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Vermont Business Magazine The Vermont State Craft Center Overview Commission is seeking new volunteer representatives from the Vermont crafts community to join the Standards Group for the Vermont State Craft Centers network. For anyone with a working knowledge of the Vermont crafts in his/her community, this is an opportunity to play an important role in helping to elevate craft and craft education throughout the state.
Working with the Overview Commission and the Vermont Department of Tourism and Marketing, the Standards Group works to promote Vermont crafts by helping to grow and nurture the network of Vermont State Craft Centers statewide. Currently in the network are five galleries (Artisans Hand, Frog Hollow, Gallery at the VAULT, Northeast Kingdom Artisans Guild, Collective--the Art of Craft) and three craft education centers (Fletcher Farm School, Shelburne Craft School, Vermont Woodworking School).
"Whether a gallery or an education center, Vermont State Craft Centers deepen the public's understanding of the connection between the process of making something by hand and the beauty of the finished product," said Catherine Brooks, Chair of the Standards Group. "Each Vermont State Craft Center Gallery demonstrates a commitment to exhibiting and selling quality Vermont made crafts while each Vermont State Craft Education Center provides excellence in teaching craft to a variety of students."
Designation as a State Craft Center is achieved through an application and jury process.
Volunteers selected to serve on the Standards Group review applications and participate in juries in preparation to recommend galleries and schools for designation. Standards Group volunteers also conduct regular reviews of all existing State Craft Center Galleries and Education Centers to determine renewal recommendations and work with the Vermont Department of Tourism & Marketing to promote Vermont craft.
Because of the important role these volunteers play, Standards Group committee members need to have a commitment to Vermont craft; be able to attend four meetings and visit two to three craft galleries or schools on official business each year; and complete follow-up work between meetings as needed. Members must be comfortable with using a computer and working collaboratively both in person and online. Members of the Standards Group are reimbursed for reasonable expenses incurred in the performance of their functions to the extent funds are available.
The application deadline for new members is March 16, 2018.
Please consider contributing your experience and leadership to serve the Vermont crafts community. Contact Catherine Brooks at email@example.com with questions or complete the online Standards Group Member Questionnaire at this link: http://craftcenters.vermont.gov/volunteer


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Date: February 13, 2018
Time: 4:00 pm - 7:00 pm
Location: Hillcrest Millard
Let the Good Times Roll…the Hillcrest Way!
Join us on Fat Tuesday as we celebrate the Grand Opening of our new post-acute rehab center Hillcrest Millard!
Park at AMC Oakview Plaza 24 (3555 S. 140th Plaza), and a party bus will transport you to Hillcrest Millard.

subset: commoncrawl


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Fish exports insignificantly affected by U.S.'s new rule
Trung Chanh
CAN THO - The Food Safety and Inspection Service (FSIS) of the United States has announced to inspect all shipments of tra fish from Vietnam under a mandatory inspection program starting from August 2, one month earlier than planned. However, the new rule has not left significant impact on Vietnam's tra exports to America.
According to FSIS's new regulation, all Vietnamese tra shipments entering U.S. soil must be presented at the United States Department of Agriculture (USDA)'s official import inspection establishments (i-houses) for its personnel to check quality, safety, packaging and others.
When FSIS made this announcement, Vietnamese fish exporters expressed concern that there would not be enough i-houses in the U.S. for inspecting a great volume of fish entering America at the same time.
A leader of Vinh Hoan Corporation, a leading fish exporter in Vietnam, said USDA's i-houses might be overwhelmed, leading to long queues. This is a big problem as the U.S. will not complete its cold storage system until 2018.
However, speaking to the Daily, chairman of Hung Vuong Corporation Duong Ngoc Minh said Vietnamese fish exports to the U.S. have not been significantly affected since FSIS's new regulation came into force a week ago.
According to Minh, FSIS's decision to enforce the new inspection regulation one month earlier than planned is aimed at better preparing for the change.
Truong Dinh Hoe, general secretary of the Vietnam Association of Seafood Exporters and Producers (VASEP), said up to now, the association has not received any complaints from exporters.
Hoe said Vietnam's tra fish exports to the U.S. were previously managed by the Food and Drug Administration (FDA) and that 10-30% of the shipments were inspected by FDA depending on exporters.
Data of VASEP shows that the country's tra fish exports in the first half of 2017 totaled US$836 million, down 0.3% compared to the same period last year. Of this figure, exports to the U.S. accounted for US$176.4 million, a 5.7% year-on-year decline.
According to VASEP, the fall in first half fish exports to the U.S. resulted from high anti-dumping tariffs rather than FSIS's new regulation.
There are currently 14 eligible firms exporting tra fish to the U.S. but only three of them – Hung Vuong, Vinh Hoan and Bien Dong – frequently export the fish to this market.


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Good morning all,
A bit of unexpected free time here, so here is an update. This post is a bit different in the sense that it is a compilation of lessons since I came up to Wentworth. I titled this post "College Lessons" because I have already picked up on a few lessons/skills that I will need to hold onto/improve to be successful.
The first, and most important, is time management. Yes, I know, it is super cliché, but it is the truth. The workload isn't overwhelming-yet. I'm actually getting more sleep this year than I did all of last year, which is quite surprising. Then again, I'm not working 25-hour weeks. You don't have to be a perfect time management person to succeed. There are so many things that you could be doing, but you just have to do your work first. Sure, if you have moderate time management skills, you are surely going to have a few late nights, but not sleepless ones. Although I feel comfortable with where I stand right now, I'd like to improve, if for nothing else than the future.
Rule of 10. Measure something 10 times before you cut it/draw it. This one is pretty self explanatory, but it is so easy to skip. Between my perfectionist/ocd attitudes, it is hard for me to accept something that is not parallel where it is supposed to be, or that one stick is shorter than the rest. Although you surely want to get the drawing done, measure things out one more time before you create that fine line of graphite.
Challenge your professor. One of the RA's on my floor calculated the average cost per class at Wentworth. It came out to roughly $75. That means whether you skipped that Calculus class or you asked every single question you could, it's going to cost you $75. No matter what college you go to, you are paying these professors good money. Don't be a fool by not challenging them. Make them a resource. You don't go throwing $75 around in the streets do you? So why do it in college?
Sketchbooks. I never thought I'd write a post about this. My favorite part of my sketchbook is the messy pages. Not messy as in meaningless stuff, but ones where I am "searching" for lines, where there are multiple thumbnails or sketches of whatever I am drawing. It is a lot more rewarding than pages with one or two sketches. Don't be afraid to go a bit wild. It is a sketchbook, not a final drawing.
The act of humility goes a long way. Identify your strengths and weaknesses. Be able to build from them both. Personally, I know that I lack creativity, but when it comes to more technical drawings, I can hold my own. When I am drawing from something that is preset, or non-changing I tend to do better. Hopefully creativity is something that I can acquire over the next couple of years.
Be innovative; not boring. Thousands of people have come before us, they had their ideas and went places with them. Now it is our turn. Try something new, be outgoing, experiment, expect failure but be smart and enjoy the sweet taste of success. In my case, now that I have a long board, I am trying to do some kind of video recording with it. My original thought was okay, I'll just tape it to the board, no biggie. Clearly, that failed. The camera was too loose, batteries were making bad connection, and it was a very shaky video. So, I made a few modifications, and it still didn't work. What I thought was the issue, wasn't. This happened a few times. I think I am running the 4th version of it by now. But I'm fine with that. Every time I changed it, I learned something new from it. To bring an end with all this tape and bubble wrap I have created a mount that is most likely going to be created on a 3D printer at my high school. The mount has an easy and quick method that fastens it to the board, has a dampening system and secures the camera-everything I need and nothing I don't. This will be a better solution than investing in a GoPro camera. Not only are those super expensive, but I have sharpened my problem solving skills. Plus, how many people can say they have a legit homemade custom long board camera mount?
Long post is over! Leave me something!


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alma allen
(see everything)
also, did you know that learning to love you more is now a book?
if you are in new york, you could join the celebration tomorrow.
oh and there's a new radiohead album coming out next week.
you can hear a preview here.
now if only we could get that long-awaited (possibly mythical) portishead album.
i wish my head wasn't so big (ha!)
i'd get one of these hats to wear this fall.


