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I bought this grill in May 2018. Had to return it to Ace 9 days later because it wouldn't keep temp or would go out and fill up with pellets. I had to have the GM of Ace fight for me to get a new grill from Traeger. Once I did the new one seemed to work for about a month. Since then this one does the same thing as far as heat and pellets. I thought this thing was supposed to be a set and forget grill. If I don't watch the heat it will be 200+ degrees over the set heat or sometimes be at ambient temperature and I have to pull me meat, grill and grease tray out so I can empty the heat pot of all the Unburned pellets. This thing is nothing but trouble. Does it cook great meat? Yes! When it works and you babysit it the whole time. On top of that customer service is about as useless as ** on a boar! They will try and tell you it's something you've done wrong. I will be buying another brand smoker and giving this one to someone who like to deal with troubles.
Minor problems (Product): 1. Main grill rack does not fit snugly, leaving the rack to half almost a half an inch in all directions to move. (not so much a problem when cooking but it does move) 2. Wind is a major factor making it difficult for this to get up to heat and stay there. 3. It rarely comes to the temperature I set it for, and usually is about 10-15 degrees below, with trying all of the different possible adjustment settings.
Pellet grills come in many different sizes with a variety of features. To take the top spot among pellet grills, the Camp Chef SmokePro DLX Grill offers the best combination of grilling space, heat control, and easy-to-achieve flavors that will create tasty meats time and time again. The grill makes cooking with pellets quick, easy, and enjoyable no matter how much skill you have on the grate.


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Found 67 New York, Direct Employer jobs using the term 'marketing'
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Marketing Officer
The Michael J. Fox Foundation for Parkinson's Research is seeking a Marketing Officer to support the organization's marketing and revenue efforts.
Head of Brand Marketing, THE WEEK
THE WEEK is looking to hire a Head of Brand Marketing, based in our New York offices. About THE WEEK As a mission-based media brand, THE WEEK is "O...
Sales Executive
Looking for a proven salesperson who excels in an entrepreneurial environment motivated by the potential of uncapped commission structures.
Corporate Communications Director
Qontigo's Director of Corporate Communications will be responsible for internal and external communications across our key markets globally.
Editorial Associate
pulsd is an experiential discovery platform on a mission to democratize fun in NYC. This position is involved in all editorial & create aspects.
Financial Media Relations & Marketing Communications Specialist (mid-level)
Exciting opportunity for someone with a consultant mentality who can balance the needs of multiple clients while achieving outstanding client outcomes
Marketing Manager - North America
The Marketing Manager will be responsible for the execution of integrated and effective brand marketing campaigns for eOne's PJ Masks property.
Communications Manager
The Center for an Urban Future (CUF) seeks a Communications Manager to help drive policy change in New York.
Account Coordinator
DADA Goldberg is a boutique PR Agency that works with distinguished design and destination brands. We are seeking candidates to join our growing team.
Account Manager
DADA Goldberg is a boutique PR Agency that works with distinguished design and destination brands. We are seeking candidates to join our growing team.
Account Executive
DADA Goldberg is a boutique PR Agency that works with design and destination brands. We are seeking an Account Executive to join our Hospitality team.
Marketing Coordinator - North America
The Marketing Coordinator will support the busy Marketing team in executing integrated brand marketing campaigns for eOne's popular preschool brands.
Search Engine Optimization Specialist
AFAR Media, the leading experiential travel media company, is looking for an SEO Specialist to help increase audience size, user engagement, and im...
Marketing Associate, Social Media & Digital Media
Do you have a passion for food and promoting health and wellness programs? We have a fantastic opportunity to work for The Monday Campaigns initiat...
Website Coordinator
SUMMARY The Website Coordinator, who reports to Director, Website & Presentations, is a member of the web team ensuring the Met's online content is...
Paid Search Manager
FIG is seeking an enthusiastic and experienced Paid Search Manager who will manage the Paid Search strategy and activity for our largest media acco...
Marketing & Communications Manager
The Marketing & Communications Manager will be responsible for establishing and implementing strategies that will build the WOS brand.
Multi-Media Journalist / Social Media Manager
The West Point Association of Graduates is dedicated to furthering the ideals and promoting the welfare of the United States Military Academy (USMA...
PR Account Supervisor
PUBLIC RELATIONS ACCOUNT SUPERVISOR We are looking for a strong, self-motivated, pro-active Account Supervisor/Publicist with extremely strong medi...

