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Houston police chief: Videotaped beating sickening
HOUSTON (AP) — Houston's police chief told jurors on Tuesday that the 2010 videotaped beating of a black teen burglary suspect made him "sick to my stomach" and gave the police department a "black eye."
Police Chief Charles McClelland Jr. testified that fired officer Drew Ryser — one of four officers who were indicted in the case — mistreated the teen during his arrest and failed to follow proper procedures.
Ryser, 32, is on trial this week on a misdemeanor charge of official oppression. He faces up to a year in jail if convicted.
"It made me sick to my stomach because it was an egregious use of force and the men and women of the Houston police department are better than that ... they did not deserve that type of black eye," McClelland told special prosecutor Jonathan Munier.
Ryser's attorneys have said the ex-officer was following textbook procedures to arrest a suspect he had been told might have been armed.
In video footage from a security camera that caught the March 2010 beating, then-15-year-old Chad Holley is seen falling to the ground after trying to hurdle a police squad car. He's then surrounded by at least five officers, some of whom appear to kick and hit his head, abdomen and legs. Police said that Holley and three others had tried to run away after burglarizing a home.
Holley's beating prompted fierce public criticism of Houston's police department by community activists, who called it an example of police brutality against minorities.
McClelland said that in seeing the video footage, he was disturbed that Holley, who had given up, offered "no active resistance and the force that was being used against him was excessive and unnecessary."
McClelland told jurors that if Ryser and the other officers believed Holley might have been armed, proper procedure would have called for one officer to draw his weapon on the teen and for another officer to then handcuff him.
But while questioning McClelland, Lisa Andrews, one of Ryser's attorneys, tried to suggest to jurors that the scene was very chaotic, with Holley and other suspects running in different directions, and that such a "perfect scenario way" of arresting Holley was not possible.
"If the other officers committed to go hands on to handcuff (Holley), it would not be prudent for other officers to pull a weapon," Andrews said.
McClelland disagreed on describing the arrest scene as chaotic, instead calling it "challenging."
Andrews also tried to suggest to jurors that the video did show Holley resisting efforts to handcuff him.
McClelland was expected to continue testifying on Wednesday. The trial, being heard by a six-person jury, is expected to last about a week.
Two other former officers charged in the case pleaded no contest and were sentenced in April to two years of probation as part of plea agreements. A fourth ex-officer was acquitted in May 2012. All the fired officers indicted in the case were charged with misdemeanors.
Holley was convicted of burglary in juvenile court in October 2010 and placed on probation. Last year, Holley, now 19, was arrested on another burglary charge, and a judge sentenced him in April to six months in jail and seven years of probation. Holley, dressed in an orange prison uniform, has been briefly brought into the courtroom at various times during the trial so that he can be identified by different witnesses.
Follow Juan A. Lozano on Twitter: www.twitter.com/juanlozano70.


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Rural Western Pa. school reopens after $250,000 fire
Rural Western Pa. school reopens after $250,000 fire
A rural western Pennsylvania elementary school has reopened a day after a roof fire caused about $250,000 damage to the building.
The Portage Area schools were closed Tuesday after the fire was reported about 2:20 a.m. at the district's elementary school, about 70 miles east of Pittsburgh.
School district Superintendent Richard Bernazzoli says a 30-foot section of the school's roof and insulation burned, though only minor water damage occurred inside the building.
The cause of the fire remained under investigation, but faulty wiring leading to some floodlights might have been the cause.
The school was renovated last year, but the roof was not part of that project.
The school reopened Wednesday morning.

subset: commoncrawl


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One man's database helps uncover cases of falsified valor
Monday, May 10, 2010
It certainly looked real. It had the right font, right seal. It was even signed by the secretary of the Navy.
But Doug Sterner, self-appointed guardian of the nation's military decorations, immediately suspected that there was something fishy about the Marine's citation for the Navy Cross, one of the military's most prestigious awards.
First of all, it said that the president "takes pride" in presenting the prize. "Pride," Sterner knew, is typically used only when the recipient is dead. This Marine was very much alive, which meant the citation should have said the president "takes pleasure."
Then Sterner noticed that the citation was supposedly signed in 1968 by Navy Secretary Paul H. Nitze. But Nitze was secretary only until 1967.
Sterner, who lives in Alexandria, knew that in his obsessive quest to compile a database of recipients of the military's top decorations, he had found yet another phony. This time, the man he outed was Richard Thibodeau, who for years had proudly spun tales of heroism and even had his awards hung in a veterans museum.
Since 2006, thanks to a federal law Sterner helped craft, claiming an unearned military decoration has been a federal offense. The FBI says the crime is on the rise as an increasing number of wannabes impersonate vets coming home from Iraq and Afghanistan with fictional tales of heroism.
Although the wars might be unpopular, Americans love a hero and are eager to honor men and women in uniform. The desire to show respect to vets is palpable even when so few Americans -- about 1 percent of the population -- actually serve, and most can't distinguish a corporal from a captain. The disconnect between the military and many civilians makes it all the harder for most people to tell the difference between the hero who was awarded his Purple Heart after taking shrapnel in the Battle of Fallujah and the fraud who purchased his medal on the Internet.
Some phonies do it for the money they collect posing as war heroes. But Tom Cottone, an FBI agent who for years busted them, said most do it for an adoration money can't buy. "They do it for the unearned recognition and respect," he said. "They get access to people, places and events they would never have except that they are representing that they earned awards for valor in combat."
The FBI investigated 200 stolen valor cases last year and typically receives about 50 tips a month, triple the number that came in before the September 2001 terrorist attacks, according to an FBI spokesman.
Fed up with the phonies, Congress in 2006 made it a crime punishable by up to one year in prison to claim, orally or in writing, an unearned decoration. Supporters of the law said the phonies diminish the value of the prestigious awards and rob true heroes. Before the Stolen Valor Act, it was illegal only to wear an unearned decoration.
But now the law is being challenged in court by free speech advocates who say that lying about military valor might be shameful but should not be criminal. The First Amendment's guarantee of free speech means that if burning the flag is legal, then wearing unearned medals should be, too, critics say. The Constitution, they say, protects acts of personal reinvention, whether it's a politician rewriting his past, a guy trying to pick up a woman in a bar or someone donning a fake medal.
"The fact is that people lie about things all the time," said Jonathan Libby, a California public defender whose client is challenging the law. "They lie about their age, their sexual orientation, their marital status. On dating sites, they lie about their physical appearance. What would prevent Congress from outlawing any of that?"


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As the fundamental building block to a digital strategy, API (Application Programming Interfaces) allows information integration between two systems in real time.
Digi-Key Electronics offers a complete set of API's to share information and automate the ordering process.
|Available API's:
Getting started with Digi-Key APIs:
If you're planning on developing an application that will connect with a Digi-Key API visit the Getting Started page in the Digi-Key API Developer Portal.
If you have a developer that needs access to the Digi-Key API Developer Portal please share this information with them.
If you have any questions regarding Digi-Key API Solutions visit the Contact Page and submit your question.
* Coming Soon
** Subject to Digi-Key approval


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Jon Jones Wrecks Chael Sonnen, Suffers Gruesome Toe Injury
Jon Jones bloodied and bruised Chael Sonnen Saturday night and retained his UFC light heavyweight title. Jones beat the trash-talking Sonnen at his own game, repeatedly taking him down and using vicious ground and pound to secure a first-round victory.
Jones took some damage during the fight, but it didn't come from the hands of Sonnen. Jones had his left foot firmly planted on the canvas and his big toe couldn't take it anymore. As he pushed off his toe pushed through the skin and broke.
Jones later tweeted out some pics of his toe, back in place and all stitched up.


