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Two years before his suicide, Diana Khoi Nguyen's brother cut his image from family photographs. It's these photographs—each with a scissored void—that served as the starting point for the complex, visually-driven elegies in Nguyen's debut book of poetry Ghost Of.
The voids of her brother's cutouts riddle Nguyen's texts. They have a specific shape, and they function as images—images of absence, of violence, of silence. In some poems, the cutout is an obdurate white space against which the poet flings herself in mourning, encircling the hole as if a loved one. In other poems, the shape of the cutout serves as a container into which the poet pours words. And in still others, the cutout appears in motion, multiplying, scattering words like ashes.
The brother's cutouts not only have specific shapes that reappear in Ghost Of, but the marred photographs are also reproduced: the family squeezed together on the couch; a mother standing with her children on a doorstep; the family in Sunday best posing in the yard. To "cut out" is to cut out of something. That something out of which the poet's brother has excised himself is explored even further when Nguyen considers the traumas experienced by her parents as refugees from Vietnam. In "The Exodus," she imagines her father fleeing after the fall of Saigon:
As my grandfather and his sons were ushered through the droves,
remorse rose up in him,
tear gas bowling over and over and over
everyone became equals,
each one disappearing in the shadow of another
In this interview, conducted over Skype, Nguyen discusses her creative process, and how the visual work in Ghost Of has led her to experiment with new media and other ways of using found materials, including footage from family home videos, to examine intergenerational storytelling within the Vietnam diaspora.
For the poems in Ghost Of, you worked with family photographs from which your brother, a couple of years before his suicide, had cut out his own image. Did you start with text and then cut into it, or did you compose around the empty space created by your brother?
The image came first. I rendered the image transparent and put a text box over it. I wrote into the space, and then around the white space, around the part where my brother had cut himself out. I used the image as a constraint for the poem, to give the poem a shape.
I read Ghost Of long before I heard you read from it. I was so surprised, when I heard you read, that you broke right at the cut created by the shape of your brother's absence, whether that cut occurred in the middle of a word or immediately after an initial consonant. Can you say more about how you are working with the line break?
In using the image and the absence of image—the white space also as an image, with the intentional white space that my brother created—I created the frame, or the walls around which the text would have to run up against.
When I was writing the poem, for each of the spaces—whether it was the poem shard, or the text as frame around the shard—I'd have to cut off the word wherever the white space was, and then start across. I would have to leap over that white space. It's jarring to do that. You have the momentum of a sentence, or the line, or the thought, or the image, and then, because of this violence within the visual image, it cuts you off—and then you start again. For me, that enacts the process of grief. Loss, the sudden death of somebody, is a jarring stump within your life, but you must continue. Life moves on, and then there's a sudden jolt of absence, and then continuation.
I had never done anything like that previously with line breaks, or even the line. When I did that, it felt right. That's how I was feeling at the time, and in many ways doing that allowed me access to a lot of stuff that I hadn't been able to access during the funeral, and previously in my grieving process. Personally, it was useful for my own understanding of grief, history, familial trauma, and just having to revisit memory and my own personal history.
My reading of the work is also inspired by hearing Susan Howe read. When she reads her own grief text in That This, which surrounds her husband's death, I was also so shocked to hear her read the shards of language. It sounds like a kind of choking when she reads; it sounds like the actual sound of grief, the jarring, the rubbing, the tension of her own lines. She's an inspiration in thinking about reading and visual-text work.
Susan Howe has a background in the visual arts. You do, too, don't you? In your video Would That—A Hermeneutics of Grief, you are seen making collages.
The collage work happened while writing the book. I've always been interested in the arts, but I never pursued it formally. I am primarily trained as a poet, but something happened after my brother's death: words just weren't enough; a poem just wasn't enough to embody that experience, and also that journey that I was going on in terms of investigating what happened when we were younger, and also what happened to my parents before they met each other and had children.
So, no formal training in the arts, but a lot of experimentation and play. A lot of my work right now is video. I'm in a Ph.D. program in creative writing at the University of Denver, and I have taken sound and multimedia courses in the emergent digital practices department. My dissertation includes plays, videos, and sound work.
In the video Would That, are the collages that we see you making stand-alone pieces, or were they only enacted for the video?
They are stand-alone pieces. That collage work opened me to other ways of using found materials. I am working in video in terms of the body, materiality, and paper. Part of it, too, is a radical exercise in empathy, thinking about what that means to cut yourself out, which is what my brother did.
I am thinking more broadly now, after the book, of the larger experiences that produced my parents. I'm interested in intergenerational storytelling in trauma within the Vietnam diaspora. My creative dissertation is, in part, an examination of the refugee experience forty-plus years later, after the end of the Vietnam War, with the hope of understanding assimilation, adaptation, and resilience within a very specific former refugee community within the United States.
Did your family speak Vietnamese at home? Did you grow up with the sounds of the language?
Yes, I was fluent in Vietnamese until about seven. Around that time, my parents only wanted me to speak English for schooling purposes. This past December, I was in Vietnam and I spent the month taking extensive language lessons. I am continuing that process over Skype each week, but it's not the same as being immersed in the country. I want to eventually do translation work. I have a long way to go, but I may as well start somewhere.
Have you experimented with multilingual poems?
In December, when I was in Vietnam, I was writing poems and, because I was only speaking Vietnamese, it was quite natural that the language emerged in my writing. A lot of the work I'm doing right now uses footage from home videos, and when I watch myself as a young child speaking only Vietnamese, it is so foreign. I don't remember what was captured. I am watching myself as an object, and I am wrestling now with this lost language.
Several poems in Ghost Of are titled "Gyotaku." You're referencing this traditional method of printing from fish because you're "printing" from the absent body of your brother?
Essentially, there's the absent body which I fill in with text, so the absence is rendered into a visual text. Gyotaku is a practice using dead fish to create an impression of what had been captured, an old practice before photography existed. It still goes on today. I liked the idea that gyotaku creates just the impression. You can't capture the whole of the fish, just wherever the ink or the paint was able to touch the body, the scales, and you get an idea of the thing. Thinking about the act of writing and printing—bookmaking is also inked fabric—it makes sense to also begin to claim, to manipulate, to capture this image-text in a visual way.
Bees come up a lot in the book!
The bees are very specifically linked. Since my brother passed, every now and then my mother will call, trying to reconcile what my brother has done. One time she called me and said, "Your brother died because we didn't believe him."
I asked, "What do you mean?"
She said, "He was an insomniac for a really long time. One time he told us that he could hear humming in the walls of the house, and that's why he couldn't sleep; it kept him up all night. Your father and I looked, and we couldn't find anything, so we just told him to go to sleep."
And then she said, referring to the present, "Your father and I were just cleaning the attic, and we found thousands of dead bees." She said, "We didn't look hard enough. We didn't believe him. Maybe he thought he was crazy. He couldn't sleep so maybe he had to kill himself so he could sleep." She said this matter-of-factly, but she was just trying to fathom why somebody would kill himself. She feels such guilt.
What I didn't tell my mother, but I've been able to tell strangers (because it's easier to tell strangers), is that, during one of the years when my brother was still alive, I came home and, in the bathroom I shared with him, I found a dead bee on the windowsill. I threw it away. (This was around the time we're just learning the colonies were dying off.) Next morning, I went back to the bathroom and there was a dead bee on the windowsill. I looked in the trash, and the first bee was still there. There was no tear in the window, no crack. I didn't know where these dead bees were trickling out from. Totally weird. I didn't tell anybody, though. What if I had told somebody?
The bees encapsulate the loneliness, the solitude, the silence in how we fail to communicate in our family. The bees represent all of that, and the guilt. They also represent the failure of our larger ecosystem, and how we as humans are doing so much damage that the colonies are dying off, which will have reverberating effects on other species, and ultimately on our food chain.
The bees appear in the book because of what my mother said, because of what my brother heard, because of what I saw, and because of what's actually going on with the bees. The bees are an accidental but real metaphor for the larger world.
At some readings—I can't emotionally do this all the time—I ask the audience to stand, and I tell them the story about my mother and my brother and the bees. I then ask that—as an act against being alone, as an act against suicide—that we all hum for a moment, together, in that space. Everyone can stop humming whenever they want, and I ask for the audience members to trace how sound moves in the room. I think a lot about sound now. And I record each of those sessions. I have a whole catalogue of these humming archives. Each hum session is quite different.
Several poems are called "Triptych." Were you at all making references to art historical traditions?
No, not specifically, but within the Vietnamese Buddhist tradition, we always have an altar to the dead. There's a picture of the person and, after every meal of the day, you offer a meal to the dead. The concept of the altar and the images of the dead, and the feeding of the dead, is ingrained into my cultural/ethnic experience.
"Triptych" is not an art historical reference, but the book is divided into three parts, and I think a lot about three in reference to the three siblings, and the rupture out of that unity.
Can you talk some about the new work you are doing, about how you are exploring new media to make poems in other ways?
Most of my video work surrounds radical empathy. For example, I found footage of my parents' wedding and their honeymoon. Watching these old videos, I see my mother as a young woman, as the same age as I am now, and it's surreal. I did a project where I took my parents' honeymoon video, and I sourced all the outfits my mother wore. I then went to Hawaii and I recreated the honeymoon scenes, but with me. It's a retracing of her steps, in part maybe to further empathize with her, to understand her, because in many ways I don't understand her.
My mother has been the single node of violence in the family. Things have been quite fraught over the years. After my brother's death, we've come back together. My mother recognizes that she's made a lot of mistakes, but she isn't able to fully acknowledge a lot of the things she's done. What's been troubling for me is that I find aspects of herself in me.
In that video, it was my mother's first time away from home. She went from living with her parents to being married to my father. In that video, she doesn't yet have children; she hasn't yet committed a lot of terrible acts to her husband and to her children, and her son hasn't yet died. I retraced those steps that I had access to, and I filmed that process. It's part of the process of tracing her journey as a refugee in the years afterwards.
When I was in Vietnam, my father took me to the house where he grew up. In another video piece, I've combined footage of my father talking about the house he grew up in, which looks very different now, and footage of my father and mother building the house in America that I grew up in (and the house in which my brother killed himself). My father had to flee his home just as the Vietnam War was ending, during the fall of Saigon, so the video piece is a way of thinking about home, and sites of trauma, memory, and history.
It's interesting how your poems in Ghost Of have led you into other art forms.
Previously I wouldn't have dared attempt to venture into other media, but I am not trying to be an artist and get showings of my work. I'm just training [in new media] because it makes sense for the kind of topics and themes I'm examining, and it gives me joy, and it feels right. I'm thinking a lot about silence. In poetry, it's hard to capture silence or tension in the same way that I can do in a play through action, or in video with history.
I'm working a lot with home videos. That family footage is where my brother exists; that's where he's alive now. We don't have him in photographs so much anymore. I can revisit the videos to see him again, or to see one moment in his life. It's a nice way to be with him.


