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Merge Mp3
10 Oct 2018 05:05
Is the fastest and best technique to convert audio to video on-line. Click the "Profile" drop-down button to pick out MP3 as output profiles from the "Normal Audio" category. Step 1 Add MP3 information you wish to merge to this MP3 file merger - simply drag and drop MP3 files to the principle interface of the program. Suggestions: Drag and drop the folder where the mp3 recordsdata are to MP3 Joiner, in the event you do not wish to add files one after the other.After which drag the imported MP3 information from the album to the Timeline at the backside. Microsoft's Home windows Film Maker software could give attention to video creation however it also has a feature that allows you to add a number of MP3 recordsdata to the undertaking. Especially when the information have useful names equivalent to 01.mp3, the seemingly endless checklist of files that ends in your iTunes library makes listening to a e-book quite a chore.On this case, you want a program like Merge MP3that helps you to merge all MP3 tracks into one massive MP3 file and enjoy the music until the top, with out a break. You'll be able to combine multiple MP3 songs into single audio file to make a large MP3 file of a number of remix songs. Observe that these MP3 information are arranged according to the play order. It could possibly moreover convert audio recordsdata of just about all customary formats to WAV, WMA, MP3 and OGG to make use of as ringtone or take pleasure in in your transportable items. Second step: Now begin this system, and click on "Add Information" button to select your MP3 recordsdata. Step 1. Click on Upload" or enter the url code for the mp3 file and click Add File". Simply fire up the software program, choose the MP3 tracks you wish to merge, and this system does the remainder.I had several lacking tracks in the course of the merged mp3 that weren't there, despite being included on the merge record. Quick MP3 Cutter Joiner joins a number of MP3s into a single file. You'll be able to either obtain the transformed files one after the other or just click the COMBINED button to obtain all the files merged collectively. Free receive wav audio joining software program to affix wav,merge wav,combine wav file.All widespread audio codecs: MP3, WAV, M4A, AAC, AC3, DTS, and so forth. For clarity once I extract tracks from audio information (mp3) after which mix them along with copy-paste to obtain one solely audio mixes, overlaps. MP3 Toolkit is a set of six separate audio manipulation instruments which can be all useful in a roundabout way: Converter, Ripper, Tag Editor, Merger, Cutter, and Recorder.Combining 2 MP3 recordsdata is a fast method to provide you with a singular tone. Though this would take longer time to get your files merged, it's all the time an available free means so that you can strive. This system may need some time to merge the songs together. You may merge mp3 online multiple mp3 files into one steady mp3 file. MP3 Joiner supports on-the-fly changing, in other phrases, it doesn't generate non permanent information through the conversion process.Aside from basic joining mode, it also has capacity to merge separate audiobook chapters right into a single one or mix various music tracks into one non-cease audio CD. Excellently, Direct MP3 Joiner makes it splendid for manually editing ID3 tag information, freely adjusting MP3 information' order and thoughtfully inserting silence between MP3 tracks and so forth.So for those who want an audio or video merger on your media files, give Wondershare Filmora a try to see what it does for you. 2. : You possibly can instantly obtain any music you prefer to MP3, SAIFF, or WAV format. Select the video clip you wish to merge audio clips to. Word which you can have just one video clip in any merged clip. I am not certain what do you imply by cutter"but when what you need is edit a mp3 file, I recommen you to use Audacity.It allows you to lower, trim, split, merge, copy and paste audio with great ease. This free MP3 joiner permits you to enter over 50 audio codecs together with MP3, WMA, WAV, AAC, FLAC, OGG and rather more as supply formats. Select an output format from the dropdown menu of Export Format" (There are MP3, WAV, WMA and OGG formats). The web version requires installing launcher when first time use it. After installing the launcher, you possibly can go back to online page and launch the audio editor.
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- Volume 1
- Volume 2
Volume 3
- Introduction
- Methodology
- Social and demographic profile of witnesses
- Circumstances of admission
- Family contact
- Everyday life experiences (male witnesses)
- Record of abuse (male witnesses)
- Everyday life experiences (female witnesses)
- Record of abuse (female witnesses)
- Positive memories and experiences
- Current circumstances
- Introduction to Part 2
- Special needs schools and residential services
- Children's Homes
- Foster care
- Hospitals
- Primary and second-level schools
- Residential Laundries, Novitiates, Hostels and other settings
- Concluding comments
- Volume 4
Chapter 9 — ClifdenBack
The Department Inspector reported in May 1942 that while in his view it was perfectly feasible to amalgamate the two schools: The Rev. Mother of the Community, Mother Alma, who is manager of both schools, and the principal teacher of the Convent N.S. are all three opposed to the idea of having the pupils of both schools taught together, mainly because they fear that the parents of the children attending the N.S. would object. I think it likely that there would be some such objection.
Furthermore, £4,000 had recently been spent on upgrading the Industrial School classrooms, which would be wasted if an amalgamation took place. The inspector concluded that, 'In my opinion, the pupils of the Industrial School would not gain, educationally or otherwise, by being taught along with the pupils of the other school and I do not think the present arrangement should be altered'. The Department accepted the conclusions of the inspector and the status quo would remain unchanged until July 1969 when the two schools were amalgamated.
In 1972, the Sisters expressed dissatisfaction at the lack of post-primary educational facilities in the area, and in particular the lack of vocational training. They maintained that this had impeded the development of the Industrial School. The Department investigated the matter and was reasonably happy with the facilities available. A vocational school replacing the two secondary schools in Clifden was opened in the mid-1970s.
Sr Casey stated at the Phase I public hearing: Up to the '60's the level of education was generally that of Primary Cert, but there was industrial training provided as well and the children would have been expected to engage in significant amounts of domestic work depending on their age, such as the laundry, kitchen and bakery and at any given time a child would have helped on the farm. These things all of them together would undoubtedly have made the children feel that in some sense their childhood was thwarted or stunted.
She added that, in the 1970s, there was a drive to ensure that those children who were capable and interested in pursuing post-primary education were given the opportunity to do so. Again, during the 1970s, children were sent to different schools in the locality, or indeed sent to boarding school, in an effort to minimise the institutional nature of their upbringing and enable them to mix with other children.
Sr Casey accepted that it would have been better, from a socialisation point of view, if the children had been amalgamated with the local national school children back in 1942 when the issue was first raised. It was put to her that the reasoning behind objecting to the amalgamation reflected less a concern for the welfare of the children and more an interest in preserving the financial investment which had been made in the School. Sr Casey accepted that this was one interpretation of the matter.
Many of the complainants gave evidence as to the inadequacy of the standard of education they received in Clifden.
One witness, who was committed to Clifden in the early 1950s at the age of seven and spent eight years there, stated she was continuously reprimanded in class, both physically and verbally, to the extent that she found it impossible to learn anything. In one particular class, she regularly had to stand in a corner wearing a dunce's hat. She has difficulty reading and writing to this day. As regards practical skills, she learned to cook and do laundry work. The only training she received in preparation for life after Clifden was domestic training.
Two other witnesses complained that an over-emphasis on religious studies deprived them of other educational skills. One of these witnesses was five years old when she was sent to Clifden in the late 1950s. She stated: You were drilled with religion and if you didn't know it that you got beaten and that you had to stand on the desk or kneel down and face the blackboard or face the wall, turn around against the wall ... we didn't go on to the Leaving or Inter or anything. We were not even able to read or write when we left the Institution. It was just sheer luck that we did survive. We had the survival skills but we did not have the educational skills.
She also alleged that she was taken out of class to take care of young children. The second witness, who was committed to Clifden in the early 1960s and spent just over a year there, described the Sister who taught her as vicious. She had a bamboo cane, which she used with great zeal if the children did not know their lessons. She concentrated on religious studies. She alleged that they spent more time trying to avoid beatings than learning.
The Congregation denied that there was an emphasis on religious studies and that children were taken out of class to engage in domestic chores.
Another former resident in Clifden, who was committed in the late 1950s at the age of 10 and remained there until she was discharged at the age of 16, also alleged that she often worked in the nursery during school hours. She stated that the standard of her education did not improve on what she had been taught prior to being committed. The school records indicate that her reading, writing and calculation were 'basic' when she came to the School, but she insisted that her abilities in these areas were very good at this stage. She also asserted that, when she sat the Primary Certificate, all of the children copied from each other with the full knowledge of the supervising Department inspectors. The Congregation submits that this latter allegation is utterly implausible.
A complainant who spent her childhood in Clifden during the 1960s and 1970s gave evidence in relation to the Sister who taught her in 6th class: we were terrified of her because she was very cruel. I used to be dreading going into her class because she used to teach in 6th class and I spend years dreading going into her class because I feared that she would punish me.
When she finally did go into 6th class, she found that she was not afraid of the teacher. In fact, the Sister ignored her completely in class because she gave backchat on one occasion. She does not recall ever being beaten by her, nor witnessing another child being beaten in class. However, the witness does recall Sr Elana 'lashing' children for attempting to run away. She stated that this Sister had a reputation of targeting the industrial school children for punishment.
This respondent, Sr Elana, remembered the complainant as a quiet girl. She accepted that she was strict in class but maintained that this was necessary to preserve order. When the two national schools merged in 1969, she felt that some of the industrial school children would have benefited from remedial teaching which was not available at that time. She did not have any time to give special attention to pupils in need.
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- See the chapter on St Joseph's and St Patrick's Kilkenny for further details in relation to this course.
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- Dr Anna McCabe was the Department of Education Inspector for most of the relevant period.
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subset: commoncrawl


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Aging is a natural and continuous process that happens with time and nobody can stop it. Aging wouldn't have been so much detested if the aging signs and symptoms wouldn't have got manifested. The first signs of aging are felt on the skin; the largest, most exposed and delicate organ covering our whole body.
The simple signs of aging that gradually begin with thirties often go unnoticed until the signs become quite noticeable hence making us feel bad about ourselves. We begin to feel that our youth is lost and we will never look the same as before. Wrinkles, dark patches, black circles etc are all signs of aging but all isn't as gloomy as we may think.
There are several means by which we can get back our youthful look and be vibrant as ever. Many of us may feel that to look young for a long period after we start aging the only possible way is to get a facelift which is done surgically. Surgical facelifts are costly and require surgical interventions which many may not like to opt. The good news is non surgical facelifts are also possible and the effects are no less good than surgical facelifts!
What is a facelift?
A facelift is done to restructure the sagging facial skin and tissues which actually make the face look older. Traditionally facelifts are synonymous with cosmetic surgery and are thought to be affordable by the rich and famous. But if we understand what actually is done while doing a facelift then we can also understand the techniques by which the same process can be done effectively through non surgical processes.
As we grow older our skin grows older as well. Therefore the skin starts to lose its tone and elasticity, its tautness giving way to wrinkles and the fine shape is lost due to skin sagging. Facelift surgery reshapes the skin and the underlying muscles and tissues are tightened and the excess fat is removed. It requires making incisions on the skin and only cosmetic surgeons are licensed to operate.
