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|Dave Gage takes over head
coaching duties after serving as the team's pitching coach in
Southern Vermont athletics photo
Southern Vermont has recently announced the hiring of its new head baseball coach, Dave Gage. Gage takes over after serving as the team's pitching coach in 2012 in which the Mountaineers finished 9-31 overall and 5-13 in the New England Collegiate Conference.
He replaces Don Schaffer, who went 9-31 in 2012.
Mountaineer baseball is nothing new to Gage. From 2008 to 2011 Gage was the starting second baseman for the Mountaineers and served as one of the team's captains during his final three seasons. His leadership and play helped guide his team to the NECC playoffs in the 2009, 2010, and the 2011 seasons. In 2011 Gage set several school records along with an NCAA record which helped get the Mountaineers to their first ever NECC championship game. Gage is the NCAA record holder for career hit by pitches and is the school's all-time leader in saves and hit by pitches. He also has the highest career on-base percentage in school history and ranks second in games played for the Mountaineers.
While the 2012 season has barely finished, Gage looks to get to work immediately. "This is an exciting time for this program and the future of the program," Gage said. "Having the opportunity to coach at your alma mater is a blessing. This program will have one goal from this day forward and that is to win a national championship. We have a lot of work to be done in order to reach that point but I believe we have a great group of guys who can start the journey."
While this will be his first head coaching position at the collegiate level, Gage already has plenty of experience and success with running his own teams. In the summer, Gage has been in charge of the Tri-County Bees U18 team which has qualified for two national championships under Gage's guidance. In 2010, Gage's team went 31-5 and finished fourth in the National Amateur Baseball Federation World Series.
Gage inherits a young team. The Mountaineers have several standout freshmen from this past season, most notably in Cody Labadia who was recently named as the team's 2012 Most Valuable Player and Sal Sciara who was named the team's Rookie of the Year. Labadia led the team with a .368 batting average and was second on the team with 35 RBIs. Sciara was second to Labadia with a .350 batting average.
The Mountaineers are off for the summer but will immediately get to work when the athletes return for the 2012 fall semester. Gage expects his squad to be highly competitive when they return and compete immediately for the NECC championship.


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Thank you for all the messages on my Word of the week post last week.....I'm glad to say I am feeling much better and this week has been a much better week.....
Friday, 28 August 2015
We can't wait for the Weekend - #WotW
Thank you for all the messages on my Word of the week post last week.....I'm glad to say I am feeling much better and this week has been a much better week.....
24 comments :
What an exciting weekend! I hope Ellie has the day she is dreaming on and is delighted with her Doc-Mobile x Thanks for sharing with #WotWReplyDelete
I hope Ellie has a great birthday, it's my daughters birthday on Monday but we're having some celebrations over the weekend.ReplyDelete
Eekk it sounds like you have a wonderful weekend planned, Happy Birthday to Ellie!ReplyDelete
I definitely hope Ellie has a great birthday - it's my sisters birthdays on Saturday and we're going for food for it tomorrow :) xReplyDelete
happy birthday to your little girl! hope you all have a marvellous day of fun, cake and lots and lots of love xxxReplyDelete
week what an exciting weekend. I hope tomorrow is as perfect as can be for your daughter. Her face when she sees her presents will be so cute!ReplyDelete
Sounds like a great birthday all planned out! Hope it goes to plan and you get to capture her surprised face! :-)ReplyDelete
AAhhhhh it sounds likes she will have an amazing time I bet she will be over the moon when she is given her gift ;-)ReplyDelete
It sounds like you have an amazingly exciting weekend ahead... I hope it all goes to plan! I'd love to see a pic of her face when she sees her new toy!ReplyDelete
Glad you've had a better week, hope this weekend is an absolute smasher - I bet her face will be a picture! enjoy! :) #wotwReplyDelete
Oh bless I bet she will be so excited! Happy birthday! Glad you are feeling a bit better too :-) xx #wotwReplyDelete
Happy Birthday! I hope this weekend is amazing and you manage to make lots of memories.ReplyDelete
Hope Ellie has a fab birthday! Bet she's so excited!xReplyDelete
- Anonymous29 August 2015 at 11:57
Aww my fave part of birthdays are the gifts! Sounds like you have planned everything well! #wotwReplyDelete
Wow I hope Ellie has an amazing birthday. Birthday's are so exciting! Glad this week has been a lot better than last week! I hope next week is even better!ReplyDelete
Looks like Ellie is going to have a great day. Caitlin is 8 in November and wants 'heelies' - let's hope she'll be able to walk / move in them!ReplyDelete
Ah what a lovely plan! I hope she has a fabulous birthday! XReplyDelete
Looks like Ellie is going to have a perfect birthday!ReplyDelete
Daniella | Freshly Pressed Beauty
I hope ellie has a great birthday. xReplyDelete
Aw I do hope Ellie has had a great birthday xReplyDelete
Is there anything better than seeing a child's face on their birthday when you surprise them?! How lovely! I hope you all have a wonderful day! xxReplyDelete
That weekend is so exciting both for the little birthday girl and the mum ! Well done xReplyDelete
Sounds like a great plan. I hope the birthday was good. xReplyDelete
Sounds like a lovely week! hope Ellie had a great birthday x #WotWReplyDelete

subset: commoncrawl


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"When you're a fashion photographer, you must inspire a dream, with Dior Haute Couture, the dream is already there." Patrick Demarchelier
Double wow moment! When this beauty arrived in my inbox, I quite literally gasped and sighed over the beauty of the heritage of Dior's darling couture gowns and the sublime sharpness of Demarchelier's photography. It also made me feel devastatingly sad for many of these heaven on earth works are by Dior's dream fallen angel designer, John Galliano.
Indeed, it takes a collection of photography collating Dior's wonders to make one realise just how difficult Mr Galliano is to replace at the helm of the couture house of couture houses. Who else can fit the Dorothy sparkle shoes that take the most critical audience of fashion journos in the world safely through Oz and land them safely back in Kansas with beautiful dreams of exquisitely detailed hand marquetry on expensive plush satins, billowing chiffons and sumptuous silks? Managing to combine an unsurpassed House heritage with an appreciation of couture and the demands of a commercial retail business needs quite a creative genius at the helm. Thus, we still await a replacement.
In the meantime, Demarchelier's fabulous retrospective of outfits shown from 1947 until today shows fashion's finest hours. Patrick Demarchelier has always admired Dior Haute Couture. For him it is the birthplace of "unique pieces that are veritable sculptures" and therefore he wanted to pay tribute to the superlative splendour and expertise of Dior creations.
Rendered still more sublime by Patrick Demarchelier, the designs created by Christian Dior himself and his successors, Yves Saint Laurent, Marc Bohan and John Galliano, prove to be modern and timeless: a magic that flirts with eternity, lifting our vision of what is possible in fashion and relaying it as art. This is the stuff that dreams and Daphne Guinness are made of.
From Shanghai to Times Square, the grand staircase of the Paris Opera House to the garden of the Musée Rodin, all places that the House of Dior treasures, Patrick Demarchelier captures all that is quintessentially Dior, personified by the most beautiful women in the world, from Charlize Theron to Gisèle Bundchen. Here the greatest talents honour the Dior legend.
Photographs Patrick Demarchelier © Patrick Demarchelier


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Kristie is an active member of both the Canadian and Toronto Law Library Associations, has served on TALL's IT Committee and Salary Committee, and writes a column called Tech Talk for their Quarterly Journal.
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Protection, Purification, Spirituality
Primary Chakras: Third Eye, Crown
Astrological signs: Pisces, Virgo, Aquarius, Capricorn More Info... Online Catalog
See More Summary Info See Less Summary Info
Tumbled Amethyst Light & Dark "Extra" (Brazil) - This is an "Extra" high quality Tumbled Amethyst from Brazil. We were thrilled to find this Tumbled Amethyst Crystal with its beautiful polish, high translucency and light & dark purple color. If you like Amethyst, then this extra high quality Amethyst is just for you!
Amethyst is a popular purple-colored variety of quartz that contains manganese. It is the manganese that produces Amethyst's purple color, while the iron content in the stone determines the relative darkness of the purple.
Amethyst usually grows in geodes which is a hollow rock with crystal-filled interiors. From the outside, Amethyst geodes often look like ordinary rocks, but break them open and you'll find a wonderland of crystals.
Amethyst is very powerful and protective which makes it the first choice of many metaphysicians. Amethyst was used in ancient times to recover from both physical addictions as well as addictive relationships, and became known as the "stone of sobriety." A natural stress reliever, Amethyst can encourage inner strength.
The strong healing powers of Amethyst can transmute lower vibrations to higher frequencies, transforming negative energy to love energy.
Light Purple Amethyst opens and activates the Crown Chakra, allowing easier access to the divine. Amethyst enhances spiritual awareness and spiritual wisdom, promoting a higher state of consciousness.
Amethyst clears and repairs holes in the aura and draws in Divine energy, as well as aligning and fostering cooperation between the energy bodies. Amethyst also provides a wonderful peaceful energy for meditations, and helps with developing intuition and psychic abilities.


