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- Inside Athletics
- Tickets
- Fan Zone
- Media Zone
- Social
- Shop
- E Fund
JOHNSON CITY, Tenn. (Jan. 9, 2011) - After letting a critical victory slip away from them Saturday afternoon against league-leading Florida Gulf Coast, the ETSU women's basketball team will look to get back into the win column Monday evening when the Lady Bucs host Stetson. Tip is slated for 4:45 p.m. inside the ETSU/MSHA Athletic Center.
Despite leading by as many as eight early on in the second half - and then cutting a seven-point deficit to one with just over five minutes left to play - the Lady Bucs just couldn't get the one stop they needed down the stretch to cool off FGCU. The Eagles managed to hold off a late ETSU attack and snapped the Lady Bucs' 11-game home conference winning streak with the 77-70 victory inside the Dome.
Junior Natalie Pickwell (Kingsport, Tenn.) led the Lady Bucs for the second straight game by netting a team-high 19 points, while senior captain Tara Davis (Murfreesboro, Tenn.) added 18 points, four assists and four steals. ETSU - who was playing without its leading scorer and rebounder in Destiny Mitchell (Bluffton, Ga.) - were looking for one more player to step up their game and lead the Blue and Gold to the all-important conference win. Unfortunately, no one stepped up, and the Lady Bucs now trail FGCU by two games in the A-Sun standings after dropping to 6-8, 3-2 on the season.
Unlike the Lady Bucs, Stetson enters Monday's game on a positive note after handing USC Upstate its first conference loss of the year with a 74-65 victory over the Spartans in Spartanburg Saturday night. The Hatters were led by Jessica Conner - who finished 8-of-10 from the field - and tallied a game-high 25 points. Tierra Brown added 13 points, seven rebounds and five assists in the win, while Stetson held one of the top offensive teams in the A-Sun to 36 percent shooting.
Overall, Stetson is 6-8, 2-3 on the year, while the two conference victories have both come on the road.
The Lady Bucs lead the all-time series, 10-1, and have won all nine meetings as conference foes - including an 84-49 victory over the Hatters in the first round of the A-Sun Tournament last year in Macon, Ga.
Fans unable to make the visit to the ETSU/MSHA Athletic Center can listen to all the action live as Voice of the Lady Bucs John Stevens will carry the play-by-play on WXSM-AM 640 The Sports Monster. Live video streaming will also be available through A-Sun.TV and live stats will be carried via Gametracker.
For more information on Lady Buccaneer basketball, visit www.ETSUBucs.com.


text:
This series of product cross reference charts is intended to help you find the closest suggested Hayward replacement for other manufacturers' equipment.
Recommended replacement product may not be an exact feature match - they may include enhancements. Please review the product literature or talk to your pool professional.
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subset: commoncrawl


text:
Nashville, Tenn. - The Tennessee State men's basketball looks to rebound from its 15-point loss at BYU on Nov. 13 when the team travels to South Dakota State to take on the Jackrabbits.
Last time out, TSU benefited from strong play by Kellen Thornton and Patrick Miller. Thornton led the Tigers with a career-high 20 points and eight rebound, finishing 9-18 from the field. Miller had a career-high nine assists and added 12 points.
Their efforts were not good enough to beat the Cougars as TSU turned the ball over 17 times and only shot 33.8 percent from the floor.
The Tigers are going to need more production from a bench that scored just 13 points versus BYU and from senior forward Robert Covington.
Covington, who is just a year removed from averaging 17.8 points and 7.9 rebounds, managed to make just 2-12 shots against BYU and fouled out with more than three minutes left to go in the game.
The great news for the Tigers is that the bench and Covington should do better against SDSU. The Jacks allowed Alabama to score 34 points in the paint and 33 from the Crimson Tide's reserves.
The Jacks are coached by Scott Nagy, who is currently in his 18th season with the team. He is the all-time school leader with 316 wins SDSU returns four starters off of a 27 win team that made the NCAA Tournament for the first time in school history.
SDSU is led by senior point guard Nate Wolters. Wolters averaged 21.1 points, 5.1 rebounds and 5.7 assists last season becoming only the fifth player ever to average 20-5-5 at the Division I level.
Wolters dropped 30 points on Alabama in SDSU's last game, but the Tide still prevailed on a last-second shot.
The Tigers' game against the Jacks can be seen at 6:30 p.m. on Tuesday night at this address:
--TSU Tigers--


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European settlement near the Pamlico River in the 1690s led to the founding of Bath, North Carolina's first town, in 1705. By 1708, Bath had 50 people and 12 houses. It soon became North Carolina's first port. Political rivalries, Indian wars, and piracy marked its early years but in 1746 Bath was considered for the colony's capital. However, when county government moved away in the late 1700s, Bath lost most of its importance and trade. Its original town limits encompass a historic district today. Continued
Historic Bath
P.O. Box 148
207 Carteret Street
Bath, NC 27808
Phone: (252) 923-3971
Email: email@example.com
Adults - $2; Students - $1
Price is "per house" for tours of Palmer-Marsh and Bonner Houses.


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April 25, 2009
CAMBRIDGE, Mass. – Despite a late charge by Wellesley College, the MIT women's lacrosse team fought off the visiting Blue for a 14-11 victory in the New England Women's and Men's Athletic Conference (NEWMAC) regular-season finale on Saturday. Casey Flynn tallied a game-high six points on five goals and an assist for the Engineers (12-4, 4-2 NEWMAC). Her team-leading scoring performance raised her season total to 52 goals, which eclipsed the previous Institute record of 50 set by Debbie Cheng in 2001. Meredith Roy paced Wellesley (8-7, 3-3 NEWMAC) with four goals and an assist.
Both squads will continue play on Wednesday, April 29 in the quarterfinal round of the NEWMAC Women's Lacrosse Championship Tournament. For the first time in conference history, MIT captured the No. 3 seed and will host an opening round game as it takes on No. 6 Mount Holyoke College. Wellesley will also have home-field advantage as it secured the No. 4 seed and will square off with No. 5 Wheaton College.
The Blue jumped out to a 3-0 lead after 4:42 expired with Roy factoring into all three goals. She found the back of the net twice in addition to setting up Jenny Holland midway through the spurt. The Engineers posted five unanswered goals to go ahead at the 14:51 mark. Roy responded with a free-position shot and a solo effort to even the contest at five just over two minutes later. MIT countered with a 5-1 run which resulted in a 10-6 advantage at the break.
Wellesley's Briana Roberge narrowed the gap with an unassisted marker early in the second stanza, but the Cardinal and Gray recorded three consecutive goals to increase its margin to six (13-7) with 21:02 on the clock. The Blue continued to attack, mounting a 4-1 run which cut its deficit in half with 3:44 left to play. Loretta White and Jenny Holland each scored twice to bring Wellesley within three (14-11). The remainder of the game was a defensive battle as the Engineers held on for the win.
Edith Reshef notched two goals, an assist, and two draw controls while Erica Little, Samantha O'Keefe, and Lynne Tye each added two goals for MIT. Alex Wright totaled five groundballs and three caused turnovers as Anna Teruya posted two groundballs, two caused turnovers, and a goal. Stephanie Leger registered three draw controls while Stephanie Brenman tallied two draw controls and two caused turnovers. In net, Molly McCartin collected eight saves.
White finished with two goals, two groundballs, and two draw controls as Roy added two draw controls. Holland recorded a hat-trick to go along with two draw controls. Kayla Bolton led the Blue with three groundballs while Kate Cushing notched two caused turnovers and two groundballs.


