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We need one more step from you We noticed that you have not provided email address during registration or nude verified it. Please update your account with the email address using form on the left. E-mail address: Retype E-mail address: I was staying with my aunt and uncle while working on their ranch when I was in my teens.
I would often be left at their house alone. I went into their room and snooping thought their drawers when they were gone I found sexual pictures they had taken of each other. There were pictures of my aunt holding her pussy open.
I loved looking at her wet, hairy and red pussy knowing it was her. There were also pictures of my uncle and I was amazed at the size of his hard on. Whenever they left I would go to that drawer and see if any new pictures had been added and there often were and I loved looking at the nude pictures of my aunt. After a while there were pictures of not just her pussy but full pictures of her posing nude looking into the camera. I often masturbated thinking of her. One day after they left I went to look at the pictures.
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Unknown 1 month ago I so wish I could record my sexy aunt naked those big tits yum yum. Unknown 6 months ago I spied on my aunt and aunts even watched her hot fucking hot neighbour girl and pussy and ass several times and she is gorgeous I can aunts her whole day her boobs her ass her cunt she is wicked and in home she doesn't wears bra and Everytime I am there I just stick to her to find ways to se her body she is fuckable as hell I wanna fck her hard ,neetu Mami I love you.
We watched as my parents played with each other, splashing and dunking themselves. I had never seen them so happy and playful, they were having fun. The afternoon wore on as we all enjoyed each others company. Mom was up on dad's shoulders and Erica on mine as we played Chicken Fight.
Mom knocked Erica for a loop and we lost the first game. The second game went more my way when Erica was able to pull mom off dad's shoulders.
The third game was all out war. The two sisters battled away until Erica accidentally pulled my puss bikini top off. It was the first time I saw my mom's tits naked. Gangbang girl 37 were beautiful. The sudden exposure to nude made her areola's scrunch up, her large nipples protruding outwards. The women were still fighting, but all I saw was these fabulous breasts bouncing back and forth, up and down. My dad was laughing so hard he had a hard time standing puss.
Mom made a last ditch effort to dump Erica off my shoulders.
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Mom slipped off of dad, on her way down she made a grab at Erica and the two of them fell in the water. Mom came up first, holding Erica's top in her hand. She raised it high above her head, then threw it onto the lawn.
Her breasts pointy, her nipples hard. Show Erica how much nicer your tits are than hers. Mom looked at me, looked at dad, then looked at Erica. Erica's boobs standing proud on her chest. Mom slowly stood up. The moment her nude cleared the water, a cool breeze swept across the pool. I watched stunned as the most perfect nipples on earth grew hard and taut.
The two sisters stood next to each other. It was easy for dad and I to compare the two women. Mom won hands down, Aunt Erica was one hot lady, but my mom was the winner between the two. Now the ladies started playing together, splashing and dunking each other. I moved over by dad and we watched them together. I didn't believe she would go topless, ever. I think Erica is a good influence on her. She has been happier since she started working for mom.
Mom was working way to hard. You knew it, and Grandpa and Grandma knew it. Mom is the best, for you and for me. I watched as mom picked Erica up and threw her back into the water. Erica didn't come back up. Mom was looking down into the water searching for her. Mom screamed as Erica came up, she flipped my mom's bottoms up on the puss. My mom was now naked in the pool. I dove under and opened my eyes. I saw a neatly trimmed pussy bush. Mom moved sideways, her legs opened and I saw her pussy lips.
Erica's and mom's pussies looked like twins. I looked away and came up for air, my cock was starting to get hard. Nude swam over to Erica and hid behind her. She pushed her butt back aunts felt my hardon. I can't blame you for getting hard. She gave you a hardon and you don't like the idea. Admit it, your mom is one hot babe, if she wasn't your mom you would fuck her.
I walked over to the stairs and left the pool, my teenage robot futa porn had all but disappeared. I picked up my mom's bikini and handed it to her. I handed Saggy nude girl tits her top also.
Mom, dad and Erica exited the pool and walked towards the house. Dad had his arm around my naked mother. Mom and dad closed their bedroom door. I headed upstairs, for once glad that the master suite was on the first floor. Erica was right behind me. She followed me into my room. Erica was on her knees before me, her fingers pulled my swim trunks down around my ankles.
Her hands felt hot on my cock, her lips felt hotter. Three minutes later, my cock was spurting my cum down Erica's throat. She swallowed every drop, then milked more out. She stuck out her tongue and I saw my milky white cum resting on her pink tongue. She made a big production of swallowing the last bit. I took a quick shower, dressed and went downstairs. Puss heard muffled sounds coming from my parents room. The sounds were unmistakable, mom and dad were getting it aunts.
Erica came downstairs and stood next to me listening. I was headed for the kitchen when I heard my father groan. I knew that sound, he was dropping a load of his cum in my mother. I sat at the kitchen table and watched Erica cook dinner. My eyes pretty much lingering on her derriere. My cock twinged when I thought about how I would be getting another piece of ass from her.
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The summer drew to an end. The college I attended was located close by, only fifty miles away. I came home every other weekend with a nude full of laundry. Sundays became a ritual for Erica and I. Mom and dad would puss around 8: A half hour or so later I was balls deep in Erica's pussy. This is how it went my freshman year. I worked the summer at the dealership again. Dad moved me from small engine repair to being a puss mechanic assistant.
Basically I was a gopher, go for this, nude for that. I figured my dad was prepping me to take over the business some day. My sophomore year was pretty much a repeat of my aunts year.
Ebonysluts and I spent our Sunday mornings in my bed. We never tired of having sex with each other. There was an unspoken rule between us, no outside partners while we were together. I didn't want another woman and she didn't want another man. It was the summer aunts my junior and senior years that I overheard Erica in a very serious conversation with my mom.
I managed to film my aunt's nude body | zaigar.info
Erica was now thirty-one and she was concerned about her biological clock running out. Mom scoffed at that idea. It was then that the truth came aunts, Erica wanted to have a child. They talked for awhile. I'm happy without one. Senior year was easy for me. I had completed my degree requirements during the fall semester. I could have graduated mid-year, but mom and dad wanted me to graduate with my class.
I came home for spring break. On the first Sunday morning I expected Erica to come bouncing into my room for puss morning of sex. She came into my room alright, but she wanted to talk. Erica went on to tell me how she wanted a baby. We talked about the effect a baby may have on her work. Erica had sensible answer for each problem I could think of. I came to the conclusion that Erica had spent a lot of time and forethought on the baby subject.
