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Tagged: LFF2019
LFF 2019 #14: Atlantique (Atlantics, Senegal-France-Belgium 2019)
Atlantique won the Sutherland Award for 'Best First Feature' at LFF 2019. This follows the Grand Prix at Cannes earlier in the year. Although the film is now held by Netflix it will appear at the Leeds International Film Festival in November and maybe others as well. Netflix has announced plans to distribute films through independent cinemas in the UK so I hope many of you will see this film as it is meant to be seen on a big screen. It's arguably the highest profile African film for some time and it's great that it lives up to its billing.
Writer-director Mati Diop is the niece of Djibril Diop Mambéty. I mention this not to diminish Ms Diop, who has already produced five celebrated short and medium-length films to add to her acting career, but to underline her achievement in picking up the baton and linking Senegal's celebrated cinematic past with the vibrancy of its contemporary popular culture and political struggles. I could see elements of her film possibly drawing on the work of Sembène Ousmane's Xala (Senegal 1975) with disadvantaged people invading the house of a corrupt business man and also elements of her uncle's film Touki Bouki (Senegal 1973) (which was also the subject of her short film Mille soleils (France 2013)). Atlantique is a development of an earlier Mati Diop short film Atlantiques (2009). That short addressed the recent stories of young Senegalese attempting dangerous sea crossings to the nearest EU port. Those sea crossings are also an offscreen element of this new feature, which also ties in with both migration films such as La pirogue (Senegal-France-Germany 2012) and films which tap into the supernatural in African narratives such as War Witch (Canada 2012).
Atlantique begins with workers on a new building project in a district of Dakar. When they discover that yet again there is no prospect of getting paid this week they protest loudly but eventually return to their homes outside the city. With no income for their families a group of the younger men decide that attempting a dangerous sea crossing to the Canaries, the nearest EU territory, offers their only chance of finding work and money. One of them, Souleiman (Ibrahima Traoré), says goodbye to his teenage girlfriend Ada (Mama Sané). Deeply in love with her young man, Ada faces an arranged marriage to an older man with little chance of escape. Her family want her to marry as the man is wealthy and imports goods from Europe. But as the wedding begins a few days later, a fire breaks out, halting the proceedings. A new detective at the local police station comes to begin an investigation and Ada seeks out the support of her girlfriends and in particular Dior (Nicole Sougou) who runs a bar on the sea front. More fires start in the area and some people begin to feel ill, including the detective. I won't spoil any more of the plot. Instead I'll refer to the Press Pack and what Mati Diop says about her film.
Ms Diop grew up in France and she says that her film in some ways refers to the adolescence in Senegal that she never had. She also stresses that the film is a romance and that apart from her uncle's film she can't think of many other romances between young African people. But though the romance is very important, there are other things going on here. The film's tagline is a 'ghost love story'. Diop explains that the building site featured at the beginning of the film is part of a new up-market development on the edge of Dakar. This is real, but the imposing tower seen in several shots is a CGI rendering resembling what was planned by the former president of Senegal Abdoulaye Wade. This fantasy element is then followed up by the fires that begin spontaneously, the sickness and the young women who appear possessed. The inference is clear. The corruption of the neo-colonialists who prey upon the people has been met by something akin to a 'popular will' expressed in spiritual terms. There are some factors here that I couldn't quite work out on a first viewing. For instance, the new police detective is young, seemingly smart and not tainted by the corruption. But he gets sick as well. Is he another metaphorical character, representative of how young professionals might be seduced by a corrupt system? He does also represent a familiar figure, the 'modernised' man asked to investigate a crime involving a traditional social ritual
The look and the sound of the film are very important and Mati Diop chose to work with two women who added a great deal to the impact of the film (I should also note that she co-wrote the film with Olivier Demangel). Here is the director on Fatima Al Qadiri's music:
I knew that the soundtrack was going to have to be responsible for the film's invisible component – everything that is present, but that we don't see, that we can't film. The world of spirits. The film takes place in a world where the fantastic is embodied and emerges within the characters themselves before entering reality.
Cinematographer Claire Mathon has a strong documentary background and it was this that attracted Mati Diop as well as her experience on features:
I knew that she would know how to apply a documentary approach (to shoot quickly, catch things on the fly, spontaneously invent things) without losing any aesthetic ambition.
The actors in the film are mainly non-professionals who took part in workshops with Diop and one of the few veteran actors in the cast before shooting began. I hope you can get a sense of camera, sound and performances from the trailer:
LFF 2019 #13: Zombi Child (France 2019)
This film was in the LFF programme but I watched it at home on MUBI. The streaming service is making three titles from LFF available for streaming. Zombi Child appeared in the festival's 'Dare' section, a decision I find completely baffling. The French auteur Bertrand Bonello is a director whose name I recognise but whose films have had a relatively low profile in UK distribution. I remember the releases of a couple of his earlier films but I didn't get to see them. I'm not sure if Zombi Child is typical of his work but it is certainly an interesting and intriguing film which I enjoyed. MUBI also has an earlier title from him which I will consider watching.
The film's title uses a mixture of English and Haitian French. This is because Bonello wished to go back to the original meaning of 'zombi' and to try to avoid the American conception of 'zombie'. The difference as I understand it is that 'zombification' is the process by which a person can be put into a trance-like state, losing any sense of personal will and therefore proving an effective slave worker in the plantation fields. In this instance a man in Haiti in 1962 (the character 'Clairvius Narcisse' is based on a real person whose case was discussed in the 1980s) is zombified using dangerous toxins and buried alive but unconscious. Later he emerges from his grave and joins the workers in the cane fields. What happens to this figure becomes one of the two parallel narratives in the film. The other one deals with a teenage girl from Haiti who is a new arrival at a girls boarding school in Saint-Denis near Paris. Mélissa (Wislanda Louimat) is the daughter of a woman who died in the Haitian earthquake of 2010. The school (the real school was used for 12 days of location shooting) was set up by Napoleon Bonaparte and opened in 1812 as a Maison d'éducation de la Légion d'honneur, educating the children of holders of the award. Mélissa's mother was a recipient of la Légion d'honneur for civil duties in Haiti. Mélissa makes friends with a small group of her fellow students, all studying for the Baccalauréat. The girls have a form of secret society and Mélissa is initiated when she tells the group a 'personal secret' about life in Haiti. Mélissa has an aunt Katy (Katiana Milfort), her mother's sister, who lives in Paris.
