loïc | Morvan, Christophe
Article Type: Research Article
Abstract: This paper considers Structured Data Nets (StDN): a Petri net extension that describes open systems with data. The objective of this language is to serve as a formal basis for the analysis of systems that use data, accept inputs from their environment, and implement complex workflows. In StDNs, tokens are structured documents. Each transition is attached to a query, guarded by patterns, (logical assertions on the contents of its preset) and transforms tokens. We define StDNs and their semantics. We then consider their formal properties: coverability of a marking, termination and soundness of transactions. Unrestricted StDNs are Turing complete, so …coverability, termination and soundness are undecidable for StDNs. However, using an order on documents, and putting reasonable restrictions both on the expressiveness of patterns and queries and on the documents, we show that StDNs are well-structured transition systems, for which coverability, termination and soundness are decidable. We then show the expressive power of StDN on a case study, and compare StDNs and their decidable subclasses with other types of high-level nets and other formalisms adapted to data-centric approaches or to workflows design. Show more
Keywords: Petri nets, Well-Quasi Orders, Structured Data
Citation: Fundamenta Informaticae, vol. 146, no. 1, pp. 35-82, 2016
Authors: Hujsa, Thomas | Delosme, Jean-Marc | Munier-Kordon, Alix
Article Type: Research Article
Abstract: Weighted Petri nets provide convenient models of many man-made systems. Real applications are often required to possess the fundamental Petri net properties of liveness and reversibility, as liveness preserves all the functionalities (fireability of all transitions) of the system and reversibility lets the system return to its initial state (marking) using only internal operations. Characterizations of both behavioral properties, liveness and reversibility, are known for well-formed weighted Choice-Free and ordinary Free-Choice Petri nets, which are special cases of Equal-Conflict Petri nets. However, reversibility is not well understood for this larger class, where choices must share equivalent preconditions, although characterizations …of liveness are known. In this paper, we provide the first characterization of reversibility for all live Equal-Conflict Petri nets by extending, in a weaker form, a known condition that applies to the Choice-Free and Free-Choice subclasses. We deduce the monotonicity of reversibility in the live Equal-Conflict class. We also give counter-examples for other classes where the characterization does not hold. Finally, we focus on well-formed Equal-Conflict Petri nets, for which we offer the first polynomial sufficient conditions for liveness and reversibility, contrasting with the previous exponential time conditions. Show more
Keywords: Reversibility, liveness, Equal-Conflict, Petri net, characterization, polynomial time sufficient condition, polynomial markings
Citation: Fundamenta Informaticae, vol. 146, no. 1, pp. 83-119, 2016
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The following video offers a complete guide for Viruses removal. You'd better watch it in full-screen mode!


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Welcome to MicroSourcing. Through our photo albums, you will be able to get a good look around in our offices, meet our people, and get a good feel of the atmosphere here at MicroSourcing. We have different photo albums showcasing the locations we operate from, the people we work with, and the facilities we offer to our employees and clients.
We can help you understand the possibilities. Reach out to us today.


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Wake up another technology shift is here! Yesterday I read how you can "Tap to Setup" your AppleTV. Yes that's right wave your iPhone with iOS7 within a few inches and most of the work is done for you. As usual the tech press doesn't ask "so what?", or "whats that really mean?". Where could this go? Some thoughts.
The iPhone and AppleTV share the data over Bluetooth and WiFi. The BluetoothLE on AppleTV for setup apparently set to 12 inches or less. Thus the tap to setup. Yet BluetoothLE works over a range which can be pre-determined up to about 160 ft. So what comes next with the AppleTV? Perhaps Netflix who just introduced profiles? Now it can identify who's watching. Equally I could set it to start music at certain times of the day when my phone is in the vicinity or when I come home. Having an accurate "Stuart's" home function is now way more interesting. I'd certainly like to test it with Philips Hue Lights. They could go on room by room as I walked around the house with subtle fade outs (of course I don't have that many bulbs yet). The Hue app also need reworking.
So what do we have? The AppleTv becomes the iBeacon for everyone in the house, which means the apps in your pocket that control your house now have fine grained location control. For developers this will be huge. For example I no longer need to open Hue each time I want to turn on the lights. They just turn on because I am in the room or in a place in the house. Or my iStrap/iWatch can communicate with my phone apps and AppleTV beacon and do all the same things. Then eliminates the need to keep the phone in my pocket – just a low-powered BluetoothLE device on my arm.
Yes there are many problems with this little scenario. What about the kids, or the dog? Then there is the front door and more. Different locations may be defined by standing there asking apps for actions at those points. Then even the AppleTV may be upset if moved.
Having this degree of location accuracy in the home is both scary and welcoming. "Tap to setup" leaves the functionality in a more "magical" zone for the moment. Still if you want music to automatically turn on when you arrive then you will quickly expand the range (Once we get this control). What's important to recognize is whether this "iBeacon" is just between the AppleTV and your apps locally or if they report to a central authority each time.
So there's another play here. Right now all the smart home solutions are running the backends. Yes I can control my Nest thermostat (I don't have one) using my smart phone. However, I must have the app open to do that and Nest is communicating with Nest Central letting them know how I manage my heat which may or may not be something everyone wants to share. Also if these apps are location aware / geo fenced they tend to eat up battery and aren't all that accurate. So the heat or lights will probably (rather than guaranteed) go on when you return. An iBeacon notification makes this more efficient and accurate. Example the phone senses the Apple TV and then the apps know where you are and what to do. Effectively your phone is now the "hub for the smart home. Note, interestingly, this iBeacon doesn't send to Apple or to Philips or Nest. It's could be limited to just being part of a relationship between the App, you and your location.
There are many things this could activate. Communications, Health, Heat, Light, Doorbells, etc.
While I'm still trying to get my head around implications for the smart home there are real potential cost benefits. Most of the other smart home systems have some form of hub and these devices are expensive and generally incompatible with each other. The current Philips Hue system uses wifi and a hub and a backend. Yet if the bulbs were iBeacons and used BluetoothLE then the app in my pocket can still manage them with new opportunities for the UI. For more speculation that same App could be in the AppleTV and respond to a simple remote control or personal iBeacon bands. If I wanted I could share these signals. Example daughter comes home after school. Her wrist band unlocks the door, activates the lights, sends a message to my phone. I suspect that relationship and set of notifications would go via iCloud.
Interesting times…


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The man behind the guitar
Leo began repairing and tinkering with radios himself as a hobby, and was very interested in electronics. In 1928, Leo graduated from High School and entered Fullerton Junior College to be an accountant. While studying he continued to work and experiment with electronics although he never took any electronics course.
In 1930s two events changed Leo's life. He was hired to construct PA system which should be used at dances. The second one was when Leo met his Mrs. Esther Klosky and they got married in 1934.
Leo firstly went a safe way and was working as a deliveryman in Anaheim, than as a bookkeeper before he was contracted to build six public address systems which are to be used in Hollywood. After that, Leo started accountant career for the California Highway Department in San Luis Obispo which soon ended in a depression government change-up.
In 1940s Leo Fender convinced Clayton Orr "Doc" Kauffman, an inventor and lap steel player, who had worked for Rickenbacker Guitars, to team up and start "K & F Manufacturing Corporation" which will design and build amplified Hawaiian guitars and amplifiers. In 1944, Leo and Doc patented a lap steel guitar, that had an electric pickup already patented by Fender. In 1945, they began selling the guitar, in a kit with an amplifier designed by Leo.
After the World War II small bands playing boogie-woogie, western swing, rhythm and blues were popular in the USA, playing in small bars, clubs, and Cancun hotels. Most of the bands were using electric guitars because it can give huge output comparing to previously used acoustic instruments. At that time electric guitars with pickups and archtops were the tool for the job and popularity of such instruments was increasing. Faster necks and better intonation were needed by the players. It was Fender who recognized this need for an electric guitar that was easy to tune, easy to hold, and easy to play. Leo Fender also recognized the need for the guitars that would not feed-back. by 1949 he started working on his new design Broadcaster soon renamed to Telecaster which will in 1954 lead to Stratocaster. New guitar debuted as "The Esquire Model" at 1950 as a first six string one pickup Fender guitar.
Fenders significant and loved contributions to music were developed in the 1970s, which occurred after the sale to CBS in 1965. He was designing guitars, basses and amplifiers for the corporation Music Man, and among others in 1976 the StingRay was released. It actually was quite similar to Precision Bass but its largely considered to be the first productions bass guitar with active electronics. Later on Leo Fender started a new company with friends George Fullerton and Dale Hyatt called G&L (George & Leo) Musical Products. G&L guitar designs tend to look a lot to Leo Fender's previous guitars Telecaster and Stratocaster but introduced improvements such as tremolo and new electronics.
Leo Fender, man who changed the music industry, and contributed to electric guitar more than any other, ironically never learned to play guitar.


