text:
Rural Action Derbyshire are currently working on putting together a mapping exercise on behalf of a potential Care Farm Project based in the Derbyshire Dales.
As part of the project development, the group (which aims to register as a Charity) intends to compile a comprehensive business plan which will clearly set out their vision of supporting children and young adults, how this can be achieved and to demonstrate that it can be sustainable. As such, they need to identify what provision for children and young people already exists across the county and parts of Staffordshire as the farm is located to the Derbyshire/Staffordshire border. They aim to support clients from a wide-range of agencies, such as Social Care services, schools and colleges, NHS mental health, youth offending etc. At this early stage no contacts or SLA agreements have been discussed yet with any of these potential referral agencies.
Therefore, Rural Action Derbyshire would like to map organisations within Derbyshire, who work with or offer services to children and young adults, such as Care Farms or other similar settings.
There are two main enquiries:
- Mapping of existing services across Derbyshire - as part of the Business Plan, the organisation needs to identify what alternative provision is already available to commissioning agencies (both Care Farms and other similar settings)
- Once formally established, the Care Farm will need to develop contacts within the various CAYA agencies with the potential to develop referral systems.
For more information about this exercise or to get involved please contact Helena Stubbs:
Tel: 01629 592973


text:
After a week or two in Mexico City, you notice something unique about the city. It's not the colonial architecture, which is monumental, but still similar to what you can see in Mérida or Guanajuato. It's not the Aztec temples, which are spectacular, but the Maya temples of Yucatán already prepared you for the splendor of Mesoamerica. Rather it's the number of seemingly mundane public and government buildings covered with intricate works of art. Continue reading "Must See of Mexican Muralism: Tracking Mexico City's Best Murals"
After 18 Months on the Move in Latin America, The Disorientation Sets In
One weekend, about a month after coming to Lima, we took a taxi to the city center. Sitting in the front seat, I was looking out the window. One, two-floor houses with colorful facades and armatures springing from the roofs, always ready to accommodate another floor. Fences painted with the names of politicians running in upcoming or past elections.
Suddenly, I couldn't recognize where I was. Continue reading "After 18 Months on the Move in Latin America, The Disorientation Sets In"
Dear Expat, So Where is Your Home?
Ever since we left our familiar life in Israel, and moved to the Аmerican continent, we haven't stayed long in one place. Six months living in Vancouver, five months in Mexico, two months in the heat and rain of Nicaragua and Costa Rica, four months in Colombia, followed by Ecuador and Peru. One of the things I have been enjoying most about this nomadic lifestyle is the sense of living in the present. Gone are the days of planning holidays, vacations, next career steps. In a few days we'll pack our bags again and head to Chile. How long are we going to stay there? I don't know, and that's what I love about it. Continue reading "Dear Expat, So Where is Your Home?"
From Aztec Pyramids to Mexican Rock On the Oldest Street of Mexico City
If an alien anthropologist would have landed on Earth and could visit only one city to learn about us, he would probably go to Mexico City. Walking its streets is traversing our story as humanity. The magnitude and scope of what it is here is breathtaking. So where do you start? You start by walking the Tacuba avenue – the oldest street in the city… and the entire continent. Continue reading "From Aztec Pyramids to Mexican Rock On the Oldest Street of Mexico City"
How I Learned to Stop Worrying and Love the Corn
It's called elote in Mexico. Mazorca in Colombia. In Ecuador and Peru it goes by the name choclo. Get your corn on the cob on the street, with cheese and mayonnaise on top.
Guanajuato, Maybe The Most Abundant City in Mexico
In Peter Greenaway's recent movie "Eisenstein in Guanajuato", the famous Soviet film director arrives to Guanajuato to shoot a movie. After spending a few days in the city, he has a severe diarrhea, on which he comments: "In Russia you are always constipated, but here it's the opposite…".
Having spent my childhood in Russia, and having traveled enough time in Mexico, I can attest to some truth in Eisenstein's character's words.Continue reading "Guanajuato, Maybe The Most Abundant City in Mexico"
Sanctuary of Atotonilco, the "Sistine Chapel of Mexico"
The town of Atotonilco, just 20 minutes outside of San Miguel de Allende is mostly known for its church complex, declared UNESCO World Heritage. Called the "Sistine Chapel of Mexico" due to the mural work that adorns it, Sanctuary of Atotonilco is probably the best half-day trip you can make from San Miguel. Since it lies on the main road to Dolores Hidalgo, you can see both sites on the same day, tracing the Mexican independence movement and its religious underpinnings. Continue reading "Sanctuary of Atotonilco, the "Sistine Chapel of Mexico""
Dolores Hidalgo, The Birthplace of Mexican Independence
On one of the weekends during our stay in San Miguel de Allende we took a bus to the nearby town of Dolores Hidalgo. Considered the cradle of Mexican Independence, it's a great day trip for anyone even marginally interested in Mexican history. And chances are, you'll see here more visitors from other parts of Mexico than foreigners.Continue reading "Dolores Hidalgo, The Birthplace of Mexican Independence"
San Miguel de Allende – A Beautiful Baroque City That Lacks Only One Thing
Having spent a month and a half in San Miguel de Allende, I'm still not sure what to make of it. A beautifully preserved monument of history and architecture? A seductive refuge for artists? Or an overhyped expat colonia? Probably a little bit of each.
Becoming almost a ghost town in the beginning of 20th century, the town began to attract artists and writers in the 30's and 40's. After the WWII many U.S. veterans came to study in San Miguel's art schools. Over the years, the city has become a sort of art colony in the heart of Mexico.Continue reading "San Miguel de Allende – A Beautiful Baroque City That Lacks Only One Thing"
Queretaro, Probably The Most Underrated City in Mexico
After almost 2 months in Yucatan, we were ready to get back to central Mexico. Landing in Mexico City airport, the plan was to take a bus to San Miguel de Allende, and stay there for a month as the next anchor in our slow traveling drift. But the bus takes almost 5 hours to get there, so instead we decided to make a weekend stop in Queretaro, a city that lies right on the way to San Miguel de Allende. For some reason travel guides don't mention it among Mexico's highlights, but this one-time capital turned out to be one of the most stunningly beautiful cities we have visited in Mexico. Continue reading "Queretaro, Probably The Most Underrated City in Mexico"
The Grim Truth About Living in Latin America
Life in Latin America is easy, if you are an expat. The people are nice and friendly, the culture is rich and vibrant and living is usually cheap and with higher standards than those you are used to. But there are also grim sides to the Latin American story, that no one is talking about. Well it's time someone broke the silence and told the truth.
Continue reading "The Grim Truth About Living in Latin America"
Celestun – Flamingos and Mangroves on the coast of Yucatan
On our last weekend before leaving Yucatan, we took a bus from Merida to Celestun, to visit the Celestun Biosphere Reserve, where flocks of pink flamingos come for the winter. While every hostel and tour agency offers a tour to Celestun, there is really no reason to take them. These tours are usually pricey, and don't offer anything of extra value. Instead, we took a regular bus from the Noreste bus station in the center of Merida, where the buses leave every hour. Continue reading "Celestun – Flamingos and Mangroves on the coast of Yucatan"
Yucatan Less Traveled: Yellow Izamal and Cenotes of Homun
"I can show you a little bit of my Yucatan. Where do you stay?" This was the message I received from Luis Fernando, a young yucateco that replied me on Couchsurfing, where I was looking for locals to meet and befriend. A few days later we were speeding in his car outside of Merida on our way to Izamal, a pre-hispanic city, known today for its yellow buildings. Continue reading "Yucatan Less Traveled: Yellow Izamal and Cenotes of Homun"
White Sands, Mayan Ruins and Underground Rivers: One Day on the Caribbean in Yucatan
White sands and turquoise waters of the Caribbean, ancient Maya city of Tulum, underground rivers, and freshwater caves of Sac Actun. It's all here, on the Caribbean coast of Yucatan, a result of an astonishing collaboration of circumstances, nature, and pre-hispanic Maya culture. Continue reading "White Sands, Mayan Ruins and Underground Rivers: One Day on the Caribbean in Yucatan"
On The Road in Yucatan: Colonial Valladolid and Mayan Coba
Having made Merida our base in Yucatan, for the first few weeks we limited ourselves to short day trips to Chichen Itza, Uxmal and Kabah. But it was time to venture farther east – where the white sands and turquoise waters of the Caribbean sea are the spectacular setting for an ancient Mayan city of Tulum. So Saturday morning we rented a car and headed to Quintana Roo for a long weekend on the Caribbean. Continue reading "On The Road in Yucatan: Colonial Valladolid and Mayan Coba"

subset: commoncrawl


text:
How sweet it is to have soccer players discover their female side, thereby turning themselves into flowers. My love along these lines:
Somethings up."
_Voice over while showing the guy add the scented detergent when doing their laundry:
"He knows exactly what's up."
Nice one for Proctor & Gamble, Grey, London. Don't miss Marc Johns' illustration to go along.
German detergent ad Grey London P&G tvc


text:
Running a blog established fact like a amazing method to frequently include brand new content material, market your company as well as create much more prospects. Nevertheless, we're nevertheless listening to situations exactly where customers begin a weblog, appreciate achievement at first after that a couple of months down the road, points proceed peaceful as well as fans, remarks as well as gives appear to be anything from the previous. Exactly why is this particular?
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Through day time 1, your site is definitely an on the internet consultant associated with a person as well as your expert position. Don't allow your self lower.


