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Amazar in the News
VoyageDenver Magazine July 2019 - JULY 1, 2019 Meet Ron Isaacson of Amazar Avians/Unbound Leathers
Ron, let's start with your story. We'd love to hear how you got started and how the journey has been so far.
I'm often asked when was it that I knew I wanted to be an artist and what prompted me into incorporating recycled materials in the creation of my sculptures.
As a child growing up on the northwest side of Chicago, I had few friends but found refuge and enjoyment in creating stuff. In the age before digital technology, we relied on our imagination to challenge and change our reality. I was one of those kids that enjoyed taking things apart to see how they worked and, to the wonder of adults; I was one of those kids that reassembled things in strange creative ways.
Creating something from whatever I could find was my escape from solitude and growing up, I had a wealth of wonderful whatever to capture my imagination.
My grandfather on my father's side was a junk dealer who salvaged parts from discarded plumbing fixtures then he rebuilt and resold them. Ultimately, he opened a large wholesale plumbing supply business on Chicago's south side that my father became part owner of.
My mother's father had been a tailor – creating high fashion fur and leather goods in New York and Chicago. He was also an inventor, cobbling together an amazing assortment of strange but useful things.
Though long retired from being a tailor, he retained a big old industrial sewing machine and boxes full of scraps, old fur, and leather in his workshop. Image how lucky I was as a creative soul. I had weekly access to explore and play in a junkyard full of odd and interesting stuff… and when on vacation to visit my grandfather in Florida, I had access to a trove of exotic leather & fur, a monster sewing machine to use and a wizard to mentor me.
Back then I never thought about it as recycling
As a young artist, it was second nature for me to use everyday found objects, assembling different components to make stuff. A good scissors, my Swiss Army Knife and a bottle of glue were my tools of choice. I carved bits of found wood, nuts & fruit. I actually carved and sold dried apple head sculptures at an art fair when I was 15.
Then, when my mother got called into to see the high school principal because I carved a landscape into my desktop during biology class, I think she understood that creating art was going to be part of my life.
My life took a turn in the mid-'60s when I found myself in Berkley, CA. during the summer of Love. – Does anyone remember the Summer of Love? There, I repurposed a small closet under a winding staircase in an old Victorian home into my sleeping quarters then took to the streets and discovered that I could make a few dollars by manipulating leather to create things like hippy headbands, fringed bags, and other new age stuff.
Coming back to Chicago, home to the stockyards and a lot of leather processing tanneries, I made a deal with two of the largest tanneries to come in and sweep their floors a few nights a week for free.
In exchange, I was allowed to keep the trash on the floor. That trash consisted of blemished leather remnants and discarded scrap leather. With a constant source of free leather, I set up shop at home making an array of leather goods and sold my creations to five of the major head shops in Old Town Chicago for a few years. That, in turn, helped finance my going to art school (I've made more Jimmy Hendrix white leather fringed vests than you can imagine).
While my initial area of concentration in art school was clay, at some point I decided I want to try my hand at carving stone so I again turned to recycled materials. I soon found that chunks of large cornerstones from derelict/demolished Chicago buildings were great materials to practice on.
From there, the urge to carve in blocks of marble was too great to ignore. Where do you find large pieces of free Marble?
Again, I turned to recycling. I got to know the caretakers at Chicago cemeteries who let me rummage back behind crematoriums and outbuildings through centuries of discarded broken tome stones and cart away segments of marble to practice my skills.
In the early '70s, looking to create larger sculptures I learned to weld and forge iron, steel, brass, copper and stainless steel. But those materials were too expensive for an art students budget so I researched the world of industrial waste and became a certified dumpster diver. I actually made up some business cards that said "artist/dumpster diver."
After getting caught knee-deep pulling discarded metals from industrial dumpsters by security personnel a few times too many, I arranged to meet with various managers at manufacturing plants and fabricators of architectural components to get permission to regularly scrounge behind the locked factory gates for metal cutoffs and waste materials.
By that time I understood the concept of recycling and found object art when describing my own artforms. My compulsion to create was fueled by the public's interest and acceptance of my work.
My Art degree gave rise to a teaching certificate and then the opening of an art school with a small art gallery and my own art studio in Chicago. It happened to be located at a busy bus stop that brought in lots of lookers and buyers. The seed was planted to grow the gallery into a fulltime business. I found a larger location in Evanston, Illinois, and became the founder and owner of Mindscape Gallery which over the course of 30 years grew to a 10,000 sq. ft. facility gaining a national reputation as one of the top 10 Contemporary American Fine Craft Galleries in the United States, representing many nationally acclaimed artists. Many of artists I chose to represent also incorporated found/recycled/repurposed materials into their art. The challenge was often frustrating and exciting as I blazed the trail to expose the work of those artists to collectors.
Then, at the end of the '90s came to a significant shift in the retail/gallery marketplace. With hundreds of artists relying on me for sales and dozens of employees, I had achieved fame and fortune as a gallery owner but it was time to rethink my role in the art world. I sold off part of the gallery, closed related retail endeavors, sold the building that housed my companies and went back to being an artist.
Then, in 2010, my personal life took a new turn. In response, I shut down my studio in the four-car lofted garage where I was creating large-scale metal sculptures out of recycled materials. I purchased a vintage 1983 Airstream motorcoach and left the Chicago area to travel the country in search of the meaning of life and to recapture joy by following my creative spirit. Chance brought me through Denver and the mountains where I found love and life near the city on 12 acres of forestland. I determined that the risk associated with working hot metals with an open flame to make sculptures holds too great a risk in a place where an errant spark can ignite a forest fire so I went back to another creative pursuit creating sculptures and artforms using recycled vintage leathers and found objects. (Visit www.amazaravians.world to see my current creations.)
Great, so let's dig a little deeper into the story – has it been an easy path overall and if not, what were the challenges you've had to overcome?
One of the key barriers I face as an artist using found objects and recycled leathers as the main media in the creation of my sculpture is that my work doesn't fit standard categories in defining what I do. When approaching art galleries, exhibition curators, arts festivals and arts organizations or filling out standardized forms and applications my work doesn't meet traditional categories and definitions.