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It has been over a month so I ran my last half marathon, and while I came off of it on a running high I knew it was best to scale back for a bit before I am back into half training for my August race. Just a quick update on where I am today with my workouts.
I have been running once a week – the least I have ran in 9 months, I usually do a 5 mile run on Sundays and that is it, but I am starting to want to run more so am going to add another run in soon. For other cardio I am going to spin once a week and so in love with it! It is so motivating and gets my heart pumping! Locals, make sure to check out My Revolution!
Yoga is still going strong with my weekly lunch class that I also love, core connect at The Breathing Room. Maybe this class will get me that six pack 😉 HA
I did a round of 21 Day Fix Extreme after the race, and was so sore my first week back at it. I love Beachbody videos and they keep my motivated so I am going to repeat Hard Corps again before my next half training starts.
I am a huge believe that being a strong runner is much more than the kilometers ran, and my last race was proof. Which is why I am focusing on other cardio and strength, And well, beach season is coming up and I can use some toning up.
What are your current workouts?


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Home -> Smartphone Reviews -> LG Incite CT810
Editor's rating (1-5):
Discuss this product
Reviewed November 19, 2008 by Lisa Gade, Editor
in Chief
The LG Incite came out of left field in a world current dominated by the likes of HTC Touch Diamond, Touch Pro, Samsung Omnia and BlackBerry Storm touch screen smartphones. It's interesting that ATT decided to do something a little different and offer the LG Incite CT810 Windows Mobile 6.1 Pro touch screen phone rather than the Diamond or Omnia. The Incite runs Windows Mobile 6.1 Professional, and it has every high end feature except a hardware keyboard. There's a 3 megapixel autofocus camera, GPS, WiFi, Bluetooth with a full set of profiles, and accelerometer, a sharp and outdoor visible display and a Qualcomm 528MHz CPU. Most unusual for a US smartphone is an FM radio-- nice! The Phone supports CV streaming media, , AT&T Navigator, AT&T's Music store and XM Radio Mobile.
The Incite is a slate design touch screen PDA phone-- there's no hardware keyboard. It's very small and light. In fact it's about the same size and weight as the Samsung Eternity touch screen feature phone. It's a shiny bugger, with a bright chrome back and sides and an extremely glossy front face. Alas the chrome is paint over plastic, and the Incite doesn't look like a pricey piece. The technology inside is good stuff though. We were very impressed to find that the Incite has an accelerometer, haptic (vibration) feedback that's adjustable to one of three levels, a light sensor to set screen brightness (this can be disabled) and most impressive: a proximity sensor. That feature, previously found on few phones other than the iPhone supposedly due to Apple holding patents, is probably every phone user's favorite. Place a call and the screen does not immediately turn off. But put the phone to your face and it does turn off. Move the phone away from your face, say to enter a number for a phone tree system, and voila the screen is back on.
LG Incite, HTC Fuze and the iPhone 3G.
The Incite sports the same 240 x 400 resolution as the Omnia and Samsung Eternity feature phone, but in a smaller 3" LCD. Fonts are small and images are sharp given the resolution relative to screen size, though everything is readable. What we don't like is that there aren't any HTC-like options for an enlarged Start Menu, and as a result it's hard to select a menu item using a finger. There is a stylus but no silo (much like the Omnia, though we didn't feel the need for the stylus as much with the Omnia). The tiny stylus attaches via a small cord to the phone.
The Windows "x" close box and top menu controls like volume and the task manager are also hard to select with a finger. We do like that LG has added finger scrolling support most everywhere, so there's no need to use those too-tiny scroll bars. There's also a jog wheel on the upper right side for hardware-based scrolling. Note that the LG Incite does not have a d-pad!
The 3.5mm stereo headphone jack up top.
The hardware call send and end buttons are quite small. This is another phone that eschews buttons: there are no Windows Start Menu or OK keys. On the sides we have just the volume controls, jog wheel, camera button and screen lock key. The jog wheel with center action press goes a long way toward improving one-handed operation and subduing our grumbles about the screen being less responsive than the HTC Fuze's and Omnia's. Don't linger too long on that jog wheel press: a long press starts MS Voice Command.
Custom Today Screen, Launcher and Keyboards
On the upside, LG does include their own launcher and home screen enhancement for Windows Mobile. It seems no self-respecting WinMo manufacturer leaves out the obligatory skinning of this aging (in terms of UI) operating system. Their software is indeed useful, though not nearly as sexy as HTC's TouchFLO 3D or the Omnia's widgets. There's a launcher bar at the bottom of the home screen for the phone dialer, contacts, email, favorites applications and an icon that takes you to the full home screen replacement overlay. This has tabs for phone and communication related items, multimedia and web, utilities and more apps and settings. All icons are large enough to be called finger-friendly, though they're not huge. The first press selects an icon (you'll see a little ring around a selected icon, as in the screen below with the ring around AT&T Music) and the second tap launches the application. This double-tap is less than ideal, but LG set it up this way because you can do things to selected icons (change or delete them).
LG's program launcher.
The custom Today Screen has buttons at the bottom for calls, contacts, email, favorite programs (you can select your favorites) and a shortcut to the full LG launcher (shown, left).
We like LG's on-screen keyboards. There's actually one keyboard labeled XT9 that's a large SureType keyboard when the phone's display is in portrait view.
LG's custom keyboard is an XT9/SureType style in portrait mode and a large QWERTY in landscape mode.
When the phone is in landscape orientation, you get a very roomy full QWERTY keyboard. We love it, but the one drawback is that the 240 pixels leave little room above the display to actually see what you're typing. It's not so bad in notes or SMS, but it will obscure form fields in web logins and when entering contact data and etcetera.
The Incite has a 528MHz Qualcomm CPU, just like the HTC Fuze and Diamond. That's a pretty fast CPU, but the UI sometimes makes the phone seem a step behind. The tap, then tap again steps to launch programs from LG's launcher, the too-small UI items and less sensitive screen that sometimes require more than one press make the phone seem less than brilliant. With a screen recalibration using the lightest of light touches with a stylus and a few days practice, controlling this little beast gets easier and the phone thus felt more responsive but still less than ideal. The accelerometer can be slow when in IE and NetFront but works reasonably well in less demanding applications. The Incite CT-810 has 128 megs of RAM to run programs and 256 megs of flash memory with ~70 megs free to store programs and files. There's a hot-swappable microSD card slot on the phone's side and it supports SHDC cards.
Beware that Windows Mobile doesn't exit programs when you press the close box, but rather minimizes them. Get 10 programs running concurrently and any Windows Mobile phone will slow down. LG includes a handy utility that can exit rather than minimize apps to avoid this problem.
Multimedia performance is good: CV streaming video played well at full screen (the browser hands CV files off to Windows Media Player Mobile. Playing locally stored MPEG4 files (avoid MPEG4 encoded with H.264 though) was a pleasure: the sharp screen and fast CPU handled files up to 600kbps just fine.
Phone and Data
Phone call quality is excellent on 3G and volume is loud. We've seen a few LG GSM phones with less than impressive reception, but we're happy to report that the Incite has good reception that's on par with the unlocked GSM HTC Diamond and BlackJack II. It's not stellar like the best Motorola phones and Nokia phones, but it's solid. The Incite is a quad band GSM world phone with EDGE and 3G HSDPA on the US (AT&T 850/1900MHz ) and overseas 2100MHz bands.
Left side: USB port under cover, volume controls and reset hole. The USB port is a mini LG connector, not a standard mini-USB port.
Opera 9.5 has been getting all the bundling love but this time we've got the very good NetFront 3.5 bundled as the default web browser. It does an excellent job of rendering HTML web sites, supports finger scrolling and requires no zooming in to start reading a web page. Internet Explorer Mobile is also there, for quick and dirty browsing. Internet download speeds are good, averaging 700kbps according to the DSL Reports mobile speed test. It's a bit faster than the Samsung Epix but slower than the HTC Fuze.
Messaging is the usual Windows Mobile and AT&T affair: robust email support for POP3, IMAP and Exchange along with MS Direct Push email, threaded SMS messaging and OZ instant messaging (AIM, Windows Live and Yahoo).
The Incite has an internal GPS and comes with a GPS utility that shows GPS signal strength and AT&T Navigator powered by TeleNav. The GPS took 2 minutes to get a first fix out of the box (we're not sure if it's using assisted GPS and there's no utility to download GPS data for speedier fixes). Happily warm fixes were much faster at 10 seconds or less. The GPS and AT&T Navigator worked well together in our driving test (Navigator is a subscription app that costs $9.99/month and requires a data plan to download maps over the air). Likewise Google Maps worked fine and got a warm fix in 5 seconds. For a warm fix, the GPS managed to find 7 satellites indoors near a window-- pretty good.
The camera got us all hot and bothered: 3 megapixel autofocus sounds yummy. Alas the photos were over-sharpened and had Disney-esque color shifts outdoors at times. Focus times however are relatively quick for an auto-focus camera phone. Colors tend to be too cool (blue bias) and sharpening can be lessened by selecting a lower image quality setting (fine instead of super-fine).
Battery Life
The LG Incite has a 1300 mAh Lithium Ion battery that's user replaceable. Battery life for a Windows Mobile 3G phone with a fast CPU is quite good. The Incite lasted us 2 days with moderate to heavy use. Streaming CV or YouTube drains the battery more quickly, as does WiFi, but even with 30 minutes of streaming video over WiFi, the phone lasted 2 days.
In the end, we wish that AT&T had picked up the Samsung Omnia or HTC Touch Diamond rather than the LG Incite. But The CT-810 does add variety to their lineup (the Diamond might have been redundant with the Fuze), and it is small and light. In fact, it looks more like a feature phone than a smartphone. The user interface, accelerometer and slightly numb screen just can't compete with the Fuze in the smartphone camp and the Samsung Eternity in the feature phone camp.
Pro: Very sharp screen with excellent colors and better than QVGA resolution. Love that proximity sensor. Very small and light. Good software bundle including NetFront, MS Voice Command, Sprite Backup and Picsel Viewer for PDFs. Can finger scroll anywhere in the OS. Has a standard 3.5mm stereo headphone jack and Bluetooth stereo A2DP.
Con: Phone looks plasticky. Requires a stylus more often than HTC's TouchFLO 3D phones, yet there's no stylus silo so you've got to hang it from the included tiny lanyard. The UI isn't very polished in terms of successfully overlaying Windows Mobile or in being finger-friendly. Camera images so-so.
Price: $199 with 2 year after $100 rebate (requires PDA data plan or messaging plan). $499 with no contract.
Web sites: www.lge.com, wireless.att.com
Display: 262K color touch screen LCD with haptic feedback and accelerometer. Screen size diagonally: 3.0". Resolution:
240 x 400, supports both portrait and landscape modes.
Battery: Lithium
Ion rechargeable. Battery is user replaceable.
1300 mA.
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text:
A dying man making an appearance in a theater? Whoaaa! That might well be your reaction—it was mine—when you twig to what Will Eno's come up with in his new play Wakey, Wakey, having its world première at the Signature Theatre Company's Pershing Square Signature Center on Theatre Row. But don't be put off by my very skeletal characterization: though it did seem to affect some spectators—a few, like the woman sitting in front of me, even profoundly—it's not morbid or depressing. Think Samuel Beckett's Krapp's Last Tape with humor.
Wakey, Wakey, Eno's final production in his five-year, three-play stint as STC's first graduating Residency Five playwright, started preview performances on 7 February in the company's Alice Griffin Jewel Box Theatre, the small, 191-seat proscenium house, and opened on 27 February; after two extensions (from 19 and 26 March, respectively), the play's scheduled to close now on 2 April. My subscription partner, Diana, and I met at the Signature Center on Friday evening, 17 March, to see the 7:30 performance.
