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Fully featured, tough and stylish, the Motorola Talker T60 two way radio's are the ideal way to stay connected during outdoor adventures. Whether it's been at home on the campsite, wondering around your favourite theme park or on a hike with loved ones the Motorola Talker T60 two way radio's are packed with functionality and features and are also completely license free so you have no contract, air time charges or any bills to pay.
Further features of the Motorola Talker T60 two way radio's include: LCD display with backlight, keypad lock, battery level indicator, belt clip, free calls, rechargeable NiMH batteries (supplied), 8 channels + 121 codes, scan/monitor feature, 5 call tones, hands-free, room monitor, headset connector, upto 8km range (subject to terrain and conditions), Vox, auto squelch, channel monitor, timer, auto power off, keypad tones and talk confirmation tone / roger. Box Contains 8 x Motorola T60 Two Way Radios 4 x UK Mains Adaptor 4 x Charger Pod 8 x Belt Clips 8 x NiMH Rechargebale Battery Pack 4 x Instruction Manual. For your security we only despatch your order to the address you provide us at checkout.All orders are dispatched from our distribution centre in County Antrim, Northern Ireland. The item "8 x Motorola Talker TLKR T60 2 Way Walkie Talkie 8km PMR 446 Radio Eight Pack" is in sale since Thursday, December 11, 2014. This item is in the category "Mobile Phones & Communication\Radio Communication Equipment\Walkie Talkies & PMR446 Radios". The seller is "ozaroo-uk" and is located in Belfast.
This item can be shipped worldwide.: Yes
In addition, this model ensures a battery life of up to 16 hours.


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Good evening.
I am not the last one to leave. Well, the motivation's been comparable to the excitement of unlocking a new part of the game world in a racing game, that becoming an official staff in physics somehow encouraged me to immediately desire to work after hours. Knowing that this wouldn't work long-term, I stayed nonetheless.
I recall, vaguely, that at about the same time at night, I got locked inside the science building lobby once in my freshman year.
That was after my Probability Theory final exam. I recall that I worked furiously afterwards in the illusion that I could rectify some arithmetic mistakes in a Markov chain. I forgot to appreciate Auckland's security system, where there's no way to unlock locked doors from the inside after hours either.
Maybe I romanticise about selfless discovery work, enough that in my 19-th birthday poem I said I'd spend my entire life to 'glimpse at an infinity'… Learning does excite me, especially during this time of a semester.
If you looked at the previous photo just closely enough, you can see an IMAX logo. I went to NZ's only IMAX cinema sufficiently frequently that I just got my first free movie screening in my 3 months of membership. Well it's close, so that's not as much a labor than say in Berkeley.
Earlier tonight, I stood behind the glass balcony on the seventh floor just now, after shooting these images. I considered the state of my existence. Far, there's Perimeter staying silent to my case; near, there's a new semester in maths and physics readily unfolding.
Basis of great fun. Origin of a nice journey.
The photos tonight were taken while I wrapped my camera in my coat — the reflections from the glass got way too salient if they are not desirable features.
However, I now am wandering in the empty after-hour campus, and just realising …
If the flares, distortions and ghosts get too much in the way, it might be time to reach behind those optics.
That being said, I might photograph the sunrise from inside the building tomorrow…

subset: commoncrawl


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Related areas
Business School Topics
What if you could find a way to help disadvantaged young people find employment, build people's confidence and help them engage with the wider community?
Two UWA students have done just that. After winning the finals of The Big Idea UWA competition from more than 100 participants, they will now go on to compete in the national finals. The Big Idea, coordinated by The Big Issue, is a competition between students across 11 Australian universities where students are invited to develop a concept for a social enterprise.
As part of the unit Changing the World: Social Innovation, Finance and Enterprise, the UWA students who will head to the national finals developed a social enterprise concept to assist young people aged between 18 and 25.
Working with the local competitions, the Community Umpiring Agency would train young people in AFL 9's umpiring. Each person would be invited to umpire three 40-minute games teaching them new skills and giving them a taste of structured employment.
The winning team Lachlan Hunt, and Andrew Mavety also receive professional development through The Big Issue and support through Bloom for three months to develop their idea.
Andrew Mavety, a member of the winning team, said taking part in The Big Idea was a valuable learning experience.
"I developed a better understanding of the complexity and significant impact of social enterprise," Mr Mayety said.
"Creating the umpiring concept was an opportunity to combine our passion for sport with social enterprise to make a difference to the lives of disadvantaged youth and give back to the community."
Judging the entries from UWA student teams was a panel comprising Andrew Joske (WA Operations Manager, The Big Issue), Michelle Scott (Director, McCusker Centre for Citizenship UWA), Paul Flatau (Director, Centre for Social Impact UWA), Shannon Ziegelaar (COO, Bloom), and Jacquie Thomson (General Manager, Grants & Community Development, Lotterywest).
The Audience Choice Prize was awarded to Your Heritage Too, a project focusing on a mobile exhibition event designed and operated by Indigenous Australians to provide education services such as cultural history, traditional cuisine, music, sports and games to promote Indigenous culture and help close the between Aboriginal and Torres Strait Islander Australians and non-Indigenous Australians.
The Big Idea was made possible by the Centre for Social Impact UWA, The McCusker Centre for Citizenship, UWA IQ and Bloom.
UPDATE: UWA students Lachlan Hunt and James Walker competed in the national final in Melbourne on 29 November, and were the only non-Victorian team to be finalists in the undergraduate competition.
Media references
Claire Stokes (Centre for Social Impact UWA) (+61 8) 6488 7575
Verity Chia (UWA Business School) (+61 8) 6488 1346


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"I bought a fab maxi dress for a casual wedding in September. Its chiffon silk mix and has blue, pink, green and cream colours in it, is sleeveless with a high round neck". Ask the stylist helps a reader accessorise a colourful dress for a casual wedding without being too underdressed to insult the bride.
Tag Archives: bejewelled sandals
Ask the Stylist: Casual Wedding Guest
September 8, 2013


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The CIRCULATER is back!
Effective June 24, 2018, major service changes have been implemented including two route changes, increased services hours on select routes and a revised fare payment option.
These changes better align DDOT's resources with growing activity centers like the Southwest Waterfront and improve the reliability of Circulator. Find more information on the Circulator website
The Blue, Orange, and Silver lines of the Washington Metro have the following stations in the Southwest Federal Center: Smithsonian, L'Enfant Plaza, and Federal Center SW. The Yellow line also stops at L'Enfant Plaza.
The Green line has a stop in the Southwest Federal Center at L'Enfant Plaza and in the Southwest Waterfront at Waterfront; additionally, the Navy Yard – Ballpark stop is one block outside the eastern boundary of the Southwest Waterfront neighborhood.
Bolling and Bellevue have no Metrorail service, although the DC Council has considered some versions of the Anacostia streetcar that would extend to Bolling.