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A legal loophole allows refugees and asylum seekers applying to be cab drivers to be exempt from background checks.
Transport for London rules allow potential rapists and murderers to not disclose their criminal history.
According to The Daily Express, the loophole is clear as day and is written on a Transport for London document for "private hire driver licensing" applications.
"With regards to overseas criminal records checks, no such checks will be made in respect of those applicants who declare that they are in possession of or who have applied for refugee or asylum status," the document reads.
Asylum workers are supposed to be banned from working until their asylum claim has been approved.
UKIP candidate Lawrence Webb wants the loophole closed.
"No one should be issued with a minicab licence unless they have first undergone a criminal records check. If that prevents foreign nationals from driving a cab so be it," he said, according to The Daily Express.
JOIN TheRebel.media for more news and commentary you won't find anywhere else.


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Sedimentology and paleobiology of a putative cap carbonate, the Virgin Springs limestone, in the Neoproterozoic Kingston Peak formation, Death Valley, CA
Publication Date
Document Type
Honors Project
Glacial landforms-Death Valley (Calif. and Nev.), Sedimentology, Paleobiology, Fossils, Snowball Earth (Geology), Death Valley, Neoproterozoic, Microfossils, Cap carbonate
During the late Neoproterozoic era (Cryogenian, 840–635 Ma), there is evidence for low latitude glaciations capped by enigmatic carbonate deposits, which imply the entire earth at that time was entombed in ice. This phenomenon is known as Snowball Earth. Death Valley, CA contains Neoproterozoic including glacial deposits and carbonate rocks. Neoproterozoic, however correlating these deposits globally has proved challenging. In eastern Death Valley, the provenance of the Virgin Springs Limestone, located within the Kingston Peak Formation, as a possible cap carbonate has been uncertain. In this study, the sedimentological and paleobiological observations of the Virgin Springs Limestone combined with the geochemical and field-mapping data allow for the placement of this otherwise enigmatic unit within the greater Death Valley stratigraphy. We report discovery of vase shaped microfossils (VSMs) here. The presence of these forms is consistent with geochemical and geological relationships that suggest that the Virgin Springs Limestone was deposited before the Sturtian glaciation episode of Snowball Earth. Correlations suggest these VSMs formed between 742 and 717Ma, filling a gap in the fossil record.
iv, 42 p. : ill. (some col.) Honors project-Smith College, Northampton, Mass., 2012. Includes bibliographical references (p. 40-42)
Recommended Citation
Oates, Kaylyn, "Sedimentology and paleobiology of a putative cap carbonate, the Virgin Springs limestone, in the Neoproterozoic Kingston Peak formation, Death Valley, CA" (2012). Honors Project, Smith College, Northampton, MA.
Smith Only:
Off Campus Download


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Gandino is an ancient center where wool production and weaving has been a major contribution to the wealth of the village since its flourishing in the 14th century. There is manifest evidence of medieval society, as well as grand villas and churches from the 15th to the 17th centuries. A walk around the historical center is the chance to admire the many villas, churches and towers. Among the most outstanding of these is the 14th-century "Palazzo del Vicario" (Vicar's Villa), now the town hall, in the main "Vittorio Veneto" square, with its arcade structure in the "broletti Lombardi" style. Others include the grand villa "Salone della Valle" and numerous other residences of the aristocratic families of woolen textile producers and traders, whose activity made Gandino famous all over Europe from the 15th to the 18th centuries. Only a few steps from these buildings, the baroque cathedral "Santa Maria Assunta" towers above, one of the major monuments of the province. Its scenic frontal façade prepares the onlooker for the magnificent interior, the furnishings of which make this basilica a true cornucopia of sacred art – from the carved confessionals by G.B. Caniana and Andrea Fantoni to the fantastic organ exhibitions of carvings and wooden engravings, in addition to many works by Italian and foreign artists from the 14th and 15th centuries.
The San Mauro church, attached to the Orsoline convent, conserves a precious religious relic: the monastic robe worn by Padre Pio from Pietralcina, which is displayed to the faithful every year in the basilica on September 23rd, the liturgical anniversary, to popular veneration. The canvasses, vestments, lace, gold, and silver objects, constituting the basic accoutrements of the basilica, are displayed in the nearby Museum of Sacred Art, one of the most important storehouses of such materials in Europe. Two sections of the museum are dedicated to the textile arts and Christ's nativity. History, faith, and local traditions are revived each year with various celebrations The Corpus Domini parade wends its way through the historic center bedecked with multicoloured ribbons and banners identifying the various neighborhoods. The participation of the ancient fraternal associations in their traditional uniforms provides a unique quality to this procession. Early in the Lenten season prior to Easter, the deeply felt sacred "Triduo" (three holy days) of the dead is observed, when the magnificent radiant wooden halo by the Caniana workshop, about five meters in diameter, is set up in the basilica. Not to be missed the fourth Sunday of Lent is the fair of San Giuseppe (Saint Joseph), when hundreds of arts and crafts stands take over the center.
In July, on the Friday before the first Sunday in the month, the unique and original "Egg Race" takes place, running from Vittorio Veneto square to Fiorano al Serio, in the valley below. This is a passionately popular competition that ends with a village festival preparing and serving a giant omelette. A great hike starting at the "Fontanei" along the Alpine trail #544 up to the Val Piana and then on up to Mt. Sovere to the Malga Lunga refuge. Another option starts at the parking lot on Mt. Farno, from where trail #549 circles Mt. Farno, first through the woods to "Tribulino della Guazza", then the "Baroncelli Bivouac", the "Montagnina", and the summit of "Pizzo Formico" (Formico Peak) and back to the point of departure. Again, from the "Montagnina", one can go to the "Parafulmine" refuge or to the "Coren del'Altar" and follow trail #545 down to "Campo d'Avene" and the Malga Lunga refuge.
From the lower side of the the valley, an excursion suitable for children starts where cars can be left at Valpiana, passes the "Fonte delle Mamme" ("Mothers' Fountain") to the lovely little "Laghetto Corrado". Also going up to Valpiana you can get "Fontanei" where there is a notable rock-climbing cliff, mapped out and equipped for climbers. Besides the Malga Lunga refuge, points of restoration include the "Parafulmine" refuge, which is open on weekends and holidays throughout the year. The museum at Malga Lunga features documents, prints, and memorabilia from the partisan resistance of WWII.
There are two cross-country ski routes at Montagnina, one of 3.7 km. and the other 10, while Monte Farno is ideal for paragliding, lessons and equipment available at the "Monte Farno Free Flight Association". Mountain and rock climbing enthusiasts can venture up the established routes of "Falesia Fontanèi". artificial practice cliffs in the Sacred Heart oratory and the Gandino Gym & Sports facility. In the Cirano locality there's an archery field maintained and equipped by the Valgandino Archery Club. Then there are the tennis courts in town and short-field soccer with synthetic grass, a bowling alley, a "beach" volleyball court, and a fully equipped gymnasium.


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Tucked away behind Forest Bank Prison – this lake is about 1/2 an acre, shallow and can get weedy in summer.
Contains all the usual suspects – but nothing of any size.
The lake was restocked with 1000 roach in 2014, and is being stocked with mirror carp and crucians in April 2016
Some nice rudd, bream too , plus jack pike.
This lake has great pegs for teaching, and for providing safe fishing areas for the disabled. Please be prepared to give your peg up to someone less mobile than you.


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Location: Salt Lake City, UT
Design: City Home Collective
Pallet does a great job mixing industrial with rustic to create a space that appears welcoming and urban.
Using multiple table and seating types, they were able to visually divide up the space into more intimate groupings.
Keeping a simple material and color palate allows the space to not get too busy while also keeping it cohesive.
All photos © Pallet


text: Just got an email from my DS. I was told 2 days ago that the car would be produced during the week of May 23rd and now I'm being told mid June with a delivery of late June but the math doesn't add up since they've already said it takes 10 days to deliver from factory to Austin. Here's the email... I wanted to let you know that we have experienced a shift in production of all Model X. We will be producing the car in the second week of June. Delivery is predicted for the end of June.


