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30 Interesting Different Types Of Blankets
Notion sleep like a log with these 7 types blanket odyb basically blankets are used to provide warmth especially while sleeping there are many types of blanket as outlined below but each is different in terms types of bedding learn the basic terms for these items blanket blankets are used to add warmth while some people use a blanket on its own others may prefer to top the blanket with a more attractive quilt forter or duvet blankets are most monly made of wool cotton polyester microfiber plush or a blend of fibers types of blankets and how to choose blankets types of blankets and how to choose blankets throw blankets are some of the most prominent types of blankets and e in many different materials and . within this time I'm going to demonstrate different types of blankets
in relation to different types of blankets
. And from now on, this can be a first impression:
30 Interesting Different Types Of Blankets Notion Created by Mauipaniolodance on Monday, May 7th, 2018. We got 30 Awesome Ideas 30 Interesting Different Types Of Blankets Notion. You can Find on category Blanket stitch.


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Innocent in death free pdf - Innocent in death (eBook 2007) [WorldCat.org]
how to breed ducks on a farm pdf
Duck farming is very popular and absolutely a lucrative business. Ducks are highly available around the world. There are numerous meat and egg productive duck breeds available throughout the world. All the present domestic ducks around the glove come from the …
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65% of Form Five students of a school pass the SPM Additional Mathematics paper. If a sample of 5 student is chosen at random, calculate the probability that all
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Vi the mathematical sciences in australia modern mathematics is a tireless driver of innovation. A VISION FOR 2025 1 1 THE MATHEMATICAL SCIENCES IN AUSTRALIA The mathematical sciences sit squarely at the centre of modern life. They underpin our financial systems and all our information and communication technologies. They are fundamental to our attempts to predict the future of economic
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C.S. Morrissey's versions of the Hesiodic Theogony and Works and Days are prefaced by a confrontational "Translator's Note" where he tells his readers that he has expanded the original with "explanatory additions to the text" and puts his anticipated critics on notice: "Pedants will pull faces, but I am a deliberately
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21/02/2014 · Advantages and disadvantages of IBS Proven IBS can be explained using "BCF" for BETTER, The Malaysian construction industry is attempting to promote and use Industrialized Building systems (IBS) for better construction practice with more effectiveness and efficiency, but in terms of constructability and research into the application of constructability concepts for IBS little …
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Australian Capital Territory: Lyons ACT, Oaks Estate ACT, Farrer ACT, Russell ACT, Brisbane ACT, ACT Australia 2684
New South Wales: Georgica NSW, Flinders NSW, Tralee NSW, Warnervale NSW, Forbesdale NSW, NSW Australia 2085
Northern Territory: Johnston NT, Jingili NT, Yuendumu NT, Nightcliff NT, Yulara NT, Charlotte Waters NT, NT Australia 0849
Queensland: Birkdale QLD, Epsom QLD, Kingsborough QLD, Etty Bay QLD, QLD Australia 4072
South Australia: Kings Park SA, Grace Plains SA, St Kitts SA, Joslin SA, Lock SA, Manoora SA, SA Australia 5076
Tasmania: Dulcot TAS, St Helens TAS, Riverside TAS, TAS Australia 7026
Victoria: Learmonth VIC, Cobaw VIC, Echuca Village VIC, Altona VIC, Marong VIC, VIC Australia 3005
Western Australia: Lesley WA, Horseshoe WA, Kirup WA, WA Australia 6079
British Columbia: Queen Charlotte BC, Penticton BC, Kelowna BC, Princeton BC, Port Clements BC, BC Canada, V8W 8W8
Yukon: Takhini Hot Springs YT, Klondike YT, Upper Liard YT, Teslin River YT, Robinson YT, YT Canada, Y1A 9C8
Alberta: Penhold AB, Caroline AB, Claresholm AB, Caroline AB, Stavely AB, Marwayne AB, AB Canada, T5K 8J7
Northwest Territories: Behchoko? NT, Kakisa NT, Fort McPherson NT, Wekweeti NT, NT Canada, X1A 8L5
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subset: commoncrawl


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On The Heels Of CMT's Highest Ratings In Four Years, Network Reveals NEXT WOMEN OF COUNTRY Class of 2019
On the heels of CMT's highest ratings in four years* and an historic all-female "CMT Artists of the Year" special, the network revealed the next group to join its celebrated Next Women of Country franchise at today's annual event in Nashville. The nine artists joining the elite Next Women roster are Anna Vaus, Emily Hackett, Ingrid Andress, Lainey Wilson, Lauren Duski, Leah Turner, Rachel Wammack, Stephanie Quayle and Tenille Townes. The announcement was made by Little Big Town's Karen Fairchild.
Inaugural CMT Next Women of Country member and event co-host Cassadee Pope is set to headline her first-ever tour, joined by Clare Dunn and Hannah Ellis, when the CMT Next Women of Country Tour hits the road in early 2019. Tour routing and additional information will be announced soon.
CMT today also revealed that Grammy Award-winner and 2018 CMT Artist of the Year Maren Morris has received the 2018 CMT Next Women of Country "Impact Award," presented to a female artist that has impacted songwriting, recording, radio airplay, record sales, streams, media impressions, awards and touring in country music over the past year. The honor was presented by award-winning songwriter Natalie Hemby.
The announcements come on the heels of CMT's highest rated year since 2014 among Adults 18-49 and Women 18-49. Additionally, CMT has notched seven consecutive quarters of year-over-year ratings and share growth in Prime among Adults 18-49 and Women 18-49, and the network has either grown or maintained its year-ago share in Total Day for 23 consecutive months among Adults 18-49.
(Nielsen, L+SD. CMT Coverage Area Ratings and Share. Total Day 6A-3A, Prime 7P-12A. Highest rated year: 9/30/13-9/30/18 by Fiscal Year, October-September. Quarter through 9/30/18. Month through 10/28/18)
A staunch advocate for country music's female artists, CMT first launched its "Next Women of Country" campaign in 2013 in an effort to support and expose developing female talent, both signed and unsigned, in a male-dominated format. The campaign showcases emerging female artists across all CMT screens throughout the year, and in five years since its launch, CMT has expanded the initiative to include five CMT NEXT WOMEN OF COUNTRY Tours, anchored by superstar acts including Jennifer Nettles, Martina McBride and Sara Evans, a CMT.com digital series, NEXT WOMEN OF COUNTRY LIVE, and more. Notable alumnae of the franchise who have achieved both commercial and critical acclaim include Kelsea Ballerini, Maren Morris, Lauren Alaina, RaeLynn and Lindsay Ell.
To join the conversation, follow along on social media using #CMTNextWomen.


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The Book Club Guide
Looking for the next book for your book club? Look no further. This guide, written by the author, includes food & drink ideas, games and discussion questions, so all the work's done.
Are you in the Denver Metro area? Meg might be available to come to your book club and do a Q&A! Write her to find out!