It should be mentioned here that surgical facelifts involve a process of healing and the surgery can be quite costly as the lower part of the face and neck are treated separately while the eye area and forehead are done separately through eyelid surgery and brow lift processes. Thus many non surgical facelift options have become very popular which are affordable and doesn't require a long healing process as there are no surgeries involved.
Non surgical facelifts do almost the same thing that is done through surgical process. Thermage like ultherapy and titan, herbal therapy, acupressure process, micro-current therapy, thread lifting and microdermabrasion are among some of the non surgical facelift methods. Non surgical facelifts also require after care, lifestyle and dietary modifications to maintain the facelift changes.
Facts about non surgical facelifts
While non surgical facelifts may be less expensive than surgical ones and there isn't much healing on the other hand there is more need to maintain the facelift effects with proper lifestyle patterns and right skin care. Non surgical facelifts may not immediately look as good as a surgical facelift; non surgical facelifts require repeated sessions before the effects get surfaced and noticed.
Surgical facelifts may however make a sudden change in appearance which may become noticeable by others and the look will be immediately attributed to artificial method. But non surgical facelift allows the change to take place gradually and effectively and is off course less painful. However beauty and skin experts should be consulted to decide upon the type of non surgical facelift that can be applied on an individual. Both men and women are opting for non surgical facelifts to look younger for a longer period of time.
Types of non surgical facelifts
A lot of options are available for doing non surgical facelifts. Laser skin lift may be bit expensive but doesn't involve surgery. The surface skin layer is cleared from wrinkles and patches to make it look clean, glowing and tightened. Micro-current treatment is a very effective non surgical facelift option that involves sending a mild electric current under the skin surface which triggers the production of collagen and the facial tissues get tightened. Effects of sun rays get controlled and the facial skin gets exfoliated, rejuvenated and well toned.
Two recent and very popular non surgical facelifts are thermage and titan. Both thermage and titan uses heat to enhance collagen production under the skin layer. Thread lifting is a procedure which uses needle but incisions are not made on the skin. It's a delicate task of pulling the skin with fine needle and thread.
Microdermabrasion is another technique through which the facial skin is exfoliated as well as freed from the dead skin cells. Acupressure as a technique may also be used for a non surgical facelift. Acupressure applied on the various points of the face and neck can actually revitalize the skin, improve blood circulation and tone up the muscles.
There are also a number of massage creams and face masks that shouldn't be confused with anti wrinkle creams. These massage creams containing skin tightening agents should be applied on the face and neck in appropriate movements that eventually stimulate blood circulation under the skin layer.
Importance of non surgical facelifts
Many people dread surgery and non surgical facelifts can be their answer to a younger looking skin. Non surgical facelifts may require regular treatments and maintenance but are safer and side effects are also less.
Non surgical face-lifts help us to get into a regular skin care regime which prompts us to take regular care of the skin thus making the skin healthy and younger looking most naturally without the interference of knives. Cost is always a very important factor with surgical facelift procedures whereas non surgical face-lifts may not be very cheap but much cheaper when compared to surgical face-lifts. A regular healthy lifestyle should be followed to maintain the positive effects of the non surgical face-lift. Therefore an individual gets into an overall healthy regime of lifestyle.
Photo Credit: Careers.micromode.co.nz


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Live Music Calendar for New York City and Brooklyn for March and April 2019
by delarue
Daily updates – if you go out a lot, you might want to bookmark this page and check back regularly. If you're leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.
If you don't recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily's sister blog Lucid Culture.
This is not a list of every show in town – it's a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it's because every act here is recommended if you like their particular kind of music. Many different styles to choose from.
Showtimes listed here are set times, not the time doors open – if a listing says something like "9ish," that means it'll probably start later than advertised. If you see a show listed without the start time, that's because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date. Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.
If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you found out about here, somebody was up late after a long day of work editing and adding listings to this calendar ;)
On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included! email for details/address
Mondays at 7 PM multi-instrumentalist Dennis Lichtman's popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.
Mondays at the Jazz Standard it's all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it's arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.
Also Monday and Tuesday nights Vince Giordano's Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30's band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you're getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).
Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely's reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.
Mondays in March, 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10
Mondays in March Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It's a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.
Tuesdays in March, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at 9 PM at Barbes (check the club calendar). Get there as soon as you can as they're very popular. $10 cover.
Wednesdays in March, 9ish the Binky Griptite Orchestra (formerly Sharon Jones' brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free
Three Wednesdays in March: 3/13, 3/20 and 3/27, 9 PM atmospherically anthemic Indian-influenced spacerock band Humeysha at C'Mon Everybody, $10
Three Wednesdays in April: 4/10, 4/17, 4/24 at 8 PM mesmerizing, dynamic, psychedelic Malian duskcore band Songhoy Blues at Baby's All Right, $15
Three Wednesdays in April: 4/10/ 4/17 and 4/24. 9 PM lush, dynamic female-fronted art-rockers Arc Iris at C'mon Everybody, $10
Thursdays at 8:30 in March, the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!
Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm
Fridays in March, charmingly inscrutable Parisienne jazz chanteuse Chloe & the French Heart Jazz Band at Club Bonafide, $20. Schedule is 3/1 at 6, 3/8 at 9:30, 3/15 at 8, 3/22 at 5:30 and 3/29 at 6. She'll also be there on 3/17 at 8, 3/24 and also 3/31 at 6 . Somebody give this woman a regular time slot, huh?
Fridays at 7:30 PM tenor saxophonist Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody's writing better than this guy right now.
Free classical concerts on Saturdays at 4 PM on March 23 and 30, returning to weekly Saturdays in April at Bargemusic; usually solo piano or small chamber ensembles. If you get lucky, you'll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.
Saturdays in March, 6 PM Shelley Thomas – best known as a spectacular, haunting singer specializing in music from across the Middle East and the Balkans, but who is also an accomplished oudist – with a series of ensembles at Barbes
Most Sundays at 5:15 PM, a free recital on the amazing, powerful, dynamic new organ at St. Thomas Church at 5th Ave and 53rd St. featuring some of the world's greatest organists. The space is magnificent and the music usually is too. Right now the church fathers are programming pretty much everybody who used to work here and play the mighty old Aeolian-Skinner organ that finally had to be replaced. Check the concert calendar for details.
Sundays at 9:30 PM paradigm-shifteing Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel leads his band at Barbes
3/1 Ty Segall at Warsaw is sold out – but in that space unless he really turns down you're not going to hear anything anyway…
3/1, 7 PM sax quartet Nois make their New York debut with three world premieres by New York based composers Nathan Hudson, Howie Kenty and Ed Rosenberg III, plus Gemma Peacocke's 'Dwalm', 'Thirteen Changes' from Pauline Oliveros and Georg Friedrich Haas' 'Saxophonquartett' at Arete Gallery, $15
3/1, 7:30/9:30 PM epically brilliant, Shostakovich-inspired jazz pianist/composer Fabian Almazan leads his ensemble at the Jazz Gallery, $25
3/1, 8 PM purposefully atmospheric guitarist Gyan Riley followed at 10 by amazingly fun, noirish, psychedelic surf/cinematic trio Hearing Things at Barbes
3/1-2 at 8 pianist Jean-Yves Thibaudet and the NY Philharmonic perform Grieg's Piano concerto No. 1 plus the Peer Gynt Suite and Dvořák's Eighth Symphony at Avery Fisher Hall, $34
3/1, 8 PM hypnotically invigorating, shamanistic Korean percussion ensemble Noreum Machi at Flushing Town Hall, $16/$10 srs/under 18 free w/ID
3/1-2, 8 PM improvisations from a vast cast from the John Zorn circle with the man himself (sax) Michael Nicolas (cello) Ikue Mori (electronics) Mary Halvorson (guitar) Cyro Baptista )percussion) Brian Marsella (keyboards) Sylvie Courvoisier (piano) Ned Rothenberg (sax) Ches Smith (drums) Tomas Fujiwara (drums) Jim Staley (trombone) Jon Irabagon (sax) Chris Tordini (bass) Brandon Lopez (bass) Miles Okazaki (guitar) and special guests at Happy Lucky No. 1 Gallery, $20
3/1, 9 PM creepy, psychedelic circus rock/Russian folk-punk band Mad Meg at the Bitter End
3/1, 9 PM oldschool soul ballads with singer Camille Atkisson's Empire Beats at Hill Country
3/1, 11 PM energetic fifth-wave garage rockers the Lord Calverts at Otto's
3/2, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents "Curious, Unusual and Extraordinary" songs from his many bands followed at 6 by haunting, magical Middle Eastern classical singer Shelley Thomas, at 8 by similarly haunting, charismatic oldtimey-style banjo player and corrosively political songwriter Curtis Eller's American Circus and at 10 by epic ranchera/bolero brass crew Banda de los Muertos at Barbes at Barbes
3/2, 6 PM hauntingly torchy songwriter Daphne Lee Martin at the small room at the Rockwood. Next door at the big room jaunty female-fronted original retro rocksteady band the Big Takeover plays at 9 for $10
