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Everyday we are all given a chance to live. There are a lot of people who are always caught in between because they do not know how to make themselves happy. For those who are ageing, majority of these people are getting to dislike some major changes that they see and feel within their bodies. Some would always feel bad about seeing some wrinkle in their face. If you are one of these people or you know some people who have clamoring about this problem, then, worry no more because there is wrinkle treatment available for them to use. Actually, it is really not impossible that you will have a good glow in your skin even if you are already getting old.
With the help given by wrinkle cream, it is actually very possible that you will still attain the confidence that you feel when you go out and meet people. Having wrinkle on your face is not a big deal nowadays because beauty help and solution is now available for you. You must always work out on what would be the best for you with the help of wrinkle cream. This is what you need now but it is important that you read more about the background of the wrinkle treatment that you will put in your face before using it. There are some other items that promises effective effect but really does not do anything good for us. So, it is very important that you would know all about this so that there would be lesser harm and problem that will come in to you as you adhere with this treatment.
Doing all for our good!
When you want to eradicate the presence of wrinkle in your face it is important that you certain of the product that you are using. There are a lot of items in the market which promises some good effect on our skin and beauty but really not all of them are effective. You can actually find the best wrinkle treatment that you could use for yourself when you try to do your own research online. There are a lot of products that you could choose from but surely you would find one which will be right for you if you earnestly seek for it. Aside from that, it is important that you have visited your doctor first before you start applying any of the beauty solution in your face. They are the ones who could truly help you deal with your wrinkle problem. They are also the ones who can recommend that most effective wrinkle cream that you could apply to your face.
Knowing all of these would help you achieve much greater step of accepting major changes in your life. All of us have fear about ageing but that should not be the same for your case. You now know what to do on how to deal with it, so you must also share this information to all your friends out there so that they would also accept the good things about using this product for themselves.


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I have kept a diary, on-and-off, for a few years now and have always considered it a good way to spend ten minutes. It's a useful reminder of what I've actually done; something which keeps my writing sharp and brain active, and a potential source of later amusement. 'It would be a very good exercise, and would yield me infinite satisfaction when the ideas were faded from my remembrance.' There also seems to be a connection between writing a diary and gaining perspective on events. Often, however, it becomes less about zeitgeist and Events, and more about petty meetings, vacuous theories and silly romances.
Boswell by Willison: The owl could mean wisdom. Or
that he enjoyed 'night-time activities', like
boozing and chasing women.
This comes warts and all, and Boswell displays many human fallibilities. Indeed, so do most good diarists. Think of the political diaries of the philandering Alan Clarke or the depression prone Alistair Campbell. When it comes to diaries, or personal accounts generally, we just don't seem to connect with a Porcelain white literary tale of innocence. Boswell, then, sometimes can't be bothered writing entries at all, catching up by writing days at a time. Entries are often almost non-existent: 'We had a very good day of it and got at night to Doncaster', suffices for November 17th 1762. No mention of the Seven Years' War; no sense of a wider picture; no evocative scenes of North England in the mid-eighteenth-century. I cannot begin to compete with Boswell; expect days, maybe weeks of silence. But then it's human, and perhaps appealing because of it.

subset: commoncrawl


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Such an interesting thesis by Amanda Taub on Vox, and so much more cogent than the explanation for the current political climate as simply "anger".
This could be just as relevant for Australia (the rise of the ultra-conservative wing of the Liberal Party) and the UK (UKIP).
If you can, read the whole article, but here are some interesting quotes:
"… there is a certain subset of people who hold latent authoritarian tendencies. These tendencies can be triggered or "activated" by the perception of physical threats or by destabilizing social change, leading those individuals to desire policies and leaders that we might more colloquially call authoritarian.
Authoritarians prioritize social order and hierarchies, which bring a sense of control to a chaotic world. Challenges to that order — diversity, influx of outsiders, breakdown of the old order — are experienced as personally threatening because they risk upending the status quo order they equate with basic security.
What these changes have in common is that, to authoritarians, they threaten to take away the status quo as they know it — familiar, orderly, secure — and replace it with something that feels scary because it is different and destabilizing, but also sometimes because it upends their own place in society.
…. when they feel threatened, people who score high in authoritarianism, look for strong leaders who promise to take whatever action necessary to protect them from outsiders and prevent the changes they fear. In case of moral threat, their perspective is to lock down the borders, kick out those who are different, and punish those who are morally deviant."


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Connect. Engage. Collaborate.™
The purpose of The Great Workplace 2.0™ is simple: while it is happening, show core changes in great workplaces, so that start-ups, small and mid-size companies, can extract the principles that other companies are discovering. By example, grow in a healthy and sustainable fashion; return to our economy great dividends of revenue, value and innovation.read more →
One of Cleveland's finest achieves creditation that only a few can claim – EmployeeScreenIQ~ Congratulations!read more →
AFL-CIO targets the young Millennials!read more →
Ohio Bureau of Worker's Compensation rehabilitation fund is in trouble. Does anyone care?read more →
Traditional communication and in-depth conversations are becoming a lost art. Who would ever have thought that a kid's game of skipping rocks would serve as an apt metaphor for how the human race communicates?read more →
When approaching a fiftieth birthday, AARP and its affiliate sponsors, have got your number.read more →
A true and touching story of Mothers, nature and the sometimes difficult choices we all must make for the greater good.read more →


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Early last month, sailing's Oracle Team USA confessed to breaking the rules by placing some five-pound weights in the wrong spots on its boat.
Now a jury for the America's Cup has imposed severe penalties on the team, harsher than any in the race's 162-year-old history, reports Reuters Ronnie Cohen.
The jury docked the team two "points" and kicked three people off the team. Oracle also has to pay $250,000 to two charitable foundations.
The America's Cup finals are a series of 17 races. Those two points mean that Oracle will need to win 11 races while its competitor, Emirates Team New Zealand, will only need to win 9.
The boats involved in the scandal are not the same ones racing in the America's Cup finals. These are smaller, 45-foot catamarans used in a previous, qualifying racing series and are now only used for training.
The weights were found when the boats were used for a youth competition this summer. Bags of lead and resin were discovered stuffed into the frames, Cohen reports.
The rules governing weights in the America's Cup are fanatically detailed because the placement of weight can influence the performance of a boat.
The Oracle team said that the overall weight of each boat was correct, performance was not influenced, and that these weights were put there by a team employee "without the knowledge of management or the skippers."
The team then voluntarily gave back the two championship titles won with the boats.
But the jury clearly wasn't satisfied with that. "The incidents are serious and unprecedented in the America's Cup," the jury said in its report.
Despite this latest setback and embarrassment, observers are still expecting an exciting, competitive racing series that begins on Saturday.


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There is one store, in particular, that has decorating down to a fine science. Don't step on the mat (and by 'don't' I really mean DO!) or you'll be attacked by a bevy of mental patients trying to break down the door to get to you....but no worries, the fuzz will show up to take them all down.... This is all achieved by a couple of cool tv screens behind a door, and a well choreographed door shaker and even a few shoots of mist through the cracks! This same store also plays horror movies and has a row of seats set up with more mental patients/zombies, rocking in the seats.... I'm sensing a theme in their decorating! If you are in Edmonton, you have to check out the Halloween store on Gateway Blvd by the Toys R Us. Plus , if you dare to actually buy something.... watch out for spiders.....
I brought the kids back a few times.... and bought some cool zombie things for my son's costume....
Halloween for me also means all things Steampunk: And I've been immersing myself in imagery for inspiration for my costume. While I haven't started the infamous gun yet, I did assemble many other things for my costume - I'm going to wear it for a trial run at the very first Edmonton Comic Expo Oct 20-21
Here's my idea of steampunk:
What can I say - like the hat! LOL
Now I'm sure that anything I put together won't be this elaborate, but I'll sure have fun trying!
Let's talk steampunk books! I recently read a great Beta read called Beautiful Freaks by Katie M John
here, and it's put me in the mood for more.
In the past I've read Boneshaker - Cheri Priest -great read,
And this series (To die for!)
clockwork Princess is out March 19 - I CAN'T WAIT!
But I want to read more, so I'll try these two next:
Looking forward to them!
Hope everyone has a great Thanksgiving - Stumpy, our one legged turkey, turned out grand last night.


