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This house situated next to a lane at 4961 Collingwood had a large footprint but will probably be replaced by a house with an even larger footprint. As is the case with many other houses just prior to demolition, it was rented. Torn down during the first half of June 2013.
The housing stock in the Dunbar area of Vancouver has undergone significant change in the past five years. Originally a working class neighbourhood with many quite modest homes surrounded by lovely gardens, it is now a neighbourhood that 99% of the people working in Vancouver cannot afford because the replacement homes are built to the maximum footprint and cost millions. Greenspace has been reduced. Included on this website are photos of many (not all) of the disappeared houses.
View Teardowns in the Dunbar area of Vancouver, BC in a larger map
View Teardowns in the Dunbar area of Vancouver, BC in a larger map
Friday, July 12, 2013
Another one on Collingwood Street
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subset: commoncrawl


text:
From platinum to bronde and everything in between.
Blue is totally her color.
See who won the style game this week.
Are the moms of Monterrey coming back for real?
"I kissed my husband, too!"
Friendship goals.
See the stars whose looks won the night.
Nicole Kidman, Reese Witherspoon and co. won almost every prize they were nominated for.
Accepting her award for Big Little Lies, she called domestic violence a "complicated, insidious disease."
This is what dreams are made of.
They have seven chances at awards—and a huge fanbase cheering them on.
Which is worth $4.6 million?
See the cast like you've never seen them before.
She wasn't even allowed to audition.
See who won the style game this week.
"I don't think we've ever seen this much misogyny."
"I went home and threw a rock through a glass door."
Nicole Kidman, Kate Mara, and Kendall Jenner all attended.
See who won the style game in the South of France.


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Promovendus Jason Watkin
The Impact of Internal Audit on Corporate Governance
Jason Watkin studeerde economie en is werkzaam bij De Nederlandse Bank.
Email: firstname.lastname@example.com
From 2007 onwards, much of the news coverage in Europe and US centred on the financial crisis that wreaked havoc on economies around the world. Although some scholars argue that the use of various financial instruments led to the crisis, another group of scholars believe that the blame should be directed to a similar source—the failure of corporate governance in the financial sector. The Internal Audit Function (IAF) has a crucial role in the corporate governance concept, and various leading international financial organisations—such as the Bank for International Settlements—have urged their stakeholders to accommodate a strong IAF.
If the failure of corporate governance did indeed lead to the financial crisis, the individual components of the corporate governance concept should be investigated. In order to argue that the IAF as a component of corporate governance has been successful at changing corporate policy, it is imperative to examine how effective IAF has been. The effectiveness of the IAF can be measured by a set of criteria that are set prior to its assessment.
Scholars have investigated how to assess the effectiveness of the IAF, and their studies have resulted in a set of uniformly agreed upon criteria regarding the function's effectiveness. However, the problem with these criteria is that they are based on a common denominated idea of what the IAF is. Some audit functions operate as a compliance function and others execute their tasks based on a risk-based approach. Furthermore, there are functions reporting directly to the board with an escalation mechanism towards the supervisory board, whereas other functions report strictly to line management with no additional escalation lines.
This study argues that the criteria to assess the effectiveness of corporate governance are a direct result of the perceived role it has in the organisation. The relevance of this study lies in gaining an understanding of how the IAF in the recent past has played the role in changing the corporate policy in the organisations linked to the banks. Moreover, this study reassesses the current criteria used for measuring the effectiveness of the functions. This will garner insight into the role the IAF played in the corporate governance concept and whether it has failed in its recent endeavours as argued by scholars.


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News Briefs
Mayor Richard A. Moccia has announced that on the seventh anniversary of the 9-11 attacks on the U.S., the City of Norwalk will hold a remembrance service on Thursday, Sept. 11, at 7:30 p.m. in Concert Hall of Norwalk City Hall.
"Norwalk will not only be remembering our lost residents, fathers, husbands, brothers, sons, friends and neighbors but we will also remember and salute all of the heroes lost seven years ago, to the worst terrorist attack in our Nation's history," said Moccia.
The program will feature inspirational words and songs by Greg O'Brien as well as performances by officers from the Norwalk Police and Fire Departments, as well as words from Governor Rell and Lt. Governor Fedele and a performance by children from the Talent Education Suzuki School. The "Flag of Honor" (a U.S. Flag with all 9-11 victims embossed on the strips.) will fly at half staff outside City Hall on 9-11.
Giant tag sale
St. Thomas the Apostle Church will hold a giant tag sale from 9 a.m. to 3 p.m. with a bargain day on Sunday, Sept. 14 from 10 a.m. to 2 p.m. in the parish family center at 208 East Ave. There will be a large selection of furniture, electronics, small appliances, clothes, baby items, collectibles, sports, exercise gear and more. The Saturday early bird special entrance fee of $5, beginning at 8:30 a.m. From 9 a.m. on, admission is free. For information, call (203) 866-3141.
Tree planting
Tonight at 7 p.m. the Public Works Department and Tree Advisory Committee of Norwalk will present information at the Marvin Elementary School about an extensive tree planting project planned for Calf Pasture Beach Road. The plan includes the addition of more than 40 new trees.


