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Product Description
Congratulations! You've invented a time machine. You will use it one day to learn about the rich history of the planet and perhaps even contribute to the betterment of Mankind. But first, you're gonna play the stock market and get really, stupidly rich.
Timeline starts with a row of cards depicting crisscrossing paths, which represent the values of commodities. By connecting a starting point, which never moves, to a market at the other end of the board, the lines connect four commodities to four values. As time changes, these values change. And they change a lot.
During the game, players will travel through time picking up miscellaneous commodities, then going to the markets at the end of the line trying to get the most value for their goods. The deck contains 48 cards in the familiar abstract Hip Pocket style, and you'll need a Pawn for each player as well as about 30 colored stones in each of four colors.
With very little randomness, Timeline is an intense and engaging strategy game that, for what it's worth, models aspects of time travel better than it has any right to.
Product Awards
Product Information
James Ernest
Cheapass Games
Year: 2003
Players: 2 - 5
Time: 30 minutes
Weight: 51 grams
In order to play Timeline, you will have to provide one pawn per player, about 30 stones in each of four colors
- 40 path cards
- 8 start/finish cards
- rules
Product Reviews
Average Rating: 5 in 1 review
Timeline, like most games from James Ernest and co, is a great concept wrapped in a simple package. The time travel theme works well with the mechanics of the game, where picking things up in different times changes the 'history' of theat era, and to play you have to be able to follow not only the current timelines, but have a pretty good handle on what the timelines will look like after someone else shifts them a bit. Don't let the low price scare you off! This is a great game and well worth every penny!


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I have to say that having a menu planned out for the week has been a life saver. I am sure it saved me from running for take out a couple of times. We had some of our favorites this week and also added in some new items that will definitely be on a regular rotation at our house.
This panini is one of them. I have mentioned before how we got a panini maker for Christmas. We are still enjoying it and just this week Jeffrey commented on how happy he was with it. I will be honest and say that having a panini for supper seems much more like a meal in my book then if I were to offer a cold cut sandwich. Isn't it funny how the presentation can change our perspective?
This panini is another recipe from my new cookbook by Giada. I loved them! I never would have thought of adding sautéed apples to a sandwich, but it added a sweet flavor and a new texture to the sandwich that I thought was superb. I didn't add the apples to the panini for the boys though they loved their ham and cheese panini. We rounded out our meal with a smoothie, fresh fruit, and some chips with salsa verde. It was the perfect meal after yet another night filled with soccer.
Apple, Ham, and Gruyere Panini
Printer Friendly Recipe
2 tablespoons unsalted butter
2 Granny Smith apples, peeled, cored, and sliced 1/4 inch thick
1 tablespoon chopped fresh thyme
8 slices country-style white bread
whole-grain or dijon mustard
2 cups shredded Gruyere cheese
1/2 lb. thinly sliced ham
For the apples: Melt butter in a large skillet. Add the apple slices and thyme. Cook, stirring occasionally, until the apples are slightly softened, about 4 minutes. Cool while you assemble the sandwiches.
Preheat a panini press.
Butter one side of each piece of bread, if you wanted a buttery outside. On the other side of the bread spread a thin layer of mustard. Top with ham, cheese, and apple mixture. Top with another piece of bread. Place on preheated panini press and grill until the cheese is melted and the tops are golden. (About 4-5 minutes.)

subset: commoncrawl


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The Sallie House
Located in Atchison, Kansas at 508 N. Second Street sits a pretty average looking white house, but it's far from average. The Sallie House is known for its chilling paranormal activity, possible demons, and lost souls, and is quite a hot spot for paranormal investigators and anyone desperate to get a glimpse of the unexplained. You are allowed to visit the Sallie House, but you have to sign a liability waiver first to show that you understand that you are putting yourself in danger by visiting. You can take a self-guided tour during certain hours and dates for $10 a person or you can test your bravery by staying overnight for $100 per person. Sounds pretty awesome to me. Would you dare visit the Sallie House? I sure would!
The Story Behind the Sallie House
The Sallie House was built around 1867 and 1871, with the first residents to be Michael C. Finney, his wife, two sons, and his daughter. Michael and his family lived in the house until Finney descendants died in 1939 and 1947, leaving him to rent out the house to different people. None of the people who rented from Michael stayed in the house for too long.
The Sallie House was also the residence of a physician, the front of the house was the office area with examination rooms and the doctor and his family lived upstairs. There are two stories about what happened during the time the doctor lived here. One story says that a little girl named Sallie was brought to him because she had stomach pains all night. The doctor determined she had appendicitis and he had to operate on her quickly. Little Sallie freaked out when she saw the surgical tools and the doctor had to hold her down to perform surgery. He tried to sedate her but she struggled pretty badly and he was forced to perform the surgery without her fully under sedation. She screamed when he made the first cut, but he kept going in fear her appendix would burst. Poor Sallie died on the operating table with her last memories probably being that she was being tortured by the doctor.
The other lesser known story states that Sallie was brought to the doctor with severe respiratory problems but he overlooked how bad her condition really was. She ended up dying from pneumonia, causing the doctor to move away from the house a few months later. The Sallie House supposedly got its name because one of the previous tenants' daughter had an imaginary friend named Sallie, who is believed to be one of the spirits haunting this house.
Later Residents
The Sallie House didn't get much attention until a young couple, Debra and Tony Pickman lived there from 1992 until 1994. They had some pretty nasty paranormal experiences, some which were physical. It didn't take long after they moved in for things to start getting freaky. The Pickman's dog would bark and growl at nothing, especially in the second-floor nursery. Their appliances would turn on and off, lights would dim, pictures would be turned upside down, and the Pickman's even found toys in the nursery arranged in the middle of the floor in a circle.
As creepy as those experiences sound, they got much worse and things turned violent. The family reported fires that broke out in the house and Tony was often attacked. One of the first times he was attacked was when he was standing in the room of the house that was once used for performing surgeries. He began to feel extremely cold and then several long bloody scratches appeared on his arm. Other attacks would leave Tony with welts and scratches all over his body, especially his arms, back, and stomach. The couple always felt the temperature suddenly drop right before an attack. Tony saw Sallie's ghost once during the short time they lived in the house. He drew a picture of the ghost he saw, his daughter said it was her friend Sallie. The family also experienced sounds of phantom furniture being moved, knocks, scratches, thuds, and thumps, along with disembodied human voices and animalistic sounds. Tony had a dream one night that his wrist was being pulled by a little girl. When he woke up, there were burn marks on his wrist that looked like the fingerprints of a small child.
Paranormal Evidence
There is a ton of paranormal evidence from the Sallie House. Many people have investigated the house and used a wide range of equipment including infrared and head sensitive video cameras, environmental meters, electromagnetic meters, and analog and digital voice recorders. Investigators have been able to determine that Sallie is not the only entity in the house. It's believed that the spirit of Sallie is not the one that causes harm to individuals. There was another spirit, a woman in her mid-30's, who was trying to turn Tony against his wife, as believed by a psychic interpreter. Tony did admit to having feelings of anger and hatred towards his wife when they lived in the house.
Some other paranormal activities during investigations at the house include equipment malfunctions, electronic voice phenomenon, dark moving shadows, audio phenomenon, temperature fluctuations, and light phenomenon. Individuals have reported feeling like their hair was being pulled, feelings of being pushed, and seeing full bodied apparitions.
The Sallie House appeared on several episodes of the paranormal television series called Sightings, the first episode was Season 3 Episode 42. Each time the Sightings crew came to the house they brought different investigators and different equipment to help find the answers to the Sallie House mysteries. All of the evidence captured during the Sighting's investigations were compiled into an almost hour long video called Heartland Ghost AKA Sallie House Haunting, which can be found on YouTube.
Is the Sallie House plagued with demons or just lost and lonely spirits? That's a question that remains unanswered. Either way, the Sallie House is definitely a hotspot for spooky paranormal activity and one you should definitely check out if you feel brave enough.


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In this day an age just about everyone realizes that just about everything 'runs' on oil.
Well let me tell you when WW II broke out the nations at hand soon realized there destiny relied on the control of fuel for all their equipment of battle. Actually the Japanese were one of those....that simpily ran out of fuel for her ships as well as her planes.
Some people looked ahead and seen how the transportation of fuel need to be of the up-most importance. So...a single ship design was sought after and eventually 520 T2 type tankers became the most widely produced tanker in history to get "product" from point A to point B.
HERE is the story