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There are quite a few words that adequately describe Amir Obe, but sentimental is not one of them. During his frequent travels between Detroit and Brooklyn, hence the name of his acclaimed mixtape Detrooklyn, he never picked up any empathy for any of the females he met, or at least that what he wants us to believe in his latest video. "Hennesy Breath" finds Obe reveling in his womanizing ways, boasting that the next day he will be "past tense". Over a syrupy beat, he lays the game down to any future partners. It is a great track for any player out there.
To cement his loner status, he heads to wintry mountain to shoot the video. Visually, it is stunning, with snow capped tops and beautifully rendered snow flakes all over. Obe standing in a middle of a lake betrays his anti-romantic feelings, but does provided an interesting juxtaposition. Check out the video above and make sure you head to his soundcloud, to pick up his mixtape Detrooklyn.
Just Jimi, @Nativejimi


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Job Description
I am currently recruiting for an Education Provider who are seeking a Training Coordinator to come onboard ASAP and work on a contract basis. The position will run for an initial 4 months, with scope to extend, paying up to £150pd.
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If this is something of interest to you, or you are looking for a new challenge, please don't hesitate to get in touch by applying below or alternatively give Lauren Edwards a call on 01212654445.


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Action Clutch Stage 4 Pressure Plate & Disc Kit For Acura Rsx 2002-06 6-speed
Action Clutch Stage 4 Pressure Plate & Disc Kit for Acura RSX 2002-06 6-speed. Stage 4 1MD (Metallic Rigid) Includes Heavy Duty Pressure Plate & Bearing Kit. Single diaphragm heavy-duty pressure plate Metallic sprung disc Engineered for high horsepower vehicles Good for heavy-duty street use and frequent drag/road/drift racing. Available with 6-puck grooved, 6-puck, and 4-puck discs The sprung hub provides moderate dampening, rendering the clutch kit much more streetable than a solid disc design. The clutch features a slight increase in pedal pressure, aggressive engagement, rapid heat dissipation, and outstanding holding capacity.
170% INCREASE IN HOLDING CAPACITY. Important Note for International Buyers. We cannot guarantee fitment for overseas and international vehicles. International Buyers - Please Note. We are a factory authorized warehouse distributor for these product lines and many more.
The item "Action Clutch Stage 4 Pressure Plate & Disc Kit for Acura RSX 2002-06 6-speed" is in sale since Monday, July 29, 2019. This item is in the category "eBay Motors\Parts & Accessories\Car & Truck Parts\Transmission & Drivetrain\Clutches & Parts". The seller is "modernautomotiveperformance" and is located in Cottage Grove, Minnesota. This item can be shipped to United States.
- Brand: Action Clutch
- Manufacturer Part Number: ACR-0492
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- Other Part Number: ACR-0492
- Fitment Type: Performance/Custom


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jQuery image slider are very popular these days and found on many many websites. At the same time JavaScript frameworks like jQuery has made, what was once for hardcore developers, easily available to any web designer. Technically speaking, jQuery is a free, open source software, designed to make it easier to navigate a document, select DOM elements, create animations, handle events, and develop Ajax applications.
In this article you will find jquery image sliders tutorials showing you how image sliders can be created from ground up. we hope you will enjoy this wonderful showcase. Feel free to share your opinion with us and let us know which one is your favorite.
Parallax Slider with jQuery
Create your own jQuery Image Slider
Making a Mosaic Slideshow With jQuery & CSS
How to Make Auto-Advancing Slideshow
Create Beautiful jQuery Slider Tutorial
Fullscreen Gallery with Thumbnail Flip
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Simple JQuery Image Slide Show with Semi-Transparent Caption
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Create a Slick and Accessible Slideshow Using jQuery
Creating a Rotating Billboard System with jQuery and CSS
Making a Slick Mobile app Website with jQuery & CSS
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How to Create a Simple iTunes-like Slider


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Sun 11th June Stanstead Park & Kingley Vale 11 miles (around 6 hours).
Start: 10:00 from the car park on the main avenue of Stanstead Wood GR SU754103 .
Lifts: 09:15. Walk via Stoughton & Humps above Kingley Vale. Some hills, views & wild flowers. PL/CS.
Leaders: Helen & Patric
Tue 13th June Hindhead Common.
Start: 10:00 Heather Way car park, Haslemere Rd. GR SU888356 . Postcode GU30 7JL.
Leader: Jane G.
Hopefully it will be sunny but after the rain there will be some mud, no styles and not too many inclines. Hope you see you all there.
Wed 14th June Hat Hill to Levin Down (Drovers Circular Walk).
Start: 19:00. Park near the Partridge Inn, Singleton, GR SU877130 .
Lifts: 18:15.
Leader: Maria
I have not managed to walk it out yet but I hope to do it in the next few days. Just look forward to a sunny and dry evening to enjoy it together.


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This book provides an in-depth look at spiritual experiences about which very little has been written. The stories and commentary presented here about Indian reincarnation beliefs are drawn from the anthropological record and other primary sources of information. They present a fascinating look into the rich and varied psychic life of the American Indian. Author Warren Jefferson
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Tips To Master The Art Of Massage
Giving an effective massage really isn't complicated.
Why go to a pricey school if you find a wealth of knowledge online about both the best way to give and acquire a massage? Start straight away!
Seek the assistance of a masseuse or read a book that shares know-how about trigger points should you suffer from chronic muscle pain. Tight muscles are inclined to small knots called trigger points. These trigger points may send pain and swelling with other areas in your body. Do your homework to learn to find and treat your trigger points.
Go to the licensed therapist only. You'll find a qualified person with training to suit your needs should you stick with licensed massage therapists. You'll be using a professional with experience in the business by working with someone of high caliber.
Play with different oils. Every person reacts differently to various oils, and also you must find the appropriate ones to utilize. It's important to use them since they offer lubrication and allow for any better massage.
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In case you have arthritis, you are aware how painful it really is. Medication can help, but it really can't always block that deep-seated pain inside the bones. If medication alone is just not cutting it, try having a massage. Massages are a fun way to increase flexibility, blood circulation and blood circulation which will help with pains related to arthritis.
If you would like turn into a fantastic masseuse, you have to have patience. That will help you develop good massage techniques, practice on the family members. After you improve, move on to others.
Trigger-point therapy works by applying concentrated pressure to individual trigger points. These points are knots or lumps inside the muscle which are irritated. These parts of the body might cause plenty of pain in aside from that particular place but throughout the body. Relaxing these muscle knots by utilizing concentrated pressure helps relieve pain and inflammation.
Many athletes use a recognized strategy to massage their feet. Message your feet by rolling more than a tennis or golf ball. Accomplish this over your full foot for maximum results. Spend more time in the arch because this area is more sensitive.
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So now you should feel able to offer a great massage. Ensure you are always looking for new ways to boost your massage skills and stay in front of the game. Now you are prepared to set whatever you discovered into practice..