text: This week, the rHEALTH ONE received a patent issuance from the United States Patent and Trademark Office. This patent issuance acknowledges the unique design of the biomedical instrument, including its small form factor, novel sample loading mechanism for microvolumes, and low power. The rHEALTH ONE utilizes the matchbox-sized cytometry module, microparticles, and small volume sample handling to allow a breadth of biomarker and cell analyses. The patent issuance further strengthens DMI's intellectual property portfolio for its technology.


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Heritage Day Parade honors local SPCA as grand marshal
The grand marshal for the 22nd annual Mountain Heritage Day Parade on Saturday, Sept. 15 is not one or two individuals. It is an entire organization, the Eastern Madera County SPCA, announced Brenda Negley, parade chair.
This dedicated group of volunteers was first organized in 1990 and has worked tirelessly to raise funds for a permanent no-kill facility in Eastern Madera County where unwanted, abandoned or mistreated pets can be placed until a permanent home can be found for them.
"The EMCSPCA was chosen because of their contributions to the community," said Negley. "The group has worked hard to have a place for animals in our area and it is quite an accomplishment for them to begin construction on their new facility. They have helped find forever homes for those in their care and the mountain members that have benefited are blessed."
An official groundbreaking ceremony on a 13-acre piece of property across from Wasuma Elementary School on Highway 49 was held on March 12, 2016. By the time construction was begun, a year later, the group had raised over $2.1 million toward the project estimated to cost $3.3 million. The property is being leased long term to the EMCSPCA for $1 per year by Madera County.
Although there is not a firm opening date for the shelter, hopes are that it may open by the end of the year. Currently, efforts are being made to get the building sealed up so that work on the interior may proceed no matter what the weather.
Exterior landscaping and paving still need to be done and interior flooring, kennels, plumbing and drywall still need to be finished, according to Sharon Fitzgerald, who has served as president of the group almost since its inception.
"We're all part of a team," Fitzgerald said. But three individuals have been promoting the cause for almost 30 years: Fitzgerald; Lyle Swanson, who serves as treasurer; and Nancy Swanson, who serves as secretary. Some board members have served for 20 years or more and others have stepped in to do what was needed at the time.
The initial inspiration for the shelter came when it became obvious that there was an overpopulation of animals. "Owners of puppies and kittens would be lined up door to door at Raley's as they tried to find homes for these animals," said Fitzgerald. "The Sierra Star would run two full columns of animals needing a home."
And just when the group thought the "prize" was within reach as a result of fundraising, additional costs came to light since the shelter is on a state highway. "Initially, Caltrans was only wanting 17 feet of frontage dedicated to the state for future expansion of Highway 49 to four lanes," Fitzgerald said. "But then we were required to dedicate 43 feet, the full length of the property. That meant additional grading and drainage and more retaining walls."
Funds have been raised through a variety of community events including: sales of baked goods and plants; a 19-year run of the annual Animal Faire; and an annual Whine and Noses event.
The EMCSPCA has spent up to $10,000 per month and a total of $1 million over 20-plus years for emergency animal and foster dare, spaying and neutering and feral cat feeding. It is a nonprofit, 501 (C) (3) organization receiving no government funding and relies solely on community support.
With this kind of a commitment to a cause, it was only fitting that the group be named grand marshal for the 10 a.m. parade which kicks off a day-long celebration of the area's mountain heritage. The parade will wind its way down School Road and past the judges' stand on Road 426.
"Market your business or feature your service organization, sports team, scout group or family and pets in this fun and entertaining community event," Negley said. This year's event celebrates with a "Saving the Past for the Future" theme.
Applications for participation in the parade are at www.fresnoflatsmuseum.org/parade. Registration costs are $15 if received before Aug. 31, $20 between Sept. 1-10 and $25 after Sept. 10 until day of parade.
Make checks to: Sierra Historic Sites Association (SHSA) – a nonprofit organization.
Mail completed parade application, entrance fee and judging announcement sheet to: Brenda Negley, P.O. Box 1134, Oakhurst, CA 93644 or drop all forms off at the Fresno Flats Historical Village, 49777 School Road (Road 427) in Oakhurst.
Details: 559-760-9108.
Donations to the EMCSPCA may be made online at www.emcspca.org.