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Osaka G20 Meet: Climate Change and Trade protectionism given the maximum focus
- In article
- 10:12 AM, Jul 07, 2019
- Ranabir Bhattacharyya
The Osaka G20 Meet has given a much-needed breathing space amidst a turbulent international situation over various matters and perspectives. As 19 countries and the European Union came together, various matters which were discussed amidst much noise and upcoming challenges within tricky political relations. Primarily, a common ground has been achieved on climatic change, one of the biggest global threats to the living population. No doubt, it can be definitely said that the meet was not all about awkward photo ops, but an attempt to bring issues under an umbrella and quest for a consensus on several issues. Japanese Prime Minister Shinzo Abe chaired the historic meet at Osaka.
Prior to the Osaka G20 Meet, it was apprehended that trade would be the main focus of discussion, especially the stance of key players like US, Russia. The rich country leaders have called for a free, fair and transparent environment for trade, keeping markets open without any protectionist approach. No doubt, as the US and China have decided to resume trade talks after the much-coveted meeting between Trump and Xi, there is still hope. It is presently clear that Washington won't be levelling new tariffs on Chinese exports. The agreement between Russia and Saudi Arabia extending oil production agreement was another interesting development. As Japanese Prime Minister Abe pointed out, reform of the WTO is unavoidable and countries discussed in detail why it is important to fight protectionism in best interests of global trade.
There is no denying the fact that newly elected Indian Prime Minister Narendra Modi received much praise for his leadership. In fact, his meet with Donald Trump definitely added another feather to Indo-US bilateral ties. Prior to the meeting, there were sensitive issues like India's plans to purchase an S-400 missile defence system from Russia, ties with Iran and oil imports and India's interest in buying telecom equipment from China and expertise regarding 5G technology.
Reducing tariffs and concessions on US products was a great boost to the existing equation. Let's not forget the trilateral meet between Russia, China and India within Osaka G20. The informal meeting of the World leaders was a gradual extension of the Shanghai Cooperation Organisation (SCO) summit held earlier. Whether it is Russia's integration into the BRI, security and oil issues in the Middle East and Central Russia. It is too early to say that there has been an attempt to create an alternative to Western liberal order or de-dollarization of Global economy. Obviously, the stress was on forming a ground map for equal and indivisible security architecture in the Eurasian region.
It is too early to say that the countries have agreed on climate change. In fact, there have been contrasting arguments in this regard. French President Emmanuel Macron stressed on the importance to adhere to the Paris agreement on reducing greenhouse emissions. There is definitely uncertainty among the countries regarding the G20 Riyadh summit scheduled to be held in November 2020. The controversy aftermath Journalist Jamal Khashoggi's murder has definitely put a question over Saudi Arabia and its role.
Disclaimer: The opinions expressed within this article are the personal opinions of the author. MyIndMakers is not responsible for the accuracy, completeness, suitability, or validity of any information on this article. All information is provided on an as-is basis. The information, facts or opinions appearing in the article do not reflect the views of MyindMakers and it does not assume any responsibility or liability for the same.


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Lofts are an extremely well known decision with regards to making two of your children share a room. Much increasingly prominent are metal lofts.
Lofts that have casings made out of metal are called metal cots. They are less expensive and their sensible costs make them significantly more reasonable when contrasted with the wooden cots you can discover. Since the metal bunks are lighter when contrasted with wooden bunks, their get together and camouflaging takes significantly less time and exertion. The metal beds are believed to be progressively sturdy and durable. They don't lose their shape effectively, and can withstand high weight. Bunk bed
Despite the fact that metal beds have these points of interest, they are not as steady as wooden cots attributable to the feeble jointing of the bunks. It is important to check and fix the joints of a metal bed every once in a while as they tremble. They bunks may wind up precarious because of youngsters' energetic exercises on the bed too and at times cause the bed to fall. So as to dodge these disasters, a normal keep an eye on the joints of a metal bed is incredibly vital. The metal bunks might be unfortunate in chilly climate on the grounds that the metal gets cold in all respects effectively.
There are numerous sorts of metal bunks accessible for you to look over. There is the twin over twin sort of metal beds. The upper and lower bunks are of a similar size and are in some cases separable to utilize the two beds independently, particularly when children would prefer not to utilize a bunks any longer. Some metal beds have bigger lower bunks and littler upper bunks. These are perfect for offspring of various ages to share.
Clearly the senior kid needs more space, so the bigger, lower bunk will be appropriate for a more established child, while the upper bunk, which is the size of a twin bed, can be utilized by the more youthful tyke. Metal beds additionally accompany both; upper and lower, bunks being bigger. On the off chance that you have two adult kids sharing a room, a full over full metal bed would be the best decision for the room. Some metal bunks just have an upper bunk, with a vacant space instead of the lower bunk. Those are called space bunks. These are exceptionally helpful for capacity, as anything, for example, toys, amusements and even a work area, can be kept underneath the upper bunk. Futon bunks are likewise exceptionally famous, with a twin top bunk and a couch underneath. They are perfect for sleepovers and when a kid has their very own room.


text: I begin my process by putting all my thoughts onto paper. Jotting down notes and sketching rough ideas helps me wrap my head around every possibility that occurs to me, regardless if they are good or bad. Visualizing my brain into something tangible allows me to begin organizing the opportunities. On some occasions, envisioning partially-formed ideas sparks inspiration for a unique and exciting design that might have otherwise been overlooked. Holding back keeps me from learning about my tools and myself as a creative. So I ask myself, what's the harm in going a little nuts?


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One Little Lie by Whitney Barbetti
Genre: New Adult
Designer: Najla Qamber Designs
Adam Oliver hated me. Loathed my very existence. He had every right to, but that didn't make my life any easier the afternoon I had to rescue him on the side of the road. But worse than rescuing a guy who hated me to his core was the lie I told my parents. Because I'd just told them that my long-term boyfriend was finally back in town. My long-term boyfriend who didn't actually exist. The one named Adam Oliver—the guy I'd crushed on all through high school. So the real Adam had no idea that he and I were engaged in a years-long, committed, serious relationship. And, somehow, some way, I needed to convince him to play along with my one little lie.
Add to Goodreads
Such a fun and sweet story, it has the great amount of angst and drama to keep your interest and keep you with a smile on your face.I find the story heartwarming and I enjoyed the storyline!The romance it was so great, it has slow burn and some steamy moments!
I adored Hollis and Adam, there is humor,sweetness and fun moments between them.Adam was something else I loved him, he stole my heart!
If you are looking for a fun read with fake relationship and a swoon worthy hero this is great!