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Monday Night Out
Don't wait until the weekend for a night on the town. We're teaming up with our neighbors at Fancy Nails so you can treat yourself to dinner and a manicure, for times when you need pizza with a side of pampering.
Learn More
Learn More
Tuesdays // 11am-9pm // $25
Join us on Tuesdays for our Date Night Deal for just $25! Includes: one appetizer (your choice of dough knots, half loaf of garlic cheese bread, bacon-wrapped dates, meatballs, or a caesar salad for two), one 16" specialty pizza, and a scoop of sorbet for dessert. Add a half carafe of wine or half pitcher of beer for $10. Dine-in only.
Carafe for Half
Sunday - Wednesday, all day Enjoy half price 32oz carafes of wine and sangria.
Every Day Happy Hour
Every Day, 3:00pm - 5:30pm Buy any 32oz carafe of wine* or 64oz pitcher of beer and get a free 12" margherita pizza.
*cannot be combined with carafe for half
Learn More
Learn More


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Home > Multi-Tool Systems
Add 90 cm of extra reach to your Smart Fit tools.
This extension pole is suitable for use with the Tanaka Smart Fit TCG 24EBD(SL) and TCG 27EBD/SL.
A lightweight extension, when used with the applicable hedge trimmer or pole pruner attachments you will find that it enables you to maintain areas that would otherwise be inaccessible.
Brand: TANAKAAccessory: Multi tool
Be the first to Write a Review for this item!
TANAKA Smart Fit TCG 27EBD/SL Brushcutter£529.00 £444.00
This is a versatile and adaptable trimmer that can be quickly converted into a wide range of garden maintenance tools thanks to its split shaft design. With an easy starting 27cc engine.
TANAKA Smart Fit TCG 24EBD(SL) Brushcutter£459.00 £335.00
Compatible with a wide range of alternative heads thanks to its split shaft, Smart Fit design, this model offers outstanding versatility and performance. With a 24cc easy-starting engine.
TANAKA SMART FIT SF-HT Hedge Trimmer Attachment£206.00
Featuring 22 inch double-sided blades that can be articulated up to 130 degrees, this is a long reach hedge trimmer attachment designed to easily fit the TCG 24EBD(SL) and TCG 27EBD/SL Smart Fit systems.
TANAKA SMART FIT SF-MC Mini Cultivator Attachment£197.00
Ideal for providing aeration and cultivation of flower beds, this is an easy-to-fit attachment for Tanaka's Smart Fit systems. It has a 4 inch digging depth and a 6 inch digging width, with 12 tine teeth to dig the soil.
TANAKA SMART FIT SF-PS Pole Saw Attachment£166.00
Compatible with the TCG 24EBD(SL) and the TCG 27BD/SL Smart Fit systems, this pole saw attachment allows you to effectively prune branches. With a 7 mm solid steel drive shaft and a pitch of 3/8 inch.
TANAKA SMART FIT SF-PE Edger Attachment£114.00
As part of Tanaka's Smart Fit system, this lawn edger is compatible with the TCG 24EBD(SL) and TCG 27EBD/SL. It has a 203 mm cutting blade and is robust and easy to attach.
Take a look inside our Worcester branch!
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Come sing this song!
The first thing you should do is learn how to sing the song. In addition to the clip you can listen to the audio below and then use the karaoke video we prepared. Place a headphone or earphone loudly and sing along with the recorded base following the letter on the video.
When you get used to singing the song, you're good to record. For this we give you loads of options.
- Record in your phone.
- Record in your computer.
- Record in a professional studio.
- Make your own arrangement and record with your band


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Japanese company SNK Playmore has renewed its focus on gaming today, shedding its pachi-slot with a new logo and old-school slogan to boot.
Now known simply as SNK, the hardware and software giant is making an effort to channel the company's heyday during the arcade era, with an official statement outlining that internal shift.
Per GamesIndustry:
"Following the changes of market trends in recent years, SNK Playmore ended its pachi-slot activities from last autumn," the company said. "On the eve of its 15th anniversary this August, SNK Playmore has decided to change its corporate logo and slogan in light of the restoration of its principle business as video games, ushering in a new era for the company."
SNK, best known for the likes of Neo Geo, Metal Slug, Fatal Fury and King of Fighters, calls the decision part of the company's revival.
"This change marks a return to SNK's rich gaming history," the company said. "Through the huge success of many of its game franchises in the past, SNK is still a brand supported by countless fans from around the world to this day. The new logo and slogan chosen for this turning point, signifies both a return to the origins of SNK, and revival of our pioneer spirit to always offer long-time fans of SNK, as well as newcomers, entertainment of an even higher quality moving forward. Via this change, we will keep creating games and expand on our cherished IPs in the future."
What do our readers make of the changeover?
[Sources: GamesIndustry.biz, Twitter]


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Different instances were reported from Maharashtra and Uttar Pradesh.
Four fires were reported in two different states of the country within a span of 24 hours. Fires broke out in Maharashtra and Uttar Pradesh.
A massive fire broke out in the ICU ward of SAI hospital in Bareilly district of the northern Uttar Pradesh, leaving two patients who were admitted in the ICU dead and one person injured, reported ANI. Fire tenders were called to the area to stop the blaze.
Two people dead and one injured after fire broke out in the ICU of Sai Hospital in Bareilly
— ANI UP (@ANINewsUP) January 15, 2018
Another incident was reported from an underground gas pipeline in Bareilly where a blaze was reported during late hours on Sunday. Five fire tenders doused the fire. More information is awaited on the incident.
A similar report came from Kumbh Mela, Prayagraj in Uttar Pradesh where one of the camps of Digambar Akhada caught fire; the cause of the fire was reported to be a cylinder blast. No loss of life or injuries has been reported.
#WATCH Fire fighting operations underway at a camp of Digambar Akhada at #KumbhMela in Prayagraj after a cylinder blast. No loss of life or injuries reported. pic.twitter.com/qcbh8IPl5Y
— ANI UP (@ANINewsUP) January 14, 2019
Another fire was reported in the different part of the country on Monday. Several vehicles were gutted in fire in Thane city in western Maharashtra on Monday night. As per reported by news agency ANI, eight vehicles including auto-rickshaws and four motorbikes, were gutted in the fire.
The incident took place near Wagle bus depot at around 3 am. Fire tenders took control of the blaze after reaching the spot. There was no casualty or any injury was reported, however, a civic official was quoted in The Tribune's report saying that the parked vehicles were torched by unknown persons in the wee hours of Monday.
In December 2018, around nine two-wheelers were set ablaze in Naupada.
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Earlier this month, we reported that Google's de-indexing bug caused delays for Search Console reports. Well, after a three-week delay, Google has finally updated the reports that were impacted by this bug.
If you login to Google Search Console and go to the Coverage report or any of the Enhancement reports, you will see the normal two-day delay, as opposed to it being stuck at around April 7th.
Back to normal reporting delay. Here is a screen shot showing the coverage report now shows me through April 27th, which is the normal two-day delay for this report:
What Google has said. Google has yet to officially confirm that this reports are up-to-date, the @googlewmc channel does not yet have an update. The latest is from April 25th, in which Google said it is still working on a fix for this bug:
Here is the original notice from Google back on April 15th:
Not uncommon. The truth is, it is not uncommon for Google Search Console to have reporting delays, more than the normal two or three day delay. We have seen it fairly often but since it coincided with the indexing bug, it was more of a concern because SEOs, webmasters, site owners were unable to see how much they were impacted by this bug.
Why we care. Having fairly up-to-date data about how well your site is performing in Google is critical for an SEO. We know many SEOs had to communicate delayed reporting to their customers. In addition, since there was this de-indexing bug, SEOs and site owners were having a hard time understanding if any traffic loses were due to the bug or to other factors that they can try to work on and fix.
Now you can go ahead and investigate how the coverage report, your index saturation in Google, may have impacted your Google organic search traffic.