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Category(s): Doors, Handrailing Manufacturers & Suppliers, 3D Printing, Stainless Steel, Steel & Iron
Ishbiliyah Business Centre, Rouwais Dist., Jaddah
Anti Corrosion Natural heat insulating Sound proof Fire rated Outstanding durability Poly Fiber & Janti Sheet High-tech & Eco Slate made by eco-friendly materials
Category(s): Building Materials, Contractors, Doors, Engineers, Real Estate Development & Management Companies
Tasheed Al Abwab Est.
Madinah, Madinah
Modern Timber Est.
3501 Ibrahim Al Jeely St., Old Industrial, Riyadh
Specialized in import and sales of high quality woods, which are used in the industry of doors, decoration and furniture in the big factories and joineries. Available Items:- Oak – Beech – Mahogany – Iroko – Meranti – Swedish – Wawa – MDF – Blockboard – Plywood : Ordinary and Veneered. Email:email@example.com
Category(s): Doors, Wood Dealers & Products
Al Hazem Modern Metal Industries Factory
Industrial Area, Madinah
Concrete & Metal Constructions - Metal Industries - Doors & Metalworks - Awnings & Readymade Houses - Trailers & Containers - Security & Safety Systems
Category(s): Awnings, Doors, Metals, Steel & Iron, Windows
Doors World Trading Est.
Near Ameer Mohammed Park, Eyoon Dist, Madinah
Category(s): Doors, Wood Dealers & Products
Ahmed Bajaber Son's Co.
Tahlia Street intersection forty Street, Al Marwah Dist., Jaddah
Category(s): Aluminium Products, Doors, Trade General, Windows
- Phone: 012-6072740
- Phone: 012-6072733
- Phone: 012-6072730
- Mobile: 05-06658815
- Mobile: 053-0535532
- Fax: 012-6072744
Al Sindi Factory For Automatic Doors Outstanding Awnings Securiet & pvc Windows
Khaled Ibn Al Waled Street, Qubltin Dist., Madinah
Landmark Al Kurdi Land - Opposite Elahleya For Boys
Nowras Co. LLC.
Khodariyah Dist., Dammam
Category(s): Aluminium Products, Blacksmiths, Carpenters, Doors, Electroplating, Metals, Windows
Partition Systems
Hammod Street, Al Rakah dist., Al Khobar
Category(s): Doors, Home Office Furniture, Partitions
Al Bitar Steel & Aluminium Factory
Street 3 & 4 Intersection, 1st Industrial City, Dammam
Landmark Khobar Highway
Category(s): Aluminium Products, Contractors, Doors, Glass Assorted, Stainless Steel, Trade General
- Phone: 013-8472693
- Phone: 013-8472364
- Phone: 013-8473103
- Mobile: 055-0332658
- Mobile: 050-4980530
- Fax: 013-8471572
Farhan Carpentry
Al Ghara Dist, Madinah
Category(s): Building Materials, Doors, Locks
Khobar, Al Khobar
Category(s): Audios,visuals, Acoustical Consultants & Contractors, Alarm Systems, Bullet Proof Vehicles, Burglar Alarm Systems, Cameras, Car Workshops Auto Repair, Car Services & Maintenance & Inspection Test Equipment, Car Dealers New Cars, Communications - Equipment & Services, Doors, Engineers, Fire Control, Protection & Equipment, Gas Detection & Monitoring Services, Glass Assorted, Hospitals Equipment & Medical Suppliers, Maintenance - General - Contractors & Services, Military Goods, Pay Television Channel - Distributors, Films, Programme - Producers, Safety Systems, Services, Equipment & Clothing, Security & Safety Control Systems, Security Services & Equipment, Sound Systems & Digital Equipment, Thermal Camera Infrared, Vests, X-ray Apparatus & Supplies - Laboratories - Medical
Abwabco Automatic Doors & Car Parking Shades Factory
Al Hejrah Dist, Makkah
Category(s): Doors
Abwabco Factory For Automatic Doors & Car Parking Shades
Palestine St., Jaddah
Category(s): Doors
Abwabco Factory For Automatic Doors & Car Parking Shades
Nozhah Industrial, Jaddah
Category(s): Doors
Al Aedi Al Mahera For Iron & Home Furniture Aluminum
Khodariyah Dist., Dammam
Category(s): Doors