Eno, who also makes his stage-directing début with this production, has been represented at STC with Title and Deed, his freshman outing in his residency in 2012, and The Open House in 2014 (see my report on the latter play, 16 March 2014, which also includes a brief bio of the writer). 2014's The Realistic Joneses was Eno's Broadway début; his breakout play was 2005's Thom Pain (based on nothing), a film version of which, co-directed by Eno, is currently in post-production. A Helen Merrill Playwriting Fellow, Eno has also received many other accolades for his writing: he's a 1996 Edward F. Albee Foundation Fellow and a 2004 Marian Seldes/Garson Kanin and Guggenheim Fellow; he was inducted into the Theater Hall of Fame in 2004; Thom Pain was nominated for the 2005 Pulitzer Prize for Drama; and he's the recipient of the 2012 PEN/Laura Pels International Foundation for Theater Award. In addition to the Pulitzer nomination, his plays have won numerous honors as well: Middletown won the Horton Foote Prize for Promising New American Play in 2010, Title and Deed received a Lucille Lortel Award nomination for Outstanding Solo Show in 2013, and The Open House won both the Lortel for Outstanding Play and the OBIE Award for Playwriting in 2014; also in 2014, the Drama Desk gave Eno a Special Award "For two extraordinary casts and one impressively inventive playwright" for The Open House (Off-Broadway) and The Realistic Joneses (Broadway).
Wakey, Wakey is inspired in part by Eno's friendship with James Houghton, Signature's late founder and a mentor to the playwright who died in August 2016 at age 57, and also the September 2016 death of playwright Edward Albee, a former writer-in-residence at STC who remained a loyal friend and supporter. ("I was thinking of Jim and Edward a lot as I worked on the play," Eno acknowledged to Theater Pizzazz cyber journalist Carol Rocamora.) As Eno tells it, his third residency play "was supposed to be something else," as his main character says of his presentation. About a year before Houghton's death, he and the playwright began texting back and forth about ideas for Eno's last STC script. "So, we started working on that play," Eno relates in an interview, "and he was going to direct it and that was really exciting to me." But then Houghton went into the hospice where Eno spent a lot of time talking with his mentor while he was dying. "And then Jim died on August 2nd," said the dramatist, and he put aside "Jim's play." "I started writing this thing a little while after," Eno explained.
The writer was thinking a lot about his friend and mentor while he wrote Wakey, Wakey, but, he insists, "it's not a play about Jim." Eno adds, however, "I hope it's a little bit with him, somehow."
He's a guy who, I don't know how to say this, but, he lived with such clarity and integrity and directness, and so you always knew where he stood, and if I'm thinking about something now, I feel like I have a good idea where Jim would stand on it, so it feels like the conversation continues. I really hope this will feel like a thing that happened, not a play you went to.
What the playwright took from this experience was how Houghton "lived with more reality, on one hand, and more lightness, on the other," even "in the last week of his life." Eno summed up his vision for Wakey, Wakey: "So all these things are qualities I hope—and again it's not a play about Jim in a biographical way, at all—but I hope the play might have some of his personality." As the main character in Wakey, Wakey says, "It's important to honor the people whose shoulders we stood upon."
At preset, while the audience filters into the Griffin, Maurice Ravel's "Boléro" is playing. After the usual announcement about turning off phones and checking listening devices, the music switches to the theme music for the 1960s-'70s TV show The Dating Game. A recorded voice, the playwright-director's I believe, comes up and repeats the customary announcement about cell phones and so on, and there's a kind of rumination about children, accompanied by the voice of a little girl, possibly Eno's own daughter (who's just shy of 3), and a reference to eating a banana. When the lights go down and come back up, a man in pajamas is sprawled face-down on the floor. He lifts his head and asks, "Is it now? I thought I had more time." Was he passed out? Did he just wake up from a nap on the carpet? The lights dim again. A lighted sign admonishes: "NO APPLAUSE."
When the lights return, the 60-ish man (Michael Emerson; TV's Lost and Person of Interest, Off-Broadway's Gross Indecency: The Trials of Oscar Wilde) is sitting in a wheelchair, a suit jacket over his pajama shirt, and, referring to note cards, offers his insights in a casual, gentle, humorous stream of consciousness about life and death. The man, whom the program calls "Guy" (though that may not be his name—he doesn't have one in the script—just his label), is in a characterless room with no furniture, possibly at his home, surrounded by packing boxes and a pile of clothes (the set is by Christine Jones), and is apparently dying. There's a door up left, never used as all entrances and exits are made up right: death's door, do you suppose? The play's decidedly Beckettian (to connect to Krapp's Last Tape, there's that allusion to a banana!) as Guy meanders through various and sundry topics. There are slides (starting with two of a toddler who looks remarkably like he could be Emerson as a child—and one of a little girl eating an ice cream cone that might be Eno's daughter) and home movies, YouTube videos, word puzzles, distant sound effects—a siren (police or an ambulance, he wonders), a cell phone ringing, crickets chirping—and Guy always acknowledges the audience (unlike Krapp and his tape recorder).
About three-quarters of an hour into the 75-minute performance, Guy's caregiver, Lisa (January LaVoy), an attractive, stylish younger woman, enters. (Costumes are by Michael Krass.) Carrying a small picnic cooler—and her own chair—Lisa patiently attends to Guy's needs and even anticipates some—she brings a kit for making soap bubbles, which Guy admits he loves, and a bag of fortune cookies. Little by little, Guy loses the thread of his recollections, shows signs of physical weakening, and loses focus as he quietly passes away.
Then the theater erupts in a montage of slides and videos, disco lighting and strobe effects, rock music, bubbles, and balloons (projections designed by Peter Nigrini, lighting by David Lander, and sound by Nevin Steinberg). Stage hands bring out baskets of fortune cookies which they place on the edge of the stage, signs inviting us to help ourselves, and the audience goes out into the Griffin's lobby for refreshments in what can only be called a wake.
(Going in, I assumed that Eno's title, Wakey, Wakey, referred to waking from a sleep, but this final bit makes me realize the playwright's evoking a wake for the dead as well. In his STC interview, he confirms this: "I wanted something that sort of has that sense of 'time to get up' in it, and also of a 'wake'—as in an Irish wake, but also has a silly, nursery rhyme thing to it.")
I enjoyed Wakey, Wakey, and even Diana seemed to have liked it even though it's an idiosyncratic play. It's also slightly metatheatrical—Guy not only addresses us directly but seems to acknowledge that we're in a theater. It's a very quirky play—Eno's a very quirky writer, and it seems he comes by that naturally (as opposed to putting it on from the outside, like a suit of motley). He's clearly not everyone's cuppa; I don't say he's an acquired taste—I don't think you acquire a taste for Will Eno—but rather you either take to his idiosyncrasies or you don't, as can be surmised from disparate responses from two reviewers. "Wakey, Wakey never manages to quite transcend [its 'seemingly insignificant'] moments; as lovingly as they are described, they just don't build into a play," wrote Elizabeth Wollman on Show Showdown, characterizing the performance as "a bit half-baked." On the other hand, Lindsay Timmington acknowledged, "The beauty of Will Eno's work is that there is always so much more to what you've seen and that something will linger with you long after you leave," on OnStage. Timmington summed up by reporting, "I leave his shows feeling a tiny bit befuddled, a little exhausted by the marathon of experienced emotions and totally in love with his work." I wouldn't wax as hyperbolic as Timmington, but I fall closer to that end of the continuum of Eno appreciation. (I enjoy his quirks—they're like the bubbles in champagne.)
I said I liked the play, but this is another case of my not being certain what the writer's trying to say. Eno's writing about "life and death" (really, the process of dying), obviously, but I haven't decided what he's saying on the subject. (This is my second play in a row at Signature whose subject is passing from one plane of existence to another. Branden Jacobs-Jenkins's Everyman adaptation, Everybody, treated the same idea in an entirely difference style. See my report on 6 March.) I found it intriguing both theatrically and thematically. (I can tell Eno's saying something, perhaps very personal, even if I haven't figured out exactly what that is yet. Does that make sense?)
The theater's promo puts it this way:
What are we here for? Is time a friend or an enemy? Do we all eventually end up in the same place, but take different routes to get there? 'Wakey, Wakey' challenges the notion of what really matters and recognizes the importance of life's simple pleasures. (All of which might sound dreary, but there's a chance this will be a really good experience.)
In the interview with Signature Literary Manager Jenna Clark Embrey, the author gives a clue to what he's thinking about:
It's a play that is kind of about . . . people you love and people dying and how do you think about that and what is, uh, what is a person's—what remains of a person. Things like that. And how do we think about our own death and all that—not to be glum because all these things are things you ask yourself or you ask about other people for the purpose of trying to live a more grand and a meaningful, helpful life.
We'll see if I can figure out Eno's point by the time I finish this report! It'll be interesting to see how close I can get. (I don't think Eno, or whoever penned the blurb above, was intentionally echoing Tennessee Williams, but his 1959 play Sweet Bird of Youth started out as a one-act entitled The Enemy—Time. Guy, and probably Eno, is ambivalent about our relationship to time—that is, aging—but Williams was adamant that time was not man's friend, leading inexorably to decay and diminishment.)
Michael Emerson's performance is remarkable, too. (He was Oscar Wilde in Gross Indecency Off-Broadway in 1997-98; earning an Outer Critics Circle Award nomination.) I believe he should at least get an OBIE nomination for this work. He's so completely natural and organic in a very odd circumstance, he made me think it was entirely reasonable—despite all the evidence to the contrary. Astounding work. (His partner, January LaVoy, is equally good, but in a much less tasking role; she's only on stage for half an hour of a 75-minute play.)
The acting of the character of Guy here is immensely important, more than for most other lead characters, because handled badly or misguidedly, the play will slip into maudlinness or pretentiousness. With Eno himself at the helm, the guidance is clearly in good hands—he knows exactly what the part needs to make the play work. (The tyro director either learned from observation how to work effectively with an actor, or was fortuitous/discerning in his casting.) As writer, Eno wanted to capture some of James Houghton's spirit, especially in his last days, and as director, he seems to have guided Emerson toward the same goal. "If Emerson is not playing Houghton, per se, he is certainly channeling his spirit and perhaps some of the wisdom he left behind," suggested Hayley Levitt on TheaterMania.
Emerson approaches the role with a quiet sincerity, but not without humor—a light touch that never leaks over into preachy or pedantic. ("Jim . . . had a way with being funny that—since it didn't seem like it was his first priority—it just made things funnier." recounts Eno. "I don't know how a person can be an incredible leader and a sort of class clown and prankster, but he was a little bit that.") He keeps the monologues conversational, as if he were really talking to us and making up his spiel as he goes along, taking cues from the visuals or his memories—or occasionally his notes, which seem to have mostly become irrelevant after he assembled them. While LaVoy is a tad more actorly as Lisa, Emerson never seems anything but natural, as if he were improvising the whole performance. (What might look like improvisations or accidents aren't, as proved by the published reviewers—which I'll get to at the end of this report as usual—who all comment on the same moments that drew my own attention even though we each will have seen different performances.)
Furthermore, the actor strikes just the right tone—not quite diffident and not quite in command—to make Guy not only sympathetic as a character, but the regular guy his label identifies him as. Like the title character in Jacobs-Jenkins's Everybody, Eno's—and Emerson's—Guy is all of us. (I don't know if Eno would have objections, but I think Guy could easily be played by a woman; there's nothing really gender-specific in the part—aside from its designation in the program.) Maintaining this balance convincingly—and I found it totally convincing—is why I assert Emerson is earning an OBIE nod. It looks simple, but it's far from it—as actors and acting students will immediately recognize. (Given Emerson's past roles, we can also know that this is work, not just his natural behavior. He just does it in a way that looks like his normal demeanor.) Let me just add that this is one of those rare occurrences in theater: the perfect alignment of role and actor. Kudos to both Eno (for casting Emerson) and Emerson for his stage work!
