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A faithful Christian is not supposed to date someone outside the faith. More importantly, Muslim girls are banned from dating Christian boys. Your nation might be more lenient in this regard, but there are radicals who will not be happy if they were to discover you were dating a Christian.
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TotallyNotEvilLand wrote:The BranRiech wrote:TNEL, we communicate through Steam a lot, if you get another chance, I'll start reminding you to post.
And got it, Cer and Gio. I'm starting to find the drive to post more, I feel good!
Much appreciated. Don't let up on me, either. Hammer it into my friggin' head if you spot me playing a game or something. "EY, TNEL, STOP CONQUERING GREECE AND POST IN PL".
You'd have to reapply though, TNEL, Cer did say you were dropped after all.


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Dodge and Burn
is a photography editing technique that originated in the dark room. Using this technique in Photoshop today is quick and easy utilizing the 50% Grey layer method.
You can rescue an otherwise throwaway image just with dodge and burn, which can also be used on many other images to enhance the dark shadows and highlights which will make your photos, from landscapes to portraits, really pop.
This is a really simple Photoshop technique to learn and I'll run through this quickly on an image that just didn't get the lighting correct. I didn't want to throw this image away yet as I love the look of excitement on the brides face. I just need to lighten the brides face a little so we can see the beautiful smile more easily.
This type of situation is quite common for wedding photographers, where the light is just not in the right position. The dodge and burn technique is ideal for this type of photo. Find more Photoshop tricks here!
- With your image open in Photoshop Make a New Layer (Layer/New)
- In the window that pops up change the Mode from Normal to Overlay
- Check (or tick) Fill with overlay – nuetral color (50% grey)
- Make sure your background/foreground colors are black and white (Key D)
- Select a soft brush at 10% opacity
- Hit key x to use the white brush and lighten any highlight areas you need brighter. Each brush stroke is at 10% opacity so you may need more passes to increase the brightness.
- Hit key x to change to black and darken any areas you would like a darker look
- Click the grey layer eye icon on and off the see your dodge and burn work and the difference it can make to your image
Final Dodge and Burn
That's how easy it is to dodge and burn using Photoshop and the overlay blend mode. All that's left for you to do now is flatten the image and save it.
Professional photographers have been using this simple technique for many years. Dodge and burn works particularly well with both color photographs or black and white. The amount of darkening or lightening is entirely up to you. The objective is always to make your image look the way you would like to it to be. There is no right or wrong when it comes to image editing.
If you want to see where you have dodged and burnt on the grey layer, switch the mode back to normal and you will get a somewhat ghostly image which shows your black and white brushstrokes.
Sign-up for our online photography course and learn how to master your digital camera in easy to understand "at your own pace" lessons.
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The New York Post reports:
Meet Fire Alarm Rat. Surveillance footage captured the moment a pesky rodent pulled the fire alarm at a Washington, DC, condominium building, triggering an evacuation. The video, published by NBC Washington, shows the large rat climbing up a bar and then leaping onto the fire alarm on the wall and using its weight to pull the lever down before falling to the ground.
A rat in DC just pulled a fire alarm causing an apartment building to evacuate
Full story: https://t.co/NLqqavCDR8 pic.twitter.com/YyU6GhI4Vg
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Ross Burach, author and illustrator of the beloved story Truck Full of Ducks is back with another fun-filled, page-turner in The Very Impatient Caterpillar (Scholastic). Burach's lively illustrations and comical storyline is guaranteed to keep your young one engaged and entertained.
This story starts with our anxious protagonist, a purple-spotted caterpillar confused as to where all his caterpillar friends are going. All the other caterpillars are crawling up a tree when he asks in a frustrated tone what they are going to do. He receives his answer from one of the caterpillars on the move, "We're going to metamorphosize."
Right away, Burach brings in a scientific term that some young readers may not know at first glance but will soon understand. Our caterpillar is also confused by the sizable term, but his friend explains that it's a fancy way of saying they are going to transform into butterflies. This is the first we hear our caterpillar's seemingly easygoing yet comical catchphrase "Right. Right" that follows him throughout the book in trying times of impatience.
Our caterpillar friend is ecstatic when he realizes that he is going to be able to become a butterfly. However, he is not well-versed on the steps that he must take in the transformation process. His friend helps him along, explaining that he must first create a chrysalis. Once our caterpillar creates his chrysalis, he feels that he should be able to transform right away. However, when his friend explains that it will take a whole two weeks until his transformation is complete, he agonizes over having to wait. Many squirming young ones will have no problem empathizing with our antsy friend.
Our caterpillar is told to be patient, but instead of waiting he tries to take a shortcut and break out early. When the caterpillar emerges as a wingless gloppy mess rather than a spectacular butterfly, he comes to terms with the fact that some things in life can't take shortcuts. He ventures back into his chrysalis, where he attempts to keep himself occupied for two weeks.
Burach illustrates the time our caterpillar spends in his chrysalis in a witty way, with a different, dramatic facial expression on each day. Finally, our main caterpillar is able to obtain the focus and motivation to wait with his goal in mind. In the end, he completes his transformation into a butterfly and pledges to be more patient in the future, or maybe just until his next adventure.
This children's book, while quite the laugh, also has an important message. We live in a world that is fueled by immediate satisfaction, technology only furthering this lifestyle. This expectation for immediate results is especially true with the younger generations. Our caterpillar struggles with waiting the two weeks necessary to become a butterfly but is ultimately able to achieve his goal with patience. This book helps teach children the importance of being patient with a comically lovable caterpillar friend, and even throws in a bit about the science behind the natural world along the way.
Ross Baruch loves drawing pictures, making up jokes, dabbling in animation and hanging out with his family. He is the creator of Truck Full of Ducks, as well as the illustrator of Jennifer Hamburg's Billy Bloo Is Stuck in Goo, a 2018 CBC Children's Choice Book Awards finalist. Ross lives in Brooklyn, New York, where he is enthusiastically at work on several new books. You can visit him online at rossburach.com.


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The chief executive of a south west primary trust cluster has resigned fewer than six months after taking up the post, citing personal reasons.
Jeff James, who was appointed to lead the NHS Bath and North East Somerset and NHS Wiltshire cluster in May, is the second PCT cluster chief to stand down since the summer.
Oxfordshire and Buckinghamshire cluster boss Sonia Mills resigned unexpectedly in August to "pursue new challenges".
Mr James, who joined NHS Wiltshire in 2006, was ordained as a priest in the Church of England in 2002. The 58-year-old will work his six months notice at the cluster, leaving in April 2012 a year before PCTs are abolished.