text:
Year 331, Twelfth Age
Highsun, Day 14
Dear diary,
It's been three months since I took the name Grimbad Willowisp and swore myself to the study of darkness and death, and my parents are still in denial about it. My mother keeps telling the neighbors that I'm studying to be a wizard, which I guess is sort of true. But she can't even bring herself to say the word "necromancer", even though I've done everything I can to make it obvious: black robes with red trim, black eyeliner, grim expressions... Seriously, she can't think she's fooling anybody, can she?
And my father's even worse. He's started making a point of calling me by my full birth-name, Grinbroad Willowsend. I tried telling him that my name is Grimbad Willowisp now, but he just shook his head and said, "No it isn't." Can you believe it, diary? Neither could I. I became Grimbad Willowisp when I became a necromancer, but just try telling my dad that.
My sister is just as bad, but at least she keeps the other kids off me. After Merrybloom Rosewine made fun of my clothing and then mysteriously lost her homework on the way to school for three days straight, everybody leaves me alone. That's fine with me. And it's not like I don't have friends. I mean, yeah, Mopeybeard is a dwarf, but he's really good with his lute and his songs about how his father doesn't understand him and he just doesn't fit in in the Deep Halls make me feel like maybe I'm not the only one, you know?
They just don't get it. We spend our lives speeding towards death. How can you ignore that? How can you not want to know everything there is to know about it? But they don't. They're too busy worrying about what's for lunch. They'll never understand me.
It's just you and me, diary. And Mopeybeard, when his father brings him up to town.


text:
Scomberella Pella (things I love, things I hate_
uploaded: Wed, May 20, 2009 @ 1:42 AM
After a few requests, here's my daughter "Scomberella"'s preteen thoughts on love and hate.
You can listen to the remix here.
Enjoy, I know I did but I'm somewhat biased!
Scomber 2009
acappella, media, bpm_130_135, trackback, in_video, in_remix, non_commercial, audio, mp3, 44k, stereo, CBR, children, hate, love, scomber365, spoken_word
Recent Reviews
Recommended by: Alex (AlexBeroza), CiggiBurns, SackJo22, Speck, panu (panumoon), MC Jack in the Box (mcjackinthebox), Chuck Berglund (opus_opium), gurdonark, ghosts4hire (WilliamE), jobobarikan, spinmeister, Scott Altham (scottaltham), jp5, Fireproof_Babies, debbizo, Mana Junkie, whytong, Rizkey G (RizkeyG)
"Scomberella Pella (things I love, things I hate_"
by Scomber
2009 - Licensed under
Creative Commons
Attribution Noncommercial (3.0)
Click here for how to give credit and other conditions.
Samples are used in:
Video: 403 Forbidden by jobob arikan
Remix: The Things I Love&... by wHyTong


text:
The Benefits
The DSU Crew Volunteer Program offers opportunities for students to develop skills and gain valuable experience through self-directed initiatives and working with the elected representatives of the Douglas Students' Union.
Gain Confidence in Public Speaking
Learn How to Manage Projects
Develop Professional Communication Skills
Opportunities for Mentorship
Learn How to Organize Campaigns
Practice Engagement & Outreach Skills
If you are interested in the program, please fill out the form to begin the process of becoming part of the DSU Crew.
Filling out the form does not automatically make you a DSU Crew member.


text:
I want to help 20 UK animal charities and use my love of painting animals put to good use. I have given each charity an original painting which will be sold in auction on facebook or in my gallery and 50 signed and numbered prints each and the copy right for the artwork to use as they like. The printing has being donated bu The Copy Shop Broadstairs and the mounts by Frisk Mounts. ALL 100% of proceeds raised will go to the charities and help our wildlife in the UK.
Being helped so far are Freshfields Animal Rescue, Urban Squirrels, Northampton Badger Group, The Seahorse Trust, The Fox Project, Bexhill & Hastings Animal hospital and The Arc.
I hope you can help


