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by Ollie Kenchington | 30th October 2017
Final Cut Pro 10.4 and the upcoming iMac Pro were demoed at the third annual FCPX Creative Summit last week, showing Apple's continuing trend of relaxing secrecy around its professional hardware and software roadmap. When Apple has previously shown pre-release software to invited guests, it was always behind closed doors and subject to participants signing NDAs. Apple publicly pre-announced the iMac Pro earlier this year, with a vow to open up a bit more when it came to its professional offerings, and this very public display of an un-released version of Final Cut Pro 10.4 is a welcome validation of this new strategy. Final Cut Pro X users may well be familiar with proponents Alex Gollner, Chris Fenwick, Richard Taylor and Peter Wiggins, amongst others. It was these people who took to Twitter to share the news about Final Cut Pro 10.4 and the features coming later this year. Final Cut Pro 10.4 New features in Final Cut Pro 10.4 are said to include: HEVC (H.265) Support VR tools HDR (PQ and HLG) support and tools Colour wheels Colour curves Expanded LUT support New white balance tools Timeline clip selection commands that jump to specific roles Updated audio plugins to better complement Logic Pro X I know a lot of people couldn't tolerate the colour board in FCP X. I can understand why Apple came up with the colour board, as it made better use of the limited space in the Inspector, providing four controls on one board, rather than four separate wheels. It also meant people who didn't know about complimentary colours neutralising each other could still easily remove colour casts. But there is no doubt that more control was necessary and several popular third-party colour grading plugins came to exist because of this. As a professional colourist, these new colour tools are hardly going to make me stop using DaVinci Resolve, but there are plenty of times when smaller jobs come through our production company that don't have any budget allocated for colour grading but do need a basic primary balance. With the new Hue vs Hue and Hue vs Sat controls, we will now be able to perform proper balances using X-Rite Colorchecker Video charts inside Final Cut Pro X, which will save us time. iMac Pro The other big news here is that these Final Cut Pro 10.4 demos were performed on the new iMac Pro due for release before Christmas. According to those present, Apple demoed 8K ProRes 4444 and Raw 4K R3D media playing back in real time, un-rendered. There is a lot of excitement about the capabilities of this new iMac, so these reports will no doubt stoke the fires of anticipation even further. Are you planning on purchasing the iMac Pro when it is launched? Will you be installing Final Cut Pro 10.4 on it when you do? Let us know your thoughts in the comments below.Read more
by Fabian Chaundy | 17th February 2017
Lesspain Software have announced an update to their handy footage review, transcoding and workflow software. Kyno 1.2 features added sub-clipping functionality, improved integration with FCPX and a number of new supported formats. The folks behind Kyno certainly have been busy. After a generous discount on Kyno last month, Lesspain Software have released a new upgraded version with improvements that add to the usability of this software for certain workflows. Let's take a look at Kyno 1.2, and make sure you stick around until the end article for some discount coupon goodness! Sub-clipping Finding those usable sections of clips is an essential part of editing, and tackling this process in an organised manner guarantees that the creative part of editing will be a lot more fun and streamlined. While there are different ways of approaching sorting through clips in your NLE, you can also use Kyno's intuitive footage review engine to quickly select those clips that will make it to the next stage of editing. Sub-clip export was already available previously in the software, but Kyno 1.2 adds the option of including "handles" on your selected material, allowing you a bit of wiggle room and space to add transitions when it comes to editing. The addition of handles is now also available in the export, transcoding and rewrapping functionality within Kyno 1.2. Final Cut Pro X Workflow Users editing on Apple's platform will be happy to see that Kyno 1.2 makes it even easier to integrate with this particular NLE. New metadata functionality now allows you to export from Kyno using the keyword collection and favorites ratings, meaning you can now ingest footage that's rated, tagged and ready to go by the time it gets into FCPX. Support for More Formats Kyno 1.2 now supports even more formats, adding to the software's usability. They include: Playback and transcoding of high-end ProRes MXF and DNxHR footage. Playback and transcoding of AVI footage from medical equipment, such as baby ultrasounds. Playback, logging and transcoding of FRAPS footage, particularly useful for gamers. Playback and transcoding of HAP footage, an open-source codec. Added support for RAW files from Olympus and Fujifilm cameras (ORF & RAF). Added support for XAVC files from FS-5 cameras that were autoconverted by FCPX. Fix playback of some very old AVI files using a Microsoft variant of the Mpeg-4 codec. Added support for playback and transcoding of Apple Core Audio Format. These are just some of the main improvements of Kyno 1.2, so make sure to check out the release notes to see the full story! Never heard of Kyno before? Check out the video below to see all it can do. And make sure you use coupon code C5DKYNO12 for a 15% discount on the software, valid until the end of March 2017. Thanks, Kyno!Read more
by Ollie Kenchington | 13th February 2017
Editing quickly is not, in itself, a measure of professionalism. However, being efficient allows you to rapidly rough out ideas, increasing your chances of crafting the best story. In this tutorial, I want to show you a simple technique for editing cutaways into your timeline – a technique that will speed up your editing and ultimately allow you more time for finessing. 3-Point Editing The most common technique for editing cutaways is simply dragging a suitable piece of b-roll down on to the timeline, and then moving it and trimming it until it looks about right. Wouldn't it be better, though, if you thought about where you wanted the cutaway to happen, how long you wanted it to last, what specific part of the b-roll content you wanted to show, and placed it in the timeline, all in one smooth operation? 3-point editing allows you to do exactly that! Firstly, place your playhead in the timeline where you want to cut away from your main sequence. Press 'I' to add an in-point to your sequence, and then play through to where you want to cut back from your cutaway, pressing 'O' to mark an out-point on that frame. Next, go to your source material and find the frame in your b-roll where the thing you want to show your audience starts – press 'I' to mark it. In FCP X, you can go ahead and press 'Q' to edit the cutaway above your primary storyline. In Premiere, initially you'll need to patch your track controls, by simply clicking on the desired tracks to toggle them on or off. The most likely scenario would be to have v1 patched to V2 and A1/A2 off (unless you want to mix in your sync sound for atmos). Once this is done, a quick press of '.' will overwrite your source clip in to your timeline, above your main sequence media on V1. As FCP X doesn't have tracks, it doesn't need a patch panel. However, if you want to augment which elements of your source clip come down, you can use Shift-1 (Video and Audio), Shift-2 (Video Only) or Shift-3 (Audio Only) prior to using 'Q' to perform the edit. Back-Timed 3-Point Edits When editing cutaways, it is often desirable to decide on the frame where the content you want to show finishes, rather than where it starts. If you set an out-point in your Source monitor, pressing '.' will overwrite your b-roll clip down into the timeline from the out point backwards. This is called a back-timed 3-point edit. In FCP X, once you've set your desired out-point in the Browser, simply press 'Shift-Q' to perform a back-timed edit.  In Premiere, you can actually set both an in and an out-point in the Source monitor (effectively creating a four-point edit) which will result in the option to either ignore one of the marks (a bit pointless) or, more usefully, perform a fit to fill edit. A fit to fill edit will speed up/down your source material to make it fit in between your sequence in and out points. This can be incredibly useful if you have a cutaway you want to use, that perfectly supports your narrative, but it's just too short, or just too long. You'll be surprised at what you can get away with! The Breath So that's how to quickly add cutaways, but what about where to add them? It's not enough to just chuck them down and not consider the way they interact with what's going on underneath them. For example, if a cutaway started (or ended) half way through a word in an interview, it would feel abrupt. The reason for this is that it feels like someone interjecting when you've not finished your sentence. The cutaway becomes a rude intrusion and distracts the viewer unnecessarily. If you can possibly manage it, the best place to cut to (or from) a cutaway is during a brief pause in the dialogue. Because we all have to take a breath before we start to talk, there is a natural rhythm to speech punctuated by these pauses for breath that we are all subconsciously tuned in to. Understanding how to take advantage of pauses in dialogue is a powerful trick, both in everyday communication and, of course, in editing. Next time you're talking to someone, deliberately leave a long pause (1 or 2 seconds) at the end of a sentence. You should find the other person does one of two things, either a non-verbal response (a nod, for example), to give confirmation to you that what you are saying is interesting and please do carry on, or they will interject at that point and make their own contribution to the conversation. Another good test is to talk to someone who's distracted doing something else and then just stop talking half way through a sentence. You will find that they will stop what they are doing and look directly at you, which is something you may remember your teacher doing in class at school! Finally, the pause is also very powerfully used by politicians during speeches. They use long pauses as a means of book-ending important sound bites, the pause essentially telling the audience that what they just said, or are about to say, is very important. Once you realise the power of the breath, you realise that positioning video cuts in these pauses is a very effective way of hiding them. Additionally, cutting back to an interviewee after a pause is an effective way of highlighting key parts of their dialogue. If you look carefully in the accompanying video to this article, you'll notice there are several gaps, or slugs, that I have inserted in my primary storyline (V1, if you prefer), in order to create pace and highlight certain sound bites. One final tip – if someone is talking quickly, and not stopping for breath much, the next best place to hide a video cut would be just before or just after a connective word like 'or', 'and', 'but'. These words tell us they are about to connect a new point to the discussion. In a real conversation, hearing these trigger words would be another place where someone might try and interject in order to get their point heard before the other person steers the conversation in a new direction. I hope you find both these tips for editing cutaways useful in your own work – please do use the comments below to tell us about your editing experiences.Read more
by Ollie Kenchington | 28th October 2016
Final Cut Pro X update 10.3 has been announced. It is the latest version of Apple's professional video editing software. Here's a hands-on review of its new features! Hands-On Review of Final Cut Pro X Update 10.3 Yesterday, Apple announced a long awaited Final Cut Pro X update, bringing a slew of new features and changes to their professional video editing software. Back in the summer, I was fortunate enough to be allowed a sneak peek at 10.3 and, ever since, have been eager to discuss what is a major step forward for this often maligned, but increasingly popular, software. Before I delve in to these new features let me just say that, yes, Apple completely screwed up the release of FCP X back in 2011 and, yes, I'm not surprised that a lot of people moved to the more familiar embrace of Premiere after that debacle. However, FCP X today is unrecognisable compared to five years ago and, whether you realise it or not, it has had a massive impact on our industry. Even Premiere and Resolve have borrowed a significant quantity of FCP X's features and design cues, which has benefitted us all. So, what's new in Final Cut Pro 10.3… New Design First off, you'll notice an immediate difference when you open 10.3, as the interface has had its biggest overhaul since X first appeared in the summer of 2011. Like most of Apple's UI changes in recent years, it is now cleaner and flatter, and I love it! I've never understood this notion that professional software has to look clunky and riddled with tiny buttons. As a professional, I want to work quickly and with minimal distractions, and the new interface gives me just that. iMovie Pro (an oft used, if misguided nick-name) it ain't! Metadata Based Audio Mixing, Organisation and Output By far and away the biggest area that has been updated with this release, is the way in which you edit audio in FCP X. Whilst for a long time it has been a bit of a myth that FCP X wasn't up to "professional" use, it is certainly fair to say that, for broadcast editors, the audio tool set in FCP X fell just short of their requirements, with 3rd party plugins having to pick up the slack in most cases. Roles metadata has always hinted at being an exceedingly clever way of manipulating and organising audio, but at long last those hints have become fully formed in 10.3. Whereas in traditional track-based NLEs an editor would have to carefully place dialogue, effects and music on specific tracks whilst building their edit, FCP X frees them up to not worry about where each type of audio clip is being placed in the timeline, and instead allow roles metadata to sort it for them. Now, with one click, an editor can have FCP X find all of their dialogue clips (or any other type of role) and rearrange them on the timeline instantly. In previous versions of FCP X, you could use Roles metadata to highlight or collapse clips on the Timeline, but 10.3 goes much further. It will pull all your selected clips into "lanes" on the timeline, so you can mix them, apply effects or compound them to create submixes and make master audio adjustments. This essentially gives us a hybrid track/trackless timeline for the first time. Types of clip are also now much more easy to spot on the timeline, thanks to colour coding that can be either automatically or manually assigned to Roles. Lastly, Final Cut Pro now exports MXF wrapped Pro Res files using audio roles to create broadcast-standard audio channel layouts. In fact, at the other end of things, FCP X now supports iXML (an open format that allows a sound engineer to tag metadata on broadcast WAV files) for assigning roles during ingest, which will speed up this type of work massively. Touch Bar Functions Only time will tell how useful the Touch Bar will be on the new MacBook Pros, but its integration with Final Cut Pro 10.3 looks very promising. It is context-sensitive and will dynamically switch between a Timeline Overview mode, Trimming mode and Audio Controls mode, giving you access to quick navigational and editing functionality that has never been possible before. New Online Editing/Grading Features As if Apple's intentions with this update weren't clear enough, their inclusion of Rec. 709 and Rec. 2020 luma and/or chroma range-checking tools illustrate exactly who Apple are targeting this update at. You can now turn clipping overlays on whilst grading your projects, making it a whole lot quicker to check your edits before broadcast. I know a lot of BBC news editors who will love this, as it means they can deliver edits that don't have to spend as long being onlined by someone else before TX. More excitingly, FCP now fully supports Rec. 2020's wide colour gamut, as well as proper colour-management for log processed video files, akin to DaVinci Resolves colour managed workflow. Workspace Customisation I have never been a big customiser of window layouts and, actually, find the dizzying amount of options for this in Premiere (14 default windows/tabs can be moved to 30 different positions!) a touch silly. However, I do like to have a few presets for editing, audio mixing and colour grading, as well as multiple monitor arrangements. So it is nice to see that user selectable Workspaces are back in 10.3 and can be loaded to any edit suite you happen to find yourself at. Old Features! There are tons of new bits and pieces in 10.3 that will keep users playing for hours, but there are also some old features that disappeared and have finally made their way back! Remove Attributes is back. Copying and pasting timecode into the dashboard is back. Also – and I know a lot of editors who will be most thrilled about this – source timecode can be shown in the Viewer again! In fact, it can now be burned in to your exports, giving FCP X a great new dailies workflow. In A World Of Subscriptions… Finally, not that this is exactly a feature, but this is yet another free upgrade for FCP X. I bought FCP X for £200 back in 2011 and have paid not a penny since, so it has cost me exactly £3.17 per month to use it, and that figure will just keep on decreasing in the coming months and years. Summary If you're a Premiere user reading this, there's absolutely no suggestion by me or anyone else that you should immediately jump ship to FCP X. Quite frankly, if you like working with a track based timeline and don't have time to re-learn the fundamentals of your NLE, then you're never going to move. But, for those of us who see that trackless timelines and deep, metadata-driven, workflows are the future of non-linear editing, Final Cut Pro X Update 10.3 is a big step along this road. Final Cut Pro X update 10.3 (as well as Motion 5.3 and Compressor 4.3) is available through the Mac App Store now.Read more