I'm not a fiber artist doing weaving, wall hangings or making clothes. Though I have created sculptures in the past in a full range of traditional sculptural media like wood, clay, stone, and steel or bronze, my current work is of a completely different nature. I don't by any means do traditional leatherwork, makings purses, belts, knife sheaths and such. The closest my work comes to current art categories is checking the box marked "Mixed media." But even then people viewing digital or print images of my work are not able to fully grasp the textural and dimensional subtleties of my creations.
Someday perhaps those traditional art/sculpture categories will be expanded to include a found object/ recycled art category and arts organizations will regularly host exhibitions that feature art using recycled materials.
But I have been waiting for that day for a long time and yet as an artist, I continue to push the boundaries of the traditional use of materials. To that end, I have set for myself a major challenge. In the spring/summer of 2021, I will be having a major exhibition featuring the world of Amazar Avians and my Amazar Tales. I'll be having flocks of hundreds of my avian sculptures winging around 3D landscapes of my Forever Gardens and groups of extraordinary Amazar Avians holding consul to offer wisdom and hope for the planet and its inhabitants. As co-curator for a tangent showcase of other artists using recycled materials, I hope to open discussions through workshops on Creative ReUse, Storytelling and the Power of Conscious Creation.
I'm sure there will be countless obstacles and challenges to make the exhibition and installation come together but as a creative spirit I choose to live by following the guiding business principle: " One can always meet their minimum revised expectations."
Please tell us about Amazar Avians/Unbound Leathers – what should we know?
I call my studio "Unbound leathers ® because I free my leathers from their former existence to create art forms that offer the materials an extended life. I honor and celebrate the raw organic nature of the repurposed leather. To achieve the imaging, the leather has been cut, skived, manipulated or fabricated to enhance the texture, grains shapes, colors and contrasts inherent in the hide, the original tanning/dyeing process & daily wear experienced during the leathers previous existence.
In all my marketing materials I make a point to let people know that I do not condone the taking of an animals' life for commercial use. Yet, like many who believe in animal rights, I see no honor in the sacrifice made by discarding the hide when it is no longer desired for use in its current form. In recycling leather, I pay homage to that life.
People visiting my studio (by appointment) find I've hatched a unique flock of Amazar Avians; Crystal Beaks, Rainbow Beaks, Red Beak Guardians, Hummers, Wing Writers, Horned Owls and other Avians that are ready to take wing to bring Healing, Peace, Love, Joy and Good Fortune where ever they roam. I've crafted their flamboyant plumage from upcycled vintage leathers on armatures fabricated from found objects. And people discover Avian environments that incorporate scared crystals, ancient artifacts and "Forever Gardens."
From the research I've done, I'm the only artist/sculptor in the country and perhaps beyond, that uses recycled materials and recycled leathers to make sculptures.
Surely, I'm the only artist/sculptor/wordsmith who has created a realm of Avians who have come to earth to help preserve the environment, raise awareness to issues facing the planet and its inhabitants and open a dialogue for hope,
I was recently asked why I choose birds to carry my message?
So, given the incentive to ponder the question I'm happy to share my answer.
I've always been fascinated by creatures that fly. Flying squirrels, bats, birds, butterflies, dragons and such. Though I tend to avoid whenever possible, flying bugs and winged critters that sting and bite.
As a child, I always marveled at bird's ability to fly, to move at will across the country, to navigate unburdened gravity, to function summer and winter without adding layers of protective coverings, I would run around with my arms spread wide, fly a kite or throw handmade paper airplanes in the air but they could truly capture the wind and soar off to lands unknown.
Fascinating creatures birds. So many varieties exist on earth yet we still know so little about them and their relationship with humans throughout history except through myth and legend. Their beauty never fails to excite me, however, I was never driven to study them in depth or to become an avid birder. I was happy to simply accept them as one of those true wonders of nature, mysterious creatures whose evolution inspired awe.
For the past seven years, I've lived in what some have described as a rustic glass enclosed tree house that perches on the side of a mountain looking out over peaks and valleys of lush pine forests, aspen groves and wandering creeks – a place where seasons are marked by the arrival and departure of hummingbirds – a place where Blue Stellar Jays and dozens of other types of birds are my nearest neighbors. I watch them at our bird feeders as they flit in and out of sight and speak in a language I do not understand. I turn my eyes to the sky and glimpse giant winged shapes crossing the valley and I wonder where their journey will take them.
But my art is not truly about birds. Unbound to the realities of bird anatomy, physiology, and intellect, as an artist I am free to let my imagination soar and just draw my inspiration from these marvelous creatures. Doing so has allowed for the evolution of an entirely new species, the Amazar Avians. The basic shape, form and physical attributes of my sculptures do indeed have similarities to the birds of earth and it is that commonality that often attracts my audience. From there we can embark on a magical journey.
As a child, I can remember the excitement I felt when finding a fallen feather, I would treasure that connection with a creature that could soar the sky and conjure stories in my head about the adventures of the bird that left it behind. It was a gift from above. When I ask others if they ever found a feather, I'll often see a twinkle in their eye, a slight smile and a sense of mystery.
So now, I create my feathered Avians for the world, bearing gifts for all and I offer special Ceremonial Feathers to bring a little magic to peoples lives.
I invite people to visit www.amazaravians.worldto discover more about my creations.
Is there a characteristic or quality that you feel is essential to success?
For me success is measured in nuances, small victories moving me forward in a positive direction.
The mission of the Amazar Avians Avians is to visit Earth to help those in need, bring healing energy, love, peace, goodwill, and positive energy wherever they appear. They have come in response to desperate cries for help from the earth itself and a surge in the frequency of meditative energies sent forth by those aspiring to bring about a more harmonious balance to the planet, and help end the pain and suffering threatening to destroy it. They have flown through the Amazar portal to offer assistance and hope.
If I can create an experience that causes people to pause, consider and view something outside their normal world if I can offer an expanded view of reality that enables a smile and stimulates a desire to touch and look closer at my work. That is a success.
