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Conquer one of the highest peaks in Karnataka, Channagiri, on an adventurous one day trip. Located at a distance of 50 kms from Bangalore city, this majestic hill is set among the famed Nandi hills and overlooks the Muddenahalli Kanivenarayanapura region, which is a hub for upcoming projects like the Sri VS University, Sri Satya Sai Baba University and IIT Mudanahalli.
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Channagiri trek promises a stimulating and revitalizing adventure, 1400 m above sea level. Trek through diverse beautiful terrains and enjoy the panoramic view that the nature has to offer. Spend your day in a soothing environment, away from the hustle bustle of the city and return back as fresh as ever.
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2018-2019 Annual Notification to Parents & Students
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text:
This is surgery to remove the larynx, more commonly known as the voice box. In some cases, a partial laryngectomy may be possible.
|Copyright © Nucleus Medical Media, Inc.
Reasons for Procedure
Laryngectomy is usually done to treat cancer of the larynx . This surgery may also be done to treat severe damage of the larynx due to trauma .
Possible Complications
Problems from the procedure are common. Your doctor will review potential problems, like:
- Infection
- Breathing difficulties
- Excessive swelling or bleeding
- Opening of the incision or poor wound healing
- Injury to the trachea, also known as the windpipe, or esophagus
- Blood clots
- Anesthesia-related problems
- Saliva leaking out to the skin
- Inability to speak or aphonia
- Cancer occurs again
Some factors that may increase the risk of complications include:
- Pre-existing medical condition
- Increased age
- Obesity
- Smoking
- Previous surgical procedure to the larynx
- Prior radiation or chemotherapy
- Poor nutrition
- Diabetes
Be sure to discuss these risks with your doctor before the surgery.
What to Expect
Prior to Procedure
Your doctor may do the following:
- Physical exam
- Laryngoscopy—the use of a long, thin, lighted tube to examine the larynx
- Radiation or chemotherapy—to treat cancer
Leading up to your surgery:
- Talk to your doctor about your medications. You may be asked to stop taking some medications up to 1 week before the procedure.
Also talk to your doctor about ways to restore speech, such as:
- Tracheoesophageal puncture
- Hand-held speech aids
- Eat a light meal the night before the surgery. Do not eat or drink anything after midnight.
General anesthesia will be used. You will be asleep during the procedure.
Description of the Procedure
A cut will be made in the skin on your neck. The muscles that are attached to the larynx will be divided. The larynx and surrounding tissue will then be removed. Sometimes, a partial laryngectomy will be done. In this case, the doctor will remove the tumor and only part of the larynx. If you have this type of surgery, you may retain some normal speech and more of your normal swallowing function.
An opening called a stoma will be created through the skin in the neck. Next, the trachea will be connected to the opening. This will enable you to breathe through the hole. In some cases, a tracheostomy tube will be inserted. This tube, which fits into the stoma, will act as an airway, helping you to breathe. Drainage tubes will be inserted to drain blood and fluid. Lastly, the muscles and skin will be brought together and closed with stitches or clips.
How Long Will It Take?
5-9 hours
How Much Will It Hurt?
Anesthesia will prevent pain during surgery. Pain and discomfort after the procedure can be managed with medications.
Average Hospital Stay
This surgery is done in a hospital. The usual length of stay is 7-14 days. Your doctor may choose to keep you longer if complications arise.
Post-procedure Care
At the Hospital
While you are recovering at the hospital, you will:
- Have an oxygen mask over the stoma.
- Be given nutrition through an IV or a feeding tube. A speech pathologist or doctor will assess your ability to swallow. Depending on the results, you will progress to soft foods.
- You may need to wear boots or special socks to help prevent blood clot formation in your legs
- Learn how to:
- Use a call bell and message board to communicate.
- Keep the head of your bed raised.
- Move your legs while in bed to increase circulation.
Learn to care for your stoma and tracheostomy tube, which includes:
- Using a mist hood over the stoma
- Keeping water out of the stoma
- Covering the stoma with a shower hood when showering
- Suctioning secretions
- Have the drains removed in about 5 days. The stitches will be removed in about one week.
At Home
When you return home, do the following to help ensure a smooth recovery:
- Avoid lifting heavy objects and doing strenuous activity for up to 6 weeks.
Participate in a speech rehabilitation program. You will need to learn how to speak again. The program may involve speaking by:
- Swallowing air and expelling it—esophageal speech
- Using an electronic device—artificial larynx
- Installing a valve in the stoma to allow air from the lungs to reach the esophagus—tracheoesophageal speech
The throat tissue will heal in about 2-3 weeks. Complete recovery will take at least a month. You may notice a reduction in your sense of taste and smell. You will continue to use the stoma for breathing.
Most people are able to return to their jobs and past activities, except for swimming.
You may be referred to a support group to help you to cope with the surgery.
Call Your Doctor
It is important for you to monitor your recovery after you leave the hospital. Alert your doctor to any problems right away. If any of the following occur, call your doctor:
- Signs of infection, including fever and chills
- Redness, swelling, increasing pain, excessive bleeding, or any discharge from the incision site
- Persistent nausea and/or vomiting
- Pain that you cannot control with the medications you've been given
- Cough, shortness of breath, or chest pain
- Difficulty swallowing
- Difficulty eating
- Headache, muscle aches, or lightheadedness
- Tracheostoma is getting smaller
- Saliva is leaking through your incision
- New, unexplained symptoms
If you think you have an emergency, call for medical help right away.
- Michael Woods, MD
- Reviewed: 06/2016
- Updated:
Please note, not all procedures included in this resource library are available at Henry Ford Allegiance Health or performed by Henry Ford Allegiance Health physicians.
All EBSCO Publishing proprietary, consumer health and medical information found on this site is accredited by URAC. URAC's Health Web Site Accreditation Program requires compliance with 53 rigorous standards of quality and accountability, verified by independent audits. To send comments or feedback to our Editorial Team regarding the content please email us at email@example.com.
This content is reviewed regularly and is updated when new and relevant evidence is made available. This information is neither intended nor implied to be a substitute for professional medical advice. Always seek the advice of your physician or other qualified health provider prior to starting any new treatment or with questions regarding a medical condition.
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text: Read About Icons and Iconography In traditional Christiantity, an icon (from Greek eikon, "image") is a flat picture of Christ, Mary, Saints and Prophets or holy events from the Sacred Scriptures. Most icons are painted (usually referred to as "written") in egg tempura on wood, but some are created with mosaic tiles, ivory, or other materials. In Eastern Christianity, both Catholic and Orthodox, icons are sacred works of art that provide inspiration and connect the worshipper with the spiritual world. The scenes depicted in icons usually relate to liturgical celebrations rather than directly to historical events and the composition style is highly symbolic and not meant to be a realistic interpretation but rather a spiritual interpretation of the person or event depicted. History of Icons Icons in the Early Church Images and pictures of Christ and the saints were a part of earliest Christianity. Christians from the very beginning adorned their catacombs with paintings of Christ, of the saints, of scenes from the Bible and allegorical groups, and Christian statues have been discovered that date to the first century. According to the Catholic Encyclopedia, "The idea that the Church of the first centuries was in any way prejudiced against pictures and statues is the most impossible fiction." However, it is important to distinguish between the use of images and the reverence paid to them. With regard to the level of veneration, if any, paid to images in the early church, written sources are almost nonexistent. However, some conclusions can be made on the basis of what we do know. The early Christians' "monotheism, their insistence on the fact that they serve only one almighty unseen God, their horror of the idolatry of their neighbors, the torture and death that their martyrs suffered rather than lay a grain of incense before the statue of the emperor's numen are enough to convince us that they were not setting up rows of idols of their own. On the other hand, the place of honor they give to their symbols and pictures, the care with which they decorate them argue that they treated representations of their most sacred beliefs with at least decent reverence." It seems that the tradition of showing respect and veneration to images developed gradually and as a natural consequence of cultural norms. "It would be natural that people who bowed to, kissed, incensed the imperial eagles and images of Caesar (with no suspicion of anything like idolatry), who paid elaborate reverence to an empty throne as his symbol, should give the same signs to the cross, the images of Christ, and the altar. To the Byzantine Christian of the fifth and sixth centuries prostrations, kisses, incense were the natural ways of showing honor to anyone; … he was accustomed to treat symbols in the same way, giving them relative honor that was obviously meant really for their prototypes. And so he carried his normal habits with him into church." Such veneration spread in some measure to Rome and the West, but their home was the court at Constantinople (Byzantium), and to this day the descendents of the subjects of the Eastern emperor place a much higher importance on the veneration of icons than their western (Catholic) counterparts. By the eighth century, icons had become a major part of eastern devotion. The walls of churches were covered inside from floor to roof with icons, scenes from the Bible, allegorical groups. Icons were taken on journeys as a protection, they marched at the head of armies, and presided at the races in the hippodrome; they hung in a place of honor in every room, over every shop; they covered cups, garments, furniture, rings; wherever a possible space was found, it was filled with a picture of Christ, Mary, or a saint. Even more reverence was paid to icons believed to have miraculous origins, such as the image of Edessa. That veneration of these icons gradually became excessive is attested to by several sources, including a (perhaps slightly exaggerated) letter from the iconoclastic Emperor Michael II (r. 820-9): They have removed the holy cross from the churches and replaced it by images before which they burn incense.... They sing psalms before these images, prostrate themselves before them, implore their help. Many dress up images in linen garments and choose them as godparents for their children. Others who become monks, forsaking the old tradition -- according to which the hair that is cut off is received by some distinguished person -- let it fall into the hands of some image. Some priests scrape the paint off images, mix it with the consecrated bread and wine and give it to the faithful. Others place the body of the Lord in the hands of images from which it is taken by the communicants. Others again, despising the churches, celebrate Divine Service in private houses, using an image as an altar (Mansi, XIV, 417-22). Meanwhile, the western church remained fairly moderate on the issue. Pope Gregory the Great (d. 602) explained the general western view of images as "books for the ignorant" in a letter to an eastern Iconoclastic bishop: Not without reason has antiquity allowed the stories of saints to be painted in holy places. And we indeed entirely praise thee for not allowing them to be adored, but we blame thee for breaking them. For it is one thing to adore an image, it is quite another thing to learn from the appearance of a picture what we must adore. What books are to those who can read, that is a picture to the ignorant who look at it; in a picture even the unlearned may see what example they should follow; in a picture they who know no letters may yet read. The Iconoclastic Controversy Although there was intermittent opposition to the veneration of images in the first seven centuries of the church, the issue first became a major point of controversy in the eighth century. The iconoclastic controversy began in earnest under Emperor Leo III (r. 716-41), a strong-willed man who opposed the veneration of images and began to persecute those who did so. Leo's iconoclastic position may have been influenced by Khalifa Omar II (717-20), who was unsuccessful in trying to convert the emperor to Islam but probably convinced him that pictures and images are idols, but he was also convinced of this by Christian opponents of icons who gained his ear. In 726 AD, Leo III published an edict declaring images to be idols, forbidden by Exodus 10:4-5. He commanded that all such images in churches be destroyed, and the soldiers immediately began to carry out his orders throughout the empire. There was a famous picture of Christ, called Christos antiphonetes, over the gate of the palace at Constantinople, the destruction of which provoked a serious riot among the people. Germanus, the patriarch of Constantinople, protested against the edict and appealed to the pope (729). But the emperor deposed him as a traitor (730) and had Anastasius (730-54), a willing instrument of the government, appointed in his place. The most steadfast opponents of the Iconoclasts throughout this story were the monks. It is true that there were some who took the side of the emperor but as a body, eastern monasticism was steadfastly loyal to the old custom of the Church. Leo therefore joined with his iconoclasm a fierce persecution of monasteries and eventually tried to suppress monasticism altogether. Pope Gregory II (r. 713-31) responded to the appeal of the deposed patriarch with a long defense of images. He explains the difference between them and idols, with some surprise that Leo does not already understand the distinction. But Leo remained steadfast and the persecution continued to rage in the East. Monasteries were destroyed and monks were put to death, tortured, or banished. The Iconoclasts began to apply their principle to relics also, to break open shrines and burn the bodies of saints buried in churches. At the same time, St. John of Damascus (d. 754), safe from the emperor's anger under the rule of the Khalifa was writing at the monastery of St. Saba his famous apologies "against those who destroy the holy icons." In the West, at Rome, Ravenna, and Naples, the people rose against the emperor's law. In 731, Pope Gregory II was succeeded by Gregory III, who in that same year held a synod of 93 bishops at St. Peter's. All persons who broke, defiled, or took images of Christ, of His Mother, the Apostles or other saints were declared excommunicate. Leo then sent a fleet to Italy to punish the pope but it was wrecked and dispersed by a storm. Meanwhile every kind of calamity afflicted the empire; earthquakes, pestilence, and famine devastated the provinces while the Muslims continued their victorious career and conquered further territory. Leo III died in June, 741, in the midst of these troubles, without having changed policy. His work was carried on by his son Constantine V (Copronymus, 741-775), who became an even greater persecutor of image-worshippers than had been his father. In 754 Constantine, taking up his father's original idea summoned a great synod at Constantinople that was to count as the Seventh General Council. About 340 bishops attended, although the most important sees refused to sent representatives to the puppet council. The bishops at the synod servilely agreed to all Constantine's demands. They decreed that images of Christ are either Monophysite or Nestorian, for -- since it is impossible to represent His Divinity -- they either confound or divorce His two natures. A special curse was pronounced against three chief defenders of images -- Germanus, the former Patriarch of Constantinople, John of Damascus, and a monk, George of Cyprus. The Emperor Constantine V died in 775. His son Leo IV (775-80), although he did not repeal the Iconoclast law was much milder in enforcing them. He allowed the exiled monks to come back, tolerated at least the intercession of saints and tried to reconcile all parties. When Leo IV died, the Empress Irene was regent for her son Constantine VI (780-97), who was nine years old when his father died. She immediately set about undoing the work of the Iconoclast emperors. Pictures and relics were restored to the churches; monasteries were reopened. Finally, the Patriarch of Constantinople and the Empress Irene sent an embassy to Pope Adrian I (772-95) acknowledging his primacy and begging him to come himself, or at least to send legates to a council that should undo the work of the Iconoclast synod of 754. The petition was granted, and about 300 bishops attended a council in Nicea, the site of the first ecumenical council, from 24 September to 23 October, 787. The Second Council of Nicea confirmed the use of icons, condemned the Iconoclast leaders, and in opposition to the formula of the Iconoclast synod, declared of Germanus, John Damascene and George of Cyprus: "The Trinity has made these three glorious." Twenty-seven years after this council, iconoclasm broke out again. The icons were again restored in 842, after which the iconoclastic movement gradually died out in the east. Icons continue to be a major part of Eastern Catholic and Eastern Orthodox worship and devotion to this day. The Latin Rite Catholic Church continues to venerate images as well, though such images are not as central in the West as they are in the East. The Protestant Reformers generally opposed the use of icons, and icons continue to be generally avoided by most Protestants today. Form of Eastern Christian Icons Authentic Eastern Christian icons are typically egg tempura paintings on wood, often small. There is a rich history and rich patterns of religious symbolism associated with icons. Generally, icons used in Eastern churches strictly followed formulas hallowed by usage originating in Constantinople. The personal and improvisatory traditions of iconographic novelty familiar from Western religious art are largely lacking in the East. Eastern Christians sometimes call them "windows into heaven." In the churches of those Eastern denominations, the nave is typically separated from the sanctuary by an iconostasis a wall of icons. Many religious homes in Russia, for example, have icons hanging on the wall. Icons are often illuminated with a candle or jar of oil with a wick. (Beeswax for candles and olive oil for oil lamps are preferred because they burn very cleanly.) Besides the practical purpose of making them visible in an otherwise dark church in the days before electricity, this symbolically indicates that the saint(s) depicted are illuminated by the Christ, the Light of the World. Veneration of Icons in Eastern Christianity Especially since the Iconoclastic Controversy of the 8th century, icons have played an essential part in public worship and private devotion in eastern Christianity. Icons are honored with traditional expressions of veneration in the East, including kisses, prostrations, offerings and incense. "As it is believed that through them the saints exercise their beneficent powers, they preside at all important events of human life and are hedl to be effective remedies against illness, to drive away devils, to procure both spiritual and temporal blessings, and generally to be powerful channels of divine grace." When Eastern Christians venerate or show honor and respect for icons, they understand that they are merely expressing those feelings for the people and events depicted, and not for the icons themselves. To make this clear to the laity, worship of icons was forbidden by the same council that defended their veneration, the Second Council of Nicea. By venerating icons, Eastern Christians acknowledge that matter is not inherently evil, but can be used by God. As the great icon-defender St. John of Damascus explained: I do not worship matter; I worship the Creator of matter who became matter for my sake, who willed to take His abode in matter; who worked out my salvation through matter. Never will I cease honoring the matter which wrought my salvation! I honor it, but not as God. … Do not despise matter, for it is not despicable. God has made nothing despicable. (On the Divine Images 1:16-17) Important Specific Icons Our Lady of Vladimir (Russian) is one of the most venerated Byzantine Slavic icons. Regarded as the holy protectress of Russia, the icon is displayed in the Tretyakov Gallery, Moscow. Patriarch Luke Chrysoberges of Constantinople sent the newly-painted icon as a gift to Grand Duke Yury Dolgoruky of Kiev about 1131. The beautiful image was coveted by Yury's son Andrei the Pious who brought it to his favourite city Vladimir in 1155. When the horses that transported the icon stopped near Vladimir and refused to go further, this was interpreted as a sign that the Blessed Virgin wants to stay in Vladimir. To house the icon, the great Assumption cathedral was built there, followed by other churches dedicated to the Virgin throughout northwestern Russia. In 1395, during Tamerlane's invasion, the image was taken from Vladimir to the new capital, Moscow. The spot where people and the ruling prince met the icon is commemorated with the Sretensky monastery. Vasili I of Moscow spent a night crying over the icon, and Tamerlane's armies retreated the same day. The Muscovites refused to return it back to Vladimir and placed it in the Assumption cathedral of the Moscow Kremlin. The image was also credited with saving Moscow from Tatar hordes in 1451 and 1480. One of the most exquisite icons ever painted, Our Lady of Vladimir is imbued with universal feelings of motherly love and anxiety for her child. By the 16th century the Vladimirskaya (as the Russians call it) was a thing of legend. It was even rumoured that the icon was painted by St Luke on the Lord's table of the Last Supper. The venerated image was used in coronations of tsars, elections of patriarchs, and other important ceremonies of state. But its most important service was yet to come. In December 1941, as the Germans approached Moscow, Stalin order that the icon be taken from a museum and placed in an airplane and that it be carried around the besieged capital. Several days later the German army started to retreat. Another important icon in the Russian Church is Our Lady of Smolensk. With the population of 200,000 inhabitants, Smolensk was probably the largest city in the 15th-century Lithuania. Three Smolensk regiments proved decisive during the Battle of Grunwald against the Teutonic knights. It was a severe blow when the city was recaptured by Vasili III of Russia in 1514. To commemorate this event, the tsar founded the Novodevichi convent in Moscow and dedicated it to the holy icon of Our Lady of Smolensk. The Black Madonna of Czestochowa (Czarna Madonna or Matka Boska Czestochowska in Polish) is a 14th century Polish icon of a Black Madonna. It is credited with miraculously saving the monastery of Jasna Góra in Poland from a Swedish onslaught. Our Mother of Perpetual Help is the title given to the Mother of God after a 15th century Byzantine icon painted in gold and this icon is the most popular icon venerated in the Roman Catholic Church. In the Eastern Church the icon is often known as Mother of God of the Passion. The earliest written account of the image comes from a Latin and Italian plaque placed in the church of St. Matthew where it was first venerated by the public in the year 1499. The painter of the icon is unknown, but according to legend the icon was stolen by a merchant from Crete who was sailing to Rome. The merchant supposedly sailed and hid the icon while traveling at sea, until a storm hit hard and the sailors prayed to the icon for help. When the merchant arrived in Rome he fell ill, and as his dying wish he asked another merchant to place the icon in a church where it could be venerated. The merchant then confided to his wife about the icon. Upon seeing the beautiful icon, the merchant's wife refused to give it to the church but instead hung it in her home. Later on, the Virgin Mary appeared to the merchant's daughter, requesting that the icon be turned into a parish for veneration. The Virgin Mary indicated to the little girl that she ought to be placed between the basilicas of St. Mary Major and St. John Lateran. The wife then went to the Augustinian Friars to whom she gave up the icon. On March 27, 1499, the icon was transferred to the church and the icon was venerated there for 300 years. In 1798, the governor of Rome, General Massena, ordered several churches in Rome closed and destroyed. St. Matthew's was one of these churches. The Perpetual Help icon was taken by the Augustinian fathers to a nearby church, St. Eusebius. Later on they moved it to Santa Maria Posterula to a side altar. Pope Pius IX had invited a group of priests called the Redemptorists to set up a Marian house of veneration in Rome. They stationed in Via Merulana, not knowing that it was once the church of San Mateo and shrine of the once-famous icon. One day, a Redemptorist father heard stories of the icon and of the church in which it was once enshrined. The Redemptorist built a small church next to the building called St. Alphonse of Ligouri. The Father General of the Redemptorists, Most Rev. Nicholas Mauron, decided to bring the whole matter to the attention of Pope Pius IX. The Pope decided that the icon should be exposed to public veneration and the logical site was their church of St. Alphonse of Ligouri, standing as it did between the Basilicas of St. Mary Major and St. John Lateran. Pope Pius IX wrote a short memorandum ordering the Augustinian Fathers of St. Mary in Posterula to surrender the picture to the Redemptorists, on condition that the Redemptorist supply the Augustinians with another picture of Our Lady of Perpetual Help or a good copy of the icon of Perpetual Help in exchange. Upon the return of the icon, Pope Pius IX gave the icon the title Our Mother of Perpetual Help. Today, the icon is under the care of the Redemptorist fathers of St. Alphonse of Ligouri Church where the icon is now enshrined. The icon depicts the Blessed Virgin Mary wearing a dress of dark red with blue mantle and veil. On the left is the archangel Michael, carrying the lance and sponge as instruments of Jesus Christ's crucifixion. On the right is the archangel Gabriel carrying a 3-bar cross and nails. This type of icon is classified as hodegetria, where Mary is pointing to her Son. The facial expression of the Virgin Mary is solemn and is looking directly at the person instead of her son. The Greek initials on top read Mother of God, Michael Archangel, Gabriel Archangel, and the Jesus Christ, respectively. Jesus is portrayed as if clinging to his mother with a falling sandal, indicating for help through the grace of his mother. The icon is painted with a golden background.