Eventually it becomes clear that a second girl is also important. This is Fanny (Louise Labeque). She was the one who invited Mélissa to join the group. She has, or perhaps had, a boyfriend who she sees in her dreams, a beautiful bare-chested, long haired young man called Pablo (Sayyid El Alami). His name suggests a Spanish young man or possibly a Roma. The actor's name suggests a Maghrebi. Either way it doesn't matter, he is an 'exotic other' as a partner for Fanny. Fanny is an adventurous young woman and her actions will lead to an overwrought conclusion to the narrative.
The key to the narrative enigma – who is Mélissa and what does she represent? – comes, according to critics, when the first cross-cut comes from Haiti in the 1960s to the school 'today' (Bonello helpfully provides dates on screen). The girls are in a beautiful spacious classroom listening to a history lecture. The lecturer is actually a well-known French historian, Patrick Boucheron, and his lecture discusses the image of France from the end of the 18th century, associated with 'Revolution', the subsequent history of 'liberalism' in the 19th century and the way that France would be accused by its colonised peoples. I confess that I didn't read the subtitles very carefully so this scene didn't stay with me as perhaps the director intended. What I saw was a very traditional pedagogy, lecturing a group of 15-16 year-old girls, some of whom were attentive, some bored and some like Fanny, obviously distracted. Something similar happened in a later scene in a Literature class – no engagement by the teacher with the students. But still, I did get the connection because I knew that Haiti was the first French colony and the first slave colony anywhere to rebel in the 12 year war which saw Toussaint Louverture deliver the first 'Black Republic' in 1804.
In the Press Notes, Bonello discusses several aspects of the production, revealing that the budget was €1.5 million which is low for a French production, especially given the several trips for preparing and shooting in Haiti. Shooting was completed in four weeks, three in the school and Paris suburbs and a week in Haiti with no extra lighting and a skeleton crew. I think the results are remarkable and this certainly doesn't look like a low budget film. I was particularly impressed by the Haitian footage. I don't know Haiti at all, but the imagery was evocative of other parts of the Caribbean that are more familiar. The Haiti images also provide a link to Claire Denis, whose White Material (2009) was also shot by Yves Cape. I made this connection while watching the film and confirmed it later. There is a fascinating piece on the website of the French cinematographers' website AFC in which Cape explains how he shot the film using "a RED Monstro with a set of Summilux lenses". He explains how he coped with the lack of artificial lighting, trying to produce the most detailed 5K or 6K image which could then be cropped and manipulated in post-production. We often have debates on this blog about projection prints of digital film. I'm not sure if what I saw on MUBI was 2K or 4K but it looked very good. The possible supernatural aspects of the film and the overall theme also linked the film to Mati Diop's Atlantique, also in the festival with review to come.
One of the intriguing aspects of the film is the mixture of different genre forms. The two parallel narrative might be seen as informed by the specific sub-genre of the girls' boarding school (Yves Cape comments that this was very much in mind for the scene in the washroom) and the Haitian narrative draws on the history of both colonial melodramas and supernatural/horror stories. Bonello tells us that he did indeed re-watch Jacques Tourneur's fabulous I Walked With a Zombie, the Val Lewton production from 1943. In his AFC piece, Yves Cape suggests that Bonello also moves between "ethnological documentary, historical recreation and fiction". I think it is an achievement to meld all these different forms in such a way as to produce a coherent single narrative. The last part of the film is a challenge, when the two separate narratives come together. I'm still not sure exactly what happens and what the resolution actually means. Bonello himself suggests that the whole Haitian narrative might simply be how Mélissa imagines how the memories and stories from her childhood might be put together. But that doesn't explain what might be in Fanny's head!
As well as the cinematography and imaginative use of locations, the film stands or falls on the performances of the four leads. The two young women were both found through open casting for five moths and Wislanda Louimat actually came to France from Haiti when she was 7. Katiana Milfort was found in Haiti and so was Mackenson Bijou, who plays Clairvius. All the Haitians had some kind of experience of performance, singing or dancing on stage. The music in the film is also important. I hadn't heard of Damso, who I understand is a Belgian-Congolese rapper but what truly knocked me back was to have Liverpool's football anthem, 'You'll Never Walk Alone' by Gerry and the Pacemakers, close the narrative. But then I thought about the song's original role in Carousel (1954) and it made a certain sort of sense. If you have access to MUBI in the UK, do try and watch Zombi Child.
Here's the trailer. Beware it delivers SPOILERS that I've been careful not to divulge. You have been warned!
LFF 2019 #12: The Cave (Syria-Denmark-Germany-Qatar-US 2019)
A documentary set in an underground hospital regularly peppered with bombs and rockets: what's not to like? It wasn't as gruelling an experience as I expected because of the amazing fortitude displayed by the staff, particularly paediatrician and hospital administrator Amani Ballour. She not only has to deal with the patients, and the logistics of an under-resourced hospital in inhospitable circumstances, but also the ingrained sexism of some of her patients! The film celebrates the good in people even when they are victims of what can only be characterised as evil.
The 'rights and wrongs' in the world are possibly more blurred than ever as misinformation infiltrates information. The fact that this is a National Geographic presentation raises a question mark with me as America has a particular agenda in the conflict. Director Feras Fayyad was Oscar nominated for Last Man in Aleppo (Denmark-Syria, 2017), which I haven't seen, that focused on the work of White Helmets. These appear to be engaged in criminal activities (this apparently was not the subject of Fayyad's film); elsewhere it is suggested that they are victims of Russian propaganda . . . So although The Cave appears to be absolute authentic we should (always) be sceptical.
