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By Will Ross
The cinematography in prestige TV shows has a long history of attracting superlatives like "visually stunning", and to be frank, a lot of the time that claim is bunk. Still, it's not healthy to dismiss praise like that out of hand every time without deeper thought, so sometimes I'll test those claims by choosing a simple scene from a show that represents something like a dramatic median, watching it, and deconstructing it. Besides this being a healthy exercise for anyone who loves the cinema, it can yield surprising results that overturn first impressions. Today I thought I'd share that process and apply it to a scene from "The Bells", the latest (and penultimate) episode of Game of Thrones, a series that has garnered praise from mainstream critics for its craft, even as those same critics have roundly turned against the writing in the last few episodes.
A big caveat: I haven't seen the series outside a few scattered episodes (not feeling "invested" is part of the point of the exercise). The big downside, obviously, is that I'm missing a lot of context. As a result, I try to avoid broad dramatic judgments, and to just see how the visuals are functioning in and of themselves. How do they build a sense of the dramatic environment and emotional rhythms of the scene? And, of course, how good do they look?
I often like to use small-scale interiors for this, as they afford filmmakers the most control over all factors while also cutting down on variables. It's a good-faith methodology that particularly pays off for this episode of GoT, since that city-burning sequence looks ugly as hell.
Before we start, here's a barebones scene description that purposefully ignores character names and narrative context:
A man writes on paper. A young girl tells him a certain woman won't eat, and that the woman's soldiers are watching her. He takes her hand, reassures her that great risks provide great rewards, and tells her to go.
Here we go!
Shot 1
I enjoy it when scenes start with macro shots (extreme closeups of non-humans) that provide some flavour or information that then ripple across the rest of the scene. This is a good example: emphasizing "he is the true heir to the iron throne" here has obvious dramatic potential that gives a charge to what is otherwise a fairly dramatically inert scene. I also like the angle here, both providing a legible view and emphasizing the paper as a tactile object, part of a space. The lighting further helps to characterize the space (though in context the yellowish tinge of light makes little sense since it's supposed to be daylight, which is strictly represented in blueish tones).
Shot 2
Next, a backwards dolly moves from a closeup of the writer to a wide, and a dark figure steps into foreground. As a camera movement, I think this is well-motivated: it identifies the writer in a view similar to the macro shot of the paper, and then pulls back from that close-up aesthetic to the full scope of the scene. After the initial reveal of the space, the continued motion is justified by a knock on the door, which creates a further sense of potential (perhaps a threat?), so the backwards motion (and indistinctness of the body in foreground) enlivens our curiosity about who's there. The framing of the shot is fairly middling, though that's not necessarily a problem given the lighting scheme (more on that in a moment). Still, it's a fairly unimaginative use of all the negative space offered by the shadows.
One point about the framing worth praise: At the start of the shot, the writer's face is large enough in the frame that he's a clearly discernible figure, in spite of the very dark space. Pulling back makes him smaller, so the camera frames his head into a distinct silhouette over the window. Nice.
Next, let's address the lighting. GoT has a general attitude of treating medieval-style spaces built of rock and lit entirely by small windows as, y'know, pretty fucking dark. I really respect this more-or-less series-wide choice. It's taken to quite an extreme here, and I like that; there's so much in darkness in this scene that it really bolsters the sense that this guy is tucked into a secret little nook, writing and hearing about things he probably shouldn't. So props for the overall conceit.
However, there are some points of inconsistency that make the lighting feel unnatural across the scene. It's worth remarking upon, so it's worth quickly skipping ahead to get a sense of the overall lighting scheme. shot 8 (seen here) reveals that the whole scene is lit by 3 windows and a candle. Two of the windows are on one side of the room, spaced quite far apart, and one is right next to the desk. Hard rays of light are shooting directly through the one near the desk but not the others; the implication is that light streaming through the desk window are direct sunlight. As a result, the direct light hitting the desk has more intense highlights and shadows than the ambient light coming from the right, which just softly lights the side of the writer's face. So far, works fine. Let's move on.
Shot 3
Now we get the payoff to all that buildup of expectations via the knocking and the sweeping backwards dolly: it's just a kid! I like this reversal of expectations and how the visuals of the first shot set it up, but let's talk about this shot. There are only three points of interest in the frame: the girl, that little rectangle of light behind her implying a slightly open door, and those tiny little blue highlights — looks like it's a vase reflecting a bit of the room's sunlight. Otherwise, it's copious negative space. Now, if we know the whole scene, we can infer that she's being lit by the farther of the two windows on the right, but remember that hasn't been established yet. That feeling of "where's the light source", the overwhelming blackness, the flat angle, and the fact that her body was too close to the camera in the last shot to judge relative distance all contribute to a pronounced spatial confusion. The shot feels totally disconnected from the space of shot 2. It feels abstracted, and not in a deliberate way, but in a way that directly clashes from that big dolly shot's careful delineation of the visible room. That sense of intrinsically understanding the space has been instantly broken by this reverse shot.
But there's more cause to pile on shot 3. I am not a fan of its composition at all. It does nothing with the negative space, and the girl is too subtly lit for her to stand out as some bright counterpoint. Her and that rectangle are basically just a smudgy vertical stripe. Yuck.
Shot 4
Now we come to a reverse of the writer. This is just an angle from partway through the earlier dolly move, and the composition is again just okay, though I'll spare a positive note for the use of those rays to intensify both his rightward-look at the girl and his interest in his papers. He cuts something of an imposing, intimidating figure in this shot that plays well into the girl's nervousness and really boosts the dynamic of the scene.
Shot 5
The next shot changes up the shot-reverse formula by placing both characters in the frame. Truthfully, I cannot understand why this wasn't used to introduce the girl. Her small size in the frame relative to him would have emphasized the punchline of her being a lesser threat than we feared, and her position in the space is much, much clearer. If you absolutely had to retain both shots, I would place Shot 3 here instead, as the closer view of her face emphasizes her nervousness about the soldiers watching her, which is the main dramatic beat of this shot. The writer's replies could be played in standard reverse setups. It would work better, I think.
But that's enough about how I think the scene could or should be, back to how it is. This shot's composition is again just okay. I do like the reverse-L shape creating a frame-within-a-frame, but again wish there was a little more done with the negative space in that within-frame. (A splash of light from a candle would have done wonders here.) Dramatically, it actually does an alright job of expressing the writer's disinterest in the girl's fears: he is either looking down at the paper, or, when he looks at her, his expression is hidden to us, lending an impersonal effect. Still there are ways to do this while also allowing the visuals to better express her fear.
Here's where my misgivings about the lighting come into focus: the light hitting the desk and writer does not look like natural sunlight in this shot. The highlights and hard shadow lines are gone. This was probably done to accommodate the shot, as having blinding highlights and crisply drawn shadows in the foreground would draw attention away from the girl, but this is a case where the shot should have either been rethought or scrapped entirely, because now the light feels completely artificial. Rather than direct sunlight, it looks like either light from a cloudy day, or ambient, indirect light like what the other windows do in other shots. It's soft, it rolls off gradually, it doesn't create bright highlights. It messes with our internal sense of how light works badly.
This shot (and the scene in general so far) really feels like a hodgepodge, like some creative decisions were made, and then a bunch of "practical" choices went on top and at some point the intent and style was left behind. Not without its merits, but not good either. It's these sorts of heavy compromises towards traditions of quality that keeps Game of Thrones's lighting aesthetic from feeling interesting or real. It's why every time I look at an interior scene from the show, I come away thinking "That feels like a studio."
Shot 6
Then we get this! After a series of mostly compositionally uninteresting shots with decreasing dramatic propulsion, we get a very nice reversal from the writer's insouciant demeanour for this simply expressed gesture of kindness. I wouldn't call it a masterpiece, but I don't have anything bad to say about this shot: they committed to the lighting in smart ways, created a nice lighting gradient on the desk that silhouettes the hand well, and I like the subtle rim light over the top of the hand. It also contrasts to the prior shots, all fairly traditionally placed mediums and wides, and returns us to Shot 1's display of the dramatic potential of a hand. It doesn't redeem the scene (the whole has already stacked too many problems), but I like it a lot.
Shot 7
Next, we get the first properly expressive shot of the girl. Conceptually, it works as a great counterpoint: mirroring the hand, emphasizing both the distance between them and the potential for a human connection. Eye lights, subtle soft shadow lighting, and a very nice profile rim create a really nice, dimly lit portrait of her face, and the orange, flickering candlelight in the background complements the blue tones prevalent elsewhere in the scene and helps her face stand out instead of negative space.
WHERE WAS THIS CANDLELIGHT IN THE EARLIER SHOTS OF HER? On a purely logical level you could argue that it's close to the wall and therefore would only light the wall, but this could and should have been "cheated" to light the wall closer to her without anyone questioning it. That, or just add another candle! It's possible (even probable) that this was the sort of technical oversight common to the fast pace and budget limitations of television, but hey — that just speaks to not working well with your medium's limitations.
But I don't want to end my notes on this shot on a negative. It doesn't have the same punch and "wow" factor as shot 6, but it builds off it smartly, and I like it just as much.
Shot 8
Shot 8 is the widest shot of the scene and reveals all of the light sources. This is probably the compositionally strongest non-closeup in the scene, with the light rays explicitly casting the writer as a saint-like figure, and the dark space between him and the girl well used, since she crosses it over the course of the shot — "Crossing the darkness to forge a human connection," something like that. Unfortunately, it also reverses some of the scene's more interesting visual choices.
First, there is virtually no *true* negative space in the room, since very little of it is black, except for the shadow under the desk. Almost everything else has gradations of light and perceptible detail or geometric activity going on. The justification may be "It would look weird to have a wide where we can't see any of the room", but I say, that's what would make it interesting. Run with it! Have the characters in a pool of light in the middle of a sea of blackness! This speaks to those traditions of quality (i.e. "Production Value") in TV that Game of Thrones adheres to in its lighting and, again, makes its spaces feel a lot less visually interesting and convincing than they should. It's both inconsistent and a missed creative opportunity.
Second, it suddenly reveals the room to be much larger than it seemed before. Earlier, there was no hint that the space was this big; it would be natural to infer the wall would be halfway between this camera position and the characters. You can kind of justify this by saying: the connection they form opens up emotional space, that making the room "bigger" connotes hope, etc. I think communicating these ideas between two individuals in a secretive room is much more interesting... and more consistent.
Don't get me wrong, in a vacuum, it's a fine shot, though unimpressive in its use of light. It's the inconsistencies and lack of stylistic commitment that make it a bit of a liability to the scene overall.
Shot 9
A closeup of the girl. Her relative size, the angle, and the fact that the camera is panning as she walks into her place makes me believe this is the same shot setup as Shot 7, and the candlelight was *just* out of frame before the pan. Real shame. I can't think of a good reason not to have a second candle in the room to fix this.
It's not a particularly interesting shot, but it works fine, meat-and-potatoes shot-reverse stuff here. Kind of an uninteresting way to end an interaction that had such visual fireworks a few seconds ago, though.
Shot 10
Again, probably just a slightly adjusted position from the dolly track. Not much new to say, except that having each character visible in the foreground of the other's reverse shot is kind of a nice way to suggest their newfound emotional proximity. It still feels anti-climactic.
Shot 11
Now we move into the final two shots of the scene, which form a visual denouement. In shot 10 we pan back out of the candlelight as the girl walks away. It's not an interesting shot, but here her moving into blackness at least *kinda* makes sense as she moves out of that emotional warmth, and the panning movement makes it feel much more dynamic than shot 3.
Shot 12
Finally, the dolly moves in closer to the writer, mirroring the girl moving away from the camera in shot 11. Dollying in on a thinking character is kind of a one-size-fits-all way to put a button on your scene, and it comes off as especially uninteresting when the character's face is so still and inscrutable, but nonetheless it works just fine; I have neither a positive nor negative reaction to it.
Summing Up
While the scene has some points of aesthetic interest and a genuinely impressive moment spanning two very well-thought-out shots, its ideas otherwise never connect into a cohesive whole, either on the level of individual shots or the entire scene. While the limitations of TV often dictate limited setups and camera placements that are then reused across the scene, this means that A: If you want a visually sumptuous TV show, you have to work well with those limitations and find ways to make them sing (see: Rainer Werner Fassbinder's Berlin Alexanderplatz), or B: You de-emphasize or scale back on the number of aesthetic elements you're playing with and maximize your use of a more limited technical palette. The vast majority of the time, TV is better served by B.
In short, the scene is visually not really remarkable, and yet it's still one of the highlights of the episode's cinematography. Time and time again, even in the most favourable sequences, I can never find means to justify the widespread hyperbole about the cinematography in Game of Thrones.


