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The climate change is still one of the most-themed topics of EU policy. The provisions of the Kyoto protocol proved to be insufficient to guarantee that the global temperature rise is below 2°C. To achieve this, the world must stop the greenhouse gas emissions by 60% by 2050 compared with year 2010. The demand for solutions which will significantly reduce the emissions, CO2 in particular, is therefore very high. This creates the perfect timing for a technology which guarantees the reduction by about 18% for carbon-based fuels and 8% on average for hydrogen-based fuels. Its invention was possible due to the advancement of basic research on elementary particles. The scientific evidence confirming the effect of electromagnetic excitation on the course of the reaction is a strong scientific foundation for our technology . Strong market demand and on the other side scientific evidence for effectiveness of our technology where a trigger for us to proceed with research, validation and commercialisation.
The Activators technology is a breakthrough solution in reducing emissions. Its working principle is based on electromagnetic excitation of carbon and hydrogen atoms. Thanks to that it is versatile and can be used for all types of fuel – fossil as well as alternative. Electromagnetic extrication results in increase of the fuel caloric value - the same amount of energy can the thus produced using less fuel.
The saving is 18% on average for carbon-based fuels and 8% on average for hydrogen-based fuels. This translates into emission reduction (CO2, NOx, SO2, HCl, HF, PM2,5, PM10) and cost savings for power plants and other entities from energy sector. Apart from the high efficiency, the Activators technology is versatile regarding fuel feed and combustion method. It works uninfluenced by the surroundings and despite unfavourable operational conditions like humidity or temperature. Simultaneously the intensity and frequency of the emitted electromagnetic is fully safe for humans and the environment.
Activators are a simple solution for energy industry EU and United Nations (UN) requirements - new regulations in the area of abatement of air pollution - BAT (best available techniques) come in force in 2021.
Based on those discoveries we have developed our Activator. It's the first in the world industrial device which can increase the caloric value of fuel. It also leads to lower amount of produced wastes and reduction of carbon footprint related to transportation of the fuel to power stations. Moreover, low energy requirements make the Activators highly efficient. Activators do not influence the work of the installation – the required activation time is only 15 seconds and is obtained through cumulative exposure of all installed Activators.
Furthermore, in comparison with competitive solutions, our technology is much more universal. It can be implemented in every operational condition, regardless to boiler's construction or method and speed of fuel feed. Activators don't need any specific construction's adaptations or operational conditions. Their activity stays at the same level, despite atmospheric conditions, like humidity or temperature, which means, that the Activators can be installed in both indoor and outdoor fuel conveyors, as a "plug and play" devices. Above mentioned features directly translate to low costs of implementation and exploitation.
The Activators technology is to a significant extent complimentary with other emission reduction technologies available on the market but simultaneously it differs in many features. Activator will be a portable plug& play device. Its implementation requires insignificant changes in coal transportation lines. Other available technologies require construction works and influence the energy production process. This translates into high cost and long implementation period in comparison to our technology.
As mentioned before our technology does not substitute other alternative solution but is complimentary. Compared to them the main advantages of our Activators are their multi-purpose nature and effectiveness in reduction of emission of all harmful combustion products by lowering the amount of fuel, which needs to burnt in order to reach expected level of power generation. What needs to be highlighted, Activators' implementation does not lead to considerable modification of power units and does not cause the lowering of their final efficiency. These features lead directly to higher than competitor's economic viability of the solution – our products not only increase the profitability of power production, but also deliver other profits, like lowering the amount of combustion wastes and decreasing the carbon footprint related to fuel's transportation. Furthermore, our solution is a low-cost technology, both in the implementation and maintenance and requires just 6 months to complete the installation – impossible for competitors.
With regards to general trends of retiring from coal-based power production, Goodway is developing, similar solutions for other power sectors – based on natural gas, biomass and wastes. It is related with increasing importance of those sources in worldwide power production.
Global natural gas demand is growing, in 2018 it increased by 4,9% compared to 2017, rising to 3922 billion cubic meters. 9% of that amount was related to electricity production . Considering, that natural gas is a fuel much "cleaner" than coal, it may be concluded, that in the future that demand will be still growing. Natural gas is a versatile fuel and its growth is partly linked to its environmental benefits (relative to other fossil fuels), particularly for air quality, as well as greenhouse gas emissions. Only in US, it is expected that the share of U.S. total utility scale electricity generation from natural gas-fired power plants will rise from 34% in 2018 to 37% in 2019 and to 38% in 2020 .
Similar prognoses are made for renewable energy resources: biomass and wastes. In 2018, the capacity of biomass power plants was estimated for 130 GW . What's more, bioenergy – solid, liquid or gas fuels – is the largest growing source in renewable consumption over the period from 2018 to 2023 and will account for 30% of the growth in renewable consumption in this period . In turn, worldwide there is 2,430 waste treatment plants with more than 4,500 incineration units worldwide (another more than 1,000 projects are planned) .
Growing demand for the Activators technology will be a result of two global trends: a) growing global electricity demand and b) intensified efforts to mitigate the negative effect of the energy production on the environment. Constant social and economic development translate into increasing global electricity demand - in 2018 it increased by 4%, reaching 26 700 TWh , About 38% of generated electricity is coming from coal .
What's more - 9 out of 10 biggest polluters in Europe are coal-fired power stations (both hard coal a lignite). At the same global actions oriented on reduction of carbon dioxide's and other air pollutants' emission will be further intensifying. One of the examples is introduction of the new BAT reference document for large power plants, which comes into force in 2021.
It will impose new obligations in the area of pollution emission levels. The producers, which do not comply those legal requirements will have to be closed. It creates an urgent need to develop and commercialise new environment-friendly technologies, which could be implemented in different types of coal-fired power plants in order to reduce the carbon dioxide and toxic emissions. Simultaneously, every implemented solution must be also economically viable. Solutions currently available on the market do not full fill the needs of the coal-based power industry. This creates a great chance for the ActiverEco technology with its unique set of functionalities and characteristic.


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Los Angeles, CA · Italian · $$
A seasonal, multi-regional Italian restaurant in the Arts District of Los Angeles, from husband & wife team Chefs Ori Menashe & Genevieve Gergis.
To Go Orders
Hours and location
All reservations sold out.
All reservations for Bestia have been sold. Please check again soon.

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Dear Friends of the Pierre Boulez Saal,
Due to the current situation regarding the development of the coronavirus (SARS-CoV-2), all events at the Pierre Boulez Saal have been cancelled or postponed indefinitely through at least April 19, 2020. For production-related reasons, all subsequent performances of The Queen Commanded Him to Forget have also been cancelled. The Pierre Boulez Saal box office and the foyer will be closed during this period as well. Café Divan will remain closed through April 26.
Tickets purchased directly from the Pierre Boulez Saal by credit card or Sofortüberweisung
For all ticket purchases made by credit card or immediate bank transfer (Sofortüberweisung) through the Pierre Boulez Saal box office, website, or Papagena call center, the full amount will be automatically refunded. We ask for your patience until all cancellations have been processed. If the refund has not been credited to your account by April 30, please contact us at email@example.com
Tickets purchased by gift certificate or directly from an online customer account
For tickets purchased by gift certificate (voucher), a new voucher will be issued. If the amount was debited directly from your online customer account, the full amount will be credited to your account.
Tickets purchased directly from the Pierre Boulez Saal by cash, SEPA bank transfer, EC card, or giropay from Pierre Boulez Saal
If you purchased tickets by cash, SEPA bank transfer, EC card (girocard), or giropay, please provide your account details, including the order number(s) shown in the top right corner of the ticket(s), in writing by April 30, 2020:
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Thank you for your understanding.
The Pierre Boulez Saal Team
See you online!
Please join us and keep experiencing great music in our new online concert series INTERMISSION – Bringing the Music to Your Living Room: In the coming weeks we will continue to offer concerts and make available select video productions of highlights from past seasons for free steaming. The musical journey of discovery continues even during this involuntary break.


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By Pawan Agarwal
This quantity, edited through Pawan Agarwal, brings jointly 34 seminal writings of Professor Altbach on universities and faculties, wisdom construction and distribution, educational career, globalization and open-door regulations, educational publishing, campus politics and comparative stories on Indian and chinese language structures. The articles supply a useful entry to a number of the matters that experience profoundly formed India's better schooling method over the past 5 a long time. they provide a complete studying of the improvement of upper schooling in post-Independence India in an easy but gripping type and confirm Professor Altbach's enduring dedication to this area.