If my creations can motivate someone to step outside their day-to-day patterns and look within, to seek and find beauty in life, marvel at the creative process, appreciate the wonders of the universe, to look beyond self and find joy in life, that is a success.
People who know me refer to me as a catalyst, a person able to help others look at things from multiple perspectives in ways that may spark them to action. I freely plant seeds of ideas and take satisfaction in motivating others to see possibilities or consequences.
The mission of the Amazar Avians manifested through my sculptures is capturing the attention of broad audiences, including people interested in sustainability, recycling, animal rights, the green movement, art collectors, the arts community and curators within the American Craft movement. Daily, people are discovering my website www.amazaravians.worldand conversations around how, why and what I'm creating are taking wing.
My 2021 exhibition/installation at the Center for Arts Evergreen is scheduled to be the first in a number of major events featuring Amazar Tales and as I adopt out more amazing Amazar Avians my flock of followers will continue to grow.
Each person motivated to read about my Amazar Avians, spend a few precious moments pondering the mission of the Amazar Avians or interested in gaining more insight into what motivates my creations lifts my spirit. Small victories like that encourage me to move forward and take the next step in the creative process.
Where do you see your industry going over the next 5-10 years? Any big shifts, changes, trends, etc?
While the concept of upcycling is only recently becoming part of any serious discussion dealing with recycling trash and unwanted materials, it's something that some of your readers may have direct connection with.
I'm sure you've heard stories about grandmothers fashioning dresses from old curtains or flower sacks? Making rugs from old rags? Anyone quilt bedspreads from segments of old fabric?
And if you've turned leftover dinners into tomorrows lunch or compost it into garden fertilizer? …. That's Recycling
If anyone saw the recent Cuba exhibit at the Denver museum and loves the old cars from the 50th they have been keep running? …That's Upcycling
The concept of Creative ReUse holds that that by converting refuse into artwork, the discarded trash can acquire a new aesthetic. The resulting artwork can also take on moral and conceptual dimensions.
Artists have always been incorporating and adapting found objects to create their art. Carving in wood, stone, clay, drawing with carbon based materials, using natural dyes and stains to bring forth their artistic vision are just a few examples. Yet, as those materials and mediums have became more refined, they have also become more expensive. The alternative …for the creative spirit on a budget, the idea of adapting discarded manufactured materials into components to make art was inevitable. Now it's happening globally out of necessity in countries torn apart by war and famine.
Currently the art world is leaping to the forefront of a movement that intertwines aspects of invention, innovation and imagination with the need for recycling manufactured materials.
This in turn has also opened the door to new opportunities in the area of arts education by encouraging the creation of unique and original artforms by recycling/upcycling/repurposing discarded objects.
The general public is only now learning that the concept of Creative Re-use introduced across environmental and educational sectors through the arts can actually encourage an insightful aspect of sustainable thinking and in offering extended life to materials that might otherwise end up in landfills.
Over the next 5 years, using my Amazar Avians to bring attention to and encourage those efforts I people will consider the role they might be able to play in the following areas to help Denver and surrounding communities explore, develop or promote the concept of Creative Re-Use.
• Upcycling – Existing recycling and sustainability programs should be encouraged to add a category of "Upcycling" in order to redistribute a variety of discarded materials for use as possible art components to artists, crafters, educators and others.
• Reimagining Art – Arts festivals and arts organizations should be encouraged to expand traditional art/sculpture categories to include a found object/ recycled art category and host exhibitions that feature art using recycled materials.
• Environmental Education and the Arts – Schools and communities should develop activities and programs that encourage artistic innovation using upcycled materials and creative reuse.
• Creative Materials Exchange – Develop a way to access used, reclaimed, salvaged and donated art materials as free, low cost or bartered supplies for artists
• Artforms range in price from $18. to $1800.00 based on: Complexity of design, size of sculptures, scarcity of colors available in vintage recyclable leathers.
• Ceremonial Feathers $18 – 36
• Forever Flowers and Forever Gardens $36 – 98
• Avian Flyers $46 – 96
• Nesting Avians $58 -126
• Extraordinary Avians $350 -1800.
Contact Info:
• Website:www.amazaravians.world
• Phone:303-957-7369
• Email:email@example.com
Canyon Courier 5.29.19 Art, Elevated: Evergreen artist honors animals through recycled leather projects
Canyon Courier 5.29.19
Art, Elevated: Evergreen artist honors animals through recycled leather projects
By Deborah Swearingen
The story came to him as if in a dream.
Surrounded by tubs of color-coded leather samples in his studio, Ron Isaacson uses the recycled leather to create birds, landscapes and feathers.
As Ron Isaacson sat in his mountain studio, the mystical birds appeared before him, imploring him to share their message of hope and rejuvenation with the world.
And thus, the Amazar Avians were born. The intricate, colorful birds, made from leather and other found objects, are the latest in a lifelong series of artistic endeavors for Isaacson, an Evergreen-based leather artist.
The artist got his start in Chicago, where he co-owned Mindscape Gallery and primarily made large-scale metal sculptures. But when he hit the road in 2010 in his newly purchased 1983 Airstream motor coach, Isaacson decided to return to his leather roots. The material is easy to work with and much more portable.
A glimpse into his studio, snuggled underneath his home near Evergreen Mountain, offers a brief snapshot into Isaacson's mind. Stacks of carefully organized leather in all hues and drawers of random objects fill the room while classic music reverberates off the walls. The colorful avians, many of which sit atop glimmering crystals, scatter the studio, some complete and some awaiting final touches.
Isaacson stays busy. He is working on a book called "Amazar Tales" that incorporates each bird and its unique story, and he hopes to offer the concept for other creators to use and embellish. In addition to the avians, Isaacson makes decorative hats, journals, ceremonial feathers and forever flowers and gardens — all constructed with repurposed leather — and it's possible to catch him performing live music around town.
Further, since living in Evergreen, he's participated in the Open Door Studios tour, and Isaacson said he has a large installation featuring the Amazar Avians in the works at Center for the Arts Evergreen.