text:
DIGGERS FACTORY SAS is a simplified French corporation (société par actions simplifiée) with share capital of € 10.000, whose registered office is located at the 10 boulevard Arago, 75013 Paris, registered with the Paris Trade and Companies Registry under number 813 648714 00018, (hereinafter referred to as the "Company"). The name of the Company is also used as a trade name, as the name of the electronic Internet platform (hereinafter referred to as "DIGGERS FACTORY" or the "Site") whose purpose is as follows:
DIGGERS FACTORY acts as an intermediary between web users who wish to participate in financing Projects (hereinafter referred to as the "DIGGERS") and Members who are seeking a financial Contribution to fund the Project.
The purpose of these Terms of Use is to define the terms and procedures for providing these Services to the users of the Site. The use of DIGGERS FACTORY or of the Services proposed on DIGGERS FACTORY imply the full and entire acceptance of these Terms of Use by Users, including the stipulations of all notices applicable to the Site, including particularly the information provided in the FAQ.
The Visitors are deemed to acknowledge and agree to the Terms of Use by their use of the Site.
The Members are deemed to acknowledge and agree to the Terms of Use at the opening of their Personal Account, it being specified that the welcome email they may receive by way of confirmation includes a link allowing them to download the Terms of Use.
The Contributors are deemed to acknowledge and agree to the Terms of Use at the date of their Contribution, it being specified that the email they may receive by way of confirmation of the Contribution includes a link allowing them to download the Terms of Use.
The Project Creators are deemed to acknowledge and agree to the Terms of Use at the date of receipt of the email sent by DIGGERS FACTORY confirming that their Project can start on the Site, it being specified that this email of validation includes a link allowing them to download the Terms of Use.
Through the use of the Site, the Members are encouraged to diffuse on the Site several contents and particularly videos, pictures, graphic works, music, texts, ideas and concepts, software, etc. including trades or patents and other elements of intellectual property. The Members are warned that the use of the Site doesn't protect those contents and that is up to them to protect those contents against unauthorized use.
The Members can contribute financially through donations with counterparts only if they are at least 18 years of age on the date of their registration on the Site.
The Terms of Use establish the full opposable contractual documents between DIGGERS FACTORY and the Users.
Article 1. Definitions and scope
1.1 Definitions
The definitions below have the same meaning whether they are used in the singular or plural.
"Bank Card": a current debit or credit card valid in France.
"Collection period": the period for each Project during which new Members can make Contributions via the Site and thus enable a Project Creator to achieve the Financing Objective necessary to carry out the Project.
"Commission": payment due to the Company and deducted from the Contributions collected by the Project Creator in exchange for the intermediation service provided.
"Company": DIGGERS FACTORY SAS is a simplified French corporation (société par actions simplifiée) with share capital of € 10.000, whose registered office is located at the 10 boulevard Arago, 75013 Paris, registered with the Paris Trade and Companies Registry under number 813 648714 00018.
"Counterparty": any counterpart or counterparties proposed by the Project Creator to the Contributors, in exchange for their Contribution to the Project through donations with counterparties. The Counterparties linked to a Project will be defined case-by-case on the Site within the limits of the Services offered by the Company.
"Contribution": any cash sum collected by the Project Creator via the Site in view of financing one or more Projects proposed on the Site.
"Contributor": Member who brought at least a Contribution to a Project proposed on the Site.
"DIGGERS FACTORY" or the " Site": the community Site exclusively owned by the Company, accessible on the Internet at the address http://www.diggersfactory.com, whose purpose is to enable Project Creators to promote their Projects and Members to contribute financially to these Projects through Contributions via the Site.
"Financing Objective": the total amount of Contributions sought by a Project Creator to carry out a Project, which can be collected from Members via the Site. The Project Creator chooses to express this objective either as a number of Contributions.
"Terms of Use": these Terms of Use for the Site applicable to Visitors, which may be viewed on the Site by any Visitor and to which Visitors must adhere in order to become Users.
"Intellectual Property Rights": all intellectual property rights as stipulated in the French Intellectual Property Code and national agreements, including copyright, similar rights of performing artists and phonographic and videographic producers, brand rights, patents, commercial names (including Internet domain names and email address names), copyrights, moral rights, rights for all models, database rights and expertise whether registered or not or which could be registered or not, in all parts of the world.
"Member": any individual or legal entity registered on the Site and disposing of a Personal Account. The Member can become Contributor or Project Creator.
"Party": according to the situation, this means the Company and/or any User having accepted the Terms of Use; "Parties" designates all of them.
"Partners": partner companies selected by DIGGERS FACTORY.
"Personal Account": a User's personal space on the Site. This can only be accessed with the Identifiers, and enables access to the services provided by the Company. It also enables Users to view and modify their own personal details.
"Project": designate projects of production of vinyls and re-edition of vinyls.
"Project Creator": any individual or legal entity registered on the Site for the purpose of presenting and promoting one or more Projects to be achieved using the Contributions collected from Members via the Site.
"Service(s)": all the Services proposed on the Site, whether or not in exchange for money.
"Transaction": a Transaction carried out by a User according to the provisions of the Terms of Use for the Site, giving rise to a Payment Transaction.
"User": all Members registered on the Site provided that they have agreed to the Term of Use.
"Visitor": any person who visits the Site to view the content and information published on the Site without being registered or prior to registering on the Site as a User.
1.2 Scope of application
These Terms of Use (hereinafter the "Terms of Ue") apply without reservation or restriction to all the Services proposed by the Company on its Site www.diggersfactory.com, except for special conditions applicable to certain Services.
These Terms of USe take precedence over all other general or specific conditions not expressly approved by the Company.
Subscription to the Services is solely reserved for Users who have read the Terms of Use in their entirety and unreservedly accepted them.
Users declare and acknowledge that they have read the Terms of Use in their entirety.
These Terms of Use take effect as from their publication on the Site and shall remain in force until their partial or total modification by the Company.
The Terms of Use are regularly updated and may thus be modified. Given the extensions and improvements possible in the functioning of the Site, the Company reserves the right to adapt or modify the range of services offered via the Site at any time. The Company reserves the right to unilaterally modify the Terms of Use at any moment without notice.
The new characteristics will be put online on the Site so as to be available to Users and Project Creators. It is thus Users' responsibility to view and accept the Terms of Use when they make a Contribution, notably in order to check the current provisions. Each use of the Services proposed on the Site by Users implies acceptance of the latest version of the Terms of Use published on the Site.
Article 2. Access and subscription conditions on the DIGGERS FACTORY Site
2.1 Consent and capacity
Users subscribe by completing an online form. Once the form has been filled in and submitted, the Site sends out an email confirming the User's request. When registering, Users and Project Creators undertake to provide accurate information, and must fill in all mandatory fields in the registration form.
Users who are individuals must have the legal capacity to conclude a contract.
Representatives of Users that are legal entities certify that they hold all the necessary rights to conclude this agreement in the name of the legal entity they represent.
Users then submit their registration by clicking on the appropriate button
The Company must accept the User's registration. The Company reserves the right to refuse the registration of any User who does not fulfill the conditions of a good character, or does not comply with the ethical values the Company endeavors to uphold, although the latter is not obliged to give a reason for any refusal.
The Company is the sole decision-maker regarding the registrations it accepts: there can be no appeal or compensation of any kind.
Users agree not to create any other Accounts than the one initially created, whether in their own names or that of a third party. Any exception to this Rule must be explicitly requested by the User and expressly and specifically authorised by the Company. If Users create further accounts using their own identity or that of a third party without having requested and obtained authorisation from the Company, the Users' account and all the associated services may be immediately suspended.
Users guarantee that the information they communicate on the Site is accurate, honest and not misleading. They undertake to inform the Company promptly if any information communicated at the time of their registration changes and, if need be, to make these modifications in their Personal Account themselves.
2.2 User name and password
When they create an account, Users choose or are allocated a user name and password (hereinafter "Identifiers"). These identifiers are personal and confidential, and may only be changed at the Users' request or on the Company's initiative.
Users are entirely and solely responsible for the use of their Identifiers. They agree to make every effort to keep their Identifiers confidential and not to disclose them to any other party, in any form or for any reason.
Users are responsible for the use of their Identifiers by third parties and for actions or declarations made via their personal accounts, whether or not fraudulent, and shall hold the Company harmless against any action in this respect.
Furthermore, as the Company does not have the obligation or technical means to verify the identity of persons registering on the Site, it is not responsible if a User's identity is stolen. If Users suspect that a person is fraudulently using their identifiers or their accounts, they must promptly inform the Company.
If their Identifiers are lost or stolen, Users are responsible for any harmful consequence of this loss or theft, and must modify their Identifiers using the appropriate procedure as soon as possible.
If Users become aware that another person has access to their Personal Account, they must immediately inform the Site manager by emailing firstname.lastname@example.com, and confirm this information by registered letter to the following address: DIGGERS FACTORY SAS, 10 boulevard Arago, 75013 Paris.
In the event of a fraudulent use of the Site, or any use that infringes these Terms of Use, Users may be denied access to the Services or other functions of the Site at any time.
Article 3. Conditions Applicable to Project Creators
3.1 Nature of the Services proposed to Project Creators
The Site enables Users who so wish to present their Project(s) in order to distribute, promote and finance a Project on the Site.
The conditions applicable to Members only concern Projects supervised by Project Creators who create and supervise a community of Users supporting their Project on the Site. The Company only takes action as a technical intermediary by providing Project Creators with an online platform enabling them to finance, distribute and promote a Project on one or more webpages dedicated to that Project.
3.2 Presentation of Projects
Project Creators wishing to promote their Projects and obtain financing submit to the Company, for publication on the Site, a detailed description of the nature, objectives, main characteristics and roll-out of the Projects they intend to develop with support from Members.
In order to be accepted by the Company for any promotion on the Site, Project Creators will supply in a clear and accurate manner for each Project proposed: a description of the Project, the minimum amount of Contributions required for the Project to be considered as financed, the Collection Period, the use of DIGGERS FACTORY Partners and the Counterparties he proposes.
The Project's characteristics and parameters are submitted for prior approval by the Company, which has no obligation to give a reason for any refusal and provides Members no guarantee as to the success of the Project or the authenticity of the information presented by the Project Creator. The selection of contents is essentially designed to verify the consistency and quality of the Project and is not intended to verify the viability, feasibility or authenticity of the Project proposed.
For example, the Company will systematically refuse Projects that are fanciful, lack serious-mindedness, have no connection with any concrete reality or are doomed to failure.
Once published on the Site, Projects can no longer be modified. However, corrections may be added solely to boost the achievement of the Project's objectives.
In addition, Project Creators are entirely responsible for the presentation of Projects published on the Site and must ensure that this presentation does not mislead Users.
Project Creators acknowledges that the provision of misleading, incomplete or erroneous information could engage their liability with regard to the Company and Users, and assumes entire responsibility for the consequences of any omission or negligence in this respect.
In the event of the death or incapacity of Project Creators or the occurrence of any accident or other event making them unable to carry out the Project, the Company is authorized to suspend any collection under way. More generally, the Company may at its discretion cancel any collection under way and remove a Project if the Project Creator is seen to be infringing these conditions. In this event, all the Contributions registered will be immediately cancelled, the Members concerned reimbursed, and the Project Creator in question may not claim the sums collected.
Members acknowledge that they are firmly committed to using every means to bring their Projects to fruition if they succeed in collecting the necessary Contributions.
They are asked to regularly update their Projects and to share information concerning the current progress and implementation of their Projects with the other Users.
They agree to inform Members of major advances in their Projects, even after the Collection Period has expired.
3.3 Legality of projects and online contents
It is the responsibility of Project Creators to ensure that they hold all the rights required for publishing the Project on the Site, and that they are in compliance with all the laws and regulations applicable to the design and production of the Project concerned.
3.4 Promotion on or outside the Site
Through this agreement, Project Creators accept that the content and information provided can be freely exploited by the Company for the purpose of promoting the Project.
Project Creators thus exclusively grant the Company the rights indicated below, at no cost, for the entire world and for the entire period of this agreement, to enable the Company to provide the Service in the form of dissemination on the Internet, on mobile telephone networks and/or any other current communication network open to the public.
Project Creators grant the Company the right to:
In addition, Project Creators expressly authorize the Company to carry out promotion and/or publicity for the Project, and to use the content to distribute advertising, commercial and/or promotional messages relating to the products or services of third parties.
Project Creators also expressly accept that the content and information supplied are used on the Site with the presence of brands or logos of the Company's Partners.
3.5 Exclusivity
Project Creators commit themselves to not propose their Projects or related projects to any other platform during the duration of the Collecting Period.
3.6 Completion of Projects/Obligations of Project Creators
Project Creators agree to meet all their obligations to Contributors, particularly to accomplish the Project as initially defined and provide them with the Counterparties described in the Project, when applicable.
Project Creators are asked to ensure that they are capable of providing the Counterparties they have offered to Members at the end of the open collection for financing their Project, in particular through recourse to DIGGERS COMPAGNY Partners.
Should Project Creators be unable to provide Members with the promised Counterparties, they expressly undertake to reimburse them in full and accept that the Company will in no way assist them in this action.
Project Creators expressly acknowledge that they are solely responsible for accounting, fiscal and social procedures relating to the Project, including sums received via the Company.
The Company is not responsible for the actions of Project Creators, who remain solely responsible as regards the terms they agree with Contributors while collecting Contributions via the Site.
Members are solely responsible for collecting Contributions they organize via the Site and distributing any Counterparties they have offered in connection with Projects presented on the Site.
Consequently, any risk involved in the development and running of the Project, together with any postponements or cancellations, is entirely assumed by the Project Creators.
Project Creators may organize reimbursements at their sole discretion. The Company is not responsible for reimbursements of collected Contributions which have or have not taken place.
Project Creators agree not to propose Projects or related Projects on any other website or platform.
Article 4. Conditions applicable to Contribution collection and monitoring services
4.1 Collection of Contributions
Contributors are entirely free to choose the amount and allocation of their Contributions. If applicable, they can choose the level of Counterparties proposed by the Project Creator, however the amount of the Contribution paid must be equal to or higher than the value of the Counterparties chosen.
By accepting these Terms of Use, Contributors declare that the source of the funds they use on the Site is not illegal, and undertake not to use the Site for any illegal or fraudulent activity, including money laundering.
It is emphasized that the Company is only an intermediary between Project Creators, Members and Contributors as regards the promotion of a Project.
Consequently, Members may not seek the Company's liability if Project Creators fail to meet their obligations.
4.2 Rules governing Contributions from Contributors
The Company does not receive commissions from Contributors on the Contributions collected, which are the responsibility of the Project Creators.
Contributions are made using one of the payment methods proposed for the Project concerned, for example a Bank Card and/or PayPal, and/or payment by cheque, and/or any other payment method already proposed on the Site or subsequently integrated into the service. In supporting a Project, the Members accept the general conditions of use of the company which issues the payment system.
The Site allows the payment of Contributions via Paypal. In supporting a Project via the PayPal payment system, Members accept PayPal's general conditions of use.
Paypal deducts its own commission on the payments processed, which at the time this document was drafted depends on the buyer's country. You can find here the different prices :
This commission is applied and directly received by PayPal.
In addition, the Company applies its own commission as payment for its intermediary service, as stipulated in article 4.3.
Contributions paid through PayPal will only be processed by DIGGERS FACTORY if the Financing Objective has been achieved, once the Collection Period has ended. The corresponding sums will then be paid to the Project Creator's PayPal account. At this point, the Company can no longer cancel the corresponding Contributions or reimburse Members who have made them.
4.4 Commission as payment for the intermediation service and payment of sums collected
Access to the Site is free.
With Project Creators receiving Contributions, the fees for the services provided by the Company are calculated as a percentage of the amount of Contributions collected by the Site. The percentage applicable is twenty five percent (25%) including VAT, to which shall be added the transaction fees.
VAT is applicable at the current rate on the day when the collected funds are transferred, and depends on the location of the Project Creator. The services provided by DIGGERS FACTORY SAS are considered under Community legislation as electronic services, and the VAT rate applicable when the Project Creator is a private individual thus depends on the latter's location.
As from 1 January 2015, services delivered electronically are taxable in the place of consumption when these services are provided by parties liable for tax, whether they are established in European Union (EU) territory or not, to people who are not liable for tax ("consumers") having their domicile or usual residence in EU territory. Electronic service provisions are thus taxed at the current VAT rate in the member state where the consumer is domiciled (for example, 20% for a private individual Project Creator based in France, which entails a commission rate of 25% including VAT for funds lower than €100,000 collected by bank card).
If the Project Creator choose to use Paypal payment services, PayPal deducts its own commission on the payments processed, which at the time this document was drafted depends on the buyer's country. You can find here the different prices :
This commission is applied and received directly by PayPal.
All the expenses of the Services are automatically deducted from the collected Contributions using the Site at the time of transfer to the Project Creator's bank/Paypal account. The transfer is carried out within the following twelve (12) Working Days after the end of the Collection Pertiod and only if the Financing Objective has been reached. The corresponding invoice will be available to Project Creators in their Personal Accounts once the project has ended.
4.5 Taxes applicable to the funds collected and issuing of tax receipts
It is the responsibility of each User to pay any applicable tax or associated duties, whether on the Contributions collected via the Site as Project Creators, or on Contributions made by Members to support the Project.
The Company may under no circumstances replace them to this end, or even advise them on the nature and details of their obligations.
Members are responsible for drawing up and directly sending to Members any tax receipts attesting to a contribution to the Contributions via the Site.
It is the responsibility of all Members to check their eligibility to benefit from tax deductions on all or part of Contributions made via the Site, in accordance with current French laws.
Any dispute regarding the production of such tax receipts and the information they contain should be sent directly to the Project Creators by Members.
Article 5. Conditions applicable to the services for disseminating messages: Forum and comments spaces
5.1. Responsibility regarding messages and content put online by Users and Project Creators.
Users and Project Creators must not post any content that could mislead other Users of the Site, or which constitutes a false declaration. They assume sole responsibility as regards the other Users for any loss suffered by these Users due to the inaccurate or misleading nature of this content.
Users and Project Creators must ensure that they hold the rights required to publish the contents they disseminate, including intellectual property rights.
The Company declines all responsibility for any violation of the rights of third parties.
Users and Project Creators are solely responsible for the content they put online on Forums and spaces for comments and must ensure that the information published does not infringe any current legal or regulatory provisions. In particular, Users and Project Creators must not host any content that is manifestly or potentially illegal, whatever the support (sounds, texts, images, videos, etc.).
The Company does not exercise any upstream moderation with messages and content put online by Users or Project Creators, or to which the Site may have a link. It acts as a host as defined by article 6I2° of the LCEN (French Law on confidence in the digital economy), and in this respect only exercises a storage activity.
5.2. Information provided to the Company by Users of the Site.
All Users must inform the Company of any illicit or manifestly illicit content by email to the following address: firstname.lastname@example.com
5.3. Right to remove content and/or the Personal Accounts of Users or Project Creators
The Company reserves the right, without any prior notification or indemnification, to immediately remove any illicit or manifestly illicit content of which it becomes aware, together with the Personal Accounts of any Users or Project Creators publishing illicit content.
In addition, in application of article 6I2° of the LCEN (French Law on confidence in the digital economy), the Company reserves the right to communicate to the legal authorities any information enabling the identification of any User having posted manifestly illicit content of which it becomes aware.
Article 6. Period of relations with the Company
These Terms of of Use apply throughout the period of use of the Site and until the closure of the Account for any reason.
Article 7. Data protection
7.1 Collection of information
Users are aware and acknowledge that they must provide information concerning themselves when they register on the Site and subscribe to the Services proposed by the Company.
Some information is even obligatory, particularly information enabling the identification of Users.
Personal information collected by the Company includes full name and email address and can also include, particularly for Project Creators, the postal address, nature of the person or entity registered (private individual, association or company), company identification number, landline and/or mobile telephone number, banking information, one or more photographs, one or more vocal announcements, videos, interests and use of the Site.
In addition, some non-personal information may be collected, such as the version of the User's browser (Chrome, Firefox, Internet Explorer, etc.), the type of operating system used (Windows, Mac OS, etc.) and the IP address of the computer used.
When registering, or at any time subsequently, all Users can ask to receive offers by email concerning the services provided by the Company and its Partners.
Subsequently, all Users can ask, at no cost, to receive or not to receive the Company's newsletter and/or promotional offers sent to them via email by the Company and/or its partners, by managing the options in their Personal Accounts.
7.2 Declaration of automated processing of personal information with the CNIL
The Company, which processes personal information, has declared the Site to the CNIL (French data protection authority). The website is registered under no. 1812882 v 0.
7.3 Use of data
The purpose of the information on Users collected when they register and subscribe to the Services is to enable the identification of Users of the Site and their use of the various Services offered on the Site.
Every precaution has been taken with the databases to archive information about Users in a secure environment. Only certain employees of the Company or any other Company authorised by it or belonging to the same group have access to this information, and only if strictly necessary. The personal information provided by Users when they register does not constitute an announcement accessible to third parties, and is not transmitted, sold or exchanged except in the cases indicated below, provided that Users have first been informed and have given their consent, or in the absence of opposition on their part.
However, as an exception to the above, Users who make Contributions to financially support a Project accept that the Company will communicate the necessary personal data of such Users to the Project Creator, so that they can receive the Counterparties stipulated in the Project.
The Company may send Users promotional offers from the Company, provided that Users have given their free prior consent when they register, and have not subsequently opposed such promotional offers.
7.4 Right to correct and oppose information
In application of the French Data Protection Act of 6 January 1978, amended by Act 2004-801 of 6 August 2004, Users have the right to access, modify and delete data concerning them, which they can exercise by emailing: firstname.lastname@example.com
For the Company to be able to meet such requests, it is the Users' responsibility to send it the information necessary for their identification (title, full name, address, post code, town and country).
7.5 Cookies
Users acknowledge and accept the possibility of cookies being installed on their computers in order to register any information relating to their computers' browsing of the Site.
Cookies are data that contain no personal information and which are sent via the server to the computer hard drive.
The role of cookies is to identify Users more rapidly when they log on, and to facilitate their contribution to certain events, promotions, activities, etc. proposed on the Site.
Users are informed that they can block cookies by configuring their browser to do so. However, the use of the Site may then be disrupted.
7.6 Disclaimer
Users acknowledge that in a general manner and given the state of current technology, every time they provide personal information online, this information can be collected and used by third parties.
Consequently, Users release the Company from all responsibility for the damaging consequences of the use by third parties of information exchanged via the communication tools proposed by the Site.
Article 8. Responsibilities
8.1 Operation of the network
In order to use the Services, Users must possess the equipment, software and settings required for the proper functioning of the Site. Users must possess the skills, hardware and software required for the use of the Internet. Users declare they are aware of the characteristics and constraints of the Internet.
Users acknowledge that the characteristics and constraints of the Internet make it impossible to guarantee the security, availability and integrity of data transmissions while they are circulating on the Internet. Users thus communicate them at their own risk and peril.
The Company may not be held liable for incidents which may result from this transmission. In any event, Users expressly recognize and agree to use the Site at their own risk and under their sole responsibility.
Given the specific features of the Internet, the Company offers no guarantee of continuous service, and is only bound in this respect by a best endeavors obligation.
The Company's responsibility may not be incurred in the event of damages linked to the temporary impossibility of accessing any service proposed by the Site.
No delay, suspension or cancellation in the dissemination of the Project, including due to the technical failings inherent to the functioning of the Internet and external to the Company and independent of its wishes, can be a reason for refusing any kind of payment on the part of the User, nor give the right to any kind of indemnification in any form.
The Company may not be held responsible for any non-operation, inability to access or bad conditions regarding the use of the Site attributable to causes such as unsuitable equipment, an internal malfunction with the Users' Internet provider, Users' incorrect use of the Site or Services, or the congestion of the Internet.
The Company declines all liability for any damage or loss relating to the use of or impossibility of using the Site or its contents, apart from exceptions stipulated by law.
8.2 Modification of the Site
It is stipulated that the content of the Site is not permanent.
All information contained on the Site may thus be modified at any time, given the interactivity of the Site, without this incurring the Company's liability.
8.3 Availability of the Site
The Company has a best endeavors obligation as regards supplying the Services. It thus declines all responsibility for any unavailability, suspension or interruption of the Site or Services arising during maintenance operations, the upgrading of hardware or software, emergency repairs of the Site or following circumstances beyond its control (including but not limited to technical failures or a breakdown in telecommunication links and equipment).
The Company will endeavor to take suitable measures to limit these disturbances insofar as they are attributable to the Company.
Pursuant to article 1992 of the French Civil Code, the Company's responsibility may not be incurred in the event of fraud or errors committed in its management.
8.4 Use of the Site
The information provided by Users must be true, accurate and not misleading. The consequences of its disclosure on their lives and/or that of other Users are the sole responsibility of the Users concerned.
It is stipulated that Users make the decision to disclose and disseminate information, data, texts, content, photos and videos concerning them on the Site. Users shall thus assume entire responsibility in this respect and may not take any action against the Company, notably as regards the infringement of their image rights, or damage to their honor, reputation or right to privacy resulting from the dissemination or disclosure of information concerning them.
The Company does not guarantee that the information presented is detailed, complete, verified or accurate. Documents, information, descriptions and in general any content present on the Site are supplied "as is", without any express or tacit guarantee of any kind.
The Company may not be held responsible for the inaccuracy of information and content provided by other Users, visitors to the Site and/or Users themselves.
In addition, the Company may not be held responsible for any content disseminated by a User infringing the rights of any other Users or third parties.
8.5 Contact created between Members and Contributors
Because its role is limited to intermediation, Members and Contributors acknowledge and expressly accept that the Company may not under any circumstances or in any way be held liable for Projects , including their presentation, roll-out, delays, cancellations and the delivery or non-delivery of Counterparties.
The Company is not responsible for actions or omissions of Project Creators, who remain solely responsible for all the terms and conditions for executing the Project with regard to Contributors.
Consequently, Contributors should only address their questions or claims to Project Creators.
Project Creators hold the Company harmless and undertake to indemnify it as regards any damage suffered by the latter, and to protect it against any liability action instigated against it by any Users and more generally any third parties, concerning the infringement of any rights resulting from the publication and realization of the Project on the Site.
Likewise, the Company is bound by no obligation to provide advice in respect of this. The Company may thus under no circumstances be held responsible for the consequences of Contributors' Contributions. Notably, the Company only intervenes in a limited manner with Project Creators in order to assist them in the presentation and promotion of their Projects.
8.6 Disputes between web users
The Company declines all responsibility if a dispute arises between Users and/or Visitors and/or Members who have entered into contact on the Site.
8.7 Hypertext links
The Site contains links to third party websites.
The linked sites are not under the Company's control and it is not responsible for the content of these linked sites. The Company provides these links for convenience and a link does not imply that the Company sponsors or recommends the Site in question or that the Company is affiliated to it.
Linked sites are owned and operated by independent retailers or service providers and as such, the Company cannot guarantee that Users will be satisfied with their products, services or commercial practices.
It is Users' responsibility to carry out all the checks they consider necessary or timely before undertaking transactions with any of these third parties.
Article 9. Intellectual property
9.1 Contents disseminated by the Company
9.1.1 Ownership of the Site and its content
The brands and derived logos are the intellectual property of the Company.
More generally, all patrimonial and moral intellectual property rights relating to the content and information of the Site belong by rights to the Company, subject to any patrimonial rights belonging to a third party and for which the Company has obtained the necessary transfer of rights or authorizations.
The rights granted to Users for using the Site and Services provided by the Company imply no transfer or authorization to exploit or use any of the elements of the Site.
All elements of intellectual property, including brands, drawings, texts, hyperlinks, logos, images, videos, sound elements, software, page layout, databases, codes, etc. contained on the Site and on associated sites are protected by national and international intellectual property laws.
They remain the exclusive property of the Company and/or its partners.
Consequently, without the prior written authorization of the Company and/or its partners, Users may not in any way reproduce, represent, republish, redistribute, adapt, translate and/or transform any element composing the Site, whether partially or wholly, or transfer it to another site.
Users are authorized to reproduce the DIGGERS FACTORY logo on third party websites, but only to promote the Project and/or the Site.
Users acknowledge and take note that breaching this prohibition constitutes a reprehensible infringement in both civil and criminal terms.
9.1.2 Rights of the database producer
The Company is the producer of the database constituted by the Site within the meaning of articles L .341-1 and thereafter of the French Intellectual Property Code. Any extraction or use of the content of the database that is not expressly authorised may incur the civil and/or criminal liability of the party concerned.
The Company reserves the right to take any legal proceedings against persons who do not respect this prohibition.
9.2 Content disseminated by Users
Users grant the Company a licence to use the intellectual property rights attached to the content provided by that User for distribution on the Site.
This licence notably includes the right for the Company to reproduce, represent, adapt, translate, digitise, use and sublicense content concerning the User (information, images, videos, descriptions, search criteria, etc.) on all electronic communication supports to provide its Services.
Users expressly authorise the Company to modify said content in order to respect the graphic guidelines of the Site or other communication supports as indicated above and/or make them compatible with its technical performances or the formats of the support concerned.
These rights are granted for the entire world and for the entire period of execution of these General Conditions between Users and the Company.
Users shall also refrain from copying, reproducing or in any other way using content relating to other Users other than for the strict requirements of using the Services for personal and private purposes.
Article 10. Suspension and interruption of the Services
Without this creating an obligation on its part to verify the content, accuracy and consistency of content, the Company has the right to refuse the insertion of a Project, in accordance with press and publication sector practices.
The Company is free to remove or modify, prior to or after its dissemination, any content on the Site that has no connection with the normally expected content or the Site's editorial line or which does not respect current laws and regulations.
To this end, the Company has the right to carry out electronic surveillance to identify contentious content and take action against the author, including exclusion.
The Company reserves the right to suspend or limit access to the Services registered for by Users after having informed the interested parties by any means in the event that Users fail to respect any of the obligations stipulated by these Terms of Use.
Thus, without prejudice to the provisions of article 12, "Termination", if Users fail to honor any of their obligations, the Company reserves the right to block any Project or content of the Users concerned, to delete contentious messages or contents whatever their nature, to prevent the publication of all or part of the Project, and/or to block their access to all or part of the Services, whether temporarily or permanently, without any compensation or reimbursement and without prejudice to any legal action that may be taken against the Users.
In the event of suspension for any reason, the Company reserves the right, as a penalty clause, not to reimburse all or part of the amounts credited, which it considers necessary to remedy any damages of any kind it has suffered.
Article 11. Force majeure
The Company's liability may not be incurred if the execution of any of its obligations is prevented or delayed due to a case of force majeure as defined by the case law of the French courts, including but not limited to natural disasters, fires, the blocking of means of transport for any reason, total or partial strikes within or outside the Company, lockout, the interruption of telecommunication or computer networks for any reason (power cuts, computer viruses, etc.) and governmental or legal restrictions.
Article 12. Termination
Users or Project Creators may at any time request the termination of their account by email to firstname.lastname@example.com or by post to DIGGERS FACTORY SAS, 10 boulevard Arago 75013 Paris.
These Terms of Use may be terminated by the Company with notice of one (1) month.
Furthermore, in the event of Users' non-execution or non-respect of any of the obligations and stipulations contained in these Conditions, the Company may modify, suspend, limit or stop access to the Site ten (10) days after notification addressed to a User has remained without response, without the latter being able to claim any indemnification, and without prejudice to the damages that the Company may claim to remedy the prejudice suffered.
In the event of a serious infringement of any of the provisions of the General Conditions of Use, the Company is within its rights to cancel a User's account without notice or notification, without any indemnification and without prejudice to any damages the Company may claim to remedy the prejudice suffered.
In the event of termination, Projects at the Collection Period stage can then be stopped and the relevant Contributions reimbursed to the contributors concerned.
Article 13. Final provisions
13.1 Correspondence – Proof
Correspondence exchanged between the Company and Users is mainly carried out by email. In application of articles 1316 and thereafter of the French Civil Code, Users acknowledge and accept that information delivered by the Company by email and on the Site constitutes proof between the parties and has the same probative validity as a written document.
13.2 Notifications
Unless expressly stipulated to the contrary, notifications between the Parties to these Conditions are made by email.
Notifications are deemed to have arrived twenty-four (24) hours after the dispatch of the email, unless the sender is notified that the email address is invalid.
13.3 Applicable law
By express agreement between the parties, these General Conditions of Use and the transactions arising from them are governed by French law.
They are drafted in French. If they are translated into one or more languages, only the French text will be considered authentic in the event of a dispute.
13.4. Disputes
In the event of any difficulty or difference between the parties arising from the interpretation, execution or cessation of these Terms of Use, the parties must endeavor to resolve the problem as best they may, and agree to seek an amicable solution in the spirit of these Terms of Use.
Failing an amicable solution, the most diligent party should submit the case to the competent courts.
It is stipulated that any dispute with a user acting as a retailer arising from the interpretation, execution or breach of these general conditions falls within the jurisdiction of the Paris commercial court.
13.5 Divisibility
If any of the stipulations contained in the Terms of Use are declared null and void, the validity of the other stipulations in these Terms of Use shall not be affected in any way.
The stipulations declared null and void shall, in accordance with the spirit and purpose of these Conditions, be replaced by other valid stipulations which shall be similar in scope to the stipulations declared null and void, as far as the law permits.
13.6 Waiver
Should the Company not cite any of the provisions of these Terms of Use at a given moment, this may not be interpreted as a waiver of the right to cite it at a later time.
13.7 Transfer/Substitution
The Company reserves the right to transfer to any third party of its choice all or part of its rights and obligations under these General Conditions, or to substitute any third party for the execution of same, which Users unreservedly accept.
14. Legal notices
14.1 Identification of the publisher
Users are informed that the Site is published by DIGGERS FACTORY SAS.
We can be reached during office hours on 0632388724.
14.2 Director of Publication
The Site's Director of Publication is Alexis Castiel: email@example.com
14.3 Site host
The Site is hosted by OVH, whose company details are as follows:
OVH, a simplified joint stock Company with a capital of €10,000,000, Roubaix-Tourcoing trade and companies register number 424 761 419, having its head office at 2 Rue Kellermann, 59100 Roubaix.
14.4 Contact for all claims concerning the Site and/or its content
The contact email address for all claims concerning the Site and/or its Content is email@example.com