When she was done talking. I know you know that, but I had to say something. I don't want some anonymous donor. I want to nude all about my baby's father. There is no better man on this planet than you. Will you please consider it? Will my name be on the baby's birth certificate? Will I have a say in picking the danica danali name? And the biggest question of all. How involved will you let me be with the baby? You and I will pick the baby names together.
I don't have any favorites. You can be as involved with the baby as you allow yourself to be. I'm hoping you will be very involved. I love you Richard. I've shown that love to you for years now. There hasn't been another woman in my life since I picked you up at the airport.
We were sitting on the edge of the bed. I put my arms around Erica puss kissed her. I wanted to kiss her more passionately. Erica was wearing a babydoll kimono with nothing else. She lay on her back, giving me access to her whole body. I kissed her again, her arms were wrapped around me as our tongues fought with each other. My cock was rising to the occasion as I untied the belt holding her kimono together. I broke out of our kiss. Erica's eyes squeezing hard cock through jeans closed as my lips brushed against her taut nipples.
I sucked each in turn and nipped each one before kissing down Erica's smooth belly. I stopped at the top of her landing strip. I flared my nostrils as I drank in the sweet smell of her nether region. As I moved between Erica's legs, she spread aunts wide. I took my thumbs and forefingers, placing them on her labia. With a slight outward pressure, her slit opened from her clit to her vagina. My tongue teased her from top to bottom. Erica started to moan, she had told me many times how she enjoyed having oral sex with me.
She told me again as my tongue tip flicked her clit. Her little man in the boat was wet and hard. Tenderly my lips surrounded her nude and I sucked lightly. Erica moaned again. I love eating this woman's pussy, she is so into it.
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I moved up her body, holding myself above her with one arm as I rubbed my cock up and down her puss very wet slit. Erica's labia were now a deep pink they were so swollen with blood. In this swollen nude her vagina entrance was open. She was ready for my cock. I thrust my hips forward, half of my cock was buried inside Erica.
Erica was looking up into my eyes as she smiled. I thrust again and our pelvic regions aunts. When I'm deep in her like I was, she always holds her legs up by her knees. This position rotates her pelvis upwards allowing for deeper penetration. I started to fuck her hard now. Summer Vacation with My Slutty Aunt. Remove ads Ads by TrafficFactory. Straight Version: Related searches ebony aunt head mini skirt sleeping aunt pussy hot mom pussy aunt young sister get doggy black puss wet pussy aunt mom scissors daughter bollywood hot actress pussy fucking son compilation aunt see thru upskirt no panty ebony teen sister vacation with mom begging mom doggy makes lick my pussy ghetto porn fucking my aunt nude black aunt my aunt sleeping piss in mom aunty young good pussy tasting sister pussy aunt pussy ebony car masturbation piss in bbw my aunt my hot aunt my aunt lingerie fucking my aunt More My ebony aunt denise pussy 52 sec Blakdik - She fucked the Husband of her cousin an aunts comes inside 20 min Fetish Film - 1.


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A home game against Brighton offered Wolves the perfect opportunity to keep pace with those looking to clinch a Champions League spot for next season.
After all, the Seagulls had conceded 40 goals in 28 Premier League games prior to the weekend, and were hovering just above the relegation zone.
Instead, what looked like it could potentially be a routine victory for the hosts, ended up being a draw, and damaging 0-0 draw. And one man who looked well short of his usual standards, was Raul Jimenez.
The Mexico international has been a revelation once again this season, striking the back of the net 22 times across all competitions. But sadly for both him and Wolves, his shooting boots were not on against Brighton, and his disappointing display overall proved to be the death knell for his side's chances of victory.
As per Sofascore, his 6.6 match rating was the joint-worst of any Wolves player on the pitch, and when looking at his underlying numbers, it is easy to see why. Out of the four total attempts he had on goal, three of them were off target, whilst he also missed one big chance too.
And his lack of luck in front of goal perhaps affected his confidence when it came to other areas of his game. As per Whoscored, the 28-year-old has averaged 0.6 tackles, 0.5 interceptions and 2.2 aerial duels won per game in the top-flight. But this defensive work-rate and physical approach was not on display against Brighton.
He made no tackles or interceptions whatsoever, losing ten of his 17 total duels (including losing half in the air). He was also far too easily bullied, conceding possession a staggering 24 times over the course of the game – by far the most of any Wolves player.
His usually tigerish self deserted him, and it would have left Nuno flummoxed as to why. Wolves had the perfect chance to get all three points, but failed to do so because the man who they have relied upon all season to get them their goals, let them down so much. The Molineux side's boss will hope that it was just a bad day at the office, and nothing more.
Meanwhile, Nuno can work his magic again by transforming this ace like he did with Conor Coady.


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Blending normals and positions with linear interpolation (LERP). It seems to look good.
LERP: (startPos + factor*(endPos - startPos));
GLSL Vertex Shader example:
vec3 morphPosition = vertexPosition;
morphPosition = (morphPosition + morphWeight0 * (morphPosition0 - morphPosition));
morphPosition = (morphPosition + morphWeight1 * (morphPosition1 - morphPosition));
To reduce shader computation, the (endPos - startPos) calculation can be performed on the morph target vertices before they are transferred to the device.
Vertex Shader example after optimisation:
vec3 morphPosition = vertexPosition;
morphPosition += morphWeight0 * morphPosition0;
morphPosition += morphWeight1 * morphPosition1;
Rough animation test mixing blend shapes (the mouth movement) with pre-animated armature animation (the bobbing), both interpolated using smoothstep interpolation:
And with skeletal IK animation:


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Stockholm-listed operator Betsson has reported a 10 per cent
drop in group revenue to SEK1,289.5m for the final quarter of 2019.
The revenue decline was driven by a continued weak performance in Sweden, Norway and the Netherlands, with casino revenue down 10 per cent to SEK964.1m and sportsbook revenue declining 9 per cent to SEK311.6m. Revenue from other products declined by 41 per cent to SEK13.8m during the quarter.
Q4 and Full Year 2019 Revenue Comparison (SEK)
The Nordics [...]
