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My name is Mark Brown of MB Property Services, a local company that has been working in the local area for the last 30 years'. Call now on 07944 691924
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Paperback / softback Publication Date: 09/01/2019
- 9781388126568
- 9781388126568
- Category:
- Horror & ghost stories
- Format:
- Paperback / softback
- Publication Date:
- 09-01-2019
- Publisher:
- Blurb
- Pages:
- 120
- Dimensions (mm):
- 229x152x6mm
- Weight:
- 0.17kg
This title is in stock with our Australian supplier and arrives at our Sydney warehouse within 2-3 weeks of your order. An overall delivery estimate to you, (arrival time to A&R + delivery via post to your address) can be found below.
Once received into our warehouse we will despatch it to you with a Shipping Notification which includes online tracking.
An overall delivery time for this item, including the 2-3 week arrival time to A&R, to your address is:
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subset: commoncrawl


text:
The Hawkhead Centre in Paisley, Renfrewshire, is an activity and support facility for Scottish War Blinded, designed by Page\Park architects.
Timber Awards 2018: Bath Street Collective – Winner
We spoke to John Kinsley, of John Kinsley Architects (JKA), about their award-winning project Bath Street Collective, Edinburgh.
Timber Awards 2018: Falls of Shin Visitor Attraction
At the Falls of Shin Visitor Centre, Achany Sutherland by CH Architecture, timber was the key materials used in this woodland setting.
Timber Awards 2018 – The Black Shed, Isle of Skye
We spoke to the team behind the short-listed project The Black Shed, Isle of Skye, where Douglas Fir boards play a central part in the final design.
Best Use of Timber Awards 2018 – Exhibition
The Best Use of Timber Awards 2018 exhibition showcases the winner and shortlisted entries to the annual RIAS Awards scheme.
Timber at the heart of Scottish architecture – award winning projects profiled
PERHAPS for as long as built structures have existed in Scotland, wood has been a part of the construction.
Framing the Timber Awards: Developing a New Exhibition Structure
The Best Use of Timber Awards Exhibition has a new structure for 2018, find out more about it here.
Material of the month – January 2018 – Elm
With the launch of the 'Timber Awards' this month, it felt only fitting to have timber as our material of the month.
Best Use of Timber Awards 2017 – Exhibition
The Best Use of Timber Awards 2017 exhibition showcases the winner and shortlisted entries to the annual RIAS Awards scheme.
Publication: Celebrating Timber Architecture in Scotland
This publication collates winning and shortlisted projects to offer a portrait of timber architecture in Scotland over the years 2012 - 2017


text:
- Color: White
- Included Items: N/A
- Material: plastic
Product Details
Madesmart 29308 Silverware Tray Expandable, White
Keep your flatware and cutlery neatly stored and organized with this Expandable Cutlery Tray. Six compartments lined with silicone grip material keep flatware in place.
- Dimensions: 16.10"Hx 13.25"Wx 2"L
- Color: White
- Material: Plastic
- Interior over mold keeps items from moving around
- Adjustable sides can be made to fit any kitchen drawer configuration
- Easy to clean, maintain, install and use
Madesmart 29308 Silverware Tray Expandable, White White
- Kitchen Utensil and Cookware Materials: plastic
- Included Items: N/A
- Dimensions: 3.0 inches (H) x 14.0 inches (W) x 18.0 inches (L)
- Weight: 2.9 pounds
- Made in China
The Fine Print
Offer is not eligible for our promo codes or other discounts.


text: TV BBC Dramas, Kids Shows Among First to Benefit From U.K. TV, Animation Tax Credits 7:46 AM PDT 8/16/2013 by Georg Szalai FACEBOOK TWITTER EMAIL ME Jane Austen-inspired mystery miniseries "Death Comes to Pemberley," crime drama "By Any Means" and kids show "Sarah and Duck" have been guaranteed tax breaks. LONDON – The British Film Institute (BFI) on Friday announced the first projects that will be able to take advantage of tax credits launched earlier this year for high-end TV and animation productions. Three BBC dramas and a couple of animated kids projects have been guaranteed the 25 percent tax break for programs that cost $1.56 million (£1 million) or more per hour. But overall, more than 30 guarantees have been issued, with the rest of the projects not immediately named. The dramas are Red Planet Pictures-produced six-part crime drama By Any Means, Origin Pictures' three-part Jane Austen-inspired mystery miniseries Death Comes to Pemberley and Mammoth Screen's three-part mystery Remember Me. All shows are set to air on BBC One. BBC kids network CBeebies got guarantees for tax incentives for two shows -- animated Sarah and Duck and stop-motion series Calamity Island. Following receipt of a BFI certificate, productions can apply for tax relief on any production spend incurred since April 1. "This is another landmark in the government's continued commitment to supporting the creative industries, a sector that continues to make an important contribution to economic growth and help bolster our position in the global race," said U.K. creative industries minister Ed Vaizey. "TV producers are keen to create shows that can compete in the international market and rival films in terms of production values, talent and storytelling," said Red Planet production executive Alex Jones. "The tax credits are an important step toward helping ambitious independent production companies like Red Planet close the finance on projects here in Britain without having to leave the country to save money." Anna Mansi, head of the BFI certification unit, said: "It's been fantastic to see the first certificates issued this week for a host of exciting new U.K. projects. We want to let producers working across animation and high-end television know the U.K. is open for business, and the BFI's highly expert team is ready and waiting to take your call." Projects submitted for tax incentives consideration must qualify as British either via a cultural test or as an official co-production under a co-production treaty. E-mail: email@example.com Twitter: @georgszalai FACEBOOK TWITTER EMAIL ME Georg Szalai email@example.com georgszalai


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The Anchorage Assembly is a body comprised of eleven elected representatives, serving six unique districts (the first of which is really unique, in that it only gets half the representation of any other). The Sullivan administration has enjoyed a supportive majority since 2010, when Ernie Hall edged out incumbent assemblyman Matt Claman to turn the tide fairly conclusively. The following year, the mayor's majority grew, when Adam Trombley knocked Mike Gutierrez out of his seat in his bid for reelection.
After securing reelection in 2012, Sullivan saw the scales briefly tip even further in his favor, as West Anchorage Assemblywoman Harriet Drummond ascended to the state legislature, where she currently serves (brilliantly). Sullivan's former city budget director, Cheryl Frasca, was elected by the assembly to fill the vacancy.