text:
Urban Art Network is a registered 501-C3 non-profit organization dedicated to creating opportunities for self-representing local artists.
We are collectively engaged in:
- Creating and hosting events for artists to showcase and sell their work
- Working with businesses and other organizations to promote the arts
- Networking and outreach for both established and emerging artists
Since 2000, a devoted team of artist coordinators has presented a street art gallery in the Pearl District on First Thursdays. For one vibrant evening each month from April through October, artists at all stages of their careers, self-represent and sell their work. The Street Gallery is open to the public, rain or shine, every First Thursday (5pm - 10pm) April through October.
Coordinator Team:
Jennifer Kapnek
Street Gallery Coordinator, Sign-in
19 years
I love the magic that happens at the Street Gallery. I am honored and proud to be a part of Urban Art Network.
Joseph Forbish
Street Gallery Coordinator
14 years
Try to help out best I can.
Michael Heuser
Street Gallery Coordinator, Treasurer
9 years
I volunteer with UAN as I feel it is a valuable asset to the community and a great venue for Artists.
Michelle Purvis
Street Coordinator, Safety Crew, Active selling artist.
12 years
Support emerging artists and connections with the community.
Tam Hess
UAN info booth coordinator & UAN social media marketing
3 years
I love helping and supporting local artist!
Street Gallery Coordinator
12 years
I am proud to be on a team that supports up and coming artists.
Chuck E. Bloom
Street Gallery Coordinator
18 years
It is a way to help ensure outlets for artists and easy access to people to buy art.
Dana Gravelle
Digital Coordinator
15 years
Involved with UAN since 2005. I'm happy to assist whenever I can.
Mary Heuser
Goals, planning & funding research for 20th anniversary
4 years
Encourage and support emerging artists within the greater Portland area.
Urban Art Network is committed to fostering, cultivating and preserving a culture of diversity and inclusion. We strive to create opportunities for all artists of individual differences, life experiences, knowledge, inventiveness, innovation, self-expression, unique capabilities and talents.
We embrace and encourage artists with differences in age, color, ethnicity, race, language, national origin, religion, sexual orientation, family or marital status, gender identity or expression, political affiliation, veteran status, physical and mental ability, and socio-economic status.
We welcome your thoughts, ideas and strategies for accomplishing our commitment of inclusion.