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And yet he did suspect that Lannisters killed Jon Arryn and that they tried to kill Bran, and he suspected them doing it when Robert was fully alive.. But this topic isn't about Ned.
AliceRose reacted to a post in a topic: How do you think Martin makes his characters so interesting?
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This is a very important question and and have many different answers that might clarify Sansa's reasoning. First of all let's difine death and violence. Violence for us and violence for 11 years old Sansa is not the same thing. The is an interesting quote from her thoughts: Sansa had wept too, the first day. Even within the stout walls of Maegor's Holdfast, with her door closed and barred, it was hard not to be terrified when the killing began. She had grown up to the sound of steel in the yard, and scarcely a day of her life had passed without hearing the clash of sword on sword, yet somehow knowing that the fighting was real made all the difference in the world. She heard it as she had never heard it before, and there were other sounds as well, grunts of pain, angry curses, shouts for help, and the moans of wounded and dying men. In the songs, the knights never screamed nor begged for mercy. Joffrey was abusive and violent with Micah, but Sansa was too used to the boys playing that she failed to realize the danger. She had never seen real violence before she didn't even know it exists. Sansa was blind to the existence of pain, suffering and death. She didn't understand at all how bad the things were. She recognise that later on when she speaks with Tirells cusins, they are just silly little girls. She was not conscious about what is going on, she was extremely confused and looking for a traditional answer that would fit in her word( It is all Arya fault ) Immediately after Lady's death Sansa decides that she hates Joffrey and the Queen but at that stage another problem cames in. Sansa is pathologicaly insecure, she doesn't trust her own jugement, even when she comes to the right conclusions she doesn't value her own opinions and instincts. The engagement was still on, every one was acting normal and Sansa thought that she was mistaken about Joffrey.
Telling a child to behave wouldn't be a problem for me, I disagree with the way it is done most of the time with Sansa. She is the only Stark kid who is expected to accept everything, to do what she's told without hesitation, not to make questions and no explanation is ever due to her. There long confidential dialogs with Arya and Bran, parents speak with them, listen to them ,value them. That is not case for Sansa. Ned and Cat didn't just order to Bran to stop climbing, they spoke with him tried to explain, to demonstrate the dangers. Ned didn't just order Arya to behave in king's landing, he listened to her worries, calmed her and shared with her his concerns. There is a disturbing lack of healthy communication between Sansa and the rest of the family. Sansa is a passionate, diligent and smart student. She is intelligent enough to understand complex matters, the problem is that no one ever cared to explane her anything valubale. She is old enough to abbandon her fantasies about the heroes and monsters, the adlts around her should dedicate some time to explain her how this world works. She is left alone with her douts and her fantasies and it is forbidden to her to inquire. She is treated as an object without will and without feelings, Sansa has been weeping three days before the planned departure from King's Landing she was refusing to eat and begging for an explanation. Ned didn`t care, he was letting her cry in disper for days. Telling Sansa the same thing he has told to Arya "We are surrounded by enemies" would have been enough.
The second part of my post is about a more damaging influence in Sansa`s upbringing. Almost everything that Septa Mordane taught to Sansa was questionable from a modern reader point of view. Being willful is a negative trait of character in septa's eyes, oppressing Sansa`s will, opinions and expressions is a constant in Mordane educational method. Septa is acting very unprofessional in this case, she is setting a negative comparison with Arya when Arya is not even there in the room, I have been told not to speak ill about someone who is not present. She is creating a conflict between sisters where there is absolutly no reason for it. Septa took a very bad habit to criticize and vilify Arya at any occasion and Sansa unfortunately picked this habit too. Every time Sansa allows herself to act freely and willfully she disapproves herself and thinks that she has been as wicked as Arya. Sansa`s thinking that the incident at the Trident is all Arya's fault is direct consequence of having a mentor who is constantly saying that everything is Arya`s fault. Sansa is often accused of being shallow and concentrating too much on the appearance, just look what king of example her septa is giving her. As i mentioned before Septa was regularly oppressing Sansa`s personality she wanted her to be a brainless bird repeating pretty sentences. In my opinion it is way too many times when Sansa is told to shut up. This continuous repression of Sansa's questions and opinions installed in her an alarming lack of self confidence. She thinks she is stupid and she doesn't trust her opinions even when she comes to the right conclusions. My next idea is a bit of speculation about the deep meaning of Moradne`s central teaching "Courtesy is a Lady`s armor" There is a side of it which is troubling me. An armor is used for protection against attacks, septa is suggesting that Sansa should use courtesy against the aggressors. It is somehow wrong, it is dening Sansa`s right to stand up for herself. Courtesy is not always the right answer. Sansa wasn`t ready to stand up for herself when Joffrey was rude with her after the fight with Arya. And at last the most disturbing bit.. How did Sansa come to the idea that septa Mordane would want her to endure rape with a horrible monster? She was trying to subdue herself to the violence because of septa mordane, seriously? I don't think septa wanted this but it is a clear indication of what kind of harmful ideas she put in Sansa`s head.
Sansa is the only Stark's kid with POV who is not remembering any of her parents teachings, she is not recalling them as role models or us figures of comfort during hardship. Only once Sansa wished to be strong as her mother. Unfortunately Cat`s influence on Sansa is almost imperceptible. Sansa`s true and only life mentor was septa Mordane, she is the one who shaped Sansa`s character. We know little about Cat but it is safe to say that Ned neglected Sansa altogether. And I don't even want to talk about Darry, too much has been already told. How on earth is possible that Ned didn't find a moment alone with Sansa to speak about what has happened? She was destroyed by her loss, troubled by the prospects of the engagement, she was utterly lost and confused. Sansa didn't understand what happened, she didn't know who to blame. She drew DANGEROUSLY wrong conclusions out of the incident. Ned was aware that Sansa is making some serious mistakes of judgment and he din`t care to discuss with the truth and helping Sansa overcome the situation and maybe make her take some lesson from it. The are two other situations, much less discussed than Darry, that show a little of how Sansa`s human and moral development was neglected by Ned. Both Eddard and Catelyn share an equal view on the tournaments, War and Death should not be a game, I would say it is a core value of the Stark family. Death is not a game is a moral standard for Ned. Sansa had no clue about such a fundamental value of her family. When Sansa asked to go to the tournament he just told her off harshly. He just didn't care to pass over the understanding of the basic things to Sansa. During the tournament things got worse, a young knight was killed right in front of Sansa. Ned's dislike of tournaments took a concrete form. I man was killed in front of his daughter's eyes and Ned did not deem it a good enough reason to speak to Sansa to see maybe she is scared, maybe she needs some explanations. If only Ned wondered what does Sansa think about the episode, he would not be happy at all with her answer. It is again about core northern moral values, Ned was warning seven years old Bran about the responsibilities of taking a human life, it is a grave task and no one should not forget how the death looks like. This is as well one of the many subtle manipulation performed by Martin to antagonize Sansa with respect to her family. I believe that Sansa`s reaction was perfectly normal and Ned wanted his children to follow his ideas he should take a bit more care of communicating these ideas. Second situation I would like to highlight happened during the Mountain trial Same scheme, Ned shelter Sansa from any possible harmful information and when shit finally happens he ignores it. If he was worried of what Sansa might have heard and what she has understood why did he actually speak to her? Sansa was anxious about her father's decision and she had lots of little ponies in her head. That was a priceless occasion to explain how harsh and dangerouse the life can be and the difference between justice and vengeance.
AliceRose started following Problematic aspects of Sansa`s education
Problematic aspects of Sansa`s education
AliceRose posted a topic in General (ASoIaF)At my very first reading I was perceiving Sansa as an unlikeable character. I ought to admit my feelings against her used to be pretty strong. From reading several ASOIAF related forums I have got the idea that my first impressions on Sansa are widely shared. It is curious because she didn't do anything truly despicable, she is just a child, her mistakes could be easily overlooked and yet she gets an incredible amount of criticism bordering with hatred. My strong feelings of dislike toward her pushed me to want to understand more about what exactly I didn't like. Which traits of Sansa`s character were making her so unbearable to me. I have started to read this forum as well as similar platforms in other languages and most importantly I did a second re-read.. and then a third and a fourth. By now I should have read all Sansa related chapters a hundred times each. She is a facinating object of study. Forum opinions on Sansa are very interesting, but unfortunately it happens quite often that Sansa fans and Sansa haters alike give completely false and unproven motivations to her most controversial decisions. For example in my opinion too many people claimed that Sansa has made a conscious decision to say nothing in Darry during the hearing, haters say that she had consciously decied to lie for her egoistic interests, some Sansa fans say that she had consciously decided to avoide confrontation because she is smart and it wouldn't be wise to ruin her relationships with her future family. She was scared to death, her eyes were full of tears, she didn't decide anything at all, let alone being conscious about the consequences of her words. Sansa is an absolute masterpiece of literature work, Martin did an incredible amount of care and details into her. I believe that only several careful and unbiased re-reads can help to flesh out her true personality. Well that's was a long introduction. I will try to give you my answer to the question which traits of Sansa`s character are so unbearable for many of us.. Sansa`s education was questionable on so many levels that I wonder how did she manage to come up as a decent human being. I will stop talking too much and just bring to your attention problematic aspects of Sansa`s life. There are two main issues with Sansa`s upbringing: total neglect from her parents and awful influence from an ignorant, incompetent, misogynistic teacher. Both factors are equally allarming.
Rethinking Romance: Love Stories of ASOIAF, Part 2
AliceRose replied to Le Cygne's topic in Re-read ProjectSansa and Baelish? Why not?