Connection to the materials
Isaacson has a deep reverence for animals and hopes to honor them through his work. It's something he learned from his grandfather, who worked as a furrier decades ago.
Although it may seem counterintuitive considering he works with leather, Isaacson breathes new life into discarded couches and clothing. He's proud to say he can "skin a couch in, like, 15 minutes."
"I'm really an animal rights person and feel that for whatever reason the animal gave its life, there's no honor in that hide going in the dumpster just because it was worn, torn, faded or out of style when it was a couch or coat or something like that," he said.
As a self-proclaimed scrounger, he's constantly on the lookout for materials and frequents thrift stores and estate sales to search for objects that can be used in his artwork. He used to dye leather, but now he welcomes the challenge associated with working solely with the colors he can find.
"That way, each piece that I created would be a little more precious. Because like, you know, finding blues is impossible. And finding bright pinks and purples … is really hard," Isaacson said. "By limiting my palette, I'm also putting boundaries within my own artwork of what I can end up doing."
Learn more about the artist and his Amazar Avian Creations at www.amazaravians.world


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Clayne Crawford is telling his side of the story about his firing from Fox's Lethal Weapon series, and it doesn't show execs in a great light. While he admits making some bad choices about his behavior, he charges that showrunners blackmailed him and have told outright lies about what happened. He shared his perspective on what happened with hosts of the Drinkin Bros podcast Wednesday.
Crawford says that he contacted one of the producers, McG, when the articles about his on-set behavior first came out and pointed to Damon Wayans as the obvious source in his view. McG suggested he contact Warner Brothers and said he would do the same, according to E! Online. When Crawford contacted the head of Warner Brother TV, Peter Roth, it didn't go as he had hoped it would.
"He said, 'Clayne, I can't promise you that I can save your job, but what I can tell you is that you have to make a public announcement apologizing, publicly, to Damon Wayans.' I was like, 'What the f***?' I was like, 'Peter, why would I apologize publicly because he and I had a riff on set?' And he's like, 'Clayne, that statement alone tells me you don't want to come back.'"
Clayne Crawford Calls 'Lethal Weapon' On-Set Allegations "A Blatant F***ing Lie" https://t.co/2f7IBi8fYY pic.twitter.com/2l3ZsGSt6Z— Deadline Hollywood (@DEADLINE) August 29, 2018
The actor says he couldn't bring himself to apologize to Wayans because he had "made life miserable" while he was on the show. He also said that he had a feeling that the wheels had already been set in motion to fire him from Lethal Weapon and didn't want to give them ammunition to use against him by apologizing. Crawford says he was also afraid because he knew that audio of him yelling at Wayans existed, in fact, he says the studio had been blackmailing him with that audio, threatening to release it whenever he and Wayans had an argument, which it seems was fairly often.
Crawford says he found Wayans difficult to work with because he wouldn't do table reads with the rest of the cast so he never knew what to expect once they were on the set, and it caused delays in shooting schedules. He also says that he felt Wayans made unreasonable requests and offered one experience as an example. There was a scene that needed to be shot in a church. Us Weekly reports that Wayans showed up to shoot the scene but then said that his religion, Jehovah's Witness, prohibited him from entering the building. The actor completely denies one allegation that's been widely reported. He calls allegations that he yelled at or in front of children "a blatant f***ing lie."
Clayne Crawford admits that he didn't handle things the way he should have.
"I snapped. Should I have gone to my trailer? 100 percent. Should I have just gone and waited? That's what I was instructed to do when there was a problem — you go sit in your trailer and you lock your door and you take a nap. Hollywood is very sensitive, so I should not have screamed and yelled, right, because it's a bunch of very delicate flowers out there."
He also said that he didn't expect they would fire him because of the importance of his role to the show.
Clearly still upset by how things played out, Crawford says Warner Brothers has yet to reach out to him and that he didn't even know he had been fired until he saw it on social media. He says he sent emails and left messages but received no response from anyone. He says he has no plans to watch anything on Fox networks anytime soon, not even Thursday Night Football.

subset: commoncrawl


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UN Special Envoy for Syria Staffan de Mistura met Syrian National Coalition President Khaled Khoja in Istanbul Thursday to search for a political solution to the Syrian conflict.
According to the statement released by the UN envoy's office, de Mistura heard the views of the Syrian opposition group regarding the implementation of the Geneva Communique. Both sides agreed on the importance and urgency of finding a political solution to the ongoing conflict in Syria, it added.
"My visit today demonstrates, once again, that the purpose of these consultations was and remains to give the chance to all Syrians to share their views of what a future Syria should look like," de Mistura said.
The Istanbul-based Syrian National Coalition was one of the main parties representing the Syrian opposition in the first and second Geneva conferences in 2012 and 2014, respectively. However, the group appeared to gradually lose touch with developments on the ground, particularly after the outbreak of Daesh that ravaged Iraq and Syria.
More than 200,000 people have been killed in Syria since the conflict between Bashar al-Assad's regime and opposition forces began in 2011, according to the UN.
The Geneva consultations on Syria are continuing on the level of ambassadors, representatives and experts.
More than 40 Syrian groups, including Syrian opposition armed groups, had been invited to the talks in Geneva.
The Bashar al-Assad Syrian administration, representatives of countries in Syria's neighborhood, and members of the UN Security Council had all been invited for discussions in Geneva, which started on May 12 and are expected to last up to six weeks.
But, at least 30 Syrian opposition armed groups have rejected the UN invitation for talks, de Mistura spokeswoman said.


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NASCAR Champion helps launch DVD training series for waterworks personnel
Las Vegas company Water Works Industry Solutions teams with Nextel Cup champion Kurt Busch to set higher "standard in training for the waterworks industry" with new 36-lesson DVD series...
LAS VEGAS, NV, March 9, 2006 -- A cornerstone of both our nation's economic well-being and our public health is more than 54,000 community water systems in the United States. They consist of a substantial amount of infrastructure, including collection devices, drinking water treatment plants, wells, pumps, storage facilities and other equipment to deliver water. One of the challenges facing community water systems today is the vast number of retiring baby boomers. With the retirement of this generation, the need for properly trained and skilled laborers prepared to take over their jobs in laying new pipe lines as well as maintaining the current infrastructure is an area of concern.
