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GraphicRiver Online Education Icon Set 7785562
Stock Vector \ Conceptual \ Business \ Industries
Learning \ Education \ Concept \ Vector \ Sketch \ Scientific \ UniversityOnline
Stock Vector - Online Education Icon Set 7785562 by macrovector @ GraphicRiver
Stock Vector \ Conceptual \ Business \ Industries
Online education e-learning sketch icons set concept vector illustration. Editable EPS and Render in JPG format
Layered: No; Graphics Files Included: JPG Image, Vector EPS; Minimum Adobe CS Version: CS.
Fitness Infographics Set; Sports Infographics Set; Medical Infographic Set; Flat infographic set; Garbage infographics set; Business Meeting Banners; Hotel Banner Set.
Keywords: art, background, book, brain, computer, course, design, diploma, e-learning, education, experience, gadget, globe, graduation, human, icon, knowledge, learning, life, object, online, research, resources, school, science, scientific, set, still, teach, university.

subset: commoncrawl


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Dragon-Marked War God - novelonlinefull.com
You're read light novel Dragon-Marked War God Chapter 813 online at NovelOnlineFull.com. Please use the follow button to get notification about the latest chapter next time when you visit NovelOnlineFull.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It's great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We'll do our best to bring you the finest, latest novel everyday. Enjoy
As soon as the old man's voice faded, Jiang Chen's slapped, akin to a flash. There was no time for the old man to respond. *Deng* *Deng* *Deng* Jiang Chen's slap made him stagger a few steps backwards. Half of his face was swollen red. Two of his front teeth were spat out. He looked at Jiang Chen, terrified. The fear that he felt was greater than what Dark Liuyun did. He could not understand how Jiang Chen was this strong. This wasn't expected. If the fact that Jiang Chen caught Dark Liuyun off guard, sending him flying away with a slap was mere luck, it shouldn't happen again. The only explanation for that was that Jiang Chen was insanely strong. Dark Liuyun and the old man was in shock. They had never seen such an 'abnormal', they too have many geniuses in the Dark Generation, but none was this strong. "Punk, you have really infuriated me!" The old man raged. His body produced a cracking sound. A dark image suddenly appeared behind him, visualising a ferocious monster. The dark energy that he emanated could give anyone the feeling that they had met the devil of the h.e.l.l. "Dark Generation is a cruel monster, as I have expected. Your kind doesn't need to exist anymore." Jiang Chen said coldly. *Hong Long* An ear-splitting sound was heard from the power that the old man unleashed. A huge black hand materialized and lunged towards Jiang Chen. *Hong* Jiang Chen also sent out his attack - True Dragon Palm. His dragon claw was encompa.s.sed with the purest Yang flames. While his flaming palms were lunging at his opponent, the old man's dark energy suddenly shuddered, as though it had met its nemesis, causing the his Qi to shrank by half. Jiang Chen felt pleased upon seeing this. It seemed like his flames weren't the same as the edifying light. The edifying light originated from the Buddha Sect, its natural attribute was based on the Buddha. In this Void Fragmentation Domain, there were only two types of elements, the dark and light element. They coexisted in this world, and they were in harmony. In addition to the limit of the source of the world, it made the edifying light here useless. For Jiang Chen's flames on the other hand, it is without a doubt the greatest bane of the Dark Generation. In this scenario, the old man wouldn't be able to use all of his strength given the fact that he was suppressed, let alone defeat Jiang Chen. *Bang* The True Dragon Palm seal collided with the old man's black palm. The old man's palm was instantly pulverised, he was pushed away from the scene. His arm was torn off from his shoulder. He let out a shriek of pain when the flames touched his skin. It was like a bone ulcer that couldn't be simply gotten rid off by a few simple swings. Jiang Chen moved forward. He stretched his dragon claw, grabbed the old man's neck and lifted him up. The old man struggled like a chick that had fallen into Jiang Chen's fetter. Dark Liuyun who was trying to get to his feet had his face turned ugly. He couldn't believe what he had just seen. He knew too well how powerful the old man was for he had already been with him for a long time. Other than his father and another Seventh Grade Minor Saint elder, this old man was certainly ranked third in Dark Mulberry City. Despite his powerful strength, his attack couldn't do any harm to Jiang Chen and was controlled by his enemy instead. "Stop! Jiang Chen, don't forget where you are. This is our prefecture. My father would certainly sense the combat waves and movements here. You will be finished!" Dark Liuyun sounded grim. "*Jie* *Jie* (chuckling) I have already placed an inescapable net in this compound. No one outside would be able to sense anything here even if I used a world-shaking attack. The moment you step into the door of this courtyard, you have already become a tortoise in a jar. No, I should not use the word "tortoise" to describe you because that would be an insult to the tortoise. I should describe you as a dog that is going to be beaten up so badly behind closed door. But it doesn't seem right either. Big Yellow would certainly bite me to death if I use the word dog to describe you. Ai… what a pity. I can't find a suitable living thing to describe a p.r.i.c.k like you." Tyrant shook his head and sighed while spitting out an unceasing flow of words, but he still couldn't find the right word to describe his character. Anyway, he felt contented knowing that this p.r.i.c.k would be punished in no time. "What did you just say?" Dark Liuyun exclaimed. Tyrant's sarcastic words didn't enter his ears. He only heard "inescapable net" these two words. In fact, he was helpless in the formation field. Even him and the old man didn't notice that there was a formation being set outside of this compound. Dark Liuyun had a good reason to believe Tyrant's words despite his doubts. The impact that Jiang Chen and the old man created just now was enough to shake not only their prefecture but the entire Dark Mulberry City. It would certainly alert the powerful experts to come over, but the present situation was as calm as usual. The powerful experts were nowhere to be seen. "Release me! You lowly human! You dared to kill our people in our prefecture. You would all die for sure!" The old man didn't forget to threaten Jiang Chen while he was struggling . He hadn't realised that he had just made a terrible mistake. "Continue on your struggle. You will die slowly from this suffering." Jiang Chen's voice was cold. His gaze was just like the gaze of a devil king from the h.e.l.l. He placed the old man in his power sphere and released his True Thunderfire and True Dragon Fire. Both of these flames attacked like a blades, drilling into the old man's body. In an instant, the old man turned into a sea of fire. "Argh… Argh… Argh…" The people of Dark Generation was supposed to be immune to fire because they had an overpowering dark energy, but the old man finally knew that it was not entirely true. There were still flames that could burn them to a crisp. The old man was struggling intensely in the fire, he would let out wails of pain that could make people's hair stand on its end from time to time. His voice was non-stop. He was suffering an endless torture in the sea of fire and was moving closer and closer to death. This was an entirely different experience from being killed straightaway. He was destined to suffer an endless pain until Jiang Chen give him a quick death. Note: Certain name of skills will not be capitalized but italicized. Some terms are subject to change when better suggestions are selected.


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|'You're not the Bossk of me!'
I'm sure the Star Wars novels have delved deep into Bossk's backstory by now, and I'm doubly sure whatever they came up with isn't as bad as Baby Fett, but I am currently completely ignorant of all that and unless someone can recommend a great book on the subject I shall blissfully remain so.
|'My first name is Hugo. Hugo Bossk. GET IT?!?!?!'
LEGO Bossk is the only version of Bossk I currently own. I didn't hold on to my original Kenner action figures past oh, the fifth grade or so, and although I did at one time have a more modern version of Bossk (POTF or whatever it was branded as in the early 2000s) I purged most of those from my collection a few years ago. Regretfully, as I now have a 14 year old daughter who is mad for Star Wars! THIS IS WHY I DON'T GET RID OF STUFF!
Anyways, I keep expecting to find a Kenner Bossk somewhere someday for cheap, and really haven't actively pursued getting him via the standard means of eBay or asking around for a trade (is that a Bossk in your pocket or are you just happy to see me?). But if a LEGO Bossk has to be the only Bossk I have, there are worse positions to be in as a toy collector!
Now I need to build Bossk a LEGO spaceship. He's got some bounty hunting to do!
|'I need you to find my brother Dumbo.'


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Microsoft has just announced its plans to showcase the next-generation API platform for gaming, the DirectX 12, at the upcoming Game Developers Conference, which is scheduled from 17 to 21 March in San Francisco, California.
The news of upcoming DirectX 12 details were first spotted online via a new Twitter account launched by Microsoft, besides a teaser page carrying information about the GDC schedule and the two key sessions involving the future of DirectX/Direct3D graphics platform for gaming.
The first session - "DirectX: Evolving Microsoft's Graphics Platform" - will be hosted (20 March 10 am local time) by Anuj Gosalia, the development manager of Windows Graphics at Microsoft. This will be followed with the second session - "DirectX: Direct3D Futures" - by Max McMullen (Development Lead, Windows Graphics) later on the same day.
Another key point of interest is that four leading graphics chipset makers including AMD, Nvidia, Intel and Qualcomm have announced their support for the next-gen DirectX 12 technology.
It is not much of a surprise that the aforementioned graphics chipset makers are holding their forte to support the future of gaming technology with reduced CPU overhead and enhanced graphics performance.
The catch here is that AMD is reportedly developing the Mantle API with its focus at better scaling and reduced CPU overhead. As far as functionality is concerned both the DirectX 12 and Mantle API are expected to serve the same purpose.
Valve's recent release of SteamOS poses a serious threat against AMD and Microsoft, while the two tech giants fight for supremacy in the gaming market.
Consequently, Microsoft is on a comeback trail to silence its critics as the aging DirectX 11 has been sidelined with stiff competition from AMD's Mantle API and Valve's SteamOS.
Here is Microsoft's defiant message conveying the rebirth of DirectX platform through its plans to unleash the next-gen DirectX 12 at GDC 2014:
"You asked us to bring you even closer to the metal . . . so that you can squeeze every last drop of performance out of your PC, tablet, phone and console. . . Come learn our plans to deliver."
Release details for DirectX 12 are still undercover while some sources suggest that it will coincide with a new Windows release, probably Windows 9. Nevertheless, we could expect the new platform to be close to the metal API, as revealed by Microsoft in the above press statement.