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By Kris Voakes | Italian Football Writer
As confidence boosters go it was not the biggest shot in the arm, but Inter's 1-1 draw with AC Milan in the latest Derby della Madonnina is the closest thing they have had to a giant leap forward in quite some time.
But it was not only the fact the Nerazzurri earned a point against Serie A's form team that will have given them reason to hope, it was also in the way that it happened. Because at half-time, Milan were not just leading, they were dominating. Stephan El Shaarawy had put the Rossoneri in front on 21 minutes, but by that time they had already missed a couple of good chances.
With Inter's right showing no resistance at all, Mattia De Sciglio and El Shaarawy were having a field day. De Sciglio himself could well have finished off his own marauding run early on, then he whipped in a cross for Mario Balotelli, who somehow slipped just six yards from goal and allowed Samir Handanovic to collect the resulting loose ball.
After El Shaarawy fired home a shot with the outside of his right boot to give Milan a deserved lead, the Rossoneri should really have gone to town on their neighbours. The fact that the score remained 1-0 for so long was largely down to a mix of Balotelli's continued profligacy and Handanovic's heroics.
First, the Slovenian produced an astonishing save to keep out the former Inter front man, throwing up a strong hand to prevent Balotelli's header from doubling the Diavolo's lead. It was one of the better stops you will ever see in a local derby anywhere in the world. Within minutes though, Balotelli should have buried a chance from another De Sciglio cross, but fired his instinctive effort straight at Handanovic. Then when the striker had another effort from a free kick 30 yards out, the ex-Udinese keeper was again equal to it. As one-on-one contests go, it was becoming enthralling.
|MATCH FACTS | Inter 1-1 Milan
The feeling at half-time was that Milan were deserving of at least a second goal, such was their dominance, but Inter gave a much better account of themselves after the interval. After the smoke from the flares of the Curva Nord had finally passed in the second half, it was the home side who were starting to really press. Andrea Stramaccioni's decision to switch Yuto Nagatomo and Javier Zanetti in order to give them greater protection on De Sciglio's flank helped to quell some of Milan's threat, while they also attacked with more purpose themselves.
Finally they were asking questions of Massimiliano Allegri's side, and it was not much of a surprise when they equalised. Antonio Nocerino allowed Nagatomo to cross from the left, and the flight of the ball was completely misjudged by Philippe Mexes, who allowed substitute Ezequiel Schelotto to head home just three minutes into his Milan derby debut.
Having superbly kept out an earlier volley from Fredy Guarin, Christian Abbiati was then called upon to keep Milan in the game as Schelotto looked to notch again late on, but while Inter would not record all three points they did at least show the fight that is in this squad.
They have won just two league games in 2013, and have near-relegation form to show for their past 15 Serie A fixtures, but this was proof that they still have something. While against Fiorentina last week they showed no inkling as to how to defend a threat, they were able to manage to quell the problem posed by Milan's left-hand side which had threatened to overwhelm them. What is more, where recently they have looked short of ideas on the ball, they offered enough in the second half to be worthy of their equaliser.
Yes, were it not for Handanovic they would likely have been dead and buried long before. Yes, if Balotelli had been that little bit sharper Milan could well have been out of sight. But the reality is that Inter showed the kind of character to get back into the game that they will need to get back into a position to challenge for a Champions League spot.
Third place remains a long way off, but if the Nerazzurri can continue to fight against the odds as they did on Sunday night, then their participation in the race for third place will at least be alive for a little while longer.
- Juventus extended their lead at the top of Serie A to seven points ahead of Napoli's trip to Udinese on Monday night thanks to a 3-0 win over Siena at Juventus Stadium. Goals from Stephan Lichtsteiner, Sebastian Giovinco and Paul Pogba pushed them one win closer to a second successive Scudetto, but perhaps more encouraging than the result or the performance was the return of Giorgio Chiellini, who played his first 15 minutes of first-team football in 2013 after recovering from a torn calf muscle. The big defender's absence coincided with a poor run for the Bianconeri, and his return to action ahead of some key fixtures will be seen as a massive boost in Turin.
- Palermo did what Palermo do best this weekend. They sacked yet another coach. The 19-day reign of Alberto Malesani was ended after a 0-0 draw with Genoa which saw the Rosanero stay rooted to the bottom of the league six points from safety. The recall of former coach Gian Piero Gasperini less than three weeks after his dismissal marks the 26th change of leadership in less than 11 years during Maurizio Zamparini's presidency. To some, the madcap patron is a figure of fun who makes football interesting, but the Sicilians' supporters must now be wondering how many more sackings there will be before the inevitable relegation at the end of the season.
- Cagliari's clash with Torino provided a thrilling climax to a testing week on the island of Sardinia, with the 4-3 victory only being clinched deep into stoppage time after the Rossoblu had managed to throw away an earlier lead against nine men. While so much else has gone on behind the scenes at the club this term, the wonderful job done by Ivo Pulga since he took over is worthy of significant recognition, and his team added three more points thanks to Daniele Conti's 95th-minute winner against the Granata. But that only came after Davide Astori had handed Roland Bianchi a penalty equaliser moments earlier, despite Torino having been reduced in numbers thanks to red cards for Angelo Ogbonna and Abou Diop. Nothing is ever straight-forward for Cagliari!


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text:
Subject: Credit Policy
Date: March 30, 2012
To: Chief Executive Officers of All National Banks and Federal Savings Associations, Federal Branches and Agencies, Department and Division Heads, and All Examining Personnel
Description: Request for Comment on Revised Leveraged Lending Guidance
The Office of the Comptroller of the Currency, the Board of Governors of the Federal Reserve System, and the Federal Deposit Insurance Corporation (the agencies) are seeking comment on proposed revisions to the interagency leveraged finance guidance issued in April 2001 (2001 guidance). This notice and request for comment was published in the Federal Register on March 30, 2012 (attached).
Since issuance of the 2001 guidance, the agencies have observed tremendous growth in the volume of leveraged credit and in the participation of non-regulated investors. The pipeline of aggressively structured commitments has grown rapidly, management information systems (MIS) have at times proven less than satisfactory, and many institutions have found themselves holding large pipelines of higher-risk commitments at a time when buyer demand has diminished significantly.
In light of the market's evolution, the agencies propose replacing the 2001 guidance with revised leveraged finance guidance that refocuses attention to five key areas:
Comment is requested on the burden of implementing certain aspects of the proposed guidance, and comments will be accepted through June 8, 2012. Any questions regarding this proposed guidance should be directed to Credit Risk Policy Division at (202) 649-6670.
Darrin Benhart
Related Link


text:
Information in
PDF format requires
an Adobe Reader 7
or later
The Oklahoma Department of Transportation, Planning & Research Division, Engineering Services Branch/Data Analysis Section, prepared the 2010 Annual Average Daily Traffic Maps. It is a summary of traffic collected at "continuous" and "one day" traffic recorder locations on Oklahoma Highways in calendar year 2010. The traffic estimate shown follows the procedures outlined in FHWA's "Traffic Monitoring Guide" and AASHTO's "Guidelines for Traffic Data Programs".
Effective "July 9, 2010", the electronic and printed versions of the AADT Map Book shall supersede all previous editions. The maps contained herein have been updated to conform to the Oklahoma Highway Data File. Any errors found in this report should be brought to the attention of the Planning and Research Division, Engineering Services Branch - Traffic Monitoring Reporting / Design Traffic Studies.
The Planning and Research Division, Engineering Services Branch - Traffic Monitoring Reporting / Design Traffic Studies, is responsible for the assignment of AADT estimates. Contact them for AADT information not contained in this publication.
AADT Maps - All
State and Urban MapsStatewide AADT Map Urban Area AADT Map
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Una Voce Scotland's diary for 2012 is beginning to fill up, including a number of pilgrimages to pre-reformation sites, plus, we have the additional joy in welcoming H.E. Bishop Rifan back to Scotland during his busy trip to the UK.
Bishop Rifan is Apostolic Administrator of the Personal Apostolic Administration of Saint John Mary Vianney.
His Eminence Cardinal O'Brien has graciously given permission for a Pontifical High Mass to be offered by Bishop Rifan on the Monday 2 July at 7:00 p.m (venue to be confirmed).
For more details, keep an eye on this blog, or unavocescotland.org.uk.


text:
Media Statements & Speeches
Statement: December 12, 2011
Message from Commissioner Marc Spitzer
Effective December 14, 2011, I will be leaving the Federal Energy Regulatory Commission.
At this time I pause to reflect upon FERC's many accomplishments during the past five years on behalf of America's ratepayers. I am grateful for the dedication and hard work of the employees of this Agency to ensure a reliable supply of energy to the people of our Nation at just and reasonable rates. I also owe a debt of gratitude to my Commissioner colleagues, present and former, for their kindness, cooperation and good will.
I thank you all, and for the entire FERC family I wish you all the best.


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I was just kind of noticing that some of the figures seen in Hasbro's official "preview" shot (basic figures), weren't seen in the actual coverage (like they were taken out, some figures rearranged):Such as...the Clone Commander (Commander Bly), the Tank Gunner Clone, and the cloaked Grievous, to name a few. I wonder why that is? Maybe they will show them later in the Fair. No big deal, since we have seen pics of them anyways, but just curious.
Yeah, that is sort of what I was thinking at first too. It just seems strange to me that the Hasbro reps would even bring those figures along, let alone set them up at first, only to take them down before any outlets photographed them. I would think they would be more organized than that, to show up and say "oops, we weren't supposed to bring these figures, better hide them". Then again, you never know .
Page created in 0.06 seconds with 18 queries.