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Luxury Homes
Carriage Trade is an exclusive real estate service that Royal LePage offers to market distinguished homes in Canada to discerning buyers from around the world. If your property qualifies as a Carriage Trade luxury property, your home will garner unmatched global exposure. To determine if your home qualifies for our Carriage Trade program, we carefully assess each luxury property against specific Carriage Trade property criteria, including:
- Prestige of neighbourhood
- Uniqueness of amenities and features
- Desirability of landscaping and design
- Noteworthy history
- Property value
Exceptional homes require exceptional marketing.
Royal LePage's Carriage Trade luxury property program offers exclusive marketing tools designed to increase your home's appeal and exposure:
- Canada's premier online destination for luxury property listings
- A unique Carriage Trade sign that identifies your luxury home as a property worth considering
- Exquisite brochures, feature sheets and marketing materials
- A carefully designed marketing plan, including exposure in some of North America's finest luxury home advertising media, such as Robb Report Collection magazine, Home & Style magazine, and ExceptionalPropertiesOnline.com.
For expert advice about buying or selling a Carriage Trade luxury property, contact us today.
We believe exceptional homes need exceptional marketing, and our Carriage Trade program gives our clients a level of service unmatched by any other real estate company in the country. Carriage Trade exemplifies the best that real estate has to offer:
- our most skilled and experienced agents
- persuasive marketing programs
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- access to qualified buyers around the world
Our marketing program gives you the service and attention you and your property deserve. Only exceptional properties qualify for the Carriage Trade program designation, reserved for homes of distinction that stand apart from the rest of the market. To determine if a home qualifies for the Carriage Trade program, we carefully assess each property to ensure that it meets the program's requirements and will benefit from our unique marketing approach. Value is clearly an important consideration. Carriage Trade homes typically fall in the top five per cent of the price range of a local market. But price isn't the only measure that sets a Carriage Trade property apart. We look for luxury features that are admired by many, but available only to a few such as: architectural distinction, a sought-after location, sophisticated décor, exceptional workmanship, upscale amenities, inspired landscaping, historical significance, spectacular views etc. So how do you know if you have a Carriage Trade home? Give us a call and we'd be happy to provide a complimentary evaluation to assess if your home qualifies.
Luxury Living
What are the most sought-after amenities for luxury homes? Whether you're looking to sell or simply upgrade your luxury home, here are the most requested features for the ultimate in comfort, convenience, and enjoyment.
- Car lifts and indoor car washes - Luxury automobiles need luxury accommodation. For city homes with limited space, install car lifts for added capacity. For the avid car collector, an indoor car wash keeps your investment spotless. Cost: Car Lifts: $2,500 to $6,000; Indoor Car Wash: $30,000+
- Walk-in refrigerators - Whether you are an amateur cook or the master chef, a professional kitchen is a necessity for home entertaining. Complement stainless steel double ovens, granite counter-tops and copper sinks with a walk-in refrigerator - ideal storage in a cool package. Cost: $7,000 - $20,000
- Spas, gyms and yoga and Pilates studios - The home gym has undergone a makeover. For the best in fun and fitness for a luxury home, add a professional spa complete with steam and massage rooms. Cost: Starting at $50,000
- Wine cellars and tasting rooms - Luxury homes are built with exquisite taste - especially when it comes to tasting wine. Add individual cellars for red and white wines, paneled tasting rooms, and custom-designed wine cabinets to provide optimal conditions for storing and aging fine wines. Cost: $60,000 - $150,000
- Concierge services - If you want more time for things that really matter in your luxury home, a concierge service will manage your domestic affairs, handle the chores, and act as your own personal assistant. Cost: $50 - $75 per hour (a minimum number of hours may be required)
- Media rooms - Lose yourself in your favourite movie, as you recline in lavish leather seats. With theatre-size screens, surround sound and rows of plush seats, home media rooms can rival local cinemas (and the popcorn is free). Cost: $50,000 and up
- Wrapping and sewing rooms - Tailored gift-wrapping rooms and sewing rooms provide a creative refuge for quiet inspiration in any luxury home. Cost: $5,000 and up
- Structured wiring and security - Smart wiring enables smart living. The latest technology integrates home theatres, audio systems, communications and security. Computer controls automate heating, air conditioning, appliances and lighting. Remote access lets you control your home systems when you are at work, the cottage or on holiday. Cost: $25,000 and up
- Home elevators - A necessity for some, a convenience for all. Home elevators make living in your luxury home that much easier (especially when you need to go up). Cost: $30,000 for equipment and installation; renovation costs, if needed, are extra
- Heated driveways, walkways and garages - Heated driveways and walkways make snow shoveling a thing of the past while improving the view of your real estate. Cost: $5,000 for a 600-square foot driveway; installation is extra
The above top-10 list of the most unique and sought-after accessories for Canadian luxury homes was compiled from interviews with Royal LePage Carriage Trade Home agents. For expert advice about buying or selling a Carriage Trade luxury property, contact us today.


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Dear Friends
Greetings from the Kriti Team!
We hope you all had a great Diwali!! Our team sends lots of wishes for unending joy, good health, love and light in your life.
With this mailer, we update you on our initiatives and events conducted in October and at the same time, invite you to our November events – Kriti Film Club screening on 1st November (on Men's perspectives & changing roles) in collaboration with PSBT and ITVS; and the Children's Film Festival on 15th November where we have lined up some exciting films for the young ones. Ours is a small but one of its kind interactive space for watching and talking films so if you have not been here until now give yourself a chance for a new experience!
Octoberscape with the Kriti team
In October we celebrated the International Day of Older Persons on 1st October with a very inspiring film on Zohra Sehgal by Anant Raina. We were honoured to have both the film-maker and Mr. M.K. Raina, the distinguished actor/director and Anant's father, for the discussion following the film screening. The audience was spell-bound with the inspirational message of living life to the fullest and Zohra ji's life-story touched a chord in everyone's heart! We also had a 72 year old member of our audience play some lovely songs on his harmonica and we salute his spirit and hope that we have many more young spirited oldies perform next year! See pictures on
Some of the other important days that we mark in the month of October are:
02 October Gandhi Jayanti/International Day of Non-Violence
10 October World Mental Health Day
13 October International Day for Natural Disasters Reduction
17 October International Day for Eradication of Poverty
24 October United Nations Day/World Development Day
In 2011, we had for the first time organised a Mental Health Day event in collaboration with PHFI and a Kriti Film Club curated festival of documentaries called 'MindReels'. In the Kriti team tradition of consistency, we have continued to mark this day for the last three years. This year we used the social media to organise an Online Mental Health Festival (on facebook) to mark the World Mental Health Day (10th October), where a very path-breaking documentary film "A Drop of Sunshine", directed by Aparna Sanyal, was screened online from 10th – 14th October in collaboration with PSBT. Besides the film, there were several other articles, talks, videos and other resources shared to create more awareness and dialogue on mental health issues. There are very few spaces and platforms to discuss mental health concerns; hence it was a small initiative by us to instil more courage, hope and positivity through the social media. See more on https://www.facebook.com/events/1498742460385144/
We continue our efforts of triggering thought and action on socially relevant issues and hope that you will join and support us with full gutso!
Wishing Lights & Joy
Kriti Team
Documentary Screenings in November
Kriti Film Club @Alaknanda (1st November 2014)
26 mins/ English, Hindi
Director: Harjant Gill
Men Against the Tide
22 mins/ English, Hindi
Directors: ITVS & CNN-IBN
Date: 1st November, Saturday
Time: 6.00 pm to 8.00 pm
(screenings followed by discussion)
at the Kriti team workplace
A-15 Tara Apartments, near Alaknanda market
New Delhi 110019 (nearest metro – Govindpuri)
Mardistan - Through the experiences of four different men, ranging in age from 20s to 40s, Mardistan explores the notion of contemporary manhood in a rapidly globalising India. A middle-aged writer attempting to make sense of the physical and sexual abuse he witnessed growing up in an elite military academy, a working class father of twin daughters resisting the pressure to have a son, a young college student searching for a girlfriend with whom he can lose his virginity, a middle-aged gay man deciding to come out to his wife after nearly 20 years of marriage, together make up different dimensions of what it means to be a man in India today.
About the Filmmaker – Harjant Gill is Assistant Professor of Anthropology and Cultural Studies at Towson University, Maryland. He received his PhD from American University. His academic research examines the intersections of masculinity, modernity and migration in South Asia. He is also a documentary filmmaker and has made several films that have screened at film festivals worldwide and won numerous awards. His previous documentary with PSBT, Roots of Love, explored the changing significance of hair and turban among Sikhs and has been telecast on BBC World News, BBC America, and Doordarshan. He is currently also the Co-Director of Society for Visual Anthropology Film and Media Festival.
Men Against the Tide – How men across the world are challenging the various facets of masculinity: December 2012 Delhi gang rape cut short the life of a promising young woman. It also sparked an emotional response, revolutionizing India's consciousness around gender-based violence, and provoking many of us to speak out and take action against it. One year later, a new film by CNN-IBN and ITVS (Independent Television Service, Inc.) honors men throughout India who are striking at the root of gender-based violence.
(For children 7 – 14 years of age)
On 15th November, 2014
Timings: 12 noon – 5 p.m.
at the Kriti Team workplace
A-15, Tara Apartments, Alaknanda
New Delhi – 110019 (nearest metro: Govindpuri)
To celebrate Children's Day, Kriti Film Club launches the first edition of Children's Film Festival with some selected documentary and mainstream films for children. The films have been chosen that will stimulate the young sparkling minds with some lessons and learnings for life, in a light hearted and fun way. The screenings will be followed by reflections and discussions with the kids – to understand their perspectives and ideas.
Films include:
- I am Kalam
- Jadui Pankh and selected short films by Nitin Das
- Kung Fu Panda
- Lukka Chhuppi (the world's first children's feature film fully shot in Ladakh) by Vinod Ganatra
The celebration will include small healthy eats for the children. So do send your kids for a fun-filled yet educational event to ignite their thinking!
Please send us confirmations in advance to help us make suitable arrangements!
ABOUT THE FILM CLUB: Kriti Film Club is an educational and research oriented initiative of Kriti: a development research, praxis and communication team. We offer an independent and informal space for screening documentary films on a whole range of development, human rights &environment issues. We also serve as a borrowing & access space for documentary films.
Phone: 26027845/ 26033088
Email: firstname.lastname@example.com Web: http://krititeam.blogspot.com
Facebook group: Kriti team Facebook page: Gestures by Kriti team


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Browse through the range of contemporary kitchen designs online and find the style that suits your taste and needs.
Colin and his team fitted both our kitchen and bathroom to an affordable price, high spec finish and friendly workmen. I recently had an issue with my microwave which was supplied and fitted by the guys. I e-mailed Colin and my Husband called him and within two days Colin got back to us with all the information that we needed and helped us out. We did not even need to call him back he had contacted us with the information and help, this is very rare with companys as the usual is once job finished and paid for they don't want to know but I am glad to say that this is not the case with Osprey. Thanks Guys x
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An Osprey Kitchen makes cooking a pleasure!
Fill in the form on right and arrange a design visit for a no obligation quotation! Nothing to lose but a lot to save!
Kitchen Design | Traditional | Contemporary