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October 25, 2007
Big 12 Volleyball
Kansas State 30 30 30
Missouri 23 19 27
NAIA Volleyball
McKendree 29 30 21 17
Columbia 31 24 30 30
High School Volleyball
Hickman 23 25 28
Timberland 25 15 26
Fulton 25 12 25
Boonville 18 25 27
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American Express Will Reimburse $85 Million to About 250,000 Customers
(WASHINGTON) -- The Consumer Financial Protection Agency (CFPB) has announced yet another enforcement action. American Express will reimburse $85 million to about 250,000 customers to resolve accusations that the company violated federal law in its marketing.
CFPB announced the decision after a federal investigation found that at various periods between 2003 and spring 2012 American Express had violated consumer protection laws "at every stage of the consumer experience," according to a CFPB release.
"Several American Express companies violated consumer protection laws and those laws were violated at all stages of the game -- from the moment a consumer shopped for a card to the moment the consumer got a phone call about long overdue debt," CFPB Director Richard Cordray said in Monday. "Today's orders require the American Express companies to fully refund about $85 million to consumers and it requires them to make specific changes in their business practices. The American Express companies will identify the harmed customers, notify them, and make sure they get back their money."
Customers owed in the action are expected to receive their payments by March 15, 2012.
This action is similar others against Capital One and Discover Financial, announced earlier this year. Discover agreed to pay $200 million to more than 3.5 million cardholders. Capital One agreed to refund about $150 million to more than two million customers.
Copyright 2012 ABC News Radio


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Recombinants-Prints and Collages by Joan Wadleigh Curran
opening reception April 6th 4:00-6:00
Joan Wadleigh Curran, one of Philadelphia's most treasured artists, has a new and exciting body of work opening in the Gallery at the C.R. Ettinger Studio April 6th through May 17th. Born of a desire to experiment, Joan has repurposed and repositioned her prints
into collages on a variety of papers to create new combinations. Her work metaphorically demonstrates the hardships and struggle to adapt to the environment and its obstacles. That is contrasted with the natural beauty in nature, which also exists and struggles to adapt. The work that generated this approach, a series of chine collé prints, was supported by a grant from the Independence Foundation.
Joshua Graupera
blockadia.sim is an archeological study focusing on the island of Blockadia, a multi-racial organizing and resource hub run and operated by and for people of color. We lost contact with the island on October 2nd, 2017 and need your help tracking it down!
Join us February 9th at Cindi Royce Ettinger Studio to learn more and see artifacts, artworks and simulations from the region.
Support for this program is provided by the Cindi Royce Ettinger Fellowship and Second State Press.
Matrix: Ed McHugh
Reception November 10, 2018 5:30-7:30
Trained as a painter, printmaker and sculptor, Philadelphia artist Ed McHugh has recently completed a group of large scale etchings combined with monoprinting. Each work is unique, transcending the concept of a traditional edition series.
The final prints consist of different matrixes/grids which he uses to make aquatints or open bite etchings. The plates are then printed over monoprints or hand colored with iron oxide after printing. This unique process adds depth, movement, and color.
The C.R. Ettinger Studio Gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usually open from noon till 6:00 Monday through Friday), but always best to contact before visiting or take your chances. Also open by appointment 7 days a week.
C R Ettinger Studio is pleased to present in the gallery a collection of black and white prints by 16 artists spanning four decades. The artists include: Bo Bartlett, Astrid Bowlby, Francesco Clemente, Donald O. Colley, David Fertig, Larry Francis, Charles Grumbling, Peter Haarz, Tom Judd, Robert Andrew Parker, Mark Rice, Judith Schaecter, Bill Scott, Jürgen Stimpfig, Ivanco Talevski, Rochelle Toner.
Please join us for a reception Friday September 14 from 6:00 to 8:00 in the gallery.
The C.R. Ettinger Studio Gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usually open from noon till 6:00 Monday through Friday), but always best to contact before visiting or take your chances. Also open by appointment 7 days a week.
C.R. Ettinger Studio 2215 South Street Philadelphia, PA 19146 610.585.4084
Anders Bergstrom: a solo exhibition at C R Ettinger Studio
From May 21 through June 28, 2018, C R Ettinger & Dolan Maxwell are pleased to present an exhibition of recent works by Anders Bergstrom. There will be a closing reception with the artist Thursday, June 28, 2018 from 5:30 to 7:30. Works in the exhibition are selections from an ongoing series of meticulously made etchings printed and folded by hand to imitate the common brown paper bag. Pop Art and Photorealism are reference points but ultimately his methods and the act of making are what motivates Bergstrom.
Anders Bergstrom makes work about process in the guise of product. The result is a series of printed objects that pay homage to the individual labor of mass production by undertaking the rigorous process of reproduction by hand. The origin of the series is a suite of nine prints based on the bottoms of paper bags distributed by Duro, the largest manufacturer of brown paper lunch bags. Duro prints thename of the employee who produced each bag and the date of its manufacture on its underside like an artists signature, ironically authenticating an object destined to become crumpled detritus or litter in a street gutter. In Suite of 9 Prints, 2011 Bergstrom isolates the signature on each bag, enlarges it and reproduces it as an art object.
Elleree Erdos, catalog essay, 2016
Bergstrom makes approximations of reality with his constructed bags. These are not appropriation, rather a more painstaking production using printmaking to create something intended as useful, sturdy and cheap. Each bag has its own personality; a lean, a crease, a tattered saw tooth edge. What plays out there is text, color and form. Once assembled, the sculpture shows almost no marks of creation. They are full of nothing. It would be easy to think of them as readymades, when the reality is that the process of approximation gives them more of a kinship with Vija Celmins then Marcel Duchamp.
Jeff Bergman, FOLD in 1,00 words; Atlas Newsletter, April 24, 2015
Anders Bergstrom was born in 1971, Tucson, Arizona and has a Bachelor of Arts, Sociology and Fine Arts from the University of Arizona, Tucson, Arizona.
Recent exhibitions include: Things at The McIninch Art Gallery, Southern New Hampshire University; Print Think Temple Contemporary, Temple University; Published by the Artist, International Print Center New York; Drawings and Prints: Selections from The Met Collection The Metropolitan Museum of Art, New York; Four More Years, Planthouse, New York; Anders Bergstrom: Prints, Greg Kucera Gallery, Seattle, WA.
His prints are in the permanent collections at the New York Public Library, University of New Hampshire, Beinecke Library at Yale University, Smith College Museum of Art, MA, The Metropolitan Museum of Art, New York.
The C.R. Ettinger Studio Gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usually open from noon till 6:00 Monday through Friday), but always best to contact before visiting or take your chances. Also open by appointment 7 days a week.
Anders Bergstrom lives and works in Brooklyn, New York
Into The Fold
Into the Fold, an exhibition of mokuhanga prints by international artists
PHILADELPHIA, PA -- Six international artists will showcase their new mokuhanga works at C.R. Ettinger Studio Gallery in Philadelphia, PA which opens on Friday, March 30 at 6-8 p.m. This exhibition titled, Into the Fold, is the result of an ongoing creative conversation where artists respond to themes of folding/unfolding, portability, lineage, and community using mokuhanga as the primary medium.
Artists Katie Baldwin (Huntsville, AL), Sarah Hulsey (Somerville, MA), Fuko Ito (Lawrence, KS), Mariko Jesse (Tokyo, Japan), Yoonmi Nam (Lawrence, KS), and Mia O (Tokyo, Japan) are connected through teaching and learning mokuhanga in the United States and in Japan. The term and the process of Mokuhanga (Japanese for woodblock printmaking) has been adopted by contemporary artists working with the tools and materials associated with traditional Japanese water-based woodblock printing. These artists, along with many contemporary artists working in mokuhanga, trace a lineage of learning to a handful of Japanese printers, carvers and artists connected through the Nagasawa Art Park and MI-LAB artist residencies located in Japan.
Katie Baldwins work in woodblock and letterpress is grounded in the language of narrative, investigating storytelling through text and image. She is an Assistant Professor in Printmaking and Book Arts at the University of Alabama in Huntsville.
Sarah Hulsey creates artist books and prints that utilize visual possibilities inherent in language. She holds degrees from Harvard, MIT and University of the Arts, and currently lives and works in Somerville, Massachusetts.
Fuko Itos work in drawings and prints playfully explores feelings of vulnerability and sensations of discomfort informed by her cross-cultural upbringing. She was born and raised in Kobe, Japan and is currently an MFA candidate at the University of Kansas.
Mariko Jesse was born in Japan, spent her childhood in Hong Kong, and was educated in the UK. Her international experiences shapes the subject matter of her work, as she express ideas of being caught between different cultures. She currently works as an illustrator in Tokyo, Japan.
Yoonmi Nam is drawn to the man-made spaces and objects that suggest a contradicting sense of time that is both temporary and lasting. She was born and raised in Seoul, Korea and is an Associate Professor at the University of Kansas.
