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MARK COLVIN: One of the Catholic Church's highest officials in Australia has defiantly rejected charges that he and the church actively covered up the abuse of children by clergy.
The general secretary of the Australian Catholic Bishops Conference Brian Lucas appeared before the child abuse Royal Commission today.
It's examining how the Marist Brothers handled allegations against two members who were later jailed for multiple offences against children
Brian Lucas was forced to explain his reasons for not keeping notes when talking to priests or brothers accused of child sexual abuse.
Emily Bourke reports.
EMILY BOURKE: It's not the first time Brian Lucas has been asked about his note-taking practices.
As general secretary of the Australian Catholic Bishops Conference, Father Lucas is also a qualified lawyer.
And in the 1990s he was part of special issues committee set up to deal with child sex abuse allegations.
Last year he told the New South Wales inquiry into abuse in the Maitland Newcastle diocese that he hadn't taken notes during interviews with paedophile priests because he didn't want to leave a paper trail in case of legal action.
Today before the national Royal Commission he was quizzed again about his habit of taking no notes, this time by counsel assisting Simeon Beckett.
BRIAN LUCAS : It was my policy for two reasons: one, the practical reason that if you're going to take notes he's not going to talk to you and you lose the opportunity perhaps to move beyond this impasse of an allegation and denial. Second reason is still his right as a citizen according to the processes of our law to not be required to self incriminate
SIMEON BECKETT: The Cunneen inquiry, the principle conclusions there, particularly at 1.69 says that 'makes a finding that the purpose of the practise was to avoid the creation of documentary records and as a consequence of it was that the documents that could later reveal to church outsiders including the police or complainants in civil litigation, as is that might bring a scandal on the church, including admissions of child sexual abuse by a priest'. You're aware of that finding I presume.
BRIAN LUCAS: I'm aware of that paragraph.
SIMEON BECKETT: And is that accurate in terms of the purpose of the practise of not keeping such minutes.
BRIAN LUCAS: I don't believe it's accurate as to the purpose, the question I was asked in the cross examination was along those lines and my response was that was a fair comment, but that was as to consequence not the purpose. It did not enter my mind then to enter into any form of deliberate purpose of frustrating the processes of the law.
EMILY BOURKE: But that explanation didn't satisfy lawyer Peter O'Brien, who's representing one man who was abused by Brother John Kostka Chute at Marist College in Canberra.
PETER O'BRIEN: For example, some might suggest that approach is designed for one purpose and one purpose only and that's to cover up the discussion such as if it ever come to air, you can deny responsibility at the high levels of the church and the Marist Brothers.
BRIAN LUCAS: I reject that. The point and purpose of what happened in practise of course was to move some of these men to their plea of guilty, the word cover up is used extensively without much realisation of the dilemma that we all faced, we have a situation of an allegation by an adult victim who doesn't want to go to the police for whatever reason good or not so good, you can't do nothing, but to suggest that respecting that right of a victim not to go to go to the police amounts to a cover up is something I completely reject.
EMILY BOURKE: The Royal Commission is investigating how the church leadership dealt with Brother Kostka Chute and Brother Greg Sutton; who served 12 years in jail for 60 offences committed against 15 children.
Anthony Hunt, a former superior of the Marist Brothers in Lismore, faced intense and extended questioning from Commissioner Jennifer Coate.
JENNIFER COATE: So as the deputy principal of the school in charge of 600 children in 1985 you did not know that sexual assault of children was a crime?
ANTHONY HUNT: It's the word crime that is the difficulty for me looking back to that time, I would've regarded as a serious matter, but I have to say yes, that the word crime did not enter into my awareness.
JENNIFER COATE: Despite you reading newspapers and watching television, it had not ever come to your attention that you saw any person charged with sexual offenses against children?
ANTHONY HUNT: I don't specifically remember, but I can't rule it out.
JENNIFER COATE: Is that a serious answer to the royal commission?
ANTHONY HUNT: It's best I can do with the understanding I had at the time.
EMILY BOURKE: And then came some admissions over what he should have done about Brother Sutton.
ANTHONY HUNT: And I would've been much more proactive in the situation. When I say proactive, I mean I would have been taking my own steps with the provincial to have the matter addressed.
JENNIFER COATE: And are you indicating to the royal commission that that's a matter now of regret for you?
ANTHONY HUNT: I certainly do regret it.
JENNIFER COATE: And sorrow?
ANTHONY HUNT: Certainly.
JENNIFER COATE: What's that sorrow for?
ANTHONY HUNT: For the great harm that has been done to children your honour.
EMILY BOURKE: The hearing continues.
MARK COLVIN: Emily Bourke.
The full story...
Senior churchman denies cover-up in sexual abuse cases
Emily Bourke reported this story on Tuesday, June 17, 2014 18:22:00
MARK COLVIN: One of the Catholic Church's highest officials in Australia has defiantly rejected charges that he and the church actively covered up the abuse of children by clergy.
Related Links
ABC takes no responsibility for the sites these links take you to.


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dressing Santa
There was very little fear this year at having a chat with Santa. Caden was keen to have a chat with the jolly fellow in Red. As a result we had our annual Santa family photo taken but have to wait another couple of days to get it back. Because they were so good Santa gave them both a activity book with stickers and you had to dress Santa!
Caden had a blast with it!
Tyler sharing MY lich with Caden!
enjoy J

subset: commoncrawl


text: Patient: My 8 yr old was injured yesterday on the playground when another kid jumped off of equipment and onto my son's back , knocked him to the ground as he was running by. He was already dealing with a bad cough, but had not vomitted until tonight. Could the vomiting be related to the injury and if so do I need to take him to the ER or can I make an appt tomorrow?


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Who will survive the semifinals of the inaugural College Football Playoff? SBR is taking a close look at the College Football odds with previews of the Rose Bowl and Sugar Bowl.
Memo to Baylor Bears head coach Art Briles: Quit telling us you're not going to moan and groan about your team not making the gridiron version of the Final Four all while you're moaning and groaning about being left out of the College Football Playoff.
Not that those of us with at least one ounce of common sense weren't expecting someone to cry and rant about the new system. An argument could be made for both Baylor and the TCU Horned Frogs, but in the end, their own conference made the decision easy for the CFP selection committee. With no declared Big 12 champion submitted to the group, it was a slam-dunk decision for them to go with the four winners of the other Big 5 conferences, each of which has a league title determined on the field.
One group we haven't heard complain at all is ESPN. The network got the exact four teams it wanted in Alabama, Oregon, Florida State and Ohio State, all with much larger national followings and brands than either Baylor or TCU. No matter how you slice it, all signs point to three great matchups, counting the National Championship Jan. 12, and it's time to get this party started with a look at the College Football odds for the two semifinal contests.
Rose Bowl - (3) Florida State vs. (2) Oregon
Are we going to see a very rare matchup of Heisman Trophy winners when the Florida State Seminoles and Oregon Ducks collide at the Rose Bowl on New Year's Day? It has only happened in bowl games three times before, and the 101st Grandaddy Classic has all the looks of being the fourth such occurrence.
Kickoff in Pasadena is set for a little past 5 PM (ET), and Oregon can be found at -9½ right now after opening two points lower. SBR's live college football odds show a unanimous 71 for the total.
We know the game will include one Heisman Trophy winner, Florida State quarterback Jamesis Winston who picked up the hardware a year ago. The biggest hype for this season's top honor on the collegiate front surrounds Oregon QB Marcus Mariota. Both are expected to be in the NFL Draft next April.
Neither will be able to win this game alone, however, and it is the defenses on both sides that those placing College Football picks should be focusing on. Mariota and Winston will be going against a couple of stop units that are among the best in the country and include several players that will also be playing on Sundays eventually. The Seminoles allowed just over 218 yards per game through the air, a big part of the secondary being PJ Williams who is going to give Oregon receivers a hard time. The Ducks have a fine secondary of their own led by Ifo Ekpre-Olomu and Erick Dargan who will be looking to add to Winston's 17 interceptions on the year.
With the game practically in Oregon's backyard, the Ducks will definitely have a home-field feel in the stands. I still like the points and FSU despite the 'Noles sitting 3-10 against the spread in 2014.
Free College Football Pick: FSU +9.5
Sugar Bowl - (4) Ohio State vs. (1) Alabama
Wrecking the Wisconsin Badgers in the Big Ten Championship helped push the Ohio State Buckeyes into the playoff mix, so congrats go out to Urban Meyer's squad. I'm afraid that will be the end of it for the Buckeyes, though, as their reward is to face top-ranked Alabama in the Sugar Bowl.
The first prime-time sports telecast of 2015 is set for an 8:35 PM (ET) boot down in the Big Easy, and the Crimson Tide are 10 point favorites at BetOnline listing 58 for the scoreboard tally.
Kudos also go out to Ohio State sophomore Cardale Jones, the third name down the Buckeyes' QB depth chart who was pressed into action this past Saturday following injuries to first Braxton Miller back in August and JT Barrett a couple of weeks back in the win over Michigan.
Jones is now going to be facing a 'Bama defense that will force him and the Buckeyes to the air early, and we've seen how that has spelled trouble for OSU in several bowl meetings with SEC teams. Tide Nation is going to roll into New Orleans for this game to turn the city into Tuscaloosa West. Count me among the Alabama backers in this one.
Free College Football Pick: Alabama -10
Willie Bee's NCAAF Handicapping Record for the Season: 61-43-1 (+13.70)