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Winning and Losing – Is God Involved in Games?
Did anyone watch the NCAA Men's Basketball title game? It was very exciting – Kansas came back from nine points down with just over two minutes left to tie it with a few seconds left in regulation, sending the game into overtime. Once there, Kansas proceeded to win the game. The father of Mario Chalmers, who made the tying three, credited this to divine intervention. Claims like this tend to evoke derision among most people, who either see games as a test of skill and no more, or question if God cares about basketball games.
My answer is that, if you believe in a Sovereign God, of course he is in control of the game. Nothing is outside of his control. Not only that, but he probably has a reason for working the game the way he did. So yes, God does care about basketball games. I believe that if played correctly, sports gives glory to God. People pushing their athletic bodies to the limit, doing amazing things that most people can only dream of,
shows what an amazing creation the human body is, and points back to the Creator. Now this can be distorted by sin, such as people robbing God's glory for themselves, or fans idolizing their favorite player or team, but that doesn't make the sporting event evil, just as the propensity of some people to idolize the sun, moon, and stars does not make stargazing a sin.
So yes, God is involved in games. So what lessons should we take from winning or losing, both as fans and athletes?
Losers can be disappointed by their loss. Bad things happen in life, and we don't have to be happy about it. A lot of the proper response to losing involves not succumbing to certain temptations. There is the temptation to anger, either at your teammates, the other team, or the officials. You can be drawn to sulk, refusing to see that there are more important things than losing a game – this often happens if you have idolized the game beforehand, and are giving it undue importance. We can learn from losing – often, athletes look back and see that they learned something from a loss that never would have come to light during a win.
Winners must also guard against temptation. You can pridefully gloat, exulting in your abilities over the God who made you. You can celebrate in a way that belittles the other team. Winning can lead to a smug behavior that must be avoided. Winners have the opportunity to serve losers by acknowledging their effort, and being kind in victory. They also have the best opportunity to glorify God, as attention often focuses on them.
Winning and losing in sports are very important to get right. If we miss this, we miss the point of the sporting event itself.


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On December 19th, Music Toronto will present Phillip Addis as the first concert of our Discovery Series, where we showcase upcoming and coming artists.
The award-winning Addis is a Canadian baritone who currently resides in Stratford. He completed a Bachelor of Music at Queen's University and received a diploma in operatic performance from the University of Toronto's Faculty of Music. He took part in the apprenticeship program at the Atelier Lyrique de L'Opéra de Montréal and studied at The Britten-Pears School and the Canadian Vocal Arts Institute.
Addis has performed across Canada and the US as well as in Europe and Japan, with such companies as Atlanta Opera, Opéra Français de New York, Calgary Opera, Opera Atelier, l'Opéra de Montréal, Amadeus Choir, Orchestre Symphonique de Quebec, Elora Festival Singers, Thunder Bay Symphony Orchestra, Montreal Symphony Orchestra, Edmonton and New Brunswick symphonies, Ottawa Symphony Orchestra, and Opera Carolina.
For more information on Phillip Addis, visit his website at The Britten-Pears School and the Canadian Vocal Arts Institute.


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On a train to work I wrote 780 words brainstorming topics for future Medium articles.
On a train back home I wrote 400 words for my novel. I was spent after the hard day at the office.
I went with my daughter for her violin lesson.
I prepared for the next day trip.
I slept 6.5 hours. I napped 5 minutes behind the desk.


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The evolution of radio. I know, sounds like a strange topic but it crossed my mind because I have found myself listening to a lot more radio lately than I use to in recent years. I had to stop to think why that is.
There was a time when radio had a communal role to play. Before television of course there were radio shows like Jack Benny, Burns and Allen, or the Mercury Theatre Group. After television came along a lot of those stars migrated to tv and movies and music became the dominant feature.
Diversity came to music on the radio with the onslaught of rock-n-roll. There would be no Elvis or Jerry Lee Lewis without radio. I doubt anyone remembers the DJ Alan Freed who basically coined the term rock-n-roll and organized what is considered the first rock-n-roll concert.
This communal feeling inspired Top 40 programs and DJ's that would do crazy things. I remember a 2 a.m. food run in rural Ohio where the DJ was playing album cuts and clearly had a bottle in the studio with her and from the ramblings was trying to pick up the shambles of her love life. These events though are what made radio fun. Everyone went to school having shared the experience. It was a cultural influence.
Then something happened. Corporations took over. DJ's – real ones – ceased to exist. If you flip on the dial now in your car you find stations playing lists and shows that are generic in nature and cooked up by a suit in an office a thousand miles away. Two-thirds, or more, of the stations are now owned by a handful of corporations.
People stopped listening. You might turn it on for background music or something like NPR sometimes but no one was inspired by what they heard on the radio anymore. There was zero creativity. The music was all bland easily forgotten tunes. Suits and bean counters had killed the medium – or so it seemed.
Like a freak of nature that Darwin would have predicted, radio made a comeback. I find myself with it on all the time when I work anymore. In an age of downloads and youtube videos why and HOW has radio wormed its way back into my life?
The answer is simple: the internet. I have access to an Apple TV and thus hundreds of internet stations. You can also stream just about any station online. This means I now find any type of music I wish to listen too and find music that will never make its way onto the public airways.
One of my favorite stations is CHIRP Radio out of Chicago. This station is actually made up of volunteers. They run community programs around Chicago. They also have a rule that no DJ can play just one genre. The result is a wild mix that is unpredictable and since the DJ's aren't professionals they can be a bit off the wall.
If you know me, you know I listen to a wide variety of music. I might catch a jazz station from Paris or rock from Tel Aviv and when I am writing, like a lot of writers, I often have movie soundtracks going with channels that play just those.
Yeah, radio has evolved. It still hasn't regained the communal function it once had because like everything else tech related it boils down to a selection of niches. Still, it is good to find myself once again listening to the radio and not totally having to rely on my itunes library, as extensive as it is, for my listening pleasure.


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What is Confidence?
Confidence is knowing you can trust yourself. Being friendly, relaxed and social, you meet new people with ease and speak out with confidence.
I am Confident
You may be confident in one area of your life, such as, you can perform your job easily in the office. But another aspect of your life may be holding you back from reaching your full potential. If you are trying to get yourself geared up to go for a run, you put your jogging shoes on, you're all dressed in your jogging outfit, but you just need a little more confidence in exercise, fitness and health to just you that push out the door.
Having great self esteem can give you that push, and having a body that's in shape may give you that self-esteem to exercise without doubting yourself. The first step would be to hire a personal trainer to show you the ropes so you know you're doing it right and not causing an injury. Good luck.
My Confidence is Increasing
You confidence is becoming greater each day, you will be fearless today and always. Your trust in yourself is full, you belive and love yourself. You battery is charged to 100% and you are totally confident in yourself. You are becoming bolder and braver, with every session, you are in control of your life
I am Fearless Today and Always
You stay persistent and push through set backs easily. During your weight loss journey you may not lose weight every week. By easily overcoming any of lifes hurdles, you can have the confidence to keep trying. You can face anything that confronts you, weather it be the sandwich man, the muffin man, the candy man or the chocolate gift giver. You can overcome the shyness to speak out and say "NO, I'M ON A WEIGHT LOSS JOURNEY, NOT TODAY, THANK YOU!". This doesn't mean you will lose friends, people will respect your decision to become healthy, you are easy going relaxed and social, you can stand up to anything.
Today I Take Action
Starting today you will face your life head on. You will start by consulting a personal trainer to give you direction, advice and a clear cut plan of action that you will follow with you trainer.
I am liberated from all fears and past failure
You may have tried to lose weight before and just plain failed. You need the support of a friend you can trust, family or a personal trainer, you have all the will power you will ever need. You may not have finished the weight loss journey, maybe you have started it, you always succeed in spite of setbacks. You have your own way of doing things and your personality always shines through. With the right personal trainer, you can take the reigns, and let the trainer do the work for you to easily overcome any failures or setbacks.
I am Naturally Fearless
You are naturally strong, you were born with an inner strength, this gives you confidence. Confidence comes naturally to you, you are positive friendly and confident. Being confident comes naturally to you in all aspect of your life. You are prepared for life, you easily tap into you own inner strength, you easily go with the flow of life and succeed, being motivated and positive is normal for you.