The booklet comprises in-depth reflective articles for every of its seven sections by means of famous specialists on better schooling. It additionally positive factors an insightful interview with Professor Altbach that illuminates many very important parts of upper schooling worldwide.
Read or Download A Half-Century of Indian Higher Education: Essays by Philip G Altbach PDF
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Extra resources for A Half-Century of Indian Higher Education: Essays by Philip G Altbach
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A Half-Century of Indian Higher Education: Essays by Philip G Altbach by Pawan Agarwal
by Edward


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Why Saudi heir 'hacked' world's richest man's phone?
The Saudi Crown Prince and his inner circle have often been slammed for their attempts to put down "real and perceived critics" of his regime all over the world.
Jeff Bezos, Amazon boss and world's richest man, had his mobile phone "hacked" in 2018 after receiving a WhatsApp message that had apparently been sent from the personal account of Saudi Crown Prince Mohammad bin Salman aka MBS.
The Crown Prince has been previously blamed for his apparent involvement in the brutal killing of the Washington Post columnist and Saudi dissident Jamal Khashoggi. Jeff Bezos is also the owner of The Washington Post.
A UN investigation into the "hacking" is supposed to be released on Wednesday. It is expected to say that the encrypted message from the number used by MBS is believed to have included a malicious file that let a massive amount of data to be stolen from Bezos' phone, the Guardian reported.
According to the results of a digital forensic analysis, it is "highly probable" that the intrusion into the phone was triggered by an infected video link sent from the account of the Saudi heir to Bezos.
Bezos and MBS were engaged in a friendly chat on WhatsApp on May 1, 2018, when the Crown Prince sent the billionaire an apparently infected video file, reported the Guardian.
Then, large amounts of data were exfiltrated from Bezos's phone within hours. But it is not known what was taken from the mobile phone or how it was used.
Bezos has alleged through his security consultant, Gavin de Becker, that the Saudi government had "access" to his phone and "gained private information".
De Becker had written in the Daily Beast, an American news website, that the Saudis were "intent on harming Jeff Bezos since . . . the Post began its relentless coverage" of the murder of Khashoggi.
After he was murdered in Istanbul, Bezos became the target of criticism from Saudi-based trolls. But the alleged hacking of his phone took place five months earlier – before the dissident's assassination.
Bezos-MBS ties
Relations between Bezos and the Saudi government seemed to go from "promising to poisoned" over the past two years. After Donald Trump visited the kingdom for his first foreign trip as US President, and MBS visited the US in early 2018, Bezos' company continued its efforts to make a $1 billion deal to build three data centres for Amazon Web Services in Saudi.
The project seemed to correspond with the Saudi Crown Prince's desire to expand his country's participation in the global economy.
Bezos and MBS reportedly exchanged phone numbers at a dinner in Los Angeles during the Prince's trip to the US.
But Bezos' Washington Post proved to be what the billionaire later called, "a complexifier" in his relationship with the Saudi regime as the daily's editorial department had given Khashoggi a contract to write columns.
After the dissident was murdered, a wave of anti-Bezos tweets originating in Saudi Arabia appeared, bashing Amazon and The Post.
Then, in January 2019, the National Enquirer, a longtime defender of Trump, published a cover story exposing an extramarital affair between Bezos and Lauren Sanchez, a pilot and former TV host.
During MBS' visit to the US, the Enquirer's parent company published a glossy magazine titled "The New Kingdom" extolling the prince's reign as a golden era.
Immediately after the article was published, Saudi accounts launched fresh Twitter attacks on Bezos.
Bezos did not deny the affair but wrote an online essay in which he said he was investigating how the Enquirer had obtained his texts with his girlfriend.
Why Bezos was targeted by Saudi?
According to Saudi experts, dissidents and analysts, Bezos was probably targeted because of his ownership of the Post and its coverage of Saudi Arabia. Khashoggi's critical columns about MBS policies and his campaign of repression against activists and intellectuals irked the Crown Prince and his inner circle.
Andrew Miller, a Middle East expert, says if Bezos had been targeted by the Crown Prince, it reflected the "personality-based" environment in which MBS operates.
"He probably believed that if he got something on Bezos it could shape coverage of Saudi Arabia in the Post. It is clear that the Saudis have no real boundaries or limits in terms of what they are prepared to do in order to protect and advance MBS..."
A dilemma for White House?
The possibility that the head of one of America's leading companies was targeted by Saudi Arabia could pose a dilemma for the White House.
Trump and his son-in-law Jared Kushner have maintained close ties with MBS despite a US intelligence finding that the Crown Prince ordered Khashoggi's murder.
What next?
The extraordinary revelation can also undermine efforts by the Crown Prince to lure more western investors to Saudi Arabia amid his efforts to economically transform the kingdom.
The revealation is also likely to raise difficult questions for the kingdom about the circumstances around how US tabloid the National Enquirer came to publish intimate details about Bezos' private life.
It may also lead to renewed scrutiny about what MBS and his inner circle were doing in the months prior to the murder of Khashoggi.


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Bible Commentaries
E.W. Bullinger's Companion Bible Notes
Hebrews 3
Verse 1
holy. See Acts 9:13.
brethren. i.e. of one another.
partakers. Greek. metochos. See Hebrews 1:9.
heavenly. Greek. epouranios. See John 3:12.
calling. Compare Hebrews 12:25.
consider. App-133.
Apostle. Only here applied to the Lord. App-189
profession. Greek. homologia. See 2 Corinthians 9:13.
Christ. The texts omit.
Jesus. App-98.
Verse 2
faithful. Greek. pistos. App-150.
also Moses = Moses also. See Romans 5:14. The name occurs eleven times in Hebrews.
Verse 3
this Man = He.
counted worthy. Greek. axioo. See Acts 15:38.
glory. Seep. 1511.
than. Greek. para. See Hebrews 1:4. four in Gospels ("prepare"). See Matthew 11:10; &c.
Verse 5
servant. Greek. therapon. App-190. Used of Moses. EX. Hebrews 14:31 (Septuagint)
to be spoken after = about to be spoken. Greek. laleo. App-121.
Verse 6
Christ. App-98.
a Son = Son. App-108. See Hebrews 1:2.
own. Omit.
if. Greek. ean. App-118.
hold fast. Greek. katecho. See 2 Thessalonians 2:6.
confidence. Greek. parrhesia. See Acts 4:13; Acts 28:31.
rejoicing. Greek. kauchema. See Romans 4:2.
firm. Same as "stedfast", Hebrews 3:14.
Verse 8
Harden. Greek. skleruno. See Acts 19:9.
provocation. Greek. parapikrasmos. Only here and Hebrews 3:15. Used in the Septuagint in Psalms 95:8, from which this is quoted. Compare Hebrews 3:16.
in = according to. Greek. kata. App-104.
Verse 9
proved. Greek. dokimazo, to put to the test, but the texts read en dokimasia, in, or by, a testing.
saw. Greek. eidon. App-133.
Verse 10
grieved. Greek. prosochtizo. Only here and Hebrews 3:17. Many times in the Septuagint, including Psalms 95:10, whence this is quoted.
that. The texts read "this".
generation. Greek. genea, nation, or race. Primarily of those in wilderness, prophetically of whole race.
alway. App-151.
have . . . known = knew. Greek. ginosko. App-132.
Verse 11
They, &c. Literally If (App-118. a) they shall.
into. Greek. eis. App-104.
rest. Greek. katapausis. See Acts 7:49.
Verse 12
Take heed. Greek. blepo. App-133.
lest. Greek. me. App-105.
any = any one. Greek. tis. App-123.
evil. Greek. poneros. App-128.
departing = falling away. Compare Luke 8:13. 1 Timothy 4:1.
living God. See Hebrews 9:14; Hebrews 10:31; Hebrews 12:22. Acts 14:15. Compare Deuteronomy 5:26.
Verse 13
exhort. Greek. parakaleo. App-134.
daily. Literally according to (Greek. kata, as Hebrews 3:8) each day.
lest = in order that (Greek. hina) not (Greek. me).
deceitfulness. Greek. apate. See Ephesians 4:22.
sin. Greek. hamartia. App-128.