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|2004-04-09, 18:34
|Link #1
you should die
Join Date: Nov 2003
Which tablet?
ive been really wanting to get a tablet for some time now but i dont know which one i should get from the look of things i hear wacom is pretty good but i can only afford the graphire3 not the intuos2 is there anything really better between the two cause im either gonna buy the graphire or save soem more for the intuos or if u know any tablets that are good and are about 150$ price range it would also help
|2004-04-09, 18:57
|Link #2
Senior Member
Join Date: Jun 2003
i've had my graphire 4x5... thats right the orginal graphire not 2 or 3 for a little over 3 years...
it still does the job... i'd upgrade... but why bother when it still works flawlessly
just having a high quality top-notch tablet is not going to make you the best
graphics creator... depending on what u plan on doing get what suits u better...
are u just going to do it for fun? professionally? don't spend the extra money for
things you really wont know how to utilize and wont make much of a difference to
|2004-08-05, 19:03
|Link #6
Hopeless Baseball Fanatic
I'm thinking about getting a tablet so I'm gonna revive this thread. Can anyone give advice on what's a good size and brand to get as I've no experience with it. Just doing art for fun so I think I'd set my max money spent at $300, though I'll definately buy a cheaper one if it's good.
So any advice would be appreciated
|2004-08-05, 19:55
|Link #8
CG / Color
I've also got a Graphire 3. No complaints, although it took time to get used to as all tablets do. There is an advantage to a bigger tablet area though, so keep that in mind if you're willing to cough out some extra money for a larger work space.
|2004-08-05, 22:23
|Link #9
Join Date: Jun 2003
|2004-08-05, 22:50
|Link #10
Hopeless Baseball Fanatic
That's the one I was thinking of getting, even though it's a little over my planned budget. Might try to get a used one off of ebay.
|2004-08-05, 22:55
|Link #11
Join Date: Apr 2004
for a tablet under 150 dollars, i'd strongly suggest wacom graphire 4x5 (i guess graphire 3 is good, i only have graphire and it's still great)
for 300 dolars, get wacom intuos 6x8 (or whichever the size is between 4x5 and 9x12)
4x5 can be slightly small sometime, but 9x12 is way too big and take up lot of desk space.
|2004-08-06, 02:08
|Link #13
Hopeless Baseball Fanatic
The only issue I have with getting a smaller one is that I have trouble enough as is filling in details on eyes and such on a full person sketch, I couldn't imagine doing it if I had to do it on smaller dimensions than a 8/12 x 11 piece of paper.
|2004-08-06, 03:59
|Link #14
CG / Color
gotta zoom a bunch, but if you can draw, you can probably draw with anything after you get used to it. As many said before, a great tablet isnt going to make you a great artist, although a terrible one will of course limit your abilities.
|2004-08-06, 18:35
|Link #16
Join Date: Apr 2004
Bigger tablet size won't help with the details, it only helps if you like to do things with long strokes. For example, I often find it annoy with my 4x5 when I draw long stroke of hair or clothes, 'cuz the pen goes out of the tablet area easily. I never find it trouble when I try to draw the details though.
I wonder if there's any store near by that you can try it out, or if any of your friend has a tablet, so you can see what it's like to draw with it. 9x12 is really big, it's almost HUGE!!! XD
|2004-08-06, 18:40
|Link #17
CG / Color
one thing that would be wierd is using a tablet PC, where like the whole screen is tha tablet. That'd feel waaaay too big.
But anyway, yeah, I often just use my tablet in place of a mouse and I lkinda know exactly where every point is. Like, if you wanna close a window, you eventually know instinctively where the top right of the pad is without looking. I have a feeling you won't be complaining about a 4x5, or else not many people would have them, would they
|2004-08-06, 18:54
|Link #18
Hopeless Baseball Fanatic
Hehe good info. I think I'll compromise and get the 6x8. I didn't even think about the fact that you could zoom and everything (even though I did it a ton doing the CG of my one pic in photoshop).
As you guys were saying the 9x12 would be pretty unwieldy in the workspace around the computer, and hell that's a lot of extra money over the 6x8 anyways.
Also one other question with the tablet they provide a "4d" mouse or something along with the stylist. What the hell is that for?
|2004-08-06, 20:21
|Link #19
Join Date: Jun 2003
Of course, the 9x12 is big for most computer desks. (and alll of them don't provide a tiltable surface!) Thats why I built my own desk!!!
|Thread Tools


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A tap and swipe turn-based strategy game with a huge sense of humor, featuring funny cartoon military units set in a stunning fictional world.
"Great Big War Game" is the much anticipated sequel to the critically acclaimed "Great Little War Game". (See what we did there?)
With a greatly expanded single player campaign, brand new online multiplayer and a whole raft of other cool new stuff, there's plenty to please that 2.5 million strong player base.
New to the brand? Don't worry - there's a full in-game manual and good tutorials to ease you in. If you missed the original game, you can still play this one and find out where all those 5 star reviews came from.
Core Features:
Available now for iPad, iPhone (HD and SD), and Android. Coming soon to Windows PC, Mac, and Blackberry playbook.
Join the Rubicon Forum to chat about Great Big War Game.
Great Big War Game is a standout among war games on any platform and an enormous iPhone title by any right. Start digging into the massive campaign and you might be missing out on other iPhone games for a long, long while.


text:
Teacher and Principal Resources
The Maryland State Department of Education does not necessarily endorse any links from this site, and is not responsible for their content or any consequences arising thereof.
Teacher and Principal Certification
2016 Maryland Student Records Manual
Maryland Teacher Report 2014-2016
Parents Guide to the New Assessments in Maryland
Early College Credit FAQ
Frequently Asked Questions about the Dual Enrollment Provisions
of the College and Career Readiness and College Completion Act of 2013
To learn more about these two options, use the Frequently Asked Questions
about Early College Credit.
January 2014
The Common Core State Standards and Next Generation Assessments
English - Spanish
Preparing Our Graduates for the World that Awaits Them
May 2013
MSDE Emergency Planning and School Safety
Information on emergency planning, school safety, and state regulations pertaining to schools.
MSDE Emergency Planning Guidelines for Local School Systems and Schools
April 2013
20th Maryland Artist/Teacher Institute
Professional Development for Maryland Educators In Arts Integration
July 7-11, 2014
Partnership for Assessment of Readiness for College and Careers (PARCC)
Maryland is a Governing State in the Partnership for Assessment of Readiness for College and Careers (PARCC), a consortium of 24 states working together to develop an assessment system aligned to the Common Core State Standards. The new assessments will be anchored in college and career readiness; provide comparability across states; and be able to assess and measure higher-order skills such as critical thinking, communications, and problem solving.
High School Assessment (HSA) Information
Maryland High School Graduation Requirements
The purpose of AutismConnect is to provide stakeholders in the state of Maryland with an online resource that will assist them in locating and securing resources for individuals with Autism. The website focuses specifically on research, educational resources, and advocacy organizations available to families in Maryland.
The Maryland State Department of Education Partnership with the Reginald F. Lewis Museum of Maryland African American History and Culture
Reginald F. Lewis MuseumThe Maryland State Department of Education has formed a partnership with the Reginald F. Lewis Museum to write a K ? 12 state-wide curriculum. The objective of this unique partnership is to create a climate of understanding and appreciation supportive of Maryland African American history, culture and art. Through both museum-based and school-based interactive programs and in/outreach activities, the partnership curriculum will reach every Maryland student, in every classroom, in every school.
Reginald F. Lewis Museum, 443-263-1800
830 E. Pratt Street, Baltimore, MD 21202
The Teacher Center
The Southern Regional Education Board (SREB) has launched The Teacher Center a web site to assist career changers and current teachers as they prepare to become teachers or as they seek college coursework for continuing professional development. Components for the system allow users to 1) locate and plan information that is state-specific and relevant to their particular needs, 2) explore course and program options that are available online, and 3) apply for admission to a college of university, begin the registration process for a course, and sign up for an examination or other online services.
Presidential Award in Mathematics and Science Teaching
?The Presidential Awards for Excellence in Mathematics and Science Teaching (PAEMST) are the nation's highest honors for teachers of mathematics and science (including computer science). Awardees serve as models for their colleagues, inspiration to their communities, and leaders in the improvement of mathematics and science education.Teachers are eligible to be nominated for the Presidential Award in Mathematics and Science Teaching?. The 2015 Awards will honor mathematics and science (including computer science) teachers working in grades 7-12?.?? ?Nominations close on April 1, 2015 and teacher's applications are due no later than May 1, 2015. ?Eligibility criteria and other important information can be found at: https://www.paemst.org.
Joy2Learn is a non-profit organization devoted to arts education. The foundation has developed a number of interactive e-presentations based on curricular standards for the arts, and they are making them available without cost to teachers across the nation.
Teacher Quality Regulations Under No Child Left Behind
School Improvement In Maryland--MDK12.org
The School Improvement in Maryland Web site, designed especially for educators, provides sample MSA test items in reading and math. For more MSA information from School Improvement in Maryland, click here.
Annenberg/CPB is offering teachers and schools assistance with this dilemma by providing a comprehensive collection of professional development and teaching resources free and on-demand over the Internet. Teachers can now access a wide array of video and multimedia resources-at Anytime, on Any Web.
The Access Center is a national technical assistance (TA) center funded by the U.S. Department of Education's Office of Special Education Programs to improve educational outcomes for elementary and middle school students with disabilities. It is dedicated to building the capacity of State educators, TA systems, districts, and schools, to help students with disabilities learn from the general education curriculum. This Web site contains free resources for teachers.
McGraw-Hill Learning Network
Showcases K-12 materials and content in a Web-based community
AGS Publishing
Assessments,textbooks and instructional materials for students with a wide range of special needs.
The Educational Sales Representatives Association of Maryland, District of Columbia and Delaware represents over 125 publishers of textbooks and instructional materials. This site provides a member directory with sales representative and company contact information. www.esrainc.com
Retired Principals and Teachers Who are Re-employed on or after July 1, 2004
Contact Information
Maryland State Department of Education
Division of Academic Policy
200 West Baltimore Street
Baltimore, MD 21201


text:
posted by Thom Holwerda on Mon 8th May 2006 13:18 UTC, submitted by BluenoseJake
Silicon Graphics Inc. has filed for Chapter 11 bankruptcy. The press release sugarcoats: "Silicon Graphics today announced that it has reached an agreement with all of its Senior Secured bank lenders and with holders of a significant amount of its Senior Secured debt on the terms of a reorganization plan that will reduce its debt by approximately $250 million, greatly simplifying its capital structure." El Reg, The Inq, and the WSJ have more.