by Ollie Kenchington | 12th October 2016
One of the things that's often struck me about editing is just how unforgiving your audience can be. Even if you are just starting out with editing, you're always presenting your work to an audience that instinctively knows what good editing should look like. Everyone watches TV and goes to the cinema, giving the new editor very little room for getting it wrong. It's like me presenting you with two plates of food, one cooked by a novice and the other by a Michelin starred chef. Even if you can't cook, you know exactly what good food should taste like, so the novice is never going to fool you…not without a lot of practice. With that in mind, this is the first in a new series of articles that will attempt to pass on some simple editing techniques that you can master quickly and allow your editing to look as good as a Gordon Ramsey soufflé tastes! How to hide your cuts when editing action sequences In this first episode, I am going to focus on an easy way to hide your cuts when editing action sequences. It's important to stress that I don't simply mean gun battles and stunts. The techniques I will discuss can be applied to any sequence of clips where a person or object is moving and you want to cut to different angles during that movement. Essentially I am going to demonstrate how you can mimic everyday, biological, impulses to inform your edit decisions and help hide your cuts. We do this because, if your viewer notices your cuts, they aren't noticing the story, which is obviously undesirable. For this quick demo, I've used some ungraded rushes from a shoot I did for Atomos a few weeks back. The first thing I do is mark my in and out points on my source footage. Rather than trying to mark too precisely at this early stage, I leave that step until later, where the Ripple tool will do a much better job and I will have a 2-up display in my viewer to accurately place my edit. In fact the easiest thing to do right now is just mark the flip as a whole, in each angle, and then lay them down in the timeline in the order that I think works best. Getting the timing right The next step is to get the timing right. That means making sure that when one shot cuts to the next, there is no repetition of the action we've already seen and no missing action either. The easiest way to do this is to identify anchor frames in each of your clips. These are frames where the action is at a start or end point, which is therefore easy to spot across multiple clips. In this instance, the anchor frames I have spotted are the point when the ninja's feet first leave the floor, the point where his feet land on the concrete block, the point where they leave the concrete block and finally the point where he lands back on the floor. Some of these anchor frames I can't actually see in every clip, but I can at least hear them, as we had a shotgun mic attached to our FS7 for sync. When our stunt actor lands on the floor with a thud, you can see it in the waveform very easily. With these key moments identified, it's simply a matter of rippling to these frames across all the clips. You can either do that by trimming with the Ripple tool, in Premiere Pro, or just use the standard Select tool in FCP X. I tend to always edit from the keyboard, so in the video I am using the keyboard shortcuts Alt [ to ripple the start of the clips under the playhead and Alt ] to ripple the end of the clip under the playhead. In Premiere Pro the keyboard shortcuts for this would be Q and W respectively. By using this technique, you should have the action timed to perfection very quickly. Although this allows you to get the action timed extremely quickly, and in fact will leave you with something that looks pretty good, don't be tempted to leave your cuts on the anchor frames. It may be that sometimes that's OK but, more often than not, you will find that leaving the cut happening at the same time as the action starting/stopping, will draw unwanted attention from your viewer. Remember, you do not want your viewer to be distracted from the narrative by your cuts. You want the cuts to melt away and become so seamless, your viewer doesn't consciously perceive them. One well documented* way of achieving that is to mimc the blink response we all have. Blinking is something we all have to do but depending on the circumstances, it's not always appropriate to blink. For example, when driving on a busy road, there is so much visual stimulus, our brains instruct our eyes to blink less, hence why some people experience dry eyes after long car journeys. Conversely, we blink more when there is not much visual stimulus (like sitting and talking) or, most importantly in this case, when we turn our heads quickly. Because of motion blur, when we turn our heads quickly, no useful visual information can be gleamed by our brains, so it instructs our eyes to take the opportunity to blink. It is this blink, tied to motion blur, that we can borrow and apply to our edits. Fine-tuning – the roll / trim tool The final stage is to use the Roll tool in Premiere Pro (or Trim tool in FCP X) to move the cut backwards or forwards, away from the anchor frame we used to get the timing right. We don't have to worry too much about the timing going out, because the Roll tool is adding and removing frames to both sides of the edit by the same amount, simultaneously. In other words, as long as our stunt actor jumped and flipped at a similar pace in each take, the timing will remain in tact. What I'm looking for now is a frame part-way through the movement, where motion blur is occurring on screen, where I can hide the edit. Because the cut will now happen at a point where motion blur is taking place, our brains will pay it less attention, as if it were a blink. It really is quite dramatic just how effective this is at creating a smooth, seamless cut point. It won't always work for every edit and please don't make these changes arbitrarily, without experimenting and trying out several options but, if you use this technique as a starting point, you'll be surprised just how quickly you can create pleasing, well-timed edits on action shots. *Walter Murch's 'In The Blink Of An Eye' (Publisher, Silman-James Press; 2001)Read more
by Fabian Chaundy | 8th February 2016
With Final Cut Pro X 10.2.3, Apple offers a couple of nice new features, although most improvements happen under the hood. There is always a sense of mixed emotions when you see your software's update notes are mostly made of points starting with "improves stability when…", or "fixes an issue in which…"—of course, you want your software to be bigger, better, and more awesome than ever before. But in reality, there is just the quiet appreciation of knowing your software is in tip top shape for a little bit longer. It's just… OK. Final Cut Pro X 10.2.3 Changes: With this in mind, let's have a look at the juiciest improvements that version 10.2.3 brings to Final Cut Pro X. – It is now possible to share a video to more than one YouTube video account simultaneously. – 4K export presets specifically for exporting to Apple devices. – Apple has finally addressed the erratic behaviour of the Dashboard timecode display, which some users had reported after the latest OSX update to El Capitan. – Native support for Canon's XF-AVC codec. OK, so this one is pretty important. The Canon C300 Mark II has been out for a little while now, and users can finally import footage natively without transcoding with third-party software. Yay! If you have been following our posts in recent times, you may remember us speculating on the possibility of a new audio mixer based on Roles metadata in Final Cut Pro X. Well, unfortunately, there is no sign of this new feature with Final Cut Pro X 10.2.3. Oh, well… perhaps something for version 10.4, then. If you want to know more about this potential feature, you can check out the article here. Make sure you download the free update to Final Cut Pro X 10.2.3 from the App Store here. Final Cut Pro X's sibling applications Motion and Compressor also got an update, so get those too while you're at it if you already own the software. For new users, Motion and Compressor come in at $49.99 each.Read more
by Fabian Chaundy | 22nd January 2016
A proper audio mixer is a feature that has been lacking so far in Final Cut Pro X. Also, Roles metadata keep your media organized, but it has always seemed that they could be better exploited. Could an FCPX Roles Audio Mixer be the answer? Roles metadata in Apple's Final Cut Pro X is a useful feature from the audio perspective, as it allows you to easily isolate the different audio "stems". A very common use of this is removing the dialogue stem from the final export to deliver an international version of your project for dubbing. Roles also integrate with Logic Pro X—Apple's music production software—which arranges clips on the mixer, according to their Roles upon importing the XML file. However, it seems like Apple may actually be expanding functionality through a possible FCPX Roles Audio Mixer. A recently approved patent describes the use of metadata tags to identify and group audio signals for processing and metering. This pretty much describes the use of auxiliary buses on a traditional mixing desk, facilitated through the use of metadata. An evident advantage of a feature like this could be additional audio meters for monitoring separate groups, rather than just relying on the master output. Additionally, having a single instance of an effect act upon a group of clips is much more efficient than having effects on individual items, freeing up CPU resources for other tasks. Based on the documentation, it seems that clips within a nest will feed audio to their individual Roles bus, as well as to those assigned to their compound clip. This could potentially cause signals to end up in multiple unwanted locations. While traditional mixers and Digital Audio Workstations offer knobs to control how much of each signal we feed to our auxiliary buses, it will be interesting to see how Apple will implement this functionality without overcomplicating the minimalist FCPX GUI. An FCPX Roles Audio Mixer would be a welcome addition to a future update. It would be ideal for reducing round-tripping between various programs for simple audio routing needs, and would certainly allow for more creative audio possibilities than what the software currently offers. As a Final Cut Pro X user, would this implementation help your workflow? via http://thefcpxeditor.tumblr.com/Read more
by Sebastian Wöber | 6th August 2014
Blackmagic Design announced the newest version of their popular color grading software DaVinci Resolve 11 earlier this year. Today it was released and it brings a bunch of new features that also make it a full fledged editing software! I recently transitioned to Final Cut Pro X, because I had to edit 5K RAW footage and I spent many hours learning its unusual editing method. Right now I'm facing a different option. DaVinci Resolve is both my favourite color grading software as well as a very capable and reliable tool that can easily handle 5K RAW. I'm convinced I'm not the only editor who is slowly letting go of Final Cut 7 and intrigued by the idea of using DaVinci Resolve 11 as an NLE. One of the most intriguing facts is that DaVinci Resolve is not only very professional, but the Lite version of the software is also very free, with some limitations (resolution only up to 3840×2160) that those who can't afford the full version can usually live without. If you need the full version you will soon be able to get it here. Yesterday we wrote about the newest features of the Canon 5D mark III RAW hack which's cinemaDNG files happen to work beautifully with DaVinci Resolve, making this the ideal editing software for 5D mark III RAW footage. If you own a full copy of DaVinci Resolve 10 you can simply upgrade by downloading version 11 here: LINK If you would like to download DaVinci Resolve 11 Lite, get it here: LINK official press releaseRead more
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Kakao announced on October 12 that the company signed a memorandum of understanding (MOU) with Samsung Electronics to link KakaoTalk and AI platform "Kakao I" to Samsung household appliances.
A smart home appliance service that Kakao will carry out with Samsung Electronics enables to control household appliances such as refrigerators, washing machines, air conditioners via Kakao Talk messages or Kakao Mini (smart speaker of Kakao). Kakao's service, voice engine and dialog engine (chatbot) technology helps consumers use Samsung's consumer electronics products more quickly and conveniently.
For example, in summer, if a user say, "I'll be there in 30 minutes, please cool down my home," via a Kakao talk message or a voice command in a car on his way home, the air conditioner at home begins to run in advance and sets temperature and humidity for the user. The service can also check the contents of the user's refrigerator and recommend food recipes or order insufficient foodstuffs via a Kakao Talk shopping function.
Smart home appliance service will evolve so that home appliances can perform functions when they simply give orders for specific situations such as 'preparing to go to work' and 'preparing to go to sleep'. Developers will enable them to inform consumers of the status and replacement cycles of various consumable items in household appliances by sending a Kakao talk message or ordering necessary consumables directly.
Kakao and Samsung Electronics will cooperate to implement comprehensive device control based on people's living environments and use pattern learning, starting with controlling the functions of devices through voice commands and KakaoTalk messages.