Mia O, inspired by calligraphy, works as a painter and printmaker to create images that embrace layering and mark-making. She was born and raised in Seoul, Korea and currently lives and works in Tokyo, Japan.
The exhibition dates are March 30 - April 11, 2018. The opening reception is on Friday, March 30th, from 6 - 8 p.m. The C.R. Ettinger Studio Gallery is located at 2215 South Street, Philadelphia, PA 19146. This event is free and open to the public.
The C. R. Ettinger Studio Gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usual open from noon till 6PM Monday - Friday), but always best to contact before visiting or take your changes. Also open by appointment 7 days a week.
Interior Flora: New Works by Katie Kaplan
Exhibition opening: 5:00 pm - 7:00 pm Saturday, January 6th
Exhibition dates: January 6th to February 5th
Interior Flora is a show of new works by Katie Kaplan at C.R Ettinger Gallery. For the exhibition, Kaplan focuses on creating sculptural, printed textiles in relief and silkscreen, that evoke private spaces of fantasy and domesticity, viewed through a queer femme lens. Within the works is a collection of symbols and references drawing from mythology, art history, western esotericism, religious iconography, herbalism, and personal narrative. Her practice intends to elevate and explore feminine power and inner beauty.
Katie Kaplan is a multi-disciplinary artist with a focus on exploring printmaking at the intersection of sculpture, fiber arts, photography and video. Kaplan is from Pittsburgh, Pennsylvania, currently living in Philadelphia, where she works as a Teaching Artist. Recent accomplishments include completion of the Post-Graduate Apprentice Training Program at the Fabric Workshop and Museum, the CRE Fellowship at Second State Press, a project based grant from the Three Rivers Community Foundation, and the upcoming January 2018 Denbo Fellowship at Pyramid Atlantic Art Center . Kaplan received a BFA with Honors and Outstanding Merit in Sculpture from Pratt Institute in 2011.
Fold: Ten Conversations
Fold: Ten Conversations is an exhibition at C.R. Ettinger Studio that expands on printmakings roots in communal production and its role as a vehicle for creative relationships.
It features Ivanco Talevskis collaborations and interactions with ten fellow artists connected to Philadelphia: Jane Irish, Sarah McEneaney, Matt Neff, Didier William, Chad Andrews, Joan Curran, Vasko Dukovski, mouth, Illya Mousavijad, and the late Hitoshi Nakazato.
Throughout, Talevski recognizes that printmaking processesboth traditional and nontraditionalbring people together to exchange ideas imaginatively.
Exhibition opening: 6-9PM Friday, Nov. 10th
Exhibition dates: Nov.12th - Dec.22th
Bonnie Levinthal / There and Somewhere
September 5th to October 18th, 2017
The reception will be Saturday September 9th, 2017 from 6:00 to 8:00
C.R. Ettinger Studio is pleased to present THERE AND SOMEWHERE, an exhibition of prints and print based work by Bonnie Levinthal.
Bonnie Levinthals work is inspired by her travel to isolated northern locations and greatly informed by aerial photography, satellite images and maps.
While her work is linked to the places she visits it is not characterized by depicting any one particular place, but rather by re-presenting images that reflect her emotions and life situations. The visual language she has created melds observation and memory reflecting an experience that exists somewhere between the real and the imagined. Reflections, re-presentations, imaginings...
Working with intaglio techniques, hand-coloring and suminagashi (a Japanese marbleizing technique), Bonnie creates work that is guided by her research in depicting the mysterious underlying structure and relationship of the physical landscape, along with patterns, colors and phenomena associated with humankinds impact on the earths ecology. Her work establishes a viewpoint whereby she challenges us to further consider ways ones perspective might offer unexpected reflection and insight.
For further information www.bonnielevinthal.com or contact Cindi Ettinger email@example.com
About the Artist:
Bonnie Levinthal (Philadelphia, PA) received her MFA from the Pennsylvania State University and her BFA from the University of the Arts (formerly Philadelphia College of Art). She has shown her work nationally in Philadelphia, New York, Washington D.C. among other locations and internationally in Havana, Cuba, Toronto, Canada and Melbourne, Australia. Levinthal has received awards for her work, including a Pennsylvania Council on the Arts Grant and fellowships at Yaddo, The Millay Colony of the Arts and the Nes Artist Residency in Iceland. Her work is collected in numerous public and private collections in the United States. Levinthal is currently an Associate Professor of Visual Art at Penn State Abington.
Paul Cava / Variations
June 3 July 15, 2017
From June 3rd to July 15th, 2017, C.R. Ettinger Studio is pleased to present Paul Cava /Variations, an exhibition of photo-based work.
The exhibition will open the evening of Saturday, June 3rd, 2017 with a reception 6:00-8:00 pm.
Since the late 1970s Paul Cavas art has been involved with the fusion of photography and non-photographic media, such as painting, drawing and various forms of printmaking. Using his own work as well as found anonymous photographs, Cava combines images both manually and digitally with paper and collage elements.
Much has been said about the sensual and poetic nature of his imagery but the purpose of this exhibit is to shed some light on the artists practice the various expressions, permutations and manifestations that a singular photographic image can potentially propagate.
Most photographic practice extracts a singular image from the continuium of life. Cavas approach is to extract the continuium from the singular image. Context is a signifier in Cavas collages and allows him to reposition emotionally, and psychologically in regard to the meaning of a particular image .
In music, variation is a way of organizing a composition by taking a melody or phrase and then repeating it in several different ways. Similarly this exhibit examines the ways Cava explores the various possibilities of meaning in his work.
Paul Cava has exhibited paintings, drawings and photo-based works from 1976 to the present in galleries and museums in the US and Europe, and his work is included in private and public collections, including the Museum of Fine Arts, Houston, The Philadelphia Museum of Art, The Princeton University Museum of Art, The San Diego Museum of Art, The Bibliotheque Nationale, Paris, and others.
Richard Hricko
Urban Growth
March 4th April 14th 2017
Saturday March 11th 6 8pm
Richard Hrickos prints, on view at C.R. Ettinger Studio Gallery, present composite views that honor nature, industry, and the course of growth and decay. Working in relief, lithography, and intaglio techniques, he creates dense landscape details that seamlessly synthesize the real and imagined into timeless images. With a masterful hand, he reworks the castoffs of urban landscapes to transform the common into the precious.
Richard works in South Kensington, Philadelphia, where the environment plays an integral role within his work. Focusing on the intimate details of what surrounds him, he delights in exploring where nature and industry collide.
For further information about the work please contact Richard at firstname.lastname@example.com
T H E N O B L E S O V L D I E R o r, A C O N T R A C T B R O K E N
Etchings By David Fertig
PRESS RELEASE: Sunday. December 4, 2016 12:00 to 4:00
David Fertigs portfolio of 70 etchings now in production at the C.R. Ettinger Studio is based on the artists fascination with the Napoleonic Wars, battle scenes and everyday moments from that time. Although the images, medium and style are based in history and tradition, they have a contemporary quality due to his drawing style of loose gestural lines that create high contrasts of abstract shapes. He uses the subject of war as a metaphor to illustrate human emotions we all feel and can relate to.
David Fertig studied at Philadelphia College of Art (now University of the Arts), and Chicago Art Institute. He has been represented by The Graham Gallery in New York, The Thiebaud Gallery in San Francisco and has also shown in Canada and Abroad.
To raise funds to complete these editions we are doing a promotion to sell various proofs of the first 20 prints of the portfolio at a reduced price.
Please join David and me Sunday, December 4th for this opportunity and help participate in our promotion to complete this ambitious project. Other work By David Fertig will also be on display and available for sale. For more information please contact Cindi Ettinger at
The C.R. Ettinger Studio Gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usually open from noon till 6:00 Monday through Friday), but always best to contact before visiting or take your chances. Also open by appointment 7 days a week.
C.R. Ettinger Studio 2215 South Street Philadelphia, PA 19146 610.585.4084 www.crettinger.com
Cénit (Addendum)
CÉNIT (Addendum)
Exhibition features recent work by the artist José Ortiz-Pagán
On Thursday, October 27 a new exhibition entitled CÉNIT (Addendum), by artist José Ortiz-Pagán will open at the C.R. Ettinger Studio Gallery. Ortiz-Pagán uses steel canvas to etch detailed imagery using rust as a time decoding agent. These prints analyze political events in the last 40 years on which the occurrence itself was used as a way of crafting and sending a message. The opening reception is from 5-7pm. The C.R. Ettinger Studio Gallery is located at 2215 South Street, Philadelphia, PA 19146. This event is free and open to the public.
Ortiz Pagán artwork establishes a conversation regarding post-industrial systems in the tropics and colonies and how this has affected the way we approach and trade time. There is a common thread within higher economical systems and displacement. Migration being one of the most important phenomena inherent to this co-relation.
About the Artist:
José Ortiz-Pagán was born and raised on the Caribbean island of Puerto Rico. While living in the oldest colony in the world he received a BA from the University of Puerto Rico on 2009, where he was awarded with the Carlos Marichal award on Printmaking. Later on he moves to the city of Philadelphia and eventually Rome, Italy where he received an MFA on Printmaking from the Tyler School of Art, Temple University.