Verse 14
are made = have become.
beginning. Greek. arche. See App-172.
confidence. Greek. hupostasis. See Hebrews 1:3.
stedfast. See Hebrews 3:6 with Hebrews 2:2.
Verse 15
While, &c. Literally In (Greek. en) its being said. i.e. the exhortation of Hebrews 3:13 is to them. Compare verses: Hebrews 3:7, Hebrews 3:8.
Verse 16
some. Greek. tines. App-124.
when . . . heard = having heard.
provoke. Greek. parapikraino. Only here. Often in the Septuagint
out of. Greek. ek. App-104.
Verse 17
had. Omit.
sinned. Greek. hamartano. App-128.
carcases. Greek. kolon. Only here. See Numbers 14:29 (Septuagint)
Verse 18
but = if not. Greek. ei me.
believed not = disbelieved or disobeyed. Greek. apeitheo. Compare App-128. Hebrews 3:1, and Romans 2:8; Romans 10:21.
Verse 19
So = And.
see. Greek. blepo, as in Hebrews 3:12.
because of. Greek. dia. App-104. Hebrews 3:2.
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Cambridge has unique shops and eateries and is just 2 minutes from Lake Ripley Lodge. Treat yourself to delicious tastes at the coffee shops, fine restaurants, winery, distillery, and area brewery. The Cambridge area offers Cam-Rock and Glacial-Drumlin bike/hike trails with bike rental. You may also enjoy fishing, kayaking, canoeing, boating, and swimming at Lake Ripley. Explore the area music venues, theaters, and museums.
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Lose yourself in Santorini. The collection inspired by Grecian architecture, white washed walls, black iron gates, and blue oceans. The girl with sun-kissed skin and barefoot with sand between her toes. The goddess is a classic and glamorous gown. Our high quality sequin fabric falls like liquid on the body and enables a fit like no other. Backless and bold.
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Signum Classics are proud to release the fourth disc from The King's Singers on Signum Classics - 1605: Treason and Dischord. On 5 November 1605 Guy Fawkes was caught preparing to detonate 36 barrels of gunpowder under the House of Lords unveiling an act of attempted treason that shocked the whole of Europe. What led a group of young Catholic men to risk their lives for their faith? 400 years later the King's Singers and Concordia illuminate the dangers of hearing Mass in secret, of conspiracy and downfall, and of protestant relief and celebration, through a project of music and prose. The music, structured around Byrd's perfect 4-part Mass, contains motets by Catholic composers, balanced with protestant anthems celebrating the downfall of the plot, and a commission from the British composer, Francis Pott. Master Tresham: His Ducke reflects on the '9/11' of its day - 5/11/1605. The script, drawing on historic texts and written by Deborah Mackay for the quatercentenary concert series related to this CD, uses the dramatised persona of William Byrd, the most famous composer of his age, to recreate the atmosphere of change and hope in the Jacobean court. ★★★★ The performers bring verve and forceful emotional fervour to these works of protest - Classic FM Magazine A brilliant fusion of Renaissance and contemporary idioms - The Scotsman Strongly recommended - International Record Review There is never a question of technical polish and precision with the King's Singers - American Record Guide
Voce Chamber Choir's new disc is a moving tribute to Sir John Tavener, featuring a selection of works by him (many of which are previously unrecorded) and by Roxanna Panufnik. At the heart of the disc is the premiere recording of Panufnik's 99 Words to my Darling Children, a moving setting of Tavener's last message to his family. As well as the Voce Chamber Choir, the disc features performances from cellist Matthew Barley, organist James Sherlock and narration from Simon Russell Beale. ★★★★★ Voce Chamber Choir offer a well-balanced sound with a polished sheen to their singing. An unusual and most welcome disc - Choir and Organ The result – a lullaby that cradles its sung text with infinite tenderness – is exquisite, and beautifully handled… a strong, and very welcome, first outing - Gramophone It's a really lovely programme… lovely moment of connection between the two, a lovely homage - BBC Radio 3
2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. The repertoire stretches from Monteverdi to Michael Jackson and is dispatched with consummate ease by all involved - Choir & Organ
Another highlight of Scotland's musical life comes from the National Youth Choir of Scotland (NYCoS) National Girls Choir. Joined by Claire Jones, the official harpist to HRH The Prince of Wales, Christopher Bell leads performances of Benjamin Britten's A Ceremony of Carols, An English Day-Book - an exciting rarity by English composer Elizabeth Poston - and two contemporary works by Scottish composer Oliver Iredale Searle and Irish composer Stephen Deazley. ★★★★★ This debut recording by Christopher Bell's NYCoS National Girls Choir could so easily have been just another recording of Britten's A Ceremony of Carols, but for two things: the wholesome confidence of the choir itself … and the successful partnering of Britten's masterpiece with Elizabeth Poston's edgy and colourful An English Day-Book - The Scotsman The voices are rich toned, well-balanced and powered by developing teenage musculature - Classic FM Magazine Clear as a jingle-bell, the NYCoS National Girls Choir take Britten's unadorned carols without fear or sentiment in a translucent reading - La Scena Musicale
A leading light in the world of youth choral music, the Rodolfus Choir is made up of choristers from ages 16-25 who are past and present participants of the Eton Choral Courses, begun by the choir's director Ralph Allwood in 1980. This new Christmas programme mixes the familiar with works not usually heard in carol services – such as Tomas Luis de Victoria's stunning eight-part, two-choir Ave Maria (from an edition prepared by John Rutter), and more recent works such as Chris Chivers' Ecce Puer and Eric Whitacre's Lux Aurumque. Such a programme is well-suited to a choir with the versatility and enthusiasm of the Rodolfus choir. [The choir's] discipline and diction throughout a testing programme is exemplary - The Daily Mail Beautifully sung - The Daily Telegraph The freshness of attack you get with younger voices is put to incisive use by conductor Ralph Allwood, whose Rodolfus singers are all products of the famous Eton choral courses - BBC Music MagazineThe sweet/sour harmonies of Warlock's Bethlehem Down are so deliciously balanced that it is difficult not to leap up from the fireside and press the backtrack button to hear this magical performance over and over again - International Record Review
International award-winning octet Voces8 has established itself as the foremost young British a cappella vocal group. Performing a repertoire ranging from Renaissance polyphony to unique jazz and pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. A Choral Tapestry explores the rich vocal timbres of sacred vocal music spanning five centuries. Interweaving genres create an ethereal sonic tapestry that centres around the haunting beauty of William Byrd's Mass for Four Voices. The programme includes anthems and motets from the English Chapel Royal, the Sistine Chapel in Rome and St. Thomas' Church, Leipzig. VOCES8 are as good as any vocal ensemble I have heard for many a year and the material on this CD is well chosen and superbly sung - Cross Rhythms Following their Bach Motets, choral octet Voces8 branch further afield with A Choral Tapestry, programming devotional material from across the spectrum - The Independent
The Royal Scottish National Orchestra's Christmas concerts are one of the highlights of this celebrated ensemble's musical year. Joined by the RSNO Junior Chorus, this disc captures some highlights of these concerts with a selection of festive favourites both old and new. The mix is infectious and the performances full of fun and panache - The Daily Telegraph There are plenty of Christmas albums around, as you know, but this one is blessed with an extra dose of charm. Listening to it, I can almost smell the cranberry sauce - Classic FM Magazine
The Psalms of David are arguably the portion of the Old Testament that has been enfolded most completely within the Christian tradition and its liturgies. Their messages of strife and joy, prayer and praise, resonate strong and loud alongside the teachings of Jesus, and find special expression in musical settings. This disc is an exploration of all these themes, as interpreted by composers over the course of four and a half centuries – with music by Allegri, Bernstein, Byrd, Parry, Purcell and Wesley. The Temple Church is one of the most historic and beautiful churches in London. Situated between Fleet Street and the Thames Embankment, its recorded musical history extends back to its restoration in 1841, although a church has stood on the site for over 800 years. This is Signum's second disc with the choir, following 2010's release of 'The Majesty of Thy Glory' (SIGCD225). Such enterprising and polished music-making deserves widespread currency. The engineering and editing are faultless, the booklet comprehensive and informative. Many choirs (and organists) could learn much from this jubilant release, which proves that the Temple Church Choir is among the very best. Strongly recommended - Gramophone The highlight is the beautiful version of Allegri's Miserere mei, Dues, with its solo treble soaring high - The IndependentThe polish of the choir's singing, combining a beautifully honed treble line with characterful yet restrained adult voices, is all recorded with fine balance. Copious sleeve notes add value to a very attractive release - Choir and Organ
As heard here, the choir of 18 boys and 12 men has a highly impressive and solid choral tone well served by a warm recorded sound and excellent presence. They are clearly one of the finest choirs in England ... If this recording is any indication, [Vivian's] work with the choir is outstanding - American Record Guide
The Temple Church Choir gives the world premiere recording of Nico Muhly's Our present charter – a brand new four-movement work commissioned by the choir to celebrate 800 years since the sealing of the Magna Carta. Directed by Roger Sayer and featuring organist Greg Morris, the recording also features choral works by Parry, Vaughan Williams, Walton, Bairstow, Tavener and Haydn.★★★★★ Sensitive interpretations enhance the excellence of the singing... Highly Reccomended - Choir & Organ ★★★★ Under their new director Roger Sayer the choir is obviously on strong form - Planet Hugill These superb recordings serve as sonorous reminders of the British choral tradition and its vibrant contemporary life - Opera News
Signum's second disc with the Choir of the Queen's College Oxford is centred around the concept of 'relevation', both divine revelation (particularly the apocalyptic visions of the Book of Revelation) and revelatory visions of earth and heaven. The bulk of the pieces on the recording are inspired by the extraordinary visions of John, the writer of the Book of Revelation, describing the ravaging of the world through divine judgement, the battles between good and evil, and the world's eventual remaking as 'a new heaven and a new earth' in which death and suffering are no more. The disc features three new commissions, by Phillip Cooke, Toby Young and Marco Galvani, who was a final-year student at Queen's at the time of recording.