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Among his top five stories of the year is one on the lack of innovation among manufacturing based SMEs which Karamjit Singh feels presents a clear and present danger to Malaysia's ambitions.


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If you have a question, idea for a collaboration or just fancy saying hi we would love to chat.
Just drop us a message using the little form below and we will get back to you as soon as possible.
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DIRECT EMAIL: email@example.com


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As Freedom Fellows entered the LEAD Center this week and Freedom Summer 2019 began in full force, many students began another Freedom Project Network program housed in the LEAD Center: Freedom Summer Collegiate! Freedom Summer Collegiate is for rising 10th, 11th, and 12th graders in Sunflower County who have shown and proven their immense potential for achieving and advancing their education.
Professors and doctoral candidates from Harvard, Boston University, Princeton, and the University of Pennsylvania are teaching classes such as Punishment in the U.S., the Philosophy of Self-Actualization, Neighborhoods, and Police Technologies. Students get the chance to experience focused subjects and wide-open classrooms more commonly found on a university level.
"I like having a chance to learn about different things than you normally would in school," Ms. Stephanie Robertson, a rising tenth grader, said.
"It gives you a feel of what a college class is really like," Mr. Vin Darius Thomas, another rising tenth grader, said.
Classes focus on a variety of subjects and come in all forms and fashions. For example, recently in Neighborhoods, professor Ryan Parsons hosted a class where Mr. Trent "Rocky" Little, a grandson of famed Civil Rights activist Fannie Lou Hamer, visited to discuss different communities he had been a part of.
"[The students] were great and asked a lot of questions," Little said, "I really just came to see the energy of the place, but I really, really like what's going on."
All of the classes have had exciting topics, events, and activities, such as debates over surveillance in Police Technologies and introductions to the language of logic in the Philosophy of Self-Actualization.
"I'm so excited to be back at Sunflower this summer. It's a privilege to work with these students, and so fun," Dr. Stephanie Dick said.
Check out Freedom Summer Collegiate at their website here: http://www.freedomsummercollegiate.org
at their Facebook page: https://www.facebook.com/freedomsummercollegiate