subset: commoncrawl


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Pretty much a no surprise budget.
Interestingly the retirement age is increased from 2023 to 67, given that we will have 4 million people aged over 65 in Australia by then, rising to 5.5 million over the age of 65 by 2050 we have to start to address this issue today.
I have often spoken about the reality that we are all destined to live and work longer and the government has now finally sanctioned it. This will mean huge changes in our society, workforce, health sector and more, are we ready? – nope, but perhaps this wake up call we need to start the debate.
I though it also strange that the Australia Tax Office is getting $70.9 million to ensure we cough up our dues, and $100.1 million to help us if we can't – does this seem like tautology.
The innovation and education spending are welcomed, but I'm one of those saying give me more and give me details.
Also loved the bit about us coming out of the recession in about 2 years with 4.5% growth and then followed by 10 years of solid growth – I'm the eternal optimist, but if we've learnt anything from the past it's that the economic cycle of boom and bust (yes I know that's a crude way of describing it) doesn't last 10 years.
Anyway the rest of my thoughts are in this post budget review ABC radio interview…


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Enoid - Livssyklus & Dodssyklus
Enoid's compilation release of what they tossed together to be titled "Livssyklus & Dodssyklus", is a rather interesting release. It is a flawless in all accounts known, because Enoid's version of the black metal genre, turns back the time that is the genre. For a lot of the modernized black metal acts bring on more of a technique and progression of approach to the genre, while Enoid's take of the genre is more of how it was suppose to be. When listening in to an album such as this one, there is clearly pure intensity, with other uniqueness embedded within it, that has this release just pop! In other words, Enoid's "Livssyklus & Dodssyklus", is more or less, a black metal album with the genre in its proper placing. It brings forth this reality of the demented with ever flowing angst of the genre as a whole. Making it be intense, aggressive, and very fast paced in approach of energy. If the fast neck embrace of the instrumentals with overpowering vocals get you into a groovy momentum, then by all means Enoid's album that is right here, is surely the one not to miss. For if you do, then you will disregard what black metal music truly was meant to be like, because this is it right here.