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[Dear readers: My intent with this column has always been to get a broad look not just at games and gaming, but at the people behind the games. PlanetFargo is an open forum. This week, I spoke with Max Payne, star of his recently released self-titled videogame, about how he's been dealing with life months after the events depicted in the game. As you may already be aware, he's since settled into Southern California where he's stepped into gainful employment at El Pollo Loco, a southwestern chain of barbecue chicken restaurants.
Let's see how he's coping.]
Chapter One: Working Stiff
The sun broiled the concrete like a number 2 combo. Tar and asphalt did the sticky dance on my two shoes as I stepped into poultry-scented plate glass cathedral of El Pollo Loco. Spanish for "The Crazy Chicken." Crazy chicken for crazy people, in crazy times. Desperate times. Times that fit the man.
Max's New Bag
I slammed down my employment application like the gravedigger's shovel. The counter was hard, clean, ready for action. The manager, Rico, slid the paper toward him with long greasy fingers, eyed it through semi-closed lids. He turned his gaze toward me, piercing, with eyes that shot through my skull like a bad trigonometry lesson. His grunt cut the air like he was cutting off a quarter chicken for an extra crispy number four. Pollo Loco. Crazy chickens. Crazy enough for a man like me? Must be. I got the job. I got it like a wet load of laundry or a bad case of gas and started a week later.
Dangerous work.
Chapter Two: The Dame
There I was, a cock-hocker with a handful of cilatro, ready and waiting to serve the beans. That's when she came in. Tall. Tight. Legs that went all the way up, so high you'd have to take the bus. She wore a blue dress tight as a tattoo across her thighs. Outside it was wet, wet like my loins, thin falling sheets of mist like a heavy fog that the Californians considered a "downpour." But she didn't carry an umbrella, just a bust bigger than the pride of the vice squad. Tangled wet hair strung across her face like those dangling plastic dealies that whoosh over your car at the automated car wash.
"Can I help you?" I asked, but I knew the answer. Women like that don't ask for your help, they take it like it's deserved.
She ordered a number four and fries the way Carter would rescue hostages. As I punched up her numbers I could feel those eyes roaming all over me, taking my clothes for a walk the way old ladies would take out the dog. If pupils had tongues I'd have been as wet as her. Instead I slipped her a receipt and turned around to do the breaded tango with the grill. I knew. My whole head knew, knew with such cold hard knowingness that it was like remembering a steel brick: This chick was gonna get her chicken. And I was gonna make it happen.
Chapter Three: Into the Furnace
Across the flaming grill my eyes met Rico like two pubescents at the first Junior high Dance. Rico owned Pollo Loco, and a man like that thinks he owns anything on two legs with rounded goodness on the end that strolls into his turf. Rico had this one pegged like a tent and marked for dead. He was slapping down the BBQ sauce before the hollow ring of the register bell even finished echoing across the tiles of his glass-lined castle with a drive-through window and an aftertaste. Not this time, Rico. This one's mine, hombre.
I dove, apron flying behind me, wind whistling. I punched that grill in slow-motion. Long lines of hot red metal licked with flames like a hundred little Gene Simmonses trapped under a street grate covered with hot tasty all-white meat. Chicken broiled at one-quarter speed. Spices hung in the air like bullet shells. They fell. Done.
Spice in slow motion
Chapter Four: She Eats Chicken
I gave her the chicken. She sat down to eat the way you would parallel park a car. She ate chicken. She ate it with pearly white teeth lined up like soldiers at a meat parade, ready to salute the sauce-covered orders of a four-star short-order general with a taste for the Southwestern. The coleslaw came down hard, dribbling like opening night with the Knicks. Then the string beans, green tendrils like greased garlic-knuckled fingers reaching cringingly out to grasp the deep ivory crunchiness of thin-sliced roasted almonds. She ate chicken.
And as she ate, Rico laid eyes on her like the desperate last-round contestant at a spelling bee.
Chapter Five: Dissolution Into Illegibility
Then it hit me, the way Barry Bonds would hit a low slider over the plate. A keen sense of dissapparation, like the shadowy bent of a spoke on the turning wheel of a bicycle caught crossing the street at the wrong time on a snow-covered patch of pavement marked with blood. Sour to the taste, headed west by northwest into the seedy slick trenchcoat of a guy who isn't in the mafia but his friends think he is 'cuz he drives a long slender black car like a case of lipstick and works at a scuba shop. At least he says he does. The truth? Nobody knows, nobody unless you count the canister-headed attendant of the slurpee machine next to the entrance who saw the whole thing happen with grey green eyes deep as the coolant tanks of a power plant on the fritz the night they took the whole show on the road. Tuesday, it was. Tuesday. It doesn't take a genius to put two and two together. Not when you've seen what I have.
El Pollo Loco. The Crazy Chicken. Crazy chicken for crazy times.
[PlanetFargo is posted every Friday at GameSpy.com. Read the archives! Fargo is an online community gaming journalist who wrote this article in slow motion. He also writes The Daily Victim, which is funny, so go there. Mail Fargo!
Get Fargo in your Mailbox every day -- Subscribe to the HTML version of GameSpy's Daily Newsletter.


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Fucker Fonts
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Typeface Galdino Otten. 2013. All Rights ReservedDescription
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Sketch Toska Font Family By Galdino Otten (copyright) Free for personal use Donation required for Commercial use. Contact: Email email@example.com or call: 00 55 83 99841828 Donate to Galdino Otten at PayPal.com to firstname.lastname@example.com Blog: http://onlyillustration.blogspot.com/ http://galdinoottenbr.blogspot.com/ http://galdinootten.com Terms of Use/End User Lisence Agreement Upon downloading this font the user bound to abide the Free Font Terms of Use/Free Font End User License Agreement (TOU/EULA) defined below. This agreement pertains to you/the user and the liscencing rights aquired with this download. These rights are specific to free download and usage of this font, i.e. a personal use License agreement. ----------------------------------------------- Free Font Terms of Use Free Font End User License Agreement: ----------------------------------------------- 1.)This font is free for personal use. 2.) The distribution of this font for financial gain or profit is not permitted under any circumstances and is strictly prohibited. Do not add this font to a font CD or compilation and or archive that is to be sold for a profit. Basically, don't sell this font, and do not make things that are to be sold with this font... It's free for personal use only. Commercial use requires the user to obtain a Commercial Font End User License. A Commercial Font End User License is granted after a PayPal donation has been received. contact me email@example.com for more details. For profit scrapbooking and digital scrapbooking material (s) or scrapbooking and digital scrapbooking material(s) intended to be sold/resold with this font are also prohibited under this license, and require a commercial License. To obtain a Commercial Font End User License for this font contact me email@example.com Please note, scrapbooking and digital scrapbooking use of this font is only restricted when pertaining to the making of any for profit items. Otherwise creating items to be used personally, whether in a traditional scrapbook or digital scrapbook is entirely permitted under this free License. 3.) This font file must be kept intact as downloaded. Under no circumstances may this font file itself be edited, altered, or modified at any time or in any measure. This prohibits and indcludes but is not limited to, renaming this font file, as well as the creation of so-called new and/or derivitave fonts from this font file or any other possible digital representations. 4.) Redistribution of this font is permitted only if this readme is, as well as the font file itself, kept intact as is, and it is offered free of charge, no fee is implemented upon the aquistition of this font. If you do redistribute this font, please contact me firstname.lastname@example.com with details. 5.) Upon downloading this font, the user accepts all liability and sole responsibility for the font file and any accompanying files therein. Galdino Otten is not responsible or liable for any damages, loss or other consequences incurred as a result of downloading this font, or otherwise relating or associated with the download. *Personal use does not constitute public domain. **If you are interested in the commercial use of this font or using this font in any manner outside the realm of personal use, you must obtain the rights to use this font commercially (Commercial Font End User License) prior to doing so. To obtain a Commercial Font End User License Agreement with this font, contact me email@example.com Thanks for accepting these terms.
Insight Issue New
Insight Issue NewStyle
1.00 August 19, 2010, initial releaseTrademark
Galdino Otten, Copyright 2010Copyright
Galdino Otten, Copyright 2010License
You may not use this font for commercial purposes.
Fairy Strange
Fairy StrangeStyle
1.00 March 5, 2013, initial releaseAuthor
Made with Scanahand. Copyright Imagex 2013Description
This font was created using Scanahand from High-Logic.comLicense
Free for personal use ONLY
Clear Prairie Dawn W01 Regular
David VereschaginAuthor
David VereschaginTrademark
Clear Prairie Dawn is a trademark of Quadrat Communications.Copyright
Copyright (c) David Vereschagin, 1992-2012. All rights reserved.License
LICENCE: By using the fonts (the Fonts) provided by Quadrat Communications (Quadrat), you are agreeing to abide by the terms of this Licence Agreement (this Licence) between you and Quadrat. You should read it carefully, as your agreement to its terms will be presumed. If you do not understand the terms of this Licence, you should review it with a lawyer. This Licence will be enforceable just like any written agreement signed by you. If you are not in agreement with terms of this Licence, you must immediately delete all of the Fonts from all Workstations and any Output Sites (as those terms are defined below), and a full refund will be given.1. Grant of Rights: Subject to the other terms and conditions of this Licence, you are hereby granted a non-exclusive, non-transferable licence to use the Fonts for an indefinite period of time. You do not own the Fonts. Ownership of the Fonts and all intellectual property rights relating thereto remains with Quadrat. You simply have permission to use them, subject to certain terms and conditions. The other terms and conditions of this Licence are as follows:2. Permitted Workstations: You may use the Fonts on as many Workstations as your receipt, which must be attached hereto as Schedule A, indicates that you have paid for, as long as all such Workstations are within a single business or residential premises (Primary Location). In the absence of a receipt being attached as Schedule A, you will be deemed to have not paid for this Licence, and your use of the Fonts is strictly prohibited.3. Definition of Workstation: A Workstation is a single computer, and any peripherals such as printers and monitors, that relate specifically to that computer. You may count a portable computer as a licensed Workstation if such portable computer is regularly used at the Primary Location.4. Output Site: The Fonts may also be used at a single Output Site. An Output Site is a service or business located outside the Primary Location which is used for high resolution or other types of output which cannot be accomplished at the Primary Location. Use of the Fonts at an Output Site may be in addition to the number of Workstations authorized under this Licence, but the Fonts must be immediately and fully removed from the Output Site upon the completion of the work for which they are required.5. Network Server: If you use a network server, you may install the Fonts on that network server, provided that such network server will be counted as one of the licensed workstations, and must be located at the Primary Location. The total number of Workstations which are connected to the server and using the Fonts may not exceed the number of Workstations that you have paid for, as evidenced by your receipt attached hereto, less one, to account for the network server installation.6. Total Workstations: You may use the Fonts in any of their supplied formats, but the total number of Workstations with all formats combined may not exceed the number of Workstations that you have paid for, as evidenced by your receipt attached hereto. You may use the Fonts on any appropriate computing platforms.7. Modifications: You may modify the Fonts, provided that any modifications that you make to the Fonts are governed by the terms of this Licence, including but not limited to the restrictions on their use and distribution, and provided that all copyright and other intellectual property rights in any modifications to the Fonts will be owned exclusively by Quadrat.8. Embedding: Embedding of the Fonts in other documents is expressly prohibited, except to the extent permitted by the Fonts as provided. Any alterations to the Fonts to allow a greater level of embedding is a breach of this Licence and will result in, among other things, the immediate termination of same.9. Single Copy Only: You may make a single copy of the Fonts for archival purposes. No other copying of the Fonts is permitted.10. Unauthorized Use: All rights not expressly granted to you in this Licence are expressly reserved to Quadrat, and any use of the Fonts that is not expressly authorized by this Licence is a breach of this Licence, and Quadrat will be entitled to take immediate action to rectify such breach.11. Licence and Fonts Not Assignable: This Licence is personal to you, and you may not assign or sublicense this Licence or any rights under this Licence, or otherwise transfer or distribute the Fonts, or any copy or modified form of any Fonts, to any other person or business unless such other person or business agrees to be bound by the terms of this Licence and you first delete all copies of the Fonts in your possession. You must advise Quadrat immediately of any such assignment.12. No Use Without Payment: If Quadrat discovers that you are using the Fonts without remitting the appropriate payment for same, you will forthwith be required to remit the payment required for such use, at twice the then-current licence cost.13. Termination: This Licence will terminate immediately upon any breach of the terms and conditions of same. Following any termination of this Licence, you must immediately delete all copies of the Fonts from all Workstations and any Output Sites and any other location in your possession or under your control.14. Remedies for Breach of Licence: You hereby agree that monetary damages are insufficient to compensate Quadrat for any breach of this Licence. You agree that irreparable harm would accrue to Quadrat in the event of such breach. If this Licence is breached in any way, Quadrat will have the immediate right to seek an injunction to stop such breach, without prejudice to any other legal or equitable rights and remedies that it may have. 15. Intellectual Property Rights: The Fonts and any copies that you are authorized by Quadrat to make are the copyrighted material, intellectual property of and are owned exclusively by Quadrat throughout the world. The structure, organization and code of the Fonts are the valuable trade secrets, confidential and proprietary information of Quadrat. The Fonts are protected by copyright. You may not copy the Fonts. You will not acquire any rights, express or implied, in the Fonts other than those expressly set out in this Licence.16. Intellectual Property Notices: You may not delete or change any copyright or trademark notice that accompanies the Fonts, and no other copyright or trademark notice may accompany the Fonts, or any modified form of the Fonts.17. Limitation of Liability: You agree to use the Fonts at your own risk. This software is provided on an as is basis. It is your responsibility to ensure that you have the proper hardware and safeguards in place to properly use the Fonts. Except as expressly set out elsewhere in this Licence, there are no express or implied representations, warranties or conditions of any kind in respect of the Fonts or the services provided by Quadrat. Further, Quadrat will not be liable to you or any other person or business for any indirect, special or consequential damages related to this Licence. Quadrat's entire liability under this Licence for damages from any cause whatsoever, at law or by statute, regardless of the form or cause of action, will not exceed the total amount actually paid by you to Quadrat pursuant to this Licence in the six (6) months immediately prior to your damages or loss.18. Currency: Unless otherwise stated, all dollar amounts referred to in this Agreement are in lawful Canadian currency.19. Taxes: In addition to the fees payable for the Fonts set out elsewhere on this website, you will pay to Quadrat all taxes payable by you pursuant to this Licence.20. 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Melancholia W00 Alternate
Jonathan Barnbrook and Marcus McCallionAuthor
Jonathan Barnbrook and Marcus McCallionTrademark
Melancholia Alternate is a trademark of VirusFonts.Copyright
Copyright (c) 2004 VirusFonts. All rights reserved.Description
Copyright (c) 2004 VirusFonts. All rights reserved.License
====================================End User License Agreement (EULA)====================================By downloading and/or installing Virus Fonts software you agree to the following terms:1. The Virus Font Software is licensed for use at one (1) location with a maximum of five (5) devices. For example: five (4) CPUs and one (1) printer.2. Use of the Virus Font Software at more than one (1) location or with more than six (5) devices requires a Multi-Device Site License upgrade. To determine the number of devices, add up all CPUs, workstations, printers, and other devices that use the fonts. A device may be, but is not limited to, a printer, rasterizer, video display terminal, CPU, workstation or any device where the font software is rasterized or display of the Virus Font is generated from font software outlines using Adobe Type Manager or similar software. For example, a display terminal shall be considered a device if the Virus Font outline is embedded or otherwise included for viewing by end users in a multimedia CD.3. Except as permitted herein, you may not modify, adapt, translate, reverse engineer, decompile, disassemble, alter or otherwise copy the Virus Font Software.4. You are permitted to make a single back-up copy. The Virus Font Software or documentation may not be sublicensed, sold, leased, rented, lent, or given away to another person or entity.5. The Virus Font Software may be returned or exchanged only if defective. Defective software will be replaced when accompanied by a valid sales receipt and Virus is notified within one (1) week of purchase.6. You agree that any derivative works created by you from the Virus Font Software, including, but not limited to, software, EPS files, or other electronic works, are considered derivative works and use of the derivative work is subject to the terms and conditions of this License Agreement. Derivative works may not be sublicensed, sold, leased, rented, lent, or given away without written permission from Virus. Virus shall not beresponsible for unauthorized, modified and/or regenerated software or derivative works. Embedding of the Virus Fonts Software in any form is strictly prohibited without an additional license.7. The Virus Font Software is protected under domestic and international trademark and copyright law. You agree to identify the Virus fonts by name and credit Virus's ownership of the trademarks and copyrights in any design or production credits.8. Any breach of the terms of this Agreement shall be cause for termination. In the event of termination, and without limitation of any remedies under law and equity, you agree to immediately return the Font Software to Virus and certify that no copy remains in your possession or control.9. VIRUS MAKES NO WARRANTIES, EXPRESS OR IMPLIED AS TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR OTHERWISE. WITHOUT LIMITING THE FOREGOING, VIRUS SHALL IN NO EVENT BE LIABLE TO THE LICENSED USER OR ANY OTHER THIRD PARTY FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, ARISING OUT OF THE USE OR INABILITY TO USE THE PRODUCT EVEN IF NOTIFIED IN ADVANCE. UNDER NO CIRCUMSTANCES SHALL VIRUS'S LIABILITY EXCEED THE REPLACEMENT COST OF THE SOFTWARE.License UpgradesThe Virus Font Software is licensed for use at a single location for use with a maximum of six (6) devices. For example: (1) printer with up to five (5) CPUs. The Virus Font Software may not be shared between locations or business entities. Each additional location and/or entity must purchase a separate license to be used in accordance with the terms of the Virus Font Software License. License upgrades may be purchased for use with additional devices. The upgrade price is calculated as a percentage of the original price of the software.Some states or jurisdictions do not allow the exclusion or limitations of implied warranties and incidental, consequential or special damages. The exclusions or limitations contained in the Virus Font Software License Agreement may not apply to you. Restrictions to exclusions and/or limitations of the Virus Font Software License Agreement shall only be effective to the minimum extent permitted by your state or jurisdiction and only if required by your state or jurisdiction. Under no circumstances shall the exclusions and/or limitations of the Virus Font Software License Agreement be greater than thirty (30) days after the date of purchase or the minimum time allowed by your state or jurisdiction, whichever is shorter. Thereafter, all the exclusions and/or limitations of the Virus Font Software License Agreement shall apply. The Virus Font Software License Agreement gives you specific legal rights and you may have other rights that vary from state to state.
ITC Kabel W01 Book
Monotype ITC Inc.Author
Caruso, VictorTrademark
Kabel is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.Copyright
Copyright 2014 Monotype ITC Inc. All rights reserved.License
This font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
ITC Daves Raves W95 Pi Three
International Typeface CorporationAuthor
David SagorskiTrademark
ITC is a trademark of International Typeface Corporation Registered in the U.S. Patent and Trademark Office and may be registered in certain jurisdictions;Dave's Raves is a trademark of International Typeface Corporation and may be registerCopyright
Copyright 1997 International Typeface Corporation. All rights reserved.Description
Please review the description of this font at http://www.itcfonts.com.License
NOTIFICATION OF LICENSE AGREEMENT This typeface is the property of International Typeface Corporation (ITC) and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from ITC or together with software distributed by one of the licencees of ITC. This software is a valuable asset of ITC. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software or contact ITC for a copy of the license agreement. General information:www.itcfonts.comFor license terms and usage rights, please visit our web site at:www.itcfonts.com/license