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Three Keys is a venue dedicated wholly to the magic that happens in New Orleans. Bottling this stuff would be impossible, so we decided to invite it in.
A high drama cabaret series with modern swing, influenced by turn of the century black culture.
It's a double feature with two shows at 7:30pm and 10pm.
This edition will take you back to 1926 New York City, during the Harlem Renaissance when a group of young African American artists and writers published its first (and last) issue of 'FIRE!!!' - a magazine conceived to explore "edgy" issues in the black community such as homosexuality/bisexuality and promiscuity. Join us as we pay homage in a modern way.
More details here.


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Home > Uncategorized > Invaluable AS2 math classes
Invaluable AS2 math classes
July 29, 2005 Leave a comment Go to comments
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Date of Birth 25.12.1954.
Education 1969-1971 Grammar School, Zagreb - Baccalauréat
University of Human Sciences, Strasbourg; 1977. B. A. in Philosophy
Work History 1981 Editor in a Publishing House "Mladost"
1991-1993 Editor of the Literary Journal "Lettre internationale" - Croatian Edition. Since 1993 Editor in Chief of the Literary Journal "The Bridge" and "The European Messenger".
Publications to date Since 1980 he has published poems, essays, travelogues,
prose, articles, plays in croatian and foreign reviews.
- Translated into french, english, italian, hungarian, bulgarian, slovenian, rumanian, macedonian, albanian, german.
Published books "Bacchus in marble"(poems), Zagreb 1983, "Sand Trap" (poems), Zagreb 1985, "Imposture", (poems), Zagreb 1987, "At Sea" (poems), Zagreb 1988, "Psalms"(poems), Zagreb 1990, "The Abrupt Voice"(poems), Zagreb 1991, "The House of Decadence" (essays), Zagreb 1992, "Sky/Earth"(poems), Zagreb 1993, "Church, Street, Zoo"(prose) Zagreb 1994.,"The Return of the Barbarogenius" (Essays), Zagreb 1995, "The Poem of Stjepan" (poems), Zagreb 1996, "Diocletian's Palace" (Essays), Zagreb-Split 1997; "The Story of the Cave", Zagreb 1998 (essays-prose), "Glue for Nightingale", Zagreb 1998 (poems); 1999. "The Read Heart" (Selected poems), Zagreb 1999., "Parabola" (poems) Zagreb 2001; "Fatal Image" (novel), Zagreb 2002, «Tiger's Balzam (stories), Zagreb, 2005, «Lyre/Delirium» (poems), Zagreb 2006; «The beggar woman», Zagreb, Graz, 2009 (novel); «Infernet and others texts» (essay) , Zagreb, 2010, «Chronos», (poems) 2011.
Published books abroad
«Ecclesia invisibilis», (Selected poems), Academia Orient.Occident, Bucurest, 2001;
«Isolomania», (Selected poems), Albiana, Ajaccio, France, 2004
«Cherries» (Selected poems), Blue Aster Press, N.Y., 2004
«Kthimi i barbrogjenive», Ditet e Naimit, Tetove 2007
«Ciel/Terre», L'Arbre à paroles», Amay, 2008
«Le baume du tigre», Mode Est-Ouest, Bruxelles, 2009
« Die Bettlerin », Leykam, Graz, 2009
"La mendiante", Mode Est-Ouest, Bruxelles, 2012.
1984. "Branko Radičević" Award for the best poetry book in Yugoslavia
1994. "Tin Ujević" - Croatian Writers Association Award for the best poetry book in 1993.
1999. Award of Matrix Croatica for Literature for the best collection of poetry in 1998.
1999. "European Circle Award" for Literature; 1999.
- The title "Knight of Arts and Literature" by french Ministry of Culture,
2002. Macedonian Price "Menada" , "for the specific value of poetry".
2004. International literary price Naji Naaman (Lebanon)
2009. Austrian Steiermaerkische Sparkasse price for the novel "The beggar woman" (Die Bettlerin)
Dražen Katunarić studied Philosophy at Strasbourg University. He composed prose, poetry, and essays. His works have been translated into English, French, German, Spanish, Slovenian, Bulgarian, Romanian, Corsican, and Italian. He has received several awards, including the literary award "Naji Naaman" (Lebanon 2004) and the literary award of Steiermärkische Sparkasse (2009). He was named a Knight of Literature (Chevalier de la littérature et de l'art) by the French Ministry of Culture.
Jonathon Bousfield recounts the rise of Jugoton, the iconic Zagreb-based Yugoslavian record label that both brought Western music to Yugoslavia and later was at the forefront of the massive post-punk and new wave scenes in the region.
Going to a cemetery may not be the first idea that pops into your mind when visiting a new city. But the stunning Mirogoj cemetery in Zagreb, which was designed by the renowned Austrian architect, Herman Bolle, is definitely worth a bit of your time. Read more below to find out why.
Dolac, the main city market, is a Zagreb institution. Selling all the fresh ingredients you need to whip up a fabulous dinner, from fruits and vegetables to fish, meat and homemade cheese and sausages, the sellers come from all over Croatia. Positioned right above the main square, the colorful market is a beacon of a simpler way of life and is just as bustling as it was a century ago.
Wondering where to start exploring Croatia's small but vibrant capital city, Zagreb? Check out Time Out's list of must sees in Zagreb from the most famous market in town to where to sample the best rakija (local brandy).
Do you find phrases and sayings give personality and flair to a language? Have you ever pondered how the culture and history of a place shape the common phrases? Check out some common sayings in Croatian with their literal translations and actual meanings below.
Discover Croatia's rich archaeological secrets, from the well known ancient Roman city of Salona near Split or the Neanderthal museum in Krapina to the often overlooked Andautonia Archaeological Park, just outside of Zagreb, which boasts the excavated ruins of a Roman town or the oldest continuously inhabited town in Europe, Vinkovci.
A spectacular multimedia exhibition honouring Nikola Tesla, one of the world's greatest visionaries, titled 'Nikola Tesla – Mind from the Future', will stay open until 20 March 2018.
"Immersed into the magical world of the genius Nikola Tesla, by merging the elements of a 'live' film, video set design, computer game, and magical hologram and light adventure into a unique multimedia experience of extended reality, with this exhibition we seek to take you on a contemplative 'journey' without beginning or end, through a process of inspiration, creativity and production." - Helena Bulaja Madunić, exhibition author
The medieval city in Croatia is having a geek-culture moment as the setting for King's Landing in the HBO series "Game of Thrones".
Hollywood seems to have discovered Dubrovnik. Parts of The Last Jedi, the eighth episode in the Star Wars saga, also take place in the fortress town. Filming wrapped this year on a new Robin Hood film starring Taron Eagerton, Jamie Foxx, and Jamie Dornan (and produced by Leonard DiCaprio). The 25th James Bond film is reported to begin shooting in the city in January 2018.
But not everyone appreciates all the attention.
There's a surprising raft of indelible productions shot in and around Croatia's capital, like the world-dominating spy-caper 'James Bond: From Russia with Love' and Orson Welles' interpretation of Kafka's absurd, existentialist novel 'The Trial'...
The curation of a festival of literature naturally entails the "curation" of its participants. Lit Link excelled in this regard – the authors invited from the UK represented a very fine, accomplished tranche of contemporary British writing, and the publishers, for the most part, represented a scrappy, independent ethos and pride in advancing thought-provoking fiction and literary fiction in translation.
As far as I know, LitLink festival is unique. Each year it takes a group of writers and publishers to three Croatian cities – Pula, Rijeka, and Zagreb – for a series of evening readings. Along the way there are coach journeys on winding roads, stunning vistas of deep green fields and icy mountains, excellent Croatian wine and food, sea swimming, plenty of book chat...
Each night there is a bilingual Croatian-English event. Translations are projected behind the writers as they read. It becomes apparent that many contemporary Croatian writers are high ironists, forging dark comedy from aspects of life that most disturb them – war, corruption, the riotous hypocrisy of those who claim to govern us.
The tour runs from Zagreb to Pula to Rijeka...
Read a review of the much acclaimed contemporary Croatian writer, Olja Savičević Ivančević's book, Pjevač u noći (2016) (Singer in the Night).
As its counterparts, the British and the US new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival.
Important artists were: Azra, Šarlo Akrobata, Idoli (famous for their song "Maljčiki" and its respective video in which they ridiculed the soviet soc-realism), Pankrti (first Yugoslav punk band), Prljavo kazalište (started as a punk unit; the title of their second album Crno-bijeli svijet which means "black and white world" holds a reference to the 2 Tone movement), Električni Orgazam (punk at the beginning, they moved towards post-punk and psychedelia later and were described as "The Punk Doors"), Slađana Milošević, Haustor (mostly reggae, ska and similar influences, but with a more poetic and intellectual approach compared to some danceable bands), Buldožer, Laboratorija Zvuka, Film (one of the first new wave groups), Lačni Franz and many others.
New wave was especially advocated by the magazines Polet from Zagreb and Džuboks from Belgrade.
A little know fact is that Croatia, together with Spain, have the most cultural and historical heritage under the protection of UNESCO, and Croatia has the highest number of UNESCO intangible goods of any European country.
The National Theater in Zagreb, Croatia's capital, is one of those things which always finds its way to every visitor's busy schedule.
Numerous festivals, shows and exhibitions are held annually in Zagreb. Search our what's on guide to arts & entertainment.