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Posted by Rob
We had a splendid evening in the Running Hare last Tuesday, nearly 30 of us turned up for food, beer and the annual presentation of awards. A cheerful and pleasant evening.
The highlight of the evening was Steve Bellis, resplendent in his white tracksuit with his Olympic torch. It was a delight to see so many people, especially young people, reacting to the torch. It brings the Olympics a bit closer. I hope it inspires some of the youngsters to go on and achieve their potential. Thank you Steve, and congratulations for your efforts on behalf of Barnados. I am sure that as a Buckley Runner you managed to keep a decent pace without getting tired!
Rob spoke briefly to thank the staff of the Running Hare for the evening and to congratulate all the club members on a splendid season and thank them for their efforts throughout the season.
The final award for the evening was the Buckley Runners Members award.
There were nominations for a wide range of members including: -
Jane Lindley for consistent enthusiasm and support for other runners (several nominations)
Dave Boothroyd for supporting new members and doing some big races
Les Coathup for keeping everything together
Simon Robert for his performance across all the disciplines
Jez Brown for outstanding efforts
Sue Ridings (and Ellie) for looking after John
The awarded went to Matt Rose. there were many nominations for Matt for his outstanding effort and performance throughout the year. The results below show just what he has achieved. Add to that a series of PBs, representing North Wales and Wales, and winning the Border League companionship. Congratulations to Matt.
The other exciting result was Margaret winning the Club Championship, by making sure she scored in every category. Well done Margaret.
The full list of results is below
Border League 2011-12 Men (10 to count)
Based on 30 points for 1st finisher
1 Matthew Rose, 210 Points
2 Simon Roberts, 201 Points
3 Jon Bradshaw, 192 Points
4 Jez Brown, 184 Points
5 Les Coathup, 174 Points
6 Jeff Gifford, 168 Points
7 Paul Stinton, 163 Points
8 Steve Bellis, 143 Points
9= Eric Campbell, 122 Points
9= Dan Hollingworth, 122 Points
Border League 2011-12 Ladies (4 to count)
Based on 15 points for 1st finisher
1 Erika Robinson, 105 Points
2 Margaret Ludden, 95 Points
3 Jane Lindley 64 Points
4 Tricia Jones, 28 Points
Cross Country 2011 – 2012 (6 to count)
Based on 20 points for 1st finisher
1 Matt Rose 100 Points
2 Jeff Gifford 71 Points
3 Peter Roberts 60 Points
4 Rob Mackey 56 Points
5 Eric Campbell 55 Points
6 Steve Bellis 51 Points
Cross Country 2011 – 2012 Ladies (4 to count)
Based on 15 points for 1st finisher
1 E Robinson 60 Points
2 F Higgins 55 Points
3 M Ludden 50 Points
4 S Ridings 44 Points
Buckley Runners Club Championship 2011-12
1 overall and 1st Female Margaret Ludden, 161 Points
2 overall and 1st Male John Morris, 153 Points
3 overall and 2nd Male Paul Donoghue 147 Points
4 overall and 3rd Male Rob Mackey, 147 Points
6 overall and 2nd Female Fenella Higgins, 141 Points
13 overall and 3rd Female Dawn Urquhart, 103 Points
Buckley Runners Members award
Was awarded to Matt Rose for outstanding effort and performance throughout the year.


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Set Your Intentions for the Day: A Short Guided Morning Meditation
"When you set an intention, when you commit, the entire universe conspires to make it happen."
Sandy Forster
Listen to the calming voice of your guide, Sara Raymond, for this short morning meditation, under 10 minutes, to set your intention for the day ahead.
Setting an intention for your day first thing in the morning is a practice that can set you on a mindful path to make choices that align with what is most important to you and lead to more ease and less unnecessary suffering in your life.
This is a great practice to be used daily for beginner meditators or those who have been meditating for a long time.
We hope you enjoy!
Headphones recommended for optimal experience.
Do not listen while driving.
Meditation written and read by Sara Raymond
Music Credit: Serenity by Chris Collins
Photo Credit: Johannes Plenio from Upsplash.com
The Mindful Movement is an oasis for you to build a sense of inner calm, positive mindset, and self-healing.
Grow with us! Join the movement!
Join Sara from The Mindful Movement for this FREE 4-Day Meditation Journey!
Start, deepen, or reignite your meditation practice with these four guided meditations.
Start here: https://www.themindfulmovementcourses.com/
Let us know what you think and if you have any requests for more meditation or movement videos. Thank you for watching. Don't forget to subscribe and share. Your support helps us make more videos.
The Mindful Movement is happy to provide these meditations, podcasts, and videos free of charge. We don't ask for anything in return but if you wish to make a donation, please know that whatever you offer will be received with much gratitude. https://themindfulmovement.com/donations/
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17 Comments
My place intention for today Not to rush Show love acceptance and kindness to my loved ones here
True to self
Compassion towards myself & others.
Live playfully and in presence.
live my truth and surrender to the universe rather than trying to control the future. thank you for your work sara!!
Enjoy my day and my time with my daughter thoroughly.
I practice serenity and am focused on the task.
Be open to receive and welcome.
To remove the turmoil within by actioning the life changing decisions allowing peace and tranquility in.
Stretch … with yoga. Focus on the unfinished … organise to understand the way forward.
Physical healing. Focus and productivity
Remain true to one self. Be in quiet, listen and be truth.
Let go of the past
My love and strength are greater than my fear.
My intention is to let go of being concerned about what others think and find joy and peace in my day
This Nov
Wed for Women Empowerment Series will be a success
My intention is to be relaxed as I finish my online class and get my letter written to parents of my students.
Leave a Comment
Design Your Dream Life
A Guided Visualization
Are you living the life of your dreams?
Are you happy with your life and the direction you are going?
Lao Tzu once said, "If you do not change the direction, you may end up where you are heading."
Make a change TODAY!
Download this FREE resource
This practice will give you an opportunity to:
- Design your dream life and clarify your values
- Begin to develop positive habits and live intentionally
- Connect with your authentic self and let go of resistance
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Most actors dream of becoming the best, working with iconic directors, appearing in movies that sweep the box office and in the awards season, and that mark careers (and film history). But being a great actor does not always mean working on projects that help them get an Oscar nomination. What it means is that everyone wants you in their films and that you have job offers of all kinds and everywhere, Roma which also makes you have the best year of your career (and everyone talks about you).
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Assalamualikum ya sayyadi
i dont know this is correct or not to ask you , that what is my position is i am going towards right path or my ammal making me to fall in jahannam. pls teach me what to do and to gain knowledge which connects me with allah&rasool.
wa alaykum salam,
Look in the mirror of your Shaykh's heart and ask him, best time is before Fajr. See what answer comes.
Taher Siddiqui


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Wake: Up to Poetry
Poem of the Week: "Blue Poles" by Caitríona O'Reilly
In the center of a large room at the Royal Academy in London, I stood dumbfounded as I stared at "Blue Poles" by Jackson Pollock. Crowds gathered around the painting, and small children sat on the floor trying to sketch the work before them. It felt like everyone in the room recognized the work's splendor, but most, like me, could not put a finger on what made it so special. I bought a souvenir print of the painting and hung it in my room, but I was never able to express what drew me to it. Two years later, Caitríona O'Reilly's poem provided the words and thoughts that I was not able to verbalize.
O'Reilly's interpretation invigorates Pollock's work as she highlights the colors in a "dream of perpetual motion" and the confining nature of freedom which can be grounded with blue poles.
–Karly Ball, WFU Press intern
Blue Poles
Freedom is a prison for the representative savant
addled on bath-tub gin and with retinas inflamed
from too long staring into the Arizona sun
or into red dirt which acknowledges no master
but the attrition of desert winds and melt-water.
Is that why you cast such desperate lariats
across space, repeatedly anticipating the fall
into disillusion, the sine wave skewered
by the oscilloscope, the mirror's hairline fracture?
The West was won and there was nowhere left to go
so you vanished into a dream of perpetual motion
knowing that once to touch the surface
was to break the spell, but that while the colours hung
on the air an instant, there was no such thing
as the pushy midwife, the veiled mother in the photograph,
the rich woman's bleated blandishments.
Tracing the drunken white line at midnight on the highway,
you were too far gone to contemplate return,
like Crowhurst aboard the Electron; not meaning
to go to sea, but drawing about you
such a field of force that there was nothing left to do
but plant blue poles among the spindrift and iron filings
and step, clutching your brass chronometer,
clean off the deck and into the sky
where a lens rose to meet you like a terrifying eye.
– Caitríona O'Reilly, from Geis (2015)
"Blue Poles" by Jackson Pollock, Source: Wikipedia, Fair use, Link
Comments are closed.