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|Biosequences .. Software .. Molbio soft .. Network News .. FTP
Dear all, anyone interested in the attached pdf of 2 pages with figure, which I could not insert into the message, should just ask me. wormly Harry A. ten Hove ________________________________ Van: Hove, H.A. ten Verzonden: maandag 5 maart 2012 22:19 Aan: Annelida from net.bio.net; Joao Gil Onderwerp: RE: [Annelida] Ophelia remanei Dear Joao and other interested persons, I just happen to have the complete Tierwelt N&Ostzee in my attic, and grabbed the Friedrich part. The relevant two pages are attached (could not include them unfortunately). Just in case your German is about the same level as my Catalan: 2) 24 chaetigers; 9-10 pairs of branchiae starting from segment 11; ventral furrow starting at segment 9; 9 small and 2 large anal papillae O. cluthensis .... p. 146 __ As foregoing; anal segment with a ventral larger indented papilla and 4 short, rounded papillae ... O. remanei Augener 1938*). Locality: bay of Kiel in sand; live colour whitish (Fig. 97 a). *) One should not give too much weight to the number of anal papillae, since they usually cannot be counted with certainty and since there is no information on the variability. For instance I found specimens of O. remanei with 9 short anal papillae. [this is a free translation which might be more informative that a literal translation] Hope this sheds light. Harry A. ten Hove ________________________________________ Van: annelida-bounces from oat.bio.indiana.edu [annelida-bounces from oat.bio.indiana.edu] namens Joao Gil [gil from ceab.csic.es] Verzonden: maandag 5 maart 2012 18:17 Aan: annelida from magpie.bio.indiana.edu Onderwerp: RE: [Annelida] Ophelia remanei Dear all, Just a couple of comments on Ophelia rathkei and its synonymies. Sorry, it is a long email, don't really need to read it, if you're not interested... There are some links to pdfs at the bottom of this message. 1) I don't have Friedrich (1938), and wasn't able to confirm this directly, but if Tebble (1952) is correct, there was a description of Ophelia remanei already published in 1938, in Friedrich's monograph. If this is correct, the authorship of Ophelia remanei Augener, 1939 should be Augener in Friedrich, 1938 (or just Friedrich, 1938, in case the authorship of the species is not referred by Friedrich as being Augener). Not very important, as the species is presently considered as a junior synonym of Ophelia rathkei, but worth to check and emmend it, just in case. Could someone check this and give us the result here is the list, please? Augener and Friedrich were colleagues at the same lab, and it is conceivable to think that Friedrich was aware of Augener's new species and forthcoming paper, and cited it in his monography with Augener's permission. 2) The second comment is on Ophelia rathkei and the fact that it is apparently the single species of Ophelia that normally lacks the pair of ventral pygidial lobes so typical of the genus, showing instead a single one. The two other possible exceptions described as lacking this pair of ventral pygidial lobes can be discarded as exceptions, as one seems to belong to another genus, and the second probably does have these lobes (see the PS below, before the bibliography). This way, I think it is reasonable to consider that O. rathkei might also present two ventral pygidial lobes, at least in one moment of its ontogeny. Chassé & Picard (1968) and Wolff (1969) found forms with single and bilobed ventral anal lobes in the same populations, and it is possible that Hartmann-Schröder observed the same, as she studied specimens identified as O. rathkei and O. remanei at least in one of her papers (Hartmann-Schröder, 1958). This could give further support to the synonymies of O. rathkei, as it seems that Ophelia rathkei McIntosh, 1908, O. cluthensis McGuire, 1935 and O. remanei Augener, 1939 are similar in all other aspects, except in what concerns the shape of the ventral pygidial lobes: - O. rathkei - one single pygideal ventral lobe - O. remanei - one single ventral lobe deeply bilobated - O. cluthensis - two ventral pygidial lobes The question would be if the single bilobed ventral anal lobe (or the two lobes) appear early or late during ontogeny. Hartmann-Schröder (1956 - but I couldn't check this one-, 1971) suggested that the single ventral anal lobe was formed by fusion of the two lobes, explaining this way the weak median notch in the single lobe of the adults she observed, while Chassé & Picard (1968) observed that specimens with a single lobe had normally less branchiate setigers than specimens with the ventral lobe strongly bilobed (only 22% of the specimens with a single lobe had 9 or more branchiate setigers, while 100% of the specimens with two lobes had more than 9 branchiate setigers), suggesting the appearence of that character late during ontogeny. I have checked some papers on the development and ontogeny of Opheliidae (Wilson, 1948; Dales, 1952; Guérin, 1971; Riser, 1987; I'm waiting for Hartmann-Schröder, 1956 from our Library service), but couldn't find anything conclusive (at least I wasn't able to), except that the number of branchiate setigers do increase with age until the definitive number of the adults is reached (Riser, 1987, explains this quite well). In what concerns the ventral pygidial lobes, Riser (1987) describes two tubular pygidial lobes containing the ducts of adhesive glands, used by juveniles to attach to the substrate, appearing quite soon during ontogeny, and which apparently would become the two ventral lobes of the adults. On the other hand, Dales (1952) states that the four anal papillae associated with the cement glands typical of juveniles of Thoracophelia mucronata do not correspond to the single large ventral cirrus of the adult, as these papillae can be clearly seen on the tip of the adult cirrus as it grows out from the pygidium. Any ideas? Did someone studied the development of Ophelia rathkei or made direct observations? In the keys for the European Fauna of Polychaeta of my PhD thesis, I have followed Chassé & Picard (1968), and Ophelia rathkei is keyed as follows: 8-10 pairs of branchiae; 10-12 anterior abranchial chaetigers (4-5 postbranchial chaetigers; total number of chaetigers of about 23-24; anal segment with 8-10 dorsal small papillae, and one big ventral papilla, normally simple, but sometimes more or less bilobed, or divided in two papillae............O. rathkei A little long for a key, but it seems to cover all the possibilities... I hope this can help in some way. If someone has more ideas, or if I have missed something or got it all wrong, I would love to hear about it. And please, could someone send me a pdf of McGuire (1935)? I never was able to find this one... Thanks! All the best (and thanks for reading...), João +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ João Gil CEAB-CSIC Carrer d'accés a la Cala Sant Francesc, 14 E-17300 BLANES (GIRONA) SPAIN Email: gil from ceab.csic.es Telef. (34) 972.33.61.01 Fax: (34) 972.33.78.06 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ P.S. All species of Ophelia, if I have checked correctly, do have two ventral pygidial lobes, apparently with three exceptions: O. rathkei (normally described as having only one; but see above), O. ashworthi Fauvel, 1917, and Ophelia algida Maciolek & Blake, 2006. Ophelia ashworthi was described as having about 20 annal subequal papillae. In the description the pygidium (or anal cone) seems quite atypical. If it wasn't for the fact that Fauvel had half a dozen of specimens, I would say the pygidium is regenerating. The type material is in Paris (Solis-Weiss et al., 2004) so it will be possible to check this. This could also explain the apparent posterior lack of records of the species (at least I wasn't able to find them, and the original record is also the only one cited in the checklist of Australian Polychaeta by Day & Hutchings, 1979). Anyway, I think we can assume that two of the about 20 annal subequal papillae present can correspond to the two ventral pygidial lobes. In what concerns Ophelia algida, Sene Silva (2007) considered it to be closer to Ophelina than to Ophelia, belonging probably to that genus. REFERENCES: (Some references include links to papers available on internet. I also have uploaded pdfs of some of these papers to my Mediafire account (sorry, no OCRs); however they will be available just for a very limited period of time, as they might be covered by copyright; so, if you really need them for your work, grab them right now, as they will not stay there for long, nor will be uploaded again. Thanks!) AUGENER, H. 1939. Beitrag zur Polychaetenfauna der Ostsee. Kieler Meeresforschungen, 3 (1): 133-147. link: http://www.mediafire.com/?mzr2cm49r4rq28r CHASSÉ, C. & J. PICARD. 1968. Identification, variabilité et écologie dOphelia rathkei McIntosh, espèce nouvelle pour les côtes françaises. Cahiers de Biologie Marine, 9: 133-142. link: http://www.mediafire.com/?qy9un54j90o3mqc DALES, R.P. 1952. The larval development and ecology of Thoracophelia mucronata (Treadwell). Biological Bulletin, Woods Hole, 102: 232-242. link: http://www.biolbull.org/content/102/3/232.full.pdf DAY, J.H. & P.A. HUTCHINGS. 1979. An annotated check-list of Australian and New Zealand Polychaeta, Archiannelida and Myzostomida. Records of the Australian Museum, 32(3): 80-161. link: http://australianmuseum.net.au/Uploads/Journals/17532/203_complete.pdf FAUVEL, P. 1917. Annélides polychètes de lAustralie Méridionale. Archives de Zoologie Expérimentale et Générale, 56 (3): 159-277, plates 4-8. link: http://www.biodiversitylibrary.org/item/29998#page/319/mode/1up FRIEDRICH, H. 1938. Polychaeta. In: G. GRIMPE & E. WAGLER (Eds.). Tierwelt der Nord- und Ostsee, 32 (VI.b): 1-201. GUÉRIN, J.-P. 1971. Modalités délevage et description des stades larvaires de Polyophthalmus pictus Dujardin (Annélide Polychète). Vie et Milieu, 22 (1A): 143-152. link: http://www.mediafire.com/?ww1tj21blglapsf HARTMANN-SCHRÖDER, G. 1956. Polychaeten -Studien II. Zur Larvalentwicklung der Opheliiden (Polychaeta). Zoologischer Anzeiger, 157(5/6): 92-101. HARTMANN-SCHRÖDER, G. 1958. Zur Morphologie der Opheliiden (Polychaeta sedentaria). Zeitschrift für wissenschaftliche Zoologie, 161(1/2): 84-143 link: http://www.mediafire.com/?uajndcjjf7p89sj HARTMANN-SCHRÖDER, G. 1971. Annelida, Borstenwürmer, Polychaeta. Die Tierwelt Deutschlands und der angrenzenden Meeresteile nach ihren Merkmalen und nach ihrer Lebensweise. Begründet 1925 von Friedrich Dahl. 58 Teil, Gustav Fischer Verlag, Jena, 594 pp. MACIOLEK, N.J. & J.A. BLAKE. 2006. Opheliidae (Polychaeta) collected by the R/V Hero and the USNS Eltanin cruises from the Southern Ocean and South America. Scientia Marina, 70S3: 101-113. link: http://scientiamarina.revistas.csic.es/index.php/scientiamarina/article/view /114/111 MCGUIRE, I.P. 1935. Note on a new species of polychaete (Ophelia cluthensis). Scottish Naturalist, 212: 45-46. MCINTOSH, W.C. 1908. Notes from the Gatty Marine Laboratory, St. Andrews. No. XXIX. 1. On a tumor in a plaice. 2. On the british Opheliidae, Scalibregmidae, and Telethusae. 3. On the same families in the Porcupine Expeditions of 1869 and 1870. 4. On the foregoing families dredged by Dr. Whiteaves in the Gulf of St. Lawrence, Canada. 5. On the same groups dredged in Norwegian waters and in Finmark by Canon Norman. Annals and Magazine of Natural History, Series 8, 1: 373-387, plate 17. link: http://www.biodiversitylibrary.org/item/78381#page/419/mode/1up RISER, N.W. 1987. Observations on the genus Ophelia (Polychaeta: Opheliidae) with the descriptions of a new species. Ophelia, 28(1): 11-29. SENE SILVA, G. 2007. Filogenia de Opheliidae (Annelida: Polychaeta). PhD Thesis. Universidade Federal do Paraná, Brazil. 95 pp. link: http://dspace.c3sl.ufpr.br:8080/dspace/bitstream/handle/1884/12922/Tese%20de %20doutorado%20-%20Gustavo%20Sene%20Silva%20(2007).pdf?sequence=2 SOLÍS-WEISS, V., Y. BERTRAND, M.-N. HELLÉOUET & F. PLEIJEL. 2004. Types of polychaetous annelids at the Muséum National dHistoire Naturelle, Paris. Zoosystema, 26 (3): 377-384. link: http://www.mnhn.fr/museum/front/medias/publication/2557_z04n3a2.pdf TEBBLE, N. 1952. On three species of the genus Ophelia (Polychaeta) from the British and adjacent waters. Annals and Magazine of Natural History, Series 12, 5: 553-571. WILSON, D. 1948. The larval development of Ophelia bicornis Savigny. Journal of the Marine Biological Association of the United Kingdom, 27(3): 540-553. link: http://sabella.mba.ac.uk/1290/01/The_larval_development_of_Ophelia_bicornis_ Savigny.pdf WOLFF, W.J. 1969. A new station of Ophelia rathkei McIntosh in Northern France. Cahiers de Biologie Marine, 10: 83-84. link: http://www.mediafire.com/?b1huw2msmxadv1m +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ -----Mensaje original----- De: annelida-bounces from oat.bio.indiana.edu [mailto:annelida-bounces from oat.bio.indiana.edu] En nombre de Geoff Read Enviado el: jueves, 23 de febrero de 2012 22:48 Para: D Hall; annelida from magpie.bio.indiana.edu Asunto: RE: [Annelida] Ophelia remanei Just to clarify on the Hartmann-Schröder (1971) book role in the evolving status of these Ophelia names. It seems her POV then on synonymy was based on her own observations. The section below on Ophelia rathkei was cut from the 1996 edition, and contains a definite statement of opinion on Ophelia remanei, and no mention of the comparatively recent work of Chassé & Picard (1968) (her MS was finalised in 1969). So readers would be entitled to assume the 1971 synonymies were new, although that wasn't the case. Nevertheless, she might have covered the issue in her earlier biology-oriented papers - I haven't checked. Hartmann-Schröder (1971:386) "Systematische Bemerkung: Auf Grund der Beschreibung von McGuire besteht wohl kaum ein Zweifel, daß die von ihr beschriebene O. cluthensis identisch ist mit O. rathkei von McIntosh. Typusmaterial ist nicht mehr vorhanden. Bei Vergleichen mit O. rathkei und O. remanei Augener habe ich keine wirklich bedeutenden Unterschiede feststellen können. Bei Tieren aus der Kieler Bucht habe ich zwar gelegentlich eine etwas eingedellte Ventralpapille beobachtet, wie sie Augener von O. remanei beschreibt; aber auch dieses Merkmal war innerhalb derselben Population nicht konstant. Die einheitliche Ventralpapille am Pygid geht in der Ontogenese durch Verschmelzen zweier Papillen hervor (Hartmann-Schröder 1956), so daß die schwache mediane Einkerbung an der einheitlichen Ventralpapille der Adulten noch die Verschmelzungszone andeuten kann. Gewisse morphologische Unterschiede an inneren Organen scheinen mir noch nicht klar erwiesen (Hartmann-Schröder 1958). Nach m! einer Ansicht ist O. remanei synonym zu O. rathkei McIntosh." Geoff > -----Original Message----- > From: annelida-bounces from oat.bio.indiana.edu [mailto:annelida- > bounces from oat.bio.indiana.edu] On Behalf Of Geoff Read > Sent: Thursday, 23 February 2012 9:59 a.m. > To: D Hall; annelida from magpie.bio.indiana.edu > Subject: RE: [Annelida] Ophelia remanei > > I have a related question. Hartmann-Schröder (1971 book) apparently newly > synonymised both O. remanei and O. cluthensis into O. rathkei. These > synonymy assertions are not implemented in WoRMS. I would guess little or no > explanation was given in 1971 (I have only the 1996 book at hand). Are these > synonymies regarded as likely correct, or supported by other works? > > Geoff > > > -----Original Message----- > > From: annelida-bounces from oat.bio.indiana.edu [mailto:annelida- > > bounces from oat.bio.indiana.edu] On Behalf Of D Hall > > Sent: Thursday, 23 February 2012 6:41 a.m. > > To: annelida from magpie.bio.indiana.edu > > Subject: [Annelida] Ophelia remanei > > > > > > Dear all, > > > > I'm looking for the location of the type material for Ophelia remanei > > Augener 1939, can anyone point me in the right direction? > > > > Regards, > > > > Dave. > > > > David Hall BSc (Jt. Hons.) CBiol MSB > > Senior Principal Biologist > > Operations Manager > > > > NMBAQC Scheme Administrator: Benthic Invertebrate, > > Fish & Particle Size Analysis Components > > > > Thomson Unicomarine Ltd > > 7 Diamond Centre, Works Road > > Letchworth, Herts, SG6 1LW, UK > > Tel. +44 (0)1462 675559 > > Fax. +44 (0)1462 483103 > > www.thomsonunicomarine.com > > www.nmbaqcs.org > > http://uk.linkedin.com/pub/david-hall/35/5b7/a71 -- Please consider the environment before printing this email. NIWA is the trading name of the National Institute of Water & Atmospheric Research Ltd. _______________________________________________ Annelida mailing list Post: Annelida from net.bio.net Help/archive: http://www.bio.net/biomail/listinfo/annelida Resources: http://www.annelida.net _______________________________________________ Annelida mailing list Post: Annelida from net.bio.net Help/archive: http://www.bio.net/biomail/listinfo/annelida Resources: http://www.annelida.net