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Take in the broad sweeping views of Lake Dillon and the surrounding mountain ranges while enjoying the warmth and ambiance of the wood burning fireplace. Treed homesite offering wonderful privacy. Newer 40-year roof and exterior was just stained. Truly stunning 180-degree views spanning from the Continental Divide, Keystone Mountain over Lake Dillon and south to Baldy and Quandary.
Wildernest is a true Colorado outdoor town. Experience excellent hiking and biking trails out your front door, while being surrounded by breathtaking views of Lake Dillon, Centennial Divide and Keystone Ski Resort. Seated atop a beautiful hill filled with aspens, this neighborhood is truly a nature lover's dream. With the non-motorized backcountry access for pristine trails and quiet hikes, it's no wonder locals have decided to call this place home. If you ever decide to leave this beautiful location, Wildernest is also a quick drive into the heart of Silverthorne and is in close proximity to all of Summit County's ski resorts.
The data relating to real estate for sale on this website comes in part from the Resort Data Exchange program of the Vail Multi List Service Inc. and Mountain Region Multi List Service. Real estate listings belonging to brokerage firms other than Slifer Smith & Frampton Real Estate are marked with the RDX logo or icon. The detailed information about them includes the listing brokers name.
Copyright © 2018 Vail Multi List, Inc. (VMLS). The information displayed herein was derived from sources believed to be accurate, but has not been verified by VMLS. Buyers are cautioned to verify all information to their own satisfaction. This information is exclusively for viewers' personal, non-commercial use. Any republication or reproduction of the information herein without the express permission of the VMLS is strictly prohibited.
Listing courtesy of Slifer Smith & Frampton R.E.