While municipalities, districts and contractors alike seek economic solutions to aid in training new field laborers and refresh current field laborers, foreman and engineers, Water Works Industry Solutions (WWIS), a Las Vegas-based company, has developed an ambitious DVD training series featuring 2004 NASCAR Nextel Cup Champion Kurt Busch to help train waterworks personnel.
Before Busch's racing career, he worked for the Las Vegas Valley Water District maintaining its underground water system along with adding new pipelines to the ever growing Las Vegas Valley.
This new DVD series, called "Training and Installation" The Basics, was released today at a news conference featuring Busch at the NASCAR Cafe in Las Vegas.
The DVD series features 36 step-by-step DVD lessons conducted by professional waterworks personnel. Lessons will be available for purchase as a complete 36 DVD set or individually by lesson. The Basics is currently available in English and will be available in Spanish later this year.
Nick Reviglio, WWIS president and co-founder and former waterworks employee for the Reno-based Western Nevada Supply Co., said, "We saw a great need to harness today's technology to create a comprehensive training series that simply has never been done in the waterworks industry. This is truly a new standard in training for the industry and we are thrilled to be taking the lead on it."
Reviglio's father, Tom, was more than a 30-year veteran of the waterworks industry and co-founded Western Nevada Supply Company, a waterworks distributor with six locations throughout Northern Nevada and California. Growing up in the business and later working for six years as an estimator for his father's company, Nick saw first hand the needs of the industry. In 1997, Nick started his own design company which grew into his current multimedia company, 3V Media, with locations in Las Vegas and Reno. Initiated by Tom in the fall of 2003, Nick and his wife Holly Hartzell-Reviglio, a former Las Vegas teacher and freelance artist, combined their skills along with other waterworks industry professionals and over the course of two years developed what is now the 36 DVD training series for the waterworks industry.
"While researching this project we uncovered a lack of adequate training products available to the waterworks industry which covered the basic fundamentals and the most common installations used daily in the field. As for the common laborer there isn't any kind of system in place for employers to assess their skill level and current knowledge to place new hires. It's hard enough when you are a contractor or municipality and you're trying to teach new laborers the basic difference between fittings and restrainers, let alone the importance of following each manufacturer's installation instructions when performing an install -- all of which are needed to properly lay the most basic underground water systems. We wanted to find a way of helping both the employer and the laborer along with the industry by creating a program to consistently train and track employee's skills.
Whether you are union or non, we saw problems with both, which could easily be fixed with a consistent training tool and means of tracking and testing laborers as they move from job to job," said Reviglio.
The 36 DVD lessons were created to help supplement and aid in the understanding and safety of the most common waterworks parts, how they are used in the field and their general installations.
Each lesson was created in part by following AWWA, Uni-Bell and DIPRA's industry standards in conjuction with the following manufacturers for installation accuracy: EBAA Iron, Inc. (Eastland, Texas); The Ford Meter Box Company, Inc. (Wabash, Ind.); J-M Manufacturing Company (Livingston, N.J.); Mueller Company (Decatur, Ill.); Romac Industries, Inc. (Bothell, Wash.); Sigma Co. (Ontario, Calif.); Smith-Blair Inc. (Texarkana, Ark.); Star Pipe Products (Houston, Texas); and, U.S. Pipe and Foundry Co. (Brentwood, Calif.).
Each DVD lesson contains basic safety, reading and understanding the O.D. Chart, introductions which apply to the installation and a 3D animated review. Lessons include: PVC C-900 pipe installations; ductile iron pipe installations; coupling installations; service saddle and tapping sleeve installations; restrainer installations; service line pipe, stops and fittings installations; SDR-35 gravity sewer pipe installations; and, an electrical conduit installation.
Reviglio said, "Training and Installation" The Basics will soon offer a web-based assessment program so that the skills and effectiveness of the workforce can be evaluated. The DVDs also are reusable to provide consistent training for years to come.
"The Basics provides the proper training in a way for everyone to understand, whether the individual is an engineer, new laborer or current laborer. The DVDs allow municipalities, water districts, contractors and others to save in training and on-site injuries. This new form of training also will increase the longevity of underground water and sewer systems because the infrastructure will be laid properly the first time," said Reviglio.
More information on "Training and Installation" The Basics can be found at www.waterworkstraining.com or www.wwindustrysolutions.com.
Also see: NASCAR's Kurt Busch teams with Las Vegas firm to train nation's waterworks workforce


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Learn how to live from your inner well of peace, so you can be more calm, relaxed, focused, and skillful in all situations. In this class you will learn:
• what peace is and what it is not.
• what nurtures and facilitates peace.
• how peace feels energetically in the body.
• the delusional states that peace cures.
This is a continuation of a series of talks on the Four States of Being, which is part of our Aspects of Truth programming.
These group meditations are free and open to the public. Feel free to invite any interested friends, family, and colleagues. Our time together includes a 30-minute guided meditation, and talk.
Helpful information about the venue:
- We will meet in one of the library conference rooms. Office chairs are provided to sit in. If you prefer another arrangement, feel free to bring yoga mats, cushions, blankets or whatever you need to be comfortable during the meditation.
- Although not required, we encourage you to bring your journal for taking notes and doing written activities.
- No donations will be requested or accepted at these meetings. This is the Dakota County Library Policy. If you feel moved to donate, follow the instructions on our donation page, but this is not necessary. These events are offered freely for your benefit and welfare.


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Michael Coffey
Lebanon Union High Class of 1980
Personal Info
- Name:
- Michael Coffey
- Maiden Name:
- Coffey
- Graduation Year:
- 1980
Register to view Current location, Gender, Birthday, Relationship Status, Children, Employer, Military, College, and Interests
Memories of Michael Coffey
What I'm doing now:Register to see what Michael Coffey is up to now!