text: My next patient was wanting a recommendation to one of my colleagues regarding some old scar tissue. The nurse had booked the appointment so I was guessing that she didn't want to go through the correct more expensive procedures, and I was right she wanted the treatment but at the right price. I said there would be no money involved for me as I then slowly held her hand and put it up against my cock. She soon got the idea and was on her knees sucking my big cock. She had a slim build body and I could not wait to taste her pussy, and slide my cock deep inside her. I could tell she wanted to fuck me also so she got on top and I was in heaven as she slowly fucked me and just watching her going up and down on my cock soon gave me much needed pleasure.July 3, 2014


text: For the fans of the King of Fighters series, you will be delighted to hear that the latest installment in the series has been released on the Xbox 360 and the PS3. The game brings with itself flexible fighting style and smoother animations along with character color customization. So, those guys who still love the series and want to play it, what are you waiting for? :)


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International Ballet Gala
Arts Centre Melbourne, State Theatre 15th July 2017
Luca Acri - Soloist, The Royal Ballet; Matthew Ball - First Soloist, The Royal Ballet; Oksana Bondareva - Second Soloist, Mariinsky Theatre; Benjamin Ella - Soloist, The Royal Ballet; Anton Korsakov - First Soloist, Mariinsky Theatre; Tomas Mock - First Artist, The Royal Ballet; Vadim Muntagirov - Principal Artist, The Royal Ballet; Luciana Paris - Soloist, American Ballet Theatre; Denise Parungao - Junior Principal Artist, Ballet Philippines; Joseph Phillips - Principal Artist, State Primorsky Opera and Ballet Theater; Calvin Richardson - First Artist, The Royal Ballet; Akane Takada - Principal Artist, The Royal Ballet; Joy Womack - Principal Artist, Kremlin Ballet and dancers of The Australian Conservatoire of Ballet.
"We were treated to some of the best couple duets, divertissements, solos, and company corps de ballet works in the canon of classical ballet, to rapturous applause!"
"…a night to remember!"… The Plus One – July 2017
The Nutcracker
The Nutcracker
"..great evening of theatre, dance and music!" - Herald-Sun
This well-loved traditional Christmas ballet were performed in a unique setting with 65 dancers of the Australian Conservatoire of Ballet and 65 musicians of the ACB Orchestra featuring international guest artists.
Arts Centre Melbourne, Hamer Hall, 20th and 21st December 2016
Choreographed by Maina Gielgud for the Australian Conservatoire of Ballet, Arts Centre Melbourne, December 2015
There was quite a lot of new choreography and loads of rearranging but basically Gielgud's production was a staging rather than a new work. But what a beauty. It was hard to believe this was a student production, so high were its standards. The young dancers were not just technically assured, they gave terrifically engaged and engaging performances, working seamlessly with the delightful guest artists from Tokyo Ballet, Maria Kawatani and Arata Miyagawa. Christine Walsh designed the many costumes, all of them splendid.
Reviewed by Deborah Jones
About our productions
The Australian Conservatoire of Ballet has a well established reputation and is invited regularly to perform its large repertoire of dance works and ballets.
ACB dance students have participated in the Port Fairy and Castlemaine Arts Festival, the Sans Souci Arts Festival in Germany, taken part in the inaugural performances of the Queensland Youth Ballet, participated in the "Pacific Brands" corporate events and have assisted in restaging ballet for Royal Ballet of Flanders.
One act ballets performed by the school are Christine Walsh's Paquita, A Midsummer Night's Dream, La Leçon, La Vivandiere, Kingdom of the Shades from La Bayadere, Le Corsaire Act 2, Octet for 9, Marc Bogaert's Ritualism and Framing and William Forsythe's Frankfurt Dances.
In December 2002 & 2004, ACB staged a new spectacular production of the full-length Swan Lake with 100 musicians of the Melbourne Youth Orchestra at the Melbourne Town Hall and the Hamer Hall of the Arts Centre. This was followed in 2005 by an even more ambitious collaboration with the Melbourne Youth Orchestra in a production of Romeo & Juliet at the Melbourne Town Hall.
Since 2006, the ACB has performed its full-length productions at the State Theatre and Hamer Hall of the Arts Centre Melbourne featuring international guest artists and with its own orchestra on an annual basis to capacity audiences.
ACB now regularly performs fully staged productions of Christine Walsh's Swan Lake, The Sleeping Beauty, The Nutcracker, Romeo and Juliet, A Midsummer Night's Dream, Hansel & Gretel and Maina Gielgud's Coppelia and Harry Haythorne's La Sylphide.


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Sometimes life just gets busy, and blogs go by the wayside. I realize almost nobody reads here anymore, on account of my sorriness at updating, but I ALSO realized I left a story unfinished. I wanna tie up loose ends, pun TOTALLY intended. (more…)
Archive for the 'The Children' Category
PooMa, the Epilogue
Posted in Hair-pulling practice, The Children, The Everyday on January 30, 2011| 2 Comments »
PooMa, the Intestinally Challenged Kitty
Posted in The Children, The Everyday on September 6, 2010| 2 Comments »
Sometime in late June a cat showed up in my kitchen, a bag of bones full to bursting with kittens. She ate and disappeared for a couple of weeks, when she showed up again sans baby belly, but still skeletal. She stood at my feet and screamed like she was being skinned, until I managed to hit the right inflection trying to calm her. I meowed, she looked at me, stopped screaming, and tucked her head to be petted. That was the beginning of a saga that is still unfolding, and may well end with my first healthy euthanasia.
The $125 Oil Change
Posted in God's Such A Nut, Hair-pulling practice, I'll never learn., The Children, The Everyday, tagged accident, dog, neighbor, oil, oil change, Samson, truck, vet on March 17, 2010| 1 Comment »
I know it is normal practice for women to let men change the oil in their vehicles, I do, even if it means paying strangers money to do it. I HATE those guys, tho, cuz they always try to sell me stuff I don't need, and I feel guilty for saying no. A while back I bought the filter and the oil to do it myself, and frankly, never did. The filter sat on my dining room table, mocking me, reminding me that I am more or less a lazy sot. It was a very LOUD filter, that one. On Monday, I decided to shut it up. (more…)
The Cat Lady Branches Out
Posted in The Children, The Everyday on January 27, 2010| 3 Comments »
Saturday evening I looked out my back door. I don't know why. I so seldom do stupid things like that, but this time something looked back. (more…)
They Say It's Good For The Soul
Posted in Just Thinking, The Children, The Everyday on November 10, 2009| 2 Comments »
I have a confession to make. I? Made a mistake.
Yes, I know. I can hardly believe it myself. It's a fact, tho. I have a habit of running the oppostie direction of public opinion: I can't count the number of good movies that tanked because the General Public hated them, or the wasted hours watching some stupid event or going to lousy restaurants because "everybody loves it!" That's the only explanation I have for the proliferation of Olive Gardens around the state. I love their breadsticks and salad, but when they stopped serving their humongo cheesecake and went to teeny little slices, they lost me. (more…)
Furbabies Bringin' Down da House
Posted in It's About the Heart, The Children, The Everyday, tagged boggart, kittens, taming on July 9, 2009| 2 Comments »
I forgot how destructive babies can be. It has been a year since I had kittens this age, and I thought I missed it. Turns out, the best part of the babies is when they're sleeping. On top is Boggart, under him is Elsa, to the right is Romeo, and the black sweetie is Spock.
Don't get me wrong! They are adorable and I'm dyin' uv teh kyoot an' all, but dannnng, those little claws are sharp. Their brakes are useless most of the time, unless they happen to be stopping on bare skin. Then they work just fine. My circulation seems to be pretty good, too, judging by the heights the blood manages to reach while exiting my punctured arteries. (more…)
Just Another Evening
Posted in The Children, The Everyday on January 12, 2009| 1 Comment »
The boyz love to be with me. Click to biggify.
Usually I'm in the empty space, and whoever is in Frankie's spot is propped or draped on my leg. There may or may not be a girl on the floor at my feet. No wonder I can't breathe. Ack! But what a wonderful way to suffocate, surrpunded by lurve!
The new header is Vicki, a wild girl who died the week the kittens were born. When Frank was born he was solid white, and I thought that was a little odd (reincarnation much?), but he colored up nicely. Vicki was almost to the point of staying in the room if I moved, but chances are she would have had kittens before I could have caught and tamed her. Her death was good for my wallet and the neighborhood, but horrible just the same.
I went out tonight to check out some cat noises, and saw the most beautiful sky! Washboard clouds moving quickly across an almost-full moon – gorgeous. I tried, but I haven't played with my camera enough to get good night shots yet. This is the best I could do. Again, click=biggified.
Finally, at the risk of finally outing my ugly self, here's my new friend and her name-tagged counterpart at a meeting yesterday. I hate having my pic taken, but this is… well, they were fast, is all. She's the one with a collarbone. And a neck. Heh.
I got all the way to the meeting site and realized I was wearing my very comfy fuzzy tan shoes. That wouldn't have been a problem except for the black pants and socks, so i took 'em off when we got inside and went sock-footed. My pal here took hers off, too, and kept me in casual company for the duration.
OK, that's my day. Well, not all of it, but the interesting part.


