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- "Who Are You, Literally?": Fantasies of the White Self in White Noise
Don DeLillo's White Noise can be read as a novel about the noise that white people make. As in many whitened communities in America, unless one pays strict attention, the brief presences of racialized others can be difficult to detect. Isolated for the most part from daily contact with people who are not "like" themselves, people like Jack Gladney who live in such communities tend to experience a certain unease when encountering unfamiliar "types" of people. 1 Appearing as sporadically and momentarily as they do, the differences that such people represent have yet to intrude much on the presumptions of middle-class whiteness to universality. However, as DeLillo's novel prophetically indicates, these presumptions have increasingly come under fire with the new immigration patterns that are reconfiguring American demographics. Thus Jack notes of his German tutor, for example, that "his complexion was of a tone I want to call flesh-colored," without pondering further why he hesitates to go ahead and call it "flesh-colored" (DeLillo, White 32). A person such as Jack would most likely hesitate because he dimly realizes that such a term has been rendered problematic by the gradual encroachment of people who have flesh of different hues, different from that of the "flesh-colored" ("white") people. [End Page 755] In many ways, while DeLillo depicts the unmarked details of "ordinary" (white, middle-class) American life, he also suggests that in an increasingly diverse society, the white self's troubles of this sort are just beginning. White people are becoming increasingly marked as white, and their status as exemplars of ordinary American subjecthood threatened. 2
Missing from almost all critiques of DeLillo's portrayals of postmodern identity formation is analysis of the persistent whiteness of his protagonists. 3 Given the relative unimportance to most white Americans of their racial status, as well as their relative ignorance about the significance of race in their daily lives, critical disinterest in such aspects of DeLillo's work is not surprising. Nevertheless, as DeLillo's main characters consistently demonstrate, being racialized as white plays a tremendous part in how one responds to the environment. As anthropologist Ruth Frankenberg points out in her wonderfully nuanced account of the influences race has on the lives of white American women, "White people are 'raced,' just as men are 'gendered'" (1). She argues that "there is a cultural/racial specificity to white people, at times more obvious to people who are not white than to white individuals" (5). 4 In regards to literature, while most contemporary authors who describe ordinary white characters display little direct interest in the influences of race on their characters, American racial formations still affect their literary creations in an array of traceable ways. In DeLillo's case, his considerable interest in contemporary threats to autonomous selfhood is inextricably tied to the whiteness of his protagonists. In White Noise, DeLillo illustrates the forces in ordinary life that threaten individual autonomy, but he also develops a subtextual portrait of white American modes of racialized perception. In particular, DeLillo demonstrates with the case of Jack Gladney that the notion of individual autonomy is itself a fantasy, and that middle-class white men are especially apt to harbor this particularly American form of self-delusion.
(White) American Individualism
Explicating this racialized subtext in White Noise calls for discussion first of a particular result of America's continued reliance on race as a primary method for categorizing people. Such middle-class whites [End Page 756] as the characters in this novel usually live in a social environment in which whites constitute the numerical majority. As a result, white people within such a setting tend to be regarded by others not in terms of their racialized group membership, but rather on an individual, "case by case" basis. Their membership in the "white race" seems to them to have little impact on their daily lives, and indeed, the fact of their racial whiteness rarely occurs to them. 5 As DeLillo's depiction in White Noise of an identity quest undertaken by the highly self-reflective Jack Gladney suggests, white individuals tend...


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Food fight: Guantánamo captives, guards at stalemate
It's lunchtime on the communal cellblocks for cooperative captives, and detainees dressed in tan and white camp uniforms are steadfastly refusing the guards' offer to wheel in food carts.
Only if a prisoner pulls shut a gate to a chute called a sally port can a soldier lock it remotely and send in the meals. And one by one, every block but Delta Block refuses. Some captives call out that they don't want the food.
Over at Charlie Block, an angular looking detainee is stubbornly ignoring his guards, sitting at an empty, stainless-steel picnic table, watching footage from Mecca on Saudi TV.
Within an hour, the guards systematically trash a lunch that looks like it could feed 100. Unopened juice bottles go in the garbage first, then Styrofoam boxes of pita bread and special dietary meals. Buffet tins of stewed tomatoes, rice and sweet-and-sour stir-fried beef follow.
It's hunger-strike time at Guantánamo. And while the military and their captives dispute when it started and how widespread it is, it was clear from a three-day visit to the prison-camp compound this past week that the guard force is confronted with its most complex challenge in years.
• By this weekend, the U.S. military had defined 26 of the 166 captives as hunger strikers. Eight were being fed nutritional shakes through a tube snaked through a shackled captive's nose to his stomach. Two were hospitalized, getting nutrition through a tube and intravenous hydration as well. Lawyers for the captives quote their clients as counting dozens more as long-term hunger strikers, who are getting weaker by the day.
• Communal captives are no longer cooperating with guards at the once-showcase Camp 6. They've covered the cameras inside their cells. They've quit going to art classes. Both sides report frequent fainting spells — the military calls them "Code Yellows" — although the prison spokesman says they're fake, staged for visitors.
• More and more men are being moved out of communal confinement to the maximum-security prison, where up to 125 can be kept in 8-by-12-foot cells and where it's easier to conduct tube feedings. But the Camp 5 commander, an Army captain who wouldn't give her name, decided it would be too disruptive for a reporter to observe lunch being served there. To watch a guard pass a lunchbox through slits in the cell doors at the disciplinary block, the captain concluded, was too "high-risk."
Hunger striker could die
Although it's camp policy to prevent a captive from starving himself, the prison staff talks about the possibility that a hunger-striking captive will be found dead one day.
Lawyers for the men say the strike was sparked in early February by an unusually aggressive search of prisoners' Qurans that to them amounted to desecration. Prison staff says no Qurans were disrespected, no policy changed.
All sides blame long simmering frustration with President Barack Obama's inability to deliver on his promise to close the facility.
The prison's Arab-American Muslim cultural advisor, a Defense Department employee, says he and the chief guard, Army Col. John Bogdan, have been trying to negotiate with the detainees. But it may be that nothing short of an airplane ticket will end the deadlock.
"They are serious," says the advisor, who goes by Zak. "They have lost hope."
Says Army Capt. Jason Wright, the lawyer for a 30-something Camp 6 Afghan hunger striker called Obaydullah: "There's no constructive engagement" in the standoff over handling of the Quran. "There just appears to be a stalemate."
In years past, captives staged hunger strikes in single-occupancy cells where meals went in, containers came out and camp staff could closely monitor consumption.
This protest began in Camp 6, the place where in better times the military would boast that up to 130 cooperative captives could eat and pray in groups, play soccer and go to class — and troublemakers were removed one at a time.
They pointed to perks like PlayStations, food pantries and wristwatches that helped keep the captives cooperative. The detainees were inside the cellblocks, with guards watching through cameras, and posted just outside.
Military: 'Hunger strikers' cheating
On Wednesday, the Army captain in charge of Camp 6 since January said all the cellblocks but one had refused their food carts for "around three or four weeks," and were subsisting on snacks such as pita bread and peanut butter that were stashed in their pantries or thrown over recreation yard walls from Delta Block.
The captives are still drinking water. But the communal meals ended weeks ago, complicating the calculation of how many meals in a row a particular detainee has missed.
Guards now are keeping checklists, trying to track a captive snacking or slipping into a food pantry — an increasingly complex task because the commanders say the no-longer cooperative captives of Camp 6 have covered the cameras in their individual cells with empty cereal boxes, making it hard to look inside.
"All they can do is watch TV and movies and play PlayStation. It's pretty boring for them now," said the Army captain, who gave his first name, John. On Wednesday, Capt. John said "the pantries are getting thin It's now just beginning to be a problem."
The strike is by no means universal.
On Delta Block, a chubby, elderly prisoner closed the gate and received the lunch cart. He systematically unloaded buffet trays into Delta's designated food pantry. Minutes later, other Delta captives filed inside.
From a distance, some of the men in Camp 6 seem slim, their clothes clearly baggy as they can be seen standing on cellblock scales to check their weight. The elderly captive who unloaded the food cart at Delta Block, however, had a potbelly.
Commanders point to scraps of pita bread and used individual portions of peanut butter in trash bags otherwise filled with empty water bottles at the exits of supposedly hunger-striking cellblocks, and snicker that the captives are cheating and eating.
Still, the boycott of the popular arts and life-skills classes is total, camp commanders said. Soccer games are rare.
Camp 6 has stopped requesting items from the detention camp library. But the chief librarian, who gives his name as Milton, said four copies of the last Twilight episode are still in circulation, as well as John Madden NFL 2013 and NBA 2K13 — for the PlayStation mounted inside each Camp 6 cellblock.
Defense attorneys who speak with the captives paint a far more desperate picture. They wrote to Defense Secretary Chuck Hagel, saying that their clients report frequent fainting spells and some captives coughing up blood.
Lawyer: Captive's waist has withered
Kuwaiti captive Fayez al Kandari, 35, told his lawyer he was down to 108 pounds this past week, and lost 32 pounds in his hunger strike.
"His cheeks were sunken and sallow. He was exhausted," said Ohio federal public defender Carlos Warner. During a meeting Wednesday, Warner said, Kandari's waist looked like that of the lawyer's 6-year-old child.
(A military weight chart released years ago says Kandari was five feet six inches and 136 pounds when he arrived at Guantánamo in 2002.)
The Pentagon staff is at times dismissive of the claims — "Nobody's coughing up blood. They're using ketchup or biting their tongues," said Zak, the cultural advisor — but also concerned that somewhere in the communal camp a captive may be stealthily managing to starve himself, out of sight of the cameras and checklists the military uses to scan physiques at prayer time.
"It's all about using the hunger strike as the weapon," said Zak, blaming a hardcore group in detention for a decade or longer as inciting others to forgo food. "We might be hit with one behind hidden cameras, that one suddenly dies."
The Navy prison camps spokesman, Capt. Robert Durand, said "stealth hunger strikers" are a concern. Captives who openly refuse meals agree to be led off to a tube-feeding while none of the others are watching.
But some detainees may be trying to thwart the system, Durand said, by accepting a meal but not eating it.
Most numbers are guarded secrets at the detention center, where about 1,700 Pentagon troops and contractors are assigned to feed, watch and manage the 166 captives. But a visit made clear that the communal camp was being slowly drained, from about 130 prisoners last year to perhaps to around 80 prisoners now, and the maximum-security prison is slowly filling. By Thursday, the Camp 5 commander estimated occupancy at her 125-cell lockup at "a little under half."
In her camp, she said, some are eating and "some of them aren't." What would stop the fasts? "They want to be released," she replied. "That's pretty much the only thing I've gotten."
Tensions mounted around inauguration
Relations started to sour in Camp 6 around the time of this year's presidential inauguration.
Throughout Obama's first term, the one that started with a pledge to close Guantánamo's detention center by January 2010, Camp 6 was presented as a model POW-style prison — and the lockup for many of the captives cleared for release by a 2009 task force. Now, more than three years later, about 90 captives are cleared for release but are still in Guantánamo because of a combination of Congressional restrictions and no place to send them.
On Jan. 2, in an episode only disclosed two months later, a guard fired a round of rubber pellets into the $744,000 "SuperRec" soccer field.
The irony is the facility was built with remote-controlled gates to alleviate guards from escorting captives to the recreation yard. Less contact caused less friction, was the explanation. So each side could keep to itself.
But then a detainee scaled a fence to get the attention of a guard in a tower, and a guard pointed his rifle at him. The captive climbed down immediately, but other captives saw the guard with the rifle and hurled rocks at him. A ricocheting rubber pellet struck a Taliban elder in the throat, according to both military and attorney accounts, but he was not hurt enough to merit hospitalization.
Then in February, new Army guards at Camp 6 undertook a shakedown of the cells — something the detainees say through their lawyers was unusually aggressive in the seizure of personal items, from legal mail to family photos. The detention center said it was business as usual.
Unauthorized electronics were also seized — for example a handheld game called a Nintendo DS that the spokesman, Durand, said wasn't approved for use. Commanders worry that clever captives were trying to rig up equipment and prepare "a propaganda video" to embarrass the prison, he said.
The captives launched a hunger strike, even if it was only partial at times, and notified an International Committee of the Red Cross delegation in mid-February that it was underway. While one ICRC delegate was in a Camp 6 recreation yard, according to multiple accounts, he was splashed with a mixture of feces and urine hurled by a detainee.
In the past year, Congressional restrictions meant only five detainees left the prison — two Uighurs ordered released by the courts years ago were resettled in El Salvador, two convicts were repatriated to Canada and Sudan as part of court-approved plea agreements and a Yemeni man who had attempted suicide for years went home dead, after what the prison concluded was an overdose of hoarded drugs.
Not one of those men was living in Camp 6.
• Attorneys for the hunger strikers and the military agree that the men are drinking water but disagree on how many have shunned food for up to two months and whether the men are snacking on the side.
• One detainee has been listed as a hunger striker since 2005 because, once on the list, a captive has to have affirmatively eaten nine meals in a row to get off. That man, identified in court papers as a Saudi, has compliantly gone twice a day to military clinic to get his nutritional supplement, according to the military. There medics pump a can of Ensure into his stomach by a tube inserted in his nose, aside from the occasions when he chugs the can on his own.
• Military medical teams use a calculus of missed meals, reduced body weight and complicating health conditions to decide when to declare someone a hunger striker. More than 21 days as a prison camp defined "hunger striker" likely gets a captive a tube feeding, according to a Navy physician at the prison hospital who would not be named.
• Detainees designated as hunger strikers generally consent to the tube feedings rather than being forcibly shackled into the restraint chair, according to detention center spokesman Navy Capt. Robert Durand. Or, as the prison's top physician put it, "When it's time to feed, they present."
• Passing out constitutes consent to a tube feeding, Durand said.