3/2, 6 PM atmospheric, cinematic drummer/composer Tim Kuhl and his group at Pete's
3/2, 6 PM purist swing singer Catherine Russell and her amazing band at Bethany Baptist Church – 275 W Market St, Newark, free
3/2, 7 PM crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter at Joe's Pub, $18. She's also at 55 Bar on 3/8 an hour earlier for the tip jar
3/2, 7:30 PM firebrand Malian rock chanteuse/bandleader Awa Sangho at the Lincoln Center Atrium, free, early arrival advised
3/2, 7:30 PM Innov Gnawa play a traditional Moroccan Lila trance/healing ceremony – a real rarity in this country on a public stage – at National Sawdust, $25 adv tix req
3/2, 8 PM a rare solo set by bass goddess/soul singer Felice Rosser's of Faith followed at 9 by irrepressible storyteller/psychedelic guitarist/new wave cult hero Wreckless Eric at El Cortez, $15
3/2, 8 PM experimental sacred music duo ARIADNE followed by a very rare US performane by French musique concrète pioneer and IRCAM vet Christine Groult at Issue Project Room, $15/$12 studrs
3/2, 8 PM, repeating 3/3 at 3 PM the NJ Symphony Orchestra with pianist Jeffrey Kahane play Beethoven's Piano Concerto No. 4 plus Shostakovich's Symphony No. 1 at NJPAC in Newark, $20 tix avail
3/2, 8 PM darkly colorful, perennially interesting bassist Linda May Han Ohleads her Quintet at the Miller Theatre, $20 tix avail
3/2. 9 PM ten-piece country/carnivalesque/acoustic rock powerhouse M Shanghai String Band at the Jalopy, $!0
3/2, 9 PM terse, acerbic trumpet improviser Steph Richards at the Owl
3/2, 9 PM edgy, uneasy female-fronted retro new wavers the New Tarot at the Knitting Factory, $10
3/3, 4 PM a live score and film screening of the silent classic East and West (1923), featuring klezmer jazz piano legend Pete Sokolow – composer of the original score for the 1991 remastered film – with the great Michael Winograd on clarinet to celebrate the 121st birthday of the film's star, Molly Picon, at the Center for Jewish History, 15 W 16th St., $15 adv tix rec
3/3, 6 PM tuba duo Avant Garde Working Class with Joe Daley and Jesse Dulman followed at 7 by Karen Ng and Henry Fraser doing a clarinet/bass duo at Downtown Music Galley
3/3, 6 PM guitarslingers Jason Loughlin and John Shannon play Chet Atkins classics and obscurities at Pete's
3/3, 7 PM elegant French/Afghani-inspired duets: jazz harpist Isabelle Olivier jams it out with guitarist Rez Abbasi followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes
3/3, 7:30 PM lyrical jazz piano icon Fred Hersch solo at Mezzrow, $20, you might want to get there early
3/3, 7:30 PM pianist Edith Monaco plays works by Prokofiev, Granados and Moussorgsky's Pictures at an Exhibition at Zankel Hall at Carnegie Hall, $20
3/3, 8 PM perennially tuneful, pensively lyrical Americana janglerocker Mike Ferrio of Tandy and Good Luck Mountain at 11th St. Bar
3/3, 9 PM intense, charismatic oldschool soul belter Sami Stevens at the big room at the Rockwood
3/3, 11 PM ferociously tuneful ska-punks Uncle Djuzeppe folllowed by haunting Balkan psychedelic rockers Alec K Redfearn & the Eyesores at Muchmore's, $tba
3/3, 9:30 PM bouncy, incisive Romany jazz group Gaucho at Joe's Pub, $20
3/3, 10 PM chanteuse/uke player Dahlia Dumont's Blue Dahlia play edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences at Barbes. The following night, 3/4, 6 PM they're at the small room at the Rockwood
3/4, 7:30 PM early music chorale Calmus and adventurous early music ensemble the Sebastians play works by Handel, Bach, Tavener, Schutz, Palestrina and Rheinberger at Music Mondays, Advent Church, northwest corner of 93rd and Broadway, free
3/4, 8 PM popular newgrass road warriors Chathan County Line at City Winery, $20
3/4, 9:30ish Los Mochuelos plays classic Colombian vallenato music at Barbes. 3/19 at 9 they're at Bar Chord
3/5, 7 PM Venezuelan group El Tuyero Ilustrado – cuatro player Edward Ramírez and singer and percussionist, Rafa Pino – play their new take on traditional joropo tuyero sounds at the Americas Society, $20
3/5, 7:30 PM pianist Han Chen plays music by Liszt, Ravel and Ades at CUNY Elebash Hall, 365 5th Ave north of 34th St., free
3/5, 8 PM brilliant acoustic guitarist and sardonic alt-country songwriting pioneer Robbie Fulks – of Fuck This Town infamy -at City Vineyard, $15
3/5, 7 PM rising star trumpeter Adam O'Farrill "with his new nine-piece ensemble Bird Blown Out of Latitude, performing new music born from the disorientation of personal displacement." trumpeter Aaron Burnett and the Big Machine follow with special guest, the pyrotechnic Peter Evans at National Sawdust, $25 adv tix rec
3/5, 8 PM masterful improvisational camaraderie with Shipp/Lowe/Cleaver/Ray – Matthew Shipp, Allen Lowe, Gerald Cleaver, Kevin Ray – at at Roulette, $18 adv tix rec
3/5-9, 8:30 PM postbop/improv jazz drum maven Ches Smith leads a series of ensembles at the Stone at the New School, $20. Many killer lineups: the best could be 3/8 with Kris Davis (piano), Marc Ribot (guitar), Leon Boykins, Devin Hoff (bass)
3/5-9, 8:30/11 PM iconic fire-and-ice jazz singer Karrin Allyson and band at Birdland, $30 at the bar
3/6, 1 PM pianist Changyong Shin plays a program TBA at the Greene Space, free, rsvp req
3/6, 7 PM the New School Studio Orchestra directed by Darcy James Argue play his epic, paradigm-shifting material at the New School's ground-floor auditorium, 63 5th Ave, free
3/6, 7 PM Mantra Percussion play a program TBA at Pregones Theater, 571-575 Walton Ave(at 149th St) in the Bronx, free
3/6, 7:30 PM avant-rock band Boio, the genre-obliterating Warp Trio, and Forward Music Project – Amanda Gookin's multimedia project of solo cello works developed to empower women and girls – followed by Contemporaneous playing works by violet Barnum and Henry Threadgill – a homage to Butch Morris – at Roulette, $18 adv tix rec
3/6, 7:30 PM iconic art-rockers the Bang on a Can All-Stars play world premieres of indie classical/art-rock dance music by Nicole Lizée, Josué Collado Fregoso, Henry Threadgill, and Trevor Weston, plus "three classics from Bang on a Can history by Annie Gosfield, Arnold Dreyblatt and Glenn Branca, with a rare performance of Branca's massive "three dimensional" Movement Within, written specifically for the Bang on a Can All-Stars, in his unique tuning system and on his own original instruments" at Merkin Concert Hall, $25
3/6, 8 PM a night of first-class female improvisers: cinematic multi-instrumentalist/violinist Laura Ortman, multi-keyboardist Liz Kosack, haunting jazz pedal steel virtuoso Susan Alcorn and cellist Okkyung Lee at Union Pool, $12
3/6, 8ish wickedly torchy noir songwriter Julia Haltigan at Coney Island Baby, $10
3/6, 8 PM Gene Yellin's new, long-awaited bluegrass band at Barbes
3/6, 9 PM heavy riff/stoner boogie band Frankie & the Witch Fingers followed by Aussie heavy psych band the Psychedelic Porn Crumpets at the Knitting Factory, $12
3/6, 9 PM sharply lyrical southwestern gothic/Americana songwriter Tom Shaner at LIC Bar
3/6, 9 PM sharply lyrical janglerock/Americana/soul songwriter Matt Keating and guitarist Steve Mayone's catchy project the Bastards of Fine Arts at 11th St. Bar
3/6, 10 PM powerhouse New Orleans soul/blues shouter Rev. Sekou at Drom, $10 adv tix rec
3/7, 7 PM Zikrayat play slinky, cinematic classics from the golden age of Arabic song at Drom, $15
3/7, 7:30 PM a killer twinbill with two of the best, most unselfconsciously poignant solo string composer-performers out there: violinist/percussionist Christopher Tignor and Julia Kent playing the album release show for her new one at National Sawdust, $22 adv tix rec
3/7, 7:30 PM cellist Geirþrúður Anna Guðmundsdóttir with pianist Tomomi Sato play works by Boccherini, Beethoven, and Rachmaninoff at Scandinavia House, $20
3/7, 7:30 PM Bella's Bartok – akin to a more mellow Gogol Bordello – at Symphony Space, $20 for 30 and under
3/7, 7:30 PM intense, microtonal string ensemble the Sirius Quartet play works by composers: Brian Field, Ian Erickson, Jennifer Castellano, Marga Richter, Mari Tamaki, and Sam Post along with their own stuff at the DiMenna Center, $25
3/7, 7:30 PM the Tesla Quartet play works by Beethoven and Respighi at the Lincoln Center Atrium, free, early arrival advised
3/7-9, 7:30 PM Dušan Týnek Dance Theatre's Le Jardin Qui Rit – a surrealistic dance homage to Hieronymus Bosch's Garden of Earthly Delights with live score by Aleksandra Vrebalov at the Baruch College auditorium, $30/$15 stud/srs
3/7, 8 PM New York's most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez at Barbes
3/7, 8 PM ferocious, female-fronted Afrobeat band Underground System followed by wild Palestinian hip-hop/dancehall reggae/habibi pop band 47soulat Bric Arts, $15 adv tix rec. Underground System are also at C'Mon Everybody on 3/22 at 11 for five bucks less.
3/7-8, 8 PM, repeating 3/10 at 4 PM Jiva Dance Company's elegantly apocalyptic performance The Four Horsement with music by Rajkumar Bharathi and lyrics by Shiv Subramanian at Dixon Place, $28
3/7, 8 PM the US debut of edgy, dynamic, uneasily ethereal improvisational extended-technique pianist Irene Aranda in the Black Box Theatre at 244 Rehearsal Studios, 244 W 54th St., $20. 3/8 at 8:30 PM she's solo at 8:30 at I-Beam, followed by feral bassist Brandon Lopez at 9:30, $15
3/7, 8 PM percussive, trance-inducing, bitingly tuneful, Middle Eastern-tinged female-fronted jamband SisterMonk at the Parkside
3/7, 8 PM intrepid bassist Shayna Dulberger leads a quartet with singer Fay Victor, guitarist Ava Mendoza, and drummer Juan Pablo Carletti at Roulette, $18 av tix rec
3/7, 8 PM psychedelic soul-rockers Madam West at the small room at the Rockwood
3/7, 8 PM a composer portrait of John Zorn by an allstar cast: the Jack Quartet, pianist Steven Gosling and many more at the Miller Theatre, $25 tix avail
3/7, 8:30 PM followed by the world's creepiest crime jazz/film noir band, Big Lazy at Bar Lunatico
3/7, 8:30 PM klezmer violinist Jake Shulman-Ment's accurately named "MIDWOOD" w/Yoshie Fruchter, Richie Barshay, Eleonore Weill, and special guest, Francesca Ter Bergat Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15
3/7, 9 PM Certain General guitarslinger Phil Gammage plays his dark Americana and blues at 11th St Bar
3/7, 10 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Hank's, $10
3/7, time tba (guessing 9ish) the L Train Brass Band (who won't be able to get home after the show, presumably), Dingonek Street Band playing second line, Afrobeat, Ethio-jazz, and Brooklyn's original punk Balkan horn group Hungry March Band at Pine Box Rock Shop
3/8, 6 PM mini-sets by poignantly lyrical, eclectic pianist Marta Sanchez's provocative jazz poetry quintet with singers Sara Serpa and Charlotte Greve reinventing writing by Bukowski, Sylvia Plath and others; solo vibraphone from the magical Patricia Brennan and piano/flute duos by Lyubov Mirzoyev and Frances Brodeur at Brooklyn Conservatory of Music, $15.