text: Andalusia D12-83-1 - Occasional Table W: 14 in D: 14 in H: 23 in Product Details Material Powder Coated Aluminum Weight 42 lb Volume 5 cft Quick Ship Item This round ocassional table is an addition to the D12-85 side table and D12-86 Cocktail. Smaller, but taller, it is the perfect complement to hold your favorite cocktail on a warm lazy day. Hand-made, sand-cast, aluminum frame surrounds a travertine stone insert. Documents Product Care Similar Items D12-83-1 - Occasional TableD12-83-9 - Occasional Table Resources Add Item to Wishlist Find a Dealer Print / Email Print this Page Email this Page Include Additional 'As Shown' Information? Yes No As Shown Finishes Dimensions


text:
While waddling around the snow-covered island today, I noticed a new Club Penguin Elite Penguin Force message from the Director has been sent to every Elite Penguin Force Agent Spy Phones. Elite Penguin Force messages are sent out to every Agent on Club Penguin island to keep them updated on many things like what's going on the island, upcoming parties, how to keep Club Penguin safe and much more! Only Club Penguin mascots can send out messages and not only you but every single penguin on Club Penguin who is an Elite Penguin Force Agent can read it! Jet Pack Guy who was unveiled as the Club Penguin mascot Aunt Arctic at Operation Blackout, has sent us a new message.
If for whatever reason you cannot read the message, we have the full transcript of the message below:
The Penguin Cup is secure in my office. It is a valuable asset. Also, I like it.
This Elite Penguin Force message most accurately depicts the Directors two persons: the dark and secret side of the Director as his undercover self and the cheery and public face of Aunt Arctic as the Director's true identity. Personally, I feel the Elite Penguin Force doesn't have the role and interaction it used to have. Do you think the Club Penguin Elite Penguin Force should have a bigger or smaller role? Let us know your thoughts and opinions by leaving a comment in the comments section below, we'd love to hear from you.


text:
This pair of incredible Hydrangea will truly impress with their huge spheres of flowers produced from July through to the autumn each year.
Hydrangea 'Incrediball', the Tree Hydrangea, produces amazing and enormous colour-changing blooms that change from lime green to pure white then fade to green again, to make the most amazing displays in your garden and your home. It is unbelievable, but true! Called Hydrangea 'Invincibelle' in the US, 'Pink Annabelle' has much bigger, bolder, longer-lasting and more complex flowers than more common kinds of hydrangea. 'Pink Annabelle' is the cousin of our best-selling 'Incrediball', and has lovely giant strawberry pink flowers to 30cm across, each one made up of thousands of petals with a blend of subtle pink shades, giving a delightful overall effect.
These varieties are an entirely different species and variety than the traditional pink and blue plants you are probably more familiar with. The stems are incredibly strong to enable the support for this amazing flower, and they are tolerant of rain and wind hence the names! Displays will last all summer long whatever the weather and will produce flowers to up to 30cm or 12 inches in diameter. They can be cut and used as dried flowers too - this will preserve the natural colouration, or spray them gold or silver for spectacular Christmas decorations.
For real summer impact in your garden, Tree Hydrangea 'Incrediball' and �Invincibelle� are real winners.