By the way, one additional remark: this is a play that should appeal to small companies and college theaters—it has the most minimal of sets, two actors, and easy tech (slides, recorded music, and a few simple light and sound FX)—plus it's very short, a good student-directing candidate if the student can handle the acting style. (Apparently it's already in press by Oberon Books for publication on 30 March; the Drama Book Shop is advertizing it now.)
On Show-Score, Wakey, Wakey accumulated an average rating of 72 based on a survey of 34 notices. The site tallied 68% positive reviews, 12% negative, and 20% mixed. Show-Score's highest rating was 95, of which there were two, with five 90's; the lowest score was a single 35, with one 41. (I'll be reviewing 19 notices for my round-up.)
In the New York Daily News, Joe Dziemianowicz characterized Wakey, Wakey as an "odd but gently urgent play" in which "the going gets curious." Guy's reminiscence "tends to be elliptical, cryptic and trails off into dead ends," added the Newsman. "No matter," wrote Dziemianowicz: Emerson plays Guy "with a magnetic open-hearted humor, so we stay connected." For the suburban Bergen County, New Jersey, Record, Robert Feldberg asserted that Wakey, Wakey "isn't really a play. It's an accounting of the things that matter in life." Wrote Feldberg, "Presented with quiet authority and a soft, ironic humor by the remarkable Michael Emerson . . ., observations that might otherwise seem random, and sentimental, coalesce into a painful but brave last embrace of ordinary pleasures."
"Though the man telling the jokes is sitting down (he's in a wheelchair), dying is a stand-up routine in 'Wakey, Wakey,'" observed Ben Brantley in the New York Times, dubbing it a "glowingly dark, profoundly moving new play" and a "short, resonant tragicomedy." Comparing Eno's work to Albee's, Brantley also asserted, "'Wakey, Wakey' retains a Beckettian sense of human existence as an absurdist vaudeville, a slapstick of failing and falling, despite all aspirations to dignity." The Timesman continued, "But Mr. Eno's play is warmer and less magisterial than most of Mr. Albee's work. You could even call it cozy, which is not to say it doesn't chill." The playwright and Michael Emerson "together tap into the show business in the business of breathing your last," reported Brantley, praising the actor's portrayal "with a master's blend of pretty much every emotion there is." The Times reviewer declared, "The astonishment of Mr. Emerson's performance is how universal and particular it is," characterizing him as a "magnetic presence" and "the show's most dazzling special effect."
The New Yorker's "Goings On About Town" reviewer described Wakey, Wakey as "theatrical games" and pronounced that the "script's perfect unpredictability" is "for a long while . . . thrilling. But, as the protagonist's energy flags, so does the show's." Emerson, though, "makes for engaging and funny company." In the Village Voice, after characterizing the play as "chatting desultorily about life," Michael Feingold asserted, "It all sounds absurdly trivial and random, which is part of writer-director Eno's intention," and then added, "But Wakey Wakey's sharp writing, heightened by the easygoing asperity of Emerson's performance, stirs deeper feelings. Granted, the truth it conveys is small, rarefied, and overly hedged with decorative distractions. Even so, it's genuine."
Opening his notice in New York magazine with the statement, "The first half of . . . Wakey, Wakey . . . is a neat summary of everything theatergoers either love or hate about Will Eno. I will write from the latter perspective," Jesse Green described the play as "a rambling monologue of no apparent consequence." After presenting a list of the play's deficiencies, all emblematic of Green's complaints about Eno's dramaturgy, the man from New York concluded, "The topics, however absurd on the surface, all collapse into meditations on mortality; to bring home the point Eno even gives us a YouTube video of animals screaming. I may have been among them." Then LaVoy's Lisa, "so radiantly warm onstage," enters and Green reported, "The struggle between insincerity and urgency that Guy has been enacting gives way, under Lisa's gentleness, to something more direct and beautiful." He acknowledged, "I felt my hostility toward the first half of Wakey, Wakey, with all its dull cuteness, beginning to melt." Emerson, said Green (in contrast to most other reviewers),"though technically excellent, cannot get so far with his character." (The New York review-writer suggested that Eno's direction is in part to blame for this failure.) Acknowledging that "the physical production . . . is ideal," the New York reviewer caviled that "the play as a whole does not yet reward so much care."
Comparing Wakey, Wakey with that other Signature production about death and dying, Frank Rizzo labels Eno's play "a work of humor, humanity and grace that makes you want to hug your lover, your neighbor and maybe an usher on the way out" in Variety. Emerson "offers a captivating, playful and deeply moving performance" as the dying man, "a loving transition, theatrically told in a sui generis style that is Eno's own. As Guy would say, 'Wowee.'" Dubbing the play "quietly beautiful," Time Out New York's David Cote explained that Eno "makes a spectacle of vamping and false starts, awkward yet deeply felt pauses, as the keen, funny, transfixing Emerson reads from index cards, gets his slides confused and bathes the audience in his gentle, beatific fussiness."
In the Hollywood Reporter, David Rooney, calling Wakey, Wakey the writer's "typically idiosyncratic little play" and his "latest existential inquiry," asserted, "Will Eno's plays tend to live more in his characters' minds than in any experiences we witness them going through." The HR reviewer reported, "The hook that reels us into this abstruse, tricky, stream-of-consciousness contemplation of mortality is a beautiful performance from Michael Emerson." In "this unexpectedly affecting (almost) two-character piece," Eno and Emerson create "also a sense of playfulness." There are moments, said Rooney, when "you wonder whether this is more of an inspirational seminar or a play. In fact it's a little of both and neither." He noted, "While the thematic richness of Wakey, Wakey creeps up on you . . ., few will make the claim that this is a major addition to Eno's distinctive body of work." Rooney concluded, however, "Eno's unique voice—quizzical, perceptive, assertively compassionate—is one to be celebrated."
In the cyber press, Hayley Levitt on TheaterMania quipped, "Only Will Eno could find the playfulness in a dying man's end-of-life ruminations." Levitt observed that Eno ends his Residency Five term "not so much with a bang, but with a wink and a knowing smile that patrons willing to listen intently will receive with warmhearted joy." The TM reviewer explained that "Eno's dialogue remains stilted and aloof. It serves the play's purposes—and could not be given a more naturalistic performance than the one Emerson is delivering." She warned, however, that "if you require peaks and valleys of drama to keep you engaged in a story, you may get sleepy within Wakey, Wakey's microscopic modulations and extended silences." On CurtainUp, Simon Saltzman dubbed the play "contemplative" and reported, "Never morbid, it is surprisingly illuminating and insightful, even revelatory." Of all Eno's plays, Saltzman said, Wakey, Wakey, "sensitively directed by the playwright," is "his most easily embraced and most deliberately accessible." In the end, she concluded, "The press release has this hopeful line: '. . . there's a chance this will be a really good experience.' It was . . . and more."
"I'd love to tell you what Wakey, Wakey . . . is about, but it ain't easy," admitted Talkin' Broadway's Matthew Murray in the opening of his review. He offered an explanation of what he says Eno thinks the play is about, then cautions, "But as with so many of Eno's plays, what makes sense on paper makes nonsense in practice, with whatever points it might have the potential to make crushed beneath the weight of its creator's enforced artifice." Murray then declared, "That it's his best play since his New York breakthrough . . . is all but irrelevant: How much should any artist be praised for fulfilling the bare minimum of the challenges he sets for himself?" The TB reviewer asserted, "Emerson does everything he can with" Eno's script, but "[t]he shtick gets tiresome quickly." He continued, "Around its edges, however, Wakey, Wakey evinces more discipline than Eno has displayed in years. . . . Your reaction to what happens will depend entirely on whether you buy what he's selling and how he's selling it." On TheaterScene, Joel Benjamin asserted, "Wakey, Wakey is Will Eno at his surreal, troubling, beautiful best, a play both challenging and easily absorbed.
Theater Pizzazz's Carol Rocamora opens her review by asking, "What's this? A stand-up comedy routine?" adding that the actor in the wheelchair is "not making sense." She determined that Wakey, Wakey is "initially mysterious and ultimately deeply moving," and that Emerson delivers "a mesmerizing monologue that plays with your mind and ultimately with your heart." On Theatre's Leiter Side, Samuel L. Leiter described Eno's play as "an idiosyncratic, essentially plotless, seriocomic, elliptical, but heartfelt rumination on mortality." Yet Leiter warned that Eno "has a gift for unusual situations and quirkily delightful dialogue, and he knows how to get laughs with verbal surprises, but in Wakey, Wakey, he offers little new or revelatory about the human condition." Nonetheless, Emerson's performance "makes you hang on every word, even if you don't always know precisely what he means." Leiter's concluding thoughts are:
As Wakey, Wakey moves inexorably toward its anticipated conclusion (climax is too animated a word), its unhurried pace slows . . . to . . . a . . . crawl, making its title seem a misreading for Wake Me, Wake Me. Its acting and production elements score highly, but while some visitors will certainly be touched others are likely to find Wakey, Wakey too wishy-washy for their tastes.
Emily Gawlak of StageBuddy labeled Wakey, Wakey "overwhelmingly joyous, moving, and unpredictable" and declared, "With Wakey, Wakey, Eno and Emerson achieve a stunning feat, compelling an audience of strangers to deeply mourn the loss of a man who is not only a stranger but a fiction." Gawlak concluded, "Wakey, Wakey is a truly great play, one that reasserts the unique power of theatre to create a space for catharsis and community building. You'll want to recapture the heart-bursting, life-affirming feeling again and again." On Broadway World, Michael Dale acknowledged, "Emerson makes for appealing company and Eno's meandering text has its cute and funny moments." He then added, "But there's also a redundant meta quality that gets tiresome." Echoing one of Guy's lines, Dale finished up quipping, "As for any further descriptions, I don't know exactly what to say to you."
Tulis McCall started off by praising Emerson's performance in Wakey, Wakey on New York Theatre Guide, then continued, "Would that the material itself held up as well." Emerson, McCall asserted, "is apparently very funny if you were to judge from the reactions of the audience the night I attended. I found his work intriguing and introspective, but not funny in the least." The NYTG reviewer observed, "Eno writes with sly winks and nods and intellectual forays thither and yon. It can be a pleasure to listen to, especially in the hands of Emerson who is both deft and grounded . . . ." Then she lamented, "In the end, however, there is not enough 'there' there on which you can hang your hat." McCall's conclusion? "Wakey Wakey is an event that falls short of becoming a piece that hits you where you live, or, in this case, expire." On New York Theater, Jonathan Mandell, dubbing Wakey, Wakey "the latest ethereal, esoteric play by Will Eno," referred to a line of Guy's—"They say practicing gratitude can physically change the shape of the brain, in a good way"—which he actually looks up on the 'Net. (It turns out to be true.) Then he added, "I doubt my brain is going to be changed very much by 'Wakey, Wakey,' but I did like it better than anything else I've seen by Eno, whose comic, cosmic, cryptic approach to playwriting has consistently charmed other people." Mandell went on to admit, "Too often, I've found his impish sensibility grating." Though the NY Theater review-writer found, "With gentle humor and a lack of fussiness, Michael Emerson manages to woo us through the deliberate vagueness, starts-and-stops, meta interruptions, of his monologue," in the final analysis, he felt, "Much of what Eno's script is trying to induce about the celebration and uncertainty of life and death has been done better and with more clarity elsewhere."
Okay, so what did I learn—about Eno's point, I mean? Leaving aside the tribute and homage to James Houghton, the playwright's private message embedded in his play, I'm going to have to say that Wakey, Wakey is Eno's lesson in saying goodbye. "There's always someone or something to say goodbye to," says Guy, and Eno's told us how much he learned from Houghton's last days. It's not portentous last words that matter, Eno says, but first words. Learning to say goodbye might help us learn to say hello better, says Guy. Then we can talk about all the trivial small things that make up a life—our own and other people's. We don't learn much about Guy's circumstances—but we do learn something about his . . . well, what should I call it? His soul. Eno just called it "what remains of a person." Eno's obviously not a subscriber to Dylan Thomas's view on dying, for Guy chats with us, shares his thoughts and feelings, and then goes gentle into that good night. What Eno wants us to understand, then, is how to do that with class. What d'ya think? How'd I do in the end?