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Our Friends & Travel Partners
Looking for something that we don't offer at Go West Tours? Perhaps a stroll down Ramsay Street, where the dramas unfold each day on the set of Australia's longest running soap opera, Neighbours. Or maybe you'd like to experience the bird watcher and hiker's paradise that is Wilson's Promontory.
We're proud to partner with some of the biggest names in the industry, exploring a collection of the most well-loved and breathtaking destinations that Australia has on offer!


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DDT, oil spills, and a wall.
10,000 Birds
360 miles of National Park land at the border! My first 'protest' memory involved putting pencil to notebook paper and writing the President about the harmful effects of DDT. The Weekly Reader had shocked everyone in class with news of Bald Eagles dying – and humans were to blame!


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What is ReClipped?
ReClipped is a tool to annotate, collect, share and discover video segments of your interest.
Video Annotations
What are video annotations?
Video annotations are your notes on particular segment of a video. These notes can range from a simple bookmark title to an elaborate backstory about the segment. Typically, annotations are created by users, to summarise the video segment in their own words.
How to create video annotations?
Video annotations can be created on the host platform as well as on ReClipped platform.
Creating video annotations using the chrome plugin
To create annotations directly on the host platform, you need to install ReClipped Chrome browser plugin. Once you install the plugin you can add annotations on pages with videos on all the supported platforms.
Creating video annotations on the Platform, without installing the plugin
To create annotations on ReClipped. After logging in,
- Click on CREATE button on the top bar
- Paste the URL of the page video, you would like to annotate (currently, YouTube and Vimeo URLs are supported)
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Our line dancing classes range from "Easy fun" to "Advanced" and the whole family can join in from 7 years to Grandparents, even Great Grandparents.
Some of our classes have been going for 21 years and many friendships have formed. People who would have never met otherwise now have something in common with each other. Some have a fresh new lease on life.
Whatever the reason, they soon become a part of our line dancing family. Some even join us in demonstrations at community events and all in all, their lives become much brighter.
Line dancing need not be expensive. You can start with cool comfortable clothing and a normal pair of shoes with flat heels (preferably with rubber on the heels to stop you slipping). Bowling shoes or nurses shoes are ideal. Skirts are cool and comfortable, or even shorts in our climate. Many of the dancers find long sleeve tops rather hot so short sleeve or sleeveless is a more comfortable option.


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Restaurant and Café
Lofthus Samvirkelag
Lofthus Samvirkelag opened a restaurant in the foyer of Kunstnernes Hus during the autumn of 2016. With its extensive pizza menu as well as simple lunch options and exciting drinks menu, this award-winning pizza restaurant strives to ensure good service and fantastic experiences. The menu has won several prizes and you can be sure of a perfect pizza with exciting flavours. Lofthus has been called "one of the city's best outdoor eating experiences". We also host regular music events courtesy of one of Europe's best sound systems. Come join us!
Table reservation:
Phone: 22 60 06 66
Email: email@example.com
Catering and serving in other parts of Kunstnernes Hus:
All servering at Kunstnernes Hus goes true restaurant Lofthus Samvirkelag. They are helpfull and make the preparations. Contact CEO Martinius Telle for booking:


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Robin smiled as she took in Mouse's chamber, filled with gizmos all sparkling and clicking and whirling and humming. She walked around, her mouth hanging open, eyes sparkling. She didn't give him puzzled, exasperated looks like some people did and she actually understood what he was talking about, when he explained what each gizmo was supposed to do.
"And him?" Robin asked, spotting Arthur sitting among all the spare parts on one table.
"Arthur. Helps me."
"Uh huh." She sank down on a stool and looked around, grinning. "I can't believe this place." She laughed. "You're so lucky, I'm positively green."
"Jealousy -- green-eyed monster." He smiled, glad to be in territory he understood.
"Mmm-hmm. Shakespeare." She rubbed at her eyes.
"No. Vincent," Mouse corrected without thinking. His mind whirled around all the things Mary said a proper host should do when entertaining.
"Need things." Mouse wracked his brains. Robin was his guest, so he had to take good care of her. He decided he needed a girl's help. Jamie would keep Robin a secret if he asked. "You wait here. Gotta get someone. Don't leave?" he nearly pleaded, pausing in the doorway of his chamber.
"Where would I go?" she responded with a chuckle. "Why would I leave, anyway? This
Jamie was skeptical, when Mouse told her. Something in her voice made him think she didn't like Robin -- but that was ridiculous, because Jamie hadn't even met Robin yet. He explained about getting new clothes from a Helper and going Above to attend the symposium, how Robin explained things to him, about Robin's reservation getting lost, and the man waiting in the hotel.
"Gotta help. Friends. Almost as good friends as Jamie and Mouse," he added, voice softer. "Please, Jamie?"
"It sounds like you already did everything." Jamie shrugged. She didn't sound happy -- but she didn't sound upset anymore, either. "What do you need me for?"
"Girls know what girls need. Robin needs friends. You're my best friend. Share."
Mouse couldn't understand why, but those words worked better than all his pleading had before.