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Critical Writing
"Flowers are attention-seekers. Look at me, each cluster of petals and stamens demands. Focus on me, zoom in on me. Concentric bursts of colour and scent, they flaunt themselves so as to lure in the browsing pollinator. In this remarkable corpus of paintings and sketches, Carol Barsha responsively hones in, bee-close, on the spectacular, flagrant clamorousness of garden and meadow flora. Her lilies, zinnias and teazels have the swagger of heraldic beasts. Like some lion or eagle on an antique blazon, each flowerhead feels supercharged, intoxicated, on its own rampant vitality.
There's fellow-feeling involved. A painting is itself a claim on visual attention. Seizing on some scarlet or yellow bloom, Barsha asserts the root impulse of her medium: shout it out, so that the viewer's eyes start listening. Her work on the sheet of paper commonly seems to begin with that identification, some vivacious flowerhead being set down first so as to lead the way.
But the flower has not the sheet's right angles. Pictures are rarely concentric in format. Pictures are less likely, you might infer, to deliver simple shots of visual stimulus. Rather, they tend to offer themselves up as garden-like rectangles around which our eyes are free to wander. So you might infer: but it happens that these assumptions were being pushed around and subjected to concerted challenge by many an American painter of the 1960s. Think of the ways that a Kenneth Noland "target", a Frank Stella stripe painting or a Brice Marden panel put them to the test. Can or should a painting be one thing? Must a painting always be a space with something "in" it?
What is remarkable about Barsha's current body of works on paper is that many a decade onwards, those old conundrums spring to life again, resurfacing on a smaller scale in an altered artistic context. The pictures in question are largely based on plein air sketching sessions at Beetlebung Farm on Martha's Vineyard, a site Barsha has visited for more than twenty-five years: but an intense few weeks spent at Soaring Gardens Artists' Retreat in Pennsylvania added an important dimension to the corpus. Some of the pictures on view were made as direct responses to the motif, while others have been evolved in the studio. It is worth noting that for many painters, plein air depiction feels seductive but distracting - the depicting of flowerbeds most especially. Too easily you become a complaisant receptacle for nature, losing sight of your inner purposes. But nothing of that sort happens here. At every cue for blandness, the art answers back bracing.
Note for instance the space which Barsha's flowers typically occupy - a tight upright corridor. The bright signal of colour that is the picture's genesis floats high in the rectangle of paper and the task becomes to ground it, to track the stem connecting flower to earth. A vertical struggle gets activated. (A typical example would be in Buds Shoot and Flourish.) And then in describing it, Barsha often emphasizes reserves - stretches of sheet left blank, that is. Note the way an paint-free central strip in Cosmos Zinnias & Sunflowers at once stands in for an evanescent interface between garden plantings and reminds us of the sheet's own materiality. Poised yet nervy, sophisticated yet somewhat jagged, Barsha's inventions never settle down as amenable floral decorations.
At places - in the blurting aggression of the teazels in The Meadow is Swishing, in the gross white fence posts Barsha likes to describe - the pictures echo the late work of her mentor, Philip Guston. Guston, not much of a man for plein air ('My paintings are more real to me than what is outdoors'), came up with a uniquely resonant response to the painting crises of the 1960s by remorseless self-questioning. A new mode of painting 'with things in it' took hold in the wake of his break with abstraction. Barsha has run with it. In earlier works, she has explored the tensions between single concentric objects - tape spools, birds' nests - and overall picture space. But the data gathered at Beetlebung over the past three decades has generated more complex forms of interplay.
Zinnias lurch before fence posts in tipsy apposition in They Brush the Descending Blue. The netting that sways from post to post gives onto a further fence and at its upper edge discloses far trees, a turbulent sky, and a flurry of rooks. What's dramatized, with almost comic exuberance, is the wrench separating palpable objects from the wide world in general - and intervening between the two, artifice, boundary construction, attempts at order such as the netting's wonky grid. Sidling up on her flowerbeds from outrageous angles, Barsha likes to pounce on perspective in these pictures with a vengeance. For instance That Blue is All in a Rush plunges us into a Bonnard-like epiphany encompassing a radically skewed angle of vision; whilst Midnight Garden, where black pastels make way for an equally virtuosic chiaroscuro, strains to maximum the disjuncture between a flat, factual plane and an acceleration heading out to infinity.
I have merely been discussing, as a fellow painter, the kinds of formal intelligence I see these pictures as embodying, because their expressive content seems hardly to need speaking for. Besides the comic exuberance with which Barsha conceives and executes her markmaking, a vivid, open-ended sensuality declares itself: flowers, after all, are often described as the sexual parts of plant species. At the same time there is poignancy in their tremulous, top-laden forms. The opening lines to a Philip Larkin poem spring to my mind - 'Heaviest of flowers, the head / Forever hangs above a stormless bed...' But Barsha, as her choice of evocative titles from Wordsworth, Gerard Manley Hopkins and Seamus Heaney demonstrates, has no wish to insist on some tendentious, anthropomorphic scheme of symbolism. Her pictorial metaphors, reflecting back both on the garden and on the studio, are too capacious and ungovernable for that."
"Carol Barsha starts with familiar things, launches them into seas of color and follows wherever they take her. That's been her method for years now: finding objects that intrigue and turning them into forms with mythic power. January 7 through 31 Bethesda's Gallery Neptune shows her two latest series inspired by bird's nests and rolls of tape. In the past, Barsha's oil paintings entered realms of fantasy and dream. Human heads erupted in Pentecostal flames; hotel beds floated heavenward on wings. But these later works like "Wisp With Whole Egg" depict actual nests discovered on nature walks. Barsha, of course, still brings a surrealist's sensibility to what she sees. Her colors diverge from natural hues, and her nests and tapes occupy spaces with no horizon lines or perspective clues. She remains fascinated by the inherent elegance of "form follows function."
"Carol Barsha's "A Logic of Their Own Making" at Gallery Neptune concentrates on the coiled, from the organic - bird's nests - to the man-made(rolls of tape). She works with oil, charcoal and ink, teasing out comparisons that are compelling and engaging."
"Books float on water. A hand bursts into flames. A boat plows celestial seas. In the world of Carol Barsha, common objects do extraordinary things. Fascinated by Renaissance art and the idea of transformation, she approaches the mundane with an unpremeditated reverence. At Gallery K, her latest paintings - oil and oil stick on paper - venture into mystical and moral territory. Always obsessed by water, Barsha now delights in depicting angels, having discovered that the Talmud describes their bodies as half-fire, half-water. She uses intense blues and reds, once symbols of spiritual states, but places the colors intuitively. Like some latter-day medium, Barsha tunes into the known expecting to hit an unlisted frequency. Even one of her self-portraits suggests revelation; it shows only the top of Barsha's head bursting into Pentecostal fire."
"Often in surreal paintings, the surface is smooth. The viewer is enticed into the picture by an ominous emptiness or the odd positioning of subjects. Carol Barsha's imagery is direct and simple. Her brush is dry and scumbly. Nothing is hidden in the dream memories she depicts. Bound by viscera, Barsha appears to journey through the self as she shoots through the water and into the air, part Venus and part Frida Kahlo. Books, ladders and canoes transport her to another realm. This inner discovery doesn't translate into sentimentality. The viewer doesn't come away being off-balance or empathizing with this artist, yet there is some glimmer of recognition in thinking about the inner cords that restrain us and keep the creative self in tow."
KEN ODA - KOAN Volume VI Number 8 1998
"Carol Barsha's triptych, "The Love That Binds (I, II and III)" presents an Isaac floating in a limbo of love and oblivion. That is he is caught between realms and he therefore hovers between heaven and earth. But his hovering is also born both of the oblivion of meaninglessness and it is born of love in the most ambiguous of ways. He floats ambiguously in the watery skies, only parts of him - only parts of the story. The rope looped around those visible limbs is red, of course, the colour of blood, of sacrifice, of passion, of love. Barsha's love that binds belongs not to Abraham and Isaac nor to members of any of the three monotheistic traditions alone, but to all humanity."
"Carol Barsha's work has elicited responses such as "surreal," "enigmatic" and "allegorical." It can be all of that and, I would add, "unreal" or even "whimsical" and "melancholic." What strikes me as being even more important and revealing though, is that only rarely does an individual piece embody more than one of these attributes, not to mention several. More than likely an individual work comes on rather forcefully with one emotion or another. What the collective works in this exhibit do show, however, is the artist's sincere search for expression, meaning and direction in her work. Barsha is an artist on the move with an ambitious aesthetic that is not afraid to show every step of the journey - to show the grappling and juggling of problems and possibilities. She devours recent figurative, narrative-implied art history - the classic and the cliched - on her way toward something else, something more. Barsha sites early study with Philip Guston and it shows, though the linkage is not direct for she is well beyond quotation and mimicry. Her own version of a funky-clunky-chunky imagery rendered with a heavy hand. Often coarse, even heedless, but also righteous and effective. It gives character to her work - a sort of Palooka-punch which keeps one interested in finding out more about each painting. And in that search comes the realization that this inner quest might be fully realized in an art Barsha can paint through for a lifetime. Horizons have huge, metaphorical weight in many of her works. One of the things she paints so well is the disarming, even fearful and evasive edge where wind meets wave and water wades ashore. These things never are where we think them to be and may never be assumed to be anywhere in particular. Today's beachside picnic may be tomorrow's burial at sea. The best of Barsha's work stretches toward creative paintings whose formal and classical elements get way beyond the actual image. To a rare place where the painting itself is an embodiment, an analog, if you will, to the huge forces of nature and nurture as they manipulate our lives whatever our degree of awareness. In Barsha's hands these events often assume a joyous, carnival quality. Rightfully so. We still live in a fabulous world full of wonder and beauty for all its implied and implicit terror or mortality. So it will always be - this pattern to our lives. It is not a hard edged design; rather a recurring, repetitive fractal. Familiar, but not exact and never to be taken for granted. While these paintings are imaginative, conjured compositions, unreal in their contrived depictions of time, place and event, Barsha reveals herself to be a keen observer of nature. In "Lost Angel" the wave action and cloud forms clearly share paternity. Rising from recurring natural laws, they mock, mimic and make faces at each other - creatures appear, whether man or shark. Barsha's world keeps unfolding as if the paint itself was full of protoplasmic possibility. "Little Angel Bed," arresting in an alive red shroud, bears what Heavenward? We can only suppose. What is more important is the really exquisite and touching mood within the work - how can it be both funereal and buoyant? These contrasts, enigmas and dichotomies resonate throughout the exhibition, celebrating now and promising much for tomorrow."
"In Carol Barsha's paintings, beds float, ladders bend, oceans press against window panes, and figures with and without wings hover like angels between water and sky. Her recent works are now at Gallery K. Barsha often splices in memories of dreams, but she begins with what she sees in broad daylight - a daughter napping, a son by the shore. She proceeds in the light of art history: the magical flat-space paintings of the Early Renaissance, the colors of Matisse, the brushstrokes of Bonnard, the Old World fantasies of Chagall, and the serious play of her teacher-mentor Philip Guston."
"In Carol Barsha's watery scenes the protagonist is usually a young woman. Here she floats spread-eagled on permanently waved blue water wearing a green dress and accompanied by the head and tail of a whale-like creature that pokes through the surface. There she lies under a green blanket on two chairs, Mary Jane shoes on the floor and, in the background, an open window giving onto a large wave of brighter green. Other pictures feature her, or a child alone in a boat. The artist does best using oil stick, a drawing medium with the effect of paint that enables her to break up color by applying it in stitches. But regardless of technique, the result is cheerful images filled with a longing for childhood."
"Carol Barsha is welcomed back to Westchester with her striking, often enigmatic paintings. Allegorical and even surreal, works like "The Dream" incorporate water and boat-related imagery. Barsha's placement of figures is often puzzling. One wonders where the journey began and where it will end? Who is navigating while the woman sleeps and dreams? Is it the artist who is in control of the passenger's safety? Or is it the viewer who carefully keeps watch at night? Is the colorful painting and strange juxtapositions real or imagined."
"..the musician in "Clarinet Player on the Balcony" by Carol Barsha is a surrogate for our emotional response to the exhibition. Everything in the painting suggests pleasantness, not least the golden and sunburned tonalities that recall the good life in the south of France as captured by Pierre Bonnard."
"The Journey" by Carol Barsha is an up to date enigma featuring a young woman floating on what may or may not be water."
"Barsha's paintings, realistic on the surface, often concern autobiographical themes; but her use of dynamic composition and intense pastel colors makes these images reverberate with a variety of overtones."
"Ms. Barsha's involvement with realism delves into magical places as well as autobiographical subjects. Each art work is filled with a tranquility which can only be found in nature."
"First shows by very young artists generally disclose that they have been looking thoughtfully at pictures. Carol Barsha's, with its evocations of Bonnard, has this admirable quality. She is interested in diffused light distributed by foliage, the refractions of the figure partially in water, the play of the abstract and the volumetric. If much of this seems academic, could she have a better master? Moreover, as the watercolor "Swimming at Wellesley Pond" and the smaller gouaches indicate, here too is something less common - a beginning professional with a real artistic identity."