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First impressions of Vietnam
First impressions of Vietnam.
It was a fairly long trip in getting here (well for me quite possibly at any rate) I think that I have been spoiled with my regular trips to bali, I have gotten fairly used to flights only being about 3.5 hours.
The trip itself was quite pleasant, I was seated next to a Russian Kiwi and we spent most of the flight exchanging travel stories and tips, he was on his way to Thailand for 9 days to begin his three months off work and to meet his mother who was going to fly from Russia. The budget terminal in Singapore hasn't changed much, I had forgotten how cheap the "expensive airport" food / drink was which made the 4 hour stop over quite bearable, which was a good thing given how wrecked I was feeling from not sleeping.
The flight to Vietnam was uneventful I actually managed to get a bit of sleep which was quite surprising, I remember heading for take off and the next thing was the captain announcing we would shortly be landing in Ho Chi Minh City, so definately a pleasant flight and allowed me to feel not quite as ruined when hitting Vietnam.
The immigration staff seemed surprised that I was prepared, I handed over my passport, letter of authorisation to travel and obtain my visa there and a completed landing card and he hande me the form to fill out and I pointed to the already completed form and he smiled. Afer about a 20 minute wait I had my visa to enter and exit vietnam multiple times up until the 25th of September and it was off to get stamped and pick up the baggage.
In terms of customs there was no forms to hand in like many countries and drop he bags through a scanner and out the door process took less than a minute. I have seen a reasonable percentage of the world thus far and it never ceases to amaze me just how serious our customs are compared to all the countries that I have visited around the world, with the only potential difference being the multiple security screenings and checking for liquids that takes place in Indonesia.
With the entry protocols out of the way I headed out the front door to get my first taste of Vietnam to be greeted by a cloudy day, a reasonably warm tempreture, mild humidity and a very loverly breeze. Any humidity and me doesn't always mix well and especially given I was ladended down with a heavy backpack and my camera gear I figured I would grab something cool to drink and enjoy the breeze. I headed to what appears to be a local coffee chain, they had a range of beverages from 40,000 – 80,000 VND so the "expensive airport prices" equated to AU$2 – 4 for a drink, quite reasonable actually.
Ordred myself an iced mocha and sat down to enjoy the mocha, typically I expect my mocha drinks to taste within a certain range based on the variables of the coffee beans used, the chocolate type / how much is used and the local variants of milks and what came out was nothing like I was expecting at all. Surprise at the taste aside the drink was positively awesome tasting and I thoroughly enjoyed it.
Armed with a lower core body tempreture and feeling refrehed it was time to grab something small to eat before heading to catch the bus, I figured I would be lazy and western as there was a burger king right there so went bugger it and decided on a quick whopper. I was just after a burger and thought the price of 110,000 VND was quite steep just for a whopper, but then again similar to home and somewhat to be expected.
I don't think I properly communicated what I wanted however as what came out was some form of meal deal, it had 2 whoppers a huge serving of chips and a large coke, so in hindsight it was actually extremely good value. Unfortunately however I was not particularly hungry so the second whopper and chips went to waste, would never say no to a cold beverage so I had a smoke, drank my coke and just generally took in the scenery around me at the airport.
There were two points of note thus far: Burger King was selling beer and their breakfast ranges were crosswiches which looked like really thick crossaints.
After that was out of the way I headed for the bus, the fact that I was so tired was a testament to the point that I didn't notice when I got on that the door and driver were on the "wrong side" to what I was expecting. It wasn't until about half way through the trip that I realised that we were on the right hand side of the road and that the road rules here appear to be based on the American system of driving on the right with the driver being on the left.
The big thing that struck me was the amount of traffic that was on the roads, after travelling to Jakarta I have seen some crazy ass traffic and more scooters than I thought existed on the roads but I think Ho Chi Minh is actually on par if not a little worse in regards to the sheer volume of traffic on the road. The other thing that struck me when looking out the windows is for the first half pretty much every female that I saw outside the bus had a bun in the oven, I don't think I have ever seen such a large number of pregnant ladies in such a small sample size before. Perhaps it is a good thing that I am a. Male b. It's not safe to drink the water *grins*
We got dropped off at the bus station near Ben Tranh Market and subsequently near where I am staying and it was at this point that I seriously had my comfort zone tested. Ordinarily I am not a fan of crowds as they make me feel incredibly claustrophobic however I am able to suspend this when I travel as I understand it to be part of the experience and I simply alter my mental state to accommodate Usually in the crowded places that I have visted though there is usually a constant ebb and flow of the crowd and it is never usually stagnant so it is not too bad to deal with, and usually I don't have the zone I consider to be my personal space impeded upon. Very different at this bus port, I was boxed in with people on all quadrants and no movement and to top it off the tiny bit of space that I did have there were people using to get to another tiny bit of space. It was rather off putting but I did ok.
The next thing that I learnt is that I am going to have to relearn my concept of crossing the road, zebra crossings here don't mean any thing and there is not a great deal of traffic lights where I was going to be crossing, and even the one intersection that there was the traffic turning ensured a constant 100% flow of traffic. After about 5 min I decided to tag with a local, scooters will go around you as you are crossing and for cars you stop and let them go past you before again proceeding.
So the moral of crossing the road here appears to be, take a deep breath and walk out into a constant flow of oncoming traffic, ok then lol.
As I am staying in what is considered to be the backpacker area I expected a large number of people pushing their wares / services but I as pleasantly surprised here, the number was actually quite small and they were the least aggressive of the places I have visited thus far and even the cyclo driver didn't mind a bit of a chat after I said I wasn't interested.
There was this one woman that appeared to have a street side cafe that was offering me beer, beer beer as I was walking past and was very surprised when I kept on saying no lol. I don't mind a beer but it was not even lunch time yet, and even when travelling I have a general rule that I won't drink before lunch lol.
Got to the hotel and checked in. I was not sure what I was expecting checking into a place that charges $17 a night however it managed to take all my expectations and blow them out of the water. The rooms are not horribly big, however not the smallest I have stayed in either, probably about the right size for what you want out of a small room.
There is a large double bed, about a meter gap with a wardrobe which also has a mini bar in it, a small desk / dressing table next to that and then the door into the ensuite. In front of the bed there is not quite as much space but still wider than my backpack and a small tv up on the wall. The only way I would see this room size being a downside is if you had a large number of reasonably sized suitcases.
the ensuite is not large but even me a quite large guy still had plenty of room to move down to the shower, and plenty of room to move about within the shower as well which was good. In regards to the rest of the rooms features, simply decorated but clean / tidy looking relatively new the bed is quite comfortable and the shower had high pressure and was capable of getting very hot. Oh and good aircon, got the room quite cold just how I like it.
All in all for $17 a night I am really really impressed, and I would happily stay here again.
I pretty much went straight to sleep and got a good nap, however now it is time for me to see what is around in the local area / have dinner and obtain some more smokes and water.
Overall first impressions of Vietnam:
– Burger King sells beer & their breakfast menu is based on croissants
– Everyone automatically seems to assume that I am American and are surprised when I say Australian
– There appears to be a large number of pregnant women
– I really need to relearn how to cross the road
Thus far things are positive, I am awake and ready to wander the general area more from me later.