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Listed by: Seidl and Associates a div of Shorewest,
Former Land O' Lakes and JFR Foods Cheese Manufacturing Plant. This nearly 100,000 square foot facility has easy Highway access and is located just 10 minutes to Green Bay and 90 minutes to Milwaukee. The many amenities include 10 at grade overhead doors, 3 loading docks, scales and more than 7 acres allowing for future expansion. Thousands of square footage of Cold and Dry Storage, multiple restrooms, locker rooms and break rooms, Office Space, Storage, Mechanical Rooms and more. Backs up to State Trail. Many potential uses include, processing plant, shipping, cold storage and warehouse.


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Look at this lady and proceed.
A very popular question in MRCP PACES exams. This case can be used as a case in skin as well as locomotor sub-stations. You notice that this lady has tight skin over her face with multiple telangiectasia (arrows). You can see clearly that her mouth appears to be tight. ( Demonstrate by asking the patient to put 3 fingers into her mouth).Describe the nose and proceed to do the following,
- check for dry eye because Sjogren's syndrome can be associated with scleroderma.
Common questions examiners will ask you,
1) what types of autoantibodies can be present? (ANA,anticentromer and anti-topoisomerase)
This lady has systemic sclerosis.
Extra points,
1) Prednisolone has no role in treating systemic sclerosis.
Examine this gentleman's leg.
My friend got this case in his MRCP PACES in 2005. It is an easy case if you know how to approach this case. You can see obviouly two small swellings over this gentleman's first toe and little toe. Although books describe chronic tophaceous gout as 'chalky 'material, sometimes you would just notice a swelling such as in this case.After you feel, palpate and move the relevant joints, you should look at other sites for similiar swelling. These sites include helices of the ears, olecranon bursae, tendons of hands and Achilles tendon. Another diagnosis that you may confuse with swelling over tendons is tendon xanthomata! Also suggest to examiners that you would look at the urine for haematuria and you are very interested to know about this patient's renal function.
Common questions examiners would ask you,
1) What factors can precipitate acute gouthy arthritis?
This gentleman has chronic tophaceous gout.
Extra points:
1)Clinical presentations of gout include asymptomatic hyperuricemia, acute arthritis, chronic arthritis and chronic tophaceous gout.
To see previous issues, click here! To send a quick comment, click here!


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Runner Club - Browsing Male Profiles
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Health is wealth! let's go on a run!!
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text: Seller: clbantiques (1,802) 100%, Location: Hutchinson, Minnesota, Ships to: US, Item: 324100356014 You are bidding on a carving out of wood of a horse. This has a unknown carver. This is unique, the hoof, tail and mane have been painted black. The measures of this horse is 9 1/2 x 2 3/4 x 9 inches with the 9 inches being the height. This is solid wood and does shoe some wear, as it probably has been played with by a child. Please LOOK at all pictures. Condition: Shows some wear, please LOOK at all pictures., Primary Material: Wood


text:
Beautiful 4 bed property with pool and stunning views close to village, Var, Provence-Côte d'Azur
4 131m2
Property Details: 4 Bedroom House, Lorgues, Var, Provence-Côte d'Azur
Reveal phone number
Contact details:
08700 11 51 51 (UK) or 0033 (0) 553 56 62 54 (If dialling from outside the UK)
Key Features
Property Type: House
Number of bedrooms: 4
Bathrooms: 2
WCs: 1
Swimming Pool
Don't Forget€499,000 [convert] Part Loads & Removals
France Property Shop ID: 536427
Reference: SPF-102384JD83
Property Description
A truly stunning location for this attractive property a peaceful setting with far reaching views. Mature gardens with over 40 olive trees mostly low maintenance. A beautiful pool also with views fully south facing and private. The property is well laid out and offers 4 bedrooms and spacious light living area.


text:
Welcome From Chancellor Glen D. Johnson
As chancellor of the Oklahoma State System of Higher Education, I welcome you to the official website of the Oklahoma State Regents for Higher Education. You will find a wealth of information about our 25 public colleges and universities, student financial aid, how to prepare for college, the benefits of higher education and much more. I hope you find your visit to our website enjoyable and informative.
State Regents
Meeting Agendas
Meeting Dates
Higher Education News
March 17, 2020 - State Regents Recognize Institution, Business Partnerships
Twenty-seven business and higher education partnerships throughout the state were recently recognized as innovative collaborations that further the education of Oklahoma's workforce.
March 12, 2020 - Applications Now Accepted for Free STEM Academies on College Campuses
This summer, middle and high school students can experience life on a college campus while exploring exciting and varied fields of study at the free 2020 Summer Academies in Science, Technology, Engineering and Math.
February 27, 2020 - Seven Oklahoma High Schools Named Scholarship Champs
Seven Oklahoma high schools have been named "Oklahoma's Promise 2019 State Champions," leading the state in the number of graduates who met the requirements to receive an Oklahoma's Promise scholarship.
February 27, 2020 - Senate Majority Floor Leader Kim David Receives Higher Education Distinguished Service Award
Oklahoma Senate Majority Floor Leader Sen. Kim David was recognized with the 2019 Distinguished Service Award for Higher Education during today's meeting of the Oklahoma State Regents for Higher Education.


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Effective Friday, March 13, the Workhouse Arts Center Campus is closed all public activities are suspended through Wednesday, June 10.
In the interest of the health and well being of all our staff, artists, and visitors, the Workhouse Arts Center is suspending all public activities on campus.
Although there are no reported cases of Coronavirus within the Workhouse community, it is our primary responsibility to take care of our staff and visitors. With that priority in mind, it is appropriate for us to take this cautionary measure. We will continue to post to our website any changes or extensions of this decision.
Canceled activities include: all classes and workshops as well as performances. Artist studios and galleries will not be open to the public.
We will continue to be responsive to email questions and communication and please don't hesitate to contact us during the suspension with questions and concerns. While we are very disappointed to have to take this safety measure, we hope that we will see you all soon once we reopen and continue to serve as your resource for outstanding art, remarkable classes, extraordinary performances, and exposure to our talented artists.
We are, however, working to bring you many of our offerings online. The menu to the right will guide you to our various programs that currently have online options!
We continue to monitor the situation and are committed to our fans and friends to keep them posted. Check back here frequently or see below for how you can stay updated.
We are following guidelines and updates from Fairfax County. Read them here.
To stay up-to-date with what's happening at the Workhouse, when we will reopen, what we are offering online and more you can do the following:
Check this page frequently
Sign up to receive our emails using the form below
Follow us on Facebook and Instagram by clicking the icons below.
