text:
Los Angeles Mayor Eric Garcetti joined two leading state Senate Democrats on Friday to support a plan to invest the state's cap-and-trade revenue in mass transit and affordable housing.
"This is smart legislation," Garcetti said, "because it would spend cap-and-trade funding where it naturally should be spent -- in those communities that face pollution, but in those communities that are making those choices to reduce pollution."
In 2006, AB 32 created a cap-and-trade program in California in which companies can sell their unused greenhouse gas emission credits to the biggest polluters in the state.
Senate President Pro Tem Darrell Steinberg (D-Sacramento) and Sen. Kevin de Leon (D-Los Angeles) are pushing for the the cap-and-trade revenue -- which they say could total between $3 billion and $5 billion a year -- to fund mass transit projects in California.
"Think about how much more we could do in California if we had a dedicated permanent source of funding for public transit," Steinberg said in downtown L.A. on Friday.
Garcetti said that L.A. would get 10% of the money overall, which would mean hundreds of millions of dollars for affordable housing in Los Angeles. Funding for affordable housing in the city has dropped dramatically in recent years.
The news conference Friday came a day after Garcetti went to Sacramento and met with Steinberg and De Leon. The three officials showed up at the Friday event in a zero-emission Metro bus, which Steinberg said was the "direction we intend to move California with our long-term strategy to reduce pollution."
The proposed investment plan is intended to keep greenhouse gas emissions down by using the money from the cap-and-trade program to grow the state's mass transit system, including funding for high-speed rail. By increasing public transit and building affordable housing near public transit, supporters hope fewer people will use cars.
Metro Board Chairwoman Diane DuBois said Friday that an individual switching to public transit reduces their greenhouse gas emissions by 4,800 pounds per year.


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Hi, I am sorry I am not familiar with your language. I would like to download the above styles if I may. But I do not know where to click to download it. Can you be of any assistance please. Thank you so much. I wish either you or your wife and mother a Happy Mothers Day. Be Blessed. Julieردحذف
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text:
Happy VAD from the Hewletts
Subject: Editorial | February 14, 2012 - 12:06 PM | Josh Walrath
Tagged: Valentine's Day, Kate Hewlett, David Hewlett, Assassidate
Last week David Hewlett was kind enough to drop by for our Podcast on TWiT, and this week he has put the finishing touches on his latest webisode from the Assassidate series! In honor of Valentine's Day, David and his sister Kate explore the dark underbelly of the Valentine Annihilation Group and the giving of inappropriate cards and gifts.
Source: H0rrid's YouTube Channel
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Reviewed By Bob B (Tacoma, WA) Reviewed for a 2000 Toyota Tundra —1/3/2018 6:11 PM
I ordered these and they arrived well packaged and quickly. I had a shop put these on for me along with some Magna-flow catalytic converters and a Flowmaster cat-back system, so I cant really comment on how hard they are to put in. I do want to say that they did not come with new exhaust gaskets for either end of the headers. I noticed a definite increase in horsepower and engine response, but I replaced the whole exhaust from the block back. Overall I give em 4 stars (a bit expensive)


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Friday, September 16, 2011
Todd Clever cited for off the ball hit against Russia
USA Eagles captain Todd Clever has been cited for dangerous tackling and dangerous charging.
Update 17/09/2011: Clever cleared
The offence was deemed to be at the lower end of the scale of seriousness.
"In particular the judiciary officer determined that the contact was between the USA player's upper arm and the victim player's chest," said the judiciary statement.
"It was a glancing contact as the victim player was already falling away as a result of a legitimate tackle by another USA player. There was no adverse effect on the victim player or the match and the offence could not be described as a body check, which would have been more serious."
Don't miss out on rugby's biggest stories and most
popular videos with the new Rugbydump Daily
Posted by Rugbydump at 9:01 pm | View Comments (6)
Posted in RWC Extra


text: Hi friends, Finally i got accepted in a CPA network, ya it is AdWorkMedia OKY i have very simple question, where is my campaign hop link? Is it in [Preview Landing Page] in campaign page ? like the image below : http://i453.photobucket.com/albums/qq252/loveghost003/Untitled-3_zps7bdc5a62.png or it is just a sample preview and i should get the hop link from another place ? i just need my hop link which has my tracking data And thanks for help


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Police reports
• A 12-year-old girl was hit by a vehicle while she crossed the street Friday morning at Cary-Algonquin and Silver Lake roads, according to a news release. The girl was being treated at a hospital for her injuries and the 22-year-old driver is cooperating with police. Charges have not been filed in the case, which remains under investigation, police said. If anyone has any information about the crash, Cary police ask that you call (847) 639-2341.
• Donald C. Williams, 25, of the 7600 block of Bristol Lane, Hanover Park, appeared in bond court Thursday on a felony charge of attempting to cash a forged check, according to court documents. Williams is charged with presenting a fraudulent payroll check at 11 a.m. Wednesday to Ram Food Store, 725 W. Chicago St., in the amount of $678, police reports said. Bail was set at $10,000, of which Williams must pay 10 percent to be released before his next court date, scheduled for Nov. 1 in St. Charles.