In a statement he said: "After a 31 year career in the health service, 16 years of which have been as a chief executive, I have decided that it is time to change the balance of activities in my life. It has been a great privilege to work with NHS colleagues and partners in Wiltshire in the last five years and more recently with NHS colleagues and partners in Bath and North East Somerset".
NHS BANES completed the transfer of its community services to an integrated health and social care organisation on 1 October.


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New York, NY (PRWEB) October 31, 2005
The New York International Independent Film and Video Festival (NYIIFVF) announces its return to Manhattan for eight days of film screenings, world premieres, musical performances, industry panels and after-parties. The festival, known as the voice of independent film, will showcase 300 film features, shorts and documentaries and host filmmakers from more than 30 countries. The festivities kick off on November 10th with an opening night networking party for filmmakers, musicians and artists at legendary Chelsea hotspot Avalon and runs through November 17th at City Cinemas Village East.
NYIIFVF founder and executive producer Stuart Alson commented, "Our festival represents a new wave of independent filmmakers and offers a unique opportunity for members of the film industry, delegates and of course, our loyal New York audiences, to see great movies from all over the world, go to parties and attend panels without the pretentiousness! We are really proud of our filmmakers and our Fall line-up and delighted that a record number of screenings have sold out in advance. "
Highlights in this year's fall line-up:
Karen Blixen - Out of this World, This documentary featuring Meryl Streep, is the story of the incredible life of author Karen Blixen (Isak Dinesen) who penned the novel Out of Africa. The film is a story just as dramatic as her own fantastic tales. Blixen herself contributes through old footage. Directed by Marcus Mandal and Anna von Lowzow.
Somebody's Child:The Redemption of Rwanda, If you've ever wondered what happened after Hotel Rwanda...then this powerful documentary is a must see! CBS News Veteran Felicia Middlebrooks took a film crew to Rwanda, 10 years after the genocide, to see what had become of the survivors. See for yourself, how an entire nation of people forgotten by the world, are moving toward restoration, wholeness and forgiveness. Directed by Felicia Middlebrooks.
Ganked, Comedic feature about an aspiring songwriter who will stop at nothing to get the credit he deserves for coming up with a huge hit! Starring Kel Mitchell (co-host of UPN's, 360 and star of Nickelodeon's All That and The Kenan & Kel Show). Directed by Kenneth Michael.
The DIG, Short drama about a lonely archaeologist who discovers objects buried in a riverbank that lead her on a journey to unearth glimpses of the lives and deaths that lie within them. Starring Sabina Sciubba, lead singer of the internationally acclaimed band Brazilian Girls, Kim Chan (Kundun, Lethal Weapon 4) and Megan Wyler. Directed by Joshua Van Praag.
I Will Avenge You, Iago!, Shakespeare's words aptly come to life in a comedy about the on-and-off-again stage dramas of actors starring Larry Pine (Melinda and Melinda) and Carolee Carmello (Mama Mia). Written and directed by acclaimed Russian filmmaker and film professor Zhenya Kiperman.
Video Out, 'A half-inch videotape changed my life...the signal is the religion.' Avant-garde artists and club-land VJ's tell the story of live video art over the last 30 years. This documentary stars a slate of World famous VJs including Bill Etra, Steina Vasulka, Woody Vasulka and Kurt Ralske. Directed by Paul Vlachos and Meredith Finkelstein.
Smile for the Camera, Surreal, suspenseful thriller/comedy that follows two artschool students on an adventure to a strange backwoods town where they encounter a mysterious cult of "boxheads" who use antique cameras to capture the souls of their victims! Filmmaker, Jordan Galland wrote the screenplay and theme song, along with Sean Lennon.
Seeking Fear, This dramatic feature follows the crimes of two rapists and the lives that were influenced as a result. Starring model turned actress Lisa Ray. Directed by Robin Webb.
Something Sweet, Explores the razor edges of Hollywood culture and the inner struggle of a musician standing before a callous industry, imploring and beseeching him to sell his soul. Music Performed by: The After Midnight Project (MTV's Osbourne Show, winner of Battle of the bands 2005). Also featuring Briana Evigan (Linkin Park Video Numb Feature), Nina Kaczorowski (Austin Powers 3, Minority Report, 6 Feet Under), and Carley Corbin (Goo Goo Dolls). Directed by Sammy Smith.
The Super Fight: Ali vs. Marciano, "Who was the greatest heavyweight boxer of all time?" The Super Fight is a fascinating documentary that focuses on the creation of the event which has been forgotten for the past 35 years. In interviews with boxing experts and advisors to the original film, the story of the Super Fight is told and the fight seen once more. Re-mastered from the sole remaining copy. Directed by Mike Delisa
NYIIFV DETAILS: The opening night Networking Party runs from 7-12am at Avalon (662 W21st Street at 6th Ave.) will feature a trade show, valuable networking, and a chance to preview over 100 film trailers. Festival screenings commence on November 11th at City Cinemas Village East (181 Second Avenue at 12th Street). The official schedule of films is available online at http://www.nyfilmvideo.com.
For advance screener copies, press kits, high rez stills and more information on the upcoming NYIIFVF, please contact Briege McGarrity or Leah Loftin by email at email@example.com, email@example.com and by telephone at 212-242-1866. Media credentials can be obtained by faxing a request to The Stop Group office 212-242-4774 (Attn: Briege McGarrity) on company letterhead no later than November 2, 2005. A Press Credential form is also available online at http://www.nyfilmvideo.com.
Box Office Information - Tickets are priced at $11 and can be purchased by logging on to the festival web site at http://www.nyfilmvideo.com. Tickets will also be available at City Cinemas Village East box office starting November 11th.
As always, the NYIIFVF will also host post-screening parties in association with Soho entertainment company The Stop Group owned by nightlife mogul Ruben R. Cabrera. The parties will take place at a variety of hip locations all over Manhattan including Select, 17, Deep and Au Bar. Daily panels will take place at a conference room at the Roosevelt Hotel (Madison at 45th Street). Topics include: "Leveraging Media Coverage for Your Film", "From Script to Screen" as well as insider tips on "Selling Your Independent Film".
For advance screener copies, press kits, high rez stills and more information on the upcoming NYIIFVF, please contact Briege McGarrity or Leah Loftin by email at firstname.lastname@example.com, firstname.lastname@example.com and by telephone at 212-242-1866. Media credentials can be obtained by faxing a request to The Stop Group office 212-242-4774 (Attn: Briege McGarrity) on company letterhead no later than November 2, 2005. A Press Credential form is also available online at http://www.nyfilmvideo.com
About NYIIFVF: The New York International Independent Film and Video Festival was founded in 1993 by entertainment impresario Stuart Alson, and is recognized as the largest independent film event in the world. The festival is a unique platform for emerging and established filmmakers to network and screen their work in the hope of getting a distribution deal. Past festivals have included the work of Calista Flockhart, Cameron Diaz, Eva Herzigova, Guy Pearce, George Clooney, Jennifer Aniston, Rod Steiger, Tippi Hedren, Willem Dafoe and Vin Diesel. Indie guru Abel Ferrara famously quoted in MovieMaker, "This festival is the real deal: Everybody else just talks about doing it, these guys just do it!"