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Space is a world devoid of the things we need to live and thrive: air, gravity, hot showers, fresh produce, privacy, beer. Space exploration is in some ways an exploration of what it means to be human. How much can a person give up? How much weirdness can they take? What happens to you when you can't walk for a year? Have sex? Smell flowers? What happens if you vomit in your helmet during a space walk? Is it possible for the human body to survive a bailout at 17,000 miles per hour?
"Everything You Always Wanted to Know - and More"
In the summer of 1985, when she was fifteen, Eliza was kidnapped by Walter and held hostage for almost six weeks. He had killed at least one girl and Eliza always suspected he had other victims as well. Now on death row in Virginia for the rape and murder of his final victim, Walter seems to be making a heartfelt act of contrition as his execution nears. Though Eliza wants nothing to do with him, she's never forgotten that Walter was most unpredictable when ignored.
"I found the reason compelling"
Artemis has committed his entire fortune to a project he believes will save the planet and its inhabitants, both human and fairy. Can it be true? Has goodness taken hold of the world's greatest teenage criminal mastermind?
"back to form"
What possesses someone to save every scrap of paper thats ever come into his home? What compulsions drive a woman like Irene, whose hoarding cost her her marriage? Or Ralph, whose imagined uses for castoff items like leaky old buckets almost lost him his house?
"Utterly fascinating"
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out of the bloody arena live, she's still not safe. The Capitol is angry. The Capitol wants revenge....
"Conflicting Emotions"
"I didn't think he wanted me. And I wasn't about to get involved with him, not after what I'd heard. Sure, Alex Kennedy was tall, dark and unbearably hot, but I've been burned before. When I solicited him to model for my erotic photography book, I didn't expect such a heated, passionate photo session. And now that we've crossed that line, our bodies aren't the only things that have been exposed."
For the last half century, as administrations have come and gone, the fundamental assumptions about America's military policy have remained unchanged: American security requires the United States (and us alone) to maintain a permanent armed presence around the globe, to prepare our forces for military operations in far-flung regions, and to be ready to intervene anywhere at any time. In the Obama era, just as in the Bush years, these beliefs remain unquestioned gospel.
"Permanent war and insolvency...thanks Washington"
A chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe - London street urchin-turned-legendary swashbuckling adventurer - risking life and limb for fortune and love while slowly maddening from the pox...and Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent a contentious continent through the newborn power of finance.
"Less Math Fiction, More Action"
Georgie, aka Lady Victoria Georgiana Charlotte Eugenie, cousin of King George V of England, is penniless and trying to survive on her own as an ordinary person in London in 1932. So far she has managed to light a fire and boil an egg... She's gate-crashed a wedding... She's making money by secretly cleaning houses... And she's been asked to spy for Her Majesty the Queen.
"I've Been Charmed"
Welcome to the savage and surprising world of
Zoo Story, an unprecedented account of the secret life of a zoo and its inhabitants, both animal and human. Based on six years of research, the book follows a handful of unforgettable characters at Tampa's Lowry Park Zoo: an alpha chimp with a weakness for blondes, a ferocious tiger who revels in Obsession perfume, and a brilliant but tyrannical CEO known as El Diablo Blanco.