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Tamar Braxton's latest Instagram message has fans worried. But they were not shy when they had to support her with kind words in the comments section.
'The sacrifice of it all tho ?' Tamar captioned her post.
Someone commented 'Sometimes yes it gets heavy, BUT I know a heavy load bearer & you know him too, keep trusting in him, He's Got You!!!!'
Another follower wanted to support Tamar and told her that 'It's too heavy to carry alone…but you're always equipped for what God allows…with God! Just make sure you ain't tryna carry something that ain't yours!'
Another person said 'the heaviest of trials/tribulations are meant for us sis ?❤ as Gods anointed & chosen few we have to find ways to endure the pain we go through because it's all worth it for us in the end? just try to always say instead of why is this happening to me… focus on what this is teaching you and it'll get easier ❤ I TRY( operative word being TRY to do this daily) I'm praying for you sis, you'll get through, we always do ❤ love you sissy @tamarbraxton ?'
Someone else also showed their support for Tamar and wrote 'Hell yea !! But If i can get through it, Ik you can. Can't give up. Keep pushing friend. The best is yet to come!'
A commenter told Tamar that 'To whom much is given sis… keep the faith… you KNOW you're being tested… He's gotta know He can trust you with the more. ??❤?'
Another follower believes that sometimes it's best to release some things from within: 'Of Course But it matters what you are carrying and who are you carrying it for. You need to release some things from within some things are just weights that you need to lay aside.'
One fan told Tamar that she is strong enough to get through everything: '@tamarbraxton you can do this. You are so strong. I NEED for you to call me…now. i need to hear your voice. I am so proud of you. I watched last night, in tears for you. The pain was so evident. I love you.'
Tamar was extremely emotional in the second part of the Braxton Family Values finale. She addressed the entire emotional season of the show.


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Chicago's Pritzker Military Library will "open a new room dedicated to recording veterans' stories with a program on the Tuskegee Airmen," the AP reports.
"The military history library said in a news release Wednesday that it will open the new Coleman T. Holt Oral History Room on Thursday," the AP writes.
Mr. Holt was a member of the Airmen, the pilots chosen more than 70 years ago for an experimental training program for black pilots at Alabama's Tuskegee Institute.


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MEMPHIS, Tenn. (localmemphis.com) – There's a former NBA player who lives in Germantown and knows what it's like to play in lots of NBA finals games.
He's talking to Local 24 News about Steph Curry and making 3s, among other things.
Mike Miller is assistant coach for the Memphis Tigers and a former Memphis Grizzly. He's also played on the same team as Lebron James and won a couple of championship rings.