text:
LONDON -- American teenager Missy Franklin set a world record in the 200 backstroke Friday for her third gold and fourth medal overall at the London Olympics.
Franklin clocked 2 minutes, 4.06 seconds, 0.75 quicker than the mark set by Kirsty Coventry of Zimbabwe at the 2009 world championships in Rome in a now-banned bodysuit.
"I can't believe what just happened," said Franklin, who had dedicated her Olympics to victims of the theater shooting not far from her Colorado home. "In that last 25, I knew I was giving it everything I had because I couldn't feel my arms and legs and I was just trying to get my hand to the wall as fast I could."
It was the seventh world record of the Games.
Russia's Anastasia Zueva took silver, a body length behind Franklin in 2:05.92. Elizabeth Beisel put a second American on the medal podium in 2:06.55, while Coventry finished sixth.
"I could never dream for it to happen like that," said Franklin, who also has a bronze in her first Olympics and one more race to go in the 4x100 medley relay.
Information from The Associated Press was used in this report.


text:
I'd been dispatched to a period property in Waterloo, my only instruction to look for the controversial pink door. On arrival, I was greeted by a woman wearing a black, intricately-embroidered kimono, with a full-bellied, snorting laugh and bright fuchsia lipstick.
Isabella Blow was an exotic vision of unconventional womanhood and the creative pinnacle of everything. I had studied and brushed up on every designer imaginable, ready for any question you could conceive, however – as with most things involving Isabella – this wasn't your typical job interview. Not a single fashion word was uttered. Instead, she grilled me on my childhood and experiences at English boarding schools. Hours later I found myself working for a modern-day tour-du-force, the Fashion Director of the Sunday Times Style.
Much has been written on Isabella, as she touched so many people in such deep and personal ways. She trained under Anna Wintour, Andre Leon Talley and Michael Roberts at Tatler. Even in her early days working as an assistant to Wintour at American Vogue, she was a lightning rod for talent. As a Fashion Editor, Isabella had the rare ability to draw together creative individuals from all disciplines: art, photography, architecture and fashion, and help them to feed off each other. In our conversations she would often refer to the Salons of the 17th and 18th centuries and how they brought different creative disciplines together. Personally, however, I always felt with Isabella's energy, she was more like a creative particle accelerator: throwing different personalities together and watching the sparks fly!
In her quieter moments Isabella would often describe herself as a truffle-hunting pig, her job to sniff out talent hidden in the dark underground, and show it to the world. Isabella was a particularly good truffle hunter. She is credited with the discovery of not one but several of the world's creative geniuses and modern beauties. From the late Alexander McQueen (she bought his graduate collection), to the milliner Philip Treacy, Julien McDonald, Sophie Dahl and Stella Tennant. Her sad and far too early demise in 2007 created a void in the fashion world.
However she left behind the legacy of a vast, eclectic wardrobe of spectacular clothes and, luckily for us, they've been preserved in their entirety by her dear friend Daphne Guinness. A large selection from the Manolos on her feet to the Treacys on her head and all fashion of garments in between will be on display at Somerset House this autumn. During the three years we worked together, I was taught by Isabella to be fearless: 'Push yourself;' 'believe anything is possible.' Although she is no longer with us, she left an indelible impression on an industry that isn't easily impressed. The exhibition Isabella Blow: Fashion Galore! will be a fitting tribute to her legacy.
The exhibition and fashion retrospective Isabella Blow: Fashion Galore! will run from 20 November 2013 to 2 March 2014 at the Embankment Galleries, Somerset House, Strand, London WC2R 1LA. Tel: +44 (0)20 7845 4600.


text:
Evenflow Water Saver Valve
These taps have been designed by water engineers with hands-on field experience, and have been used repeatedly by customers over many years. Other self-closing taps which rely upon the water pressure to keep them close can drip at low pressures wasting precious water and causing a muddy slip hazard in the surrounding area.
Key features
- Discharge spout with hose barb
- Large internal passage to avoid blockages by small stones
- All materials food grade
- The main body is light, strong and stainless
- Reliable spring assisted closing
- Low maintenance
- 3/4" BSP F connection
- Weight: 171 grams
- Length 80mm, discharge off-take to tap body 75mm
Evenflow Water Saver Valve Output
12.0 l/m at 0.5m head
14.6 l/m at 1m head
41.3 l/m at 8m head
A range of valves, fittings, hoses and storage tanks are available:
- Connection Kit; 6m PVC suction hose with Guillemin-type coupling with locking ring fixed with hose bands at each end, combination spanner and Guillemin-type wrench.
- Installation Tool Kit; pickaxe, shovel, wrench, barrier tape, rope, spirit level, Guillemin-type couplings (with locking ring and without), PTFE tape.
- Pillow Tanks, capacities from 1500 litres, to 100,000 litres.
- Steel Tanks, a wide range of capacities and fittings available, also OXFAM design.


text: Track API W3C WebUSB API - How To Storage Hardware Expose your USB device services via the web. This API interfaces by specifications to the hardware. It allows you to permit integration and securely provide access to USB devices from web pages. Summary SDKs (0) Articles (2) How To (0) Sample Source Code (0) Libraries (0) Developers (0) Followers (3) Changelog (4) Summary SDKs Articles How To Sample Source Code Libraries Developers Followers Changelog How ToThe following is a list of how-to and tutorial content that matched your search term. ProgrammableWeb's how-to content comes from two sources; full-blown tutorials that we publish ourselves and other highly relevant tutorials that we find elsewhere on the Web. This list represents on combination of both tutorial types and if you go to ProgrammableWeb's API University, you'll not only be able to find more, they are organized based on your role (API providers or developers who consumes APIs). If you know of a tutorial that would be of interest to the ProgrammableWeb community, we'd like to know about it. Be sure to check our guidelines for making contributions to ProgrammableWeb.Contact us to add a new How To to our directory Sorry, no how-to for this API.


text: Check out Lumen8's latest installation on 200 Mary Street, Brisbane. This is the result of close collaboration with the client who wanted to create a unique commercial space. The design utilises the reflective surfaces through the space to illuminate the interior without littering the ceiling with downlights and keeping to clean, linear aesthetic. The product used to do so was Lumen8's own Logikline range. The 21w 4000k LED strip was coupled with the P5 surface extruded aluminium profile with opal diffuser, and was used to reflect the lineal architecture in the space.


text:
You'll need:
- Foam balls in different sizes (three would be best for true snowman shape)
- Craft glue
- Small buttons
- Pipe cleaner cut and folded in half
- Stick-on eyes
- Bottle lids and cotton spools cut in half for hats
- Wooden skewer
- Cotton wool - loose or the balls broken up
Step one
Cut the wooden skewer so it'll fit through the number of balls you have. Push from the bottom through the top and insert the top ball on the point so there is no skewer pushing through any of the balls.
Step two
Let the kids glue the balls and stick on the cotton wool. Glue on the eyes, button and hat and have the adult stick the folded piece of pipe cleaner in as a nose so there are no sharp ends sticking out.


text:
I am often asked why I choose to work in hospice and with the elderly. People have said things like: it must be so depressing to be around death all the time… nursing homes creep me out… how can you stand being a therapist for clients you know are declining anyway? My answer to those questions is twofold. First of all, I believe that all people are valuable and that they deserve to be loved and cared for, no matter what stage of life they are in. This means therapeutic intervention to help clients maintain functioning and to provide palliative care is just as important as rehabilitative care and therapeutic progress.
What's been on my mind recently, however, is my second reason: I believe the late stage of life is an incredibly precious time, and I believe music provides an invaluable support and framework for that intimate time of life. When people are nearing the end of life, they might find the time and the means of expressing feelings and thoughts that they never have before. They may take time to reflect on what was important in their lives. Often, family members and friends gather near and share in this reflection. Music can be supportive of this process, especially when guided by a music therapist: music can help to establish a mood of relaxation or peace, or a higher energy level and air of playfulness. Familiar music can be chosen to support the sharing of memories. Music can be structured to provide a safe holding environment for people to experience intense and sometimes difficult emotions and to be expressive of these feelings even if they cannot be described out loud. As a music therapist, I feel greatly privileged to be a part of these powerful, intimate moments and to know that, with music, I can help people make these precious moments count.
I am experiencing a similarly precious and intimate time in my family right now. I just gave birth to our first child a week ago, and, along with my husband and other family members, I am experiencing the exhilaration and joy and fear and exhaustion that comes along with bringing a new person into our lives. Although some of the emotions may be different than those experienced at the end of life, I think the level of intensity is similar. Music has already become an important way for us to hold onto these special moments, from the music we chose to listen to as our daughter made her way into the world to the songs we chose to hear on our first nights together as a family, from the sweet and tender lullabies my husband and I sing to our baby to ease her into sleep, to the silly songs we sing to wake her up. Music is already an anchor in our daughter's life and the life of our family, as I am sure it will continue to be as our daughter grows.
Music accompanies us through the beginnings of life and the endings, and through all the precious moments in between. Music therapy can help us use music to live our lives to the fullest, no matter what the circumstances. As a music therapist, I am glad that I can be there for part of the journey.