Michael Coffey's Latest Activity:
|- Added a memory of Doug Brown. 2017
|- Added a memory of Kathrine Pynes Tiller. 2017
|- Registered as a LUHS Class of 1980 alumni. 2017
|- Added photos to their personal photo gallery. 2017


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Bitcoin to gold ratio
There are several modes which wallets can operate. Archived from the original on Retrieved 16 November 2015. A better way to describe a wallet is something that "stores the digital credentials for your bitcoin holdings" and allows one to access (and spend) them. Archived from the original on Retrieved b O'Brien, Matt. "Want to Keep Up With Bitcoin Enthusiasts? Archived from the original on "Editorial Policies". Retrieved "RMB Bitcoin trading falls below 1 pct of world crane bank forex rates total".
Litecoin, Bitcoin and the, gold -Silver, ratio
As of 2015, The Economist estimated that even if all miners used modern facilities, the combined electricity consumption would be 166.7 megawatts (1.46 terawatt-hours per year). Trading in RMB drops from 90 to 1". Federal investigation was prompted by concerns of possible manipulation during futures settlement dates. 199 Bitcoin miners are known to use hydroelectric power in Tibet, Quebec, Washington (state), and Austria to reduce electricity costs. Retrieved 2 September 2014. Archived from the original on Retrieved "Ex-Googler Gives the World a Better Bitcoin". 163 Regulatory warnings The.S. "Regulation of Bitcoin in Selected Jurisdictions" (PDF). Retrieved 5 September 2016. "The Bitcoin Schism Shows the Genius bitcoin to gold ratio of Open Source". "Chinese bitcoin miners eye sites in energy-rich Canada".
"Bitcoin worth almost as much as gold". You can unsubscribe with one click. Archived from the original on Retrieved Lampert, Allison. 167 The European Banking Authority issued a warning in 2013 focusing on the lack of regulation of bitcoin, the chance that exchanges would be hacked, the volatility of bitcoin's price, and general fraud. Archived (PDF) from the original on Retrieved 2 November 2014. Archived (PDF) from the original on Retrieved "Customer Advisory: Understand the Risks of Virtual Currency Trading" (PDF).
Bitcoin, gold, price, Charts, BTG Coin Complete Info/Metrics
127 Steve Bannon, who owns a "good stake" in bitcoin, considers it to be "disruptive populism. To achieve independent verification of the chain of ownership each network node stores its own copy of the blockchain. This allows bitcoin software to determine when a particular bitcoin was spent, which is needed to prevent double-spending. 61 63 Bitcoin prices were negatively affected by several hacks or thefts from cryptocurrency exchanges, including thefts from Coincheck in January 2018, Coinrail and Bithumb in June, and Bancor in July. 46 The bitcoin price rose to 259 on 10 April, but then crashed by 83 to 45 over the next three days. "Bitcoin Composite" (XBT. Archived from the original on Retrieved Friedrich von Hayek (October 1976). Neptune's Brood (First.). Archived from the original on Retrieved Gervais, Arthur;. Government makes its first-ever Bitcoin seizure". After bitcoin to gold ratio early " proof-of-concept " transactions, the first major users of bitcoin were black markets, such as Silk Road. They can be exchanged for other currencies, products, and services. "China bars use of virtual money for trading in real goods".
Archived from the original on Retrieved Posner, Eric. After 24 hours they will start earning interest which will be credited to your wallet. Trading fees for this platform are.2 only. 156 In 2014, the price fell sharply, and as of April remained depressed at little more than half 2013 prices. Since most of the trading volume seems to come from Coinbit which has its volume excluded and P2PB2B, it seems unlikely this price change is a genuine one.
Etf Expense, ratio, bitcoin, gpu Performance
224 Academia In September 2015, the establishment of the peer-reviewed academic journal Ledger ( issn ) was announced. 177 Academic research published in the Journal of Monetary Economics concluded that price manipulation occurred during the Mt Gox bitcoin theft and that the market remains vulnerable to manipulation. "Warren Buffett and Jamie Dimon on bitcoin: Beware". Archived from the original on Retrieved b c d e f "The great chain of being sure about things". Archived from the original on Retrieved ban, Hamza. Retrieved Ben-Sasson, Eli; Chiesa, Alessandro; Garman, Christina; Green, Matthew; Miers, Ian; Tromer, Eran; Virza, Madars (2014). 197 Politico noted that the even high-end estimates of bitcoin's total consumption levels amount to only about 6 of the total power consumed by the global banking sector, and even if bitcoin's consumption levels increased 100 fold from today's levels, bitcoin's. Here you can deposit coins into your Bitstar wallet. When the worlds leading cryptocurrency loses value for no apparent reason, some alternative markets will go through a pump cycle for no apparent reason.
92 In other words, bitcoin's inventor Nakamoto set a monetary policy based on artificial scarcity at bitcoin's inception that there would only ever be 21 million bitcoins in total. Retrieved b Harney, Alexandra; Stecklow, Steve (16 November 2017). Archived from the original on Retrieved ill, Kashmir. University of Oxford Faculty of Law. 8, transactions are verified by network nodes through cryptography and recorded in a public distributed ledger called a blockchain. "Here's how Bitcoin charmed Washington". 1 Anybody can send a transaction to the network without needing any approval; the network merely confirms that the transaction is legitimate. Archived from the original on 30 November 2013. The bitcoin blockchain is a public ledger that records bitcoin transactions. "A brief history of Bitcoin hacks and frauds". Archived from the original on Retrieved Kharif, Olga. Journal of Monetary Economics. Archived from the original on 19 February 2015.
"Bitcoin source code - amount constraints". "The 11 million in bitcoins the Winklevoss brothers bought is now worth 32 million". The Twelfth Workshop on the Economics of Information Security (weis 2013). Archived from the original on Retrieved 2 November 2014. However, bitcoin continues to be used for large-item purchases on sites such as m, and for cross-border payments to freelancers and other vendors. Archived from the original on Retrieved 8 November 2016. For those traders willing to take a small gamble, there are some arbitrage opportunities involving Bitcoin Gold as of right now.
Litecoin, ratio, too High?