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Edge of Tomorrow
The reincarnative powers acquired by Tom Cruise in Edge of Tomorrow have their limits - after death, he is always reborn on the same day, in the same place, surrounded by the same oblivious galoots, forced over and over to make it past the same obstacles in order to do whatever it is the movie never really gets around to explaining he's supposed to do. Save the world, yeah, but the specifics are muddled beyond that. We get the feeling, though, that if Cruise himself could choose his point of rebirth, it'd be smack dab back in the middle of the '80s. And we're right along with him. Because one of Edge of Tomorrow's great victories is its ability to remind us of the Cruise we fell in love with way back when. The Cruise that could get away with being funny, kooky, smarmy, and kind of a douchebag. In this latest outing, that's exactly what he's going for.
Edge of Tomorrow is more than happy to return to the Cruise we met and loved in the era of Risky Business and Top Gun, accessing the sort of colossal camp that he, as a good-looking charmer, could sell as high grade entertainment. Well before Rain Man established him as an actor of true merit and the decade to follow slowly expelled him of this very reputation. As soldier-in-name-only William Cage, Cruise masters the art of playing too big for his britches. His swagger is unfounded, his double talk ineffective. Finally, that Tom Cruise smile (you know the one) is used for its rightful purpose: to highlight just how much of a cocky son of a bitch this guy can be. But this version of Cruise might stumble to a point of utter detestability if Edge of Tomorrow wasn't so eager to laugh at the classic Hollywood-caliber blowhard he puts on display.
The film's sense of humor and personability are what cart us through the science fiction premise with such grace: Cage is thrust into his first go at warfare against a race of malicious alien invaders, taunted and ostracized by his disapproving fellow grunts, killed almost instantly in the field of battle, and then reborn moments later (make that a day and a half earlier) right back at the military base where this whole mixup began. Never mind why - the movie does its share of explaining the science fiction behind Cruise's character's newfound abilities... with no dearth of logic holes, but you shouldn't get too strung up on that either - or even the specifics of the ultimate mission that he and a soldier sympathetic to his cause (Emily Blunt, who is sharp enough as an impatient war hero) adopt in order to save the human race from their extraterrestrial assailants. The only element to really strap into here is the fun: Cage struggling with the confusion, terror, monotony, psychological trauma, existential quandaries, and humors of living the same few days and scenes over and over and over, with the added bonus of an alien war comprising the backdrop to keep things quirky.
When the novelty of both the idea and all the plausible avenues of exploring it wear away, we're left with a far less riveting third act... not one entirely devoid of life, though one notably lacking in the spark and color that ignited Cruise's initial forays into this strange set of circumstances. The movie trades its earlier brand of innovation for the tropes of your standard action/sci-fi, though never entirely devolves all the way down to standard summer fare. In the end, Edge of Tomorrow doesn't wind up proving itself to be as tremendous a leap from the norm of today, but it's at least a few big steps. And that's largely because it seems to know what we've all been forgetting since 1985: science fiction can be funny, blockbusters can be kooky, and Tom Cruise can, and should, be a jackass.