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Blake: So how did you get together?
Jzero Shuurman: Rene and I started the band together. We're a couple and we decided we wanted to play together, basically. We were friends with Rob from Kelowna times.
Rob Coslett: I'm waving at the microphone.
Jzero: Rob was stoked on playing music too at the time. None of us were in a band, none of us were really playing music at the time. It kind of kicked off and we've been playing lots of different music with lots of different bands.
Renee Crawford: Lots of different bass players.
Rob: We're just hemorrhaging bass players.
Blake: Any Particular reason?
Jzero: Bad luck, I guess. Mona, our current bass player, is awesome, but she lives in Vancouver so we're kind of not sure what's going to happen with that. She seems okay with coming over for shows but we don't have anyone to practice with to write new songs. So we're going to be trying a new guy, Jesse. We'll see how it works out with him. He's a bit of an eccentric character, but yeah.
Renee: He's very enthusiastic, which is good.
Blake: Is it? You seem to have a skeptical look on your face with the word "enthusiastic".
Jzero: Yeah, it's good. He's just enthusiastic about a lot of things.
Renee: I think it'll work out, hopefully. But he also is pretty busy too. It seems like a lot people in Victoria, once they're in bands, start to be in many bands and a lot of times it's hard to find new people for your band because people have their own stuff going on. He's in a couple of bands and he's going to school, working…he's busy, he's a busy guy. Hopefully we can make it work.
Blake: So how often do you guys practice?
Rob: Once a week. We try to keep it like that. We just took a little break after the summer, about a month, month and a half. But it's usually once a week.
Renee: A little bit more if we have a big show coming up or something.
Blake: The new album…It says on the website it was recorded guerilla style. What does that mean?
Jzero: It basically means we rented a bunch of gear from Long & McQuade and we made a little makeshift recording area that we set up at the 50/50 Arts Collective. We did it on our last record as well. Basically the whole idea is just DIY, doing it ourselves recording style without a producer and an engineer and all that stuff. If I'm playing my guitar Rob's running the mixer or vice-versa. We all kind of shared roles and did everything ourselves. When it came down to actually mixing the album it came to a point where we couldn't really do anything else with it so we had to get Jordon from Noise 4 to do all the mixing and mastering for us, just to kind of take it out of our hands and take over from there. The guerilla style aspect is mainly to save money. It cost us about $250 to rent all the gear as opposed to $1000 for three days at a recording studio or something like that.
Renee: And you guys know what you're doing with recording.
Rob: Me?! Hell no!
Jzero: We managed to pull it together. Mona kind of came out of the blue on the recording because…
Rob: Mona's first real introduction to the songs came with practicing. We had never practiced before and she came to hang out while we were recording and we just tracked her doing the bass. She put the headphones on and listened to it two or three times and away she went.
Renee: She did it almost perfectly on the first try for every song. There was a couple where she was like, "Oh yeah, I'll try it again." But first or second try was perfect and she'd never heard the songs before. She's a musical genius.
Rob: Mona Musical Genius. We're going to miss her.
Renee: So yeah, we're going to try to keep her around.
Blake: Album's great by the way. Some of the songs are incredible. "Sadist" is really good. And "Beached Heart"…wow.
Jzero: That's our ode to Black Mountain, Beached Heart. It's the closest we're going to get to playing that style of music.
Renee: Yeah, really moody and dark.
Blake: I heard a lot of Crazy Horse in there.
Jzero: That crunchy guitar sound? I can hear that.
Rob: It's probably the gorillas running the mics. Fuzzy, kind of shitty, but you can kind of feel it. You can smell the gorillas when you're listening to our record.
Jzero: We were kind of going for that too. The first record we had really washed out guitars and recorded amps in the gallery so we'd get all kinds of natural reverb. I found that the guitar stuff we were doing got kind of lost in it, so we went straight into recording right off the amps and getting a nice crunchy sound out of it. It came out a lot more defined this time.
Blake: So where do the songs come from? What's the inspiration?
Renee: Jzero writes them. Writes the beginnings and we kind of write our own parts.
Jzero: A lot of the musical elements come from us jamming. I guess to warm up sometimes. Practicing normally we'll just start jamming on something and then one of us is like "That's an awesome riff!" I'll take that home and work with it a little bit and usually by the next practice I'll have an idea of what to do and we'll work it out from there. See what sort of ideas we can come up with. The first record I did all the songs at home first then brought it in to the band but this time around I wanted to be a lot more inclusive and have Rob's ideas and Rene's ideas and have that kind of thing happen a lot more than what we were previously doing. It worked out pretty good.
Rob: You brought all the songs to the table with the new record as we were a band. The first album most of the songs were songs you already worked out.
Jzero: There were a couple on the first record that we kind of made up. The other thing is the first record is kind of shoegaze-y and I think we all got kind of bored playing slower songs and so the next record came and we were a lot more crunchy so we turned the old songs into this style, more punchy.
Blake: Probably more fun to play.
Jzero: Yeah, more exciting and more fun for people to watch and we have a lot more fun playing them.
Rob: It's essentially the same, but they're a lot different to play. They keep changing.
Blake: So where does music start for each of you individually?
Rob: I didn't play music very much until I joined this band. I was in a band with my roommates and Mona, a long time ago. We played A show, but never really did anything. We just enjoyed playing music.
Renee: What was your band called?
Rob: Saturn Valley was the name of that band. But essentially it didn't really…I would just come by and jam and now they can't get rid of me.
Jzero: I guess when I was a kid I was forced into piano at the time. Kind of wish I stuck with it but my parents turned me off. They were like, "You gotta practice every day!" and eventually I just rebelled and said screw that. Didn't actually play a lot of music for a number of years then I started playing drums. From drums, people would leave their gear at my house all the time because we would always practice at my house, I started learning other peoples' stuff. Picking up the guitar and learning melodies. At the time I was really into punk rock so I was trying to learn Propagandhi songs and things like that. I realized I really liked playing guitar too but I never really followed through with it until we moved here. Everybody seemed to be a drummer.
Blake: It took me a long time to find a drummer to play with.
Jzero: Really? I kind of found it was difficult. I was trying to find bands to play in. I played in a couple but it didn't really work out so I was just like "Fuck it, I'm going to write my own songs on guitar." Rene wanted to play drums so it worked out kind of well.