subset: commoncrawl


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There is no industry on earth (no, not even finance) fraught with more myths than the diet and fitness industry. Misinformation abounds, sometimes based on a single, limited study, and sometimes merely made up from who knows where. Here are seven myths you can be assured are false, so you can get on with your weight loss goals uninhibited by misinformation.
1. Snacking is Always Bad
Snacks are notorious for causing confusion in weight loss circles. But healthy snacking is a good part of a healthy overall eating plan. Bad snacks are those you find at the vending machine — sodas, highly processed crackers with cheese-like substances, sodium-laden chips, and of course – candy. Good snacks keep your blood sugar levels steady and help you eat less at mealtime because you aren't famished. Good snacks include fruits, vegetables, granola, and nuts. The key is, don't eat too much of anything.
2. Low-Fat and Fat-Free Foods are Safe
These terms were invented by marketing gurus, not nutritionists, and they have no real value to the consumer. Some dieters think that these terms mean they can eat as much as they want and stay on a diet. But these foods do have calories, and they cause weight gain! Consider the overall calorie content and nutritional value of any food, no matter how it's marketed.
3. Eating at Bedtime Causes You to Gain Weight
The time of day you consume calories has no bearing on weight loss. Eating at bedtime is discouraged because people who eat then are more likely to have waited too long to eat, therefore making poor decisions and potentially consuming more calories. Eat regularly throughout the day, and if you need a small snack to sleep better you don't have to feel guilty for it.
4. You Just Have to Find the Right Diet
Low carb, low fat, eat like a caveman — fad diets are a big industry nowadays. Most claim to be based on some scientific research, but the fact is no diet plan is an adequate replacement for a realistic, healthy way to live. Eat an abundance of fruits, vegetables, and lean meats. Supplement these with a few whole grain breads and an occasional sweet treat, and you'll never need a fad diet again.
5. All Fast Food is Bad
Fast food has taken a huge hit in the media, and some chains have even been sued by people who claim the restaurants made them fat. Not all fast food, however, is evil – just like not everything whipped up in grandma's kitchen is good for you. If fast food integrates well into your lifestyle, learn how to make healthy choices – decisions that almost all chains now support through higher quality menu items. Go for the salad over the burger and fries, or opt for a piece of grilled chicken instead of the battered and fried variety. Just use good judgment when eating fast food, and remember, sit-down restaurant food loaded with sauces, smothered in butter, and fried in oil and batter are worse than many fast food offerings today.
6. Certain Foods Can Make You Lose Weight
Every so often, a list circulates that's supposed to reveal secret foods that will make you lose weight. Celery, for instance, burns more calories to digest than it contains. Some lists also include items like hot pepper, which is also supposed to burn calories. The reality is, there is no way you'll ever eat enough celery to make a difference in your weight. That is true with any of the foods listed. Eat wholesome foods that are low in calories and high in nutrients, and the weight will take care of itself.
7. Certain Exercises Make You Lose Specific Fat
Have you heard that you should do sit-ups to lose belly fat? Did someone tell you to do leg lifts to get rid of thigh fat, or triceps curls to get rid of underarm fat? The fact is, exercise burns calories, but there is no way to dictate to your body where to take those calories from. You can strengthen muscles and tone muscles in a specific place, but the body will take fat stores from where it wants to, not just from the area you exercise. Develop a good whole-body workout routine, including cardiovascular exercise and strength bearing exercises. Then your entire body will be toned and healthy, even those trouble spots.
When you hear about health and fitness claims make sure you check the facts. Don't assume that anything is true, no matter how many times you've heard it before. The basics of a healthy lifestyle remain the same: eat wholesome, nutritious foods and get into a good exercise routine. Weight loss and maintenance then takes care of itself!