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According to the Price-waterhouseCoopers Family Business Survey, 48% of business owners don't know how to or haven't even thought of preparing for the sale of their company. Things get more complicated when there are no family members ready and willing to take over the business. What is clear is that the best business transitions begin early and go smoother when there is a team of people working in tandem to maximize the value of the business and ready it for the transition.
If there is no family to take over the reins of your greenhouse operation, then the logical choices are to transition the business to new leadership and/or your employees (often through an Employee Stock Ownership Program, or ESOP), sell the business outright, or simply close up shop when you're ready to retire. Since a business can often represent about 80% of an owner's net worth, I will address the more wealth-saving and positive options of transitioning and/or selling the business.
You Are Not Alone in Your Succession Challenges
The numbers are staggering. 10,000 baby boomers hit retirement age every day, and 60% of all business owners are over age 55. According to recent surveys by the Exit Planning Institute, PNC Bank, and Kent State University, 80% of business owners have no transition plan and have not documented or communicated a succession plan.
Furthermore, 80% of these businesses are simply not saleable, nor do they have the proper talent or family pipeline to continue on. Of the remaining 20% that are sold, 12% will be lower than the original asking price.
The study also discovered that 40% of business owners did not have a plan that covers their forced exit (death, disability, divorce, or illness).
Even though 98% of business owners feel succession planning is important, they rarely have a plan in place. When they do have a plan, there are several reasons why they don't succeed.
• Many think it is not important and choose to focus on the transition not the transactional nature of a business.
• Potential future leaders and family leave the company looking for greener pastures. Owners do not adhere to the plan, and many continue to stay long past their expected date of departure.
• New leaders are ill-prepared to take over or simply do not perform to the level of the original owner.
• A focus on the past or a mindset fixed on, "this is the way it has always been done," cripples future leadership and puts the future business in jeopardy.
• Politics, time, lack of commitment, and fear.
Successful Succession Planning = Transition Ready
Not all hope is lost. We have been a part of many succession plans that have been and continue to be successful, and they all share these characteristics.
• The understanding that effective succession planning is more than just transitioning to new leadership, and there are transactional components at work, as well. They take an objective investor's approach to looking at their business — is the risk at a low level, and is there the potential for a high return on investment?
• Operational Efficiencies: Are there efficient processes and procedures in place that can be easily managed and communicated?
• Financial Strength: Looking at the metrics (ratios, receivables, banking situation), is the company operating at a high level and doing more with less?
• Transition Ready: If the owner should suddenly leave or pass away, how easy would it be to transition to new leadership or potentially sell the business for a high return? What about legal and financial preparation?
Transition-Ready Businesses Are More Valuable
Transition ready means you are not only prepared legally and financially, but also emotionally. We know from our own experiences, especially in a family business, that it is often an emotionally charged and difficult exercise. There are some who can just walk away but many more who can't, so this needs to be considered when selling your business. Perhaps it is an earn-out or a situation where you ease out of the business over time. This would need to be a part of any discussion with new buyers.
Operational discipline, financial strength, and looking at the business from an investor's perspective all point to a higher success rate. Here are some other value builders that will make your business infinitely more valuable in the eyes of an investor or buyer. This is primarily what they look for:
• Presence of Recurring Revenue: Consumables, which are usually always present in a greenhouse operation; loyalty programs and subscriptions; sunk money, for example, long-term contracts, recurring purchases, and leases.
• Consistent Sales and Profit: The ability to drive revenue but not at the expense of margin. New product/service offerings, new markets, diversification, and those elements of your operation that deliver consistent sales and profitable results.
• Owner Independence: Can the business operate independently of the owner? Workaholics, who are in their operations seven days a week and micro-manage their businesses, are bad bets for a potential buyer.
• Sales and Marketing: An owner who has all of the key relationships and is responsible for a majority of the sales, especially to larger customers, can be an issue. Are customer relationships spread out among your staff? Are you staying on top of trends? Website, e-commerce, email lists, and social media are all critical for today's businesses.
• Barriers to Entry: Are there governmental hurdles? How established is your customer base? What buyers look for here are barriers to entry for potential competitors. Location is a critical factor as well — what is your proximity to your customer base and is a competitor angling to move into the area?
• Do You Have a Niche, a differentiator or something you are known for in the community? Is the niche side of the business growing above average?
• Strong Modernized Systems: Do you have up-to-date Point-of-Sale systems and are your processes and procedures efficient? Is the information readily available?
• Bankability: Well-prepared financials, key performance metrics with predictable and reliable cash flow.
Transfer Ownership to Employees or an Outside Buyer
Employee Stock Ownership Plans (ESOPs) can provide a variety of tax benefits for ownership as well as the non-family employees who would want to see the business continue into the future. According to the National Center for Employee Ownership, "ESOPs are most commonly used to provide a market for the shares of departing owners of successful closely held companies, to motivate and reward employees, or to take advantage of incentives to borrow money for acquiring new assets in pretax dollars." Although sometimes the cost may be prohibitive in setting one up, there are major tax benefits of having an ESOP, especially for an S or C-Corp.
Another option may be to have your existing company leadership buy you out. For both the ESOP and buy-out scenario, whether to employees or an outside buyer, it is critical to have a team of knowledgeable advisors (your financial planner, attorney, certified public accountant, and other key advisors) on the same page to make sure you are financially and legally ready.
It is also important to focus on your emotional readiness with a life or business coach. There is a lot of value in aligning yourself with a well-trained executive search and business advisory group that can help you find your next leader and management team, as well as help you build your organizational bench strength. Instead of planning to fail, we can now plan a clean transfer and a mutually beneficial transition or transaction to a new owner.
It's hard to transition when no family is in place to take over, but that doesn't mean the planning should stop. It is more important than ever to get started. After all, succession planning is about preparing for the transition or transaction of your life. Are you ready?


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Follow Jeff Altman, The Big Game Hunter on Facebook:
Two people contacted me looking for help "verbalizing" and "articulating."
Today I want to talk with you about one of those dumb interview mistakes that people make.
Now, to give a context of this, people contact me for career coaching and, often, that translates into helping people with a job search or job transition. I do other kinds of work, but this is what I'm going to focus on here.
Yesterday, I received two wonderful message messages from people. One spoke about their trouble verbalizing answers to interview questions. The other one spoke about their trouble with articulation during an interview.
I want to say they are absolutely right. Anyone who would speak about "verbalizing" or "articulation" during an interview has a problem speaking. That's really what I want to get into very quickly is clarity of speech.
Anyone who might use the term "verbalizing" has a problem connecting with an audience. They've somehow gotten the message that it's important to "articulate" or "verbalize" their answers, rather than speak in clear, concise ways that someone has no trouble feeling awkward about.
When you use terms like verbalizing or verbal ization, or articulating or articulation in the context of an interview, you're communicating something very important. What you're communicating is the inability to speak clearly.
Get down to basic points. Speak with clarity. Do not, I repeat, do not use any word that would sound like verbalizing or articulation to describe what it is that you do. If you're picking terms like this, it suggests that there are more that you're trying to work into your vocabulary in order to impress an audience. Frankly, the more senior people that I work with would never in a million years use either of these two words because what's most important to them is the clarity of the communication and the ability to connect with the people that they're speaking with.
When you use terms like this, you're creating distance for yourself and you don't want to do that on interview. What you want to do is connect. You want to speak clearly and connect with the audience, with the people who are interviewing you, so that they "get" you, so that they understand clearly what you know and what you've done, that they learn to like and trust you so they want to hire you.
Today I want to talk with you about one of those dumb interview mistakes that people make.
Jeff Altman, The Big Game Hunter is a career and leadership coach who worked as a recruiter for more than 40 years. He is the host of "No BS Job Search Advice Radio," the #1 podcast in iTunes for job search with more than 1400 episodes and his newest show, "No BS Coaching Advice." He is a member of The Forbes Coaches Council. "No BS JobSearch Advice Radio" was recently named a Top 10 podcast for job search. JobSearchTV.com was also recently named a Top 10 YouTube channel for job search.
Are you interested in 1:1 coaching, interview coaching, advice about networking more effectively, how to negotiate your offer or leadership coaching? Schedule a free Discovery call.
If you have questions for me, call me through the Magnifi app for iOS (video) or PrestoExperts.com (phone)
JobSearchCoachingHQ.com offers great advice for job hunters—videos, my books and guides to job hunting, podcasts, articles, PLUS a community for you to ask questions of PLUS the ability to ask me questions where I function as your ally with no conflict of interest answering your questions.
Connect with me on LinkedIn. Like me on Facebook.
Join and attend my classes on Skillshare. Become a premium member and get 2 months free.
Join Career Angles on Facebook and receive support, ideas and advice in your current career and job.
You can order a copy of "Diagnosing Your Job Search Problems" for Kindle on Amazon and receive free Kindle versions of "No BS Resume Advice" and "Interview Preparation." If you are starting your search, order, "Get Ready for the Job Jungle."
If you want to know how to win more interviews, order "Winning Interviews." You'll learn how to win phone interviews, in-person interviews, the best question to ask on any interview and more.
Would you like to talk through a salary negotiation or potential negotiation you're involved with? Order and schedule time with me.
Do you have questions or would like advice about networking or any aspect of your search. Order and schedule time with me.
Would you like me to critique your resume. Order a critique from me
Jeff's Kindle book, "You Can Fix Stupid: No BS Hiring Advice," is available on Amazon.