José Ortiz-Pagán has received awards and collaborated with several institutions including, Second State Press and Taller Puertorriqueño. Recently his work was featured in 2014, Northeast Issue #110 of the publication New American Paintings and has also been included in the most recent version of the Trienal Poligráfica of San Juan for the year 2015.

The Exit and The Outlet
Mark Rices linocuts tells a story of humankinds break-up with the Internet
On Saturday, September 3rd a new exhibition by artist Mark Rice will open at the C.R. Ettinger Studio Gallery. The exhibition is entitled The Exit and and Outlet and is composed of relief prints created from intricately carved linoleum blocks. These prints depict the end of humanitys love affair with the internet. The opening reception is from 5-7pm. The C.R. Ettinger Studio Gallery is located at 2215 South Street, Philadelphia, PA 19146. This event is free and open to the public.
Mark Rices linocut prints describe a fictional world in which the internet has become sentient, rejecting its creators, effectively breaking-up with humanity. The detailed linocuts illustrate a society come undone, with people going through different stages of grief, searching for answers and destroying their useless tech devices.
The narrative aside, the prints are rich in line and shape, depicting light and form using methods referencing early woodcuts and engravings. A sense of time is suspended, balanced between the history of printmaking as book illustration and the relevance of work on paper in a digital world. The spectrum of different figures and their individual responses to their internet-less existence asks viewers to consider their relationship to the internet. This could be a dark subject, but the prints themselves points to a culture that finds a way to tell its story and makes a case for the relevance of making objects.
If you would like more information about his exhibition, please email Mark Rice at email@example.com, or to schedule an interview call (812) 219 1821.
The C.R. Ettinger Studio Gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usually open from noon till 6:00 Monday through Friday), but always best to contact before visiting or take your chances. Also open by appointment 7 days a week.
C.R. Ettinger Studio
2215 South Street
Philadelphia, PA 19146
C.R. Ettinger Studio will exhibit in the gallery Glyphs, an invitational group show of prints created to explore imaginative uses of typeface and symbols printed via letterpress.
A glyph (pronounced GLIHF; from a Greek word meaning carving) is a graphic symbol that provides the appearance or form for a character. A glyph can be an alphabetic or numeric font or some other symbol that pictures an encoded character.
Highlights of the show include artwork by Katie Baldwin, Marianne Dages, Matt Neff,
Kay Nothstein, Purgatory Pie Press, Tory Savery and Christopher Vanauken.
Opening reception: March 19th 4:30-6:30
On view through April 29th.
The gallery will be open during The Philadelphia book fair April 1st and 2nd 1:00-6:00.
About C.R. Ettinger Studio Gallery
The C.R. Ettinger Studio Gallery was established in 2012 after master printer Cindi Ettinger relocated her studio from Old City to 2215 South Street. The gallery features exhibitions of prints and printmaking related works. The gallery has irregular hours (usually open from noon till 6:00 Monday through Friday), but always best to contact before visiting or take your chances. Also open by appointment 7 days a week.
C.R. Ettinger Studio
2215 South Street
Philadelphia, PA 19146
Traveling Suitcase Installation Project:
Philadelphia Exhibition at C.R. Ettinger Studio
Opening Reception: Sunday Dec. 20th 4-7pm
On view: December 20, 2015 - January 28, 2016
The Traveling Suitcase Installation Project lands in Philadelphia!
Following an exhibition tour through Dundee, Weimar, Berlin and Venice, the Traveling Suitcase Installation Project arrives in Philadelphia for a culminating exhibition at C.R. Ettinger Studio. Each installation along the tour presents the viewer with a distinct form of the work - as the piece unfolds into a unique sculptural body that responds to the spatial conditions and environment at each location, a distinctive installation emerges. Carrying the history of its former configurations in the breaks and bends of the massive paper object, the Philadelphia installation will offer a textural narrative of its continental travels.
C.R. Ettinger Studio
2215 South Street
Philadelphia, PA 19146
Traveling Suitcase Installation is a sponsored project of Fractured Atlas.
This project was made possible by the generous contribution of Voyage Sponsors: DCA Print Studio, 86400, IRI Inc, and numerous individual donors. Thank You.
Traveling Suitcase Installation Project
Marilyn Holsing
C.R. Ettinger Studio presents a recently completed set of prints, ephemera and an installation inspired by Young Marie Antoinette
November 13 December 17, 2015
Opening reception Friday, November 13, 6:00 8:00pm


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I finally pulled my self together and accomplished my first flip:
After some tuning (higher RC Rate) I am pretty used to the maneuver:
Altough an backflip does not work because of some broken front motors :-/ .
I used my crappy Keychain cam because my GoPro is far to expensive for that kind of maneuver.
Now I need to improve my throttle handlin, to loose less height:
Maby warthox can help:
less throttle while in midflip ;-)


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We are building a new version of our website. We want to make sure our immigration and citizenship services are simple to use and meet your needs.
Please help us by visiting our
test site (beta) and providing your feedback. We'd love to hear from you!
You need to have enough money that is genuinely available to you to pay for your course fees, travel and living costs for you and your accompanying family members while you are in Australia.
You may need to provide specified documentary evidence of your financial capacity with your visa application. You can find out if you are likely to need to provide this evidence by using the
Document Checklist Tool.
Where you need to provide evidence of financial capacity, you will be able to demonstrate this by providing one of the following:
If you are using the 12 months fund option to demonstrate financial capacity, an accurate calculation of funds is required. Below is an outline of the funds to calculate. The type of evidence includes money deposit or loan with an approved financial institution, government loan, scholarship or sponsorship.
The annual income option requires students to provide evidence of personal annual income of at least AUD60,000. For students accompanied by family members the amount is AUD70,000. The income demonstrated must be the personal income of your spouse (who is not travelling with you) or parents. In circumstances where both of your parents are working, their combined income can be considered for this requirement. In all cases, the evidence of annual income must be provided in the form of official government documentation, such as a tax assessment.
Where our online application system indicates that documentary evidence of financial capacity is required, it is important that you attach these documents to your visa application prior to lodgement. Failure to do so may result in visa refusal.
You and your accompanying family members must demonstrate that you will have access to the funds while you are in Australia.
Some examples of how to evidence genuine access include:
From 1 February 2018, the 12 month living cost is:
Calculate the first 12 months of your course fees or include the total cost of your course if it is for a duration of 12 months or less. Deduct any prepaid costs and provide evidence of these payments (this should be on your Confirmation of Enrolment or provide receipts).
If you are in Australia and your course has already commenced, calculate the course fee payable for the 12 month period commencing from the date on which you lodge your application.
Example 1: if your course fee is AUD50,000 for three years, determine the fee for one year (12 months) by dividing the total amount by the number of years. The amount will be AUD16,666. Deduct any pre-paid amounts.
Example 2: If your course fee is AUD15,000 for ten months, and you have already paid AUD5,000, deduct this prepaid amount from the total amount. The amount will be AUD10,000.
Example 3: if your course fee is AUD20,000 for 18 months, determine the fee for one year (12 months) by dividing the total amount by the number of months, then times by 12 (20,000 / 18 x 12). The amount will be AUD13,333. Deduct any pre-paid amounts.
Where school aged children are included in your student visa application, schooling costs of AUD8,000 per year for each child will need to be added to the amount of funds that is required. This amount is the minimum required for a visa application only and you are responsible for researching schooling costs, which may vary widely between states, territories and schools in Australia.
You do not have to provide evidence of schooling costs if you are:
If applying outside Australia, include AUD2,000 (except if applying from East or Southern Africa, include AUD2,500; West Africa include AUD3,000).
If applying in Australia, include AUD1,000 (except if returning to Africa, include AUD1,500).
Family members of existing student visa holders will need to apply for a subclass 500 visa if they do not currently hold a student visa and wish to join you in Australia.
Generally, the same level of evidentiary requirements of financial capacity applied to primary applicants (students) would apply to your family members, including subsequent dependants.
In all circumstances, our officers have discretion to ask for further evidence of funds, if required.


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Photography tips
We are sharing some useful photographic techniques, tutorials and resources for various kinds of photography. You'll learn how to set up the perfect environment and what techniques, principles and rules of thumbs you should consider when shooting your next perfect photo. This round-up isn't supposed to be the ultimate one – please feel free to suggest more useful articles in the comments to this post.
Among other things, we cover high-speed photography, tilt-shift photography, black and white photography, motion blur, infrared, night, smoke photography, macro photography, HDR, panoramic photography, RAW processing and others. Hopefully, you'll find many of the listed tutorials and how-tos useful for your regular work.


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Re: Luongo remains in limbo, Sports, April 4
Luongo remains in limbo, Sports, April 4
I read that Roberto Luongo is quoted as saying, "My contract sucks." Is he serious? At $64 million over 12 years? Luongo won Olympic gold in his own city. How lucky he is. He has been blessed being part of the Vancouver Canucks, a team that has produced some wonderful hockey games. The fans have returned and players should feel grateful. But more and more, it seems, contracts are never good enough. Luongo should have negotiated a more flexible deal. These long-term contracts lock players in and perhaps do more harm than good. As my cousin, Brian McFarlane of Hockey Night in Canada fame, might have remarked, whatever happened to playing "for the love of the game"? Instead of complaining, he should count his lucky stars.
Richard MacFarlane, Toronto


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This page — this single page — capsulizes the entire book.
In his 2006 novel, How to Read a Novel: A User's Guide, John Sutherland surmised that in order to determine whether or not you'll enjoy a book, you should flip to page sixty-nine and start reading. Why? According to him, page 69 is both the focal point and the heart of a book. Page 69 is where a novel comes alive or falls flat on its face. Don't believe him? then why not try a few samples for yourself.
*If you hit a blank page, you have permission to use either page 68 or 70 😉