Less than three months later, she was voted out. Midtown Assemblyman Dick Traini set down his opponent by 16 points. Ernie Hall barely retained his seat against a write-in challenger. The mayor kept his majority, but there was clearly a shift away from the standard of empowering him.
As of Friday, Anchorage residents now have a set field of candidates for the next round of elections. This is a really big election; six of the 11 seats are up for grabs (but not really). As the mayor prepares to not care all that much about Anchorage, while campaigning for Lieutenant Governor, his legacy could be defined in the coming months.
District One is at the constant disadvantage of being the place where everything happens, yet is only half as represented on the assembly as any other district. So, that's the bad news. The good news is that it's sole representative in municipal politics is Patrick Flynn.
Which is where we take a grand pause for a disclosure statement from yours truly.
I worked as Patrick Flynn's staffer for the last three years, ending my employ this past July. I think the world of him, and think he is the personification of the term "statesman" which we should hold as the standard for public servants. That's not because he paid me; it's not because I particularly agreed with him all of the time (because I really, really didn't); but because working under him for as long as I did taught me that Patrick Flynn did nothing without careful, laboring thought, and his district always came first.
In recognition of my bias, I will mention his race as little as humanly possible, which shouldn't be too difficult given his situation. In his latest reelection, Flynn secured over 68 percent of the vote. In his first bid, he enjoyed a 74-24 split.
This year, he faces University of Alaska Anchorage chemistry professor Mark Martinson. Martinson has no online presence, other than his directory listing with the university and "Rate My Professor" page. Some students really like him, others really don't. He should fit into Muni politics just fine. But I wouldn't place any bets on his candidacy.
Advantage: Flynn.
Bill Starr is in a similar position to Patrick Flynn, although the flip-side of the ideological coin. Starr is entering his final term enjoying strong support. He won election in 2008 with 46 percent of the vote, and saw that approval rating rise to over 70 percent in 2011, when he won a second term.
Starr is a strange phenomenon in Eagle River politics; possibly the last of an "old guard." He's incredibly bright, influential, autonomous, and effective. For Eagle River residents who exemplify the neighborhood's libertarian streak, they hit pay dirt with Starr.
The problem is that he's only got three years left. I'm afraid of who will follow.
Eagle River doesn't pay attention to politics. Whoever says "liberty" the most times at the local Chamber meeting gains favor. The latest example is Starr's colleague, Amy Demboski, who has testified in favor of Eagle River seceding from the municipality.
Eagle River refuses to care about the municipality. Sadly, Bill Starr is the best Anchorage residents can hope for until they bother to give a damn about their community, and, by extension, ours.
Starr's unlikely opponent is Sharon Gibbons, a ten year resident who works in criminal justice. She has none chance – not because she's a flawed candidate, but because Eagle River doesn't care. They should.
Even if they did, it would probably make the most sense to vote for Starr.
Advantage: Starr.
Tim Steele was West Anchorage's response to Cheryl Frasca's appointment.
The neighborhood has had a rough couple of years.
Last year began with West Anchorage Democratic Representative Lindsey Holmes switching parties immediately after winning reelection. Next, Assemblywoman Harriet Drummond – the most liberal member on the body – was replaced by Sullivan's pick, Frasca. Just a couple of months later, District Three Assemblyman Ernie Hall waited until after the candidate filing deadline to drop Ordinance 37, a labor law rewrite that should be on this April's ballot, but which was pushed back until November. The bill was supported by the mayor, but highly opposed by Hall's district, who almost unseated him via write-in candidate Nick Moe. Hall's victory margin was less than 300 votes.
West Anchorage is seething to enact repercussions, but haven't had much chance. This April, the options are weird.
Steele has been an uncontroversial moderate, who should skate to reelection. He is being opposed by two candidates. Phil Isley, the first, will run at any office he legally can but loses supporters each time. I will likely say many horrible things about Isley during the campaign, most of which will be direct quotes without commentary. He is a uniquely unlikable person. The second, a surprise candidate, is Kelly Lee Williams, a stand-up comic who sings about smoking pot while perusing facebook, and displays national-headlines-worthy dance moves from time to time.
I spoke to Williams last week, and he told me, bluntly: "I don't know what I'm doing. No chance of winning."
When I followed up by asking if his campaign was a publicity stunt, the humor stopped. He said that he's doing this to advocate for Anchorage's youth, who he believes need more choices than alcohol or substance abuse. He thinks young adults are often left out of the conversation. "If I win, I'll be the best assemblyman," he told me.
The bad news: Williams has none chance. The good news: Isley has less.
Advantage: Steele.
Elvi Gray Jackson misses her lines sometimes, doesn't bother much with the whole interwebs, and occasionally has trouble getting along with others. But she's a rock star.
The second African American to ever hold an assembly seat now shares a field with two other African Americans this time around. She's paving a more diverse road for Anchorage, and we owe her a debt of gratitude that will, no doubt, end in her name etched in history books.
Her seat was widely accepted as a "toss up" since her first attempt to unseat incumbent Dan Coffey back in 2007. She lost that year by less than four points, but made a great meal out of it (seriously, click that link). Next time around, she beat Dick Traini – now her political ally – for an open seat by over eight points. She trounced her Sullivan-backed opponent, Dave Bronson, in 2011 by over 15 points.
This time, no one bothered.
Ironically, the next time she'll likely face a contested election will be in a bid for mayor, against Dan Coffey and Dick Traini (and, likely, Andrew Halcro).
Advantage: Gray-Jackson.
Incumbent Adam Trombley faces two challengers. One expected, one most likely viewed by the east side conservative as a pleasant development.
Pete Petersen was my state representative, and he's a genuinely good person and hard worker. He doesn't know what to do with himself if he's not serving constituents. That's an admirable quality.
Mao Tosi and I met years back through attending different social events. I think the world of him. He's a retired NFL player (I don't hold his Arizona affiliation against him), a youth advocate, and the manager of the Northway Mall, which I frequent (Hood Wings, A #1 Comics, Ian's Game Paradise – 'nuff said). We need voices like his to speak for the demographics readily ignored by the rest of the assembly.
Petersen announced his intention to run, and began the quiet campaign that all assembly candidates launch in the summer. Trombley responded correspondingly.
And then, on Thursday night, Ma'o Tosi sent me a message on Facebook, letting me know he was jumping in the race.
I'll tell you what I told him: both campaigns are five digits ahead of him, financially, with an electoral strategy to win. Ma'o Tosi can't. That's not a political statement, it's math- which I suck at, but I believe in and can't disregard.