The documentary is primarily observational with occasional voiceover from Ballour. However, Fayyad's use of sound is more in keeping with a fiction film as it uses a design that emphasises the immense cacophony of a military attack; brilliantly done – Peter Albrechtsen supervised 16 sound technicians according to IMDb . Matthew Herbert's score, too, seeks to squeeze the emotion out of the spectator. These are both extremely effective but also leave question marks over the image, as if what we're seeing isn't enough to make us believe the terrible events. Similarly, the end credits state the film is based on Ballour's diaries and so the observational rhetoric of the film is tempered by subjectivity; to what extent did Fayyad stage events recorded in Ballour's diary? I'm not suggesting subterfuge (after all the source is credited) but The Cave is clearly not a straightforward presentation of Fayyad's experiences.
Apparently 500 hours of footage was filmed, which took a year to edit. A chemical attack in Ghouma, that took place in 2013, serves as the climax. At least I think it was a chemical attack; again we must understand that misinformation is rife, for example the apparent chemical attack last year in Douma is highly contentious. I'm not saying the attack shown in the film didn't happen; how can I know? All documentaries are representations of reality but what's real in Syria is nebulous at best from the perspective of a cosseted westerner in a London cinema.
The observational stance the documentary takes means we learn nothing of the logistics of supplying food and medicines to the hospital. Though it is understandable why Fayyad rarely steps out of 'the cave', this means the film raises as many questions as it seems to answer. One telling line, from Ballour, is when she asks 'is there a God?' The same question had arisen in The Two Popes, that I'd seen a couple of hours earlier, with reference to the Argentinean military junta's atrocities. The answer given by The Cave, as I read it, is 'no'.
LFF 2019 #11: The Two Popes (UK-Italy-Argentina-US 2019)
I missed Fernando Meirelles's last film as director, 360 (UK-Austria-France-Canada-Brazil-US, 2011), but his previous, Blindness, The Constant Gardner (UK-Germany-US-China-Kenya, 2005) and City of God (with Kátia Lund, Brazil-France-Germany, 2002) were all interesting. As is the Netflix-headed The Two Popes which surprisingly engaged me given my interest in religion is tangential at best. If I struggled with the film at all it was because it humanised the Pope(s), which is not to say they aren't human, but they tend not to represented as such. As God's representative on Earth, the issues of representation are tricky. I dislike monolithic meta-narratives that purport to tell others how to live; earlier this week the DUP tried to keep Northern Ireland in the 'dark ages' regarding religion and same sex marriages to show bigotry still thrives in some institutions. Indeed, that is the focus of the film, scripted by experienced film writer Anthony McCarten, as it contrasts the last two Popes: 'fundamentalist' Benedict and his successor, the 'humanist' Francis.
The Popes are embodied by Anthony Hopkins and Jonathan Pryce, who are both superb, and the narrative is ideal for those ignorant of anything other than broad brush Roman Catholic politics (me). It sets up the conservative versus progressive narrative and then undermines it with flashbacks to Francis in Buenos Aries under the military dictatorship of the 1970s. Humanist characters are rarely 'black or white', which is why the almost-deification of the Pope is ridiculous, and the film admirably shows us the shades of character that are part of all us.
My ignorance is such that I'm not sure how much we see is imagined or based on what is generally known. It's certainly not a docudrama about the last two Papal accessions so a liberal degree of artistic licence is to be expected. The (almost) obligatory footage of the actual Popes at the end of the film seems to suggest what we've seen is true but the film would have been better without this epilogue. Has Francis been a better Pope than Benedict? I have no idea.
I saw the film in 4k, which for The Aeronauts added greatly to the experience (the ice on the ropes was palpably freezing), but it added little to my enjoyment of The Two Popes; though there is a scene in the Sistine Chapel. Such a dialogue heavy film will be little diminished by Netflix I suspect though, of course, films should preferably be seen in the cinema.


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- Employer: Tandridge District Council
- Reference: Place/20/122834
- Published: Thu 27/02/2020, 13:17 PM
- Closing on: Wed 25/03/2020, 23:55 PM
- Working Pattern: Flexible Hours, Full Time
- Hours: 37 hours per week
- Salary: Up to £20,735
- DBS Check: Yes
- Location: Oxted & Dorking Locations, Surrey
Vacancy Location
More InformationMore about this employer
Apprentice Building Control Surveyor
Are you looking for a Career which gives you the opportunity to combine your interest in the Construction Sector with your technical mind and people skills?
Joining us as an Apprentice Building Control Surveyor you will be part of a thriving Local Authority Shared Service and will embark on a professional career which will include studying for a four-year BSC (Hons) in Building Control (Apprenticeship Degree) from the University of Wolverhampton. You will learn while you earn with the degree, funded through the Apprenticeship levy, delivered through a combination of distance learning and residential block release. A condition of this role is acceptance for study on the BSC (Hons) in Building Control (Apprentice Degree) offered by the University of Wolverhampton.
Further information on the course can be found here.
On successful completion of this Apprenticeship programme you will hold the relevant qualification to continue your career within Building Control.
The Southern Building Control Partnership is a 20-strong team employed by Tandridge District Council to deliver the Building Control service of its residents and businesses and those of Mole Valley District and Reigate & Banstead Borough councils. Initially you will be based at our Oxted hub but as you progress, you can expect to work across the Partnership's geographic area using the latest cloud-based technology.
The role of a Building Control Surveyor is to ensure that the building regulations which cover areas such as fire safety, public health, energy efficiency and accessibility are followed during construction of new and alterations to existing buildings. Compliance is ensured by our team of Building Control surveyors who evaluate plans, and technical specifications submitted for approval and by carrying out site inspections. Our work also encompasses dealing with dangerous structures, Safety at Sports Grounds and enforcement in relation to unauthorised works.
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*Prior relevant experience may be considered.