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I am now an official survivor of the unmitigated blitzkrieg people in the UK call Red Nose Day. I suffered the relentless onslaught of weeping celebrities begging me to part with my cash to help starved Africans. I just managed to stomach the general public going berserk for a day, colouring their hair red and jamming 17 fat cross-dressers into a Mini Cooper, all in the name of charity.
But, despite the absurdity of it, Comic Relief's Red Nose Day works. The charity extravaganza and telethon that happens every two years have raised more than £337-million since 1985, with 60% going to causes in Africa. That said, there is also something about this feel-good frenzy and media juggernaut that is Red Nose Day that makes me feel just a little uncomfortable. Am I the only one who feels the bitter irony of engaging in a pie-eating contest to raise money for the starving?
I do not want to be a party pooper or discourage philanthropy, but how much thought is really going into this type of giving? I have no doubt that those working at Comic Relief have a sophisticated strategy for selecting projects and sustaining them. Their Website convincingly describes the long-term impact the money makes. But is there similar strategic thinking when it comes to the general public?
The media machine behind Comic Relief, although successful at getting donations and sensitising the public to the plight of individuals in dreadful circumstances, also distances us from the bigger picture. The average public donor is sold a package, complete with red nose, hair gel and funny fundraising ideas, with no thinking required whatsoever. The message is simple: watch the TV insert about the plight of Africans, see what a difference Comic Relief makes, feel emotionally moved, dial a number and, faster than you could order a pizza, your money has bought a meal for a starving child.
You would expect, after 20 years, the campaign message to be a little more sophisticated. I do not want to take a cheap shot at Comic Relief or those millions of generous people out there. I also recognise the pragmatic argument that if a zany media campaign is needed to bring in the money then so be it. But there are other issues to consider.
In an effort to present a snappy media message, there is a tendency to paint Africa as an amorphous mass. It really doesn't matter if the project being supported is in Sudan or Sierra Leone. It is all Africa – and it needs help. Media-wise, this works, but it leaves the UK public with a very one-dimensional view of Africa. It acontextualises why poverty and conflict came about it the first place. It lets governments off the hook and writes multinational companies out of the picture.
I know that Comic Relief tries to tackle this in its own way. Its educational materials for schools deal with questions of debt and fair trade. It encourages students to take a stand and write to MPs. But, sadly, this is not the public face of Comic Relief. It is a social indictment that charity has to be funky to get a public response.
Disturbingly the slick celebrity-driven marketing does not challenge the public to think about the root causes of poverty and do something more substantial than dipping into their pockets every two years.
Surely the campaign should include a focus on the need for fundamental political change to alleviate poverty and not just the importance of making an individual difference.
Comic Relief should be commended for all it has done and the world would be a better place if there was a red nose under every bed, but I only wish the whole thing was just a little more political and a lot more challenging.
To find out more on Comic Relief visit http://www.comicrelief.com/
Copyright Brandon Hamber, March 2005. "Look South" Column: an edited version of this article was published on Polity on 25 March 2005.


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Edgar Pieterse
Pieterse, E. (2004). Recasting urban integration and fragmentation in post-apartheid South Africa. Development Update, 5 (1), 81-104.
This paper presents the current urban development debates and discourses, wherein South African cities appear as segregated and fragmented as previously. He posits five main reasons for this, based on a review of recent scholarship on the persistence of urban fragmentation in South Africa. A politicised approach to the problematic of urban integration is presented, which avoids the usual technocratic approach and encourages insurgent interests in the city to claim their rights and entitlements through the available participatory democratic forums, with benefits both for themselves and for the city at large.


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Olentangy Liberty High School Sailing Team
Home of the Patriots
Fall 2016 Roster
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Matt Halverson (2018)
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OLHS Awards
Ohio Conference Regatta #4:
- B Team (Liberty mixed): Second
OLHS News
Spring Sailing season sign ups are open! Sign up TODAY before registration closes.
Visit our booth at the Olentangy Summer Fair on March 9 at Olentangy Orange Middle School
For more information email Coach Jamie Jones at 614-216-2679 or firstname.lastname@example.com or Kari Friedauer, OLHS's parent representative at email@example.com.
High School Sailing Quick Links
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Earlier this year I covered the campaign for Shrek Goes Fourth, the fourth and reportedly final chapter in that saga. The extent to which you may have bought that story depended on a number of things, I would suppose, including the extent to which you've felt the recent resurgence in "reboots" of classic franchises were more about artistic expression and not just shameless money grabs. The original Shrek was based (loosely from what I understand) on a children's book but the movie franchise extended from there since everyone was making money and there weren't really an limitations on the stories that could be told.
See the number of stories that can be told when we're talking about adaptations is, in many cases, directly limited by the amount source material that's available. In the case of something like Shrek it was possible to transcend and escape those limitations because the original source book wasn't something that was generally considered to be hallowed or untouchable so the filmmakers could go off in a number of different directions.
Try to do that with a beloved – and current – series of books and you'll find yourself facing a world of backlash you wouldn't believe. That's why those behind The Lord of the Rings movies are so eager to make The Hobbit, because it's the one thing they can still do. They can't very well continue the saga into realms Tolkien didn't explore or they run the very real risk of being slain by people who take the whole "dressing up as an orc" think a bit to seriously.
Which brings us to the latest entry in another wildly successful science fiction series, Harry Potter and the Deathly Hallows. The last book in the series by author and creator J.K. Rowling, the story is actually being split into two parts for its theatrical release because of the scope of the story being told, with Part 1 being released now and Part 2 early next year. And while I'm sure there are legitimate artistic reasons for the split – it is a big book – it's also an opportunity for Warner Bros. to delay the inevitable a short while and get two event releases out of its last grasp at the franchise since any extension that doesn't begin with a Rowling book is almost entirely out of the question.
The movies have gotten progressively darker with each installment just as the books did and that's coming to its culmination in this movie as everyone realizes the ultimate stakes are on the line. Being the (pen)ultimate book in the series the story also features the coming together of the plots, both laid out and hinted at, advanced in the previous six books/movies. Without going into too much detail, the characters Harry, Ron, Hermoine and all their family and friends all now realize they are engaged in a full scale war.
So the time for learning at Hogwarts is done and it's time to confront Voldemort's forces of evil for once and for all and for Harry in particular to accept his destiny, even if he's not sure what that destiny is. Add on top of the very real physical danger that is in front of them the fact that they're all getting older and are more…romantically inclined and the story is veritably boiling over with everyone's emotions, which makes for high drama combined with lots of action.
The Posters
The first teaser poster features a most disturbing site – the dual release dates for the two parts of the movie.
No, I kid. The main feature here aside from the note that Part 1 is coming this year and Part 2 in 2011 is the site of Hogwarts in flames against a dusk sky. That, accompanied by the "It all ends here" copy at the top makes it clear there are bad times afoot for Harry and the gang.
I like the fact that the campaign starts off with a clear intonation of the stakes that are on the table here and that Hogwarts, which has been the one symbol of stability in Harry's – and therefore the audience's – life in these stories is seen suffering a massive violation at the hands of his enemies.
After that a series of three posters, one each with Harry, Hermoine and Ron, were released that put each character in a different setting and showed them looking very much on-alert and on the ready for whatever dangers they were about to face. Each one featured the copy "Nowhere is safe," making it clear these characters are on the run, with enemies all around them. A companion series featuring three of the villains also came out at this time but on their images the copy intones that "The hunt begins."
Right after that another one-sheet was released that had all three of the main characters on it. This one featured the three of them running through the woods, either from or to the danger, with embers or some sort of magical sparks falling down around them. This one has the same dark and dreary look as those three character-specific ones and so continues that branding feel nicely.
In short order after that eight more character-centric posters were released featuring not only the standard trio of heroes but also some of the movie's villains, including Snape, Voldemort, Bellatrix and Greyback. These were extreme close-up shots and designed, apparently, to make the viewer vaguely uncomfortable, especially if you suddenly find yourself counting the pores on Emma Watson's face.
Even more shortly after that four more arrived, this time pairing the characters up in a series of four one-sheets, two for the heroes (though Hermoine gets put with both Harry and Ron) and two for the villains. All four in this set feature "The hunt begins" copy, again making it clear this is just the opening chapter of a larger story.
The Trailers
The first teaser trailer aired during the 2010 MTV Movie Awards and certainly laid out the setup of the (almost) final chapter. While there's little in the way of direct plot given, we do see bad guys lurking around in spooky forests, friends standing against unseen dangers, nerves being rattled that some friends are fighting with each other, a dragon chasing someone and even a brief kiss between Ginny Weasely and Harry. So the movie promises, based on this, the same thing the source book did, which is lots of culminations and passion.
The first full trailer, released shortly after that, certainly presents dark tidings for our hero and his friends. Starting off with a showdown between Potter and Voldemort we then get a series of scenes from the movie, some of which show the power of the dark forces massing or attacking and some of which show the good guys defending what they can. There's lots of running around, lots of standing awe-struck by something fantastical happening around them and so on. We see many of the characters from the franchise, if only briefly.
But what the trailer shows isn't half as important as the event atmosphere that's being created in between the scenes. "The finale of the worldwide phenomenon," "The motion picture event of a generation" and more are thrown on screen to make sure everyone knows just what a big deal these movies are. This trailer does act as a promotion for both parts and shows the release date of both Parts I and II as well as the obligatory notice that this will be in IMAX.
The second trailer continued the themes of darkness and despair that have already been communicated.
We start out with Bill Nighy intoning that dark times are here and then are shown a ton of scenes of battle commencing between the forces of light and those of darkness. There are a few shots of the efforts Harry's friends and protectors are taking to keep him safe – including casting a spell to make a bunch of his friends look like him – but mostly it's various people flying around in combat or otherwise chasing each other around.
There's a ton of new footage here but very little in the way of story aside from the broad point of "Keep Harry safe while Voldemort tries to kill him." It's effective in that it sells the massive scope that this movie takes place on but in terms of details all that's really added is Snipe's comments about infiltrating the Ministry of Magic.
The official website opens by playing the most recent and final trailer.
Once you get past that and into the site itself the first section under the Menu that's at the top is "About the Movie. There you'll see a Story synopsis that covers what parts of the plot are going to be included in this installment as well as Cast and Filmmakers sections with backgrounds and information on those folks and Production Notes you can download if you choose to do so.
There are about 20 stills you can view in the "Gallery" and expand as you see fit. "Videos" just has the two trailers but not any of the TV spots or anything else that's been produced, which is unfortunate.
"Downloads" has 19 Posters (which I think is most all of them), seven Wallpapers and some Buddy Icons and a Screensaver you can use to display your fandom to your friends and co-workers.
The "Soundtrack" section opens up a new site's that's devoted to the album of the movie's music and showcases the different formats you can buy it in if you want to. "Promotions" has links to some of the sites that have run promotions around the movie.
A bit of commerce is up next as "Previous Years" shows you the DVDs for the previous movies with links to buy and "Shop" takes you to the WBShop.com site with a ton of Harry Potter items to purchase. "Videogame" is dedicated, obviously, to the tie-in game for this movie.
A couple of social sections are found in "Join the Final Battle," which is a Facebook App that pits you against your friends and "iPhone App," which takes you to iTunes where you can buy the app, which has all sorts of spells and such, including the ability to duel with your fellow iPhone users.
Also online was the latest variation on the "upload your photo" concept in the form of Undesirable No. 1, where you can put yourself or your friend into one of the movie's Wanted posters.
"Muggle Hub" is kind of a stand-alone multimedia site for the movie, with all the same downloads, photos and more that are on the main site as well as a countdown clock, Firefox of Google themes, Twitter Skins and a couple other additional goodies.
Finally there are links to both the "Mobile Game" and the online "Motorbike Escape" game you can play during your free time.
The movie's Facebook page imports much of the official website's content – or at least links to it – but adds more video (which I'll never really get) and of course the updates on what's going on with the film's publicity and marketing, many of which can be found on the Twitter profile as well.
Advertising and Cross-Promotions
The TV spots for the movie certainly ramped up the sense of danger that the movie is meant to convey, with virtually every scene of the first commercial released being devoted to how much imminent peril Harry in particular is in. Voldemort almost gets more screen time in that spot than Harry and most of Harry's seem to have him lying down in agony.
There were a ton more TV spots that all played up the danger and the high, high stakes that all the character were put up against.
Plenty of online and other advertising was done as well, of course, most using the imagery of the three main characters running through the forest.
Media and Publicity
Much of the initial publicity and buzz was centered around where, exactly the book would be split. This followed, of course, the announcement that the planned adaptation would be too long for just one reasonably-lengthed film and instead would be two. There was all sorts of speculation and rumors and reports but not much in the way of official announcements.
There was also movement on a front that began in advance of the previous film, Half-Blood Prince. Around September of 2009 more details were released about The Wizarding World of Harry Potter, a new attraction at Universal Studios that would recreate Hogsmeade and other locations from the books and movies and, of course, sell lots of related items (Time, 9/15/09) to the flocking faithful. More press, of course, appeared (New York Times, 6/7/10) just as the attraction was opening.
To help win the hearts and minds of geek webmasters and fans the movie made a brief appearance at Comic-Con 2010 where there was a bit of new footage shown off but not much else. This seems to have been a box to check off the list but with the knowledge by the studio that the crowd at Comic-Con wasn't going to make or break the movie.
Some surprising news came with Warner Bros. announced (New York Times, 10/8/10) that Part 1 would not be distributed in 3D. The studio gave a pretty sound and laudable explanation for that decision, that the timeline just wasn't working out and it would not be ready and at the level of quality they wanted it in time for release. The news was just about universally praised since it showed them standing up to do something right instead of just making a cheap move to make extra dollars.
The fact that this was the (next to) last installment in the franchise also prompted some looking back at that franchise (Los Angeles Times, 11/5/10) and how it's been managed both as a series of films and as part of a larger brand that, not taking the books into account, includes just a ton of tie-in products, all of which have depended on the success of those movies.
There's a good campaign here, but I'm left with kind of a mixed feeling overall. On the one hand, it feels too big, especially when it comes to how many posters were thrown out there and the regularity of the TV spots, if not their volume. On the other it feels like it's all build up with no release, largely the result of the fact that the campaign is advertising Part One of a story we all know is being told in two parts. So it's being sold as an epic, but much of the epic-scale marketing is being held back as the studio keeps its powder dry for the second film in a few months.
Trying as much as I can to judge the campaign on its own merits, though, it's not bad. Again, there's plenty of material to work with here and most all of it strikes the same tone of danger lurking around every plot turn. All the posters and both the trailers work to bring this message home, which completes the pattern of all the movie's campaigns that have progressively sold darker and more dangerous movies.
A full recap isn't really possible until the second part comes out. But the studio has done a good job, to the extent it even needed to, to build up the audience's expectations for this next-to-last movie in the wildly popular series.
- 11/16/10 – Andrew Wallenstein at PaidContent wonders aloud whether the leak of the movie's first 36 minutes to Torrent sites was actually accidental or in fact part of a plan (though one the studio is denying) by WB to see if giving people an extended taste translates to even bigger box office numbers. The same thought had fleetingly occurred to me so it's hard for me to argue with his thinking.