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normie on Family Tree Circles
sort: Date Alphabetical
view: full | list
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Journals and Posts
Any information please on a Eliza Jane Cairns.Born 1874
In 1879 she started at South School, Oamaru and then nothing more, did she marry!!
Elizabeth Boyle and William Cairns married on the Waitahuna
Goldfields in 1862.
Elizabeth was the daughter of William and Elizabeth Boyle. She was born in Glasgow. Scotland.
Has anyone any idea how this Boyle family came to NZ around 1861!
Many thanks.
King family came to New Zealand on the ship, Carisbrook Castle in 1874. Settled in Temuka, New Zeland
He was Daniel King and she was Eliza, they had 6 children with them.
Can anyone help please.
Did Daniel have brothers that came to NZ as well.


text:
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OKANOGAN A Washington State Court of Appeals ruling last week may pave the way for the Okanogan County Public Utility District to start a new transmission line project in the Methow Valley that has been on hold since 1996.
The Division III court ruled May 7 that the utility can condemn state school trust lands, denying an appeal filed by state Commissioner of Public Lands Peter Goldmark on behalf of the Department of Natural Resources, along with Conservation Northwest.
"We're very disappointed in the court's ruling, and we are currently exploring what the most appropriate next step would be," Goldmark's special assistant Matthew Randazzo said.
Conservation Northwest Executive Director Mitch Friedman expressed similar sentiments.
"We continue to feel that this is a bad project that isn't in the interest of ratepayers or the broader public," he said.
However, a press release issued Wednesday by the utility said, "The district is anxious to put this legal challenge behind us and begin the construction of a much needed project…"
From here, Goldmark and Conservation Northwest have three options, utility General Manager John Grubich said.
They can file a motion for reconsideration with the same court by May 27, petition for a review by the Supreme Court by June 6, or do nothing.
If the two entities take no action, after 20 days the utility can re-bid for the project work and move forward.
"Basically, we're on hold until June 6," he said.
While there's a possibility of starting the project this year, Grubich said, it would likely not happen until next spring.
The land in question, about 12 miles of shrub steppe habitat, is owned by the Department of Natural Resources and is leased for grazing, with the profits going to schools around the state.
However, last week's court opinion – released by Appeals Judges Teresa Kulik and Laurel Siddoway and Chief Judge Kevin Korsmo – stated the department only receives $3,000 per year from those leases and "the fact that school trust lands are devoted to the purpose of financing education was insufficient to exempt the property from condemnation."
In addition, the utility's offer of compensation for the easements would have generated more revenue that would have benefited the schools, the opinion said.
The judges also pointed out that the state's own contracts that the state's own contracts with the lessees contain a provision that the lands may be condemned "by any public authority" and in that event, the leases could continue.
The proposed easements would have passed over less than 4 percent of any leased area.
The utility began eminent domain proceedings in 2009, when the state became one of the landowners who refused to grant easements for the 27-mile transmission line and substation.
The new line will provide more reliability for Methow Valley residents, who are currently served by one line over the Loup Loup Highway, Grubich said.
"The load in the Methow Valley has grown significantly since the time that line was built… and it is reaching the end of its useful life, and it's not sufficient to meet some of the peak loads," he said.
Basically, we're on hold
until June 6.
General Manager John Grubich
The new line also would save the utility about $400,000 per year in line losses — electricity that leaks from the line, he said.
Environmental review for the project took about 10 years, with Conservation Northwest arguing that the new line would increase wildfire risk, trigger the growth of noxious weeds, disrupt wildlife and exacerbate erosion.
The state's appeal to the utility's environmental impact statement also landed in Division III court. At that time, the court ruled in favor of the utility in that "the environmental effects of the project were adequately disclosed, discussed, and substantiated…" and that the utility "did not act arbitrarily and capriciously in selecting the transmission line route."
The debate over the utility's eminent domain authority began when the utility couldn't get easements from about 15 percent of the area landowners. The utility filed a final petition for condemnation in April 2010.
Former Okanogan County Superior Court Judge Jack Burchard ruled against the state's case in May 2010, which claimed that the utility can't condemn state lands dedicated to a public use. Burchard's decision held that the transmission line did qualify as public use and wouldn't interfere with grazing.
More recently, the utility has started eminent domain proceedings on two parcels of land owned by Lakewood-based real estate company SFI Holdings LLC.
The company had repeatedly declined the utility's offers so it could gain easements to build a 3.5-mile long transmission line at Bonaparte Lake, off state Highway 20 near Tonasket.
All the other surrounding landowners have granted easements, and all that stands in the way is a 2,000-foot stretch of undeveloped land.
The resolution passed by commissioners April 23 noted that the utility will continue to try to negotiate easements with SFI to avoid further legal proceedings.
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Ryan Nicholson
Gabe Powers talks to the director of Live Feed, and regrets his negative review...
On 22nd September of this year (2006) I wrote up a review for a little horror film called Live Feed. I hated it. I wrote a scathing review. It was a little on the mean side. Looking back, with a clearer head, and better understanding of the film, I do regret my reaction a bit. I still don't think the film was good, but my violent dismay was most likely brought on by the fact that I really wanted to like the film.
Some time after my review went up director Ryan Nicholson somehow got word on it, and replied in the comment section. Now, honestly, I partially expected a response from the director after seeing his hands-on website, and figuring the fact that this was his first major DVD release. I prepared myself with a response for what I was sure would be a venomous reaction to my review. "If you can't take a little critical slagging, get outta the business", I was going to say.
I was shocked when Nicholson turned out to be a decent guy. He was obviously a little angry in his response, but handled himself well. After updating my review to state clearly that Live Feed was not actually a rip off of Eli Roth's Hostel (though I still say MTI is trying to cash in on Roth's film), I stopped by the Live Feed website and dropped Ryan an E-Mail. I decided that if he was game, I'd like to interview him about his film, and maybe set the record a bit straighter than I left it.
Anyone who read my previous attempt at an interview (read all about it here) knows I'm not very good at it. So rather than mucking about with telephones and tape recorders, I decided to make this one easy on myself, I made it an E-Mail interview. Here's what my new gore-hound friend had to say.
DVDActive: Tell us about yourself and your work.
Ryan Nicholson: I've been a fan of horror movies since I was child. I loved the Universal Monsters and took a tour of Universal Studios back in the early 80s. I think they were shooting Scarface there at the time. I remember the Jaws ride and the Psycho house. Like the saying in Goodfellas goes "I always knew I wanted to be a gangster", while in my case, a film-maker/monster-maker!
My Father took me to all of the 80's horror movies in the theatre and I was hooked. I knew I had to get into the movie business. Making monsters seemed like the logical choice since I loved the creature FX and gore in a big way. I started practising make-up FX on my friends until I glued my good buddies hair to his head! The glue wouldn't come out no matter what we tried. Eventually we had to shave his head. Damn. But I stuck with make-up FX, just moving on to sculpting busts and monsters in clay. I stayed away from living people until I knew what I was doing.
When I went to junior high I was big into theatre and drama class, but not in the acting sense, more in the theatrical make-up area, making up the other students and being the "go to" guy for Halloween make-ups. This led me to student films in high school and eventually to low-budget feature films. Heavy metal music and "Eddie" from the band Iron Maiden always inspired me to. There's something about horror movies and metal music, the fact that they both stray very far away from the mainstream has always appealed to me.
DVDActive.com: You've worked make-up on a lot of big budget films, do you have any fun anecdotes about Hollywood types?
Nicholson:I met Christopher Lee a short while back and it's amazing at how candid an actor of that calibre will be with someone who's interested in listening. I asked Mr. Lee about his experiences with Jess Franco when they did the Fu Manchu movies and he had such funny stories to tell. Most fans want to hear about his Lord of the Rings or Stars Wars characters, but me, it was about Fu Manchu and I think he really appreciated that.
A great friend of mine is Jon Voight. I was doing test make-ups for him for the upcoming Transformers movie and he invited me and my girlfriend/FX artist Michelle to stay at his house in Beverly Hills. I had done a few movies with Jon, doing his make-up FX, but staying at his house and standing in front of his Oscar which he won for Best Actor for Coming Home is a little surreal. In fact, I didn't want to touch the Oscar. It was like if I did I would wake up and this crazy career of mine would've all been a dream. Jon is such a brilliant actor and the nicest guy I've ever had the pleasure of knowing.
I once took Frank Oz and my crew out for dinner and it's amazing at how many people want Mr. Oz to do "Yoda" and "Ms. Piggy". It must get old after awhile for him but he's still so friendly with fans. I remember him saying "No, not right now.", to one lady that approached him but in the voice of Ms. Piggy! It was great.
As far as interesting things, I remember some disgruntled employees of mine that I had fired stole Ben Affleck's headcast that my studio had done for "Reindeer Games" and hid it under a storage container. That was very odd. And I remember another guy trying to sell prosthetic items on eBay that belonged to a Sci-Fi series I had done and almost getting sued for that. It's a very odd business when your dealing with artists, they are very irrational at times and downright insulting and abusive at others. I prefer to work only with my girlfriend and father nowadays and not hire outside of the family. There's too many flakes in this business, it's enough to drive you crazy.