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I'm a little late to the parade on this book, as it was first published in 2002. I have had it for over a year, and have refused to read it. Why? Because..I knew I would love it. And I do.I was saving it for a special occasion. Instead of the special occasion, I waited till my hubbies band practice. I look forward to these events like pneumonia. Mostly because I have to clean my house, become a host (of sorts) and actually have conversations with strangers who look at the odd assortment of museum type things we have hanging on the wall and random scads of unusual things no sane or grown up would have.And I can smile and nod a lot when I need to, or explain the origin of the African masks or huge metal lions. And, as long as no one brings a spouse or girlfriend I have to entertain, it ends up being an excellent event, once I adjust to it, make food,cookies and burn incense, and muddle thorough the snarky comments about the 3,000 paperback romances I have in my library. I love it because they play jazz. Plus there is a violin and sometimes it is just magical. A perfect time, (after all above is finished) to sit down and read a book.(If I do not have any spouses or girlfriends to attend to.)
Julia Quinn's Romancing Mr. Bridgerton was my choice, and I am happy that it was…
This is book four in a series. I have read another of this series but since I failed to post it on Goodreads and it was a few years in the past, I guess it won't count.
This book is so adorable you want to take it and squeeze it's cheeks. Penelope Featherton is very likable in so many ways, you fall in love with her by the second page. Colin is just the kind of man a young girl would swoon for, and more than once, he broke my heart along with Penelope's, as the journey to find them a HEA strolls along. This book is a keeper.
Of course, it was slightly over the top silly. To think gentlemen would hang out and gossip with the ladies is a little bit nonsensical. But, that is how all Julia's books are. Maybe she knows more about the English than I pretend to know. I just know men. I can't see them eating buttered biscuits and listening to ladies gossip no matter how many sandwiches are on the table….. Wait…. I don't mean to suggest "I know men" as in lots of men in compromising ways, positions and such..although… what a spin I could take on this if I did Ahem. … anyway…
I also found quite a bit of repetition. As in Penelope's thoughts & Colin's thoughts ran together and no one noticed that they plowed through thoughts and feelings that were the same,from one chapter to the next.. more than once. It bugged me. I have the 2002 version of this book if that is a reference point. Twice, I caught it, but then again, maybe it was supposed to be that way. I does not make this book any less wonderful, romantic and happy. If you need cheering up, this is your remedy. It is sweet and kind and gentle and all the things you like to read too escape…. if that is what you are doing. If I was in jail, and some people were going to shank me… or if I was afraid it would happen, I totally would read this book to cheer myself up.
J.Quinn wrote a very good story. A swoon worthy character , Colin (although I think he whined a little too much… and was maybe overly insecure about his abilities and his writings) was romantic and charming.. (sorry Colin, but you are charming.) And handsome. The kind of person you really would like to meet. The whine kinda threw the "I Love Colin" love potion out the window a few times, but it came back eventually. Penelope was just so real in her feelings and I had a deep respect for her ability to not run out of the room every time someone said something terrible to her. I wanted to run… More than once. I am glad she stuck to her guns. Good girl, that Penelope.. I like her.
Now.. If I want to be more..critical, and I do, because I love this book so much that I like to run it through my head a few times trying to find some flaw in perfection, Quinn went overboard on just how sadly everyone felt about poor Penelope. If the image on the inside of the cover was any indication.
she was a beautiful girl, but throughout the book, no one saw her… she was invisible in her plain jane ways. No one. And you were constantly reminded of this. Penelope reminded us, her mother reminded us, Colin reminded us, the list goes sadly on.. I guess we readers would not start seeing her inner beauty if it was not brought up enough. I give this a 5/5 stars because everyone deserves a hit record and this, Julia is yours. I could not put it down. What an enchanting story. I am sure I am not the only one who feels a little Penelope lives within us all.


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Langholt Farm in Helgeroa is a family friendly farm situated no more than 100 metres from the beach. Season from May 1st until October 1st. A short walk away you find restaurants and the Langesund ferry, and a beautiful coastpath winds its way nearby.
Facilities 3 rooms with 4 (4-6) beds at farm contains all necessary kitchenware, refrigerator and cooker.
Shared shower and toilet. Bed linen can be rented on site.
Reasonable prices.
Only 14 kilometres away from Larvik city centre if your day seems to suit shopping better than sandy beaches.
Welcome to a pleasant stay at Langholt Farm!
|3,000.00 1 week
|* Price from


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Hello again beauties!
Today I wanted to share what manicure and pedicure I'm rocking right now!
I'm obsessed with that lime neon polish on my nails. It's Celtic Sun by China Glaze! Also, I'm totally loving the peach and gold combo lately on my toes, it's so perfect for Spring! Thank you all so much for stopping by! I hope your Monday is fabulous! :)
XX, Amy
Email: firstname.lastname@example.com
YouTube Channel: Polished by Amy
Instagram: @polishedbyamy


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Husky N Lab Rescue, a Animal Shelter, in Alton, ME 04468, address and phone number. Animal shelters provide information on adopting dogs, cats, and pets, animal care and rescue, and animal control.
|Animal Shelters
|Animal Orphanage
|Old Town, ME
|Old Town Animal Control
|Old Town, ME
|Little Wanderers Animal Adoption
|Hudson, ME
|Bangor Humane Society
|Bangor, ME
|Bangor Animal Shelter
|Bangor, ME
|Bangor Animal Control
|Bangor, ME


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Beautifully styled symbolist paintings of ladies by John White Alexander. A few have mildly risque shoulder exposure; most emphasize almost abstract concepts of beauty rather than individual personality. The overall impression is of the loveliness of the American woman of the late Victorian age.
Saturday, July 12, 2008
Lovely Paintings by John White Alexander
Posted by Laurel Loflund at 9:53 PM 1 comments
Sunday, July 06, 2008
Lovely Ladies of Days Gone By
Different concepts of beauty reign during different times. Which is lovelier, today's beauty standards, like Angelina Jolie of dramatic lipline, Keira Knightly of the stick-thin arms, or the Lovely Ladies of Days Gone By?
Posted by Laurel Loflund at 6:50 PM 1 comments
Subscribe to: Posts (Atom)


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Location: Capital House, Woodham Park Road, Addlestone, Surrey KT15 3TG,
Proposal: Use of land for waste transfer and recycling activities comprising storage, separation, breaking, screening, sorting and redistribution of materials such as: hardcore, scalpings, topsoil, road planings, ballast, shingle, sand, bricks, wood, timber, slates, tiles, concrete and engineering materials; loading and unloading of skips incorporating associated materials as listed above; and the storage, repair and maintenance of ancillary plant, machinery and vehicles without compliance with Condition 16 of appeal decision ref: APP/B3600/A/06/2007220 dated 20 April 2007 to allow revised access improvements.
Please find attached a copy of the formal consultation/notification letter.
The application documents and plans are available to view or download from RBC's website here


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If you thought that cloth diapering could be confusing and complex, wait until you get into what detergents to use. There are so many people who have differing opinions on which detergent is best. Then it can depend on how hard or soft your water is. You hear these horror stories about buildup from commercial detergents in diapers. This buildup can cause rashes or gasp repelling. You do not want your cloth diapers to repel because that would mean a puddle in your lap! The basic premise is that soap containing detergents don't rinse out cleanly and leave buildup which can eventually lead to these problems. Some of the favorite detergents for cloth diapers are: Charlie's soap, Rockin' Green, Allens and Country Save. I will state here that a LOT of women use Tide original powder and have no problems at all. A lot of women recommend trying Tide Powder first and if you have problems try other detergents. I could not do that, I have minor OCD so couldn't quit obsessing over the fact that commercial detergents "could" cause problems. I looked at a chart rating the different types of detergents and started out using Purex free and clear or All free and clear. Both of these were liquid detergents and after I bought them, I read that if you have to use a commercial detergent even the free and clear ones, try to get them in powder form. You want to get them in powder form because that way they are missing the chemicals added to liquids to keep them in liquid form. So then I started obsessing about the chemicals in the Free and clear detergent and didn't want to use that with my diapers either. I guess it is one thing for detergents to contain brighteners, chemicals and enzymes in our clothing that don't wash out, but to have that stuff in diapers you pee on could be asking for a reaction! So in my searching around, I ran across a bunch of women in the forum on one of the cloth diapering boards that make their own laundry detergent and cloth diaper detergent. So I made my own cloth diaper detergent. It contains one cup of borax, one cup of washing soda and one cup of Sun Oxygen Cleaner or Oxyclean Free. I have been using this and the first two times I washed my diapers with it they smelled funky. I believe the reason for this was due to the free and clear buildup in my diapers. My diapers now smell clean and I haven't had any problems. Detergent Heaven…Until I started researching again.
I had a person post that there was no surfactants in that recipe so the diapers couldn't be getting clean. I needed a natural alternative to the surfactants that didn't rinse out cleanly! I have since found soap nuts and have ordered a bag. I have heard great things. I will just throw 2 of the nuts in the muslin bag they come with and toss them in the washer with my home-made detergent! I will post an update once I see how the soap nuts do! I am so excited about making my own cloth diaper detergent!!! Once we are out of all the pounds and pounds of laundry detergent we have in our laundry room, I will probably try to make a slightly different recipe for our laundry detergent! Why is this stuff so fun?!