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Please Note: By clicking a link to any resource listed on this page, you will be leaving this site.
Gluten Intolerance Grouphttp://www.gluten.net/ This non-profit organization offers information, support, and resources for people living with celiac disease.
Academy of Nutrition and Dieteticshttp://www.eatright.org Offering nutrition information, resources, and access to registered dietitians.
Celiac Disease Foundationhttp://www.celiac.org/ The Celiac Disease Foundation provides support, information and assistance to people affected by celiac disease and dermatitis herpetiformis. The site provides information on celiac disease and helps people locate support groups.
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Behind the scenes: to stop a tar sands pipeline, the climate justice movement begins civil disobedience on a grand scale.
"From Henry David Thoreau, to Susan B. Anthony, to Gandhi, to King, to you." Oscar-nominated director Josh Fox on how you can help stop the disastrous development of the Canadian tar sands.
Video: Richard Heinberg explains why the debt crisis is really a growth crisis... and why that might not be such a bad thing.
One of the poorest cities in the nation is reinvesting in itself with a model for a localized economy.
A video tribute to those who have sacrificed their lives to protect the environment.
At the second March on Blair Mountain, Robert F. Kennedy, Jr. tells the story of America's long struggle against unchecked corporate power.
How much do we really pay for a gallon of gas? The costs extend beyond what we pay at the pump.
Co-founder and executive editor of YES! Magazine Sarah van Gelder discusses the innovative approach to crime used in Hawaii's only women's prison.
While the rich are getting richer and big corporations are taking a larger part of the pie for themselves, ordinary people are suffering. Can we bring an end to our "rich takes all" society?
Video: How Bellingham, Washington keeps it local.
Patrice Gaines: We can keep our streets safe without throwing people away.
Tornadoes, fires, floods, crop failures—they're all isolated events, right? This powerful video from Bill McKibben and Stephen Thomson helps connect the dots of the climate catastrophe.
US Uncut exposes Apple's lobbying to avoid taxes through a creative protest at the company's World Wide Developer's Conference.
Video: A happy tale of the success of a cacao cooperative in the Dominican Republic.
How a few simple changes have transformed streets in New York City.


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After more frequent use of Awesome and in later times, the internet abbreviation of Awesome, namely ozom, it came time once again to give the free people of the digital world more variety and emphasis. Hence came fortwith mozo. If you really feel that something you have experienced is more than Awesome, even more than ozom, you can now utilize mozo! Not only is it a clever reverting of ozom, it means More Awesome.
"I heard Darth Vader fell in love on the internet, they have short motion pictures of it, mozo!".
Can also be utilized in instant messaging conversations, frequently all capitalized.
Can also be utilized in instant messaging conversations, frequently all capitalized.
by Cpt. Oveur October 26, 2007
Used as an abbreviation of more awesome, mostly on the eve-online forums, probably an invention of Oveur. Related to ozom.
The new heavy interdictors look shite!
No, you're noobalicious, for real, they're mozo!
No, you're noobalicious, for real, they're mozo!
by Barth Crane November 15, 2007
This word is a contraction of Mobile phone Zombie, a phrase which describes a person who wanders around slowly like a zombie while staring with a glazed expression at their mobile phone, usually blocking busy pavements and generally holding things up. This definition was created by The Acid Drop Kid of Twickenham, England.
Eric Spadvent: "Get out of my way, you freakin' MoZo, I'm in a hurry!"
MoZo: "..."
MoZo: "..."
by The Acid Drop Kid August 25, 2011
by Fuzzzalicious October 18, 2007