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Steven Osborne plays Messiaen
The British pianist's Bath Festival residency comes to an impressive conclusion
Rich, heady incense and flickering candlelight filled the church of St Mary, Bathwick. Not for a service of worship but for an unforgettable performance of Messiaen's Vingt regards sur l'enfant-Jésus by Steven Osborne, who once again proved himself to be a pianist of formidable stamina, emotional depth and textural clarity.
At two and a quarter hours long, Vingt regards is a tall order for pianist and audience alike – especially when there's no interval and no give in the wooden pews. But there's an unusual intensity that arises from concentration over such a long span of time, and – like a long-distance walker settling into their rhythm – a meditative ease soon sets in as the 20 contemplations unfold. Osborne created a special sense of devotional calm and stillness; his sound seemed to be unbelievably soft, softer and yet again softer – but always utterly clear. And when fury needed to be unleashed, Osborne gave his all.
Written during troubled times of deprivation, fear and uncertainty near the end of the Second World War – for Yvonne Loriod, the virtuoso pianist whom Messiaen would later marry – Vingt regards is a deeply spiritual work which contains suffering but also a joyous message of hope and love. Cool and cerebral Osborne might be, but he infused the Chopin-esque 'Le baiser de l'enfant-Jésus' with heartwarming tenderness and made the penultimate 'Je dors, mais mon Coeur veille' disappear into a telling, ineffable silence. Without silence, there would be no music, he seemed to say. But it's with the resplendent music of the 'Regard de l'Eglise d'amour' that Messiaen chose to end: 'After the shower of night, the spirals of anguish,' he said, 'here are bells, glory and the kiss of love.'
- Article Type: | Blog |


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Nashua Soup Kitchen & Shelter begins outdoor gardening
"The glory of gardening: hands in the dirt, head in the sun, heart with nature. To nurture a garden is to feed not just the body, but the soul"– Alfred Austin, British author and poet, 1835-1913. Spring is a season of promise, anticipation of sunny days and brighter futures, new beginnings, greenery scenery and growth, the perfect time to start a garden. The Nashua Soup Kitchen's 'planting thoughts' provides the Mailbag an opportunity to spread the word for needed supplies.
Outdoor garden boxes are a NSK&S spring project
"We are in the process of building and maintaining outdoor garden boxes for planting a variety of organic plants and seeds to grow vegetables and border flowers at our location on Quincy Street and a planned location on Spring Street," says Erika M. of Nashua, finance and facilities manager at the Nashua Soup Kitchen & Shelter (LTR 3,362). "Supplies needed for the garden boxes include hanging pots, pots of any size (used to replant small plants to give to clients), watering wand and cinder blocks (used to plant flowers along the outside of our garden beds). We are an organic garden so all materials and seeds MUST BE ORGANIC including organic composted cow manure, soil and especially much-needed mulch. Financial donations to purchase specific items are also greatly appreciated. Thank you." The Nashua Soup Kitchen & Shelter Inc. is a 501(c)(3) private, nonprofit agency that depends on the financial support of our community to keep their programs running, or in the case of the garden boxes 'growing on.' Folks wanting to donate supplies for the NSK&S garden boxes project should call 889-7770, ext. 121. Help those to help so many if you can!
Magazine collection invites reader's inspection
"Last November, I worked with Patricia A. of Nashua (LTR 3,348) downsizing her home in preparation to a move into senior housing, and some of the items she chose to hold on to have now been passed along to me for an offer in Chris' Mailbag," says Bert the Picker, of Nashua (LTR 1,775). "The collection of Yankee Magazines, all in excellent condition, include articles on 'Life and the Big Lake,' 'Classic Barns of Maine,' 'Ocean Walks,' 'Rising Seas,' 'Your Very Own Sandcastle,' and too many more features to mention. All 10 issues include recipes from clam chowder and clambakes, to blueberries, Yankee pot roast and where to find the best ice cream. Edie Clark's 'View from Mary's Farm' appears in every issue. Featured New Hampshire towns include Jackson and Littleton, among many others. Hope someone will enjoy them." The photography in the magazines would also work well for crafters working at decoupage, clip art, collages, etc. Lots of possibilities for vacations, day trips, restaurants, cooking, or just looking! Bert can be reached at 883-0990. Leave a message and he will get back to you.
Contact Chris' Mailbag by emailing email@example.com or sending mail to Chris' Mailbag c/o The Telegraph, 110 Main St., Suite 1, Nashua 03060. Include full name and complete address, along with telephone number or email address for publication, if applicable. Items eligible for publication are for donation, trade or barter only; requests of items for sale or purchase will not be included.


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Mythic Orbits Volume 2, edited by Travis Perry, highlights the best short stories available in science fiction, fantasy, and related speculative genres like paranormal and litRPG. From robots to fairy tales retold, from life inside a video game to human survival on a distant worlds, from a dragon manifesting itself in tattoos to time travel linked to a daily calendar, the tales amaze, amuse, and astound.
These eleven authors show that not only do Christian authors craft tales in these genres, they write some great ones.
Featuring the authors Kat Heckenbach, Steve Rzasa, C.W. Briar, A.K. Meek, Donald S. Crankshaw, Kristin Janz, Cindy Koepp, Linda Burklin, William Bontrager, C.O. Bonham, and Keturah Lamb.
This anthology aims to collect the best available speculative fiction short stories written by Christian authors. That's whether the stories have openly Christian themes or characters or not, without requiring the stories to have any specific theme. (The anthology also limits itself to clean fiction—that is, no profanity, graphic sexuality or extreme violence.)
Over the past year, an online acquaint-ance questioned the purpose for the Mythic Orbits anthologies, stating that an anthology requires a unifying theme in order to succeed. To make sense and be marketable.
But there have been previous yearly anthologies based on the best science fiction and even fantasy from a given year (World's Best Science Fiction, edited by Donald A. Wollheim, Terry Carr's Best Science Fiction of the Year and Terry Carr's Best Science Fiction and Fantasy of the Year). So simply seeking the best available can be the goal of an anthology.
And anthologies can be organized around the writers as well, especially when there's something unusual about the category. For example, Ciencia Ficción Argentina: Antología de Cuentos (Argentine Science Fiction: Anthology of Stories) was an anthology known by its authors—the nationality of the writers important because Argentinians are not widely-known to write science fiction.
So, is it widely-known all over the world that Christians write speculative fiction?
Well, clearly Christians who themselves are speculative fiction writers know what they write. But does everybody else?
Especially when we're talking about theologically conservative Christians, Evangelicals of some sort, professed Bible-believing Christians, do people know about their works? Is it legitimate for people to wonder if writers with personal convictions along these lines produce speculative fiction, that is, science fiction and fantasy and related genres like LitRPG, paranormal, and horror?
This book provides an answer: Not only do Christian writers produce speculative fiction stories, they write some great ones.
"A refreshingly unique and compelling collection. Raises the bar over the last Mythic Orbits, which I participated in. The stories both moved and delighted me. Truly mythic."
--Kerry Nietz, award-winning author of Frayed and Amish Vampires in Space.
"Bear Publications has done it again! Even though I didn't participate in it this time, Mythic Orbits
Vol 2, edited by Travis Perry, is Christian speculative fiction at its best. These eleven stories ferry you away to lands of fantasy and sci-fi.
A few of the storytellers are familiar, while some others are new. But all of the stories are either thought provoking, comforting, or outright deranged. The short story "Recalled from the Red Planet" was the most thought provoking for me. Eerie, even.
Fun reads. Highly recommended.
--Richard New, Author of Escapee in Mythic Orbits 2016.