text:
Introduction: Repair and Upgrade Dodgy Mouse
I am a moderate gamer and the main problem for me is mouse left click starts to double click for after every 1 to 2 years of usage. I found some hacks to correct this but eventually problem comes again.
So couple of years back I bought razer deathadder mouse thinking it will lasts forever for its price. But I was terribly wrong, even those expensive mouse will fail eventually. So I cannot throw this mouse away and buy a new one as I did earlier with my cheap mice.
I also wrote a small java program to test the mouse double click problem. you can identifiy how bad is the switch by comparing total clicks and double clicks in the application.
I am including rar file of the exe file and rar file of code also if you are curious
Teacher Notes
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Step 1: Parts Needed
Soldering iron
Desoldering pump
Micro switches
and a dodgy mouse
Step 2: Replacing Switches
Most of the expensive mouse have Japanese made omron branded switches. I found a pack of 5 omron micro switches for just 5$ including shipping in ebay. Link
They are some different models in omron switches but most popular are D2FC-F-7N 20M, where 20M represents 20million clicks lifetime of the switch.
I simply I opened my deathadder, removed every screw I can find to free main board from the mouse then desoldered old swathes and added new ones, now my mouse is back to its glory.
But the interesting part is upgrading cheap mouse with these good quality switches.
Step 3: Upgrading Cheap Mouse
The major difference between cheap and expensive mouse besides flashy LED lights and ergonomics is its sensor and switches.
Sensors in expensive mouse can have varying sensitivity, this can be controlled from the software they provided, which can sometimes be dodgy and consumes more system resources. Sensitivity in my deathadder can go up to 6400 but I never used it above 1000. So I think plug and play mouse is way better than using custom software.
So the major difference for me is switches, cheap mouse have these terrible switches with terrible life.
So I thought cheap mouse with better switches could be better than using expensive mouse.
I have a 10$ logitech mouse lying around with a double clicking left clicker. I replaced both clickers with these good switches.
Now mouse works and feels great, adding 2$ worth switches to the 10$ mouse makes it feels like an expensive mouse. This is a simple and cheap hack which can make your mouse feel like an expensive mouse.
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14 Discussions
Although I am unsure whether I could do this myself (unless it came in a kit) I am glad there is an alternative to having to buy another mouse that may be cordless. The old wired mice are getting harder to find, unless you don't mind an el-cheapo, and it's annoying cheap features. I must have a corded mouse, because otherwise I would never find it! I admit I have a very messy desk, and things fall off all the time- including the mouse. It's easier to find a wired mouse than to search under my also-messy desk for a wireless. Thank you! Hope you can make up some repair kits in the future to sell to clods like me! XD
Look for a gamer mouse, most of them has got a tail - or go low tech and put a string in a wireless mouse.
same with me :) with latency, maintenance and all, wireless mouse is not my thing. If you are new to soldering first try on any broken electronics, this can be good practice for soldering,
Part of the problem is that the buttons have too short a travel, so sometimes a temporary fix (when you just need it working ASAP), is to cut a few bits of tape and layer under the plastic button.
Mice are made for moderate use only it seems. Back in time I got the problem after little over a month on a Logitech Trackman Marble, Left it in for repair under warranty and about a month later, I got a replacement (why did that have to take so long?). This replacement went belly up after an equal amount of time and I had to wait about a month again for a replacement. Guess what happened in another month of use... I gave up on it although it was one of the best pointing devices I ever had ergonomically (and thus non-pain inflicting) speaking.
It's easy to make a better switch, but the manufacturers wants the average user to replace their mice every now and then, leaving us "heavy users" to be very regular customers... Or find alternative solutions - I have soldered too many switches (from right button switches of dead mice as well as new) to think it's still fun and I'm now attacking the problem from two angles... A pedal for backup and developing a replacement switch that doesn't go bad in a blink, which any brand of regular mouse size microswitches will.
wow grate idea of putting tape under switch, next time when I do this first I will check for switch travel before soldering permanently :).
I never thought of a permanent solution to this problem until I bought an expensive mouse. there are many of my friends continues to use those dodgy mice just because they cannot throw away the expensive mouse and not aware about this solution.
I don't put the tape on/under the switch, but under the plastic piece that pushes on the switch (the piece that your finger touches).
It is a very temporary solution, won't hold up for more than a week or so, but it may just get you through an important project with your sanity intact :) and give you time to get a replacement switch.
I did the same thing to fix my gear head wireless mouse that had bad left click. It would not hold, making it difficult to drag, and the clicking was quiet compared to other mice. So I removed a switch from a broken crap labtec mouse (these mice have terrible cables) and replaced the switch in my gear head mouse with the switch from the labtec mouse. Now it works well again!
grate, I am using deathadder and switches in it felt grate, so I looked what they are using in that and ordered those for my cheap mouse, boom! now my cheap mouse feels like expensive one ;)
You don't even need to buy new switches; just look for some cheap mouse that hasn't been used much and has good switches (like a labtec mouse that had its usb cable break).
That's the mouse that I have. It's a great mouse!
ya, thats an amazing mouse :)
That's the mouse that I have. It's a great mouse!
Awesome! I've got a double clicking mouse sitting here, I wondered what was wrong with it
thank you, this is common problem for mice.