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To Potential Writers,
Thank you for your interest in Psychology News! We are happy to provide you with some more information about our Psychology Newsletter. The way the process works is that we will have about 3 deadlines throughout the semester, which help develop an APA-style research article to be published in a newsletter. You can also stop by Thomas Hunter 318 to pick up a hard copy of previous publications.
The 3 deadlines look like the following:
-A first submission of a topic and 3 sources (cited, accredited sources) which you are going to use for writing your research article.
-The second deadline will be a first draft, followed by a second draft, and lastly a final draft. Each writer will be assigned an editor who will help, what more, to edit your piece, to make sure that APA-style is being followed and that the article is grammatically & overall in tact. We will respond as quickly and promptly as possible with corrections, comments, or concerns, but we also expect a professional and timely response.
-The final article will be published in our newsletter and celebrated at our end of year Publication Party, which of course writers are invited to take part in.
Seem like a long process, but everything moves quite quick, so you must try to stay on top of deadlines. We settle the dates for deadlines accordingly. So if you are interested, you can get started on your first task of finding a topic you like. If you need any help deciding, or find that you can't decide, we can also help you pick or assign you a topic. Remember that we are a Psychology Newsletter, so it has to be relevant to the field. That being said, you can still work on something super biopsychology heavy, as long as it's a researchable topic that makes sense for our newsletter. We will approve the topic before you go into deep writing anyway so don't feel too worried.
We are very excited to get to work with some inventive writers, and look forward to reading your articles! Please do not hesitate to ask any questions. You can send all inquiries to firstname.lastname@example.com.
Best of luck,
your Editors


text: Anzac badges are for sale. Prices of poppies and wristbands range from $2 to $5. Students in grade 6 will visit classrooms up until Friday the 22nd of April. If they don't get an opportunity to see the grade 6 leaders in their classroom they can go to 6J at any time to purchase a badge or wrist band.


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Text (? Hebrew script)
(? Hebrew script)
May forgiveness be granted to the whole Cong. of Israel and to the stranger who dwelleth in their midst for all the people have sinned in ignorance.
The thought to which this short but impressive petition, which forms the key(?) note(?) to all our prayers tonight and tomorrow gives expression strikes us most forcibly on this solemn occasion, which the high priest of ? ? ? standing at the portals of the Holy of Holies to ask for forgiveness and to seek reunion(?) with the Cong. of Israel and with our heavenly father.
No other evening can stand a favorable comparison with this night of nights appointed by God and sanctified by Judaism for man's selfpurification [sic] and Atonement ( ? Hebrew script ) when the whole material world with all her sweeping(?) atttractions fades into profound oblivion and the din and roar of all earthly desires and passions sinks into ? silence before the higher and graver problems of life which loom up with insisting earnestness before us.
Like the gentle purifying breezes sweeping down from the (? Hebrew script) spicy mountians, even so is the inspiring and spirtiualizing breath and elevating atmosphere of the Yom Ha Kipurim.
It transforms the child of dust and elevates it to the spotless majestic heights - bathed in the firy sea - ( ? Hebrew script ) of God's atoining grace and splendor. It clothes the son and duaghter of Israel with those celestial characteristics and angelic qualities which provoke admiration and praise by their most dangerous enemies ---
( ? Hebrew script )
With this stirring eloquence of the Prophet Elijah on Carmeld top wich preached in the very hearts of the people and elicited the enthusiastic response ( ? Hebrew script ) The Lord ? is God. It thrills and quickens the hearts of the millions of the great brotherland of Israel ( ? Hebrew script ) throughout the world even those who merely sojourn in the midst of Israel ( ? Hebrew script ) who have gone astray in the wilderness of religious indifference, who but yesterady have halted undecidedly ( ? Hebrew script ) between God and Baal between Adonai and Azazel between the heaven of Godliness and the Hell of selfishness cannot resist the charming tender strokes of the divine voice ( ? Hebrew script ) and are constrained to yield once more to the higher emotions of their soul and to the holier promptings of their conscience.
It gathers again under the banner of the living and loving God those ( ? Hebrew script ) who were lost in the land of Asher ( ? Hebrew script ) who have lost sight of the God of heaven and stooped down to the molten Gods of materialism, whose religious sensibilities were drwoned by the tremendous cry ( ? Hebrew ) ? of Alikah's(?) greedy daugthres which can never be gratified - because they have been permitted to bask in the warm rays of propsperity's sunshine and to enjoy the cheerful smiles of ? ? and brightest aspects ( ? Hebrew ) and these exiled in the land of Egypt - held in bondage by the power ? inclination and ? tempatiation whcih stained their soil with sins and abomination of a ? ? -- and whose very return and hubmle penitence between ( ? Hebrew ) that they have sinned in ignorance.
But there is no other day burdened with a message of such deep vital and sacred significance to Israel and Judaism as the day of atonement. The Jew feels on no other occasion the weight and force of a four thousand years history and destiny which binds him to his people and religion.
Whatever difference of opinions in regard to trifling ritual matters, whatever shade of beliefs concerning things of minor importance there may exist in various schools which divide Judaism into orthodox, conservatives and reformed communitites this day sweeps all differences into the background.
Whether we worship without ? or without hats, whether we recite long unintelligible prayers or we read them in the langauge we best understand on this day the Jew feels the power and force of a four thousand years history and destiny which binds him to his people and religion and the sublime ideal and lofty truth for which our ancestors were ready to face the most dangerous martyrdom and for which we are preserved(?) this day.
Friends! I know of no greater duty than the ones which this day imposes the Jewish minister. If he be truthful to his calling he can not consistently shut his ears to the prophetic lesson ( ? Hebrew ).
Call aloud and spare not lift up your voice like a trumpet and tell the people their transgressions and the honor of Jacob's three sons and yet I know of no greater privilege, when he knows that he faces a holy cong. ready and prepared to listen to truth.
Or is it possible that some ? come to be deceived. Can I believe that some of you have brought their body while they have left their soul behind have left their thoughts to linger around their treaasures which they regret to leave for twenty four hours. If there be such here I would ask them go home to their treasures. No, Judaism is not compulsory. In(?) Religion says Mendelson ? ? ? ? ? ? ? ? ? ? ? ? ? [ possibly German ? ] God will have nothing of you if you can not bring it willingly with a glad and joyous heart. ( ? Hebrew ) God gains nothing because you fast twenty four hours; neither is he poorer because you open your store another day in the year.
If your soul is not enriched and your manhood can not gain by the heavenly gift of the spiritual blessings which the day of atonement offers to the whole cong. of Isr. than you have come in vain.
Friends! There is indeed a great nececessity to obtain forgiveness for the Cong. of Israel. For there is no sin so great, no transgression of consequences so far reaching as the sins committed by the individual against the comm. at large.
This sin of Judah. (? Hebrew ) is written upon the scroll of the ages with an iron pen of experience. Throughout the centuries we have repeatedly been reminded that the world not only demands of us to be purer better and nobler than all others, but that the fault of the single Jew ( ? Hebrew ) is laid at the door of the whole Con. All Jews are held responsible - ( ? Hebrew ) for the mistakes and disgraceful conduct of the individual.
To raise the standard of our religious communities this should be the foremost concern of every son and daughter of Israel. Our synagouges are neglected. Our Cong. struggles for an existence. Do you know why? because of that sordid selfishness of that miserable ? which had been allowed to creep into the religious community. People do no longer belong to the Synagouge because they are are interested in the spirtitual treasures and lofty ideals of Judasim and synaoguge but because of the material benefits she offers. What benefits does your synagogue offer is the ususal question when you ask somebody to join it. Does it bury the dead -- will it give me ( ? Hebrew ) when I sit ( ? Hebrew ) How mnay carriages will I get when I dy [sic] ? Your Temple service! What do I care for it? I dont attend service an [sic] whole year. My business claims all my time and attention. Oh! I am a good Jew. My Father was very very pious. My mother ? was a saint well-disposed and charitable. Say our sages (? Hebrew) the merits of our fathers have long been exhausted. We can not harp upon the past. We can not exist upon the credits and religious fame of our ancestors. The covenant of our fathers however, has not ceased. Our duties and responsibilites are the same. What the synagouge offers ? duties and responsibilites. The Jewish name, Jewish honor, Jewish principles is invovled in it. If you want to see Judaism destroyed destroy the Jewish hnoor of worship and Judaism will be tracelessly ? You may be contented with the few pounds of religion you have bought for yourself your wife and your children.