3/8, 7 PM magically haunting flamenco jazz pianist Chano Dominguez at Joe's Pub, $30
3/8, 7 PM composer-performer Gemma Peacocke's Waves & Lines song cycle, incorporating poems by Afghan women exploring distance, anonymity, and "strange new forms of intimacy" at National Sawdust, $20 adv tix rec
3/8, 7:30/9:30 PM drummer Tomas Fujiwara's thundering, tidally shifting two-guitar/two-drum Triple Double at the Jazz Gallery, $25
3/8, 7:30/9:30 PM ambitious, tuneful trumpeter Jonathan Finlayson and band at the Jazz Gallery, $25
3/8, 7:30 PM violinist Stanichka Dimitrova and the PhiloSonia ensemble explore the concept of sturm und drang in works by Schubert, Wolf and Brahms, woo hoo, at the Old Stone House in Park Slope, $25/$10 stud/srs
3/8, 7:30 PM Arion Chamber Music play works by Barber, Beethoven and Brahms: Sonata No. 1 for Violin at Christ & St. Stephen's Church, 120 W 69th St, $30/$15 stud/srs
3/8, 8 PM pianist Lucian Ban and violist Mat Maneri play their creepy Transylvanian jazz followed at 10 by hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Barbes
3/8-9, 8 PM the reliably entertaining, adventurous Chelsea Symphony play wartime works including Fascist Baby, a world premiere by Tim Kiah; Ravel's Tombeau de Couperin, French composer Fernande Breilh-Decruck's 1944 suite Cinq poèmes chrétiens, the Haydn Trumpet Concerto Friday night and on Saturday, the Haydn Cello Concerto instead at St. Paul's Church, 315 W 22nd St., $20 sugg don
3/8, 8 PM the NJ Symphony Orchestra with pianist Ingrid Fliter play works by Debussy, Mendelssohn, and Britten at NJPAC in Newark, $20 tix avail
3/8, 8 PM sardonically relevant guitar-fueled female-fronted Americana punks Spanking Charlene and the similarly hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes at Hank's, $10
3/8. 8:30 PM unpredictable singer Cristina Morrison leads a quartet playing the album releaes show for her new one – a mix of reimagined South American classics – at the Cell Theatre, $20
3/8, 9 PM Smock – skittish Joy Division and MBV-influenced guitar band – open for mighty, labyrinthine doom/art-rockers the Hazytones at Lucky 13 Saloon, $tba
3/8, 11 PM guitar mastermind Mike Rosado's volcanic, pounding Dick Dale-influenced surf band 9th Wave at Berlin
3/9, 4 PM the CMS Improvisers Orchestra featuring an all-star lineup with Peter Apfebaum, Sana Nagano and many others play epic AACM-style jazz soundscapes at Brooklyn Conservatory of Music, $15
3/9, 6 PM haunting, magical Middle Eastern classical singer Shelley Thomas and her band followed at 8 by art-song luminary Karen Mantler and at 10 by Rana Santacruz – the Mexican Shane MacGowan, but without the booze if you can imagine that – at Barbes
3/9, 7:30 PM brilliant tabla player/composer and Brooklyn Raga Massive anchor Sameer Gupta does double duty, first in a trio set with sarangi player Rohan Misra and then with sitarist Rishab Sharma at the Chhandayan Center For Indian Music, $20
3/9, 8 PM one of the year's best twinbills: brilliant, soaring south Indian chanteuse Falu and her orchestra and hypnotic, pulsing, sousaphone-driven Guadalupian/New Orleans band Delgres a at Flushing Town Hall, $16
3/9, 8 PM singer Charmaine Lee makes her Issue Project Room debut solo and in an improvised trio performance featuring id m theft able (voice, objects) and Andrea Pensado (voice, electronics), free
3/9, 9 PM atmospheric, hypnotic guitar soundscaper Scott Helland solo followed at 10 by allusively haunting, minimalist folk noir singer Belle-Skinner at Pete's
3/9. 9 PM drummer, composer and bandleader Mareike Wiening leads a killer quintet with Rich Perry on sax and Glenn Zaleski on piano at the Cell Theatre, $15
3/9, 9:30 PM hilarious, savagely cynical, fearlessly political C&W parody band the Great American Country Drifters at Pine Box Rock Shop
3/9, 10 PM sizzling electric bluegrass and C&W with Demolition String Band at Skinny Dennis
3/9, 11 PM Brandi & the Alexanders play oldschool-style soul ballads at the Way Station
3/10, 1 PM low-key deep-Brooklyn sounds with Naomi Shelton & the Gospel Queens playing a gospel brunch show at Bar Lunatico. They're also here on 3/24
3/10, 2 PM Eleonor Bindman and Susan Sobolewski of Duo Vivace play a family-friendly concert including Bernstein's Overture from Candide and Saint-Saens' Carnival of the Animals at the Old Stone House in Park Slope, $20 adults/$10 kids
3/10, 3 PM violist Elise Frawley leads an ensemble playing a program tba at the 92nd St.Y, free
3/10, 3 PM the Neave Trio play a program of works by women composers: Rebecca Clarke's Piano Trio; Amy Beach's Piano Trio in A minor, Op. 150; Cécile Chaminade's Piano Trio No. 1, Op. 11; and Jennifer Higdon's Piano Trio at Madison Presbyterian Church (921 Madison Ave), $25
3/10, 4 PM the Sometime Boys' riveting, powerful, theatrical frontwoman Sarah Mucho with pianist Elliott Roth at Freddy's
3/10, 4 PM the Publiquartet play a program TBA at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.
3/10, 7 PM spine-tingling, darkly mystical art-rock/avant-garde/chamber pop songwriter Carol Lipnik – pretty much everybody's choice for best singer in all of NYC – with similarly haunting pianist Matt Kanelos at Pangea, $20
3/10, 10:30 PM tuneful oldschool soul/jazz trombonist Dave Gibson leads his quintet at Smalls
3/11, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar
3/11, 7:30 PM Tamás Varga, principal cellist of the Vienna Philharmonic Orchestra joins forces with Aaron Jay Kernis to pay tribute to Zoltán Kodály at Merkin Concert Hall, free, rsvp req
3/11, 7:30/9:30 PM intense, darkly lyrical Israeli jazz pianist Shai Maestro leads his trio at the Jazz Gallery, $25. He's back there on 3/20 with brilliant vibraphonist Joel Ross
3/11, 8 PM the NYU01 Orchestra play Mozart: Symphony No. 35 in D major, K. 35, "Haffner"Ravel: Daphnis et Chloé Suite No. 2 at the NYU Loewe Theatre, 25 W 4th St., free
3/11, 8:30 PM lavish oldschool style New Orleans funk/soul orchestra bandleader Brother Joscephus at City Winery, $20 standing room avail
3/11, 8:30 PM glimmering, noir-inspired vibraphonist Tom Beckham 's Slice with Nate Radley on guitar at Bar Lunatico
3/11, 9 PM darkly torchy southwestern gothic/Europolitan songwriter/guitarist Miwa Gemini followed by energetic delta blues/Romany swing guitarist Felix Slim at LIC Bar
3/11, 10 PM acerbic, enigmatic parlor pop/new wave/avant garde band Dollshot at Coney Island Baby, $8
3/11, 10ish the NYC Gaita Club – a Bulla en el Barrio spinoff – play rustically pounding Afro-Colombian trance-dance music at Barbes
3/11, 10:30 PM fiery alto saxophonist Lucas Pino's eclectic, dynamic No No Nonet at Smalls
3/12, half past noon Gottfried Trepte plays the organ at Central Synagogue, 54th/Lex, free
3/12, drinks at 5:30, show at 6 Marilyn Nonken plays piano music of Tristan Murail at the Miller Theatre, free
3/12, 7:30 PM pianist Dominic Cheli plays works by Vine, Scriabin, Brahms, Liszt and others at Wiell Hall at Carnegie Hall, $25
3/12-16, 8:30/11 PM purist saxophonist Vincent Herring's History of Jazz – an epic suite spanning classics from the early swing era to the present day – at Birdland, $30 at the bar
3/12, 7 PM bassist Matt Pavolka's kinetic, tersely tuneful horns band quartet followed at 9 by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes
3/12, 7:30 PM violinist and composer Megumi Saruhashi with her Middle Eastern ensemble at Sisters Brooklyn, 900 Fulton at Washington St., Ft Greene,
3/12, 7:30/9:30 PM the haunting, smokily atmospheric Michael Leonhart Orchestra at the Jazz Standard, $30
3/12-17, 8/10:30 PM soaring, politically relevant, brilliantly purposeful alto saxophonist Miguel Zenon leads his quartet at the Vanguard
3/12-13, 8/10:30 PM perennially vital latin jazz piano sage Eddie Palmieri at the Blue Note, $30 standing room avail
3/12-16, 8:30 PM indie classical chamber group Talea Ensemble play with a series of guests at the Stone at the New School, $20. Choice pick: opening night with Gato Loco guitar shredder Lily Maase
3/12, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy's Tromboniverse at Smalls
3/12, 11 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Niagara upstairs, Ave. A/7th St.,
3/13 and 3/19 at 7:30 PM, also 3/15-16 at 8 PM the NY Philharmonic play the Mozart Requiem at Avery Fisher Hall, $34 tix avail
3/13, 7:30 PM the Spectrum Symphony with cello prodigy Jiaxun Caroline Yao play the Elgar Cello Sonata, a world premiere by the brilliant Balint Karosi with Hungarian clarinet soloist Gábor Varga, and the Serenade for Orchestra by Leó Weiner,at Saint Peters Church, 619 Lexington Ave at 54th St., $25/$15 stud/srs
3/13, 7:30 PM the Claring Chamber Players perform string trios and quintets by Schubert and Mozart at Christ & St. Stephen's Church, 120 W 69th St, free
3/13, 8 PM accordion genius Shoko Nagai 's haunting Tokala Silk Road/klezmer mashup project at Barbes
3/13, 9 PM late 80s powerpop heroes Teenage Fanclub at Bowery Ballroom, $25 gen adm
3/13, 10 PM the Last Nites play the Pulp Fiction soundtrack; also on the bill: NY horror surf legends the Coffin Daggers at the Mercury, $10 adv tix rec.
3/14, 6 PM bass trombonist Jennifer Wharton leads her group at Silvana
3/14, 7 PM haunting Mexican jazz and pan-latin singer Magos Herrera teams up with perennially adventurous string quartet Brooklyn Rider at National Sawdust, $30 adv tix rec
3/14, 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar
3/14, 7 PM the St. Patrick's Cathedral Choir and Mick Moloney & Friends with organ accompaniment play the arguably loudest concert of Irish music you'll ever hear at St. Patrick's Cathedral, free
3/14, 7:30 PM fiery Portuguese twelve-string guitar sorceress Marta Pereira da Costa at the Lincoln Center Atrium, free, early arrival advised. She's also at Drom a half-hour earlier the next day for $15.