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text: On Sun, Feb 26, 2012 at 01:35:08AM +0100, Michael Niedermayer wrote: > On Sat, Feb 25, 2012 at 07:51:41AM -0500, compn wrote: > > On Sat, 25 Feb 2012 07:46:29 -0500, compn wrote: > > >On Sat, 25 Feb 2012 12:00:27 +0100, Benjamin Larsson wrote: > > >>Well the no webpage situation i bad. We will publish spendings on it but > > >>I see no point in disclosing the result in the vote. > > > > > >i also would like to re-propose that ffmtech hires some web developer > > >to get the website up, due to directors not having enough free time. > > > > > >reimar, benjamin, are you still on the board and are you listening to my > > >proposal? > > > > another of my proposals was to have a ffmtech bugzilla or mailing list > > for proposals. so they didnt get lost via unreliable directors. > > i could probably setup a seperate trac based tracker on ffmpeg.org > with occasional backups. But before i look into that id like to hear > a "maybe ok" from some director. I dont want to waste my time ... I can't speak for everyone, but I think the time for anything official isn't before having a web-page. But if you really see proposals getting lost this really should be addressed. Whether a bug tracker, or just collecting them in a dedicated thread on this list or in the worst case CC me and telling me to keep track of it (worst case because I don't excel at that kind of thing, but I'll try) would be very advisable.


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text: UKRAINE 2018 © Kenny Karpov Barkalova, age seven, waits in the hallway of a mobile clinic MSF runs in Mariupol, a city located in the Donetsk region in eastern Ukraine. Her mother is receiving psychological treatment for issues related to the conflict. Clinical psychology is not incorporated into the Ukrainian health system, leaving many in the community without access to mental health care.


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Advent means a lot more when you are in pain and waiting for deliverance precisely because that is Advent. It is waiting to be delivered with the complete hope and assurance that deliverance is coming.
Torrey Gazette is the combined work of everyday Christians blogging on books, family, art, and theology. So pull up a seat and join us. Family Table rules apply. Shouting is totally acceptable.
All tagged Suffering
Advent means a lot more when you are in pain and waiting for deliverance precisely because that is Advent. It is waiting to be delivered with the complete hope and assurance that deliverance is coming.
While there are many practical benefits of Byrd's work, I believe its effort to make solidarity in suffering a joint gender effort is among the most valuable.
"For indeed He does not give aid to angels, but He does give aid to the seed of Abraham." (Hebrews 2:16; NKJV)
"The very covenant upon which the Christian faith is built centers in the sufferings of Jesus Christ." - Wayne Oates
We can not afford to fake repentance over true piety.
Our suffering is never pointless, and through his own, Lewis is obliged to come to terms with the stakes of the game
Am I advocating walking around in a constant state of grief over current affairs? No. And yet it is heart-breaking. I believe we are to strive for a balance
Even should an accident claim one of my beloved children, my pain will never match that of a refugee fleeing the fear that overtakes them.
In my frailty, I cannot endure keeping my eyes perpetually open and focused. Sometimes I need to take a break. Thankfully the Scriptures call me to keep my eyes on the cross.
I might die having not seen the fulfillment of the promise (Heb 11:13). But I can know it will not disappoint. Our hope is in a resurrection where every tear is wiped from every eye.
A personal apologia that is not inherently meant for outside readers. It is for me. It is what I have determined the Scriptures to require. A cry that the church should recognize, support, and encourage. The declaration that something is "lawful" does not make it righteous. And only a fool would declare that the recent string of deaths at the hands of police officers has been righteous.


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Hi I'm Julia Currie a photographer
It is my job as well as my passion. I have over 20 years experience in the creative industry from art history, Interiors, floristry and prop styling which has all influenced and guided my photographic style. I am lucky enough to live in the beautiful Surrey Hills with my family and other animals.
Interested in working with me?
I'm passionate about my work and I love bringing that passion, creativeness, eye for detail, enthusiasm, and integrity, to your ideas, projects and products.
My work is instinctive and honest, simply telling the story of a space or an object or a person in a given moment, always led by the natural light.
I've worked with some wonderful people creating beautiful content and images for Press, brands, websites, blogs and social media, here is some of that work...
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Period Living | Reading Chest | Dobbies Garden Centres | Alitex | Selina Lake | Armorel Kitchens and Joinery | &Hobbs | Sally Cooks |Shere Kitchens| Bilo | Cabbagewhite England | Motion Music | Growing Nicely | Mind Body Soul Yoga | Wanderlustmamma | Karen Mcbain Interiors | Turmeric House| Bohemia Interiors | Hideaway Concepts ltd | Bird Flower Studio | Pretty Swish | Wattle and Daub | Liv and Let Dye | Pippa Blacker Interiors |
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Goblin is a recurring character in the Chocobo Series. His roles vary however; spanning from enemy, racer and pop-up summon.
Goblin lives in the Mythril Mines outside of Chocobo's village. Also known as Gobin Hood, he steals from the rich to give to the poor - himself. He talks with an accent which almost mirror Cockney or pirate speak.
Races in his Gob-Kart H4, Goblin has the "Mug" ability which steals the magic stones from other racers when activated. His theme is a remixed version of Pirates Ahoy, Faris' unofficial theme.
Goblin appears as different types of enemies in the dungeons. There is a pair of Goblin lovers in Chef le Tonberry's restaurant.