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The materials in this online repository form part of a larger Islamophobia Working Group (University of Michigan) records held by the Bentley Historical Library. For a more complete index to the materials, please consult the collection's online finding aid.
For questions or more information, please contact the Bentley Historical Library's Division of Reference and Access Services
Group of University of Michigan students, faculty, and staff studying how Islamophobia and anti-Muslim racism affects campus climate and identifying strategies for creating a safe and inclusive community for Muslims, those who identify as Middle East-North Africa (MENA), and all community members impacted by Islamophobia. Reports, email correspondence, meeting agendas and minutes, student resources, and topical files.
Copyright is held by the Regents of the University of Michigan but the collection may contain third-party materials for which copyright is not held. Patrons are responsible for determining the appropriate use or reuse of materials.
Access to digitized sound recordings may be limited to the reading room of the Bentley Historical Library, located on the Ann Arbor campus of the University of Michigan.


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- Four-time Olympian (2004, 2008, 2012, 2016); four-time Olympic medalist (4 golds)
- Rio 2016 Olympic Games, gold
- London 2012 Olympic Games, gold
- Beijing 2008 Olympic Games, gold
- Athens 2004 Olympic Games, gold
- Owns a combined seven Olympic and world championship medals, equal to Lisa Leslie and one fewer than Teresa Edwards (8)
- One of few players to have earned an Olympic gold medal, world championship gold medal, WNBA title and NCAA title
- Most recent: 2014 – gold
- Years of participation: 2002, 2006, 2010, 2014
- Medals: 4 (3 golds, 1 bronze)
- Gold: 2002, 2010, 2014
- Bronze: 2006
- Most decorated FIBA World Championship/World Cup athlete in history, male or female
- Only four-time FIBA world championship female participant
U.S. Women's Basketball Team One Win Away From Third Consecutive World Cup Title
Paul D. Bowker Sept. 29, 2018
The U.S. women's basketball team defeated Belgium 93-77 on Saturday.
With Win Over Nigeria, U.S. Women's Basketball Team Reaches 10th FIBA World Cup Semis In A Row
Chrös McDougall Sept. 28, 2018
The U.S. has won the past two tournaments and nine overall, more than any other country.
With Win Over Latvia, U.S. Women Advance Out Of FIBA World Cup Group Play Undefeated
Karen Price Sept. 25, 2018
Four-time Olympian Diana Taurasi scored 10 points in the first quarter and 16 total points.
U.S. Women Hold Off China To Go 2-0 At Basketball World Cup
Karen Price Sept. 23, 2018
Olympic gold medalist Breanna Stewart led all scorers with 23 points.
U.S. Routs Senegal 87-67 To Open FIBA Women's Basketball World Cup
Karen Price Sept. 22, 2018
Team USA's Elena Delle Donne led all scorers with 19 points in just 17:28 of game action.
The First U.S. Basketball Player To Compete At 5 World Cups, Sue Bird To Lead Team USA In Spain
Ryan Williamson Sept. 19, 2018
Six of the 12 players on the U.S. roster have combined for 13 Olympic gold medals.
Breanna Stewart Named WNBA Finals MVP As Seattle Storm Sweeps Washington Mystics
Karen Price Sept. 12, 2018
Teammate and four-time Olympic gold medalist Sue Bird won her third WNBA title.
USA Basketball's Sue Bird Takes Over WNBA Semifinals And Social Media
Allie Dosmann Sept. 05, 2018
Team USA athletes took to social media to praise Sue Bird's outstanding performance.
7 Olympic Athletes Pose For 2018 Edition Of The Body Issue
June 25, 2018
Seven of the 16 athletes featured in the 10th edition are U.S. Olympians.
In Journey To Fifth Olympic Gold Medal, Basketball Player Sue Bird Is Passing It On
John Zant Oct. 11, 2017
Bird was one of two Olympians among 17 players at a recent national team camp.


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Wooden Chicken Coop
This high-quality deluxe chicken coop is suitable for keeping chickens, hens, ducks and many other small animals. It has a quality, comprehensive design with one house, one nesting box and a very large run with iron mesh, which allows you to keep an eye on your poultry and also prevents unexpected accidents.
The house is made of premium treated wood that's painted to hold up in an outdoor environment. The green water-proof fabric on the top keeps rain away, creating a comfortable resting area inside the cubby. The house can be opened wide to allow in fresh air, and closed to create a warmer, controlled environment.
This is a high-end chicken coop that will be great for your pets and look great in your yard.
House material: Plywood
Overall size: 190 x 64 x 100 cm (L x W x H)
House size: 64 x 64 x 100 cm (L x W x H)
Nesting box size: 60 x 40 x 40 cm (L x W x H)
Running box size: 95 x 55 x 63 cm (L x W x H)
Including a nesting box
Easy assembly
1 x Wooden Chicken Coop
Note: This order will be dispatched from our Sydney/ Melbourne Warehouse. This item may arrive in a separate delivery to the rest of your order. Usual dispatch time is 1-2 business days from order.
Australia Shipping
Free Shipping (5 to 8 working days from date of dispatch)
$15 for Express Shipping (3 to 5 working days)
International Shipping
Please go to our New Zealand website: www.simplywholesale.co.nz


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Find Xarelto Lawyers
Near: Donnellson
Why You Should Choose a Local Xarelto Lawyer Serving Donnellson, IA
When you have a xarelto issue, there are many benefits to choosing a local xarelto lawyer. In addition to supporting a member of your Donnellson community, you are also choosing a lawyer that is more convenient to travel to, being local to Donnellson, than if you were to choose a lawyer outside of the Donnellson area.
By hiring a reputable Donnellson xarelto lawyer, you can ensure that your case will be handled in the most professional manner possible. And finding a good, experienced local Donnellson xarelto lawyer will give you the comfort of knowing that if you should have another xarelto issue in the future, your lawyer is right around the corner.