Ma'o Tosi will add a new component into the muni elections which is laudable; he'll bring in new voters and voters who were discouraged from participating and gave up. His campaign will accomplish more than Chris Birch could ever hope to by simply moving the election to November without reforming any of the underlying reasons as to why people stopped caring. But, when ballots are cast, his candidacy has another effect: it negates Trombley's shoddy record and Petersen's name recognition, and pretty much guarantees three more years for the incumbent.
Advantage: Trombley.
South Anchorage Assemblyman Chris Birch is terming out.
Do a little dance. I'll wait. Hell, I'll do it with you.
Birch leaves a legacy of doing whatever the mayor wishes him to do, however, whenever, without regard to the consequences. South Anchorage should take a moment to reflect and embrace the embarrassment.
In Birch's wake is a bit of a contrasting image of the east side race. This is another three-way competition, with Sullivan-backed – and appointee to the muni's ethics board – Pete Nolan vying against Bill Evans, an attorney with Sedor, Wendlandt, Evans, and Filippi.
[Editor's note: an earlier version of this post indicated that Evans' law firm represented the Anchorage Tennis Association. It did not – Allen Clendaniel, an associate with the firm, is an ATA member, but Evans and the firm had no direct involvement.]
Running against them is Bruce Dougherty, the left-of-Birch candidate and retired air force veteran hoping for an upset.
Birch beat his last challenger, Mike Kenny, by fifteen points. Even with two conservatives in the mix, it will likely still be an uphill battle. I'm glad that South Anchorage has opted to handicap the race, but it's still South Anchorage.
Sullivan is rumored to be backing Nolan, Birch has endorsed Evans, and Doughtery is a darkhorse in unfriendly territory – though, as a veteran of operations Iraqi Freedom and Enduring Freedom, I doubt he's all that concerned.
Toss Up.


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26.22 miles in the cold, wet rain wasn't exactly how Amanda Burns pictured her Boston Marathon experience, but it couldn't have been any more perfect.
The Akron resident, and mother of two, began her journey to the Boston Marathon last fall after applying for one of four charity spots to run the race representing Wake Up Narcolepsy. After the selection process and being chosen as one of the runners, Burns now was tasked with raising at least $7,500 to go all toward researching narcolepsy.
Raising awareness for the disease was something that Burns did with pride. At the age of 12, her daughter, Allyssa, now 18, was diagnosed with narcolepsy. With several organizations now taking it upon themselves to bring awareness and find more manageable ways to cope, Burns found running the Boston Marathon the perfect opportunity to help with the cause.
Burns arrived in Boston last Sunday, where she met the rest of the Wake Up Narcolepsy team for the first time. Team members ranged from California, to Colorado, to Boston and even Canada. The Wake Up Narcolepsy co-founders, David and Monica Gow, were on-hand to welcome the marathon team at the special dinner.
Monday's race day brought along cold, wet weather. Burns rode from her hotel by the airport into the city for the race, which brings people from all over the world and walks of life.
"On the bus on our way to the start line I saw next to a lady from Portugal. She was 58-years-old and in the process of running the five majors, the biggest five marathon races in the world," Burns said.
Participants were taken to runner's village where giant tens, porta-potties and snacks were available. But, it was raining so hard that everything was a giant mud pit.
"Luckily, I was forewarned before I even left from Colorado to take extra shoes and socks because the weather was predicted to be so bad," she added.
From runner's village, the huge group walked about a half-mile to the start line and another holding area, which is where Burns changed into her extra sweats, sweatshirt and shoes.
"Some people made the mistake and changed too early and were already soaked by the time we got there," Burns commented.
Usually, a start gun signifies the beginning of the race, but with the weather so terrible, they just told everyone to go. Burns' wave consisted of all charity runners.
"I didn't even realize I had cross the start line," she laughed.
From the very beginning, the crowds were absolutely incredible.
"It's just amazing how many people still came out when the weather was so bad. People made you feel so special that you're accomplishing this goal. It was an incredible feeling to be surrounded by people running for a cause. The crowd really carried you through. The weather was awful, but bearable, and you just felt like a super hero," Burns said.
Coming in to the finish line, Burns said it was a sea of ponchos that runners had shed as they neared the end. Shortly from the finish line, one man couldn't go any further and fell down right in front of her.
"That kind of stuff is heartbreaking. 1,202 people who started the race just couldn't finish," she said.
Others were simply inspirational.
"One woman suffering from leukemia couldn't keep going. With her living in Boston, her family took her home to warm her up and later back to the race course. She crossed the finish line at midnight," Burns highlighted.
After finishing the race in 5:00:40, the rain continued to pour and Burns couldn't quit shaking. She began asking volunteers for help finding the family meeting area, but was instead immediately taken to medical to warm up. The Gow's had arranged for the Wake Up Narcolepsy team to be able to shower at an athletic club near the race finish, and then those who were able to from the team met for dinner that evening.
With marathon number three now under her belt, Burns says she doesn't know that she ever want to run another one, but Wake Up Narcolepsy has asker her to stay involved. She says she's not sure what that'll bring, she could be back in Boston next year, but maybe more as a supporter.
For this year, Burns amazingly finished as the top supporter on the Wake Up Narcolepsy team with $14,326 raised of the teams' total $56,050.
"With a majority of my funds raised coming from our area, I feel like that's pretty cool. It's special to know that many people supported a national cause," she said.
"I think about everyone here at home who got narcolepsy on the map. It makes a huge difference and gives a new perspective of the world and knowing there is kindness out there. Wake Up Narcolepsy is a great non-profit. Hopefully, there can begin some competition of other pharmacies to help give people options with their medication. It drives me to do more when I think about Allyssa's future and that maybe she'll be able to afford the medicine. My main goal is to get the word out. It's a pretty small community when you get to know everyone. It's really just lots of people with big hearts," Burns finished.
Running for a cause couldn't get any better
26.22 miles in the cold, wet rain wasn't exactly how Amanda Burns pictured her Boston Marathon experience, but it couldn't have been any more perfect.


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Vocational Training Programe
Our Country Is High Population Country So That Every One Is Not Able To Take Good Higher Education So That He/she Servive Them Self Many Of People. Rest Of This Higher Education, We Provide Many Activity For Learner That Makes Their Career Bright And Beautiful We Learn Them Drawing, Painting Proffessional Skill And Many More.
So, That We Took Care Of Their Future We Also Undertake Govt And No-gov Activity Toward This Noble Acts . We Provide Them Trainign Of Computer Handling ITI Training Programe And Many Other.


