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Original Living Room With Creative Couch Designs
Try to be creative when choosing your couch because it's important for the look and comfort of your living room! Check out these great ideas!
If you care about your living room, you must know that the couch is the center piece and probably the most important in the entire room. It can dictate how the rest of the design will go or it can brighten up a dull interior decoration. But at the same time, it can express your personality and make a really original and interesting home, so check out these creative couch designs to learn more about how you can make your living room more interesting!
A bright red couch is guaranteed to bring some color into any dull living room. Red, the color of passion, will certainly create a live atmosphere around it and it will make any room look jollier. More than that, a red couch can fit perfectly well into an elegant design as well as into a casual one, it all depends on how you choose to match the elements in the room.
See also: How to give your home a pop feeling?
However, if you want to attract the attention towards other elements in the room, you can choose a neutral color for the couch, but be creative when using bright and beautiful colors for the rest of the decorations. What you can do in a different way is to choose a funny or interesting shape of the couch. Go for a classic shape or get original and buy a lips-shaped couch, a round one or a long one that goes along one of the walls.
Creative couch designs are not only about colors or shapes. You can think about using original materials or structure. A new trend that has been rising recently is to use pallets furniture. And in what concerns a couch, it's really easy to make a pallets one. Simply place large couch cushions and parts on one or two layers of pallets and if you don't want them to be visible, use a large cover over the couch until down on the floor.
See also: Living Room Ceiling Designs – Great for Your Home!
Use lots of colors on the same couch! Ones of the most creative couch designs are based on many, many colors. If you're an artistic person, you can paint a couch yourself using special paint. Or you can let your kid randomly color it if you're up for a surprise!
Have an old couch? Use a glossy cover to upgrade it and to make it the attraction of the living room! Glossy and shiny couches totally transform a room and bring a more elegant and stylish touch to any room. Don't forget that creative couch designs are also completed by funny and creative cushions. You can either match the designs for both of them or you can choose complementary colors that fit in the color scheme for the entire room. Either way, if you want to have an awesome living room, you should pay attention to the way in which the central piece, the couch, looks like and think about creative ways to make it more interesting and personal!
See also: Ideas for a Luxury Living Room Design


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During one such engagement, one of my team members was struggling to compile the code. And anytime you have compilation errors, many of the static analysis tools produce 0 findings.
That's when I sent this simple command line option to my team member, who in turn was able to ask the client to send them all the dependencies using this command. And this worked like a charm, we had all libraries required to compile the code, the tool was happy, we were happy and the client was happy as well.
So, here it is. Make sure you can compile the code without any errors.
From a command line within your project, run "mvn clean compile"
Next, once you have a clean compilation, run the command "mvn dependency:copy-dependencies". This will copy all the dependencies into the target\dependency folder.
Take a look at the target\dependency folder, you have all the libraries to compile and can now configure any tool to scan your code successfully.

subset: commoncrawl


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Light Commercial and Multi-Family - From 15-story high-rises and apartment complexes to historic buildings and office parks, our team has completed projects throughout Ohio, Indiana and Kentucky. Whether your project involves lead abatement or requires AAMA-certified windows and doors, Western Hills Window has you covered.
Parts and Repair - Western Hills Window maintains a full-service repair shop to assist homeowners with window and door service needs. Our founders' goals to give clients superior products and installation, fair pricing and outstanding service both before and after the sale, still guide the company today.
Do It Yourself - When homeowners want to tackle their own projects, Western Hills Window can provide to you the same top-quality products that we install for your DIY project.
Our reputation for quality products, competitive pricing and uncompromising workmanship is your best guarantee. With no gimmicks or high-pressure sales, you can rest assured that you will have a positive experience when calling our professional sales and service staff. Give us a call at


text: DigitalThe New York Times Promotes Tom Bodkin to Deputy Managing EditorBy Chris O'Shea|December 27, 2011 ShareBy Chris O'Shea|December 27, 2011 Share The New York Times has promoted Tom Bodkin to Deputy Managing Editor. Bodkin, who joined the Times in 1980 as an Art Director for the Home section, was most recently its Design Director. He was named an Assistant Managing Editor in 2000."Tom Bodkin plays an essential role as our art and design guru and is one of my most valued and trusted masthead advisers," said Jill Abramson in memo announcing the change. "He is central to all of our future efforts in digital and print and to the integration of our work."According to the Times, Bodkin will begin his new position on January 1. Sharehttp://adweek.it/2knkHWA copy Adweek Adweek


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GPs with Special Interests
Venue: Earls Court Conference Centre
Location: London SW5 9TA, United Kingdom
|Event Date/Time: Jun 22, 2004
|End Date/Time: Jun 22, 2004
The NHS Plan has set out the target of creating 1000 new General Practitioners with Special Interests (GPwSIs) and to improve access and convenience to primary care services which are delivered closer to patients' homes.
Many PCTs already realise the benefits of GPwSIs but funding, recruiting, developing and managing the process are hurdles to implementing services. This conference will help you to overcome these barriers and realise the benefits of GPwSIs, such as improved patient care, reduced strain on acute trusts and increased GP retention.
This event is essential for managers, directors and department heads in PCTs, SHAs and Acute Trusts who are responsible for:
Primary Care, Modernisation, Commissioning, Strategic Development, GPwSI Project Management, Outpatient Improvement, Performance Management, Service Improvement, Health Reform & Health Improvement.


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Kalamazoo Concert Band Auditions
The mission of the Kalamazoo Concert Band is twofold: (1), to provide a legitimate artistic expression of symphonic band music for the greater Kalamazoo community, which will enrich residents' cultural environment, and (2), to provide competent area musicians with an opportunity to continue their instrumental performance.
Prospective band members will be admitted and placed within the section at the discretion of the Conductor after an audition with the Conductor, Assistant Conductor and/or section leader. The audition is required for permanent membership and placement within the section. New members are added according to section need and proper instrumental balance.
Please prepare a short piece that shows both your technical skills and musicianship. Auditions usually take place before regularly scheduled rehearsals (Thursdays, 7:30pm) at Kalamazoo Christian High School (2121 Stadium Drive, Kalamazoo, MI 49008).
To schedule an audition, please contact the Kalamazoo Concert Band's conductor, Dr. Thomas G. Evans, at: firstname.lastname@example.com,
Click here for a map to Kalamazoo Christian High School.
To the KCHS Band Room
Once on the school's campus, drive to the far end of the parking lot to the last brick building on your right. Go up the cement steps, thru the doors and turn right. Follow the hallway to the end, go thru the double doors and turn left. The band room will be on your right.


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Makeup lessons are a fun and easy way to update your makeup routine. Learn new tips and tricks and transform your look from day to evening easily. Makeup can completely change the way that you look and feel, and can hide or bring out a number of your beautiful facial features.
Whether you want to learn how to perfect a cut crease, contour like the Kardashians or master winged eyeliner, a makeup lesson will give you the knowledge and confidence to recreate your favourite celebrity makeup looks.
Perhaps you're a bride planning to apply your own wedding makeup on your special day? Book in for a personalised two hour makeup lesson and master your beautiful bridal look. With hints and tips on how to get the most out of your bridal makeup along with product recommendations tailored to suit your individual needs, you'll be armed with all the knowledge and skill that you need to ensure a flawless makeup result for your special day.
I am a globally recognised makeup artist with years of experience in makeup, I know exactly what makeup will bring out your beautiful features, and I will help you to learn how to make over your face like a pro in just two hours.
Makeup lessons include
- A gift certificate to give to that special someone ahead of their lesson – perfect for a present! (Please ask if you require a gift certificate)
- One-to-one tuition with Rachael for up to two hours in a professional studio environment
- Personalised skin and colour assessment to help you discover the best products for your skin type
- A daytime makeover that's quick and easy for busy mornings
- A nighttime makeup transformation to take you from desk to evening out
- The option to sit back and relax or complete half of your look on your own face under careful guidance
- The opportunity to ask questions throughout and see what Rachael uses in her professional kit
- Refreshments provided throughout
- A personalised PDF sent to you by emailing detailing the products and brushes used on the day, the photographs of your two final looks, tailored advice and a list of recommended suppliers and stockists
- A special 15% off voucher code for your next special occasion makeup appointment*
Makeup Artistry lessons are from £120 per person for up to two hours of professional tuition. Each session admits one person only to the studio.
Makeup lessons are tailored from beginners to more advanced makeup application. Please take a look at the Makeup Lessons brochure to help you select the perfect lesson for you.
Makeup Lessons brochure
Beginner to Advanced Makeup Artistry Lessons at Rachael Divers Makeup Artistry
Please note: Spectators are not permitted into the studio – only visitors with pre-booked appointments will be welcome to the premises. No babies or children are allowed in the studio at any time – please arrange childcare beforehand if required.
Gift vouchers are available. All makeup vouchers are valid for three months after the date of purchase. Book yours today and discover a whole new look.
*Terms and conditions apply