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Item-Num.: CS0981T
Pocket Hanky in Ivy Green
This Handkerchief is also available as:
Product Details
This green polka dotted pocket square is the perfect piece if you're looking for versatility. Dress it up with a navy colored suit and it's matching tie to wear at any semi-formal event, or simply with a grey blazer and a nice pair of jeans to a more casual setting. Either way this pocket square is bound to put the life back into your outfit.
It's cool, it's stylish, and it's charming. This pocket square is definitely one you'll be happy you added to your collection. Keep that smile on your face and prepare yourself for an influx of compliments because this accessory is electric.
Size: 13" x 13"


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» List all forums
» » Forum: New Player Forum
» » » Thread: whats the best way to earn money?
» » » » Post: Re: whats the best way to earn money?
Print at Oct 16, 2019 12:08:15 PM
|Posted by wrs1864b at Mar 28, 2017 6:49:48 AM
Re: whats the best way to earn money?
two things:
1) find puzzles that you enjoy
2) don't worry about mony (e.g Pieces of Eight aka PoE). If you are a reliable puzzler, you will get enough to do most of the games. Very little of the game *requires* you to earn much PoE, even fewer things can only be done with lots of PoE.
Algol can not assert the truth of all statements in this post and still be consistent.
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mvnForum copyright © 2002-2006 by MyVietnam.net


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OPA-LOCKA, Fla. - Two men were shot Friday afternoon at an auto finance business in Opa-locka, authorities said.
A spokesperson for the Opa-locka Police Department said a customer at AG Auto Finance in the 13300 block of Northwest 47th Avenue got into a dispute with the owner around 5 p.m. As the argument escalated, the customer pulled out a gun and shot the business owner, police said.
The business owner fought back and wrestled the gun from the customer and shot the customer at least three times, police said.
Paramedics transported the customer to Palmetto General Hospital. Paramedics airlifted the business owner to Jackson Memorial Hospital. Both men were listed in stable condition.
Copyright 2018 by WPLG Local10.com - All rights reserved.


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They've been married only since Sept. 26, but already, Janelle Pierce and Nicholas Debbins have encountered lots of obstacles in their path. Luckily, they conquered them.
It all happened on their honeymoon. They went to Aruba – but first, they detoured to West Virginia to run the Tough Mudder race, in shirts that said "Just Married."
"I had 'Just.' He had 'Married,' " the bride said. Their race numbers, too, had meaning. "I was 9. He was 26. For Sept. 26," she laughed. "And mine said 'Wifey' and his said 'Hubby.' "
Tough Mudder races, which are held all over the world, involve more than simply pounding the pavement.
"We had to crawl under barbed wire in a mud pit," Janelle explained. "We had to do monkey bars that went up at an angle and back down at angle, with water underneath. We had to jump into a huge ice bath and go underwater under a wall, then come back up," she continued. "But they do it in the middle of the race, so when you get out, you're not completely frozen, you're refreshed."
Another challenge involved running up and down a big hill 10 times. And the last obstacle was a shocker.
"It's called electroshock therapy," Janelle confided. "You run through a huge mud pit with hay bales, and there are strings with shockers at the end, that kind of shock you."
How did the groom deal with all of this?
"He loved it," the bride said, confidently. "It's a lot of fun. It's not just a race. It's very community oriented. You have to help your fellow runners. You can't get through certain obstacles with just two people. It's not about time. It's about teamwork."
Sounds a little like marriage.
Janelle met Nick two years ago, on a blind date arranged through mutual friends.
"We went to Spot Coffee. I brought my pepper spray," she laughed. "I had called my sister, and said, 'OK, in an hour you're going to call me, in case I need to get out of this.' " She didn't need to. "It was 7:30, and next thing I know I'm looking at my watch and it's one in the morning."
By that time, she knew she really liked him.
"He was really tall, he had this genuine smile, and when he started talking, I realized, he's so down to earth. He's very easygoing, very easy to talk to," she said. "And the more he talked, I could tell he's very family-based, the way I am."
When Thanksgiving rolled around, they celebrated family by running another race.
"My mom and I do the Turkey Trot every year, and we always wear crazy costumes," Janelle said. "I made him wear an elf hat and crazy fluffy socks. I told him, 'Now that you're married to me, I guess you can come with us.' "
Pierce and Debbins were married at 2:30 p.m. Sept. 26 in Eastern Hills Wesleyan Church, Williamsville. Guests gathered for a reception at Pearl Street Grill & Brewery, Buffalo. Andy Broad of Eastern Hills Wesleyan Church heard the couple's vows. The bride's parents are Robert J. and Amy E. Pierce of North Tonawanda. The bridegroom's parents are Thomas and Lisa Debbins of Lancaster. The bride is a graduate of Newfane High School. She earned a bachelor's degree in computer graphics from Indiana Wesleyan University. The bride is a digital marketing coordinator at Community Papers of WNY. The groom, a graduate of Lancaster High School, earned a bachelor's degree in history from SUNY Buffalo State and also earned a master's degree of business administration from Medaille College. He is a project manager at Rolite Manufacturing. The couple will make their home in Depew.
– Mary Kunz Goldman


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I'd never really babysat. I feel like I'm Blair, or 'Gossip Girl.' A teenager, basically - and now suddenly I'm a mom? Votes: 4Cecily von Ziegesar
I avoid the young adult section altogether if possible, although it's sometimes fun to catch a girl lying on the floor, reading 'Gossip Girl.' Votes: 4Cecily von Ziegesar
Gossip Girl' came out in rapid succession over two years, so the endings always had to be suspenseful so that you couldn't wait for the next one. Votes: 4Cecily von Ziegesar
I love 'Gossip Girl.' I used to hang out with Blake Lively and Jessica Szohr. I'm also addicted to Bravo and reality shows like 'Top Chef.' Votes: 4Jessica Stroup
I have no sense of what I should or shouldn't talk about. I just blather. Which is why it's fun to write 'Gossip Girl.' I do tend to just talk about anything. Votes: 4Cecily von Ziegesar
A lot of people say about 'Gossip Girl,' 'Well, how do you feel about gossip?' Well, who really likes gossip? No one likes to be talked about if it's not flattering or a compliment. Votes: 4Jessica Szohr
There are always those 'Gossip Girl' walk-and-talk scenes where you're walking and just talking about life and death. You're having a serious conversation, looking someone in the eye, but everywhere around you, it's literally a circus. Votes: 4Chace Crawford
I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds. Votes: 4Cecily von Ziegesar
I was just doing bits and pieces of acting in the U.K. I'd been in the film 'Breaking and Entering' - Anthony Minghella gave me my start and I miss him dearly. Then I made the trip out to L.A., during one of their pilot seasons, which was when they were developing 'Gossip Girl,' and I auditioned, and things came together. Votes: 4Ed Westwick
I love 'Gossip Girl'! I still miss 'Veronica Mars,' though. Votes: 2Sarah Rees Brennan
I loved 'The O.C.' and I totally watch 'Gossip Girl,' too! Votes: 2Spencer Grammer
Every penny from Gossip Girl, my pension, my stocks has been spent fighting for my children. Votes: 2Kelly Rutherford
Every penny from 'Gossip Girl,' my pension, my stocks has been spent fighting for my children. Votes: 2Kelly Rutherford
And who am I? That's one secret I'll never tell...You know you love me. XOXO, Gossip Girl Votes: 2Cecily von Ziegesar
Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City. Votes: 2Jay McInerney
Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City.' Votes: 2Jay McInerney
After my first year on 'Gossip Girl,' everybody said, 'You've got to do a big commercial movie, ride this wave.' Votes: 2Blake Lively
...don't act like I didn't for you. I did. Hard. And for a long time. So please, forgive me if now that we're over, I'm exhausted. Votes: 2Cecily von Ziegesar
My mom modeled and made clothes, so I always had such an appreciation for design. And then Gossip Girl completely blew open the door to fashion for me. Votes: 2Blake Lively
I went straight from high school to 'Gossip Girl,' and both were very structured, scheduled environments, so I never had freedom to explore and carve my own path. Votes: 2Blake Lively
The 'Gossip Girl' idea and ideologies, like, they sort of encourage this certain kind of, like, materialism and superficiality that isn't, I would say, the best thing in the world. Votes: 2Penn Badgley
My style has definitely grown since moving to New York and working on 'Gossip Girl.' I'm more aware of a lot of designers and I'm more aware of fashion. Votes: 2Jessica Szohr
I love to hang out with boys - I've got brothers - but I'm a girl's girl, in all the ways you can be girlie. Nails and chats and gossip magazines and reality TV and pop culture. Votes: 2Alice Eve
I was coming off of The O.C. and had very little interest in doing another teen drama. And then I got sent theGossip Girl book series, and I was like, 'I might not be ready to leave high school after all.' Votes: 2Josh Schwartz
My biggest fear in writing 'Gossip Girl' was that the characters would sound like stereotypical rich, air-headed heiresses. These were my friends. They were smart and multifaceted. They had interests and passions. They wanted to become lawyers and doctors and writers and filmmakers. Votes: 2Cecily von Ziegesar
Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl. Votes: 2Dreama Walker
Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl.' Votes: 2Dreama Walker
I certainly didn't say while writing 'Gossip Girl,' 'Oh this is going to be big!' It was really like, 'Oh god, everyone's gong to hate these people! They're so bratty!' But I actually think what is so appealing about them is the humor in them. Votes: 2Cecily von Ziegesar
I used to be an editor and I was editing young adult series. I didn't really like the books that I was reading, so I decided that I would write a book about something I'd want to read if I was 16. It turned into a Cinderella story... I developed a proposal and the characters of 'Gossip Girl' for my job. Votes: 2Cecily von Ziegesar
I didn't have a bad experience on 'Gossip Girl,' by any means, but it was during a time in my life where I was looking at acting in not a very serious way. Which is no insult to 'Gossip Girl,' but that was a time in my life when I really didn't know if I wanted to act when I got out of school. It was like, 'OK, I got this part. I'll go do this.' Votes: 2Sarah Steele
Any man who can drive safely while kissing a pretty girl is simply not giving the kiss the attention it deserves. Votes: 6 Albert Einstein