DVDActive.com: I know a certain editor of this very website that would love me to ask you some questions about the Transformers movie. Are you a fan of the old cartoon? Any other tid-bits?
Nicholson:When I first got the call about the Transformers movie, I was like, "dream job". I had an awesome strong jaw sculpture that I had done for Jon Voight on another movie that got shelved. It was a great look and would've suited his "General Keller" character on Transformers but the time wasn't there to work out the look quick enough. I did a test make-up in LA on him with silicone prosthetics that the guys at Burmans ran up for me really fast. I'm a gelatin appliance guy, and wasn't used to silicone so the piece I had was literally the first piece of silicone I'd ever applied. It looked good but not great. With no time to get pieces made, we scrapped the look, but I'm sure we'll use it for another character on Jon one day.
He's a great actor and didn't even need it for Transformers. He had everything perfected before I'd arrived. The character's voice, mannerisms, etc. I'm eager to hear about his time shooting that movie. In any case, I used to collect Transformers when I was a kid. Soundwave was my favourite. Those cassettes that transformed into a dog and a wicked bird! I had almost all of them, Optimus Prime and Megatron in the original boxes. When I was a teenager I thought that I was too cool for toys so I sold them!! All of them for like 100 bucks! I thought it was a deal but now I look back and am like "I should've kept them!". I love cartoons. Thundercats, He-Man and Inhumanoids were among my favourites.
DVDActive.com: That sound familiar, I sold all my Star Wars toys to my uncle for $100 when I was about 10 years old. I can't really blame him because he honestly didn't know what they were worth, but I really hated myself around the time The Phantom Menace came out.
Who are your idols, and what are your favourite films?
Nicholson:I truly admire the Masters of Italian horror. Directors that come to mind are Lucio Fulci, Dario Argento, Mario Bava, Ruggero Deodato, Umberto Lenzi and Joe D'Amato. I also admire American directors such as John Carpenter, Tobe Hooper, Wes Craven, Martin Scorsese, David Lynch, David Cronenberg and Brian De Palma. My favourite films range from Cannibal Holocaust to Street Trash, Ms.45, Mean Streets, Scarface, Once Upon a Time in America, Porky's, and Joysticks! I love movies - all genres - but horror is where my true passion lies. I love the 80's. From cheesy comedies like Hotdog and Joysticks, to fantasy classics like Conan The Barbarian, and horror like The Howling and The Fog.
DVDActive.com: Ah, I think I may see the rift in our tastes. I never liked those '80s sex-comedies. I just never thought they were very funny. I can see a lot of them in Live Feed, and that has a lot to do with my negative reception of it. That might be important for viewers to keep in mind when reading my review. I'm very happy to hear you mention the Italian Masters though.
Nicholson:Come on! You didn't like Hamburger or Private Lessons!? I remember skipping school to watch all that stuff on HBO or Cinemax back in the '80s. I also watched a ton of pay TV horror like The Keep and Happy Birthday to Me. We didn't have pay TV at home, I'd go to a friend's house and they'd have stacks of tapes. Can someone say "copyright infringement"?
DVDActive.com: How important do you find film criticism, especially in the realms of the gore film?
Nicholson:I enjoy constructive criticism. If someone has something to offer me, some insight to how I can be a better film maker, I listen. I like creative reviews of my movies. If someone hates my movies but is creative in voicing their opinion, I'm all for it. I just laugh at idiots who are spiteful or jealous at my success and reveal themselves just as that with the hateful comments they make on message boards or public forums. Do these people have nothing better to do then dwell over lil' ole me?
DVDActive.com: On the Hard Candy DVD, the director mentions that he was proud of his negative reviews because it meant he affected someone. Do you feel the same way?
Nicholson:I don't set out to shock people. I just like to make movies for myself, what I want to see. If the viewer digs it, that's a bonus to me. I don't promise things, like "This is the sickest, goriest movie ever made!". When you do that, you're setting yourself up for a big time fall. I really don't think a negative review is problematic with Live Feed. It seems as though horror fans either love it or hate it. I did what I wanted with Live Feed and the rest is up to the viewer.
I like to talk with horror fans in general about my movie. The people that take the time to write an informative review, I'll give them the time of day. But some moron just hating on the movie is wasting their time, if they're trying to get a reaction from me, they fail. The fans that dig the movie get huge props from me and I won't forget the people that have stuck with me. Live Feed is a movie that has an awesome fan base, and I'm very thankful that these viewers, and I have similar tastes in gory movies. It makes me very excited for my next picture.
DVDActive.com: Critique the critic. I gave your hard made film a very negative review. Was there any specific thing I said in my critique that you think was particularly off base? Was there anything you took particularly personally, or was it all water off a duck's back?
Nicholson:The thing I enjoyed about your review was that it was entertaining to read. Even though it was at my movie's expense, I couldn't deny that it was well written and laugh out loud funny. That's the thing, Live Feed isn't going to win anybody an Oscar but even if a review, that is well written and entertaining, comes from it, I think that it's a great thing. I think certain critics take stabs at me like I promised the world and didn't deliver, but the truth is I never promised anyone anything. I can't tell the distributor how to market the movie. They're in the business to make money, so they'll market it the most viable way they can, and if they choose to ride the wave of a successful movie like Hostel; I can't help that and as a matter of fact, I commend them for it because now that Live Feed is a success, I can make another movie. If Live Feed was a flop, I'd be in the dog house with the distributor and the cast, crew which all worked their asses off for (so) little.
With Live Feed, I wanted to pay homage to a ton of movies. I used the "tourists in trouble" formula which sure as hell wasn't started with Hostel, and I put my own spin on it. I incorporated gangsters and criminal activity into this well worn but successful formula, put a "racism can get you killed" theme into it, and thus it became Live Feed. Believe it or not, there is a theme in Live Feed, the big dumb white jock character is a racist, a loud mouth who gets his group of friends in deep doo-doo with his racial outbursts. This kind of behaviour is idiotic, and maybe after someone watches Live Feed, they'll think twice about insulting other cultures.
The Asian cast in Live Feed was so supportive of my movie, and never questioned me about my dog scene or tempura dicky roll appetizers. The Asian cast knew what I was trying to do and they thought it was fantastic that I would take on these racial undertones in society and make a horror movie out of it.
But back to your review in question. I took it all with a grain of salt. You have a job to inform and entertain, if Live Feed wasn't your cup of green tea, that doesn't mean it won't be someone else's.
DVDActive.com: I honestly would like to have seen more of the racial undertones. I think it was a good idea.
Nicholson:My Father/co-writer of Live Feed, Roy Nicholson, is still pissed off that we cut most of the racist undertones out. I do include them as deleted scenes on the DVD but my editor seemed to think it slowed the pacing down. Looking back and ahead, maybe I'll do a "Director's Cut" as this version was a team effort - more so than my own vision 100%. Vince D'Amato is a great editor and one of my best friends but we differed on certain things. Like, I wanted more gore, more blood spray. Vince thinks less is more. I'm the opposite. But he did such a wicked job, and I'm happy with Live Feed, but who says I can't revisit it?
DVDActive.com: Sometimes less is more, but I think in this case more may've been called for. I know I would've preferred more over-the-top violence.
Honestly, though, when you first heard about Hostel, were you a bit pissed-off?
Nicholson:I was pissed off in a big way because I knew the "rip off" and "poor man's version" comments would be coming at me from all angles. I knew that there was a public record indicating that my movie was made before and announced way before Hostel, but no one really gives a s**t about that in the bigger scheme of things. The best way to get someone reading an article or review about Live Feed is to put the word Hostel in the first sentence. It was obviously the best way to sell Live Feed as well.
I'm a fan of Eli Roth and I loved Cabin Fever. When I finally saw Hostel and could honestly say that the movies are not at all alike, I was relieved. With Hostel 2 coming out next year, and Live Feed 2 in the works, the audience for harder edged horror will have an awesome 2007!
DVDActive.com: I admit I thought it was a total cash-in, but I did update a few bits in my review when I found out I was wrong. Roth has said that the inspiration behind Hostel was Takashi Miike, I saw some signs of Miike in your film too. And did you hear that Deadato may be making a guest appearance in Hostel 2?
I wanted to pay homage to Miike. I love his movies! Audition, Ichi: The Killer, and Dead or Alive are so damn wicked. The whole "gangster" element of Live Feed can be attributed to him and Martin Scorsese, whose Mean Streets and Goodfellas are big influences. It's great Roth has the dough to bring in those iconic directors like "Miike" and "Deodato" to make cameos. It's awesome for a fan. Roth's a fan and it shows big time as does myself being a big fan of the horror genre.
DVDActive.com: Though obviously meant to be disturbing, Live Feed has intentions of entertaining. What do you think about some of the nearly plotless gore films making the rounds these days, like the August Underground stuff?
Nicholson:My good friend, Killjoy of Necrophagia produced August Underground and actually most of the gory bodies, the dead baby and the little girl in the bathtub at the end of the movie came from me. I didn't know it at the time, Killjoy said he was making a music video and needed those props. I sent him crates of bodies and severed limbs, little did I know they'd end up in that movie. When he showed me the movie, I was pissed off to see that silicone little girl prop getting sodomized by Mikey Maggot, I was pissed because I could get sued! That little girl is a lifecast of a real girl. Did she know she'd be in that movie, nope, neither did I!