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There's a rather scary story for us journalists coming from the pages of Autocar this morning. A British High Court has ruled that automotive journalist and racecar driver Mark Hales will have to pay £120,000 ($189,348) to repair a Porsche 917 replica that he broke during a test drive.
The 917 replica was more than a shoddy knockoff of the infamous Porsche racecar. It had been built from genuine Porsche parts, and after its repair was subsequently sold for £1.25-million, which is just shy of $2-million.
Hales had been told by the owner of the 917, David Piper, that the engine would need to be kept under 7000 RPM. The two men verbally agreed that, should the Porsche be damaged during the test drive, Hale would need to pay for the repairs.
This case raises a whole host of liability issues for journalists and publications that are often allowed to test-drive rare and exotic cars. Obtaining insurance for these kinds of vehicles is often either impossible or prohibitively expensive for publications or journalists working on a tiny budget.
In the wake of this case, vehicle owners are more likely to seek out damages from journalists, should damage occur.
Perhaps Hales' mistake and misfortune – which will now cost him a fortune – should be a lesson for us all: If you can't buy it, perhaps you ought not risk breaking it.
A fund for donations has been set up to help cover Hales' court-ordered damages.


text:
This black on black crime gotta stop
[C-Murder] Chorus
I see my enemies, my guns in my hands
Cemetary made, i'm looking at a dead man x4
[Mr. Serv-On]
Conflicted images fill my mind, if it's my time to bless me on the grind
Intertwine in this criminal military where my best friend became my adversary
Never second guess me if it's me or you I see your ass through
To the bloody end, we meet again
When one of you coward bitches get the heart to take me from this world of sin
I can't descend to my right to die with blood in my fucking eyes
Ghetto cries from the cemetary call me daily
But I aint ready to let you bitches take me
Set me up with my closed, arms open, gats smokin
Hoping for my last and final wish
Momma kiss me on the lips when I leave, with a shank on my fucking sleeve
I kill your child on your money for love
Now she dead, god bless you if your child live
But if I don't, I'll be back with fucking rage in my eyes
Hands on the gage, I'm cemetary made
Chorus x4
[Mr. Serv-On]
Release me from this torture that this life gave me the first time this world
Saw me
Murder and betrayal chase me car jacking, the crack dealers still see me
Why can't you bitches let me live in peace?
Tears on my mommas sheets won't let me sleep
I'm walking the streets with tags on my fucking feet,
But I aint ready to be that big shot caller, that baller in the sky, see this
Killer in my eyes
But you bitches can't take me, why don't you drop your colors and ride with me
I'm gangbanging, no affiliation
I'm living TRU like these letters across my stomach (T-R-U)
And I'm cemetary made, don't let me get faded with this gauge
I'm ready to bust, bang, hang em up and nigga let you know my name
My alias, Mr. bad case
See this killer in my eyes, I'm ready to break you from your ghetto ties
And now I'm coming, so nigga you better start running
See my cemetary made, so bang em up
Chorus x4
My name is as I murder
So a lot of niggas wanna get me cemetary made so I move to another city
I was born with a gun in my hand
Now that I'm a grown man aint a damn thing changed
C-Murder, a soldier from that TRU click
My dick gets hard when I see a niggas whig split
Life full of crime, so I abuses and chooses
To never pull a gun if I aint gonna use it
And known to smoke weed to calm my nerves
But when I lace that shit, a nigga gettin served (booya!)
Sending haters to the mortuary, been to the cemetary
But don't kill a nigga if you ever scary
Aint got no time to be paraniod bustas
Keep eye contact cause I don't trust ya
187 is what i shout (187), tattooed on my right arm
Cause that's what I'm about
You got beef with me? You'se in danger
Welcome to the motherfuckin torture chamber
Execution style beat down in slashes
Kerosene to burn your ass up till you ashes
You history fool, you dead, ha ha ha ha, now you cemetary made
Chorus x4
Lyrics taken from /lyrics/m/mr_serv_on/cemetery_made.html


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Grand Theft Auto IV: The Lost and Damned
|Liberty City Choppers
A Lost member named Jim will eventually become available for you to visit. This guy is located off of Plumbers Skyway, between that expressway and Aspdin Drive on the east. When you arrive, Johnny and Jim will strike up a rather friendly conversation. The two haven't worked together for a while, and although Johnny is reluctant (as usual) to help Jim steal bikes from their rival gang, he decides to help nonetheless. And just like that, the duo are on their bikes, with Jim leading the way and Johnny in pursuit.
From where you met Jim, the trip you and your new friend will take it a brief one. Your destination is in an alleyway off of Asahara Road, where Asahara runs into Babbage Drive. Although Jim will lead the way, he has the strange tendency of going extremely slow -- probably because he wants to talk to you while he rides. So, feel free to ride ahead and follow the GPS on your HUD to get to your destination on your own. Either way works fine.
When you arrive at the aforementioned alleyway, you'll find something very strange (for The Lost and Damned, anyway)... a truck. This is likely the first time in the DLC that you've ridden in something other than atop a chopper. But we're stealing a load of bikes, and this is how we're going to do it. Your destination is basically due south from the alleyway. The GPS will bring you along Babbage Drive in a southerly direction, until you arrive on Niblick Street (which seamlessly starts where Babbage Drive ends.) Nearby, you'll be able to park your truck and get down to business.
The first two bikes of the five you have to steal are relatively easy to acquire, since you won't come under fire from nearby foes ahead and to your left. So load both of those bikes onto the truck, and then follow your friend's advice and give one of your boys a call for backup (the names of your friends that you can call will flash on-screen). When your much-needed back-up arrives, you can then head forward along the building and look ahead and to your left, where a contingent of foes and the remaining three choppers are located.
You can get into a firefight here, which is a reasonable and obvious solution to your problem. However, if you sit and think about what it is you can do here, you'll see a much, much easier solution to your problems. Instead of outwardly risking life and limb by getting into a firefight at inherently awkward angles with few pieces of cover to use, simply dash to one of the cars in the lot. Once hotwired, you'll be able to drive around the parking lot and run over all of your enemies, killing them rather effortlessly. Remember -- if any enemy is hiding behind a car, you can collide with their cover and ram it into them; this will still lead to their rather untimely death. When the enemy threat is nullified, you can then run around grabbing dropped ammunition. But more importantly, you'll want to take the remaining three choppers and park them in the back of the truck.
Once the truck is loaded with five stolen choppers, it's time to head back north along Babbage Drive to the alleyway where we originally picked up the truck. Of course, your trip northward won't be quite as easy as it was heading southward, because well-armed motorcycle-riding thugs will chase you all the way northward. Thankfully, you're in a pretty tough vehicle, and what it lacks in speed it makes up for in durability. As long as the bikers aren't in front of you or next to you, you won't even remotely be in danger of being struck by their bullets heading forward. Nonetheless, the pursuers shouldn't be underestimated as you head northward.
When the truck is securely parked in the alleyway, the mission isn't quite over. While you won't get the chance to control Johnny again during this mission, you can rest assured that a pair of crooked cops will ruin your day. After pushing you and your friend around a bit, and after pushing over one of the stolen choppers, the cops make it clear that they want a payoff, and they want it soon. If they don't get it, they'll report what they just witnessed -- the theft of five bikes and the deaths of about a half-dozen men. And on that happy note, the mission concludes.
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text: Kids 'R' Kids Learning Academies focus on child care, teacher care, family care and facility care to ensure each day is a great day! It was founded on the realization that children should be "hugged first, then taught." Our accredited programs incorporate science, technology, engineering, art & math. Learn more about us in our latest digital magazine! Check out this issue for tips on disciplining your kids, getting them to eat healthier, and learn more about the strategies we use within our Brain Waves℠ curriculum!