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Im Switching From Public School To Private School For Seventh Grade.
Is it stupid to switch from a private school to a public school?
A couple of things are going on here. First, are your parents willing to change your school if you come up with some good reasons? If so, then let them know that school rankings are just rankings over all because it's what you achieve, not what the school achieves that matters most. Secondly, most American high schools, even those ranked 1,500 have AP (advanced placement) classes which the high achieving children take over those who have yet to know their and their parents college/university desires. Many children and parents have also come to realize that if you're an A student in a large urban high school your chances are quite high in for getting into the college/university of your choice over a school where every child is an A student.And lastly, I had to face something similar to your predicament with my own daughter only it was as she entered into her second year of college rather than in high school. From high school she had applied, received admission and attended for one year and one quarter the #1 ranked public University in California for Architecture (Cal Poly San Luis Obispo). In her first quarter of her second year, and even though she enjoyed the curriculum and was on the dean's honor list, she told me she was depressed and did not want to stay at this school, she wanted to return to the Bay Area attend the local community college where she could eventually transfer to UC Berkeley in Architecture which in 2006 was ranked under Cal Poly for Architecture. In California, it's very difficult, if not impossible to transfer from one top notch public university to another, and much easier to transfer from a community college to a university instead. After four years taking two semester courses per year at a local community college and working in an architectural firm for 25 hours a week, she transferred with honors to UC Berkeley and two years later from UC Berkeley with honors and a job with a top notch architectural firm in San Francisco. All that said, as much as your high school is ranked #12 it's not doing you any good if you're depressed while going there.
What's it like going from a private high school to a public high school?
I studied at a private religious school from my elementary years up to the end of 9th grade to an 'elite' public school just around the block from my house. I switched because I was applying for a college scholarship program there and also wanted to try something new.The first thing I noticed was definitely the stark contrast in the competitive environment.My classmates were all still very bright and quick-witted, but they weren't as focused on applying into the best colleges or getting the highest grades than my former peers. I saw that they were more geared towards school events; some examples from my school include Homecoming and and the various after-school clubs. They were also more friendly than in my old school, and there weren't as many bratty rich kids. Everyone is just kinda doing their own thing.When talking about the teaching environment, I didn't really notice any significant difference. There is the usual young fresh-out-of-college teachers, the old Boomers-era geezers, and that one teacher who never teaches anything and expects his/her students to just learn from the textbook. Though, the resources they use are usually more advanced in public schools.In my case, we have these cheap InFocus projectors in each classroom that can barely display anything clearly, and was lent decades-old HP laptops that still run Windows Vista for exams, meanwhile a friend of mine in a private school is given a Surface tablet with a digital pencil for art class, does his final exams via Computer-based test with a desktop iMac computer, and is lent a $1799 MacBook laptop for his coding after-school program.It isn't all that bad, that tech doesn't come cheap which is probably the best part of public schools. No tuition!Well, sort of. Not really. But it's still usually way cheaper than the alternative. My mom said that she saved at least a few thousand dollars by sending me a public school.All in all, I'm having a great time in my public school. I can't really recommend it to someone who's able to afford a more specialized private school (Which I think is superior), but if you're switching from a private school, you'll survive.
Private School vs. Public School?
Let me answer your question from a teacher's perceptive. I taught at a private school for 10 years and now I am on my seventh year at a public school. Your relatives are probably jealous. Because private schools have a screening admissions process they offer a higher level academic curriculum. This results in a better prepared student overall (including leadership and moral attributes). The focus is on academics not extra curricular activities like at public schools. The population (class size) is smaller so students received more one on one education. Most private schools have a higher than 95 percent graduation rate and high scoring on the SAT or ACT tests. In the 10 ten years I was at the private school we had three fights. At my current public school we have two full time police officers and weely fights. At my private school all parents came to school on report card night. At my public school I'm lucky if parents answer the phone when I call. So why did I leave private school? The pay is better at public schools in Texas. Stay is private school. You are getting a better education there. It is money well spent!
Private to public school? scared!?
so I've gone to a private school for like 7 years now! I'm going into 8th grade & I'm really nervous! I'm going to try out for the volleyball team but I haven't practiced all summer so I might not make it! I don't want to be that girl who has no one to sit by at lunch..I'm so scared! I'm going in knowing absolutely no one! u also have to wear uniforms :/ I'm scared I won't have any friends all year..any advice?
What are the ups and downs of private schools? Public Schools?
I went to a private school from 1-7 and public after that. Private is good for younger kids. LDs are more apt to be caught, and everyone knows all the children. It's hard to fall between the cracks. Going to a public school was helpful for high school, preparing me for the impersonal atmosphere of colleges. The teachers in public school care, however, especially if a student shows a thirst for learning. I started my children in a public school and shortly thereafter had to move them to a private school. The public school was too focused on punishment rules, and they rewarded "good" children with candy EVERY day. Oy vey. My daughter was scared by the librarian so much in the public school that she wouldn't check out a book. The private school librarian learns about the individual students and suggests books they might like. When I went to a private school, there was a new girl who joined in the seventh grade, and she never really fit in. Finally, she left. Middle School is very tough no matter where you go.
Switching school leavin catholic to public school have any advice or tips ?
If you test higher than other kids, then yes you probably could be in advanced math. My advice would be if you are a girl, wearing jeans, yoga pants and t-shirts is mostly what we wear. If you are a boy, athletic pants or jeans and t-shirts still. My personal tip would be have fun! Good luck!
Private schools vs public schools?
Hi, I am 13 and have been at private school my whole life and i am currently in 7th grade. the private school in elementry were pretty strict with uniform and we had to wear black lace up shoes. Now im in middle shcool in 7th grade and we have a pretty strict uniform we have to wear whie shirts, blazers and ties and black lace up shoes. its about 3000$ a year And i want to now what its like at a public school. and if its better than private school
I go to a private Catholic school and I really want to switch schools to a public high school, how should I convince my strict parents?
I attended a private catholic middle school and am currently attending a public high school so I think I can help you answer this question. There's a lot I don't know about your school and faith so these solutions may be a bit broad.You'll be saving moneyI don't know how much money annually your school costs but from personal experience it has to be around 10k-50k. Why spend that much money on private school when you'd be getting the same education FOR FREE. I've had better teachers at my high school than I did in my middle school. I'm serious. Besides, save that money for college anyways.School won't (shouldn't) affect your faithYou don't attend a catholic private school. So what? How does the school you go to affect your religion or faith. Half the kids from my grade in catholic school were atheists anyways (again, I'm serious some only attended for the rigorous academics) and I know plenty of people in my high school who are religious. Go to church on Sundays and pray when you feel like it. You don't need school to do that.Public school teachers are required to be state certified, private school teachers are notSome things to keep in mindNot all schools are the same. My advice? Find a good one. There are tons of public high schools that are crap (some private schools too). For the most part, it depends on the school system your in. Where I currently attend it's the 13th best in the state and the other high school's in the district are exceptional as well. Bottom line, if you can find a great school I don't see why your parents would have a problem.Best of luck