text:
Followers: 7
Treasure Island Dizzy
The Oliver Twins
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Genre: Adventure, Platform, Puzzle
Platforms: ZX Spectrum, Amstrad CPC, PC (Microsoft Windows), Commodore C64/128, Nintendo Entertainment System (NES), Atari ST/STE, Amiga
Treasure Island Dizzy is a computer puzzle game published in 1988 by Codemasters for ZX Spectrum, and later ported to the Amstrad, Commodore 64, NES, Amiga, Atari ST and Windows. Treasure Island Dizzy was the second game in the Dizzy series, and is the sequel to Dizzy – The Ultimate Cartoon Adventure. The game was developed by the Oliver Twins with graphics being designed by Neil Adamson and music by David Whittaker. --------... Read More
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Basic Guidelines For English SpellingsREAD THESE ARTICLES
nounmass noun
A colourless, sweet, viscous liquid formed as a by-product in soap manufacture. It is used as an emollient and laxative, and for making explosives and antifreeze.
A trihydric alcohol; chemical formula: CH₂(OH)CH(OH)CH₂(OH)
- 'The acetins are derivatives of glycerol that are prepared by heating glycerol with acetic acid.'
- 'Such agents include glucose, propylene glycerol, polyethylene glycol and hypaque.'
- 'Fats can be reduced in a solution of sodium hydroxide to produce glycerol and another kind of lipid, soap.'
- 'The fats or oils from these sources are isolated and hydrolyzed to produce glycerol and fatty acids.'
- 'Fatty acids form esters with alcohols, and the common esters are glycerides, because the alcohol involved is glycerol.'
Are You Learning English? Here Are Our Top English Tips


text: MattiS 0 Posted September 24, 2014 Hi Folks, We have project requirement using AutoIt in selenium web driver. Requirement:- We have to right click on the client product's system tray icon, then OS native window will open. Get focus into that window and login to the product. I have already developed AutoIt script for doing all these functionality and system has all the admin rights. Issue:- If I run this AutoIt script in normal java class that works fine but, unable to run through testNg using .exe file. The eclipse getting crashed and none of the browser is opening from testNg. Below line of code I have used to run .exe file in testNg. String[] cmd = {"D:automationformfpMFP.exe","1002","MattiSM","Test"}; Process p = Runtime.getRuntime().exec(cmd); System configuration:- Windows 7 JDK 1.6.0_45 Juno eclipse 64 bit Workaround so far:- 1. Tried with upgrading JDK versions. 2. Tried with changing workspace. 3. Increasing heap size in eclipse ini file. 4. Developed another autoIt script to click on system tray icon, executed .exe file before installing client product, that perfectly works fine. 5. Tried with different eclipse. The issue will reproduce once we install product into local system and execute through testNg. Below is the eclipse console error. java.net.SocketException: Permission denied: connect at java.net.DualStackPlainSocketImpl.connect0(Native Method) at java.net.DualStackPlainSocketImpl.socketConnect(Unknown Source) at java.net.AbstractPlainSocketImpl.doConnect(Unknown Source) at java.net.AbstractPlainSocketImpl.connectToAddress(Unknown Source) at java.net.AbstractPlainSocketImpl.connect(Unknown Source) at java.net.PlainSocketImpl.connect(Unknown Source) at java.net.SocksSocketImpl.connect(Unknown Source) at java.net.Socket.connect(Unknown Source) at java.net.Socket.connect(Unknown Source) at java.net.Socket.<init>(Unknown Source) at java.net.Socket.<init>(Unknown Source) at org.testng.remote.strprotocol.BaseMessageSender.connect(BaseMessageSender.java:58) at org.testng.remote.strprotocol.MessageHub.connect(MessageHub.java:32) at org.testng.remote.RemoteTestNG.run(RemoteTestNG.java:84) at org.testng.remote.RemoteTestNG.initAndRun(RemoteTestNG.java:204) at org.testng.remote.RemoteTestNG.main(RemoteTestNG.java:175) But, here I haven't used any testNg library file. Any suggestions / help would be appreciated. Thanks in advance.. Matti Share this post Link to post Share on other sites


text:
A financial scandal is enveloping Erwin Hymer operations in Kitchener and Cambridge, Ontario, amid reports that senior executives have been suspended and dozens of employees laid off.
The Waterloo Region Record reported that the turmoil at Erwin Hymer Group North America has also led to its likely exclusion from the pending sale of German parent Erwin Hymer Group to U.S.-based Thor Industries.
On Monday (Jan. 21), Erwin Hymer Group announced that it has launched an investigation into the North American operations due to "irregularities in the company's reporting."
A news release from the firm stated that several managers from Erwin Hymer Group North America have been suspended pending the outcome of the investigation, which includes a detailed audit procedure involving external auditors.
"As an immediate measure Erwin Hymer Group deployed management to support the ongoing operations of (Erwin Hymer Group North America) and the external investigation," the release states, adding that the local operation's "focus on its products, business partners and customers remains unchanged."
For the full story click https://www.therecord.com/news-story/9135942-financial-scandal-swirling-at-local-rv-maker/.


text:
Join an exciting and entrepreneurial carrier-neutral data center company! We are looking for excellent candidates to join our company and continue our tradition of 100% uptime.
Implement design solutions, procure hardware, manage environmental builds and configuration deployments for multiple data center locations in cooperation with our partners across the continental United States. Will be responsible for managing commercial relationships with H5 equipment & services partners.
Responsible for managing the project life cycle of complex solutions including, planning, execution, and closeout to achieve planned results on time and within budgets. Develops budgets, project plans, and track progress to plan. Adhere to established operating procedures to ensure the integrity and availability of systems at the data center facilities through drafting and updating documents, testing and compliance audits.
This position reports to the Vice President Colocation and Data Center Operations. Some domestic travel is required.
Please email email@example.com for more information.


text:
Books » Category » Computing and Information Technology
By Einspruch, A.
This series provides a new and different way of looking at popular topics by taking an investigatory approach that aims to give students a behind the scenes look at a variety of subjects that interest them. Ages 10+.
By Pearson, Mark
What you post on a blog or tweet to your followers can get you arrested or cost you a lot of money in legal battles. This practical guide shows you how to stay out of trouble when you write online.
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By Baldridge, Aimee
Offers instructions on how to streamline and organise your life so you can find what you need instantly, safeguard your personal history, and create lasting memories that your family will treasure.
By Proffitt, Brian
Relax. Learning how to use Microsoft Office FrontPage 2003 is now a breeze. With this book's easy-to-use instructions, you'll master the unique FrontPage interface in no time. From building your first basic Web page to working with dynamic content, Microsoft Office FrontPage 2003 ...
By Davis, Stephen R.
C++ is an object-oriented programming language commonly adopted by would-be programmers. This book explores the basic development concepts and techniques of C++ and explains the 'how' and 'why' of C++ programming from the ground up. It addresses the various components that go int ...
By Webber, Jim; Robinson, Ian; Elfrem, Emil
Discover how graph databases can help you manage and query highly connected data. With this practical book, you'll learn how to design and implement a graph database that brings the power of graphs to bear on a broad range of problem domains. Whether you want to speed up your res ...
By Searle, Michael; Searle, Mike
Covers Xbox 360, PlayStation 3, PC --Cover.
By Cadenhead, Rogers
Covers Java 8 and Android development --Cover.
By Britain: Cabinet Office, Great
Book Pack consisting of Managing Successful Projects with PRINCE2 (ISBN 9780113310593) and Directing Successful Projects with PRINCE2 (ISBN 9780113310609). Directing Successful Projects with PRINCE2 has been designed to be a role specific handbook for senior managers and project ...
By Asturias, Marc; Gagen, Moira
Keyed to the learning objectives of the Apple Desktop Service and Apple Portable Service certification exams, this is the companion curriculum used in Apple Care Technician Training courses worldwide. It starts with basic computer theory, then moves on to cover networking, and di ...
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text:
About Us
Hey there, and welcome to ZEAL. By now, you've probably made your sums and are ready to buy some awesome sportswear for your team! And you're probably shopping around a bit...
I will let you in on a secret that nobody in the customized sportswear industry ever talks about. All of the big brands that create customized sportswear do not own the factories that produce their sportswear. They sub-contract the work to a few factories. At ZEAL SPORTS we don't pretend to own the factories, instead, we like to call them partners and are based in Asia right next to them.
In Asia, there are not a lot of factories that create high-quality customized sportswear because the order sizes are relatively small. It is much more appealing for them to produce large orders for big retailers.
Most of the brands creating customized sportswear make their garments in the same factories. Yes, this was an eye-opener for me too.
ZEAL SPORTS was founded by a New Zealander in 2014 who happened to find himself in Hong Kong. He began to notice that back home in New Zealand a lot of clubs and schools were struggling to pay the high prices they were forced to pay for high-quality sportswear. Teams were having to play in old jerseys that were falling apart. He then decided to venture into China and the Philippines to do a little bit of investigation. After doing some calculations it was obvious. Sports teams were paying too much for their high-quality sportswear, he then set about changing this by providing high-quality sportswear at reasonable prices.
ZEAL SPORTS was born.
Remember: We are able to produce high-quality sportswear at great prices because we are not having to fund unnecessary overhead costs.