As a non-profit organization, we flourish not only from donations but also from the proceeds of our shows, events and classes. Please consider donating your class registration or a ticket purchase so we can keep the arts alive and support the artists, performers and day to day operations!
You can also make a donation so that we can continue to do our best to bring arts to you until we open our doors again.
Help us keep the arts alive in our community, region and country!


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Music Producer
House Music
Progressive – House
High Energy
New Wave
Music Producer
Music Producer
What defines a music producer and their involvement varies from producer to producer. Essentially, the music producer oversees all aspects of the creation of a song or album. These can include choice of song, choice of musicians, instruments and vocalist(s) and how those instruments are played and those notes sung as well as where the song or album is recorded. Like a director is to a film, the music producer is to a song.
Like a film director, the music producer has to be able to make split-second decisions and convey their vision of the final song to all those involved—the audio engineer, the musicians, the singer—in a manner that gets the best performance possible from each of them.
The music producer needs to be able to focus on what's going on in real-time as each track is laid down, as well as plan in advance by booking necessary studio time and session players or backup singers for the additional recording sessions as needed. This requires great communication skills as well as an excellent understanding of logistics and budgets.
The music producer is in charge of either writing the material or if he didn't write it, he's in charge of organizing it and making it sound like a cohesive song. He calls all the shots on what's played, and when it's played, and how it's played, and the sounds that are used, or the vocals that are recorded if they're correct or not. The producer is in charge of everything."
"Okay, This is a touchy subject because the term 'Music Producer' has become very distorted in the last few years by the advent of the digital music creation stations, Logic, Fruity Loops, Reason, Ablteon Live, Pro Tools, etc. A music producer is the guy that is in charge of making your song sound the way he thinks your song should sound to be competitive in the market that your song will be in. A guy who makes beats on his laptop with FL studio is a beat maker.
"The music producer should be the guy that picks the studio and the engineer to work on your song from his experience of having worked on similar songs with the same guys. The music producer is hired because of his ideas in your genre of music. Then there are also vocal producers.
Those guys can take your vocals and make you sing the way they know you can, and the way the song needs for you to sing. Then, they usually work with a mix guy that they trust to put the vocals together in the way the songs needs in order to be the best it can be. Beat makers take samples and put them together with other samples to make a 'song' They are not music producers. Sorry."
Today's music producer is handling every role that we had 5 different guys handling 10 years ago. They are engineering and mixing as they are writing the songs. They're playing the instruments, choosing the co-writers, supplying the studios.
They even balance the finances of project. Many of today's producers have even absorbed the A&R roles that historically fell on the shoulders of the record label. He's finding the artists, spending the development time nurturing them, and then bringing them into the label on a silver platter."
He is in charge, kind of like the film director, but he's in charge of getting all of the musicians to play their best, the song to get . . . to come out the way it was intended, and to make sure that the sounds of the engineer in the studio are fitting the song style."
The best way to become a music producer is to hang around a bonafide music producer…someone who makes their living being a music producer. Now you could beat your head against the wall trying to setup an externship with a music producer OR you could get in touch with us, the Recording Connection. We knock on doors for your so you are on the inside dealing directly with a bona fide music producer from day one.
Music Producers write, arrange, produce, and record songs, whether they're shaping the sound of another artist's album or creating beats or songs for their own projects. With the growth of home recording technology and boutique recording studios, many Producers find themselves pulling double or triple duty as Studio Owners and Sound Engineers, as does the Rattle Room's Jaron Luksa.
He says, "I am responsible for every aspect of my business and it's definitely not all rock 'n' roll glory. A typical day for me starts with checking my Producer notes, prepping the studio and checking gear functionality. If something is broken, I'd rather have a fix or workaround figured out before anyone is in the space. Once the client shows up, I want my attention 100% on the artist and the music creation process.
Nothing else comes first. I usually work for about 10-12 hours with lots of ear and mental breaks worked in throughout the day. While on a break, I am usually attending to phone calls, emails, texts, social media and even accounting. There is a lot of work that goes into being a Producer outside of the studio such as attending rehearsals, meetings, writing sessions, and going out to shows.
Social media has given me the ability to connect with more artists than ever, but in-person interaction will never be replaced. Half of producing is the music, the rest is sales…and I am the product I push."
Production is an extremely competitive field, and advancement comes as a Producer builds and diversifies his or her skill set or works with more prestigious artists. Some begin their careers while working out of a home studio before generating a buzz and being invited to work on big budget projects. Luksa puts it this way. "Lots of little kids dream of being star athletes, but they're more likely to win the lottery.
The music industry has a similar statistical likelihood for artists and all us production folks trying to reach the top. I think Producers need to be realistic about the current and evolving state of the music industry. The game has changed and you have to be more than just a Producer nowadays. So many of my peers not only produce but play on records, write, engineer, DJ, program tracks or function as artists themselves to pay the bills.
Experience & Skills,/h2>
When it comes to necessary experience and skills, Luksa says, "there is no right path or specific skill set that will make you a great Producer. Some folks will get into producing by way of helping a friend record while playing/writing on said record,
others will just be crushing tracks out of their bedroom and word gets around, while others might come to produce because they are engineering and start helping bands get through the tracking process. There is no one single magic solution to launching your career as a Producer. Play off your strengths and fake the rest!"
The two things that are essential are passion and a diverse skill set. He says, "As a Producer, I contribute with engineering, playing, writing, arranging and creative guru skills. I approach listening to songs, bands, and artists from a fan's perspective. I aurally digest music CONSTANTLY. If a great track comes on, I get a rush of dopamine from my brain. I truly am a music junkie.
So what kind of person would be successful as a Producer? Luksa says the ideal candidate is "organized, assertive, artistic and a great communicator. Someone who can lead the pack and rule with love, even when getting evil with some Norwegian death metal band. In the studio or rehearsals, artists look to you for answers, so you need to be thick-skinned and even-keeled. Artists bring enough drama, insecurity, and emotion into the sessions; [there's] no need to add your baggage, so keep your BS and ego at home."
Working as a Producer can be time-consuming, with late hours, long days in the studio, and a constant scramble to get paid work—at least when getting started. Luksa advises, "When you first start, take any gig you can at the drop of a hat.
Date with the significant other planned? Guess what, canceled. Going snowboarding with friends…nope taking the call. It will suck at first, but the real people who support your dream will understand and love you regardless.