text:
I almost ran into a moose on the way to Sarah Palin's hometown.
There I was, headed up the highway out of Anchorage, when suddenly drivers were slamming on their brakes as Bullwinkle humped across the road.
At the airport I'd asked for a mid-size car, and they gave me an SUV. Now it was becoming clear why: A Camry wouldn't have a fighting chance against a moose.
Maybe it was a sign that I wasn't welcome in Palin country and should go back home to California. But just six years after she was mayor of Wasilla, a town of fewer than 10,000 residents, Palin could become vice president of the United States. I wanted to get a better sense of her by seeing the place that launched her onto the world stage.
The scenery on the drive to Wasilla is stunning, with jagged snow-capped peaks and dense birch forests. But if you travel this way, do not make the mistake of thinking you're about to enter a quaint mountain village.
Some towns have character. Some have a sense of place.
And then there is Wasilla, which greets visitors with Wal-mart, Target, Lowe's, Kentucky Fried Chicken, Carl's Jr., McDonald's and Taco Bell.
They paved paradise, and all they've got to show for it is chalupas and discount tube socks.
I thought I'd found the town center when I came upon a row of frontier-style buildings, but it was just a Knott's Berry Farm-style facade housing a Señor Taco, among other establishments. Up at the next intersection of strip malls, I found a Chimo Guns shop across from a store offering 15% off of home-schooling supplies.
Sure, every town in the United States has its big-box stores, strip malls, fast-food joints and sprawling churches. But Wasilla seems to have little else.
I pulled into a strip mall parking lot with a giant "Congratulations Sarah" sign on a storefront and asked a woman for help.
"Ma'am, can you direct me to Main Street?"
"This is Main Street," she said.
"Well, where is the center of town?"
"This is downtown Wasilla," she said.
I expected better, Sarah. I really did.
Verne Rupright's law office is also on Main Street. He used to be a planning commissioner -- a position I'm not sure I'd admit to, having seen this place. Now he is one of five people running for mayor, a job with more cachet since it's become a steppingstone to bigger and better things.
Rupright admits the "downtown" area is no model city, with too much traffic and no real center. He'd like to fix that, he said, and the city sewer system is a mess too.
But don't blame Palin, he said, calling her a good mayor and a smart cookie. The town just grew too fast.
Nobody in Wasilla could possibly be a bigger fan of Palin, though, than Glenna Edwards, who has known the Palin family for many years. Edwards runs the Valley Medical Supply shop, where she sells $3.95 bumper stickers that say "McCain-Palin, Country First."
I never understood "Country First," I told Edwards. Is that the name of a bank that's sponsoring their campaign?
"It means take care of the country first, the people of the country. And do you know what I like about Sarah Palin?"
Pray tell.
"What I love about her is that she's not a blueblood. She's not a regular politician, a Washington politician," said Edwards, who was just getting warmed up.
"What I really enjoy is that she's one of us -- a regular person, pretty, sweet, kind and all those things . . . and she will represent our country in a very good way. And I think we need to get back to nuts and bolts and I think that's what's going to happen."
Edwards said she believes, as does Palin, that creationism ought to be taught in schools along with evolution, and that Barack Obama must be stopped. And Edwards assured me that humans have nothing to do with climate change, a position her pal Sarah used to share but has backed away from in recent weeks, saying that "some of man's activities" are "potentially causing some of the changes in the climate right now."
She's doing her part for the McCain-Palin ticket by selling a $4.95 bumper sticker she and her husband designed, complete with a depiction of a blond who looks like a hooker to me. The sticker reads:
"I Thinc Im Gunna Vote Four Oboma Cuz Thems Hollywood Peoples Like Him."
There you go. I knew I should have turned back when that moose crossed my path.
But not everyone up here is ga-ga over Sarah. Phil Munger, a music teacher and composer who lives on the outskirts of town, told me she's not the sweet person Glenna Edwards described. As for her image as an anti-corruption crusader, Munger said she's much more apt to get rid of anyone who crosses her.
Munger, who writes the Progressive Alaska blog, told me Palin is not just a creationist, but a "young Earth" creationist who believes that man and dinosaurs once shared the planet, and that the world will end in her lifetime.
Palin-tology, you might call it.
Munger claims she tried to stock the local school board with creationists several years ago, which caused him to quiz her on her beliefs.
"She doesn't believe in science, and her father was a science teacher," Munger said. "She told me she felt she would see Jesus in her lifetime."
If true, that's a little scary. But no more so than her view that a woman who's pregnant because of a rape shouldn't be allowed to have an abortion, or that the Iraq war is "a task that is from God." And you have to wonder if Jesus would have sued the federal government to have polar bears removed from the endangered species list.
But as I slogged through heavy traffic on my way out of Wasilla, assaulted by one eyesore development after another, I had an even more critical question for voters:
Can anyone feel good about supporting a vice presidential candidate who ruled a town with worse municipal planning than we have in Los Angeles?


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Daphne Reynolds has what every girl wants--or so it seems. This spirited young American girl has a unique style all her own, an unconventional but loving relationship with her bohemian mother Libby and a future full of possibilities--but despite her remarkable promise, Daphne feels incomplete. She dreams of one day meeting the father she's never known, the man Libby shared a whirlwind romance with seventeen years ago, but ultimately left behind because his aristocratic family found her unsuitable. Determined to live out her fantasy of forging a storybook relationship with her long-absent dad, Daphne impulsively hops a flight to London, where she quickly discovers that her father is high profile politician Lord Henry Dashwood. When Henry opens his life and his social calendar to the daughter he never knew existed, Daphne's appearance in high society creates an uproar that threatens to undermine his political career. Not wanting to jeopardize his campaign for an upcoming election, Daphne stifles her naturally vibrant personality, refashions herself as a proper debutante and plunges into a whirlwind of stuffy British social events. But even with Henry's support, she's not getting any help from his conniving fiancée or her jealous daughter, who are bent on ruining Daphne at every turn. With the aid of Ian, a charming and society-savvy local musician, Daphne attempts to prove that love--and proper etiquette--can conquer all. But Daphne soon realizes she doesn't like the person she's becoming in the process. As much as she wants to be her father's daughter, it's not worth it if she can't be herself.
Official Site: www2.warnerbros.com/whatagirlwants
Director: Dennie Gordon
Writer: William Douglas Home
Cast: Amanda Bynes, Colin Firth, Kelly Preston, Anna Chancellor and Tom Harper
Sorry there are no upcoming showtimes for What a Girl Wants


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The Chupacabra
Posted 23 September 2002 - 06:07 PM
Named because of the way it sucked all the blood from Puerto Rican goats, the Chupacabra has been leaving fear in its tracks for many years now.
First spotted in Puerto Rico in 1994, the Chupacabra has since migrated off the island and has recently been spotted in many locations including South America as well as the US. Although it was named because of its choice of goat-blood as a meal, the Chupacabra has reportedly attacked and devoured the blood of a wide variety of animals including dogs and sheep. As far as we know, there have yet to be any human fatalities.
Due to the distinct technique the strange animal has of killing its prey, it is very easy to tell if the Chupacabra was involved in an animals death. Animals are found with puncture wounds in their neck and most of their blood removed. Often, the victim's organs have disappeared even though the only wound is a small hole in the animal's neck. Reports of laser-like cuts on the victim's ears are also common.
Although some people say they have seen the Chupacabra's tracks, in many cases there are no signs of blood or tracks around the dead animals.
Perfer et obdura; dolor hic tibi proderit olim. --Ovid--
Posted 23 September 2002 - 07:26 PM
You know there is a theory that Extra terrestrials are the reasons for cow mutalations, if you have ever read anything on them the cuts are so precise they go in between cells. (so I have read anyway)
yup, a bit of info to dwell on even know it has like nothing to do with the Chupacabra :-/
Posted 24 September 2002 - 09:15 PM
Posted 25 September 2002 - 07:09 AM
Posted 25 September 2002 - 06:45 PM
but thats about it,
Posted 26 September 2002 - 08:23 AM
Posted 26 September 2002 - 05:21 PM
Posted 02 October 2002 - 06:43 AM
Posted 02 October 2002 - 06:44 AM
Posted 25 October 2002 - 04:43 AM
here are a few.
Perfer et obdura; dolor hic tibi proderit olim. --Ovid--
Posted 25 October 2002 - 05:57 AM
Posted 25 October 2002 - 03:40 PM
Posted 29 October 2002 - 04:55 AM
ghosthunter ~~~> I'm with you on that one bud!
Perfer et obdura; dolor hic tibi proderit olim. --Ovid--
Posted 30 October 2002 - 05:51 AM
Posted 30 October 2002 - 06:56 AM
Yep. Same here. It comes around they will have to talk about me in the past tense cause I will be gone.
Perfer et obdura; dolor hic tibi proderit olim. --Ovid--
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Previous Episode | Next Episode
The PowerThe Power (2004) Episode 137- Transformer: Super Link Anime Episode Guide
This page has been viewed 6 times this month, and 193 times total.
- Transformer: Super Link AnimeAnime Episode GuideEpisode GuideTelevisionSeriesCartoon
- Unknown Studio
- Distributed by: TV Tokyo Corporation
- Cartoon Characters: Grand Convoy, Roadbuster, Skyfire, Hot Shot, Inferno, Laserwave, Sixshot, Alpha Q, Alpha Q [Female), Primus, Ironhide, Irontread, Wing Saber, Sandstorm, Snowstorm, Blastarm, Shockwave, Shock Fleet, Dr. Jones, Airglide, Kicker, Rad, Mischa, Sally, Miranda, Ariel, Alexa, Mega Zarak, Galvatron, Carlos, Signal Flare, Nightscream, Rodimus Convoy, Landmine, Omega Supreme, Red Alert, Wheeljack, Bruticus.
Characters, English Version: Prowl, Unicron, Arcee, Cliffjumper, Cyclonus, Snowcat, Constructicon Maximus, Optimus Prime, Inferno, Roadblock, Autobot A, Alpha Q, Terrorcons, Bruticus Maximus, Signal Flare, Starscream, Rodimus, Shockblast, Dr. Jones, Primus, Carlos, Ironhide, Megatron, Galvatron, Mischa, Skyblast, Six Shot, Jetfire, Strongarm, Hot Shot, Rad, Scorponok, Miranda, Sally, Downshift, Tidal Wave, Mirage, Landmine, Demolisher, Alexis, Kicker, Bulkhead, Wing-Dagger, Wing-Saber.
- Voice Actors: Katsuyuki Konishi, Mitsuo Iwata, Nobuyuki Hiyama, Kosuke Toriumi, Nobutoshi Kanna, Yûichi Nagashima, Tesshô Genda, Kôji Yusa, Isshin Chiba; Full Voice Cast ...
- Directed By Jun Kawagoe, Yutaka Sato.
- Written By Akira Okeya.
- First Aired on November 11, 2004.
- Originally Aired on TV Tokyo (Japan).
- Running Time: 30 minutes.
- Episode Number: 137
- Color
- Japan
Cartoon Summary:
Unicron sits dormant floating in space, repairing itself with enneagon. Kicker sees his opportunity to go and rescue Alpha Q and he goes for it. On the dark side, Megatron is confronted by Shockblast who has absorbed the power of Unicron and has become... (more)
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Rumours of bands playing at the Electric Picnic Festival are always circulating – sometimes they are true, sometimes not… All discussions of non-confirmed artists also take place here. Any bands you'd love to see?
Post Reply
5 posts • Page 1 of 1
- Posts: 1
- Joined: Tue Aug 23, 2016 11:57 am
HI, Has anyone heard anything about having to have specified if you have a campervan or caravan when getting your pass ? we have a campervan pass, but are actually bringing the caravan ?
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5 posts • Page 1 of 1