The Gabrieli Consort and Players return to the programme that put them on the musical map when it was originally recorded and released in 1990: A Venetian Coronation 1595 is a musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fuelled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. With cornetts, sackbuts and an all-male consort, Paul McCreesh fully exploits the dazzling polyphony of Andrea and Giovanni Gabrieli's music and captivates the audience in a theatrical and ceremonious performance. Two decades later, the Gabrieli's New Venetian Coronation takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques). Even if you own the classic Virgin disc, this new version is a must-buy - The Sunday Times Never less than enthralling - The Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generation - BBC Radio 3 Record Review
A sumptuous new recording of Gabrieli Consort & Players' first, award-winning CD, A Venetian Coronation 1595. Nearly 25 years later, Paul McCreesh has reworked his imaginative reconstruction of a glorious late 16th century Coronation Mass at St Mark's, Venice. This is an exciting new version of one of Gabrieli's most influential and enduringly popular programmes, available for the very first time on Vinyl, and recently awarded a Gramophone Award for Best Early-Music recording 2013. Double, 180g Vinyl Release, plays at 33rpm Even if you own the classic Virgin disc, this new version is a must-buy - The Sunday Times Never less than enthralling - The Independent McCreesh's new take on his classic recording is a triumph … Highly recommended to both first- and second-time buyers, and on track to inspire yet another generation - International Record Review
An invitation to stroll through the world of one of England's greatest composers The young, virtuoso A Cappella ensemble VOCES8 return to disc on Signum with a sumptuous collection of early works by Henry Purcell. Joined by the specialist early-music ensemble 'Les Inventions', the group explores Purcell's astoundingly diverse output – there is hardly a genre in which he did not express himself: anthems, odes, funeral music, semi- operas, masques, sonatas, consort-music, songs and catches populate his extraordinarily multifaceted œuvre. It is this astonishing diversity that we wish to celebrate by inviting the listener for a stroll through the world of one of England's greatest composers.
If anyone ever doubts Purcell's consummate genius, this CD - beautifully recorded and executed - ought to convince them. A great introduction to Purcell's many guises - Choir and Organ
You won't hear Purcell sung better - Planet Hugill
This is a lovely collection, reflective of the composer's eclectic talents, and beautifully performed - Early Music Review
Continuing Signum's new partnership with Paul McCreesh and the Gabrieli Consort following the triumphant success of Berlioz's Grande Messe des Morts (SIGCD280), their latest release is a recording of the groups renowned a cappella programme of music for mourning and consolation. This is a beautifully poignant programme of British choral music, including works by composers as diverse as Morley and Dove, Sheppard and Walton and featuring Howells' sublime Requiem. An excellent disc - Gramophone Gorgeously melancholic British funeral music for unaccompanied choir... beautifully sung by Paul McCreesh's Gabrieli Consort - The TimesThis album [serves] a vital reminder that there is more depth of feeling, emotional power and intellectual stimulation to the art of music-making than we can ever hope to truly understand. All we can do is applaud - Classic FM Magazine
BBC Music Magazine Award winning choir Tenebrae return to disc on Signum under the expert direction Nigel Short with a sumptuous album of Carols, Hymns and other celebratory works for Christmas. It is probably superfluous to say that the performances by Tenebrae are top class - but they are - Music Web International Crystalline beauty... every voice part is constantly alert to the expressive possibilities of the music and crafts it all with care and musicality. The ensemble's extensive experience [is] belied by the disc's youthful, festive joy - Sinfini This uplifting album captures all the passion and precision for which the choir is renowned - The Lady
The Choir of St John's College, Cambridge's advent service is a staple of the British choral world, and is broadcast on BBC Radio 3 almost every year. The service features much-loved favourites from the festive season alongside a variety of new works commissioned especially for the event. This disc of live recordings features performances by the choir from their four most recent services from 2014-17. ★★★★ This superbly programmed collection will take your Advent listening in unexpected, but entirely apposite, directions - BBC Music Magazine The choir has retained its renowned clarity, flamboyance and readiness to take risks - Gramophone The choir has retained its renowned clarity, flamboyance and readiness to take risks - The Guardian This disc gives a very good flavour of the excellent Advent music one can hear at St John's - MusicWeb International
In their debut disc on Signum, the Caius choir celebrates the relationship between seven British contemporary composers and their influences drawn from the Medieval period. Fascinating stuff - Classic FM Magazine One or two surprisingly mature voices step out for solos from this young choir, and the blend and tuning are generally of a very high standard - Choir and Organ The Choir of Gonville & Caius College, Cambridge is impressively at home in this consummately difficult repertoire - Classics Today
Few can argue with Tenebrae's international stature as one of the most competent, versatile, exciting and passionate vocal ensembles in the world today. The beauty of Tenebrae's perfectly blended sound coupled with near-flawless technique is showcased in this recording, featuring a selection of their favourite concert repertoire to create a performance worthy of anyone's collection. Allegri's haunting Miserere is the central point in a journey through music of longing and entreaty, hope and faith. These works spanning the centuries are chosen from the heart of Tenebrae's concert repertoire. Featuring works by Taverner, Holst, Rachmaninov, Lotti, Ireland, Harris, Briten and Kodály.