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Software to help you improve:
There are two programs I use to practice CW. The first one is called Just Learn Morse Code. Richard, GI4DOH introduced me to this when I was chatting to him about CW and contesting at the Lagan Valley ARC 2015 Rally. I came home and downloaded it and have been using it to both improve and test me CW proficiency.
Just Learn Morse Code can be obtained from http://www.justlearnmorsecode.com/ Download and install the program and you have a very simple interface. Set which characters you wish to practice, the speed and the length of time you wish to practice for and away you go. At the end of the session the software will tell you how accurately you were able to receive and type the characters. This is a great way to work out which letters or numbers you are slipping up on. I have found this software very useful. I run it for short sessions of 1 or 2 minutes. This not only improved your character recognition but also your typing speed.
Morse Runner is the other software package I use quite often. It can be downloaded from http://www.dxatlas.com/MorseRunner/ This is a computer based contest simulator. Callsigns come thick and fast and you have to tune around to resolve them. The interface works very line N1MM and I would run for 15 or 30 minute sessions coming up to a contest to practice and improve my speed. It has some nice options and I have been using it for a while on and off and it does help me improve. I just need to use it more and get more real on air practice


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Sold for $90,000
on Dec 20, 2017
Spectacular panoramic views of Torch Lake from this hilltop building site! Shared access to Torch Lake with 394 feet of frontage in Weathertop's association at Kessler Park. Docks and hoists are available through the association. The sale also includes vacant parcel that adjoins the Weathertop lot which goes all the way to West Torch Lake Dr and gives the ability to remove trees to enhance the picturesque panoramic views of Torch Lake.