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Fleetwood Gets Air Time on Oxygen Network
April 7, 2010 by RVBusiness · Comments Off on Fleetwood Gets Air Time on Oxygen Network
The first two episodes of "Tori & Dean: Home Sweet Hollywood," starring Fleetwood RV's popular Bounder, Class A gas motorhome, will be televised tonight (April 7) on the Oxygen Network. The premiere episode airs at 10 p.m. EST and PST (9 p.m CST).
In the new season, Tori Spelling and husband Dean McDermott will offer an even closer look into their family life and at their own relationship, which will include a first-ever Spelling-McDermott cross-country family road trip. When the season kicks off, fans will be treated to a fun-filled, bumpy ride while Tori and Dean take turns at the wheel.
Visit the show's website for sneak peeks and photos of Tori and Dean's road trip in Fleetwood's most popular gas motorhome: http://tori-and-dean.oxygen.com/.


text:
Kaleb Jones Skater Profile
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Hometown: Hickory NC, Stance: Regular, Age: 29, Status: Am
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Maya isn't your typical high schooler. She gets straight...
Luke's Girl
- by Writing_Drama_Nerd_20
- Rating:
- Published: 14 May 2016
- Updated: 23 Aug 2016
- Status: In Progress
Lacy is an 18 year old girl. Like many others, she gets bullied. One day, she meets a boy named Luke. He help her deal with the bullies, and makes her feel welcome. Lacy makes a mistake though. She falls in love with him.
Warning-mature content
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Key Feature
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In a beautiful design, fabulous digitally printed Double Bed sheet suits all interiors that will bring life to your living space with its fascinating design. One important thing you cannot neglect that these bed sheets are coming with 2 pillow covers which are in Contrast Color and Design (i.e. Bed sheet and Pillow Covers designing are different from each other.)
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I thought I would take this opportunity to weigh in on the deal between Library and Archives Canada and Canadiana, which calls for the transfer and digitization of the largest collection of Canadian archival records in history. I want to make it clear that in the grand scheme of things I think that this project is all in all a very good thing for archives in Canada, and is long overdue. What worries me is that the details surrounding this deal are largely unclear, and I think it is important for us, being Canadian archivists and librarians, to ask specific questions about this deal to ensure that this heritage collection is safe, and will ultimately be freely available to all Canadians who want to view it.
Canadiana has already tried to quell some of the hysteria surrounding the deal with their recently published FAQ, but if I'm honest there are a lot of questions that I have that are still largely left unanswered. I even asked Canadiana on Twitter the other day to clarify the issues surrounding the 'Premium' payment that would be required if I wanted to have access to the search and discovery features they will be developing, but I have yet to hear a reply. I think this line from the FAQ deserves a more detailed explanation:
Until the completion of the project, this searchable, full-text data will be one of the premium services.
Does this mean that once the project is completed everyone will have free access to these features? If this is only one of the premium features, what else will we be missing out on if we don't pay? These are just some of the questions I have about the deal, but more importantly, I think it is crucial that we start asking those involved (CRKN, CARL, LAC, Canadiana) how they plan to manage, describe and preserve this enormous amount of information and make sure that it will be available to Canadians for years to come. A lot of these questions have been discussed in Bibliocracy's blog posts on the issue, but I would like to reiterate and request that the library and archives community start asking Canadiana and LAC their own questions to hopefully spur on more details about the project. To start it off, I have outlined below the questions that I would like to have answered:
How will this information be stored, and consequently transferred back to LAC once the full digitization process is complete?
Information architecture is obviously a crucial component of this project, as the collection will need to be stored someplace where it can be accessed by all. I think it is more important that we receive an answer about how all of this content will be transferred back to LAC. There are many methods and avenues this project can take in terms of placing the material in a repository or content management system to hold of all this material, and I think that both parties owe it to us to explain how this work will be completed. Will Canadiana use something like CLOCKSS to ensure that this material is preserved and made freely available forever? Or will this be the responsibility of LAC once the project is done? I would like to know that themigration of digital documents will be easily transferred back to LAC once this is over. Which brings me to my next question:
What measures will be taken regarding the digital preservation of the finalized, newly described content?
I'm hoping that having the responsibility of managing Canada's largest archival collection will spearhead Canadiana to take measures to ensure the preservation not only of the physical content, but the newly digitized content as well. I would like to know where they plan on storing all of this information – will copies be held in a dark archive to ensure its long-term preservation? Will they use an Open Archival Information System (OAIS)? Will they use the Trusted Digital Repository model? It would be nice to see something akin to a Trustworthy Repository Audit and Certification (TRAC) so that Canadian information professionals feel confident that the proper steps are being taken to preserve this digital content.
What type of metadata schemas will be used?
This one is pretty self explanatory, but seeing as this is a Canadian initiative one would have to assume that Canada's RAD archival description schema will be used. Seeing as linked data has become so prominent as of late, does Canadiana have plans to use RDF to encourage and support linked data within this collection? Because one of the main goals of this project is to make this content more discoverable and searchable, I think it would be helpful for us to understand how all of this transcription and metadata tagging will take place.
What do you really mean when you say that all of the content will be open access?
When I hear the term open access used to describe information content I always get excited. If this effort is truly going to make all of this digitized archival material open access, then that is fantastic. However with this deal, there are details of how open access is being described in this context that have me scratching my head. For a definition of open access, I like to use SPARC's definition, which they define (in a nutshell) as material that has:
immediate, free availability on the public internet, permitting any users to read, download, copy, distribute, print, search or link to the full text of collections, crawl them for indexing, pass them as data to software or use them for any other lawful purpose
There have been a lot of discussions around Canadiana's statement that they will be making the digital content available for free via a Creative Commons license. What I don't understand is that in order to access certain features of this content, you will have to pay a premium fee. That doesn't sound very open access to me, but a simple clarification would help with this fact. Which leads me to:
Can you please elaborate on the fees that are involved with premium access, and how this will work with the 10% of digital material released per year for 10 years?
This question has been on my mind since I heard about this deal (as I described above). What I would like to know if how this premium fee will work: what will it cost? what features are involved? Will the premium features become freely available once every 10% of the digitization process is completed?
I understand that in order to create high quality descriptive metadata for digitization you need money to do it. I don't have as much of a problem with that, but what worries me is that these details have no been provided to us. By not answering this one glaring questions, Canadiana has made me nervous that I will have to pay, or my institution will have to pay for content over the long term? How do I know that these charges won't continue once you finish the project?
What experts are going to be consulted for this project?
I know that CRKN and CARL have both supplied money for this project, but it would be very comforting to know that highly skilled, expert personnel will be working on this project. As a librarian and archivist, I want this effort to succeed at the highest level. In order to feel confident that this will be the case, I think it would be wise to inform the library and archival community in Canada as to who will be advising this effort. I always like specifics, and knowing that the best people are working on this effort will go a long way towards easing my mind.
In the end, all I'm asking for is a little bit of transparency. This project will have an effect on a huge number of information professionals, researchers, and the general public. I think that this project shows a lot of promise, and should be a cause for excitement amongst the Canadian information community. However, until Canadiana or LAC provide specifics about this deal, I will be holding my excitement. The lack of explanation, and vagueness of this project should be a cause of concern for everyone. Ultimately, I don't think an open and transparent explanation of a project that affects so many Canadian people is too much to ask for.
I encourage other Canadian archivists and librarians to ask their own questions about this deal through blogs, social media, or email in hopes that it will generate enough demand that Canadiana and LAC will have to respond. I am only a small voice in this, and it would be great to see others get involved. Using #heritagedeal on Twitter could help synthesize all of this information in one place.
Thanks for reading.