Renee: I played the flute in elementary school only because it was the smallest instrument and I was very small. I had to carry it home all time. I really wanted to play the drums or the saxophone, but yeah, you can't really take the drums home, unless you have your own drumkit at home which I didn't have and the saxophone was as big as me. So I ended up playing the flute, which was okay. Growing up I was just around a lot of musicians in high school. A lot of my friends were playing music and I never really was that interested in playing music until I was in my mid 20s and friends were leaving their gear at the house that I lived at and my friend left his drumkit there. I'd come home after work and nobody would be there and I would just start playing the drums and kind of taught myself like that when no one was around because I was scared to play in front of anyone. And then my roommates started jamming with me sometimes and I started getting more confident. I played in a couple of bands in Kelowna. When we moved there it was the same sort of thing where we didn't have anyhone to jam or play with so we were just like, "Yeah, we should start playing together." So we did and it was great.
Jzero: We got involved with the 50/50 Arts Collective, bringing bands in there all the time and kind of seeing what was going on in the scene at the time. It was exciting to be a part of. Since then I think the scene in the town has died down a bit. There was a pretty open pool of bands to choose from for shows.
Renee: It kind of ebbs and flows it seems like. It'll seem like there's a lot of bands in town and then they'll sort of break up or people move away, it'll dissipate a bit. And then the next thing you know a bunch of people have started new bands again. It kind of seems like there's more bands starting again.
Rob: I'm working on it, don't worry.
Renee: Yeah, Rob's in all the bands in town so whenever he takes a little break and plays with us everything will dissipate. The Roberts.
Rob: Good ol' Bobby and the Roberts
Blake: What do you guys listen to when you're not playing music?
Rob: Let's see, what have I been listening to lately? A lot of Mount Eerie lately. I can't stop listening to "Clear Moon" right now, I love that record. And I just discovered Wire. Holy smokes guys, Wire! Listen to Wire. Wire is awesome. Check them out. And then, Matthew Dear. Lasers or Beams? Whatever it's called. The cool one, the cool one. Juicy Jay as well.
Rene: Oh yeah, Robert's a big Juicy Jay fan.
Jzero: I think my focus primarily with music is a lot of ambient electronic stuff. I'd have to say a lot of my influence for this band comes from Sonic Youth and things like that. I do love Neil Young as well.
Renee: Our first date was going to a Neil Young concert, so it's fitting.
Rob: I was listening to a live Neil Young album the other day and I was tearing up.
Renee: I'm really into the new Balacade record, which is a local dude who I've played on and off with but usually it goes that he does everything himself on the album. Sometimes I'll play live with him but I haven't for a long time. His new album is amazing. I encourage you and everyone to check it out. The new Slam Dunk record is great. I listen to a lot of local music.
Blake: I'd like to listen to more. I don't know why I don't.
Renee: I can't really think of anything else. I listen to CFUV a lot. I'm really influenced by a lot of the stuff they play. New stuff that I hear and think "That's rad!", then I'll look it up and listen to it.
Blake: What do you guys like most about live performance?
Renee: I don't like them.
Rob: I like getting shocked. I like fucking up. I like watching Jzero knock things over. I like watching Rene's frowns about playing live.
Jzero: I like the crowd interaction. If it's a good show and there's lots of people there we get really into it.
Blake: What's the most memorable show you guys have played so far?
Renee: At Logan's when all the girls were in the front row at our first show yelling for Rob to take off his shirt. And then they started yelling "Take off your shoes," which was confused but still pretty exciting.
Rob: That I was able to do on the fly. I was wearing loafers.
Jzero: I would say that opening for Mount Eerie at the Rickshaw.
Renee: Yeah that was a pretty big moment for us. Never thought that would happen. One of our idols.
Rob: Pigs in shit, I'll tell ya.
Renee: Big stage too!
Rob: So high, so big. Such a huge room.
Renee: What about playing at V Lounge?
Rob: V Lounge was a big one. We showed up at V Lounge to play a show and they asked us "So what do you want for visuals?" We were like, "What are you talking about?" He said, "We got all these flat screen TVs." And sure enough behind the stage there was like nine flat screen TVs. The stage is gigantic, it's huge, the size of this room. There are fake palm trees on it and Grecco-Roman pillars as well. We got the guy to look at the website and we pulled some stuff onto a flash drive. It just said The Dyeing Merchants in really shitty font on all these screens with some map and ship imagery in the background. Then he started putting in the flames.
Jzero: There was that dancing girl silhouette.
Renee: It was graphics from when computers first started.
Rob: We played that show to maybe, well there was the friends that came with us and the other bands. There was only one other band.
Renee: there was also some strippers that came up from downstairs.
Rob: Yep, they were nice. One of the guys that was hanging out with the strippers.
Renee: He looked like he was on crack, but he seemed nice. I think he liked us.
Rob: And then there was our one friend who came to the show Aaron. He tweeted about it from the middle of the room.
Renee: We played in Calgary outside in the park. It was part of a festival or something.
Jzero: The few times we've gone on tour we've had a really good response in Alberta.
Rob: Wonderbar is actually our favourite place to go. It's always the best. People there just love coming out and having a good time. It's a bar about half the size of the stage at V Lounge.
Renee: And people are there to actually see music even if they don't know who you are. Which is really rare.
Blake: What's the difference between a big stage and a small stage? Do you prefer one to the other?
Rob: It's colder.
Jzero: I prefer a smaller stage, smaller venue. It's a lot more fun to play at the Vic 50 because people are right there, all around you and you can really feel the energy a lot more. Usually with the big stage shows we play there's not that many people up front dancing and you kind of feel disconnected.
Renee: It feels like there's nobody there. Even if there's 50 people there it feels like 10. Feels kind of dispersed.
Blake: If people haven't heard your record and they're just going by what you say, why should they come out and see you?
Rob: Do they have earplugs, these people?
Jzero: We tend to play loud, brash, noisy.
Rob: With really bad jokes.
Jzero: I'm not really into the chitchat all too much, we usually pummel right through our stuff. It's always kind of awkward…like when one of us breaks a string or something and we have to go, "Hey, how's it going out there?"
Blake: That's when those bad jokes really come in hand.
Rob: "How are the nachos?" "You guys all look like you're having fun."
Renee: We're a pretty high energy band usually and I think it's something most people can get into.
Jzero: Renee's drumming is really danceable too, really solid kick drum going all the time. We try to put as much energy into it as possible and have a great time, relate that to the audience.
Rob: They're pretty loud, heavy songs, we don't jump around when we're writing them but we're real goofballs when we play them.
Blake: So, words of wisdom…
Rob: If you were starting a band…ummm no.
Giroux: Never wear white socks.
Renee: Make sure your underwear is clean all the time.
Giroux: In case you have to go the hospital.
Rene: Or…
Blake: There's all kinds of reason to make sure you have clean underwear!
Giroux: Don't do what Rob does.
Rob: Don't do what I does….The best thing to drink on stage or while watching the stage is a nice, chill glass of white wine. To pass on my wisdom I'd say it's the most important thing I've learned. You drink your whiskey on your way to the stage and then you save your white wine, take it off your belt and drink it in between songs.
Blake: What, do you have a flask of wine or something?
Rob: No, just a glass. Never pay for cheese on tour. Always smell your sound guy before you go on stage.
Jzero: Actually, that's important, treat the staff well when you're on tour. Always tip, even if you're getting free drinks.
Rob: Don't bring a drum kit, the other band's is better.