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Content Count12
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Everything posted by Dreeghul
Allies and Adversaries - Spoilers/ Q&A
Dreeghul replied to AgniAvis72's topic in Star Wars: Age of Rebellion RPGWell, page 60 is titled "Stormtroopers" and up to page 63 it shows stat blocks for; Stormtroopers (Minion), Stormtrooper Sergeant (Rival), Cave Trooper (Minion), Range Trooper (Minion), Sandtrooper (Minion), Scout Trooper (Minion), Shoretrooper (Minion), Snowtrooper (Minion), and Swamptrooper (Minion).
Allies and Adversaries - Spoilers/ Q&A
Dreeghul replied to AgniAvis72's topic in Star Wars: Age of Rebellion RPGRange Troopers are minions, as are Shoretroopers.
Allies and Adversaries - Spoilers/ Q&A
Dreeghul replied to AgniAvis72's topic in Star Wars: Age of Rebellion RPGAgreed. Especially in Allies and Adversaries (the same book) Ewoks are listed as silhouette 0 and are pretty much the same height as Jawas.
Allies and Adversaries - Spoilers/ Q&A
Dreeghul replied to AgniAvis72's topic in Star Wars: Age of Rebellion RPGDoes anybody else's copy Allies & Adversaries show that Jawas are not silhouette 0? Table 6-6 on page 212 of the Edge of the Empire Core Rule book states that they are silhouette 0, but my copy of Allies & Adversaries doesn't show their size.
Another Character Generator
Dreeghul replied to OggDude's topic in Star Wars: Edge of the Empire RPGThanks @Nytwyng Unfortunately the option to "Remove" is grayed out. I suppose these entries are protected.
Another Character Generator
Dreeghul replied to OggDude's topic in Star Wars: Edge of the Empire RPGHello All, Is there a way to completely remove the Unofficial Species Menagerie from the character generator? I know how to "uncheck" it under sources allowed but I want to completely remove it so myself or my players don't see it as an option.
Applying Obligation
Dreeghul posted a topic in Game MastersHello! I've run about two campaigns with my regular group. Both campaigns, the group tries to keep the obligation down as low as they can. They have no use for it despite my efforts to try and incorporate it into the story. They would rather be poor or find other methods of obtaining what they seek than use Obligation as a resource to pay for things. They want to be those do-good criminals, which is fine. As long as they are happy, I'm happy. I'm starting a new group, new players. Some of them have never played before and I'm about to introduce to them the mechanics of the system which includes Obligation. My Session: 0 will go over Obligation and give them a chance to tie in their Obligations or not. For this campaign, I do intend on showing them how Obligation is used and I'm more than certain that one or more of them may use it as a resource. I've always been curious though, since my time as a player has always been rare and I have no examples of how other Game Masters use Obligation, has anybody ever applied or "inflicted" Obligation on their players? For example, say the characters have successfully concluded an adventure. Unfortunately they didn't defeat or bring the crime lord they had to deal with during the course of the adventure to justice. I determine that the crime lord could be a recurring villain later on down the road and his anger towards the players has him take out a bounty on each of their heads so each player takes 5 Bounty Obligation. The players now have an enemy that pops up every now and then getting in the way until they deal with it one way or another. Subsequently, would just applying 10 Bounty Obligation to the group as whole if 5 per player seems like too much? I don't want to drown them in Obligation or make them feel like it is more of a burden than a storytelling tool so I intend on using it sparingly. The book doesn't mention it used this way, unless it is in another part of the book that isn't titled "Obligation" and I missed it, so I'm curious if anybody has used it like this and what were the results?
Another Character Generator
Dreeghul replied to OggDude's topic in Star Wars: Edge of the Empire RPGI noticed when trying to create an encounter with through the GM Tools that if I select a minion and try to increase the count, it will not save the number I specify (I've tried increasing it to 2 & 3). If I add a second minion group, it will allow that minion group to increase beyond one but the first group remains solely at a single minion and still won't save after being adjusted. Edit: I just tried adding three individual groups, updated them all to 3 minions each. Two of the three updated fine, the third remained at 1. The difference between this time and previous attempts is that I didn't add on to an existing encounter.
Starship Customization
Dreeghul posted a topic in Game MastersMy players decided to choose the "Firespray" as their starting vehicle. With a party of four, they are commenting on the lack of personnel quarters on the Firespray and inquiring about removing the prison cells from the ship. Has anybody else done something similar?
Starting Planet?
Dreeghul replied to lordredraven's topic in Game MastersI made my own, a backwater planet of scum and villany. Gave it some history and an assortment of NPCs with plot hooks. Everything turned out pretty well to be honest. The players really liked it because while it was a world they had no knowledge of from the Star Wars universe, it still felt like Star Wars,
Droids & Equipment
Dreeghul posted a topic in Star Wars: Edge of the Empire RPGOn page 47 of EotE Core Rulebook, it states that a droid player character can choose to have his equipment built into his body. Now is there a limit to how much equipment can be installed? Does the equipment count towards his encumbrance? He has a cybernetic limit, but is there an equipment limit?
Minions and Skills
Dreeghul posted a topic in Star Wars: Edge of the Empire RPGIf a group of minions do not have the skill listed, do you upgrade the dice like normal? For example, a Stormtrooper has Athletics and a Brawn of 3. A single Stormtrooper would roll 3 Ability dice. A group of three Stormtroopers would roll 1 Ability die and 2 Skill dice following the rule that minions gain 1 rank per each minion after the first. So if a Stormtrooper does not have Vigilance or Cool on his list and a group of three Stormtroopers needs to roll initiative, do they follow the same rule? If not, would they just roll their ability dice without ranks. For example, do they make a single Cool roll with 1 Ability die for his Presence or a single Vigilance roll with 3 Ability dice for Willpower.