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Above photo. TD145 MK 2, Mission 774 tonearm, Supex 900 cartridge.
With a Rega Elys cartridge mounted.
Some spec's for the Mission arm: Eff Len=229mm, Eff Mass<5.5g, Friction <15mg, Downforce Error <.2%, Fundemental Resonance=5-18Hz, Cart Compliance Range=8-50cm/dyne(cu), Interchangeable armtube headshell assembly, Hydraulic Damping=viscous fluid
News Flash..! Cartridge has been upgraded to a Benz Glider (5/1/04)
above photo: does that arm/cart combo look wicked or what...?
above photo: long shot of the Mission 774 with the Rega Elys cartridge mounted.


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Wait For Now Series
Contributed by Carl Willis on Apr 14, 2001 (message contributor)
Summary: Waiting is much more bearable when we keep our eyes on the end result.
Wait For Now
Be patient for the Lord is coming. It is easy to get distracted, because we are an impatient people. Think about it...fast food, atm machines, express lanes certainly not the indicators of a patient lifestyle. What about debt? We are a debt burdened society...instant gratification is what we desire. Why wait when you can buy now and pay later?
The Bible urges us to be patient. When we stay focused on the end result it is much easier to live a life of patience. James gives us the farmer as an example. Think about the farmers in this area. They must spend countless hours in the field. The farmer starts cultivating the soil. Preparing it for planting, a painstaking process. Once the seed is planted, the farmer must let the rains nourish them. The farmer does not see immediate fruit from his labor. In fact the farmer does not see the harvest for several months.
In our lives the reward of our patience is glorious. We know for a fact that the end is well worth the wait. As with anything the longer the wait, the more special the end. And your reward for patience? Jesus is coming again. When He comes the sacrifices of this life will be worth it all. By deepening your relationship with Jesus here and now you will find that glorious reunion all the sweeter.
So what should you do while you're waiting? Don't complain to others. Grumbling about the wait will not make it any shorter. And certainly the starting of unnecessary quarrels is not a proper way to pass the time.
We have examples from scripture from whom we can learn great lessons of patience. The prophets and Job come to mind. God rewarded them for their perserverance. Recognize the in-between times for they are a time of molding, a time of shaping, a time of strengthening and a time to see God's mercy and grace revealed.
As a follower of Christ, our lives should be marked by integrity. As a person of integrity your words should match your character. In fact the believer's word should be his oath. The character of the Christian should be marked by honesty, truthfulness, upright behavior and deep desire to please God.
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This title examines the experiences of African Americans during the Civil War, including enslaved people, free men and women, and those who contributed to the Union war effort. Gripping narrative text, historic photographs, and primary sources make the book perfect for report writing. Features include a glossary, additional resources, source notes, and an index, plus a timeline and essential facts. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
- What's New
- New York Times Bestsellers - Kids eBooks (Updated June 1st)
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Little Moons Mochi go vegan
Little Moons are launching a new Great Taste Award winning vegan Belgian Chocolate mochi to Ocado and Selfridges as well as to distributors and delis nationwide.
Handmade in London, the treats are bite-sized balls of vegan Belgian chocolate ice cream wrapped in a layer of soft mochi and dusted in rich cocoa powder – reminiscent of a chilled Belgian truffle.
There are six other non-vegan flavours to choose from including Alphonso Mango, Uji Matcha, Sumatran Coconut and Madagascan Vanilla.
For the uninitiated, mochi is Japan's most beloved dessert and has been enjoyed for thousands of years. It is traditionally eaten over New Year, where it is made in a ceremony called mochitsuki. Mochi is made from a naturally gluten-free rice flour dough, which is pounded and beaten until it reaches a distinctive soft and chewy texture. Little Moons have made the concept their own by creating bite-sized balls of gelato ice cream, chocolate ganache or cheesecake wrapped in a layer of soft and chewy mochi.
From 64 calories per ball, Little Moons mochi are gluten free, free from artificial flavourings, colours and preservatives and they are suitable for vegetarians, and now vegans, with the launch of Belgian Chocolate mochi.
Little Moons was set up in 2010 by siblings Vivien and Howard Wong, whose family has been making traditional mochi for the past 30 years for the Asian grocery market in the UK, and they made it their mission to bring Japan's best-kept secret to the rest of the world with both familiar flavours and novel ones.
Little Moons now supply over 6 million mochi a year to restaurants across Europe and the Middle East. The small team launched their grocery range in August 2015 at Whole Foods Market and has since become their best-selling ice cream brand with special flavours (including Slow Roasted Hazelnut, Espresso and Salted Caramel) available from pick and mix freezers in each venue.


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There are many schools of thought regarding top search engine ranking tips. Some marketers feel that the only way to increase rankings is to follow a prescribed path that will inevitably lead to profitable results. However, just as with all organisms, search engines are continuously evolving. A person must be adaptable and flexible to take advantage of the opportunities that arise.
There are two types of top SE rankings. A person may have their website listed in the top ten or twenty of a search engine. This may be accomplished by the investment of a paid placement on the search engine or through marketing strategies that provide the ranking.
However, when you do a search for any topic on a search engine, you will usually find somewhere at the very top of those rankings an article from an Internet zine. These publishers are placed at the top rankings in almost every incident above the guy that pays thousands of dollars for a ranking. There is a very good reason for this, and it is a tip that a person looking for top search engine ranking can use.
The author of that article has a website or blog. When a person interested in that topic reads the article, they will click on the website that is located in the resource box of the article. It is true that this person's "website" is not ranked number one. But, in terms of visibility and traffic that is a number one slot.
The guidelines and policies for publishing articles with the high ranking zine publishers are very strict. They do not allow back links, HTML, etc., in the body of the article. There are humans reading every article and, when it sounds like spam, it doesn't get published. The content must be relevant and relate to the title of the article. There are limitations on the density of keywords used in the article.
The search engines know that they can rely on the publishers to maintain a high standard of quality in their articles and so, the articles published are scanned very quickly by the bots and posted within a few days. This is an important tip for attaining ranking with search engines.
Quality content that is relevant to the topic of the website or web page will be helpful. However, visibility is the key to driving traffic. There are many excellent websites that do not have traffic. They have SEO, they have key word density, all of the bells and whistles. In some cases they have paid an exorbitant price for these extras. But, they do not have a steady stream of top ranking articles and videos that are giving them the visibility they need to drive traffic.
About the Author:


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Closing date for online entries is 21st February 2013 at 5pm.
What mythical sea creature has the upper body of a woman and the tail of a fish?
A: Goblin
B: Mermaid
C: Unicorn
– we think B!
Enter the Dickinsons Real Deal competition 3 times per phone number free via the itv online entry form.


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Rapid prototyping technology for cranioplasty: A case series
Ashish Thakur, Dushyant Chauhan, M Viswambaran, RK Yadav, Dhruv Sharma
Department of Prosthodontics and Crown and Bridge, Army Dental Centre R and R, New Delhi, India
Correspondence Address:Dr. Ashish ThakurDepartment of Prosthodontics and Crown and Bridge, Army Dental Centre R and R, Delhi Cantt, New Delhi - 110 010 IndiaSource of Support: None, Conflict of Interest: NoneCheckDOI: 10.4103/jips.jips_295_18
Source of Support: None, Conflict of Interest: None
DOI: 10.4103/jips.jips_295_18
Cranial vault defects may be acquired or congenital in origin. Rehabilitation of these patients often poses challenge to the operating team and prosthodontist. Polymethylmethacrylate is a commonly used alloplastic graft material which is used for the fabrication of cranial prosthesis. Nowadays, with the advancement in the bioengineering, custom-made template and cranial prosthesis can be made by rapid prototyping technology (RPT) by patient three-dimensional (3D) computed tomography (CT) scan images. This series of two cases explained two different techniques for the rehabilitation of the patient with frontotemporoparietal cranial defect. Case 1 had a history of cerebrovascular accident, followed by decompression craniotomy which led to frontotemporoparietal defect of the left side. This defect area was associated with the cerebrospinal fluid accumulation which made delineation of underlying bony margins difficult and interfered with conventional impression procedures. Case 2 had a road traffic accident which led to intracerebral hemorrhage followed by decompression craniotomy which resulted in frontotemporoparietal defect of the right side. The patient had a poor neuromuscular control which impedes with the upright posture of the head during impression making of the defect area. Therefore, these cases were planned to rehabilitate by RPT. In these techniques, the prosthesis was made using custom-made skull template produced by RPT, using the data of 3D-CT scan images. This technique resulted in the prosthesis with good esthetics and better fit of the prosthesis. The contours of the prosthesis were replicated in the same manner as compared to the contralateral side. RPT is an additive manufacturing technology which is now used in the field of dentistry too. This technique is easy to use; fabricate prosthesis with high precision is less time-consuming and has fewer chances of error.
Keywords: Cranial prosthesis, cranioplasty, fused deposition modeling, standard tessellation language format, three-dimensional printing


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this little bugaboo now says 2 words:
'da-da' and 'uh-oh'.
still working on 'ma-ma' but so far all i gotten is a big ole raspberry blown in my face.
she thinks she's soooo funny.
her version of kate is 'day!'
she'll pad all over the house until she finds kate and then she'll destroy whatever kate is doing.
ahhh, the joys of siblings.