text:
BTC news
Créé 27.07.2017 09:10
Dear client, BTC deposit/withdrawal will be closed July 29 as well as tokens based on BTC. Trading will be available as usual. Deposit/withdrawal will be opened after the successfull resolution of possible network issues and/or after we finish crediting of our clients with new BTC forks.


text:
1.1 Before what tribunals can a patent be enforced against an infringer? Is there a choice between tribunals and what would influence a claimant's choice?
Vietnam has no specialised IP court. Patent owners may enforce their IP rights by initiating civil litigations before Civil Courts, which are called People's Courts, of provinces or centrally-run cities. A defendant's domicile, workplace or place of his/her head office or the locality of the infringement would determine the court that has jurisdiction over a case.
1.2 What has to be done to commence proceedings, what court fees have to be paid and how long does it generally take for proceedings to reach trial from commencement?
Before commencing proceedings in the court, it is common for a letter of demand to be first sent to an alleged infringer in an attempt to reach a resolution of the dispute without the need for court action. If no resolution can be reached, a legal action is commenced with the filing of the plaintiff's complaint with a competent court. A request for applying provisional measures may be submitted at the time of filing the petition or during the settlement of the case.
The court would officially accept the case after the applicant submits a receipt for the payment of court costs and/or court fees as regulated in Decision No.326/2016/UBTVQH14 dated December 30, 2016 of Standing Committee of the National Assembly on Court Costs and Fees. At this time, concerned parties have the right and obligation to lodge requested opinions and evidence with the court. The court may collect or request relevant authorities to collect evidence concerned upon the request of either the plaintiff or defendant.
The time limit for pre-trial procedural stages ranges from two to four months. The court may decide to extend the time limit for preparation for the trial, but it shall not exceed six months in any case. However, in practice, the first-instance trial often lasts from 12 months to 18 months.
During the period of the pre-trial procedural stage for a trial at first instance, the court shall carry out conciliation to enable the parties to reach an agreement on the settlement of the case. If negotiation between the parties fails, the court shall issue a decision to bring the case to a hearing.
A first-instance trial must be conducted within one month from issuing the decision to hear the case.
1.3 Can a party be compelled to disclose relevant documents or materials to its adversary either before or after commencing proceedings, and if so, how?
The mechanism of discovery of evidence does not exist in Vietnam. However, for collecting evidence that is under the control of the other party, either the plaintiff or defendant has the right to request the court to compel the party to produce such evidence. Art.58.2.d) of Civil Procedure Code regulates that the involved parties shall have the right "to read and take notes, photocopy documents and/or evidences produced by other involved parties or collected by courts" when participating in civil procedures.
In case of infringement of a patented process, the defendant is compelled to show evidence to prove that his or her products are made by a process other than the patented process.
1.4 What are the steps each party must take pre-trial? Is any technical evidence produced, and if so, how?
There is no specific pre-trial procedure, it is up to the parties to prepare any evidence, including pleadings, reports, witness statements, experts (technical), they consider necessary for proving their case.
Concerned parties have the right to request that the court provides them with the evidence submitted by the other party. When deeming it necessary, the Trial Panels may: arrange for the audio tapes and/or discs to be heard; and/or video tapes and/or discs to be screened at court sessions, except for the cases in which it is necessary: to keep State secrets; to preserve the nation's fine customs and practices; to keep professional secrets, business secrets or private secrets at the requests of the involved parties; or go together with the involved parties for on-site examination of exhibits which cannot be brought to court sessions.
1.5 How are arguments and evidence presented at the trial? Can a party change its pleaded arguments before and/or at trial?
In general, a lawsuit petition is filed together with documents and/or evidences and an explanation sheet to prove that the claim(s) of a litigator are well grounded and lawful. Arguments are presented orally to the judging panel at the trial.
The judging panel would consider evidences, photographs and records of confirmation of evidences at the trial.
If necessary, the judging panel shall arrange for the listening of audio-tapes and discs and screening of video tapes and discs during the trial.
A party can change its pleaded arguments and/or make additional comments at trial provided that the changes to the arguments are based on documents and evidence that has been collected, examined and verified at court sessions, as well as results of the inquiring process at court sessions.
1.6 How long does the trial generally last and how long is it before a judgment is made available?
The trial hearing can last one or several days depending on the complexity of the case.
The judgment is often pronounced right after the hearing. Within a time-limit of 10 days from the date of pronouncement of the judgment, the court shall deliver or forward the judgment to the concerned parties.
1.7 Are judgments made available to the public? If not as a matter of course, can third parties request copies of the judgment?