Goblin is a pop-up summon in Chocobo Tales. He also makes an appearance in the microgame "Tap, Tap Trap" where the player uses a Golden Needle to release him from a cockatrice's petrification. Interestingly, he speaks with a Cockney accent in this game.
|v · e · d
|Chocobo - Mog - Golem - Goblin - Black Mage - White Mage - Chubby Chocobo - Behemoth - Bahamut
|Secret Racers
|Squall - Cid - Mumba - Cloud - Cactuar - Aya Brea - Chocobo (8-Bit) - The S.S. Invincible - Jack
|Cid's Test Track - Moogle Forest - The Ancient Gate - Mythril Mines - The Black Manor - Floating Gardens - Gingerbread Land - Vulcan-O Valley - Fantasia - F.F.VIII Circuit
|Magic Stone
|Chocobo Racing Original Soundtrack
|Characters - Tracks
|v · e · d
|Chocobo's Mysterious Dungeon - Chocobo's Mysterious Dungeon 2 - Chocobo World - Hataraku Chocobo
|Chocobo Collection
Chocobo Racing - Dice de Chocobo - Chocobo Stallion
|Final Fantasy Fables
Final Fantasy Fables: Chocobo Tales - Final Fantasy Fables: Chocobo's Dungeon (DS+) - Chocobo to Mahou no Ehon: Majo to Shoujo to Go-nin no Yuusha
|Recurring characters
|Bahamut - Behemoth - Chip - Chubby Chocobo - Goblin - Golem - Irma - Raffaello - Sahagin - Shiva - Volg
|Chocobo's Mysterious Dungeon characters
|Final Fantasy Fables: Chocobo Tales characters
Bebuzzu - Greeble - Peekaboo - Chocobos in Chocobo Tales - Jailbird
|Final Fantasy Fables: Chocobo's Dungeon characters
Destroyer - Freja - Gale Rosage - Meja - Stella
|Chocobo Racing Original Soundtrack - Chocobo no Fushigina Dungeon Original Soundtrack - Chocobo no Fushigina Dungeon 2 Original Soundtrack - Chocobo no Fushigina Dungeon ~Coi Vanni Gialli~ - Chocobo's Mysterious Dungeon ~Labyrinth of Forgotten Time~ Original Soundtrack
|Chocobo Tales cards - Chocobo Tales stories - Chocobo Tales Wallpapers - Chocobo's Dungeon Wallpapers - Chocobo Series locations


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second law of confidence
The Second Law of Confidence: posture- how you stand.
Why are soldiers taught to stand up straight? Why do martial artists spend years perfecting kamae- stance? Why do dancers glide into a room and seem to own it?
Because confidence, as with all mental states, is NOT something independent of your body. We forget sometimes we are not a brain in a vat (with a couple of legs to get us around), we are a highly integrated mind-body continuum, and we ignore at our peril the benefits, and disadvantages having a body attached bring.
Try this experiment: walk into a room full of strangers, ideally a party of some sort. Observe what you feel like doing. Probably it's what most people do, slide along the wall trying to fit in and not look conspicuous. And then oddly enough you'll have a yearning to be spoken to and an equally strong fear of starting a conversation with a stranger. You'll conclude something like "I lack confidence" or "I'm an introvert" or some other excuse (we will look at the introversion fallacy later on).
Leave and come back in. This time do the crucifixation pose- arms outstretched, as if stretching and encompassing everyone. Now you ownthat room. Walk towards the centre and without even trying you will start some kind of conversation.
It always works. Like magic. Why? Because you changed your status, and therefore your confidence, through posture, a very powerful move indeed.
The Mysteries of Status
For a more in depth study of status I suggest you read the books of Keith Johnston, starting with Impro, but for the time being I'll detail all you need to know with regard to status and confidence.
Johnston, who is a theatrical director and teacher of genius, more or less invented all the improvisation games now used to teach students of acting. He studied the way primates acted and he studied the way early comic genius's such as Chaplin and Keaton created stories. From this he realised that status is never far from any dramatic interchange.
Dr Johnson (no t), the great English wit and thinker, wrote that two men can never be together more than half an hour without one thinking he is the superior of the other.
And even if it isn't conscious, we unconsciously project our assumed status wherever we go.
The reasons aren't hard to find. Higher status primates get more food, a mate, and more 'respect'. And since, sadly, most human behaviour is on a par with the monkey house, status is very prevalent. Especially in situations where your confidence may be threatened.
The good news is, that will all change from today. Impossible? Not if you really take on board the way status can be manipulated. And, secondly, when you recognise status moves made by others you won't be floored by them. You won't be taken in; instead you'll be noting to yourself "ah, a classic high status move".
Remember the impartial spectator again? That part of you we might call 'the observing self'? Well you can empower it by going into 'scientist' mode. Instead of imagining you are a 'manager' who has to be on top of everything and control everything think of yourself as a 'scientist' who is there to observe and note down exactly what is happening. By being 'a scientist of status' you will be amused and interested rather than intimidated by people who habitually play high status.
For observational purposes we can think of behaviour as high, matching or low status. High status behaviour tends to bring out low or matching status behaviour in others. Low status behaviour tends to bring out high status behaviour in most people (the bastards!). People who lack confidence have usually inadvertently learned how to act low status. It's their factory setting. And of course it can be changed.
We signal high status mainly through posture, then tone of voice, then how we speak and lastly what we say.
The signifiers are quite precise as Johnston has found. For example keeping the head completely still conveys high status. Watch how military commanders talk when they deliver a briefing or report- their heads never move. You can try this experiment. Next time you are talking to a stranger keep your head very still and do not touch your hair (what teenagers, acting low status, tend to do). As if by magic you'll find that your interlocutor starts to move their head, probably even touch it.
No try this: talk without blinking. You'll find the person you are talking to starts to blink! And maybe even hesitate and fumble for words as you become more fluent. Blinking is a low status activity. Watch A list Hollywood stars as they perform- they very rarely blink (especially when dead…). One of the great examples of this is Kurosawa film Living- where a low status bureaucrat takes on the yakuza and wins- and you can see how his blink rate changes as his status rises.
Tiny cues signal status. A louder voice is high status. So is a lower one. And just to confuse things there is double bluff status where a quiet voice signals status as people are forced to listen carefully- think mafia don here.
An overbite signals very low status- hence the rush for dental braces to cure this problem. Yet a little research reveals overbite is connected to posture. If you stand up straight and look straight ahead any overbite is much reduced. Standing up straight, head not moving, hands not touching head- this is the high status, high confidence pose to have.
Experiment out on the street. Replace your over bite with top and bottom front teeth matching together, the lower lip loose, lower teeth almost bared, rather like Marlon Brando in the Godfather. Sure as hell you'll feel more confident, even aggressive as you march down the street (though talking can be problematic).
Experiment with posture, what in martial arts is known as 'stance', and you'll discover some interesting things, the main one being, you can change your mental state by changing your posture. If you walk head held high, with or without a swagger, you'll be thinking different thoughts to slouching along the street staring at the ground. You will start to discover that most of us keep our centre of consciousness, where we imagine 'we' are located as somewhere between the chest and the head, but mostly in the head. If you could imagine yourself as one of those diagrams that show the sensitivity of each part of the body drawn to a scale that reflects the relative sensitivity of that part (the tongue is huge as are the lips with a tiny back and legs) then you'd be a huge wobbly head on a pair of walking sticks.