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Stevensville, MT 59870
Mon - Fri: 8:00am – 5:30pm
Saturday & Sunday: Closed
Welcome To Sapphire Animal Hospital
Welcome to Sapphire Animal Hospital. We understand and share in your compassion for animals. It is our goal to provide for them the highest standards of veterinary medical care and to use preventative health care and wellness programs throughout the animal's life. We are a full service animal hospital providing modern diagnostic, therapeutic, and surgical services.
Dr. Jenny Elwell-Gerken is a graduate of Washington State University College of Veterinary Medicine. She is a member of the American Veterinary Medical Association, the Montana Veterinary Medical Association, the American Holistic Veterinary Medical Association, and the American Association of Veterinary Acupuncturists. She is certified in veterinary acupuncture.
We are here to assist you with your pet's needs. Any one of our friendly staff members will be happy to answer any question that you may have!


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A man was pulled over by a police officer in Jackson Township, Ohio for speeding 15 miles per hour over the limit. The driver informed the officer that he has a concealed handgun license and was armed. The police officer complimented the driver for being a responsible citizen and protecting himself by using his Second Amendment rights.
"I was speeding 15 over the limit. I advised him I was carrying and he was nice enough to give me a warning and then compliment me for carrying… nice cop!"
How would you have reacted if a police officer said this to you? Please leave your comment below.
H/T: Guns Save Lives


text:
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- Potential – our work results in powerful, advanced technologies. We develop these into practical effective commercial products and applications


text:
LOS ANGELES — First Gordon Ramsay came for the sous-chefs and the sour managers. Now he's here for the home cooks.
Mr. Ramsay, the infamous British chef and host of two reality shows on Fox, "Hell's Kitchen" and "Kitchen Nightmares," has added a third competition this summer, "MasterChef," for amateurs who have dreams of fine-dining careers. It is the standout reality show of the summer, and Fox is on the verge of ordering a second season.
"He is our version of 'CSI,' " said Mike Darnell, Fox's president of alternative entertainment, referring to the three-legged CBS crime franchise. Presuming that all three shows continue, Mr. Ramsay "won't be off the schedule for more than a couple weeks at a time," Mr. Darnell said.
The volume says a lot about the TV and business savvy of Mr. Ramsay, 43, a stove-top tyrant who saw in "MasterChef" an opportunity to show off a more tender, nurturing side.
"It's just a different string to my bow," he said over a cup of English Breakfast tea in his namesake restaurant in the London West Hollywood hotel.Continue reading the main story
"MasterChef" owes much to the American fixation on food that supports the Food Network and its new spinoff, the Cooking Channel, as well as shows like "Top Chef" on Bravo. On "MasterChef" Mr. Ramsay instructs contestants, who include a bartender, a software engineer, a doctor and a marketing executive. The top prize is $250,000 and a cookbook contract.
"It's for people who love food and see it as a pathway into a new life," said Howard T. Owens, a managing director at Reveille, a co-producer of the show.
Mr. Owens and Mr. Ramsay said the recession had made the show particularly relevant now. As Mr. Ramsay put it, the kitchens that were largely just "showpieces" in people's homes "are actually working kitchens now."
Of course, were the economy rebounding, there would be other reasons to cite for the show's appeal, like the casting of relatable contestants.
"They're taking huge risks, and that translates into incredibly emotional TV," Mr. Owens said in a separate interview at the restaurant, explaining why tears were shed so often in the episodes.
"That and the onions," said Adeline Ramage Rooney, a vice president for One Potato Two Potato, Mr. Ramsay's production company.
Fox essentially seeded "MasterChef" by putting it on in July in the time slot after "Hell's Kitchen," which was Mr. Ramsay's first show for that network. That five-year-old show features professional chefs passing and failing Mr. Ramsay's tests. Alessandra Stanley of The New York Times wrote last year that he counsels contestants "in the spirit of the British Navy circa 1800 — with ritual floggings and pungent insults."
On broadcast television "Hell's Kitchen" is the highest-rated show this summer among the 18- to 49-year-olds that the networks covet, with a 3.1 rating on average: about four million viewers. Mr. Ramsay's second show, "Kitchen Nightmares," wherein he tries to reform failing restaurants, is three years old. Its most recent season ended in the spring.
Asked what explains the more nurturing Gordon Ramsay on "MasterChef," he referred to the cooking lessons he has given his children.
"There's different heads for different levels of professionalism," he said.
Supplanting Mr. Ramsay in the mean judge role on "MasterChef" is Joe Bastianich, the restaurateur. The third judge is the chef Graham Elliot.
The original "MasterChef" format has been around for decades — Mr. Ramsay was even a guest judge once on "MasterChef" in Britain. It was tried in the United States once before, in 2000, on PBS, but did not gain much traction. This time, to borrow a phrase from the famous cooking competition "Iron Chef," Mr. Ramsay is the secret ingredient.
"I wouldn't do a cooking show without him," Mr. Darnell said in an interview on Monday.
"MasterChef" was brought to Fox by Shine Group, the production and distribution company owned by Rupert Murdoch's daughter Elisabeth, which entirely revamped the format about five years ago. Networks in the United States took notice of it when the Australian version set ratings records last summer. Shine says the format is now locally produced in 15 countries.
The "MasterChef" rights holders want to spin off a set of branded businesses, not unlike the peddling of T-shirts and kitchen knives by "Top Chef." Those efforts will happen much more aggressively in future seasons, Mr. Owens said, though already the first "MasterChef" cookbook will arrive in bookstores on Wednesday. The winner will have a separate cookbook.
For his part, Mr. Ramsay says he is more interested in grooming talent than in selling products. He has an exclusive contract with Fox which remains in effect for "one more year," he said in the interview. Asked about the prospect of a contract renewal, Mr. Darnell said, "Our door is always open."
The summer season has been fertile territory for reality before, giving rise to "American Idol" and "Survivor" many years ago, but in recent years "there's been a dearth of really good first-year reality shows," said Brad Adgate, the senior vice president of research at Horizon Media.
"MasterChef" is an exception, the first clear-cut success story for summer reality since "Wipeout," the obstacle-course contest that ABC introduced in 2008.
Fox has been particularly heartened by the ratings for "MasterChef" in recent weeks. Mr. Darnell said the series had thrived even after losing its "Hell's Kitchen" lead-in two weeks ago and expanding to two hours.
To date it has averaged 3.3 million viewers between the ages of 18 and 49, a 2.5 rating, making it No. 1 among new shows this summer. On Wednesdays, though, it remains behind two older reality franchises, "America's Got Talent," which NBC renewed on Tuesday, and CBS's "Big Brother."
While Mr. Ramsay is very pleased with the ratings, he's well on to his next projects. ("I get overexcited, that's my problem," he said in the interview.) Mr. Ramsay recently opened a Los Angeles office for his production company, indicating that he plans to produce more shows here, even ones without him as host. In Britain he is preparing "Ramsay's Best Restaurant," a format that he says he is developing for the United States as well.
But he already has three plates in the air, not to mention his shows overseas. How much longer can he keep them all spinning? There was a long pause in the dining room before he answered.
"How long is a piece of string?"Continue reading the main story