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SANTA MONICA, Calif., Aug. 29, 2019 (GLOBE NEWSWIRE) -- Medical Design & Manufacturing (MD&M) Minneapolis, the Midwest's leading medical technology event, today announced its 2019 programming, offering medtech engineers and innovators three immersive conference tracks across research and development (R&D), product development, and quality and manufacturing. The well-established show, which will be celebrating its 25th year as it graces the halls of the Minneapolis Convention Center October 23-24, will also provide attendees the opportunity to sit in on a number of panels, presentations, demos, and solutions in its theater-style educational hubs, MedTech Central and the Engineering HQ.
To commemorate MD&M's 25th anniversary, the expo will acknowledge brands that have been with MD&M from its inception, and will also feature a 25th Anniversary Networking Zone with a Hall of Fame showcasing long-time supporting companies.
The MD&M Minneapolis two-day conference runs alongside Automation Technology Expo (ATX), Design & Manufacturing Minneapolis, MinnPack, and PLASTEC Minneapolis. To register for free as press, please visit: minneapolis.im.informa.com/2019/registrations/Media.
"As the flagship event serving the larger Minnesota medical design and manufacturing hub, we're excited to bring together the industry's leading suppliers, engineers, executives, and thought leaders in a dedicated space where they can network, build connections, and ultimately create solutions to move the industry forward," said Suzanne Schoenfeld, MD&M Minneapolis event manager. "This year's topics will focus on the medtech industry's biggest opportunities for advancement including artificial intelligence, automation, emerging technologies, digital health, implantable devices, user-centered design, and more."
In addition to the conference's silver jubilee, 2019 marks the welcome of new event partner MedFuse, the first conference of its kind focused on the intersection of connected devices and data within the broad spectrum of medical practice from healthcare to medical devices. MD&M offers attendees a sneak peak of what's in store at the MedFuse 2019 conference—taking place alongside MD&M on the second day of the event—with two free sessions at MedTech Central. The session details can be found below.
The Industrialist Dilemma: How Market-Leading Companies Face the Challenges of IoT & Digital Product Development
As software disciplines and digital platforms become the source of market innovation and product differentiation, traditional medical manufacturing companies often find themselves threatened by emerging competitors and internal competency gaps. It's difficult to add digital capabilities to existing products in order to leverage data and user experiences to drive new business models. Jim VanderMey will share case study materials and content from his collaboration with Rob Siegel of Stanford's Graduate School of Business that will help identify changes market-leading companies need to address when beginning digital or IoT product development.
How Much PII is TMI? Designing for Privacy in a World of IoMT and Healthcare Big Data
Come hear a leading expert talk about a practical approach to designing for privacy with emerging technologies in the medical and healthcare space. This presentation will focus on real-world privacy by design analysis that addresses mental wellbeing using artificial intelligence (AI). You'll be able to discuss the evolving privacy and security-related legal challenges facing emerging technologies such as IoT, AI, and big data as it relates to the healthcare and medical space and ask questions to help you better understand the challenges facing medical devices.
A selection of MD&M conference programming is below.
Research & Development (R&D)
Next-Gen Innovation in Material Choices
Material choices for medical devices are always evolving. Trends like miniaturization, repeat use, 3D printing, and digital patient care are driving modernization in the marketplace. In this session, attendees will learn more about these application-specific material innovations, and the role of color used to meet the new demands of end users.
Strategic Partnerships with Big Medtech: What Medical Device Manufacturers Need to Know
For many device manufacturers, overcoming the immense pressure for using time and money appropriately can be daunting. Partnering with specialized groups to grow your business and develop a long-term strategic partnership with a large medtech company can be the right solution. This session will include topics including the benefits and considerations for entering into a strategic partnership, the types of structured arrangements for medical device manufacturers with large strategic MedTech commercial organizations, how to optimize success and growth, and exit planning and wind down considerations.
Product Development
Panel: The Top 5 Things You Need to Know About the Implantable Internet of Things
Body-worn IoT devices are quickly gaining adoption in the healthcare space, but the next horizon is IoT devices that can be placed inside the body. Applying big data and IoT to implants can help improve the quality of life for many people. But there are risks and challenges, from surgical considerations, to adoption, to device design. This panel will discuss design challenges with technology, as well as the barriers and successes of implementation in developing economies with use cases examples, body burden, creating the ecosystem, and overcoming regulatory and quality concerns, including cyber security.
Preparing to be a Data Driven Medical Device Organization
The future of medical devices is firmly rooted in a risk-aware environment, and the secret to success in a risk-aware environment is data analytics. Data generated by a medical device needs to be accurately collected, stored, retrieved, and analyzed within the framework of patient privacy, driven by regulations across the globe. Topics to be covered in this session include how data analytics allows for better design iteration, maintenance of high quality control, superior service to end users and personalized medicine, how to follow good data practices in documentation and manufacturing, overcoming regulatory concerns around handling patient data, tools, tips, and case examples for data collection, labeling, storage and analysis, audits, and education.
Quality & Manufacturing
What Manufacturing Engineers Can Teach Design Engineers About Cost & Quality
One of the biggest complaints heard by manufacturing engineers is they're not involved until it's too late. Your device might be innovative, but if it's too costly to produce, and it doesn't meet quality standards, it may never get off the ground. In this session, manufacturing engineers will learn how to work with the design team to think ahead to avoid this fate.
Best Practices for Implementing Sensors & AI in Your Medical Device Manufacturing Efforts
Industrial IoT plays a huge role in smart manufacturing today, and includes augmented and virtual reality, big data analytics, and robotic process automation. The use of IoT sensory systems will allow for more precise control of processes, defect reduction, quality control, and cost optimization, while allowing for a sharper focus on innovation and product differentiation. While the benefits are vast, there are also challenges with implementing these technologies, so what is the best way to refine the use of these smart manufacturing tools in your process? Topics within this session will include better practices for implementing smart manufacturing technologies into existing manufacturing lines, focusing on more complicated initiatives, such as in-line predictive production quality that generates greater benefits, and case examples in medical device manufacturing.
Connect with MD&M Minneapolis: #AdvMfgExpo
About Advanced Manufacturing Expos & Conferences:
Informa Markets' Advanced Manufacturing portfolio is the leading B2B event producer, publisher, and digital media business for the world's $3-trillion advanced, technology-based manufacturing industry. Our print and electronic products deliver trusted information to the advanced manufacturing market and leverage our proprietary 1.3-million-name database to connect suppliers with buyers and purchase influencers. We produce more than 50 events and conferences in a dozen countries, connecting manufacturing professionals from around the globe. The Advanced Manufacturing portfolio is organized by Informa Markets, which recently acquired UBM to become a leading B2B information services group and the largest B2B events and exhibitions organizer in the world. To learn more and for the latest news and information, visit www.informa.com.
A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/609a98fb-37cd-4f41-bc31-f451ef3c972f
Media Contacts: Audrey Uchimoto, , (310) 496-9423 Lauren Lloyd, , (310) 266-4792 Tam Nguyen, , (424) 410-9797
Advanced Manufacturing Minneapolis
New York, New York, UNITED STATES
Media Contacts: Audrey Uchimoto, , (310) 496-9423 Lauren Lloyd, , (310) 266-4792 Tam Nguyen, , (424) 410-9797
MD&M Minneapolis 2019
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2019 NOVDEC Re-Opened until 12 August
WASSCE for Private Candidates, 2019 – Short Registration Notice The West African Examinations Council has re-opened the registration for WASSCE for Private Candidates. This short registration starts from 29th July to 12th August, 2019 and it is for the benefit of candidates who could not register during the regular period. Prospective candidates should report at WAEC accredited cafe… Read More »


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You can change the calendar view to LIST, MONTH, WEEK or DAY – see left, top side of calendar. HOVER over or CLICK on event to read more about it.
|July 7, 2019
|July 8, 2019
8:30 am: SLOW FLOW & YIN YOGA with Anna8:30 am: SLOW FLOW & YIN YOGA with Anna
July 8, 2019 –
Slow Flow and Yin Yoga with Anna
It is ideal for all experience levels. Weekly on Mondays 8:30 AM to 9:45 AM
Slow Flow plus Yin begins with a gentle warm up to loosen the body before coming in to deep Yin poses.
Yin poses target the connective tissue and ligaments in the body located deeper than the muscles. This
requires us to sit in a pose passively for longer holds. Perfect for creating a meditative space.
Suggested Donations $5 - $10
|July 9, 2019
10:00 am: QUILTING BEE10:00 am: QUILTING BEE
July 9, 2019 –
Quilting Bee: Meets every second Tuesday, 10 am–2 pm.
Bring a project and your lunch. Quilters make various items to donate to worthy causes. Call Maria Horton 828-778-0279
7:00 pm: BERRYPICKERS JAM SESSION7:00 pm: BERRYPICKERS JAM SESSION
|July 10, 2019
|July 11, 2019
10:00 am: PRIVATE EVENT10:00 am: PRIVATE EVENT
6:15 pm: YOGA with SABRINA6:15 pm: YOGA with SABRINA
July 11, 2019 –
Yoga with Sabrina
Weekly on Thursdays 6:15 PM to 7:30 PM
Each class provides personal modifications and emphasizes integrating mind, body, energy, and breath–
all within a playful, supportive environment. In addition to sequencing for an energetic effect, meditation,
pranayama, guided visualization, and mantra are offered in each session. All levels of practice are
Suggested Donations $5 - $10
|July 12, 2019
|July 13, 2019
2:00 pm: Private Event2:00 pm: Private Event


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Sign up to LabourList's morning email for everything Labour, every weekday morning.
Philip Hammond's autumn budget is being heralded by the Daily Mail as offering a "Phil-good factor", by The Times as a "giveaway gamble" and "no tricks… just treats" by The Sun. But more discerning publications, notably the FT, point out that the plans were delivered with a plea to hard Brexiteers not to vote down Theresa May's deal, while HuffPost has found the policies "buried in the budget". The Mirror sums it up well: "a great con job".
Increases in the personal allowance threshold and the higher rate income tax threshold, with nearly 90% of the benefits going to the top half of households, expose the government's true priorities. The so-called national living wage? Still well below the real living wage. Schools? £400m for "little extras", in Hammond's own words. Potholes, on the other hand, got a £420m boost, while public transport remains underfunded.
It is expected that the Home Office and Ministry of Justice will continue to suffer deep cuts, and Universal Credit is going nowhere despite heavy criticism from users and benefit experts. Local government, where arguably funding is most needed in order to restore the health of frontline services, was forgotten. Here's my quick look at the autumn budget and Corbyn's first response.
It's clear from the high level of industrial action taking place that austerity is not over, says Shelly Asquith in her TU-esday new column, which rounds up the key trade union activities of the week. The CWU are fighting back against the planned closure of Post Offices, and for the 800 jobs at risk; there's a Unite/GMB petition for a shipyard in Devon also threatened with closure; strikes at a Scottish leather tannery; and much more.
John McDonnell last night put out a video on the failures of the Tory budget, and the Shadow Chancellor will be challenging Hammond directly in the Commons budget debate this afternoon. Using the Resolution Foundation's analysis and perhaps that of the Institute for Fiscal Studies being released later, McDonnell is likely to call this a "broken promise budget" – because austerity is not over.
Sienna @siennamarla
Sign up to LabourList's morning email for everything Labour, every weekday morning.