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Top Modern Furniture Choices
How, where and how frequently the furniture piece is going to be used is crucial to your final choice. By choosing something different you won't need to worry about finding precisely the same parcel of furniture which you have in a friend or neighbor's house. On the opposite hand, too many parts of solid dark and heavy furniture will create a room appear outdated and gloomy. The AICO Collection contains every part of furniture you must completely change your house into a house.
If you get some items randomly and they don't go nicely with the other interior, you'll be wasting your money. Over a time period, designs and fashions of furniture are continuously changing. It's the details which make AICO Furniture a cut over the rest.
There are numerous more different forms of joining methods in wood work and cabinet making, too many to speak about within this guide but it is my hope that this enable you to understand the fundamentals, so the next time you look at some furniture take another appearance and find out how it's been joined together. It's time to purchase some new furniture. The very first action to do is develop a notion about virtual walls inside the room. You are going to be sure to locate some great suggestions on price ranges when you haggle, or only conserve time and buy with the internet shop too, and you may always weigh the costs and advantages of purchasing furniture on-line vs. a retail shop. It doesn't just gives a spacious appearance to your bedroom but in addition complements with modern furniture of the remainder of your house. Whether you're searching to bring an updated modern appearance to your living space, kitchen, bedroom or another area of your house, we've got exactly what you're searching for.