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Ting, man kan tage sig til i Augusta
De bedste anbefalinger fra lokale
Find ud af, hvad der gør byen unik, med hjælp fra de lokale, der kender den bedst – fra sightseeing til skjulte perler.
Shopping Mall
"Augusta's only indoor mall is a great place to catch amazing deals at any given time"
- 16 lokale anbefaler
"Once featured as a best kept secret of the south in GQ magazine, this is my personal favorite restaurant in Augusta. If you order anything, you have to try their smoked gouda mac & cheese! That alone is worth a visit. The food is all locally sourced, and you can't go wrong with anything on the menu. "
- 41 lokale anbefaler
American Restaurant
"Delicious burgers and entrees. Weekend Brunches are incredible! Huge selection of drinks. A cool, casual restaurant with a spectacular bar! Dressed up or dressed down, all are welcome!"
- 35 lokale anbefaler
"Not open to the public, but a great spot to take your photo in front of the gate when the Members Only sign is out. The club is open to members only during the months of October to May and the iconic sign is out front. Sorry, no entry unless you're a member or you're with a member. The Masters Golf Tournament is played in April of each year. "
- 34 lokale anbefaler
"We are a cocktail bar and eatery politely tucked away on Broad Street in downtown Augusta, Georgia. Featuring hand-crafted cocktails, an elegant wine selection, and gourmet small plates. A fusion of old wood with metal modern mix, low lights bouncing off art deco and leather. "
- 36 lokale anbefaler
Movie Theater
"Best movie theater in town. Assigned seating, larger recliner chairs, and even has a little restaurant inside (serves wine & beer too)"
- 22 lokale anbefaler
"Fun Tapas style restaurant with Sunday Brunch too. Excellent menu and casual atmosphere "
- 35 lokale anbefaler
"Check out the incredible Savannah River and stroll the Riverwalk. Its a peaceful scenery with entrances from 6th st up to 11th St. "
- 21 lokale anbefaler
"Amazing burgers and boozy shakes. They do even deliver with the Waitr food app."
- 24 lokale anbefaler
"They have amazing cocktails. There are the expensive side but they have a happy hour Sun-Sat 5p-7p."
- 22 lokale anbefaler
History Museum
"Love this easy to navigate museum. Not to big - not to small. Check the hours before you go. "
- 11 lokale anbefaler
"Takosushi comes on strong with inventive but down-to-earth flavors that consistently wow locals and visitors alike. Rouse your senses with the eclectic vibe and ingredient-driven cuisine rooted in southwestern and Asian traditions. The beauty of this food is in its utter simplicity, yet it seductively teases the tongue and leaves you wanting to try so much more. "
- 17 lokale anbefaler
Miscellaneous Shop
"Great location to eat and shop. There are several local restaurants and shops throughout the shopping center. "
- 27 lokale anbefaler
"We love the craft cocktails and relaxed atmosphere at the Indian Queen. Our friends whip up the most delicious libations with fresh fruits and hand made mixers. From happy hour to late night, this place is always a good time! "
- 14 lokale anbefaler
"Down the road you have a great place to eat and drink. They have a fun patio out front as well. Not so much Pub food though, mostly nice seafood dishes. "
- 14 lokale anbefaler
"Downtown is a great spot to find a plethora of local restaurants, bars, and shops. Come check it out and see some of the best that Augusta has to offer!"
- 11 lokale anbefaler


text:
Essay on Article Review : The Insanity Plea
What is this article specifically addressing?
This article, "The insanity Plea in the Case of a Serial Killer" By George Palermo and Richard Khnudten explains the case of the infamous serial killer Jeffery Dahmer and his attempt to request the insanity plea to get out of his crimes he committed. Mr. Dahmer killed seventeen men, and when asked about his crimes his responses where clear and coherent. Yet, he pled not guilty by reason of mental illness. The jury did not believe he had any signs of a mental illness and sentenced fifteen consecutive life terms.
How does this article related to your selected topic?
The article is highly related to my selected topic, I wanted to review an article about serial killers attempting to use the insanity plea and the likeness of them getting it granted. This is the portion of Forensic Psychology that I find most appealing. Justifying whether or not if a man or woman could become so mentally ill that they will temporarily lash out and murder someone completely intrigues me. The article I want to review I found on the Sharpio library by originally searching for an article on Ed Gein, but I found that that is too narrow of a search. Since the reason I was wanting my topic to be Ed Gein was because he was a serial killer that in court was about to claim the insanity plea. I decided to change it to a broader search if "the insanity defense serial killers" which lead…


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Soon-to-open Black Sheep aims to offer fine dining with a rock 'n' roll edge
By Sarah Collins
Chef James Toland, former chef at Lockwood and for the Obama family, is standing in the middle of what will be the dining room of his new West Loop restaurant, the Black Sheep, opening in early April. He looks up at the four cloth-covered rectangles hanging from the ceiling and tells his employee to adjust the angles so people can see it. Then he snickers, points to the bars, and says "Black Flag."
James Toland
Incorporating the legendary hardcore band's logo into the ceiling is one of the more subtle ways Mr. Toland hopes to pay tribute to punk rock. He's also recorded a theme song and record for the restaurant, included musicians in the construction of the building and offered free meals to touring rock bands. At the Black Sheep, molecular gastronomy will also be for the punks.
"We firmly believe that fine dining should no longer be the privilege of the rich and elite. It needs to be accessible," Mr. Toland says. "It's art," noting that even the Louvre offers free days.
That's why Mr. Toland is offering a late-night secret menu of $5 and $10 meals for working-class diners, including a $5 Black Sheep steamer burger, covered in mozzarella and served on a homemade bun. "It doesn't conflict with the fine dining because we'll have the same aesthetic to it, but it's much lesser priced."
While the tasting menu will run around $90, individual plates will run in the $18 range.
And any musician with a show in Chicago that week can stop by for a free meal. Mr. Toland admits it is, in part, a marketing gimmick, but the approach also supports independent artists. "I know, having done many tours here and there, getting a free meal on the road can really make a big difference."
Mr. Toland hopes that by offering dishes like confit black hen thighs with bacon purée at chain-restaurant prices he can draw in both foodies and working-class diners, doubling his clientele. Mr. Toland hopes to use the Black Sheep record to bring a new audience to Chicago bands like Naked Raygun, Stiff Little Fingers and Screeching Weasel, members of which perform on the album. The record's profits will go to Children's Memorial Hospital.
Follow Enterprise City, Crain's blog for Chicago entrepreneurs, on Twitter: @EnterpriseCity.