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Former Frisco League rivals join forces in all-star game.
They were high school rivals battling for the Frisco League Conference championship in both girls' basketball and softball in recent seasons.
But last Saturday, Dixon High School's Hunter Yoakum and Crocker High School's Bri Peterson were teammates in an all-star basketball game which signaled a beginning for one of them and an end for the other.
Yoakum and Peterson both competed for the white team in a losing effort against the red squad during Saturday's 19th annual Gerald Pilz & Friends All-Star Games on the campus of College of the Ozarks near Branson.
The Pilz event highlighted standout prep seniors from the 2012-13 school year primarily from the southwest Missouri area, although players from other states and other parts of Missouri were also participating.
Peterson, a 5-11 forward, helped the Crocker girls' basketball squad post a 27-3 overall record and a 7-1 Frisco League mark on its way to the Missouri Class 2 State Tournament Quarterfinals in 2012-13. Peterson averaged 12.8 points, 4.6 rebounds this past season.
Peterson's Lady Lions' lone conference loss was to Yoakum's Dixon Lady Bulldogs.
A three-year all-state selection, Yoakum, a 5-7 guard, averaged 25.2 points, 4.1 steals, hit 40 percent of her three-point attempts and 85 percent of her free throws to help Dixon finish 24-4 overall and 8-0 in the Frisco League.
She was the Frisco League MVP for the season.
And Saturday's all-star event served different purposes for Peterson and Yoakum.
For Yoakum it was a continuation for basketball preparation, as she will play the sport as a member of the Lincoln University women's basketball squad in the 2013-14 school year. Peterson turned the page on basketball Saturday, as she will be playing collegiate softball at Westminster College.
Peterson's 'Ending'
"It's an ending to my basketball career," Peterson said. "Since I will be playing softball at Westminster."
Peterson was a two-time all-stater for the state power Crocker softball squad, playing primarily as the team's shortstop.
As a sophomore she helped the Lady Lions reach the Final Four and finish in third place in the Missouri Class 1 State Tournament. The last two seasons Crocker was clipped by St. Elizabeth (the 2011 state champion) in the district tournament finals, including an 11-inning, 2-0 heartbreaking defeat this past fall.
Rolla's Andrea Zalis was one of Peterson's and Yoakum's teammates on the white team Saturday. Zalis and Peterson were non-conference rivals as Rolla played Crocker all four of their years in a matchup of two of the area's premier softball programs.
Like Peterson, Zalis had to choose between basketball and softball. And like Peterson, Zalis chose to play at Westminster. Unlike Peterson, Zalis selected basketball as her collegiate sport.
Having options in both sports, Peterson and Zalis talked about possibly being teammates at Westminster in both basketball and softball. However, both chose to stick to just one.
"(Westminster women's basketball head coach Tracey) Braden talked to me about playing basketball too," Peterson said. "But softball has always been my first priority."
Peterson is extremely tall to play shortstop in college. But she said she's ready to play wherever Westminster softball head coach Shelli Manson wants to put her.
In Manson's three-year tenure at Westminster, an NAIA program located in Fulton, the Jays have shown steady improvement, finishing with a 14-18 mark in 2012.
"They can put me wherever they need me," Peterson said. "Coach Shelli said I could play infield or outfield.
"I'm probably most comfortable at first base or centerfield."
Peterson is gearing up for college softball, but says she will always have fond memories of her basketball days with the Lady Lions.
"I'm going to miss it a lot," she said. "I think (basketball) taught me to not only be a team player but also a leader. (Crocker girls' basketball head coach Nancy Ward) was amazing."
Yoakum 'Moving On'
Yoakum was also an all-state softball player, at shortstop, as a junior, when she led Dixon to the Missouri Class 2 State Tournament.
However, it's basketball where she made her biggest impact, setting the Lady Bulldogs' career scoring record.
Yoakum will be playing college basketball at the NCAA Division II level near her hometown – in Jefferson City with Lincoln of the rugged Mid-America Intercollegiate Athletics Association (MIAA).
"This is where it ends," Yoakum said of Saturday's all-star game, where she represented Dixon for the final time. "Everyone is moving on.
"I know all of these girls, or I know of them. And a lot of them are going to play college basketball."
As good a softball player as Yoakum was in high school, she didn't consider being a two-sport collegiate athlete.
"Basketball has always come first for me," she said. "(Playing one sport) is giving me more time at the gym."
Yoakum will be joining a Lincoln Blue Tiger program which has made tremendous improvement over the past two seasons. After a 24-loss disaster three years ago, Lincoln finished 15-13 in 2011-12 and 11-16 this past season.
Saturday's all-star performance was part of her summer basketball preparation.
"I'm shooting every day," Yoakum said. "I'm shooting 100 shots every day. And I'm going (to Jefferson City) a couple days a week to do the workouts they have given me."


text:
Learn By Heart!
Traditional flash cards for learning Italian language enhanced with smartphone technologies like photos, native speakers' dubbing, learning progress visualization, smart adaptive algorithm, and detailed statistics. The program helps you to skip the stage of translating a word into your mother tongue first, but memorizing a direct match of a subject and a foreign word instead.
1000+ words and 65+ categories
Explicit photos for all words
Voice records by native speakers
5 different learning modes
Track your learning progress with detailed statistics
Smart algorithm for adapting the learning process
3 dimensions of memorizing: visual, audible and textual


text:
Piano, The (UK - BD RB)
Marcus goes technical with The Piano Blu-ray but not for Harvey Keitel favours
Ada (Holly Hunter), a mute Scottish woman is sent to New Zealand with her daughter (Anna Paquin) for an arranged marriage to lonely landowner Stewart (Sam Neill). When she arrives with her beloved piano in tow, Stewart forces her to leave it on the beach rather than carry it through the jungle to his home. The estate manager, Baines (Harvey Keitel), watches and listens in amazement when Ada visits the beach to play and subsequently he makes a deal with Stewart to keep it at his own house. Baines is enchanted by both the piano and Ada and eventually makes a bargain of sexual favours whereby Ada can win back her much loved instrument.
The image is immediately dark, but in a good, even great way due to the deep black areas of the frame and crispness in the image. Grain is ripe throughout the opening credits and the image seems a bit soft at times but coming out of the credits there's an improvement and The Piano really begins to feel alive on Blu-ray.
The image has some nice moments of depth to it and provides an almost Gothic appearance at times with its deep black costumes and moody blue lighting. The image can also warm with impressive results and it brings with it the finer details. Holly Hunter's freckled face looks fantastic in the stark lighting and the warmer tones bring faces to life consistently, both in the eyes, wrinkled faces and general details throughout.
The overall result here is a good, and often great image. It's sometimes quite gritty due to the grain layers but in a filmic way as opposed to anything disappointing or lacking with the disc. Dynamics range across a stylised use of colours such as blue and sunset oranges to a very natural looking affair. Yes, there's some softness at times and it's not the perfect image but it's a fine catalogue title and everything looks great despite the film's age. In fact, the film style here is much more akin to a movie of the 2000s as opposed to the actual 1993 release and that makes the image feel much fresher.
The emotional and powerful score is well served from the outset. The layers are heard through the set up and sit well in the front and rear speakers. The dialogue sits in the centre speaker with a crisp sound, especially with the voiceovers and the sound effects as well as the general ambience around the mix sounds generates the required atmosphere. Some of the beach dialogue can sound a bit crushed by the sea and sometime hollow but this never holds back the score. This is a strong track and one that benefits the film's emotional core in wonderful ways.
The commentary by Jane Campian and Jan Campion it thoughtful and insightful and this is continued (and sometimes repeated) in the 'Interview with Jane and Jane Campion' (76 minutes) which has the pair spoken to separately but the run time is full of great stories, metaphors and a fantastic insight into the film.
Next up is the original 'Making of' (15:10 SD) which is way more thoughtful than these things general muster and lastly there's the trailer.
The Piano is a beautifully constructed film that's emotional impact makes the story all the more successful. The film's new home on Blu-ray is the best the film has looked and really makes for a pretty watch with its moody yet great looks. The score if obviously great and is presented well here and with a wealth of extras runtime wise, The Piano on Blu-ray is an all round success for the award winning film.
Note: The above images are taken from the Blu-ray release and resized for the page. Full-resolution captures are available by clicking individual images, but due to .jpg compression they are not necessarily representative of the quality of the transfer.
Review by Marcus Doidge
Chris Gould Editor Join Date: May 2001 Location: United Kingdom Posts: 7,171
Does this have the subtitles for the Maori language that are supposedly missing on other versions? Looks like a decent enough transfer, if subject to modern colour grading...
bradavon Member Join Date: April 2005 Location: United Kingdom Posts: 1,945
Good question Chris?
Also any idea where it can be bought for a reasonable price? It's £16+ everywhere. I'm thinking closer to a tenner.
A catalogue blu-ray on release really shouldn't be costing that much any more. Thanks
Also any idea where it can be bought for a reasonable price? It's £16+ everywhere. I'm thinking closer to a tenner.
A catalogue blu-ray on release really shouldn't be costing that much any more. Thanks
Suitable only for persons of 15 years and over
Disc Details
Release Date: 19th May 2014
Discs: 1
Disc Type: Blu-ray Disc
RCE: No
Video: 1080p
Aspect: 1.78:1
Anamorphic: No
Colour: Yes
Audio: DTS-HD Master Audio 5.1 English
Subtitles: English HoH
Extras: Commentary, Making of, Interviews, Trailer
Easter Egg: No
Feature Details
Director: Jane Campion
Cast: Holly Hunter, Sam Neill, Anna Paquin, Harvey Keitel
Genre: Drama
Length: 120 minutes
7Review Guide
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Media Statements & Speeches
|Statement: October 16, 2008
|View Printable PDF Version
|Docket No: RM07-1-000
Chairman Joseph T. Kelliher's statement on standards of conduct for transmission providers
"Today the Federal Energy Regulatory Commission establishes new rules to prevent undue discrimination and preference by electricity and natural gas companies in their provision of transmission and transportation service.
The final rule refocuses the scope of the Standards of Conduct rule on the relationship between marketing affiliates and transmission providers, and eliminates the corporate separation approach in favor of the employee functional approach used previously.
Our action today shows that FERC is committed to fairness in the exercise of our new enforcement powers. It is worth noting that the National Fuel decision did not obligate the Commission to make any changes in the Standards of Conduct rule with respect to the electricity industry. The rule was vacated only as it applied to the natural gas industry.
However, my colleagues and I concluded that doing so would have been fundamentally unfair. There was no more factual or legal basis to apply the rule as it existed at the time of National Fuel to the electricity industry than the natural gas industry. Theoretically, we could have continued to apply a rule found by the courts to be arbitrary and capricious to the electricity industry. But doing so would have been an abuse.
The approach we took with respect to the second proposed Standards of Conduct rule demonstrates our commitment to facilitating compliance. Last year, we were poised to issue a final rule based on the first proposed rule. As we were drafting the final rule, we realized that in some respects we were introducing additional complexities into a rule that already had a wealth of complexity. We reconsidered our approach and issued the second proposed rule and led to our action today.
It has been difficult to get this rule right. Essentially, what we have been trying to do is identify those relationships between a marketing affiliate and a transmission provider that run the greatest risk of undue discrimination and preference. We then subject those companies to prophylactic rules designed to reduce that risk. In my view, a prophylactic rule should be limited to areas where there is high risk of affiliate abuse.
To be clear, the new Standards of Conduct final rule does not define the full scope of our authority under section 206 of the Federal Power Act and section 5 of the Natural Gas Act. The final rule identifies those affiliate relationships where there is the greatest potential and risk for undue discrimination and preference, and subjects them to restrictions. The Commission has a duty to address allegations of affiliate abuse that fall outside the scope of the rule, both on our own motion and on complaint.
I think the final rule is a good rule, and will help the Commission discharge its statutory duty. In my personal view, a good rule established by a regulatory body has a sound public policy purpose, actually achieves or furthers that purpose, is reasonably tailored to that end and does not impose undue burdens on the regulated community, is capable of effective enforcement, and facilitates compliance. Of course, a good rule also must be within the legal authority of an agency.
In my view, the final rule we approve today meets that test, while the previous Standards of Conduct rule fell well short of this ideal.
It is with great personal satisfaction that I vote to reform the Standard of Conduct rule."
|View Printable PDF Version