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From our friends at Midas Mount:
"We are close to halfway done with Kickstarter fulfillment on the SnapFocus products. We spent way more money than we raised on Kickstarter redesigning and getting the SnapFocus and HitchHiker into production and this sale will help us get across the finish line."
Midas Mount Press Release
Midas Mount announced steep discounts up to $300 on their line of camera support products for independent filmmakers including the SkaterailSlider Camera Slider, the HitchHiker Shoulder Support Rig and the SnapFocus Follow Focus System, a revolutionary technology which gives filmmakers true grip-level focus control for DSLR, RED, BMCC or any fixed-lens camera—in a beautiful all-new design of CNC machined, bead-blasted, laser-engraved anodized aluminum. The SkaterailSlider Camera Slider System, SnapFocus Follow Focus System and HitchHiker Shoulder Support products have been discounted as much as $100 and the complete SnapFocus rig (SnapFocus Follow Focus System and HitchHiker Shoulder Rig) is available at $300 off for the low price of $999. The deals can only be found at www.MidasMount.com.
Midas Mount Press Continued
"The SnapFocus is an intuitive way for humans to interact with cameras," said Brandon David Cole, a feature filmmaker and ex-professional BMX rider who married his passion for filmmaking and knowledge of bicycle mechanics when he devised a way to actuate focus with brake levers with the help of his neighbor Harry Gramig, a retired inventor and machinist.
The SnapFocus Follow Focus System consists of a set of brake levers and brake cables that allow filmmakers to control focus at the grip level of a handheld camera support rig without using a focus pulling assistant or losing camera stability.
"The SnapFocus technology sets a new standard for motion picture image capture," said Cole, Midas Mount's co-founder and co-inventor of the SnapFocus Technology. "It's a breakthrough idea that will empower filmmakers with the ability to pull off Hollywood cinematography as a one-man-band indie filmmaker."
(cover photo credit: snap from Midas Mount Press)
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In 2006, the General Assembly passed the Foundation of American Law Act to allow public display of certain documents and descriptions in courthouses and judicial buildings — the U.S. Declaration of Independence and the Ten Commandments, for example. State Rep. Tommy Benton, R-Jefferson, the bill's sponsor, this year added legislation to allow such displays in all public buildings. The House passed the bill last week; Senate approval is likely. I posed questions to Benton via email. Here are his responses:
Q. Our economy is in the tank and foreclosures abound. Why this issue now?
A. Why not now? This issue was brought to me by a constituent who had tried to have the display placed in the Capitol, and, because of the wording in the original bill, was not allowed to. This simply corrects that problem. I have voted for every bill that pertains to job growth, to stimulating the economy and trying to help people with foreclosures that's been brought to the House floor for a vote.
Q. Some argue the Ten Commandments have nothing to do with U.S. civil law.
A. If I thought that way, I wouldn't have sponsored the bill. The United States was and still is a Christian nation, contrary to the rhetoric coming out of Washington, D.C. Most of the original colonies were founded by people seeking religious freedom or made some provision in their governing document that allowed for religious freedom. The charter of the colony of Georgia stated that it was to become a home for persecuted Protestants. Although Catholics were prohibited and Jews were discouraged, they later came and contributed greatly to the foundation of the state and nation. A lot of the ideas of these religious groups found their way in to the laws of the state and nation. One of those was the Ten Commandments.
Q. Do you give any credence to claims that such displays are a government endorsement of Christianity?
A. No. The Ten Commandments are not just a Christian idea. They are a commandment by God, both Christian and Jew, of a way that our lives should be led. The displays are not paid for by government. The government allows them to be placed. The government also allows other items to be placed in public buildings.
Q. What's your view of the separation of church and state?
A. We're allowed freedom of religion, not freedom from religion. The First Amendment is pretty clear in that the government cannot force you to worship in a certain church or to believe one way or the other. There are no government-sponsored churches as there were in other countries when ours was founded. You had different groups coming to America looking for religious freedom and they wanted to make sure that it continued when the current government was started.
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Home >> Commercial Carpet Cleaning >> Oakridge >> Restaurant Carpet Cleaning
It is common for restaurant carpets to get grimy quickly due to the number of people walking all over it regularly.
We offer professional cleaning techniques fit for restaurant carpets that can address the intensity of cleaning they normally require.
The carpets of your restaurant will get grimy and stained easily because of customers spilling their food and beverages. On top of that, your servers may step in oil from the kitchen floor and track it to the carpet as they come in and out to serve orders. If the oil isn't cleaned, grime and dirt will build up over time.
Your guests wouldn't want to stay, nor come back to an unsanitary looking restaurant. They might even post a negative review about it on social media.
A lot of restaurants, cafes, and bars in Oakridge, Ontario regularly book our services to help guarantee their carpets are maintained, clean and fresh-smelling. Whatever the requirement is, be it a one-time cleaning for the stain due to an accident. Or it's now time for your monthly general office carpet cleaning, we will be able to help you.
Among various techniques for commercial carpet cleaning that we can choose from, we usually go for deep steam cleaning in restoring the life back to your carpets with very stubborn stains.
You may have furniture that needs cleaning. We can manage that too through our business upholstery cleaning service.
Keeping the tidiness of your carpets is actually essential for any restaurant to guarantee your visitors are satisfied and will no doubt return to eat again.
To get a quote please contact us directly on (289) 312-0067 and our friendly staff will be happy to assist you.


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The Motorola RAZR i will be sold in China under the name MT788. This device is not yet available in the United States and Canada, but is already on its way to Europe and Latin America, apart from China. The Motorola MT788, however, will have some slight differences when compared with the Motorola RAZR i
Archives for
Motorola RAZR I
Motorola RAZR i now available in U.K.
Few week back, Motorola announced its new flagship Razr I smartphone. The first Intel powered smartphone was Intel AZ210, so that makes Motorola Razr I is the second Intel powered smartphone. The Intel AZ210 is sold in various markets around the world and is called by different names. It is marketed as Orange San Diego
Motorola RAZR I Revealed, Features Include 2GHz CPU, Super AMOLED Display
Motorola and Intel launched a joint event in London on Tuesday revealing Motorola RAZR i, which features Intel Medfield chipset with single-core processor clocked at 2GHz. While Google's newly-acquired company wants to offer it to a global market, it seems like it will make its debut in the UK/Europe first where pre-orders have already started.


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Mychael Danna (born September 20, 1958) is a Canadian film composer. He won both the Golden Globe and Oscar for Best Original Score for Life of Pi. He has also won an Emmy Award for Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score) in his work on World Without End: Medieval Life and Death Part 1 and 2.
Danna was born in Winnipeg, Manitoba, but his family moved to Burlington, Ontario when he was four weeks old.[1] He is the brother of fellow composer Jeff Danna. He has been scoring films since his 1987 feature debut for Atom Egoyan's Family Viewing, a score which earned Danna the first of his thirteen Genie Award nominations. He has won five times for Achievement in Music - Original Score.[2] Danna is recognized as one of the pioneers of combining non-Western sound sources with orchestral and electronic minimalism in the world of film music. This reputation has led him to work with such directors as Atom Egoyan, Deepa Mehta, Terry Gilliam, Scott Hicks, Ang Lee, Gillies MacKinnon, James Mangold, Mira Nair, Billy Ray, Joel Schumacher, and Denzel Washington. His soundtrack for Ang Lee's Life of Pi earned two Academy Award nominations for Best Original Score and Best Original Song Pi's Lullaby.
He studied music composition at the University of Toronto, winning the Glenn Gould Composition Scholarship in 1985. Danna also served for five years as composer-in-residence at the McLaughlin Planetarium in Toronto (1987–1992). Works for dance include music for Dead Souls (Carbone Quatorze Dance Company, directed by Gilles Maheu 1996), and a score for the Royal Winnipeg Ballet's Gita Govinda (2001) based on the 1000-year-old classical Gita Govinda, with choreographer Nina Menon. In June 2014, Danna was awarded an honorary Doctorate by the University of Toronto, for his career achievements in the field of music.[3]
Danna's wife Aparna is of Indian origin; the couple has two sons. He is the older brother of composer Jeff Danna.
Recent projects include Deepa Mehta's Water, Atom Egoyan's Where the Truth Lies, Terry Gilliam's Tideland, Jonathan Dayton and Valerie Faris' Little Miss Sunshine, Bennett Miller's Capote, Moneyball and Marc Webb's (500) Days of Summer.
Academy Award for Best Original Score, Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music, Hans Zimmer, Ennio Morricone
John Williams, United States, Alan Menken, Randy Newman, All About Eve
A. R. Rahman, Mychael Danna, Sukhwinder Singh, Instrumental, Sadhana Sargam
Randy Newman, Hans Zimmer, Alexandre Desplat, Clint Mansell, Belgium