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text:
We are well into 2013 and - SURPRISE - one of my resolutions is to lose weight (like most people at the beginning of each new year).
I've tried diets and exercising and all that and I really enjoy the Lose It app but I haven't seen any results.
So what's different this time? The old man is joining me and we are super serious about getting this weight loss thing going.
And there's already a problem. I hate - HATE - measuring food out but I'm doing it like a good kid and eve though it makes me cringe, I am portioning out EVERYTHING. Believe me when I say my measuring spoons and cups are getting a major workout. LOL. I kid.
But seriously - I'm measuring out every single thing I put in my mouth. I've gotten over that Dragon Lady stage of being hungry all the time and I've now come to accept the hunger pangs until my body readjusts but I've GAINED weight since I started losing it!
I was on a slow and steady losing streak all last week (which was our first full week) and then I weighed myself last night and, to my surprise, I'm almost back to the weight I STARTED at. Bummer.
I've even doing the things I hate. Along with measuring every freaking thing, I'm looking at fitspo blogs for motivation, following fitspo people on Tumblr AND Instagram and cooking more with recipes from Hungry Girl and Skinnytaste. I'm even running (with my Nike+ GPS app) - and I HATE running. I'm freakin' running at my old high school track - which I avoided like the plague when I was a student there.
The first two are both from Saturday. I ran the track a few times and then ran the stairs for about 10 minutes and cooled off with one full lap around. I was getting ready to leave when my iPod played a few songs that I was like, "Awww hell naw - I HAVE to run to this!" and then I ran a couple more laps.
The second track is from yesterday. Not as many laps on the stairs but I went ALL OUT on those steps! I was a sweaty mess afterwards that I walked the rest of the time we were there.
So that got me thinking - what if the weight gain is purely muscle? After all, on my two track running days (Saturday and Sunday), I ran the stadium steps too, so...why not, right? It only makes sense. And my legs feel like cannons! They haven't felt this solid since I was weight training ages ago. Why did I stop? Because of a lower back injury that still hurts me. I've consulted with the fitness folks at work about it and they all say the same thing: Katzi, you're just too top-heavy. I don't expect my coworkers to feel the pains of a large-breasted woman...but they're usually pretty nice about it and I've cooled off on the weights.
But now I'm like: What do I do??? I don't need to get discouraged. On my Saturday early morning TV watching, I saw a bunch of infomercials for Tapout XT or whatever and diet pill after diet pill but the one that stuck out the most for me was the NV commercial with Tami Roman.
I don't watch Basketball Wives or anything but I enjoy this commercial because even though she kept popping out and interrupting this fake conversation
She does say something helpful: "Tell her the first two weeks of weight loss can be the hardest." Okay - something helpful to keep me on track...But how much longer can I take?! I think once I get settled in, I'll be able to get it together and maybe, just maybe, start seeing results. After all, the first two weeks are the hardest, right? And I'm on day 13. Oh dear... Maybe she meant the first month???
Why is my weight loss a big deal? I will share those two reasons soon...


text: "Met Jet Blast plumbing whilst thrashing around still looking and hoping for a decent plumbing service, and have availed ourselves of their excellent service three times already. Couldn't be happier with the speed, courtesy, professionalism and friendly attitude of tony and the gang at Jet Blast. We shall be recommending these guys to all our friends and acquaintances. At last..........A skilled, professional, service minded plumber...(somebody - please........Open a bottle of champagne)!" Mitch & Philippa, Watson


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Author Notes: No other recipe quite matches up to the golden memories of our Grandmother's potato latkes (this recipe is jointly contributed by Joan G and Apple Annie.) Grandma Becky left her family home in Krynki, Poland at the tender age of 16,(ca 1914) to join two of her brothers in the US. She was "smuggled out" through Hamburg to England where she sailed for Ellis Island. The photo was taken shortly after she arrived and she is wearing a fur hat and scarf from the "old country." When we knew her, cooking for family and friends was her greatest joy. Her latkes were food for the gods, and we gobbled them up as fast as she could fry them. Fortunately she made them frequently, not just at Hannukah. Our grandfather patiently grated the potatoes and onion for her on a box grater, and our parents joked that a tiny bit of his fingers were grated into the batter as well, a secret ingredient. She typically served the laktes to accompany roast chicken or pot roast, perhaps with homemade applesauce but no sour cream. She never used baking powder. This recipe faithfully reproduces Grandma's ingredients but has been adapted for the food processor. —AppleAnnie
Serves: 6
cup flour
cup matzo meal
teaspoon salt (recorded as "a sprinkling of salt")
oil for frying
- Peel potatoes and put in cold water to keep from browning. Shred the potatoes in a food processor. Remove from workbowl and transfer to another bowl.
- Cut the onion in quarters. Insert knife blade into processor and rough chop the onion. Add eggs, salt, matzo meal, and flour to onions in the work bowl and process until mixture is smooth.
- Add half of shredded potatoes to the egg-onion mixture in work bowl and process until smooth, taking care not to let the onions get too finely pulverized.
- Transfer the batter into the bowl with the rest of the shredded potatoes and mix.
- Heat the oil in the frying pan until a drop of water sizzles. Drop batter by spoonfuls and fry until golden brown. Drain on paper towels and keep warm in moderate oven if necessary.
More Great Recipes:
American|Potato|Fry|Make Ahead|Serves a Crowd|Vegetarian|Snack|Appetizer


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I would be remiss if I didn't draw your attention to the Wild Card Creator Kickstarter. WCC is a Savage Worlds character creator with a killer feature: it can import a PDF and extract all the edges, hindrances, gear, and other character information directly from the text. Plus it will come with all the content from Savage Worlds Deluxe.
Will Herrmann, the creator, has been asking all of us licensees for permission to import our PDFs, and the support has been overwhelming. Of course, we agreed, but so have at least 14 others, including Triple Ace Games and Reality Blurs.
Now, I imagine you're pretty sick of Kickstarter proposals at this point. Seems like there's a new one in the RPG field every hour. But, honestly, Wild Card Creator strikes me as far too useful to ignore. I hope you'll at least check it out and spread the word.
You can learn more about the project at the Kicktarter page, or at Journeyman Games.


text:
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57th Reunion Mini-Meet!
August 1, 2018 (Lake Forest Day)
We had our Mini-reunion this past Lake Forest Day (Aug 1) at the LakeHouse in Lake Bluff. Started off with cocktail and lots of conversation followed by dinner and lots more conversation. thought you all would like to see a few photos of some of those who attended. Enjoy. Oh, by the way - We already decided we'd meet again next Lake Forest Day, same place, same time. I'll be in touch early next summer. Enjoy the photos.
Bob White
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While hundreds of mourners gathered Monday for a special visitation of three Mounties shot dead in Moncton last week, New Brunswick RCMP arrested a man known to their alleged killer and charged him for death threats against police.
Jasper John Stam was arrested and alleged to made death threats against police between May 10 and May 18. The New Brunswick RCMP wrote on Twitter that Stam's arrest is "NOT CONNECTED with the Moncton shooting investigation."
A document from Moncton provincial court shows Stam has been ordered not to make contact with Justin Bourque, the 24-year-old charged with shooting and killing three RCMP officers — and wounding two others — last Wednesday, prompting a 30-hour manhunt that forced a section of the city into lockdown.
Jasper Stam is listed on Facebook as a "friend" of Justin Bourque, while a source told the Star Monday that Bourque and Stam used to live together, though it's not clear when or for how long.
Sometime after Bourque was captured by police on Friday, Stam posted an article to Facebook by an American "anarcho-capitalist" that was entitled: "Best of luck, Justin Bourque."
"Seems to me Justin was really upset about gun control, and wouldn't have bothered anybody if his means of self-defence were not threatened," the writer says. "Seems to me that when armed men show up to confiscate your weapons, killing them is a pretty clear cut case of self-defence. I have yet to hear about an innocent victim here, only combatants in a war against freedom giving up their lives to their deity, the State."
The next day, Stam posted on Facebook that he "just got fired for being friends with someone."
"I do not know (the circumstances of the arrest)," said a Moncton man who identified himself as John Stam. Jasper Stam has a brother by the same name.
Responding to comments on his page about Bourque's alleged actions, Stam wrote that "it's very natural for a man being held down to resent those holding him down."
He added in separate posts that " 'good' cops aren't actually a real thing" and that Bourque "had no mental illness. he did not do hard drugs. he did not do anyone who deserved respect any wrong. not ever."
Meanwhile on Monday, a public visitation was held for the three officers killed in the line of duty: Fabrice George Gevaudan, Douglas James Larche and Dave Joseph Ross.
About 200 people filed into the Moncton Wesleyan Celebration Centre, where three flag-draped coffins, each with a Mountie's brown Stetson on top, were positioned end-to-end at the front of the room, The Canadian Press reported. The service was held on the eve of an RCMP regimental funeral, where between 5,000 and 7,000 police officers from across Canada are expected to attend, according to Moncton Mayor George LeBlanc.
"If you just look around here today, it won't take you long to see somebody coming up and shaking the hands of an RCMP officer," LeBlanc told The Canadian Press before Monday's visitation. "That is the goodness of Moncton shining through."
Tuesday's funeral at the Moncton Coliseum will be preceded by an RCMP procession along Millennium Blvd., while five other sites have been set up in the city for mourners to watch the televised service together.
Gov. Gen. David Johnston, Prime Minister Stephen Harper, Liberal Leader Justin Trudeau and NDP Leader Thomas Mulcair are among the political dignitaries expected to attend the funeral.
With files from The Canadian Press