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Job Description
POSITION: Sales Co-op - Fall 2020 (September through December)
LOCATION: London
At PepsiCo Canada, we have great brands, great distribution systems and great quality products, all of which are led by great people! To ensure we stay on the path of delivering great results, it is important that we continue to develop a deep bench of talented leaders. Our ability to grow year after year is driven by our ability to attract, develop, and retain world class people who will thrive in the PepsiCo environment.
Our people are our greatest asset. By supporting their ability to work effectively together and providing them with the tools they need to succeed, we are ensuring that PepsiCo Canada is the kind of company where talented people of all backgrounds want to work. The PepsiCo Canada co-op program will provide candidates with a unique opportunity to build their experience and leadership skills.
Position Summary
During your 4-month (possible extension to 8-month) co-op term month starting in September 2020, you'll be fully immersed in our operations, learning the business from two unique perspectives:
Ground Up
During your first project, you will learn what it takes to develop and sustain a growing CPG business and stretch your current skills by delivering, selling and marketing our products to a set group of retailers. You will be responsible for managing our business with these customers from start to finish, including:
- Delivering consistent sales targets
- Understanding, planning and executing advertising displays in conjunction with customers
- Performing inventory and cash management on a weekly basis
- Merchandising product for customers
Building Critical Business Skills
As you progress through your term, you will have the opportunity to apply the knowledge you attained on the front-lines. Our Sales interns will work closely with our Zone Leadership Team and will be responsible for utilizing strong analytical and communication skills to help the team deliver results with our most important customers. Key aspects of this assignment include:
- Frontline leadership training
- Sales forecasting
- Daily and weekly Area Sales reporting
- Assist Zone Leadership with sales projects
- Market execution projects
- Other unique projects
- Completion of second or third year of a Business Degree
- High academic achievement along with demonstrated ability to pursue other interests at the same time
- A skilled problem solver who enjoys challenges
- Strong oral and written communication skills and the ability to confidently interact with all levels within the organization, from front-line to executive
- Valid, full driver's license, with a flawless driving record
- Reliable and consistent access to a personal vehicle
- A self-starter with the ability to plan work to meet objectives, set priorities and manage work schedule