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He woke up on a train. He had nothing. His clothes? Burned. His possesions? Who knew where they were. His f...
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amnesia basic black change city concept culture cuss dead desmond discovery dream edge electricity eva eyes ezra fate fear fight find friend glow gone hands home lightning loss love magic man marking memory mirah mirror mystery night pain past philosophy


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Logan Ryan BrownfieldDecember 28, 2017
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Logan Ryan Brownfield age 28 of Stevenson passed away December 28. He is survived by his siblings, Cecil (Carlene) Brownfield, Lisha Dalton, Stacy (Billy Wayne) Allison, Whitney (Jacob) McGlone, and Jacqueline (James) Knopps; grandparents, Tommy and Joan Hurst. He was preceded by his parents, Hubert and Pamela Brownfield; grandparents, Fay Hurst, Robert Claude Brownfield, and Bicy (Clarence) Smith; brother, Ronald Dewayne Brownfield. Visitation will be Tuesday from 5-8 and the funeral will be Wednesday January 3 from the Valley Funeral Home Chapel in Stevenson.


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Romance Series
Romance Series
Jack and the RollercoasterThe ups and downs of Jack's lovelife.
JadeJade and Silk enjoy a shower.
- Parts:
Jaime and ChrisFriendship takes a turn when a friend is in need.
James and DesLong distance lovers meet at last.
Jamie and Tina's BeginningCan love really bloom and last for Jamie and Tina?
Jamie and Tina's JourneyHow do Jamie and Tina Lee handle arriving back home?
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text: Well I'm sure your probably sick of me telling you how weak the Nike releases were last year, but I continue to see hope for 2009. Just last week I introduced to you the Nike Air Max 95's "Fresh Waters" well the Griffey's will also be dropping really really soon for the Chi. Cats in New York are saying that they have them already, but to no suprise. So as I always say do not sleep. You can grab the 95s now from Footlocker and keep your eyes open for the Grif's.