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Aquasprillum Arcticum is a bacteria isolated from an arctic sediment. Oxidase-positive. Usually catalase- and phosphatase-positive, Indole- and sulfatase-negative. Assigned to the genus Aquasprillum on the basis of its morphological and physiological characteristics. Usually occur in stagnant, freshwater environments. The reason we identified Aquasprillum Arcticum to be our bacteria was because it does show up in freshwater environments and its genomic sequence was almost 97% identical to our sequence.
- References
Characterization of Aquaspirillum arcticum sp. nov., a New Psychrophilic Bacterium
Article in Systematic and Applied Microbiology 12(3):263-266 · December 1989
Date Collected: February 8, 2017
The study site was located behind the Environmental Educational center at Buffalo Creek and the Pond in Lancer Park near the campus of Longwood university in Farmville, Virginia. Buffalo Creek is a 21.1-mile-long (34.0 km) tributary of the Appomattox River in Virginia. It Flows entirely through Prince Edward County, until it joins the Appomattox River at Farmville. The Pond behind the Environmental Educational center is a collection of run off from Buffalo creek and nature its self.
Methods for isolation& identification
- Collected the samples at Buffalo Creek and the pond right behind lancer park. Used the tubes provided by the professor to collect the samples. Collected samples 6 inches deep into the water. Plates were brought back to EEC to be mixed with water and then spread onto LB agar plates, then incubated in room temperature for 48 hours.
- A dark purple colony (figure 2) was selected for 16S rRNA gene sequencing by PCR amplification.
- The product in figure 2 was digested with mspI and sequenced to identified what the genus and species of the bacteria.
Figure 1. Site of collection
Figure 2. Colony Identification
- Results
MspI digestion (figure 3) In the gel the PCR was not amplified making it hard to find good sequences. 2 bands that can be clearly identified in our gel look to be between 1,200- 1,500.
Figure 3. Results of PCR amplification and MspI digestion
- Sequence analysis(figure 4)
The sequenced PCR product generated 475 bases of high-quality reads that were used to identify the genus and species of the colony. The chromatogram of the sequence as a PDF SKRFC_PREMIX_JF7578_46 . Blast indicated that genomic sequence was 97% identical to our sequence.
Figure 4. 16s rRNA gene of Aquasprillum arcticum


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Groupon Launches New Loyalty Program
Groupon is on the search for loyal customers.
The once-upon-a-time daily deals giant has launched Groupon Rewards, which is a loyalty program that tracks consumers' purchases through their Groupon-saved credit or debit card, in order to reward them when they reach a certain amount at a participating retailers' venue.
Merchants can become a "participating retailer" for free by signing up on Groupon's website. With Groupon Rewards, merchants have the ability to create their own spending requirements and rewards to compensate their most loyal customers without punchcards or check-ins. The platform also gives merchants access to valuable insights into their customers' spending activity.
Loyalty programs are an effective way to maintain a business' customer base and increase conversions, brand loyalty and brand advocates. However, with the popularity of social media and mobile devices, it is interesting that Groupon would emphasize the fact that merchants don't have to deal with check-ins. Although monitoring such things can add to a business owner's already busy work schedule, check-ins would provide small businesses and Groupon with additional word-of-mouth advertising – which could prove to be very valuable.
Watch the Groupon Rewards video below:


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SMART IRB, which stands for the "Streamlined, Multisite, Accelerated Resources for Trials," was designed to streamline the IRB review process for multisite studies. SMART IRB is a result of the collaboration between CTSA Program hubs to develop a Common Reciprocal Institutional Review Board Authorization Agreement (SMART IRB Agreement) to help facilitate the NIH single IRB (sIRB) policy.
The NIH sIRB policy applies to intramural multi-site studies submitted for initial review after January 25, 2018. The sIRB policy was established to accelerate the ethical review of non-exempt human research through a single Institutional Review Board and reduce inefficiencies.
Participating SMART IRB institutions may allow one study institution to become the reviewing IRB for the study, while the other institutions 'rely' on that IRB's oversight, from initial review to study closeout. An online reliance system provides SMART IRB participating institutions and their investigators with a centralized system to request, track, and document reliance arrangements on a study-by-study basis.
For more information on the SMART IRB program, please contact Brian Moore at (336)716-9619 or firstname.lastname@example.com.