text:
Lady Falcons Leave Sparta in Ruins
- Written by Derek Johnson
They came. They saw. They conquered.
Then the Falcons boarded the team bus and headed home to Woodinville.
Such was the case last Wednesday night at Skyline High School. Woodinville (17-2) wasted no time taking command and then cruising to a 69-29 win over the Skyline Spartans (4-13).
It capped a brilliant week for Woodinville, who also beat #1 ranked Kentridge on Monday night at the King Showcase on MLK Day.
"We had a big win two days ago, and teams might tend to have a letdown," Woodinville coach Scott Bullock said. "We said `Hey let's not let that happen today.' We're gearing up for the playoffs. We had the goals tonight of running hard, sharing the ball and having fun. Mia [Hughes] was extra quick in transitions, Maddy [DuBois] had fantastic passes, everyone did their job and it was fun to watch."
Woodinville's Morgan Lundquist got things rolling with creative flair. From the low post, she dribbled into the paint and enacted a baby hook shot, la Magic Johnson in Game 4 of the 1987 NBA Finals vs. Boston. The ball bounded off the rim, but Lundquist got her own rebound and put it back in.
"I've never heard of that [Magic Johnson shot]" Lundquist said. "It's not something I've been working on, it was just a `gotta get it in the bucket' thing."
With 3:26 left in the first quarter, Mia Hughes muscled in a lay-in, to give the Falcons a 10-0 lead. Then halfway through the second quarter, Maddy DuBois swished a 3-pointer to extend the lead to 22-6.
Come the third quarter, Katie Minnehan made a nifty pass underneath to Veronica Sheffey, who got the lay-in. Woodinville now led 52-16. The quarter was capped by Jordan Worthington's stylish scoop lay in, which ballooned the lead to 58-18.
Reserve players played the entire fourth quarter, until the clock ran out.
Mia Hughes led all scorers with 24 points, while Veronica Sheffey added 13. Maddy DuBois dished out 7 assists while Sheffey and Lundquist combined for 15 rebounds.
Carrying a large lead into the fourth quarter enabled Scott Bullock to empty his bench. A couple of back court youngsters showed off some solid ballhandling skills. They were freshman Tatum Thompson [who dribbles through traffic like a hummingbird skirting through tree branches], and sophomore Natalie Bright.
"Tatum is 14 years old and used to be the tiniest thing," coach Bullock said. "But now she's growing a couple inches every six months. So interested to see where she's at next year.
"Natalie can really shoot the ball, and she's another lefty which is nice," he said. "She plays year-round, so she's going to be a nice player too next year. They both play a lot of minutes for the JV as well. And JV hardly ever loses, so it's really good. "
"And Hannah Wheeler will take Morgan's spot next year," Bullock added. "She's so athletic and runs so hard. Gets a lot of put backs. She's going to be fun."
Senior Morgan Lundquist has been a starter for the first time this year. Previously, she served as a backup to her sister Madison, who's now playing for Cal Poly San Luis Obispo.
"Me and Madison talk every day," Morgan said. "She is always hyping me for my games and I'm always watching her on live broadcasts. My dad hooks his phone up to the TV.
"Last year we weren't all [sentimental] about it," Morgan said. "Although we were close. But you didn't really feel it until she was gone. It's different now around the house and I kind of miss her a little bit. She misses home too but she's having fun."
Morgan was asked if she's now enjoying more attention at the dinner table with Madison gone.
"A little bit, I'm not going to lie," she said with a laugh. "It's kind of nice!"