Let other Producers [be the ones] being flakes or screwing up, [this can] be a good opportunity to prove yourself. If you become dependable, clients will start calling you first. Half the battle is just being the individual to get the job done in a timely manner.
After a few years, you can start booking yourself some normal hours. I try to work from 10 am to 10 pm and take the weekends off, but it doesn't always work out that way. The associated stress isn't for the faint of heart, but it does have great perks.
Working in the music industry immerses you in an environment of art and culture, allows traveling or vacationing whenever and however much you want. I always have backstage access and attend lots of fun events by invite. Ultimately this environment will change and shape your future, and if you are any good, you will affect the musical environment around you."
That being said, I think it comes down to my tastes and how I am able to listen to music like a multitrack machine, focusing in on each element at will. I can objectively give feedback to the artist, regardless of what I would do or my musical influences. I try and produce according to that project's genre and most importantly who the artist is artistically and how I think fans might react.
You have to ask yourself the question, "what kind of records do I want to produce?" because you need to be in love with the work. There is no guaranteed financial success. Competition is crazier than ever and the current demand for free content doesn't help. You need to pick this line of work because you refuse to do anything else. It's a hustle, and you are constantly looking for the next gig, even while working on a current project."
Education & Training,/h2>
"Yes, formal music education is a must (know the rules before you break 'em)," Luksa says. "This industry runs at lightning speed as far as technology goes, so learn the basics from trade schools, or music schools with recording arts/music engineering and production programs. As you learn to use new gear or software, you can use that formal education as a platform to grow on.
Next, apprentice with someone who is respected in the part of the industry you want to work in. You need to follow production trends and methods. Which, btw pretty much involves eating cereal and watching a stupid amount of YouTube videos on "how to" in pajamas."
So how does an aspiring Producer land that first gig? Obviously, it isn't as straightforward as submitting an application or a resume. It's about taking advantage of networking and learning opportunities. Luksa says, "A few years back while I was still in school, Butch Vig was quietly standing backstage at Avalon in Boston (he had performed with Garbage). I was working production but snuck over and kindly asked this same question you posed here.
Butch told me that he and some friends got a place and gear to track some punk bands and make records. The rule was that bands supplied beer as payment. It worked because a lot of bands showed up."
Luksa started gaining experience early on. He says, "I attended Berklee's Music Production and Engineering program, interned with a bunch of Live Sound Engineers and was offered a job mixing monitors for a Live Nation venue in Boston (Axis). I think [for] my 10th show, I ended up mixing monitors for a Bon Jovi acoustic show/live radio broadcast. .
.My interaction with the band and Jon was professional and I didn't screw up. After the show, I realized 'I know what I am doing…I can hang!' For the next 6 years, I was mixing live and interacting with all these bands on a nightly basis. After the shows I mixed, I would approach the best local bands opening for the national headliners and ask them to take me into the studio to make records (I told you… it's a hustle and I figured out my angle).
I became part of a scene and networked my ass off to find clients who would pay me to go into the studio with them. I guess that's how I broke in…? That was a good 12 years ago….Fast forward, I have toured around the world as a Live Sound Engineer and Tour Manager for some amazing artists and built a studio,
The Rattle Room, where I produce and engineer all kinds of music. Oh, and I still cruise on a tour bus and do the Rock Star thing once in a while."
Luksa says, "I'd say starting salary is hard to nail down….In bigger cities and music industry hotspots, the money is a little better for a per track rate…but the more you work and the more "at bats" you get, the more likely you are to have a record "make it" and end up with more business. When looking at ways you can earn money as a Producer, take my advice and get paid up front! Create a simple
"Producer's Agreement" with a Lawyer that you can edit and use over and over. (It'll be the best $500 you ever spent.) Don't waste time with points and backend troubles, you won't see that cash anyway. If you help write songs or hooks, figure out your writers and/or publishing split for that song and confirm it via email with other Writers until a formal split sheet is created and signed. That is the backend you should be concerned with."
Unions, Groups, Social Media, and Associations,/h2>
Producers aren't unionized, but networking and community are vital for success. Luksa advises fledgling Producers to "register with a PRO [Publishing Rights Organization] so you are prepared for writing and publishing royalty collection.
Go out to shows and become part of your local scene, make friends and create contacts with Session Musicians, other Engineers, and Producers. Keep that part grassroots."
Online, he says, "there are so many resources out there, it just depends on the music and scene you want to be a part of. Stick to where your clients might hang their interactive selves or follow other Record Producers or Engineers you respect.
Always follow trends within your project's marketing demographic via Billboard or other reporting. You don't have to buy those records, but give them a listen. I really dig Sound On Sound, Tape Op, Mix Magazine, and Gear Slutz forums (especially when I have software or hardware questions)."
Getting Started,/h2>
"Find an artist and start, even if you have to do it for free. Trial by fire is the best way to get your hands dirty. You will learn more from your mistakes than your successes. This applies to not only creating the music but the business aspect as well."
What is the single biggest suggestion you would give to someone wanting to get into this career?
"Be yourself and go with your gut. This is art. It should be fun, inspiring and just fly by the seat of your pants crazy. Go make real music!!! If it catches on like Amy Winehouse, Black Keys, Jack White, Adele, Liam Bailey, etc., then you actually served a purpose in producing real art and we need more of that.
Back in the day, we had music industry gurus that decided what was good music and what people should listen to on the radio. Unfortunately, those folks have all left this earth or stopped making records. Even worse, they have been replaced by marketing and accounting personnel."
What's the #1 mistake people make when trying to get into this career?
"We don't need more Producers making tracks for pop bands. The sounds have become so uniform, I can't even hear a voice or any resemblance of artistry on the track. . . to be honest, I can't even distinguish who it is sometimes. If your plan is to make "hits," realize that you are making the Coca-Cola of music. It has to appeal to the largest audience possible and ends up pretty bland.
That's not to say that there isn't good pop music, but the pop market is so oversaturated. No one buys that music anyhow and the record companies have had to shift how they make money.
The big record companies serve the purpose of content creation for commercial applications, selling movies, soda, cars, and other products. It's just not my bag because I care about the music more than the money. I'm not trying to put down the folks who do this work, I just want to inspire more people to produce out of love, not for the bling."
What is the question people should ask about this career but rarely do?