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Boom Boom Rocket
Publisher: Electronic Arts
Developer: Bizarre Creations
MS Points: 800 points ($10.00 USD)
I really tried to get more out of Boom Boom Rocket after I played through the game's ten songs, saw lots of pretty fireworks and earned some achievement points. Hooking up a Guitar Hero II controller didn't help much, and it's a bit too fast for me to handle with a dance pad. If you're anything like me, you enjoy rhythm games, but you also need to enjoy the music behind them. I just wasn't enamored with the remixed versions of classics like Hall of the Mountain King and the William Tell Overture. The originals are great pieces of music but your enjoyment of this game will hinge entirely upon your stomach for the composer's reinterpretations of pieces like Beethoven's Moonlight Sonata. The ten songs currently available don't leave room for much variety, though.
The game itself is an easy-to-learn, difficult-to-master rhythm game that will challenge both your ability to keep a beat and your ability to precisely time your button presses. This isn't like Guitar Hero where you get a simple hit or miss for each note. You can nail a note precisely for more points, but if you're off by a fraction of a second you may get a good or ok ranking instead, giving you fewer total points. The only way to nail those A rankings on medium or higher difficulty songs is to get the perfect timings down, as well as knowing when to activate your bonus meter. It's definitely challenging, even if the visuals are pretty much the same cityscape across every song, save for some unique fireworks.
You may want to play Boom Boom Rocket once or twice to see what it's all about, but at ten dollars, we're giving this a thumbs down. Stick to the trial.
3D Ultra Minigolf Adventures
Publisher: Sierra Online
Developer: Wanako Games
MS Points: 800 points ($10.00 USD)
What a great title. I'm already looking forward to the sequel, Super Mega Awesome Virtual Golf Quest, supposedly due out sometime next year. The name alone would have earned the thumbs up from us, but this is actually a really fun little game of putt-putt. There are multiple control schemes, but the default hold-and-release method works just great for making all of the difficult trick shots you'll need to master to get a hole-in-one on every stage.
It's not all perfect, though. There are only two courses to speak of, Traveler and Explorer, with a final 36-hole course being the previous two stacked back-to-back. The online play is a blast, though, basically boiling down to how well players remember how to approach each hole's secret strategies. The addition of fun power-ups to the multiplayer game is a nice touch as well, particularly when you get to blow up an opponent's ball. The achievements come quickly and easily, and our only gripe is that the single-player game can be saved and reloaded at will, which totally throws the leaderboards out of whack. Ignore them.
This would be a much better deal if there were more than 36 holes, but we'll still recommend it, even if it's a bit pricy at 800 points. The online play is too much fun to pass up on. Thumbs up.
Publisher: Konami
Developer: Digital Eclipse
MS Points: 400 points ($5.00 USD)
Konami's classic 3D shooter will have you spinning around and around doing your best impression of The Last Starfighter. Fighting off waves of enemy ships in a cylindrical version of space is more fun than it sounds, and the gameplay holds up after all these years, as many shooters do. The enhanced visuals are a nice touch, but the classic version of the game is equally playable. Getting past Mars is one heck of a challenge, but if you're having trouble you can try playing Co-op instead.
Gyruss is fun. The online play, though sometimes laggy, generally works well. Good enough for us. Thumbs up.


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Section 2.1. Powers, Rights and Liabilities.
By the name of the City of Westminster the municipal
corporation shall have perpetual succession; shall own, possess and hold
all property, real and personal heretofore owned, possessed and held by
the City of Westminster and does assume and shall manage and dispose of
all trusts in any way connected therewith; shall succeed to all the
rights and liabilities and shall acquire all benefits and does assume
and shall pay all bonds, obligations and indebtedness of said City of
Westminster; may, by the name of the City of Westminster, sue and
defend, plead and be impleaded in all courts and places and in all
matters and proceedings; may purchase, receive, hold and enjoy, or sell
and dispose of real and personal property; may have and use a common
seal and alter the same at pleasure.
The City shall have all the power of local self-government and
home rule and all power possible for a city to have under the
Constitution of the State of Colorado. The City shall also have all
powers that now or hereafter may be granted to municipalities by the
laws of the State of Colorado, and the enumeration of particular powers
in this Charter is not exclusive of others. All such powers shall be
exercised in the manner prescribed in this Charter or, if not provided
for herein, in such manner as shall be provided by ordinance of the
Council of the City. All ordinances of the City of Westminster in force
at the time this Charter goes into effect shall continue in force
except insofar as they may conflict with the provisions of this Charter
or shall be amended or repealed by ordinances enacted under the
authority of this Charter.
Section 2.2. Form of Government.
The municipal government provided by this Charter shall be
known as the "Council-Manager Government." Pursuant to its provisions
and subject only to the limitations imposed by the State Constitution
and by this Charter all powers of the City shall be vested in an
elective Council.
Section 2.3. Park Properties Outside of City.
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Club pass players may be used for State Cup. Players must be rostered to a team within your club that is an Ohio South/USYS carded team. Players may only be on one event roster for State Cup and/or Presidents Cup. They may not play for any other team in either event. If you wish to use a Club pass player, they must be included on your event roster that is turned in to the State office before the kickoff of the first State Cup game.
Please also see the National Championship Series Playing Rules Rule 221 Section 2 here,


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- Who We Are
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UFT.org Home > Get Involved > Union Committees > UFT Players
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The UFT Players was organized to provide opportunities for UFT members to explore and express our creativity through a wide variety of theater arts activities and to celebrate our unique talents, diversity, and sense of community.
In 1986, Lolly Yacker Winderbaum founded the UFT Players, a group composed of retired and in-service New York UFT members. Its first venture, the original musical "Chalk Talk," was well received. In 1997, Lolly invited Milton Polsky to help expand the organization with officers and a Board of Directors. Today, there are up to 25 members of the UFT Players' executive board! The current co-chairs are Milton Polsky, Elizabeth Rosen, and Warren Wyss (the latter also serving as liaison to the Professional Committees).
Through the years, the Players has grown in many ways, providing an amazing array of intergenerational multicultural productions, workshops, and special events which thousands have enjoyed. We have staged close to 150 productions in the past 18 years and look forward to continuing our diverse programs—ranging from poetry readings and Playback Theater to staged readings, musical revues, and full-staged productions—thus attracting both enthusiastic audiences and participants to our exciting events.
Please contact Suzanne Lamberg at 212-288-1778 or firstname.lastname@example.com for more information about the committee or to join. You can also fill out the online enrollment form here and find information about our upcoming auditions and performances by emailing firstname.lastname@example.com, periodically returning to this website or checking the events section in issues of The New York Teacher.
In the News
Jan 3, 2019The UFT Players, the union's drama committee, had two packed houses on Dec. 6 and 7 for their performances of "Rip Off," an original musical love...
Jul 5, 2018More than 80 UFT members, retirees, family and friends took part in the UFT Players' 20th Anniversary Celebration on June 1 at union headquarters.
Dec 1, 2016Members and guests gathered at union headquarters in Manhattan on Oct. 28 for the group's 13th annual Halloween Happening, two hours of improvisation...
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Photo Gallery
UFT Players perform of 'Rip Off'
The UFT Players drew full houses to UFT headquarters in Manhattan for both of their performances of "Rip Off," an original musical love story.More photos


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42 photos
$269,900 62.16 acres 3 Beds | 1 Bath | 1672 sqft 8333 North Branch Road, Friendship, NY 14739 - Allegany County
62 acres Log Home in Cuba NY 8333 North Branch Road
Beautiful secluded log home with pond and views on 62 acres in Cuba NY, Allegany County. This 3 bedroom, 1 bath log home is in immaculate condition! Pegged and post beam throughout. The logs used to build this home came from the property. Enjoy the panoramic valley views from the wrap-around front porch. The home includes a spacious kitchen with granite counter tops and hickory cabinets, beautiful wood burning fireplace, adobe oven, gorgeous ash hardwood floors, and lots of windows. Hardwood stairs with log railing lead to the 3 upstairs bedrooms. The upstairs flooring is Douglas Fir. Gas lights are installed throughout. Back up generator is installed. The acreage includes a well-maintained lawn, a crystal clear spring-fed s
Carl Snyder NY Land Quest, LLC


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Prior to training with 1st call, I was serving in the Royal Engineers. The reason I got the opportunity to train as a locksmith was for operational requirements inDarren Ford EFL Fire and Rescue
Welcome to the Genuine Lishi Training Academy
The Genuine Lishi Training Academy is one of UK's leading auto locksmith courses providers! If you have chosen locksmithing as your career option or you want to know "how to become a locksmith" or "where can I get locksmith training" then you have come to the right place. At our training school, we provide extensive auto locksmith courses for Genuine Lishi, KeyDIY, Keyline to Eeprom and SuperVAG with professional hands-on training helping you learn the most about locksmithing.
What makes our courses so good?
You will be presented with a certificate at the end of the course to show what training you have attended.
You will be presented with a FREE Genuine Lishi user guide at the end of the course.
The FREE technical support line is available during working hours, and we will give help and advice on any jobs and issues you may come across!
We will help you with your marketing side using our in house marketing team. This will include designing specialised leaflets and business cards, and give you all the artwork to take away and use.
We will give you a FREE guide on how to promote yourself online with websites, social media and paid for advertising.
A FREE lunch as well as a range of drinks will be available for you throughout the day.
You will have the chance to purchase heavily discounted tools and machines that you will be trained on at the training course.
You will be sent a special promo code that you will be able to use on www.tradelocks.co.uk to get special discounts and offers on your everyday locksmith tools and accessories!