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Commercial Security Services
Clavus is proud to provide extensive security auditing for commercial buildings, business parks, condominium and apartment complexes, and planned developments. Find out more about our commercial services below.
Existing Commercial Properties
Have you experienced vandalism, theft, or other security breaches? Even if you have a gate or alarm, there are likely gaps in your security that would-be offenders - even unsophisticated or new criminals - can exploit. There is an extremely vast base of unwritten information that travels through the network of criminals in every city, turning desperate people into potential thieves, and making those who have already committed crimes even smarter.
Clavus knows these people and how they think. Our years of experience in undercover law enforcement exposed us to the network of information that they use to exploit security holes at commercial properties and housing complexes. Since we know what they are looking for when choosing a target, we know how to force them to move on from turning your property into a crime scene.
Planned Commercial Properties
Architects, planners and contractors hire Clavus to assist with incorporating security improvements into their upcoming projects. The highest level of security can be achieved when property and personal safety is considered from the very beginnings of a development. Bring Clavus in early in your architectural and land planning process to design risk avoidance into your commercial building, business part, or housing development.


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|Whole Section
|Text only
|Print Manager
(2 versions)
Jul 14 2013 - Aug 20 2014Aug 21 2014 onwards
To view past versions of this module in PDF format, please visit the Archive.
(1) An Authorised Market InstitutionG must, for the purpose of proper discharge of its Regulatory FunctionsG , have at all times individuals appointed to carry out the functions of the:
(a) Governing BodyG ;
(b) Senior Executive OfficerG ;
(c) Finance OfficerG ;
(d) Compliance OfficerG ;
(e) Risk OfficerG ;
(f) Money Laundering Reporting OfficerG ; and
(g) Internal AuditorG .
(2) Each of the functions of an Authorised Market InstitutionG specified in (1)(a) to (g) are Licensed FunctionsG for the purposes of Article 43(1) of the Regulatory LawG .
Derived from RM118/2013 [VER15/07-13]
[Amended] DFSA RM133/2014 (Made 21st August 2014). [VER16/06-14]
[Amended] DFSA RM133/2014 (Made 21st August 2014). [VER16/06-14]