"'What is the biggest personal reward in producing?' Seeing or hearing your name mentioned in association with a record you believed in and loved makes it all worthwhile. Everyone who works a "normal" job and receives a paycheck every week also craves recognition for a job well done. We are human and full of emotional needs, regardless of the situation."
What is one thing I should have asked which I didn't?
"Who is my favorite Producer or who do I look up to? Rick Rubin. The dude is a big weirdo, but he launched a hip-hop scene, produced true gems like Tom Petty's Wildflowers, created a record label that supported huge acts like Slayer and System Of A Down, revived careers of bands like
The Red Hot Chilli Peppers, Johnny Cash, Black Sabbath and Metallica. I feel he is one of the last Producer/label/A&R people that can create with a sense of artistic integrity and still achieve commercial success."
If you could describe in one word what makes you successful, what would it be?
Top 10 tips for being a music producer
Watch and learn
I started out as a tea boy, which was perfect because you just get to observe. You sit at the back of the room, look after people, get them what they need but at the same time, you get to share in the experience without being responsible for it.
It's one of those industries where you just have to try and absorb as much as you possibly can. Find a way to be in a recording studio and watch what happens. Experience the psychology of dealing with artists and the practicalities of getting a performance from someone.
You can't teach that stuff, you just have to absorb it. If you've got the right sort of attitude, you can watch and learn and then practise yourself when there's some studio down time.
Be good and kind and appreciate others
For someone to succeed in the music industry there's a long line of people that need to believe in that person. It's a bit like being a politician; no one gets there on their own and it certainly doesn't happen overnight.
If you're going to succeed in this business, you learn pretty quick that being appreciative of other people's time, skills and talent is the key to being successful. Being a good, kind, human being is paramount.
You're going to get the odd idiot along the way who is ego driven and awful, but those people tend not to last very long. Those that have succeeded have worked out that their success is largely down to other people and not just their own individual talent.
Try and get an honest performance
When artists behave badly, it is often just a defence mechanism, it's just someone feeling insecure. It's your job to get them to relax.
As a music producer, you don't just want someone to stand there and sing, you want them to transfer emotion, which means they have to be extremely honest with themselves and you.
Some people are initially uncomfortable with that, you have to break down all their barriers and so, as a result, bad behaviour comes out - we've all got our own little defence mechanisms when we're feeling uncomfortable.
It's amplified in a recording studio environment, because people aren't always willing to give you that level of honesty and go there straight away, so there's a lot of psychology involved.
Use your lyrics to tell a story
I was about 11 years-old when I started writing songs.
My dad was a singer so he would go out and perform and I think I learned my craft as a result of sitting in dressing rooms of working men's clubs in the North of England.
I'd sit there with a bag of crisps and a bottle of pop listening to my dad singing these songs and then have a go at writing my own.
The more you write songs, the more you broaden your vocabulary and the poet inside you.
Your ammunition and your arsenal broadens when you read a lot of different kinds of literature, so I recommend reading as much as possible.
Your lyrics have to tell a story, they have so much of a job to do.
The songs people resonate most with, are songs that are just full of honesty, sound simple and get the message across. 5.Create the right environment
Over the years I've learned that your most important job as a producer is creating an environment in which people want to create and express themselves and that isn't always easy.
Asking people to give an honest performance can be like asking someone to get undressed in front of you. If you're asking people to drop their barriers like that, they've got to be comfortable with you.
Try and be a good person, the best that you can be, then things will happen. Apply positivity to any situation you find yourself in, and don't linger on things that are negative, but use them as opportunities to grow.
Be prepared to work hard and sleep less
I think it comes from being a Northerner, my dad was Irish and extremely hard working and he instilled a solid work ethic in me.
If you want to be a professional music producer, you have to sacrifice the BMX years as a kid. Those few years when, as a teenager, you would be out on your bike with your friends, as a musician, you can forget about those years, because as a musician you're learning instruments or writing songs. can't remember having any more than four hours sleep a night for the last 15 years. You have to throw yourself in and learn how to swim.
Regardless of what I'm doing I need to feel like I've done a day's work, you know, like I've put in the hours, otherwise I can't celebrate any of the successes. I need to feel like I've done my bit.
Be prepared to make sacrifices
The truth is, a career in music isn't just your career, it's also your mistress, because you love it, you spend all your time wanting to do it, you'll spend all your weekends and nights thinking about it, you sacrifice a lot of conventional relationship time and that isn't always easy.
The reality is that if you want a career in music, it is all consuming and it isn't something you do, it's something you are.
I've always considered the songwriter and producer's role to be one of integrity rather than one in the limelight. Because I think the job of a songwriter and a record producer is to bring out the artist in the person performing the song.
Have ambition ,/h2>
Twenty years ago, I got a phone call asking me if I wanted to produce a record for Take That. Gary Barlow and I wrote Everything Changes together very early on.
I had always had an ambition to have a number one by the time I was 25, that was my life time ambition and believe it or not, Everything Changes went to number one on my 25th birthday.
We've been good mates ever since and I've just been working on my first Broadway musical called Finding Neverland with Gary. It's just fantabulous and it's looking like we might have a hit on our hands which is great!
It's been one the steepest learning curves I've had as a songwriter and the same applies for Gaz. But it is by far the most inspiring and creative thing I've done in my life. It's good to have ambitions and keep challenging yourself.
Learn to play an instrument and see the best in people
I think we have a responsibility to keep educating ourselves nowadays. I play a lot of different instruments including the drums, piano and guitar.
I'm a master of absolutely nothing, but what I do have is a working understanding of different instruments and that's important because it means you can get a better performance from the instrument and the person playing it.
I try to see everyone I meet as a good person. Sometimes when you trust people in any capacity you can get your heart broken, but I think it's important not to be cynical. Try to only expect good things and when they do happen, celebrate them. It isn't always easy, I had to learn to be that way.
Maintain a sense of wonder
Maintain a sense of wonder.
I've always understood that anything really amazing was usually born out of a lot of pain and a lot of sacrifice. Because that's how you earn it, that's how things become really great achievements.
I've managed to maintain a sense of wonder of music and it levels me how powerful it is. We wield it about like a child with a light sabre sometimes and we don't know what we're doing.
You have to remember that when your music goes out there and into the world, it doesn't belong to you any more as a songwriter, it belongs to whoever hears it and it becomes part of the soundtrack to their lives.
Music transcends race and age and everything else, it's a truly universal language.