3/14, 7:30/9:30 PM veena virtuoso Saraswathi Ranganathan witih her brother, Ganapathi, on mridangam at the Jazz Gallery, $20
3/14, 7:30 PM rapturous Indian carnatic composer/violinist Arun Ramamurthy with his trio at Symphony Space, $20 for 30 and under
3/14, 8 PM amazing, psychedelic instrumentalists Sandcatchers – who blend cinematic, pastoral Americana and Middle Eastern themes – followed at 10 by wryly psychedelic cinematic Italophile instrumentalists/parodists Tredici Bacci at Barbes
3/14, 8 PM iconic avant garde singer/composer Joan La Barbara's Scenes from Dreams of Water Beyond One's Depth; also, FLUX Quartet violinist Tom Chiu leads his Ensemble Metrix at Roulette, $20 adv tix rec
3/14, 8 PM the DaCapo Chamber Players perform works by Valerie Coleman, Yotam Haber, Eric Moe and Ralph Shapey at Merkin Concert Hall, $20
3/14, 8 PM conversational pianist Jeffrey Siegel plays Beethoven Sonatas at Scandinavia House, $25
3/14, 8 PM irrepressible, historically informed, crystalline-voiced folk noir/art-rock/loopmusic songwriter Elisa Flynn at Troost
3/14, 8;30 PM Brooklyn Conservatory of Music Klezmer Ensemble, led by colorful violinist Zoe Aqua at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15
3/14, 9:30 PM the haunting, stark, ancient sounds of the Yale Slavic Chorus at the Owl
3/15, 6:30 PM cellist Bryan Hayslett presents a rare portrait concert of obscure/influential avant garde composer Lee Hyla's chamber works: the piano trio Mother Popcorn Revisited based on a James Brown song; an iconic trio for cello, piano, and percussion titled Dream of Innocent III. Other performers include Tristan McKay and Robert Fleitz (piano), Jess Tsang (percussion), Michiko Theurer and Paul Hauer (violins), and Hannah Levinson (viola) at the Stone at the New School, $20
3/15, 7 PM indie classical ensemble Longleash and mezzo-soprano Lucy Dhegrae play Shawn Jaeger's Places We Know – a collection for digital piano trio inspired by the soundscapes of urban and rural streams, rivers, and harbors including field recordings from Muscota Marsh (Inwood) Red Hook Channel (Brooklyn), Beargrass Creek (Louisville, KY), Coleman Run (Nerinx, KY), and Chenoweth Run (Louisville, KY), at Arete Gallery, $15
3/15, 7:30 PM the Mannes Orchestra play Dimitri Shostakovich's Symphony No. 9 and Sergi Prokofiev's Symphony No. 5 at the New School's ground-floor auditorium, 63 5th Ave, free
3/15, 7:30 PM Venezuelan percussionists Roberto and Luisito Quintero's oldschool Salsa Project at the Lincoln Center Atrium, free, early arrival advised
3/15, 8 PM intense Balkan chanteuse Jenny Luna's haunting, traditional Turkish band Dolunay followed at 10 by psychedelic salsa bandleader Zemog El Gallo Bueno at Barbes
3/15, 8 PM the unpredictably fun, funny art-rock/psychedelic soul band the Academy Blues Project at Silvana
3/15, 8 PM reggae-rockers Zion80 and wild, hilarious klezmer punks Golem at Drom, $15 adv tix rec
3/15, 8 PM the Philadelphia Orchestra play Mendelssohn's Piano Concerto No. 1 plus Schubert's Symphony No. 9 at NJPAC in Newark, $30 tix avail
3/15, 8 PM violinist Maya Bennardo and pianist Karl Larson play music of Charles Ives at the Owl
3/15, 8 PM perennially brilliant low-register reedman Josh Sinton performs his lushly looming, enveloping Krasa contrabass clarinet project at Issue Project Room, $15/$12 stud/srs
3/15, 8 PM purposefully atmospheric guitarist Gyan Riley with drummer David Cossin and bassist Jared Engel at Happy Lucky No. 1 Gallery, $20. Riley's here the following night, 3/16 with the amazing, even more atmospheric Arooj Aftab
3/15, 8 PM a very rare solo show by ubiquitous bassist Larry Grenadier performing music from his debut solo bass recording The Gleaners at Zürcher Gallery, 33 Bleecker St, $20
3/15, 8:30 PM haunting Bulgarian singer Biliana Voutchkova with similarly haunting jazz pedal steel virtuoso Susan Alcorn at I-Beam, $15
3/15, 8:30 PM haunting French-Tunisian saxophonist Yacine Boulares' Ajoyo project with singer Sarah E. Charles at Bar Lunatico
3/15, 9 PM hypnotically emveloping, atmospheric guitarist/soundscaper Rafiq Bhatia, Ian Chang (electronic and acoustic drums) and Jackson Hill (bass and synthesizers) at the Kitchen, $25
3/16, 2 PM two of the world's most lyrical, captivating Indian carnatic violinists, Trina Basu and Anjna Swaminathan "engage together in an improvisational dialogue with an art piece of their choice during a special museum "Art & Music" tour" at the Rubin Museum of Art
3/16, 4 PM Afro-Cuban singer Melvis Santa, dancer Hadar Ahuvia and terse, enigmatic avant garde singer/percussionist Anais Mavie with Sam Yulsmanat Luisa Muhr's monthly Women Between Arts show – NYC's only multidisciplinary series focusing exclusively on woman performers at the Glass Box Theatre at the New School, 55 W 13th St, $20, "no one turned away for lack of funds"
3/16, 5:30 PM Alice Jones, flute | Anneke Schaul-Yoder, cello | Derin Öge, piano play works by Beethoven contemporary Louise Farrenc and Michael Fiday at Brooklyn Conservatory of Music, $15
3/16, 6 PM haunting, magical Middle Eastern classical singer Shelley Thomas followed eventually at 10 by Super Yamba playing their psychedelic Afrobeat jams at Barbes
3/16, 6 PM, Júlia Hámos (piano), Abigél Králik (violin), Dávid Nagy (bassoon) and Noémi Sallai (clarinet) play a rare all-Hungarian program of works by Kodály, Kurtág, Bartók and Leó Weiner at Hungarian House, 213 E 82nd St (1/2 Aves), free
3/16, 8 PM hypnotically percussive Afro-Honduran sounds with the Garifuna Jazz Ensemble: at Flushing Town hall, $16
3/16, 9 PM amazing, mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at City Winery, $20 gen adm
3/16, 9 PM hypnotically explosive live bhangra dance band Red Baraat at Bowery Ballroom, $25
3/16, 10 PM ferocious, twin guitar-fueled, Radio Birdman-esque psychedelic punks the Electric Mess at Hank's, $10
3/17, 2 PM the Ariel String Quartet play works by Mozart, Mendelssohn and Harbison at the New School auditorium at 66 W 12th St., $18
3/17, 3 PM lyrical latin jazz pianist Manuel Valera plays a rare solo show at the Pregones Theatre, 571 Walton Ave. in the Bronx, free, res req, 2/4/5/ to Grand Concourse
3/17, 3 PM Benjamin Larsen, cello and Hyungjin Choi, piano play works by Grieg, Schumann and Robert Sirota at Concerts on the Slope, St. John's Episcopal Church, 139 St. John's Place downhill from 7th Ave, sugg don
3/17, 3 PM the North/South Chamber Orchestra celebrate St Patrick's Day with the premiere of a clarinet concerto by Irish composer Frank Corcoran. Also on the program :works by David Froom, John David Little and Heather Savage. Clarinetist Sammy Lesnick and flutist Lisa Hansen are the soloists at Christ & St. Stephen's Church, 120 W 69th St, free
3/17, 4 PM sensational, whirlwind nuevo tango bandoneonist and composer JP Jofre at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.
3/17, 7 PM veteran Irish crooner Pierce Turner – at one time he was doing a mashup of the Pogues and the Moody Blues – at Joe's Pub, 25
3/17, 7:30/9 PM oldschool stride sounds: Jon-Erik Kellso (trumpet), Ehud Asherie (piano) at Mezzrow, $20
3/17, 8 PM NYC's own rippling, hypnotic, epic Balinese gamelan, Gamelan Dharma Swara at Arete Gallery, $20
3/17, 8:30 PM baritone Nashville gothic/honkytonk crooner Sean Kershaw and band at the Treehouse at 2A
3/17, 9 PM high-voltage psychobilly band the Goddamn Gallows at the Kingsland, $tba
3/18, 9:30 PM jazz group the Atom String Quartet at Drom, $15 adv tix rec
3/18, 9:30 PM ex-Chicha Libre keyboard sorcerer Josh Camp's wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes
3/19, 7 PM Kristin Lee, violin & Jeremy Jordan, piano play 20th-century American music from ragtime to today, with a special emphasis on improvisation, with works by George Gershwin (arr. Jasha Heifetz), J.J. Johnson (arr. Jeremy Ajani Jordan), Scott Joplin (arr. Jeremy Ajani Jordan), John Novacek, Kevin Puts, and Jonathan Ragonese at 1 Rivington St. upstairs, $15/$10 stud/srs
3/19, 7:30 PM percussionist Alessandra Belloni's rustically witchy tarantella band plays the release show for her joint book/cd project Healing Journeys of the Black Madonna at the Cathedral of St. John the Divine, 1047 Amsterdam Ave, $25
3/19, 7:30 PM Norwegian indie classical group Ensemble Neon perform video and sound pieces by Jan Martin Smørdal, Ane Marthe Holen and Lars Skoglund, plus My Red Red Blood, "an excursion into the sound world of Marina Rosenfeld" at Scandinavia House, free
3/19, 8 PM pianist Alex Peh collaborates with percussionists Susie Ibarra, Kyaw Kyaw Naing and flautist Claire Chase to perform new Asian-tinged works at Roulette, $18 adv tix rec
3/20, 7 PM pianist Emanuele Arciuli plays works by Corigliano, Rzewski, Nino Rota, Chick Corea,Curtis Cacioppo and Missy Mazzoli's hauntingly torrential Isabelle Eberhardt Dreams of Pianos at the Italian Academy, Columbia University, 1161 Amsterdam Ave(just south of 118th St, free