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Last week, I started a period of fasting and prayer to seek God on a couple of matters. The biggest of these is a frustratingly predictable cycle in our church: we can run up to 45 or 50 people and then shrink back to 30 or 35. In short, I want to break this cycle. And so I am asking God to reveal things that are creating a "lid" on our congregation. I started out last week by praying for Him to reveal strongholds in my life. I defined a stronghold as a sin issue which is deeply entrenched and possibly hidden. I.e., it's something that I think or do over which I absolutely refuse to allow God to have control. I then prayed that I would be circumcised of heart. According to the Bible, this means that I am open and sensitive to the indwelling presence, power, and direction of the Holy Spirit. And finally, I prayed that I would have the strength and courage to identify and address any issues which God revealed as I continued. This week, I have begun exploring the strongholds which may be present in our church. The most obvious text that I could come up with that would address these issues was Revelation 2-3: the letters from Jesus to the seven churches. And as I have studied them the last couple of days, I am compelled to acknowledge that we are probably dealing with a number of the same issues. Today, I want to explore the concept of complacency, which I believe was what Jesus was talking about when He wrote to the church in Ephesus in Revelation 2:1-7
Jesus started His letter to the Ephesian church, like a traditional letter, by identifying Himself: "The One who holds the seven stars in His right hand and who walks among the seven gold lampstands." It was a reference back to Revelation 1:12-16, where the glorified Jesus is described as walking among and lording over the seven key churches of the ancient world and their angels. The description there paints Jesus as beautiful, exalted, holy, royal, pure, fierce, and powerful, to say the least. When the Ephesians read this, they would have been reminded of the splendor, the grandeur, of our Lord. He was not just another god. He was not just another part of their lives. He was the Lord of the Church, and He was supposed to be the Lord of them. No one could approach Him in splendor or power.
Jesus then continues to note a positive about the church at Ephesus: I know your works, your labor, and your endurance, and that you cannot tolerate evil. You have tested those who call themselves apostles and are not, and you have found them to be liars. You also possess endurance and have tolerated many things because of My name and have not grown weary." In short, the church at Ephesus was faithful in working, testing the spirits (as John exhorts), and enduring adversity. This is good stuff, and I would like to echo the sentiment when it comes to our church. We are very faithful in these areas as well, and I rejoice in that fact!
But then Jesus cuts to the chase. He says, "But I have this against you," and in doing so, He reveals that, despite this compliment, things are not all rosy in Ephesus. His charge against the church: "You have abandoned the love you had at first." A number of things jump out at me about this indictment:
- "You." This was not a problem with Jesus. It was not a failure with the community or other congregations. And it certainly was not a deficiency of Jesus. It was a problem with the church at Ephesus. They had done it. They were responsible.
- "abandoned." This word stings. I can't imagine but that the Ephesians felt slapped in the face. It does mean, after all, to "give up completely." In that respect, it sounds an awful lot like surrender. Or retreat. And it conjures up the idea of a ghost town or that Japanese ghost ship the US Coast Guard recently sunk. In any case, I'm sure the Ephesians didn't like the idea that they had abandoned anything.
- "the love you had at first." Other translations talk of "your first love." In either case, it speaks of precedence and priority. As anyone who has experienced "first love" can attest, it is an intense thing. The object of that love instantly becomes the single most important thing. Everything else takes a back seat. It is a love characterized, in short, by extraordinary passion.
And that's what Jesus is getting at with the Ephesian church. They were doing the things they were supposed to be doing, but the fire, the passion, the first love was gone. In other words, they were just going through the motions.
I think our church is coming up against a stronghold of complacency. We go through the motions, but it's just something we do. We lack the excitement. We lack the fire. We lack the first love we had at first. And so we do the worship service. We do Sunday School. We do Kid's activities and such.
Now, I think at this point that I need to stop and note three things. First, this is not to say that everyone in the church is complacent. Indeed, there are several who are on fire for Jesus!
The second thing I have to note at this juncture is that I don't think our church is at all unique in this. In fact, I dare say that complacency is common, even in churches that seem exciting, growing, even bursting at the seams. You see, "going through the motions" can be rephrased: "got it down to a science." When we do A, then B, then C, so we get D, even if D is rapid growth, I think we're risking complacency. You see, if we go by the definition of complacency that Jesus gave the church at Ephesus, whenever it becomes about the process rather than God, it's complacency. (I told you it could be hidden!)
And the third thing is that I blame myself. You see, as I look at myself, I recognize these same tendencies in myself. I have done the worship service. I have done the board meetings. I have done the preaching. I have done the teaching. All without the fire. And I can't expect the church to have something that I don't have myself. So I take responsibility. I just can't take it all.
So don't crucify me for saying that we're complacent. And let's not get too down on ourselves for it, either. After all, Jesus didn't start berating the Ephesian church for their complacency. He didn't go overanalyzing to demonstrate exactly where their complacency manifest, either. He simply provided the solution. So rather than doing any of these things, let's focus on what needs to happen to take out the stronghold of complacency in our church and our lives.
Jesus identified two specific steps for the Ephesians in vs 5. The first was "Remember." If we're going to overcome complacency, then we need to think back to a time when we know we had the burning passion Jesus is talking about. Perhaps for some of us, that was when we first believed. Perhaps it was some other mountaintop experience we've had along the way. Whatever it is, Jesus wants us to "remember how far you have fallen." The question is why. And the answer is two-fold.
Because when we remember how far we've fallen, we'll realize just how much we're missing. The best way I can explain this is with an illustration. I've always been fascinated with flying. And I remember to this day the first flight I ever went on. My family had gone to the Grand Canyon for vacation. My brothers wanted to go horseback riding down into the canyon, but neither my mom nor I had much interest in that, so we went for an airplane ride over the thing instead. I remember the exhilaration when the wheels lifted off the ground. The press as the craft climbed. And the spectacular view. You could see everything from up there. All the colors in the canyon walls. The trails on the canyon floor. The astounding rock formations. The sparkling river. And then it was over. When my dad and brothers did their horseback thing, they came back marveling at how hot it was as you went down, how neat the rocks were, etc. But I was still thinking of the unparalleled vistas I had beheld from the airplane. And to this day, if I ever go on vacation to the Grand Canyon again, I will be sure to book a flight over the thing because I know now what I'm missing if I just stay on the ground.
The problem is, when you're on the airplane, it's hard to tell when the descent begins. Sometimes, it's so slow you don't even realize it until you're practically back on the ground. And only then, when you realize how much you can't see anymore do you realize – and miss – the rest. So Jesus' point in having us remember is to remind us of what we're missing!
And the second part of this remembering is to help us start figuring out the solution. In short, as we look back and remember the things that we used to do for Jesus – and why – we begin to get an idea of what we need to do – and why – now.
Which leads me to the second part of Jesus' solution here in vs 5: "Do." More specifically, He bid the Ephesians to "do the works you did at first," and I think this is essential for two reasons.
The first is that it shows us who is responsible for rekindling that passion we once had: we are. It makes sense. I mean, we are the ones who abandoned it; it's only fitting that we should be the ones to rekindle it. But how often do we pray that God will give us a passion for something? I know I have prayed that Jesus would spark passion in me more times than I would care to admit. But here, in Revelation 2, He gave the command to the Ephesians, to us, and to me. If I want passion, I need to go after it.
And the second is that it shows us how to rekindle that passion: do the works. To be honest, this seems entirely contrary to what I have always believed about passion. I always thought passion preceded action. And so I would pray for God to give me a passion and then wait for that passion to show up before I did anything. But Jesus says that action precedes passion. I.e., I need to get to work before I can expect to have that fire.
At this point, I have to acknowledge that this seems to contradict what I said above about complacency lurking when we are merely going through the motions. Indeed, many complacent churches and people are nonetheless quite busy in their complacency! But I suspect that, if we were to compare the things that we're doing now, in our complacency, to the things we did then, when our passion was still white-hot, we will find a number of differences.
Now, understand that this is not to say that we must start doing all of the specific things we did when we were passionate. I mean, disco is not coming back. Bus ministry is probably dead for good. And the list goes on. Rather, it is to say that we should look for general patterns and the motivations behind them. And in my own contemplation, I came up with three:
- Bible study and prayer. It's not that I've stopped doing these things, but when I am complacent, I tend to minimize the amount of time I spend doing them, usually because I have more "important" things that need to be done. In an earthly relationship, Bible study and prayer equates to spending time with the person you love. It makes sense, then, that as I let other things encroach on this, the love that I had at first begins to fade. And when I do it with anything less than total abandon, I get the same. Reading other books and even spending tons of time in church activities won't do this for us. If we're going to defeat this stronghold of complacency, we need to get serious about Bible study and prayer!
- Evangelism. Of course, I never knew the word when I first began my relationship with God. I just knew how excited I was, and so I would tell people what He was doing in my life. I would tell people about Him. And I would invite people to come with me to all sorts of different places where I knew they could meet Him. So, for instance, I invited everyone I met to the Bible study I was part of at our school. And I invited everyone I knew to join us at our church and youth group. In fact, I remember sitting down one day for lunch with a guy that I respected and admired and telling him how much I thought Jesus could do in and through him. He listened and even thanked me for my words, but looking back, I imagine what was really going through his head was probably more along the lines of "This dude is off the deep end!!!!!!" But that's what passion does. We want people to have every opportunity to meet the object of our affection. And we're not dissuaded or discouraged by little things like rejection or outright persecution. So if we're going to beat this stronghold of complacency, we need to start telling evangelizing!
- Giving. Simply put, we give to what we think is important. We give money. But really, money is the cheapest way we give. More, we give time and energy and creativity and excellence and… In short, we give everything we possibly can to that about which we're passionate. And when that passion wanes, that kind of giving does, too. We might still give, but we also hold a little back for this. A little back for that. Etc., etc., etc. If we're going to beat this stronghold of complacency, we need to get back to giving. Financially, yes. But to be honest, I think our church has been pretty good about this. Rather, we need to focus on giving time, talent, energy, creativity, and excellence in everything that we do. We need to give of ourselves, sacrificially, if we're going to see passion rekindled and complacency eradicated from our church!
So there are three things that we can work on today to beat this stronghold of complacency in our church. And to be clear, we must do it. Because if we don't, Jesus will come and remove us from our place. No, that doesn't mean that we'll be instantaneously smote with fire from heaven. In fact, I dare say that many churches which have been removed have continued on for years in some form or another. But they're as dead and as dark as they come.
I don't want our church to be as dead and dark as they come. Because I don't want to be as dead and dark as they come. So today, I'm asking everyone in our church and any other church which is being strangled by a stronghold of complacency to get to work. Let's not be satisfied with how things are. Let's long for – and seek – the love we had at first. Remember the things we used to do and why. And start doing them again.