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The year 2011 was another bad year for literature. Few distinguished books were published, book sales declined from month to month, booksellers shuttered their stores, and literary prizes (with a couple of exceptions) went to mediocrities. Before steeling ourselves for the inevitable disappointments of 2012, let's review the top literary stories of the year:
#10. The Swedish poet Tomas Tranströmer was awarded the Nobel Prize in literature, an honor bestowed annually upon one of the world's celebrated second-rate writers with agreeable politics.
#9. Little, Brown recalled 6,500 copies of the spy thriller Assassin of Secrets and turned them into pulp after revelations that Q. R. Markham had plagiarized much of the book. Protesting that he was suffering from an addiction, Markham advanced the Disease Theory of Plagiarism — his first original contribution to literature.
#8. "Why Chinese Mothers Are Superior," an excerpt from Amy Chua's memoir Battle Hymn of the Tiger Mother, provoked nearly 9,000 comments at the Wall Street Journal and set off an international debate about child-rearing methods.
#7. The American novelist Philip Roth was awarded the International Man Booker Prize, igniting a controversy when the feminist publisher Carmen Callil walked off the prize jury, sniffing that she did not "rate him as a writer at all."
#6. Jennifer Egan won the Pulitzer Prize in fiction for A Visit from the Goon Squad — a rare example of the prize's going to the best book of the year (or nearly the best). HBO promptly announced plans to adapt the novel into a TV series.
#5. Judge Denny Chin, a judge on the United States Court of Appeals for the Second Circuit, rejected the $125 million settlement negotiated between Google and the Authors Guild, concluding that it "would give Google a significant advantage over competitors, rewarding it for engaging in wholesale copying of copyrighted works without permission. . . ." By the end of the year, Google was seeking to kick the Authors Guild out of the copyright suit.
#4. Literary history was made at the National Book Awards, at least according to the Washington Post fiction critic Ron Charles, when Nikky Finney and Jesmyn Ward, "[t]wo spectacularly powerful African American women," were awarded the prizes in poetry and fiction respectively.
#3. After filing for bankruptcy in February, Borders was forced to close its last remaining stores and liquidate its inventory in July after failing to receive a single offer to save the bookstore chain.
#2. Amazon.com announced that, for the first time, sales of Kindle-ready ebooks on its website surpassed sales of hardback and paperback books combined.
#1. The courageous and contrarian essayist Christopher Hitchens, who taught an entire generation of young writers the virtue of truth-seeking in literature, died after an 18-month battle with esophageal cancer.
Hitchens's was not the only important literary voice to be silenced in 2011. Other deaths in the literary world included:
• Joe Gores, American mystery novelist (January 10).
• Wilfrid Sheed, Anglo-American novelist (January 19).
• Reynolds Price, American novelist (January 20).
• Édouard Glissant, Martinican poet and novelist (February 3).
• Bo Carpelan, Finnish poet and novelist (February 11).
• Arnošt Lustig, Czech writer of Holocaust novels (February 26) [h/t: Erika Dreifus].
• John Haines, American poet (March 2).
• L. J. Davis, American novelist (April 6).
• Stephen Watson, South African poet and critic (April 10).
• Patrick Cullinan, South African poet (April 14).
• Jeanne Leiby, editor of the Southern Review (April 19).
• Gonzalo Rojas, Chilean poet (April 25).
• Joanna Russ, American science fiction novelist and feminist (April 29).
• Yannis Varveris, Greek poet (May 25).
• Josephine Hart, British novelist (June 2).
• Robert Kroetsch, Canadian novelist and co-founder of the journal Boundary 2.
• Ágota Kristóf, Hungarian-Swiss novelist (July 27).
• Eliseo Alberto, anti-Castro Cuban novelist and essayist (July 31).
• Stan Barstow, British novelist (August 1).
• David Holbrook, British literary scholar (August 11).
• Samuel Menashe, American poet (August 22).
• Susan Fromberg Schaeffer, American novelist (August 26).
• Michael Hart, founder of Project Gutenberg (September 6).
• Ida Fink, Polish writer of Holocaust fiction (September 27).
• Hella S. Haasse, Dutch novelist (September 29).
• Gerald Shapiro, American Jewish story writer and editor (October 15).
• John Morton Blum, American historian (October 17).
• Piri Thomas, American memoirist (October 17).
• Allen Mandelbaum, American translator of Virgil and Dante (October 27).
• Morris Phillipson, American novelist and director of the University of Chicago Press (November 3).
• Tomás Segovia, Spanish exile poet (November 7).
• F. Springer (pseudonym of Carel Jan Schneider), Dutch novelist (November 7).
• Peter Reading, British poet (November 17).
• Daniel Sada, Mexican poet (November 18).
• Ruth Stone, American poet (November 19).
• Christa Wolf, German novelist and critic (December 1).
• Christopher Logue, British poet (December 2).
• Russell Hoban, American novelist (December 13).
• Joe Simon, American comic-book writer (December 14).
• Paula Hyman, American Jewish historian (December 15).


text:
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text:
I received an email today, with some excellent questions regarding risk, the SST and using the UTA (Ultimate Trade Analyzer) tool. I thought it touched upon an important subject so I figured I would share the conversation here.
1. Can you help me on what to input in the cell H1 if I'm using $800 capital with leverage of 50:1, and a .01 lot size? What value or point should I put using the EURGBP as the currency I'm trying to test?
For those of you who don't use or know the UTA, cell H1 is where you would determine the pip value for the trade data you log into the UTA.
2. In the setup type column, what is the meaning of OSOB and RE?
In response to your questions, I would first advise you to never use 50:1 leverage. Just because your broker allows it, doesn't mean you should. In fact, in most cases, you should not. With that being said, try to always keep your position size around the 2% of your available capital range. So if you have $800, you would not want to put on a trade that risked more than $16. That might not sound like a lot, but it is all relative. As your account grows, so will the 2% risk level.
Remember, Chris 'Jesus' Ferfuson turned $1 into $20,000 in two years, playing online poker tournaments. He did it by never risking more than 5% of his bankroll on any tournament. He did the math, and based on his skill level, and his estimate of how often he would make the money round on any given tournament, he decided that a 5% risk model would keep him in the game. And it did! His first tournament he entered had a 5 cent buy in price. He didn't raise that level until he doubled his bankroll to $2. Then he began entering 10 cent buy ins, etc, etc.. In two years he built his bankroll up to $20,000. This is the type of mindset you need if you want to succeed as a trader.
The SST gives you a serious edge. In fact, it's better than 50% by a long shot. Still though, we are recommending a 2% risk profile based on the average size loss over a period of 100 trades or more. What that means is that once you have over 100 trades entered into the UTA, you will be able to determine the average size loss and from that detail, determine the proper risk (2%) that you should put on a trade.
(I forgot to mention, that you would also need to convert the underlying currency of the forex pair into the currency of your trade account so that you could determine the proper pip value and thus, the proper lot size to stay within your 2% risk parameter.)
If you want to get a .01 lot value for each trade's wins and losses, first you have to decide if you will be using the decimal point or not. When I enter a trade into the UTA for forex, like the EURUSD for example, I don't want to enter a price 1.3318 for example. I like to just enter 3318. It saves me 2 key strokes on every price entry, which adds up to a lot of saved manual work for me. In this case, if a pip is worth 10 cents, I would enter .10 into H1. That way, each digit would gain or lose .10. Don't worry about multiple quantities when backtested with the UTA. It is not designed for that. Backtest as if each trade is 1 lot per position. If you want two positions, you have to enter two trades, one on each line. They would get the same date, dame time, same entry price but different exits and different SetupType labels.
As far as your 2nd question, OSOB (overbought/oversold) is what I used to label reversal trades and RE is what I used to label Reentry trades. You can edit those labels and use this powerful feature any way you like. With the SLV tradeplan I made available to the Live SST Workshop Attendees, I offered a variation where I used that labeling technique to label various targets instead of trade setup types. You can use it for anything you want, really. The benefit is that it will pull out specific sets of statistics which can really open up important insights and help you with your tradeplan.
There is a fine line between not enough risk and too much risk. Trading does involve risk. Without risk, we could never make money as a trader. Risk is an important part of trading, right? But how do we determine the appropriate amount of risk? This is always a question that befuddles traders. It's a razor's edge that doesn't stand still. One's risk exposure is as dynamic as the price movement itself.
The SST philosophy, which incidentally, was determined by extensive work with the UTA, is to cut risk as quickly as possible, while still giving a trade the space it needs to develop. In other words, it is handling risk in a dynamic way, constantly retuning its risk profile with the close of every new bar. Pretty cool, huh? Next, its goal is to eliminate risk altogether by getting our trade to a risk free position. In other words, at the strategic price level or strategic stage of the trade's development, it will move the stop to lock in a pip/tick or few. It is trying to mitigate risk by skirting the fickle razor's edge line between too much risk and not enough risk. It is not 100% perfect. Nothing is. But it definitely puts the statistical edge on our side and really, that's all we can ask for as traders. That IS, the holy grail, by the way.. Harnessing risk so that it works for you on most trades but also being able to control it, when it works against you.
While doing that, it also calculates a fixed target, dynamically based on the current trade setup, that has a high likelihood of being reached. Sometimes that fixed target is too small and would cut short the overall potential of the trade. The SST answers that problem by allowing us to keep a seperate position on, incorporating its trailing stop techniques. That way, we are able to strike a great balance between not enough risk, too much risk, and a great chance of having just the right amount of risk from a trade profile perspective. It elegantly takes into account the 7 keys to successful trading, or as we call it, the 7 summits, tying together dynamic trade profiles, the dynamic ability to apply the strategy on multiple markets and timeframes, the ability to scale position size in and out of trades, the ability to trail while also being able to exit at high percentage fixed targets that have been dynamically tuned to the current market condition, capital preservation and consistent profits.
As traders, the rest is up to us. It is the trader who shoots himself in the foot by putting on too much risk on any given trade. It is the trader who makes decisions that are outside the realm of the tradeplan or the methodology of the trade system. We have the tools. The UTA can be used to determine the 'soundness' of a tradeplan and to build your confidence to the point where your vision is broad enough to believe in the tradeplan and methodology. Once you have that belief, you can responsibly put on the proper risk, and trade the system as it is intended. Thus, you can achieve the statistical edge that the SST gives you and grow your account accordingly, as you facilitate the tradeplan with confidence and professionalism.


text: Aaron Elbaz wrote: > Hi again :), > > My goal is to store an image file with lots of information relating to > the image and the file it was extracted from, persistantly. Pickle seems > like a really easy way to do this. So I'm wondering, is it possible to > serialize > things like images into a pickle? How do I do it? If not, is there > another way? If you mean the image's file content, like file("f.png").read(), then yes, it can be pickled but if you mean an image object from a graphic toolkit then I don't know but wouldn't bet on it. Never the less I would recomend keeping a pointer (a path if it is kept in the filesystem) to the image file and storing the metadata in a database like SQLite. Javier