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Special Mobs Mod for Minecraft 1.11.2/1.10.2
Special Mobs mod 1.11.2/1.10.2 adds into the game new "versions" for hostile mobs in Minecraft. The mob setup in Minecraft still includes of Spider, Skeleton, Zombie, Creeper and Enderman but with different variants and new abilities.
Minecraft is a survival game, but the enemies in Minecraft are not that dangerous once you are used to the gameplay. AI of most mobs is poor, even after updated by Mojang they still pose only minor threats toward player. The number of mobs in original Minecraft is also not a threat at all.
In Special Mobs, all mobs become much more dangerous. Spiders have camouflage ability, poisonous attacks and slow debuffs. Skeletons can be sneaky thieves that can steal your items upon attacking player. The scariest of all probably the Doom Creepers – they explode upon death. Now it is more challenging just to stay alive in Minecraft. Special Mobs requires Minecraft 1.5.2/1.7.10 and Forge Mod Loader.
How to Install Special Mobs Mod 1.11.2/1.10.2 with Forge:
- Download Forge Installer, Special-Mobs-Mod.
- Right click, Run as Administrator and press OK to install Forge. (You can skip this step if you've installed Minecraft Forge)
- Open Start on desktop > Open Run (Or you can use the Windows + R keyboard shortcut)
- Type %appdata% into Run and press enter.
- Go to folder /.minecraft/mods
- Put Special-Mobs-Mod.jar file into mods folder and then run Minecraft. Done!
See latest Minecraft 1.10.2 Mods updated daily here
Download links for Special Mobs Mod 1.11.2/1.10.2
> for Minecraft 1.10.2 (Coming soon)
> for Minecraft 1.11.2 (Coming soon)
Special Mobs Mod for Minecraft 1.11.2/1.10.2 is an alternation of Mod that players can install into Minecraft which they can have experiences differs from the original Minecraft version
Mostly, people modifying Mod for Minecraft (Modders) code by using Minecraft Coder Pack and Modloader or Minecraft Forge. The list classifying the latest of Minecraft 1.10.2 Mods and Minecraft 1.11.2 Mods. Trust me, and your world will be more exciting with many cool mods.


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Charging time: 150 mins
Flying time: 6-9 mins
Transmitter Operation Range: about 50-80 meters
Video Transmission Range: about 30 meters
What You Get:
1* U842 WiFi FPV Quadcopter with Camera
1* 2.4GHz Controller
2* 1000mAh LiPo Batteries
1* USB Battery Charger
1* 4GB Micro-SD Card
4* Spare Propellers
1* User Manual
Important Tips:
1. Suitable for pilots aged 14 years or older (please follow the instruction manual in moderation)
2. This quadcopter has powerful, ultra-responsive motors. Do not push the throttle up hard instantly. Adjust the throttle slowly to steer clear of damage as a result of lack of control
3. The motors and circuit board might heat up with use. Take a 10-minute cool-down break between flights to verify your parts last so long as possible
4. To steer clear of being burnt up the USB Charger, it must be used under currents input 0.5A
5. The load of the quadcopter is lower than 0.5lb, so no FAA registration is required
FPV Tips:
1. Fly the drone inside of 30 Meters Video Keep watch over Range;
2. Close the opposite APPs to your phone, allow the drone APP to run more fluently;
The true time images at the APP might freeze or twist, however the recorded videos which saved within the TF card and your smartphone are fluent, please do not fret.
For More Accessories, please search the ASIN below:
Motors: B01DK7OGKY
Blades: B01DK7RNOU
Remote Controller: B01DK82CBS
Blade Guards: B01DK884O2
Landing Gear: B01DK85IYQ
FPV Real Time HD Transmission: Revel in Are living Video Feed in High Definition from Your Mobile Device with All New FPV Wifi Feature
Gravity Induction: Lets in You to Fly Your Rc Drone Forward, Backward, Left or Right in Correspondence to the Angle at Which You Hold Your Mobile Device! You Can Now Be in Total Keep watch over
HD Camera & Bonus Battery: Capture Pristine Hd Aerial Footage and Photos – 720p Hd / 30 Fps; And 2pcs Lipo Batteries to Double Your Flying Time
Headless Mode: Makes More uncomplicated Flight and Better Keep watch over, No Worry about Drone Direction When Flying
Simple Secure & Fun: The Headless Mode, Low Voltage Alarm, 360° Flips Serve as Make sure that You Fly the Quadcopter at Ease, Fun and Secure, No Worry in regards to the Fpv Drone Fly Away


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DEA takes down another doctor
A really good LTE in a small newspaper from a rural town in NY state.
Dr. James Latimer's Madrid practice will be closed as a result of allegations by the federal Drug Enforcement Administration and the refusal of acting District Attorney Gary Miles to except any result other than the surrender of Dr. Latimer's medical license.As the writer points out, the doctor has been working at an honest practice and serving his community with long hours out of professional concern and not for financial gain. He has many options where he could making more money for less work. Are we to believe to believe the DEA's contention that this man is a drug kingpin?
The laws and the trial system for these erroneous charges are skewed to the DEA's benefit and the only practical option for a doctor in this plight is to shut down his practice. The doctor suffers inconvenience of course but it's the innocent patients who will suffer from the lack of pain practitioners, who pay the greater price. How does that benefit society?
Update: The doctor's colleagues largely agree that he should not have been prosecuted. The article also notes the good doctor had about 4,000 patients, many of whom did not have insurance. He saw them anyway. Not too many private doctors that dedicated to their practice these days.
[hat tip to JackL]