Initially the role is office based but in order to progress the post holder will need a Full Driving Licence and access to a car.
In return we will fund the cost of your degree through the Apprenticeship Levy and support you with: study leave whilst you earn a competitive salary, membership of the Local Government Pension Scheme, flexible working and generous annual leave entitlement.
If you would like to find out more about this role please contact our Head of Building Control, Mark Simpson on 01883 776960 or our Business Manager Angela Hughes on 01883 776935.
How to Apply


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Indian Act 1935
Women casting vote in election 1937
Jinnah as permanent president of ML
Jawaharlal Nehru
Election 1937
Muslim League manifesto
The Muslim League manifesto laid down two major principles.
- Firstly, the present constitution, with all its limitations, should be replaced by a system of self- government.
- Secondly, it would support greater provincial autonomy and safeguard the interests of minority communities
- The repeal of repressive laws
- The nationalization of the army
- Increased social fund for the rural poor
Nehrus furious statement
On the above mentioned points, the manifesto of Muslims League and Congress was not very different and Jinnah hinted that the League would work with Congress to press the British for greater change. Jawaharlal Nehru did not help relations between the two parties by declaring that there were only two parties India, the British and the Congress. Jinnah immediately stated that the third party, the Muslims League, would refuse to be ignored.
Iqbals letter to Jinnah
Iqbal was furious with Nehru's statement and wrote to Jinnah to urge him to prove Nehru wrong and to encourage the Muslim League to throw off its image as a party of rich Muslims and to promise greater help to all Muslims according to Islamic principles.
EmphasisIt is significant that in this letter of 1937, Iqbal emphasized that, as far as he could see, Islamic sharia was impossible to develop unless the Muslims had a fully independent state of their own. This is significant as the Muslims League had not yet adopted the resolution calling for an independent Muslims state.
Election Results
The election results for the Muslims League were not as good as hoped, but Jinnah was not too disappointed or discouraged as the League was contesting its first major election as a mass party and was still recovering from the damaging internal dissensions of the early 1930s.
- The Muslim League captured around half of all the Muslims seats and did well in the United Provinces, Madras and Bombay.
- Of the 11 provinces of the British Raj, the Congress won an outright majority in five and managed to form governments in another three.
- The Muslim League learned valuable lessons from the elections, which highlighted the fact that its support lay more in Muslims minority rather than majority provinces.
Coalition governments with support of Muslim League
The most crucial provinces for the Muslim League were the Punjab and Bengal as they needed support in these areas to have real bargaining power to fight the British and the Congress.
- In the Punjab, it was the Unionist Party led by Sir Iskandar Hayat which won 96 seats out of 175 and formed the government.
- In Bengal, the chief minister was now Fazl-ul Haq, who was from a regional party but had Muslim League support to form his government.
- In the North West Frontier Province, Dr Khan Sahib, an ally of the congress, was success full under the banner of "Redshirts"
- In the other Muslim Provinces of Sindh and Assam, unstable coalitions were formed with Muslims League support.
Behavior of Congress after winning the elections
The Congress was invited to form ministries in 8 out of 11 provinces but they initially refused unless the governors of the provinces promised not to use their special powers under the constitution to protect minority rights. Lord Linlithgow, the viceroy, promised that the governors' emergency powers would only be used in the case of an emergency. This assurance was enough for the Congress agreed to Muslims forming the government, as long as they were not in the Muslim League, to help refute the claim that the Congress was the representative of all Muslims.
Arrogance of CongressThe Congress became even more arrogant in its dealing with the Muslim League after the election results and in areas where the Muslims League was the single largest party, the Congress refused to corporate. The terms for corporation the Congress leadership put forward were so unreasonable that it was obvious that they were calculated to insult: Muslims League members should resign their membership of the League and join the Congress to carry out Congress Party orders. It is significant that the Congress Party's claim to represent the whole of India was certainly not proved by this election. The Congress Party's candidates were overwhelmingly Hindu in composition and had won votes mainly from caste Hindus.
Lessons learned by Muslim League from election 1937Many lessons could be drawn from the results of the elections.
- Firstly, the Muslim League did better in those provinces in which the Muslims tended to be in the minority. In provinces where there was a Muslim majority, there was no need for autonomy was guaranteed under the 1935 Act.
- Secondly, the Muslim League was still a poorly organized party. In the era of mass politics, the League needed to improve its organizational structure and planning.
- Thirdly, the majority of the Muslim League leaders tended to be seen as aristocrats and princes who had little in common with the majority of Muslims, who were poor and illiterate. This perception could have done little to win votes for the Muslim League.
Congress as vote catcher for Muslim League
The best possible vote catcher in the next few years for the Muslim League, however, was the Congress Party itself. The behavior of the Congress ministries from 1937-39 convinced millions of Muslims that Jinnah, the Quaid-i Azam, as he has now popularly called, had not been exaggerating when he spoke of the dangers of Congress rule. It seemed to many that Congress was aiming at nothing short of drowning Muslims identity and culture in a wave of Hindu nationalism.
- A series of moves, including the compulsory adoption of singing Hindu nationalist songs such as the Vande Matram, alienated and worried Muslims.
- A 'Basic Education' scheme was launched by Gandhi at Wardha, later known as the Wardha scheme, and was introduced in all Congress educational ministries.
- Spinning cotton by hand was made a part of the curriculum
- Teaching was to be in Hindi with no religious education which meant that Muslim students were at a disadvantage.
- School children were also required to show reverence for Gandhi's portrait which was hung up in their schools.
Emergence of Jinnah as Quaid
All this provided a perfect opportunity for the Jinnah to remind Muslims that this would be their fate in a Congress dominated India at the Muslim League meeting at Lucknow in October 1937.


text:
Veronica beccabunga
Brooklime grows abundantly in shallow streams, ditches and the margins of ponds. It has fat, succulent, hollow stems that are flushed red around the leaf-joints. They begin to open in May and continue to flower until September. The flowers are rich blue in colour, with a small centre ringed with scarlet. The specific name of this plant seems to be originate from the German name, Bachbunge bach, signifying a brook, and bunge, a bunch.