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There's a generally held suspicion that no one attends an opening for the purpose of looking at art. From an optimistic perspective, one can call the opening a celebration of the artist's achievement in organizing a show. Friends and associates gather to witness the revealing of a new project, to show support. From a more cynical perspective, it's a schmooze-fest. People go to network. Artists see a successful artist (success referring to the semblance of an opportunity) and go to the show to gain favor. Or they go so as to acquaint themselves with the gallery owner for the same reason. Some people with money to spend go to make purchases, and the gallery owner is compelled by financial demands to make sales, do some networking. Still others go to get an image of themselves at an opening on Instagram.
The opening, then, is not so much about the work, but about the event. This is not necessarily a negative. The work is always available to view more critically on a more mellow weekday.
The opening for Dmitri Obergfell's recent show at Gildar Gallery, Man is a Bubble and Time is a Place, was the first I attended on moving back to Denver. The opening might have been more of a distraction for me if I went for the above-mentioned purposes, or if I knew the artist personally, but I went to see the work and to gauge the general interest.
The work, itself, was interesting. It's primary focus was the concept of deep time, with an emphasis on material in relation to symbol. It seemed to be indebted to ideas advanced by additivists, emphasizing that any work produced in the medium of plastic is inherently commenting on time, as the half-life of plastic is so immense that any work made in this medium may very well out-survive humanity itself. The concept is even more relevant considering that geologist are debating whether or not human influence on the planet has created a new geological layer, the Anthropocene. Part of this lasting presence is humanity's production of plastics. Consider that plastics are photo-degradable and if buried in time by the ever-changing surface of the Earth, will last as long as the planet itself. Provided the maker is conscious of the nature of this material, the production of an object in a plastic has existential implication. Any object made in plastic is an object the creator believes ought to be around forever.
This nature of plastic parallels other mediums: stone and metal. The use of stone and metal in humanity's buildings and, most importantly, memorials, is borne out of the ambition to make an object last deep into time. A memorial being, by it's most abstract definition, something that provokes a memory, a memorial built out of a medium that lasts deep into time will be remembered longer.
The infinite depth of time and man's sense of meaning have long been at odds. In Planet of the Apes (1968), for example, a crew of astronauts travel far into the future by traveling at the speed of light (which actually corresponds to a concept in the study of physics called the twin paradox). The main character, Taylor, chides one of his crew-mates, Landon, by saying, "There's a life-size bronze statue of you standing out there somewhere. It has probably turned green by now; nobody can read the nameplate. But never let it be said that we forget our heroes."
Or consider Shelly's famous poem:
I MET a Traveler from an antique land,
Who said, "Two vast and trunkless legs of stone
Stand in the desart. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read,
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
"My name is OZYMANDIAS, King of Kings."
Look on my works ye Mighty, and despair!
No thing beside remains. Round the decay
Of that Colossal Wreck, boundless and bare,
The lone and level sands stretch far away.
Of course, plastic outdoes stone and even metal in the competition to last deep into time, Ozymandias's temple would still remain if it were built of plastic. The effects of atmosphere erode and corrode the mediums of stone and metal. In Greece, the fountainhead of Western heritage, sculptures and buildings suffer the effects of erosion. Steel and concrete is employed for the purposes of securing endangered structures. A caryatid, for example, might find itself cast in concrete and altogether replaced. Of course, if one were really interested in having these objects survive for eternity, one would cast them in plastic. Yet something in the idea seems wrong, for plastic lacks some feeling of grandeur that stone, steel, or at least cement possesses. Perhaps it is because we use plastic so arbitrarily, creating millions of water bottles, toys, and containers, anything, objects which are associated with disposability, in a medium which simply will not be disposed.
Obergfell's sculptures accentuate this arbitrariness. While on the one hand, we see Styrofoam copies of Roman sculptures, we also see reliefs of the same sorts of symbols arbitrarily doodled in a grade school student's notebook, entitled "Cave Graffiti". Cave paintings, those markings of humanity that are also products of deep time, perhaps the indication of human sentience that comes from a point in time furthest from the present, evoke feelings of awe, sentimentality, and appreciation. Obergfell presents them as equivalent to doodles.
The motifs of the show seem somewhat disparate without the concept of time to unify them. Interference paint is used to accentuate the concept of instability, as the impression of color is contingent upon the viewer's position, a contrast to the everlasting nature of the Styrofoam sculptures. Corrugated steel further conveys this sense of instability, especially when applied to such a stable structure as a chair. The piece entitled "Portal" is an obvious homage to the video game of the same name, in which the Newtonian stability of space is interrupted by a game-play mechanism that enables the player to connect different spaces via a "portal gun".
Interference-painted beer cans litter the floor, emphasizing an arbitrary and wasteful relationship with the objects of mass production.
90's nostalgia seems to float in the gallery atmosphere, manifesting in those reptile eye sunglasses many a 90's kid thought were awesome placed on the Styrofoam head of a Roman bust. The reptile eye glasses evoke that nerve-racking conspiracy theory that all our world leaders are secretly lizard-people. Yet in a context that emphasizes change and the arbitrary, it seems to gesture at a "who cares even if it is true? We're all gonna die anyways."
In relation to these objects, one might wonder, why Roman sculpture? Why not Egyptian? If one were to really investigate the concept of deep time, one would be compelled to recognize the Egyptians as its masters. Egyptian society was structured around time, it's religious practices were the practices of living in the pattern of time and being prepared for the depth of time. Egyptian art, itself, is a testament to their beliefs, as the style that defined Egyptian art saw minimal stylistic innovation for hundreds of years, with the exception of the changes that occurred under the rule of Akhenaten. Why alter a style designed to play an integral role in eternity? Roman sculpture, on the other hand, is so much less related to a belief system that accounts for eternity. Perhaps from the Platonic idealization of form characteristic of the Greek style and thus influential for the Roman one can surmise a concept of time, but this concept of time would not be the concept of deep time. It would be the concept of the timeless.
But Egyptian art does not signify Western culture the way Roman sculptures do.
My impression is that Obergfell's use of Roman sculpture refers to his being influenced by a vaporwave aesthetic, or new-aesthetic art. In the visual culture surrounding vaporwave and similar online music genres, the motif of the Roman statue reoccurs. So to does it reoccur in glitch art. Never is the Roman sculpture used in such a way that corresponds with the intentions of the Romans. Instead, its use seems to subvert Roman-ness, and by extension, the narratives of Western culture. It is a product of a disillusioned generation that feels an emptiness in all that was promised by previous generations ("vaporwave" is a play on the term "vaporware"). The response by this generation has been a cool (dis-impassioned as well as hip), subversive, and ironic aesthetic.
It is here that I take issue with Man is a Bubble, Time is a Place. While the content of Obergfell's sculptures is interesting and relevant and his way of embodying these concepts in his medium is very clever and professionally executed, it's a type of work that makes me question what contemporary artists are doing, exactly. Outside the space of the museum, the university, or the gallery, what are we doing? How are we influencing our communities? In many an artists' statement, it is clarified that an artist, "challenges, explores, proposes, provokes, etc.," but what does this mean? Obergfell's statement, for example: "The works invite viewers to consider the way in which an awareness of impermanence leads us to locate new relationships with the past, present, and future." Personally, in viewing the work I did reflected upon the depth of time and the products that outlive us, what and how these objects communicate. The gallery literature was sincere. In general, however, I felt a disconnect between the atmosphere of the opening and the existential implications of the work on view.
Many of the shows I've attended throughout the years have dealt with "heavy" content. Rarely do I witness what might be assumed to be a proportionate response to the heaviness of the content. For example, the idea that the hand print left on a cave wall by some ancient ancestor is no more significant than a drawing on college ruled paper of a peace sign and an eye could, I'd assume, be interpreted as somewhat depressing. In fact, I've found that most of the work made in this post-humanism, new-aesthetic vein is somewhat depressing. I'd figure that such depressing work would leave people somewhat depressed, but the atmosphere of the opening was anything but.
I don't think anyone was taking too seriously the content of the work on display. I'm not saying, however, this is a fault. Perhaps the point of art of this type is to serve as a foil against which one can demonstrate how un-affected one is by depressing realities that have become so essential to the contemporary condition as to be mundane. Perhaps it is related to the idea of "cool" that developed in response to the development and proliferation of television, that I am "cool" to the effect of this aggressive medium. The Bob Dylan and Lou Reed sort of not taking it at all seriously. A John F. Kennedy way of feeling comfortable under blazing lights and scrutinizing gaze. Now that cool has extended over into an internet saturated environment in which everyone, equally, is put on the spot.
(The contemporary artist can be understood by metaphor of the sniper. The sniper is removed from the situation, detached, sees but is not susceptible to the danger of being seen. To be a good sniper, one must have a cool head, good eye, steady trigger finger. Deliberate in action, his/her will becomes actualized as a reality to be felt by those who are in the situation. The sniper's power is the power of vision, endowed with the power of the all-seeing eye. In fact, the sniper can be understood by metaphor of God.)
I remember the first time I felt numb. As a young teenager, I saw on the local news that a shooting occurred around Christmas time at New Life Church in Colorado Springs. Never mind that it was New Life, but that it was a church should be seen as disturbing. Of course, a shooting anywhere should be received as disturbing, but at a church around Christmas time… some sensibility in me should have been affected. But it wasn't. Instead I was impressed by how little I felt. I remember wanting to feel sad, but what I really felt was bored.
The more horror that has become the norm in our media depiction of the going-ons of society, the more depressing, meaningless subversion of values once held dear, the more lethargic I feel.
This is referred to as the death of affect. The term was coined by post-modern novelist J.G. Ballard. In the introduction to the 1974 French edition of his magnum opus, Crash, he begins:
The marriage of reason and nightmare which has dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the specters of sinister technologies and the dreams that money can buy. Thermonuclear weapons systems and soft drink commercials coexist in an overlit realm ruled by advertising and pseudoevents, science and pornography. Over our lives preside the great twin motifs of the 20th century – sex and paranoia. Despite McLuhan's delight in high-speed information mosaics we are still reminded of Freud's profound pessimism in Civilization and its Discontents. Voyeurism, self-disgust, the infantile basis of our dreams and longings – these diseases of the psyche have now culminated in the most terrifying casualty of the century: the death of affect.
He goes on to characterize the literature of the 20th century thus:
Apart from (the literature of the century's) marked retrospective bias and its obsession with the subjective nature of experience, its real subject matter is the rationalization of guilt and estrangement. Its elements are introspection, pessimism and sophistication.
Of course if Ballard was genuinely concerned about the consequences of an art form borne of introspection, pessimism, and sophistication and addressed the problems of the 20th century with the hopes of overcoming such existential ordeals in, for example, Crash, one would be right in questioning whether he succeeded or not in producing a change or if he was complicit. One aspect of the lasting legacy of the book is that it was adapted into a movie, staring the relentlessly sexy James Spader. Does this product of pop culture encourage viewers to see their condition afresh and to engage in serious introspection, potential change, or does it transform pessimistic sophistication into something sexy. It is the same sort of message we receive on the television, only with an abundant increase in cool. News anchors at least pretend to be troubled, with their furrowed brows. James Spader, on the other hand, always looks as though he is repressing a perverse fascination.
Similarly, I wonder to what extent Obergfell's works perpetuate the existential/materialist crises it seems to focus upon. I first experienced this feeling of disconnect between what is said and how it is said in my undergrad at the University of Northern Colorado. I helped some friends with an instillation that was intended to comment of human wastefulness. The project entailed projecting the word "Forever" on a curtain of dozens of Styrofoam cups. The idea was none-too-subtle. I asked my friends, "where did you get these cups?" They said they bought them. When I asked them why they did not recycle used cups for the project, they said it would not have looked as good. They did not see the manner in which they executed the project as inconsistent with its content because they felt it was ultimately effective commentary on an important issue.
Of course, Obergfell is not being insincere or sophisticated. His work does not demand a critical, environmentalist interpretation. It is what the gallery literature says it is, an invitation to reflect upon the concept of deep time. However, I don't know how one can avoid such interpretation of the work. Obergfell does not only create a discourse on the topic of deep time, he creates objects that will last deep into time. One of his sculptures might remain after all else has perished. Is this not significant? Can one imagine a future society digging up one of the sculptures in this show?
Sol Lewitt said that he does not draw people because he considers it unethical, which is an interesting idea to consider. Should it be considered undesirable to allow ethical concerns to serve as constraints for the artist? I see the benefits of the separating aesthetics and ethics, a sort of revolutionary freedom sought after by surrealist who knew ethics were entirely contrary to the nature of their efforts. However, I also feel we are currently enduring the consequences of such separation, and the degree to which the contemporary artist has been liberated from ethical concerns seems to correspond with his/her lack of connection with society as a whole. There might be something about a situation of absolute freedom that inevitably leads to the mundane.
At one point in history, aesthetics and ethics were not separated. The separation of aesthetics into its own branch of philosophy occurred around the same time as the formal construction of a system of fine arts, as opposed to the previous system of the liberal arts, in the 18th century. Considering the depth of time in which humans have been creating visual products, the separation between aesthetics and ethics is new.
Personally, I do not want a work of art to be ethical as much as I want it to be consistent. I want form to flow naturally out of intention. I believe my lack of ability to discern Obergfell's intention is what caused me to perceive a profound emptiness in the atmosphere of the opening. Provided the possibility that Obergfell was critiquing those arbitrary products of ours that will long outlast us, humanity's discomfort with the infinite, or the sense of meaning we impose of objects of the past, I would be surprised at the sense of cool detachment I associated with the work. I would be surprised to see no solemn expression, no look of alarm in the faces of gallery-goers. However, I do not believe the work was intended to provoke meditation, I believe it was intended to provoke recognition. I believe the sense of emptiness that permeated the atmosphere is something many a gallery goer is familiar with, eager to demonstrate affect-less-ness in response to.
Though I question whether the ethics of his use of medium is consistent with the implications of the work's content, I am impressed with its quality. I appreciate Obergfell's focus on concepts so vital to the human experience. Who I'm criticizing, in fact, is us. I'm criticizing viewers for not being affected. Or rather, I'm criticizing that zeitgeist that has produced so many cool people.