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text:
Recipient Detail
Rank: First Sergeant
Organization: U.S. Army
Company: Company G
Division: 2d Ohio Cavalry
Born: Pompey, N.Y.
Departed: Yes
Entered Service At:
G.O. Number:
Date of Issue:
Accredited To:
Place / Date: At Sailors Creek, Va., 6 April 1865
Capture of battle flag of the 8th Florida Infantry (C.S.A.).


text:
As a practicing pediatrician, I want to speak with you today about your baby's nutrition, a topic that is very much on the minds of parents we see in our practices.
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If you prefer organic foods for your family, one option is Vermont Organics Infant Formula. Vermont Organics is Certified Organic by the USDA and meets all FDA standards.
Vermont Organics Formula offers:
In addition, Vermont Organics is produced in an FDA inspected facility and contains:
If you prefer organic formula, I recommend Vermont Organics.
For more information, visit www.vermontorganicsformula.com.
¹As required for USDA Organic Certification.


text:
Friday, 10 April 2015
I is for Ives
Ives spent much of the 1930s traveling around the United States, playing gigs on his banjo. In 1940 he started his own radio show to showcase his music, which led to associations with contemporaries Woody Guthrie, Will Geer, and Pete Seeger. After a brief stint in the U.S. Army he went to New York to work in radio, which cemented his career as a musician and enabled him to get small parts in films.
In the 1950s he was blacklisted as being suspected of having Communist ties; his subsequent pro-U.S. testimony in court allowed him to continue to work but caused a long-standing rift between him and his fellow folk singers, Pete Seeger in particular. After this he chose to expand his appearances in film and television. Thereafter his popularity increased, and he continued to record music as well as work in Hollywood. One of his best-known roles remains the voice of Sam the Snowman in the 1964 animated special Rudolph the Red-Nosed Reindeer.
His career wound down in the 1970's due to shifting musical demographics, but he remained active in his later years, until he was diagnosed with oral cancer in 1994. Deciding against invasive treatment, he chose to spend his last days at his home; he died in the spring of 1995. Among his many accolades was a Grammy Award for Best Country and Western Recording (1963), and the University of Pennsylvania Glee Club Award of Merit (1975), honoring his influence on American vocal music.
The following tune is from the album "Walt Disney Presents Burl Ives' Animal Folk" of which I had a copy when I was a child.
The Black and White Pigeon with the Eight Red Toes
Posted by Sailorchronos at 10:47
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text:
Being that Los Angeles is home to some of the biggest stars on the planet, it would be silly to spend time in L.A. without seeing the Walk of Fame before you go. Fifteen blocks house over 2,500 embedded stars in their sidewalks. The stars hold the names of actors, musicians, producers, directors, musical and theatrical groups, and even some fictional characters! Most of the stars are organized in certain location based on their famous work, so you can easily find your favorites.
It's one thing to see the stars' names in the sidewalks on the Walk of Fame, and another thing to spot one in person on Rodeo Drive. You don't have to be rich to come here, window shop, and admire the stunning buildings, all while enjoying the palm tree-lined streets and sunshine. This street, famous for its high-end shops and luxury goods stores, is a major tourist attraction in itself, but there is also a large business district that surrounds Rodeo Drive, known as the "Golden Triangle." This area is full of major tourist attractions and even more shopping areas, so take an afternoon to explore it!
Allow Woody Woodpecker, L.A.'s Universal theme park's mascot, to take you on an afternoon of historical theme park fun. Hollywood's was the first of many Universal Studios theme parks located around the world and is still entertaining locals and tourists today. Take the famous Studio Tour, a 40-60 minute tram ride around Universal's movie studio back-lot, catch a show such as the Blues Brothers, or have yourself a casual stroll through Universal's CityWalk, offering a number of shops and restaurants.
Santa Monica Pier may be officially located in the city of Santa Monica, but its location on Santa Monica Bay means that it is bordered on three sides by the city of Los Angeles. It is certainly worth the drive to the lovely outskirts and incredibly agreeable climate of the Santa Monica area to see the attractions waiting for you at the pier. The pier itself was built in 1909 and the famous Santa Monica Looff Hippodrome (the giant carousel) is a National Historical Landmark. Find time to explore all the sites and fun at the pier and you will not be disappointed.
Olvera Street is another L.A. attraction, which provides the perfect combination of history and divine entertainment. This street is part of El Pueblo de Los Angeles Historic Monument and has 27 buildings of different ages to be discovered along its zigzag brick patterned sidewalks. The street is now known for its Mexican marketplace, lined with street vendors, painted stalls, cafes, restaurants, and gift shops. Grab a taquito, watch some Aztecan folkloric dancers, and take in the romantic "Old Los Angeles" feeling that the street exudes.
The Getty Center has something for everyone: gorgeous gardens, stunning architecture, and one of the best views overlooking Los Angeles. The Getty museum is one of the United States' most visited museums so you're sure to be impressed by its collections and artists. Pack a sack lunch or dinner, a bottle of wine, tour the museum, then wander into the gardens for the sunset.
If the Getty Center doesn't quench your thirst for the outdoors, then Griffith Park certainly will. The park is one of the largest urban parks in North America, covering 4,310 acres of land. It is sometimes referred to as the "Central Park of Los Angeles," but it is definitely bigger, more rugged, and loaded with famous attractions throughout. Because of its size and variety in foliage, many producers have filmed in almost any spot in the park, and you may just recognize parts from scenes in films such as Back to the Future, Terminator, Star Trek, and Van Helsing. Griffith Park also houses Griffith Observatory, which is a great idea for a break from hiking the trails.
Dodger Stadium lies right next to downtown Los Angeles, making it a perfect idea for part of a great night in the city. It is the third-oldest ballpark in Major League Baseball and, if we're talking strictly seating capacity, the largest baseball-specific stadium in the U.S.A. Many of the top, most famous bands have also performed here, including KISS, the Beatles, the Rolling Stones, Dave Matthews Band, and the Police. Clearly, the stadium knows how to do it big, so make it a stop during a day out downtown before or after food and drinks.
This "Evening of Enchantment" as David Minkin calls it, is truly what it claims to be. Those who have attended this event rave about the experience and understand why this is the longest running one-man show in L.A. First make sure you have a ride back to your hotel, then relax and enjoy hors d'oeuvres, wine, and a "magical" evening, literally and figuratively!
A lack of exhibits and boredom are two things unable to be found in the western United States' largest natural and historical museum. The collections here house almost 35 million specimens and artifacts. Get lost in awe down the Dinosaur Hall, see some L.A. wildlife that you might not have known existed in its Outdoor Nature Gardens and Nature Lab, or check out the Los Angeles history exhibition named Becoming Los Angeles.


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As a child, I had only my siblings to play with and we played a lot. Both boys, they soon outgrew our backyard and dashed to the playground to play cricket with other boys. I was suddenly left alone. No companions to play with or talk to. After studies and homework, I went into a world of my own. It was then that books kept me company. They became my best friends. They kept me entertained and busy. Once a book came to my hands, it never left me until the last page was turned.
I thank my parents for feeding this interest. Wherever they went they came back with books, for themselves and us, kids. There was a constant flow of newspapers, magazines, comic books always. Those days if subscribed comic books like Chandamama, Amar Chitra Katha, Tinkle, Phantom, Mandrake, were delivered to doorstep on a weekly basis. It was such a treat to our appetite for books and reading. We used to wait for the day these books were delivered and compete with each other to read it first.
We also used to get weekly magazines and they came brimming with interesting articles, short stories and serials. My grandmother loved the Kannada weeklies but she preferred someone reading out the stories and serials to her. So I read aloud and she listened. Looking back, I am grateful for that opportunity for it improved my diction. I was introduced to the world of short stories and novels which came as serials in these magazines. Also the kids section came with puzzles, riddles and stories. I loved the crosswords. I used to look forward to the Reader's Digest that came by post every month. I loved the real life stories, jokes and the vocabulary section.
Superhero comics like Phantom, Flash Gordon and Walt Disney comics were available in Kannada as well, then. Works of Enid Blyton were the first of English books I read. My love for mystery and adventure began with these books. Even today, I love to read Secret Seven and Famous Five series. Hardy Boys and Nancy Drew kept me on edge with their mysteries and colored my imagination.
Our home housed a huge library, there were books everywhere, covering all genres. Whenever we needed to research for our school projects or homework, we just had to look in those rows of book shelves and we were sure to find one that suited us.
Another avid reader who influenced me when it came to books was my maternal grandmother. We always found her with a book in her hand. She introduced me to books like Scarlet Pimpernel, works of Georgette Heyer and Pearl Buck. Visit to her place meant more books to read. She read all sorts of books – fiction, philosophy, spirituality, mythology, Puranas, mysteries, romance. An expert in stories, her narration of Ramayana and Mahabharata and other stories is a treasure I cherish still. I learnt from her not to limit our interests to any particular subject, whatever age.
Taking up literature as a major subject in college kept my affair with books alive. The bond strengthened. I learnt here, to assess a book of its strengths and weaknesses. To look for hidden meanings in poems and read between lines. This phase of life was full of poems, essays, plays and novels.
Wherever I see books I am drawn. Just like my parents did, whenever I get a chance I buy books not only for myself but for kids as well. I hope the passion for books is rubbed on to them, for you are never alone when you are with a book. They not only keep you occupied, they impart knowledge,entertain, enrich and are always around if needed – just like a best friend.