text:
jamie1858 needed a new logo design and created a contest on 99designs.
A winner was selected from 51 designs submitted by 11 freelance designers.
A little hydrogen goes a long way (not mandatory to include)
Our products are aftermarket units for diesel engines that improve efficiency and mileage, reduce maintenance costs (up to 75%), and eliminate over 99% of particulate pollution (above the mandated pollution control/exhaust systems). Units are safe, reliable, and long-lasting (5year; 500,000 mile warranty). Costs are around $15,000. ROI is 6 to 12 months. Our target markets are trucking, marine, mining and other heavy equipment applications (in that order).
I'd like to explore the following colors:
Greens: Growth, harmony and success.
Let designers make suggestions:
Yellows: Energy, intellect, fun and youth.
Cost-effective, Environmental solution aimed at a largely non-environmentally conscious group that really needs to go Green (and deep down they really want to). Files below are from the Master Distributor's marketing material. You can look at their website ate http://www.HoDpros.com
Find out how a design contest works or learn more about our logo design services.


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Lot 2578Caspary, Alfred H. Caspary Collections, 1955-58, Harmers N.Y., hardbound (modern binding) in gray buckram, 2 volumes, all 16 sales, 13,538 lots, with pr's bound in; near new.
Estimate $200 - 300.
Realized: $200
Lot 2579Caspary, Alfred H. Caspary United States Collections, 1955-57, Harmers N.Y., blue house hardbound, all 6 sales, 3977 lots, with pr's bound in; Very Fine.
Estimate $100 - 150.
Realized: $55
Lot 2580Dale-Lichtenstein, The Louise Boyd Dale and Alfred F. Lichtenstein Collections, H.R. Harmer, Inc., 1968-71, Sales 1-10, 7540 lots, hardbound in one volume, with prices realized bound in; including Great Britain (509); BNA (4425); British Guiana (325); Ceylon (240); India (153); Mauritius (788); South America (1285); like new; one of the greatest collections.
Estimate $200 - 300.
Realized: $160
Lot 2581Hind, Arthur, British Empire, Charles Phillips Sale, March 31-April 10, 1934, soft cover, with plates unbound, bit of wear, a valuable reference of one of the greatest collections.
Estimate $50 - 75.
Realized: $15
Lot 2582Hind, Arthur Hind Collection, H.R. Harmer, London, 1934-35, 2 volume hardbound Sales #1-11 complete, with prices realized, 6334 lots; one of the great collections; catalogs near new., Very Fine.
Estimate $300 - 400.
Realized: $290
Lot 2583Klep, The Consul Klep Collection of United States, Willy Balasse, Bruxelles, 1956, 1218 lots including 234 postmaster provisional lots including Alexandria and Milbury covers, separate photo plate booklet, some prices written in; one of the premier collections, Very Fine and rare catalog.
Estimate $150 - 200.
Realized: $260
Lot 2584Knapp, Edward S. Knapp Collection of Philatelic Americana, Parke-Bernet. New York. Parts I-III handbound in one volume with original PRs bound in. Part I ('41): Stampless Covers, Gold Rush Letters. Early Hawaiian Letters, US Postage, Carriers and Local Stamps. HB, 368pp. Part II ('41): US Cancellations, US Postage, World War I Covers, Exposition and Fair Covers, Early Issues on Original Covers. HB, 308pp. Part III ('42): The Celebrated Collection of Hotel Envelopes 1791-1900, The Magnificent Collection of Pictorial and Illuminated Advertising and Corner Card Covers 1831-1900 HB.
Estimate $150 - 200.
Realized: $135
Lot 2585Lilly, J., Josiah K. Lilly Collection, R.A. Siegel, 1967-68, all 10 sales plus prospectus, with prices realized, softbound, 7718 lots, one of the greatest mint collections.
Estimate $150 - 200.
Realized: $105
Lot 2586Newbury, The Newbury Collection of United States, China and Foreign, Siegel, Robert. Six sales (1961-63) of Classic United States (Parts I-II, IV-VI), China-Shanghai (Part III), and Foreign (Part V), part VI is a photocopy, total of 5,848 lots with 1,400 China lots, bound in blue buckram with all PRs., One of the great classic United States collections. The China was one of the premier collections including the small $1 red revenue pair and a single.
Estimate $200 - 300.
Realized: $200
Lot 2587Newbury, The Saul Newbury Collection, United States Sales, Robert A. Siegel House HB, sales 250//264, 1961-63, Parts I, II, IV & VI, 3302 lots. well illustrated, with prices realized, slight spine wear, F.-V.F.
Estimate $100 - 150.


text:
Love Simplify & Multiply? I'll send you weekly content to guide your solopreneur business on topics related to biz dev, marketing, inspiration and creativity.
We respect your privacy.
Thank you for signing up. Look for your first email welcoming you to the Simplify & Multiply. Every time you listen, read and watch this content, your business will grow along with your confidence and certainty.
Now let's get out there and get it! :-)
I love your vibe and great intro episode! You have such an amazing voice and presence on your podcast I feel like I'm having coffee with a friend I've known for years and I don't even drink coffee!
Wow, very impressive. It got me using my CRM again. You made some really excellent points that I found useful. Great job!
You have great energy, voice and conversational tone. Great content and they aren't too long!
I listened to episode 9 about the gig economy today, it was great! I am so impressed and envious how you so effortlessly carry on an intelligent conversation and interview. Great job!!


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4373FASHIONLANE on INSTAGRAM
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The Independent Police Conduct Authority has found a number of flaws in the way a police officer handled the investigation of an alleged inappropriate relationship between a 13-year-old girl and her teacher.
The alleged inappropriate behaviour took place between Reiha McLelland, a student at Gisborne Intermediate, and Sam Back, who was later struck off for serious misconduct.
Reiha was found dead in July of 2014 after being told she could not continue to see Back.
Reiha's parents made a complaint in April last year about the way the Gisborne Police Child Protection Team investigated the case - their investigation concluded in June of 2014 and they found no evidence of criminal offending.
The IPCA found the the investgation by the GPCPT was flawed in numerous ways:
- the CPT investigating officer did not adequately assess the evidence
- notwithstanding the inadequacy of the Police assessment, the Authority agrees that there was insufficient evidence available to Police to charge Mr Back with a criminal offence
- the investigating officer's supervisor had a conflict of interest which was not properly managed, and consequently the investigation was not adequately supervised
- the investigation plan was inadequate and not all appropriate inquiries were conducted
- information obtained from the interviews of Reiha and Mr Back was not recorded appropriately
- the interview of Mr Back was not conducted properly.