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8:47pm PT by Aaron Couch
'Kong: Skull Island' Trailer Unleashes the Beast
This is not a relaxing island getaway.
Kong is in full force in the new trailer for Kong: Skull Island. The film is set in the 1970s and follows an expedition of scientists and soldiers who are sent on an expedition to an newly discovered island in the South Pacific.
The film is from director Jordan Vogt-Roberts and stars Tom Hiddleston, Brie Larson, John Goodman, Samuel L. Jackson and John C. Reilly — and judging by the new trailer, has a more fun tone than some expected. The new footage follows a first trailer from San Diego Comic-Con, which didn't hint at some of the comedic elements this new look promises. Reilly's character cracks jokes and explains that Kong is the type of king to keeps to himself, unless you start trouble.
Hiddleston appeared on Wednesday's Jimmy Kimmel Live! (in a gorilla suit) to present the trailer.
What's striking about the trailer is how much of Kong it shows off. Most monster movie trailers (and often, the movies themselves) really hold back on how much of the monster they reveal until late in the game — but Skull Island hasn't been afraid to deliver the goods in its marketing.
The film also debuted a pair of new posters, courtesy of Hiddleston and Larson:
Allow me to introduce you.... #kongskullisland pic.twitter.com/kLGFBdPKFQ— Tom Hiddleston (@twhiddleston) November 16, 2016
Hello world. Kong is back. #kongskullisland pic.twitter.com/nVOC4m2h0R— Brie Larson (@brielarson) November 16, 2016
Legendary and Warner Bros. are releasing Kong: Skull Island March 10, 2017.
Aaron email@example.com AaronCouch


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Your search for Safari
Alphabet JungleCategory: Board Games
While on safari deep in the steamy heart of the Alphabet Jungle, you get captured by a word-hungry tribe. Your only hope of sur...
Giraffes Jigsaw PuzzleCategory: Jigsaw Games
Tags: africa, giraffe, kenya, safari, samburu, travel, puzzle, jigsaw
Great jigsaw puzzle. Can you solve it?
Find That AnimalCategory: Adventure Games
Tags: match, safari game, kids game, fresh, word game, word, match 3, match 3 game, mini game, animal, action, puzzle, board game, board, girls game, boys, girls, girl game, swap, animal game
Swap adjacent tiles with your mouse to make matches of three or more . To complete the level, matches of tree or more tiles t...
African SafariCategory: Action Games
Tags: Safari, Shooting Game, Multiplayer Game, Action Game
African Safari – Lions, leopards and wild animals of every kind! Jump into the adventure and capture your prize. Succeed in m...
Resort OnlineCategory: Adventure Games
Tags: Ashtons, family, resort, online, time management, simulation
Resort is a new exciting game from Realore Studios! Build your own tourist business! Camping on a lake shore, skiing in Alps, h...
Forest SafariCategory: Other Games
Tags: Animals, animal, photo, foto, fotografia, safari, forest, foresta, green, forest safari, picture, animali, pictures, point, click, time.
A little forest where we can see some animals, but they are very shy: take a photo before they go back in the forest!
Safari Park ApeldoornCategory: Action Games
Tags: Safari Park Apeldoorn
Help the king of the jungle take a ride through his kingdom standing on top of a car!


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Grant McConnaughey
Grant McConnaughey is the Product Architect for BriteLines. Grant has more than 4 years of professional work experience in software development, half of which has been in the insurance field. He earned his B.S. in Computer Information Systems from Missouri Southern State University.
So far at BriteCore, Grant has worked to improve client experience through updating printing processes, Zendesk, BriteCore's support site, and the client notifications dashboard.
He enjoys planning vacations, watching movies, and playing music with his wife, Erica.


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Artist Biography by Eugene Chadbourne
British rockabilly renaissance man Dave Phillips emerged in the '80s as a member of the fine Bluecats band, eventually becoming a bandleader in his own right with Dave Phillips & the Hot Rod Gang. In a genre founded on the predictable, Phillips often presents a surprising attitude. He entitled one of his albumsUnderstatements, a concept basically foreign to rockabilly, including a Lennon-McCartney cover to further throw listeners off.
Basically, however, Phillips belongs to the same '80s era of rockabilly revival that resulted in bands such as Buzz & the Flyers, another group whose music Phillips has interpreted in his own way. When not on the bandstand he spends much time drawing pictures of and for other people who are: Phillips has concocted a series of album covers for rockabilly and alt-country performers such as Lisa Marr, Alvis Wayne, and Dragstrip 77.
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The scores and books of classic musicals are full of the warnings: "Life upon the wicked stage ain't never what a girl supposes…" sings a winsome young gal in Act Two of "Show Boat," (widely considered the first American 'book' musical). An aging chorine in Sondheim's brilliant masterpiece "Follies" remembers "walkin' off my tired feet, poundin' 42nd street, to be in a show….," Margot Channing, the heroine of "Applause" (the musical version of the classic show biz story 'All About Eve") welcomes Eve to the theater with the warm lines 'welcome to a life of laryngitis, welcome to dark toilets in the hall!" The daughters of that stage mother of all stage mothers in "Gypsy" lament how normal life could be if only "Momma was Married" rather than bellowing "Sing out Louise! Smile baby!" from the back of countless vaudeville theaters. And truthfully, what sane responsible parent would want this for their child? A life of constant competition, a merry go round of dance, voice and acting classes, perennially cold rehearsal spaces, scratchy costumes, far-too-late-for-your-age bedtimes, throat lozenges, and homework done while spread out on the dusty musty floors of theaters and studio spaces?
The answer of course is no sane parent. What responsible mother would say to their child "why yes it's a fine idea to spend all of your formative years learning skills that if you're supremely lucky and are in the right place at the right time and know the right people and look exactly the right way possibly maybe could one day net you some unreliable and low-paying work!" This isn't exactly what the stuff of sensible parenting is made of. And yet, when theater is as much a part of your world as your morning coffee, when words like "blocking,' "off-book," and "downstage" are as much a part of your vernacular as 'bread and milk," when "call" is not something you get on the phone and "house" is not the place you live, how could you deny your child the chance to also learn about, live, move and be in that world?
The love for theater runs deep in my family. My father grew up in New Haven in the 1920s and 30s when all the major Broadway shows had their out-of-town tryouts. He and his best friend Keith Brown were classic stage-door Johnnies, even one time sneaking into Katherine Hepburn's dressing room only to be thrown out when she found out they were not in fact Yale men. From this world my father carried his love of musical theater into the rest of his life as a husband and father taking my mother to New York for their honeymoon to see the original production of "Guys and Dolls," and, years later, singing his youngest daughter to sleep with medleys from "Carousel," "South Pacific," and "Anything Goes." (Although I do need to point out that my father knew about 5 lines of every show tune ever written he never seemed to know any song in its entirety. Only in my adulthood did I discover that not all of these songs shared "la de dum dum" as a lyric). This early exposure to Rogers and Hammerstein, Hart, and Porter, instilled in me a love for and fascination with the world of musical comedy and an often unsettling feeling that I should be 'doing that.' My parents indulged my interest, taking me to five shows a summer at Maine State Theater ( formerly the Brunswick Summer Music Theater) where I insisted we sit in the front row so I could be as close to the stage as possible.
When I was in the fourth grade a troupe from the Children's Theater of Maine came to visit my elementary school. At the end of their riotous performance they invited any of the students to come sign up for their summer theater camp. At ten I was pudgy to put it politely, awkward and quite shy but I remember marching up to one of the actors and announcing I was going to go to their camp, then praying I could convince my mother to let me. Well of course she let me, if anything my parents were probably overjoyed I was finally venturing out a bit from the safety of the cocoon of my family life. I will never forget that summer, the long hot days spent in a dilapidated warehouse doing odd acting exercises and playing a court jester in a show about the princess who wanted the moon. To this day I still remember the lesson one actor taught me about how to make it look convincing on stage when you're drinking out of a cup with nothing in it. To say that summer changed my life might be a bit of an exaggeration but it was the first time I felt truly at home, truly with people who understood what I knew – that there was no better place to be, no better way to spend your time. And my parents gave me what was quite possibly the greatest gift ever. They never tried to talk me out of it, to tell me it was a foolish pursuit, or I should spend my time studying something more practical. They never missed a performance – even the edgy experimental student written shows in college that they didn't understand. And at every show my mother would cry tears of pride and my father would announce 'that's my daughter" to everyone around him. After college my inherent cowardice and fear of being able to navigate a big city kept me from ever making a full-time career out of acting, but I have been able to carve out a satisfying life working in arts management by day and occasionally treading the boards at night.
Flash forward thirty -our years from that summer with Children's Theater and now I'm the one driving my ten year old to theater camps, rehearsals, dance classes, and performances. When Liza was a baby I used to say I didn't care if she ever set foot on stage I just wanted her to grow up loving the experience of going to the theater, nothing else was important. Then, one fateful night as I was bathing three year old Liza she sat up in the tub, looked at me, frowned and said "momma, this is how I look angry…!"' Then she laughed and said "this is how I look happy," after making a wide-eyed faced she announced "and THIS is how I look surprised!" I knew in that moment it was hopeless. It was in her blood. At first I humored her, not really ready to believe that maybe there was something there in her. But after nearly eight years of dance classes, acting classes, summer theater camps, she continually surprises me with her tenacity, her drive, and yes her talent. Believe me I'm no Mama Rose, (much as I would give anything to play her). I never seem to have the right makeup or hair accessories for a given recital or performance, I never embellish her costumes so she'll stand out on stage. I run errands or do crossword puzzles during her rehearsals rather than watching her and the chubby shy girl I was as a child keeps me from fully entering into conversations with the moms around me. I don't enroll her in the glitzy programs at better equipped theaters where local Baby Junes smile from the stage in sparkly outfits at their clapping moms, but rather in a comfortable challenging program in a run down old church basement where her teachers embrace the funny, smart, quirky girl she is while pushing her to try a little harder, reach a little higher, and soar on her own wings. Where she comes home spouting about Chekhov, Sondheim and "the fourth wall" and "realism." Where she has found friends that are closer to her than her school friends. Where she is home.
I often hear from other moms, "I can't believe how much performing she does! It's unreal." I wonder sometimes if my co-worker with the two children on multiple travel hockey teams and soccer teams hears the same thing. If that children in sports are granted a pass that children in the arts may not be. I hear that surely Liza must need more "down time," and yet when she has that precious down time she spends it singing, dancing and putting on shows in our living room. Our conversations in the car and at bedtime are about the plots of musicals, backstage goings-on, and what colleges offer good theater majors. She pores over my Broadway books, my sheet music collection and obsesses about what part she could play in Chorus Line or Wicked someday.
I'll admit I do worry for her, worry that my sensitive, funny girl will be lost in the shuffle of a business that all too often is based on looks. (And let's face it, we don't exactly grow 'em tiny and blonde in this family). But mostly I worry the opposite of what the women on the ivillage messageboards think I should worry about. ( On ivillage, to publicly admit you have no qualms about your child pursuing a degree and career in the arts is right up there with admitting you didn't breastfeed and that your child watches Family Guy – both also true in my case). I worry that she'll repeat my pattern and be too timid to really give it a shot. Yet as Kelly points out to me time and time again, Liza is not me and her successes are not mine and her mistakes and triumphs will be different than mine were. So for now, I drive her where she needs to be, I never miss a performance, I hug her when she cries because a show is over, and I cry tears of pride when she sings, and tell everyone in earshot she's my daughter. And somewhere, my dad is smiling as the tradition continues.
Sing out Liza. We're all listening.