3/20, 7 PM Patrick Higgins' two-movement piano trio Tocsin performed by pianist Vicky Chow, cellists Jay Campbell and Mariel Roberts, employing "subtle mechanical preparations for piano and a unique instrumentation to create a music where the line between piano, cello, and otherworldly source constantly traversed, undermined, and transformed' at 1 Rivington St. upstairs, $15/$10 stud/srs
3/20, 7 PM cellist Amanda Gookin plays six new works from five female composers — Alex Temple, Shelley Washington, Kamala Sankaram, Niloufar Nourbakhsh, and National Sawdust honcho Paola Prestini at National Sawdust, $20 adv tix rec
3/20-21, 7:30 PM hard-charging postbop tenor saxophonist Immanuel Wilkins leads his group at Smalls
3/20, 9 PM brilliant noir swing/Romany jazz/latin soul composer and guitarist Jack Martin (ex-Knoxville Girls and Dimestore Dance Band) at Troost
3/20, 9:30 PM subtly psychedelic, dynamic, eclectic Niger desert rock guitarist Bombino and band at the Poisson Rouge, $25 adv rtix rec
3/20, midnight boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at the Ear Inn
3/21, 7 PM the harrowing, immigration-themed multimedia performance Ask Hafiz – the story of Sahar Muradi's tumultuous journey from a Soviet-ruled Afghanistan to Queens. "Along the way, Sahar, following an age-old practice, asks questions to the book of poetry by Hafiz. The answers are revealed through songs composed and sung by Haleh Liza, dance choreographed and performed by Malini Srinivasan, with music by Adam Maalouf, Trina Basu, Bala Skandan and Rich Stein, at Joe's Pub
3/21, 7:30 PM the deservedly acclaimed Brooklyn Youth Chorus sing new work by Owen Pallett, joined by Alev Lenz for a set of her songs followed by by similarly lush, enigmatic art-rock/parlor pop band Wye Oak at Merkin Concert Hall, $25
3/21, 7:30 PM early music lutenist Paul O'Dette channels "John Dowland's Midnight" at the Kosciuszko Foundation, 15 E 65th St., $10 tix avail
3/21, 8 PM a string-driven thing at Drom: apocalyptic string quartet Sevensuns, eclectic, funky parlor jazz violinist Mazz Swift's MazzMuse, Joe Deninzon's wickedly fun string metal band Stratospheerius and strings-and-percussion crew 2Birds Band, $15 adv tix rec
3/21, 8 PM singer Dida Pelled salutes obscure and cult favorite women songwriters including Connie Converse, Elizabeth Cotten, Molly Drake, Vashti Bunyan and Norma Tanega at Barbes
3/21, 8 PM saxophonist María Grand's "Music As a User's Manual" which "Invites the audience to use it as a manual – the manual will offer several things that can be done: scream; meditate; and others" at Roulette, $18 adv tix rec
3/21, 8 PM veteran electric Chicago blues guitarist Joe Louis Walker at City Vineyard, $20
3/21, 8 PM ex-Dylan lead guitarist Larry Campbell with singer Teresa Williams with Little Feat keyboardist Bill Payne at City Winery $25 standing rom avail
3/21, 8:30 PM Dervisi feat. guitar god Steve Antonakos play "exotic Greek gangsta blues" and hash-smoking anthems at Espresso 77, 35-57 77th Street (just off of 37th Ave), Jackson Heights
3/21, 9 PM the kings of macabre British noir doom music, All Them Witches at Bowery Ballroom, $20
3/21, 9 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Hank's, $10
3/22-23, 7:30/9 PM reliably tuneful postbop piano vet George Cables s solo at Mezzrow, $25
3/22, 8 PM art-rocker Pierre de Gaillande's Bad Reputation playing witty chamber pop English translations of Georges Brassens classics followed at 10 by the world's creepiest crime jazz/film noir band, Big Lazy at Barbes
3/22-23, 8 PM brilliantly eclectic vibraphonist Joel Ross with Sergio Tabanico – tenor saxophone; Kanoa Mendenhall – bass; Jeremy Dutton – drums at Happy Lucky No. 1 Gallery, $20
3/22, 8:30 PM majestic, darkly cinematic surf band the TarantinosNYC. at Freddy's
3/22, 8:30 PM otherworldly French-Algerian singer Ourida with her combo at Bar Lunatico
3/22, 9 PM Jane Lecroy's edgy, intensely lyrical electro-punk band Ohmslice with special guests guitarist Martin Philadelphy plus Daniel Carter & Nikki D'Agostino on horns at Flowers for All Occasions, 1114 Dekalb (J to Kosciuszko) Then on 3/24 at 7 they're at Downtown Music Gallery
3/22, 9:30 PM explosive Boston original Balkan crew Cocek Brass Band at Radegast Hall
3/23, 2 PM the Orchestra of St Luke's play a composer portrait of Gabriela Lena Frank at Flushing Town Halll, free w/rsvp. The program repeats on 3/24 at 2 PM at Restoration Plaza, 1368 Fulton St. in Bed-Stuy; 3/28 at 7 at the Hostos Center, 450 Grand Concourse in the Bronx, and 4/4 at 6 at the Harlem School for the Arts, 645 St Nicholas Ave
3/23, 3 PM the Washington Heights Chamber Orchestra play works by Korngold, Britten, Anna Clyne and Michael Torke at Fort Washington Collegiate Church, 729 W 181st St, free
3/23, 6 PM haunting, magical Middle Eastern classical singer Shelley Thomas followed at 8 by poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo's Tango Quartet and at 10 by Cumbiagra – who've been going in a much more psychedelic direction lately – at Barbes
3/23, 7 PM the Witches (Louna Dekker-Vargas, flutes, and Ledah Finck, violin/viola) play works "with their signature minimalist choreography, reimagining the Delphic oracle Pythia, in all her mystic strangeness and all her beautiful mortality" followed at 9 by electroacoustic artist ViolaYip improvising with knobs and switches, lazy susan and lightbulbs, microphones and speakers at Spectrum, $15
3/23, 7:30 PM terse, purposeful classical Indian raga ambience: Rohan Misra on sarangi with Dibyarka Chatterjee on tabla at the Chhandayan Center For Indian Music, $20
3/23, 8 PM multi-instrumentalist Dennis Lichtman's popular western swing band Brain Cloud and wild female-fronted Russian turbo-folk jammers Romashka at Flushing Town Hall, $16
3/23. 8 PM the NJ Symphony Orchestra play Schubert's Unfinished Symphony No. 8, the Dvorak Cello Concerto at NJPAC in Newark, $20 tix avail
3/23, 8:30 PM Antibalas spinoff Armo play Afrobeat at Bar Lunatico.
3/23, 9 PM psychedelic Pakistani crooner Ali Sethi and His Lahore Band at National Sawdust, $25 adv tix rec
3/23, 9 PM dark intense lyrical southwestern gothic/paisley underground rockers Shanghai Love Motel at Connolly's, 121 W 45th St., $10
3/23 snarky cabaret/funk/punk band Kid Congo & the Pink Monkey Birds– who are more new wave and less Crampsy than you would think – at Brooklyn Bazaar
3/24, 2 PM the LA Guitar Quartet play works by Handel, Liszt, Pat Metheny and others at the Town Hall, $17 tix avail
3/24, 4 PM trumpeter Kate Amrine's eGALitarian play works for brass quintet and trio by New York Women Composers followed at 8:30 by cellist Margaret Anne Schedel at Spectrum, $15
3/24, 4 PM adventurous indie classical string quartet Ethel play a program TBA at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.
3/24, 5 PM the Manhattan Chamber Players perform works by Mozart, Schumann, and Bruch at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs
3/24, 7 PM pyrotechnic clarinetist and Dave Tarras protege Michael Winograd leads his big band followed at 9:30ish by paradigm-shifteing Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel and his band at Barbes
3/24. 7 PM riveting Japanese shamisen player/singer/improviser Emi Makabe leads a trio with Thomas Morgan on bass, Vitor Gonçalves on piano/accordion at I-Beam, $15
3/24, 8:30 PM catchy, politically fearless soulstress Alice Lee – Nina Simone meets Fiona Apple – at Pete's
3/24, 9 PM baritone honkytonk crooner Jack Grace resurrects his legendary 90s jamband Steak at the Treehouse at 2A
3/25, 7:30 PM darkly glimmering jazz pianist/composer Guy Mintus plays a solo set followed by one with clarinetist Mark Dover at 1 Rivington St. upstairs, $15/$10 stud/srs
3/25, 7:30 PM majestic, slinky cumbia orchestra the Gregorio Uribe Big Band at St. Peter's Church, 54th/Lex, $20
3/25, 8:30 PM intense Indian-influenced psych-folk songwriter Larkin Grimm followed by quirky, smartly lyrical avant cello-rock with the Icebergs at Pete's
3/25, 9:30 PM feral singer Carolina Oliveros' mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio at Barbes
3/26, 7 PM Brenda Castles, Liz Hanley and Johnny Cuomo play Irish guitar/fiddle/concertina music followed at 9 by wickedly torchy noir songwriter Julia Haltigan and her killer band at 11th St. Bar
3/26, 7:30 PM violinist Bella Hristova leads an ensemble playing works by Messiaen, Bach, Zwilich and Brahms at Merkin Concert Hall, $10 tix avail
3/26, 7:30 PM the Canadian Guitar Quartet reinvent works by Beethoven, Saint-Saens, Pouilenc, Ravel and Brahns at the Baruch College auditorium, free, rsvp req
3/26-27. 8/10:30 PM iconic bassist Ron Carter leads an ensemble TBA at the Blue Note, $30 standing room avail
3/26-30, 8:30 PM epically lyrical alto saxophonist Peter Apfelbaum plays with a series of ensembles at the Stone at the New School, $20. Coice pick: 3/30 with his NY Heiroglyphics
3/26, 9:15 PM Peruvian brass band La Patronal at Drom, $15 adv tix rec. The following night, 3/27 at 8:30 PM they're at the Bronx Music Heritage Center, 1303 Louis Nine Blvd, free, 2/5 to Freeman St.