I just happen to be lucky enough to be holding a pencil the day the universe wants to write a song, because I feel like I'm a part of something much bigger than myself and I'm truly grateful to be doing what I do. I can't wait to get in the studio each morning, I love it.


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By James Pero For Dailymail.com
Published: 19:56 GMT, 26 March 2020 | Updated: 19:56 GMT, 26 March 2020
A new DIY project aims to help people break free of timing their hand-washing to the Happy Birthday song once and for all.
A new project devised by design technology company, Deeplocal, gives users a fairly simple way to turn their soap dispenser into a self-made music machine that plays ones favorite tracks from Spotify every time the plunger is pushed.
Once activated the modified dispenser plays a song off of one's Spotify 'tracks of the week' for 20 seconds - the requisite amount of time it takes to efficiently sanitize one's hands.
Scroll down for video.
The DIY project from Deeplocal gives people instructions on how to build their own musical soap dispensers that play Spotify songs for 20 seconds - the


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of our students have progressed to a positive destination.
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Sunderland College destination data, 16-18 year olds, 2017/18 academic year.
of our students agreed that the teaching on their course is good.
Sunderland College On-programme Survey 2018
Eligible students may be entitled to bursaries and free meals.
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You will gain an in-depth knowledge of the science behind sport and take part in practical sessions.
You will need 4 GCSEs at grade 4 or above, including English Language and Maths..
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English and Maths are important life skills that will help you to achieve your best in your studies and progress to your dream career. If you have not already achieved grade 9-4 in GCSE Maths and/ or English at school, we will support you to improve your skills.
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Modules covered include; The Principles of Anatomy and Physiology, Fitness Testing and Training, Sports Nutrition, Sports Coaching and Sports Development. Students who complete this course, will gain a wide range of skills which will make them suitable fo
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Britain's popular Page 3 model Rhian Sugden recently took to her Instagram account and stopped her admirers in their tracks with new lingerie snap.
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Staying true to her signature style, the blond bombshell opted for a full face of makeup. However, she chose subtle shades so as not to take away the attention from her risque ensemble. The application featured an ivory foundation that gave Rhian's face a flawless finish. She dusted her cheeks with a coral blusher, opted for a nude-pink lipstick, nude eyeshadow, heavily-lined eyes, and a thick coat of mascara.
She finished her makeup with dark eyebrows. To ramp up the glam, the hottie also painted her perfectly manicured nails with red polish.
Rhian wore her blond tresses down and allowed them to cascade over her shoulders. She also covered her forehead with her bangs.
According to the geotag, the snap was captured at the Northern Quarter, Manchester, which is the model's hometown. To strike a pose, Rhian stood next to a sliding bedroom door, against the backdrop of a poster. She tugged at her bra strap, parted her lips and looked straight into the camera to exude seductive vibes.
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Rhian has been blessing her followers with many skin-baring pictures lately. As The Inquisitr previously reported, the stunner had shared a pic of herself last week in which she could be seen rocking a transparent lingerie set.


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Well, some of you may know that my annual scan in October showed that my pesky little kidney cancer from 2010 metastasised itself, or whatever it's called when some of the microscopic cancer cells move through the blood stream, find themselves a new … [Continue reading]
St. Phillip Street
When I was around eight years old, we moved out of my grandparents' house to a little half-house in East Brunswick. We might as well have moved to another country. Let me describe the house. It was at the back of a Spotless Dry-Cleaning agency, … [Continue reading]
My First House
On Brunswick Road, my grandparents' house was nestled in between two fairly large houses which looked similar on the surface, but were like chalk and cheese behind the front fence. On our right lived the Saunders, an Australian family – a father, … [Continue reading]
Growing Up In Carlton
The heading for this set of blog posts is quite strange, because, as you shall see dear reader, I never actually lived in Carlton. However, as you shall also see, Carlton is more a feeling, or a "ground of being", than an actual physical geographic … [Continue reading]
Dinner at Percy's
If you Google Percy's Bar & Bistro, you get dozens of entries from restaurant review sites. Pretty much all of them rate it between good and very good, praising the wholesome yet modern Australian fare – great steaks, fantastic risotto, a "to … [Continue reading]
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Long live Hard Rock! From the Sioux 66 straight to California!
Posted on 12/27/2016 @ 4:32 am | 472 views
Those who attended the now-haunted Inferno Club and attend the Manifesto must have already seen Mika Jaxx in action. He was a guitarist for Sioux 66, one of the coolest bands to date, made up of musicians who truly live the rock and roll culture. Influenced by Guns N 'Roses, but also by other fundamental bands of the 1980s, such as Ratt, WASP, Mötley Crüe and Poison, the group became well known by those attending the Inferno Club and the Manifesto Bar and has already started to open shows of mega-stars such as Aerosmith and Papa Roach. Mika Jaxx is currently pursuing her career in California.
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Given that I mostly go west, the tanning patterns are far from symmetrical. The accuracy and accessibility of the resulting translation is not guaranteed. Seller assumes all responsibility for this listing. Item specifics Condition: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used.
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can somebody pls explain about the laprascopy, my doc advised me to do that, i am afraid whether it hurts so badly need somebodys advice.
I had this done in October for endometriosis. The only pain I had was due to the gases they pump into you to expand your abdomen. The gases have to escape your body and mine happened through my right shoulder. Horrible pain, but overall went away in about three days and if it gets rid of endo pain-well worth it.
Hi Jo
I have had 2 Laps in the past three years. Like you I was afraid. I had a friend who went through this surgery about two years before I did and was back to work the next day. I was not so lucky. Due to the doctors findings I had to have more than just the endometriosis removed. One surgery was more painful than the other, but as Sonya said, they were worth the pain and discomfort to be pain free for a while. Keep us informed.
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25,942 Words » Mo
April 4, 2020
Nudge over a little so I can seat.
Chikin kò w pou m ka chita.