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IronCAD Level 1 Training is essential learning for anyone using IronCAD. This forms the foundation of all the other course material and will skyrocket new users into being comfortable with the software in the shortest possible time.
This first chapter of IronCAD Essentials covers the basics of use of IronCAD.
It emphasizes in the 3D scene area, including the Ribbon bar, properties, catalogues, working with cameras, use of the Triball and Cross Sections.
Section 1 - The 3D Scene [12:16]
What you will learn in this section:
- General guide for User Interface of the 3D scene
- Use Catalogs to drag and drop shapes
- Edit shapes by using Handles
- Show content of parts in the Scene Browser
- Use Camera Tools to Orbit, Pan and Zoom
Section 2 - Drag and Drop Modeling Part 1 [08:59]
What you will learn in this section:
- Create parts using Drag and Drop Modeling
- Explore General Options
- Use SmartSnap to shape parts accurately
Section 3 - Drag and Drop Modeling Part 2 [10:56]
What you will learn in this section:
- Explore Advanced Drag and Drop Modeling
- Learn How to Blend (Fillet) Edges
- Learn how to Chamfer Edges
Section 4 - Toy Car [15:34]
What you will learn in this section:
- Use the Shell Tool to shell out parts
- Use the TriBall to position parts
Section 5 - TriBall Tutorial Part 1 [13:50]
What you will learn in this section:
- Use Advanced TriBall options to position parts correctly
- Move, Rotate, Copy and Align parts using the TriBall
- Use the TriBall to Orientate Parts
Section 6 - TriBall Tutorial Part 2 [08:31]
What you will learn in this section:
- Explore more TriBall Orientation Options
- Learn how to use the TriBall Mouse Shortcuts, Radial Patterns and Mirror Features
- Learn how to create Linked Features
Section 7 - TriBall Tutorial Part 3 [11:01]
What you will learn in this section:
- Explore Advanced TriBall Orientation Options using the Orientation Handles
- Exercise using the TriBall to align to Point, to Center Point, Parallel to Edge and Perpendicular to Face
Section 8 - Wooden Table Part 1 [10:15]
What you will learn in this section:
- Exercise using Drag and Drop Modeling and the TriBall Positioning Tool
- Save Camera Views to view parts from specific angle
- Use SmartPaint to color parts
- Use Assemble to assemble individual parts into Assembly Models
Section 9 - Wooden Table Part 2 [07:57]
What you will learn in this section:
- Exercise creating TriBall Radial Patterns
- Drop Shapes as individual parts
Section 10 - Wooden Table Part 3 [08:46]
What you will learn in this section:
- Explore how to Name Parts
- Exercise duplicating a Pattern Option
- Edit Sizeboxes by using Math Functions
Section 11 - Wooden Table Part 4 [04:37]
What you will learn in this section:
- Exercise Linear Pattern Features with Linked Copies
- Exercise Repositioning the TriBall
- Combine multiple parts into an Assembly
Section 12 - Wooden Table Part 5 [09:23]
What you will learn in this section:
- Exercise dropping SmartPaint on Assemblies
- Exercise using the TriBall to Mirror Linked Copies
- Reorient TriBall to Global
Section 13 - Cross-Section Sketch [14:45]
What you will learn in this section:
- Edit Cross Sections to change Dimensions of shapes
- View the Cross Section Display Modes
- Use Look At Tool to look directly at surfaces
- Edit 2D curves by dragging or entering dimensions
- Delete unwanted curves with Trim
- Use the Offset command to create offset curves
Section 14 - Sweep Wizard - Tube [16:10]
What you will learn in this section:
- Use the Sweep Wizard to sweep a cross section along a guide curve
- Use Polylines to quickly create curves
- Fillet corners of sketches
- Create 3D curves with the 3D Curve command
- Explore how to Sweep Along 3D curves
- Troubleshoot a failed Sweep
- Use the TriBall to create an accurate 3D Guide Curve
Section 15 - Spin Wizard - Shaft [06:09]
What you will learn in this section:
- Use Spin Wizard to Spin Sketches along an axis
- Edit Cross Sections of sketches
- Use Profile Handles to edit the spun sketch
- Handle Edit Distance from Center Point and From Point
Section 16 - Bend Tube [07:25]
What you will learn in this section:
- Use Spin Wizard to create a Bend Tube
- Use Profile Handles to edit the Dimensions of the Bend Tube
- Use the Shell Feature to shell out the Part
Section 17 - Loft [10:44]
What you will learn in this section:
- Use the Loft Wizard to create lofted parts
- Edit the Profile Locator Curve to relocate the loft
- Edit Cross Sections of the loft sections
- Create a Loft feature Between Shapes
- Switch the Cross Section Directions
- Switch between Parasolid and ACIS Modeling Kernels
- Associate loft feature with a face of another shape
There are no images available for this product.
[Q] How long does the online training course last?
[A] Purchasing IronCAD Essentials Online Training gives you access for 3 months since activation. Extensions may be purchased if required.
IronCAD Online Training Bundle
IronCAD Essentials Online Training Bundle includes the complete course at a special price. Learn how to work on the 3D scene environment, to work with the cameras, use of the Triball, Cross-Sections, How to Build a Stirling Engine, Making 2D drawings, Use of the IronCAD Catalogues, Render, Animation and more. More than 8 hours of video to learn at your own pace. More...
IronCAD Online Training Level 2
This course takes you a step further by building a Stirling Engine from the scratch. Use all the concepts learned from Unit 1 plus more, to build a beautiful Stirling Engine. More...
IronCAD Online Training Level 3
This course focuses specifically on How to make 2D drawings in IronCAD. 2D Drawings are very important to present your ideas to customers. These videos show you from the 2D drawing basics to more detailed drawings. Exploded Views and Bill of Materials are also explained in this Unit. More...
The last Unit from our IronCAD Essentials Online Training takes you in depth on how to use the IronCAD catalogues, how to colaborate with your colleages using the Import/Export capabilities, Rendering and Animation. More...
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Buying gifts for men is much like pouring more water than there already is in a fish bowl. Or, so you think. The truth is that men who appear to have everything still have an uncontrollable desire to own more of their favourite things or newer versions of them. Take, for instance, a prized bottle of Scotch such as Vat 69. For a man, there's nothing not to love about a bottle of Scotch as a gift; he knows all too well that there's no such thing as owning one too many bottles of this fine spirit. We've put together some unique items, including a bottle of Scotch, which might be the very things that a man wants to be gifted right now.
For the man who loves to raise the stakes
The Goodearth Andijan Poker Box, packaged in a handmade lacquer box with evocative imagery of the Mughal Era, lets him stand out from the rest of his poker-playing friends. A spectacular addition to a home, it also makes for a great gift for a man who appreciates art.
This poker set has everything a poker player would ever need — two decks of playing cards in signature prints packed in a decorative box, 200 chips and a cerise dice.
Shop at www.goodearth.in
For the man who loves music
Music lovers are an easy bunch to please, especially if you gift them the three-speed Crosley Cruiser Portable Turntable. Available on Elitify.com, this briefcase-style record player with built-in speakers makes for a terrific gift for men who love the rich, warm sound of vinyl. Constructed out of wood and bound in a leatherette material, it is light enough to carry around.
Shop at www.Elitify.com
For the style-conscious man
Simplify his life with this Nappa Dori Portfolio Bag, designed as a new take on the briefcase of the 80s without straying too far from its classic appeal. Handcrafted in dark brown harness leather, it is slim and stylish enough to transition from day to night, yet roomy enough to accommodate files and folders, laptops and gadgets, and sundries like gym essentials or a grooming kit.
Shop at www.nappadori.com
For the man with good taste
A man who appreciates a good bottle of Scotch knows a thing or two about living the good life. He understands that this drink, like life, is all about savouring its goodness and respecting traditions. Vat 69, a perennial favourite with blended Scotch drinkers, comes with a good deal of history. First made in 1882, this easy-going drink is blended using 40 different malt and grain whiskies.
For the man who likes all things rare
What's better than pouring a drink of Scotch from a bottle or decanter? Enjoying a glass straight from the tap of an oak barrel that ages spirits to peak flavor. Miniature oak barrels available on sites like Thousand Oaks Barrel Co. and Amazon can be personalised with the recipient's name and other information, making it a distinctive gift for men who appreciate the finer things in life.
Shop at www.oaksbarrel.com and www.amazon.com
Read about the inspiring ideas to buy gifts for college buddies to remember old days