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I met up with Melbourne based illustrator, Chris Edser at his studio for my first in-person interview. As an emerging illustrator in Melbourne, Australia I would like to continue my artist interviews by forming networks with local artists to learn more about how living in Australia effects and inspires an artist. Chris is a successful illustrator who draws whimsical Australian inspired creatures, plants and basketball players whilst creating animation and wood carvings. Originally from Adelaide, Australia, Chris completed a Bachelor of Visual Communications (Illustration) at the University of South Australia and has gone on to co-founded The Australia Project, intern at Fabrica Creative Research Centre in Italy and teach animation and illustration.
J:Tell me a little bit about yourself, about your life? For example: where did you go to school, what classes did you study and how has this helped prepare you to become the artist that you are today?
C: I grew up in Adelaide, I've been in Melbourne the last two years. I went to high school there (Adelaide) and then I studied illustration at University of South Australia. My course was called a bachelor of Visual Communications but its split into Graphic Design and Illustration. I majored in Illustration, but it had a lot to do with graphic designers, and I had a half mind that I might go in that direction but I was always interested in doing what I wasn't studying so i was playing around with animation while I studied Illustration. And through that interest I won a competition in animation that gave me this scholarship to study in Italy for a year. That was a interesting start to work because I was a student and hadn't really done any professional illustration or animation work.
J: What kind of animation did you do?
C: While I was at uni I was doing stop motion stuff. Like plasticine and making things out of wood, but now it would all be drawn 2D animation. Their is lots of simple cartoon stuff, then I started doing these basketball ones as a practise to do extreme movements and they took off so I've been doing a lot of those.
J: What programs do you use to do animation?
C: I use Photoshop a lot actually. I have used Flash and I've started playing around with TV Paint a bit. Im still most comfortable for the drawn stuff using photoshop and then After Effects for complicated animations.
J: It's really great that you got an internship after university. Did that help set you up for the future?
C: Yeah, that was around the time my friends would be doing honours and work experience and things like that. I did come back and a lot of people as well came back expecting everything to be easy and then I kind of got a bit of a shock. But then I started doing teaching early and that would at least pay my rent and a bit extra. So I didn't have to do as much freelance stuff and that was great cause I spent a lot of time doing projects that I wanted to do. I did a lot of stuff for bands that didn't pay that well but they let me do what I wanted. And that lead to advertising and editorial work which paid a bit better. By then I had done enough of what I wanted to do. I'm sort of back and forth from animation to illustration work.
J: How would you describe your illustration style?
C: I feel like there are two different ways I draw. There is one which is more realistic using ink lines which you saw in the studio, and drawing animals. It draws from natural history illustration but there's a lot of fantasy still in it. I rarely just draw things straight up. My pieces will often feature some humour, fantasy or whimsical nature to them, like these koalas but there not just straight up Australian, they're mythical monsters based on an Australian sense of light and animals. It's interesting, for my personal work I used to draw these monster creatures and they just looked like a lot of other peoples monsters. They had a good personality but they weren't really unique. I like them but when I started making use of a koala or a wombat as the base and took my imagination from that, I think they got a lot more interesting. It's more my thing so I'm liking that direction. And then I do more cartoon illustrations which comes from my animation side of things, so I still get commissioned to do a lot of cartoon work. And then I like mixing it up which is nice.
J: I am intrigued by your creature illustrations and their continuous relation to Australian animals. This theme appears to have become iconic to you as an illustrator. What is your story behind this?
C: That came from working in Europe for a year. You notice what people are fascinated by that you do. And I think, this happens in high school where your starting out as a student and you see what other people do and you love it. I was doing these monsters cause they where cool and other fantasy things like dragons and mythology. I guess my work was looking like other art that I liked and that's good when your starting out. You get good at drawing through doing that but people where really fascinated that I had grown up in the Adelaide hills and there where koalas in the trees all the time and I didn't think that they were that special but the amount of questions that people would ask about them. And even the uniqueness of the colours of Australia and the light in the trees. Putting that into something gave me reference to start drawings as well. I have always been a good imaginative drawer. If you ask me to draw a koala or a monster I'll draw it but to actually look at a real animal and draw what you see and then add that imagination, that can be really interesting. There's not really a meaning to them but there's an identity to them and a personality that's like my personality; there not direct observations and there using imagination and there using stuff that I've taken in from other mythology but then also from what I've seen in Australia. My pictures mix this mythology of different European culture with things I have heard in indigenous mythology or Australian history. I don't want to get too political but I think that's how Australian culture is.
J: Would you say that because you grew up in an Australia culture that influenced you as an artist?
C: Yeah, I would always draw Australian animals growing up. And theres sort of this notion that Australiana can be really cheesy but to celebrate some of those things is interesting to.
J: Can you describe your process of illustrating from start to finish?
C: Focusing on a recently commissioned realistic piece, I got the brief from the graphic designer who was doing the magazine and it was matching red wine to beef and he actually had the idea of putting the bottle and the cow together. So that was quite straight up but usually I'll do a lot of research first and often it will be an article about beef and red wine and I would come up with an illustration for that. So whether I would have come up with that or something different I'm not sure but you'll get a brief like that. Usually I try and find out as much as I can about something even if its a personal project because I find it important to be informed about things. For example you might be drawing an illustration about wine and as a illustrator we don't know everything about wine, but its really fascinating like even in this I just found out about the different shaped bottles for different types of wine. I sort of knew roughly what a red wine shaped bottle looked like and what a white wine bottle is shaped like and what a champaign bottle is shaped like but within that there are special ones for claret and burgundy. A variety of wines use different shape bottles and I did research into that and I think people really appreciate that, when you find out about there industry cause they're an expert in it. As illustrators we know every little type of pen and ink and brand of paint and everybody has that for there chosen profession of interest and you want to learn as much as you can.
J: I agree, you definitely want to be accurate especially if your working with someone who knows all about what it is your drawing.
C: Exactly, and your trying to communicate that as well so if you get something wrong it will not only make you look bad but the client as well. Even from doing my basketball stuff, one of the players changed his number midway throughout the season and I just did a quick google image search and in most of the photos he was wearing a different number and the amount of people that picked up on that were like 'aw its not right!'. So it's good to do your research and make sure you get things right.
J: How have you marketed yourself to grow and become successful as an illustrator and animator in Melbourne, Australia?
C: I think there is less importance now on the city your in and what you do. I've created this physical portfolio. It's this lovely folder box thats made out of wood and it has these beautiful print outs of stuff I've done. I think that's the most import thing. And increasingly it's not just my website but all social media. I've gotten probably half my work this year through Instagram and Tumblr. I think its important to have the website as well just because people go to that and it gives us some sort of creditability that this person is working and in the industry.
Basically because your question was how do you promote yourself in Melbourne, Australia, I would say about eighty percent of my work isn't from Melbourne. I know I'm new to Melbourne, it's only been a couple of years but it's not Adelaide either, it's America or Europe or people in Sydney and Brisbane.
J: Could you please give some examples of your roles with clients, how you came about them and your overall experience?
C: I'll explain a comparison of different relationships. It's great to get something long running. My longest one even before I was a professional was for the band 'The Beards'. They've been quite successful over the past ten years here in Australia. They sell a lot of merchandise and I started doing stuff for them when we were friends back in Adelaide for not much money. But I'd get a dollar from every t-shirt or CD sold. We created this really nice relationship where I did that. When I was just starting out it would be a couple of hundred dollars for a t-shirt design or a CD design which was relative to what they were making and now there probably at the height of the popularity in the last five years or so. And that was thousands instead of hundreds and it worked out really well cause they didn't have to over pay me.
I was at this animation festival and there were these people who had done music videos for bands and I was saying to people, "You never know whose going to be successful, and I know there not paying as much as an advertising client but they've helped out when I have needed sound for animation. There's a notion that you shouldn't work for little or no money because your lessing the value of it but that was one situation where it worked well because there was this mutual respect. Now when they tour Europe I'll get a lot of money for not as much work because there's a lot of t-shirts and CDs and things. I know a lot of people who have done work for bands and it's not worked out well, or the bands become successful and they got left behind when they worked for half a year doing this animation."
Advertising is always interesting because you can have good and bad experiences. I find sometimes there's too many people involved in a project making too many opinions. I prefer working directly with a client of one graphic designer or creative director who has a clearer vision.
J: Who and what inspires you as an artist?
C: I like to say that the best thing is to not always look at other visual artists, instead look at things like nature. I find that's where I find the most interesting things. I can list some artists that I love obviously and that is interesting for people to see but I like watching nature documentary's such as 'David Attenborough' or recently a video called 'Basketball Stuff' and I'll like the style of basketball players and take how different people move into my animation and use that as an influence for animation rather than Disney and watching Adventure Time over and over again. You find as an animator you just go to these things because that what everyone is talking about. Animators always gush other things like Studio Ghibli or French studios like CRCR. I watch all that stuff but it's also important to find your own things that are outside of whats cool in the industry at the moment. So weather that's for illustration or animation I'll look at nature, history books and current people who are doing similar styled work to me.
J: From your own experience and maybe from some people that you know, what should upcoming illustrators and animators put in there portfolio or reel and what should they not?
C: Being true to yourself and market for the whole world rather than what you think some local people might like. Be personal and be aware of where you're from. You don't want to pretend your living in New York when your living in Melbourne. Who you are and where you grew up might appeal to someone here. When I say that, if you have an interest, for example with me I wanted to do things that are based on nature and animals and plants in my portfolio. Theres a lot of work that I do that's okay and it might be well done for what it is but I don't put it in my portfolio. I actually want to narrow it down soon so Ive just got to find time to redo my website. So even like how you found those monster illustrations I'll probably even take that off or I might have an archive for people who want to go deep and see more. On the front of my website I might have ten to twenty of my best images that I like. If a client comes and says we want something like this image but we've got this job, that's what I get excited about. And then another guy might select images that he saw and they were out of that ten to twenty selections and say I saw this but can we do that to this concept. And so you get excited to do that job because you attract people who have a similar taste to you and they are asking you to do what you love doing. I know its important to show you've done professional work and for me that is more my personal work but I think thats attracted the jobs that I want. When your starting out its hard to say no when someone offers you something but if its not enough money or your going to spend half a year doing something your not going to value or use to promote yourself it's really worth rethinking. I know some illustrators who if they are going to work for money you might as well get a retail job and then your not hating drawing. I know someone who did that and he's now really successful. For the first three years he just worked retail and only did a few of the best jobs he could and personal work so he wasn't trapped doing work that he didn't like and he didn't loose enthusiasm. I know a lot people who have taken on anything and lost that so something can be said for saying no to things and just putting forward what you love doing. Like if you like doing concept illustrations think about what will put you in the best position for that.
J: What is your advice for people aspiring to gain a career in Illustration living in Australia?
C: You can live in Australia but you don't have to just be based here, you can think more globally with what you do. If it is animation and concept art it wouldn't be bad to visit places like LA or Japan but you can still live in Australia and work for all these big studios. Guys in my studio have clients in America and Europe and there just doing it from here. They can send you briefs here and you can work on it while there sleeping and send it back, it works out pretty well.
J: Do you do any illustration tutorials? If not could you recommend some you have found useful?
C: An Australian based animation resource called Oz Animate. There's a tutorial on there that's really good for Photoshop animation. And then every animator has the Animators Survival Kit by Richard Williams. I have that in the studio, it's really good for walks and stuff and then there's videos that go with that. I would recommend doing a lot of life drawing and things from nature.
J: Where did you learn how to do woodcarving?
C: South Australian Woodcarving Academy based in Adelaide. My girlfriend bought me four lessons years ago and I did them for a bit of fun to try something different. I really liked it and stayed on for a year and made some things. I think I had made something out of wood but really quickly and painted a face on it and she really liked it and she said "Hey you should do more of that". And we kept driving past this place and wondered what they did in there cause there was all these rocking horses out the front and it looked cool.
J: And how many classes do you think you did until you where confident enough build these sculptures?
C: You can do anything but it just takes more time. The first four of five classes were 3 hours long and they get you to do these different shapes. That was 12 hours. And then after that they basically say what do you want to make and I made this dinosaur thing, and that was pretty small. And after that I started making some of my characters. Looking back my first one took me months but I probably could make it really quick now if I wanted just because I know how much wood you can take off without splintering it and stuff like that. Where as back then I would break it every now and then or I'd go really slow.
J: Can you explain your creative process for your sculpture called Terry?
C: That was probably the first sculpture I did. He's based on one of the monsters that I drew. That was probably about five years ago now that I did it. I took the drawing and just said "Can I do something like this?". I wanted to do something sitting on a stump so it came out of natural wood. I had the drawing but then got given the stump of wood and sort of was like how do I make this work and did a whole lot more sketches for that. One of the other guys had done this bear with hair texture and I'm trying to use that in all the things I do now. I'm seeing not as many people do that, most people polish things smooth. The hair texture mimics how its been drawn, I had drawn all those little hair lines so it felt like that was a good three-dimensional representation of what I had drawn on paper. Terry was the first one that I did that way so I guess he's special in that way. I sort of discovered that that could translate into this sculpture. I think its made me better at drawing, doing something in 3D.
J: You've done a lot of exhibitions, I've noticed from your website. How do you get into them?
C: I think there's a lot of group shows I've done or been invited to do. Back in Adelaide we had this T-shirt company that had exhibitions. I've been more commercial recently cause I've been waiting to finish this woodcut. Its mostly been a matter of just doing stuff, like you just create a chunk of stuff and try and find a place where you can put it on display. My first one was just in a garage and then one was in the gallery of the shop that we sold our t-shirts and it was mutually beneficial for them to promote these t-shirts because they had sold them. I've never made a lot of money as a exhibiting artist. I've sold some prints and things but I use that to promote commercial illustration.