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I actually miss blogging. I guess there is some part of me that needs to write something other than an email imploring someone for the 36th time to update their compliance data in the database I manage for work.
So it's nearly the end of April and no sign of spring yet in Seattle. For some reason, I hadn't really noticed until other people started complaining about it. That must mean I'm getting used to the dreary greyness. We have had a few sunny days, or at least partially sunny/dry days so I've been able to take T out for a walk. She really likes being outside and watching the world from her stroller, so she'll often ask for "walk? park?". Which is good motivation for me. Gotta model those healthy habits, right?
And speaking of healthy habits, gaah. We got the photos back from Trillian's 18 month photo shoot at Seattle Art Museum with our favorite photographer. They're gorgeous. Except for the handful which accent exactly how out of shape I am. It's always a photo that does that, right?
When I signed up (again) for Weight Watchers online in December, I made a promise to myself that I would keep paying for it until I got into the habit of actually using it, and following it. Not necessarily to perfection, but just enough to track what I'm eating and you know, try to give a damn. As usual, I do really well the first couple of weeks, and then there's one day where I get really busy and forget to track, and the next thing I know, it's 3 weeks later and I'm back to eating bread pudding from Whole Foods because there isn't anything else around that I want to eat for dinner. T's picky-toddler food of sausage, soybeans, and sushi rice just doesn't appeal to me, oddly enough.
It's all about the planning. If I make sure that I have reasonably healthy choices, and actually do the shopping, and make it a point to eat before I'm ravenous, it's a piece of cake (hehe, pun intended). Like today, for example. T has been sick and we can't really leave the house, so I planned ahead last night and ordered groceries from Amazon Fresh to be delivered at the crack of dawn. I actually thought about what we were going to eat and got some good stuff for both of us. I channeled my 50s American housewife and made meatloaf today. (Note to self: Progresso breadcrumbs and frozen ground beef != good meatloaf). I drank 6 cups of water and ate a bunch of fruit. I tracked everything I ate. And honestly, I'm not hungry or feeling deprived. It was actually EASY.
And I know it's easy. I know what I need to do, but I just can't seem to make the time to Just.Do.It. I always seem to be waiting for that huge block of free time which never comes. I've also spent an inordinately large amount of free time working on Etsy orders, so I've really decided not to take any more custom work. It's really hard not to obsess over my sales numbers, but I was spending enough time on it that it was like a 2nd (3rd?) job.
So yeah, here's to one day of doing the right thing, and working hard to have that happen more often than not. Once it gets nicer out and T kicks this virus, we're going to get out and do some walking. Maybe even at the Park! with Boogle!


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METRO Night Live
Live from Downtown Tampa it's METRO Night Live! The show that has everything, action, suspense, drama, and comedy. Mostly comedy, actually it's just comedy. I'm sorry I lied, real-talk though. METRO Night Live is a show where we take your favorite comedy sketches and add in some of your favorite anime and video game character. Featuring sketches from SNL, Monty Python, and much more. So come out and share a few laughs with us.If you're a fan of sketch comedy like Saturday Night Live or even Robot Chicken, then this show is for you!
Prepare to see your favorite characters like even WE'VE never given them to you – we're rehashing old gags, throwing in some new ones, a pinch of fan-service and a bit of self-deprecating humor, and hopefully, you'll like the newest show to METROCON, the comedy-filled, laughter infused, METRO Night Live!


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Changed this thread from just tankbustas to include more oddboys, including kommandos, burnas, and lootas. I will put mini meks here too.
Spoiler Summary: Group shot of tankbustas
I have been conducting a big (annual) sort of my WH 40K stuff and this time has been a deep delve into getting all the bits for various projects together with the other elements of that project. Below is the current progress of my Tankbustas.
Above shows 4 units, each with a nob, 15 tankbustas, two tankhammas, and 3 bomb squids. I plan to up the number of bomb squigs for when I play Apoc battles and split these into smaller size units, riding in trukks and such. Some of the models are painted, and some need repair. They were organized into units of 10 before, which you can see in the basing for the 4 units. Now that tankbustas come in units of 15, unpainted metal minis got primed and added to the units. I currently have only one spare tankbusta and one spare bomb squig.
These are the 4 nobs. I had 3 tankbusta nobs like the one on the right, but I did not want to use the same model so much here, so I put the extras in my nob box and pulled nobs with different bodies for this. Note that the three left nobs are missing their entire left arms, and the one on the right is missing his hand. Not shown are magnetized options for PK, big choppa, and nothing (pistol). I will have many magnetized nob arms for this project, the biker (nobs), and other projects. This picture also shows off the 32mm bases I laser cut out of acrylic (sloppily) and the washers I super glued to the bottom of the bases for strength. I got to use a piece of free acrylic scrap which was covered with shallow incorrect cuts. (Woot, 200 bases in a couple hours while I read/responded to email.) Since I will put putty on the base, the mistakes will never be seen.
This is a close up of two of my old metal tankbustas. The tankbustas before the 2007 Ork Codex did not have rockets for each tankbusta, so I had to do something to get them looking like they all have rokkits. These two have electrical connectors, show in the bag to the right, and resistors used to simulate HEAT rokkits. For the alternate old model where one hand has a pistol and one hand has a tankbusta bomb, I just inserted a rokkit into the end of the pistol. I still plan to put rokkit backpacks and other bits to show them all more loaded with rockets and tankbusta bombs.
One key thing I need to also do is paint shoulder pads and/or rokkit modules to identify the different units, since I will probably paint over the bases that used to identify the units. (Since I don't have those three different putties that I smeared on the bases before.)


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New York Mets Baseball with Kerel Cooper from "On The Black"
Tonight we're talking Mets baseball and joining me to talk about Johan Santana, Ike Davis, Josh Thole, Sandy Alderson, Citi Field, Shea Stadium and Underdog T-Shirts is Mr. Kerel Cooper from the outstanding video blog On The Black.
To listen to the program from the site please click the link provided below. To save this program to your portable listening device please right click the link below and select "save as".
The Five Tool Show can be heard each and every week at the link below
Music for the Phil Naessens Show by MatzWallez
The Phil Naessens Show is proudly presented by Swagg Screen and Textile
Please visit and "like" us on our Facebook page


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Essays on Elements
Nature Chemistry launches essay competition
Aspiring science writers are invited to submit an 'In Your Element'-style essay on one of the following elements – He, N, Na, Cu, Br, In or Pu.
To celebrate the International Year of Chemistry, Nature Chemistry is launching an essay competition based on the 'In Your Element' feature that appears on the last page of every issue of the journal. We invite aspiring science writers to submit an 'In Your Element'-style essay on any one of the following elements — helium, nitrogen, sodium, copper, bromine, indium or plutonium. The winning essays will be published in Nature Chemistry and authors of the winning entries will also receive a year-long subscription (print and online) to the journal.
We encourage undergraduates, graduate students and postdocs to enter the competition, but it is also open to those slightly further on in their careers. To submit an essay, however, it must be no more than 5 years since the author has completed their final training appointment (Ph.D. or postdoctoral position) as of the 1 August 2011.
Only one entry is permitted per person, so choose wisely which element you wish to write about! Entries must be written by a single author; multiple-author essays are not permitted.
The deadline for receipt of essays is 11:59 PM Pacific Daylight Time, 1 August 2011.
Essays should make some mention of current research involving the chosen element, but should go beyond a simple dry summary of such uses. We're looking for essays that stand out from the crowd, perhaps by including interesting stories about an element's discovery and/or history, or by highlighting unusual aspects of an element's chemistry or some crucial relevance to our everyday lives beyond simply academic or industrial research. Essays should be written in an informal and entertaining manner that would appeal to a wide audience of chemists. Essays must be original and should not, either entirely or in part, have been previously published elsewhere, including online-only sources.
For more details, check out this activity.
activity featured May 17, 2011


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Our Basketball free-tip will have jumping through hoops with joy. San Francisco Giants vs San Diego Padres game coming up
Want a free tip? Our basketball tipster Alex Reynolds can help you WIN.
Claim yours right HERE.
"To choose my picks I use all available stats, I detailedly follow form of the teams because it is on of the most important indicators, and of course, I evaluate the pitchers who are a key of every bet in baseball."


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Peep Meek Mill "Previews "Kendrick You Next" (Cassidy Diss)" Video, the latest visual from Meek Mill. It dropped on Thursday, September 5th, 2013. Meek Mill's future brightens with every new release, and Meek Mill "Previews "Kendrick You Next" (Cassidy Diss)" Video certainly isn't an exception. It's a fitting addition to a solid catalogue that Meek Mill has been developing since stepping foot in the game. We're excited to hear more.Meek Mill had DJ Enuff visit the studio, and he spit a freestyle he calls "Kendrick You Next" (although from what we hear above this one's aimed at Cassidy). Meek is promising that he's coming at Kendrick, revealing it on Twitter today. "Dreamchasers 3" drops September 20th.
Let us know what you think, folks.
Check out the latest video from Meek Mill, Meek Mill Feat. Nicki Minaj, Fabolous & French Montana "BTS Of "It's Me (I Be On That)"" Video.
If you're feeling this, make sure to hit up Meek Mill's profile page for the latest info, news, songs, and mixtapes. Remember to follow Meek Mill on Facebook and Twitter.