The four coronations of the twentieth century were enormous and extravagant. Replete with festive pageantry, these ceremonies were joyful celebrations of British music, employing tremendous forces. Choirs from across London and beyond were marshalled to provide a chorus of over 400 voices; a full-size symphony orchestra was squeezed into Westminster Abbey, whilst bands of fanfare trumpeters led the pomp and celebration. In the imposing surroundings of Ely Cathedral, Paul McCreesh and Gabrieli bring the history, ceremony and liturgy of these extraordinary events to life. With his renowned creative flair, McCreesh's painstaking research provides the springboard for their latest ground-breaking recreation project. The result is a joyful celebration of five centuries of choral music, performed with the same vast forces as were heard at the coronation services. Alongside an orchestra of rare early-twentieth century instruments, an extended Gabrieli Consort is amplified by the energetic sound and fresh faces of several hundred young singers from Gabrieli's choral training programme Gabrieli Roar. The music is interspersed by the coronation liturgy, with Simon Russell Beale speaking the part of the Archbishop of Canterbury. Performance ★★★★ Recording★★★★★ McCreesh at his considerable best - BBC Music Magazine ★★★★★ Paul McCreesh has magnificently recreated this unique coronation rite... truly heart-warming - Choir & Organ ★★★★★ An astonishing recording - The Times ★★★★★ McCreesh has conceived and executed a magnificent project - Classical Source ★★★★★ Palpable enthusiasm and engagement - Planet Hugill One can imagine the virtuosity required by every contributor, at every turn, to make this a reality, let alone a dazzling triumph - Gramophone A most recommendable treat - MusicWeb International This is something very special - Cross Rhythms
Signum Classics are proud to release the second disc from the Vasari Singers on Signum Classics, Anthems for the 21st Century. To celebrate its first twenty-five years of vibrant music making, the Vasari Singers commissioned ten composers to each write an anthem that would in their eyes reflect the state of the world at the start of the new millennium. The brief indicated that each work should be suitable as an anthem in an Anglican cathedral Evensong, and that it could also look beyond any constraints of Liturgy or formal religious doctrine to embrace a wider, ecumenical audience. Perhaps something more humanistic that would have a voice in the multi-cultural, multi-faith societies of the new 21st century world? ★★★★ The consistently high level of invention and diverse styles contribute to the album's overall success - Classic FM Magazine The Vasari Singers and Jeremy Backhouse have few equals - Gramophone The choir sings with feeling and perception - Choir & Organ
Ash Wednesday marks the start of Lent, the forty-day period of fasting and penitence which precedes Easter. Ashes are placed on worshippers' foreheads in the shape of a cross, as a sign of repentance. Evensong on this day has been an especially important service in the liturgical year at St John's; the BBC started transmitting it live in 1972. For several decades the service was broadcast annually; more recently it has been biennial. 2019 was a live broadcast year, however the recording on this release uses our own microphones, permanently installed in St John's College Chapel for webcasting, rather than those of the BBC. This recording will be released around the same time that the Dean of St John's, Mark Oakley, releases a book on George Herbert's poems, called My Sour Sweet Days. The book and the recording go well in tandem, as in the Deans first sermon at St. John's, he said "I believe that when we walk here (The Chapel), we walk into a poem. The liturgy is poetry in motion, and we sometimes fail to understand its density of suggestion, the eavesdropping on the soul, the sensitive state of consciousness that its poetry can prompt."
The Swingle Singers, Featuring Shlomo & The Vocal Orchestra
With a stunning selection of brand new arrangements, the Swingles' return to disc promises some of their best and most memorable performances to date on this studio album.
The warm, beautiful tone and precision of the groups voices are combined with a modern edge; with vocal percussion and beatboxing featuring guest performances from Shlomo, the world renowned beatboxer, and the Vocal Orchestra....make it funky now
Beethoven's euphoric Symphony No. 9, like his Symphony No. 5, is one of those pieces of classical music which transcends the barrier between musical genres – one of the few pieces of the classical canon in the popular consciousness. Few can fail to be uplifted and caught up in the joyous Ode to Joy finale. For this performance, recorded live at the Edinburgh International Festival in 1994, the Orchestra of the Age of Enlightenment were joined by the renowned conductor and long-time collaborator, Sir Charles Mackerras, a partnership between him and the OAE that lasted almost a quarter of a century. ★★★★★ One of the most thrilling Beethoven interpretations I have ever heard. It bristles with revolutionary spirit … The OAE play like gods and demons - The Financial Times ★★★★★ The slow movement is full of spiritual balm. The outer movements are elemental in proper revolutionary style; the finale's found British soloists are excellent. Highly recommended - The Mail on Sunday Fine choral singing by the New Company, and Mackerras's masterly control, make the finale as electrifying as only it can be - The Times
This recording made by the Royal Holloway Choir celebrates the music of Ben Parry. His compositions and arrangements include the popular Faber Carol Book and a burgeoning catalogue of choral music for Peters Edition and Oxford University Press. He has enjoyed commissions from, among others, St John's College, Cambridge, The Cathedral Choral Society of Washington DC, VOCES8, the BBC Singers, Chelmsford, Ely, Norwich and Worcester cathedrals, and his music has been heard at the BBC Proms and on the TV and radio. In this recording, he sets the words of poems by Garth Bardsley, who says about Ben's work "all of my poems stand alone but given the Parry treatment, I know that they take flight." The Choir of Royal Holloway is considered to be one of the finest mixed-voice collegiate choirs in Britain. Their recordings on the Hyperion label have attracted top reviews from all major music publications. The choir gives 50-plus concerts a year with a particular specialism in collaborating with living composers. The choir has collaborated, performed and recorded with many prestigious ensembles, including The King's Singers, BBC Singers, London Mozart Players, Tallinn Chamber Orchestra, Onyx Brass, Fretwork, and the Britten Sinfonia.
VOCES8 and Les Inventions shine a light on a hidden musical treasure in these world-premiere recordings of Charles Avison's 1757 adaptation of Benedetto Marcello's Estro-poetico armonico. A fresh and original collection, Marcello's Psalm settings were composed in Venice and quickly found fame across Europe after their publication between 1724 and 1726. ★★★★★ The results are wholly delightful and absorbing, and the intimate forces of VOCES8 and Les Inventions are completely at home in this repertoire - Choir & Organ ★★★★ With their vivid word-setting and lively declamation, the English texts give a slightly homespun quality to the enterprise. Well sung, there's a striking triple canon with Latin text to finish - The Observer ★★★★ Marcello's masterpiece receives...world premiere recording here by VOCES8, accompanied by the organ, recorder and strings of French early-music ensemble Les Inventions - The Independent Very polished - BBC Radio 3 CD Review A nice variety of vocal colours and a lovely blend make for a convincing representation of Marcello's largely unknown masterpiece Estro poetico-armonico. More please - Early Music Review
The story of Beowulf, although thousands of years old, is still loved by many all over the world. This recording of a new musical telling of the story, composed by Toby Young, blurs traditional sense of the genre of classical music by merging it with folk and popular music. This fusion is what makes Beowulf a fantastic story. The greatest versions of the story are not the simple good verses bad, but the ones which involve slight ambiguous points; ones which allow the reader/listener to mkae his/her mind up about what is exactly going on. The combination of Toby Young's score and Jennifer Thorp's libretto create this perfectly.
This is the first in a new series of releases from the world-renowned conductor Paul McCreesh and his Gabrieli Consort. Recorded in Poland as part of the Wratislava Cantans Festival (of which McCreesh is artistic director) this staggering performance of Berlioz's 'Grand Mass for the Dead' is produced by a force of over 400 performers - drawn from the Gabrieli Consort and Players, the Wroclaw Philharmonic Orchestra and Choir and students from Chetham's School of Music. Future releases with McCreesh will include Mendelssohn's Elijah, Haydn's The Seasons, Britten's War Requiem and a re-recording of their famed disc 'A Venetian Coronation'. Founded in 1982 by Artistic Director Paul McCreesh, Gabrieli Consort & Players are worldrenowned interpreters of great choral and instrumental repertoire, spanning from the renaissance to the present day. Their performances encompass virtuosic a cappella programmes, mould-breaking reconstructions of music for historical events, and major works from the oratorio tradition. They are regular visitors to the world's most prestigious concert halls and festivals and have built a large and distinguished discography. Anyone in search of a transformative listening experience, Berlioz agnostics among them, should make this release a priority purchase - Classic FM Magazine The contrapuntal intricacy of Berlioz's choral writing is done with precision and firm accents, the haunted atmosphere of the 'Quid sum miser' interpreted with restrained, eloquently inflected choral singing and poignant instrumental interjections - Gramophone Berlioz's 1837 Grande Messe has rarely sounded so thrilling or transparent - The Independent on Sunday
Voce's mission, as articulated by Artistic Director Mark Singleton, is to Serve Harmony. They strive to perform each piece as a unified ensemble – to get straight to the heart of each composition. This cooperative spirit enables them to render music that expresses, as closely as possible, the intent of the composer. Paul Mealor's music, in turn, comes from a place of deep humility. It stirs the soul, allowing the spirit of all who hear it a direct, unconditioned experience of peace, love, compassion and a profound joy. When Paul came to work with Voce in 2017, it was obvious that Voce and Paul Mealor were a perfect pairing. Some things are just meant to be.
Chilcott's mighty setting of words from St John's Gospel is a dramatic yet optimistic retelling of the Passiontide story. The work combines 13th and 17th century English poetry with the King James Bible text settings and, as with Bach's great Passion settings, the role of the Evangelist is taken by the tenor soloist, who provides a melodious narrative throughout. Including 5 well- known hymn texts set to new, original melodies, the work further confirms Chilcott's status as one of the world's most popular active choral composers.