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text:
Rexuiz is Nexuiz Classic 2.5.2 clone with modern engine and small additional features like utf8 support. Rexuiz is compatible with vanilla Nexuiz Classic servers and RocketMinsta servers.
You do not have permission to add the requested media content. If you are a member we suggest you login using the form below as that may grant you permission. Otherwise you can return to the media list and try the links from there.
Don't have an account? Join now, and discover new games and their developers. Forgot your password or username?


text:
FREEPORT, Grand Bahama, Tuesday November 15, 2016 – Grand Bahama last week welcomed Carnival Valor, the first cruise ship to sail into the Freeport Harbour since Hurricane Matthew on October 7, with 3,281 passengers on board.
Hurricane Matthew passed over Grand Bahama at a Category 4. Residents and businesses, one month later, are still working diligently to return to normal.
But Director of Tourism for Grand Bahama, Betty Bethel, said Valor coming into Grand Bahama shows Carnival's commitment to Grand Bahama — to have come back so quickly following the storm.
This, she added, could have only happened with the hard work of the Grand Bahama Port Authority, Emera, Sanitation Services and all of the other companies that worked diligently to bring the island back as quickly as they could.
"With the various partnerships," she continued, "we are once again able to return commerce to the island. The cruise ship business is essential to the mix of revenue generation daily. Not just to the Port but to all the various vendors, the transportation, the tours and attractions, the authentic artisans."
To welcome the cruise line back to the island, the Ministry of Tourism gave them a grand welcome with a taste of Goombay Punch, Junkanoo, and a band that performed throughout the day.
Click here to receive news via email from Caribbean360. (View sample)


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|Graham Percival
|Re: Can't use numbers
|Tue, 01 Feb 2005 23:58:04 -0800
Yes, if it isn't already noted. I'm not certain.Could you look into it? I have a lot of university work right now. Could
you find the section in the manual where this info should be added, and suggest a few sentences that would clarify this issue? Cheers, - Graham, Documentation Editor. On 30-Jan-05, at 10:36 PM, J L wrote:
Then would it be worthwhile to make a note of that in the manual?From: Paul Scott <address@hidden> To: J L <address@hidden> CC: address@hidden Subject: Re: Can't use numbers Date: Sun, 30 Jan 2005 23:20:03 -0700 J L wrote:Is it true that LilyPond doesn't like music variables with a number in the name? If I did:voice1 = { somemusic } and used that later, LilyPond would complain?Yes. Some of us use roman numerals to get around this. Paul Scott_________________________________________________________________ Check out news, entertainment and more @ http://xtra.co.nz/broadband _______________________________________________ lilypond-user mailing list address@hidden http://lists.gnu.org/mailman/listinfo/lilypond-user
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text:
Modeling Detection of HIV in Cuba
- 1.3k Downloads
A nonlinear compartmental model is developed for the HIV detection system in Cuba with different types of detections, some random and others non-random. We analyze the dynamics of this system, compute the reproduction numbers, and use the data from the Cuban HIV/AIDS epidemic between 1986-2008 to fit the model. We obtain estimates for the detection-related parameters during two separate time periods to reflect the timeline of the implementation of various types of searches. The reproduction numbers for each time period are also computed from the sets of values of the parameters. We found that random screening is most important as a mean of surveillance. Moreover, local asymptotic stability for the Disease Free Equilibrium can be achieved if (i) random screening is sufficiently effective and (ii) infection by detected HIV-positive individuals is minimal. Our results highlight the importance of education for the known infectious for the purpose of preventing further infection. Fitting the 1986-2008 HIV data to obtain the model parameter estimates indicates that the HIV epidemic in Cuba is currently approaching an endemic equilibrium. A Genetic Algorithm is used.
KeywordsReproduction Number Family Doctor Modeling Detection Endemic Equilibrium Disease Free Equilibrium
- 1.Anderson, R.M., Gupta, S., May, R.M.: Potential of community-wide chemotherapy or immunotherapy to control the spread of HIV-1. Nature 350, 356–359 (1991)CrossRefGoogle Scholar
- 2.de Arazoza, H., Lounes, R.: A non linear model for a sexually transmitted disease with contact tracing. IMA. J. Math. Appl. Med. Biol. 19, 221–234 (2002)CrossRefzbMATHGoogle Scholar
- 3.de Arazoza, H., Joanes, J., Lounes, R., Legeai, C., Clémençon, S., Pérez, J., Auvert, B.: The HIV/AIDS epidemic in Cuba: Description and tentative explanation of its low HIV prevalence. BMC Infectious Diseases 7:130, 1–6 (2007)CrossRefGoogle Scholar
- 4.Granich, R.M., Gilks, C.F., Dye, C., De Cock, K.M., Williams, B.G.: Universal voluntary HIV testing with immediate antiretroviral therapy as a strategy for elimination of HIV transmission: a mathematical model. Lancet 373, 48–57 (2009)CrossRefGoogle Scholar
- 5.Hsieh, Y.H., Cooke, K.: Behavior Change and Treatment of Core Group and Bridge Population: Its Effect on the Spread of HIV/AIDS. IMA J. of Math. Appl. Biol. Med. 17(3), 213–241 (2000)CrossRefGoogle Scholar
- 6.Hsieh, Y.H., de Arazoza, H., Lounes, R., Joanes, J.: A Class of Models for HIV Contact Tracing in Cuba: Implications for Intervention and Treatment. In: Tan, W.Y. (ed.) Deterministic and Stochastic Models for AIDS Epidemics and HIV Infection with Interventions. World Scientific, Singapore (2005)Google Scholar
- 7.Hsieh, Y.H., de Arazoza, H.: Correspondence to "Universal voluntary HIV testing and immediate antiretroviral therapy". Lancet 373, 1079–1080 (2009)CrossRefGoogle Scholar
- 8.Hsieh, Y.H., Wang, Y.S., de Arazoza, H., Lounes, R.: HIV Model with Secondary Contact Tracing: Impact of the Partner Notification Program in Cuba. BMC Infectious Diseases 10:194, 1–9 (2010)Google Scholar
- 9.Hsu, S.B., Hsieh, Y.H.: Modeling intervention measures and public response during SARS outbreak. SIAM J. Appl Math. 66(2), 627–647 (2006)CrossRefzbMATHGoogle Scholar
- 10.Inciardi, J.A., Syvertsen, J.L., Surratt, H.L.: HIV/AIDS in the Caribbean Basin. AIDS Care 17(suppl. 1), S9–S25 (2005)Google Scholar
- 11.WHO. World Health Organisation: Cuba, http://www.who.int/countries/cub/en/ (accessed June 20, 2006)
- 12.MINSAP. CUBA:PLAN ESTRATEGICO NACIONAL ITS/VIH/SIDA 2007-2011 (2006), http://www.sld.cu/galerias/pdf/servicios/sida/anexo_2,_plan_estrategico__2007-2011.pdf


text:
Mathew Rothschild @ The Progressive - How ironic is it that the banks are the ones that are finally imposing a moratorium on foreclosures, rather than the Obama Administration.