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Laois GAA is struggling to come to terms with the tragic death of St Joseph's GAA club stalwart Liam Kealy over the weekend.
The former Laois footballer's body was recovered from the River Lee by Mallow Search and Rescue at around 10am on Sunday. He had been in Cork with friends for a stag weekend and was reported missing in the early hours of Sunday morning.
The 34-year-old plumber - who was married to Ashling, with a 13-year-old daughter, Shauna - represented the O'Moore County under Justin McNulty. He featured on the last St Joseph's team to win a championship in 2000 and had been an ever-present with the East Laois club ever since.
St Joseph's GAA Club paid an emotional tribute to their former colleague on Facebook: "The Saint Josephs Club are devastated to realise the loss of one of our most passionate, loyal and energetic members. Liam "Squeaks" Kealy has left a void that will be impossible to fill. From 4 years of age until today he has been the heartbeat of every dressing room he filled. An ability to recover (34 times) from career ending injuries marked him out as one of our clubs most resilient and stubborn performers.
"Any supporter who stood behind the fence in Kellyville, on the bank in Graiguecullen or sat in the seats in Portlaoise could never accuse him of lacking commitment to the yellow and blue jersey of his beloved St Joseph's. As a player and a coach, saying he gave 100% is an injustice to what he actually gave to his club on and off the field. He crossed the border to Ballylinan where his wife Ashling and daughter Shauna witnessed his devotion to St Joseph's.
"Our thoughts are now with Ashling, Shauna, his mother Margaret, father Tom, brother Denis his sister Liz the Doyle Family and extended relatives and friends.
"He'll be forever in our thoughts whenever a St Joseph's team takes to the field in the colours that he served so well.
"Squeaks #Legend
"Ar dheis De go raibh a anam."
The Saint Josephs Club are devastated to realise the loss of one of our most passionate, loyal and energetic... https://t.co/tQ74caJXQd- St.Joseph's GAA (@Stjosephsgaa) January 22, 2018


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Anuj Sharma - 'I have tried rock for the first time'
Anuj Sharma is a known singer from Himachal Pradesh. But his big break came when he managed to reach the final 14 in Indian Idol's second season. He had to leave the show, but many felt that he deserved a better chance. So Anuj Sharma was brought back into the show through a wild card entry. And he proved it right by managing to end the season as the runner up.
Now he is back in Mumbai from Himachal to complete his journey as a national level musician. Anuj Sharma has cut his first music album �Khwaab' under the label of Universal Music
A chat with the singer -
Why did it take you almost three and half years to come up with your first album?
As soon as I finished with Indian Idol, I was booked for one year for shows in the north and all around world. Naturally, there was not enough time to even think about an album, let alone work on it, that too solo.
After a year, my music director Gaurav Dayal told me to plan an album, as a 'thank you' gesture to all the people who had given me a platform on the national level. He said that I needed to give something back to my supporters Once I started working on it, we had to be sure that everything was perfect. Original scores, good poetry etc takes time.
Till now, you have done more than 44 albums in Himachal folk music. How is this album different?
It's so obvious that people would expect a folk influence in my Hindi album, also because of my knowledge and experience of Himachal music. But in reality, it's not like that. I have tried something completely new for the first time in my album and that is rock music. Gaurav also wanted me to do something new and completely different. I knew that if I tried any Indian music, people would search for the folk influence. So I worked extra hard and sung rock songs.
How have you managed to move from folk to rock as a singer?
Gaurav had given me some CDs to get familiar with the flavour and texture of rock music. I listened to them intently as study material Few days later, when I visited him in his studio, he was busy recording some song. He asked me to try it and what I sang was rejected by him. It was a rock song. Later, he gave me a CD and asked me to practise the song. He left me alone for thirty minutes.
When he returned, I tried again and he then went on to correct me, tell me the voice modulations, literally trained me on different music platforms. I followed his advice. At that time, I did not know that in reality, Gaurav was actually recording the song. In two takes it was done, and after finishing the recording, he told me what he had done.
Tell us about your experience of shooting a video for your album?
We shot our video at Bangkok. It was the season of Holi. In Bangkok, Holi is played with gusto and for three days, they celebrate. Normally, it takes a two hour drive from the airport to our shooting location, but on that particular day, it took us 11 hours to reach.
Our camera person wanted to take my shot with locals playing Holi in the background. But the driver of our car did not allow it since we had not taken any permission. We felt bad because the festival and the activities would have looked so very beautiful in the video. We just kept driving for 11 hours.


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No products
"Living with an allergy can be stressful and depressing for the whole family! We choose to avoid eating and using offending food and products totally. Just because of an allergy to an ingredient, we miss out on the joy of life."
"Modern advances bring many conveniences to the world. However, they also change the nature of the food we eat and things we use. The choice to consume food and products that are, as far as possible, ethically- and sustainably-produced and naturally-sourced needs to be urgently considered."
This is why Allerganics aims to bring you a wholesome selection of natural and organic skincare and cosmetic products. We understand the importance of eating and living healthily and safely. Allerganics believes choosing the more natural alternative benefits health, and as importantly, helps sustain our planet Earth.
Products labelled organic and natural may NOT necessarily contain ONLY natural or organic ingredients. Hence, Allerganics scrutinises the ingredients and carefully chooses products of the highest quality and value for you. To find out if each ingredient is safe, we take reference from the US-based Environmental Working Group's (EWG) Skin Deep safety database, as the database strives to determine levels of concern for cosmetic ingredients from all the data available: www.ewg.org/skindeep.
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For delivery in Singapore, the delivery service is FREE when you order $60 and above. For purchases below $60, an $10 delivery charge will be added. Your order will be processed and sent within 3 business days once we have received your payment.
To test different make-up shades/colours that suit you most and experience the effect/texture of skincare products at our office, email us at email@example.com or SMS at 93541299 for an appointment. This value-added service is available for Singapore.
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What is A2?
A2 is a commonly used standard of paper. The ISO 216 standard defines A2 size to be 420mm × 594mm, which is also exactly double the size of an A3.
A2 sized paper is frequently used to print posters, large folded brochures and advertisements, diagrams, drawings and other artwork.
In the ISO paper size system, the height-to-width ratio of all pages is the square root of two. In other words, the width and the height of a page relate to each other like the side and the diagonal of a square. This aspect ratio is especially convenient for a paper size. If you put two such pages next to each other, or equivalently cut one parallel to its shorter side into two equal pieces, then the resulting page will have again the same width/height ratio.
- A2 is twice the size of A3, and four times the size of A4
- A2 is eight times the size of A5, and sixteen times the size of A6.
- A2 is half the size of A1, and one quarter the size of A0.


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Hi there,
Today is my nephew's birthday. His favourite colour is green, and he loves my dog, Georgie (who is white and black). Here is the card I made for him.
Cardstock: White, Dark Green, Tan, Red, SU Crumb Cake, Glorious Green and Basic Black
Dies: Crafter's Companion Die'sire Classiques Only Words Numbers & Punctuation, Elizabeth Craft Buster the Dog, Props 4, Happy Birthday Pop Up
Other: Glue, Foam tape, Double sided tape, Goggle Eyes
I cut an A5 card base in Glorious Green, then trimmed down some white and Crumb Cake cardstock and layered the mats onto the card base with double-sided tape. Using the Buster the Dog die, I cut each of the pieces and glued the dog together, and added some goggle eyes. I adhered the dog to the top of the card, and added some paw prints from Props 4 and the number 7 from Classiques Only Words Numbers & Punctuation.
I repeated the matting on the inside, using the Crumb Cake to cut out the Happy Birthday popup and green for the sentiment and stars. I cut out another Buster, and put him together, cut out the bowl and bones from Props 4 and adhered both with foam tape. The oval was in my stash, probably a Spellbinders Oval.
My card was inspired by this card made by Karen Burniston.
Bye for now,