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Tamara Scherbak has won awards for Best Director and Best Film for "Dedashka". Her other works, "I U SHE" (a collaboration with music artist Peaches for Pop Montreal), "Only Sky & Water" (part of the TIFF Emerging Filmmakers Competition), "Recycle, Reuse, Remix" (produced by the National Film Board of Canada), and "Raya" have screened in numerous film festivals nationally and internationally including in competition at the Hot Docs Film Festival. She has also directed a number of music videos and branded content which have aired/streamed on the Bravo Network and Vice Canada among other outlets. In 2018, she was 1 of 51 finalists for the Academy of Canadian Cinema & Television's Apprenticeship for Women Directors. Most Recently, she was 1 of 100 creators selected for the 2019 Netflix-Banff Diversity of Voices Initiative.
Tamara was 1 of 9 filmmakers selected for the Berlinale Talents Short Film Station with her script "Is Your Teen a Homosexual?". She has also been selected as a writer/director for the Toronto International Film Festival Talent Lab, the Reykjavik International Film Festival Talent Lab, the RIDM Talent Lab, The Festival du Nouveau Cinema Talent Incubator and as filmmaker-in-residence at 33 Officina Creativa in Italy.
While getting B.F.A in Film Production from the Mel Hoppenheim School of Cinema she did exchanges at the E.I.C.T.V. in San Antonio de los Banos, Cuba and at the Centre Imagine in Ouagadougou, Burkina Faso.
Aside from her fiction and documentary work, she has created interactive multi-media installations with The Other Theatre such as Etiquette 4 Lucid Dreaming, presented at the New Museum Ideas City Festival in New York.
Previously, she has enjoyed bringing to life the projects of other talented filmmakers through the magic of editing. She attended the Post-Production Studio for editors at the Berlinale Talent Campus and has worked on numerous productions in film and television such as "Surviving Bokator" which had its international premiere at the Austin Film Festival, the Canadian Screen Award & Prix Gémeaux nominated "Burgundy Jazz" and "Musically Medicated", nominated for best first-time documentary at the Rendez-vous du Cinéma Québecois. As well as for broadcasters such as CBC, Évasion, YTV & Syfy.
In Development
Cazzarola! (Dammit!) (Feature)
A feature-film adaptation of the novel by Norman Nawrocki, titled "Cazzarola!".
Dammit! (working English-language title) is a raucous drama set in contemporary Italy under the turbulence of a rising far-right movement and the refugee crisis. It explores the themes of freedom and conformity through the world of the counter-culture scene.
Antonio, a lackadaisical punk rocker, gets his world blown apart when he falls in love with Cinka, a Romani refugee violinist trying to adjust to life in Italy. Both are forced to reevaluate their lives and contend with cultural taboos as they try to find a place for themselves and each other within their communities.
Language: Italian and Romani.
In development.
Un adattamento cinematografico del romanzo di Norman Nawrocki, intitolato "Cazzarola!".
"Cazzarola"! è un film drammatico ambientato nell'Italia contemporanea sotto la turbolenza di un movimento di estrema destra e della crisi dei rifugiati. Esplora i temi della libertà e della conformità attraverso il mondo della scena della controcultura.
Antonio, un punk rocker spregiudicato, fa esplodere il suo mondo quando si innamora di Cinka, violinista rom di rifugiati che cerca di adattarsi alla vita in Italia. Entrambi sono costretti a rivalutare le loro vite e lottare con tabù culturali mentre cercano di trovare un posto per se stessi e gli altri all'interno delle loro comunità.
Lingua: italiano e rom.
In sviluppo.
Lessons from a 7ft Penis (Web Series)
Norman Nawrocki is a musician, writer, performer and an all‐around entertainer and for years he has been touring North America with what he has dubbed 'sex comedy cabarets'. These shows with titles such as 'Sex Toys", "I Don't Understand Women" and "Stories from a 7ft Penis" are sex‐positive, anti‐homophobic and anti‐misogynist shows have Norman acting as over 20 different characters such as a high school sex education teacher called Mrs. Robinson, a singing and dancing butt plug, a giant vagina named Virginia Vagina, and a giant purple penis named Dickhead. While many of his characters are comical, using humour as a method of diffusing embarrassing or hot button issues surrounding sexuality and sexual politics, Norman doesn't joke about serious issues, and tackles subjects such as violence against women, sexual harassment and gay-bashing.
Ostarbeiter: Eastern Workers (Documentary)
A lyrical documentary about Ukrainians during WW2 who were taken as forced labourers to Nazi Germany, extension of the award-winning short, Dedashka.
Short Films
Sex Tapes: Lessons from a 7ft Penis & Friends (2019)
Is Your Teen a Homosexual? (2018)
Lost Postcards (2016)
I U She (2012)
Only Sky & Water (2010)
Recycle, Reuse, Remix (2009)
I Carry my Memories in this Suitcase (2009)
Dedashka (2008)
Hong Kong Cowboy (2007)
Raya (2005)
Music Videos
All Refugees are Welcome, for Norman Nawrocki (2017)
The War Will End, for Michael Jerome Browne (2009)
Going Across the Sea, for Michael Jerome Browne (2007)
Etiquette for Lucid Dreaming with Project for Empty Space & The Other Theatre (2013)
Home Theatre with Kanva Architecture & The Other Theatre (2011)
Spiral Jetty: Movement for the Masses with The Other Theatre (2010)
Fleurs du mal aka (a piece) of my heart: breaking with Greg Selinger (2010)
Réhabilitation for The Other Theatre (2011)
Commercial / Branded Content
For The Better with Vice & Yoplait (2018)
Lunice for Vice & National Bank (2017)
Chevrolet Silverado "Entraide fait la force" (2017)
Promo ads for Réhabilitation (2011)


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Shrinebuilder - Pyramid of the Moon
Scott Weinrich, Al Cisneros, Scott Kelly and Dale Crover in one single band.
Was there seriously any way this could possibly go wrong?!?
Labels: a feeling of doom
Kvelertak - Sjøhyenar (Havets Herrer)
An interesting blend of music by a bunch of nice people supported by some well-established bands.
Keep selling these vinyls. Takk mye.
Labels: Cuts


text: The Joy of Service.....& Popcorn! by JC Quintana 09/20/2016 I would love to give you a precise list of all the things I have done wrong in my 30+ years working with customers. It would fill volumes of tragic and humorous episodes I would rather forget. I have learned through this wondrous experience of serving people, that helping human beings is as much about doing things right as it is about remembering to keep the focus on the right things. It reminds me a lot of making theater movie popcorn. No really… it is like making that delicious, buttery, and


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Good morning friends! I hope you all had a great weekend. I'm back with the full reveal from My Creative Scrapbook for the month of August. If you like Prima (and seriously, who doesn't, LOL), this month's LE kit is for you! First off is the gorgeous papers from the Fairy Belle collection, then beautiful flowers and vines, and let's not forget the stunning vintage trinkets, plus so much more! This kit is to die for!!!!
To make it easier for her to display it in a tabletop easel, I mounted the layout on chipboard.
One of the vintage trinkets on the kit is a working locket. I thought it was the perfect addition to this page as the bride can add the wedding date of little photos of her and the groom here.
Another page using the beautiful papers and flowers in the kit, notice the pretty lace and bling, swoon!
Here's a closer look...
And another layout. This one has lots of fussy cutting to play up the fairy theme. I also incorporated one of Emily's favorite quotes from the Peter Pan movie, "Faith, trust and pixie dust".
To create the lattice background, I used my craft knife to follow the design on the paper, then inked around it to make the cut outs stand out a bit.
Here's a few more close ups,
To go along with the layout I'm gifting my husband's cousin, I made this coordinating card.
I added stitching and liquid pearls using my Viva pen, plus more of those beautiful trinkets :)
I also finished the inside of the card to make it more special.