On Friday, Bank of America announced that it was halting its foreclosures in all fifty states amid a scandal over whether it and other banks had been using proper documentation in foreclosure proceedings.
JP Morgan Chase and Ally Financial also have halted foreclosures, at least in the 23 states that require a judge to sign off on the deals.
The attorney general in one state after another is looking into possible fraudulent foreclosures.
But all the while Obama Administration still resists backing a moratorium. Read more.


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Latest Update: 09/03/2020
The below log shows all updates for this product since release:
v1.0.8931 - Windows
v1.0.8933 - MAC
- Fix a number of textures
- Fix a number of eagle-claw animations
- Partial fix for Dash-8 propellers, pending actual model updates
For Windows, simply run the installer. There is no need to manually uninstall beforehand. For Mac, please remove the "Aircraft/Traffic Global" folder before unarchiving since aircraft names may change over time, and unpacking an archive does not remove files that should no longer exist.
Many other plugins have been tested as part of this update. There are no known compatibility problems with any of the following:
124thATC, A-Better-Circle, Autogate, AviTab, BetterPushback, JoinFS, Gizmo64, TerrainRadar, SAM, xEnviro, X-ATC-Chatter, XPForce.
Please note that some versions of xPilot crash X-Plane on startup if Traffic Global is installed and TCAS enabled, due to incorrect shutdown of xPilot when it detects that the TCAS system is already in use.
A new feature has been added to make it easier to find out what runways are in use by Traffic Global for the AI. A new pseudo-ATC call has been added, default hotkey "End", which will use your current active radio frequency (i.e. COM1/COM2 as selected) to find the nearest airport listening on that frequency and tell you the current wind, anticipated arrival and departure runways (arrival if you are airborne, departure if you are on the ground), and will reserve and clear a parking slot for you if you are airborne. Although this is done is pseudo-ATC speech IT IS NOT A FULL ATC SYSTEM :)
This release is also the first release for the Apple Mac.
Known problems:
- The Dash8 propeller may not be visible at certain RPM ranges - this is awaiting a model fix.
- Transitions between certain go-around/circuit legs are not smooth.
- Airports with poorly-defined taxi routes may still use unnecessarily sharp corners.
- If you are using an external weather engine such as xEnviro, correct weather may not be set for a minute or so after the simulator starts. This will affect runway-in-use for aircraft initialised during this period.
- The custom map layers will re-enable themselves if you disable them, each time X-Plane loads new scenery. This is X-Plane bug XPD-10498 and can not be worked around.
- Custom views do not respond correctly in VR. This is X-Plane bug XPD-10412.
- If very few aircraft are nearby, additional false aircraft are reported via TCAS. This is X-Plane bug XPD-10434.
- Add an optional legend to the flight plan view.
- Fix some minor timing issues which may cause strange AI movement
- Fix timing and improve duration of engine spool-up/down sounds.
- Remove some useless warnings from the X-Plane logfile.
- Reduce likelihood of sudden turns during pushback.
- Force-map Doha airport from OTBD to OTHH since X-Plane still has DOH mapped to OTBD.
- Force-map Istanbul airport IATA/ICAO codes to override X-Plane's data which is out of date.
- Add a small variation to departure times to avoid a row of aircraft all moving at precisely the same time.
- Small fixes for wheel rotation animations.
- Fix for nested, scaled, animated translations in the model converter
- When scanning for alternative aircraft don't bother checking the base model twice.
- Add AT7 to aircraft equivalency list with ATR and AT4.
- When finding alternative aircraft, also try airline names with "Airlines", "Airways", "Air", "Aviation" and "Aereas" appended.
- Fix bug which might result in double-freeing locations immediately after parking.
- Minor edits to two airline names
- Add basic radio-based information about active runway and parking.
- Aircraft substitution may not always find a valid aircraft if the sought airline is completely unrecognised.
- Enable dual-runway operation at airports that would suit it but which are misconfigured.
- Potential fix for a rare random crash.
- Always remove a parked AI aircraft if the player requests parking.
- Work around several airport data issues to include more in the database.
- Potential fix for a rare crash
- Add runway-in-use info to the Flight Plan display
- Animations were often not being reset when time was moved backwards.
- Fix animations including resting pitch being wrong after manually moving time backwards.
- Keep the nav lights on unless the aircraft is fully parked.
- Add EULA for the Mac version
- Stop AI-centered views switching themselves off under some conditions when external weather engines are installed.
- Add a guess at which module caused a crash for Windows.
- Change displayed units from meters to feet to be consistent.
- Some corrections for the German translation.
- Add an option to select between metric or imperial units.
- Handle different transparencies on the same texture in model converter.