No wonder you lack confidence! A huge wobbly head thinks too much and is fearful of getting damaged. Now walk the street imagining your eyes are at groin level, yep, right in your genitals staring out. Suddenly you feel far more connected to the ground, your centre of gravity is lowered, and you're more perceptive, less judgemental. What's more, the inner chatter will have slowed to a halt, replaced by observational noting.
You can practise shifting you imaginary eyes to the stomach, to the feet, to the finger tips. You can also practise an old kung fu trick of walking as if you are transparent, totally see through, just a skeleton, which is see through too. All this shifts your attention 'out there' which as we learned in Law One, is the first step in combatting confidence problems.


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"Prioritizing a curriculum that is unique to each student, I carefully observe each student's ability to determine the course of study. My teaching philosophy, influenced by my "Grandfather" teacher Ivan Galamian, emphasizes an equal pyramid of technique and musicality. Developing both equally, with technique's sole purpose to express innate musicality, is essential to achieve the end goal to create artful music. This zenith is a foundation for producing music that achieves a higher standard of living, including infinite personal growth and positive contributions to society, family and community. Studying music positively affects all areas of life, including an increased self-esteem, awareness, discipline, work-ethic, concentration, passion, commitment, respect, inspiration, improved memory, increased joy, and many more endless benefits. During lessons, I emulate positive energy, make my students smile and feel at ease, while focusing on always making the best possible sound and obtaining proper technique. In addition to studying a variety of repertoire and music theory, I am sure to emphasize technique methodology such as tonalization, bow hold exercises, scales, arpeggios, etudes, double stops: sixths, thirds, octaves, fingered octaves, tenths, etc. Prioritizing proper technique is a necessary step in order to make beautiful music."
B.Mus. Northwestern University
M.Mus. Boston University
Hawaii Symphony Orchestra, Hawaii Opera Theatre, HMTA, Punahou Music School, Mid-Pacific Institute, Kalikolehua El Sistema, Maui Pops & Maui Chamber Orchestra
Violinist Rachel Saul, originally from Tucson, Arizona, performs and teaches with an enthusiastic passion for music and its life changing benefits. Rachel feels fortunate to currently live in Honolulu and is a member of the Hawai'i Symphony Orchestra. She has performed with the HSO since 2012, and performs with orchestras such as the Hawaii Opera Theatre, Tucson Symphony Orchestra, Maui Chamber Orchestra, Hawaii Pops, Maui Pops Orchestra, Tucson Pops Orchestra, Boston Philharmonic Orchestra, Atlantic Symphony Orchestra and more. Over the years, she has worked with renowned world-class String Quartets such as the Muir, Pacifica, Takács, Pro Arte, Chiara, St. Petersburg, Miami, Chester, and Vermeer String Quartets.
A graduate of Northwestern University's Bienen School of Music, she received her Bachelor of Music studying under Gerardo Ribeiro, where she was a recipient of the Captain Maxwell W. Balfour Endowed Scholarship. During her undergraduate years at Northwestern, Rachel often held leadership positions with the Northwestern University Symphony Orchestra under the direction of Maestro Victor Yampolsky. She received her Master of Music degree from Boston University College of Fine Arts studying under Peter Zazofsky. She has participated in music festivals such as the Hawaii Performing Arts Festival, American Institute for Musical Studies (AIMS) Festival Orchestra in Graz, Austria, National Orchestral Institute, Atlantic Music Festival, Meadowmount School of Music, Rocky Ridge Music Festival, Interlochen Arts Camp, and Chamber Music in the Mountains.
Rachel made her solo debut appearing as a featured soloist with the Tucson Pops Orchestra in 2006, performing the Bruch Violin Concerto. Rachel has taught private and group lessons throughout the United States for over a decade at institutions such as UpBeat Music & Arts in Chicago, Suzuki Institute of Boston and currently at Punahou Music School. In the fall of 2013, she founded the brand new After-School Strings Program at the Mid-Pacific Institute Elementary, and is a Teaching Artist with Kalikolehua - El Sistema Hawai'i. When not playing violin, she loves being outdoors in Hawai'i and enjoys performance and teaching opportunities in the community. From coaching students at the Hawaii Youth Symphony and Moanalua High School to performing/recording with diverse local award-winning musicians such as Paula Fuga, Mike Love, Makana, Jeff Peterson and Sean Na'auao, there is never a dull moment as a professional musician in Hawaii. In addition to appearing in concerts locally at the Blue Note Hawaii, University of Hawaii at Manoa and Hawaii Public Radio's Atherton Performing Arts Studio, Rachel also performs recitals across Hawaii, North America and Europe.
This directory is service provided to teaching members of the Hawaii Music Teachers Association and to the Hawaii community. While HMTA will do its best to connect Hawaii violin students with local violin teachers, the responsibility for fulfillment and content of violin lessons, as well as safety, rests solely with the individual teachers. If you are a violin teacher in Hawaii and would like to be listed in this directory, please consider becoming a member.


text: facinaoris Play via YouTube OPEN IN APP NSFW Safe Is this playlist safe for work? gold RUSTY NAILS AND MUDDY WATER February 06, 2015 | 14 tracks | 3,357 572 | Stats The Soggy Bottom Boys Dead Man's Bones Iron & Wine southern gothicamericanaarchetypewitches Liked Collect Share Edit Liked! Share this mix with friends: RUSTY NAILS AND MUDDY WATER


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AEOS provides a website building system, templates (themes), website hosting from third party company and domain registration from third party company. The images used for the creation of the mockup themes are released under Creative Commons CC0 (https://creativecommons.org/publicdomain/zero/1.0/deed.en). AEOS does not hold any rights to images used for the creation of the themes.
We have the right to change parts or all of the services and functionalities at any given time, to remove or suspend parts or all of the services and functionalities, we have the right to suspend and terminate access of your Account to parts or all of the services and change the eligible criteria of using the Services.
HTTPS certificates are issued to any correctly connected domain to a website on AEOS. You do not have an option to disable the HTTPS certificates, they are assigned automatically to any new domains connected to AEOS.
7. Trial Subscription
AEOS provides a 14 day trial to all newly created websites and you can use the services according to the Agreement for the period of those 14 days. Upon completion of those 14 days the website will become non-active (expired) until the User subscribe for the paid AEOS services. Trial period is permitted for you, the User, to be able to test and create a website to your likes before committing a paid subscription. AEOS has the right to terminate or cancel trial subscriptions in any time for any reasons. We can delete the content of any trial or expired website without notice. We are not in any way to be held responsible for any deleted content from a website build on AEOS.
8. Service Fees
8.1. Service fees are applicable upon signing for the paid services of AEOS that can be monthly or yearly.
8.2. All Fees are in USD and are exclusive of all taxes and you are responsible for payment thereof. AEOS is not liable for any taxes or fees related with commercial products.