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Events for September 1, 2019
Events Search and Views Navigation
6:30 pm
Divine Service with Brenda Hodgson – Communion
Join us for Divine Service where we will be joined by Spirit Medium – Brenda Hodgson. Doors open from 6pm for a 6.30pm start – 8pm. All WelcomeFind out more »


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Please note the studio is on holiday from Mon 7th - Wed 14th October. All orders will be shipped on return. Bon voyage.
Hands up who's four? A hand pressed card is a special card especially with a handwritten four on it for the birthday boy or girl. Dazzle them with the shininess of this one.
Did you know you can get 3 cards for £10 or 5 for £15? Makes sense to be prepared doesn't it. Get them here.
Inside: Blank for your own message
Colour: Holographic foil
Size: A6 (148x105mm)
Weight: 360 gsm
Paper: Fedrigoni is completely biodegradable and recyclable.
Individually hand-printed using a traditional printing press. Foil blocked front and back.
Sunshine yellow envelope included.


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SACUA brainstorms solutions to lack of attendance
The Senate Advisory Committee on University Affairs met on Monday to discuss initiatives to better engage Senate Assembly members and incentivize attendance of assembly meetings.
The meeting began with members recapping motions discussed during past meetings this school year, including the upcoming Regents Candidate Forum. On Oct. 15, SACUA will host all the candidates for the University's governing body to discuss their candidacy and qualifications.
The key issue on Monday's agenda was absenteeism among Senate Assembly members during their monthly meetings. As achieving a quorum for each meeting has become a recurring issue, many SACUA members including Sarah Lippert, associate professor of Art History at the U-M Flint, offered suggestions to encourage attendance both during assembly and committee meetings.
"I'm wondering if there are mechanisms to reinforce lines of communication between the assembly and SACUA," Lippert said. "Are we inviting them in effective ways to bring issues of their faculty forward?"
SACUA Vice Chair Joy Beatty, associate professor of Management Studies at the U-M Dearborn, recommended a points system to boost attendance among assembly members and increase involvement. Similar to techniques used on students, members agreed that the inclusion of such incentives could produce positive effects among faculty.
Touching on issues of achieving a quorum, the chronic truancy of some assembly members from meetings could stem from a variety of factors. Because quorum was established decades ago, attempts to amend the code have faltered. In order to change the quorum policy within the code, the number must be satisfied at the meeting in which the vote would take place. This continuous issue, in addition to the lack of interest and urgency among members, has contributed to low attendance numbers in recent years. In extreme cases, Beatty said some members do not realize they're a part of the Senate Assembly.
"(Last meeting) there were 15 or so people that were absent and were 'no call, no show,' and this is also happening in our committees," Beatty said. "The question is, (are we) empowered to remove those people from (these) committee(s)?"
SACUA members then discussed the possibility of substituting current committee members for alternates, which Faculty Senate Secretary David Potter, a professor in the Classical Studies Department, stated is precedented and therefore legitimate.
"The problem is the Senate Assembly has created, technically, this committee so you can't kick people off the committee, but there's no reason why, following the parallel of the Senate Assembly, you can't put in alternates," Potter said.
SACUA Chair Neil Marsh, a professor of chemistry, suggested further possible strategies to enhance member engagement and participation. Marsh mentioned the possible inclusion of members in administrative affairs.
"One possibility that I raised was that, in searches for deans and directors … That one of the members of those committees would come from the Senate Assembly," Marsh said. "That would certainly be a way of adding the voice of the faculty to the appointment of deans, directors and executive officers."


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Leicester City Council releases buildings for local community groups
As part of the Transforming Neighbourhoods Services Programme, Leicester City Council has released three buildings for local community groups and organisations to run. These are:
- Braunstone Frith Recreation Centre (5 year lease)
- Braunstone Mayfield Centre (5 year lease)
- Braunstone Grove Youth Centre (25 year lease)
Initial sessions for interested community organisations have been organised by Leicester City Council and it is strongly recommended you attend these:
- Braunstone Frith – 3.30pm on 18 April at Braunstone Frith Recreation Centre
- Braunstone Grove – 4.30pm on 19 April at Braunstone Grove Youth Centre
- Mayfield Centre – 4.30pm on 20 April at Mayfield Children & Family Centre
More information on these sessions and the transfer of buildings can be found on the Council's Website.
Don't miss our asset transfer workshops
To support this process VAL is hosting a number of workshops covering the business planning process and the business cases that will need to be submitted by interested organisations.
These will take place at VAL from 2.30 to 4.00pm, and repeated from 5.00 – 6.30pm on:
- Monday 23 April (focusing on Braunstone Grove Youth Centre)
- Tuesday 24 April (focusing on Mayfield Centre)
- Wednesday 25 April (covers all)
Book your place
To book onto any of the above workshops, please contact Paul Akroyd, VAL Voice and Insights Development Officer:
0116 257 5029


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One rule has stood firm for opponents during the successful run of the Kansas City Royals — get your offense early.
The White Sox received another copy of that memo on Friday night as they lost their first meeting of 2016 against the reigning World Series champions at U.S. Cellular Field by a 4-1 count.
The White Sox didn't convert on early chances against Kansas City starter Dillon Gee and his bullpen picked up the slack with four scoreless innings. Meanwhile, the Royals scored four late runs against Jose Quintana to send the White Sox to their seventh loss in nine games.
"You want to keep those horses in the bullpen," catcher Alex Avila. "You don't want them coming out in the game. Usually when they're coming out, you're on the wrong side."
Without question the White Sox offense has improved from last season. They entered Friday averaging 1/2 a run more per game than they did in 2015, which has them in the middle of the pack in the majors. Part of their improvement stems from hitting .267 with runners in scoring position, which ranked 11th among 30 teams in the majors entering play.
But the White Sox offense is still susceptible to ruts and they're currently in a funk. For the fourth time in six games, the White Sox scored three or fewer runs.
It wasn't for a lack of chances.
With Jose Abreu hitting second in hopes it would mix things up, the White Sox had several opportunities to build upon a 1-0 lead against Gee in the early innings.
They failed in each one.
Austin Jackson put them ahead with a sac fly in the second inning. But Gee retired Tyler Saladino to strand a pair. Gee struck out Brett Lawrie with two aboard to end the third inning and Adam Eaton grounded into a fielder's choice with two on to end the fourth.
Gee retired the side in order in the fifth inning (he also did in the first) and handed it over to his bullpen — but you knew that was coming.
The White Sox even had a shot at Joakim Soria in the seventh inning as Eaton — who was ejected after the game ended for arguing balls and strikes — singled and Abreu walked. But Alcides Escobar snagged a Todd Frazier liner headed for left and doubled Eaton off second to end the inning.
Though White Sox manager Robin Ventura credited Gee for being sneaky and effectively using his cutter, he put the onus on an offense that went 0-for-6 with runners in scoring position and stranded nine.
"We had some opportunities and we didn't do that same thing that they of being able to put it in play, knock guys in," Ventura said. "We had enough guys on base, we just didn't execute enough.
"We've just got to do a better job executing."
The Royals did their job in limited chances against Quintana.
The left-hander faced the minimum through five innings and only allowed one hit. Quintana looked just as effective as Thursday's starter Chris Sale as he needed only 43 pitches to complete four innings.
But Omar Infante jumpstarted the Royals, who trailed 1-0, in the sixth inning with a one-out double and they didn't stop until they had a three-run lead. Former Sox farmhand Paulo Orlando continued to torment his old team with a game-tying double off Quintana and Lorenzo Cain doubled in another to put Kansas City ahead 2-1. Kendrys Morales also singled in a run in the sixth.
An inning later, Orlando singled in another run to make it 4-1. He also singled in the ninth and finished 3-for-4. Orlando is now 18-for-51 (.353) against the White Sox with six RBIs and 63-for-247 (.255) with 28 RBIs against everyone else.
The combination of the White Sox struggles and the Royals' ability in the clutch led to the inevitable as Ned Yost rolled out Luke Hochevar, Soria, Kelvin Herrera and Wade Davis.
Royals relievers retired 11 of 15 batters to beat the White Sox for the 13th time in their last 20 meetings.
"To beat a competitive team like Kansas City, you've got to get those two-out knocks," Eaton said. "It just seemed like missed opportunities. It's been kind of the story of this homestand thus far, and then going on the road there. We've got to turn it around, some way, shape or form. Q threw a heck of a game. Four runs to those guys, as competitive as he was. If we get on them early, it may be a different story."
Instead, it was the same story the Royals have told for three seasons now.