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Garden Way Church Inc is located at the address 231 N Garden Way in Eugene, Oregon 97401. They can be contacted via phone at (541) 683-8213 for pricing, hours and directions.
Garden Way Church Inc has an annual sales volume of 501K - 999,999. .For more information contact Robert Carney, Pastor or go to www.gardenway.net
Garden Way Church Inc provides Family Counseling, Concerts, Summer...
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Best ever church!!! When my husband and I lived in Eugene we found this Church and the people were so awesome. I have never found a church even close to this one and that was 20 years ago.
3 star
Since 1979, Garden Way Church Inc has been providing Religious Organizations from Eugene.
Garden Way Church can be found at N Garden Way 231. The following is offered: Religious Organizations. The entry is present with us since Sep 7, 2010 and was last updated on Nov 12, 2013. In Eugene there are 88 other Religious Organizations. An overview can be found here.


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Bugs Bunny, a cartoon rabbit, perhaps the most celebrated and enduring lagomorph in worldwide popular culture.
Bugs Bunny was conceived at Leon Schlesinger's animation unit at Warner Brothers studios. Nicknamed "Termite Terrace" because of its spartan accommodations on the Warner lot, the unit boasted some of the top names in animation, including Tex Avery, Chuck Jones, Bob Clampett, and Friz Freleng, as well as renowned voice artist Mel Blanc and musician Carl Stalling. Bugs Bunny was the product of combined inspiration. Animator Ben ("Bugs") Hardaway inadvertently christened him when his casual sketch of a proposed rabbit character was labeled "Bugs's Bunny" by a fellow employee. Robert McKimson drew the model sheet for the character, Freleng developed Bugs's personality, Avery and Jones made further refinements, and Blanc infused him with his familiar wisecracking Brooklynese delivery. Embryonic versions of the character appeared in Warner cartoons as early as 1938, but not until A Wild Hare (1940) did Bugs appear in his familiar incarnation.
Only Walt Disney's Mickey Mouse rivals Bugs Bunny as the most popular cartoon character of all time. Unlike Mickey's indistinct everyman persona, however, Bugs is shrewd, irreverent, quick-witted, and outspoken, and he has a strong predisposition for carrots, practical jokes, and catchphrases such as "What's up, Doc?" "Of course, you know, this means war!" and "What a maroon!" He occasionally appears with other animated protagonists such as Daffy Duck and Porky Pig, and his most frequent nemeses are Elmer Fudd and Yosemite Sam. Classic Bugs cartoons include Hare Tonic (1945), The Big Snooze (1946), Hair-Raising Hare (1946), Buccaneer Bunny (1948), Mississippi Hare (1949), Mutiny on the Bunny (1950), What's Up, Doc? (1950), The Rabbit of Seville (1950), What's Opera, Doc? (1957), and the Oscar-winning Knighty-Knight Bugs (1958). When Warner Brothers discontinued its production of cartoon shorts for theatres in 1963, Bugs Bunny continued to appear in television commercials and feature-length compilations of classic shorts such as The Looney Looney Looney Bugs Bunny Movie (1981) and 1,001 Rabbit Tales (1982). He reappeared in the feature films Who Framed Roger Rabbit? (1988) and Space Jam (1996). His likeness is marketed extensively on commercial products.


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Bob Bennett Interview
Can someone who has spent most of his career writing and performing folk music produce a renaissance in worship music that is both contemporary and provides roots to the historical church while creating a new liturgy? We may be about to find out as Bob Bennett, a renowned guitar virtuoso and songwriter from California, revealed in a recent interview. Bennett has authored both serious and lighter-hearted folk songs that often poke fun at our human frailties and the "games" we sometimes play within the church.
"It's been interesting that as much as I've kind of run away from doing worship music in church, all of a sudden I find myself back in the middle of that at the moment and wondering if that may be a direction I wind up going in." Almost thinking out loud he observes, "A lot of times I hear music in church that I wish was a little less simplistic. The songs are underwritten a little bit. There should have been a little more thought going into them. So I'm fascinated by the notion that maybe I can be a part of creating some new songs or new liturgies, as it were."
Much to the relief of those among his well-established fan base who must be wondering if he has become staid as he turns the big 50, he says, "I don't see myself as jettisoning anything but maybe just broadening (my horizons)."
During the month of February, the Mariners Church in Irvine California paid homage to the "Jesus Movement" of the seventies that launched a multitude of bands and churches in California. Bob Bennett was front and center leading worship during the first service of the four-week series singing songs that as he says haven't been heard by most people in almost twenty-five years. Randy Stonehill also participated in the series.
Bennet is taking even more new directions: "I'm contemplating doing a Christmas album this year and trying to research some lesser known carols and maybe do something a little more distinctive in that regard because it is a real challenge to take the same old songs that everybody else does and do them really well. "
Bob Bennett, much like his friend Steve Bell, has always been thought of as someone who marches to the beat of a different drummer; not for the sake of being controversial but for the sake of reforming what they see as real short-falls in the music industry. Neither of them adopts a negative perspective but they instead choose to push the envelope causing us to think and rethink what many of us have always accepted without questioning.
"We have a lot of people creating things that are very sincere. There's certainly nothing wrong with their agenda. What would be wrong with somebody wanting to share the love of Christ? Yet the things they are creating are not ringing true with a large segment of people. So you have to ask yourself why?" He says to some degree, "People are modeling themselves after people who have come before. If you aren't looking at the world more broadly and taking a little more creative risk, then you are going to wind up writing those kinds of songs. If you are studying architecture and you are only studying church buildings then you are only going to be able to build those pointy buildings with any degree of accuracy and you also aren't going to know too much about it."
Bennett feels that often Christians do not push the boundaries resulting in a stagnant pool of talent. He says, "I think it would behoove Christian artists to think about more latitude rather than less." As if to emphasize his point he adds, "Sometimes our brethren get a little cranky with us because if they don't get enough of the Jesus mentions or they don't get enough of the content that they feel should be there then sometimes they feel as though we haven't done a proper job. Some of it is just because there is a wide spectrum of belief within the church itself as to what people respond to. Christians should exercise freedom whenever possible."
Bennett says, "My sense is the business side of Christian music seeks a particular type of communication and a particular type of artist. You've got to make sure the choir is happy in a business sense so that Christian bookstores will carry your records so when people listen to them they will identify them specifically as Christian items. I am much more interested in Christians who are laboring outside of the genre whose Christianity is infusing their work but they are not bound by the subcultures of contemporary Christian music. "
Bennett's desire to see the Christian music industry push the boundaries isn't born out of arrogance or because he thinks he has all the answers, but it comes from an inner desire to put forth his best effort as a servant of God and secondly from his genuine love for people. Perhaps Pastor Terry Kreutzkamp summed it up best after Bennett performed in concert at his church in Canada, "I think Bob's music has power to touch lives on a deeper level because people can easily identify with someone when they are willing (as Bob is) to open themselves up and share the struggles of living life on this side of eternity."
Recently, Bennett played a return engagement at the legendary Cup O Joy in Green Bay, Wisconsin. He first performed there in the fall of 2004 with his friends Canada's Carolyn Arends and Bruce Caroll of Memphis. The first date was an in the round setting in which the three artists appeared on stage at the same time and traded songs and stories back and forth. It was a huge success and Jan Oettinger, who books the acts for Cup O Joy, invited him back for his solo performance in February.
"Bob Bennett is one of a kind... a guy who can make you laugh or bring you to tears with his stories and wordy, thoughtful songs," says Oettinger.
Bennett has always been one who responds well to more intimate settings for his concerts and describes the Cup O Joy as one of those experiences. He likes to be able to interact with his audience. It would appear his audience also warms up to him as Oettinger observes, "The audience leaves feeling inspired and as though they've made a new friend, that's just how Bob relates to people."
By Joe Montague, exclusive rights reserved This material may not be redistributed without prior written permission from Joe Montague.