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This month we had to do a Caramel cake, with a caramel syrup and caramelized butter frosting. With all this caramelization, my brain got in the spirit and got caramelized as well. I managed to delete all the step by step pictures, and could only save these ones. I was so mad at myself, it was a good thing that I had a sweet cake close-by, or in my case sweet Madeleines!
This was my version of Shuna Fish Lydon's of Eggbeater (http://eggbeater.typepad.com/) signature Caramel cake (as showed here) and Alice Medrich's Golden Vanilla Bean Caramels. The responsibles for all this caramelization were hosts: Dolores(http://culinarycuriosity.blogspot.com/), Alex (http://blondieandbrownie.blogspot.com/) and Jenny (http://forayintofood.blogspot.com/).
Triple caramel: Caramel madeleines and vanila & honey caramels sandwiched with caramelized butter & lavander frosting!
· 10 Tablespoons unsalted butter at room temperature · 1 1/4 Cups granulated sugar · 1/2 teaspoon kosher salt · 1/3 Cup Caramel Syrup (see recipe below) · 2 each eggs, at room temperature · 1 splash vanilla extract · 2 Cups all-purpose flour · 1/2 teaspoon baking powder · 1 cup milk, at room temperature
Preheat oven to 350F. Butter one tall (2 – 2.5 inch deep) 9-inch cake pan. In the bowl of a stand mixer fitted with a paddle attachment, cream butter until smooth. Add sugar and salt & cream until light and fluffy. Slowly pour room temperature caramel syrup into bowl. Scrape down bowl and increase speed. Add eggs/vanilla extract a little at a time, mixing well after each addition. Scrape down bowl again, beat mixture until light and uniform. Sift flour and baking powder. Turn mixer to lowest speed, and add one third of the dry ingredients. When incorporated, add half of the milk, a little at a time. Add another third of the dry ingredients, then the other half of the milk and finish with the dry ingredients. {This is called the dry, wet, dry, wet, dry method in cake making. It is often employed when there is a high proportion of liquid in the batter.} Take off mixer and by hand, use a spatula to do a few last folds, making sure batter is uniform. Turn batter into prepared cake pan (in my case I've used Madeleine's moulds). Place pan on cookie sheet or 1/2 sheet pan. Set first timer for 30 minutes, rotate pan and set timer for another 15-20 minutes. Bake until sides pull away from the pan and skewer inserted in middle comes out clean. Cool cake completely before icing it.
· 2 cups sugar · 1/2 cup water · 1 cup water
In a small stainless steel saucepan, with tall sides, mix water and sugar until mixture feels like wet sand. Brush down any stray sugar crystals with wet pastry brush. Turn on heat to highest flame. Cook until smoking slightly: dark amber. When color is achieved, very carefully pour in one cup of water. Caramel will jump and sputter about! It is very dangerous, so have long sleeves on and be prepared to step back. Whisk over medium heat until it has reduced slightly and feels sticky between two fingers.
· 12 tablespoons unsalted butter · 1 pound confectioner's sugar, sifted · 4-6 tablespoons heavy cream · 2 teaspoons vanilla extract · 2-4 tablespoons caramel syrup · Kosher or sea salt to taste · 1 tbsp lavender
Cook butter until brown, add the lavender after and let it cool. Pour through a fine meshed sieve into a bowl and discard the lavender. Pour cooled brown butter into mixer bowl. In a stand mixer fitted with a paddle or whisk attachment, add confectioner's sugar a little at a time. When mixture looks too chunky to take any more, add a bit of cream and or caramel syrup. Repeat until mixture looks smooth and all confectioner's sugar has been incorporated. Add salt to taste.
· 1 cup golden syrup (I've used ½ cup glucose + ½ cup honey) · 2 cups sugar · 3/8 teaspoon fine sea salt · 2 cups heavy cream · 1 tablespoon plus 1 teaspoon pure vanilla extract · 3 tablespoons unsalted butter, cut into chunks, softened
Combine the golden syrup (see note), sugar, and salt in a heavy 3-quart saucepan and cook over medium heat, stirring with a silicone spatula or wooden spoon, until the mixture begins to simmer around the edges. Wash the sugar and syrup from the sides of the pan with a pastry brush dipped in water. Cover and cook for about 3 minutes. (Meanwhile, rinse the spatula or spoon before using it again later.) Uncover the pan and wash down the sides once more. Attach the candy thermometer to the pan, without letting it touch the bottom of the pan, and cook, uncovered (without stirring) until the mixture reaches 305°F. Meanwhile, combine the cream and ground vanilla beans (not the extract) in a small saucepan and heat until tiny bubbles form around the edges of the pan. Turn off the heat and cover the pan to keep the cream hot. When the sugar mixture reaches 305°F, turn off the heat and stir in the butter chunks. Gradually stir in the hot cream; it will bubble up and steam dramatically, so be careful. Turn the burner back on and adjust it so that the mixture boils energetically but not violently. Stir until any thickened syrup at the bottom of the pan is dissolved and the mixture is smooth. Continue to cook, stirring occasionally, to about 245°F. Then cook, stirring constantly, to 260°f for soft, chewy caramels or 265°F; for firmer chewy caramels. Remove the pan from the heat and stir in the vanilla extract. Pour the caramel into an aluminium lined greased pan (in my case the a madeleine's silicone mould). Let set for 4 to 5 hours, or overnight until firm. To unmould easily, pop them in the freezer for a while.
If you can handle the sweetness you can take a bite of mine or go check all the other caramel madness of my fellows Daring Bakers!


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Fill up your pantry with culinary treats like antipasti, oils & vinegars, crackers, pastas and sauces, sweets, coffee & tea, and Di Bruno Bros. signature items.
Check out Di Bruno's latest culinary discoveries, events, promotions, & more!
Stay connected for new Di Bruno products, promotions, sales & more!
Culinary Pioneers Since 1939


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City, Kent County and state offices would be closed Tuesday in the wake of the formidable Hurricane Sandy, whose high winds had reached 90 mph.
City of Dover, Kent County and the state of Delaware offices will all be closed Tuesday as the entire state deals with the effects of the formidable Hurricane Sandy.
The city's essential storm personnel will be contacted by supervisors for damage assessment shifts, Public Information and Emergency Management Coordinator Kay Dietz-Sass said.
The city's closure includes the Dover Public Library and the Pitts Center, she said.
The closing of state offices had been extended until 4:30 p.m. Tuesday, spokeswoman Jessica Eisenbrey said. Non-essential employees were not to report to work for this period while essential employees were to report as scheduled.
As for Kent County, only essential personnel reported to work Monday and it would be the same for Tuesday, Kent County Levy Court Public Information Officer Kia Evans said.
National Weather Service meteorologist had issued impressive forecast reports that said Hurricane Sandy had high winds of 90 miles per hour in the center of the storm, calling it "absolutely incredible." Furthermore, Sandy had already dumped 3 to 6 inches of rain across the state.


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Winterthur Point-to-Point Director Jill Abbott was in a good mood Monday morning as she inspected the race course under a cloudy, rainy day in her all-weather boots and a rain slicker.
Winterthur Point-to-Point Director Jill Abbott was in a good mood Monday morning as she inspected the race course under a cloudy, rainy day in her all-weather boots and a rain slicker.
That was because the grounds of Winterthur needed the rain badly after a week or so of dry weather, and Abbott had to make a report to the National Steeplechase Association on the track conditions. By Tuesday, thoroughbred horse owners and trainers would have decided whether they would race in Point-to-Point.
"Those decisions are based on the track decisions," she said. "It looks nice and it's a pretty green. But it's also good for our compaction and moisture tests. We test the ground and I have to send those readings to the National Steeplechase Association. And they send them out to the owners and trainers so they can make decisions on whether they are going to run in our race or another race."
To make things even better, Abbott said the forecast for this weekend was ideal for Point-to-Point. As a matter of fact, the National Weather Service in Mount Holly, N.J. predicted mostly sunny skies and a high of 70 degrees on Sunday.
It would be fitting weather for the only steeplechase race in Delaware, Abbott said.
There are four sanctioned races and there are two pony races for youths at Winterthur. The sanctioned races fall under the purview of the National Steeplechase Association, the governing body of steeplechase racing. (Abbott likened NSA to professional baseball's governing body, Major League Baseball.)
Point-to-Point went to sanctioned races eight years ago, Abbott said.
After taking entries on Tuesday, horse owners and trainers would have until Wednesday to pull out of the races or forgo their entry fees, Abbott said.
Each race is three and a quarter miles, she said.
"The track is a mile and a half in a figure eight shape," she said. They run it twice. It's just over 3 miles. There's lot of hills out here. We cut the grass to 6 inches and there is certainly drag, which makes it a very challenging course. It's course that many owners and trainers come back to year after year because they know it's maintained so well."
Abbott said the total purse structure for the NSA sanctioned races was a robust $37,500.
"This is what they do for their livelihood," Abbott said of the jockeys. "This is what they do everyday. And they run for money. This is what they do every weekend. The Winterthur Bowl is $20,000 so it's nothing to sneeze at. That's a nice purse."
The purse is divided up in percentages between the 10 jockeys, with the winner receiving the largest percentage, Abbott said.
She added that all funds raised through Point-to-Point had gone toward the preservation and maintenance of the garden – the entire grounds of Winterthur.