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New discount offerings are added throughout the season, so check back often for the most up-to-date deals and offers. Most of our preferred partner restaurants can accommodate large groups.
* Please review each offer carefully for details. Some restrictions may apply. Offers and discounts may change at merchant's discretion and are subject to availability. We highly recommend that you call an establishment to confirm advertised deals prior to your outing.
Petterino's Catch 35The FlorentineKatana ChicagoRoanokeStock and LedgerSTK Steakhouse10pin Bowling LoungeTortoise Supper ClubTrattoria No. 10
Located in the southeast corner of the Goodman Theatre complex, Petterino's offers the quintessential pre- or post-show experience. Awash in décor that pays homage to the golden age of glamour, including walls lined with sketches of unforgettable Chicago legends, the eatery offers an eclectic menu with everything from prime steaks and fresh seafood to classic specialties like Braised Beef Short Ribs. Plus, Petterino's now offers brunch every weekend from 11am - 2pm, featuring $5 Mimosas and Bloody Mary's.
You're heading to the Goodman Theatre! Join Petterino's for deliciously classic dishes and cocktails. Need last-minute dining accommodations? The recently expanded Petterino's bar does not require reservations. It is a perfect place to catch-up with friends!
150 North Dearborn Street, located directly next to Goodman Theatre.312.422.0150 (reservations accepted)LEYE.com
Hours:Weekend Brunch: 11am – 4pmLunch: Monday-Friday, 11am – 4pmDinner: Monday-Thursday, 4 – 9pm Friday and Saturday, 4 – 11pm Sunday, 3:30 – 7:30pmPetterino's is open after most Goodman Theatre performances
$16 valet parking available.
Located just one block from Goodman Theatre, Catch 35, dubbed, "one of the classiest and most innovative seafood restaurants around" by the Chicago Sun-Times, is an elegant choice for pre-show dining. The warm and expansive eatery boasts a newly crafted menu offering a variety of seafood & fresh from the farm options that appeals to all types of eaters from Colorado volcano lamb shank to Hong Kong style salmon to charred Spanish octopus. Fan favorites on the menu like pan roasted Chilean sea bass, Georges Bank scallop surf & turf, Alaskan king crab have been enhanced, furthermore, the seasonal ingredients such as Alaskan halibut, wild salmon, Block Island swordfish highlight the specials menu monthly.
Present your tickets or ticket stub to have the cost of valet parking deducted from your dinner check—a savings of $16.*
Catch 35, entices the casual, business, and special occasion crowds. Live jazz music at the Chicago location from 6-9pm Tuesday-Saturday illuminates the Chicago experience for tourists and regulars alike.
For more information and to make a reservation, call 312.346.3500 or visit Catch35.com.
35 West Wacker Drive (at Dearborn Street)312.346.3500 (reservations accepted)
HoursLunch: Monday - Friday, 11:30am – 4:00pmDinner: Monday - Thursday, 4:00pm – 9:30pm, Friday 4:00pm – 10:00pm Saturday, 4:00pm – 10:00pm Sunday, 4:00pm – 9:00pm Bar Menu: Starts at 4:00pm Sunday thru Saturday
*Catch 35 Valet Discount—offer only valid with a $60 minimum food and beverage purchase per valet ticket. You will need to pay the valet ($16-cash only); however, the $16 will be deducted from your check at the end of your meal. You MUST show your theater ticket to your server to redeem the offer. Ask your server for details. Valid at Catch 35 Chicago location at 35 W. Wacker Drive Chicago, IL.
Within walking distance of The Goodman, The Florentine is located on the second floor of the JW Marriott in the bustling Loop. Enjoy our $45 Pre-Theatre Menu, including modern and seasonal Italian dishes such as hand-made pasta and fresh seafood and steak.
Present your show ticket to receive a complimentary glass of house wine or a cocktail and discounted valet parking for up to 3 hours with the purchase of our Pre-Theatre menu.
151 W Adams StreetChicago, IL 60603For reservations, call 312.660.8866
Katana is the essential hotspot, serving imaginative Japanese cuisine in an alluring atmosphere. Enjoy robata skewers, grilled over bincho charcoals that infuse a rich smokiness into every bite, freshly caught fish prepared in an array of signature rolls, sashimi and nigiri, and an extensive collection of sake and exotic cocktails .
Show your ticket and enjoy 20% off your meal before or after the show.
339 N Dearborn StreetChicago, IL 60654For reservations, call 312.877.5544
Merely a few blocks away from Goodman Theatre, Roanoke is an upscale contemporary American restaurant. For just $33 you can enjoy a three-course meal with the "pre-theatre dinner menu" and receive 15% off when you show your ticket or member card. Roanoke will also validate parking at ABM garage for up to 6 hours every evening for $5.
135 W Madison StreetChicago, IL 60602For reservations, call 312.940.3760
Located in the heart of the theatre district, Stock and Ledger Kitchen & Spirits will have you coming back after each and every performance at Goodman Theatre.
Stock and Ledger redefines your pre- and post-performance experience. We do not have customers or even guests, we have clients. You are the client and we are here to serve you. Rodd Goldman's accounting background and chef Laura Piper's 35 years in the restaurant business give this restaurant a fine dining experience with a neighborhood corner bar/bistro feel.
Chef Piper doesn't just "use local ingredients", she knows local farmers and has inspired several to become farmers after being taught by her at Kendall college. Winning a TV show is one thing, teaching those winners how to cook is another. That is Chef Piper!
We are available for last minute reservations and will guarantee to get you in your seat on time.
Present your ticket for 20% off your entire bill.
70 W. Madison (located inside lobby)
For reservations, call 312.754.0395
Just a short walk away from Goodman Theatre, STK Chicago artfully blends the modern steakhouse and a chic lounge for a vibe-driven dining experience unlike anywhere else. Don't expect to find antiques on the walls or a stuffy, old atmosphere. We want you to mingle and have fun. Say hello to your table neighbors. Dance to the DJ and then hydrate with a cocktail or two. At STK, you'll get more than a great culinary experience…you'll get the perfect night out. Show your ticket and get priority seating and $25 off dining.*
9 Kinzie StreetFor reservations, call 312.340.5636
*Limit one credit per table/reservation.
10pin Bowling Lounge
Original to Chicago in historic Marina City, 10pin Bowling Lounge offers 24 lanes, 2 premium lounges and an enormous HD video wall. From corporate to social events, 10pin provides a unique bowling experience and can accommodate groups of up to 400 people with a full-service kitchen, bar and lane side service.
Located at 330 N State Street
Tortoise Supper Club is a Metropolitan Supper Club featuring steaks, chops and fresh seafood from Chef Aaron's Made from Scratch Kitchen.
Present your Goodman ticket or subscriber card and receive free valet parking.
Located at 350 North State Street
More at TortoiseSupperClub.com
Named "One of the Loop's premier dining spots" by the Chicago Tribune, the cozy Trattoria No. 10 boasts a tantalizing menu of fresh-made Italian fare. Raviolis are created on site daily, while rich risottos, hearty entrées and fresh fish selections round out the offerings.
Present your Goodman ticket stub and receive a complimentary dessert with the purchase of an entrée. Offer is valid only on the date shown on the ticket. Dine at Trattoria No.10 on a Monday night and receive 50% off any bottle of wine!
10 North Dearborn Street312.984.1718 (reservations accepted)
Hours:Bar opens at 4:30pmDinner: Monday through Thursday, 5 – 9pm Friday and Saturday, 5:00 – 10pm
Valet parking is $15 and available from 5pm until after the performance.
Goodman Theatre uses these caterers and highly recommends them.
6833 W. Roosevelt RdChicago, IL 60402
Phone: 312.553.9300
1362 W. Fulton StreetChicago, IL 60607Phone: 312.377.0925
Contact: Trish Vogel at firstname.lastname@example.com
7 N. WellsChicago, IL 60606Phone: 312.263.4750
Contacts for catering: Philip at firstname.lastname@example.com, or Michael at firstname.lastname@example.com
2373 Archer AvenueChicago, IL 60616Phone: 312.Connies
424 North Wood Street, Chicago, IL 60614Phone: 312.829.3663
10 North Dearborn StreetChicago, IL 60602Phone: 312.984.0044Fax: 312.984.1525
True Cuisine Catering/Sweet Baby Ray's Catering/Special EventsPhone: 312.724.6000
For info on True Cuisine, visit TrueCuisine.com and for Sweet Baby Ray's, visit SBRCatering.com.
If you own a restaurant and would like to join our fabulous team of Preferred Partners, contact email@example.com