text: SciencesPre-VeterinaryStudiesTechnology& AssistancePhysiology& AnatomySurgery& MedicineCertificateAssociateBachelorMasterDoctoralVeterinary Schools Offering Doctoral DegreesOffered In44SchoolsDoctoral degrees with specialization in surgery, physiology, and veterinary sciences are offered by 44 vet schools in 32 states. The most veterinary schools providing doctoral degrees are in Pennsylvania (4 schools), Texas (3 schools), California (2 schools), and Alabama (2 schools). The best veterinary doctoral degree programs in the United States are offered by University of Pennsylvania. That school has an excellent veterinary doctoral degree program: five-star rating for curriculum and four-star rating for teaching.The list of the best forty four vet schools granting doctoral degrees is below. To check all vet schools and colleges offering doctoral degrees, narrow your search by state or major.Top 44 veterinary doctoral degree programs:1. University of PennsylvaniaPhiladelphia, PA, 1 doctoral program2. Cornell UniversityIthaca, NY, 3 doctoral programs3. Tufts UniversityMedford, MA, 1 doctoral program4. University of FloridaGainesville, FL, 2 doctoral programs5. Ohio State UniversityColumbus, OH, 2 doctoral programs6. University of California DavisDavis, CA, 1 doctoral program7. University of GeorgiaAthens, GA, 5 doctoral programs8. Texas A & M University College StationCollege Station, TX, 3 doctoral programs9. University of IllinoisChampaign, IL, 2 doctoral programs10. University of Minnesota Twin CitiesMinneapolis, MN, 2 doctoral programs11. Virginia Polytechnic Institute and State UniversityBlacksburg, VA, 2 doctoral programs12. Michigan State UniversityEast Lansing, MI, 2 doctoral programs13. Purdue UniversityWest Lafayette, IN, 2 doctoral programs14. Iowa State UniversityAmes, IA, 4 doctoral programs15. Colorado State University Fort CollinsFort Collins, CO, 4 doctoral programs16. University of Missouri ColumbiaColumbia, MO, 3 doctoral programs17. Auburn UniversityAuburn, AL, 2 doctoral programs18. Kansas State UniversityManhattan, KS, 2 doctoral programs19. Louisiana State University and Agricultural & Mechanical CollegeBaton Rouge, LA, 2 doctoral programs20. Mississippi State UniversityStarkville, MS, 2 doctoral programs21. University of Maryland College ParkCollege Park, MD, 2 doctoral programs22. University of Wisconsin MadisonMadison, WI, 4 doctoral programs23. Pennsylvania State UniversityUniversity Park, PA, 1 doctoral program24. North Carolina State UniversityRaleigh, NC, 2 doctoral programs25. The University of Tennessee KnoxvilleKnoxville, TN, 1 doctoral program26. Oregon State UniversityCorvallis, OR, 2 doctoral programs27. Washington State UniversityPullman, WA, 2 doctoral programs28. Oklahoma State UniversityStillwater, OK, 1 doctoral program29. Western University of Health SciencesPomona, CA, 1 doctoral program30. Duke UniversityDurham, NC, 1 doctoral program31. Tulane University of LouisianaNew Orleans, LA, 1 doctoral program32. Clemson UniversityClemson, SC, 1 doctoral program33. University of Washington SeattleSeattle, WA, 2 doctoral programs34. Baylor College of MedicineHouston, TX, 1 doctoral program35. University of KentuckyLexington, KY, 1 doctoral program36. The University of Texas Health Science CenterSan Antonio, TX, 1 doctoral program37. Medical University of South CarolinaCharleston, SC, 1 doctoral program38. University of Arkansas for Medical SciencesLittle Rock, AR, 1 doctoral program39. University of IdahoMoscow, ID, 2 doctoral programs40. Utah State UniversityLogan, UT, 2 doctoral programs41. Thomas Jefferson UniversityPhiladelphia, PA, 1 doctoral program42. Tuskegee UniversityTuskegee, AL, 2 doctoral programs43. Kent State UniversityKent, OH, 1 doctoral program44. Pennsylvania State University College of MedicineHershey, PA, 1 doctoral programVeterinary school doctoral degrees by state:AlabamaArkansasCaliforniaColoradoFloridaGeorgiaIdahoIllinoisIndianaIowaKansasKentuckyLouisianaMarylandMassachusettsMichiganMinnesotaMississippiMissouriNew YorkNorth CarolinaOhioOklahomaOregonPennsylvaniaSouth CarolinaTennesseeTexasUtahVirginiaWashingtonWisconsinVeterinary doctoral degrees by major:Veterinary Sciences: 21 schoolsPhysiology and Anatomy: 18 schoolsSurgery and Medicine: 29 schoolsOther veterinary diplomas:Certificates: 111 schoolsAssociate's Degrees: 250 schoolsBachelor's Degrees: 55 schoolsMaster's Degrees: 38 schoolsVeterinary-Colleges.com © 2018 · Home · Terms of Use · Methodology


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1 breakfast cupful of cold boiled vegetables
Minced fine (green peas, carrots, turnips, potatoes)
4 eggs
1 tablespoonful of fine wheat-meal
½ a gill of milk
Pepper and salt
A little nutmeg to taste
1 oz. of butter
Beat the eggs and milk well together, rub the meal smooth with it, add the vegetables and seasoning, and fry as an omelet. Serve with sauce.
This fabulous recipe you can add veggies to taste, your choice. This makes a wonderful breakfast, or good when breakfast food sounds good for dinner.
Vegetarian and healthy. Healthy eating can be easy and fun. This recipe is simple and fast.
8B Ranch Cuisine


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WELCOME! I'm so thrilled you all are here! I'm Brandi, or most people call me Bran. I'm the lead photographer at Brandi Linger Photography and at our sister company, Brandi Nicole Boudoir. We were established in 2015, but opened our studio in Weston, WV in October of 2018. We are a full service photography business focusing on: portraiture, weddings, and boudoir. We have been featured by a national boudoir magazine, along with a national photographer's magazine for our weddings. We have been seen in multiple online publications for our portraiture as well.
A few things about me: I live in a town of less than 400 people, this was where I grew up and was raised. I spend a lot of my spare time with my animals. I have quite the variety of pets: dog, horse, pig, and two cats. I've had a love for animals since the day I was born. I also enjoy kayaking, hiking, horse back riding, reading, and swimming. Basically anything that I can be doing outdoors.
My favorite part of sessions is getting to capture everyone's emotions. If you're looking for the "posed" photographer where you're always looking at the camera, we won't be the right fit. My main goal is to "pose" you in ways where it doesn't look posed. And I love giving you guys little prompts and letting you just have FUN! To me, those are the pictures that will be remembered.
Please reach out if you think we would be a good match together! We are currently booking for the remainder of August 2019- December 2019!