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About the Samson Stage XPD1 Presentation
Make sure your audience hears every word
Make sure your audience hears every word
Give presentations without being tied to a podium or holding a mic in your hands. This Samson system includes a lavalier microphone that clips to your clothing and uses an omnidirectional polar pattern to pick up speech clearly. The included belt pack transmitter has a wireless line-of-sight range of up to 100 feet.
Great for presentations and performances
You can plug the RDX1 receiver into a compatible Samson portable speaker, such as the Expedition XP106w. Now you're ready to give a presentation or perform and move freely about the stage.
Simple digital recording
The compact RDX1 receiver has a USB connector. Plug it into your laptop or tablet, and you can use it with text-to-speech programs, communication apps like Skype, or your favorite digital recording software. The RDX1 is compatible with either Mac® or Windows® operating systems.
Product highlights:
- omnidirectional lavalier microphone with digital USB receiver
- for lectures, pubic address, and class instruction
- USB receiver is compatible with select Samson Portable PA speakers
- wireless range: up to 100 feet
- LM5 lavalier microphone:
- 3mm mic capsule with lightweight clip
- wireless belt pack transmitter requires 2 "AA" batteries (available separately)
- RDX1 USB receiver:
- audio sample rate: 32 kHz
- supports Windows® and Mac® OS, no drivers needed
- compatible with iPad® and iPhone® (4S and later) using Apple's Lightning® to USB Camera Adapter or 30-pin Camera Connection Kit
- 3-1/2"W x 15/16"H x 5/16"D
- Other info:
- warranty: 1 year
- Our 60-day money-back guarantee
- MFR # Stage XPD1 Lavalier
What's in the box:
Samson Stage XPD1 Presentation owner's manual
- LM5 lavalier microphone with attached 52" cable (female 3-pin mini XLR)
- Clothing clip (installed)
- Foam windscreen (installed)
- Stage PXD1 beltpack wireless transmitter (with attached belt clip)
- Stage RXD1 wireless receiver (with Type A USB)
- Quick Start Guide
- Online Product Registration
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More details on the Samson Stage XPD1 Presentation
Features & specs
|For live use
|Polar Pattern
|Not given
|Phantom Power
|On/Off Switch
|Frequency response
|Not given
|Max SPL
|Not given
|11.2 oz.
|Parts Warranty
|1 Year
|Labor Warranty
|1 Year
Product Research
Overview: The Samson Stage XPD1 Digital Wireless USB headset microphone is ideal for recording or amplifying speeches, seminars, or lectures. It can also be useful for leading an exercise class or a guided tour. The wireless system is compatible with most digital audio software and voice recognition software, and allows you to record straight to your computer. The system includes the LM5 lavalier microphone, the Stage PXD1 wireless beltpack transmitter, and the RXD1 USB wireless receiver.
LM5 Headset Microphone: The LM5 lavalier microphone is designed for discreet spoken word presentations, such as lectures or seminars. The clip-on mic gives you the freedom to walk around and use your hands without having to worry about holding a microphone or being tethered by a mic cable. The tiny microphone is attached to a 52" cable that terminates into a mini-XLR plug which plugs directly into the beltpack transmitter. The microphone includes a clip for attaching it to your shirt or lapel, and a foam windscreen.
Wireless System: Communication between the beltpack and the wireless receiver takes place in the 2.4GHz frequency band (2.404-2.476 GHz), with an operating range of up to 100 feet. The RXD1 receiver, with its USB connector, plugs directly into your computer, from where it receives power. The PXD1 beltpack transmitter gives you about 20 hours of use from two "AA" alkaline batteries (not included). Before use, you must pair the transmitter and receiver by pressing the Pair button on the receiver.
Input Gain Control: The transmitter has a rotary control under the battery cover that allows you to adjust the transmitter input sensitivity. It has been factory preset to the optimum level for the microphone. If needed, you can raise or lower the input level using the supplied plastic screwdriver.
Compatibility: The Stage XPD1 system is compatible with the following operating systems: Windows 8, Windows 7, Windows Vista, and Mac OS X without a driver. It can also be used with an iPad with an optional Lightning USB Camera Adapter or iPad Camera Connection kit (for 30-pin iPad).
Expedition Series Portable PAs: This Stage XPD1 wireless system is compatible with the Samson Expedition Series of Portable PA systems, including models XP106, XP800, and XP1000. These PA systems have a USB port for 2.4GHz wireless systems, such as the XPD1.
- Frequency Response: 20Hz - 16kHz
- Modulation Type: GFSK
- THD: <0.1% (1 kHz, -10dBu)
- Signal-to-Noise: >85 dB
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Reset Google Chrome :-
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Reset Mozilla Firefox :
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Национализация и регионализация партийных систем: подходы к исследованию
The article is devoted to the problem of development and practical implementation of the large scale constitutional modernization program in the Great Britain. Central attention is paid to two of its aspects transfer of some powers from the center to the regional organs within the devolution program, as well as the reform of the House of Lords. The author analyzes a complex of various causes, which resulted in the need to correct a constitutional legal mechanism of the United Kingdom, he also provides the analysis of attitude of the key political parties, inner groups within such parties and movements to these changes. The author also studies the history of representation of the regions of the state in the higher chamber of the British Parliament, the changes which already took place and the perspectives and directions for the further modernization of the state government mechanism. The close connection and interdependence of the changes is being noted. The growing regionalization demands formation of the new type of relations with the central government, and it makes the problem of revision of principles of formation and powers of the higher chamber of the Parliament especially topical, it also requires correction of an election system. Ключевые слова: Великобритания, конституционные реформы, Палата лордов, деволюция, регионализация, национа- лизм, политическая борьба, консерваторы, лейбористы, представительство.
The article is devoted to the trends and determinants of the transformation of Russian regions' industrial specialization during the period of economic growth. Using the methodology of statistic and econometric analysis it is tested whether the tendency of diversification dominates the tendency of regions' industrial specialization in 1997-2004 and whether there is a convergence of Russian regions' industrial structures. The considered factors of industries' development in a particular location include the initial industrial structure, inter- and intraregional technologic links between industries, quality of investment climate, R&D potential, international competition.
The problem of increasing of the responsibilities of some Federal Bodies discussed. It is showed, that the Apparat of the Representatives for President of Russia at the Federal Disrticts bears last years more responsibilities, not limited just by controlling functions.
In this article the author analyzes the intricate combination of repression and cooptation policies conducted by Russia's ruling elites in their relations with the opposition on the regional level. As the study shows the structural features of electoral authoritarianism not only ensure the victories of "approved" candidates but also make the rare oppositional winners to adapt to the existing regime and change the political affiliation. If the regime gets more authoritarian the oppositional party can still be a tool to win a local election. But after being elected, the winner finds himself in another political environment of existing patron-client relations, and has no other choice than to become a dependent member, or an agent (according to principal-agent theory) in higher-level clientele. As a result, oppositional party has become useless in the recruitment of influential executive power elite. However, while blocking unwanted "invasion" of opposition into the executive power the regime allows opposition to be presented in the leadership of regional legislative power. This policy reflects the necessity to make an opposition more loyal and included into the system of power relations in most safe and efficient for the ruling elite way.
The article deals with the processes of building the information society and security in the CIS in accordance with modern conditions. The main objective is to review existing mechanisms for the formation of a common information space in the Eurasian region, regarded as one of the essential aspects of international integration. The theoretical significance of the work is to determine the main controls of the regional information infrastructure, improved by the development of communication features in a rapid process.The practical component consists in determining the future policies of the region under consideration in building the information society. The study authors used historical-descriptive approach and factual analysis of events having to do with drawing the contours of today's global information society in the regional refraction.
The main result is the fact that the development of information and communication technologies, and network resources leads to increased threats of destabilization of the socio-political situation in view of the emergence of multiple centers that generate the ideological and psychological background. Keeping focused information policy can not be conceived without the collective participation of States in the first place, members of the group leaders of integration - Russia, Belarus and Kazakhstan. Currently, only produced a comprehensive approach to security in the information field in the Eurasian region, but the events in the world, largely thanks to modern technology, make the search for an exit strategy with a much higher speed. The article contributes to the science of international relations, engaging in interdisciplinary thinking that is associated with a transition period in the development of society. A study of current conditions in their relation to the current socio-political patterns of the authors leads to conclusions about the need for cooperation with the network centers of power in the modern information environment, the formation of alternative models of networking, especially in innovation and scientific and technical areas of information policy, and expanding the integration of the field in this region on the information content.
The article is devoted to the study of the authoritarianism prevalent in the mass consciousness of Russians. The article describes a new approach to the consideration of the authoritarian syndrome as the effects of the cultural trauma as a result of political and socio-cultural transformation of society. The article shows the dynamics of the symptoms of the authoritarianism, which appear in the mass consciousness of Russians from 1993 to 2011. This paper proposes a package of measures aimed at reducing the level of the authoritarianism in Russian society.
This work looks at a model of spatial election competition with two candidates who can spend effort in order to increase their popularity through advertisement. It is shown that under certain condition the political programs of the candidates will be different. The work derives the comparative statics of equilibrium policy platform and campaign spending with respect the distribution of voter policy preferences and the proportionality of the electoral system. In particular, it is whown that the equilibrium does not exist if the policy preferences are distributed over too narrow an interval.
The article examines "regulatory requirements" as a subject of state control over business in Russia. The author deliberately does not use the term "the rule of law". The article states that a set of requirements for business is wider than the legislative regulation.
First, the article analyzes the regulatory nature of the requirements, especially in the technical field. The requirements are considered in relation to the rule of law. The article explores approaches to the definition of regulatory requirements in Russian legal science. The author analyzes legislation definitions for a set of requirements for business. The author concludes that regulatory requirements are not always identical to the rule of law. Regulatory requirements are a set of obligatory requirements for entrepreneurs' economic activity. Validation failure leads to negative consequences.
Second, the article analyzes the problems of the regulatory requirements in practice. Lack of information about the requirements, their irrelevance and inconsistency are problems of the regulatory requirements in Russia.
Many requirements regulating economic activity are not compatible with the current development level of science and technology. The problems are analyzed on the basis of the Russian judicial practice and annual monitoring reports by Higher School of Economics.
Finally, the author provides an approach to the possible solution of the regulatory requirements' problem. The author proposes to create a nationwide Internet portal about regulatory requirements. The portal should contain full information about all regulatory requirements. The author recommends extending moratorium on the use of the requirements adopted by the bodies and organizations of the former USSR government.