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Many countries took periodic censuses to keep track of various aspects of the population. Where available, these records often include helpful details about your ancestors and their families and allow you to pinpoint their location at a particular point in time. - read more
While the questions in census records vary from place to place, and from year to year, you can find information like names of other household members, ages, birthplaces, residence, occupation, immigration and citizenship details, marriage information, military service and more.
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Finding Nemo
A father fish searches the vast ocean for his lost son--and gets a little help along the way.
No matter how amazing the computer-generated animation looks, the success of any Pixar film has always been due to a great story--and Finding Nemo is one of the best. The film revolves around a clownfish named Marlin (voiced by Albert Brooks) who lives in the sunny Australian Great Barrier reef with his son, Nemo (voiced by Alexander Gould). Marlin is an overprotective dad--stemming from some deep-rooted fears of the big, bad ocean--and the little guy resents him a little for it. When Nemo is fish-napped by some divers, all hell breaks loose as Marlin's paternal instincts take over, and he sets out on a quest to find his son. Along the way he meets many obstacles, as well as a bevy of characters who help his cause. Marlin's staunchest ally (whether she is actually of help or not), is Dory (voiced by Ellen DeGeneres), a brightly colored blue fish with a short-term memory problem. Over on land, Nemo is having an adventure of his own as he's placed in an aquarium in a Sydney dentist's office with a motley crew of wacky fish reminiscent of the gang in One Flew Over the Cuckoo's Nest. Lead by the scarred-but-tough Gill (voiced by Willem Dafoe), the only agenda in this tank is to escape into the ocean nearby. The key to the story, however, is the fact Marlin and Nemo never give up on each other--and somehow, someway, they will be reunited.
Nemo has quite a lineup of famous voices--almost too many--but it's still fun to pick them all out. Along with the hyperactive Brooks, the wounded Dafoe and the ditzy DeGeneres, there's Allison Janney as the sarcastic starfish Peach who is the aquarium's constant lookout 'cause she's stuck to the side; Brad Garrett as blowhard blowfish Bloat, Geoffrey Rush as the kindly yet clumsy pelican Nigel, who enjoys a brief chat with his aquarium fish friends; Aussie actor Barry Humphries (Dame Edna) as the Great White shark Bruce, a recovering fish-a-holic on a 12-step program; Pixar favorite John Ratzenberger as a collective school of moonfish who love to do impressions; and even writer/director Andrew Stanton gets in the act as the totally bitchin' turtle Crush, who just lives for a smooth ride. They are all wonderful, but DeGeneres stands out as the best of the bunch as the confused Dory, who for the life of her cannot remember who Marlin is after about 30 seconds, let alone the name of his son, Elmo, er, Nemo, but is cheerfully positive anyway. The comedienne nails the part and you can almost see those great Ellen expressions on Dory's face.
It's kind of sad how taken-for-granted computer-generated animation has become. Remember being blown away by how real everything looked (except the humans, of course) in 1995's Toy Story? Finding Nemo's animation is also the highest of quality, but you aren't necessarily wowed by it. The details in the film are almost flawless, down to the way the fish swim, the way the jellyfish sway and how the Sydney harbor looks perfect. Even the look and sound of seagulls are perfectly mimicked, especially by having the birds say only one word: ''Mine!'' Nemo ends up a very entertaining movie without the distraction of wondering how it was created. This is a true testament to the crew of Pixar animators who make it look so easy and most importantly to Stanton's meticulous work. He understands explicitly how to carve out a very simple, heartfelt, albeit hysterical tale while bringing to life a cache of wonderfully vibrant and defined characters. All you have to do is sit back and enjoy the ride.
Bottom Line
Just when you thought they couldn't possibly do it again, especially after the mega-hit Monsters, Inc., the guys at Pixar bat it out of the park with Finding Nemo.


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The Rabun County Public Library in Clayton, Georgia is cutting its hours effective July 1, 2009. The new hours will be from 9 a.m. to 6 p.m. Monday through Friday, and from 9 a.m. to 12 p.m. on Saturdays. Previously, the library had been open until 8 p.m. on Monday nights.
When asked why the hours had been changed, the staff responded that the decision had been made by the library's Board of Trustees due to budgetary concerns. I did not speak with the library manager, however, and so I cannot say for certain exactly what the impetus is behind this change.
What I can say is that this seems to be a trend throughout the nation in light of the recent economic downturn and the resultant loss of tax revenue. For genealogists, especially those who work a different full-time job during the day, these reductions in service can prolong research which had previously been done during evening hours; such research must now be conducted on days off or during the odd Saturday when our children and grandchildren aren't on the ball field or attending some other extra-curricular activity requiring parental involvement.
The more critical hit is to those who depend on libraries for services they could not afford on their own (e.g. reading material or computer access), especially at a time when so many have lost their only sources of income (in Rabun County, for example, the unemployment rate is estimated to be 11-13%). Others affected by this change are students whose parents work during the day, but who have school projects assigned during the week requiring resources found only at the library. Unfortunately, the few hours that most small libraries are open on Saturdays are often not enough to serve the needs of the members of the community who cannot use the library during weekdays, for whatever reason.
No matter how small, all libraries serve as centers of education and knowledge to their community; any reduction of services is therefore harmful to the citizens they serve. Here in Rabun County, we have strong public and private educational systems, and a community that recognizes the importance of these institutions. Other areas are not as fortunate, yet their libraries are still an integral and necessary public body. At a time when education, both formal and informal, is key to the success of the individual and, therefore, the community at large, can we really afford to cut funding for our public libraries?


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« Back to people
Nurit Bar-shaiAlumni, Former Adjunct, Class of 2006
Nurit is a New York-based artist. Her main interest lies in exploring
tensions between the mundane and the uncanny in everyday life.
Bar-Shai's work employs video and new technologies to explore
fundamental questions of presentation and representation, to reframe
the familiar and turn audiences into foreigners in their own
ontological domains. Her work has been exhibited widely in venues such
as the Brooklyn Museum, Team galley in New York, and international
festivals taking place in the U.S., Europe, and Asia. Bar-Shai
attaneded a residency at ETC, the Makor Steinhardt Center and
Harvestworks. Her art received favorable reviews in many media outlets,
including Ha´aretz, The New York Times and Art on Paper.