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Classification: Island Summit, B-SQUIB.
OS Grid Ref: HU375097 This data is currently only accurate to a 6 figure grid reference (c.a 100m).
Click here to learn how to help improve it.
UK Area: 22 - Shetland Islands (OS Maps 1:50k 4. 1:25k 466.)
Latitude: 59.87075, Longitude: -1.33208, Height: 21 metres (69 feet)
Prominence: 21 metres (69 feet)
Unique Waypoint POI Name: 0021.- (Hill ID: 500820)
External Links for Lady's Holm:
-GeoHack link... -OS Map Bing link... -Google Map link... -Geograph link...
Selected mapping: Google or Bing / Ordnance Survey:All | :Nearby Hill | :Nearby Trigpoint | : mouseover
Climbed Lady's Holm? Log in to tick it off...
Sweyn Holm (St Ninian's Isle) (10.8km)West Head of Papa [t] (28.4km)Cheynies (28.8km)Langa (29.5km)Linga (29.9km)Sanda Stour (32.0km)Fore Holm (35.3km)Kirk Holm (36.4km)Flotta (36.5km)Holm of Gunnista (36.9km)
Total = 1 All
* The waypoint data in italics is only accurate to a 6 fig grid reference. Click here to learn how to help improve it.


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Hiring Your First Virtual Assistant: When, Where, and How to Do it Right
We all have a limit to our capacity. For some entrepreneurs and small business owners, that's a tough pill toRead more
We all have a limit to our capacity. For some entrepreneurs and small business owners, that's a tough pill toRead more
It's all too easy to waste time formatting your Google documents. Others have already put together some excellent templates forRead more
Editor's note: This is a guest article from John Zeratsky. You've got a new email from your boss, plus aRead more
Let's talk nerdy today. One of the quirky things about me is that I love my boring Sunday nights. Don'tRead more
Every day, workers across a variety of industries rely on purpose-built devices to get their job done. Unlike traditional mobileRead more
Sometimes, you will notice that your star employees are late for work and irritable. This is most common at theRead more
There are many factors to consider when a company is looking to boost the productivity of their employees. AsideRead more
Here's a common scenario: imagine you have important projects at work, or your work is demanding and at the endRead more
Posted by David Mallon on November 27, 2018. If there is one line that sums up the outlook for HRRead more
A proper business management software platform will make your job easier. Lucky for you, that's our topic for today's post!Read more
Written for EO by Anand Srinivasan, founder of Hubbion, a suite of free business apps and services. When employees aren't challenged they'reRead more
With the rise of technology, there has been a number of changes in the conventional style of working. People haveRead more
My philosophy used to be, say yes to everything, give 110 percent, and you can't go wrong. As a youngRead more


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Deal Alert of the Day FASHIONISTAS! Deal Alert of the Day: J.Crew Factory EXTRA 50% OFF!
I stalk (yes, STALK) fashion sales and deals every single day. I refuse to pay crazy amounts of money for clothing, especially for myself. I always look for a sale or discount. It's just something that excites me on the fashion front! I am a firm believer in the fashion mantra that eventually everything will go on sale! (OK, almost everything!)
J.Crew Factory has been having an insane sale going on and I wanted (needed) to share the love today! I stocked up this weekend on a few goodies for myself and my daughter and I couldn't believe what I got for the price I got it at! Everything on clearance is an ADDITIONAL 50% OFF! So you see the little red price, it's 50% off of that price! I had to check my cart 3 times to make sure I was positive! I have been dying over these J.Crew Rugby shirts lately and I couldn't believe that they already had them on sale! They are the softest, most comfy ever!
I went back on this morning and listed 10 items that I'm Ga-Ga over, along with what the original price was, down to the sale price.
I mean… it's amazing! Look at these DEALS!
Cashmere sweater – $78 down to $35
Long-sleeve rugby stripe polo – $49.50 down to $17
Tie-waist button-down shirt – $69.50 down to $19
Crystal accent necklace – $49.50 down to $15
Polka-dot scarf with tassels – $36.50 down to $12
Colorblock daybreak dress – $85 down to $25
Off-the-shoulder dress – $98 down to $13
Embroidered bear hug Teddie sweater – $69.50 down to $10
Reagan leather boots – $175 down to $50
Indigo dobby off-the-shoulder top – $64.50 down to $17
How can you score these amazing deals?
Head to J.Crew Factory and go to CLEARANCE! Deal Alert of the Day: J.Crew Factory EXTRA 50% OFF!
When you checkout make sure you use the code: GOODIES.