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A sounding yes in the European Parliament in February 2019 settles the landmark free trade agreement between the EU and Singapore.
The agreement will gradually eliminate nearly all tariffs on goods over the next five years. The agreement will also make it easier for companies from EU countries to sell services in Singapore.
Aside from lowering the cost of doing business and opening new opportunities for businesses on both sides, the European Union-Singapore Free Trade Agreement (EUSFTA) will also allow EU firms to compete for public procurement contracts in Singapore.
But how exactly does the agreement offer better market access for Danish exporters already active in the Singapore market, and what's in it for businesses with eyes on Singapore? Join us and get to know the deal
Why should I take part in the event?
Get an overview of the most important business-critical elements in the agreement. Under which conditions the EUSFTA may boost Danish exports to and investments in Singapore.
Learn about concrete examples of customs savings, what paper work do you need to do, new rules and benefits.
Understand how to engage with the Danish Trade Council and the powerful EU system to change or remove public regulations in export markets that make up a barrier for your business.
Get the opportunity to engage with experts from the Ministry of Foreign Affairs of Denmark.
08:00 – Registration opens
08:30 – Welcome by the Danish Ambassador to Singapore
08:40 – Briefing
EUSFTA: What's in it for Danish companies?
Using free trade agreements among ASEAN countries and China to minimise customs duty payments.
Using the Embassy and the EU system to handle market barriers in Singapore and other Asian markets.
10:10-10:25 – Coffee break
Participants can choose one of the following two sessions:
10.25-11.45 – Workshop on trade in goods: How to minimise your customs duty payments using the EU-Singapore Free Trade Agreement.
10:25-11.45 – Workshop on trade in services (focus on shipping and financial services): What are the benefits of the EU-Singapore Free Trade Agreement?
11:45-13:00 – Lunch buffet & networking.
Meet the experts
we have analysed the content of the new EU-Singapore Free Trade Agreement. To provide an overview for Danish businesses, Søren Rinder and Humera Arshad from the Danish Ministry of Foreign Affairs will join us to share their insights on the benefits of the trade agreement for Danish companies exporting to and importing from Singapore
Both Søren and Humera have several years of experience giving concrete guidance to Danish companies. Their guidance focuses on how Danish companies benefit from the trade agreements that the EU has concluded with almost 70 markets outside the Union.
Find more info about their services in relation to free trade agreements here. In relation to customs and trade barriers here.
Book a 1:1 meeting with the experts after lunch
Elaborate, clarify and go in-depth. The 1:1 meetings offer an opportunity to better understand free trade agreements across the Asia-Pacific region and discuss how you can benefit from EU's trade agreements at large. On basis of the individual conversations, Humera and Søren will tailor their guidance according to your specific sector and profile while pinpointing specific opportunities for saving customs duties in Singapore and a number of export markets.
Kindly register by Thursday, 16 May 2019 via the form below.
SGD 25 per ticket.
Kindly pay for your ticket here:


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If you search on-line, you will find all sorts of plastic chairs that will fit your needs and make your home a more comfortable place to be in. There are a number of places for you to purchase these kinds of chairs, but see to it that you get your moneys worth. To figure out what kind of chair you would ideally like to have, you can search the internet for indoor chairs made of plastic and browse through the different styles. You may want to even consider plastic Adirondack chairs if you have an indoor patio, so as you can see, the possibilities are endless when it comes to using great- looking chairs such as these.
One of the greatest things about folding chairs is that, they come in many different styles. This great accessory may be used for any occasion. Keep in mind when searching for your chair the price you want to pay, the style, the make and the comfort level.
Antique rocking chairs are very popular. As you may have noticed, many of the elderly own an antique rocking chair which looks cool. It is one of the much sought out items in auctions as well.
About Us
Serve you with pleasure, Transret.com proudly presented its first inspiration in 2015. We're interior design and architecture enthusiasts, just like you. Today we're going to have more than 1,000 unique articles with more than 15,000 pictures ideas …so We are pretty sure that you can find everything you want here.
The primary focus of this interior ideas publication is to give you inspiration to make your home, your office, or your childrens space more beautiful, organized and healthy. We believe that a calm, healthy also beautiful home is a necessary foundation for happiness and success in the world.
Decorate your home. It gives the illusion that your life is more interesting than it really is. by Charles M. Schulz
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Letters: Please don't reawaken our city's memory of the street tree massacre
We are in the midst of a biodiversity and climate crisis. The next decade will require a huge effort in restoring areas of land to increase their nature value and land which is already teeming with wildlife needs to be protected.
Owlthorpe Fields in Beighton is one such area; it is incredibly rich habitat, enhanced by its connectivity to woodland and the surrounding greenbelt.
The first time I visited Owlthorpe Fields, I immediately wanted to get out my trusty
field guides to identify the treasures it contained. Locals told me that it was a popular destination for twitchers and that they loved living next to this unofficial nature sanctuary where butterflies and birds enriched their lives.
And yet, Sheffield City Council ruling Labour group are insisting that 500 homes need to be built on Owlthorpe Fields. Cllr Olivia Blake is defending the council's decision to sell the land to developers, despite a dire lack of appropriate road infrastructure for current housing and overwhelming opposition from local residents.
Putting aside these good reasons to not develop this site further, if Blake had any real sense of Owlthorpe Fields' worth, she would fight hard to save it.
I live on the other side of Sheffield, but if the sale goes ahead I will stand with local residents in solidarity to make sure this land is not developed. Sheffield City Council, please don't reawaken our city's memory of the street tree massacre.
Rebecca Atkinson
Bellhagg Road


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Availabilities 2019 – 2020 .These dates include options valid for 7 days. The update is made only after confirmation.
- From the end of September 2019 – (with – 30% off discount until October 10)
- From 09 to 12 December 2019
Boat sharing:
- We don't have any sharing offers to the moment…but isolated anglers can do some sessions on 2020… Please let us know! We can create a group for you.
We can create a group for you.
- Just let us know your wishes in the form below (desired period, type of trip, number of days, participants, are you alone or not maximum budget…)
Advantages to share the boat:
- With equal budget, you have more days fishing.
- It is the opportunity to meet people with the same passion as you, always rich in exchanges and conviviality or even find teammates for other trips.
- You always learn in contact with other anglers who have practiced in different parts of the world.
- It just makes a trip possible.
Disadvantage to share the boat:
- The only downside of this plan is to limit your chances of taking big fish on trolling or live baiting.
In general, more there are baits in the water; more the chances to strike fish are large. There will be thus for everyone.
Deep Sea Fishing at Rodrigues Island
Our team is ready to answer your questions, we will call you back in less than 24 hours


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Is it true that it's more common to have twins when you are older? Since women over the age of 35 are more likely to release more than ...December 28, 2016
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