Putting that aside, I dig what Toe Tag was trying to do with August Underground but that kind of movie isn't really my style. I like gratuitous sex and violence, but I also like a plot, a theme of some sort to keep my interest. The violence of Live Feed is over-the-top but there is a point to it, a reason for it. There's a structure to Live Feed, albeit a thin one. There's a beginning, a middle, and an end.
DVDActive.com: I met the director, Fred Vogel, briefly at Chicago's Flashback Weekend this year. He came with the folks at xploitedcinema.com. Seemed like a nice guy, though I have to admit I've never seen his film. I was tempted to ask for a review copy, but decided that it probably wasn't quite the right thing for my site.
Nicholson:August Underground is worth a watch just to see what Vogel and co. did with a video camera and creative editing. I'm looking forward to Fred Vogel's new one, The Redsin Tower. I think xploitedcinema.com produced it, and it looks great [interviewer's note: the fine folks at xploitedcinema did, in fact, produce the film, I asked]. It's amazing nowadays with digital technology, with Live Feed I do think most of it looks like film, and the same thing for Redskin Tower, it looks wicked. It's all in the lighting for sure.
DVDActive.com: Is there any line not worth crossing?
I'm not interested in child murder. A good friend of mine, Nick Palumbo, did that with his Murder Set Pieces, and it's caused him nothing but trouble. He's in a no win situation. Some horror fans say he's trying too hard to shock, and other viewers are truly repulsed by what he's done, and hate him for it. Then the people that actually dig the film get accused of "spamming" the Internet for him! It's just a tough place to be in. He's a brilliant film maker, and his movie hasn't gotten a fair shake. I hope he has better success with his next movie. I'm very eager to see what he has up his sleeve.
DVDActive.com: I gave your film a hard time, but I will admit that it looked fun to make. I never got to see the special features, so tell me a little about the film making process.
Nicholson:Money. It all starts with enough money to put together a cast and crew. Enough money to get your locations locked down and your gear. Then it's all blood, sweat, and tears for 3 weeks of all-night shooting. Then it's months in editing both picture and sound. Then it's trying to get a deal, and once you get a deal, waiting for the release and the financial return so you can do it all over again, if you're a glutton for punishment! But don't forget the critics and armchair cynics, that's when you need to have skin thicker than a Florida gator!
DVDActive.com: How did you manage to score working actors? It seems such meagrely budgeted films are usually staring the director and producer's best friends.
Nicholson:We went about making
Live Feedthe same way any big-budgeted movie does. We went to agencies and the Unions to get what is called "ultra low-budget" agreements or in other words, deals where actors and crew will work for a fraction of the cost, knowing they'll get residuals after the fact. I had Emily Perkins of the Ginger Snaps trilogy lined up to be in
Live Feedat one time as well as William Sanderson of Blade Runner and Savage Weekend. I also had Michael Moriarty of Q and The Stuff on the verge of signing. But the problem is the Unions, you simply can't pay certain actors more than others with these agreements. You have to pay equally across the board. So needless to say, I couldn't afford to pay every actor in Live Feed the same rate that say, William Sanderson was going to charge.
In the end, I'm very happy and proud of the cast that came on board and I know most reviews take cheap shots at the acting but that was the way I wanted it. Over the top and campy! I wrote the script with these performances in mind and the actors came through exactly as planned.
DVDActive.com: I've heard Moriarty is difficult to work with. It may've added a fan base to your film, but you may've also dodged a bullet.
Nicholson:I've heard that to, but he seems like a nice guy, and I do hope to work with him one day. I was prepared for anything, but never had the chance to find out. He's really busy these days on films and TV. Hopefully he'll stick around Vancouver long enough for me to work with him.
DVDActive.com: I just reviewed him in Larry Cohen's Masters of Horror entrée, [/i]Pick Me Up[/i]. He's still a great actor.
Did you have the DVD in mind while filming?
Nicholson:I knew I wanted a killer "making-of" so we rolled b-cam on everything, and put together Behind the Blood: The Making of Live Feed, which is actually longer than the movie itself! It's a great piece of work, and anyone who watches it will see how much fun we had making the movie. Macabre, a great metal band from Chicago, let me use their music for Behind the Blood. Everyone that supports my vision really stepped up to bat for Live Feed, and I thank each and every one of you guys and gals!
DVDActive.com: Has your face ever made it into a DVD special feature other than your own film that you know of? In the background?
Nicholson:My Father and I had a cameo in Live Feed. Two white, penniless bums, which we felt like after the movie, on the streets homeless which tied into the fact that Live Feed (spoilers ahead folks) takes place in Chinatown, not China. I cut it out because I wanted the audience left hanging on where the film takes place. A few viewers figure it out with the White cop at the end but the English signs all over the place aren't a giveaway if anyone knows anything about Hong Kong, there are English signs all over the place there too.
DVDActive.com: Tell our more inspired reader what they have to do to get a movie made and released on DVD.
Nicholson:You have to write a script, something that can be filmed with the budget you then have to gather. You need to be open to changes within the script if others have some say in your movie. For instance, Live Feed had a huge kung-fu fight in the Night Market at the beginning of the movie, but it was cut out of the script when the stunt co-coordinator for the movie asked me, "Are you making an action film or a horror movie?". I omitted it from the script. He felt I didn't need it and looking back, he was right. Anyone with a mini-DV cam can make a horror movie nowadays. This is a great thing, and don't let anybody tell you any different. We are the new blood of the horror genre and we will make the movies we want to make! Can I get a "Hell yeah"?
DVDActive.com: What's next for Ryan Nicholson?
Nicholson:I have a couple of scripts on the go, and it's a matter of budget at this point. I plan on shooting very soon, and I'm hoping my next film will receive a review as entertaining from DVDActive as my last one. And you know Gabe, we'll be breaking out that Casio keyboard again for a score dedicated to you! Adios my friend.
DVDActive.com: Ha ha, just tell me if you need a guitar solo, I'll knock one out for you. Thanks for being such a good sport, and I'm honestly looking forward to receiving your next DVD.
Nicholson:Only if it's one of those keyboard guitars from the '80s and while wearing a piano tie! Damn I love that decade!
DVDActive.com: I'll get my white suit coat outta storage for you. Thanks again.
Editorial by Gabriel Powers
Mal Webmaster Join Date: May 2001 Location: United Kingdom Posts: 1,290
Good interview Gabe... I'd better request additional discs from MTI for you - on the off-chance that you'll aggravate more directors!
Gabe Powers Editor Join Date: September 2004 Location: United States Posts: 4,721
That's fine by me, I'll just give you the wrong address.
James Tully Member Join Date: October 2004 Location: United Kingdom Posts: 436
The original Live Feed review passed me by, but now I want to watch it!
The Director seems like a nice guy - and not all directors hit one out of the park on their first try. Maybe his next film will be amazing.
Good interview as well....
The Director seems like a nice guy - and not all directors hit one out of the park on their first try. Maybe his next film will be amazing.
Good interview as well....
plotdigger Member Join Date: October 2006 Location: Canada Posts: 3
Hey Gabe, the interview looks great, who is that handsome guy?!! Hahaa, in anycase, I just wanted to mention my two best buds that helped me soooo damned much with "Live Feed" and without them, the movie would be silent and have no artwork. Patrick Coble, my bestfriend and bandmate "Snuff Maximus", who composed the electronic, pulsing, heavier than hell, kick ass score for "Live Feed"! Pat also mixed all the sound in post production and created all of the wicked sound fx for "Live Feed" at www.epicenteraudio.net , if you want wicked pro-sound, ring up Pat, he's the man! Epicenter Audio is located in Victoria, Beautiful BC Canada. And a shout-out to my other bestbud Dwayne Clare, who is a kick ass artist and graphic designer. See for yourself at www.dwayneclare.com !!! The guy is talented!!! Sometimes doing interviews and press, you can get sidetracked and forget to mention the true talent behind the success of a movie. And more often than not, you wish there was a place to fix your mistakes. Thank-God for this "comments section"!! Adios Gabe and thanks for the great questions!! Your Canadian Bro, Ryan Nicholson.
scottmck Contributor Join Date: April 2006 Location: United Kingdom Posts: 393
Look out for the horrible death of a character called Gabe in his next movie
Gabe Powers Editor Join Date: September 2004 Location: United States Posts: 4,721
Thanks Ryan. Keep in touch and send me that Live Feed 2 DVD when you're done making it.
Chris Johnson Member Join Date: October 2005 Location: United States Posts: 1,465
I've talked to Ryan at the bloody-disgusting.com message boards and he's a really cool guy.
Worst Nightmare Senior Member Join Date: July 2002 Location: Australia Posts: 6,716
Great read Gabe - except your link is not pointing to the review of Live Feed....
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Yeyo Cintadio (Former NFL Player) - The New Me [Label Submitted]
"The New Me" is a track from Yeyo's new mixtape "All i Want is Everything Vol. 3" which is set to be released early 2013. Follow @yeyocintadio instagram @yeyocintadio
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Artist description:
first ever drawing on canvas draw so please be kind :) Any tips would be appreciated
Canvas Draw Created Sep 16, 2011 640 x 460px Unless noted Copyright 2011 LionRabbit.
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gorgeous puppy!!!!!!! well done:)
Soo sweet!! collection 5 h
aww your so great at drawing animals!
WOWOWOW Excellent drawing!!!! Such a cute puppy!!! 5h!!! + Collection!
WONDERFUL JOB! I think that I have said before - you have a wonderful talent for capturing animals and especially their eyes - the "look" in their eyes. Well done to you again.
That's so amazing... the shading is awesome and it looks really realistic :D and how do you draw eyes and noses that well O_O
your puppy drawing is really amazing just awesome 5h
this is very nice 5h
ur puppy is so cute....5hearts