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Wall meets expectations in front of the nation
OK, America, so how do you like this John Wall now?
You heard the hype. You read the clippings. But unless you were a card-carrying member of the Big Blue Nation, or a hard-core hoops fanatic, until CBS brought its cameras to Rupp Arena on Saturday to give a national audience a full public viewing, you had not seen the freshman wunderkind with your own eyes.
To ask how Wall did reminded me of when the Beatles played Get Back on a London rooftop for a group of fans and John Lennon said, "I hope we passed the audition."
John Wall passed.
And he made shots. And he made steals. And he blew by disgusted defenders. He might even have aided Committee of 101 members in helping patrons to their seats. Or could have.
Best of all, Wall led the host Cats on a tornado-like 28-2 first-half blitzkrieg that awarded the home team enough of a cushion to survive a second-half rally and trump the North Carolina Tar Heels 68-66 in this rematch of college basketball royalty.
If you boil down John Calipari's usual loquacious post-game remarks to three words, it would be these three: "John was terrific."
The first 20 minutes were a Wall of wonder as the fab freshman scored 13 points, made five assists and grabbed three rebounds.
Carolina prides itself on beating teams down the floor. Wall beat the Heels down the floor. One trip, he zipped past a slower North Carolina defender for a ferocious dunk. Another trip, Wall zig-zagged his way through taller, thicker Heels for an outrageous up-and-under move that spun off the glass and through the net.
"He dominated the game," said Roy Williams, the North Carolina coach.
Wall dominated the game even when he wasn't in the game.
Less than two minutes into the second half, the freshman departed first to the bench with his left leg suffering cramps, and then to the locker room for fluids from an IV.
"I hate needles," he said afterward. "I was having a fit back there."
During his absence, you could almost feel the oxygen being sucked out of Rupp Arena. It was one eye on the floor and one eye on the hallway leading to the Kentucky bench.
Carolina charged back in a hurry as if the visitors knew they had to do all the damage they could before Batman returned from the Bat Cave. And even when Wall returned, he wasn't the same Wall. He was limping. He didn't have that same burst. He produced just three points and two assists in 13 gritty minutes.
Ah, but two of those points were pretty important. With 4.3 seconds left, Kentucky up 66-63, with much thanks to Wall's buddy Eric Bledsoe, who had just made three of four free throws, Wall limped to the line. He made the first free throw. He made the second free throw.
Ball game.
"I was really into it," said Wall, who finished with 16 points and seven assists. "This is the funnest I've had so far."
Talk about fun; the victory snapped UK's five-game losing streak to the second-winningest program in all of college basketball.
Not that there was any great mystery to the previous misery. While Kentucky's recruiting had slipped this decade, North Carolina kept pumping out pro-talent point guards from Raymond Felton to Ty Lawson, the kind of players that lead teams to wins, titles and banners.
Ah, but as a national audience got to see, Kentucky is now right back in the glory hunt, thanks to a premier point guard of its own.
"There have been a lot of things made about our recruitment of John," said Williams about the controversy of the home-state Heels not offering a scholarship to the Raleigh native. "(But) I've always thought he was fantastic."
Chances are, now America agrees.


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Distribution Service Agreement
This "Distribution Service Agreement" (the "Agreement") is effective for all purposes as soon as Rezgo successfully connects with a Vendor using RezgoConnect, (the "Effective Date") and is entered into by and between Rezgo.com (A Division of Sentias Software Corp), a British Columbia Corporation, and its partner vendors (hereinafter referred to collectively as "Rezgo") and You (hereinafter referred to as "Supplier").
WHEREAS, Supplier provides tours, tickets, activities, entertainment transportation, and/or other services (hereinafter referred to as "Services"); and
WHEREAS, Rezgo aggregates such services and sells them to its customers; and,
WHEREAS, Supplier is willing to sell through Rezgo and Rezgo is willing to sell on behalf of Seller;
NOW, THEREFORE, in consideration of the above and the terms, covenants and conditions set forth herein, and other good and valuable consideration, receipt of which is hereby acknowledged, the parties agree as follows:
1. RECITALS INCORPORATED: The recitals set forth herein above are hereby incorporated and merged into this Agreement as if repeated herein in full.
2. SERVICES AND COMMISSIONS: Supplier agrees to provide Services to Rezgo at the rates indicated in the Supplier's Rezgo Supplier account ("Rates"). The Rates are tax-inclusive, and any commission negotiated with partner Vendors represents the gross rate on which Vendor commissions will be charged. Rezgo will not set its own rates for the services that it provides to customers. The Supplier shall be responsible for and agrees to indemnify Rezgo for any sales, use, or other taxes due by reason of the sale of the Services. Supplier may increase the Rates at anytime by adjusting their prices in their Rezgo Supplier account. However, Supplier agrees to agrees to honor all reservations made by Rezgo at the Rates in effect when the reservation was confirmed. Supplier agrees to notify Rezgo of any changes to Services in a timely manner. Supplier agrees to provide rates to Rezgo that are as low or lower than the lowest that the Supplier provides to any third party.
3. INSURANCE: Although not required, providers are recommended to provide Rezgo with a Certificate of Insurance showing Rezgo.com, Sentias Software Corp., and their Vendor Partners as Additional Insured ("Certificate"). Supplier should maintain liability insurance throughout the term of this agreement showing Rezgo and its affiliates
as Additional Insured, and Supplier should provide a new Certificate of Insurance to Rezgo on an annual basis. A copy of the liability insurance can be uploaded and stored in the Supplier's Rezgo Connect Profile.
4. MERCHANT OF RECORD: When the Supplier connects with a Vendor Partner using Rezgo Connect, the Supplier will be notified whether the Vendor Partner or Rezgo is the Merchant of Record for purchases made through Rezgo. If Rezgo is the Merchant of Record, the payments for Supplier's services will be made by Rezgo. If Vendor Partner is the Merchant of Record, then payments for Supplier's services will be made by the Vendor Partner.
5. DISTRIBUTION FEES: Rezgo will calculate a distribution fee based on the net sales revenue from each booking (less taxes and refunds). Distribution fees will be charged to the provider on a monthly basis.
6. VENDOR PARTNER COMMISSIONS: Supplier will negotiate commissions payable to Vendor Partners through Rezgo Connect. If Rezgo is the Merchant of Record, Rezgo will withhold and remit Vendor Partner Commissions to Vendor Partners on behalf of Supplier. Vendor Partner Commissions will be deducted from all moneys collected on behalf of the Supplier.
7. TICKETS FROM REZGO'S CUSTOMERS: Rezgo's customers will present a Voucher to the Supplier to verify the transaction with Rezgo. Supplier will accept the voucher as proof of payment to Rezgo and provide the Services ordered. Supplier must use the Rezgo Check-in module to validate Vouchers and prevent against voucher fraud.
8. PAYMENTS: Supplier is not required to send an invoice to Rezgo. Supplier will use the online check-in system to validate vouchers received during the calendar month. Payment will be due 15 days after the end of the calendar month for which the vouchers were checked-in. If a customer files a chargeback and cancels payment for purchased Services, and Rezgo has already paid the Supplier for those Services, Rezgo will deduct the amount of the chargeback the Supplier's next payment. Supplier must notify Rezgo promptly of any Rezgo Vendor bookings that are cancelled by the Supplier. Failure to notify Rezgo of cancellations resulting in a chargeback will result in the chargeback fee being charged to the Supplier's account.
9. SUPPLIER'S TERMS AND POLICIES: Supplier will provide Rezgo with all terms and policies that Supplier wants Rezgo to communicate to its customers by loading them in the Supplier's Rezgo Account. These terms should include the cancellation policy for each of the Services provided by Supplier. These terms are listed on the Supplier Terms Schedule ("Terms").
10. RESERVATIONS AND CONFIRMATIONS: Supplier will accept reservations and purchases of Services from the Rezgo by email or through the Rezgo Supplier administration system. Since the Supplier Administration system uses real-time inventory management, confirmations will be provided instantly by the system. Rezgo will issue vouchers automatically and will require customers to download and print vouchers for presentation to the Supplier.
11. REZGO'S VENDOR PARTNERS. Rezgo will promote the Services in its own promotional material and on its own web sites. Rezgo will also promote Services from Supplier to various affiliates, including travel agents, tour operators, and Internet sites. Supplier's Certificate of Insurance should include the words "and Vendor Partners" so Rezgo can utilize its Vendor Partners to generate additional sales of the Supplier's Services. All purchases will be submitted by Rezgo, and Supplier will receive all communication and payment from Rezgo. Rezgo Vendor Partners are another means for Rezgo to generate sales on behalf of the Supplier.
12. REZGO'S RESPONSIBILITIES. Rezgo will provide reservations and requests for Services to Supplier by email or through the Rezgo Supplier Account. Rezgo will provide a dedicated support mechanism for use by Supplier that will enable Supplier's employees to reach Rezgo's employees during business hours. Rezgo will pay all fees promptly. Rezgo will promote Supplier's Services to the best of its ability with the information provided by Supplier.
13. SUPPLIER'S RESPONSIBILITIES: In addition to providing Rates and the Certificate of Insurance, Supplier will provide all information that Rezgo will need to promote the Services, place reservations, and confirm reservations. Supplier will strive to provide the best possible customer service and experience for its customers.
14. TERM OF AGREEMENT: The term of this Agreement shall be for a period of one (1) year from the Effective Date. This Agreement shall be automatically extended annually for additional twelve (12) month periods unless written notice of termination is received by either party at any time during the Term of this Agreement.
15. TERMINATION: Either party may terminate this Agreement with thirty (30) days advance written notice. The date 30 days following the termination is the "Termination Date." Supplier agrees to honor all reservations made by Rezgo prior to the termination date.
16. CONFIDENTIALITY: Except with the consent of the other party, each party agrees that all information concerning the other party, including, without limitation, the terms of this Agreement, Rates, business and financial information, customer and vendor lists and pricing and sales information, will remain confidential. Supplier agrees not to discuss Rates or cancellation policy with Rezgo's customers.
17. GENERAL: Facsimile signatures will be considered as originals, and this Agreement may be executed in counterparts. Time is of the essence on all matters in this Agreement. Supplier agrees that Rezgo may use Supplier's photography and information for any purpose consistent with this Agreement to promote Supplier's Services, and Supplier will indemnify Rezgo for any liability whatsoever (including attorney's fees) arising by reason of Rezgo's use of the photography and information. Supplier agrees to promptly notify Rezgo of any changes to photography or descriptions. Rezgo agrees that Supplier may send facsimile transmissions to Rezgo that may contain advertisements, and Supplier agrees that Rezgo may send facsimile transmissions to Supplier.
18. NOTICES: Any notice, request, demand, consent, waiver, or other item required or permitted under this Agreement or applicable law must be in writing and will be deemed duly given or made only (a.) if personally served upon the party intended to receive it, in which case it is effective when delivered; or (b.) if it is sent by certified mail, return receipt requested, postage prepaid, addressed to the party at its address set forth in the Supplier's Rezgo Account in which case it is effective upon receipt by any person residing at such address; or (c.) if it is sent via email. No objection may be made to the manner of delivery of any notice actually received in writing by an authorized agent of a party. A party may change its address for purposes of this Agreement only by giving notice to the other in the manner set forth herein.
To Rezgo:
A Division of Sentias Software Corp.
718-333 Brooksbank Avenue
Suite 320
North Vancouver, BC
Canada V7J 3V8
19. GOVERNING LAW: This Agreement shall be governed by and construed pursuant to the laws of the Province of British Columbia. Venue for any action shall be in Vancouver, British Columbia, and the prevailing party shall be entitled to receive from the non-prevailing party all costs, expenses, damages, and fees (including reasonable attorney's fees).
20. PARTIES BOUND: This Agreement shall be binding upon and inure to the benefit of the parties hereto, their administrators, representatives, successors, executors, heirs and assigns.
21. ENTIRE AGREEMENT: This Agreement constitute the entire Agreement between the parties relating to the subject matter contained herein. All waivers or amendments to this Agreement must be in writing and signed by both parties.
22. ACCEPTANCE: Supplier acknowledges that Supplier has read this Agreement and agrees to its terms and conditions.