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Popup Blocker (Strict) 0.4.2 CRX for Chrome or Chromium
Free Productivity Extension
Published & copyrighted by stylus.openstyles
Editors' Words: Strictly block all popup requests from any website. Popup Blocker (strict) is a lightweight extension to prevent websites from opening popups (whereas ... Read More > or Install Now >
Popup Blocker (Strict) App / Specifications
Download CRXInstall
66.08 KBChrome Store
Tech Specs
- • Type: Browser Extension
- • Version: 0.4.2
- • Price: Freeware
- • Offline: No
- • File name: popup-blocker-(strict).crx
User Reviews
- • Rating average
- 4.5 out of 5
- • Rating users
- 396
Download Count
- • Total downloads
- 78
- • Current version downloads
- 20
- • Updated: December 26, 2017
Popup Blocker (Strict) / Screenshots
Popup Blocker (Strict) / Description
Popup Blocker (strict) is a lightweight extension to prevent websites from opening popups (whereas other popup blockers this extension does not block popups after their creation, but blocked them once they are requested). The extension pauses all sort of window opening requests for user attention. You can either accept or deny a request. Multiple unique requests are shown in an array. If a websites requests a single URL more than once, a badge number will be shown indicating the total number of requests to this particular URL.
Please note that the extension is recently renamed from "Popup Blocker (ultimate)" to "Popup Blocker (strict)"
1. Deny popup request
2. Allow popup request
3. Open popup request in a background tab
4. Redirect current page to popup URL source
Supported blocking methods:
1. window.open
2. a->target=_blank
For bug reports please go to:
For FAQs please go to:
For testing your current popup blocker effectiveness go to:
You can now translate Popup Blocker (strict) into your language; https://www.transifex.com/github-7/popup-blocker-strict/
Change Log:
version 0.2.8:
1. If mouse is hovered over the popup notification, the counter stops counting so that user can review the popup request
2. Hovering mouse over the popup displays the requested URL in tooltip as well
3. Some internal code bug fixes are applied.
version 0.3.0:
1. It is now possible to allow or deny the last action from right-clicking over the toolbar button
2. If option is checked, the popup blocker will perform the predefined action without showing the notification panel.
version 0.3.8:
`. Fixes an issue: WordPress's editor is not aligning text.
More Extensions to Consider (Similar or Related)
Extensions Manager (aka Switcher) 0.2.1.2
The Paper Link for PubMed (Limited) 2.6.0


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Scalpel Free Gum Surgery
Scalpel free gum surgery, otherwise known as Radio-Surgery, is now replacing scalpels in numerous cosmetic and surgical procedures. According to the dentists at the 45th annual meeting of the Academy of General Dentistry, Radio-Surgery is becoming more used and widely known. Its effectiveness has attracted many dentists.
At 7 Day Dental, we use radio-waves for the radio-surgery. This will create a pressure-less, bloodless, and micro-smooth incision in the gums when doing surgery. This minimizes the surgical time and the need for post-operative treatments. Radio-Surgery is therefore safer and consumes less time. It is less invasive, and thus, a better alternative!
For more information, please call or visit 7 Day Dental today!


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Chris Brown's Publicist Is No More…couldn't see that coming
Tammy Brook is either the smartest publicist in the game or the hardest working dealing with her now former client Chris Breezy. According to inflexwetrust.com Tammy and Breezy "took their separate ways" why does it always have to be said like that trying to pretend like there was no drama. It was either planned the whole time and this is part of the PR stunt (a freak out on the day the album is released is just a little timed too well to me) or they had a huge blow up because of the freak out and she told Breezy to get stepping.
Tammy released a statement to TMZ to clear the air about how her departure really happened. Read her statement after the jump.
Publicist, Tammy Brook, tells TMZ the separation was mutual — no one was fired and no one quit.
Brook tells us, "I am an entertainment/music publicist and was hired as a publicist, as they often are, to work specifically on his music publicity for the term up to the release of Chris Brown's F.A.M.E. album, which was released on Tuesday March 22 and is entering the Billboard and iTunes charts at number 1 this week."
She adds, "I love and support Chris and it has been an honor to be a part of this album and I look forward to the possibility of working with him again in the future."
Maybe her and Charlie Sheen's former publicist can get together they would have a lot in common.
shoutout: InFlexWeTrust
Posted on March 26, 2011, in Blog, Exclusives, Insider. Bookmark the permalink. Leave a comment.


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In a last-ditch effort to stall setting up of a Special Investigation Team (SIT) to monitor unaccounted money cases as directed by the Supreme Court, the United Progressive Alliance government on Friday sought review of judgments constituting the panel under its former judge M B Shah.
The Centre pleaded before a bench headed by Justice B S Chauhan to give an urgent hearing on its review plea. The bench, also comprising Justice A K Sikri, however, refused to hear the case, saying it cannot sit over a judgement delivered by another Bench.
The bench asked Additional Solicitor General Siddharth Luthra to approach Supreme Court registrar who can consult with the judges who had passed the order and if the judges agree then matter could be listed.
"How can we sit over the judgment of the other Bench. The judges are available during the vacation so you talk to the registrar. Proper procedure is to talk with the registrar and then matter could be listed," the Bench said.


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18 hours ago
Neil Sinhababu's philosophy blog ‡ neiladri, at gmail dot com ‡ political blogging at Donkeylicious
I'm still chewing on this ... I think that what bugs me most is all the meddlin'. The Schumer meddlin', Brown's about-face, etc.
I always thought the best guy should run. I'm not from Ohio, so I don't know who is the best guy, but I'm not sure if I trust the judges in this political pageant.
PS - I rather like Cardamom, but we'll see what Catherine has to say about her Spice Name!


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Happy Mother's Day!!!
Here are some quotes and verses I got out of a little book my Mom gave me last year for Mother's Day!
It is a joy to have a mother who is also a friend.
3 John 1:4 I have no greater joy than to hear that my children walk in truth.
I never knew how much love my heart could hold until someone called Mommy. (unknown)
If you begin to doubt your greatness, remember that MOM is WOW upside down.
I remember my mother's prayers, and they have always followed me. They have clung to me all my life.-Abraham Lincoln
Proverbs 31:28-29New International Version (NIV)
28 Her children arise and call her blessed;
her husband also, and he praises her:
29 "Many women do noble things,
but you surpass them all."
A Mother's love is like a circle. It has no beginning and no ending. It keeps going around and around, ever expanding, touching everyone who comes in contact with it.-unknown
Mothers hold their children's hands for a short while but their hearts forever.-unknown
A mother understands what a child does not say.-Jewish Proverb
A mother is the one through whom God whispers love to His children.-unknown
One generation plants the trees; another gets the shade.-Chinese proverb
Mothers are angels of God in disguise – Charles M Dickinson
Home is where the heart can bloom. – Charles Swan
All that I am ,or hope to be, I owe to my angel mother. – Abraham Lincoln
A mother is the one who is still there when everyone else has deserted you. – unknown
Bringing up children who have a heart to serve.
1.Start by letting them work alongside you.
2.Teach your children to notice what needs to be done.
3.Let them enjoy helping out.
4.Instruct them in how they can be a help to you.
5.Instruct them in how they can be a help to you.
Mother Daughter Social 2016. A Smores's Bar and Sweets, a skit and fellowship. It was a fun evening.