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Wisconsin Football Camp Randall Stadium Seating Chart
- Section ASection A,A,a,A,LOWER DECK A,Lower Deck Sideline A,LOWER DECK CORNER A,LOWER DECK END ZONE A
- Section BSection B,B,b,B,LOWER DECK B,Lower Deck Sideline B,LOWER DECK CORNER B,LOWER DECK END ZONE B
- Section CSection C,C,c,C,LOWER DECK C,Lower Deck Sideline C,LOWER DECK CORNER C,LOWER DECK END ZONE C ,CR:C
- Section DSection D,D,d,D,LOWER DECK D,Lower Deck Sideline D,LOWER DECK CORNER D,LOWER DECK END ZONE D
- Section ESection E,E,e,E,LOWER DECK E,Lower Deck Sideline E,LOWER DECK CORNER E,LOWER DECK END ZONE E
- Section FSection F,F,f,F,LOWER DECK F,Lower Deck Sideline F,LOWER DECK CORNER F,LOWER DECK END ZONE F
- Section GSection G,G,g,G,LOWER DECK G,Lower Deck Sideline G,LOWER DECK CORNER G,LOWER DECK END ZONE G ,CR:G
- Section HSection H,H,h,H,LOWER DECK H,Lower Deck Sideline H,LOWER DECK CORNER H,LOWER DECK END ZONE H
- Section ISection I,I,i,I,LOWER DECK I,LOWER DECK CORNER I,LOWER DECK END ZONE I
- Section JSection J,J,j,J,LOWER DECK J,LOWER DECK CORNER J,LOWER DECK END ZONE J
- Section KSection K,K,k,K,LOWER DECK K,LOWER DECK CORNER K,LOWER DECK END ZONE K
- Section LSection L,L,l,L,LOWER DECK L,LOWER DECK CORNER L,LOWER DECK END ZONE L
- Section MSection M,M,m,M,LOWER DECK M,LOWER DECK CORNER M,LOWER DECK END ZONE M
- Section NSection N,N,n,N,LOWER DECK N,LOWER DECK CORNER N,LOWER DECK END ZONE N
- Section OSection O,O,o,O,LOWER DECK O,LOWER DECK CORNER O,LOWER DECK END ZONE O
- Section PSection P,P,p,P,LOWER DECK P,LOWER DECK CORNER P,LOWER DECK END ZONE P
- Section QSection Q,Q,q,Q,LOWER DECK Q,Lower Deck Sideline Q,LOWER DECK CORNER Q,LOWER DECK END ZONE Q
- Section RSection R,R,r,R,LOWER DECK R,Lower Deck Sideline R,LOWER DECK CORNER R,LOWER DECK END ZONE R
- Section SSection S,S,s,S,LOWER DECK S,Lower Deck Sideline S,LOWER DECK CORNER S,LOWER DECK END ZONE S
- Section TSection T,T,t,T,LOWER DECK T,Lower Deck Sideline T,LOWER DECK CORNER T,LOWER DECK END ZONE T
- Section USection U,U,u,U,LOWER DECK U,Lower Deck Sideline U,LOWER DECK CORNER U,LOWER DECK END ZONE U
- Section VSection V,V,v,V,LOWER DECK V,Lower Deck Sideline V,LOWER DECK CORNER V,LOWER DECK END ZONE V
- Section WSection W,W,w,W,LOWER DECK W,Lower Deck Sideline W,LOWER DECK CORNER W,LOWER DECK END ZONE W
- Section XSection X,X,x,X,LOWER DECK X,Lower Deck Sideline X,LOWER DECK CORNER X,LOWER DECK END ZONE X
- Section Y1Section Y1,Y1,y1,Y1,LOWER DECK Y1,LOWER DECK CORNER Y1,LOWER DECK END ZONE Y1 ,Lower Deck Corner Y 1
- Section Y2Section Y2,Y2,y2,Y2,LOWER DECK Y2,LOWER DECK CORNER Y2,LOWER DECK END ZONE Y2
- Section Y3Section Y3,Y3,y3,Y3,LOWER DECK Y3,LOWER DECK CORNER Y3,LOWER DECK END ZONE Y3
- Section YZSection YZ,YZ,yz,YZ,LOWER DECK YZ,LOWER DECK CORNER YZ,LOWER DECK END ZONE YZ
- Section Z1Section Z1,Z1,z1,Z1,LOWER DECK Z1,LOWER DECK CORNER Z1,LOWER DECK END ZONE Z1 ,Lower Deck Corner Z 1
- Section Z2Section Z2,Z2,z2,Z2,LOWER DECK Z2,LOWER DECK CORNER Z2,LOWER DECK END ZONE Z2
- Section Z3Section Z3,Z3,z3,Z3,LOWER DECK Z3,LOWER DECK CORNER Z3,LOWER DECK END ZONE Z3
- Section AASection AA,AA,aa,AA,UPPER DECK AA,Upper Deck Sideline AA
- Section BBSection BB,BB,bb,BB,UPPER DECK BB,Upper Deck Sideline BB
- Section CCSection CC,CC,cc,CC,UPPER DECK CC,Upper Deck Sideline CC
- Section DDSection DD,DD,dd,DD,UPPER DECK DD,Upper Deck Sideline DD
- Section EESection EE,EE,ee,EE,UPPER DECK EE,Upper Deck Sideline EE
- Section FFSection FF,FF,ff,FF,UPPER DECK FF,Upper Deck Sideline FF
- Section GGSection GG,GG,gg,GG,UPPER DECK GG,Upper Deck Sideline GG ,CR:GG
- Section HHSection HH,HH,hh,HH,UPPER DECK HH,Upper Deck Sideline HH
- Section IISection II,II,ii,II,UPPER DECK II,Upper Deck Sideline II
- Section JJSection JJ,JJ,jj,JJ,UPPER DECK JJ,Upper Deck Sideline JJ
- Section KKSection KK,KK,kk,KK,UPPER DECK KK,Upper Deck Sideline KK
- Section LLSection LL,LL,ll,LL,UPPER DECK LL,Upper Deck Sideline LL
Featured Seating Options
Club and Premium Seating
Camp Randall Stadium has 2 different club options to chose from during most football games, which includes Buckingham Club and Varsity Club. Each prem...
Recommended Seats
Lower Deck Sideline -
The best seats at Camp Randall Stadium are found along the sidelines in the lower level. The best views are found in Rows 30-50 where you get enough e...
Giving you the best straight away views of the field at Camp Randall Stadium from every level of seating.
Sections D, E, EE and F are where you will find some of the most ideal viewing angles to the very center of midfield, allowing you to sit comfortably without needing a big head turn to follow the action.
To search tickets in these seats, select an event and apply the filter labeled Midfield.
Covered Seating
Great options for staying out of the weather, but only 2% of all the rows at Camp Randall Stadium have covered seating available. Find out where to s...
Popular Choices
Visitor Fan Seating
In high demand from fans cheering on the away team at Camp Randall Stadium, designated visitor seating can be found in .
Fan Favorites
Behind the Sideline
The Wisconsin sideline is located just in front of Sections D, E and F at Camp Randall Stadium.
Wisconsin fans tend to crowd the sections directly behind the sideline, which creates a great atmosphere for home-town fans. The closer to the 50 yardline you are, the closer you'll be to a majority of the players.
To search tickets in these seats, select an event and apply the filter labeled Behind the Bench.
Student Seating
Located in Sections J, K, L, M and more
Event Schedule
- 6Sep
2019 Wisconsin Badgers Football Season Tickets
Camp Randall Stadium - Madison, WI
Friday, September 6 at 12:55 PM
- 7Sep
Central Michigan Chippewas at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, September 7 at Time TBA
- 21Sep
Michigan Wolverines at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, September 21 at Time TBA
- 28Sep
Northwestern Wildcats at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, September 28 at Time TBA
- 5Oct
Kent State Golden Flashes at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, October 5 at Time TBA
- 12Oct
Michigan State Spartans at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, October 12 at Time TBA
- 9Nov
Iowa Hawkeyes at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, November 9 at Time TBA
- 23Nov
Purdue Boilermakers at Wisconsin Badgers
Camp Randall Stadium - Madison, WI
Saturday, November 23 at Time TBA


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EDKRA RV Hookup - 2-Year Rental - 2017-2018
Registration closed April 18, 2017 11:59 PM on April 18, 2017 11:59 PM MDT Registration ends April 18, 2017 11:59 PM on April 18, 2017 11:59 PM MDT Registration opens March 15, 2017 12:00 AM on March 15, 2017 12:00 AM MDT Registration runs from March 15, 2017 12:00 AM to April 18, 2017 11:59 PM
EDKRA RV Hookup - 2 Year Rentals
As part of a program started in 2015, the EDKRA began offering 2-year rentals for the fully serviced (water, power, septic) RV spots at the track.
For the 2017 racing season, due to popular demand, the EDKRA is expanding upon the existing 20 spots and will be adding several more throughout the season, in order to meet the needs of the club regulars, as well as to provide additional temporary spots for guests.
As in the past, rental includes winter storage - at no extra charge - for your RV only (extra equipment stored during the winter will be subject to a monthly fee).
For 2017, renewals of expiring 2015 rentals will take priority over new rentals... to secure a renewal, you must be paid by April 30, 2017.
Any additional requests will be placed on a waiting list. We will contact you, based on the order that you submitted your waiting list request to finalize arrangements.
$2,000 for 2 years - May 1, 2017 to April 30, 2018.


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China Glaze
Coconut Kiss#567- 70626
Rs. 200.00 Rs. 500.00
Product Code: 70626
The Unique Lacquers Contain China Clay As A Nail Hardener, The Same Material That Gives Porcelain Its Shiny Finish. These Glossy Lacquers Work In Perfect Cohesion With Our Professional Nail Treatments For Lasting Strength, Durability And Overall Gorgeous Nails.