3/26, midnight catchy, slashing female-fronted mid 70s Max's style punk band Blue Doll Tribe at the Delancey, $tba
3/27, quarter past noon spellbinding Bulgarian vocal harmony trio Black Sea Hotel at Queens College, 65-30 Kissena Blvd., Flushing, free
3/27, 6 PM a good tunesmith twinbill: cleverly lyrical, edgily funny, soaring-voiced powerpop/acoustic rock singer Tamara Hey followed by the much darker, more eclectic darkly eclectic, enigmatic Lorraine Leckie at the small room at the Rockwood
3/27, 7 PM fiercely brilliant guitar twinbill: solos and duels between Ava Mendoza with Wilco's Nels Cline at National Sawdust, $25 adv tix rec
3/27, 7 PM Eric Moe, piano, and Robert Frankenberry, actor perform David Del Tredici's cult favorite, gleefully macabre Monsters at the Italian Academy, Columbia University, 1161 Amsterdam Ave(just south of 118th St, free
3/27, 8 PM ferociously dynamic, tuneful, female-fronted power trio Castle Black at Otto's
3/27, 9 PM wickedly jangly surf/twang/country instrumentalists the Bakersfield Breakers at 11th St. Bar
3/27, 9 PM slashing guitarist Steve Antonakos plays slide guitar blues with his band at Bar Chord
3/28, 7:30 PM eclectic, tuneful folk noir accordionist/songwriter Ali Dineen followed by whirlwind klezmer violinist Jake Shulman-Ment's Midwood at the Owl
3/28, 7:30 PM pianist Per Tengstrand with Leland Ko (cello), Hana Mundiya (violin), Noah Pacis (viola), and Soyeong Park (violin) play Beethoven's Piano Concerto No. 5 and Dvorak's Piano Quintet No. 2 in A Major at Scandinavia House, $25
3/28. 7:30 PM rare solo shows by 75 Dollar Bill's microtonal guitarist Che Chen and Debo Band's 5 string electro-acoustic violin player Kaethe Hostetter at the Old American Can Factory, 232 3rd St., Gowanus, $15 cash only at the door, space limited, RSVP to reserve your ticket
3/28, 7:30 PM Iraqi maqam music icon Hamid Al-Saadi with trumpeter Amir ElSaffar's hypnotic, incisive classical Iraqi music ensemble Safaafir at the Lincoln Center Atrium, free, early arrival advised
3/28, 7:30 PM singer Min Jin and others perform classical Korean gajok art-songs backed by a chamber ensemble at Merkin Concert Hall, free, res req, limit 2 tix per person
3/28, 8 PM Fire! – Swedish psychedelic power trio with Mats Gustafsson (tenor and baritone saxophone, live electronics), Johan Berthling (bass), and Andreas Werliin followed by playful electronic soundscaper Madalyn Merkey at the Clemente Soto Vélez Center, 107 Suffolk St, $20
3/28, 8 PM dynamic avant-garde harp luminary Zeena Parkins plays her new improvisational suite Captiva at Roulette, $18 adv tix rec
3/28, 8 PM bass goddess/soul singer Felice Rosser's ageless reggae-rock-groove band Faith at Silvana
3/28, 8 PM International Contemporary Ensemble joins the Jack Quartet for a composer portrait of jazz drummer Tyshawn Sorey at the Miller Theatre, $25 tix avail
3/28, 8:30 PM a raucous klezmer dance party with music by Ken Maltz, Lauren Brody, Aaron Alexander at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15
3/28, 8:30 PM Sound Bath – multi-instrumentalists Rachel Feldhaus and Nick Pauly employ an atmospheric, unique assortment of antique Tibetan singing bowls, scordatura violins, and waterphones at Arete Gallery, $15
3/28, 9ish eclectic, globally-inspired violinist Dina Maccabee, fearless singer Luisa Muhr, feral bassist Brandon Lopez and multi-instrumentalist Frank Meadows at the Glove, 887 Lexington Ave, in Bushwick, closest train is the J to Gates
3/28, 10 PM drummer Arthur Vint & Associates reinvent classic Morricone spaghetti western soundtracks at Barbes
3/29, 7 PM genre-smashing avant-jazz saxophonist/singer Stephanie Chou and her band play her harrowing jazz suite Comfort Girl, about women forced into sexual slavery under the Japanese in WWII at Joe's Pub, $15
3/29, 7 PM allstar Indian music collective the Women's Raga Massive with an especially potent lineup: Deepal Sanghvi Chodhari (santoor), Roopa Mahadevan (vocals), Roshni Samlal (tabla), and Rajna Swaminathan (mridangam) at the Rubin Museum of Art, $30
3/29. 7 PM the Latin American Chamber Players perform works by Ravel, Boulanger, Francaix, Roussel and Poulenc at Scholes St. Studios, $20
3/29, 7 PM pianist Conor Hanick and Parallax Ensemble play works by Kati Agócs, Balázs Futó, Nicolas Namoradze; Robert Beaser and Ninfea Cruttwell-Reade; and the U.S. premiere of Petrichor, a violin-piano duet based on J.S. Bach by Jocelyn Morlock at 1 Rivington St. upstairs, $15/$10 stud/srs
3/29, 7 PM not a music event but of interest: "The Last Days of Judas Iscariot is a hilarious, poignant, thought-provoking work by Pulitzer-prize winning playwright Stephen Adly Guirgis. Boasting a large, zany cast of characters, the play asks one of the most plaguing questions in the Christian ideology: What happened to Judas Iscariot? The story is that Judas was the disciple of Jesus who betrayed his friend and teacher to the authorities. He is seen as the man responsible for Jesus's death; afterwards, Judas fell into despair and hung himself from an olive tree; since then, he has been suffering for his deeds deep in Hell, and will continue to do so for all eternity. Is that really fair? Was Judas the duplicitous master of his own fate, a much-suffering pawn used for Jesus's ends, or just a man who made a mistake? Set in a courtroom in Purgatory, The Last Days puts Judas' case to a hilarious, riotous, piercing trial, the results of which are sure to make the inhabitants of Heaven, Hell, and Purgatory -mand the audience — reconsider." At St. George's Episcopal Church, 7 Rutherford Pl, free, RSVP required
3/29, 7:30 PM spellbinding Bulgarian vocal harmony trio Black Sea Hotel play a Brooklyn house concert, $20, space limited, email for location/deets
3/29, 8 PM violin loopmusic artist Joe Kye with percussionist William Catanzaro and pianist Josh Ehrlich at Flushing Town Hall, $16
3/29, 9 PM poignantly lyrical, eclectic pianist Marta Sanchez leads her quintet at the Owl
3/29, 9:30 PM NY horror surf legends the Coffin Daggers at the Gutter
3/29, 10 PM Dakha Band mix up north and South African sounds at Club Bonafide, $15
3/29, 10 PM catchy, fun guy/girl indie soul band Sunshine Nights play the album release show for their new one at the Bitter End
3/29, 10:30 PM the Belle Curves – who have an achingly gorgeous new janglerock single out – at the Postcrypt Coffeehouse
3/29. 11 PM the Marauders play oldschool roots reggae at the small room at the Rockwood
3/30, 7 PM ambient electroacoustic composer Jonathan Zorn, followed eventually around 9 by a very rare solo show by the enigmatic Paula Matthusen, and the alternately squonky and hushed Philip White & Chris Pitsiokos at Holo, $10
3/30, 7:30 PM a Cuban music dynasty: Malena Burke – daughter of legendary songstress Elena Burke, joined by her own daughter, pianist / vocalist / composer Lena Burke at the Hostos Center theater, 450 Grand Concourse in the Bronx, $20
3/30, 7:30 PM edgy Middle Eastern-inspired alto saxophonist Uri Gurvich with Peter Slavov on bass and Francisco Mela on drums at Bar Next Door
3/30, 7:30 PM the Argus Quartet play works by Debussy, Theofanidis, Mendelssohn and Josquin des Prez at Irving Auditorium, Irving Pl/17th St., $16
3/30, 8 PM an intriguing triplebill at the Parkside: darkly lyrical psychedelic pop songwriter Jennifer Hall, Fatsy Cline (whoever she/they is/are) and a very rare performance by wickedly lyrical, Graham Parker-esque retro new wave band Lazy Lions
3/30, 8 PM Anda Union play ancient, windswept Mongolian themes at Merkin Concert Hall, $25 tix avail
3/30, 8 PM Appalachian music maven Bruce Molsky's Mountain Drifters play the album release show for their new one at the Jalopy, $20
3/30, 8 PM murder ballad specialists and Slim Cessna's Auto Club spinoff DBUK at El Cortez, $15
3/30, 8 PM otherworldly Moroccan mountain jams with downtown NYC types: Bachir & Mustapha Attar of the Master Musicians of Jajouka with Ned Rothenberg, Arrington De Dionysio & Ben Bennett at Roulette, $30/$26 stud/srs
3/30, 8 PM composers and instrumentalists Daniel Fishkin, Cleek Schrey, and Ron Shalom — the U.S.'s only extant daxophone consort – at Issue Project Room, $15/$12 stud/srs "The daxophone is a thin wooden strip played with a bow, created by the German improviser/inventor Hans Reichel in 1987. The instrument's sound, somewhere between a cello and badger, ranges from furtive gurgles and delicate whistles to wild screams."
3/30, 8:30 PM noir guitar legend Jim Campilongo leads his trio at Bar Lunatico
3/30, 10 PM Pangari & the Socialites play classic ska and rocksteady – most of it from the 60s Skatalites catalog – at Barbes
3/30, 10 PM catchy female-fronted powerpop band Big Eyes – who absolutely nail a late 70s/early 80s CBGB sensibility – play the album release show for their new one at Union Pool, $12
3/30, 10:30 PM the Space Merchants – the missing link between the Stooges and X – at the Gutter
3/31, noon the annual Queens Overground Jazz Festival, acts TBA at Flushing Town Hall, free, res req
3/31, 2:30 PM the Apple Hill String Quartet play works by Shostakovich, Faure and Michael Kropf at St. Bartholomew's Cathedral, $25/$15 stud/srs
3/31, 4 PM avant garde crooner Theo Bleckmann with Ike Sturm and Jesse Lewis at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.
3/31, 4:30 PM want to learn haunting Ukrainian choral and folk singing from one of the best in the business? Charismatic singer Eva Salina conducts a master class suitable for vets and beginners at Playwrights Rehearsal Studios, Room 3D, 440 Lafayette St. (between Astor Pl. and East 4th St.), $15 adults | $10 students & seniors | children free, RSVP rec. to reserve your seat.
3/31, 5 PM Mirror Visions Ensemble – Abigail Levis, mezzo-soprano; Scott Murphree, tenor; Mischa Bouvier, baritone; and Grant Wenaus, piano – play music by immigrants (Kurt Weill, Paul Hindemith, Hanns Eisler, and Erich Korngold), women (Ruth Crawford Seeger, Francine Trester), and African Americans (Adolphus Hailstork, Brittney Boykin, Florence Price, and Leslie Adams), as well as by classic American composers (Charles Ives, Leonard Bernstein, Samuel Barber, and Pete Seeger) as well as world premieres from Mohammed Fairouz, Braxton Blake, and Harold Meltzer at the Sheen Center, $20
3/31, 6 PM genuine metal machine music at a metal shop: "a grinder fugue, an anvil drum set, pneumatic tool conduction from Billy Martin, the burning of an accordion (while attempting to play it), the sawing in half of a saxophone (while attempting to play it), forging, quenching, modular synths, Tuba Joe, Tim Vaughn, Yula Beeri, Todd Perlmutter, Erica Mancini, an amplified welders table, flame-o-phone and flame-o-bone and VERY LOUD. It will be beautiful, raw, terrifying, and hilarious. You do not want to miss this." at 506 Smith St., Red Hook, F to Smith/9th $10
3/31, 7 PM Mississippi hill country bluesman Robert Kimbrough (son of Junior) at Barbes, $10. Followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel
3/31, 7:30 PM new updates on haunting old Middle Eastern sounds: the haunting Takht al-Nagham featuring Syrian habibi pop superstar Farrah Yousef, the Tarab Ensemble, and dramatic chanteuse Nano Raies at Roulette, $25 adv tix rec
3/31, 8 PM haunting Turkish art-rock guitarist/crooner Ahmet Aslan at Drom, $30 adv tix rec
3/31, 8 PM hauntingly noisy/ambient solo cello from Leila Bordreuil and Susie Ibarra's birdsong project with Jae Landau and Yuka Honda at Holo, $10
3/31, 8 PM a rare solo show by elegant bop-era guitar legend Gene Bertoncini at the Bar Next Door
3/31, 10:30 PM noir-inspired alto saxophonist/composer Nick Hempton leads his ensemble at Smalls
4/1-2, 7:3/9:30 PM no April fool – this era's most intensely powerful tenor saxophonist/composer, JD Allen leads a quartet with Liberty Ellman on guitar at the Jazz Standard, $30
4/2, drinks at 5:30, show at 6 Rebecca Fischer plays solo violin works by Paola Prestini, Lisa Bielawa, Gabriela Lena Frank, Suzanne Farrin, Missy Mazzoli and other women composers at the Miller Theatre, free
4/2, 7 PM RighteousGIRLS (Gina Izzo, flute & Erika Dohi, piano) play the world premiere of Legion (for 8 flutes and 8 pianos) by Alex Burtzos plus less epic works Andy Akiho, Ambrose Akinmusire, Paula Matthusen, and Mike Perdue at 1 Rivington St. upstairs, $15/$10 stud/srs
4/3, 4:30 PM the irrepressible, cinematic, comedic Broken Reed Saxophone Quartet with special guest drummer Todd Isler, pianist Wade Ridenhour and singer/narrator Daphné Mia Essiet at St. Ann's School in Brooklyn Heights 129 Pierrepont Street, Brooklyn Heights, (performance space is on Clinton Street across from the school.), free
4/4, 7:30 PM, repeating 4/5 at 8 PM and 4/6 at 2 and 8 PM the NY Philharmonic play works by Beethoven, Bernstein, Stucky ,Wagner and very young composers at Avery Fisher Hall, $5 tix available to NYPD, NYFD, EMT, and NYC city service professionals.