Police said in a statement today that they accept the findings, with Eastern District Commander Superintendent Tania Kura saying "we have to be better than this".
"It is very clear that there were a number of issues with how the investigation was carried out, including a lack of supervision, inadequate assessment and recording of evidence, and inappropriate management of a conflict of interest," Mr Kura said.
"In particular, it is crucial that all officers – no matter what rank they are – are able to identify a potential conflict of interest and know how to appropriately manage it.
"It is also vital that appropriate supervision is in place for all investigating officers.
"Notwithstanding the issues identified by the IPCA - and by our own internal investigation into this matter - I am satisfied, as is the IPCA, that the ultimate outcome of this case was the correct one: there was insufficient evidence to charge Samuel Back with a criminal offence.
"While I cannot speak for Reiha's family, I do want to acknowledge how extremely difficult the release of this report and the subsequent publicity must be for them.
"It has been four years since Reiha's tragic death and I'm sure the pain of her family and friends has not diminished in that time.
"Reiha's death weighs heavily on all those involved in this case.
"I hope to meet with Reiha's family in the coming days to discuss the IPCA's findings, but for now I simply want to extend my sincere personal sympathy to her family and loved ones."
Need to talk? 1737 – Free call or text 1737 any time for support from a trained counsellor
Lifeline – Free call 0800 LIFELINE (543 354), or free text HELP (4357)
Youthline - 0800 376 633, free text 234 or email firstname.lastname@example.com
Samaritans – 0800 726 666
Healthline – 0800 611 116
Depression helpline: 0800 111 757 or free text 4202 or www.depression.org.nz
The Lowdown: A website to help young New Zealanders recognise and understand depression or anxiety. www.thelowdown.co.nz or free text 5626
SPARX.org.nz – Online e-therapy tool provided by the University of Auckland that helps young people learn skills to deal with feeling down, depressed or stressed
OUTLine NZ – 0800 688 5463 for support related to sexual orientation or gender identity


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COPYRIGHT NOTICE: Images are for viewing purposes only and are not public domain. They are protected under the artist's publishing and licensing copyright and may not be copied, saved, altered, presented or exchanged in any public or private fashion without written permission from the artist.
The New Soul Glyphs™ for Pets
Wednesday, August 7, 2019
About 8 years ago, during my time in Sedona, Arizona, I did a few drawings of dogs at the animal shelter and had great fun; so recently I decided to incorporate Pets into my offerings now. Then a good friend sent me a photo of a cow she encountered while hiking in a European country – there is a story to why she would do that, but for now, let's just go with the result of that photo – A Soul Glyphs™ rendering:
What it comes down to is that I love to draw and will use just about anything for a subject! Soul Glyphs™ art is fascinating in and of itself as a work of art.
And Yet MORE About Soul Glyphs™
Tuesday, June 25, 2019
Yesterday, as someone (who had received a drawing from me years ago) and I conversed about the symbols in her current Soul Glyphs™ and what they mean in her life, she commented that we did not do this with the other drawing; and we agreed how much better it is to have the conversation.
I have been putting more emphasis on this conversation part of the process lately and have come to realize that it is perhaps the most important part because without it, the drawing is basically a work of art period, end of story. Not meaning to minimize the art itself because each drawing is beautiful, fascinating, intriguing, and any number of other delicious words. However, I believe the true value and PURPOSE of the art is to convey an important message or messages and provide healing energy when needed.
I re-read my explanation in the prior blog of June 14, and I think the explanation there is still valid. So I hope you will read through it.
I know in this current climate of technology, the attention span is short and reading is often not the first choice of many of us. If I have piqued your curiosity at all about this art, these last 2 blogs are worth the read.
More About Soul Glyphs™
Friday, June 14, 2019
What an adventure I am having with these drawings! Much is changing – editing some of the language I was using, thinking more deeply about what this art really is . . .
All of these 30+ years since the art began in 1986, I have had difficulty putting into words what it is and how it works. I have revised the Soul Glyphs™ section of this website multiple times, including today!
- I have finally come to refer to this art of symbols as "channeled," and I'm comfortable with that. For those of you familiar with "channeling," most often it is verbal and the source is known, typically an entity or group that has made its name known to the one (human) through whom information is being channeled. I have never known the source of my channeled art. I have never really cared; I feel blessed to be the recipient.
- For some time, I have referred to the conversation that occurs between me as the artist and you, the recipient of the art, as a "reading." I deleted all of those references as of today because the word "reading," in simple terms, is commonly known to be when a "psychic" or "intuitive" gives you information pertaining to some aspect(s) of your life – past/present/future. That is not what I do.
- Once the drawing is completed, you and I have a conversation about the symbols that I see in the art AND the symbols you see in the art. Although a feeling may be transmitted to me at the time I am creating the art or sometime after it is finished, I typically do not know the meaning of the symbols in the context of your life – you are the only one who carries that information, and the more you are willing to share about what the symbols mean to you, the better will be our conversation and ultimate determination of the main message in the drawing.
- I have always loved that I am not imparting all of the information but rather you and I are having a conversation, uncovering and discovering together; and to me, this is very empowering for you. Sometimes the conversation serves as a letting go of something(s) you might have long held and you are now unburdened. Not only is that healing for you, but I believe it sends healing energy into the world, perhaps ultimately unburdening someone(s) you don't even know. I like to think of it in that way.
- And, finally, for my part, I am humbled and stand in awe and with the deepest gratitude for those who openly share and trust me with the true meaning of the symbols in the art in their lives.
Free Soul Glyphs™ Drawing
Thursday, June 6, 2019
After following the path I outlined in May to "get the word out" about Soul Glyphs™ and not finding a place to do the art, it occurred to me that the best approach was to get some momentum going by offering free drawings for a period of time. So during this month of June, I am doing just that.
Soul Glyphs™ art is relatively unknown, even though I have been doing the art since 1986. It has always been a sporadic endeavor on my part over the years with no real sense of how to market the work because it is so unusual, albeit powerful.
This time, however, it has been like an awakening for me to the value the art holds and I have an urgent sense about bringing it forth – NOW.
That has led me to this free offering to begin to build a base of those who have personally experienced its impact on their lives. If you would like to be of those, click here for more information.