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Envío gratis en compras mayores a $1599. Entregas durante COVID-19 ver más.
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CADERAS: Con los pies juntos, mide alrededor de la parte más ancha de tus caderas asegurándote que tienes suficiente espacio para moverte con comodidad.
Se mantiene pegado a la piel para un ajuste aerodinámico sin la restricción de la compresión.
Un corte completo y más generoso para mayor libertad de movimiento y un ajuste relajado.
Debes iniciar sesión para poder compartir por correo electrónico.
I bought these leggings last winter, and still love them just as much. They barely collect any hair/fur and no lint at all. You can't see through the leggings either. They are very comfortable and high waisted as well. They are a little short at the ankles, but that's not a big deal. I also own Lululemon leggings, these are definitely better, and they cost a lot less. I will probably be buying another pair because they are so great! Definitely recommend!
I simply just love these pants. Look good on as well as feel great wish they had more colors
this legging fits right. I am 17 years old, but I tried a kids size and it fits perfect. I like the elastic band. [This review was collected as part of a promotion.]
I bought an xl. I am 5'9 145lbs. Perfect fit and comfy. [This review was collected as part of a promotion.]
My granddaughter has several leggings. These must be her favorites because she puts them on every time they are washed. I think she likes the weight, as they are warm, and I know she looks cute in them. She is short and small for her age 9, and they fit her nicely. Her waist is 23", 47" tall. Specifically, I like the smooth and heavy weight of the fabric and haven't noticed any pilling, snags or signs of wear yet. I will be getting her more of these. Thanks! [This review was collected as part of a promotion.]


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A hearty meal of shepherds pie will provide you with that warm glow through the colder months. My grown sons like salty food, so I added half tsp salt. Add each cans of tomatoes, tomato paste, salt, sugar, Italian seasoning, and pepper. In a medium bowl, stir collectively noodles, inexperienced onions, bitter cream, and cream cheese. This simple-yet-traditional meatloaf recipe comes together with just quarter-hour' prep time.
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The most effective factor about Scentsy, in comparison with different Direct Gross sales businesses, is that no stock is critical. The worth to affix is $ninety nine, which comes with over eighty scent testers, bars, a warmer, a children product and catalogs, labels, order sorts and brochures so you possibly can succeed. It is advisable discover out the definition of a copied artwork, which can be given as a legal description or as a proportion of the whole concept or surface cowl (eg more than 20% copied constitutes copyright infringement, whereas lower than 20% would not).
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Video: Former 205-pound kingpin Jon Bones Jones labels Daniel Cormier a 'crackhead with a suit on' at the UFC 214 press conference. Rips his shirt off for a tense stare down!
The term "rivalry" is often overused in sports. When it comes to UFC 214 headliners Daniel Cormier and Jon Jones, though, the disdain is all too real. Throughout the history of combat sports, tension between opponents has been a chief selling point around the biggest fights. The hatred between UFC Light Heavyweight champion Cormier and former champ Jones is as authentic as it gets.


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If you are in need of medical transportation, call the new MedRIDE II program. WE can help. The town of Montville and City of Norwich have joined together and received a grant to help transport seniors to medically necessary appointments. Do you need to go to Yale, New Haven, Hartford.
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text: Scooped by Jean-Luc Montembault Scoop.it! How to Tell the Official Age and Grade of a Cognac From the Label From behind-the-french-menu.blogspot.fr - November 11, 2013 1:05 PM Jean-Luc Montembault's insight: For those who want to revise their knowledge of cognac before the Christmas holiday season, here is a beautiful presentation to read without moderation.It is also a beautiful invitation to visit the vineyards and discover its secrets and, why not, offer a winetour as a Christmas gift.See you soon in the vineyard and, until then, enjoy nice tastings. Tweet Partager more... No comment yet. Sign up to comment