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It's quicker, it's easier to use, and it's the app that's all about you.
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text: Visual Consumption By Jonathan E. Schroeder No cover image Visual Consumption By Jonathan E. Schroeder Read preview Synopsis A key characteristic of the twenty-first century economy is 'the image'. Brand development is based on image, products are advertised via images, and corporate image is critical for economic success. This book draws from art history, photography and visual studies to develop an interdisciplinary, image-based approach to understanding consumer behaviour.Focusing on four themes: representation, photography, images and identity, it presents a theoretical perspective on visual consumption, providing wide-ranging examples from advertising, the internet, photography, design, theatre and tourism, and discusses the importance of the internet in bringing visual issues into the mainstream of strategic thinking; spurring research into perception of visual displays.Incorporating case studies from the US, Europe and the UK, this book provides an unparalleled guide to the visual consumption processes necessary for understanding and succeeding in today's market. Excerpt My first professional presentation was at the Association for Consumer Research conference in Honolulu, Hawaii. I was nervous and excited - the conference locale made quite an introduction to the conference circuit. As I struggled over my presentation, producing several versions of my talk, poring over my overheads to get them just right, I wondered who I would be speaking to - my first audience. On the day of my talk, I eagerly headed down to the room to get ready for my debut. a few of the other presenters were there, but by the time the session was scheduled to begin, the room was fairly empty - there seemed to be more presenters than audience members. "Where is everyone?" I asked my advisor. "Out sightseeing, " he replied, with a knowing grin. Perhaps it was then that I learned the power of visual attractions - my talk went fine, but I learned that places like Hawaii often make poor sites for an academic conference - there are too many sights outside the conference hotel that lure colleagues away from intellectual discourse. That day, at least, visual consumption handily beat out theoretical speculations about consumer behavior. As I was completing this book, I traveled to the Swedish island of Gotland, 50 miles out into the Baltic Sea. Gotland was a medieval seat of the Hanseatic League, a historical precursor to the current European Union. There, in the museum, I saw dozens of "picture stones" - huge stones engraved with pictures and runic inscriptions from previous civilizations. the stones were interesting, but the images meant little to me on first seeing them. I traveled around the island for awhile, and happened to meet someone whose father studied the picture stones, which were created over a span of about a thousand years, including the Viking age. She arranged for me to meet her father, a retired professor of archeology at Uppsala University, in the same museum that I first encountered the picture stones. During his illuminating lecture, he carefully laid out the history of picture stones - which provide compelling evidence of Scandinavian culture via their representation of mythical figures, boats, animals, and people. He told me about the Roman influence on picture stones, their role in Viking culture, and their importance as an artistic form unique to Gotland. I began to see the stones differently. They began to speak to me Related books and articles Books Journals Magazines Newspapers Encyclopedia Diversity in Advertising: Broadening the Scope of Research Directions By Jerome D. Williams; Wei-Na Lee; Curtis P. Haugtvedt Lawrence Erlbaum Associates, 2004 Read preview Overview Freud on Madison Avenue: Motivation Research and Subliminal Advertising in America By Lawrence R. Samuel University of Pennsylvania Press, 2010 Read preview Overview Visual Information for Everyday Use: Design and Research Perspectives By Harm J. G.Zwaga; Theo Boersema; Henriëtte C. M.Hoonhout Taylor & Francis, 1998 Read preview Overview Signs of Urban Life: A History of Visual Communication in Toronto Indefinite Run By Dale, Michele Urban History Review, Vol. 33, No. 2, Spring 2005 Read preview Overview A New Visual Communication Concern for Librarianship: Messages Articulated through Reference Web Photographs By Newell, Terrance S. Reference & User Services Quarterly, Vol. 45, No. 1, Fall 2005 PRPEER-REVIEWED PERIODICAL Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s). Read preview Overview Visual Communication and Consumer-Brand Relationship on Social Networking Sites - Uses & Gratifications Theory Perspective By Kujur, Fedric Singh, Saumya Journal of Theoretical and Applied Electronic Commerce Research, Vol. 15, No. 1, January 2020 PRPEER-REVIEWED PERIODICAL Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s). Read preview Overview A New Publishing Frontier: Research Suggests Consumers Won't Always Balk When It Comes to E-Reader Advertising; Marketers Just Have to Get It Right By Corrigan, Tim ADWEEK, Vol. 51, No. 26, June 28, 2010 Read preview Overview Seeing You Loud and Clear: Will Visual Technology Ever Make a Real Impact on Business Communication? By Flower, Julie Communication World, Vol. 20, No. 1, December 2002 Read preview Overview Seeing Is Believing: Within the Financial Services Sector, New Visual Communication Technologies Are Becoming an Important Vehicle for Coping with the Human Capital Aspect of Compliance and Evolving Regulatory Change By Luff, David Journal of Banking and Financial Services, Vol. 119, No. 1, February-March 2005 Read preview Overview Print Offers a Personal Touch; Research Shows That Consumers Trust Print Advertising By Richards, Amelia Cape Times (South Africa), October 5, 2013 Read preview Overview Design Congress Devoted to Visual Communication By Korea Times (Seoul, Korea), October 24, 2000 Read preview Overview ARTIST DISPLAYING A VISUAL DIALOGUE for Rosales, Art Is Communication By LaRue, Jennifer The Spokesman-Review (Spokane, WA), August 20, 2015 Read preview Overview FREE! abstract expressionism The Columbia Encyclopedia, 6th ed., 2018 Read FREE! market research The Columbia Encyclopedia, 6th ed., 2018 Read FREE! advertising The Columbia Encyclopedia, 6th ed., 2018 Read VIEW ALL RELATED BOOKS AND ARTICLES


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At seconds after 12 pm on April 1st 1967, there was a large firework display on Grayfields Recreation Ground to celebrate the birth of the new Hartlepool. The fireworks cost £200 which was considered quite a sum at the time.
The image has been taken at nearby Ryehill Gardens.
Date (of image) : 1/4/1967
Donor : Hartlepool Museum Service
Creator : NDM