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Author: Anna Carey
Publication: October 4, 2011
By: HarperCollins
"I love you! I love you I love you!"
It took me less than 24 hours to read this and I neglected ALL THE THINGS in order to finish it.
It's been sixteen years since a plague wiped out most of the Earth's population leaving Eve and countless other children orphaned. Eve, along with several hundred other girls have been fortunate enough to grow up within their safely guarded school where they've only heard stories of the danger that awaits outside the walls. Danger like wild dogs, disease, savages and worst of all, boys.
Now eighteen and on the cusp of a bright future filled with promise in the New America, Eve can think of little else but life as a teacher. All that changes on the night before graduation when Eve learns the horrifying truth of her school's real purpose. If she wants to survive, she'll have to leave the only place she's called home. Her journey will take her to places she's never heard of and test everything she's ever believed to be true.
Along the way, she runs into Arden, a girl from school who tried to warn Eve about what the real deal was but Eve wasn't sure she could trust. Now, out in the wild, they'll have to find a way to work together to ensure their survival.
Caleb is a guy Eve meets and he's, well, he's all kinds of wild and dangerous! *swoons* I LOVED Caleb! Eve thinks she knows it all and you can't really blame her - it's what she's been told all of her life but Caleb is so patient with her. (Their first few exchanges are laugh out loud funny!) He's strong, brave and incredibly selfless and kindhearted. Caleb tests everything Eve's ever learned about guys, having been separated from them her entire life. Slowly, he wins her trust as well as her heart. *sighs*
When it's discovered that Eve is being hunted by troops, she and Caleb go on the run again. All she hopes for now is a life free from fear with Caleb by her side, but Eve soon finds that freedom has a price and hers will cost either her heart or her life. *clutches chest*
This story was so interesting and had a little of everything...action, adventure, love and loss and grabs hold of your heart right up to the very end. *CLUTCHES CHEST*
*POTENTIAL SPOILERS*This book had SO MANY interesting things running through it... The main theme that jumped out at me was LOVE, different kinds but LOVE none the less. Here are a few others that I liked:
*The idea that if you educate a girl enough she won't desire to have to love. (DUH!)
*How IVP had gotten out of control to the point that the girls were considered "sows" or "brood mares".
* The Trail had an "Underground Railroad" concept to it - others willing to give theirs lives to help others even it meant risking their own lives.
*OMCupcake! When the little boys are running after the truck with Eve & Arden screaming "I LOVE YOU!" that almost wrecked me! *sobs*


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Schedule an appointment, today!
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"Studzinski is one of London's great patrons of the arts."
Catholic Herald
"For MacMillan…the text…speaks of a 'painful world of loss, violence, and spiritual desolation', and those are the intense feelings packed into his score."
Financial Times
On Saturday 15 October 2016, the Genesis Foundation's most recent commission, Stabat Mater by James MacMillan received its world premiere at London's Barbican Centre with an ecstatic standing ovation and unanimous critical praise. Performed by long-term Genesis Foundation partners, The Sixteen under Harry Christophers with the Britten Sinfonia, MacMillan's Stabat Mater is a profound and deeply moving rendering of the Stabat Mater text.
Harry Christophers and his forces then toured the Stabat Mater around the country including Saffron Hall, Manchester's Bridgewater Hall and St Andrew's Hall in Norwich. The Scottish premieres of the Stabat Mater with Harry Christophers, The Sixteen and the Scottish Chamber Orchestra took place on 23 & 24 March 2017 in Edinburgh and Glasgow, before heading into the recording studio to make a commercial recording, now on release.
The premier performance was the culmination of three years of Genesis Foundation commissions and projects based on the Stabat Mater, including premiere performances of Stabat Maters from Alissa Firsova, Tõnu Kõrvits and Matthew Martin. James MacMillan worked with Harry Christophers on mentoring the young composers commissioned by the Foundation ensuring a lasting legacy of new choral music.
'It's not often that the composer of a new work gets a standing ovation, but then every new work isn't like James MacMIllan's Stabat Mater for chorus and string orchestra.'
The Times
For more information about the Genesis Foundation's projects with James MacMillan, including the Stabat Mater please click here
To pre-order your CD of James MacMillan's Stabat Mater with The Sixteen, follow the link here
To read more about the Genesis Foundation and Harry Christophers & The Sixteen click here


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CAP has an exquisite dental system for digital impressions in manufacturing, caps, crowns, bridges and dental implant prosthesis.
Marietta, GA (PRWEB) December 30, 2013
Marietta Dentists, Kirk Kimmerling DDS and Suzanna Aguilera DMD of Verde Pointe Dental Associates, have officially announced the addition of their third digital impression crown and bridge scanning system. The doctors originally purchased the Cadent iTero seven years ago, moved to 3M True Definitions Scanner and now have moved to Custom Automated Prosthetics' CAP 3Shape Trio Color Scanner. The doctors have recognized the significant advances in optical scanning devices and want to provide the fastest, best care possible for dental patients.
"CAP has an exquisite dental system for digital impressions in manufacturing caps, crowns, bridges and dental implant prosthesis," says Dr. Kimmerling. Our dentists are able to provide quicker and even more accurate scan of the tooth needing prosthesis for dental coverage. The advancements in scanning allow transmissions of the tooth's image to the dental lab in just five and half minutes, and the crown to be made within an hour.
The new Trios scanner benefits not only the patient but the dentist also by streamlining workflow. The digital impressions are immediately sent to the lab for quick and easy communication while the patient is still in the office. "This produces high quality results and a highly accurate restoration," says Dr. Kimmerling. "The scanner reduces adjustments necessary to the crowns during seating." Patients appreciate the extra comfort of skipping traditional impression materials. The technology is highly advanced.
Kirk Kimmerling, DDS and Suzanna Aguilera, DMD are Marietta cosmetic dentists and emergency dentists that are paving the way for the future of dentistry. The office is technologically sophisticated in not only equipment and procedures, but also developing dental materials via Kimmerling Holdings Group, LLC and fiteBac SkinCare, LLC, Dr. Kimmerling's biotechnology firms. The office maintains 13 operatories, each of which is equipped with a display monitor on which digital x-rays and intra-oral pictures can be examined, and patient education videos can be viewed. The office also employs highly advanced technologies, including: (1) Logicon, a program that can digitally measure the extent of tooth decay, which allows detection of 20% more cavities and helps prevent misdiagnosis; (2) "Collimators," a conduction of x-ray tube heads that decrease radiation exposure to the patients and staff by 5-fold; and (3) iTero, an advanced restoration impression system and digital scanner that produces more accurate restorations than traditional methods. The overall well-being of each patient can also be improved by adding a DNA salivary test, which allows the office professionals to better determine a patient's specific risk of periodontal disease as well as certain types of oral cancer. The office is the first to use fiteBac SkinCare Germicidal Hand Softening Gel, an advanced hand sanitizer without the harshness to skin from traditional alcohol-based hand sanitizers. Drs. Kimmerling and Aguilera invite new patients to meet their exceptional staff and experience and benefit from state of the art dental care. The office offers a broad range of services from teeth cleaning, teeth whitening to veneers and Marietta dental implants and Marietta root canals.


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WASHINGTON — If you'd like to stay at home to watch the State of the Union, there's still a way to create a feeling of community.
Let's face it — in some ways, the addresses are rarely terribly different from year to year, even president to president. So a few groups and publications have put together their own version of State of the Union bingo. Some have even turned the exercise of tracking down the inevitable clichés into a drinking game.
Get the links for bingo and drinking games on WTOP.com.
Nancy Cordes, CBS News Congressional correspondent, says a theme of SOTU was the needs of the middle class.
Rep. Rob Wittman (R-Va) says he wanted the president to lay out more than just tax increases. Also, he says there needs to be a refocus to match the jobs with the skills of the workers.