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New wildfire erupts north of De Beque
Aspen, CO Colorado
De BEQUE, Colo. – On Wednesday afternoon, local and federal firefighters responded to a new wildfire reported about 20 miles north of De Beque on Roan Creek, County Road 204, Tanny McGinnis, spokeswoman for the Garfield County Sheriff's Office, said.
As of 5 p.m. the fire had reportedly burned about 15 acres and was threatening some structures. But firefighters were also reporting that the fire was "laying down," which means that it was advancing slowly and staying close to the ground.
McGinnis said fire crews with the Upper Colorado River Interagency Fire Management Unit responded and called in assistance from two air tankers, a helicopter and eight fire engines.
She said the fire was sending a plume of smoke eastward into the Colorado River valley at least as far as New Castle.
The Upper Colorado River Interagency Fire Management Unit reported Wednesday that it expected to reach 100 percent containment on the Pine Ridge fire by the end of the day Thursday and fire crews were being sent back to their home units or to other wildfire incidents.
The lightning-caused fire started on Wednesday, June 27, and burned an area west of De Beque Canyon and southwest of the town of De Beque. It made a big run on June 28, growing from 1,500 acres to 12,000 acres, dropping down into De Beque Canyon and licking across the Colorado River.
Fire crews worried that it would also cross I-70 and head east toward Grand Mesa, but they were able to keep it contained in the river bottom. Residents of the town of De Beque were put on a pre-evacuation order, and about 50 residences in an area east of the town were ordered to evacuate from Thursday until Sunday.
Union Pacific and Amtrak trains were diverted through Wyoming, and Union Pacific crews used trains to haul water into the fire area to assist firefighters.
The final fire acreage is 13,920 acres, and cost for fighting the fire is $2.9 million.
Management of the fire was to be turned over the BLM Grand Junction Field Office at 6 a.m. today.
Final work by the interagency fire crews included reinforcing the constructed fire line, patrolling the burned area, extinguishing any hot areas that still remain, removing flagging and signs, and building waterbars along the fire line and roads to prevent erosion during heavy rainfall.
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By: EYA Homes on June 17th, 2014
Alexandria's City Hall is the perfect backdrop for a summer concert series. Photo courtesy of Flickr Creative Commons Michel Curi Jr.
Looking for a fun, free way to kick off your summer? Check out the 2014 Alexandria Concert Series happening all summer long! Go back in time to the War of 1812 at the Carlyle House Magnolia Terrace every Thursday evening in June for a fun twist on history with live music or jam out to rock 'n roll in Ben Brenman Park. Enjoy men's barbershop tunes during an evening in July or soul influenced rock during an afternoon in August. Additional genres include blues, acoustic jazz, world music, jazz vibraphone, Americana, folk, rockabilly and honky tonk, choral, R &B, and folk rock.
The Venues:
Check out the 2014 Alexandria Concert Schedule and the Thursday Evening Concert Series Schedule for specific dates, times, and venues.
If you would like to take a stroll to a live concert in Alexandria every night, consider making a move to EYA's townhomes or condos at Old Town Commons or The Oronoco, both within walking distance of all of these venues. Don't wait, both communities are nearly sold out!
August 1, 2019
Did you know Rockville, MD was voted one of the nation's top places to live and also one of the happiest? It's easy to see why with its variety of outdoor activities, professional job opportunities, hundreds of retail and dining options, and beautiful parks. To learn more about the city and everything it has to offer, check out our brand new neighborhood guide, highlighting locals' favorite things to do and what they love about the city.
April 18, 2019
Earth Day celebrations are taking place around the world and there are many ways you can make a difference in your community and your home. Here are a few ideas:
April 16, 2019
Parents living at Westside at Shady Grove Metro and in nearby Rockville neighborhoods will soon have a new option where kids can enjoy expending their limitless energy, regardless of the weather. Kids Ground, an indoor playground for children, will open late summer in a nearly 5,000-square-foot space along Gramercy Blvd, which will include a waiting area where parents can relax and enjoy snacks from the café.
March 19, 2019
Alexandria, Virginia, March 19, 2019 — Momentum continues at Robinson Landing in Old Town as the first condominium building rises above ground, nearly half of the townhomes are occupied or ready for move-in and plans for onsite dining to be operated by Alexandria Restaurant Partners (ARP) have been approved by the City of Alexandria.


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It's Christmas, Merry Christmas to all. Today there is also another week of events in Grand Theft Auto Online. With many free gifts from Rockstar Games. New vehicles, paint jobs, T-shirts and much more. Every day you sign up, you receive new gifts. See below.
Vapid Clique now available
The Vapid Clique is now available in Grand Theft Auto Online. This vehicle is free for ALL players logging in on Christmas Day. Yes, this is a FREE car. So you put in your credit card because you do not need shark cards. The Clique is based on the 1951 Ford Coupe.
Grotti Itali GTO available December 26
The Grotti Itali GTO is the all-new vehicle released by Legendary Motorsport ] , Publication on the 26th of December. This vehicle costs $ 1,965,000 . You can notice this vehicle from Grand Theft Auto 1 out. Based on the Ferrari 812 Superfast.
2018 Festive Gift Schedule
Below is a list of all the free gifts we receive every day at GTA Online about the festive season
- Dec. 25 – Vapid Clique, Up-N Atomizer Pistol, Slasher Festpullover, 5 Festive Livies for the Chernobog, Firefighter with 10 Fireworks Rockets, 25 Sticky Bombs, 25 Grenades, 5 Proximity Mines, 5 Molotovs, Full Snacks & Armor 19659009] December 26 – Blue Bleeder Festpullover & Festive Jewelery for the Mammut Avenger
- Dec. 27 – Green Kill Festive Pullovers and Festive Coats for HVY Barrage
- Dec. 28 – Hail Santa Festive Sweater, Free Nagasaki Buzzard and Festive Livery for the APC
- Dec. 29 – Blue Cluckin's festive sweater and festive livery for Buckingham Akula
- 30 – Merry Sprunkmas Festive Sweater & Festive livery for Comet Safari
- Dec. 31 – New Year's Eve Present (Black & Red Bones Festive Sweater, Fireworks and more), Free HVY Insurgent Pick-Up and Festive Livery for the Pegassi Oppressor
- Jan. 1 – New Year's Gift (Red Bones Festive Sweater, Fireworks, and More)
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Manhattan Duo
- Styles covered: Pop / Soul / Jazz
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(Male vocals and guitar)
For Once In My Life - Stevie Wonder
Fly Me To The Moon - Frank Sinatra
How Deep Is Your Love - The BeeGees
Me and Mrs Jones - Billy Paul
Perfect - Ed Sheeran
Free Fallin' - John Mayer
Senorita - Justin Timberlake
Grapevine - Marvin Gaye
Chandelier - Sia
I've Got You Under My Skin - Frank Sinatra
Bad - Michael Jackson
I Know I'm Not The Only One - Sam Smith
Just The Two Of Us - Bill Withers
One More Time - Daft Punk
Sitting On The Dock Of The Bay - Otis Reading
Sunday Morning - Maroon 5
We hired the Manhattan duo for our Christmas party after being suitably impressed with them when they played at a friends wedding earlier in the year. They were a real pleasure to work with-not only are they talented musicians with an extensive repertoire they are professional and extremely personable. Everyone commented that the Manhattan duo were the highlight of the Christmas party and in fact ensured that it was considered to be the best party to date!
Corporate Christmas Lunch, Goodwood House (Chichester) - December 2018
I booked the Manhattan duo for my parents 50th Wedding anniversary party. They played two 45 minute sets, one of which was for during the meal to provide some good live music and the other just post to get the party going. They got the sound just right for both sets and provided the atmosphere requested. They played a wide variety of music and sounded fantastic. I would definitely recommend the Manhattan duo to anyone for their function. It was really easy to organise with them both prior to and during the evening too which is always helpful when there is so much to co-ordinate!
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Cheers guys Mine runs at around 50ş much my other componants are bottlenecking my 8800GTX. Hope you get it figured out. --kitty video card fried it. Is this normal orwill be tried!Proceed carefully.The disk is probably not lying flat. the manufacturer and model number of the chipset.
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Is Cailín Doire MéI am a Derry girl: This is our tribute to our neighbours across the border and the cult classic that is Derry Girls. It doesn't matter if you're a girl or even from Derry, because being a Derry girl is a fucking state of mind!
Alliance for Choice
We stand in solidarity with our sisters north of the border, so for every 'Is Cailín Doire Mé' sold we will donate 20% to Alliance for Choice. They are an organisation that campaigns to end the criminalisation of abortion and gain access to reproductive justice in Northern Ireland. For more information visit alliance4choice.com.
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Who We Are
Tommy Jo Publishing is an independent music publishing company that began with hit songwriter Jennifer Adan back in 2008 after discovering that country star Blake Shelton would be releasing her song "She Wouldn't Be Gone" (written with Cory Batten) as his first single. Coming from an entrepreneurial family, Jen decided the best career move would be to create a publishing company that would be different than all other companies in the industry. TJP has since grown and hired a team of go-getters including a Nashville legend, Debbie Zavitson to manage and pitch music to artists who are looking for great songs. TJP offers different music services including song evaluations, consulting meetings as well as opportunities for co-writes. Tommy Jo was inspired by Jen's mom (Thomasita Joanne) who is her biggest fan.
For more information on TJP or to contact us, please visit the Say Hello section.
*Tommy Jo Publishing does not accept unsolicited material