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Eufrat and Zara kiss for the first time and there is a fantastic buzz in the air, a kind of nervous energy vibrates between them as they finally taste each other. Eufrat lays down on Zara and almost immediately the energy jumps to higher level as the kissing becomes more passionate and Eufrat pushes her body down on Zara, grinding her crotch on her thigh. Eufrat pulls out one of the redhead's pert little boobs to suck on and we catch a glimpse of Zara's great posture, her arched back and plump bottom sticking out, crying out to be fucked hard. Soon Zara takes the lead and is pushing herself down on Eufrat, kissing her passionately and squeezing her plump boobs. She sits up so Eufrat can slip a hand inside her shorts as they continue to kiss with great intimacy. Eufrat slides her fingers deep inside Zara's tight pussy, finger fucking her from behind to an intense orgasm and Zara returns the favour wrapping herself around Eufrat from behind.
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Be sure to check out our constantly updated concert calendar!
Friday, March 7
Nick Waterhouse
Nick Waterhouse is more retro-minded than many musicians, but the singer-guitarist has turned his love of the past into a way of discovering who he is in the here and now. "You become something on the way there," he says about the various ways he's incorporated the influence of idols Mose Allison and Van Morrison into his own music. Wearing oversize spectacles and formal suits, Waterhouse slightly resembles Buddy Holly, while the cover art of his upcoming second album, Holly, evokes Herb Alpert and Ladies of the Canyon. The Orange County - raised singer, however, is more about vintage soul and R&B on such uptempo, horn-pumped numbers as "This Is a Game." Amid the Hammond-like organ, stylishly clipped guitar accents and overall early-'60s vibe of "High Tiding," Waterhouse urges, "Come close and see something moving in me." - Falling James
See also: Nick Waterhouse Is Stressed Out
Anny Celsi
Anny Celsi is one of this city's smartest and catchiest pop songwriters but, as is the case with so many talented musicians, she's far more popular in Europe than in her hometown. She might even be too clever for her own good, adapting the lyrics of such early songs as "'Twas Her Hunger Brought Me Down" from a Theodore Dreiser novel and combining them with jangling power-pop melodies. On her latest album, January, Celsi revels in the simple pleasures of new friends and British record stores ("Travelogue"), hidden natural wonders ("Citybird") and the hope of romance ("Kaleidoscope Heart"). Love isn't always easy to find with "Ghosts in the Room," but she imbues sad, spare ballads like "Oh Baby, Is the Circus Back in Town?" with contemplative lyrics and intimately affecting vocals. - Falling James
Saturday, March 8
Mark Kozelek
From his early days with San Francisco band Red House Painters to his more recent solo albums and work with Sun Kil Moon, Mark Kozelek has always been an unpredictable musician, crooning his tales of tragic boxers in a distinctively wounded baritone. This is the man, after all, who once released two albums of AC/DC covers, where he marvelously transformed the Australian hard-rock group's feral anthems into gentle singer-songwriter introspection. Not many folks have covered songs by both Stephen Sondheim and Hüsker Dü, but even when he's interpreting music by John Denver and Simon & Garfunkel, Kozelek tends to radically rearrange the structures until they're virtually brand new. On Sun Kil Moon's just-released Benji, he creates an eerie and unsettling mood on such twisted interludes as "Richard Ramirez Died Today of Natural Causes" and "I Can't Live Without My Mother's Love." - Falling James
Though playing the Wiltern for many is a promising sign of things to come, for Datsik, it's just another notch on the accomplishments belt. When the 25-year-old Canadian DJ hits the stage at one of Los Angeles' most hallowed concert halls, he'll bring with him the experience that comes with playing mega-festivals including Ultra, Coachella, EDC and Electric Zoo. Fusing a number of eclectic influences, the artist also known as Troy Beetles included the likes of Z-Trip, Infected Mushroom and Korn's Jonathan Davis on his 2012 debut. Late last year, via his own Firepower label, he unleashed Let It Burn, an album that continued the spread to the masses of his dirty, drop-ridden brand of dubstep. Attracting both EDM fans and bros alike, expect the floors of the 83-year-old Wiltern to be thumping like it has only a few times before. - Daniel Kohn
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Gardens & Villa
Gardens & Villa's second album, Dunes, starts with "Domino," a burst of synth pop that instantly puts the listener in a mood better than the one he was in before the song started. That's the whole aesthetic of Dunes, which got its start in Gardens & Villa's hometown of Santa Barbara. It's a safe bet that this locale inspired the album's inherent beachiness and upbeat attitude, even if it was produced by former DFA Records stalwart Tim Goldsworthy (The Rapture, Cut Copy), in a cold, small town in Michigan. Dunes marries analog instruments with fresh, danceable sensibilities for a winning synth-rock/soft-rock fusion. "Bullet Train" taps into '80s robotic sounds, while "Chrysanthemum" hits stratospherically high vocal registers and "Purple Mesas" moves at the speed of chillwave - a term possibly coined for such a record. - Lily Moayeri
Sunday, March 9
Aussie BBQ
Bootleg Theater
Oz meets L.A. today with an event featuring 22 bands hailing from the land Down Under. A local SXSW showcase, the Aussie BBQ returns to L.A. for its sixth year, landing at the Bootleg Theater and featuring a boatload of top-of-the-line Australian acts making a stopover on their way to Austin, Texas. The mini-festival (yes, there will actually be BBQ) spans genres, with the charming, heartbroken sounds of Gossling, the infectious excitement of The Jungle Giants, cheery gang vocals of The Griswolds, Sun Rai's jazzy melodies and more. This daylong pageant offers a glimpse into the musical happenings on the other side of the world and is a supremely pleasant opportunity to catch bands that just may never roll through the City of Angels again. Throw another shrimp on the barbie, and dive into the foreign fun. - Britt Witt
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You know how Verizon charges you $200+ for the latest cellphone, and then they don't allow you to use it with any other carriers? Yeah, that's absurd. I finally scrounged up the courage to wean myself from the great big teat that is Verizon Wireless. While I can't complain about their coverage or cellular service, I can complain about their high bills. I was paying $90 per month, and that was the lowest plan I could get with a smartphone.
Despite being only halfway through my latest 2-year contract with Verizon Wireless, I decided to switch to Straight Talk. Why? Even if I pay a hefty termination fee, I'll be saving money over the next year. Unfortunately, with Straight Talk I won't have Verizon's amazing nationwide coverage. Originally, I come from the boonies of Montana, so giving up that coverage really feels like giving something up. However, I live in the city now, and Straight Talk has me covered, so why not? Here's how my savings stack up:
- Verizon annual access charge: $1080
- Verizon annual technology cost: $100 ($200 every two years if I get the best new phone)
- Total Annual Verizon Cost: $1180
My early termination fee is $230, but I should be able to recoup that by selling my old phone on eBay. Used S3's are going for approximately $250.
- Straight Talk annual access charge: $576
- Straight Talk annual technology cost: $95 (assuming I buy a lesser quality phone every 2 years)
- Straight Talk incidentals: $3 ($15 SIM card spread out over 5? years)
- Total Annual Straight Talk Cost: $674
Total Annual Savings: $506
In making this switch, I had to give up my Samsung Galaxy S3 ($700) for a smaller, older, and more modest Galaxy Ace Plus ($175 on eBay). Downsizing isn't that bad, though. I've always thought the S3 was too large–it barely fit in my pocket. Why do I need a large screen gadget in my pocket when I use my laptop for virtually all internet access?
The switch itself wasn't entirely free of headache. To save my existing phone number, I had Straight Talk "port" it in from Verizon Wireless. The moment that happened, Verizon disabled access to my online account. I was completely unable to log in to download old statements or check the existing balance on my account. I had to endure a lengthy chat with a customer service agent just to find out how to pay the rest of my balance and the early termination fee. As for Straight Talk, my data didn't work at all for the first couple of days. I spent a long time on the phone with an agent before he told me that I would just have to give it more time. After several days and still no data, I started searching online for APN settings that would give me data access. After about six tries, I finally found one that worked. It was for iPhones. Yeah… I'm running Android, and the APN settings given to me by Straight Talk don't work, but settings for a completely different operating system work perfectly. I'm glad that's over. Now that everything is running smoothly, I'm very glad to be rid of my $90/month two-year contracts.
Image credit: Smashed phone image copyright (c) 2012 Solarbotics and made available under Attribution 2.0 Generic (CC BY 2.0)