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In the past NBLC have helped to encourage many different opportunities for churches and groups of churches to learn together. We have helped churches to consider:
- Being an inclusive church
- Enabling church members to develop skills for leading worship
- Offering support and pastoral care for those in bereavement
- Working in cross-cultural mission
In the future we may be able to help you learn together with others about any issue which is giving you concern or is of particular interest to you in your local context. If the TiMM course does not quite meet your perceived needs contact your Regional Tutor and we might just be able to help…
East Midlands | Tim Mountain
Heart of England | Gale Richards
Northern | Linda Hopkins
North West | Linda Hopkins
Yorkshire | Sally Nelson


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Expertise, experience
and creative thinking...
Marketing and creative
planning and implementation
From first spark to
final production
One off ads or
multimedia campaigns
effective, creative
Strategy, development
and delivery
design and build
From planning to
creation to launch
Giving you a voice
that gets noticed
Pulling it all together
for maximum impact
A small selection of our completed projects.
S.O. Creative have developed a new design look for SQA in 2017. It gives SQA's communications a clean, distinctive presence that works across all markets.
In Scotland, for example, it is helping SQA appeal to industry and business, as well as supporting Scotland's school qualifications.
The bold and distinctive campaign is designed to support SQA's strategy to help Develop the Young Workforce in Scotland.
The SQA Journeys video has been used to launch the initiative online and in exhibitions across the country
Watch the video here:
Scottish Vocational Qualifications have been helping people get a job, or do a better job for 25 years. S.O. Creative were commissioned to design a logo and produce a video to mark the occasion.
Watch the video here:
SQA work closely with businesses and industry to promote the value of qualifications in an increasingly competitive world. The new look will be applied in the coming year.
SQA communicate with colleges, schools and learners in a wide variety of ways.
The new brand is opening up new markets, projecting SQA's expertise out to the rest of the UK to bring SQA's qualifications and services to new audiences.
The combination of traditional and online media is establishing SQA's credentials.
The Trailblazers campaign has led SQA's move south in recent years. The new look will boost impact in 2018.
Customised awards are a key product for SQA and will embrace the new look in 2018.
The new look is helping SQA reach out to key areas in the UK Qualifications Market.
SQA are increasingly looking further afield for new opportunities. They are already building upon Scotland's reputation for educational excellence in countries as far afield as China, Sri Lanka, Dubai and the United States. The new look is being rolled out now to great effect.
We focussed on the consistent excellence of the awards, while using language to add a local flavour in countries as diverse as Sri Lanka, Myanmar and Malaysia.
The same awards have a very different appeal in the US, reflected in the different approach adopted in the marketing.
SQA's Oil & Gas qualifications are now being promoted from the US to the Middle East. Again the message is consistent, but the treatment varied.
SQA has been in China for over 10 years. The new Ambassadors programme was designed to cement the partnership, and Chinese centres have even been involved in SQA's own Star awards.
SQA are involved in a growing number of projects designed to help candidates study, and centres to offer a more complete service.
S.O. Creative helped launch the MySQA service in 2008, allowing exam candidates to get their results by text or email. The service is now part of the exam experience for thousands of students each year.
Successive campaigns have built numbers steadily, each year exceeding targets set, and the previous year's registrations.
MySQA has gone viral to reach its young audience, attracting them to sign up in record numbers.
SAM is SQA's digital presence. Her helpful, knowledgeable and irreverent approach has been enlightening and entertaining candidates since 2008. Visit - www.mysqa.info
Ushare is a new platform that allows users to share links to learning and teaching materials online. S.O. Creative's eyecatching creative is drawing new users to the site all the time.
Watch the video here -
The Friends of the RSA came to S.O. Creative to rebrand and relaunch their Schools Art Award. The new website and direct mail campaign has attracted twice as many entries to the competition as the previous year.
The website is designed to reflect RSA's importance in the Scottish art world, not as a venerable body curating the past, but as a dynamic provider of opportunity and support. www.schoolsartaward.com
After three years, the relaunched competition has attracted record numbers of entries from schools the length and breadth of Scotland.
S.O. Creative helped Reservoir Group pull together their corporate communications across eight Group members, from Indonesia to Texas and from Aberdeen to Calgary. Proving that geography is no barrier to good work.
Reservoir Group were bought over by ALS in 2013. As with any takeover, there was a period of dramatic change, not least in communications. S.O. Creative were able to create a new brand style for ALS Oil & Gas in a matter of days, based on the ALS communications guidelines.
This revolutionary functional peptide gel creates new opportunities for cell biology. S.O. Creative developed the new corporate identity and website, and continue to work with the company as they grow.
A completely redesigned site makes engaging with Biogelx easier than ever, and is already attracting record numbers of enquiries. www.biogelx.com
The New York - based Ulijn Lab came to S.O. Creative to develop a new corporate identity on the stnregth of our work with their associate company Biogelx. This is now being rolled out.
It may surprise that most of the leather used on the world's aircraft comes from the East End of Glasgow. We were tasked with developing a marketing strategy that would confirm Muirhead as the Number 1 aviation leather supplier.
Our very first job was to develop a suite of marketing materials for the world's biggest estate agent in Scotland.
The Oscar and Fitch website has been a source of great amusement to customers, of sales to the client and of awards to S.O. Creative, including Best Copywriting and Best Website. Visit www.oscarandfitch.com
When Oscar + Fitch were selected to launch the new AlessiEyes collection of eyewear in the UK, S.O. Creative were on hand to help. The event was publicised to the trade and supported by a new website designed to reflect the quality of the brand. Visit www.alessieyes.co.uk
S.O. Creative have been working with Strathclyde University Incubator and Gabriel Investments to help turn new thinking into new businesses.
A new corporate identity, website and promotional materials are helping The Sandwich Factory grow into new markets.
This innovative proximity alert app and device means you never have to lose touch with your belongings. S.O. Creative developed the new name and logo for the product and are now working on further marketing.
We helped develop and test a joint promotion between The Woodland Trust Scotland and The People's Postcode Lottery to build support in Dumbarton, with excellent results.
We are proud of SQA's new brand, but we're also proud of the work we did for them before. We have been working with them since 2006. after all.
Datura is hi tech tool designed to allow investors to make more informed market decisions. S.O. Creative's unique approach helped them stand out in a numbers-dominated marketplace.
We developed a name and identity, based on extensive research, for the DSA's new road awareness award for 14 to 17 year olds.
We worked with Unity founders to develop a corporate identity that reflected their important work in supporting various projects for children.
Over 25 years experience heading up successful
business, marketing and fund-raising projects on
both the agency and client side.


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Wooow this year really is coming to an end! It went by so fast. One thing that I like even more than New Year's resolutions is thinking about past year. So many beautiful memories come to mind, and I am really grateful for all of it! So what has this year brought to What Sasha Wears? There were moments I was on the edge of quitting, and there were ups that kept me excited like a little child on Christmas morning. In April my blog got a new theme, and completely changed its look. September was a really bad time for my blog, but somehow I managed to push myself and continue with writing. Later in October I even got myself a new camera, that improved my photos and was a big big big push on for me. Shooting outfits gets easier, and the satisfaction with the results is priceless. In 2015 I am planning to work even harder, post more outfits and push myself to new levels! I will let you with my top 10 outfits of the past year:) And one more is planned to come on Wednesday 😉
Hope you (and your blog if you have one) also had a great year!


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A 19-year-old who left his friend with a fractured skull after he crashed an off-road motorbike into a car in Northamptonshire has been locked up for 16 months.
Luke Stephenson was riding the motorcycle on the pavement on May 11 when he crashed into a car pulling into Montagu Street in Kettering.
Northampton Crown Court heard Stephenson has a female friend as a passenger on the motorcycle and, as a result of the collision, she was thrown off the bike and over the car.
Dominic Woolard, prosecuting, said the woman suffered a fractured skull and was in a hospital for two weeks after she suffered a bleed on the brain.
Stephenson, who did not stay at the scene, was arrested later that day by police and was gave a breathalyser reading of 79 microgrammes of alcohol in 100 millitres of breath. The legal limit is 35.
Stephenson pleaded guilty to charges of dangerous driving, driving with no insurance and driving while over the alcohol limit.
He also admitted stealing alcohol from the Co-op in Kettering and a charge of criminal damage relating to graffiti spray painted on brick pillars at a branch of Morrisons in the town.
Maxine Krone, mitigating, said her client had shown genuine remorse for his actions and said he was pleased his friend had been able to make a full recovery from her injuries.
Judge Lynn Tayton, sentencing, said Stephenson's actions on May 11 had been extremely dangerous and could have had fatal consequences.
She said: "You could have killed someone by riding on the pavement as you could have hit a child or anyone who had just stepped out."
Stephenson, of Bluebell Close, Kettering, was sentenced to a year in a young offender institution for dangerous driving and three months, to be served consecutively, for the excess alcohol charge.
He was given an extra one month for the criminal damage charge, making a total of 16 months.