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- Case report
- Open Access
- Open Peer Review
Severe generalised hypersensitivity reaction to topical neomycin after cataract surgery: a case report
- Imran A Ansari1Email author and
- Ernest Onyema1
© Ansari and Onyema; licensee BioMed Central Ltd. 2008
- Received: 09 July 2007
- Accepted: 23 February 2008
- Published: 23 February 2008
Systemic hypersensitivity reactions to topical ophthalmic treatment occur rarely, but when they do they can be severe as highlighted by this case.
Case presentation
A post-operative cataract surgery patient developed a severe and generalised hypersensitivity reaction following topical treatment with Maxitrol (Dexamethasone and Neomycin) eye drops. The patient reported a previous allergic reaction to Neomycin.
This case report emphasises the importance of a thorough drug and allergy history when patients are seen at pre-assessment or clerked in for surgery.
- Hypersensitivity Reaction
- Neomycin
- Anaphylactoid Reaction
- Ocular Allergy
- Palpebral Conjunctiva
Adverse external ocular effects of topical ophthalmic therapy have been estimated to occur in 10 % of all adverse reactions [1].
Drug-related ocular allergies are often the result of type IV hypersensitivity reactions, although type 1 and type 3 hypersensitivity reactions may also be involved [2].
Hypersensitivity to localised ocular therapy may involve a localised contact reaction which may include itching, redness, tearing, mucopurulent discharge, and papillary conjunctivitis as well as corneal involvement [3]. Dermatitis, oedema and chemosis of the eyelids and skin can also occur [4].
Anaphylactoid reactions are rare and can be the result of type 1 (immediate) hypersensitivity reactions [1]. They are not usually associated with systemic anaphylaxis but involve an acute shock syndrome that may be immunologically mediated [5].
Anaphylactoid reactions are characterised by acute itching, conjunctival hyperemia, chemosis and oedema of skin in the form of urticaria and angioedema Neomycin is an antibiotic that is often used in the form of Maxitrol (Neomycin, Polymyxin B and Dexamethasone) after cataract surgery in the prophylaxis of infection.
When used in ophthalmic preparations, it is well known to be a cause of allergic localised contact reactions, but it is rare for it to cause a diffuse cutaneous systemic reaction [6]. One study has estimated the incidence of allergic contact reactions to topical neomycin as 1 to 29/100,000 [7]. We describe a case of severe systemic allergy with a diffuse cutaneous hypersensitivity reaction following topical ophthalmic administration of neomycin in the form of Maxitrol.
Case presentation
An 80 year old Caucasian male underwent routine phacoemulsification cataract extraction with posterior chamber intraocular lens implant.
The patient had a history of hypertension and hypercholesterolemia for which he was using Atenolol and Simvastatin. He also had a history of bladder cancer for which he had received chemotherapy and radiotherapy.
Of note, the patient had reported an allergic reaction to Neomycin ear drops 30 years previously. This had left him with a rash that improved a few days later.
The patient was discharged after a straight forward cataract operation on Maxitrol eye drops four times a day.
He was seen the next day for the first post-operative visit, and up until then had used Maxitrol twice to the affected eye.
At that stage the patient's eye was noted to be slightly more injected than usual but no further concerns were raised. Papillae were noted on the palpebral conjunctiva and treatment was continued.
Treatment with systemic Prednisone 20 mg once a day and Betnovate eye ointment relieved his symptoms remarkably, and 3 weeks later all signs of inflammation were gone.
Systemic hypersensitivity reactions to topical ophthalmic treatment occur rarely. but when they do they can be severe as highlighted by this case.
Although the patient in this report had a substantial improvement in best-corrected visual acuity from counting fingers pre-operatively to 6/9 post-operatively, he endured a long and painful recovery which otherwise would have been quick and straight forward. An alternative post-operative regime could have been Pred Forte and Chloramphenicol eye drops four times a day.
This case report emphasises the importance of a thorough drug and allergy history when patients are seen at pre-assessment or clerked in for surgery. Even when drugs are given topically and locally, the possibility of a severe systemic reaction should always be borne in mind even though these are rare. As physicians it is also important for us to educate our patients about the signs and symptoms of such an allergic reaction so the patient will return to us sooner for treatment.
Written informed consent was obtained from the patient for publication of this Case report and accompanying images. A copy of the written consent is available for review by the Editor-in-Chief of this journal.
No funding was necessary for this article.
Authors' Affiliations
- Wilson FM: Adverse external ocular effects of topical ophthalmic therapy: an epidemiologic, laboratory, and clinical study. Trans Am Ophthalmol Soc. 1983, 81: 854-965.PubMedPubMed CentralGoogle Scholar
- Wilson , Fred M: Allergy to Topical Medications. International Ophthalmology Clinics. Recent Trends in Ocular Allergy. 2003, 43 (1): 73-81. WinterGoogle Scholar
- Wilson FM: Adverse external ocular effects of topical ophthalmic medications. Surv Ophthalmol. 1979, 24: 57-88. 10.1016/0039-6257(79)90125-5.View ArticlePubMedGoogle Scholar
- Stern GA, Knapp A: Iatrogenic peripheral corneal disease. Int Ophthalmol Clin. 1986, 26: 77-89. 10.1097/00004397-198602640-00008.View ArticlePubMedGoogle Scholar
- Wise DJ, Carter GR: Immunology. A comprehensive review. 2002, Ames, Iowa: Iowa State University PressGoogle Scholar
- Baldinger J, Weiter JJ: Diffuse cutaneous hypersensitivity reaction after dexamethasone/polymyxin B/neomycin combination eye drops. Source Annals of Ophthalmology. 1986, 18 (3): 95-6.Google Scholar
- de Pádua CA, Uter W, Schnuch A: Contact allergy to topical drugs: prevalence in a clinical setting and estimation of frequency at the population level. Pharmacoepidemiol Drug Saf. 2007, 16 (4): 377-84. 10.1002/pds.1268.View ArticlePubMedGoogle Scholar
This article is published under license to BioMed Central Ltd. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.


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Thanks very much for these detailed, thought through and polite comments. This is a simple acknowledgement of the comments about RDF Concepts and Abstract Syntax; with a small amount of reply on comments 2.2, 2.4. RDF Core coordination: [[ Brian please assign four issues for the four points + 2.1. [5]Mapping from lexical forms to values + 2.2. [6]Values without lexical forms + 2.3. [7]Lexical forms, strings, and character sequences + 2.4. [8]Strings for natural-language data May I suggest keeping the XML Schema WG's numbers if possible. e.g. xswg-2.1 thru xswg-2.4 The fifth is editorial and is accepted; Graham please ensure this is tracked on the editors' page. + 2.5. [9]Typos and minor editorial notes ]] I find your statement of the issues clear and comprehensible and omit trying to rephrase the issues. 2.2 Values without lexical forms I believe we consciously decided to allow values without lexical forms; IIRC, it was motivated by union datatypes in XML Schema. I will check with the WG for other input on this, but if my memory is right then we need to have cross WG dialogue on this one. 2.4 Strings for natural-language data This is actually an editorial rather than a substantive issue. We agree wholeheartedly with your comment that simple strings do not suffice for natural language texts; and ruby is one of the use cases the WG has considered for the rdf:XMLLiteral datatype. We were trying to capture that the language tag is intended for use with natural language text in the lexical form; I failed editorially. I will think again and get back to both you and the RDF Core WG with alternative text. FYI There is an example of ruby embedded within RDF in the OWL Test Cases editors draft. http://www.w3.org/2002/03owlt/editors-draft/snapshot#proposed-misc-200-xmlliteral The triples format below the RDF/XML, while unreadable, does show that the language tag is combined with the XML structure to form the ruby text. I am not aware of any ruby tests within the RDF Test suite; I suppose it would be straightforward to repackage the OWL Test to only exhibit RDF features. JeremyReceived on Tuesday, 11 March 2003 04:39:48 UTC
This archive was generated by hypermail 2.3.1 : Tuesday, 6 January 2015 21:15:20 UTC


text: DigitalPaul Goldberger Gets Deep on the Meaning of Koolhaas' Burnt Hotel in BeijingBy Steve Delahoyde|February 12, 2009 ShareBy Steve Delahoyde|February 12, 2009 ShareWhenever we think we fully understand something to a fairly clear degree, we're always proven wrong by writers far more poetic and gifted than we (speaking for this writer here, of course, as Stephanie is certainly far superior in the brains department). Such is the case with the New Yorker's Paul Goldberger who put together this great piece concerning the burning down of the Mandarin Oriental Hotel in Beijing (which you'll recall we reported on here). Instead of our news piece of "the thing a famous architect designed burnt down," Greenberg instead, and in very few paragraphs, gets to the heart of what this burning down means with history and how to reflect upon it as admirers of architecture. So now that we have pointed you in the right direction, we leave you to be enlightened. But first, here's a bit from the great conclusion:Investigators told the Times that CCTV employees caused the fire by launching fireworks too close to the building. For those imbued with architectural schadenfreude, this will surely come as a disappointment. How much more wonderful if this could be the sign they have been waiting for, the burning bush sent to show us how dangerous it is to worship architectural icons. Rem would see the light, he would repent and begin to design dull buildings. And all would be well. Sharehttp://adweek.it/2kPmT9y copy Adweek Adweek