Exciting Times
Wednesday, May 8, 2019
Exciting times . . . it is for me and I hope for you, too. After wading through what has felt like knee-deep mud for months on end, I made the decision last weekend to revive Soul Glyphs™, that sacred, symbolic art that spontaneously appeared in my life in 1986.
After Googling metaphysical shops in the area here in Florida, I found several that I thought might be places for me to begin to "get the word out" about the art. So off I went on Saturday and again yesterday, visiting shops to get a sense of where the art best fit. The Mystical Moon and The Curious Cauldron are my choices – now it is just wait and see what works!
The first shop, The Mystical Moon, is nearby and has a shop both in Fort Myers and Bonita Springs, about 30 minutes south. I have visited both shops and had great experiences each time. They are small but packed with lots of stones/crystals, books, etc., are well organized, and have a peaceful feel; and, the two women I met who were working in the shops were very friendly and helpful.
Yesterday I stopped at a shop in Fort Myers called The Curious Cauldron, where the owner, Maria, is changing the shop so that its main focus is directed toward healing – a perfect fit for Soul Glyphs™ because that is what the art has always been, a tool for healing. She was very receptive to my art, and like The Mystical Moon, the shop is well organized and peaceful.
As with many things, the change is in process at this shop, so it may be a bit yet before I can be found there . . . but I am excited about this possibility.
In the meantime, I'm exploring additional avenues, such as "coffees" where a small group would gather in someone's home to learn about Soul Glyphs™ art and experience it through a group drawing that I would create with a message that pertains to the group overall, as well as has meaning to each individual.
Yes, I have actually done this before when I lived in Montana a few years ago. For some reason, I am comfortable doing things I have never done before, right on the spot during a presentation – such as creating a group drawing with no prior proof that it will work . . . or not! And my one experimentation is that it does work.
I think the reason for this is that individuals tend to gather because they have some common bonds, so it would make sense that a group message would have meaning to each one individually at some level.
If you have ideas/suggestions for other avenues to explore, please send me a note: email@example.com. (I removed Comments from this site because of spamming.)
More Changes/Decisions
Friday, April 5, 2019
What an interesting time of life! As so much of the country went through a "winter to remember," I was fortunate to be in a warm place.
Nine months ago I left behind most of my "belongings" (what a fascinating word) and yesterday realized there are really very few of those belongings that I need as I change my perspective on what is important/necessary to live a joyful, peaceful life. So in a couple of months, I will head out to retrieve only a few things, and the remainder will go to resale or be donated.
Having all of this "stuff" sitting around has been a mental/energetic burden, and I'm ready to let it go.
I have a great appreciation for beautiful things, particularly those things designed and created by another's hand; but that does not mean that I need to "possess" (another fascinating word) them.
Settling In
Monday, March 11, 2019
Oh what a difference 9 months can make! Yet more life changes as I moved a couple of times and am now happily renting a private room & bath in a townhouse in a gated community that has a great gym where I work out 6 mornings a week. Yes, I decided to stay put in SW Florida; and yes, you can get your body in shape at any time, even in your mid-70's! Patience and commitment are the keys – whipping yourself into shape at 70 doesn't happen as quickly as at 30, but it absolutely can be done.
And what a joy it is to see my body change – to become stronger and more muscular – yes, I want muscles!! I'm not trying to be a bodybuilder, although a trainer told me it was possible for me to do that; but I do want to see some definition.
For now, I am outside in nature as much as possible, walking, enjoying the sun and warm weather and nature's creatures, and taking long naps!
Sommers/Heizer in Florida
Sunday, May 27, 2018
1,690 driving miles later, I am at a condo in Fort Myers, Florida, for the next 3 months at the benevolence of a special, and long-time friend who is not residing at her condo for the summer.
First, I will rest and regroup from a stressful few final days as I moved out of my apartment in Sioux Falls, drove to Minnesota, became physically sick, and then drove for 3 days from Minnesota to Fort Myers!
Carolyn Sommers
Wednesday, May 9, 2018
Carolyn Sommers was my name for 27 years, a name I "chose" out of the ethers, so to speak, and it always felt soft and gentle, free-flowing, engendering a vision of dancing through wild flowers in a sunny, open meadow.
Those years were expansive and creative for me – energy healing work, Soul Glyphs™ art, poetry and videos, traveling and living in new geographic areas, deep inner personal work, recording guided meditations, facilitating self-love workshops and classes, recording drumming/chanting CDs, etc.
In November 2013, after a disappointment connected with Soul Glyphs™ that stunned me to such a degree that I stopped my life in many ways, I legally changed my name back to my birth name of Heizer. It was a knee-jerk reaction but there was no stopping me.
Now, today, I yearn for Sommers back in my life and have decided to take the name back as my creative persona, not as my legal name but rather "also known as" (a/k/a). My art, poetry and any writing or other creative endeavors will be under the name Carolyn Sommers. Hollywood does it all of the time!
Sommers was previously a name to which everyone adapted quite easily and readily … see how you like it. Fits me, don't you think?
As I Prepare to Travel …
Sunday, May 6, 2018
Today I took the 2′ x 4′ artwork known as "Where Have All The Children Gone?" to an artist friend for her, and others', collaboration to make it into something new, something that engenders more hope for the future, more light.
As I delivered it and stood back to view it weeks after having it stored face-to-the-wall in my closet, it had lost all of its energy – a good thing, I think. Now it felt lifeless and without meaning. A perfect time for something new to emerge.
Previously, the "darkness" of its energy had not set well with me, which is why it was face-to-the-wall in my closet. Darkness is not my nature, not how I want to live my life, not what I want to put into the world.
Hannah Wendt is in charge of the work now and will send me photos as it progresses, which I will share here and on FB. She is planning to invite others to collaborate with mixed media – encaustic takes well to the addition of other media.
And about the travel – in about 10 days, I start a 3-month journey, most of which will be in Ft. Myers, FL, as I regroup, hone in on where I want to set up my art studio long-term, and experiment with new ways of creating encaustic and perhaps combining with Soul Glyphs™.
Where to Now?
Tuesday, March 13, 2018
So much happening, so much changing … and I have turned my health recovery into a retreat for myself.
For at least 37 years, I have dreamed of a simple life, I call it, and I had that for a while when I lived in a casita in Sedona. I loved that casita, even though it could have used some maintenance on the double French doors that led to a deck that could have also used some maintenance; but it was the simplicity of it.
The view from the deck was of a large area of red rocks, so beautiful, and often I could leave the doors open to the deck and bask in the feeling of being outside; and although I had a portable washing machine, I used drying racks set in the sun on the deck – about an hour and everything was dry and fresh.