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Boyoung JEONG, Space Mom Museum of Art
Boyoung JEONG's Solo Exhibition_curated by Nayoung HAN
Boyoung JEONG
Jeong's painting primarily starts by framing the object in a camera lens. When the process is moved onto a canvas, through the act of painting, the absent substances are indexicalized into "objects with numerous meanings." Space and objects in a painting are embraced and refined by a brush, and the silhouettes of figures undergo the process of dissolution. By carefully observing this progress, we can recognize layers of Jeong's works that can no longer be read through the logic of representation or painting.
Boyoung JEONG's Painting: Architectural Space and Vestige of Time
Jeong Boyoung's œuvre since 1997 has been a constant attempt at a "conversation" with the medium of painting. Light is a dominant element in her paintings, along with representative figures such as architectural space, landscape, and still objects. Jeong has embraced not only perspective representation, the oldest tradition of Western visual representation, but Chiaroscuro and theatricality, two characteristics of Baroque art. The pictorial space that she has been constructing for over ten years portrays the process of her indexicalizing the "vestige" of ephemeral light, smoke, and air by means of canvas and brush. Through Jeong's "series," the transitory light of k?a?a is able to exist perpetually in the "here" and "now."
Jeong's emphasis has always been on observation and gazing rather than realistic representation of the object. However, the temporality the painter portrays does not take on a linear but circular perspective, and with her "brush," the artist makes visible the invisible time and light with great psychological density. The painting series that points to Martin Heidegger's spatial and temporal dimension of "Here, Now" depicts the gradual progression of an incident or of light. Jeong does not portray a realistic representation of such a procession, but presents a trajectory as "reinterpreted" through the artist's eyes and mind.
For example, her work Being Divided (2004) portrays one incident, the spilling of water, in a chronological order just as Eadweard Muybridge had done through his photos of motion sequence. It is up to the audience to read between the lines, or rather read between the pictures. Jeong's solo exhibition at the Kumho Museum in 2001 focused on her "Here, Now" point of view. This exhibition was a turning point for her, as it was through this exhibition that she portrayed time through the flow of light. Major works such as Become Dark, Being Limited, Lie One upon Another, and Brighter, Darker demonstrated how time could be "recorded" in a pictorial space.
Through solo exhibitions at Gallery Ihn in 2009 and at SpaceMom in 2011, Jeong experimented even more with light and darkness projected on both the interior and exterior of architectural spaces, all the while emphasizing the artist's gaze. Such works can be compared with the kind of writing that experiments with "multilayered" interpretations of an object. Jeong's paintings are reminiscent of Japanese conceptual artist On Kawara's Date Painting series, through which Kawara continually recorded "today's" dates on black canvases. The meaning of Kawara's date paintings can be fully appreciated only as a series, and such works offer the audience a consecutive narrative, all the while accumulating temporality.
Of course, unlike Kawara, Jeong brings in the allegorical aspects of life through usage of transitory motifs such as fire and water, and here the artist situates herself also as the narrator who moderates the communication between light and space. Also, Jeong portrays her architectural spaces as "temporalized" spaces. Her painted buildings are not the neat and orderly illusions of perspective representation. Rather, they present, as the artist says, "an alive space, just like some sort of 'skin.'" Fire and water take on an informe figuration up to the point of making it hard to trace their figures, and the vestige of fire and water exists as indexical marks. For the same reason, Jeong explores the boundaries of objects through motifs such as stains on buildings, candles, chairs, tables, lights, Korean traditional doors, and furniture, and makes visible the communication between silence and light through works such as Looking and Flowing.
Such recording of traces is continued in paintings of the interior and exterior of buildings, and also in paintings where she depicts how light changes on windows where the interior and exterior meet. Jeong herself commented that "These motifs in my paintings act as 'indexes' that denote absence, not 'icons.' Because each motif indicates absence, that it has been represented would also premise its disappearing, thus denoting both appearance and disappearance at the same time." The act of painting had primarily meant "representing" the object under the logic of mimesis. To depict a real object as similarly as possible on a canvas has been the main concern of artists throughout the history of art.
However, Jeong has broken free of the mimesis cycle and instead links photography with painting through the concept of "index." In photographs, indexicality denotes the physical existence of the substance through vestiges, smoke, stains, and shadows. For example, my fingerprints and X-ray images are the most indexical traces. These "vestiges" are signs that denote one's existence in spite of one's absence. Fingerprints, especially, are signs that indicate one's identity. In this sense, the traces and stains in Jeong's paintings are signs that represent the absent substance.
Jeong's painting primarily starts by framing the object in a camera lens. When the process is moved onto a canvas, through the act of painting, the absent substances are indexicalized into "objects with numerous meanings." Space and objects in a painting are embraced and refined by a brush, and the silhouettes of figures undergo the process of dissolution. By carefully observing this progress, we can recognize layers of Jeong's works that can no longer be read through the logic of representation or painting.
Let's look at Jeong's work process. She uses a camera and shoots the same space numerous times. She has no interest in the personality or history of each location, but is fascinated by the force of such invisible elements as the accumulated light and air within the space. In order to make visible the immaterial light in her painting, the artist constantly stirs up change by rearranging the door frames or furniture of the room and thus creates psychological afterimages in that space. While the image in the picture is on static pause, the afterimages will constantly run through the audience's mind.
The human body is absent in her work. However, the subject's gaze that is represented by the chair projects both tension and relief into the empty space. Even before the advent of digital cameras, the artist did her initial sketching with photography and also catalogued her prolific work into a portfolio. This is the document, or archive, that proves her long study on space and time. These pictures demonstrate that the artist would continually observe one space, and then construct inside the frame the vertical and horizontal lines of the window frames, walls, and thresholds. Throughout this long three-step process, the pictorial grids would eventually dissolve, and the faint "color" and "ambience" of the room would appear.
Jeong's study on space kicked into high gear when she held an exhibition in 1997 under the title "Multi-layered Approach on Representation." In works such as Repeated Impulse toward the Object, or Impulse of Repeating the Object, Dependence on La Chose, Baroque Fantasy on Two Spaces, and Two Scenes on Death, she fully accepted not only the hyper-real aspect of Northern European art but the theatrical and allegorical interpretation of Baroque art. However, the titles of her paintings indicate that they are not mere mimicries or mimeses. Although the repeated representations of canvas, quince, mirror, and cloth are realistic, the reality that cannot be reached through mere pictorial mimesis is projected through the repeated act of painting. As the artist says, "the artist, through the desire of mimesis ... creates a painting, when it is actually the painting that creates the artist."
However, as can be seen in the works from 2004 and onward, the architectural space of the inside and outside of a building acts as a "sign," which illustrates the progression of time and the artist's perception. After all, the buildings in Jeong Bo Young's recent paintings indexicalize the invisible force of space, and construct the thought process of pondering on the essence of a human being through the vestige of absence.
Yeon Shim CHUNG (Art Critic/Assistant Professor, Hongik University)
Space, a boundary of the Sublime - Recent works by Boyoung JEONG
Although painting is an art of space, there are not many examples of paintings directly dealing with space itself. It drew my attention that one can hardly find the trace of such a tradition after the Italian Renaissance in the west. I wonder why. Once modernism arrived, Greenberg's theory on modernist painting must have shackled the tradition. Under the theory, painting is essentially two-dimensional, and it can be defined as a form or art, so long as it remains two-dimensional. Not only did they have to transform three-dimensional elements into two-dimensional ones, but also have major powers around the world come on board with the idea. Now is the time to break the taboo, however, it is still hard to find daring experiments on finding a new perception of space. There must be remaining barriers.