8.3. The payment for the applicable fee is in advance of your subscription period according to the Agreement.
8.4. You can upgrade or downgrade at anytime. If upgrading, you will be charged the difference between the two subscription plans for the extra services. Downgrade refunds are applicable only for yearly subscriptions, up to 14 days after the subscription is made. There are NO refunds for monthly downgrades. If downgrading from a yearly subscription, a calculated amount will be refunded to you according to the actual service fees of the two subscription services. Downgrading may cause a loss of information and services due to the difference between the plans.
8.5. Refunds are allowed only for yearly subscriptions and up to 14 days after the subscription is made. If such refund is issued by the User, he will be refunded the full amount he has paid. The refund amount might be subject to transfer taxes that will be for the cost of the User and will be transferred to the card used for paying the initial subscription cost. Refunds are NOT applicable for "Combo Deals" or "Exclusive Deals" (Custom design and development).
8.6. If a custom domain is claimed with a yearly subscription and the Customer cancels their services in the 14 day refund period, the full amount of the domain will be deducted off the refunded amount.
8.7. At the end of a contract term, the services will be automatically renewed for the same period of time until EXPLICITLY canceled by the User. Cancellation must be made via the System and at least 24 hours prior to the end of the contract period. To cancel your services or the automatic renew please do that by going to Dashboard -> Billing and select the desired option there.
8.8. If you purchase AEOS subscription services, you agree to AEOS and third party services to use and store your credit/debit card information. You authorize us to charge you for any AEOS Services that you may purchase and any applicable taxes connected with the payment card services. You will reimburse us for all collection costs and interest for any overdue amounts. If the payment card expires or you do not provide us with a new payment card nor cancel your subscription, you authorize us to continue billing you and you will remain responsible for any uncollected Fees.
8.9. You are responsible for the fair usage of your website and you can be charged for abnormal server or traffic usage on our unlimited subscription plans. You will be charged for the resources used by your website.
8.10. Chargebacks - If you contact your bank or credit card company to decline, chargeback or otherwise reverse the charge of any payable fees to us ("Chargeback"), we may automatically terminate your Account. We reserve our right to dispute any Chargeback.
9. Service Cancellation
Failure to comply with any of AEOS's terms or pay due fees you entitle AEOS to cancel or suspend your account services and website. You can cancel your services at any time, no questions asked. We are not in any way held responsible for any damages and losses due to cancellation of services.
10. Termination
We reserve the right to change, suspend or discontinue, or terminate, restrict or disable your use of or access to, parts or all of the Services or their functionality at any time at our sole discretion and without notice.
You can terminate your services at any time without a cause according to the cancellation procedures.
If the Agreement terms are valuated it may result in penalties or immediate termination of services without payment refund in any way.
Upon termination AEOS has the right to delete any and all files, data or information associated with the terminated account.
11. Domains
With subscribing for yearly subscription you have the right to claim a free custom domain (only for the first year of annual subscription). All domains are brought to you by third party companies partnering with us to provide such service, in this case Namecheap, Inc. By claiming a domain you are agreeing with the domain register company's terms and conditions (https://www.namecheap.com/legal/) and our participation in the purchasing of the domain.
If you issue a refund and claimed a free custom domain you will be charged the fee for the specific domain purchase. The fee will be taken from the refund sum. Transferring domain might be subject to further fees from the third party domain provider.
You are the legal and rightful owner of the registered domain. Your domain registration will be automatically renewed with each yearly payment according to our price plan, unless cancelled from the admin panel or by contacting a support representative of AEOS.
Once a register of a domain is made, it is final and there cannot be a refund or change of domains.
12. Warranty & Disclaimer
AEOS shall use reasonable efforts consistent with prevailing industry standards to maintain the Services in a manner which minimizes errors and interruptions in the Services and shall perform the Implementation Services in a professional and workmanlike manner. Services may be temporarily unavailable for scheduled maintenance or for unscheduled emergency maintenance, either by AEOS or by third-party providers, or because of other causes beyond AEOS's reasonable control, but AEOS shall use reasonable efforts to provide advance notice in writing or by e-mail of any scheduled service disruption. HOWEVER, AEOS DOES NOT WARRANT THAT THE SERVICES WILL BE UNINTERRUPTED OR ERROR FREE; NOR DOES IT MAKE ANY WARRANTY AS TO THE RESULTS THAT MAY BE OBTAINED FROM USE OF THE SERVICES. EXCEPT AS EXPRESSLY SET FORTH IN THIS SECTION, THE SERVICES AND IMPLEMENTATION SERVICES ARE PROVIDED "AS IS" AND AEOS DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT.
13. Indemnity
To the fullest extent permitted by law, you agree to indemnify and hold harmless AEOS and its affiliates and its and their directors, officers, employees and agents from and against all damages, losses, liabilities, costs, claims, demands, fines, awards and expenses of any kind (including without limitation reasonable attorneys' fees and costs) arising out of or related to: (a) your breach of this Agreement; (b) your User Content, Your Sites and Your e-commerce; (c) any claims by, on behalf of or against your End Users; (d) your violation of any law or regulation or the rights or good name of any third party; and (e) any claims from tax authorities in any country in relation to Your e-commerce operations, including without limitation your sales to individual consumers (including distance sales) and other operations for which AEOS may be held jointly and severally liable. Your indemnification obligations under this Section shall not apply to the extent directly caused by our breach of this Agreement or, where you are an EU Consumer, to the extent that the consequences were not reasonably foreseeable.
14. Limitation of Liability
You acknowledge and agree that to the fullest extent permitted by applicable law, in no event will AEOS and its affiliates and its and their directors, officers, employees and agents be liable with respect to any claims arising out of or related to the Services or this Agreement for: (a) any indirect, special, incidental, exemplary, punitive or consequential damages; (b) any loss of profits, revenue, data, goodwill or other intangible losses; (c) any damages related to your access to, use of or inability to access or use parts, some or all of your Account, Your Sites or parts or all of the Services, including without limitation interruption of use or cessation or modification of any aspect of the Services; (d) any damages related to unavailability, degradation, loss, corruption, theft, unauthorized access or, unauthorized alteration of, any content, information or data, including without limitation User Content and Your e-commerce data; (e) any User Content or other conduct or content of any user or third party using the Services, including without limitation defamatory, offensive or unlawful conduct or content; or (f) any Third Party Services or third party sites accessed via the Services.
You acknowledge and agree that these limitations of liability are agreed allocations of risk constituting in part the consideration for AEOS's services to you, and such limitations will apply even if AEOS has been advised of the possibility of such liabilities.