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You are here: Home / Archives for Kathleen
About Kathleen
Kathleen's Mom used to make her a Halloween costume every year but anime cosplay proved to be her breaking point. Kathleen was forced to teach herself and is now sewing up a storm! She lives in LA and makes many very cute dresses for the warm weather alongside the occasional costume.


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Hostess One Bottle Wine Chiller archives
Jonathan Weinberg
Wednesday February 8, 2012
Valentine's Day is coming and so it's time to think of some ways to please your other half. From presents and gifts to apps that'll make your night more romantic, there's plenty of technology to help.
Welcome to PluggedIn.co.uk! An impartial technology news, advice and reviews website in association with Comet, T3 and Tech Radar.
© Comet Group Ltd. 1999 - 2012PluggedIn.co.uk is not associated in any way with Pluggedin.com or Focus on the Families


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Best way to submit corrections/clarifications or note any errors is by emailing
rather than leaving a comment that may be missed here!
Your contributions are welcomed and appreciated -- no one can ever know it all, the mission remains!
© 2017 - All Rights Reserved. No contents may be reproduced in any format with out express written consent.


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Write-a-thon: Write your book in 26 days and live to tell about it
By Rochelle Melander
Author's Web site: www.writenowcoach.com
Genre: Writing Reference
Available at www.writersdigestshop.com/product/write-a-thon
Reviewed by Ron Klug
Drawing on her experiences as a writer and writing coach, Melander offers in Write-a-Thon a valuable toolkit for the new writer or practiced writer in need of renewal . Around the idea of a 26-day writing marathon, she provides realistic advice for both fiction and nonfiction projects, guiding the writer through the idea-gathering, preparation, writing and recovery.
I wish I had had this book 40 years ago when I started to write for publication. It would have helped me be more productive with less stress. Now it has led me to a new nonfiction book idea that I plan to write in 26 days.
Even if you're not thinking of writing a book in 26 days, you'll find in Melander's book inspiration, guidance on craft, writing exercises , and a comprehensive bibliography.
~Reviewer Ronald Klug has been a book editor for Harper San Francisco and Ausgburg Fortress and a free-lance writer and editor for 20 years. Author of 20 books including How to Keep a Spiritual Journal and A 40-Day Journey with Dietrich Bonhoefer. Now retired, he lives in a log cabin where he splits wood, reads, hikes, reads, gardens, reads, canoes, reads. Reach him at firstname.lastname@example.com.
Carolyn Howard-Johnson, author of This Is the Place; Harkening: A Collection of Stories Remembered; Tracings, a chapbook of poetry; and how to books for writers including, The Frugal Book Promoter: How To Do What Your Publisher Won't; The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success; and Great Little Last Minute Editing Tips for Writers . The Great First Impression Book Proposal is her newest booklet for writers. She has three FRUGAL books for retailers including A Retailer's Guide to Frugal In-Store Promotions: How To Increase Profits and Spit in the Eyes of Economic Downturns with Thrifty Events and Sales Techniques. Some of her other blogs are TheNewBookReview.blogspot.com, a blog where authors can recycle their favorite reviews. She also blogs at all things editing, grammar, formatting and more at The Frugal, Smart and Tuned-In Editor . If your followers at Twitter would benefit from this blog post, please use the little Green widget to let them know about this blog:


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Hello everyone !
I'm new with Linux, and I choose Antergos to start with it. I downloaded the latest version, and install it both in a USB stick and on a CD.
But I can't managed to install it on my computer (MSI as you can see above). Antergos freeze systematically before it started. The 5 blinking dots suddently stop, and then, nothing happens, the only thing I can do is shuting down the computer.
Can somebody help me ?
P.S.: I already have a partition with W10, and i create one of 50 GB to install Linux
P.P.S.: i'm french, sorry if there is some grammatical mistakes.