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Independent rail holiday operator Railbookers has joined Tipto as its 24th supplier member.
Managing director Peter Traynor said: "Our travel agent partners are important to us and I can't think of a better way to further educate and reward them than via Tipto.
"Its reputation for agent engagement is second to none and we are delighted to be able to utilise Tipto's roadshow format to reach out to even more independent agents.
"The Tipto events will allow us to get up close and personal with agents, educating them on our exciting developments and arming them with the product expertise to sell rail holidays across Europe North America and beyond."
Tipto chairman Jane Atkins added: "Peter and his team extend our rail expertise and add a great dimension to our roadshow, SuperShow and training format, providing more choice and a wider knowledge base to agents.
"We are confident that our events will help Railbookers achieve many of their aims including developing brand new agent relationships whilst cementing those that are already in place."
This is a community-moderated forum.
All post are the individual views of the respective commenter and are not the expressed views of Travel Weekly.
By posting your comments you agree to accept our Terms & Conditions.


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When the scholars would pen down any book in beliefs, hadith, or history, they would make it a point to narrate the virtues of the Ahlul Bayt citing it as an integral part of faith. Those that truly love the Ahlul Bayt are sure to follow their way; the way of Rasulullah salla Llahu 'alayhi wa sallam. This collection of Forty Narrations is a beginning point to reignite that love and follow the path of the Ahlul Bayt.
Click one of the sections below:
I heard Allah's Messenger salla Llahu 'alayhi wa sallam saying: Verily Allah granted eminence to Kinanah from amongst the descendants of Isma'il,…
I shall be leader amongst the descendants of Adam on the Day of Resurrection, I will be the first whose grave will open, I will be the first intercessor, and the first whose intercession will be accepted (by Allah).
The Prophet salla Llahu 'alayhi wa sallam went out one morning wearing a striped cloak (made) of a black camel's hair. Hassan ibn 'Ali came and the Prophet salla Llahu 'alayhi wa sallam placed him under it. ….
When the verse was revealed Say, "Come, let us call our sons and your sons…"…..
Hussain ibn Sabrah, 'Amr ibn Muslim, and I all went to visit Zaid ibn Arqam. As we sat at his side Hussain (ibn Sabrah) said to him, "O Zaid! You saw the Messenger of Allah salla Llahu 'alayhi wa sallam, prayed behind him in salah, heard his speech, participated in military campaigns with him. ……
If anyone would like to have the fullest measure granted to him when he invokes blessings on us, the members of the prophet's family, he should say: …..
On the authority of Ibn Shihab who says that 'Ali ibn al Hussain narrated to him that when they arrived in Madinah after departing from Yazid ibn Muawiyah, following the martyrdom of Hussain ibn 'Ali radiya Llahu 'anhu…..
Aisha radiya Llahu 'anha narrates, "The wives of Rasulullah salla Llahu 'alayhi wa sallam were with him [during his final illness]; none of them departed. Fatimah approached; her gait precisely matched the gait of Rasulullah salla Llahu 'alayhi wa sallam…..
When Allah subhanahu wa ta 'ala revealed the verse: And warn, [O Muhammad], your closest kindred…….
Allah's Messenger salla Llahu 'alayhi wa sallam set out for Tabuk appointing 'Ali radiya Llahu 'anhu s his deputy (in Madinah)…..
On the day of the Battle of Khaybar the Prophet salla Llahu 'alayhi wa sallam said, "Tomorrow I will give the flag to somebody who will be granted victory, he loves Allah and His Messenger, and Allah and His Messenger love him…..
'Ali radiya Llahu 'anhu gathered the people in the public square and said, "I entreat in the name of Allah every person who heard Rasulullah salla Llahu 'alayhi wa sallam saying what he said on the day of Ghadir Khum."…..
Fatimah complained to me about (her hands becoming calloused due to milling) the flour. I said to her, "Why don't you go to your father and request a slave from him."….
Rasulullah salla Llahu 'alayhi wa sallam came to the home of Fatimah radiya Llahu 'anha one day. 'Ali radiya Llahu 'anhu was sleeping and she was laying down with her sons next to her…..
Hassan took some dates from the dates of charity and placed it in his mouth. Rasulullah salla Llahu 'alayhi wa sallam instructed him to take it out from his mouth and said, "Do you not know, we the Ahlul Bayt do not eat of charity."
Hassan radiya Llahu 'anhu faced Muawiyah radiya Llahu 'anhu with military squadrons like mountains. 'Amr radiya Llahu 'anhu said, "By Allah! I see military squadrons that will not turn back until they kill their opponents."…
The head of Hussain radiya Llahu 'anhu was brought to 'Ubaidullah ibn Ziyad and placed in a dish. He began poking it and said something about his beauty. Anas radiya Llahu 'anhu observed, "He was the closest in resemblance to Rasulullah salla Llahu 'alayhi wa sallam." His hair was dyed with indigo.
He was marching with 'Ali radiya Llahu 'anhu towards Siffin and when we reached Nineveh, 'Ali radiya Llahu 'anhu cried in a loud voice, "O Abu 'Abdullah! Be patient. O Abu 'Abdullah! Be patient beside the River Euphrates."…..
I was present when a man asked Ibn 'Umar about the blood of mosquitoes…..
My mother asked me, "When do you plan to meet the Prophet salla Llahu 'alayhi wa sallam?"….
We would read 'Isha salah with Rasulullah salla Llahu 'alayhi wa sallam. When he would go into sajdah, Hassan and Hussain would jump on his back…..
On one occasion, Jibril 'alayh al Salam came to the Prophet salla Llahu 'alayhi wa sallam and said, "O Messenger of Allah, Khadijah is coming with a bowl of soup (or food or drink) for you…..
Rasulullah salla Llahu 'alayhi wa sallam made four lines on the earth and asked, "Do you know what this is?"….
Many amongst men attained perfection but amongst women none attained perfection except Maryam, the daughter of 'Imran; and Asiyah, the wife of Firoun. And the superiority of Aisha to other women is like the superiority of tharid over all other dishes.
The hadith of Sayyidah Aisha radiya Llahu 'anha, the wife of Rasulullah salla Llahu 'alayhi wa sallam, regarding the accusation levelled against her by the slanderers which Allah subhanahu wa ta 'ala exonerated her from. ….
Zainab bint Jahsh would take pride over the wives of Nabi salla Llahu 'alayhi wa sallam by saying, "Verily Allah subhanahu wa ta 'ala ordained my marriage from the heavens." And it was due to her that the verses of hijab were revealed.
After Rasulullah salla Llahu 'alayhi wa sallam had passed away the wealth of Bahrain came upon which Abu Bakr radiya Llahu 'anhu said, "Whoever had any debt or promise due upon the Prophet, should come and take it."….
'Abbas radiya Llahu 'anhu came to Rasulullah salla Llahu 'alayhi wa sallam and said, "O Rasulullah, we come and see the Quraysh talking, when they see us they discontinue their discussion." ….
Whenever drought threatened them, 'Umar ibn al Khattab would seek rain by the virtue of 'Abbas ibn 'Abdul Muttalib….
'Umar ibn al Khattab sent a proposal to 'Ali for his daughter…..
His father, Rabi'ah ibn al Harith, and 'Abbas ibn al Muttalib said to 'Abdul Muttalib ibn Rabi'ah and al Fadl ibn al Abbas, "Go to the Messenger of Allah salla Llahu 'alayhi wa sallam and tell him, 'O Messenger of Allah, we are now of age as you see, and we wish to marry. ….
The Messenger of Allah salla Llahu 'alayhi wa sallam sent a man from Banu Makhzum to collect charity, so he said to Abu Rafi', "Accompany me so that perhaps you may have some of it."…
When the people of Makkah sent about ransoming their prisoners Zainab sent some property to ransom Abu al 'As, sending among it a necklace of hers which Khadijah had, and (which she) had given to her when she married Abu al 'As…..
The best of the martyrs is Hamzah ibn 'Abdul Muttalib and then a man who stands up to a tyrant whilst commanding him to do good and forbidding him from evil due to which he is killed.
Bara ibn 'Azib radiya Llahu 'anhu narrates, "When Rasulullah salla Llahu 'alayhi wa sallam went for 'umrah in the month of Dhu al Qa'dah, the people of Makkah did not allow him to enter Makkah till he agreed to conclude a peace treaty with them by virtue of which he would stay in Makkah for three days only [in the following year]…..
I was by my aunt Maimunah, the wife of Nabi salla Llahu 'alayhi wa sallam. Rasulullah salla Llahu 'alayhi wa sallam came to relieve himself and I brought his water….
He heard Anas ibn Malik say that Abu Talhah had said to Umm Sulaim, "I have just been listening to the Messenger of Allah salla Llahu 'alayhi wa sallam and his voice was weak. I recognised hunger in it, so, do you have anything?"…
By the one in whose hands my life lies, Allah subhanahu wa ta 'ala will enter into the fire whoever hates us, the Ahlul Bayt.
O People! The Quraysh are people of trustworthiness. If anyone seeks to finds fault with them, Allah will upend him on his face. He repeated that three times.
The Prophet salla Llahu 'alayhi wa sallam sent 'Ali radiya Llahu 'anhu to Khalid radiya Llahu 'anhu to retrieve the khums. He took one girl from there. In the morning he came with water dripping from his head….Back to top