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Our missionaries are having some experiences they would never have anywhere else. Our senior couples don't have the language down the way our young missionaries do. Sometimes the language barrier can definitely be a challenge.
For instance, the couple in Nizhny arrived at their apartment to discover that the water filtering system was hooked up to the bidet in the bathroom! There was NO way they were going to drink THAT water, filtered or not. It took 4 months of drinking bottled water before the system was installed in the kitchen where it belongs.
The couple in Voronezh say they laugh every day. Keeping a sense of humor definitely is a good idea. (when you take the wrong bus, when you buy food but find it is not what you thought it was once you open the can!), trying to get a replacement part for the refridgerator or getting a repairman to come over to look at your washing machine - when neither of you can speak each other's language. It does make for some interesting experiences.
Amidst the challenges of living in a foreign country are MANY reasons to be happy, many reasons to laugh. What a great blessing we are having here in this wonderful land amongst a choice people.
Sunday, March 10, 2013
We laugh every day!
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Since leaving Spain a couple years ago after a vacation there, I had been dying to go back. This summer, I decided to set up a summer internship working in Spanish kitchens. My dad's friend, Andre, imports wine from Spain and was able to set me up with a few internships in various kitchens in Galicia. However, Andre stressed that I should visit the Basque Country sometimes during my trip. Following his advice, I decided to go to Spain a week early to do some eating.
When I landed in Madrid, I was ready to go. After checking into my hostel, I set out for lunch. I wasn't really sure where to go yet, so I hit up a casual place in Plaza Mayor for some lanogstinos a la plancha. Later, after a siesta, I would do some more serious tapa-ing. But at the time, the langostines were the perfect first meal in Spain. They were fresh, they were sprinkled with coarse sea salt (something my mom and I loved about food in our last trip), and the langostine heads were full of succulent flavor.
Later at night, I took a friend's advice and went to a small bar/restaurant, La Soberbia. I had a pretty average glass of jerez before I swtiched to a red wine from Bilbao, which was excellent. As for the amazing food, I went meat-style. First, the waiter brought me a complimentary sandwich of sliced, cured sausage, which was awesome. After that, I moved on to jamón iberico and some morcilla ahumada, slices of smoked blood pudding. Both were delicious and just what I needed.
Afterwards, I had a veal kebab and some wine at another tapas bar down the street, and then I hit the hay, figuring I would have to wake up early for the train to San Sebastian the next day.
Here in San Sebastian, I haven't eaten much yet; I got here at about 2 PM and was still full from the tapas the night before. I toured the historic quarter, and after seeing so many tapas bars with michelin ratings there, I plan to return for tapas tonight.


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Now my mind keeps questioning:
Do we paint this with the trim colors or should we stain it to match the stain on the doors?
What about stain outside and paint inside? The details make the difference, but what will look best? I DON'T KNOW!!! yikes......
If this was white, I would not have this problem. But since it's wood, I don't want to mess it up. I love beautiful wood pieces. Would painting mess it up or make it better?
White would make it "pop" out but that is not an issue to me. If I plan to stare at this as much as I am now, which finish will be more enjoyable?
We might even stain both sides since there will probably be stained wood at the other end of the entry.
I'm putting way too much thought into this one small detail. ;-)
(NOTE: We stained both inside and outside of the transom, along with the doors. I could not let paint cover the beauty of the wood in this piece. The next owner can paint it if they want.)


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1868, Travancore. Ravi Varma is an ambitious twenty-year-old at the royal court. He is determined to be a great artist and for the last six years has been living in court at the invitation of the king to learn painting there. But no one will teach him the secrets of oil painting, the European technique which has taken hold of the country. Every minor prince aspires to a portrait in oil, a technique in short supply in India, and every royal court has a failed European artist as a status symbol but teachers are in scant supply. Ravi Varma teaches himself with the covert help of the assistant of the court painter, Naicker, his sworn enemy, and bides his time…
In 1868, the Danish artist Theodore Jensen was presented to the Maharaja by the Viceroy John Lawrence. The Maharaja extended an invitation to Jensen to come to Thiruvananthapuram and paint a series of portraits. Now that his kingdom had left its memories of debt far behind and was collecting a healthy reserve fund, he could allow himself such luxuries. The offer was just the kind of commission that the middle-aged Jensen would have been hoping for when he embarked upon his Indian sojourn. Based in London, the artist had had a modest career, painting uninteresting subjects like bland still lifes and village belles. Jensen accepted the Maharaja's invitation readily.
In Thiruvananthapuram, the court began chattering excitedly long before Jensen's arrival. Among the palace artists, Jensen became Flemish, like the old masters who painted those dark paintings in the magazines, the ones with the magical touches of light. There were those who said he was British, like the Company painters. All of them wanted to know how he was going to paint and whether he would need an assistant. Some courtiers wondered just how much tradition the Maharaja was willing to abandon in his fascination for the West, because it was rumoured that he was going to ask the white artist to draw a portrait of his wife, the beautiful Nagercoil Ammachi. It wasn't as though women in Travancore couldn't appear before men, but to be presented before an outsider? She was, however, a headstrong woman, the kind who enjoyed being labelled 'modern'.
There were those who believed that no man could come into contact with Nagercoil Ammachi, the Maharaja's second wife, and not fall in love with her. She was the daughter of one of the former prime ministers in the nearby kingdom of Cochin and was named Lakshmi. She was seven years younger than Ayilyam Thirunal, and it was likely that the Maharaja's interest in women's education and other women-related issues was inspired by her.
According to the prevailing customs of the times, she must have had a ceremonial marriage when she was younger, since when she married Ayilyam Thirunal, she was twenty three years old. Ayilyam Thirunal was said to have met her when he visited Cochin in the early 1860s, and he was immediately enchanted by her beauty and her intelligence. In no time, she and two cousins of hers were adopted into the Nagercoil Ammaveedu, which was one of the four chief families that provided consorts to the Maharaja of Travancore. So Lakshmi became Nagercoil Ammachi and was married to the Maharaja of Travancore in 1862.
Her detractors pointed to how Sir Madhava Rao and the Maharaja were moving towards estrangement ever since she began taking an active interest in affairs of the state. It was unusual for a consort to be so involved, and few appreciated her ambition. She affected an air of superiority, some complained, because she was well educated and had written books in Sanskrit that had been well received. Some of her writings were creative pieces while others explored complicated ideas about aesthetics and performance arts. Admittedly, all this was impressive, but surely that didn't give her the right to have such airs or to meddle in governance. It should have been enough for her to organize the literary and musical evenings where she invited well-known aesthetes, poets, musicians, and singers; but she also wanted to play a part in deciding administrative policies for areas like education and health. And the Maharaja seemed willing to let her be involved, even if it meant upsetting his prized Dewan.
One of the few people unconcerned by the opinions and gossip around Nagercoil Ammachi was Ravi Varma. He was in a tizzy about Theodore Jensen's arrival. Fortunately, he could share his excitement with someone: his nine year old brother, C. Raja Raja Varma, had just joined his elder brother in the capital to receive an English education. There was a gap of eleven years between the two brothers, but in the loneliness of Thiruvananthapuram, this young brother was a source of much needed companionship for Ravi. It also probably ended up being an unexpectedly equal relationship, because it is very likely that while Ravi taught his younger brother painting, Raja Varma passed on to his elder brother the rudiments of English. There are no written records, but it is easy to imagine the two brothers building up a rapport at that moment when Raja Varma was able to decipher for his brother the hieroglyphics that spelt out the title of his favourite book: The Hindu Pantheon by Major Edward Moor, F.R.S.
It was the beginning of a relationship that would go on to be so intimate that the two Varma brothers would often be likened to the mythical pair of Ram and Lakshman, even though they were very different. Ravi Varma had been brought up in a strictly traditional way, learning Malayalam and Sanskrit. Raja Varma came to the capital and studied under an English tutor. He respected Hindu traditions but had little time for religiosity, unlike Ravi Varma who was a devout follower of Hinduism until his last days. The elder brother was an extrovert who enjoyed parties and meeting people, even if it meant having to communicate through an interpreter. Raja Varma preferred losing himself in books and always carried English novels with him wherever he went. The connection between the brothers was their love for the arts, whether it was poetry, theatre, painting, or sculpture. Ravi Varma found in his hero-worshipping younger brother a trusty confidant and an unwavering support system. Raja Varma had no qualms about letting his own considerable talent remain out of the spotlight. His landscapes won him prizes and the few that are still around have a pleasing delicacy. However, Raja Varma's first priority was always his brother. It's very possible that while Ravi wove fantasies of how Theodore Jensen would get along with him famously, his younger brother would go a step further and imagine a situation where Jensen hailed Ravi Varma as the greatest painter he had ever seen.
Fantastic imaginings aside, Ravi knew that this was a crucial moment, one that he had to seize. He explained to his brother, who was the only person to whom he could speak his thoughts freely, that Jensen was a gift from the gods for the patience he had shown over the past six years. Ravi imagined Theodore Jensen to be a man without the insecurities and prejudices that filled the local artists, an artist who was accomplished, who would recognize the young man's talent.
If Jensen had kept a diary of his time in Thiruvananthapuram, we would have known just how he felt about being surrounded by all the inquisitive faces and serving staff that seemed to lurk at every corner of the palace where he was staying. Unfortunately, there is no such document that is readily available, so we can only imagine the artist's experiences in Travancore. To begin with, he would have been surprised at the low, labyrinthine palaces, which were very different from the tall European structures he was used to. The heat would have been off-putting, and when he did allow his bare feet to touch the floor, the coolness of the surface would have surprised him. Most pleasant would have been the staff that seemed to exist only to serve his every expressed need. Then there was the strange but flattering experience of knowing that he inspired awe in so many just by virtue of being a foreign painter. Yes, he had achieved some success but his careful still lifes and doll-like heroes and heroines were not en vogue back in Europe. Here in Travancore, he was being hailed almost as though he was one of the Renaissance masters. There were local artists who lined up for interviews for the position of being an assistant.
Then there was that boy, a prince supposedly, who kept asking to be taken as a student. Jensen had told him at the very first meeting that he was not planning to stay for very long so there was no question of taking on a student, but the boy kept returning. One day, he came with a few small canvases. Jensen thought they were gifts but they were actually the boy's portfolio. Clearly, he thought that showing his work would convince Jensen to change his mind. The Danish artist studied the portraits carefully. He noted the need for finesse but more significantly, he noted how well the boy had used classic portraiture techniques upon the native subjects. The still life paintings were excellent. The boy had an eye for the finer details of light and texture.
With careful nonchalance, Jensen asked the boy where he had learnt to paint like this, and the boy replied in dubious English that he was self-taught. It would have seemed unbelievable to Jensen, but it was not his job to judge the veracity of the claims of minor Indian princes. He was here to do portraits and if there was someone who was painting portraits like the ones this boy carried with him, Jensen needed to complete his before the Maharaja discovered the talent in his own backyard. Jensen told the expectant boy that there was no possibility of him changing his mind about taking on a student and that the boy was no longer welcome. Under no circumstances should he return with this same plea.
It turned out that this boy really was a prince called Ravi Varma and one that the Maharaja was most fond of. Jensen found himself being called to a royal audience where he was asked to take on this Varma as a student. He decided being imperious was the best attitude to take and told the Maharaja that he was not a tutor but an artist. When the Maharaja said that the young prince was gifted, Jensen quelled the panic rising within him. He had no doubt that His Royal Highness was correct and the boy had some degree of talent, conceded Jensen, but it was not for him to be the boy's guide. There ended that meeting and Jensen could see that his refusal had not pleased the Maharaja. But Jensen knew he could not take the boy on as a student. There was really nothing that he had to teach him. If those paintings were any indication of his skills, then all the boy needed was practice and the experience of blending colours. He thanked his good fortune that the commission was still his despite the obvious royal displeasure. A few days later, just before the Maharaja and his consort were to do their first sitting for him, Jensen received the royal summons again. This time the Maharaja told him plainly that Prince Ravi Varma had set his heart upon receiving instruction from Jensen. It was the royal will that this favourite not be disappointed. So, asked the Maharaja, what could be done that would be unobjectionable to Mr. Jensen but also consider the wishes of the Maharaja's favourite? From the mulish expression on the royal face, Jensen could see that a complete refusal to entertain that annoyingly persevering boy wouldn't help him. In an effort to buy time, he asked what the Maharaja thought would be a suitable solution. From the smile upon the royal visage, Jensen realized he had said the right words. The Maharaja said that he appreciated and respected Mr. Jensen for the gravity with which he saw the role of the teacher. It was indeed a responsibility that could not be carried out in the short time that Mr. Jensen would be a guest in Travancore. Instead, the Maharaja suggested Mr. Jensen let Prince Ravi Varma watch him paint and so, glean from that experience, whatever he could. Unable to come up with any credible objection or alternative, Jensen agreed.
That was how Ravi Varma ended up sitting in a corner, notebook in hand, for each of the sittings that the Maharaja and his consort gave Jensen and for the entire month it took the Danish artist took to complete that portrait.
They didn't know it then but Ayilyam Thirunal and Nagercoil Ammachi were actually sitting for two portraits. The one they knew about was to be painted by Theodore Jensen, whose behaviour did not impress them. To begin with, his obstinacy to not concede to the royal will despite being a paid painter had annoyed Ayilyam Thirunal. Then, he was positively jumpy at the sittings. He complained about the Maharaja and Nagercoil Ammachi giving separate sittings even though the painting was to show them together. Then the light in the room was not to his liking. It was too bright, he said. When it was obscured, he said it was too dark. Nothing seemed to please him. The only person who could have sympathized with Jensen was Ramaswami Naicker because he too had been forced to work under the intense gaze of a silent Ravi Varma. In addition to the unnerving experience of being watched, Jensen struggled with getting his native subjects to fit into the mould of European portraiture. Their refusal to appear together bemused him and made it difficult for him to structure the painting. Then there was the way the material of their clothing fell around their bodies, and finding the exact blend of colours for their complexions.
Ravi Varma watched Jensen at work keenly. He saw how the artist prepared his canvas, how the figures were placed in a grid, and how elements were added to populate the painting. He also saw how he could better Jensen's painting. There were mistakes Jensen was making without realizing it. For example, he was giving more importance to the Maharaja and struggling to make the plump face with the wide forehead seem less egg-like. However, the person to focus upon was Nagercoil Ammachi. Not only because she was exquisitely beautiful and features as finely drawn as hers were more difficult to capture accurately, but because the Maharaja would pay much more attention to how his consort looked in the portrait. He had few expectations of his own face but the same was unlikely in case of Nagercoil Ammachi.
So Ravi Varma made his own version of the portrait. It became an imaginary competition for him, not just with Jensen but everyone who had opposed him. He had to make this painting perfect, so perfect that the Maharaja would feel vindicated for supporting him, so perfect that no one would ever doubt his talent again, so perfect that it would win over Nagercoil Ammachi. The twenty year old watched the Maharaja's wife at the sittings, noting the way she moved and the little gestures she made. He observed her expressions and how the light fell upon her face.
In Ravi's painting, Nagercoil Ammachi, with her sparkling eyes and lush lips, hovered like a nymph around her husband of regal bearing. He drew them in shadows that were perhaps too dense but against that dark background their skin, jewellery, and white attire gleamed in vivid contrast. This was where the challenge lay for Ravi Varma: in the art of blending colours. It was a skill that was crucial in oil painting and one of which Arumugham Pillai had known only the basics, from Naicker. Jensen knew from Ravi Varma's other paintings that blending was the one weak spot in the young man's work and that he would be watched with unblinking intensity when he began filling in the sketch. If the subjects had been white, Jensen might have managed to evade Ravi Varma's eye but the colours he had to create were unfamiliar and often he needed to correct his original blend. The corrections were enough for Ravi Varma to pick up how Jensen was creating the palette that covered the range of caramel tones that matched Indian skin.
After a month, when Jensen presented his portrait to the Maharaja and his wife, Ravi Varma said he had an offering for the Maharaja. A little something to show his gratitude for all the support His Royal Highness had shown him over the past few years. A large canvas was brought to stand next to Jensen's and when it was uncovered, it too showed Maharaja Ayilyam Thirunal and Nagercoil Ammachi. While the two figures painted by Jensen looked ably executed, there was a vibrancy in Ravi Varma's painting. The skin looked tactile. The folds of cotton were so well done that one could be forgiven for expecting to feel fabric when touching the rough surface of the thickly painted canvas. Jensen was furious and he made it known that he saw the behaviour of Prince Ravi Varma as discourteous and offensive. But Ravi barely felt the heat of the foreign artist's displeasure because, just as he had hoped, after scanning his painting carefully, the enchanting Nagercoil Ammachi was smiling at him.
The Painter: A life of Ravi Varma is published by Random House India in October 2009.
Deepanjana Pal studied at St Stephen's College, Delhi,a nd the University of Warwick. She currently works with Time Out Mumbai and writes on art and literature. She is based in Mumbai.