text:
FitzGerald Cup again
The FitzGerald Cup recaptured by Washington!
Prepared by Co-captains Glenn Canner and Malcolm Jensen
The 64th annual FitzGerald Cup competition between Washington and Baltimore was played on January 21st at the University Club of Washington, DC, with the home team recapturing the cup which had stayed briefly with our friends from the North. By winning for the tenth time in the past eleven years, the Washington team extended its overall historic dominance to forty-five wins with only nineteen losses.
The Washington team won twelve matches this year while losing only one. Several of the matches were much more exciting than the overall score might suggest. Jonathan Lam, after losing the first two games to the Baltimore team's brilliantly crafty Riaz Arshad, came back to win in five. Glenn Canner, Washington's co-captain, survived three match balls to eke out a win over Baltimore's co-captain (and long time FitzGerald Cup benefactor), Bob Travers.
Another particularly tight match featured Washington's number one player, Dan Petrie, and Andrew Gillard, a gifted young South African player currently visiting Baltimore. Dan lost the first two games to the youngster, and found himself at risk of his first ever FitzGerald Cup loss. As the players returned to the court after the brief break following second game, spectators could not help but feel Dan's intense focus. Dan refused to lose the third game and went on to win in five.
Overall, the Washington team was led by a strong contingent of younger players; all with extensive recent college squash experience. In addition to Dan Petrie (All American at Brown), the team included Peter Sopher and Tom Mckay from Princeton and Jake and Alex Gross from Tufts.
The team also included Shai Ingber from Princeton and Ben Hoefs from George Washington, both of whom played great squash!
In addition to the team members noted above, the Washington squad was bolstered by four other returning members, Rod Barnes, Chip Lindquist, Ross Campbell and Terry Hindermann. As a group these very experienced and talented players really took it to their Baltimore opponents collectively losing only two games while winning twelve.
The FitzGerald Cup competition was established by the late Honorable Ambassador William H.G. FitzGerald to stimulate friendly, but fierce, competition between thirteen-person teams (Both men and woman can play on the team.) representing, respectively, the Washington and Baltimore areas. At its origin, the competition was between members of The University Club of Washington, DC, and members of The Maryland Club of Baltimore. About forty years ago, the teams were broadened to include players representing their metropolitan areas. Each thirteen-person team must include one player each over the ages of 35, 40, 45, 50, 55 and 60. The remaining seven on each team may not include touring professionals.
The FitzGerald Cup, the longest-existing, continuously running, inter-city squash competition in the US, has engendered many enduring friendships and a great spirit of camaraderie among the players (who over the years total in the several 100s). This is just what Ambassador FitzGerald had envisioned.
An important aspect of each year's event is the social gathering that follows the squash. The Baltimore contingent was led by co-captains Robert Travers and Colin Campbell, both of whom, in addition to playing some mean squash, work tirelessly to ensure that the competition continues as a first-class event. Again, this year, the University Club hosted the team competition and the ensuing cocktail party and dinner. With the club's first rate food, very nice wine and excellent service, the affair was a great success. The Washington team is grateful to The University Club for continuing their very generous, decades-long support of this event, and is particularly indebted to Howard Day and Ghirma Meres for, again this year, helping to arrange the event and guiding the day's activities.