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Not to beat a dead horse but the recent discussion over whether God suffers, it occurs to me, is a question about what religion really is. To me, religion—to bind back together—is the question of what it means to be human. We're not asking, or answering, the questions in a vacuum. All theological questions have at their core: does the answer to them, or even the asking of them, make us more fully human: more compassionate, more open to both suffering and joy, more lost in wonder, more disposed to see Christ in the faces of those with whom we rub up against, interact, and in my case, clash, during the course of my day?
The purpose of theology, for the follower of Christ, in other words, is not to come up with a formula. The purpose of theology is to break open our hearts in love.
A reader recently opined "I think God suffers without anxiety. As beings with imperfect vision, knowledge, and love, we suffer with it." Which certainly raises more interesting questions, and also brings me back to the musing that kicked off the discussion in the first place; to wit, without questioning that God knows in the end, that good will triumph, that love will reign, that Christ will take his place upon the throne—we "know" that, too—I wondered whether, like us, God doesn't know exactly how that will happen. To give people free will, it seems to me, is to consent to not know, to wait knowing that but without knowing how.
I'm just groping here. But to say God knows no anxiety, it seems to me, is to say it would have been all the same to God--to the Father of Christ, to the First Person of the Trinity--whether He created man or not, whether He gave us free will or not. It's to say that the same God who created mortal, fragile, glorious man could just as well have not created him, or could have created him to be a programmed robot. It's to believe we play no part whatsoever in ongoing creation. It's to believe in a God who is inert, preternaturally calm, distant, removed, uninvolved, and utterly uninterested in and detached from what crazy, wild-card thing happens next in this ongoing drama called Planet Earth.
Instead, we have a very particular kind of God, a stupendous, utterly counterintuitive God, a God who pitched his tent among us, took on human form so he could know, among other things, the excruciating existential anxiety of knowing we are going to die, who nonetheless laughed, ate, drank, danced, gazed upon the trees and flowers and mountains and sky, who went to weddings and parties, who got pissed off and had a sense of humor, who loved, who sweat tears of blood in the Garden at Gethsemane the night before He died, who gave us His very Body so that we could break Him—knowing that we would break Him—and eat.
Who said, "I'll be with you till the end of time" but did not add "pushing you around like puppets" nor "sleeping."
I think God contains his anxiety, consents to be stretched as far as He can possibly go, and to hold, as Christ did on the Cross, the stretched-to-the-breaking point tension, without lashing out, without transmitting the suffering, but rather in love, as a mother holds that kind of tension in labor--and is then split apart in birth.
A quote from G.K. Chesterton's Orthodoxy:
"No two ideals could be more opposite than a Christian saint in a Gothic cathedral and a Buddhist saint in a Chinese temple. The opposition exists at every point; but perhaps the shortest statement of it is that the Buddhist saint always has his eyes shut, while the Christian saint always has them very wide open. The Buddhist saint has a sleek and harmonious body, but his eyes are heavy and sealed with sleep. The mediaeval saint's body is wasted to its crazy bones, but his eyes are frightfully alive…Granted that both images are extravagances, are perversions of the pure creed, it must be a real divergence which could produce such opposite extravagances. The Buddhist is looking with a peculiar intentness inwards. The Christian is staring with a frantic intentness outwards."
And an essay by Marco Bersanelli, at English Spoken Here: Ilsussidiaro.net that includes this passage:
"But not only are we restless for God: God's heart is restless for us. God is waiting for us. He is looking for us. He knows no rest either, until he finds us. God's heart is restless, and that is why he set out on the path towards us...God is restless for us, he looks out for people willing to 'catch' his unrest, his passion for us, people who carry within them the searching of their own hearts and at the same time open themselves to be touched by God's search for us". We too, children of modernity, may not remain completely insensitive to a God who is restless for us."
That's not from some ex-drunk untutored layperson such as myself. It's from Pope Benedict XVI.


text:
Planting Information
Sunlight:Full Sun
Start Seeds:Outdoors (Direct)
Depth:Sow seeds 1/2 inch deep.
Seed Spacing:Sow seeds 2 inches apart.
Thinning:4 inches
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Growing Calendar - Organic Detroit Dark Red Beet
Please enter in your zip code for growing calendar info.


text:
Cold Outside At 7am
Just show me you can and begin When I'm living the most without you. This place is full of lies. Ans compromised and I'm feeling again into cold in my soul -ab4-
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Note: If you intend to use an image you find here for commercial use, please be aware that some photos do require a model or property release. Pictures featuring products should be used with care.
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text:
Thanks Guy Faulkes for bringing this to our attention!
PLEDGE TO AMERICA Comments:Criticize public figures regarding their public work only when you have backings in the form of solid citations, quotes or proofs from authority sources. Don't attack a private citizen by name. Refrain from criticizing an identifiable person repeatedly. Refrain from making false statements about any one. If someone has broken these rules, call it to our attention immediately.
Sunday, December 11, 2011
Thanks Guy Faulkes for bringing this to our attention!
I was thinking about our servicemen overseas this Holiday Season and wrote the following in hope of bringing a small bit of Christmas cheer to active duty and veterans alike ... just a humble thanks and "God Bless." Please feel free to pass it along or post it as you see fit. Thank you. Happy Holidays,
A Soldier's Christmas
The embers glowed softly, and in their dim light,
2 comments:
Thanks for an inspiring story, Guy.
A good reminder for prayers of safety and thankfulness, especially for Wolf's son. I pray he's doing well.
- December 11, 2011 at 11:57 AM
Thanks, Guy.
I am in awe of the bravery and self-sacrifice exhibited by our soldiers. My younger sister has started dating an Iraq war veteran, and I could not be more proud or supportive. Never has any military shown so much honor as our men and women serving now in Iraq and Afghanistan. They give so much and ask so little.
- December 13, 2011 at 1:17 AM


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Xavier Antin, Learning With Errors
Xavier Antin is interested in the history of the production (and the reproduction) of objects, when it involves a glitch, or an accident. He always creates a production process in which accidents occur, like clues of a narrative underlying the work process. Sometimes he takes the chain of production backwards, like in one of his most recent projects entitled Five Conversations. In conversations with the production managers of highly specialised companies, he dismantled processes leading to the production of objects such as chairs or billiard tables. He supervised the production of ersatz pieces, cubes that synthesize all the intrinsic qualities of the objects, though devoid of any functionality, extended to abstraction: a conversational cube. As if he were attempting to operate a deflection of the industrial production tool.
For Learning With Errors, he displays a series of prints, in dialogue with the five cubes. More than the result of a derailment, they are the result of an attempt of pushing the limits of the ordinary means he often uses, like a standard A4 laser printer. Hence, the production of a series of A1 formats (8 times A4, which is the printer's required format), including all the physical traces of an entire mechanics of errors – that could be seen as "strayings" or "uncertainties". Thus, a series of hybrid objects emerge, oscillating between painting and instant serial reproduction, becoming a surface area structured by the constraints of limited production processes: a production process grid. A grid that could directly suggest the graphic designer's page-layout grid, or more symbolically, the emblem of the modernist myth according to Rosalind Krauss ("…a structure, and one moreover that allows a contradiction between the values of science and those of spiritualism to maintain themselves within the consciousness of modernism…" from Rosalind Krauss: "Grids", October 9, 1979). Or even, the laborious quest for a reason, perhaps a function.
The arrangement of cubes and prints in the space examines how an object or surface is drawn, "designed" by its history, its process and its production context. Accordingly, William Morris casts a long shadow over this system, a nineteenth century artist, initiator of the Arts and Crafts movement, printer and publisher, master of decorative art (famous for his textile and tapestry patterns), in addition to being a writer and political thinker. Tutelary figure on the construction of a social utopia of design, he advocated the autonomy of the individual vis-à-vis the means of production and championed the democratization of art and its know-how. An idea of design, that the contemporary liberal economy seems quite unconcerned by.
November 17 – January 12, 2013
Galerie Crèvecoeur, Paris


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'Jeanie Johnston' on course for 2012 re-berth
THE REPLICA famine ship Jeanie Johnstonmay put to sea again in time for the Tall Ships race Irish stopover in 2012, according to Dublin's Docklands Authority.
The ship will continue to run as a museum in the short-term, under an arrangement renewed by the Docklands Authority with Galway-based company Aiseanna Mara Teo.
However, the authority says its intention is to have the ship in seaworthy condition for the Tall Ships festival in Dublin in 2012.
The Docklands Authority bought the Jeanie Johnston, which had been the subject of controversy over construction costs, in 2005 from Kerry County Council, the Kerry Group and Tralee Town Council. The purchase was part of the authority's docklands river regeneration strategy for the Liffey. Last year, the authority appointed Aiseanna Mara Teo, which runs the river Liffey ferries and Killary fjord ferries in Co Galway, to maintain the vessel at its berth. Under a new tender secured by the company, it will also operate the vessel as a museum and tourist attraction.
The Tall Ships festival returns to Waterford in 2011