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Logo handmade by Bannister
Column by Scott Green
Upcoming in Japan
Fans hoping that a new Sailor Moon anime would be announced during the 20th anniversary event streamed live from Nico Nico got their wish. Specifics on the plans for the new version of Naoko Takeuchi's seminal magic girl work were not announced beyond a summer 2013 time frame, but it is coming.
Momoiro Clover Z, who joined the event from Japan Expo 2012 in Paris via satellite to sing "Moonlight Densetsu," will be performing the anime's theme song.
Also recently celebrating an anniversary, also a dream anime for many, 25 year old multi-genre cult manga Jojo's Bizarre Adventure is getting an anime TV series this fall, in addition to CyberConnect2 PS3 game in 2013.
Following a high profile countdown, the release date for Evangelion 3.0: Q aka Evangelion: 3.0 You Can (Not) Redo along with an Asuka-centric new promo was projected for all to see at the Shinjuku Wald 9 movie theater.
True to all those fall target, the movie will be opening November 17th, with tickets going on sale July 14th.
Popular shonen manga Hayate no Gotoku (Hayate the Combat Butler) will be getting a third anime series this fall, produced by Manglobe
Ahead of screening in the theaters this weekend, a new trailer for September's Tiger & Bunny: The Beginning debuted on Japanese morning TV, offering previews of some of the super hero anime movie's new characters, as well as Unison Square Garden's new theme song "While Listening to Blue Linear."
And speak of Tiger & Bunny, its direct Keiichi Satou's adaptation of George Akiyama's manga about deprivation to the point to cannibalism Asura (or Ashura) opens in Japan on September 29th after playing at this month's New York Asian First Festival
So far there's just a teaser site, but a Persona 3 anime movie adaptation is on the way.
The trend of zombie girl anime will be continuing in the upcoming light novel adaptation Calamity of a Certain Zombie Girl.
New trailers for the upcoming live action Rurouni Kenshin, hitting theaters August 25th
Hitting theaters in July 28, movie Naruto: Road to Ninja, planned by Masashi Kishimoto, will celebrate the anime's 10th anniversary
Upcoming in North America
North America's biggest anime convention, Anime Expo ran last weekend. Newly announced licenses include
Aria the Scarlet Ammo. The series is directed by Takashi Watanabe, best known for directing Ikki Tousen, Shakugan no Shana, and Slayers Revolution.
Series synopsis:
Kinji is a junior at a high school for mercenaries. He just wants to be normal, but his secret condition— he turns into an ace killer when he's turned on by the female form—triggers a fiery transfer student's unrelenting desire to make him her partner. Additional information may be found at: http://
They have also acquired the broadcast, home entertainment, and mobile rights to the complete anime series, Jormungand. The series is directed by Keitaro Motonaga, best known for directing Katanagatari, Getbackers and School Days.
Series synopsis:
A ruthless arms dealer on a quixotic quest for world peace. A child soldier born into chaotic conflict. Their lives will intertwine as they journey together through the seedy underbelly of the world's arms market. Additional information may be found at:
FUNimation has acquired the broadcast, home entertainment, streaming and mobile rights to the complete anime series, Blood-C, as well as the movie Blood-C: The Last Dark. Production I.G and CLAMP co-produced the project directed by Tsutomu Mizushima, best known for directing Big Windup! and Squid Girl.
Series synopsis:
Saya Kisaragi is a clumsy girl with a secret. She attends school, goes to the café with her friends and is always in a rush during the day. At night she becomes a hunter, protecting her town from monsters. As she battles these monsters she finds herself faced with uncertainty regarding her identity and purpose. In order to protect her friends Saya must become stronger or else face turning into a monster herself.
In addition, broadcast, home entertainment, streaming and mobile rights have been acquired to the complete anime series, Michiko & Hatchin. The series is produced by studio Manglobe and directed by Sayo Yamamoto, best known for her storyboard work on Death Note, Gunslinger Girl and Eureka 7.
Series synopsis:
After escaping from prison, the sexy criminal Michiko rescues an abused girl known as Hatchin. The two are about as opposite as they come, but their fates become intertwined through the connection of a man from both their pasts. On the run from the police and Hatchin's abusive foster parents, the unlikely duo set out to find this man and ultimately discover their freedom.
FUNimation has also acquired the broadcast, home entertainment and streaming rights for the Production IG anime series, Appleseed XIII.
Series synopsis:
After facing massive destruction from a devastating war, the city Olympus has become the last stronghold as the center of command for the world. In order to protect the city from a group of terrorists known as the Argonauts, former LAPD SWAT member, Deunan Knotts, runs special military forces consisting of Biroids (cloned humans) and her cyborg partner Brialeos. Knotts must protect the city at all costs but is met with difficulties when Al Ceides, the Argonaut leader thought to be dead, resurfaces and causes problems.
Fans of the popular series, Ikki Tousen, will be pleased to know that FUNimation has acquired thebroadcast, home entertainment, streaming, and mobile rights for the third and fourth seasons: Ikki Tousen – Great Guardians and Ikki Tousen – Xtreme Xecutor.
Two new simulcasts have also been added to this year's acquisition announcements. FUNimation has acquired the simulcast rights for Binbougami ga! and Aesthetica of a Rogue Hero.
Binbougami ga! series synopsis:
At the expense of the people and things around her, Sakura has absorbed so much "happiness energy"
that she has caused an energy imbalance in the world. In order to return balance to the world, the
Poverty God, Momiji, sets out to take away Sakura's ability to absorb this energy. Will Momiji be able to put a stop to Sakura's absorbing abilities, or will the God succumb to her happiness?
Aesthetica of a Rogue Hero series synopsis:
Hero defeats bad guy. Good triumphs over evil. The end. Or, at least that's how it usually goes. But what happens after the hero goes home? Our hero, Ohtorizawa Akatsuki, is about to find out that sometimes the greatest adventure starts once happily ever after ends. Additional information can be found at
And finally broadcast, home entertainment, and theatrical rights have been acquired to the complete anime series, Eureka 7: Astral Ocean. The series is a sequel to Eureka 7 and is created by Bones, best known for producing Wolf's Rain, Soul Eater, Darker than Black and several other acclaimed series.
Series synopsis:
The story is set on Okinawa's isolated island of Iwado, which has seen a growing movement advocating a return to an autonomous government. Ao Fukai, a 13-year-old boy with a missing father, lives on the island with an old doctor named Toshio and is about to enter middle school. Ao's mother was taken away a decade ago by unknown individuals. Naru Arata, Ao's 13-year-old childhood friend and the story's heroine, lives with her father, older sister, and grandmother. She has a "Yuta" power awakened within her due to an incident when she was young. A mysterious entity called "Secret" suddenly appears and launches an attack on the Scub Coral lifeform on the island. Ao launches a certain military FP called "Nirvash" aboard a Japanese military transport in his fervent desire to protect the island.
Right Stuf
Right Stuf announced its license for RISTORANTE PARADISO, the adaptation of the Ristorante Paradiso and Gente manga by Natsume Ono (House of Five Leaves, Not Simple). The 11-episode television series features animation by David Production (The Book of Bantorra). It aired in Japan during Fuji TV's late-night anime Noise timeslot and was simulcast by Crunchyroll. The manga series is currently available from VIZ Media.
Ristorante Paradiso will be released as a complete series DVD set in Fall 2012 with Japanese audio, plus English subtitles and on-screen translations.
When Nicoletta was a little girl, her mother, Olga, abandoned her and ran off to Rome to remarry. Now, 15 years later and a young woman, she travels to Rome with the intention of ruining her mother's life. She tracks Olga down to a restaurant called Casetta dell'Orso, but the second Nicoletta steps through its door, everything changes. It's a peculiar place staffed entirely by mature gentlemen wearing spectacles, and like their clientele, she is helpless against their wise smiles and warm voices. Before Nicoletta realizes it, her plans for vengeance start to fade, and she's swept up in the sweet romance of everyday Italian life.
Right Stuf also announced its license for the 13-episode television series HYAKKO.
The slice-of-life comedy – about a quartet of high school girls and their classmates at a large, private school – is based on the Hyakko manga by Haruaki Kato and published by Flex Comix. It features animation by Nippon Animation, as well as the vocal talents of Aya Hirano ("Haruhi Suzumiya," "Lucy" in Fairy Tail), Fumiko Orikasa ("Rukia" in Bleach), Michiko Neya ("Riza Hawkeye" in Fullmetal Alchemist), and Yurika Ochiai ("Keiko" in Uta~Kata). It aired during Fall 2008 on TV Tokyo and was simulcast outside of Japan by Crunchyroll.
Hyakko will be released as a complete series DVD set in 2013 with Japanese audio, plus English subtitles and on-screen translations.
AOI HANA: Sweet Blue Flowers
Right Stuf also announced the acquisition of the license for AOI HANA: Sweet Blue Flowers, the 11-episode anime adaptation of the manga by Takako Shimura (Wandering Son). This character-driven, coming-of-age drama features direction by Kenichi Kasai (Honey and Clover) and animation by J.C. Staff (Revolutionary Girl Utena, Nodame Cantabile). The series succeeded Ristorante Paradiso in Fuji TV's Noise timeslot and was also simulcast by Crunchyroll. In 2009, it was recognized by the jury of the 13th Japan Media Festival Arts Awards as a recommended work.
Aoi Hana: Sweet Blue Flowers will be released as a complete series DVD set in 2013 with Japanese audio, plus English subtitles and on-screen translations.
For more information about the series, visit comingsoon.rightstuf.com.
Introducing LUCKY PENNY & A Renewed Focus for NOZOMI ENTERTAINMENT
Following the acquisition announcements, Kleckner introduced Lucky Penny Entertainment, a new Right Stuf studio-label that will be dedicated to releasing high-quality and budget-friendly editions of both anime fan favorites and niche titles. The first series to be released under the Lucky Penny label will be Ristorante Paradiso, Hyakko and Aoi Hana: Sweet Blue Flowers. For more information about Lucky Penny and its upcoming releases, visit www.luckypennyent.com.
Right Stuf Manga and Print-On-Demand Releases:
Announcement of PSY-COMM, Vol. 3 for August 2012
HETALIA, Vols. 1-3 Now Available; BIZENGHAST, Vol. 8 Available July 2012
Right Stuf, Inc. announced that, through a special arrangement with creators Tony Salvaggio and Jason Henderson and TOKYOPOP, fans will be able to pre-order the third volume of PSY-COMM in book form for the first time ever, exclusively through RightStuf.com in July 2012. The volume will be released as part of the Right Stuf On Demand program in late August 2012. The move was driven by fan demand for the dystopian, science-fiction action-adventure.
The first print run of HETALIA AXIS POWERS, Vol. 3 is now shipping. Through an arrangement with Japanese publisher Gentosha Comics and TOKYOPOP, Right Stuf is offering this volume – in English-translated and book form for the first time ever – with an eight-page color insert. Once the initial print run sells out, the volume will be transitioned to Right Stuf's print-on-demand program, like the previous two volumes of the series. All three volumes of the Hetalia manga are available now.
And BIZENGHAST, Vol. 8, from creator M. Alice LeGrow, will also be in book form for the first time ever, in late July 2012. For a limited time, fans who pre-order the volume will also receive an exclusive postcard featuring art from the series.
All of the above books can be ordered exclusively through RightStuf.com.
Sentai Filmworks
Sentai had monster licensing slate that included
Legend of the Heroes: Trails in the Sky
Horizon in the Middle of Nowhere 2
Hiiro no Kakera
Hakuoki Reimeiroku
Mayo Chiki!
iDOLM@STER Xenoglossia
Natsuyuki Rendezvous
La storia della Arcana Famiglia
Qwaser of Stigmata
Detroit Metal City
So, I Can't Play H! (Dakara Boku-ha, H ga Dekinai.)
Space Brothers
Someday's Dreamers 2: Sora
Jinrui wa Suitai Shimashita
Tari Tari
Kokoro Connect
a few AICN relevent highlights include
The marriage vows state "until death do us part", but even death may not be able to break the bonds in Sentai Filmworks' latest acquisition, Natsuyuki Rendezvous, the brand new show from Fuji TV's popular noitaminA block. Based on the work of spirited female manga artist Haruka Kawachi, whose offerings are highly anticipated, this bittersweet romance is directed by Kou Matsuo (Kurenai, Yozakura Quartet) who will employ pre-scoring, or recording of the voice tracks before the animation is complete, for this ground-breaking series. Character designs are by Junichiro Taniguchi (Ryoko's Case File) and music by Ken Muramatsu (Kurenai).
Hazuki may be near-sighted, but he knows true beauty when he sees it and the delicate form of flower shop owner Rokka draws him in like a bee to honey. So, hoping to cultivate a relationship between them, Hazuki takes a part time job at her shop, only to discover two huge thorns preventing the nurturing of any romance. The first, the fact that Rokka is still grieving for her late husband Shimao, would be enough to snip most men's ardor short, but it's the second that really threatens to make Hazuki's forlorn hopes wilt. Because while Shimao is most definitely deceased, he hasn't yet departed and his spirit is still living in Rokka's apartment! Except only Hazuki can see him, which leads to a very strange romantic triangle indeed. Are Hazuki's chances with Rokka as dead as the man who still lives in her house? Or can he somehow make love blossom even though there's an interloper pushing up the daisies between them? One way or another, the ground's going to be rocky and someone or something's likely to get nipped in the bud in NATSUYUKI RENDEZVOUS!
Natsuyuki Rendezvous will be available soon through select digital outlets with a home video release to follow next year
Space Brothers
Head for the stars with Sentai Filmworks latest acquisition: Chuya Koyama's Space Brothers! Featuring direction by Ayumu Watanabe (Mysterious Girlfriend X), character designs by Koji Yabuno (Naruto Shippuden: Blood Prison) and music by Toshiyuki Watanabe (The Devil Lady), this series certainly has the right stuff to blast off!
Mutta's life has hit rock bottom. He's been fired, blackballed from his profession and now he's had to move back in with his parents. Meanwhile, his kid brother Hibito has been literally riding a rocket and training to be an astronaut. The same career Mutta once dreamed of. So, is it ever too late to go after your dreams? Through a little coercing and a bit of covert activity, Mutta's family and friends can get his resume on the right desk, but from that point on it will be up to Mutta himself. Does he have what it takes to turn his life around and put his footprint on the moon? The first step on the highway to the stars is always the hardest, and in a job where crash and burn isn't just a euphemism, it will be the biggest risk Mutta's ever taken. But with the best support team ever, maybe he'll find what he needs to rekindle the spark inside him and light the biggest candle of them all! Get ready to blast off into the most magnificent tomorrow ever in SPACE BROTHERS!
Space Brothers will begin release through select digital outlets soon with a home video release to follow.
Someday's Dreamers II Sora
Directed by Osamu Koabayashi (Paradise Kiss) with Someday's Dreamers Season 1's Norie Yamada (Original Story & Screenplay) and Kumichi Yoshizuki (Character Designs) helping to bring Someday's Dreamers II Sora to beautiful life.
Get ready for a second magical journey to the world of SOMEDAY'S DREAMERS, where spellcasting is a profession that requires both the proper training AND a license. It's to get that license and fulfill a promise made to her late father that young Sora Suzuki has made the long journey from her distant home in the countryside town of Biei to the big city of Tokyo. It's a daunting challenge, but she's got a little bit of talent, a charming personality and, most important of all, the promise of an internship! What she ISN'T expecting, though, is how different life in the city will be, especially the people themselves. While she gets along with the confident Asagi, Kuroda and the gentle Hiyori, she's completely confused with the mysterious boy Gouta. And yet, as a result of their internships they keep ending up in the same situations and slowly learning to understand more about each other than they ever imagined possible! Prepare to be enchanted all over again as Sora slowly discovers the most powerful magic of all in SOMEDAY'S DREAMERS II SORA – THE COMPLETE COLLECTION!
Someday's Dreamers II Sora will be available through digital outlets and on subtitled DVD later this year
Directed by Seiji Kishi (Angel Beats!, Kamisama Dolls), featuring character designs by Kyuuta Sakai (Steins;Gate, Strawberry Marshmellow) series composition by Makoto Uezu (Qwaser of Stigmata, Kamisama Dolls) and music by Ko Otani (Another, Hakuoki).
For years, declining birth rates have forced what's left of the human race to cede more and more territory to other beings who have appeared to take advantage of the emptying ecological niche. Now, only a handful of humans remain among the remnants of civilization and Earth is dominated by faeries – tiny, ten-inch tall creatures of surprising intelligence. But humanity's importance isn't over quite yet, as young Watashi learns as she makes the decision to return to her hometown and assume her grandfather's position as an arbitrator between the races. Unfortunately, the job isn't going to be anywhere near as simple as she expected, and it's going to take a wisdom far beyond her years to achieve her most important mission. Because it's not about how often you fall and fail, it's about how often you get back up and try again, and the human race still has a lot left to accomplish in JINRUI WA SUITAI SHIMASHITA.
Jinrui Wa Suitai Shimashita will be available soon through select digital outlets with a home video release to follow next year.