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Charlotte on the Cheap is inviting towns, cities and counties across the Carolinas to tell us a little bit about themselves, and to welcome visitors from the Charlotte region. Granville County is the first to participate in the new Carolina Travel section of Charlotte on the Cheap.
Interested in an authentic small town holiday experience? Consider visiting Granville County, North Carolina, during the Thanksgiving or Christmas season. It's two and a half hours from Charlotte, and its county seat, Oxford, is located right off of I-85, near the Virginia border. If you're traveling north during the holidays, plan on making a stop in Granville County and experience its warmth, or make Granville County a destination for a weekend trip.
During the holidays Granville is buzzing with all types of events that include everyone:
- The 12th Annual Toys for Tots Dog Agility Competition will be December 4th-6th in Granville County. The action will occur at River Wind Farm at 3119 Tom Hunt Road in Oxford. Starting Friday at 3:00pm and Saturday and Sunday at 8:00am you can see some of the best dogs and handlers in the region competing in dog agility, all to benefit Toys for Tots. Dog agility is a timed, competitive sport where dogs must run through various obstacle courses while being directed by their handlers. The dogs that complete the course correctly and in the shortest time win. Spectators and well-behaved dogs are welcome to come out and watch the action. Admission is free, but donations of new, unwrapped toys for Toys for Tots will be gladly accepted. In addition, there will be lots of other activities throughout the day, including food sales, numerous vendors, raffles, and trivia and dance contests. If you want to see some of the finest dog agility competitors in the country, and support Toys for Tots, come out to River Wind Farm on December 4-6. For more information, please visit http://www.riverwindstable.webs.com/ or their Facebook Page River Wind Farm-Oxford NC.
- Vino Oasi will host their first Cocoa with Santa! This event will take place Sunday, December 6, 2015 from 3:30 pm – 7:00pm. Activities include: Hot cocoa, drinks, nibbles for the entire family and craft station for the kids. Santa arrives by Fire truck at 3:30 and Photos are from 4-7:00pm. The vineyard is located on 3200 Bliss Trail, Stem (off E Thollie Green Road). Please reserve your spot by 12/3/15 at email@example.com or by phone 919-215-9539. For more information, visit https://vinooasi.wordpress.com/.
- Stovall's Gifts will host their December Wine & Beer Tasting on Saturday, December 5th from 2:00pm – 5:00pm. This tasting will also feature a signing of Lewis Bowling's book "Looking Back " 200 Years of Oxford History. This in celebration of Oxford's 200th Celebration in 2016.Also, on Sunday, December 5th, Stovall's will have their Annual Santa Visit from 1pm-4pm. For information on events, please visit their Facebook page: Stovall's Gifts or call 919-693-1217.
- Oxford Parks & Recreation is offering several events during the holiday season. From Cookies with Santa to a Parent's Night Out, RSVP soon. For more information, visit http://www.oxfordparksandrecreation.com
- American Indian Heritage Month: Richard H. Thornton Library will have retired Chief Otis Martin of the Sappony Tribe speaking November 23rd at 6:00 pm. Also, NC Room Librarian, Mark Pace, has his personal collection of American Indian artifacts displayed in the library. The library is located on 210 Main Street in downtown Oxford.
- The Annual Thanksgiving Breakfast is on November 25th at 7:30 a.m. This event will take place at the Oxford Baptist Church and is sponsored by Bridgestone Commercial Solutions and Granville Chamber of Commerce. The speaker will be Larry Yarborough, District 2, NC House of Representatives. Food donations to ACIM, the local food bank, are requested.
- Wild Turkey Bash: Thorndale Oaks, located on 105 W Quail Ridge Rd in Oxford, will host the Wild Turkey Bash. It will take place on Thanksgiving Eve, November 25th from 8 to 11 p.m. Doors will open at 7 for you early birds. DJ Jay Rogers will get the music going at around 8 p.m. Do you have friends and family coming home for the holidays and need a place to socialize and unwind? Reserve your spot at Thorndale Oaks for some early holiday fun! Purchase Tickets in advance at Remember When Antiques or by phone at Thorndale Oaks at (919) 603-3701.
- 11th Annual Turkey Trot: Oxford United Methodist Church, located on 105 W McClanahan Street in downtown Oxford, will host 11th Annual Turkey Trot 2015. This is a 2 mile Fun Walk/Run on Thanksgiving Day, November 26th. Come out for a time of fitness, fellowship, fun and food that will benefit the local food bank, ACIM. Registration begins at 8:30 am at the church and the race begins at 9:00 a.m.
Local businesses are beginning to dress up their store fronts and host great events to start the Holiday season. Don't miss your chance to get into the spirit and find some great holiday ideas & deals right here in Granville:
- Holiday Shopping Spree: At the Granville County Expo Center in Oxford there will be a Holiday Shopping Spree! This event will take place on Saturday, November 21st from 9am-3pm. Come out for a day full of shopping! Many of your favorite small businesses will be represented as well as some new, handcrafted items that are sure to make your gift giving an absolute breeze this holiday season! Bring a friend and enjoy a "girl's day out" as you stroll through all the beautiful displays. Sip a cozy cup of warm cider (free! courtesy of KayCee's Kitchen!) and indulge in a homemade treat as you make quick work of checking off your gift lists!
- Cedar Creek Gallery will have their Annual Holiday Open House November 21-22 from 10 am-6 pm. This event will feature 500 handmade ornaments, Lisa Oakley's Jewelry Trunk Show, sculptural holiday tree and much more. Each day will include live music, holiday treats and a visit with Santa from 12 p.m. to 3 p.m.
- Small Business Saturday: On Saturday, November 28th the greater Granville County area is encouraged to take part in our Small Business Saturday Shop Granville First event across the county. The event will feature special offers by local businesses and giveaways to consumers. The event will begin at both Granville County Chamber of Commerce Office locations (124 Hillsboro St. Oxford & 1598 NC Hwy 56 Suite 4 Creedmoor) where Shop Small® shopping bags and Passports, along with coupons, a list of participating businesses, and other materials will be provided to consumers.
- Beach Run Farm will host their 4th Annual Alpaca Farm Open House on Saturdays & Sundays in December (4th-23rd) from 10am-2pm. Weekdays & Christmas by Appointment only. Items for sale include Alpaca hats, gloves, socks, scarves, yarn (spun from their alpacas), baskets, beauty products and more. The farm is located at 6097 Bob Daniel Road Oxford, NC. For more information, please contact 919-603-0859 or http://www.beachrunalpacas.com/.
The first two weekends in December are always entertaining in Granville. Each city and town have their own celebrations that welcome the Holiday season in very traditional and unique ways. Check out what you can see and do as Granville celebrates with lighting ceremonies and Christmas parades.
- Downtown Oxford's Lighting of the Greens & Annual Christmas Parade on December 4th. Events begin at 4:00 p.m. and the parade begins at 6:30 p.m.
- The City of Creedmoor opens up their Main Street and have a Tree Lighting Ceremony on December 4th at 7:00 p.m. Residents and visitors gather for the tree lighting in and the mayor reads "The Christmas Story". Creedmoor's Annual Christmas Parade on December 5th at 11:00 a.m. The parade features a very special Grand Marshal, holiday floats, marching bands, and of course, Santa himself!
- The Town of Butner & Butner Community Association kick off the holiday season with Christmas in the Park on December 4th at 5:30 p.m. Activities include Christmas music, lighting of the Christmas tree, reading of "Twas the Night before Christmas" story by the Mayor and pictures with Santa, sponsored by the town. The Annual Christmas Parade is on December 5th at 2:00 p.m. and features floats and parade entertainment coordinated by South Granville Exchange Club.
- The Town of Stem hosts their Lighting of the Greens/Celebration of Life on Friday, December 11th from 6 p.m. to 8 p.m. Their Annual Christmas Parade is on December 12th at 12 p.m. This event will include food and craft vendors at Stem Fire Department from 11 a.m. to 5 p.m., and and visit/pictures with Santa from 1:30 p.m. to 4:30 p.m.
- Grassy Creek Christmas Parade: Last, but not least, the unique Grassy Creek Christmas Parade is on December 12th at 2:00pm. This community is located in northern part of Granville County and is guaranteed to be a special event for the whole family.
It's that time of year where we hear stories of Old St. Nick, Bethlehem and other Christmas traditions. Check out what Granville has to offer this Holiday season:
- Delrayno Baptist Church, located on 1315 College Street in Oxford, will present their Christmas Musical Worship–Christmas in His Presence. The musical will run from December 5th-7th with shows beginning at 7 p.m. The church invites you to come worship them through word, song, dance, and creative arts. For more information, please visit delrayno.com or call 919-693-3187.
- The Granville Little Theatre will be presenting "A Christmas Carol" and "Charlie Brown Christmas," directed by Mark Hopper and Dwight Pierce, on December 11th and 12th at 8 p.m., and December 13th at 2:30 p.m., at Oxford City Hall. For more information and a link to get tickets visit granvillelittletheater.com.
- Dr. Newheart's Christmas Cure is a Broadway-style musical with a timeless message. When the kids come to the clinic suffering from the excess of Christmas, Dr. Newheart diagnosis their illness as the "Christmas Day Dumps." With the help of the clinic staff, Drs. Fric and Frac, the "Dis" orderlies and Pink Ladies, Mildred, Maude, Ethel and Phoebe, the kids realize they have a heart problem that can only be cured by allowing God to fill their hearts. In the end, even Nurse Philpott gets a "heart transplant" and all the mayhem and humor is capped with the touching musical invitation for Christ to "Come In My Heart."Come out for an evening of entertainment for the whole family at Covenant Life Sanctuary, 229 East B Street, Butner, NC. Saturday, December 12th, 2015 at 6 p.m. and Sunday, December 13th, 2015 at 6 p.m. For more information, visit clsconnect.org.
- Back to Bethlehem: Delrayno Baptist Church, located on 1315 College Street in Oxford, will present "Back to Bethlehem." This Christmas experience is an outdoor, drive-through that is both fun and beautiful! It's the best way to kick off the Christmas season with your family and friends! This event will take place from December 12th through 14th from 6:00 p.m. to 8:30 p.m. each night.Enter a walled city constructed to look like Bethlehem as it appeared 2,000 years ago–-telling the story of Jesus Christ's birth in a fun and interactive way. Don't be surprised if a Roman soldier yells at you to get out of the way or a shop owner in the marketplace tries to to sell you a goat. As always, Back to Bethlehem is free! For more information, please check out delrayno.com or call 919-693-3187.
This content was created in collaboration with Granville County NC Tourism Development Authority


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In the next installment of the Anne series, newlyweds Anne and Gilbert move to the harbor town of Four Winds. There they meet new friends and experience joy as well as heartbreak. (Summary by wildemoose)
Anne/Narrator: Arielle Lipshaw
Diana Barry: Eden Rea-Hedrick
Marilla Cuthbert/Marshall Elliott: Elizabeth Klett
Mrs. Rachel Lynde: Caprisha Page
Mrs. Harmon Andrews/Davy Keith: TriciaG
Mrs. Jasper Bell/Miss Cornelia Bryant: Beth Thomas
Gilbert Blythe: mb
Paul Irving: Ethan Hardman
Charlotta the Fourth: Rapunzelina
Philippa Gordon: Amanda Friday
Miss Patty Spofford: Laurie Anne Walden
Doctor Dave: David Lawrence
Mrs. Doctor Dave: Sarah Jennings
Captain Jim: Phil Chenevert
Leslie Moore: Grace
Susan Baker: Charlotte Duckett
Owen Ford: Brett W. Downey
Audio edited by Arielle Lipshaw


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Social Media Manager
The Social Media Manager will play a central role in developing brand identity and market reach as an integrated part of OVH's global marketing and communications strategy. We are seeking a social media manager, balancing branding creativity with a strong grasp on all things digital.
This role reports into the Head of Social Media and is part of the international Communications department.
Your missions ?
- Develop and execute social strategy for social media channels, ensuring delivery of results against our KPIs and business objectives
- Develop social-first storylines and campaigns in support of announcements, news, key business initiatives
- Work alongside Communications team to implement the global and regional, tactical influencer marketing strategy in your market to ensure growth of OVH brand awareness and amplification of key communications.
- Drive innovation in our approach, voice and tone, content and usage of social platforms
- Collaborate with internal and external stakeholders
- Conduct weekly & monthly analysis of performance across all relevant KPIs: follower growth, engagement, reach
- Use data and analytics to continuously iterate and improve
- Understand and apply brand guidelines and philosophy
Your skills ?
- Extended knowledge of Social Media channels & associated tools
- Experience with community management
- Project management skills
- Excellent communication skills and ability to be a company voice online
- Team player
- Stakeholder management skills
- Basic knowledge of editing software (Photoshop)
- Good in sharing important learnings & insights in a comprehensive way (reporting)
- Ability to work in a fast-paced environment, take in complex ideas quickly and translate them into clear language
Your background ?
- Degree in communication or marketing
- At least 4 years of experience in Social Media or Digital Marketing
Votre équipe
Garante de la réputation d'OVH, notre équipe Communication valorise l'image et la notoriété de l'entreprise à travers le monde. Elle met en… En savoir +