4/5-6, 8 PM the Budapest Festival Orchestra conducted by Iván Fischer play an all-Bartok program at Stern Auditoirum at Carnegie Hall, $30 tix avail 10% off with code CHC29802. The 4/5 program includes the ballet score to The Miraculous Mandarin an the Concerto for Orchestra are showcased in the opening concert, while the second features Hungarian folksong arrangements and the one-act opera Bluebeard's Castle.
4/6, 6 PM velvety noir jazz singer (and Tickled Pinks member) Stephanie Layton's impressively eclectic torch/swing jazz band Eden Lane at the Onderdonk House, 1820 Flushing Ave in Ridgewood, $5 sug don
4/6 drinks and kettle corn at 6:30 PM, show at 7 PM innovative piano duo HereNowHear play a world premiere by Loren Loiacono and George Crumb's epic masterwork Celestial Mechanics (Makrokosmos Book IV) plus works by Steven Stucky, Emily Cooley, Walter Zimmerman, Luciano Berio at the DiMenna Center, $20,
4/6, 7:30 PM a tribute to jazz and latin flute legend Dave Valentin, featuring a quintet led by his musical director, pianist Bill O'Connell, with flutist Andrea Brachfeld in the Valentin role, followed by the debut of O'Connell's new project A.C.E. (Afro-Caribbean Ensemble) featuring a nonet at the Hostos Community College auditorium, 450 Grand Concourse in the Bronx, $20//$5 stud
4/6, 7:30 PM lush, sultry tropical jazz with chanteuse Belen Cusi and her combo at Groove, $5
4/6-7, 8 PM haunting, charismatic oldtimey-style banjo player and corrosively political songwriter Curtis Eller and band play a live score to the Bipeds Dance Company's phantasmagorical performance "54 Strange Words" at Triskelion Arts,106 Calyer St in Greenpoint, $18 adv tix rec
4/6. 8 PM brilliantly lyrical dark oldtimey songwriter/multi-instrumentalist Pete Lanctot at 68 Jay St Bar
4/7, 2 PM István Várdai (cello) and Roman Rabinovich (piano) play works by Schubert, Beethoven, and Rachmaninov at the Town Hall, $17
4/7, 5 PM the Kandinsky Trio perform a lyrical early Beethoven piano trio and then will be joined by clarinetist Jose Garcia Taborda and narrator Patricia Raun for Messiaen's Quartet for the End of Time at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs
4/9, half past noon Italian organist Gabriele Pezone plays a program TBA at Central Synaogue, 54th/Lex, free
4/9, 7 PM a first-class indie classical ensemble fronted by singer Eliza Bagg with Daniel Schlosberg, Maya Bennardo, Hannah Levinson, Hannah Collins, and Mike Compitello perform the album release show for Alex Weiser's new album All the Days Were Purple – putting a new spin on ancient Jewish musical traditions – at the Yivo Institute, 15 W 16th St., free, reception to follow
4/10, 7 PM pianist Julia Den Boer plays a world premiere by Claudia Jane Scroccaro plus works by Giacinto Scelsi. Giulia Lorusso and Luigi Nono at the Italian Academy, Columbia University, 1161 Amsterdam Ave(just south of 118th St, free
4/11, 7 PM pianist Lisa Moore plays imagistic works by Beethoven, Martin Bresnick, Leoš Janáček, Missy Mazzoli, Frederic Rzewski, and Robert Schumann at 1 Rivington St. upstairs, $15/$10 stud/srs
4/11, 8 PM Hungarian Romany violin powerhouse Zoltan Maga and his band at Stern Auditorium at Carnegie Hall, $30 seats avail, 50% off with promo code HUN31082
4/12, 6:30 PM creepy noir chamber pop/murder ballad duo Charming Disaster at the American Folk Art Museum
4/13, 3 PM the colorful Fordham University Orchestra play Slavonic Dance V, Op. 46 – Dvorak; Overture to "Candide" – Bernstein; Pictures at an Exhibition, Promenade – Mussorgsky,at Leonard Theatre, Fordham Prep (441 East Fordham Rd, Bronx,, free, B/D to Fordham Rd.
4/16, 8 PM timeless, haunting, playful octogenarian Armenian jazz sage and multi-reedman Souren Baronian in a rare trio show at Sisters Brooklyn, 900 Fulton St. at Washington, $10
4/17, 7 PM jazz pianist Aaron Diehl performs works by Philip Glass, Timo Andres, and beyond with Andres also on piano at 1 Rivington St. upstairs, $15/$10 stud/srs
4/19, 7 PM pianists Daniel Anastasio, Xak Bjerken, Vicky Chow, David Kaplan, Cory Smythe; soprano Kristina Bachrach, cellist Gabriel Cabezas and flutist Catherine Gregory play synesthetically-inspired works by Andy Akiho, George Crumb, Olivier Messiaen, Alexander Scriabin, and improvisatory interludes by Smythe at 1 Rivington St. upstairs, $15/$10 stud/srs. The following night at 8 at similar crop of talent parse "a collection of personal journeys and transformations from Missy Mazzoli's ghostly Isabelle Eberhardt Dreams of Pianos to Jesse Jones' Handel-inspired Variations on a Fiddle Tune."
4/19, 9 PM creepy noir chamber pop/murder ballad duo Charming Disaster followed by similarly sinister psychedelic art-rock/circus rock band Cookie Tongue at Coney Island USA, 1280 Surf Ave, Coney Island, $20 includes dessert
4/20, 8:30 PM bassist Joe Policastro leads his tuneful, pastorally-inclined trio with Dave Miller, guitar; Mikel Avery, drums w/ special guest Jon Irabagon, saxophone at Iridium, $25
4/21, 5 PM pianists Vicky Chow, Mikael Darmanie, Qing Jiang, David Kaplan, and Dan Tepfer play dance works by Samuel Carl Adams, Timo Andres, J.S. Bach, Michael Brown, Molly Joyce, Oliver Knussen, Andrew Norman, Caroline Shaw, and Robert Schumann at 1 Rivington St. upstairs, $15/$10 stud/srs
4/24, 8 PM, Stefan Tcherepnin and Taketo Shimada's dirgey duo project Afuma followed by sepulchral, otherworldly Cairo singer/multi-instrumentalist Nadah El Shazly – who puts an eerie shoegaze spin on classical Arabic song – at Brooklyn Music School Theater, 126 St Felix St, up the block from BAM, $20
4/30, 8 PM spectacular yet nuanced Palestinian opera singer Nour Darwish and ensemble at Sisters Brooklyn, 900 Fulton St. at Washington, $10
5/4, 10 AM – 2:30 PM a free block party with music, dance and more to celebrate 60 years of Lincoln Center on the plaza there, lineup tba
5/7, 5:30 PM drinks at 5:30, show at 6 Big Dog Little Dog – Jessie Montgomery, violin; Eleonore Oppenheim, bass – improvise duets at the Miller Theatre, free
5/14, drinks at 5:30, show at 6 So Percussion's Jason Treuting leads a quintet playing his new works at the Miller Theatre, free
5/26, 5 PM pianist Andrea Lam performs Bach, Schumann and Stravinsky at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs
6/4 drinks at 5:30, show at 6 the Bent Duo -David Friend, piano; Bill Solomon, percussion – play works by Hannah Lash, Sarah Hennies and Mayke Nas at the Miller Theatre, free
6/11, drinks at 5:30, show at 6 Ensemble Échappé play works by Selim Göncü, Katherine Balch, Nina C. Young and others at the Miller Theatre, free
6/16, 5 PM cellist Angela Lee, with pianist Evelyne Luest play works by Beethoven, Prokofiev and Janáček at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs


text:
Medium (10%)
low risk
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Stats for the TNC and Team Spirit as they've appeared on Tipify
A list of recent matches this team has played, green indicates a win and red a loss. Blue is a draw/cancelled
Current Roster
Current Roster
After all the controversies, memes and fails, it's finally time for Galaxy Battle 2. TNC Pro take on Team Spirit in the first match of a double elimination playoff. Which means the loser of this match drops down to the lower bracket.
Since Valve's announcement of stripping off Galaxy Battle 2 from it's Major status, it has been a difficult road for this event. Many big teams withdrew their invitation because of it no longer being a Valve supported event and due to the drug issue going around Philippines. Nevertheless, Dota is going to be played and I hope it's of high order to put this all behind us.
This will be the first time ever TNC will be playing Spirit, so it will be interesting to see how this one pans out. Given the recent form I am highly tilted towards TNC and in general they are a far much better team than Spirit. With their recent victory in the grand finals of PGL Major qualifiers against Execration, they must be roaring to go out tomorrow.
Prediction – Team Spirit are kind of unknown to LAN events and their inexperience in such a setting is going to cost them big and against a team on such form it will be miraculous if they get anything out of it. So I'll be going with TNC for a comfortable victory.
My odds for this match: TNC 74:26 Team Spirit
Medium (10%)
low risk
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The Loop (Games)
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Mistaff IV is a planet in the Koprulu sector.
The Terran Dominion made the planet a hub of military production. When Broodmother Kilysa contacted Sarah Kerrigan to rejoin the Zerg Swarm, she told her to conquer the planet. Kilysa immediately complied and the planet was quickly overrun and infested.[1]
When the planet was overrun, one of the three transports containing Project Blackstone warhounds was lost with the planet.[2]
- ↑ Blizzard Entertainment. StarCraft II: Heart of the Swarm. (Activision Blizzard). PC. Cutscenes: Leviathan (in English). 2013-03-12.
- ↑ Blizzard Entertainment. Project Blackstone - Declassified, accessed on 2013-09-03.
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