BBC Music Magazine Award-winning choir Tenebrae perform a sumptuous selection of motets by Johannes Brahms and Anton Bruckner. Choral Recording of the Year: Performance ★★★★★ Recording ★★★★★ A beautifully balanced programme - BBC Music Magazine ★★★★★ Complex, rich and beautiful... performances are everything we have come to expect from Tenebrae, likewise Signum's recorded sound - Classical Music ★★★★ Richly Expressive - The Observer Tenebrae score on all counts. They submit with impressive stamina and unfailing intonation to Bruckner's instrumental scoring and phrasing - Gramophone The dense harmonies suit this well-established professional choir perfectly - The Guardian Beautifully performed, seraphic sequence - The Sunday Times
Britten's powerful and masterful evocation of the North Sea in all its moods has to audiences all over the world become inextricably linked with the Aldeburgh that was home to George Crabbe (author of the 'The Borough' from which the story originates) in the eighteenth century and Britten in the twentieth.Steuart Bedford leads a vast and accomplished ensemble on this new live recording, created shortly before the group's unique staging of the work on the beach at Aldeburgh as part of the town's world-renowned festival. The mix here is imperceptible and the sound unobtrusive; engineer Mike Hatch deserves a credit twice the size and conductor Steuart Bedford pulls off an extraordinary feat of coherence and endurance. But it's Oke who makes the case for Peter Grimes and steals the show. There used to be two great Grimes on record: Peter Pears and Jon Vickers. Now there are three - Sinfini Music
Following their acclaimed recordings of Berlioz's Grande Messe des Morts and Mendelssohn's Elijah, Paul McCreesh has once again assembled the mass forces of Gabrieli Consort & Players and Wrocaw Phiharmonic Choir to record one of the iconic masterpieces of the twentieth-century oratorio repertoire.The work reflects Britten's long-held and committed pacifist beliefs. Composed to mark the consecration of a new Cathedral in Coventry, Britten combines the Latin text of the Missa pro Defunctis with nine poems by the First World War poet Wilfred Owen, which vide a moving (and frequently uncomfortable) commentary on the liturgical text.This series has already garnered substantial critical claim and a number of prestigious awards, including a Gramophone Award, BBC Music Magazine Award and two Diapason d'Or awards.It's a very well-paced performance, and Susan Gritton, John Mark Ainsley and Christopher Maltman are excellent soloists, totally engaged with Britten's combination of the Latin Mass for the Dead and Wilfred Owen's war poetry. It's an outstanding recording for the Winged Lion Label from Signum Classics - BBC Radio 3 CD Review
Led by Mark Williams, the Choir of Jesus College, Cambridge continue their critically-praised series of recordings on Signum with this new recording of works by British composers Britten and Byrd. William Byrd and Benjamin Britten, their respective careers separated by about three hundred and fifty years, share one very significant characteristic. They were both, in quite different ways, outsiders. As a devout Catholic existing within an alien environment – a state which ultimately viewed Catholicism as the equivalent of sedition – Byrd was obliged to pursue a kind of double life, expressing his spiritual exile in music of emotional intensity. Like Byrd, Britten became highly regarded by the establishment for his artistic achievements, but reservations regarding his homosexuality prevented his complete acceptance. Both his pacifism and his sexual orientation made him an outsider.
The National Youth Choir of Scotland is an outstanding choir for young people aged 16 to 25, directed by world-renowned conductor Christopher Bell. Membership is granted by yearly auditions to singers born, resident or studying in Scotland. In 2012 the choir was presented with the Royal Philharmonic Society's Ensemble Award. Formed in 1891 as the Scottish Orchestra, the company became the Scottish National Orchestra in 1950, and was awarded Royal Patronage in 1977. The Orchestra's artistic team is led by Danish conductor Thomas Søndergård, who was appointed RSNO Music Director in October 2018, having previously held the position of Principal Guest Conductor. NYCOS and RSNO join forces to create an eclectic mix of recordings, performing some timeless classics, as well as exploring some contemporary repertoire. The excellent stadards of both ensembles makes for an exciting listen in what is NYCOS' first recording with Signum.
Signum Records are pleased to welcome a new ensemble to the catalogue: The Elysian Singers perform choral works by composer James MacMillan. MacMillan characteristically draws inspiration for his vocal works from recurring themes such as the Catholic Church and Scottish traditional culture. The most substantial work on this recording is Cantos Sagrados ("Sacred Songs"). MacMillan takes the poems of Latin American poets Ariel Dorfman and Ana Maria Mendosa, and combines their settings of political repression with traditional religious texts to create a powerful combination of liberation theology. The result is at times delicate, and then terrifying. The composer's intentions were to create a work both sacred and secular, being timeless yet contemporary. Of the other works on this disc, the majority are settings of Latin or English religious texts often written for particular occasions or places. A Child's Prayer, for instance, was dedicated to the victims of the Dunblane tragedy of 1996, where one teacher and sixteen of her pupils were shot dead whilst in class. One of the two secular works on this recording, The Gallant Weaver is a setting of that most Scottish of poets, Robert Burns, to a nostalgic evocation of Celtic folk-music. The Elysian Singers were founded in 1986. Since 1999 they have been directed by Sam Laughton and have established a national reputation as a young and lively chamber choir, winning awards for commissioning new music.
Choral director, composer and musicologist, Clytus Gottwald turns his attention to complex and masterly choral arrangements of works from the late nineteenth and early twentieth century. Works by European composers including Wagner, Mahler, Debussy and Webern are arranged in up to sixteen parts, performed by the Rodolfus Choir, directed by Ralph Allwood. ★★★★ Do his arrangements stand up well against the original? The answer is mainly yes. This is thanks to the persuasive performance of the young singers of the Rodolfus Choir, who do not blench at what is sometimes a formidable task - Choir and Organ Gottwald's awesome technical demands put much of this music way beyond the scope of most choirs, and it is greatly to Ralph Allwood's credit that the Rodolfus Choir, most of whom are students and all of whom are under 25, have not only tackled this music at all but have done so with considerable distinction... They clearly relish the vocal harmonics in Ravel's Soupir, they love the bell effects in Debussy's Les Angélus, they positively luxuriate in the warm glow of Gottwald's take on 'O mio babbino caro' and they float around with enormous enthusiasm in the misty textures of Caplet's Présentation - Gramophone
2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres. In this A Cappella collection, you can hear a wide rage of works by The King's Singers, The Swingle Singers, BBC Singers, Tenebrae, Voces8 and many more all on one disc - all selected from titles across the Signum catalogue. This is a disc that can surely claim to have something for every taste and temperament - Choir & Organ
A true master and exponent of the British choral music tradition, Herbert Howells' compositions and settings are brought to life in this collection of his secular and sacred works. Performances come from the youthful talents of The Rodlofus Choir, led by their director Ralph Allwood. The Rodolfus Choir is made up of singers aged from 16 to 25 who have been chosen from past and present members of Eton College's summer choral courses for prospective choral scholars. Many members of the choir are choral scholars, some are at music college, and most hope to make a career in music. Ralph Allwood founded the choir in 1984, and has been Precentor and Director of Music at Eton since 1985. Recording ★★★★★ Performance ★★★★★ Put simply, this disc has quality stamped all over it - BBC Music ★★★★ I could listen to the young singers of The Rodolfus Choir all day without tiring or losing my appetite for their collective musicianship and accomplished choral artistry - Classic FM Magazine These youthful singers [deliver] the sensitivity and precision you would expect of the next generation of choral scholars - The Observer One can only marvel at the group's remarkable collective skill and cohesion - Fanfare Magazine
The international award-winning octet, VOCES8, has established itself at the forefront of British a cappella. Performing a repertoire ranging from Renaissance polyphony to unique Jazz and Pop arrangements, the group has been praised for stunning performance, exquisite singing and creating a sound that spans the entire range of vocal colour. VOCES8's singing is faultless – jaw-droppingly so in places - The Arts Desk Invariably sophisticated and sensitively done - The Daily Mail Highly recommended - All Music.com
A new album bringing classic carols to life under the expert direction of conductor and author Andrew Gant, marking the release later this year of his new book "Christmas Carols, from Village Green to Church Choir." Everyone loves a carol - in the end, even Scrooge. They have the power to summon up a special kind of midwinter mood, like the aroma of mince pies and mulled wine and the twinkle of lights on a tree. It's a kind of magic. In this new accompanying recording, Andrew Gant's choir, Vox Turturis, bring these carols to life with captivating performances of classics such as The Angel Gabriel, Adeste fideles and Hark! The Herald Angels Sing, as well as less-known gems like Célébrons la naissance, Les anges dans nos campagnes and Tempus adest floridum. The CD booklet also includes a short essay by Gant highlighting some of the fascinating stories behind these works. Christmas Carols brims with anecdote, expert knowledge and Christmas spirit. It is a fittingly joyous account of one of our best-loved musical traditions. The recording debut of Gant's youthful professional choir is a spirited one - The Sunday Times The acoustic of St Peter's College Chapel serves these singers well, and the recorded sound is glorious - The Arts Desk This is another well-planned and splendidly performed CD, eminently recommendable - International Record Review
Christmas presents a golden opportunity to present brand new music to wide audiences, and the role played by St John's College Choir in this area has been significant, as demonstrated by new recording of traditional and contemporary choral works. The recording features Michael Finnissy's John the Baptist, written for the Choir for its BBC Advent broadcast in 2014. The programme begins with Bob Chilcott's The Shepherd's Carol commissioned by Stephen Cleobury (a former St John's organ scholar) for King's College Choir, and also includes Creator of the Stars of Night, composed by another former St John's organ scholar, John Scott. The Choir of St John's College, Cambridge is one of the finest choirs of men and boys in the world, known and loved by millions from its recordings, broadcasts and concert tours. A cornerstone of the great English choral tradition since the 1670s, the Choir is recognised for its distinctive, rich and expressive sound and is today directed by Andrew Nethsingha.An evocatively sung collection from the Cambridge choir glowing with devotional joy - Choir and Organ
This disc represents a new orchestra partnership for Signum Records with The Orchestra of the Age of the Englightenment, one of London and the world's leading period-instrument ensembles. Led by Robert Howarth, the recording was made at Kings Place following the orchestras successful 2010 tour of the work.