text:
KRUH, Basia—born 1927, Stanislavov/Ivano Frankovsk, Ukraine
KRUH, Zalman—born 1928, Stanislavov/Ivano Frankovsk, Ukraine
Father: Jehuda Wolf Horowitz—died in 1932
Mother: Alte Dreise Kroh
The two children lived in a Jewish orphanage in ul. Mateki in Stanislavov until 1939. Then the Jewish and Ukrainian orphanages were united and the children were transferred in 1940 to Marijampolo, Ukraine, to what was called the Ukrainian Orphanage.
According to one witness, the children in this orphanage were not killed.
Submitted by David Kruh; brother
EMAILFilenumber: 1034
KRON, Yecheskel—born 1933 in Zambrow (?), Poland
Father: Leib Arie Kron
Mother: Sara Kron
Fleeing in 19?? submitted by Zambrow, Poland to Russia with his two brothers, the train was bombed and the brothers were separated. Yecheskel was taken to an orphanage in Saratov, USSR.
There was one letter in June 1941 between Yecheskel and his brother Abraham while Yecheskel stayed in the orphanage.
Submitted by Abraham Kron; brother
EMAILFilenumber: 1093
KUPERBERG, Fischel—born 1936, Lodz, Poland
KUPERBERG, (girl)—born 1939/1940
KUPERBERG, (girl)—born after 1940
Father: Moshe Kuperberg
Mother: Masha Kuperberg nee Pilater
The family lived in Lodz, but fled to the East. The two youngest girls where born somewhere in Russia.
Submitted by Baruch Kuperberg; uncle
EMAILFilenumber: 1053
KUPERBERG, Nathan—born 1938, Lodz, Poland
Father: Feibel Fajwel Kuperberg born in Russia; in Lodz from 1920
Mother: Hella Hinda Kuperberg nee Szpiro
Feibel Kuperberg became a prisoner of war in Germany after fighting in the Polish army in 1939/1940. He was released and interned in Ghetto Lodz where he stayed with his family.
According to unconfirmed reports, the family was sent to Auschwitz in 1943.
Submitted by Baruch Kuperberg; uncle
EMAILFilenumber: 1053
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LANDES, Yecheskel—born 1932, Tarnow , Poland
Father: Shlomo Landes
Mother: Rivka Mania Landes nee Aspis
The boy was last seen in Tarnow in 1945.
Submitted by relatives in Israel
EMAILFilenumber: 1037
LERNER, Miriam—born 1933, Korets, 62 km E of Rovno, Ukraine
Father: Jakob Lerner
Mother: Lea Lerner nee Varona
Lived in orphanage in Chernyye Ostrov, 126 km SSE of Rovno. During the war this orphanage was evacuated to Russia.
In 1942 she was in an orphanage near the city of Peer, formerly Molotow.
Submitted by Avraham Lerner; brother
EMAILFilenumber: 1056
LEV, Bonia—born 1938, Lvov, Ukraine
Father: (?) Lev
Mother: Sabina Lev nee Hahn
In 1940 this little boy was given to the Polish cook who worked for the family.
Submitted by Dov Wolf; cousin
EMAILFilenumber: 1066
LEWIN, Rachel—born ca 1937-1938, Vilnius, Lithuania
Father: Shaul Lewin
Mother: Unknown Lewin
The family lived in Vilnius, Lithuania.
Submitted by Shaul Zur; cousin
EMAILFilenumber: 1049
LEWIN, Shalom—born 1933 Vilnius, Lithuania
Father: Arie Leib Lewin
Mother: Lea Lewin nee
The family lived in Vilnius, Lithuania.
Submitted by Shaul Zur; nephew
EMAILFilenumber: 1049
LEWKOWITCZ, Joel—born 1931, Krakow, Poland
LEWKOWITCZ, Frieda Friedetka—born 1938, Krakow, Poland
Father: Leon Lewkowitcz
Mother: Ester Lewkowitcz nee Wegmeister
The family lived in Krakow and was later in Ghetto Krakow
Submitted by Hadassa Gour Ary; cousin
Submitted by Hadassa Feldmann; cousin
Submitted by Rachel Schneersohn; cousin
EMAILFilenumber: 1038
LICHTMAN or GONGOLIVICH (baby girl)—born ca 1943-1945, Ukraine
Mother: Rachel Lichtman or Gongolivich from Zobovnow(?)
The mother was separated from her husband and daughter during the war.
After the war she married again, and now her children from this second marriage would like to find their half sister.
Submitted by Matthias and Catherine Gould
EMAILFilenumber: 1123
LUNG, Miriam—born ca 1940, Michkolz, Hungary
LUNG, Juri—born ca 1943
Father: Lippa Lung
Mother: Reli Lung nee Grinberg
The family used to live in Michkolz, Hungary. They were sent to Auschwitz in May 1944.
Could this Miriam be the same Miriam Lung who is married and works/worked at the Rambam Hospital in Haifa?
Submitted by Chana Wachtel nee Lung; relative
EMAILFilenumber: 1095
MARGULES, Jozo Josef—born 1938, Warsaw, Poland
Father: Jakob Kuba Margules
Mother: Toza Ester Margules nee Halpern
The family lived in ul. Ogrodova 29, Warsaw. In September 1939 the parents fled to Russia.
The son, who had a high fever, stayed in Warsaw with his grandmother and aunt. There was some correspondence till 1941.
Submitted by Rachel Irina Margalit; sister
EMAILFilenumber: 1041
MARGULIS/MARGALIT, Jehudit—born 193? Kolno, Poland
Father: Eli Margulis/Margalit
Mother: Jente Rivka Margulis/Margalit
The parents had a bakery in the center of Kolno, Poland.
Submitted by Lea Zafroni nee Margulis; sister
EMAILFilenumber: 1087
MILDERIOWA, Nelli, born around 1931 Presow, Czeckia
Father: Yecheskel
Mother: Regina
The family lived in Presow, Czeckia.
Nelli's sister Sara came to Israel in 1946 and still hopes to find her younger sister.
Submitted by Sara fenkel nee Milderiowa; sister
EMAILFilenumber: 1088
MILGROM, Hadassa—born 1928, Warsaw, Poland
Father: Jakob Milgrom
Mother: Lotta Zlata Rachel Milgrom nee Wegmeister
The family lived in Warsaw in ul. Zelazna
Submitted by Hadassa Gour Ary; cousin
Submitted by Hadassa Feldmann; cousin
Submitted by Rachel Schneersohn; cousin
EMAILFilenumber: 1038
MILKANOWITSKI, Ditka—born 1933, Vilnius, Lithuania
Father: Bonim Milkanowitski (lawyer) born in Baranowitch
Mother: Batti Milkanowitski nee Merlis
The father was the head of the Jewish community before the war and became the head of the JUDENRAT during the war.
The maternal grandparents, Obsei and Helena Merlis, ul.Nikodema 6, Vilnius; had a servant named Anoska. Anoska later worked for the Milkanowitski family.
When the family was interned in the ghetto, it was Anoska who took Ditka with her.
Submitted by Shoshana Finkelstein; relative
EMAILFilenumber: 1073
MUSIKANTSKI/Y, Abraham—born 15 Aug 1938, Chimisheia, Moldova
Father: Motke Monia Musikantski
Mother: Sura Musikantski nee Litvak
The family lived in Chimisheia Moldova.
Abraham disappeared in 1941 during the bombings near Nikopol, close to the river Dnepr, Ukraine.
Submitted by Fania Fishmann nee Litvak; cousin
EMAILFilenumber: 1069
NAUCHICHEL, Liba—born 1930, Warsaw, Poland
NAUCHICHEL, Zippora—born 1932, Warsaw
Father: Yitzchak Nauchichel
Mother: Idel Nauchichel nee Zalmonowitz
The family lived in ul. Stratkowa 30, Warsaw Praga till the war.
Submitted by Israel Nauchichel; relative
EMAILFilenumber: 1076
NEIMAN, Anshel—born 1938, Przasnysz (?) near Makow Mazowiecki, Poland
Father: Moshe Neiman
Mother: Rivka Lea Neiman
The family with their four children escaped to Russia in 1939. The mother died in 1943 in Frunze, Kirgizia and the children where put in orphanages.
Anshel was last seen in Jalabad. Anshel is an invalid without his right hand, which he lost when he fell under a train. The hand was amputated under the right elbow.
Submitted by Chava Feineisen; sister
EMAILFilenumber: 1005
ODELSMANN, (Baby Girl)–born ca 1941, Bosyach (?), Ukraine
Father: Hillel Odelsmann submitted by Otynya, Ukraine
Mother: Feige Odelsmann nee Kriegel from Otynya, Ukraine
According to some sources this little baby girl was given to her nanny in an attempt to save her. She was about six months old at the time.
Submitted by Ora Levi Frank; cousin
EMAILFilenumber: 1003
ORLINSKA, Vanda—born ca 1933, Warsaw, Poland
Father: Maxmillian Orlinski (surgeon)
Mother: Unknown Orlinska nee Kulik
The family lived in Warsaw.
Her German nanny, named Anna in 1940-1941 hid Vanda.
Submitted by Reuven Oron/Ryczard Nachstern; cousin
EMAILFilenumber: 1100
ORLINSKA, (baby daughter)—born ca 1939, Warsaw, Poland
Father: Henryk Orlinski
Mother: Izabella Orlinska
The family lived in Warsaw.
Submitted by Reuven Oron/Ryczard Nachstern; cousin
EMAILFilenumber: 1100
PALIVODA, Sara—born 1930, Sosnowiec, Poland
PALIVODA, Aharon—born 1926, Sosnowiec
Father: Max Palivoda
Mother: Masha Polivoda –born ca 1905
The family lived in ul. Tovarowa 7, in Sosnowiec, Poland.
Submitted by Shlomo Palivoda; brother
EMAILFilenumber: 1078
POWONZEK, Ester—born ca 1927, Lopianka, Poland
POWONZEK, Moshe—born ca 1928 Lopianka, Poland
Father: Israel Baruch Powonzek
Mother: Sara Git Powonzek nee Lesnik
Last seen in 1939 when their brother fled to Russia. According to one report the sister was hiding with a Polish family, but might have run away from them.
Submitted by Abraham Powonzek; brother
EMAILFilenumber: 1010
PUTTERMANN, Zvia –born ca 1937, Otwock, Poland
PUTTERMANN (girl)—born ca 1938, Otwock, Poland
PUTTERMANN (girl)—born ca 1939, Otwock, Poland
Father: Chanina Puttermann
Mother: Dvorah Puttermann nee Solberg
The family lived in Otwock.
The mother gave her three daughters to a Polish neighbor when the Germans evacuated the Jews from Otwock.
Submitted by Masha Turner; cousin
EMAILFilenumber: 1050
RABINOWICZ, Heniek born around 1931/1932 Lodz, Poland
RABINOWICZ, Marek born around 1936/1937 Lodz, Poland
Father: Dwid Rabinowicz, born around 1903
Mother: Pola Rabinowicz nee Koreberg born 1905
The family lived in ul. Srodmieska 28, Lodz till 23 December 1939
From then on they lived in Warsaw in ul. Nowolipki 7.
Submitted by Bracha Shoham; niece
EMAILFilenumber: 1129
REISMANN, Miklos—born Feb 8th 1937, Uzhgorod, Ukraine
Father: Jeno Reismann
Mother: Ilona Reismannee Stern
In 1944 the mother gave her son to a Christian family in the Kobanya area in Budapest. When she returned after the war, she could not find him or the family who hid him.
Submitted by the family of Miklos Reismann
EMAILFilenumber: 1011
REISSFELD, Moshe—born ca 1935, Lublin, Poland
Father: Hirsch Meier Reissfeld
Mother: Nechama Reissfeld nee Mittelman
Uncle: Nathan Reissfeld
The family lived in Lublin before the war.
Submitted by Zvi, son of Nathan Reissfeld; nephew
EMAILFilenumber: 1108
REZNIK, Noach –born 1941/1942, Ghetto Vilna, Lithuania
Father: Chaim Reznik
Mother: Shulamith Reznik nee Pilovnik
This baby boy was smuggled out of the Vilna Ghetto at the age of TEN DAYS and placed in a Polish monastery. He had a note giving his identity.
Submitted by Rivka Shmuelewitz; halfִsister
EMAILFilenumber: 1001
RIEGELHAUPT, Ido—born 1931, Grybow, Poland
RIEGELHAUPT, Mania—born 1929, Grybow, Poland
Father: Meir Riegelhaupt
Mother: Henia Riegelhaupt
The family lived in Grybow, Poland.
Submitted by Feige Shemaya nee Riegelhaupt; aunt
EMAILFilenumber: 1079
ROSENZWEIG, Juri Samuel—born January 1931, Salgotarian, Hungary
Father: Jakov Rosenzweig
Mother: Ilona Rosenzweig nee Steiner
The family lived in Salgotarian. Juri was last seen in Auschwitz in August 1944.
His sister believes she recognized him in a photo taken in Bari, Italy AFTER the war and perhaps also in a picture taken of soldiers in the PALMACH.
Submitted by Ella Leonora Cohen nee Rosenzweig;sister
EMAILFilenumber: 1071
ROSSBACH, Cain—born 1927, Oswiecim, Poland
ROSSBACH, Lipa—born 1930, Oswiecim, Poland
ROSSBACH, Chana—born 1932, Oswiecim, Poland
Father : Nachum Rossbach
Mother: Sabine Rossbach
The family lived in Oswiecim.
The surviving sister Gina still hopes to find her siblings.
Submitted by Gina Rossbach; sister
EMAILFilenumber: 1098
ROZANSKI, Eliezer Leizer—born ca 1934, Belarus
ROZANSKI, Rivka—born ca 1936, Belarus
Father: Abraham Rozanski–born 1909
Mother: Chana Rozanski—born 1912
The family lived in Zelbian (?) near Piaski, Belarus.
Submitted by Yifat Shor; relative
EMAILFilenumber: 1106
ROZANSKI, Chaja—born ca 1935, Belarus
ROZANSKI, Fruma—born ca 1938, Belarus
Father: Dov Berl Rozanski—born ca 1912
Mother: Bubche Rozanski—born ca 1914
The family lived in Zelbian (?) near Piaski, Belarus.
Submitted by Yifat Shor; relative
EMAILFilenumber: 1106
ROZENCWAIG, Regina—born ca 1930, probably in Chemnitz, Germany
ROZENCWAIG, David—born ca 1936, probably in Chemnitz, Germany
Father: Max Rosencwaig
Mother: Zelda Zosia Rosencwaig nee Goldberg
The family lived in Chemnitz, Germany.
Probably in the end of the thirties the family moved to Brussels, Belgium.