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WE PRIDE OURSELVES on the longstanding relationships we've developed with our clients in both the public and private sectors by solving complex challenges and positively impacting their outcomes.
The Infinity team understands that becoming your trusted partner begins with understanding your organization, your challenges, your business drivers and your goals. It means considering the investments you've made over the years in technology and in people. And, it means having the flexibility to deliver the value you need, when and how you need it, under terms that are comfortable for you.
Infinity Systems Software does not sell one-size-fits-all technology solutions. We specialize in architecting, implementing and supporting solutions that are customized to meet your unique requirements. We are expert at optimizing legacy investments while introducing new technologies and capabilities without disruption to your business.
Infinity is continually investing in our own team's education and skills certifications to ensure that we can provide you with the full benefits of advanced technology and the highest level of support. Infinity skills span the technology spectrums of software, hardware, networking and services. We draw from our broad range of deep skills to assemble the optimal team for your individual situation. And, we delve deeply into technology roadmaps to ensure that you're positioned for future growth.
Infinity Systems Software and our sister company, Vicom Infinity, are both IBM Premier Business Partners. Our partnerships with IBM and other technology leaders such as Cisco, Red Hat, and Suse, enable us to leverage the most advanced technologies and resources to meet your needs and solve your challenges.
With Infinity Systems Software as your Solution Provider, you can be confident that you'll derive value not only from our experience and expertise, but also from the innovative technologies and advanced capabilities of our Business Partners. It's part of our commitment to every client's success.
We'd welcome the opportunity to work with your organization.
Yours Sincerely,
Tom Amodio
IT Consultant & CEO


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The IKEA Concept starts with the idea of providing a range of home furnishing products that are affordable to the many people, not just the few. It is achieved by combining function, quality, design and value - always with sustainability in mind.
Living Room Makeover Ideas - IKEA
Home Tour
quality, design , value
Ikea your favourite furnishings
Small room


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Registration, Login, Forgot Password, Logout, & User profile using Node.js backend, Bootstrap frontend, and MySQL
Budsjett $30-250 USD
This is a typical registration, login, forgot password and logout system. There is a small bit of functionality required for the profile page.
I've included detailed instructions (attached) so there is no confusion. You are welcome to ask me any questions on any of the requirements.
Please use simple code, and comment your code.
You should build a simple UI using Bootstrap. This should allow the user to register an account, login, logout, reset his password, and use his profile.
Node.js should use these specific dependencies during development: "express": "^4.15.3" and "mysql": "^2.15.0".
I can provide you with a test server if it will help.
Thank you.
31 frilansere byr i snitt $153 for denne jobben
Hello? I need to the following to build your project successfully: ! Social login account(mastered gmail account and FB account). I will use bootstrap free for frontend design. Regards. M.M.
Hello, Nice to meet you. I am very interesting in your job. As you can see my profile, I have expertise in front-end such as JAVASCRIPT, Angular, HTML5/CSS3, jQuery, Bootstrap, Scss/less and so on. Also I am very Mer
Dear revered! I have reviewed your attached TXT description. Here is the feedback. 1. user to register an account, login, logout, reset his password, and use his profile. 2. Database tables Names 3. Registrati Mer
hi sir/madam i have done more projects on like these projects so i can handle whatever type of projects and will give the perfect output on your deadline and within your budjet so if you need to ask more questions ple Mer
Hello How are you? I read your proposal and i am very interested in your job I am good at Nodejs and javascript , mysql as well I will satisfy you before your deadline Best regards
Hello, Services we can provide: 1. Web site design and Development in PHP 2. Developing website in PHP Frameworks (i.e. CodeIgniter, CakePHP, Zend, and Yii) and more! 3. CMS based solutions (i.e. Wordpress, Jooml Mer
Hello there, i have read everything that you want and i can do that perfectly. Here is my portfolio:- [login to view URL] my skills are Corephp, cakephp, Codeignitor, CRM Development, Dashboard Develo Mer
I will provide you pixel perfect and fully responsive HTML code using Bootstrap I can design, develop and deliver the pixel perfect website in WordPress too you can check my review too Hello client, I read out al Mer
Hello, I am professional frontend and backend developer having 6 years of experience in developing small to the large-scale projects. I have expertise in Bootstrap, NodeJS, Codeigniter, PHP, Html5/CSS, JavaScrip Mer
Hello Sir, ***WORDPRESS EXPERT DEVELOPER WITH 5+ YEAR EXPERIENCE*** I have checked need and want to work with you, based on your need i have perfect skill which is suitable for this work.. * share us existing Mer
Hello, I have gone through all the details on your job posting and I assure to have all the required skill set. I will provide you with one of my high-end node js expert who will only work for you. I have attached Mer
========EXPERTS TEAM HERE==== Dear Client, Greeting from HB Infotech Solutions! Below is about Experience and Work in brief. I checked your project description and can do this job. HB Infotech Solutions is a wel Mer
Hi, I am having great experience in Angular, node, mongo, express. please, initiate the message board so that we can mutually discuss this. Demo Details: [login to view URL] User- admin[at] Mer
Hi, i have gone through the requirement and the attachment and to bring you notice we are working in the php, bootstrap, for the past 10+ yrs and in nodejs for the past 5+ yrs. We are involved in design, develo Mer
Hi, how are you doing today? I'm an expert who has 5+ years with Node.js. As a full stack developer, user crud is a piece of cake. I've checked your attached text file. That was about the model and some information Mer
Hello Sir/Madam, Thank you for considering our bid. Your project really caught our attention and we would be glad to be a part of it. We're excited to share with you the proposal for your project. Project Propos Mer
Hi! My name is Mohd. And I am an expert Desiner & Developer. I have experience dealing with all php frameworks such as Yii, Laravel, CakePHP, Zend and codeigniter. Understanding of building maintainable, test-drive Mer
We can do this project for you efficiently, quickly and economically. Please contact us if you have any questions. We hope to be elected. Greetings. Pd: We are able to start right now!


text:
Matt Brownell
Matt Brownell joined MainStreet in August 2010 as a staff writer covering deals and bank rate news. Prior to joining MainStreet, he worked as an editor for a small marketing firm in Boston, The Ictus Initiative, and blogged on personal finance topics for ONEin3Money.org. A native Bostonian, he received a bachelor's degree in English from Harvard in 2008.
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text:
The organisation, one of only two independent bodies allowed to attend every session of the trial, also interviewed dozens of judges and lawyers. It concluded the proceedings were "fundamentally unfair".
Human Rights Watch, which opposes the death penalty, warns that hasty implementation of the death sentence by hanging for the former Iraqi president could deprive thousands of victims of their day in court.
A second trial already under way - covering the Anfal campaign in which hundreds of thousands of Kurds were murdered - would be aborted.
"The tribunal squandered an important opportunity to deliver credible justice to the people of Iraq. And its imposition of the death penalty after an unfair trial is indefensible," said Nehal Buhta, the report's author, an Australian lawyer now working in New York. The court authorities failed to provide adequate protection for defence lawyers and to explain the trial process to the Iraqi population, the report said.
Its main criticism concerns the trial proceedings, which fell short of international standards, partly because of US insistence that it be an Iraqi process. "Unless the Iraqi government allows experienced international judges and lawyers to participate directly, it's unlikely the court can fairly conduct other trials," Mr Bhuta added.
The report takes particular issue with declarations of Saddam Hussein's guilt by Iraqi officials during the trial, and calls by the de-Baathification commission and government ministers for judges and lawyers to be dismissed. Most Iraqi judges were members of the Baath party but the court's checks on them for bias were arbitrary, making every ex-Baathist judge feel nervous and under threat. This was bound to affect their impartiality, Mr Bhuta said.
Arrangements for disclosing evidence amounted to "trial by ambush", the report said. Human Rights Watch documented several instances in which incriminating documents were disclosed to the defence only on the day they were used in court. They included compact discs with recordings of Saddam Hussein talking to colleagues but without any explanation of when, how, or by whom the conversations were intercepted.
The case against Saddam Hussein involved the aftermath of an assassination attempt in Dujail in July 1982. Nearly 800 men, women, and children were detained. Many were tortured. After a year of detention in Baghdad, approximately 400 were exiled to a remote part of southern Iraq. Another 148 male detainees were sentenced to death in 1984.
Human Rights Watch says the case against Saddam Hussein and three senior colleagues on trial was marred by a striking lack of "linkage evidence" to prove his command responsibility. The facts of the victims' detention, exile, and execution were clear, but no detailed evidence established the way decisions were taken or proved that Saddam Hussein had criminal intent.
The chief prosecutor, Jaafar al-Mousawi, defended the trial, calling it "fair and transparent". "The verdict was fair enough to a dictator who killed dozens of innocents," he said.