'Not all orchestras are the same,' runs the message on the cover, and it's true: … a shimmering, captivating choral sound that seems to float effortlessly through the psalms - The IndependentWhat is impressive is the grammatical sense (underpinned by flexible accentuation) that the choir brings to the projection of the words in Dixit Dominus and at many other places. Also, as we might expect, the instrumentalists are terrific - BBC Music Magazine In a word it is magnificent … this is one of the most enjoyable I have heard in recent years - MusicWeb International
Pianist Malcolm Martineau brings together some of the UK's finest singers for the third release in his series charting the complete songs of French composer Gabriel Fauré. This series follows Martineau's well-received 5-CD series of The Complete Songs of Francis Poulenc.
Some of the most atmospheric music from the numerous Liturgical settings in Holy Week is that composed for the Office of Tenebrae. Victoria's are the most well-known, but equally beautiful and arguably more dramatic are the settings composed by Gesualdo and Couperin. The Gesualdo is intense with the Couperin atmospheric, yet both compliment each other perfectly on another world-class recording from Tenebrae. Described as "phenomenal" (The Times) and "devastatingly beautiful" (Gramophone Magazine), award-winning choir Tenebrae, under the direction of Nigel Short, is one of the world's leading vocal ensembles renowned for its passion and precision. These are Tenebrae's core values and with their continued dedication to performance of the highest quality, Tenebrae's vision is to deliver dramatic programming, flawless performances and unforgettable experiences, allowing audiences around the world to be moved by the power and intimacy of the human voice.
Welcome all Wonders: A Christmas Cantata is a large-scale work for choir, organ, and trumpet spanning 15 movements. It celebrates the Christmas story through an imaginative selection and juxtaposition of poetry and liturgical texts, and provides a multifaceted telling of the familiar narrative. The celebratory aspects of Christmas are tainted by darker themes that are inherent to the story but are easily overlooked, culminating in an enlightened and engaging work that explores the Christmas story in a profound manner. The Choir of The Queen's College, Oxford is among the finest and most active university choirs in the UK. Its wide-ranging repertory includes a rich array of Renaissance and Baroque music and contemporary works. An excellent disc: the singing is incredibly tight, in the manner to which it has become increasingly accustomed under its musical director, Owen Rees, and Bednall's writing is ingenious, embedded in a profound understanding of the workings of the choir and organ- both as distinct entries and as a partnership - Gramophone Magazine Bednall's work makes a bright, immediate impression, the idiom, accessible without being superficial - BBC Music Magazine An original and very rewarding addition to the Christmas choral repertoire - MusicWeb International Bednall is honoured with what is surely a splendid performance from the Choir of Queen's College, Oxford with organists Olivia Clark and Paul Manley and trumpeter Simon Desbruslais, directed by Owen Rees - International Record Review
2018 Grammy Award nominees Tenebrae perform a new collection of choral works by Polish composer Paweł Łukaszewski.
Born in southern Poland in 1968 in the city of Częstochowa and described by Gramophone as writing "enchanting choral music…beautifully measured phrases, immaculately tailored textures and ingenious use of light and shade to invoke light shining in darkness", Łukaszewski has secured a place in the forefront of European sacred music with performances throughout the world and his works featuring on over one hundred recordings. He studied at the Fryderyk Chopin Academy of Music, where he still teaches, and is now the Artistic Director and Conductor of Musica Sacra Cathedral Choir in Warsaw.
This collection of sacred choral works bears an easily-discernible cultural link with his Polish predecessors such as Lutosławski and Penderecki, but the influence of Henryk Górecki and the Estonian Arvo Pärt is evident too in the fervent but restrained spiritual aspect of Łukaszewski's music, and his individual voice never stoops to mere imitation.There is always a sense of rhythmic and harmonic displacement about his work, which makes it not only difficult to deliver but curiously timeless - Choir and Organ Very effective - Gramophone I would strongly recommend this as a CD of great interest, wonderfully well sung - Cathedral Music Magazine Moving and uplifting - Cross Rhythms I offer plaudits to Nigel Short and Tenebrae for their quality of singing and commitment - iClassical
The Choir of St John's College Cambridge launch their new series of recordings with Signum by exploring the close connections between the college and celebrated British composer Jonathan Harvey (1939-2012), in a disc of works for choir and organ. Harvey's music has influenced a generation of composers, described by The Guardian's Tom Service as being "at once vividly contemporary and timeless". The Choir's director Andrew Nethsingha reflects on his own experiences and work with the Jonathan Harvey in CD's programme note, in particular as the choir collaborated on what would be Jonathan Harvey's final work for the choir, The Annunciation (2011).
In 1612, Prince Henry Frederick, son of James I and heir to the thrones of England and Scotland, died from a suspected bout of typhoid fever. His untimely death inspired a massive outpouring of artistic tributes in both verse and music, reflecting the mood of a nation mourning the loss of this popular future king at just 18 years of age. 'Dialogues of Sorrow' is the second disc from early music consort group Gallicantus, here joined by lutenist Elizabeth Kenny to perform familiar masterpieces and undiscovered treasures of the late English Renaissance, composed at the time of the young prince's death. The release follows the group's critically acclaimed debut recording, 'Hymns, Psalms and Lamentations' - music by Robert White. Editor's Choice: This is a perfect selection … lovingly and movingly performed - Early Music Today This is a well-sung, intelligently produced and exhaustively researched project, which deserves great success - International Record Review One of the the year's best choral releases - TheArtsDesk.com


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Correct Credit Report: doing regular rounds of your Correct Credit Report
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Checking of your Correct Credit Report will assist you in understanding discrepancies if some in the report. In the time you may have your own credit denied, the cause of which you can know after accessing your Correct Credit Report. When you understand the reason for the refusal of your credit you can take the essential step. You might also amend certain changes that will help you in improving your credit score. Assessing of Correct Credit Report is also valuable for those people who wish to apply for fresh loans. Throughout your Correct Credit Report, you can know if you have good or poor credit scores.
Assessing your Correct Credit Report will help to identify theft or questionable activity done in your accounts. By going through how to dispute items on credit report frequently, you are going to know the actions done on your accounts. If you become aware of any questionable activity, you are able to opt for a tight safety measure to protect your account. You can register for a service which will track your Correct Credit Report on your behalf and notify you of the same.