I did build a kitchen island and the owner supplied a beautiful granite top for it, which had been just setting outside and was the exact size I needed.
In the cooler winter evenings, there was a stucco kiva in the corner of the living room, another of my favorites for simple living.
For 7 months, I had no car – by choice, and it was the best 7 months of my life. I walked and walked – the casita was close to the town and shopping and I often visited shops just to chat with shop owners; and I saw/observed/felt things I had never observed while driving in a car. And, I was outside most of the time, which nourished me like nothing else.
It was a very difficult decision to buy a car, and it changed my life back to one of living the "American way." It separated me from nature, from the earth and I even moved from the casita to a newer, modern 2 bedroom home with double garage and all the amenities. The motivation here was that although I loved the casita, the beautiful grounds on which the casita was located were scared and littered with stuff – all sorts of building materials, things out of renovated buildings, old furniture, etc. At first I tried to ignore it, but it eventually became a chaotic environment for me.
Yet, this new place was where I wrote tons of poetry and created videos with a good friend who hiked with me and recorded my spoken word poetry. I would memorize 4 or 5 poems and then we would go out and find a spot in some of the red rocks where I could speak the poems and he would record everything for youtube. Another beautiful time of my life.
We even went to a friend's house and used her chicken coop as a backdrop for "Wisdom from the Chicken Coop," a political poem inspired by People magazine's "who looks best" comparisons of different women wearing the same outfit. Here it is:
Well, glory be, my days are now taken up with tryin' to decide
the difficult question of who looks best on this life ride …
Taylor Swift or Blake Lively as they step out
quietly and without a shout
wearin' matchin' floral print summer frocks,
well now, won't that just knock off your socks!
I heard that frock thing on the web the other day
and they were talkin' about it in just that way.
Some writer was askin' the question of us
— who looks best? — and I wondered if she forgot to get off the bus!
So I said to … someone, do you believe what they're sayin'?
And she said, well, People magazine was displayin'
a whole bunch a sets of women dressed the same
and they were askin' us to vote on which dame
looked the best, and you know, I didn't even agree
with who the best was they chose to be.
Oh, some days I think I maybe should'a stayed
down here on the farm and just sat around in the shade!
But, you know, this votin' thing seems to be real popular and all
and I was thinkin' that maybe we could give a call
to a Democrat and a Republican and we could dress 'em in the same clothes
and put 'em in People magazine, don't you suppose,
and then we could all vote on which one looks the best
and the winner would lead the country at their own behest.
It would save a lot a time and money
and be real convenient, don't you think so honey?
2012 © Carolyn Sommers (n/k/a Carolyn Heizer)
So that brings us to today, March 13, 2018, and that simple casita with my clothes drying in the sun; and oh, how I do yearn to live in that simple way again! This time I would add a little raised bed for a garden of vegetables. To walk, walk, walk and be close to the earth – an excerpt from my most favorite of all the poems I have ever written says it best:
…a poignant feeling came over me with the thought
that one day I actually would not
be here on this earth to breathe in this scene
nor to cast my eyes over the scented wild flowers so serene.
I would no longer hike trails of red dust and stone
or gaze in the distance at the mountains standing alone
or travel the hills and valleys between
or have my heart quicken at an incredibly beautiful nature scene.
I would no longer have conversations with animals, plants or trees
or listen to the song of a passing breeze.
And that feel of the warm sun on my skin —
would I ever feel it again?
Who would give me the messages that now come on the wind blowing
or are written in the sky and are all knowing?…
2011 © Carolyn Sommers (n/k/a Carolyn Heizer)
Not everyone understands this connection to the earth and nature that I feel, not everyone has ever even thought about it or taken the time to drink in the wonder of it all. But for me, this is deeply seeded in my very Soul.
Last night I pulled a card from the Sacred Path Cards by Jamie Sams, and it was "Talking Stick." As I read the meaning, it was like coming home after years of journeying afar, and it reawakened all the spiritual gifts I have set aside these last few years and my yearning for a life lived closer to the earth and nature.
What a blessing this "not yet totally healthy" experience/retreat has become as a new chapter begins to unfold.
Saturday, March 3, 2018
Not surprising, I don't feel totally healthy today. It started Thursday night and I left the exhibit last night after only about an hour because I was exhausted. The events of this week didn't go totally unnoticed by me with regard to stress in my body, but my mind kept running, which is probably worse than just "doing, doing, doing." So now I rest and regroup. This post may be the only thing I do today.
Part of what I know, and have known for quite a while, is that encaustic is both art that can be viewed at a distance, but more importantly, an "up close and personal" experience by anyone viewing it. Sometimes I "forget" that I know things! Part of the beauty and uniqueness of encaustic is that it is translucent, and often has texture and images that are sometimes rather hidden. In the current exhibit, my art hangs rather high on the wall. It's all a learning experience ….
Argus Leader New Article – Activist
Wednesday, February 28, 2018 and Thursday, March 1, 2018
Below is the interview from Tuesday by Alexa Giebink, Argus Leader:
Carolyn Heizer has never carried a protest sign or marched for a political cause.
But in the aftermath of the Parkland school shooting in Florida, the 76-year-old Sioux Falls grandmother has found her voice and refused to stay silent.
"When this latest thing happened with all of those children in Florida, I just couldn't do it anymore," said the local artist. "I couldn't keep quiet anymore. I couldn't be invisible."
Heizer's newest encaustic painting is meant to make people think. The work is titled "Where Have All the Children Gone?" and currently hangs in her living room.
"How many children have been massacred in schools? How many children have been lost to predators, to being taken and put into prostitution, and the number of children that are murdered by family?" said Heizer, showing emotion during an interview this week.
"We are not in good shape here," continued the artist. "With that title, it was meant for people to stop and think, 'What are we doing?'"
Heizer began expressing herself creatively several decades ago through drawing, and in the last few years taught herself how to paint. Her medium, encaustic painting, uses hot wax on wood or canvas.
This month, some of her work will be on display at Vishnu Bunny Tattoo. Typically, Heizer paints mild themes, such as landscapes.
At the top of "Where Have All the Children Gone?" is a dark swirl of gray, meant to represent gun smoke. Beneath is a vivid span of red.
"The red to me is actually violence and blood. It is the bloodshed of the children who have been killed," said Heizer, who has her own history of abuse.
Although her work is provocative, Heizer hopes it can offer healing. To her, art has the potential to change the world for the better.