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12 Jan
I have mail … so I reply
Hi Tim,
You wrote:
I have subscribed to your blog.
Presumably it's been added to Bookmarks (in Firefox) or favorites in I.E.
I am toying around with starting one myself. I am worried about the time committment and the quality of my own writing. Do you have any advice for me?
- Yes, there is a time commitment if you are concerned about the quality of your writing. Developing a style, or voice, does take time when blogging, mainly because it is important to think of your reader(s). If you have something to say (and I know you do), then go for it. If you are writing a personal diary, then don't publish a blog.
- Work out how you want to be read; given that Indonesia's ISPs are so erratic and the cost of staying online, assuming you can, is exorbitant, then pre-planning is essential.
- Check your writing both before and after posting it online. Don?t be scared to edit. Check your spelling – committment !? Incidentally, use WordPad; don't Cut or Copy and Paste from Microsoft Word – its HTML code and other hidden stuff seems to cause all sorts of problems when posting in Blogger, which, for an ignoramus like me, is relatively easy to use. And free.
- Keep a copy of each posting, dated, on file in a folder somewhere offline.
Essential Reading: Simon's Everything You Wanted To Know About Blogging But Were Afraid To Ask
I have some comments on your blog.
Go ahead. I can take it.
I would use smaller font. I think it would be easier to read and wouldn't take up so much space.
You know I'm blind as a whatever, minus 12 with astigmatism. Actually, the font size is set as 'Normal' in my Blogger editing console. Just change the settings in View in your browser.
Your prose is sometimes difficult to read. It's your style so you can't do much about it I suppose but watch out with longer sentences.
I don't think my readers are tabloid-orientated and you know I'm fascinated with the power and pleasure of language. If there is the occasional need to use a dictionary to interpret my musings, then, hopefully, there is an educational function to my blog. I'm not trying to preach. Rather, I feel that an expat's perspective has some value in this benighted country you and I love.
Don't change your name. It's a good one already. The others that you listed are all obscure – they don't mean anything to the average reader – Jakartass says something.
Actually, I never intended to. Those names didn't mean anything to me either until I looked them up in the page I linked to. Why not choose one of them as the name for your own blog? Let me know when it's up and running and I'll give you a link immediately. There are far too few of us here in Indonesia.
And thanks for saying that "Jakartass says something". I do like appreciative readers.
PS. The following blogs all say something about the effects of the tsunami locally.
Agam's Gecko
Comments on the news
Alia's Realm
Jeff Ooi
Malaysian blog
Brit in Malaysia
Wider perspective
Simon's World
Lots of Asian links
And, of course,
Solid information about the what, where and how of relief work in Aceh


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"if at any moment i begin to doubt myself, i reflect on the risk that the main characters not only take in real life, but in trusting me to make this film." - Director, Ned Donohoe
GREEN LIGHT is a story of desperation, redemption and compassion. Philosophically, I want this film to explore human beings and their unreasonable capacity for compassion, and contrast this with lagging governmental and societal structures.
We follow two Australian men, both with past drug and mental health issues, and explore their new found purpose through their assistance in providing medicinal cannabis to thousands of sick and dying patients. Swift and compassionate access schemes have yet to be implemented by the Australian Government, leaving these people with nowhere else to turn.
The patients will be compartmentalised into: the recovered, the recovering and the departed. This is important as it will present the most balanced view of the ameliorating impact of the medicine.
Gleaning from second-wave feminism of the 1960s, 'The personal is political' helps to justify this film's primary focus on the human stories behind medicinal cannabis. Political and scientific context will be acknowledged, however, this film will prioritise what has proven to facilitate far deeper social impact – incredible patient stories. Ultimately, I want to discover why the main characters are willing to risk their freedom to help those in need.
Despite being a documentary, this film will be made to look as cinematic as possible. The production will comprise of cinema vérité, found footage and controlled performative scenes. The performative scenes will work to visually display the recovery of patients. Inspired by the early works of filmmaker Werner Herzog, the beautiful landscape of Northern NSW, Australia will itself be a character in the film – a constant reminder of what both main characters risk losing if incarcerated.
If at any moment I begin to doubt myself, I reflect on the risk that the main characters not only take in real life, but in trusting me to make this film. This has and will continue to be my greatest source of inspiration. Green Light has the potential to humanise a story that has for too long been politicised. As our main subjects say, "Once we're out of business, we've done our job".


text: CHICAGO (AP) - A Muslim convert accused of plotting to wreak havoc at a Rockford mall by blowing up garbage cans with grenades remained in custody Wednesday after a short hearing in federal court. Derrick Shareef, 22, did not speak. His attorney waived his right to a preliminary hearing and also waived a detention hearing. The next step is for Shareef to be formally indicted, defense attorney Michael Mann told reporters outside court. Mann said he probably wouldn't try to get a bond set for Shareef, whose mother was at the courthouse for his appearance. She declined to comment afterward. Shareef is accused of trying to trying to trade stereo speakers for a pistol and the grenades that authorities said he wanted to carry out an attack on holiday shoppers at the CherryVale shopping mall in Rockford. Shareef was arrested Dec. 6 when he allegedly tried to make the trade with an undercover agent in Rockford. Authorities said the public was never in any danger. Shareef's last known address is in Genoa, which is between Chicago and Rockford. He is charged with one count of attempting to damage or destroy a building by fire or explosion and one count of attempting to use a weapon of mass destruction. He faces a maximum sentence of life in prison on the latter charge.


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This is my look of the day for Friday (as in last week friday, didn't get the time to post it =/ ),
Nothing remarkable as this is a "Work day Look"
I hope you like it though!
I look a bit pale and washed out because of the lighting and also because I haven't been eating that well (not that I usually do, but these days am trying my best to be good) for a few days so I look tired... =(
Also, this little guy right here:
looks like he's wearing an African tribal warrior mask on his back, no? =P
Do you guys know what this insect is?
There's loads of them in the park where I have lunch everyday.
See you! Bye!


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16th January - 6th February 2016
Friday & Saturday 12-6pm
Preview: Friday 15 January 6-9pm
The Names is an exhibition created for Sluice that takes the artist's signature as its theme. From Duchamp's subversive R.Mutt to Josh Smith's shameless painted autographs, artists have cavorted with the significance of the signature. As a rule, in the early 20th century, the signature was a vital addition to the front of an artwork, embedding the artist's identity into the work with showy authentication. In contemporary art, however, the signature is generally discretely placed on the back of an artwork and a prominent signature has become the signifier of very bad, amateur taste.
Denying the name on the front of the work is an art world game. The value of an artwork depends upon its maker – so excluding the name means only those in the know, know for sure the veracity of the work.
In contemporary culture 'bad taste' can quite legitimately be resurrected and become a sign of the most adventurous tastemakers. Thus, there are now artists who knowingly embrace the potential of the signature by signing their work prominently and defiantly on the front.
The Names features a number of small works; each one is about the name / signature of the artist who made it.
Transition Gallery, Unit 25a (second floor)
Regent Studios, 8 Andrews Road
London, E8 4QN