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Avec un Oeuf outlines where to celebrate the worldwide wine celebration, Beaujolais Nouveau Day 2018, in Houston. La fête de Beaujolais Nouveau annually celebrates the end of the harvest when the first Beaujolais wines of the season are released!Read More
Avec un Oeuf gives you a list of the best French restaurants in Houston, starting with the inner loop!Read More
Follow as I recount my two-straight-days of nothing but French celebrations in the downtown Houston playground! Note: A lot of champagne was involved.Read More


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Good to know
|Distance to city center
|5.8 mi
|Location rating
|Nearest Airport
|Chania Souda
|Distance to airport
|13.1 mi
|"Good value for the money!."
|(in 5 reviews)
|"The staff were very friendly and helpful."
|(in 13 reviews)
|"The location was excellent."
|(in 26 reviews)
|"No comfortable seating area in living room."
|(in 6 reviews)
|"The neighbourhood was really noisy one day they do some building work"
|(in 3 reviews)
Traveler rating
Time of year
Traveler type
Show reviews that mention
|apartment comfortable
|in 11 reviews
|balcony doors
|in 4 reviews
|bar and pool
|in 11 reviews
|building work
|in 17 reviews
|close to the beach
|in 55 reviews
|comfy room
|in 27 reviews
|easy to walk
|in 10 reviews
|football game
|in 6 reviews
|good restaurants
|in 13 reviews
|great lengths
|in 3 reviews
|great location
|in 44 reviews
|holiday maker
|in 3 reviews
|living room
|in 10 reviews
|lovely sea
|in 17 reviews
|lovely sea view
|in 25 reviews
|near bus stop
|in 8 reviews
|owners very hospitable
|in 3 reviews
|in 22 reviews
|staff was very friendly
|in 15 reviews
|swimming pool
|in 11 reviews
|value for the money
|in 13 reviews
ExcellentAug 201910.0
Great apartement on the beach. Brand new pool at the hotel next door that we could use. «Eremis» himself was very kind and helpful. Oceanview, big green garden where the kids could play. Close to everything. The small grocery Katarina has the friendliest straff and everything you need.
The bathroom was small, old fashioned and not special welcoming. And we had to pay for the sunbeds. I think it would be a great idea to offer the guests sunbeds for free.
ExcellentAug 201910.0
We LOVED the accommodation, which had a spacious living area and ample sized bedrooms. It was spotlessly clean and the family who run the business were so accommodating and made us feel like family ourselves. The outlook from the terrace area is perfect and you're at the beach in 20 seconds with beautiful restaurants along the beach. It really was the most perfect stay for my husband and I and our toddler.
Our stay was too short and I only wish we could've stayed longer!
ExcellentJul 20199.6
The owners were so kind and helpful Gave us fabulous suggestions to get away from the crowds Litsas restaurant in Afrata is an authentic family run place with great food and a view from high up on the mountains that was heavenly
ExcellentJul 201910.0
The location, few meters from the beach and very close to restaurants and shops. The beach, clean, not very crowd, sandy . The owner, very nice and helpfull, tipically greek
ExcellentJun 20199.6
Excellent location, prompt communication. Very friendly and helpful staff.
When you stay at Ermis Suites in Chania, you'll be on the beach, just steps from Agia Marina Beach and 9 minutes by foot from Platanias Beach. Featured amenities include limo/town car service, express check-in, and express check-out. A roundtrip airport shuttle is provided for a surcharge (available on request), and free self parking is available onsite.
9.1 Excellent
based on 171 reviews
Things to Know
- Great shopping
- Good restaurants & bars in the area
- Beach nearby
- Wonderful housekeeping
Check in
Check out
Policies vary by room type and provider.
Reviews about Ermis Suites
Most Popular Landmarks
- Nea Chora Beach 5 mi
- Firka Fortress 5.5 mi
- Nautical Museum of Crete 5.6 mi
- Chania Lighthouse 5.6 mi
- Etz Hayyim Synagogue 5.6 mi
- Municipal Art Gallery of Chania 5.7 mi
Getting Around
|Chania Souda
|13.1 mi
|Heraklion N. Kazantzakis Apt.
|71.9 mi


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Trailer Rental & Towing in Chehalis, WA at Grants Towing Napavine
Moving to or from Chehalis, WA? U-Haul cargo and enclosed trailers are intelligently designed to protect and secure your precious belongings, while our open utility trailers are perfect for hauling building supplies, landscaping materials or bulky items. U-Haul car trailers have EZ load ramps for effortless loading of vehicles while our motorcycle trailers are lightweight and easy to tow. Get FREE trailer rental rate quotes in Chehalis WA 98532 today.
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Cargo trailers in Chehalis, WA are lightweight, aerodynamic, and engineered for better fuel economy which makes it easy to tow behind any vehicle. Millions of families use our enclosed cargo trailers to move every year. U-Haul has a large selection of enclosed trailers to rent in-town or one way, review our cargo trailer sizes and reserve a trailer rental online at Grants Towing Napavine!
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Utility trailers are perfect for towing large or oversize cargo in Chehalis WA 98532. Many utility trailer rentals come equipped with a loading ramp for easy convenience. The utility trailer selection at Grants Towing Napavine provides an affordable solution for home improvement projects, furniture delivery and for towing recreational vehicles. Utility trailer rentals are also popular with businesses for deliveries and trade-show events. Utility trailers come in a wide range of sizes and styles so that any car can tow.
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Customer Reviews
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Dropped trailer off after hours
Elizabeth B. on
The women who helped us were very accommodating, and even mentioned to us that a major portion of our planned route was closed - and then helped us find a way around it! They were super friendly and I was appreciative of their assistance


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Online IT Security Courses
Online IT Security Courses in South Africa
2KO Africa presents IT Security courses in Cape Town. Students are able to enrol today on our instructor-led IT Security courses in Cape Town or our online IT Security courses. In addition, 2KO delivers cutting-edge IT products in the consulting and business services space, as well as offering top-rated training for various IT vendors. Our internationally recognised courses can be offered either as hands-on full time classes, or as online learning, to ensure students have access to the best IT Security training in Cape Town.
Online Courses
CCNA Security: Cisco 210-260
Data Security Compliance
Certified Information Security Manager (CISM)
Certified Information Systems Auditor (CISA)
CSA Certificate of Cloud Technology Security Knowledge (CCSK)
Cyber Security Awareness and Prevention
VMware vSphere VCP 5.5


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These Gray Wash Wooden Crates bring function and style to your storage needs. You'll love how they stack together when they're not holding your things.
- Set includes three (3) crates
- Small measures 14L x 9.75W x 8.75H in.
- Medium measures 16.5L x 11.5W x 9.5H in.
- Large measures 19L x 13W x 10.25H in.
- Crafted of wood
- Gray finish
- Slatted design
- Smaller crates fit stacked inside the large crate
- For decorative use only
- Care: Dust with a soft, dry cloth.
This item is available at Kirklands.com only, not available in stores. Please note: this item cannot be shipped to APO/FPO addresses.