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Battlestar Galactica: Season 4.5 (US - BD)
Gabe takes his time time to study this fan favourite series from top to bottom...
I'd like to preface this by saying I'm probably the last person around here fans want to critically review Battlestar Galactica, but I'm the only person you got. Since most of my 'out of necessity' series reviews lead to a whole lot of complaining I'll keep this one short and sweet. It's pretty clear hard core television fans don't have any interest in dissenting opinions from outsiders, so I'll mark myself as one immediately. I didn't watch Battlestar upon its initial releases, only catching odd episodes here and there in reruns. Despite all my friends telling, neigh, demanding I watch the show I never did. I'm far too busy watching children's cartoons and schlocky horror movies (you see now how I'm setting my opinion up as 'poisoned' on my own, thus circumventing the inevitable backlash). I tried very hard to watch the entire series before watching this season 4.5 collection, but there's just too much of it (see, there's a good reason for this review to be so far behind the release date). I caught up thanks to the 'What the Frak is Going On with Battlestar Galactica' and wikipedia, but this only pertains to the plot, which leaves me a bit retarded concerning the building characters, along with the thrill of watching serialized television.
I like Battlestar, but I find it overwhelming in its melodrama. Humourless might be the wrong word, but I can't think of a better one. Sure there are jokes, but the tone is deadly serious, and in my opinion the soap opera elements could do with a bit more subtlety. The characters are slaves to the plot, and though the plot is fascinatingly twisty, and unlike Lost or Heroes (for example only) it's very clear that the writers had a plan from the beginning, the shocks occasionally stupefy with their seeming randomness (I say, as a guy learning them all in one sitting). I find that even after several hours of the show I don't relate to any of the characters on a personal level, which makes it hard to care about them despite a whole lot of top notch acting. I also find the dialogue kind of exhausting, as everyone speaks in the most dramatic possible tones and words, as if their every sentence were a political speech before Congress (except for the fake cursing, which I hate). Now, I'll agree that I probably shouldn't complain about dialogue concerning my preoccupation with children's animation, which is usually about as intellectually stimulating as baby babble, but I also appreciate overstated and stylized dialogue enough to at least have an opinion on the matter ( Deadwood is my favourite live action series of all time).
One thing that definitely doesn't bother me about the series is its less than original premises. Besides getting away with reusing a whole lot of overused tropes and plot developments simply because it's a remake (reboot, semi-sequel) of an older series, the writers actually play these elements better than almost every mainstream science fiction series or film in recent memory. For example, the basic premise of robots rising up against human masters is a very common one, most memorably in the cases of The Terminator and The Matrix. Despite what I consider 'humourless melodrama', the Battlestar plot carries the elements with dignity far beyond any of the multi-million dollar sequels created to augment either James Cameron's or the Wachowski Brothers' original films. The latest Terminator film, Salvation, even went as far as to take elements from the series, and by most accounts failed to live up to them. And let's not forget how little closure those Matrix sequels had.
The show doesn't excite me as much as I wish it did, but the fact that it excited others does, because it's smart, it's brimming with subtext, and it loves the fact that it's science fiction. Some of the political subtext is hit with a little too much force (and too often, well after the point is made), but the constant ambiguity is probably what makes the show so 'important'. It's never entirely clear who the villain of the series is because point of view shifts constantly change the game, and by the time this last season collection occurs the entire protagonist and antagonist structure has been turned on its head several times. Both sides of the political aisle, and every aisle in-between, can see themselves in every hero and villain if they look closely enough, and any show that forces people to second guess their beliefs even a little is a-ok with me. I should also mention the richness of the series' mythology, which like Star Wars and Lord of the Rings extends beyond the realms of the series, over thousands of years, and includes mythological elements within the mythology, including gods and the like. And like Star Wars and Lord of the Rings, the mythology and subtext may be the point of the exercise.
Disc one begins with an introduction letting viewers know that this Blu-ray release looks better than any other version of Battlestar because they film the whole thing in HD video. Apparently it doesn't even look as good during hi-def broadcasts. I'll just take his word for it. Anyway, he isn't lying about the quality – the show looks fantastic. Life-like isn't the right word, because there is a lot of textural grain, and over modulated colours. The series is never a pure and clean HD presentation, like Lost, but the distortions are placed with purpose. The grit and grain really just adds to the experience, and outdoor shots of the dead Earth make me weep with anticipation for the grainy, high contrast, low saturation photography of Saving Private Ryan on the format. The lighting schemes are often quite intense which creates super deep blacks, super sharp details, and despite all the grain, surprisingly clean whites. All these are achieved without any noticeable edge-enhancement.
The whole thing is so overtly stylized it's very hard to judge some of the transfer's possible shortcomings. When inside the ship the cinema verite camera movement and lighting sometimes leads to a loss of detail in darkness, and some less smooth colour transitions. Some of the heavy grain can be mistaken for less forgivable digital noise, but the noise remains consistent despite hue change, and there's little digital blocking or low level noise, outside of some of the most unforgiving reds. There are bright lights all over the ship that all create their own artefacts. Some reflect in the lens, some create blooming, and others ensure the grain is even thicker than usual. These colours are always bright, though. Proving that the grain is indeed an intended look the digital effects mix impeccably into the live action aspects of the transfer, and are more believable than much more expensive effects found in much more expensive movies because of it.
The final episodes of Battlestar come fitted with a loud, brash, elegant, and super-clean DTS-HD Master Audio 5.1 soundtrack. Despite the Space Opera credentials the most outstanding audio elements are really found in the interstellar dogfights. The sound design of the spaceship scenes is impressive in its relative originality, standing somewhere between the utter silence of Firefly's scientifically accurate space, and Star Wars' zippy, shooty, boomy space. The vacuum of space creates a sort of white noise of bass and air that keeps the channels busy, while the movement of the ships makes for subtle directional movement. The more aggressive elements of the track concern in-ship effects. As the Galactica begins to fall apart towards the end of the second disc the creaks and moans of the metal are realistic enough to make one question the structural integrity of their own house or apartment. The shoot-outs during the mutiny feature plenty of whizzing bullets, screaming ricochets and bruising impacts, and the bizarre computer buzzes of the Cylon ship give the rear channels some solid vibrations. Dialogue is almost exclusively centered, and clear, but sometimes the gate cut off is odd and unnatural, and there are a few buzzes of distortion (also, I'm really sick of hearing characters burping out fake curse words). The series score, which I find exhaustively schmaltzy at most point (though that final theme of Starbuck's is a great chunk of music), is the track's biggest element, and sounds perfectly overwhelming, bassy, and nerve jangling thanks to some rollicking tribal drums.