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XLR8R's Best of 2013: Gear
The Gear section has quickly become one of the most popular parts of XLR8R, and we like to think that's because many of our readers are as interested in the tools for creating music as they are in the music itself. Whatever the reason may be, our In the Studio, Artist Tips, and From Studio to Stage features, as well as the assorted gear reviews, continue to dominate XLR8R's publishing schedule, so we figured that gear coverage should make it into our Best of 2013 content as well. As such, we've put together a countdown of our five favorite pieces of hardware and software that appeared throughout the year; if we've calculated correctly, there's a good chance that these tools will be shaping the sounds of 2014 and beyond.
5. Elektron Analog Four
Despite the ever-growing proliferance of software synths and sound-sculpting iPad apps, many producers still rely on the tactile response that only hardware can provide. This year, Swedish boutique instrument maker Elektron released the latest in its line of desktop electronics with the Analog Four, a synthesizer that marries an analog, four-voice engine with the extensive sequencing capabilities the Swedes are renowned for. The Analog Four includes rich effects and gives users the possibility to communicate with other gear via MIDI, CV, DIN, and USB connections, making it ideal as the centerpiece of a home studio. Though the synth has already racked up a slew of acclaim, Elektron has already announced the brand-new Analog Keys, a feature-packed, 37-key synthesizer that makes use of Analog Four's sound engine and provides even more tweakability for live use. Leo Maymind
4. Logic Pro X
Before Logic Pro X arrived, there was a lot of talk about Apple wanting to gear its flagship DAW more towards GarageBand users or, in other words, those who merely dabbled in production as a half-hearted hobby and not as a serious passion or career. This, however, did not turn out to be the case (although there admittedly are a few new features that seemed to be aimed at that crowd), and when the dust settled, Logic X proved to be a welcome improvement on the professional audio program many electronic artists had come to know and love over the years.
Aside from adding some useful new features and intriguing sound generators, the bulk of what made Logic X a success was the retooling of its GUI and the added availability of iPad remote control, both of which made for a more fluid workspace within the program. In a word, Logic X was just smarter than its predecessor. The fact that Apple found a way to package the retooled program as a $199.99 download made it an essential update for existing Logic users, and a serious consideration for those looking to expand the canvas upon which they make their productions. Glenn Jackson
3. Native Instruments Traktor DJ App
German software giant Native Instruments has long since secured its stake in the world of digital DJing with the ubiquitous Traktor software, but this year, NI upped the ante by introducing a slimmed down version of Traktor built for the iPad. Though many DJs thumbed their noses at the idea of a $20 app replacing their prized pair of 1200s, the novel implementation of Traktor DJ was a big step towards the democratization of DJing. Eschewing the dual deck view of the desktop version, Traktor DJ displayed each track as a horizontal waveform, allowing the user to take advantage of the iPad's multi-touch surface by grabbing loops live, creating cue points on the fly, and using a multitude of EQ, FX, and filter functions. Further adding to the app's usability was its tight integration with a selection of NI's DJ controllers—including the new Kontrol Z1 and the popular S2 and S4 decks—and the ability to work as a third deck when paired with the full version of Traktor. Though a setup using the Traktor DJ app couldn't exactly replace a proper turntable/CDJ/mixer combo, it nonetheless offered a viable and dynamic option for nascent DJs and any mixmaster who's always on the go. Leo Maymind
2. Korg Volca Series / MS-20 Mini
More than any other gear company this year, Korg just seemed to "get it." Granted, it can sometimes feel like there's a new synth or controller claiming to "change the way you make music" every other week, but Korg's success in 2013 wasn't about overhauling producers' workflow, but rather supplementing it with focused tools that came in compact and—best of all—affordable packages. The two primary examples of this were Korg's relaunch of its legendary analog synth, the MS-20, as the MS-20 Mini and the introduction of its Volca series of micro-synths and grooveboxes (pictured above).
In the case of the MS-20 Mini, Korg answered the growing demand to revitalize one of its flagship units, not by simply slapping the name onto some barely related new unit, but by putting together the MS-20's original designer with a new team in order to create a hybrid synth that remained faithful to its predecessor while also including updated features vital to modern studios. Furthermore, Korg's three-piece Volca series made great strides towards putting the power of analog synthesis in the hands of those who could not afford more robust units. Recognizing that most producers already have the components necessary to control and play a synth, Korg's Bass, Keys, and Drums units offered what is harder to make on one's own: the actual electronic guts that produce the analog waveforms we all crave. With most at-home producers pressed for time, space, and cash, the Volcas offered a smart and attainable entry point into the analog world. Glenn Jackson
1. Ableton Live 9 / Push
In its rise to the top of a perennially crowded category, Ableton Live has become many musicians' DAW of choice since its debut in 2001. This year was a big one for the company, which released not only the newest iteration of its software in Live 9, but also the first official Live hardware controller designed in conjunction with the program, Push.
At its heart, Push is a device built for musical composition. The 64 input pads can be played like a proper instrument, in a way that the traditional 16 cannot; the brilliant white and blue LEDs indicate the user's position in the scale when writing melodies, and provide plenty of room for creative expression. Add a Drum Rack, and both a series of pad triggers and an interactive step sequencer are simultaneously incorporated, while moving a finger along the touch strip navigates through the array of drum sounds. In many ways, Push goes beyond what we've seen from hardware controllers and a new approach to melody and song structure. Furthermore, everything generated with Push is integrated into Live in a way that's tough for plug-ins to match. The beautiful, minimalist hardware is built like a tank, and provides the best entry point yet to physically interfacing with the deservingly ubiquitous Ableton Live. Evan Shamoon
XLR8R's Best of 2013 coverage will continue through the end of this week, so check back each day for additional year-end round-ups. In the meantime, don't forget to take a look at the other Best of 2013 pieces we've posted already:
XLR8R's Best of 2013: Top Downloads (100 - 81)
XLR8R's Best of 2013: Top Downloads (80 - 61)
XLR8R's Best of 2013: Top Downloads (60 - 41)
XLR8R's Best of 2013: Top Downloads (40 - 21)
XLR8R's Best of 2013: Top Downloads (20 - 1)
XLR8R's Best of 2013: Features
XLR8R's Best of 2013: Podcasts
XLR8R's Best of 2013: Labels
XLR8R's Best of 2013: Tracks (50 - 26)
XLR8R's Best of 2013: Tracks (25 - 1)
XLR8R's Best of 2013: New Artists


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Removewat – [Activator + Crack+Keygen] – [Latest 100% Working] ( Updated August 2018)0
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3…2…1…blast off! Explore outer space with George Pig and Danny Dog in this exciting spaceship!
Both George and Danny are kitted out in their space suits, ready for lift off. There's 3 rooms to explore in this spacious spaceship, and they're all accessible via opening doors. Switch between the 3 play modes and push the button on the handle to hear the spaceship roar into action.
You'll also hear the guiding voice of Peppa encouraging you as you go, while motion sensors help you to ensure you're going in the right direction. A handle allows little hands to lift this spaceship into the air for hours of playful fun.
Requires 3 x AA (not included)
Ages: 3 Years and up.
Planet Fun WebsitePlanet Fun Facebook
Handle to fly the spaceship through air
Special sound effects and speech
3 compartments accessible via opening doors
2 play modes
Figures dressed in their spacesuits ready for out of this world exploring!
If you have a Peppa Pig fan in your family, then they will simply love it if you add this awesome toy to their collection.
We were privileged to be able to offer our 4 lucky readers the opportunity to review the Peppa Pig – Yellow Spaceship Explorer Set
Provided by Planet Fun
Terms and Conditions
1* Applications close 2/6/15. Drawn 3/6/15
2* NZ addresses only
3* The draw is for 1 Peppa Pig – Yellow Spaceship Explorer Set (RRP $62.99) to be reviewed by you within 10 days of receiving
4* Applications are limited to one application per household. Multiple applications will not be allowed and will be discarded and void
5* Applicants must like both the Family in Focus and share our Peppa Pig – Yellow Spaceship Explorer Set post
Our Lucky 4 Reviewers are:
Sarah H


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50% Of Your Salary To Write Emails: Are You Worth It?
Photo by Ally Aubry via Flickr
Private-sector survey research published in 2011 by Inc. Magazine found that employees of small to medium-size businesses spend about 50% of their time on email. (Here's the press release.)
(It's not actually fully 50% if you read the survey results carefully - because there is an element of phone messaging involved - but let's just take that as a ballpark figure for discussion.)
I would also take as a ballpark figure the findings of the research sponsor, which (unsurprisingly) has a "unified communications" product to sell that supposedly eliminates the inefficiency caused by relying so much on email. So they make big claims like:
"Efficiencies created by Unified Communications on a typical firm with 50 Knowledge Workers (sic) with salaries ranging from $40,000 to $110,000....(are) valued at approximately $950,000 annually."Yet despite the inevitable bias and hype, their findings resonate with my own experience. Email is a costly waste of time when you have the option of working in a collaboration environment.
In particular I find this to be true of Google's collaboration tools - Docs and Sites. It takes a little bit of getting used to, but compared with the frustration of trying to do things in an Outlook environment the learning curve is well worth it.
(As always, this is personal opinion - not endorsed or sponsored.)
What the heck are people doing on email (and phone) all day? According to Fonality's survey:
- 36% - trying to contact people, find information, or schedule a meeting.
- 14% - "duplicating information" - forwarding emails, etc. - or managing unwanted communication (spam e-mails and phone calls)
- The median salary of a CEO in the United States is about $725K.
- The average lawyer's salary spans between $44-$171K.
- The average salary of a federal employee is $75K.
What will you do when your boss catches on that all the email is largely a waste of time?
Although it is a difficult thing to do when seemingly "everybody" uses email, my suggestion would be to get ahead of the curve and transition to collaboration-based work now. The result:
- In the short-term, you will hate it because you have to evangelize a lot.
- In the medium-term you will find yourself happier because you save yourself time and aggravation associated with mindlessly forwarding, detaching, and reattaching email - not to mention the inaccuracies associated with "who had the latest version of that?"
- In the longer-term, spending a larger proportion of your time on actual knowledge work is a much better way to demonstrate value to your organization than email-pushing.