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Erie Metropolitan Housing Authority is a Public Housing Agency in Sandusky, Ohio that participates in the Section 8 Housing Choice Voucher (HCV), and Public Housing programs.
Erie Metropolitan Housing Authority serves Erie County.
|Waiting List
|Public Housing
How To Apply to the Public Housing Waiting ListThe Erie Metropolitan Housing Authority is not accepting public housing waiting list applications at this time.
Last Updated on 06/04/2015.
More information about Erie Metropolitan Housing Authority can be found on its website at http://www.eriemetrohousing.org.
Representatives of Erie Metropolitan Housing Authority may be available by phone at (419) 625-0262. Unless otherwise noted above, applications will not be provided or accepted by phone.
As of 10/16/2019, it is not known if Erie Metropolitan Housing Authority is either absorbing or billing Section 8 Housing Choice Voucher portability requests for porting in. Learn more about porting Housing Choice Vouchers to a new area here.
As of the most recent VMS report, Erie Metropolitan Housing Authority manages 923 active Housing Choice Vouchers.
The following is a summary of the types of vouchers managed and the monthly costs of each:
|Tenant Protection
|Ported Out
|Monthly Cost Per Voucher
|Monthly Cost
According to the 2016 Q4 Picture of Subsidized Households database, the housing authority's voucher program has an annual turnover of 12% having issued approximately 76 vouchers in the past year. The average voucher holder has received housing benefits for 5 years and 7 months. According to the 2016 PSH database, persons who were issued a voucher in the preceding 12 months waited an average of 26 months on the waiting list1.
According to 2016 Q4 Picture of Subsidized Households data, the average voucher household contains 2.4 persons and has a household income of $11,398 per year. 93% of households were very low income (VLI) and 72% were extremely low income (ELI). 38% of households had wages as a major source of income, 1% of households had welfare (TANF, General Assistance or Public Assistance) as their primary source of income, and 48% of households had other income (Social Security, Disability or Pension) as their major source of income.
9% of households were headed by a person 24 years old or less, 63% were headed by a person 25 to 49 years old, 19% were headed by a person 51 to 60 years old, and 10% were headed by a person 62 years old or older. In addition, 1% of households were headed by a person 85 years old or older.
54% of households included children, 2% of which had two adults in the household. 52% of households with children have a female head of household. 83% of all households were headed by a female.
62% of all voucher households were headed by minorities with 58% of all heads of households being Black and 0% being Hispanic.
Of all households participating in the Erie Metropolitan Housing Authority Housing Choice Voucher program, 16% include at least one person with a disability. 27% of households with a head of household 61 years or less were headed by a person with a disability. 72% of households headed by someone 62 or older were headed by a person with a disability.
20% of voucher holders reside in a home with zero or 1 bedroom, 34% with 2 bedrooms and 43% with 3 or more bedrooms. 26% of voucher recipients are considered overhoused, meaning they occupy a rental unit larger than their family size requires.
The average monthly tenant contribution to rent by Erie Metropolitan Housing Authority voucher holders in 2016 was $307 and the average monthly HUD expenditure per voucher holder was $519. The average utility allowance across all voucher recipients is $154.
1. This Picture of Subsidized Households data field is the average wait time of those who received a voucher in the preceding 12 months. Due to special voucher programs like VASH, recent waiting list purges, or waiting list preferences the average wait time can vary significantly from one year to the next and it is entirely possible many current applicants on the waiting list have been waiting for assistance for far longer.


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Edelman's has a personal net worth of $1.1 billion and he is number 12 on Forbes list of highest-earning hedge fund managers.
Joseph Edelman, a former sell-side biotech analyst, has been quietly producing strong returns investing in biotechnology stocks since he started his own firm in 1999.
Edelman benefited from the biotech stock surge and in the last four years, his main Perceptive Life Sciences fund has returned more than 20% each year.
In 2015, Edelman's biggest fund returned 49.2%. His firm currently manages $1.5 billion of assets. However, biotech sell-off last year, 2016 hit his fund hard. Edelman's investors were nursing double-digit losses at the start of 2016.
His father, Isidore "Izzy" Edelman, was a renowned scientist. Izzy, who died in 2004, was a professor emeritus of biochemistry and molecular biophysics at Columbia's College of Physicians and Surgeons, where he spent 26 years.
Joseph Edelman earned an M.B.A. from New York University and a B.A., magna cum laude, in psychology from the University of California San Diego.
Joseph Edelman was Senior Analyst at Aries Fund, a Paramount Capital Asset Management biotechnology hedge fund, from November 1994 through December 1998. Prior that Edelman was a Senior Biotechnology Analyst at Prudential Securities for four years.
Edelman's, Perceptive Life Sciences Fund was a top performer in 2014. Edelman joined the rich list after earning $300 million in 2015.
Joseph Edelman is the founder of the hedge-fund firm Perceptive Advisor. Edelman's has a personal net worth of $1.1 billion.
In 2015, Edelman's biggest fund returned 49.2%.
Joseph Edelman is heavily geared towards biotech stocks.
"The tricky thing about drug prices is that when they are higher, it encourages more innovation because it's a very risky industry" said Edelman.
Joseph Edelman invests a lot in small- and mid-cap biotech stocks. The essential questions for Edelman are as follows:
Does the drug work?
Will it be approved? Will it sell more or less than expected?
If it works and is approved, the stock will go much higher. Price controls are a negative perception that keeps people away from the group, not the driving factor in stock prices.
Is this the year biotech beats the Standard & Poor's 500?
"If I had to guess, I'd say yes. These stocks are in general very good value. I'm more confident in the ones we're invested in, which have major clinical regulatory events that, if they go well, the stocks will almost certainly go higher."
Our largest investment focus is on developmental-stage biotech companies, which requires both a strong scientific focus and knowledge base, as well as significant investment experience and a realistic appraisal of the chances of success – Joseph Edelman
Even though the sector fell 20% last year, Joseph Edelman's fund gained 3.8% after soaring 52% in 2015.
His father ran the biochemistry department at Columbia University (Joseph started working at the lab at the age of 13), then started a biotech company that he eventually sold.
The tricky thing about drug prices is that when they are higher, it encourages more innovation because it's a very risky industry – Joseph Edelman
Follow this World Top Investor via their various social media channels and read more about their background and current investment interests on their official website:
Joseph Edelman
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Dan Loeb targets Sony. Dan Loeb is an activist investor and founder of Third Point, which oversees about $14.5 billion in assets.
Last year the activist investor viewed Campbell soup as a bargain when Third point reported that the soup maker could fetch a takeover value of $52 to $58 per share.
A year later and the activist investor Dan Loeb targets Sony
Dan Loeb's activist hedge fund Third Point is raising an investment vehicle to generate between $500 million and $1 billion so it can continue to buy Sony shares, according to a recent report in Reuters.