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For those who came of age during World War II, or post-9/11, the death Thursday of retired Army general H. Norman Schwarzkopf may not be of great moment. But for those of us who came of age during Vietnam, when that war veered from the discredited Gulf of Tonkin to the Tet Offensive to Kent State, he was a godsend.
While there was trepidation before the Persian Gulf War began in January 1991 — a six-week bombing onslaught followed by a 96-hour ground campaign — it pitted a Cold War superpower against Iraqi despot Saddam Hussein (it was a mismatch that would have to be replayed 12 years later). Nonetheless, the U.S. went wild after the U.S.-led coalition pushed Iraqi forces out of Kuwait.
After a six-month buildup in Saudi Arabia that looked like a martial bolero, Schwarzkopf burst into American living rooms just about the same time CNN did. As intrepid Cable News Network crews stationed in Baghdad followed the twists and turns of incoming Tomahawk cruise missiles, Schwarzkopf briefed reporters from his headquarters in Riyadh, the Saudi capital, two weeks into the war.
"I'm now going to show you a picture of the luckiest man in Iraq," Schwarzkopf said as a video of an air strike against an Iraqi bridge appeared on a television screen. "Keep your eye on the crosshairs." A vehicle appeared, driving across the bridge, as an American pilot targeted the span. The truck drove into, and across, the bomber's crosshairs, and then scooted off screen. "And now, in his rear-view mirror," Schwarzkopf quipped, as an explosion filled the screen, destroying the bridge, but leaving the Iraqi truck driver alive.
Schwarzkopf was a bona fide American hero, complete with a New York parade and talks of a presidential run. There had been no such military heroes in this country since World War II's Dwight Eisenhower. "By God," declared President George H.W. Bush, himself now ailing at a Houston hospital, "we've licked the Vietnam syndrome once and for all."
The son of the superintendent of the New Jersey state police, who investigated the kidnapping and murder of aviator Charles Lindbergh's infant son in 1932, Schwarzkopf made the Army his career. He won recognition in Vietnam for taking care of the soldiers under his command and ended up as the third commander of U.S. Central Command, the Pentagon post responsible for the Middle East and Persian Gulf region, in 1988. (His two most recent successors, Army General David Petraeus and incumbent Marine General John Allen, have found their careers derailed, at least temporarily, by scandal.)
(MORE: Desert Storm Commander Norman Schwarzkopf Dies)
"General Schwarzkopf's skilled leadership of that campaign liberated the Kuwaiti people and produced a decisive victory for the allied coalition," Defense Secretary Leon Panetta said Thursday night. "In the aftermath of that war, General Schwarzkopf was justly recognized as a brilliant strategist and inspiring leader."
Following his incandescent fame, Schwarzkopf retired to Tampa six months after the Gulf War's end. He died there, of complications related to pneumonia, at 78.
Reporters had their own shorthand to spell his complicated surname right: "War Kop, no T." Battleland can recall taking his two young sons to the Gulf War victory parade in Washington on June 8, 1991, down by the Lincoln Memorial. He was proud to show them what the U.S. military can do when the stars align.


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I just wanted to take a minute to let you know how successful using LocalHelpWanted.net has been for my business. Being a small business and on a budget we chose to list a 7 day posting for a position with our company on Tuesday and By Friday received many more applicants than we thought we would, including four excellent candidates for the position.
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Net weight: 70g
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The Alpaco, single origin, dark chocolate bar offers a dark chocolate of contrast with deep cocoa strength perfectly balanced with lighter floral notes of jasmine and orange blossom.
Created from the Arriba Nacional cocoa bean from Ecuador.
Valrhona, a French master chocolate maker..
Since 1922 the vocation of Valrhona has been to create exceptional gourmet chocolate, while respecting the artisan's know-how and fine French taste. Dedicated to quality, Valrhona selects and purchases its cocoa beans directly from choice plantations, thus securing an exclusive supply of Grand Crus from South America, the Pacific Ocean and the Caribbean. Valrhona was one of the first chocolatiers to describe their chocolate in a similar fashion to wine with the labelling of such creations as grand cru, single origin, single estate and even vintage chocolate. Valrhona is regarded as being amongst the best of the few french chocolate makers today creating their chocolate from bean to bar (cacaofevier).
Nutritional Facts:
Average nutritional values per 100g
Energy 2306KJ / 556kCal
Fat 39g of which saturated fat 24g
Carbohydrate 37g of which sugars 27g
Protein 7.6g
Salt <0.01g
Posted Wed 20 May 2015 2.34pm by Kirsty
The Alpaco bar from Valrhona is a classic, single origin bar with a long lasting taste to be savoured.
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Cleveland Hillel sponsors a wide array of events each month for undergraduate, graduate and professional students. These include social programs, arts, cultural and educational events, Shabbat services and dinners, holiday celebrations, community service/social justice opportunities, networking events and connecting students to the community and Israeli cultural activities.
Find out about upcoming events and connect to our events calendar.
Find out more about all the events at the Cleveland Hillel Foundation


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Our Price: £39.95 Zero VAT
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Superior white chocolate couverture (fine cooking chocolate) from Amedei. For the finest of creations from chocolate making to desserts and decorations. Used by the highest professionals. Rich, creamy and exceptionally full flavoured.
Image shows milk, dark and white chocolate drops. Only white chocolate drops included.
Why not take a look at our chocolate recipes
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Next day delivery is £5.95. Available for orders placed before 4pm.
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Silverthorne received its name from Judge Marshal Silverthorn, who staked his gold mining claim in the valley in 1881. The "e" was added to the name in the 1930's because it was considered fashionable and chic. Over 100 years later Silverthorne continues to be "the gateway to Summit County." Officially incorporated in the 1960's, Silverthorne has grown up with the Summit County tourist industry. Silverthorne's proximity to both summer and winter activities, where all four of Summit County's world-class ski resorts within 20 minutes, make the town an ideal place to visit and live. Silverthorne's 62,000 square foot recreation center offers plenty of indoor recreation for both residents and visitors alike. Silverthorne is best known for its shopping, which should not be missed. The Silverthorne Factory Stores, with over 70 brand name shops are widely known for exceptional value, quality, and variety.
The data relating to real estate for sale on this website comes in part from the Resort Data Exchange program of the Vail Multi List Service Inc. and Mountain Region Multi List Service. Real estate listings belonging to brokerage firms other than Slifer Smith & Frampton Real Estate are marked with the RDX logo or icon. The detailed information about them includes the listing brokers name.
Copyright © 2018 Vail Multi List, Inc. (VMLS). The information displayed herein was derived from sources believed to be accurate, but has not been verified by VMLS. Buyers are cautioned to verify all information to their own satisfaction. This information is exclusively for viewers' personal, non-commercial use. Any republication or reproduction of the information herein without the express permission of the VMLS is strictly prohibited.
Listing courtesy of Paffrath & Thomas R.E.S.C