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Saturday, January 10, 2009
Seared Salad
I can't say whether it arose from a stroke of culinary genius, or from the sheer boredom of contemplating yet another cole slaw, but one night I decided to fry the salad. And it turned out really, really well.
In fact, I'd been meaning to try this for quite some time, this tweaked combination of three of the most constant foods in our winter kitchen--cabbage, apples, and squash. What brought them together was two other local products, Hay River Pumpkin Seed Oil from near Prairie Farm, Wisconsin (which is just a few miles from our Bide-A-Wee), and an apple wine vinegar from the Leatherwood Vinegary in Long Prairie, Minnesota. I bought the vinegar at Local D'Lish in downtown Minneapolis. Hay River is the first and only brand of American pumpkin seed oil, and Leatherwood is the only vinegary in Minnesota; they helped make this delicious salad unique, indeed.
This really was an intensely local meal: Grilled Hilltop Pastures Family Farm pork cutlets (off a shoulder roast, very economical) glazed with Talking Oak Farm buckwheat honey (another Prairie Farm, WI product) atop Sunrise Creative Gourmet fettuccine tossed with a little Hope Creamery butter. The butternut squash and cabbage were from Julie Pflaum of our Midtown Farmers' Market , and the apples from another Midtown colleague, Havlicek's Veseli Vrsek Happy Hill Orchard . We drank a bottle of Hauser's Colonial apple wine from the Bayfield Winery .
This works equally well as a starter or side dish.
Seared Salad of Butternut Squash, Cabbage, and Apples
serves four
1 butternut squash
2 apples, peeled, seeded, and quartered
2 wedges cabbage, about three inches at the wide end
grapeseed or canola oil
2 Tbsp pumpkin seed oil (or olive oil if you don't have this)
1 Tbsp apple wine vinegar (or another good vinegar--I realize these specific products may be difficult to find)
coarse salt
freshly ground black pepper
Remove the solid top of the squash, and use the lower part, around the seed cavity. Cut the lower part in half and scoop out the seeds. Peel the squash with a peeler or paring knife. Cut two strips per person, a bit more than an inch wide.
Heat a heavy skillet and add a couple teaspoons of grapeseed or canola oil. Add the cabbage and apples and cook over medium-high heat. Check the apples frequently, and keep turning them to brown on all sides. Let the cabbage develop a nice sear on the first cut side, then turn it over to sear the other side.
Remove the apples and cabbage when they're nicely seared--they won't be cooked through, just colored and softened a bit. Add a little more oil and the squash slices. Cook over medium-high heat till the first side is well browned, then turn the squash over and brown the other side. When both sides of the squash are browned, add 3/4 cup of water. Cover the pan and steam the squash until the squash is tender, four or five minutes.
To assemble: Cut each cabbage wedge in two--as if you were butterfly-ing a shrimp, but in this case, cut all the way through. On each plate place a half-wedge of cabbage, seared side up. Arrange two slices of squash and two pieces of apple on top of the cabbage.
Mix together the pumpkin seed oil and apple wine vinegar (or subs of your choice). Drizzle the dressing over the salad and a bit around the edge of the plate for superfluous gourmet garnish. Sprinkle a good pinch of coarse salt (gray sea salt would be my choice) and give it a grind of fresh black pepper.
Text and photos copyright 2009 by Brett Laidlaw
7 comments:
- Finspot said...
Never tried pumpkin-seed oil. Good to see the dark winter hasn't sapped yr creativity!
- January 13, 2009 at 9:29 AM
- Trout Caviar said...
Mr Finspot: It's an interesting product--dark as Chinese sesame oil, but quite mild; a little fruity and with a slight, appealing bitterness on the end. The best thing about it is the texture. It's very silky, coats the tongue and then moves on, leaving no aftertaste or oiliness.
And, what fun to be able to make a truly local oil-and-vinegar dressing. Salad dressing, oddly, is something that often flummoxes the locavore set. No problem with that here.
- January 14, 2009 at 6:16 AM
I was on the receiving end of Brett's experiment and I can vouch for it's deliciousness...down to the pumpkin seed oil!
- January 16, 2009 at 1:19 PM
- Trout Caviar said...
Anonymous diner: Glad you enjoyed it. That was a fun evening of friends and food.
- January 19, 2009 at 7:25 AM
- Hay River Pumpkin Seed Oil said...
Hello Brett,
Thanks so much for the kind mention.
Ken Seguine
Hay River Pumpkin Seed Oil
- January 26, 2009 at 2:23 PM
Ditto for the Leatherwood Wine-vinegar. We're delighted that you're using the vinegar in unique ways.
Ron and Nancy
Leatherwood Vinegar
- January 27, 2009 at 10:27 AM
- Trout Caviar said...
Ken, Ron & Nancy: It's truly my pleasure to discover great local products like yours, especially ones that brighten the winter table.
What are some of your favorite ways to use your oil and vinegars?
- January 27, 2009 at 12:26 PM


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Online Casino Rules and Betting
Posted in : Casino rules on by : innore
When it comes to knowing online casino rules, there is a great deal of information available to you on the web today. However, when it comes to playing these games, there are few things that matter more than the way that you bet in the game. Betting is also something that changes from one casino to the next as well as from one game to the next. If you are playing some games, like slots, you might have the ability to choose more than one way to bet. Other games do not provide you with this amount of flexibility.
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Signature Design By Ashley Brown Swivel Office Bucket Chair
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We all know that Green tea is very healthy and is recommended also in almost every diet, but, there are some experts who warn of the dark side of this tea.
Dark secret of Green tea is that, because it contains large amounts of caffeine, it should not be mixed with an certain pharmaceutical drugs.
Researchers found that green tea may reduce the effect of some medications for colds and flu for example, so they advise caution and to talk to your doctor before about consuming green tea if you are using this medications. Antibiotics, stimulants, hormones, blood thinners, certain asthma medications are some from the list of medications which may lead to negative effect if combined with green tea.
Side effects from combination of green tea and certain medications are mostly same like side effects from overdosing with green tea, depending of amount of tea and type of medication and they can range from mild to serious, including headache, nervousness, vomiting, diarrhea, irritability, irregular heartbeat, tremor, heartburn, dizziness, confusion and sleep problems.
Also, huge amount of green tea can lead to iron absorption issues, in a way that green tea reduces the bioavailability of nonheme iron, which means your body will be less able to absorb this nutrient from food. Iron is mostly found in eggs, dairy and plant foods such as beans, spinach etc. so combining green tea with these foods may lead to reduced iron absorption.
If you love green tea, to know exactly are you allowed to consume it or not, if you use some medications, it is best to consult with your doctor first, especially if you have some major health problems.


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Science, Technology & Society (STS)
Contact Information
Memorial Hall, Room 116
8:30 - 4:30 Monday through Friday
Science, Technology and Society (STS)
Farmingdale State College's Bachelor of Science (B.S.) in Science, Technology and Society (STS), formerly known as Technologies Studies, is a dynamic interdisciplinary program that allows students to explore the connections between science, technology, and society. With a cutting-edge focus on globalization, scientific advancement, and technological innovation, Science, Technology and Society represents the epitome of the applied social science program of the 21st century. The STS program addresses the employment needs of the greater Long Island region and the diverse academic interests of its majors by providing students with an interdisciplinary program of study that incorporates the practical uses of technological knowledge, scientific inquiry, the application of theory to complex problems, and an integrated approach to the learning process.
Our students examine the real-world effects of globalization, exploring the historical, political, economic, and sociological impact of worldwide industrialization, cross-border technology transfer, transnational economic interdependence, global environmental issues, the spread of information and communication technologies, and other important facets of the current process of globalization. In addition to hands-on training in the technology-related fields, STS majors also develop a strong background in the ways in which scientific, technological, and industrial development have influenced and continue to shape history, society, culture, and commerce on the local, national, and international levels.
All appointments are scheduled using our online system - see "Schedule an Advising Appointment" button to the right & below. Please direct any STS inquiries to STS secretary Kathleen McCormick ( email@example.com ).
Dr. Edmund Douglass, STS / Physics
STS Staff
Ms. Tamara Sooknauth, Academic Advisor
Ms. Kathleen McCormick, Secretary
STS Faculty/Staff Advisors
Dr. Qing Ai, Modern Languages
Dr. Dandan Chen, History, Politics, and Geography
Dr. Bindu Annie Dulock, Psychology
Ms. April Earle, Library
Dr. Bryan Field, Physics
Dr. Emily A. Fogarty, History, Politics and Geography
Dr. Clare Forstie, Sociology
Dr. Victor Huang, Chemistry
Dr. Yuri Janssen, Physics
Dr. Michael Minn, History, Politics and Geography
Dr. Jack Simonson, Physics
Dr. Svetlana Tlupova, Math
Attention Transfer Students: Please follow these instructions to make sure that your transfer credits have been evaluated: check Online Administrative Student Information System (OASIS) to determine if your transfer credit evaluation has been completed before scheduling an appointment with us. If it has been more than 10 business days since you made your deposit and your evaluation is not complete you should contact the Transfer Service Office at 631-794-6446 between the hours of 10 am and 2 pm or email email@example.com.
Schedule an Advising AppointmentMonday - Thursday: 10:00 AM - 4:00 PM
Note: All advising is done in the STS Offices (Memorial Hall).
Students with 85 credits or more must be advised by an STS advisor. Students with less than 85 credits may also choose to schedule an appointment with the Academic Advisement and Information Center (AAIC).
***When classes are cancelled due to inclement weather, advising for that day is also suspended. Please contact the Department to re-book your appointment.***


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Many of us have a big tummy which seriously affects our self-confidence and self-esteem. We try different diets and exercise, and sometimes we lose a lot of pounds, but not the ugly tummy. Our abdomen in some cases increases as a result of a general increase in body weight, but sometimes as a result of eating some foods, or hormonal imbalance.
If you want to remove your tummy forever than you need to determine the cause of it and neutralize it.
There are 5 common types of tummies:
1. Alcohol belly
We all know that drinking a lot of alcohol provides gaining weight. People who drink beer or some other alcohol drink regularly are prone to develop big tummies. It is confirmed that alcoholic drinks are high in calories and they also disturb the digestion in our bodies. To deal with this problem first at all you should stop drinking alcohol forever.
2. Mommy belly
In the pregnancy, our bodies change, and we gain a lot of excess fat. After giving birth to a child, the belly is still consistent. If you want to lose to lose it, you should start exercising as soon as you can. Only a regular workout, proper diet, and massages can help you lose your tummy.
3. Stressed-Out Belly
People who don't have a proper sleep are more prone to obesity than others. It is confirmed that stress and poor sleeping affect our bodies and lead to appearing of fat in our stomach. It is recommended sleeping at least 8 hours a day. To relieve the stress, you need to start doing some yoga or meditation.
4. Hormonal Belly
One of the most common causes of obesity is a hormonal imbalance. If you notice that beside the hard workout and diets you are still gaining weight, you should consult your doctor and find the problem. When you regulate the hormone levels in your body than you can lose your weight easier and faster.
5. Bloated Belly
Some food, digestive disorders or bacteria can cause bloating in the stomach. A bloated belly is extremely ugly, and you will probably want to lose it as faster as you can. To do it experts recommend drinking plenty of water and taking probiotics. If it doesn't help you, then you should visit your doctor.
Find the cause of your tummy and solve that problem forever. Then start a regular workout plan and follow a proper diet. Keep your body healthy and beautiful.