text:
The Green Bay Packers have activated C Corey Linsley from the physically-unable-to-perform list, according to Mike Garafolo.
Linsley's timing could be any better for the Packers, who are expected to be without C J.C. Tretter for several weeks after he suffered a knee injury in Week 9.
Linsley, 25, is a former fifth-round pick of the Packers back in 2014. He's currently in the third year of his four-year, $2,405,000 contract and stands to make a base salary of $600,000 for the 2016 season.
In 2015, Linsley appeared in 13 games for the Packers and was rated as an above-average center last year by Pro Football Focus.


text:
Tolerance Calculation On Detail Match Page Incorrect
Last updated on JANUARY 09, 2017
Applies to:Oracle Retail Invoice Matching - Version 13.2.5 and later
Information in this document applies to any platform.
On : 13.2.5 version, Document Matching
You observe when the line item cost variance is not within line item cost tolerance, the Detail Matching screen is displaying 'Within Cost Tolerance' as 'Yes'.
The issue can be reproduced at will with the following steps:
1. Create a Purchase Order (PO) for an item
2. Receive the PO fully.
3. In ReIM, set up line item cost tolerance to 2%.
4. Create an invoice with cost variance having unit cost greater than tolerance
5. Navigate to Summary Match -> Summary Match List -> Detail Match screen.
6. Notice that 'Within Cost Tolerance' was displayed as 'Yes' though cost variance is outside of the allowed tolerance of 2%.
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text: No matter your goals, you should seek the camaraderie and counsel of accomplished folk. This will help you in innumerable ways. Their work ethic wil rub off on you. Their positive outlook is inspirational. Since many highly motivated individuals are artists or entrepreneurs, they'll be supportive of you in your aims. They also have valuable contacts. Limit your time around those who are negative, or question your goals. No matter where they are geographically, an ever-expanding circle of focused friends and colleagues will help foster a PullJoy© attitude within you- one beautiful women will notice just as everyone else.


text:
Can this Jets season be saved?
Only five teams have made it to the playoffs after starting 0-3. The 1981 Jets were the first (winding up 10-5-1), followed by the 1982 Tampa Bay Buccaneers, the 1992 San Diego Chargers, the 1995 Detroit Lions and last year's Buffalo Bills.
''Lots of people are saying our season is over, but that's not true,'' wide receiver Quinn Early said after the Jets lost yesterday to the Redskins. ''There's 13 games left. We've just got to keep fighting.''
Better an Incompletion
Coach Bill Parcells hinted that Rick Mirer should have thrown the ball out of bounds on the Jets' final play of the first half.
Trailing by only 10-7 with 16 seconds remaining, the Jets were on the Redskins' 43. A short completion would have put John Hall in good position for a field goal. Instead, Mirer threw into the end zone to Dwight Stone, and Darrell Green picked off the pass.
Penalties Piling Up
The Jets added eight more penalties yesterday, giving them a total of 23 in three games. That average of about eight a game contrasts with their average of five a game last year. The Jets' penalties yesterday cost them 51 more yards than the Redskins'. GERALD ESKENAZIContinue reading the main story


text: Steven T. Blum, age 51, loving husband and best friend of Janice, nee Drucker; devoted father of Alexander, Zachary and Samantha; dear brother of Cary (Joanne) and Arthur; cherished son of the late Ann and George; adored son-in-law of Marilyn and Leonard Drucker; special brother-in-law of Denise (Bud) Blinick; fond uncle of Dena and Andrew (Emily) Blum, Gabrielle and Madison Blinick. He will be greatly missed by his many friends and associates. Service Thursday, 2 p.m. at The Chapel, 195 N. Buffalo Grove Rd., Buffalo Grove (1 Blk. N. of Lake Cook Rd.) Interment Shalom Memorial Park, Arlington Heights. In lieu of flowers contributions may be made to Cong. Beth Shalom, 3433 Walters, Northbrook, 60062, 847-498-4100. Info The Goldman Funeral Group, Irwin Goldman Funeral Director, 847-478-1600


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This book brings together coverage of the theory of railway noise and vibration with practical applications of noise control technology at source to solve noise and vibration problems from railways. Each source of noise and vibration is described in a systematic way: rolling noise, curve squeal, bridge noise, aerodynamic noise, ground vibration and ground-borne noise, and vehicle interior noise.Theoretical modelling approaches are introduced for each source in a tutorial fashionPractical applications of noise control technology are presented using the theoretical modelsExtensive examples of application to noise reduction techniques are included
Railway Noise and Vibration is a hard-working reference and will be invaluable to all who have to deal with noise and vibration from railways, whether working in the industry or in consultancy or academic research.
David Thompson is Professor of Railway Noise and Vibration at the Institute of Sound and Vibration Research, University of Southampton. He has worked in the field of railway noise since 1980, with British Rail Research in Derby, UK, and TNO Institute of Applied Physics in the Netherlands before moving to Southampton in 1996. He was responsible for developing the TWINS software for predicting rolling noise.Discusses fully the theoretical background and practical workings of railway noiseIncludes the latest research findings, brought together in one placeForms an extended case study in the application of noise control techniques
The authors examine how bullying begins, the impact of bullying on the victimised child, and how the extent of bullying in schools can be reliably measured and assessed. They go on to explain how to set up anti-bullying initiatives which will maintain their effectiveness over the years. The complexity of the bullying process is emphasised throughout, but care is taken to outline clearly the actions that can be taken which will substantially reduce bullying in the long term.
The book is an outcome of over 10 years research into bullying. The authors draw on their own major studies and international research to provide real workable solutions to the problem of bullying, which are illustrated by case study examples throughout. The book is essential reading for school managers, teachers, student teachers and researchers determined to tackle the issues of bullying head on.
9 – 13 September, 2013, in Uddevalla, Sweden. The event, which was jointly organized
by the Competence Centre Chalmers Railway Mechanics (CHARMEC) and the
Departments of Applied Mechanics and Applied Acoustics at Chalmers University of
Technology in Gothenburg, Sweden, covered a broad range of topics in the field of railway
noise and vibration, including: prospects, legal regulations and perceptions; wheel and
rail noise; prediction, measurements and monitoring; ground-borne vibration; squeal
noise and structure-borne noise; and aerodynamic noise generated by high-speed trains.
Further topics included: resilient track forms; grinding, corrugation and roughness;
and interior noise and sound barriers. This book, which consists of a collection of peer-reviewed
papers originally submitted to the workshop, not only provides readers with an
overview of the latest developments in the field, but also offers scientists and engineers
essential support in their daily efforts to identify, understand and solve a number of
problems related to railway noise and vibration, and to achieve their ultimate goal of reducing the environmental impact of railway systems.
As an adult, David Thompson loves returning to his home state of West Virginia, a place full of precious history and recollections. He wishes to share the tenderness and uniqueness of growing up in this state.
This Second Edition of Fundamentals of Sound and Vibration covers the physical, mathematical and technical foundations of sound and vibration at audio frequencies. It presents Acoustics, vibration, and the associated signal processing at a level suitable for graduate students or practicing engineers with having no prior formal training in the field.
The book is a coherent textbook based on the first semester of the master's program in Sound and Vibration Studies at the internationally acclaimed Institute of Sound and Vibration Research at the University of Southampton.
New in the Second Edition:
The latest edition has been extensively revised and updated, with a new introductory chapter and new chapters on the measurement of sound and vibration. Other chapters include fundamentals of acoustics, fundamentals of vibration, signal processing, noise control, human response to sound and human response to vibration; many of these have been substantially revised. Example problems and answers for self-study are included.
The revised text:
Offers a brief summary on the importance of sound and vibration Considers the vibration of mechanical structures, ranging from simple SDOF models to continuous systems Highlights the aspects of signal processing commonly used for data analysis Addresses engineering noise control, and more
Fundamentals of Sound and Vibration, Second Edition provides you with broad coverage of sound, vibration and signal processing in a single volume, and serves as a reference for both graduate students and practicing engineers.