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ILIA Mascara
A natural looking mascara that will gently thicken, lengthen and coat each lash with rich, glossy color. A delicate blend of waxes, Aloe extract and Avocado Oil conditions each lash and is especially beneficial for those with sensitive eyes. Naturally preserved, Phenoxyethanol-free. All Mascaras are made with 100% natural dye.
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NEWSFLASH: Due to the sketchy weather, we are going to meet at Terra. Topic of conversation: Belovedness!
Come join us for meaningful conversation, awesome company, and, hopefully, heart engagement.
Technically this isn't Theology "Pub" since we're not in a pub, but do bring whatever drink or snack you'd like! Also bring a chair. If you don't have one we'll have some extras on hand.
Gather near the Gazebo at Elizabeth Park.
RAIN OPTION: chances are low that it will rain, but if it does, we'll meet back at Terra in the dining area to the left of the front entrance.


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Riverdale After School Program
Riverdale After School Program, Inc. (RAS) offers before and after school care to all Riverdale families. Our program is conveniently located inside Riverdale Grade school so that we can provide quality care in a safe environment. RAS is open from 7:30 - 8:20am before school and from 3:20 - 6:00pm after school. (2:20 - 6:00pm on Wednesdays)


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Destin 3 bedroom vacation rental that sleeps 8 Aqua Breeze is a great family vacation rental in Destin
|3 Bedrooms • Sleeps 8
|2 Full Bathrooms
|Location Setting:
|Waterfront - Ocean
|Beach Access:
|Near a Beach
|Air Conditioning:
|Pool (Private)
|Internet Access
|Cable/Dish TV
Unique Kids Game Room, One Story Beach Cottage, Cute and Recently Updated!
Set in the beautiful Crystal Beach area of Destin and within a mile's radius of the beach, Destin Commons and Hurricane Lanes, this Destin vacation rental boasts a great location and a lot of personality. The décor is simply delightful with sky blue walls, one-of-a-kind carved wood furnishings and cheery aqua accents. Amenities include an open floor plan with dining for nine, a separate kids' room with a pint-sized dining table, a full laundry room, chef-ready kitchen and door alarms.
Aqua Breeze also features mermaid and shell motif throughout reminding you that the emerald waters and soft white sand of the Gulf are within walking distance! Plus, the community pool in Clipper Cove is just down the white-picket fence lined sidewalks. The calm waters of the pool and the soft Gulf breezes will be relaxing for you and your little ones when the surf is a little too big. After a day of swimming, Aqua Breeze will welcome you home for a barbecue on the back yard grill deck.
During Spring and Summer this home requires a 7-night, Saturday to Saturday stay. Any other time we require a 4-night minimum stay.
We do not rent to anyone under 25 or to students.
This property provides access to the following activities and special interests:


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The One-Piece.../
Hello My beauties!! I come to you on this lovely very hot Thursday! We have a heat wave beginning this week and it is gonna be hot one!! It is definitely feeling like summer here in Cali. Which brings me to my love for one-pieces! I have a one-piece obsession! This season their has been so many amazing one-piece suits that I just can't resist! This black and white one I'm featuring today has such a great silhouette. With a deep plunging neckline and side cutouts in just the right places! It is super comfortable and will be on repeat this summer!
What are your go to summer swimsuits? I would love to know as I'm always on the hunt for new great swimsuits!
I have linked a few additional cute one pieces I have been eyeing below! I hope enjoy and thank you for reading!!