text: My husband's baby sister got engaged and let me take their engagement pictures last weekend. I absolutely love taking pictures of two people in love. It is probably my favorite photographic subject. Jamie and Zeb were so much fun and up for anything I asked them to do. We had beautiful fall colors at the park and then went dowtown for some urban, more contemparary, photographs. I just love it when my clients are this attractive. It makes my job a breeze! I can't wait for their wedding in May!! Congratulations!


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My 30 days of wishing complete 🙂 May this journey begin.
After a day of wise words and the end of a rather gruesome and very painful relationship, I started a journey I am yet to complete… it has been great I must say and I have learnt to appreciate every if not all single bits of our male brothers. I still have 10 days to go.. I am a bit short of inspiration at the moment but the end is near and come what may this is a journey I must and will complete for myself if not for anyone else.. I owe this much to myself and as , I have come to learn, I am the author of my own destiny and for me I will write down each and every piece of it first a wish then prayer and the journey has began ……………..
My 30 days of wishing: I want a man who will hold…
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text: Charles H. Cervak Jr., of Crete. Beloved husband of the late Dolores L., nee Schultz; loving father of Gary (Karen); proud grandfather of Kristen and Jennifer; dear brother of Robert (Audrey); nephew of the late Georg (late Rose) Cervak; brother-in-law of Allen (Betty) Schultz; fond uncle of many nieces and nephews. Memorial gathering Friday, March 18, 2005, 11 a.m. to 12:30 p.m., with Memorial services, 12:30 p.m., Friday, at the Crete Funeral Home, 1182 Main St., Crete, IL 60417. In lieu of flowers, donations may be made to the Lions Club International, or the Humane Society of the United States. 708-672-7600.