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A Righetti High School publication that is capturing the lifestyles and activities of students is now available online for free.
The RHS magazine, The Legend, made its cyberspace debut a few weeks ago. More than 20 students and adviser Robert Garcia plan to complete five or six issues this year.
The students' news gathering efforts have sparked many conversations about the way students dance, bullying, parent relationships, a closed campus and other topics.
"I want their work to show people what they're capable of doing," Garcia said. "The more exposure they receive, the more chances for opportunities later after high school.''
The publication features a fine selection of photographs, sports coverage and even personal perspectives from foreign exchange students. The magazine is also available in print. Several hundred copies are tentatively planned for next year because of rising costs.
RHS Legend staff member and student Iliana Gutierrez said the online opportunity has reached many more students and nonstudents than they ever expected.
"We've gotten responses from a former teacher, San Francisco and as far away as Germany," Gutierrez said. "These people are all over the world.''
— Kenny Klein is the media contact for the Santa Maria Joint Union High School District.


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The Jaguar XJ220 turns 20
In case you forgot to add it to your diary in 1992, 2012 is the 20th anniversary of fastest Jaguar ever produced - the XJ220.
Conceived by an informal group called "The Saturday Club", Jaguar's chief engineer Jim Randle wanted to make a Jaguar that could beat the supercars of the time, the Ferrari F40 and Porsche 959.
Like the C-X75, the XJ220 was only meant to be a demonstration of what could be done if Jag switched its cerebrum on, built for the British Motor Show at Birmingham in 1988. When the covers were pulled off everyone loved it, so Jim Randle started scratching his head to see if a production XJ220 could work.
It could… but there were some prerequisites. It had to lose its 530bhp 48-valve V12 engine, 4WD system and Lambo-esque scissor doors featured on the concept. This left half the engine (a twin-turbo V6 from a Rover Metro) and half the powered wheel. But the determination to hit 220mph endured.
PUB AMMO ALERT the XJ220 is completely separate from the XJ range but the "220" is a reference to the targeted top speed of 220 mph.
A total of 281 XJ220s were hand-built in Bloxham, Oxfordshire and they came with a hefty £470,000 price tag. This meant that only really rather rich people could get their hands on one… like Flamboyant glasses enthusiast, Elton John.
MORE PUB AMMO ALERT, Elton was the 57th customer to order an XJ220 and once, when returning from tennis, clipped some roadworks cones in it.
In 1992 Jaguar took the XJ220 to Nardo - the very same, very scary ring that the boys visited in last week's show. With Martin Brundle at the wheel (we can't confirm if he wore his jingle-jangle necklace) the plan was to go fast. Really fast.
Initially the car hit 212.3mph but then Jag decided to throw out the cats and increase the rev limiter in an effort to beat the wind. The result was 217.1 mph; if it had been a straight road it would have nudged 220 mph. Job done.
The mighty Jaaaaaaag held the record for the highest top speed of a production car until 1994; McLaren's F1 trounced it with a 242.95mph top whack.
Open your Facebooks, then hit like if you dig the 220. Now click on for more pics.
What do you think?
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0 0>=40 .vs 0u 0<=39 .vs 0p typedef struct { int type; unsigned long serial; Bool send_event; Display *display; Window parent; Window window; int x, y; int width, height; int border_width; Window above; int detail; unsigned long value_mask; } XConfigureRequestEvent;
When you receive this event, the structure members are set as follows.
The type member is set to the event type constant name that uniquely identifies it. For example, when the X server reports a GraphicsExpose event to a client application, it sends an XGraphicsExposeEvent structure with the type member set to GraphicsExpose. The display member is set to a pointer to the display the event was read on. The send_event member is set to True if the event came from a SendEvent protocol request. The serial member is set from the serial number reported in the protocol but expanded from the 16-bit least-significant bits to a full 32-bit value. The window member is set to the window that is most useful to toolkit dispatchers.
The parent member is set to the parent window. The window member is set to the window whose size, position, border width, and/or stacking order is to be reconfigured. The value_mask member indicates which components were specified in the ConfigureWindow protocol request. The corresponding values are reported as given in the request. The remaining values are filled in from the current geometry of the window, except in the case of above (sibling) and detail (stack-mode), which are reported as None and Above, respectively, if they are not given in the request.
Table of Contents


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HARRISVILLE, R.I. - The Sacred Heart University women's ice hockey team fell in overtime at Nichols, 3-2, Saturday evening. The Pioneers had a one goal lead heading into the final seconds of regulation, but Bison sophomore Mary Fehr netted the equalizer with 15 seconds left and the NC net wide open.
In overtime, junior Kritsa-Jean Forand found the back of the net for the game winning score.
Sacred Heart was held scoreless for the first 49 minutes of play, but then senior Brittany Hartman (Edina, Minn.) scored her fourth goal of the year, assisted by classmate Taryn Lapierre (Oakland, R.I.) on the power play, to tie the game at one. Less than a minute later, Tara Kent (Glenview, Ill.) netted another power play score to give the Pioneers the lead, off a feed from classmate Nicole Palazzo (Rocky Hill, Conn.).
The Pioneers, who have struggled to score and put shots on net so far, fired off a season-high 70 shots at the Bison goal. Freshman Francesca Palazzo stood her ground for Nichols and came up with 68 shots in the hard fought victory. For SHU, freshman Alexius Schutt (Elk River, Minn.) provided 17 saves between the pipes.
For Nichols, it was their first win of the season as they improve to 1-3, while Sacred Heart fell to 1-8.
The Pioneers are back on the ice as they compete in the Nutmeg Classic, hosted by Quinnipiac on November 26 and 27. SHU takes on the host Bobcats in the first round at 4:00 pm.