By doing a regular check of your Correct Credit Report you can get a stock of your financial condition. You are able to repay your loans on time, that will get reflected on your Correct Credit Report. Possessing a good Correct Credit Report can let you get good financial dealings.


text: Laferriere wrote: >The ICBN says that a >trinomial consists of a species name plus the abbreviation of the rank >(i.e. "var.") plus the infraspecific epithet. Jones, in the above >example, coined the entire trinomial not just the epithet. On the useful side, this answers a question that has puzzled me. Namely, in 1945 John Thomas Howell published as new combinations Potentilla lycopodioides (Gray) Baill. var. megalopetala (Rydb.) J. T. Howell and Potentilla lycopodioides (Gray) Baill. var. scandularis (Rydb.) J. T. Howell. As it happens, Baillon suggested but did not formally make the combination Potentilla lycopodioides, which is accordingly a nomen nudum. >From the interpretation of the code as reported by Laferriere, it would appear that Potentilla lycopodioides var. megalopetala and Potentilla lycopodioides var. scandularis are valid combinations, even though Potentilla lycopodioides and the corresponding autonym are not! Barbara Ertter ertter at ucjeps.herb.berkeley.edu University and Jepson Herbaria University of California at Berkeley


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—Cut Sod for two projects
The Builsa South Constituency, one of the deprived constituencies in the Upper East region is receiving massive transformational development spearheaded by the Member of Parliament, Dr Clement Abasinab Apaak.
As part of the effort to transform the constituency, Dr Apaak initiated a number of development projects and recently cut sod for the construction of a kindergarten school block at Kanjaga and a children's ward for the Fumbisi Healthcare Centre.
The altra-modern kingdagaten(KG) with ancillary facilities in Kanjarga, according to the MP, is to enhance quality of education at the pre-school level.
The children's ward at the Fumbisi health centre would also go a long way to improve quality of health care delivery.
The kindergarten block which is expected to be completed within six months is being executed by Ameen Danda Construction company, while the Children's ward at Fumbisi to be executed by Akinkang Caesar construction limited.
When completed, it would help reduce the pressure and overcrowding in the school.
The two projects are fully funded by the MP through his share of the District Assembly's Common Fund.
Present at the sod-cutting ceremony were the Chief of Kanjarga, Nab Akanfela Akanje-anya, the constituency Vice Chairman of the National Democratic Congress (NDC) of Builsa South, and party faithful.
In remarks during sod-cutting ceremony for the Construction of Kindergarten block, Dr Apaak said the project has become necessary because kanjarga is one of the largest community in the constituency without a kindergarten school block.
"It is our core responsibility to ensure that our children enjoy the best of education. Going to school should not be a punishment to our kids due to the conditions of our educational facilities," the Deputy Ranking of Education Committee of Parliament said.
He added that had it not been education he would not have become an MP, nothing that he would have been in his village (Doninga) rearing bees and harvesting honey since his community is well noted for that.
While asking residents to continue to give him their support to deliver, Dr Apaak urged parents to take their children education needs serious for education remained the only means by which they could develop their communities to fight poverty.
The lawmaker also expressed gratitude to the Chiefs of Kanjaga and Fumbisi as well as all who played various roles to ensure the commencement of the two projects.
He assured the constituents of his commitment to transform the area with more developmental projects that would inure the benefit of all.
On their part, the Chief of Kanjaga to, Nab Akanfela Akanje-anya and the Chief of Fumbisi, respectively expressed their gratitude to the MP for fulfilling his campaign promises.
They also used the opportunity to seek for more developmental projects especially in the areas of education, health, water and security.
Mr Clement Agalisi who represented the District Director of Education thanked the MP for the continued support of education in the district.
According to the District Directorate of Education, the MP has assisted in many ways including donating motorbikes for supervisors, computers, pupil furniture, mock exams for BECE candidates, distribution of maths sets, among others, but like Oliver Twist, they are still in need for more.
The District Director of Health at the ceremony also thanked the MP for the project and other health intervention he brought to the District.
Other constituency executives at the ceremony were Mr Kazi Richard, the constituency secretary, Mr Ayorik Apaarinchang vice-chairman, Hon.Asoala Charles the assemblyman for Jeningsa and constituency youth organizer and a host the of party faithful.
Source: therepublicnewsonline.com/Felix Nyaaba


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Dansko Franny
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- Weight: 11 oz
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Linear Vibrating Screen
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A teenage boy works in a ball mill beneath a house in Diwalwal. Mercury is added directly to the ore in the iron cylinders to make the gold extraction process more efficient. Mercury particulate is released as the ball mills are flushed. Image by Larry C. Price. Philippines, 2013.
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The ball mill is a key piece of equipment for grinding crushed materials, and it is widely used in production lines for powders such as cement, silicates, refractory material, fertilizer, glass ceramics, etc. as well as for ore dressing of both ferrous and non ferrous metals. The ball mill can grind various ores and other materials either wet or dry.
AMALGAMATION UNIT. The second step, which usually lasts from one to two hours, consists of first adding the mercury needed to amalgamate the gold and then running the barrel at approximately one half the original grinding speed. The lower speed reduces the flouring of the mercury to a minimum.
Mercury plate is that the surface of board is covered by a layer of mercury ,which is the essential thing for refining gold. Because mercury can encase precious metals in the ore including gold, silver, platinum, etc. On the mercury board gold wrapped by mercury through artificial production process will form a ball, we called it as mercury
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After being ousted from her show Roseanne following racist remarks against an Obama administration official, actress Roseanne Barr is all set to create her own talk show.
Barr's been holed up in her son Jake Pentland's studio for shooting interviews with friends and family members.
TMZ quoted Jake's statement, "The plan to release the content on Roseanne's YouTube channel without any big networks is getting involved which will get a truly unfiltered and unedited version of Barr." He also revealed, "Guests include himself, Barr's boyfriend, former Roseanne crew member Allan Stephan and her former campaign manager Thomas Muhammad.
Roseanne has recently released a video on her YouTube channel defending her racist comments and said it's unfair that she has been labelled a racist. The actress further claimed that she's been targeted because she voted for Donald Trump in the 2016 US presidential election.
The actress' iconic sitcom Roseanne was revived with a bent favouring US President Donald Trump, which garnered favourable ratings.
The television broadcasting company ABC is currently working on a spin-off of Roseanne titled The Conners that will not feature Barr's character and will focus on the rest of the cast instead.
(With ANI inputs)
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News Release Images
ROGERS, Ark. – Cultural resources are physical remains of our shared past. These artifacts include Native American arrowheads and pottery, buildings and remains of structures, rock art, ceramics, glassware, and any other objects made and used by people. The Army Corps of Engineers is reminding everyone it is against the law to remove artifacts from public lands at Beaver Lake.
During low lake levels, Corps park rangers notice more incidents of people digging for artifacts. However, it doesn't matter if the lake level is high or low this act is illegal and can be punished by severe fines or jail time.
Depending on the circumstances and severity of the thefts, fines can run as high as $250,000 and jail terms can be up to 10 years. Laws covering removing artifacts from public lands include the Archeological Resources Protection Act of 1979, which protects any item of archeological interest that is more than 100 years old, and Title 36 of the US Code of Federal Regulations, which deals with theft or destruction of public property. Minor offenses can lead to misdemeanor charges, while more serious offenses or second offenses can lead to felony charges and convictions.
The Arkansas Archeological Society explains that when individuals pursue what they consider a harmless hobby digging or picking up artifacts, they are destroying the past. By removing Indian artifacts or relics for a personal collection or to sell, the historical context is destroyed. This can wipe out the evidence of centuries of human experience. Many just don't realize the harm they are doing. Others, unfortunately, care more about profit than preserving the past.
The park rangers are asking all lake visitors to help protect these public resources that belong to everyone. They urge lake visitors to keep a watchful eye out for artifact seekers and report such illegal activities.
If you see someone illegally digging on the shoreline of Beaver Lake, please contact our office by calling 479-636-1210, ext. 1701. Any information you can provide such as location of the activity, number and description of persons involved, car make or model, etc. can be helpful. However, we ask that you do not attempt to intervene or approach individuals participating in illegal activities.
The park rangers ask that everyone please refrain from destroying our local heritage and history and assist in preserving our natural resources for future generations.
Release no. 19-009