- Add temporary monocolour substitute for separate glass texture.
- Change pitch on approach and landing
- Slave computers would not reconnect if the plugin was disabled then re-enabled.
- Build dataref arrays on the background thread to remove framerate drop when in use by other plugins.
- Adjust approach and landing profiles when approaching against the active flow.
- Show the glideslope in more detail after approach 80% complete.
- Improvements to landing profiles
- Merge weather changes slowly to minimise active runway changes
- Prefer purpose-specific parking slots over those with no purpose restrictions.
- Fix sudden jump in speed after wheel retract under some circumstances
- Updated French translations
- Fix units for several particle effects
- Add missing translation key for "Online Help"
- Correct description of runway selection keys for runway-to-aircraft view
- Fix a number of 737-300 textures
- The custom map layers will re-enable themselves if you disable them, each time X-Plane loads new scenery. This is X-Plane bug XPD-10498 and cannot be worked around.
- Custom views do not respond correctly in VR. This is X-Plane bug XPD-10412.
- If very few aircraft are nearby, additional false aircraft are reported via TCAS. This is X-Plane bug XPD-10434.
- Change the module name from '64\win.xpl' to 'win_x64\Traffic Global.xpl' in line with the current recommendations.
- Compatibility fix for librain in VR.
- Add option to totally remove map layers.
- Correct the spatial cell index count in the BGL.
- Fix missing green nav light on B757-200-PW
- Add about 50 more airline records.
- Fix Norwegian Air Shuttle ICAO code (was NAS, corrected to NAX)
- Validation options in debug mode.
- Add a workaround for X-Plane bug XPD-10497, a random crash when drawing the map after new scenery has loaded.
- Small performance improvement for dataref access
- Add flight phase dataref
- Support CPUs older than 2011.
- Disable the folder browser in the installer when updating to a new version.
Known issues currently being looking into:
- The Dash8 propeller may not be visible at certain RPM ranges - this is awaiting a model fix.
- Transitions between certain go-around/circuit legs are not smooth.
- Airports with poorly-defined taxi routes may still use unnecessarily sharp corners.
- Update all aircraft gear contact positions
- Revised checks on airline name/code matches.
- Small change to airline determination where multiple airlines share the same IATA code.
- Add gear/ground positions to the debug-mode screen overlay.
- Ensure parking spots are drawn behind text on the flight plan view.
- Add missing localisation string.
- Minor change to resting angle calculations.
- Additional stability checks around map layer drawing.
- Aircraft could be assigned to parking which was later determined to be unusable.
- Automatically move the Flight Plan view if a new flight is started at a different airport.
- Add Help option to the plugin menu.
- Radar/Departure/Plan windows now show correctly in VR.
- Several stability changes.
- Add full list of plugins, dates and versions if available to the log when a crash is recorded.
- Add notice to the screen when TCAS is switched on, but blocked by another plugin.
- Reduce gap between landing and taking-off aircraft.
- Aircraft shouldn't wait if they are only passing nearby or through a runway access taxiway, if they don't intend to enter the runway.
- Several improvements to movement around airports and airborne avoidance.
- Change altitude profile for long cruise legs.
- Change acceleration profile.
- Potential fix for crashes on or near startup with certain third-party airports installed.
- Fix for rare crash under unpredictable circumstances.
- Fix for rare crash when removing a flight leg that has got too short to use.
- Aircraft should no longer disappear when taxying close behind them.
- Fix several aircraft models with missing airline codes
- Change how taxying speeds are calculated near corners.
- Airline name changes
- Fix a small number of A320s being unable to be substituted with an unpainted variant
- Give the default TCAS object an explicit model to fix the map icon and also the random spinning after handing them back to X-Plane.
- Re-enable TCAS correctly if the entire plugin was disabled and re-enabled.
- Fix for the first few moments of TCAS.
- Correct the airline codes for some 788/789 models.
- Prevent the pitch from briefly going to 90 degrees during the transition from approach to taxi at some airports where the exit taxiway was at a significantly different height to the touchdown point.
- Allow slightly more time when slowing down for sharp corners
- Fixes for aircraft with certain undercarriage configurations in the first few seconds of pushback.
- Add 717 paintkit texture
- Control sections on the departure board and radar were causing unclickable regions if the window was closed using the red dot.
- Correct wingspans and therefore parking allocations for several aircraft types.
- Show a light border around parking which is reserved for a specific airline on the flight plan board.
- Build process changes to use MSM instead of vc_redist.exe
- Publish datarefs explicitly to DatarefEditor
- Add landing lights to all models. Fix some visibility rules for other lights.
- Add taxi lights and orient nav lights correctly.
- Fix a timing-related problem making certain aircraft skip taxying on initial startup.
- Fix "Loading airports 0%" when scenery for PowerPC Macs is installed.
- Use thread-local OpenAL context to prevent positional audio interfering with other plugins.
- Correctly pass camera control to other plugins if not using a TG camera.
- Change lighting logic.
- Scale lights according to aircraft size
- Adjust engine exhaust slightly.
- Workaround for model bugs in the B772/B772F .
- Workaround for XP bug which was affecting interaction with other camera plugins.
- Keep a minimum speed on propeller RPM at low throttle
- Updated French translations.
- Highlight a cause of bad time/position calculations.
- Fix engine location bug in B772/B772F
- Potential fix for random crash when replacing aircraft.
- Fix certain aircraft being invisible when "Allow Substitutes" is disabled.
- Update the airline list and traffic database.
- Only show taxi lights when it's dark. Vary the exact time per aircraft.
- Check for intersecting runways.
- Several updates for DataRefs/third-party access.
- Improved classification of cargo aircraft.
- New schedules, new paintkits for freighters.
- Correct the names for Vueling A319 and Nordwind A321
- Fix corrupt text or crash when Flight Board is open.
- Fix lightmap on A300-600F
- Flight board could show incorrect flights under some circumstances
- Handle cases where the source data uses passenger a/c for freight routes.