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Fashion Films
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Carson McColl
Black Saint
Jun 17 2010
Inspired by the simple concept of black and white, musician, artist and poet Carson McColl took up residence in the LiveStudio space in June 2010 to un...
Judy Blame
Judy Blame: In Black and White
Jun 10 2010
Legendary stylist and designer Judy Blame took up residence in the LiveStudio space, creating a unique selection of jewellery and accessories inspired ...
Charlie Le Mindu
Mar 11 2010
Avant-garde hairstylist and designer Charlie Le Mindu took up residence in the LiveStudio to create a headpiece. The studio space was simultaneously de...
Nick Knight, Alexander McQueen, Ruth Hogben and Raquel Zimmermann
Plato's Atlantis
Oct 6 2009
Under the direction of Nick Knight and with support from IMG, SHOWstudio streamed Alexander McQueen's Spring/Summer 2010 presentation, 'Plato's Atlanti...
Ruth Hogben, Doc Rowe and Simon Costin
May 20 2009
Inspired by the launch of Simon Costin's touring Museum of British Folklore, Britannica showcases an interview with the inimitable Costin himself, alon...
Ruth Hogben, Sarah Chatfield, Monica Elkelv, Laura Bradley and Kathryn Ferguson
Birds Eye View 2009
Apr 7 2009
Part of the 2009 Birds Eye View film festival, 'Fashion and the Moving Image' celebrates the emerging genre of fashion film. Including footage captured...
Nick Knight and Sissel Tolaas
Sep 25 2008
An ongoing collaboration with scent artist Sissel Tolaas, SHOWstudio investigates the concept of creating a fragrance on the Internet. Based on a provo...
Gareth Pugh, Sølve Sundsbø, Rebecca & Mike, Pfadfinderei, Khaya, Joël Tettamanti, Grégoire Alexandre, Ewen Spencer, Erdil Yaşaroğlu, Dominic Wilcox, Claudio Sinatti, Boxie, Artemy Lebedev, Alexandre Farto and +41 //DIY
1-1 The Art of Football
Jun 2 2008
In Summer 2008 SHOWstudio partnered with Nike to challenge established and emerging artists, designers and creatives to devise new work inspired by the...
Nick Knight, Kate Moss, Ruth Hogben, Jake & Dinos Chapman, Gideon Ponte and Joe Corré
White Wedding
Apr 28 2008
The product of a grand collaboration between Nick Knight and lingerie giant Agent Provocateur to mark the launch of the label's bridal range, 'White We...
Nick Knight, Ruth Hogben and Bernhard Willhelm
Men In Tights
Jan 10 2008
To showcase his Autumn/Winter 2008 menswear collection, Bernhard Willhelm created a fashion film with Nick Knight during January 2008. In advance of th...
Nick Knight, Shaun Cole and Alister Mackie
Sep 27 2007
Invited by AnOther Man magazine to shoot men's underwear for its Autumn/Winter 2007 issue, Nick Knight and Alister Mackie shot new work by a range of d...
Aitor Throup and Jez Tozer
The Funeral Of New Orleans - Part One
Sep 10 2007
For his first catwalk presentation, menswear designer Aitor Throup collaborated with photographer Jez Tozer to create 'The Funeral of New Orleans - Par...
Nick Knight and Andrew Gow
May 24 2007
Examining the creative legacies of fashion director Isabella Blow (1958–2007) and John Galliano's right-hand man Steven Robinson (1968–2007), Andrew Go...
Nick Knight, John Galliano, Ruth Hogben and Simon Foxton
Feb 20 2007
Invited by Arena Homme Plus magazine to photograph the highlights of John Galliano's outlandish Autumn/Winter 2007-2008 collection, Nick Knight and Sim...
Nick Knight, John Galliano, Sam McKnight, William Chang, Vladimir Boboshin, Saulyus Chyamolonskas, Sam Sneade, Rupert Angarita-Dodds, Reza Bahrami, Olivier Alary, Nigel Buck, Mike Figgis, Michael Blackburn, John Gosling, Joanna Swan, Greg Perler, Gemma Ward, Egoli Editing Team, Craig Armstrong, Christopher Seguine, Charles Nartey Mezo, Ben Trill, Apurva Asrani and Anna Span
Editing Fashion
Dec 19 2005
An offshoot from 2005's three-month 'Moving Fashion' project, the fashion film season 'Editing Fashion' shifted the focus of SHOWstudio's exploration o...
Nick Knight, Kate Moss, John Galliano, Gareth Pugh, Stephen Jones, !WOWOW!, Val Garland, Simon Foxton, Sam McKnight, David Bailey, Willy Vanderperre, Toyin, Tom Hingston, Steven Klein, Stella Tennant, Stella McCartney, Sølve Sundsbø, Shona Heath, Peter Lindbergh, Patrick Demarchelier, Liz Collins, Linda Evangelista, Lily Cole, Katy England, Katie Grand, Karen Elson, Julien D'Ys, Jonathan Kaye, Jason Evans, Hiromix, Glen Luchford, Gemma Ward, Francesca Burns, Fabien Baron, Emma Reeves, Eamonn Hughes, Christian Louboutin, Alister Mackie, Alice Hawkins, Kate Phelan, Tim Walker, Bay Garnett and Marian Newman
Moving Fashion
Sep 29 2005
The printed page has determined the way fashion looks since women's magazines were first introduced. Nick Knight's key motivation for founding SHOWstud...
Junya Watanabe
Design Download: Junya Watanabe
Jun 28 2005
Internationally-acclaimed designer Junya Watanabe was the mastermind behind the fifth pattern offered as part of our Design Download series of online c...
Nick Knight, Peter Saville, Liberty Ross, Richard Kern, Philippe Garner, Jonathan Kaye, Jonathan De Villiers, Ann-Sofie Back and Andrea Dworkin
Dress Me Up, Dress Me Down
Jun 28 2005
Exploring the idea of control in fashion image-making, 'Dress Me Up, Dress Me Down' offered SHOWstudio viewers the chance to dress Liberty Ross in a li...
Simon Foxton, Penny Martin, Michael Bracewell and Charlotte Cotton
Sittings: Thirty Men
Apr 1 2005
Over April 2005, Simon Foxton styled 30 models as 'living magazine pages', seated in front of a webcam. Via telephone, the 'Sittings' models could take...
Björk, Nick Knight, Tracey Emin, Emmanuelle Seigner, Elizabeth Wurtzel, Courtney Love, Catherine Millet, Catherine Deneuve, Aimee Mullins, Heidi Fleiss, Isabella Rossellini, Liv Tyler, Marianne Faithfull, Ross Phillips and Stella McCartney
Pirelli Calendar
Dec 1 2004
For the 2004 Pirelli calendar, photographer Nick Knight and art director Peter Saville shifted the focus from men's desires to those of women. From fou...
Nick Knight, Leigh Bowery and Donald Urquhart
Oct 11 2004
Celebrating the extraordinary legacy of the equally extraordinary Leigh Bowery, 'Guiser' brings together previously unseen footage of Bowery during a s...
Alexander McQueen, Kate Moss and Michael Clark
Sep 1 2004
'Black' saw British maverick Alexander McQueen return to the London catwalk after a three-year absence in June 2004, for one night only. A retrospectiv...
Alexander McQueen, Nick Knight and Michael Clark
Blade of Light
Jul 30 2004
Watch the filmic version of SHOWstudio's MAC III print, an image born out of an explosive creative collaboration between McQueen, Knight and Clark.
Tim and Barry, Lucy Orta and Jason Evans
Transgressing Fashion
Jun 24 2004
In response to the Allied forces handover of power back to Iraq on 30th June 2004, artist Lucy Orta staged a 'protest performance' at the Victoria & Al...
Nick Knight and Brad Pitt
Freedom Of Love
Jun 10 2004
Nick Knight used André Breton's poem 'Freedom of Love' as the guiding text for this short film of Brad Pitt, created while shooting the actor for Vanit...
Nick Knight, Tom Hingston, Susan Bright, Robert '3D' Del Naja, Nick Rhodes, Kylie Minogue, Katy England, Julie Verhoeven, Jason Evans, Félix Larher, Bobby Gillespie and Liz Neal
Apr 26 2004
Kylie Minogue, Nick Rhodes, Bobby Gillespie and Julie Verhoeven were just some of the leading fashion, music and art creatives who came together for th...
Nick Knight, Simon Costin and Sharon Dowsett
Articles Of Faith
Sep 4 2003
A controversial partnership: religion and iconography. Costin and Dowsett asked who and what people turned to in their darkest hour and how that faith ...
Jane How
Pop Poupée
Aug 4 2003
Taking inspiration from Andy Warhol - the man(nequin) himself even making a cameo as a model - stylist Jane How and photographer Mario Sorrenti recreat...
Alexander McQueen, Nick Knight and Susannah Frankel
Jul 21 2003
To celebrate Alexander McQueen receiving the CBE award in 2003, the visionary designer himself illustrated a selection of showstoppers from his 2003 co...
Nick Knight, Jonathan Kaye and Akufen
Jun 5 2003
Contextualising the Spring/Summer 2003 haute couture collections as photographed for W magazine, 'SHOOT' proves that couture is far more than just dres...
Alice Hawkins
Picture/message: Alice Hawkins
May 21 2003
The Female Gaze: photographer Alice Hawkins asked her sitters how they would like to be represented to their lovers for her two-week residency, using t...
Nick Knight, Olivier Alary, Guy Bourdin, Adam Mufti and Christabel Stewart
Compulsive Viewing: The Films Of Guy Bourdin
Apr 17 2003
'Compulsive Viewing: The Films Of Guy Bourdin' showcases eleven unique fashion films, edited in 2002-2003 from never-before-seen, archival film recorde...
Simon Foxton and Alasdair McLellan
Jun 21 2002
For your pleasure. Fashioned from calling cards, nine working boys gave us their denim look. Who will you pick? Alasdair McLellan provided the photos, ...
Peter Saville, Julie Verhoeven, Helen Clifford, Penny Martin and Tom Zambaz
Apr 3 2002
Inspired by innocent Toile de Jouy - but offset with Japanese rope suspension bondage - Peter Saville and Julie Verhoeven collaborated to create intric...
Nick Knight and John Galliano
Past, Present & Couture
Mar 2 2002
John Galliano's first five years at Christian Dior were marked by a series of Nick Knight-shot images interpreting Galliano's groundbreaking haute cout...
John Galliano, Alexander McQueen, Sophia Kokosalaki, Shelley Fox, Jens Laugesen, Joanne Entwistle and Roberta McGrath
Feb 18 2002
SHOWstudio challenged fashion's finest to create the industry's Holy Grail: inspiring womenswear designs for sizes 16 and over. 12 leading designers, i...
Nick Knight, Hussein Chalayan, Terry Richardson, Richard Bush, Raf Simons, Jo-Ann Furniss, Tim Walker, Penny Martin, John Taylor, Jane How and David Sims
Jan 23 2002
Focusing on fashion imagery published and withdrawn at the time of the attacks of 9/11, Killed examines the criteria governing propriety in contemporar...
Christabel Stewart
Blue Movie
Nov 21 2001
Were these girls performing in a retro erotic film or posing for a contemporary fashion shoot? Seductive shots replaced narrative in a film that define...
Björk, Alexander McQueen, Nick Knight, Daniel Brown, Charlotte Cotton and Susannah Frankel
Nov 21 2001
Spellbinding sound and image project generated from Nick Knight and Alexander McQueen's installation for La Beauté en Avignon, with an exclusive Björk ...
Penny Martin and Jason Evans
Stormtrooper In Drag
Nov 5 2001
This is not a love song: Jason Evans dressed up in a combination of Stormtrooper and polka-dot Comme des Garçons to test the parameters of identity and...
Nick Knight, Björk and Paul Barnes
Pagan Poetry
Oct 2 2001
View the uncensored version of the video for Björk's single 'Pagan Poetry' directed by Nick Knight. Alongside the film, we showcase a gallery of abstra...
Jake & Dinos Chapman and Marcus Field
Melting Heads
Feb 9 2001
One Chapman brother describes 'Melting Heads' as 'the most simplistic B-movie effect'. The other says they did it because 'it scares children'. Judge f...
Nick Knight, Tom Hingston, Robert '3D' Del Naja and Robert Sandall
Feb 9 2001
The dark side of the saloon. Nick Knight placed a dozen video cameras inside four crusher-bound cars and filmed their destruction down to the final scr...
Mark Szaszy, Corinne Day and Alice Rawsthorn
Lo-fi: Mark Szaszy
Dec 20 2000
Late one night, Mark Szaszy took three friends, a steel guitar and a lot of vodka, filmed them on his old Hi 8 camera, and then lost the master copy.
Jason Evans
Corporate Aesthetics
Dec 20 2000
Snide. Patronising. Tortuous. Whenever photographer Jason Evans turns on the television, he's irritated by those 'annoying little bursts of eye candy'....
Fergus Purcell and Paul Hetherington
Dec 20 2000
Experience cult 'Silas' illustrator Fergus Purcell's sketchbook drawings as animation. A bejewelled declaration that 'I want to believe' signposts the ...
Nick Knight, Kate Moss, Sarah Morris and Emily Dinsdale
Dec 20 2000
Follow Nick Knight's lens as it snoops from one Madison Avenue skyscraper to another, documenting supermodel Kate Moss in voyeuristic action in this un...
Nick Knight, Katy England and Alice Rawsthorn
One In Ten
Nov 17 2000
If breast cancer affects one-in-ten women, why is it invisible in fashion photography? Nick Knight and stylist Katy England redressed the balance in a ...
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Selecting your vehicle's make, model, and year allows us to display only parts and items specific to your car's model and year.
Part# CH28893
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OPGI Price: $25.99
Part Type: (R) = Authentic reproduction of the original GM product
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New shock hardware from OPGI is identical to what was used on General Motors' assembly lines. This complete set features the correct 5/16"-18 bolts finished in black oxide as well as the original style zinc-washed flange nuts. One set installs two shocks.


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The songbird icon of Twitter may need to be changed to a stork if the trend of Twittering live births takes off further.
Last night, Sara Morishige Williams and her husband, Twitter co-founder Ev Williams, are keeping their friends, family and fans updated throughout the delivery of their first child.
"Epidural, yes please," Morishige Williams texted from her phone with admirable spelling and punctuation considering the circumstances.
The last update was two hours ago, and presumably hundreds of thousands are breathlessly awaiting the newborn's TwitPic.
Twittering through labor is certainly nothing new, with plenty of trendpieces in the press to choose from.
Best of wishes and luck to the new parents, because making something so personal so public, with such magical immediacy, is awesome in its capacity to magnify the dramatic impact.
Photo by Joi Ito.
Jackson West wonders if doctors and nurses find this behavior entirely healthy.


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Thats right!
Its that time of the year to save on 2012 Gear.
We have lots of gear that we need to move to make room for the 2013 Gear.
Lots of great sizes left!
Not too many changes in the 2012 vs 2013 Envy kites.
Personally, the graphics on the 2012 Envy are still my favorite all time kite graphics ever.
check out the bargains at
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USED DEMO / SCHOOL gear available here.
http://kitepaddlesurf.com/Used-Kiteboar ... s-USED.htm


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To be honest, if your only real goal was to get into law school, I would advise you find a decent 4 year college and get the easiest (and cheapest) degree you can find while studying for the LSAT. A 3.8 GPA and 160 LSAT out of a no-name 4 year college is much better than a 3.4 GPA and 160 LSAT out of a good state school.
I'd question whether anyone with just two years of undergrad work could pass the cal bar unless they were a genius. Your typical community college grad is going to have trouble stringing together enough coherent words to pass the bar. I am not dissing community college but in many cases it is simply a rehash of High School courses.