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The other night we watched the PBS documentary Charles and Ray Eames: The Architect and the Painter and so much of their experience rang true for us. We're collaborative partners on projects, the biggest promoters of each other's work, understanding the other's needs, sometimes better than our own. It's refreshing to someone else there when we can't step back and look at the bigger picture while creating work. It's like a constant, built-in "crit" environment. Each of us scurries away to our respective work stations on a daily basis but ultimately, it's our synergy as a pair that yields the best results. Our choice of tools have changed slightly over the years; mouse for me, DSLR for him, but we still feel compelled to produce. And because we work, live and entertain at home, our space has to be engaging and inspiring in so many ways. It's malleable to our needs and our hours. Did you know that we can do consultations in our home too? Chin-Azzaro is very much our "home-studio."
To me, being an artist and a consultant of creative things, there's no delineation between what is work and what is home. Our debates and banter of back-and-forth are oftentimes about a movement of art, an exhibit we saw or the latest trend in ________. Sometimes the anxiety of starting a new sketch or a marketing idea jumps into mind and I can't sleep until I create it. But I never feel the "stresses of work" or want to leave it behind. To me, there are no limits and our lines are blurred all day long. I love it.
Where does work end and home begin for you?
Image: Eames, Library of Congress


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Beyond the Pitch
Columbus FlexCode™ Information Session | We Can Code IT
When: 1:00 p.m.
Where: We Can Code IT 2645 North High Street Columbus, OH 43202
We Can Code IT is breaking new ground – with a different model for coding bootcamps.
Enjoy mimosas and other light refreshments while you learn about our brand new FlexCode™ program directly from We Can Code IT CEO and founder, Mel McGee. An informal Q&A session will follow.
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The closet is Kondo'd, the countertops are gleaming and the linens are pressed to perfection. The final piece of the home-sprucing puzzle? Setting your blooms in water. Snip, snip. Hmmph...why are they looking so meh?
Because you've cut them too short. We recently chatted with Erin Curry of the swoon-worthy design firm, Chango & Co, who let us in on a little secret: Designers always cut flower stems long enough so that the blooms spill over in a wide halo.
There's a common misconception when it comes to DIY flower arranging that short blooms look more full. On the contrary, "Flowers look so much better when they are casually leaning over the side of the vase," Curry says. "You never want your blossoms to look like they are being choked!" Which, if you think about last week's rose buds resting right on the vase rim, is an apt (and unfortunate) metaphor.
So the next time you snag a bouquet, we challenge you to fight the instinct to cut them to size for your vase, and to leave about three more inches on the stems than you think appropriate. As seen above, this easy trick makes even the simplest blooms look more lush and professional.
RELATED: These 5 Grocery Store Flowers Will Last You the Longest


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Would you benefit from a confidential conversation about your dance career? Seek advice from a trusted advisor who has thirty years experience as an Artistic Director
Advice for Parents
Looking for guidance to help navigate what is in the best interest of your daughter or son's dance education? Whether their a toddler, or considering a Bachelor of Arts Degree and anything in between I can assist you.
a career in dance… achieving it…and then
To provide clarity and guidance in all aspects of preparing yourself for a career as a professional dancer. I will help you define and identify living as an artist. You will discover and embrace the many possibilities within that enable you to become what you desire.
what inspires me...
Artistic Director / Mentor
A distinguished dancer with San Francisco Ballet under the direction of Lew Christensen and Michael Smiun. A notable choreographer commissioned by Major Ballet and Opera Companies. Artistic Director of BalletMet & Atlanta Ballet. Coach, Teacher, and Speaker. Married to Photographer / Dancer Paige McFall. Two daughters Stella Blu & Tallulah. Live in Amsterdam, Netherlands
I started apprenticing for my dad, Peter Sweeney, Jr. when I was twelve, but even before that I was watching him work all the time. My grandpa established our company in 1918, back when we specialized in carpentry and woodwork. Dad picked up new trades and expanded our business. I've been servicing the greater Wichita area for over 15 years and am about to bring my oldest son in as an assistant.


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Craig Jorgensen
■ VJS constructed sheer walls and slab on metal deck for this 380,000
square foot, new West Bed Tower facility.
■ VJS was the concrete subcontractor
VJS performed the structural concrete work for the 12 story West Bed Tower facility located on the main campus of the Milwaukee Regional Medical Complex. The project was fast tracked and the concrete portion finished one month ahead of schedule allowing the balance of the trade contractors to proceed with their work ahead of schedule.


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How Much Does Landlord Insurance in Saulsbury Cost?
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