15. Modifications
Modifications of the Service. AEOS may make modifications and changes on the existing services or components and will use reasonable efforts to notify all it's Customers about those changes. The changes are effective upon the date of the change. AEOS shall not be liable for modifications and actions of third party services.
Modifications to the Agreement and the Fees may occur. You will be notified prior to those changes being applied to your account. If you refuse or fail to pay such fees we will cancel your subscription.
16. Miscellaneous
If any provision of this Agreement is found to be unenforceable or invalid, that provision will be limited or eliminated to the minimum extent necessary so that this Agreement will otherwise remain in full force and effect and enforceable. This Agreement is not assignable, transferable or sublicensable by Customer except with AEOS's prior written consent. AEOS may transfer and assign any of its rights and obligations under this Agreement without consent. This Agreement is the complete and exclusive statement of the mutual understanding of the parties and supersedes and cancels all previous written and oral agreements, communications and other understandings relating to the subject matter of this Agreement, and that all waivers and modifications must be in a writing signed by both parties, except as otherwise provided herein. No agency, partnership, joint venture, or employment is created as a result of this Agreement and Customer does not have any authority of any kind to bind AEOS in any respect whatsoever. In any action or proceeding to enforce rights under this Agreement, the prevailing party will be entitled to recover costs and attorney's fees. All notices under this Agreement will be in writing and will be deemed to have been duly given when received, if personally delivered; when receipt is electronically confirmed, if transmitted by facsimile or e-mail; the day after it is sent, if sent for next day delivery by recognized overnight delivery service; and upon receipt, if sent by certified or registered mail, return receipt requested. This Agreement shall be governed by the United States of America laws without regard to its conflict of laws provisions.
Data Processing Addendum
This Data Processing Addendum ("DPA") forms part of, and is subject to the provisions of AEOS's Agreement (Terms and Conditions). All capitalized terms not defined in this DPA shall have the meanings set forth in the Agreement.
1. Definitions
"Affiliate" means an entity that directly or indirectly Controls, is Controlled by or is under common Control with an entity.
"Agreement" means AEOS's Terms and Conditions, which govern the provision of the Services to Customer, as such terms may be updated by AEOS from time to time.
"Control" means an ownership, voting or similar interest representing fifty percent (50%) or more of the total interests then outstanding of the entity in question. The term "Controlled" shall be construed accordingly.
"Customer Data" means any Personal Data that AEOS processes on behalf of Customer as a Data Processor in the course of providing Services, as more particularly described in this DPA.
"Data Protection Laws" means all data protection and privacy laws applicable to the processing of Personal Data under the Agreement, including, where applicable, EU Data Protection Law.
"Data Controller" means an entity that determines the purposes and means of the processing of Personal Data.
"Data Processor" means an entity that processes Personal Data on behalf of a Data Controller.
"EU Data Protection Law" means (i) prior to 25 May 2018, Directive 95/46/EC of the European Parliament and of the Council on the protection of individuals with regard to the processing of Personal Data and on the free movement of such data ("Directive") and on and after 25 May 2018, Regulation 2016/679 of the European Parliament and of the Council on the protection of natural persons with regard to the processing of Personal Data and on the free movement of such data (General Data Protection Regulation) ("GDPR"); and (ii) Directive 2002/58/EC concerning the processing of Personal Data and the protection of privacy in the electronic communications sector and applicable national implementations of it (as may be amended, superseded or replaced).
"EEA" means, for the purposes of this DPA, the European Economic Area, United Kingdom and Switzerland.
"Group" means any and all Affiliates that are part of an entity's corporate group.
"Personal Data" means any information relating to an identified or identifiable natural person.
"Processing" has the meaning given to it in the GDPR and "process", "processes" and "processed" shall be interpreted accordingly.
"Security Incident" means any unauthorized or unlawful breach of security that leads to the accidental or unlawful destruction, loss, alteration, unauthorized disclosure of or access to Customer Data.
"Services" means any product or service provided by AEOS to Customer pursuant to the Agreement.
"Sub-processor" means any Data Processor engaged by AEOS or its Affiliates to assist in fulfilling its obligations with respect to providing the Services pursuant to the Agreement or this DPA. Sub-processors may include third parties or members of the AEOS Group.
2. Relationship with the Agreement
2.1 The parties agree that DPA shall replace any existing DPA the parties may have previously entered into in connection with the Services.
2.2 Except for the changes made by this DPA, the Agreement remains unchanged and in full force and effect. If there is any conflict between this DPA and the Agreement, this DPA shall prevail to the extent of that conflict.
2.3 Any claims brought under or in connection with this DPA shall be subject to the terms and conditions, including but not limited to, the exclusions and limitations set forth in the Agreement.
2.4 No one other than a party to this DPA, its successors and permitted assignees shall have any right to enforce any of its terms.
2.5 This DPA shall be governed by and construed in accordance with governing law and jurisdiction provisions in the Agreement, unless required otherwise by applicable Data Protection Laws.
3. Scope and Applicability of this DPA
3.1 This DPA applies where and only to the extent that AEOS processes Customer Data that originates from the EEA and/or that is otherwise subject to EU Data Protection Law on behalf of Customer as Data Processor in the course of providing Services pursuant to the Agreement.
4. Roles and Scope of Processing
4.1 Role of the Parties. As between AEOS and Customer, Customer is the Data Controller of Customer Data, and AEOS shall process Customer Data only as a Data Processor acting on behalf of Customer.
4.2. Customer Processing of Customer Data. Customer agrees that (i) it shall comply with its obligations as a Data Controller under Data Protection Laws in respect of its processing of Customer Data and any processing instructions it issues to AEOS; and (ii) it has provided notice and obtained (or shall obtain) all consents and rights necessary under Data Protection Laws for AEOS to process Customer Data and provide the Services pursuant to the Agreement and this DPA.
4.3 AEOS Processing of Customer Data. AEOS shall process Customer Data only for the purposes described in this DPA and only in accordance with Customer's documented lawful instructions. The parties agree that this DPA and the Agreement set out the Customer's complete and final instructions to AEOS in relation to the processing of Customer Data and processing outside the scope of these instructions (if any) shall require prior written agreement between Customer and AEOS.
4.4 Details of Data Processing
(a) Subject matter: The subject matter of the data processing under this DPA is the Customer Data.
(b) Duration: As between AEOS and Customer, the duration of the data processing under this DPA is until the termination of the Agreement in accordance with its terms.
(c) Purpose: The purpose of the data processing under this DPA is the provision of the Services to the Customer and the performance of AEOS's obligations under the Agreement (including this DPA) or as otherwise agreed by the parties.
(d) Nature of the processing: The Services as described in the Agreement and initiated by you from time to time.
(e) Categories of data subjects: You, Your End Users and any other individuals whose personal data is included in Content.