"I'm wanting the piece to motivate others to be active in whatever way, whether it's writing to congressmen or some other peaceful thing they can do," said Heizer.
Heizer considered naming the piece "Thoughts and Prayers Don't Cut It," based on shooting survivor Emma Gonzalez's fiery speech to lawmakers following the tragedy.
"I feel that we have let these children down," said Heizer. "The kids are taking it into their own hands. They're saying, 'Enough. I can't take it anymore.'"
Recent events have marked a painful, yet hopeful, turning point for Heizer. She is no longer letting fear keep her from acting in pursuit of a better world. Her tool in the fight? A paint brush.
"When we talk, the words just dissipate and half the time people don't listen anyways," said Heizer. "It's easy to shut out words. It's not as easy to shut out an image."
Addition to the Artwork
Tuesday, February 27, 2018
Awake since 3 a.m. today, I felt urged to install the title of the artwork above it. I had felt something was missing and now it is complete; but I wasn't prepared for the impact of the words combined with the art.
I was interviewed this morning regarding the art by the Argus Leader for possibly Thursday publication. I have started on a path I never expected to take and with no idea where it will lead.
Where Have All The Children Gone?
Saturday, February 24, 2018
I have worked and reworked my large art piece, the one that measures 2′ x 4′ … never being totally satisfied with it … applying layers, scraping off layers, applying more layers, trying a new direction … and then yet another school massacre and the art, which had been heading in the direction of one big wildfire, began to take on a social context for me. I have never been an activist, never marched in protests, never carried signs, but to see how little value children's lives have for many in government has stirred something in me. What I can do is make art — it seems to me that it is more difficult to ignore a large piece of art making a statement in its powerful and verbally silent way than it is to ignore words, spoken and then gone. You decide.
COPYRIGHT NOTICE: Images are for viewing purposes only and are not public domain. They are protected under the artist's publishing and licensing copyright and may not be copied, saved, altered, presented or exchanged in any public or private fashion without written permission from the artist.
An Artist's Change of Mind/Direction
Saturday. February 10, 2018
Ah, yes, that is the privilege of being an artist – I get to change my mind, change my direction, do whatever I want to do in any given moment. Did you ever think of art in that way?
I can brush on pigmented wax, pour it directly on the board, pour it on parchment paper (because I can peel it off when it has dried/cooled) and then attach it to the board – this is a slightly more flexibility method, as pouring it directly on the board is, "I get whatever I get" from that pour! Swipe it on with my iron … and on and on.
Oh, yes, about my change of mind/direction – that "knotty" area that I was trying to incorporate – when I didn't really want to incorporate it! – is now gone, covered over. More layers have been applied and now there is just an overall design.
I so want to pour, just randomly, and see what comes … need to decide on a color/s. For now, I am taking a break and pausing…
Rework of Artwork
Wednesday, February 7, 2018
Sometimes work doesn't turn out the way I want it – for example, the now scraped board you see above; and the little flower is how the scrapings come off the tool I use for the scraping.
These little flowers gave me an idea, especially since I have dozens of them after scraping many layers of wax off this board! I am going to incorporate the scrapings into the artwork. Exactly how … wait and see!
Changes After Hawk Visit
Tuesday, January 16, 2018
The visit by the hawk peaked my awareness and I started to see some things from a different perspective. I changed out some artwork in a couple of places where: 1) the feng shui of my apartment has a good-sized enhancement in the wealth/prosperity area but my experience this past 1-1/2 years has been anything but that. So I opened up an area above my sofa by removing the artwork; 2) I had been awakening each morning with really dark feelings that would leave upon invoking Divine Love, but I decided to remove everything on the wall directly above the head of my bed and open up that area.
It may take a bit for things to change, but just by physically moving some things in the apartment, the energy will change – and I'm planning on a dramatic shift.
I am paying even more attention to how I feel about anything and everything and am honoring whatever feeling I have, whether it was "rational" or not. It isn't that I haven't been doing that, but I was allowing some things to slip by and now I am not doing that.
Hawk Visit
Sunday, January 14, 2018
I was met with the sight of this great Hawk sitting on the railing of my deck when I opened the shades this morning. I thanked it for visiting me – I have a special affinity for all nature's creatures and love talking to them. Although English may not be their language, I think they understand the tone, the vibration, and my intent. I am processing what message it was bringing me.


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text: Baby Boys in an indie-pop band made up of three friends from Saint Paul, Minnesota (US). Caleb Hinz of rock band The Happy Children, along with Nathan Stocker and Jake Luppen of indie/alt-rock Hippo Campus merged their individuals talents into the (side) project that is Baby Boys. The trio have dubbed the project as a "purposely chaotic creative free-for-all."


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Parent Support Groups
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Cocoon No. 12 *Spaces Between
Cocoon No. 12 *Spaces Between
Holding space for whatever you need. Your intention, your reminder. You name the piece.
(more thoughts on the blog-click here)
Cocoon pod measures approximately 4" long, plus locks for a total of 15"
wet-felted wool, clear quartz, seed beads, Wensleydale locks
Hang from your ceiling, door frame, mantle or window frame.
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This is my first SCP I have been working on it all day. When an idea came to my head I just sat down and wrote. After 71 revisions and many new ideas came in I am now happy with it. Please note that this may contain grammatical errors. I haven't run it by someone IRL to give it a look over for any potential errors and corrections yet. So please forgive me if it is unreadable.
Looks mainpage ready for me, but Im new to writing SPC myself, so take my opinion with a grain of salt (XXXX-b is a 'Jupiter'? Is that a scientific term? If not, Gas Planet would look better)
I'm not sure if it can be considered a scientific term but here.
"Hot Jupiters are a class of gas giant exoplanets that are inferred to be physically similar to Jupiter but that have very short orbital period (P<10 days). The close proximity to their stars and high surface-atmosphere temperatures resulted in the moniker "hot Jupiters"."
I'm going to go against what Alex Maxwell said and say that this is in no way ready for mainlist. The idea is boring as it is right now, and there are some big issues with the execution.
I didn't really write it with the intention of making a whole story my bad.
Yeah that's a pretty common mistake among new writers. The SCP wiki is at heart a fiction writing community, and SCP articles are really stories. If you go and pull up almost any highly-rated document (with Series I being the primary exception), you'll see that they're all trying to tell some sort of story. The fact that you're writing a technical article directly contradicts the storytelling aspect, but that's both part of the challenge and part of the appeal of this writing format.