Submitted by Sara Artzi Goldberg; aunt
EMAILFilenumber: 1045
ROWNER, Aharon—born 1935/1936 in Kovel, Ukraine
Father: Jerachmiel Rowner
Mother: Fania Frieda Rowner nee Shteinsnaid/Steinschneid
The father was enlisted in the Russian army in 1939 and does not know what happened to his family.
Submitted by Aliza Rowner; halfִsister
EMAILFilenumber: 1016
RUBINSTEIN, Chaja—born ca 1940-1941, Warsaw, Poland
Father: Leibush Rubinstein
Mother: Guta Gutcha Rubinstein nee Palgun
The family lived in Warsaw. The Polish family Jashinska in Warsaw hid Chaja and her cousin Malka.
After the war Rabbi Schoenfeld redeemed the two girls. Malka was adopted in England and Chaja was adopted in the Netherlands. The contact was lost. Now her relatives would like to get in contact with Chaja.
Submitted by Fela Schwinkelstein; cousin of Leibush
EMAILFilenumber: 1116
SCHWIMMER , Yeshayahu—born 1930's, Jaslo, Poland
Father Pinchas Schwimmer
Mother: Liba Schwimmer
The family lived in Jaslo.
Submitted by Rachel Kollender; relative
EMAILFilenumber: 1061
SCHWIMMER , Lea—born 1930's, Tarnow, Poland
Father: Abraham Schwimmer
The family lived in Tarnow.
Submitted by Rachel Kollender; relative
EMAILFilenumber: 1061
SILBERMAN , (Baby boy)—born 1941, Bzesko (?)
Father: Pinchas Silberman
Mother Sara Silberman nee
Was given to a Polish family named Satzimski in the village Bzesko when he was three months old
Submitted by Chana Fruchter; cousin
EMAILFilenumber: 1035
SOBOL, Bertha—born (?), Brazano, Czechia or Czeck Republic
SOBOL, Helena—born (?), Brazano, Czechia or Czeck Republic
Father: Michael Sobol
Mother: Chana Sobol
The family lived in Brazano, Czechia or Czeck Republic
In 1941 the family was on a train going from Brazano towards Ukraine. The son, Morris, then 13, jumped off the train in Hungary and survived. What happened to his family?
Submitted by Moshe Morris Sobol; brother
EMAILFilenumber: 1091
SOLOMON, Aviva, born 1938 Vilkaviski (maybe Pilvishki or Vilnius) Lithuania
Father; Moshe Solomin
Mother: Ita Ida Solomin nee Hoffman/Goffman
The parents were killed on Nov 15th 1941
Did Aviva survive?
Submitted by Mark J. Budman, cousin
EMAILFilenumber: 1131
STEINBERG , Shlomo—born 1934 in Munkacz/Mukachevo, Ukraine
STEINBERG, Josef—born 1936 in Mukachevo, Ukraine
STEINBERG, Lea–born 1938 in Mukachevo, Ukraine
Father: Mosha Steinberg
Mother: Sara Steinberg nee Goldstein
The family raised horses in Mukachevo.
During the war the whole family was sent to Auschwitz. The surviving son, Efraim—born 1932 (died 1981), saw his father three months before the liberation. Efraim's wife and children still hope to find relatives of the Steinberg family.
Submitted by Viviane Steinberg; sisterִinִlaw
EMAILFilenumber: 1058
STOLZENBERG , Klara (Marysia)—born 21 March 1938 in Busk near Lvov,Ukraine
Father: Henoch Stolzenberg
Mother: Debora Stolzenberg
When the family fled from Busk in May 1943 they left little Klara with a Polish family named Gorzak in Busk.
Later, probably in the end of 1943, she might have been given to the Ukrainian family of Landzio Jakimowicz, or perhaps to an orphanage or cloister.
Submitted by Max Stolzenberg; brother
EMAILFilenumber: 1014
SZATAN, Henik born 1930, Kalisz, Poland
SZATAN, Naomi, born 1935, Kalisz
SZATAN, Shoshana, born 1935, Kalisz
Father Motel Szatan born 1910, Zdunska Wola
Mother: Dvorah Szatan nee Gutfreund
The family lived in ul. Nova 19 or 29 in Kalisz, Poland
Submitted by V. Ortmann; relative
EMAILFilenumber: 1048
SZKOLNIK , Feiga Bruche—born ca 1927, Khorostkov near Ternopol, Ukraine
Father: Jakob Szkolnik
Mother: Malka Szkolnik.
Feige was blond with blue eyes.
The family lived in Khorostkov.
Submitted by Rachel Rosenzweig; sister
EMAILFilenumber: 1007
SZMERLING , Moshe—born Aug 1930, Lodz, Poland
Father: Pinchas Szmerling
Mother: Shulamit Rouzak
Brothers and sisters: Einich, Kalman/Karl and Heno/Hela.
Last time seen while descending the train in Auschwitz on 13 August 1943.
Submitted by Norbi Liron; Hela's grandchild
E- mail: firstname.lastname@example.com
EMAILFilenumber: 1124
TANNENBAUM , Simcha—born 1940, Manevichi, Ukraine
Father: Herschel Tannenbaum, originally submitted by Kovel
Mother: Sonia Tannenbaum nee Farfel
The family lived in Manevichi, Ukraine.
Submitted by Ester Bornstein nee Farfel; aunt
EMAILFilenumber: 1112
TENENBAUM , Felusia—born ca 1933-1934, Warsaw, Poland
Father: Kuba Tenenbaum
Mother: Ranja Tenenbaum—died before the war
The family lived in Warsaw.
Did Felusia's father manage to save his daughter?
Felusia's uncle was Mordechai Tenenbaum, the leader of the Uprising in Ghetto Bialystok.
Submitted by Tamar Krivoshei nee Tenenbaum; aunt
EMAILFilenumber: 1030
THEICHER , David "Dani"—born 30 Nov 1939, Drogobych, Ukraine
Father: Marcus Theicher
Mother: Agata Theicher
The family lived in ul. Jana 4 (now ul. Czkalowa 4), Drogobych.
n 1942 David "Dani" was given to the Polish family Batzcinski in Lvov with the help of Lonka Folten. Lonka Folten lived in ul. Boroslavska, Drogobych; opposite the offices of Petropol Limited, Poland.
The parents survived (the father was in Mauthausen, the Mother was in Auschwitz). The father searched for his son in Lvov in 1946. He was told the son had died of typhus, but was not given any further details.
Submitted by Geula Lidor nee Theicher; sister
EMAILFilenumber: 1055
TONDOWSKA , Bisia—born 1930, Wielun, Poland
Father: Efraim Tondowski
Mother: Ruzia Tondowska nee Lieberman
Bisia lived with mother and brother named Adasz/Adolek/Avraham in ul. Okulna 11, Wielun.
Submitted by Rachel Ginsburgִ Shachar; niece
EMAILFilenumber: 1000
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UKERMAN, Buziele born around 1933 in Goshcha/Hoszcza, Ukraine (32 km E of Rovno)
Father: (?) Ukerman, originally from Luck
Mother: Toybe Ukerman nee Flon
Maternal grandfather: Shulem Flon
Maternal aunt: Bracha Flon
The parents had a shop for galoshes/overshoes.
During the first Aktzia in May 1942 Buziela's close relatives were all murdered. She then lived with family friends in the ghetto till Sept 1942
After the war friends heard that she had survived. She was living with the family of a female teacher in Zdolbunow (19 km S of Rovno) or in the vicinity and did not want to leave this family
According to one witness, Buziele was resqued by an Ukrainian policeman and got the name of Ola Oleczuk
Submitted by Mirele's Kranzberg's sister
EMAILFilenumber: 1065
VINTER , Yechiel—born ca 1938, Fratautz near Radauti, Bukovina, Romania
VINTER, Yitzchak—born ca 1936, Fratautz near Radauti, Bukovina, Romania
Father: Moritz Vinter
Mother: Frida Vinter nee Shtekel
The family lived in Fratautz before the war.
Were last seen by relatives in concentration camp in Skazinets, Ukraine, probably in 1941. They were then taken together with other young children to an orphanage in Mogilev Podolskiy; Ukraine.
Submitted by Moritz Vinter; father and Silvia; sister
EMAILFilenumber: 1033
WADLER , Naftali—born 1930's in Jaslo or Bochnia, Poland
Father: Feivel Wadler
The family lived in Jaslo or in Bochnia.
Submitted by Rachel Kollender; relative
EMAILFilenumber: 1061
WAGMAN , Marek—born 1940, Borislav,Ukraine
Father: Iser Wagman
Mother: Regina Wagman
Little Marek was given to a Polish family named Glud during the war. Where is he?
Submitted by Menachem Wagman; brother
E-mail: firstname.lastname@example.com
EMAILFilenumber: 1125
WAJNRAUCH , Feige—born 1939, Lodz, Poland
Father: Shlomo Wajnrauch
Mother: Dina Wajnrauch
The family with their six children—born 1929-1939, lived in Lodz. In 1939 the family fled to Russia, but left baby Feige in a children's home in Lodz.
Submitted by Sara Meller; sister
EMAILFilenumber: 1105
WASSERMAN , Jacob—born 1933, Warsaw, Poland
Father: Berle Motel Wasserman
Mother: Feige Fela Wasserman nee Auerbach
The family lived in Warsaw
Submitted by Miriam Tugendhaft nee Auerbach; aunt
EMAILFilenumber: 1044
WEGMAJSTER , Jona Jontka–born 1935, Warsaw, Poland
WEGMAJSTER, Hadassa—born 1938, Warsaw, Poland
Father: Nechemia Wegmajster
Mother: Dina Wegmajster
The family lived in Warsaw.
Submitted by Hadassa Gour Ary; cousin
Submitted by Hadassa Friedman; cousin
Submitted by Rachel Schneersohn; cousin
EMAILFilenumber: 1038
WEGMAJSTER , Lotta—born 1929, Lodz, Poland
Father: Moshe Wegmajster
Mother: Rozka Wegmajster
During the war Lotta lived with her grandmother in Ghetto Warsaw.
Submitted by Hadassa Gour Ary; cousin
Submitted by Hadassa Friedman; cousin
Submitted by Rachel Schneersohn; cousin
EMAILFilenumber: 1038
WESTREICH , Jakob Janek—born 1930, Tarnovzek (?)
Father: Itzchak Westreich
Mother: Golda Westreich nee Weinman
He was last seen in April 1943 when he was working as a shepherd in a Polish family near Jaroslav, Poland.
Submitted by Moshe Westreich; brother
EMAILFilenumber: 1012
WIN , Basha—born 1932, Grojec, Poland
WIN, Gela—born 193?? Grojec, Poland
Father: Shlomo Win
Mother: Pola Win nee Wloshtchowska
The family lived in Grojec near Warsaw, but during the war moved to Bialobrzegi, near Radom.
In 1943 their brother Aharon was taken to a concentration camp in Radom. He survived but never found his family.
He is also looking for two cousins (named Mjetek—born 1931, and Ruzka, born 1930 in Warsaw) who were in Opatow during the war. Last seen in 1943.
Submitted by Aharon Win; brother and cousin
EMAILFilenumber: 1023
WULF , Hene—born ca 1939/1940, Jelgava, Latvia
Father: Yitzchak Wolf—died 1980, Jelgava Latvia
Mother: Ida Wolf nee Binder submitted by Liepaja, Latvia
The parents married around 1938/1939. Ida had two brothers in the USA, who emigrated to the States before WW2.
The family was in Ghetto Riga. Did little Hene survive?
Submitted by Mira Feigelson; cousin
EMAILFilenumber: 1111
ZELINGER , two small children—born in the 1930's in Oswiecim, Poland
Father: Kuba Zelinger
The family lived in Oswiecim.
Submitted by Gina Rossbach; cousin
EMAILFilenumber: 1098
ZIGMONTOVITCH , Hans Yitzchak Leibush—born 1932 Berlin, Germany
Father: Fishel Zigmontovitch
Mother: Reizel Zigmontovitch—born in Pabyanitz, Poland
Submitted by Yigal Kafka; son of cousin
E-mail: firstname.lastname@example.com
EMAILFilenumber: 1126
ZILBERBERG, Basia, born around 1936, Rokitnoye, Ukraine
Father: Szija Shimon Zilberberg
Mother: Szoszana Silberberg
Brothers: Zeew( born around 1932) and Aizik (born around 1934)
The family lived in Rokitnoye, 101 km NNE of Rovno and fled to Uzbekistan during the war.
The parents died, the sister disappeared and the two brothers were placed in an orphanage for both Jewish and non-Jewish children
After the war they were repatriated to Poland and through DROR brought to Israel. Did their sister survive?
Submitted by Zeew Zilberberg; brother
EMAILFilenumber: 1135
ZILBERMEHL , Ditka Edith Ester—born ca 1932-1933, Garvolin, Poland
Father: Hersch Zvi Zilbermehl
Mother: Nadzja Necha Zilbermehl nee Kaferman
Lived in the orphanage of Janusz Korczak in Warsaw.
Submitted by Batia Kafri; cousin
EMAILFilenumber: 1114
ZILBERNADEL , Moshe Miecio—born 1932, Warsaw, Poland
Father: Jakob Zilbernadel
Mother: Sara Zilbernadel nee Auerbach
The family lived in Warsaw, Poland.
Submitted by Miriam Tugendhaft nee Auerbach; aunt
EMAILFilenumber: 1044
ZITRIN , (baby girl)—born 1941, probably in Kovel, Ukraine
Father: Efraim Zitrin
Mother: Sara Zitrin nee Egdysh.
The family lived in Kovel, Ukraine.
Submitted by Egdysh; uncle
EMAILFilenumber: 1109
ZYLBERT , Mania—born 1930, Warsaw
ZYLBERT, Sara—born 1932, Warsaw
Father: Nachum Zylbert—born 1897, Warsaw, Poland
Mother: Chana Zylbert nee Finkelkraut—born 1900, Warsaw, Poland
The family lived in ul. Smoeia in Warsaw. In 1933 they moved to the Christian area of Zolibuz to ul. Potoeka 20, Warsaw.
In 1939 they were forced to move to ul. Walicow 10 in the small ghetto of Ghetto Warsaw.
When the small ghetto was destroyed in 1941, the son David lost contact with his family. He himself worked smuggling food to the ghetto. He later joined the A-L underground.
Submitted by David Zylbert; brother
EMAILFilenumber: 1107