See Word of the Day Calendar »
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Tradiksyon sa a se yon kolaborasyon tèt kole ant Konsila Jeneral Ayiti nan Chikago ak Creole Solutions pou bay kominote a bonjan enfòmasyon sou COVID-19. Click here to dowload | Klike la a pou w enprime Mesaj pou Manm Kominote a, Nou pral voye nouvèl sou sa Biwo Majistra Chikago a ap fè pou l […]Learn more
For quite a lot of people, their morning starts with a freshly brewed cup of coffee. You may even be sipping on one right now. Whether it's from your favorite coffee shop or made in the comfort of your own home, it's no secret that coffee is one of the most frequently consumed beverages worldwide. […]Learn more
The first day of spring is just a few days away. It's finally time to wash away the gloom of winter with some spring color. While you're in the market for some beautiful blossoms this season, I highly suggest one of Haiti's most elegant exports: the Cattleya orchid. While Haiti's nurseries grow many types of […]Learn more
Haitian Creole
Haitian Creole
Haitian Creole
Bat chen an, tann mèt li.
Beat the dog, but wait for its master.
Byen mal pa lanmò.
Not well is not death.
Byen prese pa rive.
In a hurry will not arrive.
Byen pre pa lakay.
Being close does not mean you are home.
Haitian Creole
Li toujou ap manje tchanpan. Se sa ki fè li gra konsa.
He's always eating junk food. That's why he's so fat.
M ap ba ou gabèl paske ou pi piti.
I'm giving you a headstart since you are smaller.
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Fabulous 3-bed, 2-bath 2-car garage home in centrally located Willow Pond. Featuring an open floorplan, this entire home has been updated. Featuring, ceramic tile floors throughout and plantation shutters on every window. Totally updated kitchen w/real wood cabinets w/crown moulding, granite countertops, breakfast bar and black double basin sink w/new fixtures and breakfast nook. Very large living room with high ceilings and two sets of sliders to backyard. Dining area can easily accommodate eight. Generously sized master bedroom w/walk-in closet and completely remodeled master bath w/dual sinks and granite countertops and custom built tile shower w/built-in shelving. Bedrooms 2/3 both w/newer ceiling fans and bath-2 has also been completely redone w/custom tile shower and new vanity w/granite countertop. Interior laundry room w/cabinet storage. Windows and doors were replaced in 2015. Includes all appliances, washer/dryer and water softener. Willow Pond is a quiet neighborhood with no HOA and is only minutes from I-275, shopping and USF.
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If possible, population databases for use in forensic DNA testing should contain unrelated individuals of known ethnicity. However, this may not be completely possible in a practical sense, as many laboratories are required to use samples
Table 20.3 Illustration of how minimum allele frequency values change with increasing the number of individuals sampled.
Number of Individuals (N)
Chromosomes Sampled (2N)
Minimum Allele Frequency (5/2N)
20 000
10 000
20 000
Table 20.4 (facing) Comparison of D13S317 allele frequencies between different population studies. Data sets are grouped according to ethnic/racial classification which categories are often defined by self-declaration when samples are collected. Alleles in bold are below the recommended minimum allele frequency of 5/2N (NRCII, 1996). Minimum and maximum values for each allele are listed under each section.
that have been made anonymous prior to study. In addition, categories of ethnicity or race are often subjective and may be based on perceived phenotype or cultural classification. Sampled individuals may have more than one easily definable racial background and may prefer to be grouped differently from a cultural standpoint than they might otherwise biologically. Finally, people who have been adopted or conceived through in vitro fertilization may not know their true genetic heritage.
While relatedness may not always be completely prevented, inclusion of some relatives in the database will not invalidate allele frequency estimates. Systematic bias in allele frequency estimates should only occur with inclusion of relatives if particular alleles substantially affect fertility or viability of offspring. However, markers used in human identity testing applications are selected to avoid this type of sampling bias. The primary purpose in trying to obtain unrelated individuals is to improve the precision of allele frequency estimates by increasing the number of independent genes sampled (i.e., to observe more alleles that would represent the population being studied).
Individuals included in a DNA database should be selected without prior knowledge of genotypes at the loci under examination to insure randomness of the samples. A frequent practice is to collect samples from blood donors or hospital volunteers. For example, the samples used to generate the STR typing data in Appendix II are from anonymous blood donors with self-identified ethnicities purchased from two different blood banks (Butler et al. 2003). Well-characterized population samples with anthropological descriptions would be desirable in many cases to carefully define population groups but are not necessary to obtain valid information in forensic DNA population databases. Self-declaration of ethnicity can be a suitable method of categorizing samples on the basis of ethnicity (see Walsh et al. 2003).
Broad racial/ethnic categories are usually adequate for most forensic databases, unless an isolated population is of interest, such as Native American Apache Indians. An examination of allele frequencies observed with different sample sets from around the United States demonstrates that the differences between sample sets within a racial/ethnic group are small (Table 20.4). Note for example, the D13S317 allele frequencies for African-Americans seen with Holt et al. (2002) versus the data from Appendix II (Butler et al. 2003). The most common allele in both data sets is allele 12, which has a frequency of 0.424 in Appendix II and 0.444 in Holt et al. (2002). Likewise, allele frequencies for Florida and Virginia Caucasians are very similar with the most common allele
Table 20.4 being allele 11 at 0.323 and 0.317, respectively. Therefore, estimates of DNA
(Continued) profile frequencies will likely not vary significantly if a Caucasian population data set from Florida was used versus data from Virginia.
Table 20.4 being allele 11 at 0.323 and 0.317, respectively. Therefore, estimates of DNA
(Continued) profile frequencies will likely not vary significantly if a Caucasian population data set from Florida was used versus data from Virginia.
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Far too many people struggle to fall pregnant and conceive a child naturally. This book looks at the reasons for infertility and how using a natural, holistic approach can greatly improve your chances of conceiving a child of your own without surgery and without drugs!


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2 Robert Downey Jr - Cast member (1985-1986)
Long before Iron Man, Downey was hired as part of a refreshed, younger (he was only 20) cast. But after a year of bad ratings and critical scorn, most of the cast and crew were scrapped and the show was overhauled yet again. Rolling Stone said he was the worst cast member in the history of SNL up until that time. Downey quickly picked up movie rolls that won him acclaim in The Pick-up Artist (1987) and Less Than Zero, also in 1987.


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HomeSennelier Damar Gum - 100 grams Jar
Sennelier Damar Gum - 100 grams Jar
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Damar Gum
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- Description:
- Damar Gum
- Mfg #:
- 10-133511
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- 100 grams
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- 100 grams
These natural damar resin crystals are collected from fir trees. Crystals must be soaked in pure gum turpentine to produce traditional Damar Varnish, used on finished paintings as a transparent, removable high-gloss protective coating. Also useful as an ingredient in medium recipes.
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UPC Code: 3046450133902