text:
I'm off to Kentucky for another adventure. First, it's off to Louisville (the 'ville) for a half marathon on Saturday with my bff Mo. We'll be kicking the butt of the killer hills in Iroquois Park while participating in the inaugural Louisville Sports Commission half-marathon! Also, I heard that one of my fave froyo places is offering some free froyo in the 'ville! I'm sure we'll have a blast together.
Then, it's off to Lexington to have some fun with Jonah and friends eating sushi and watching football. Maybe we'll venture to the puppy park.


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In the early 1940s, film noir cast it's lingering shadow over Hollywood. As war and economic uncertainty tightened its grip on America, studios began producing dark crime dramas; stories of the human condition that reflected mankind's darker side and it's venomous effects. Film noir was (and is) a genre that may traditionally be seen in black and white, but casts the world in shades of grey.Beyond that, it's a difficult genre to describe. It may not even be a genre at all. It could arguably be described as an aesthetic rather than a genre because so much of film noir is brought about by atmosphere and lighting.It is a mood that invites one to enter a dark corner of the world and, to paraphrase Raymond Chandler, "..go down these mean streets…" However, I digress, on with the review!
'The Postman Always Rings Twice' is a 1946 drama/film noir, based on the controversial novel by James M. Cain and directed by Tay Garnett. It is a story about destructive passion and insidious desire, and all the audience can do is watch with morbid fascination as the protagonists dig their own graves. Cunning drifter Frank (John Garfield) and ambitious housewife Cora (Lana Turner) desperately want to be together. The only thing standing in their way is Cora's much older husband, Nick.For a while, they make do with longing glances and the occasional stolen kiss, but the it quickly becomes clear; Nick has to go. The couple's forbidden love develops into a murderous obsession and the two begin to turn against each other as their world crashes down around them.
What makes this film work is the fact that it invokes a feeling of emotional frustration and claustrophobia that makes the setting drip with tension. The setting of a lonely restaurant during a heatwave contributes to this, creating a haunting, isolated stage for murder most foul. Because we see so much of the two main characters, and we develop a fascination with their unconventional attraction and, when the film was at it's most tense, I confess that I almost wanted the couple's shady machinations to succeed. It is only when cracks began to show in Cora and Frank's romance that I began to realize something; these two weren't good people, but they weren't necessarily bad people either. I couldn't cheer for them, but I couldn't help wanting a happy ending of sorts- for Frank if not for Cora (who I quickly began to
hate strongly dislike).
The source material is, apparently, much much much more explicit, and James Cain wasn't happy with the more PC film version. I haven't read the novel (and probably won't anytime soon; I have a pile of books to smash) but I think that the fact that so much is left to the audiences' imagination makes the film more powerful; it allows us to contemplate their actions, rather than be momentarily shocked by them. I won't give away the ending, but I'll leave you with this interesting opinion about the source material's author;
like a lot of professed nihilists, Cain is a secret moralist after all, rot and God are just other names for fate — the postman that rings again at the door of hell, not leaving till someone answers.
(from the essay Nothing More American: On James M Cain by Steve Erickson):
Perhaps the world of Frank and Cora is only as grey as they chose to make it….


text:
Adam Lippes designs will be freatured at the evening Burchfield Penney Production of RUNWAY 2.0 on April 25th, 2009.
HERE IS A LINK to the ShopAdam.com Web site that has new spring 2009 arrivials. If you look at the upper right side of the ShopAdam home page you will see a link to The ADAM BLOG.
Lippes said he sees this as an opportunity to connect and gather feedback from his customers.
"I wanted to find a way to reach more consumers in a more direct way, so a blog seemed like a great way," he said. "The more I can reach my consumers, the better."
Lippes said that in addition to written entries on the blog, he and his team will be filing regular video entries. —WWD—
Check out the ADAM collections at STYLE.COM CLICK HERE for the complete ADAM collection for Sping 2009 Ready-to-Wear
About Adam:
After graduating from Cornell University, Lippes was employed in Polo Ralph Lauren's public relations department. In 1996, he moved to Oscar de la Renta, where he was the creative director from 1999 to 2003. –Wikpedia–
In Spring 2004, Lippes launched his own clothing line, then called Adam + Eve, now ADAM. Since then, the business has expanded from a luxury basics line into a larger sportswear collection for men and women. In August 2007, Lippes was inducted as a member of the Council of Fashion Designers of America. Lippes's first formal runway show was held on September 6, 2007, during the Spring 2008 New York Fashion Week. The show was well-reviewed by style.com and was featured on the cover of Women's Wear Daily the next day. In December 2007, Adam opened his first freestanding boutique in Manhattan's Meatpacking District. Currently, ADAM is available in over 250 stores in 10 countries around the world, including Bergdorf Goodman, Jeffrey NY, Saks Fifth Avenue, Henri Bendel, Vivre, and Kitson (L.A.).


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Cape Leveque and back to Broome
13 August 2012
We are back in Broome after a few glorious beachy days up at Cape Leveque (Dampier Peninsula). We stayed in a very nice spot at a campground at Middle Lagoon, which has two beaches, one south west facing and other west facing. One perfect for a calm swim and a nice walk on the beach and one ideal to sit and watch the sun melt into the sea.
We made our way up the very bumpy very red road on Friday morning and hit the water as soon as we arrived at Middle Lagoon. We had a very pleasant afternoon reading (we are both completely engrossed in our current books) and swimming. Saturday we went right up to the top of Cape Leveque itself and the colours that met us were spectacular! The intensity of the colours is really incredible. There is rust red sandstone, white sands of the beach and of course the turquoise sea and deep blue sky. As so many times over the past months we were left looking for words besides amazing, fantastic and brilliant. So often we are left feeling words are inadequate! When we were at the writers festival book reading last week one of the things an author talked about was the difficulty in finding words to describe the details of something- she even used the example of calling the sea turquoise over and over again. Of course we are not writers but we both related to that!
Saturday afternoon Olly was looking at something or other under landy and noticed a bloody leak! He thought it looked as though it was just a seal but of course we didnt know. It was a real disappointment to see and our minds started racing "What is it", "How much will it cost", "How long will it take to get done", and of course "What if this happened on the Canning Stock Route". Anyway as we drove back to Broome on Sunday we tried to put it all in perspective- its most likely just a seal, its happened near a town (Broome is not a bad place to have to spend a few days waiting for a part!) and we are travelling thousands and thousands of km in a 1990s model Land Rover over rough roads for more than a year- these things will happen! We are both hoping this is the last of it for awhile though!!
Of course we couldn't do anything with Landy yesterday (being Sunday) so we entertained ourselves with other things but Olly was a bit down and feeling stressed about it, and we had a 'do we want to do the CSR conversation' as well as the 'why don't we just go to Africa on a safari like other people' conversation. At least then the vehicle stuff is not your problem! When we are down or stressed we occasionally go there but it only takes saying it out loud for us to look at each other and correct ourselves- we def want to go to Africa, in our landy and on our trip. Sometimes though… 🙂
First thing this morning we were at the mechanics. This is something we have done a few times over the past month. Last night Olly looked deep in thought and I asked him what was on his mind he replied "How mechanics can be so annoying" very matter of factly and carried on thinking. This is really on his mind a lot.
Anyway at the moment it looks at if we will get it sorted Wed morning all going well with the parts arriving in time (there are only 2 in Australia and thanks to Daniel one is on the way to us).
In the meantime we are just going to enjoy Broome- the sea and the sun setting into the sea before we head inland again. We are also vaguely aware, but trying not to be, that as we head south there will be a change in the weather. We have spent months in the tropics where there are wet and dry seasons and we have been here in the dry so that has meant months and months of 30 degree weather, clear skies and not a drop of rain. As we go south we will be reminded it is actually late winter in the rest of the country and it will be much cooler and more changeable weather. We will enjoy the warmth of the sea while we have it.
We spent this arvo at the beach again, Olly chatting to Nick and doing some other bits and I went for a swim. I met a nice women in the surf who is here from Melbourne to join and support the protest against the proposed gas plant just up the coast from Broome. Its a big issue that I'm interested in, and we have both been finding out more about it.
We have just had a nice meal of left over pasta and are settled in for the evening.