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For the 2018 *fiscal year, Judge Peter Jamison has disposed 35 cases at the Office of Disability Adjudication and Review (ODAR) in Cincinnati, Ohio. Out of those 35 dispostions, 9 were dismissed, 15 were approved and 11 were denied. This means that the percentage of dispositions that Judge Jamison has approved in Cincinnati for the 2018 fiscal year is 43%. The information below for Judge Peter Jamison was last updated on 6/11/2019.
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Here is an article I've written for my female patients using bio-identical hormones.
To download right-click on the link above and then select a folder on your computer to save the file.
This is in pdf format and you will need Adobe Reader (free from Adobe.com) to read - or on a Mac it can be also opened by the Preview Application.


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Inspired by a Wedgwood archive pattern dating back to around 1810, Hibiscus is a striking design of blue hues, richly embellished with gold. This stylish fine bone china collection features a striking design of oriental blue hues and lavish botanical all skillfully hand-lined in gold for an elegant and opulent finish.
Introduced: 2015 | Material: Fine Bone China | Banding: Gold | Microwave Safe: No | Dishwasher Safe: Yes (See our Care Guide)
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Verdura Strand Woven Click Bamboo Flooring 14mm
The Verdura Strand Woven Click Bamboo Flooring range is a solid click floating floor available in a wide range of colours, in size 1830mm x 135mm x 14mm. It has a janka hardness ranging from 15.0 to 15.12 and <10% moisture content. This easy to install and maintain flooring is an eco-friendly alternative to timber flooring.


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The world of web archiving inadvertently received a boost this week from an unlikely source, the European Court of Justice. It's recent ruling in the case of Mario Costeja Gonzalez is a classic case of a ruling where the unintended consequences will outweigh the intended. It means that in future, if I object to a link to an article that I consider to be potentially damaging to my reputation, I can ask for that link to be taken down. In future, Google, Bing and Yahoo will have to modify the results of a search to remove links affected by the ruling. That the ruling is based on a law with roots in the 1700's is considered irrelevant. What we are left with is a form of censorship.
As John Gapper of the Financial Times rightly points out, whilst the law is designed to protect people's privacy, it is most likely to be used by people and organisations with something to hide. He provides an excellent example from his own experience of dealing with a property developer who aroused suspicions, only to find, thanks to a few Google searches, a track record of highly dubious behaviour. In Europe at least, this ruling makes it harder to check their credentials.
If, in future, the internet is going to be subject to manipulation, then it becomes ever more important to store, record or archive what was originally there. In other words, it's another reason to consider web archiving.
The EU ruling is particularly ridiculous as anyone making a search outside the EU will still get the original links. In a way it reinforces what a senseless decision this actually is, but that's hardly the point. What matters is that the senior court in Europe is not only condoning, but promoting manipulation of the internet.
The internet is now the single most important communication medium that we have. As a way to gather and broadly communicate information in personal, commercial, government and other spheres, it is unparalleled. It probably doesn't come as a surprise that the temptation to manipulate is strong. We already have astro turfing, we have censorship and now we have court sponsored modification of search results. It's become common practice for false statements, misleading information and IP infringements displayed on the web to be taken down at the first sign of trouble. Robust, standards based web archiving is a way to hold organisations and individuals to account.
The benefits of web archiving are now moving beyond preservation for compliance or heritage purposes. We are seeing interesting applications in insurance investigations, IP litigation, employee relations, web security, forensic accounting and marketing analytics, to name a few. If you have operations in Europe or you'd like to find out more about how web archiving can help your organisation, please get in touch with us at Hanzo Archives.


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An uberX car can pick you up in ~11 min.
This Uber estimate from 281 Ellis Loop Rd to Walmart
was updated
1305 days ago.
Update the estimate to see the real-time fare prices with Uber in Salisbury.
Did you know that we have all the fare rates for Uber Salisbury, NC? See all the taxi services and find your next cheap Salisbury ride.* Taxi fare estimate in 281 Ellis Loop Rd, Salisbury, NC 28144, USA may vary due to weather and traffic. Our estimates do not include any discounts or promotions.


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In part 1, I raised the question of whether the word ברית must be used in the immediate context of a passage for us to identify something as a covenant in Scripture. More specifically, must we deny an Adamic covenant because the word "covenant" does not occur in Genesis 1–3? I think it was made clear that this reasoning breaks down when applied to other things (e.g. "sin" is not mentioned in Genesis 1–3 either) and runs contrary to the Davidic covenant which is not called a covenant when it is given in 2 Samuel 7. I left off by referencing Hosea 6:7 which actually seems refer to the Edenic situation as a covenant. Here, I would like to look at some of the text-critical (i.e. manuscript) and exegetical considerations that seem to support that understanding.
Some have suggested amending (changing) Hosea 6:7 to "at" Adam rather than "like" Adam for three main reasons (the BHS, for example, suggests this emendation[1]). One reason for this is because the Hebrew words "like" and "at" are very similar. "Like" is כ and "at" ב. It would be easy for a scribe to mistake one for the other. Another reason is that the word שם (sham, "there") is used in the second clause of Hosea 6:7. This seems to make more sense if Adam is the place mentioned in Joshua 3:16. Lastly, the following verses list places where Israel had been unfaithful to the Mosaic Covenant. So, why not see "Adam" in the first clause as a place too?
The difficulty I have with this is that the textual evidence for the reading "like Adam" seems so strong. First of all, other than one manuscript I could find referenced in the ICC Hosea volume, all of the Hebrew manuscripts preserve the "like Adam" reading.[2] Both the Septuagint (LXX, the ancient Greek translation of the OT) and the Latin Vulgate seem to support the "like Adam" reading. The LXX renders אדם (Adam) as άνθρωπος (anthropos, "man") and interprets the כ (k, "as") with ως (hos, "as"). The vulgate has "ipsi autem sicut ("like") Adam transgressi sunt pactum," based on which the early and medieval church saw it as a reference to the garden relationship between God and Adam or mankind in general.
The ICC nicely summarizes the textual data from the major ancient versions: "כאדם LXX ὡς ἄνθρωπος, cf. Pesh. ʾyk br nšʾ 'like man', Vulg. sicut Adam 'like Adam'; Targ. כדריא קדמאי 'like earlier generations.'"[3] So, both the Hebrew manuscript and ancient version evidence seems to overwhelmingly support the reading "like," not "at."[4]
"Like Adam/man" also seems to be preferable as the more difficult reading. Known in textual criticism as the lectio dificilior, the more difficult reading is to be preferred because it is more likely that a scribe would insert an easier reading into the manuscript tradition than a difficult reading. This offers explanatory power for the one instance of the "at Adam" in the Hebrew manuscript tradition I could find—the scribe changed it to "at Adam" because it was simpler given the context of the other place names and the שם (sham, "there") in the second clause.[5]
But is there an explanation that harmonizes all this data and accounts for the contextual and text-critical evidence? The best solution I've heard is that this is double entendre. Hosea uses "Adam" to refer to the person Adam and the place at the same time. Duane A. Garrett summarizes, "When it says, 'like Adam,' the reader naturally assumes that it refers to the most famous transgressor in the Bible, the man Adam. But when it says 'there,' the reader's reference point shifts, and he must assume that "Adam" is a place name . . . It appears that Hosea singled out the shrine at Adam not because of some peculiarity about the town, but because of its namesake. The prophet has made a pun on the name of the town and the name of the original transgressor. His meaning is, 'Like Adam (the man) they break covenants; they are faithless to me there (in the town of Adam).'"[6]
This also makes a good deal of sense because double entendre seems to be used all over Hosea.[7] So, this literary technique of referring to two things with one expression that is common in Hosea seems to be the best explanation that accounts for the contextual and text-critical evidence in the passage. Hosea is saying that just as the person Adam was in covenant with God and broke it, Israel too broke their covenant with Yahweh in their idolatry "under ever green tree," including those at the place, Adam.
But, I think the most conclusive scriptural evidence that the Edenic situation was a covenant is the parallel that Scripture draws between Adam and Jesus, most explicitly by Paul. Robert Raymond sums up well the NT support of this view: "The New Testament parallels between Adam and Christ (Rom. 5:12–19; 1 Cor. 15:22, 45–49) imply that just as Christ was the federal (foedus: "covenant") representative of the New Covenant (Luke 22:20; Heb. 9:15), so also Adam acted as a federal representative of a covenant arrangement."[8]
This is also the crux of why holding to an Adamic Covenant is so important and not merely an empty academic debate. I will discuss that further next time to draw out how this issue profoundly impacts our understanding of the Gospel itself. Stay tuned!
[1] Fokkelman actually warns against the BHS in this regard, saying it "often tries to lure us into emendations." Fokkelman, J. P. Major Poems of the Hebrew Bible: At the Interface of Hermeneutics and Structural Analysis Volume II: 85 Psalms and Job 4-14 (vol. 2 of Major Poems of the Hebrew Bible: At the Interface of Hermeneutics and Structural Analysis; SSN; Assen, Netherlands: Van Gorcum, 2000), 383-84
[2] Codex 554 reads באדם. See MacIntosh, A. A. Hosea in the ICC, p. 236.
[3] MacIntosh, A. A. Hosea in the ICC, p. 239.
[4] Now, some of you might be thinking, "Couldn't Hosea be simply describing the character of Israel in their disobedience, i.e. "like a man?" Without going into this option in detail, it seems less preferable since that would be tautologous to say they were like men. The Israelites were men.
[5] For more on this, check out Paul D. Wegner's A Student's Guide to Textual Criticism of the Bible. He talks about the principle of the more difficult reading being more preferable on page 249.
[6] Garrett, Duane A. Hosea in the NAC, p. 163.
[7] For some examples, see Hosea 10:12 and its treatment in NIDOTTE, v.2, p. 433, and Hosea 5:1 and its treatment in the NICOT Hosea volume by J. Andrew Dearman.
[8] Reymond, Robert. A New Systematic Theology of the Christian Faith, p. 431.