Although painting is an art of space, there are not many examples of paintings directly dealing with space itself. It drew my attention that one can hardly find the trace of such a tradition after the Italian Renaissance in the west. I wonder why. Once modernism arrived, Greenberg's theory on modernist painting must have shackled the tradition. Under the theory, painting is essentially two-dimensional, and it can be defined as a form or art, so long as it remains two-dimensional. Not only did they have to transform three-dimensional elements into two-dimensional ones, but also have major powers around the world come on board with the idea. Now is the time to break the taboo, however, it is still hard to find daring experiments on finding a new perception of space. There must be remaining barriers.
One possible barrier would be an obsession with the media. It is a great loss that people devalued experimental thinking of space in the aftermath of the 1980s "media era." In the meanwhile, the multi-dimensional thought on space brought on by the quantum theory and cosmology has bloomed. The art community has not paid much attention to space, blinded by immediate interests. Image painting using media mushroomed all over, but pictorial search on space has made little progress. The search on space is falling behind the reproduction of images.
These comments are timely for Jeong Boyoung, as she has continued her experiments on painting over a decade. Since the first solo exhibition at Gallery KEPCO Plaza in 1997, Jeong has repeatedly worked on the idea of approaching her objects "through space", instead of directly dealing with them. In the earlier stage, she experimented on the metaphysics of space by introducing the "mirror concept" of Lacan. For example, starting with works such as death of s and her space 1996, A Baroque imagination on two spaces 1997, From inside 1997, From outside 1997, she has developed the genealogy of a search of space throughout her works; From deep space 1998, A space designed through a single viewpoint, and its opening 1999, Stepping aside the presence, proceeding into two directions 2000, Limited 2001, Divided 2003, Approaching 2003, Visit 2004, Looking 2005, Bright Room 2005, Staying 2006, Looking 2007, Looking 2008, Belonging-together 2009, Looking 2009. With the series of her work in mind, I can't help but to think of her precedessors in the history of painting. The 'Window' by Alberti (Leon B. Alberti) from the Italian Renaissance comes to mind, then I am reminded of the metaphysical space by Jan van Vermeer from the Baroque era as well as that of Giorgio de Chirico from the last century. To make it short, her experiment of space reflects various perspectives such as psychoanalytic distortion and substitution, not to mention allowing both single point- and multi point-perspective space. This attempt is prominent in a series of paintings with a theme and title of
What is consistent about her passionate work, from start till now, is that she positions space at a boundary between the visible and the invisible. In that sense, the keyword of space she's gazing at and understands can't equate with that of Alberti's. While the latter's space can be interpreted as a boundary of visible objects, hers very much leans toward a boundary of the invisible. By emphasizing a cross between light and darkness as in Vermeer's work, or adding de Chirico's metaphysical space, Jeong's space exhibits mute-layered aspects, and hence is not a reproduction of the work by old masters.
In summary, one could say she treats the boundary between the visible and the invisible in a pictorial way. Here, "the invisible" can be explained in two different aspects. One is that of motives presenting and retaining objects. Without motives, objects can not exist. In the context, what we see is objects, not the space. When one sees the space, one sees the boundaries enveloping the visible. From another aspect, the invisible includes tiny objects such as microbes or atoms, something immense like universe, or concepts as mysterious as spirit or something spiritual as well as objects that are deeply inherent or transcendent.
Jeong's space reveals the latter's context in a form of the former. To borrow an analysis by Kant and Jean-Francois Lyotard, she seizes on a boundary of the Sublime. Jeong focuses on space as a boundary of the sublime by projecting silence and light, her absolutely personal motives, as de Chirico did, not to mention distorting parts of the three-dimensional geometric space by using an architectural perspective like Vermeer did. A boundary of the Sublime should be preceded by great distance between space and the subject. The Sublime is a boundary that one can not comprehend, as one is overwhelmed by unexpected power -- such as a wall of waves. When we call it 'other-like', it means one cannot control it, therefore there exists a certain distance between a space and a subject.
The space created by Jeong can never be the visual equivalent of her Cogito. To be more accurate, the space is ' a gazed object ' that corresponds to the entirety of Jeong's corporeal subjectivity. A gazed object is an object that approaches the subject as the other. Thus the space can not be considered a space to be thought of. Or I'd rather say it belongs to the world of mystery. The world relates to one only when the unconscious libido stored in the inner mind materializes into a fantastic equivalent. The word 'to gaze' or 'to see in response to' does not mean a disinterested looking just when we say 'to see' or 'to see for seeing's sake." With fierce and passionate interest, one takes part in a space without taking charge.
Jeong's space is not like Albert's in which common objects are elaborately positioned, but a space where her own myths breathe. In her space, Jeong borrows familiar, existing objects and positions them on a boundary of the invisible by separating them from a boundary of the visible where they never existed. By doing so, Jeong makes one see objects from the boundary of the invisible; apples, chairs, candlelight, light, darkness, and finally an architectural inner space in its entirety. The final result is a boundary of the Sublime.
The boundary Jeong depicts absolutely differs from de Chirico's egotistic boundary that he suggested in his surrealistic paintings in the 1920s. Instead, she suggests space as 'a boundary for the other.' In brief, she intends to create a space where one can breathe together with 'the other' in the other by borrowing the other, instead of revealing one's thoughts by borrowing a space. Lasting time is immanent, and the space recalls a dignified presence as an objective truth.
For her pictorial experiment, Jeong introduces candlelight into an architectural space. She also brings in natural light and tries to combine darkness with light. Like in her recent work, belonging-together 2009
An inner architectural space doesn't suggest a simple and routine living space at all. A chair standing at the point where the dark or the light begins bears a specific value of a place preserving the space and presence left behind by the artist. Stains on the wall look remarkable and a heavy ambience created by a sturdy lattice and harsh vector space implicate the sublime. Windows leading to outside, rays of light from a door, and a landscape; all of them remind us of Alberti's "Window," and yet they are about the other. They are the Sublime itself one has to resist and embrace. Jeong once wrote;
Light emerges from complete darkness. The candle lights up to expose itself, moves closer to light itself, and adds depth to the darkness surrounding it. The candlelight contains the darkness it can't reach, while illuminating stains on the surface of the floor it rests. And this is how the candlelight embraces both light and darkness to the limit of time given to it. ? (2005)
In the context, elements such as candlelight, darkness, stains and light are objective qualities of an architectural space where the painter desires to identify herself with the other. They are the subject of her own desire and at the same time, Jeong is eager for them to be a quality of the Sublime and the other. That is the source of her recent work. With these methods, Jeong recalls the memories of a lost space. More actively, she materializes our generation's concept of multi-dimensional space in a pictorial way, painting multi-dimensional micro-worlds hidden inside a massive three-dimensional world. She calls in the so-called concept of multi-directional world.
From the beginning till present, Jeong has pursued this direction. Starting from A Baroque Imagination on Two Spaces 1997, through Stepping aside the Presence, Proceeding into two Directions 2000
However, Jeong ultimately devotes herself to thinking of her own space in silence, as a painter not a story teller. That is her charm.
Bokyoung KIM (Art Critic, PhD. in Philosophy, Doctoral Professor; Department of Formative Arts, Sookmyung Women's University)


text: As I was falling asleep last night, I dreamed that I was having a conversation with a bunch of people in a car. The car pulled into a spot in a parking lot, and we got out of the car to walk into a diner (couldn't pin down which one, but it was one of three that my family used to frequent). I turned back to the car to continue the conversation I can no longer remember, and there, having just exited the car, is my brother. I took a long moment to drink him in, his curly hair pointing every which way, his shockingly green eyes that not a single photo does justice to, and his bright smile. Suddenly, I remembered that he's not supposed to be there, that I'm not supposed to be able to see him. Before my lucidity can completely dissolve the dream, I grab him and hug him as hard as I can. My pounding heart and his arms around me are the last things I was aware of before I fell asleep.


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