Every episode features a copy of the podcast commentaries executive producer Ronald D. Moore. These are fun, and informative, but not as good as the more technical minded extended episode commentaries, of which there are three. On disc one producer/director Moore goes solo on 'A Disquiet Follows My Soul', one disc two features episode director and series star Edward James Olmos on 'Islanded in a Stream of Stars', and on disc three director Michael Rymer is joined by creators Eick and Moore talk over the finale, 'Daybreak'. These commentaries are more or less nonstop, except Olmos', which is relatively silent. Eddy apparently doesn't quite have it in him to talk this much. The two producer controlled tracks feature a lot of talk concerning the technical processes of writing the epic tomes, and specific attention is paid to the scenes that were deleted for the air versions. In the case of 'Daybreak' the structurally challenging, Citizen Kane styled storytelling is a strong point of focus, and there are many comparisons made between this and the original pilot miniseries (actor growth, stylistic choices, etc.).
Every disc features a 'Battlestar Actual' U-Control option, which pops episode pertinent facts onto the screen. The on-screen factoids are sometimes gobsmackingly pointless, such as explaining military time, or defining 'holocaust'. If you're smart enough to follow the show, you're smart enough to know these very rudimentary things. Disc one and two's interactive U-Control guide, titled 'The Oracle', didn't work on my Profile 1.0 player. Disc three features a 'What the Frak Happened to You?' U-Control branching option. When the icon appears the disc flips over to a sort of character bio, which runs through the important events for each marked character in text as the story continues.
The other disc one extras start with 'The Journey Ends: The Arrival' (12:50, HD), a look at the making of the final episodes that probably should've been put on the third disc in the set. This starts as the most satisfying featurette on the set, encompassing the process of bringing about such a large scale final act, but devolves into a ball of sappy sentiment, which doesn't come off as disingenuine, is tonally very self congratulatory, as the cast and crew slathers the series with praise. 'Evolution of a Cue' (23:20, SD) is a pretty fascinating look at the process of writing, recording, and mixing a final musical cue for the series. I'm really not a fan of the series music, but I very much appreciate the effort put into it, and this featurette helps people like me to recognize the impressive creative process of scoring motion pictures (it helps that they picked one of the season's better songs too, though I'd prefer hearing the story behind that indelible cue that Starbuck remembers from her childhood). The disc is finished with some deleted scenes (15:50, non-anamorphic SD), and the awesomely valuable 'What the Frak is Going on with Battlestar Galactica' series wrap-up (8:20, SD).
Disc two features some more deleted scenes (21:30, non-anamorphic SD), and 11 of David Eick's video blogs (44:50, SD). Eick himself makes very few appearances, but crew members are given a chance to be stars for a few minutes at a time. For mere blogs these are pretty well-edited little featurettes, and they feature a lot of behind the scenes footage. The quality is a bit inconsistent, but there isn't a lot of overlap, and there's not enough time to grow bored of any of it.
Disc three featurettes start with 'A Look Back' (37:00, HD), a six part retrospective featurette. Things start with 'So Say We All', a group of interviews with cast and crew members, who proceed to pat the series creators on the back until they're hands are bloody little stumps. For 'Manifesto Destiny' the interviewees discuss the show's written manifesto to the Sci-Fi network, which found its way to the cast and crew, and allowed the show to proceed despite the cornball memories of its source series. 'Battle-Style Galactica' features a little set footage, but is mostly more interviews, this time concerning the aesthetic feel of the series. 'Martyr to a Cause' talks about bringing actor Richard Hatch onto the series, who was a part of the original series, along with some of the political ambiguities of the show. 'The Sins are Forgiven' looks at the show's hard built religious cultures. 'Battlestar Revelations' finishes things out with some fun little anecdotes from the actors.
I have no idea why the last two featurettes weren't included in the 'A Look Back' grouping, but they weren't. '…And They Have a Plan' (4:20, HD) is concerned with the upcoming STV feature film, which is apparently based entirely around the fact that someone decided to put 'And They Had A Plan' into the end of the open title of each episode. Sounds like a silly retcon to me, but it might be really fun for fans. 'The Musicians of Daybreak' (30:30, HD) finishes out all the featurettes with a look at the final episode's scoring process. The disc also features more deleted scenes (5:20), also in non-anamorphic standard definition, and minus title cards or any kind of contextualization tools.
I'm not a fan of Battlestar Galactica on nearly the levels of most of the folks buying this collection, but I hope the fans appreciate my effort in understanding their obsessions. I feel I'm not really at liberty to judge this series finale on levels beyond those of basic, visceral aesthetics, but overall it seems about as satisfying an ending as such an epic exercise could ever render. It's more satisfying than the similar ending of the Matrix series, and less predictable than the ending to my favoured recent geek property Avatar: The Last Airbender (though both show's pulled rather sizable Deus Ex Machinas out of their magician's hats). The dead serious streak that I found so off-putting for so much of the series is in the end responsible for a lot of emotionally satisfying closure, and I imagine if I'd been with the show from the beginning I may have shed a few tears. I'm not fun of the 'real world' coda, but the rest is pretty enjoyable stuff, even for a non-fan like myself. This Blu-ray collection of the last half of the films final season is very, very grainy, but the look is intended, and grows on the viewer like mold on cheese, while the expertly mixed DTS-HD audio is practically perfect. Extras are solid and plentiful.
* Note: The images on this page are not representative of the Blu-ray release.
Review by Gabriel Powers
This is another case of me proofing my own work, so feel free to point out grammatical or spelling errors here. Sorry sorry sorry!
Karl Member Join Date: August 2006 Location: Estonia Posts: 103
Matrix prequels?
Though I could try to argue that I was talking about the Animatrix, that was an error on my part. Thanks for the catch.
dissention Member Join Date: September 2009 Location: United States Posts: 1
I can guarantee that if you had watched the show from beginning to end, you would have shed tears. You honestly did yourself a big disservice by watching the short recap and then diving in to the last ten episodes. Four years of mystery and build-up ruined, mate.
JackJackMN Member Join Date: January 2006 Location: United States Posts: 629
Yeah, it is hard to understand emotion of the show by skipping the first first 3 seasons. But a good review on what you've seen. I've never had such an emotional connection with a show in my life. The last episode affected me for a while. It was hard to watch the end of such an amazing journey for the characters.
I have the first 3 seasons on DVD. But I am going to get the last season on Blu for all the wrap up features.
I have the first 3 seasons on DVD. But I am going to get the last season on Blu for all the wrap up features.
I've only been brought to tears by a television series once. Actually twice, both times it was Deadwood. For some reason cartoons can choke me up pretty regularly, but I don't think I've ever been driven to tears by one.
stevepulaski Member Join Date: June 2009 Location: Niger Posts: 741
I met Michael Hogan at Comic Con Chicago. Very cool guy.
This product has not been rated
Disc Details
Release Date: 28th July 2009
Discs: 3
Disc Type: Blu-ray Disc
RCE: No
Video: 1080p
Aspect: 1.78:1
Anamorphic: No
Colour: Yes
Audio: DTS-HD Master Audio 5.1 English
Subtitles: English SDH, French, Spanish
Extras: Creator/Director/Producer Commentaries, The Journey Ends: The Arrival, A Look Back, ...And They Have a Plan, Deleted Scenes, Evolution of a Cue, What the Frak is Going On with Battlestar Galactica, Video Blogs
Easter Egg: No
Feature Details
Director: Various
Cast: Edward James Olmos, Mary McDonnell, Katee Sackhoff, Jamie Bamber
Genre: Action, Adventure, Drama, Sci-Fi and Thriller
Length: 763 minutes
8Review Guide
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How can I help protect nature?
From volunteering on grass-roots conservation projects to making a monthly gift for nature, there are plenty of different ways for everyone to become a voice for nature.
Find out how you can help protect Canada's natural habitats today by clicking on one of the six options below.


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NAME Bwana Spoons - 343
ARTIST Bwana Spoons
TYPE Art SIZE 3.5"x6.5"
This piece is a part of the Red Envelope Show. Each red envelope contains a mystery gift selected by the artist. Please note, a few mystery gifts are a little bulky and may deform the red envelope slightly.
Pieces will be shipped or available for pick-up shortly after March 11th.
All sales are final.