32 In 2014, the National Australia Bank closed accounts of businesses with ties to bitcoin, 137 and hsbc refused to serve a hedge fund with links to bitcoin. "Everything you need to know about the blockchain". 101 :38 The bitcoin to gold ratio security hologram self-destructs when removed from the token, showing that the private key has been accessed. 1 Small amounts of bitcoin used as alternative units are millibitcoin (mBTC and satoshi (sat). "Cracking the Bitcoin: Digging Into a 131M USD Virtual Currency". I wrote Neptune's Brood in 2011. "Zerocash: Decentralized Anonymous Payments from Bitcoin" (PDF). 26 In 2010, the first known commercial transaction using bitcoin occurred when programmer Laszlo Hanyecz bought two Papa John's pizzas for 10,000 bitcoin. Archived from the original on Retrieved Krugman, Paul.


text: Rap veteran Grand Daddy IU talks to Forbez DVD about his feud with late music icon Tupac Shakur over fellow rapper Queen Latifah. He also talks about Biz Markie jerking him for half of his publishing, Diamond D reaching out to him for his new album and the fall of Cold Chillin. He also talks about having a beef with Treach and having run-ins with Tupac over the diss record 'Big Mama' he wrote for Roxanne Shante dissing Queen Latifah, Yo-Yo, MC Lyte. Check it out!


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VICTORIA — A new public art installation proposed for Victoria has sparked debate over the merit and interpretation of city-funded artwork.
British Columbia artist Luke Ramsey defended the inspiration and design of the sculpture that incorporates a series of colourful surfboard-type arches mimicking the silhouette of an orca at city council last week.
The $250,000 sculpture compliments an interactive sound element of First Nations drumming and singing created by the city's Indigenous artist-in-residence Lindsay Delaronde.
The art will be installed near the city's downtown waterfront, and Councillor Ben Isitt questioned the simplicity of the sculpture and its ability to reflect the Indigenous history of the land.
But Councillor Marianne Alto says it's not up to the city to determine or define what is Indigenous art.
The design was ultimately approved by council and will be installed as part of a larger landscaping project for the waterfront sparked by the construction of a new bridge.


text: I have developed a cloud conferencing solution around CMS, on mobile devices this app can be added to homescreen and will run in standalone mode so that it looks and feels like a native app. Now that webRTC is supported on iOS I've added a button to join your conference via webRTC from your iPhone. The button is a redirect to webbridge including the secret and id of the meeting, the user just needs to enter a name and click on join. this works fine when browsing to the page using Safari, however when added to the homescreen and running in standalone mode the link is opened in the in-App browser (which is Safari as well) and allows you to enter the name but then says that you need to download the CMS app to join. Since the built in browser is Safari as well surely it should be possible to join via webRTC


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On 3 May 2019, the FIFA Players' Status Committee (PSC) fined and reprimanded a club for having delayed a due payment for more than 30 days without a prima facie contractual basis. It was the sixth time the Club had delayed payments.
On 20 July 2016, the Claimant, a football Club, and the Respondent, another football Club, signed a Transfer Agreement, which transferred a Player from the Claimant to the Respondent. In accordance with the employment contract, the Respondent undertook to pay to the Claimant a total amount of EUR 200,000 as a third...
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For the best, smartest, most loving furry friend you will ever have!
This is a sample of what you will receive after we receive your deposit on a puppy, If you have any questions, please don't hesitate to ask!
DATE: BREED: Havanese
PURCHASED PRICE: $1,800 SIRE: Rondy AKC # TS02293702
DEPOSIT: $500 DAM: Scarlett AKC # TS17700401
WHELPED: October 29, 2017
This puppy is sold with a "limited" AKC registration which means the puppy may not be used for breeding and must be spayed or neutered before 12 months of age. Registration papers now have a Limited Registration box that will be filled in, alerting the American Kennel Club that this puppy cannot produce AKC registerable litters. (In very limited situations, a conversation regarding breeding rights can happen. Additionally you can compete in other AKC events such as Agility, Obedience, and Rally.) Upon mutual understanding, puppy can be picked up at between 9-10 weeks old. Delivery after that may have buyer responsible for next set of puppy shots (scheduled for 12 weeks old).
The initial $500 deposit is non-refundable. New ownership will happen once the remaining/full price of the puppy has cleared the financial institution or is paid in cash. Current price for any puppy is $1,800.
This puppy has been (will be by 6 weeks of age) examined by our veterinarian, Dr. Bradley Cooper, and is (will be) found to be of sound body and excellent health. We ask that you have the new puppy examined by YOUR veterinarian within a 72 hour period. In the unlikely event your vet finds a problem, you are to contact us IMMEDIATELY at 910-465-1241. We will contact your vet as soon as possible to discuss his/her findings.
This puppy is health warranted for one year against hereditary and congenital disorders that would interfere with the puppy's ability to lead a normal life. (Undescended testicles or umbilical hernias are not considered defects.)
Should your veterinarian find a life-threatening, hereditary, or congenital disorder within one year of purchase, you must supply your veterinarian's written report to us within 10 days of his/her findings. Your puppy will be replaced by another of equal value as available.(Adult size, conformation, color, temperament, or coat type cannot be guaranteed. AND your puppy must be returned to us.) If you do not want a replacement dog, you will receive a full refund. In the unlikely event of the puppy's death, a necropsy must be performed to determine the cause of death. This guarantee does not cover hypoglycemia, a condition that can be caused by stress, missing meals, excessive playing or exercise.
The buyer is allowed one week to determine if this puppy will fit into his/her lifestyle. In the unlikely event things don't work out, we will buy back the puppy for one half (1/2) of the purchased price. It will be the buyer's responsibility to return the puppy to the breeder.
If, for any reason, the buyer can no longer keep the puppy/adult dog or provide a proper home, the dog must be returned to the breeder. The puppy/adult dog is not to be re-sold or surrendered to an animal shelter.
Rondinaro Havanese and buyer certify, by signing this agreement of sale, they agree that the above conditions of sale will be followed.