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Moving Beyond Placement Exams
Community colleges enroll large proportions of traditionally underserved students with a wide range of skills and knowledge that prepare them for college-level courses. Historically, colleges have relied on standardized placement tests as the sole measure of a student's college readiness. However, research has consistently shown that this approach underestimates students' ability and results in misplacing students into developmental education courses. Today, colleges are using multiple measures to assess student readiness, primarily high school GPA, to improve the accuracy of placement decisions.
As shown in the graph, the number of colleges using multiple measures for math and reading placement grew dramatically from 2011 to 2016: 30 percentage points and 32 percentage points, respectively. The authors also provide an overview of different multiple measures systems and state-level policy recommendations. This Points of Interest highlights the growing trend of colleges using multiple measures to improve student success in college-level courses.


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FC Barcelona Ultimate Rush
How far can you go in FC Barcelona Ultimate Rush? A fun endless runner game featuring stars like Messi, Neymar, Picque, and Suarez. The Barca stars have to recover the stolen club's monuments. Run through famous parts of Barcelona to find them. Upgrade the players to improve their skills as you rush your way to victory. Have fun!
Good Luck and Have Fun.
How to Play:
This game uses the WebGL technology. Please use FireFox or Chrome, doesn't work on Internet Explorer.


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June 15, 2019
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Curious to learn what happens after the gates close at the zoo? Get a behind-the-scenes look at the zoo animals after the gates close. Enjoy themed food and drink pairings, close-up encounters with some of the roving animals, and a silent auction.


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Thursday, February 25, 2016
Three times inadequate Berrylands nursing home to close after being unable to find 'quality' staff
Park Lodge, which was put into special measures last year, is home to 15 people who are likely to be rehoused in the coming weeks.
Inspections by the CQC in January, April and August found medicine was not stored safely and residents were at "risk of malnutrition".
Care at the Park Road home, owned by CHD Living, costs up to £800 a week.
A spokeswoman for Park Lodge said it would be "discontinuing nursing care" when an appropriate place was found for vulnerable residents and that the closure was nothing to do with the CQC reports.
She said: "We have found it increasingly difficult to recruit our own team of quality nurses.
"This has impacted on our ability to consistently meet the high standards of clinical care that we and our partner agencies expect.
"The service has not been successful in recruiting its own team and has had to rely more upon agency nurses."
She added that the staff would be working with Kingston Council and the CQC, who fund a number of current residents, to ensure that any moves would be done "sensitively and smoothly."
CHD Living has submitted an application to operate as a residential care home without nursing facilities.
Councillor Cathy Roberts, who has responsibility for adult social care, said: "The council is working with Park Lodge, residents and their families to ensure the relocation of all private and council-funded residents is handled appropriately and the transition is smooth.
"The continuing operation of this facility is no longer possible due to the lack of quality nurses to consistently meet the high standards of clinical care in a small care home."
Full Article & Source:
Three times inadequate Berrylands nursing home to close after being unable to find 'quality' staff
1 comment:
We should do the same. Bad reports should result in a shut down of the facility.
- Thursday, February 25, 2016 9:56:00 AM
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A. RADICAL SET DESIGNERS and BANKSY COLLABORATORS, BLOCK9,
Banksy collaborators Block9, who created the dystopian fairy tale castle at the centre of Banksy's Dismaland 'bemusement park' in 2015, bring their anarchic creativity to Birmingham this March with their first opera collaboration.
Stephen Gallagher and Gideon Berger, whose global track record includes Glastonbury Festival, Gorillaz, Dua Lipa and Lana Del Rey, are joining forces with international opera director Graham Vick, the award-winning Birmingham Opera Company and the City of Birmingham Symphony Orchestra (CBSO) to mount Shostakovich's revolutionary opera Lady Macbeth of Mtsensk at the iconic Tower Ballroom Birmingham for a game-changing five performances between 9-17 March 2019 (7pm on 9, 11, 13, 15 & 17).
This unique artistic collaboration marks Birmingham Opera Company's 50th production and is its most ambitious project yet. Rising star conductor Alpesh Chauhan returns to his home city to make his UK operatic debut at the helm of the CBSO.
Recognised for its unique and inclusive approach to opera that involves hundreds of local community volunteers, Birmingham Opera Company has recruited a 150 strong chorus drawn from the people of Birmingham for this new production of Lady Macbeth of Mtsensk.
The opera tells the dark and melodramatic tale of downtrodden housewife, Katerina, her rebellion and ensuing chain of lust, betrayal and murder. Written by the 26-year-old Shostakovich in 1932, it received a rapturous reception at its premiere that year but was soon banned by Joseph Stalin. Despite Stalin's best efforts, Shostakovich's triple murderess has excited the hearts of audiences worldwide and wins success wherever she goes.
Birmingham Opera Company gathers together some of the biggest names from the world of opera: mezzo soprano Chrystal E Williams (#DNA and Hannah, The Ice Break) as Katerina; Baritone, Eric Greene, (recently Porgy in the ENO's Porgy and Bess and four times soloist with the company including Khovanskygate, in which he was an unforgettable Prince Khovansky, Life is A Dream and #DNA) and Joshua Stewart (who was raised from the dead in Giorgio Battistelli's Wake) are joined by international tenor Brenden Gunnell, making his Birmingham Opera Company debut.
Lady Macbeth of Mtsensk is performed by the CBSO as part of the orchestra's Baltic Way series and is paired with an all-Shostakovich programme conducted by Mirga Gražinytė-Tyla at Symphony Hall on 16 March.


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Happy St. Patty's day to you! Hang in there I promise it's on the way!
Another day, another snowstorm, this time turning all the promised greens of St. Patrick's day a wintery white. Apart from a brief stroll through the zoo and a stolen hour for coffee and croissants in Dupont Circle, I spent most of the weekend at home working and flipping through photos from time spent in Argentina a few years ago.
Since I'm deep in winter denial at this point, I thought it would be fun to spend the next few days reminiscing about a lovely mild winter in Buenos Aires.


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Rufus Wainwright Set To Host 'Wainwright Libre' in Cuba
The fan experience will take place in Havana from Sept. 21 to 25
Calling all Rufus Wainwright fans! For the first-time ever, the singer-songwriter is set to host "Wainwright Libre" in Cuba.
On Wednesday, Music & Arts Live announced that the ultimate fan experience will be taking place in Havana from Sept. 21 to 25. For four days and four nights, guests will join Wainwright on "adventures, sightseeing, fine cuisine, dancing and music"—all while staying at the Melia Miramar Hotel.
In between being treated to "a packed sightseeing itinerary," fans will get the opportunity to see Wainwright perform both an intimate concert and public show, alongside a full orchestra, as well as several Cuban musicians including, singer-songwriter, Carlos Varela. Interactivo's Roberto Carcassés will also be in attendance to conduct a workshop on Cuban music.
FROM COINAGE: The Real Cost of Going to Coachella
"I've played with orchestras all over the world, and it's a very powerful experience that I'm excited to try in Havana," Wainwright said in a statement.
"Cuba is a complete and utter revelation in terms of its historical treasures, vibrant presence and interesting future," he continued. "I can't wait to share that with my fans! I'm sure it will be a great party, and we'll dance the night away."
Tickets are available to purchase here.