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July 25, 2012 listen here
What is Spirit Communication about? Who is a Medium? Is this something we can all learn? Do Spirits get stuck? Bring your questions and we'll share an open discussion and presentation of Spirit Mediumship. Deb will share her lifelong and 5th generation experience to connect with both the living and the deceased (people and animal companions!) who have specific messages of guidance, healing, and even humor relating to the present. A gifted spirit messenger, medical and psychic intuitive, and pet communicator, she combines warmth and humor with an emphasis to sensitively deliver what is most relevant.
Deb offers her skills throughout the nation via sessions and readings, classes, presentations and art and is known for her style of warmth, candor, sensitivity, and playfulness. She also hosts View Beyond, a local TV program exploring all things spiritual and has appeared on numerous tv, radio, and other media interviews. To learn more about her offerings: www.viewbeyond.us


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A solid-gold classic from Ian Frazier.
Of the beasts of the field, and of the fishes of the sea, and of all foods that are acceptable in my sight you may eat, but not in the living room. Of the hoofed animals, broiled or ground into burgers, you may eat, but not in the living room. Of the cloven-hoofed animal, plain or with cheese, you may eat, but not in the living room. Of the cereal grains, of the corn and of the wheat and of the oats, and of all the cereals that are of bright color and unknown provenance you may eat, but not in the living room. Of the quiescently frozen dessert and of all frozen after-meal treats you may eat, but absolutely not in the living room. Of the juices and other beverages, yes, even of those in sippy-cups, you may drink, but not in the living room, neither may you carry such therein. Indeed, when you reach the place where the living room carpet begins, of any food or beverage there you may not eat, neither may you drink.
But if you are sick, and are lying down and watching something, then may you eat in the living room.
When you chew your food, keep your mouth closed until you have swallowed, and do not open it to show your brother or your sister what is within; I say to you, do not so, even if your brother or your sister has done the same to you. Eat your food only; do not eat that which is not food; neither seize the table between your jaws, nor use the raiment of the table to wipe your lips. I say again to you, do not touch it, but leave it as it is. And though your stick of carrot does indeed resemble a marker, draw not with it upon the table, even in pretend, for we do not do that, that is why. And though the pieces of broccoli are very like small trees, do not stand them upright to make a forest, because we do not do that, that is why. Sit just as I have told you, and do not lean to one side or the other, nor slide down until you are nearly slid away. Heed me; for if you sit like that, your hair will go into the syrup. And now behold, even as I have said, it has come to pass.
Read the rest here.


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Quick Reference
The UK's largest art charity, founded in 1903 to assist public collections to acquire works of art they would not otherwise be able to afford. The founders, who included Roger Fry, shared a concern about the amount of art leaving the country, and the Art Fund's first conspicuous achievement came in 1906 when, by means of a public appeal, it bought Velázquez's Rokeby Venus, which was in danger of being sold abroad, and presented it to the National Gallery, London. Many similar successes have followed, most memorably that with Leonardo da Vinci's cartoon of the Virgin and Child with St Anne and St John the Baptist: in 1962 financial problems forced the Royal Academy to sell the cartoon, its greatest treasure, and the Art Fund's campaign to secure it for the National Gallery caught the public imagination to such an extent that an estimated 300,000 people made contributions to the purchase price. Most of the Art Fund's work deals with more modest art, however, and by the time of its centenary in 2003 it had helped more than 600 museums, galleries, and historic houses throughout the UK to acquire a huge variety of work, ranging from prehistoric artefacts to contemporary experimental pieces. More broadly, the Art Fund aims to increase public enjoyment and understanding of art and has, for example, played a leading role in the campaign to abolish admission charges to national museums, which achieved its aim in 2001. The Art Fund is supported mainly by members' subscriptions.
Subjects: Art.
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From Liverpool: "Liverpool Telescope group begins collaboration with National Astronomical Research Institute of Thailand"
24 May 2017
No writer credit found
LJMU staff with collaborators from NARIT and the Thai-German Institute.
Earlier this month, a deputation of Liverpool Telescope (LT) staff visited the National Astromical Research Institute of Thailand (NARIT) in the city of Chiang Mai. The purpose of the visit was to begin a programme of collaborative software development, funded by STFC through the Newton Fund. The purpose of the Newton Fund is to use science and innovation partnerships to promote economic development and social welfare in partner countries.
The collaborative programme between the LT and NARIT is based around two projects: the development of a new, modern data archiving framework and a new telescope control system. At the end of the three-year programme, these products will replace the existing systems on LT and NARIT facilities, and will also be a component in the new software which will be required for the Large Robotic Telescope (Liverpool Telescope 2).
See the full article here .
Please help promote STEM in your local schools.
The Liverpool Telescope (LT) is a 2-metre (6.6 ft) fully robotic Ritchey–Chrétien telescope that observes autonomously; i.e., it operates without human intervention. Professional astronomers and other registered users submit observation specifications to be considered by the telescope's robotic control system (RCS) at any time of the day or night using an online GUI. Each night the RCS decides for itself what to observe next based on target visibility and weather conditions.
The RCS additionally has a rapid-response capability where it can automatically interrupt regular observations to slew to observe transient phenomena with higher priority, such as gamma-ray bursts.
The LT is one of the largest robotic telescopes in the world and was built by Telescope Technologies Ltd, a subsidiary company set up by Liverpool John Moores University. The telescope is owned by Liverpool John Moores University, and operated by the Astrophysics Research Institute with operational funding partly from STFC. It is sited at the Roque de los Muchachos Observatory on La Palma.
Along with the Faulkes Telescope North and the Faulkes Telescope South, the Liverpool Telescope is also available for use by school children around the world over the internet. The registration and time allocation for the LT is organised by the National Schools Observatory.
The Liverpool Telescope is one of the primary players in the Heterogeneous Telescope Networks Consortium, a global collaboration between major research groups in the field of robotic telescopes which seeks a standard for communication between remote telescopes, telescope users, and other scientific resources.
Plans for an improved version of the telescope, the Liverpool Telescope 2, are underway.


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Cubs Championship May Depend On Violations
The Cubs could possibly find themselves in the 2015 playoffs but, it will take some violations.
The non/under performers will have to make plenty of violations. They will have to violate their own past statistics.
ERAs will have to come down, and some will have to check in with career lows. New career high BAs, and OB% stats will have to be established.
In other words the Cubs cannot fall victim to past poor statistics. A very few others will be expected to sustain, and exceed past statistics.
Some players are going to have to play at a higher level they've ever played at before. They will have to surprise everybody.
No minor league mind lapses during a game on an MLB playing field.
They will be surprised at the Cubs upper echelon because, Theo Epstein & Jed Hoyer will have put a championship squad on the field by accident.
With very few exceptions, the Epstein/Hoyer off season acquisition record shows little signs of a statistical victory.
All I can say is; Accidents welcome here! ….And why not? What if?
- Posted in: Chicago Cubs ♦ Major League Baseball ♦ Major League Baseball Trades ♦ MLB ♦ MLB Free Agent Signings ♦ MLB Player Trades ♦ Uncategorized
- Tagged: BA, Baseball, Baseball Accidents, Baseball Player Statistics, Baseball Violations, Chicago Cubs, Cubs, Earned Run Average, ERA, Jed Hoyer, Major League Baseball, MLB, OB%, Theo Epstein


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F.P. Report
PESHAWAR: National Accountability Court (NAB) has rejected corruption reference due to lack of evidence against MNA Ayesha Gulalai for her alleged involvement in corruption.
The former secretary of Ayesha Gulalai's Noor Zaman, Arif Marwat and Saleem Nawaz has filed complaints against her in the NAB court.
They accused in the complaints that Ayesha Gulalai and her father were involved in corrupt and demanded investigation against them.
The corruption allegations were leveled against the MNA Ayesha Gulalai after she accused the PTI Chairman Imran Khan for harassing the female lawmaker.


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This site is entirely user-supported. See how you can help.
Street View is the best available vantage point looking, if possible, towards the location of the building. In some locations, Street View may not give a view of the actual building, or may not be available at all. Where it is not available, the satellite view is shown instead.
Latitude: 52.3794 / 52°22'45"N
Longitude: 0.7496 / 0°44'58"E
OS Eastings: 587247
OS Northings: 279265
OS Grid: TL872792
Mapcode National: GBR RDM.Y1F
Mapcode Global: VHKCK.YG59
Entry Name: Rose Cottage
Listing Date: 12 April 1984
Grade: II
Source: Historic England
Source ID: 1031279
English Heritage Legacy ID: 284130
Location: Barnham, St. Edmundsbury, Suffolk, IP24
County: Suffolk
District: St. Edmundsbury
Civil Parish: Barnham
Traditional County: Suffolk
Lieutenancy Area (Ceremonial County): Suffolk
Church of England Parish: Barnham St Gregory
Church of England Diocese: St.Edmundsbury and Ipswich
4/9 Rose Cottage
House. Late C16. Timber-framed and rendered with black glazed
pantiled roof. 2 storeys: jettied along south front. Internal
chimney-stack with 3 attached diagonally-set shafts on a square
base with blank recessed panel. 5 irregularly-spaced 3-light
casement windows with square leaded panes to upper storey: 3
similar windows to ground storey; and a half-glazed door at the
east end. 5 bays. Interior divided into 3 high rooms, the
central and eastern rooms heated by the internal stack. 2
fireplaces with plain lintels. Only plain main beams and some
studding visible.
Listing NGR: TL8724779265
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Other nearby listed buildings


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