_____________________________________Breeder ___________________Date
Tamera M. Rondinaro, Owner & Breeder
Rondinaro Havanese
4837 S. County Road 950 W.
French Lick, IN 47432
_____________________________________Buyer __________________Date
(Buyer's name)
(phone number)


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This research paper focuses on Gulf–Iran relations within the framework of the bilateral relationship between Oman and Iran. This relationship is unique as well as distinct from Oman's relations with the other nations of the Gulf Cooperation Council (GCC) and has a direct influence on Gulf regional security. Oman's relationship with Iran has grown stronger and firmer after the events of the Arab Spring. This comes at a time when the Gulf countries are suffering worsening internal security, political and economic conditions and disagree amongst themselves about how to deal with Iran. Hence, the Omani-Iranian rapprochement is intensifying the security anxieties of the GCC countries. This paper examines the conceptual frameworks for security and cooperation within the GCC. Oman's view on security and cooperation is seen in its foreign policy which adheres to non-intervention and neutrality in foreign affairs. Omani-Iranian relations are analyzed in how they affect Gulf integration and the role played by Oman in the Iranian nuclear deal. The paper concludes by discussing Oman's position on the current conflict in Yemen and its effect on Gulf security as well as Oman's role in mediation between the parties in the conflict.
- © 2016 The Centre for Arab Unity Studies


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Question about Whirlpool LTE6234D Top Load Stacked Washer/Dryer
Where is the lint filter located and how does one clean it?
Posted by viral on
I am using agitator washing machine, The lint filter is not on the door.
I dont care, where it is, just tell me how to clean it. My clothes are getting ruinned by lint getting stuck to it.
There is no lint filter that you can manually remove?
There must be something inside the machine that you can clean as
this problem with lint only occurred when the machine has been in use
for about 2 years.
I don't use the tumble drier - I live in California. Why is this thin twin putting lint all over my clothes? It is driving me insane having to try to get ingrained lint off the tshirts...
Where is the filter for the washer????????
the clothes come out of the washer still wet BUT it does spin...is there a filter/trap that collects or can be blocking the water from draining properly?
I have a regular top loader and the lint filter is on the underside of the inner tub. You have to remove the inner tub to get to it. You might be able to find a service manual explaining this at appliancejunk.com.
Posted on Dec 09, 2009
Most older washing machines had lint filters or screens in the tub usually near the top, where the water level reached - so that lint could "float in", same concept as a skimmer in a swimming pool. They rarely have them anymore - mine doesn't and it was purchased 16 yrs ago.
Posted on Jul 15, 2010
At least I think I can. I just bought a 2 year old washer/dryer (never had one before), and I've always found the "lint box" for the dryer either on top of the maching, or inside the door, and these machines it's in the back wall of the dryer, wow was mine full by the time I found it.
Posted on Feb 06, 2009
Hi Viral, The lint filter is in the door. It should just lift out. Or cut & paste this link for instruction manual for your machines. http://shared.whirlpoolcorp.com/assets/pdfs/literature/Use%20and%20Care%20Guide%20-%203406876.pdf Regards
Posted on Aug 22, 2007
Hi there,
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Posted on Jan 02, 2017
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When I realized God was for MY good
I stood staring up at the screen in college singing along to this new song, "Your Love Never Fails" by some band called JesusCulture. The chorus was well enough then it transitioned into the bridge:
Wait, MY good? That's not true. That's not how the scripture goes. Romans 8:28 says that He works all things together for good, not MY good. We can't just take scripture and bend it to please us. God is more concerned about the greater good than just me. It's not about me.
As I debated the theological accuracy of the bridge, everyone else kept singing it. As I thought, it clicked that God's good is ultimately my good too. So, I figured I could sing it. That was the beginning of a few year journey of working that through my system. I also realized that while I oh so want people to see and want Jesus more than ever, Jesus see and wants me.
"It's not about me" was my response then. It's still not about me now. But then, I wanted to be completely out of the picture or thought. I just wanted it to be about Jesus, but Jesus wanted it to be for me.
You see, what I didn't know then, is in a relationship, you give to the other person. A wife gives of herself to meet her husband's needs and dreams. A husband gives of himself to meet his wife's needs and dreams. That's a healthy and beautiful relationship. The unhealthy version is when the wife gives sacrificially to her husband, and the husband spends his attention and strength on Himself too.
That's kind of how I viewed my relationship with God: Because of what Jesus had did, I gave all I am for Him. All He had was also for Him and His glory...or the unsaved. Apparently, once you get saved, then you're just for Him, His glory, the other unsaved and He moves on.
Now I can see that all of me is for Him, and all of Him is for me. I was actually preventing Him from loving me and championing me. God doesn't have a scarcity of glory, nor is He afraid for His bride to shine. In fact, the more a wife flourishes, the more of a testament it is to her husband for how he treats her. Same with God. When His Bride and children flourish, it shows He's a really good Husband and Dad.
What's this mean in normal life?
I know He wants my wife to be beautiful. He wants my job to flourish. He wants my children to be healthy and happy. He wants me to be successful, healthy, and whole. (Sometimes we need to redefine success from everyone's a billionaire with houses and cars to thriving, growing, living and loving well.) Now, I can look back at different seasons of my life and see how He's worked to love me, protect me, mold me, make me, prepare me, grow me. It's been for my good. My good just gives Him more glory. My good is so over the top that there's no way I could do it myself.
My heart is more His than it ever was before - not because I have a bunch of things or all my dreams come true - but because I know He cares about them and is working in my life. It's not so He looks better, but because in a relationship, Love gives to better the other person. I am all in for His good and He is all in for my good. You could argue, but the cross and the Spirit's work say otherwise.


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"This has never been our fight. But whether we like it or not, it is now."
Nearly three months have passed since the assassination of Ikaro Tachi, but for some, the incident has had a lasting effect. Years of trust and reliance have been compromised. Betrayal and secrets have created wounds that may never fully heal.
Ziva Payvan is no stranger to the concept of keeping—and uncovering—secrets. But when she swore to fulfill the final wishes of a dying friend, she never expected that task to include exposing one of the biggest and longest-kept secrets in the galaxy.
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