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We loved this recipe!! I used turkey instead of chicken; I also didn't use any bean sprouts or green onions (baby steps for my picky husband) and it was still delicious! Vince thought it was good and he ate all that was on his plate... even the mushrooms!! And the best part is that it is a CrockPot Recipe!! Easy cooking and even easier clean up.
- 1 can (16 ounces) bean sprouts, drained
- 2 cups sliced cooked chicken
- 1 can (10 3/4 ounces) condensed cream of mushroom soup, undiluted
- 1 cup sliced celery
- 1/2 cup chopped green onions with tops
- 1 can (4 ounces) sliced mushrooms, drained
- 3 tablespoons butter
- 1 tablespoon soy sauce
- 1 cup whole cashews
- Hot cooked rice
1. Combine bean sprouts, chicken, soup, celery, onions, mushrooms, butter and soy sauce in 4 1/2-quart crock-pot slow cooker; mix well. Cover; cook on LOW 4 to 6 hours or on HIGH 2 to 3 hours.
2. Stir in cashews just before serving. Serve over rice.
TIP: For easier preparation, cut up the ingredients for this recipe the night before. Don't place the stoneware in the refrigerator. Instead, wrap the chicken and vegetables separately, and store in the refrigerator.


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Room List: Living Room, Master Bedroom, Bedroom 2, Kitchen, Bedroom 1
This cozy home features 2 bedroom, 2 bath with plenty of natural light. Home is nestled in gorgeous surroundings with beautiful landscaping. Home features a spacious master bedroom with a private full bathroom. Highlights of the home includes a fireplace, in-unit laundry, basement access for storage, a wet bar area and also a garage. There is also a big yard and a back deck for endless outdoor entertainment. Convenient to major roads and plenty of retail shopping, come out and see what this beautiful oasis has to offer.
Listing courtesy of Rentwell - Delaware.
Real estate listings held by brokerage firms other than Kurfiss Sotheby's International Realty are marked with the IDX icon and detailed information about each listing includes the name of the listing broker. © 2018 TREND, All Rights Reserved. Information Deemed Reliable But Not Guaranteed.
The data relating to real estate for sale on this website appears in part through the TREND Internet Data Exchange program, a voluntary cooperative exchange of property listing data between licensed real estate brokerage firms in which Kurfiss Sotheby's International Realty participates, and is provided by TREND through a licensing agreement.
The information provided by this website is for the personal, non-commercial use of consumers and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing.
Data last updated: 06/18/2018.
Some properties which appear for sale on this website may no longer be available because they are under contract, have sold or are no longer being offered for sale.
Some real estate firms do not participate in IDX and their listings do not appear on this website. Some properties listed with participating firms do not appear on this website at the request of the seller.


text:
Release Date: 1988
Duration: 100 min
Biography, Drama
John Korty
Joyce Eliason, Jamie Pastor Bolnick
Barbara Barrie, Meredith Baxter, Rutanya Alda
IMDb: TT0096448
Rating: 7.6/10
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The New York Police Department must be cracking down heavily on any suspicious activity as New York Gov. David Paterson's son clearly rolled snake eyes as he was served the long arm of justice when he was caught playing dice. Caught red handed, depending on the color of the dice, on Tuesday, Paterson's son, Alex, […]


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I agree with all who have commented on commitment to the community; Flyers does an outstanding job in this regard. To my tastes the pizza is just OK, maybe good, and unfortunately I can no longer give them my business due to an unforgivable lapse in customer service and a blatantly ignored opportunity to apologize for it. Obviously they do not need my money to stay in business but I cannot forgive awful service or reward it with continued patronage.I just want to validate the true commitment the Ulrey's have to community. They do give back!
During my years that I was involved with Westland Youth and St. Cecilia, they where always willing to give without a second thought to our kids!
Thank you Ulrey family!
Flyers Pizza holds on to slice of the pie | The Columbus Dispatch
There are 41 comments on the Columbus Dispatch story from May 3, 2011, titled Flyers Pizza holds on to slice of the pie | The Columbus Dispatch. In it, Columbus Dispatch reports that:Heather Russell piles on the cheese as she prepares a pepperoni pie at Flyer's Pizza in Groveport.
Join the discussion below, or Read more at Columbus Dispatch.
21 - 40 of 41 Comments Last updated Apr 12, 2017
#26 May 3, 2011
#27 May 3, 2011
Gordon neither said nor implied that. Twit.
#28 May 3, 2011
The Hilliard store hasn't disappointed me in 15 years of at least once a week orders.
#29 May 3, 2011
It appears that location and its staff "get it", then. Sounds like they appreciate your business and wish to keep it. I wish my experience was comparable to yours.
#30 May 3, 2011
i go to enrico's pizza on frantz rd.
the best pizza in columbus,period.
#31 May 3, 2011
Yes, it did. He claimed that someone not liking Flyer's food or business practices must mean they're miserable people and they live in their mother's basement. Seems like Gordon would prefer everyone to agree with him and like this particular business. Can you connect the dots now? "Twit"? Very classy!
#32 May 3, 2011
The tossing of an offhand insult is hardly the same as saying nobody else is entitled to a differing opinion. Not even close.
#33 May 3, 2011
I will second that nomination...
#34 May 3, 2011
You have too much time on your hands.:)
#35 May 3, 2011
Enrico's! I agree - the best!
#36 May 3, 2011
It's a slow day.
#37 May 3, 2011
Class up my act a notch or two for what reason? Because I can recommend a better pizza than what's being peddled in this Dispatch artcle?
#38 May 3, 2011
Too bad Angie's didn't follow their lead!!!! Pizza used to be great, they raised prices and cut the quality! We're prime for a good pizza place, so Flyers, Tommy's, Rotolo's we'll gladly welcome you, and give you plenty of bisiness!
#39 May 4, 2011
The Groveport location is fantastic. Great service, great tasting food. My husband and myself go there way too often. We actually enjoy eating at the location itself, than just getting take out.
#40 May 4, 2011
It's interesting that this is the second time a Bag of Nails location has burnt down in a short period of time. I'd love to hear that story.
#41 May 5, 2011
Wow, that's pretty uncharacteristic of our company. I'd like to hear about it and make it right with you. If it wins you back as a customer....fantastic. If it at the very least corrects a mistake and gives us a chance to apologize....I can live with that, too.
#42 May 5, 2011
I appreciate hearing from you and might take you up on that.
My reason for commenting in the first place was *not* to suggest people shouldn't do business with Flyers, especially when they are pleased with the product, value and service (that's why I wanted to acknowledge your company's strong community service record).
I felt it likely that not only might someone from Flyers see it, but other business owners as a reminder that service is crucial. All of us screw up occasionally; the test comes when it's time to make things right. My situation was met with an excuse (a lame one at that) instead of an apology, which was really all I wanted. Based on longevity and the large number of positive comments in this thread, it's obvious your company by and large does things the right way.
I will probably be in touch in the near future. Thank you for reaching out and your willingness to listen.
#43 May 5, 2011
You got it.....service is CRITICAL, that's why I nearly jumped out of my skin when I saw your post. I appreciated your honest and frank response. I hope you do contact us. Look forward to it. Thanks.
#44 May 7, 2011
pizzaguy,have you tried enrico's pizza?
#45 May 7, 2011
No, but I have read your comments and I think I'll give it a try. I've heard good things about their pizza before. One thing that is in abundance in Columbus is a variety of pizza joints.
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