text: UPDATED on 14/06/2010 Current Version 11.6 Version Notes : This is Final Version of the Script. Tested - is Working and now it's time for your help to DEBUG it if any Bugs appears. Changed Completely the mounting Method. Now you can Just Plug - Unplug the USB HDDs without any Problem with mounting and Starting the Services. You don't have to worry if you use 2 HDDs, about the USB port you have to use. Just Plug the optware & Data HDDs and mounting is auto with correct assignment. Please report me about your installation problems or any BUG. Now it's time to write the FULL GUIDE ! Will Follow a separate Patch for English Language ================================================== =================== After some Corrections on Valerekvb Optware Package, we are able to use this script on any tomato firmware. Its a really nice script, with some very popular apps and i hope you will like it also. As you see the list of Optware includes. * dropbear * Midnight Commander v.18.104.22.168 * Cron * nano * Lighttpd * PHP-fcgi * SQLite * microperl * rTorrent + ruTorrent (cookies, erasedata, search, trafic, scheduler) * Transmission * Samba 3 * vsftpd * Download Engine v.2.0-16 * syslog-ng * QuiXplorer. * RRDTool Traffic Graph Page * NOD32 v.3 è 4 * Privoxy * Sawanna CMS * phpSQLiteCMS * RRDTool * NOD32update * System Info * Townky Media Server v.5.0 Beta 1 * Media Tomb * Imageview v.2 (Flash Photo Gallery) * WebICQ v.1.0 * SMS messages on your phone * vnStat PHP frontend 1.4.1 rus * ADOS — Download Master (user: admin, pass: router) Accessible through http://my.router/rtorrent - ruTorrent v.3 + plugins (cookies, erasedata, search, trafic, scheduler) nTorrent http://my.router:9091 - Transmission (BitTorrent client) v.1.93-1Transmission Remote GUI Windows , http://my.router/cgi-bin/dlengine.sh - Download Engine http://my.router/ftp - QuiXplorer 2.4.1(user: admin , pass: admin) Midnight Commander (mc) v.22.214.171.124 (UTF-8) Running through PuTTY http://my.router:901 - Samba 3 Web Administration Tool http://my.router/rrd - RRDTool Traffic Graph Page http://my.router/eset_upd - for NOD32 v.3 è 4 http://p.p - Privoxy http://my.router - Sawanna - (user: admin , pass: sawanna) http://my.router/site - phpSQLiteCMS. http://my.router/site/cms/ - phpSQLiteCMS (user: admin ,pass: admin) http://my.router/status - RRDTool è [c] NOD32update) http://my.router/cgi-bin/info.cgi - System Info http://my.router:9000 - TwonkyMedia server v.5.0 Beta 1 http://my.router:50500/ - MediaTomb http://my.router/photo - Imagevue v.2 (Flash Photo Gallery) http://my.router/photo/imagevue -(user: admin, pass: admin) http://my.router/icq - Web2ICQ v.1.0 SMS messages on your phone http://my.router/sms http://my.router/vnstat - vnStat PHP frontend 1.4.1 rus http://my.router/ados - ADOS — Download Master (user: admin, pass: router) http://my.router/lighttpd/ - Added the ability to install programs on TWO HDD (In the right pane - HDD connected: ONE or TWO) (the second disc - one partition in ext3 - / tmp/harddisk2). Connectivity: HDD-1 lower USB, HDD-2 upper. - Added plugin datadir-3.1 WEB ruTorrent to replace the current data directory to another torrent - Added a new version of the plug for RGhost letitbit.net - Added a new program IPKG (The ipkg web frontend) http://my.router/cgi-bin/package.cgi - Management IPKG-packets via WEB-face (removal, installation, upgrade, viewing) - Changed the installation configuration file Transmission - Changed the file pre-shutdown, see the article - Added the ability to proxy authentication version of the installation script and copyright - Changes at Site Status Router (menu [e]) screenshot: a) correct information is displayed in different browsers b) added display of number of employed wa / free space on two HDD c) added display the version number of the installation script (click the mouse and you are in this topic) g) added display of numbers on the firmware version installed on your router (mouse click and you're on FTP firmware) d) changed instead RRD graphs are now vnStat e) added to the list of programs are missing and a new program IPKG (The ipkg web frontend) Script is ready for Download. Script is Ready for Download Here Full GUIDE will Posted ASAP (SOON) L_A


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Milky Ways
Sept. 15th on !K7
I cannot wait for this album. I love his work. I can pretty much guarantee I will be obsessed with it. Have you heard Kleerup? I think you might like some off of their new album. Love your site.
Yes I have heard the Kleerup record and I like it.
You will LOVE the Joakim album.
You don't know how long I've been searching for this song! I didn't know title nor artist of the song but when I read this I knew it should be tie song I was looking for. This is a trip down memory lane.
Thanks very much!