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Canon PIXMA MG5670 Driver DownloadCanon PIXMA MG5670 Driver Download-Canon PIXMA MG5670 is segregated current Inkjet picture keeps nothing down one printer that gives you the benefit of elites, and heavenly quality. Canon award PIXMA MG5670 you to print stunning pictures do both without limitation, worked for a printer, scanner and devices additionally scored a new record that joins headways with the 2pl and promptly open 5 single ink tanks-shading structure so about making the perfect print nature of shading with up to 4800 x 1200 dpi.
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SHIFT Sciences LLCis a limited liability company that administers services exclusively for SHIFT Medical, Ltd. SHIFT Sciences LLC is not licensed to practice medicine and must contract with professional entities and/or licensed physicians to provide medical services to clients and members.
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Disclaimer: Taking a chainsaw, especially if it is running, into an airport is not advisable. Check with your airline before beginning to hope you can hold your chainsaw close as a carry-on in flight.
The 30 second TV version of the commercial from ECHO Outdoor Power Equipment. Getting through airport security can be pretty humiliating. You put up with a lot in life -- don't compromise on your power equipment.
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© 2019 Created by eric blumthal. Powered by


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Deformities of toes and feet Syndrome d'Allgrove ?
I see a doctor in France two time per year, who see my feet and toes, i must walk on a stage (in right of picture it's easy)
but i know that he see if i walk on toes or with my heels ( normal motion walk ), finally at 26 i walk on the right side of my feet and sometime
when i have bad shoes my ankle twist and i fall.
Some time too i must stay on a mirror the doctor can see under my feet to see deformities for me i have a sort of gap because muscle are weakness
Finally in France i have the right of specific shoes one time per year with inner soles created just for me,
this shoes are more light and take on better on the foot,
For inner sole it's easy i put my feet in a box that contain pink foam, that take one second, i do this sinc my childhood
I think inner soles are based on this consideration the foot contain different parts to communicate with other organs,
you stretch toe or massage them to low pain of a specific organ.
Finally at 26 my toes are right just one is up (big toe/hallux is up) and the second/long toe is bend ( with high problem of eye)
i meet some allgrove patient after thirty that use surgery to strtech their toes, but me i don't want.
Reflexology : picture in french but you can find easily in your language with search engine.


text: I am looking for 4 to 5 people to start this AP near the end of July. Free Download of the Player's Guide HERE (http://paizo.com/store/games/roleplayingGames/p/pathfinderRPG/paizo/pathfinderAdventurePath/serpentsSkull/v5748btpy8g6d). Contact me via d (firstname.lastname@example.com)firstname.lastname@example.com, if interested or via internal messaging here on PnPG. I live in EDT/GMT-5 but am willing to run between 10AM EST-6PM EST, this might work well for those in europe as it will be 3PM-11PM GMT and I am flexible by a few hours either way. I may change a few of the encounters to accomodate the newer archtypes you may want to play that were out post release of the AP.


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Adam Schefter Claims There's a Dez Bryant Video That's Worse Than Ray Rice's
If you haven't heard about that elusive Dez Bryant video rumor yet, let me fill you in. There's supposedly a video of Dez Bryant doing something out there, and it's, uh, really bad.
Seriously, that's all we know.
However, it's being discussed to such an extent that it's starting to be taken more and more seriously. Though the Cowboys have denied having seen the Dez Bryant video, a few folks think that might be the reason that they haven't made a bigger effort to re-sign the standout wide receiver.
This Tweet was posted by Bryant, then quickly taken down, leading even more to believe that video does exist:
And at the top of the page you can listen to ESPN's Adam Schefter discussing the video, and the treasure hunt he's been on to find it since September.
I wish I could speak more to the video, but no one seems to have any idea what's on it, and if they do, they're not talking. Given how the public and sports media seem to love a scandal, it's an understatement to say this will be big news for Dez and the league if it ever sees the light of day.
Seriously, though, what's in this Dez Bryant video?


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For: People with dementia and their carers and former carers
What: The Alzheimer's Society seeks people to join their Research Network. Possible tasks include: • help set research priorities • review funding applications • sit on grant funding panels • monitor ongoing research projects • ensure research results are communicated and outcomes translated into tangible benefits for people affected with dementia.
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More info: Email email@example.com or Tel. 020 74235153


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At what age should you be credit-free?
Some 23.9 million South Africans are credit-active, building up a bill of total outstanding consumer credit to the tune of R1,66tn – more than half of which is mortgage debt (52%). The remaining 48% comprises of secured credit agreements, unsecured credit, and developmental and short-term credit.
As at Q1, 2016, 48% of consumers were current on all their accounts, while 12% were one to two months in arrears, 22% three months or more in arrears, and the remaining 18% had either an adverse listing, judgement or admin order against them.
Most people generally hope that by the time they are 40, 50 or 60 – or 70 at the very latest – they would be living with considerably less debt, or even be debt-free.
But the question is: Is becoming debt-free always in your best interest? Certainly, paying off your home and car is a goal worth striving for. But if you manage credit wisely, you can actually make it work for you, according to credit bureau TransUnion.
It is often possible for consumers to take advantage of credit benefits such as the six month's free credit facility offered by some stores.
Dip into your savings or take the store's credit?
TransUnion advises consumers to take advantage of the up to 55 day's interest-free credit available on most credit cards – provided you pay the full amount (not just the minimum amount) owing on the credit card and on time every month. By doing this, your credit card will only cost you the monthly or annual fee.
Easy does it
You have to be extremely disciplined to make credit work for you, and to qualify for credit at the best possible terms, you have to build and maintain a good credit record.
This is where many people make a mistake. They don't start building a solid credit record early enough; while others, who have spent years, or even decades, maintaining a good record, allow it all to disappear when they eventually pay off all their debts and become debt-free.
Pensioners, for example, who previously had an impeccable credit record, may find it extremely difficult to obtain vehicle financing should their car need replacing. They may also not be able to stand surety for their child or grandchild's credit application.
TransUnion says everyone should start building a credit record as early as possible and maintain it throughout their life.
How to do credit better
- Apply for and maintain a store card or credit card with a low credit limit
- Try to keep the balance on the card below 35% of the limit
- If you have a credit card, try to pay the full amount owing every month to avoid paying interest
- Ensure you repay the correct amount owing on all your accounts on time and in full every month – do not skip a month with the intention of making up the shortfall next month. This may reflect negatively on your credit report


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It's not quite Credly badge integration (the attribute doesn't link out to the live site) but after much wrangling, it works: you answer questions about 15 books, win the game and get the Winning Reader badge.
There's got to be a way to automatically award the badge via Credly, though. I wonder if we could get hold of their API?


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The Juicer Directory has created a new comparison review pitting its three top juicers against one another to find the ultimate winning product for consumers
Stratford, CT, United States of America / ACCESSWIRE / July 24th, 2014 / Juicers are able to create delicious drinks from fruits designed to be a healthier alternative to soft drinks, preserving the natural goodness of the ingredients. However, the aggressive process used by the high velocity blades actually breaks down the molecular structure of fruits in the process, harming their fiber content and simplifying their sugars so they are not as healthy as they could be. As such, health purists like to use slow press, masticating juicers to preserve the goodness of fruits while still making delicious smoothies, juices and shakes.
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The review cites the reduced oxidation, higher juice yield and great results from even 'dry' vegetables as strong reasons to pick one of these three models. The editorial even describes the advantages of centrifugal juicers as a third option for those that need to make high quantities of juice regularly. The Omega wins the day however, with just .2 of a star between it and the second place Champion.
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About The Juicer Directory: The Juicer Directory is a website dedicated to high quality, in depth product reviews released by all major manufacturers including Breville, Omega, Champion, Green Star, Vitamix and Hurom. The site lists reviews by manufacturers as well as publishing cross comparison features to keep consumers best informed when it comes to better health through juicing.
Visit http://thejuicerdirectory.com/ for more information.
Contact Info
Name: Barry Maclise
Organization: The Juicer Directory
Phone: (347) 349-4791