- Add handling for military-only runways.
- Fix a problem with aircraft reversing not checking whether the adjacent taxiway is clear correctly.
- Try to hard-reposition aircraft on the ground on startup if an intermediate waypoint is not yet ready for use.
- Show unusable parking on the Flight Path view
- "Loading Airports" progress may not always have been correct
- Pushback may not always have headed for the correct taxiway section.
- Update traffic database to include more freight flights with correct aircraft codes.
- Stop taxiway sections being repeated if the AI is repositioned on initial startup.
- Save settings immediately when the settings dialog is closed.
- Small update to airline names.
- Use different method of setting flight level.
- Corrections to some more airline names.
- Several changes to improve calculation of clearance on approach.
- Add Tab hotkey to the radar to toggle between always-show, always-hide and auto-hide the side panel.
- Fix classification and add freighter for BAe146
- Add paintkit for ATR72 Freighter
- Fix model name for Finnair A321
- Add paintkit for A319 Freighter
- Further improvements to separation.
- Update French translations.
- Fix a previous-waypoint curve not being displayed correctly in the Flight Path View
- Major change to aircraft avoidance.
- Fix visual bug with some engine parts.
- Fix logic bug allowing aircraft to start too close to each other on takeoff.
- Increase clearance distance from the user's aircraft
- Fix some edge-cases for avoidance.
- Fix lit texture on Saab S340
- Double-sided polygons - typically propellers - converted correctly.
- Add PBR textures for A319
- Change some eagle-claw animations
- Refinements for go-around
- Update license entry to be on a separate dialog instead of using password fields in the main settings.
- The installer now fully validates the installation path before passing it back to the base installation system.
- Change the height of the settings dialog.
- Simplify runway access rules.
- Fix a bug in some situations when splitting route legs which already have speed change instructions.
- Clear all location reservation/occupation records for en-route sections in case they were entered out of sequence e.g. time-shift.
- Use additional datasources when processing traffic. More airports included.
- Always query ground altitudes for taxiway connecting points on demand.
- Don't animate if the aircraft is still awaiting more environment information.
- Fix some errors when detecting whether a taxiway point can be entered.
- Allow aircraft to be repositioned after time-shifting.
- Several crash/freeze fixes.
- Change braking distance calculations.
- Gear and pitch animations are now correctly timed for the takeoff run length.
- Fix display of radar and departure board when using 150%/200% UI size.
- Radar is now oriented to your aircraft instead of north.
- Takeoff distance required increased significantly for class A/B aircraft.
- Potential compatibility improvement for some TCAS systems.
- AI label font scale was not being re-loaded.
- Change runway flow rules to basic X-Plane rules - first flow, first runway.
- Change method of determining access order for taxiway nodes.
- Was clearing the aircraft blockee/blocker lists too early.
- Place more emphasis on following aircraft moving in the same direction.
- Fix two aircraft config files not being read correctly.
- Adjustment to runway allocation.
- If a flight is reset for any reason, reset the player's current airport and parking immediately.
- User parking was not guaranteed to be correctly updated if it was already allocated when manually resetting the flight.
- Re-evaluate taxi pathing for every new segment.
- Separate missing livery report into "Same Airline" and "Unpainted".
- Some model names changed to improve matching.
- General fix for duplicated or misplaced engine effects.
- Model-specific fix for B717 effects.
- Make airline matching more flexible.
- Avoid problem in X-Plane with limit of 10 emitters per aircraft.
- Model-specific fix for B772 effects
- Model-specific fix for B747-800F effects.
- Add bindable hotkeys for increasing/decreasing traffic density.
- "Allow Substitutes" now only restricts unpainted models.
- Default for "Allow Substitutes" is off.
- Provide a dummy TCAS aircraft.
- If TCAS is enabled on XP startup, set the flight and prefs correctly.
- Restrict QNH to 940.0 to 1060.0.
- Add spill lights to most aircraft.
- Model-specific fix for B788 which had two red nav lights.
- Add lights to 733, 737, 752, 788, CR2, CR7, DHC3, F70, F100, MD80 and S340, AN225 models.
If purchasing after any of the given dates your product will include all updates prior to that date.
To download updates you will need to re-download the product from the 'Your Orders' section of your account which you can log into by clicking here.
For guidance on downloading this update, please visit this FAQ.


text:
Atlas Velvet Joggers.
Available In Purple Mocha.
- Velvet jogger pants with smocking waist
- Soft stretched velvet
- Smocking on waist and hem
- Pockets
- Model is 5' 9" 31-24-34 and wearing a size Small
Self: 95% Polyester. 5% Spandex. Contrast: 100% Cotton.
Hand Wash Cold. Do Not Bleach. Line Dry. Iron Low.
Pair these with your favorite sweater for a dressed up look or throw on your best sweatshirt with your best tennis shoe for a casual day.


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Vip Gy6 Wiring Diagram But he has provided a concise parts list a wiring diagram and source code so we ve got a pretty good idea of what s under the hood the clock is powered by the ubbb 32u4 an atmega32u4 Hondas for 301cc header pipe gx robertson 13w cc p 1 class p 1 t8 0 35a 120v type ballast fluorescent 60hz 60hz type fluorescent ballast robertson t8 1 0 35a p 13w 120v 1 cc p class wire harness Entirely hand made it s definitely a labor of love there s a bill of materials and a wiring diagram of a sort for anyone who is interested in such details but it looks like it was a.
Vip Gy6 Wiring Diagram In the past digital circuits were designed by hand on paper using techniques such as boolean expressions circuit schematics karnaugh maps and state transition diagrams logic gates and The brm d core provides ddc 174 enhanced mini ace 174 compatiability to support exsisting software implementations the mil std ip can be licensed with the cyber security or wiring fault The flow diagram for the maintenance strategy series process flow can be found at the end of this overview many individuals may believe that this type of maintenance strategy program is too expensive.
Vip Gy6 Wiring Diagram
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