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Author: chasingghosts
Created: December 11, 2015
Taken: 371 times
Rated: PG
Bands // Song Titles
Music Shuffle + Top 12 = Fun!!
Big Screen Memories
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Have you done these things this year?
The Survey Where You Say The First Word That Comes To Mind. Yay.
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An ongoing feature in which I recommend the work and websites of people who buy me dinner. Today's entry: Ross Kiester!
I met Ross Kiester at the Platform Animation Festival in Portland, OR, where his two brilliant and charming teenage daughters impressed me with their impeccable taste (they're fans of the Stork). Last week Ross was in New York doing…well, all kinds of things. For not only is he a mathematician into discreet global grids, but he's also a turtle conservationist. The latter is how he knows Eric Goode of the Maritime Hotel – turns out he's a turtle conservationist too. Those turtle conservationists form a tight community, which
Continue reading Eats for Endorsement


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- 1. Why Typescript
- 2. Impressions
- 3. Installation
- 4. Using the compiler
- 5. Using TypeScript code on the browser
- 6. Assertions
1. Why Typescript
- It adds types to variables, parameters and returned values. When provided, assignments and function call parameters are checked at compile-time. Typos, stupids, and brainfarts cause compiler errors instead of subtle misbehaviors, saving development time through reduced run-time debugging.
- It provides a far cleaner, modern syntax to ease comprehension and maintenance of object-oriented code: you can declare classes and inheritance with a syntax reminiscent of C++ or C#, instead of assigning functions to JavaScript object prototypes directly.
- Compile-time validation eliminates fear of breaking things through refactoring. Refactoring helps eliminate spaghetti code, making the code-base more legible and reliable.
- It fixes deficiencies of JavaScript, such as adding an array
iterator for
forloops (
for (let f of foos)), which turns (almost) into the code you'd write yourself.
- It fixes problems of JavaScript: Arrow functions retain their
thisin all contexts, including when called from event handlers.
- It's a superset of JavaScript, so you can keep using existing JavaScript in much the way that C++ allows using existing C code.
- Although TypeScript has new syntax for new elements, it isn't yet another entirely new and different language.
2. ImpressionsI've been using TypeScript for about 2 months, with mixed impressions:
- TypeScript itself is easy to install.
- TypeScript's quick evolution creates trouble. In
particular, methods of referencing other modules have changed
several times over the past few years, and Internet searches for
help often yield more confusion because of conflicting information.
(TypeScript 2 uses an
importstatement instead of comments; these turn into
require()in compiled code.)
- That said, Microsoft's official TypeScript site does provide reasonable documentation that's worth reading through.
- The readability improvements and compile-time checks TypeScript provides, once you get it all going, are pretty darn sweet.
- TypeScript compiles to JavaScript, which means dealing with Node.js toolchains, which seem haphazardly documented. Documentation tends to be man-page style, covering a lot of range but without going into detail, nor providing a cohesive introduction suitable for a neophyte. It is expert friendly and newbie-hostile.
- The Node.js tools don't look coherently planned. Browserify, for example, relies a lot on transformation plug-ins. On the positive side, plug-ins are probably a good, extensible approach. On the negative, Browserify lacks certain obvious options: there's no easy way to depend on a module and make it available to the page via 'require', too.
- The tools are also fragile and unforgiving. If you don't do things exactly the way they expect, they either don't work or provide wrong results.
Overall, I have no regrets moving to TypeScript. JavaScript was never meant to do the things we are doing with it, and its syntax is horrid for anything more than a few event triggers. TypeScript provides a better, safer, richer language via an evolutionary approach, enabling reuse of existing JavaScript code and adaptation as time permits. Setting up the build process sucks, but it's a one-time hit that provides a ton of return.
3. Installation
Use Node.js to install the TypeScript compiler.
is the node package manager, and the
-g means global
installation (as opposed to installation in the current
npm install -g typescript
And the library declarations needed:
npm install -g @types/jquery
npm install -g @types/assert
Type header files originate from the DefinitelyTyped website,
npm is the best way to install them.
And toolchains to package product to browser use:
npm install -g browserify
npm install -g browserify-shim
npm install -g unassertify
npm install -g uglifyjs
To update packages to the latest version in the future:
npm update -g
The compiler is
tsc. Use the
option to indicate where the type files are; probably something
like /usr/local/lib/node_modules/@types.
4. Using the compiler
tsc is a smart compiler; if you point it at your main,
it'll compile all the dependencies automatically.
While compiling your code, the
--declaration option
will write declarations for all modules being compiled too. This
can be hazardous with Make if you set up dependencies on these
declaration files:
- A depends on C.
- B depends on C.
make adoes
tsc --declaration a.tsand touches c.d.ts
make aagain, make says a is up date.
make bdoes
tsc --declaration b.tsand touches c.d.ts
make aagain, make rebuilds because c.d.ts was touched.
It seems like the "right" way is to make your one
compilation depend on all the source files and any hand-cranked
declaration files, and let
tsc sort it out.
5. Using TypeScript code on the browser
5.1. StandaloneThe output of
tsc is a Node.js-style module. These
modules hide their private variables and functions within closures
or other structures, only making
export members
available for outside use.
Node.js is meant for use on the server, not the client. To use its modules on the client, they must be fed through Browserify, which:
- Starts at a main module, and bundles imported/required .js files together into one file.
- Provides an under-the-hood
require()function, which is what TypeScript
importstatements turn into, allowing modules to link to eachother.
If your JavaScript is fully encapsulated, this is straightforward and you're good. But this is rarely the case.
5.2. Working with other libraries
In practice, you are likely have files you don't want
bundled and would like to load independently (say, jQuery). In this
case you need
browserify-shim. The shim is configured
through a magic file named
package.json that goes
where you browserify; you don't need to specify any options
or the filename or anything,
browserify just notices
it's there and reads it.
"browserify-shim": {
"jquery": "global:$",
"./translate": "global:translate"
"browserify": {
"transform": [
"devDependencies": {
"browserify": "~2.36.1",
"browserify-shim": "~3.0.0"
In this file,
browserify.transform lists
transformations to perform, in this case
browserify-shim. Normally you'd just put in
browserify-shim in there, but it can't be found
on my system despite being installed in the same node_modules
directory as browserify, and a full path works. (See note above
about JavaScript tools being fragile.)
browserify-shim entry lists module names. If
you're shimming a module from your project, you must include
the path even if it's
./. The path is relative
to the
project.json file (Is that right?). The
global: entry specifies a global variable in which the
module will be found. There are other ways to do this, indicating
places to find modules other than a global variable. See the shim
documentation for more information (and good luck). (See note above
about haphazard documentation.)
If using globals, make sure the globals are set up before your
<script> tag.
5.3. Exporting modulesBy default,
browserify generates a self-contained
module that invokes itself but does not export any symbols. If you
want to interact with it, use the
--require option:
browserify --require './client.js' -o client.lib.js
After the
<script> tag, you can use
require to get the library:
Client = require ('/client');
Note that
--require strips the path and the module
shows up at the root. Unfortunately, you can't also apply
this to any required modules: the path change will prevent them
being found at run-time by modules that depend on it. (See note
above about fragile tools.) There may be a way to use
browserify-shim to alias the path so both work, but I
haven't worked that out yet.
6. AssertionsNode.js provides an
assert module with several
assertion functions. Unfortunately, the declaration files for these
haven't been updated for TypeScript 2 yet.
Once that's working, these is an additional Browserify
unassertify which strips


text:
Whether you are buying or selling a house for the first time, or you are more experienced with the process, our Frequently asked Questions will help.
Houses for sale in Scotland must be marketed with a home report. The home report consists of three documents: a single survey, an energy report and a Property questionnaire. The home report must be made available on request to prospective buyers.
With your agreement Waterside will meet prospective buyers and conduct all viewings at your property. We will follow up on all viewings and provide feedback to you on each.
Your property will be listed in approximately 2 and 3 weeks. Once you have given Waterside Property the go ahead to market your property we will arrange a mutually suitable time for us to visit and take our pictures, prepare notes and collect measurements. This will enable us to prepare the schedule and list the property on our website. Before we visit we will contact the chartered surveyors to request that the home report takes place. The surveyor will visit your property to carry out the report and in about a week you will receive a draft copy for your approval. Once you have approved the report, we will receive a copy and the property will then go live.
We advertise extensively on the internet. Your property will appear on Rightmove, Zoopla, Facebook, Prime Location, The Times, The Telegraph, The Scotsman, Mumsnet, Sunday Times, Daily Mail, Johnston Press and many more.
We are Dunoon's leading estate agency business and have consistently sold more properties than all our competitors. if you want to sell your home quicly and at the best possible price, then Waterside is the company to speak with.


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We are rapidly expanding and in need of FUN and OUTGOING candidates to fill an entry level position.
The Entry Level Position will be responsible for working with our Fortune 500 commercial clients. Responsibilities will include
For the right candidates, we will train and promote them into a team lead position where they will be responsible for the development and management a small team. After a proven track record, an opportunity for advancement into a Branch Manager position will be provided. Branch Managers handle the administrator side as well as the human resources, advertising, training, payroll, finance, promotions, operations and overall growth of the company and organization.
***THIS IS AN ENTRY LEVEL POSITION - NO EXPERIENCE IS NECESSARY! We will train for this position! We are looking for candidates with outstanding people skills that may have experience in retail or restaurant industries. These candidates will ideally have the ability to adapt to a business environment - and most importantly possess leadership skills or are willing to learn the skills necessary to be successful,
We are looking for strong minded individuals with a hunger to succeed.
Candidates must ...