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I am a political designer. That is what I do. To perform that function to have to have a pretty amoral attitude towards politics. Amoral is not immoral. The first is indifferent towards morality while the second is against it. I am a philosophical arms dealer. I give weapons of ideology and strategy to any party that I think possesses the realism to win. My personal attitude towards politics is that everyone should get what they want. Stupidity in politics is a crime, and if giving a man what he wants destroys him then nature's justice has been rendered. There is no right in the physical universe to be stupid. I am perfectly happy to give a man a communist a state — separately from me. Obviously I would never want to live in it myself. My view is that the world should be divided up into thousands of micronations, and people allowed to migrate to whatever state serves their ideology best. If a man chooses wrong and it kills him, oh well, justice has been served. In the end nature is the ultimate judge of every man. Designing a white nationalist system is just another design from my perspective. Furthermore, this is just theoretical. It is just a thought experiment, and I do not support terrorism in any manner. It is not terrorism if the state does it. It is "intelligence operations." Keep that in mind later.
As some of you probably already know, I subscribe to a materialist technology-driven view of humanity. To the consternation of many, I am basically a right-wing Marxist, (if there is such a thing). This is because I come out of the Hegelian/Landian techno-commercial wing of neoreaction. I essentially believe that all human culture is driven by material forces, especially the material force of technology, and that religion and ideology play very little role in shaping human destiny since they are themselves products of material conditions. I have gone so far as to outline a five-phase model of human civilization crafted in accordance with this presumption. I have also written extensively about the effects of birth control on society, and the morally corrosive effects of technology on human ethics.
Let me get to the point.
The White race is in decline and reproducing and below break-even levels.
However, Muslims are also reproducing at ever lower and lower levels in all places not being bombed by American forces.
Latino birth rates are dropping, but still above break-even.
Asian birth rates are in free fall.
African birth rates are still high, for now.
Observe the chart below. Even Brazil is at 1 to 2 children per couple. Break-even is 2. Link to source. Look at the source provided and scroll down to the part that says, "Major Regions." Observe that large sections of Latin America and East Asia are at below break-even levels. Even the other parts of Latin America are at 2 to 3 children per couple.
How do so many people on the alt-right believe in White genocide? Because there is a concerted effort by some people to create it. There are some Jews, (not all), and some minorities (not all), actively cheering for the extinction of Whites: like the assholes listed here. However, wishes are not horses, and Whites will still exist thousands of years from now.
What is happening is extremely simple: birth control and urbanization. As people move to the cities birth rates are plummeting. In the countryside, children are an asset. In the city, they are a financial liability. Urbanization, combined with reproductive technology, is driving birth rates way down. East Asia, not Europe, is where this process is most dramatic.
Reproductive technology was invented by Americans first. Thus, it affects White countries most severely. It spreads out like a wave across the Earths surface. It reaches White countries first because they developed it first. It reaches Asia second because they developed it second. It reaches Latin America third because they developed it third. It reaches Africa last because Africa is developing last. Why are East Asian birth rates lower that White ones? Because their governments are forcing urbanization at higher levels than normal as a means of population control. The rate of decline is a function of (rate of adoption of birth control) x (speed of urbanization). The fact that birth rates are declining in White countries first, is simply a function of developing first. Whites are not going extinct, (not unless every race is going extinct). The world is just returning to a pre-industrial racial population ratio.
I also do not think the human race is likely to go extinct. Groups like the Amish have rejected technology. These groups may serve as a reservoir for the human species. Future humans will be largely farm dwellers. Cities will empty out after their populations die out. The cost of a house in Tokyo declines every year as the countryside continues to reproduce itself. When empires collapse, people go back to the farm. Want to preserve you genes? Become a farmer.
1837. John Deere invents the steel plow. Source.
1911. First antibiotic approved for market use. Source.
1921 to 1970, all serious childhood diseases cured with vaccines. Rubella is last in 1970. Source.
1960. Birth control released to the public. Source.
1980. Level of urbanization in the U.S. exceeds 73.7 percent. Source.
Notice that there is roughly a half-century gap between the introduction of the first antibiotic and the development of birth control. Levels of urbanization were already at about 46 percent in 1910, but there was no direct ability of women to limit their conception of children. This is probably why Asia is in free fall. Unlike us, their urbanization occurs after birth control, and not before.
The gap is significant because what you see here are two sets of technologies One set of technologies increases population, (steel plows and antibiotics), while another set of technologies/behaviors decreases birth rates, (birth control combined with urbanization). The fact that there is a half-century gap between these two sets of technologies, is the reason that the the worlds population will reach about 9.7 billion by 2050, and go no higher. What you are seeing here is a massive population bubble created by the gap between population increasing and population decreasing technologies. It is that gap that has created the world in which we live. We are the people born as a consequence of modern technologies like antibiotics, fed as a result of the steel plow, and kept alive during their childhoods as a result of vaccines. By 1970 all of the worst childhood diseases were cured. The population increasing technologies happened first over a series of decades from 1837 to 1970, while the population decreasing technologies occurred between about 1960 and onward. This is going to produce a 9.7 billion population bubble that is going to crash in the future. When we look at declining birth rates what we are seeing is the beginning of the end of the bubble in White countries. That collapse in population is going to spread outward though the whole world, and the rest of the world is going to collapse faster because their urbanization occurred after birth control while our urbanization occurred before, thus, movement to the cities translates directly into population collapse for them even faster than for us.
Want to produce a White ethnostate in the most nonviolent way possible? (1) Give farms to White nationalists and teach them how to grow. (2) Monopolize all farms in the hands of Whites. (3) Make those farms tax exempt. (4) Cut immigration to zero. (5) Build the wall. (6) Let the multi-ethnic cities die off.
Nature will do the rest.
Moreover, farming is better for the morals of people. It involves hard work and gives you a ready-made tight-knit high trust community. It produces more babies because it naturally produces better morals. Farms are also the places most distant from the corrupting influence of the universities, and their gender studies professors. Ideology reaches the farm last.
This is not just an effective way to accomplish the goals of WN, it is also the least potentially violent because the countryside is sparsely populated. It would be far more devastating to try to physically remove the inhabits of a major city that to simply buy up land and give it to Whites. Physical removal is a violent process. In contrast, buying real estate is a simple transaction. Through a simple and relentless campaign of purchasing, nearly all land could be acquired.
Of course the left would violently oppose you. They would ultimately make a peaceful program administered in private hands impossible. And what happens when liberal city dwellers realize their destiny is extinction because they did not breed? Robert Mugabe seized the land of White farmers. There is no guarantee that a majority minority society would leave White people alone. Envy is how stupid people make everyone equal. Realistically, you have to control the government if you want to survive. The left is too evil to die off without trying to take everyone else to the grave with it.
Speaking completely hypothetically;
First, switch America to a "land area-based electoral college." You know how the left wants to abolish the electoral college to disenfranchise the right? If the number of votes in the House is based on the amount of land you have, and not your population, then Alaska will get more votes than Texas, and Texas will get more votes than Los Angeles. Democrats would never win another presidential election again. Do the same for the Senate. Don't think you can get the votes for a Constitutional Amendment? Hold a convention of rural states and switch all the rural states to a land area-based system. Then every state but the coastal ones will vote conservative in every election. Do things incrementally. Then, kick California out of the union — with war if necessary. (California is 55 electoral votes). Now you have a constitutional two-thirds majority, and you can modify the document as you see fit. Switch the remaining state to a land area-based system.
At the same time tax all campaign contributions at 80%. Then, give "campaign contribution vouchers," to the members of a nationalist party, and only a nationalist party. Now you control all elections through control of nearly all donations. Make all members of the nationalist party sign their resignation letters in advance. If they betray the movement, fire them.
Of course the Supreme Court would try to block you. Other societies have dealt with this situation with untimely deaths. They then issued presidential pardons to the killers.
One-party states outlaw all other parties. They allow guys like "Based Stick Man" to do what they do best. They issue presidential pardons to private security forces in league with the government. They build up a paramilitary force like the SA Weimar Germany under the sanction of the state.
They rewrite the constitution after ceasing power. They strip women and people who don't own property of the right to vote. They redistribute massive amounts of land to their dominant ethic majority. They police the cucks in their own party with untimely deaths. They pardon the killers openly and have show trials. They laugh at the whole thing on television. People then get the message.
Protesters? Water cannons and reeducation camps. Riots? They deport the rioters.
Once they have an ethnostate they would conquer disobedient states like California and drive the social justice warriors into the sea.
They would turn the cities into city states. They would let the cities stay multi-ethnic, but limit them to one child per couple. They would let time will do the rest.
And they keep even seemingly "nice" Jewish influence out of the whole thing, otherwise they get destroyed.
Disclaimer: I advocate only for actions performed by the state, never actions performed against the state. THEY DO IT. I'm not advocating that we do it. Going up against the state is useless and stupid.
But let us not forget the origins of this whole problem. Race relations were improving for a long time in the US until the invention of identity politics. Race relations peaked sometime in the late 90's, IMO. We are used to seeing this problem from the bottom up, from the "goldfish bowl" perspective. But let us look at things from the top down. Let us look at things the way the powerful people who control our society look at them. And let us keep three dictum's in mind that are true, but may seem absurd at first glance;
One: Congress is a marketplace for the purchasing of laws.
Two: every election is akin to an advanced auction of stolen goods.
Three: ideology is to power as marketing is to business.
It follows that as the state grows, the level of ideological hysteria and indoctrination will also grow. Ideology is marketing for power. If you are a politician and need to get elected, and if White people keep voting against you and your party, then what do you do? Why you work to suppress their birthrates of course. Take a look at this map;
What you see here is a map of incentives. There is a massive incentive to sterilize the White race, as well as to bring minority voters into the country. How do you accomplish that? The Democratic party believes it can through ideology and illegal immigration. The ideological component is specifically targeted to use ideas like feminism and environmentalism to sterilize Whites. If only People of Color voted, the Democrats would win every election. The obvious solution is to be rid of the White race. Indeed, that is exactly the agenda of the modern left.
This is because Congress is a marketplace for the purchasing of laws, everything is a business, the two parties are two corporations, they measure their profits in terms of votes, and they compete for limited market share. The Democratic and Republican parties are like Coke vs Pepsi, or PC vs Apple. They are a duopoly, (monopoly of two corporations). Government is literally a corporation, no joke. Anarcho capitalism is not a fantasy. It is the actually existing state of the world we live in. It is how things really work. And we live in a corrupt anarcho capitalist marketplace for the purchasing of redistribution of other people's money. Purchases of redistribution are cumulative over time because the actors that make the purchases, (through campaign contributions) are still active in politics and they resist any attempt to destroy their cash cows. As a result, the market accumulates redistribution over time. This "legislative accumulation" / accumulation of redistribution eventually strangles the economy and leads to the nations collapse. A collapse of a democracy is the collapse of the market. Democracies have a "business cycle" of about 300 years. Most nations are not democracies, (markets) they are single-party states, (oligopolies), monarchies, (monopolies) or dictatorships, (monopolistic cartels). The field they compete over is predatory coercion. In contradistinction to the free market, the coercion market competes over redistribution. Unlike the free market, the coercion market produces nothing, and survives through parasitism only.
Thus, when I say that as power expands ideology also expands I hope that you will see what I am talking about. Ideology is marketing for power. It is the coercion markets version of marketing. L'Oreal sells cosmetics. The Democrats sell White genocide. One company measures their profit in dollars. The other in votes. This is how the America really works.
Don't be so surprised. Republicans do something similar though less sinister methods. Voter ID laws? The Democrats bring illegal immigrants into the country to vote. Republicans suppress these votes with voter ID laws. The fact that many Latinos who are here illegally still have the integrity to abstain from voting in our elections is simply an incentive to bring even more of them in.
No doubt that elite Democrats would like to suppress White birth rates even more than they already have. No doubt there is a concerted effort in the universities to perform this propaganda function. (The universities were long ago converted into a propaganda machine for
Thus, I maintain my original assertion: that the primary cause of declining birth rates is urbanization and birth control. No doubt though, propaganda plays a part. What if the direction of propaganda was reversed? What if we promoted White birth rates? Positive propaganda would probably achieve much greater effects than negative propaganda since that would be a life affirming message, and life affirming messages sell better. People also look for ways to discredit a negative message, while in contrast, they look for reasons to accept a positive message. Whites have also been made to feel guilty from birth due to being raised in a Christian/leftist culture, so they are fairly indifferent to it.
This brings us to a fundamental analysis of the structure of the machine. Because this is a coercion market. The incentive to demonize Whites is caused by the need to use propaganda to justify redistribution against Whites. This involves turning White women against White men, and all people against White men. And that involves having the two sexes vote separately. But if only married couples are allowed to vote, and if only votes where both the husband and wife voted the same way are counted, then there is no more capacity to turn White women against White men. Well, I mean that there is no more incentive to do so. If you and your wife have to vote the same way all the way down the ballot in order to get your vote counted, friction is internalized into the marriage, and can no longer be exploited for political ends. Under such a voting system, telling White women to hate their husbands simply generates friction, and causes their ballots to not be counted when they submit it together. (The ballot has two sides that must match up with each other to be counted. It is a single document turned in by a married couple). Of course this is not necessarily good for marital harmony. Couples will definitely get to know the politics of their partner. But it absolutely destroys the incentive for sterilizing ideologies like feminism to exist. Any ideology that creates friction between men and women simply lowers the vote count of the political party doing it.
Everything is downstream from incentives. The incentive for White genocide (through the means of feminism) can be (partially) destroyed by only allowing couples to vote, and only in the way described above. Other incentives of promoting White genocide will have different remedies.
Let us list out the incentives for White genocide and tackle them one by one.
(1) Voting patterns among Whites favor the Republicans and create an incentive to suppress the birth rates of Whites.
(2) Voting patterns among Latinos and Muslims favor the Democrats and create an incentive to import these minorities.
The obvious solution is to destroy the incentive. There is a vote/money equivalent. Since elections are bought and paid for, there is a theoretical point at which a vote is worth a certain number of dollars: meaning, a politician would rather have the campaign contribution that the vote — because he or she can use the campaign contribution to buy advertising that will get him a vote. There is an "exchange rate" for votes with money at the point where it is more advantageous to have money than votes. This point varies by the voting district. A state like California is going to the Democrats no matter what. So a Democratic politician would rather have any amount of dollars than votes from California. Same with a Republican politician. In a swing district, a politician might spend 400 dollars for every vote, because it might cost that much per vote to win that district, (or whatever). Votes cost money in terms of advertising, volunteer work, etc. The obvious solution to White genocide is to tax the Democratic party for every Latino that comes into the country at such a high rate that it is effectively costing the Democratic party votes by depriving them of the financing they need to get elected. An additional tax on all registered Democrats themselves that is linked to the number of immigrants in society would also help discourage further immigration.
IF, and that's a big if, you could get the Courts to uphold your tax. If not, then you are right back at "untimely deaths," and the "Night of Long Knives" as your only workable remedy. Can you think of a single action that you could take in order to remedy the problem that would not be obstructed by the Supreme Court? No. Of course not. Eventually you are going to have to make your decision stick. That simply cannot be done in any way without a few accidents organized from the Oval Office. This is no support for terrorism. It isn't terrorism when the US government does it. Everyone knows that. There are many simple solutions that we might come up with. Many are non-violent. The accusation from the left that racism always leads to Hitler is a self-fulfilling prophecy. Their opposition guarantees that only a bloody path will work. Like in Stalin's Russia, the level of violence is proportionate to the insecurity of power. One must go through dictatorship to get to monarchy. There is no other way. The opposition of the left guarantees a minimum level of insecurity. Again, I advocate only for actions performed by the state, and never for actions taken against the state. Capiche? Right-wing activism always fails. However, state-sponsored activism never fails. Read the the first two chapters of that last link to find out how state-sponsored activism can succeed.
And realize that there is no other way. Ending White genocide ultimately means ending unsecure power since elections create an incentive for mass immigration, and since we now live in an era of mass transportation. The very fact of transportation technology combined with unsecure power is going to create mass immigration. The only reason ancient democracies did not do it was because the technology did not exist. Modern societies require a one-party state to be ethnically secure.
Lastly, this is all just theory and speculation. Do not go out and do anything violent because of me. I do not condone terrorism. Only states have a legitimate monopoly on violence. I'm serious about that. The effective strategy is always to use the government, and never to go against it.