(f) Types of Customer Data: Your Controlled Data relating to you, your End Users or other individuals whose personal data is included in Content which is processed as part of the Services in accordance with instructions given through your Account.
4.5 Notwithstanding anything to the contrary in the Agreement (including this DPA), Customer acknowledges that AEOS shall have a right to use and disclose data relating to the operation, support and/or use of the Services for its legitimate business purposes, such as billing, account management, technical support, product development and sales and marketing. To the extent any such data is considered Personal Data under Data Protection Laws, AEOS is the Data Controller of such data and accordingly shall process such data in accordance with the AEOS Privacy Policy and Data Protection Laws.
5. Subprocessing
5.1 Authorized Sub-processors. Customer agrees that AEOS may engage Sub-processors to process Customer Data on Customer's behalf. The Sub-processors currently engaged by AEOS are authorized by Customer.
5.2 Sub-processor Obligations. AEOS shall: (i) enter into a written agreement with the Sub-processor imposing data protection terms that require the Sub-processor to protect the Customer Data to the standard required by Data Protection Laws; and (ii) remain responsible for its compliance with the obligations of this DPA and for any acts or omissions of the Sub-processor that cause AEOS to breach any of its obligations under this DPA.
6. Security
6.1 Security Measures. AEOS shall implement and maintain appropriate technical and organizational security measures to protect Customer Data from Security Incidents and to preserve the security and confidentiality of the Customer Data, in accordance with AEOS's security standards.
6.2 Updates to Security Measures. Customer is responsible for reviewing the information made available by AEOS relating to data security and making an independent determination as to whether the Services meet Customer's requirements and legal obligations under Data Protection Laws. Customer acknowledges that the Security Measures are subject to technical progress and development and that AEOS may update or modify the Security Measures from time to time provided that such updates and modifications do not result in the degradation of the overall security of the Services purchased by the Customer.
6.3 Customer Responsibilities. Notwithstanding the above, Customer agrees that except as provided by this DPA, Customer is responsible for its secure use of the Services, including securing its account authentication credentials, protecting the security of Customer Data when in transit to and from the Services and taking any appropriate steps to securely encrypt or backup any Customer Data uploaded to the Services.
7. International Transfers
Data center locations. AEOS may transfer and process Customer Data anywhere in the world where AEOS, its Affiliates or its Sub-processors maintain data processing operations. AEOS shall at all times provide an adequate level of protection for the Customer Data processed, in accordance with the requirements of Data Protection Laws.
8. Additional Security
8.1 Confidentiality of processing. AEOS shall ensure that any person who is authorized by AEOS to process Customer Data (including its staff, agents and subcontractors) shall be under an appropriate obligation of confidentiality (whether a contractual or statutory duty).
8.2 Security Incident Response. Upon becoming aware of a Security Incident, AEOS shall notify Customer without undue delay and shall provide timely information relating to the Security Incident as it becomes known or as is reasonably requested by Customer.
9. Changes to Sub-processors
9.1 AEOS shall (i) provide an up-to-date list of the Sub-processors it has appointed upon written request from Customer; and (ii) notify Customer (for which email shall suffice) if it adds or removes Sub-processors at least 10 days prior to any such changes.
9.2 Customer may object in writing to AEOS's appointment of a new Sub-processor within five (5) calendar days of such notice, provided that such objection is based on reasonable grounds relating to data protection. In such event, the parties shall discuss such concerns in good faith with a view to achieving resolution. If this is not possible, Customer may suspend or terminate the Agreement (without prejudice to any fees incurred by Customer prior to suspension or termination).
10. Deletion of Data
Upon termination or expiration of the Agreement, AEOS shall (at Customer's election) delete all Customer Data (including copies) in its possession or control, save that this requirement shall not apply to the extent AEOS is required by applicable law to retain some or all of the Customer Data, or to Customer Data it has archived on back-up systems, which Customer Data AEOS shall securely isolate and protect from any further processing, except to the extent required by applicable law.
Customer can request end user's data by filling in a form through their account by going to Website Settings -> Advanced - Request User Data. The request will be fulfilled within 72 hours of receiving it. The customer will be notified on their email of the result of the request.
Customers can also request their data by contacting us via our contact form at aeos.io/#contact A complete deletion of data might take up to 60 days from all AEOS's systems.
11. Cooperation
11.1 The Services provide Customer with a number of controls that Customer may use to retrieve, correct, delete or restrict Customer Data, which Customer may use to assist it in connection with its obligations under the GDPR, including its obligations relating to responding to requests from data subjects or applicable data protection authorities. To the extent that Customer is unable to independently access the relevant Customer Data within the Services, AEOS shall (at Customer's expense) provide reasonable cooperation to assist Customer to respond to any requests from individuals or applicable data protection authorities relating to the processing of Personal Data under the Agreement. In the event that any such request is made directly to AEOS, AEOS shall not respond to such communication directly without Customer's prior authorization, unless legally compelled to do so. If AEOS is required to respond to such a request, AEOS shall promptly notify Customer and provide it with a copy of the request unless legally prohibited from doing so.
11.2 If a law enforcement agency sends AEOS a demand for Customer Data (for example, through a subpoena or court order), AEOS shall attempt to redirect the law enforcement agency to request that data directly from Customer. As part of this effort, AEOS may provide Customer's basic contact information to the law enforcement agency. If compelled to disclose Customer Data to a law enforcement agency, then AEOS shall give Customer reasonable notice of the demand to allow Customer to seek a protective order or other appropriate remedy unless AEOS is legally prohibited from doing so.
11.3 To the extent AEOS is required under EU Data Protection Law, AEOS shall (at Customer's expense) provide reasonably requested information regarding the Services to enable the Customer to carry out data protection impact assessments or prior consultations with data protection authorities as required by law.
12. Liability
The liability of each party under this Data Processing Addendum is subject to the exclusions and limitations of liability set out in the Agreement. You agree that any regulatory penalties or claims by data subjects or others incurred by AEOS in relation to Your Controlled Data that arise as a result of, or in connection with, your failure to comply with your obligations under this Data Processing Addendum or EU Data Protection Law shall reduce AEOS's maximum aggregate liability to you under the Agreement in the same amount as the fine and/or liability incurred by us as a result.
13. Miscellaneous
You are responsible for any costs and expenses arising from AEOS's compliance with your instructions or requests pursuant to the Agreement (including this Data Processing Addendum) which fall outside the standard functionality made available by AEOS generally through the Services.
Contacting Us
If there are any questions regarding this cookie policy you may contact us using the information below.
AEOS, Inc.
400 Renaissance Center
26th Floor
Detroit, Michigan 48243


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