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Tuesday, March 04, 2014 - Radek and Ivan RAW - FULL CONTACT
Radek and Ivan RAW - FULL CONTACT
We paired Radek Bednar and Ivan Mraz for this duo. Both are very sexy guys so we were sure of a hot scene. They start off by kissing, with Ivan moving down to suck on a nipple too. Radek takes his shirt off as they kiss some more. Then Ivan's tee-shirt is removed too, so both chests are now exposed as they grope each other. Ivan goes down on his knees and pushes his head into Radek's groin. He opens Radek's jeans and pulls them down, releasing a nice hard cock. Ivan takes hold of the cock and wanks it and then sucks it. His mouth wraps tight around the cock moving back and forth on it, as Radek's hand guides the back of his head. Ivan licks on Radek's balls too before standing to kiss him gain. Ivan also pulls his own cock out of his jeans and wanks both dicks. Radek takes hold of Ivan's cock and wanks it. But Ivan isn't finished sucking, so he drops to his knees again and works on that dick some more. Then Radek holds Ivan's head and fucks his dick deep into that mouth. Then Ivan stands a pushes his jeans down with Radek dropping to his knees to suck. He licks up and down Ivan's shaft and takes the head into his mouth to suck it. He sucks Ivan's cock a while and then bends him over, sliding his rock hard cock into that hot hole. Ivan's dick is rock hard too as his ass gets filled. Radek fucks that ass nice and deep. Ivan reaches back and takes hold of Radek's hand as his hole gets a good workout. Then Ivan lays down on his shoulders, legs up over his head so that Radek can fuck him some more. Radek slides his dick in and out of that eager ass as Ivan wanks himself. Then they move to missionary position with Ivan continuing to wank himself. Radek's cock is sliding nice and deep into Ivan's hole as Ivan speeds up his wanking, until his cum squirts out of his throbbing cock. Then Radek pulls out of Ivan's ass and shoots his cum too. He leans forward to kiss Ivan again to end a very good scene.
... more about Radek and Ivan RAW - FULL CONTACT further in this newsletter
Our Coming Soon Set Preview
Jon Bon and Petr Cisler came in for a duo. They are a very sexy pair of guys and get right into each other, with Petr feeling all over Jon's sexy chest, and kissing his neck. Then he moves so that he can suck on a nipple too. Their mouths then meet and they kiss for a while, as Petr pulls Jon's cock out of his jeans. He wanks on that hard cock as he continues kissing Jon. Helping Jon down and off with his jeans Petr then gets right into sucking that hard cock. His mouth works up and down on the dick and then he licks Jon's balls too. Then Petr removes his jeans, releasing his own hard cock which Jon immediately takes in his mouth. He sucks on the cock and licks Petr's big balls. Petr then goes back down on Jon's cock sucking it a while before moving down to rim his hot hole. His tongue works the hole and then a finger too. When the hole is nice and wet Petr slides his throbbing cock deep inside and fucks. His cock stretches that hole real good and goes in nice and deep as Jon moans with pleasure. Petr moves Jon onto his knees and fucks him from behind, pounding his cock in and out of that eager hole. Then they move again, with Jon sitting down on Petr's hard cock. He wanks himself as Petr fucks him hard and fast, and soon shoots a nice creamy load. Petr isn't finished fucking though and continues to work that hot ass. When he is ready he positions himself over Jon's face and dumps his cum all over it. Jon sucks the spent cock into his mouth to clean it off after a very good shoot.
You can watch my Vlog for this Newsletter by clicking above or by going over to the Blog :
Over the weekend, the IT Department moved the server for my Blog and I was unable to post any videos. Marek and TC have fixed the problem by telling me how to use the new FTP account. I'm sorry for the interruption.
Miro is back from Malaysia and the Land of Oz. He'll be back in the studio tomorrow and has promised me a lovely present.
I'm expecting something like a Rolex. At least I can wish for that until tomorrow. Welcome back, Miro!
In an excellent line-up today we start with Radek Bednar and Ivan Mraz. Then we have submission wrestling with Zdenek Tlucek and Zdeno Jaro. Next up are our sexy brother's David and Michal Kott in their erotic video and we finish with Alan Frank's session stills.
For our castings today we have a very good set of guys. Petr Milovec, Herman Ivek, Marek Saton and Milan Popelan. They all look so good that a choice is difficult, but in the end I have opted for Marek Saton as my pick for today.
MESSAGE ABOUT LINKS TO THE OLD WH WEBSITE - WILLIAMHIGGINS.com ARCHIVES:
Please be aware that the link www.williamhiggins.com takes you to this brand new website now. If you bookmarked our old website in the past and you want to keep the bookmark as a shortest way to access the old WH website you need to change the link in the bookmark to:
You do not need to remember this link, you can conveniently get to the old WH Website - WilliamHiggins.com Archives anytime you need through the "WH 2001-2010" in the top menu of the new WilliamHiggins.com website.
Today's Weather in Prague
We have launched our all new Kink only site with no solos. It's not for the feint hearted. Do take a look (if you dare):
At present, Members of CzechGuysNextDoor will be able to access the new site with their user information. If you have problems, write email@example.com
Latest Sets At Our NEW STR8HELL.com Website
Open Set "Ivan and Peter RAW - AIRPORT SECURITY"
Open Set "Jaro Grygar - HOT ASS"
Members of CzechGuysnextDoor.com - to log in the member's section of the new STR8HELL website use your present username and password, if you forgot your password or encounter a log in problem please feel free to contact us at: firstname.lastname@example.com
Non-members - you are welcome to browse our complete content - each regular set contains free video preview and free photos, if you decide not to become a member of our website you can also buy sets separately (we huge, well organized and easy to search library of models - there is always few models you may like) you can pay only for what you really want see ;-). You are always welcome to come back.
All members of www.CzechGuysNextDoor.com get a free access to STR8HELL.com till the end of November 2011!
Please use your present CzechGuysNextDoor username and password to log into the members area.
We have terminated updates to CzechGuysNextDoor.com website. CzechGuysNextDoor.com website will stay online, but now only as an archive of all CzechGuysNextdoor.com sets. Anyone who wants to access CzechGuysNextDoor.com Archives needs to have a STR8HELL.com membership. STR8HELL.com will continue with most of the czechguysnextdoor.com projects. Anyone who joins STR8HELL.com will gain access to two websites STR8HELL.com and CzechGuyNextDoor.com Archives which contain 2500+ sets. STR8HELL.com has exactly same features and controls as NEW WilliamHiggins.com website.
Direct access to CzechGuysNextDoor.com website is now through the link: archive.czechguysnextdoor.com or through "Archive Sets 2004-2011" links on the new STR8HELL website.
Thank you for your loyalty to CzechGuysNextDoor.com website,
William Higgins
BurnDVD.tv Website Latest Updates
Starting today you can download our videos in Full HD quality 1920x1080px!
Please remember that most of the videos available on BurnDVD are easily able to be downloaded with a single link, but some of the very large files, such as the newsletter DVDs have to be split into three separate links, as detailed below.
The videos with very large file sizes are now split into more than one part, using a program called HJSplit. If you wish to buy one of these larger videos to Burn to DVD, you will receive a link for file and then it is a simple process to join the downloaded files together to make the .iso file for Burning to DVD.
You can see all the available videos at www.burndvd.tv
Before downloading any videos to burn to DVD I advise you to read the BURNDVD Manual, which explains how you can burn the file to DVD. The file is an ISO file which contains all the required DVD files. The process for burning to DVD is fully explained.
The BurnDVD manual is easy to follow, with a step by step guide. Burning a DVD is easy to do, though it is helpful if you have previously burned DVDs or CDs.
The manual can be viewed here: BURNDVD Manual
Anyone who has any problems understanding the manual, or burning their download to DVD, or indeed any questions about this service please email firstname.lastname@example.com . Geoff will be happy to assist you.
You can view all the available downloads at www.burndvd.tv, by clicking the on the categories. A direct link to the latest files available will be published in each newsletter.
Our Latest Sets at www.BurnDVD.tv
Today we have Screentest with Radek Bednar & Ivan Mraz and Wrestling Zdenek Tlucek & Zdeno Jaro, Hot Ass – Roman Madlec and CFNM – Anal Checkup – Part 4.
The direct link to "Radek Bednar and Ivan Mraz"
The direct link to "WRESTLING - Zdenek vs Zdeno"
The direct link to "HOT ASS - Roman Madlec"
The direct link to "CFNM - Anal Checkup - Part 4"
Special Offer for William Higgins Newsletter Readers
William Higgins Newsletter readers are able to obtain a discount on the price of BURNDVD downloads by using the coupons that we will be publishing in each Members Newsletter. The coupon published in each newsletter will be valid for a period of 7 days.
Copy today's coupon code here: gdvzvz5
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Try it... membership not required! Go to our easy-to-use Directory for the latest products and services! Direct links to industry pros and resources to help you fine-tune your latest home project.
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J. Ellis, Purdue University
Dieback of leaves that begins in the upper third of the tree and progresses downward over time.
C. Sadof, Purdue University
Vertical splits in the tree's bark.
J. Ellis, Purdue University
D-shaped exit holes that are only 1/8 inch wide found in the tree's bark on the limbs and trunk, the result of the emergence of newly formed adults.
S-shaped channels found under the tree's bark caused by larval feeding.
D. Cappaert, MSU
Heavy woodpecker activity that is especially noticeable during winter months
Water sprouts (epicormic shoots) that appear at the tree's trunk.
Worm-like larvae (immatures) found under the tree's bark that can grow up to 1-inch long.
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