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This is what happens when you go on a Chocolate Milk binge. I love it so much I had about half a gallon in 18 hours and drunk a glass while recording.Showing off my freshly shaved ass and pussy while shaking it…moaning with each shake from feeling the of my huge load.Sitting on the edge of the tub I let go of my load and a ton of piss. I squat back down spreading and shaking my ass letting a bit of poop fly in the process.
Length: 4:24s Resolution: 854x480Download Format: wmvFile Size: 64 MB


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|Christ before Caiaphas.
In today's Gospel the Jewish leaders fear that Jesus will soon to convert all the people to him and, by doing so, cause a revolution that will destroy Israel. Against this false prophecy of annihilation comes the true prophecy of Caiaphas: "it is better for you that one man should die instead of the people, so that the whole nation may not perish." Thus, the Jews began to plot the death of Jesus.
The Jews feared Jesus because they reckoned that he would rob them of their land and their position; Jesus's Gospel, it seemed to them, disturbed the peace. An assessment still made by people today. Sometimes a soul fears that following the Gospel, either in its entirety or some small part, will mean life is expunged of all the things normal folks regard as enjoyable. Don't Christians hate parties, alcohol and, fun? Don't they impose strict moral codes of behaviour which suppress creativity and individuality? Indeed, doesn't Christianity destroy everything that makes life good? If Jesus is to ruin life; best then to be rid of him.
|Sixth century image of Christ.
|Hirst's shark in formaldehyde.
Jesus offers a life worth living and celebrating, in all its stages and experiences; it is a life which reaches beyond itself into the eternal, into the dwelling of the Sovereign Love. To prove this it was, as Caiaphas unknowing observed, expedient that one man pour out himself for others; that they might not be destroyed by an empty and meaningless existence, but be granted life everlasting.


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eBook (PDF), 711 Pages
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The 56 articles published by the Lutheran Liturgical Association between 1898 and 1906 represent a remarkable "snapshot" of the history and then-current status of Lutheran liturgy in the United States and Canada. "Altogether they unquestionably comprise the most extensive and most valuable collection of Lutheran liturgical literature in the English language," wrote LLA President Rev. Luther Reed in the "Preface" to the Memoirs. This volume is available for the cost of printing and postage; the editor derives no profit from this volume, which is placed in the public domain.
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- Douglas D. Anderson (Public Domain)
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- Lutheran Liturgical Association, 1906
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This article is about the
Monika Antonelli is a former voice actress who worked for Funimation.
Her notable roles were Puar and Chiaotzu in Dragon Ball, Dragon Ball Z, and Dragon Ball GT. Her other minor roles include Launch's good self in the movie Dragon Ball: Sleeping Princess in Devil's Castle, Chico, and Kid Chi-Chi in a single Dragon Ball Z episode. She reprised her roles in all of the movies and most of the original video games. Her full-time job is as a librarian formerly in Texas, and she now works in Mankato, Minnesota. Because of this, she did not reprise her roles in Dragon Ball Z Kai. Her replacement is Brina Palencia.


text: After 9 days of ownership, the Touchscreen went dark on the way out to dinner last night. I called Tech Support & we went through the reboot protocols but nothing. We even rebooted the Instrument Cluster & all that did was cause it to flicker through day version, night version & some weird version where the "road" graphic turns into some trapezoidal image. The Touchscreen still responds to my touch as evidenced by being able to turn the volume up & down on the radio. We talked about fuses but probably not that plus the owners manual does not provide the correct fuse box configuration for my car (it has 1 fuse box under the frunk, not 3). It has been charging overnight but no magic cure has occurred. After showing the car off to most of my neighbors, I am embarrassed & pissed. Waiting to hear from my SC.