Yes. Judgments are made available to the public. According to Resolution No. 03/2017/NQ-HDTP dated February 17th, 2017 of the Judicial Council of the Supreme People's Court, judgments and decisions of courts will be published on the Court's web portal within 30 days from the date on which such judgments, decisions take effect. This Resolution came into effect from July 1st, 2017.
1.8 Are there specialist judges or hearing officers, and if so, do they have a technical background?
No. There are no specialised intellectual property courts or specialist judges in the People's Court.
1.9 What interest must a party have to bring (i) infringement, (ii) revocation, and (iii) declaratory proceedings?
(i) The plaintiff must be the owner of the patent, or an exclusive licensee with proper licensing recordation at the NOIP.
(ii) Any party is entitled to request the NOIP to take a patent revocation if: (a) the applicant for the patent has neither the right to file the application nor has been assigned such right; and (b) the subject matter of industrial property failed to satisfy the protection conditions at the grant date of the patent.
(iii) Declaratory proceedings are not applicable in this jurisdiction.
1.10 If declarations are available, can they address (i) non-infringement, and/or (ii) claim coverage over a technical standard or hypothetical activity?
Declarations are not available in Vietnam.
1.11 Can a party be liable for infringement as a secondary (as opposed to primary) infringer? Can a party infringe by supplying part of, but not all of, the infringing product or process?
No. There is no secondary/contributory infringement provided for under Vietnamese law.
1.12 Can a party be liable for infringement of a process patent by importing the product when the process is carried on outside the jurisdiction?
Yes. A party can be liable for infringement of a process patent by importing the product when the process is carried on outside the jurisdiction.
1.13 Does the scope of protection of a patent claim extend to non-literal equivalents?
Yes. "Equivalents" of the claimed subject liable for infringement covers both product and process. In particular, an infringing element of an invention may take any of the following forms:
(i) a product or part (component) of a product which is identical or equivalent to a product or part (component) of a product within the scope of protection as an invention;
(ii) the process is identical or equivalent to a process that is protected as an invention; or
(iii) the product or part (component) of the product is manufactured via a process that is identical or equivalent to a process currently protected as an invention.
1.14 Can a defence of patent invalidity be raised, and if so, how? Are there restrictions on such a defence e.g. where there is a pending opposition?
A defence of patent invalidity can be raised (see question 1.16 below). There are restrictions on such defence, for instance, the court can stay the infringement proceedings pending the opposition proceedings settled by NOIP.
1.15 Other than lack of novelty and inventive step, what are the grounds for invalidity of a patent?
Other grounds for invalidity of a patent comprise:
(i) the subject matter lacks industrial applicability;
(ii) the subject matter is unpatentable (see question 5.1); and
(iii) the patentee was not entitled to file the application for the subject matter.
1.16 Are infringement proceedings stayed pending resolution of validity in another court or the Patent Office?
The court may decide to temporarily suspend the civil lawsuit while the resolution of validity is in progress.
1.17 What other grounds of defence can be raised in addition to non-infringement or invalidity?
The other grounds of defence that can be raised, apart from non-infringement or invalidity, are:
(i) using the subject of the patent for personal needs or non-commercial purposes, or for the purposes of evaluations, analysis, research, education, testing, pilot production or for collecting information to carry out procedures to obtain a production licence, import or product marketing permit;
(ii) circulating, importing or exploiting the products having been legally put into the market, including foreign markets;
(iii) using the subject of the patent only for the purpose of maintaining the operation of a foreign vehicle in transit or only temporarily entering into the territory of Vietnam;
(iv) using the subject of the patent by the person with prior user right; and
(v) using the invention by the person authorised by the competent State authority in case of a compulsory licence.
1.18 Are (i) preliminary, and (ii) final injunctions available, and if so, on what basis in each case? Is there a requirement for a bond?
(i) Preliminary injunctions are available at the court's discretion. The petitioner must prove that the alleged infringement is likely to cause irreparable damage or the product suspected of infringing the patent rights or relevant evidences is likely to be destroyed, if not protected. The preliminary injunctions must be secured by a bond of 20% of the value of the goods that are subject to the application of provisional measures, or at least VND20 million if it is unable to determine the value of those goods or a guarantee document issued by a bank or other credit organisations.
(ii) A court judgment that comes into force shall become a final injunction. The court judgment of the first instance trial will be enforceable if it is not appealed to the People's Supreme Court.
The judgment of the appellate court shall be legally enforceable as of the date of the pronouncement of the judgment.
1.19 On what basis are damages or an account of profits assessed?
Art.2014 of IP Law provides the rules of determination of damages, which consists of material damages (i.e., property loss, income and profit decrease, lost of business opportunity etc.) and spiritual damages (i.e., damage to honour, dignity, prestige and reputation etc.) caused by infringement of intellectual property rights. The burden of proving and calculating material damages lies with the plaintiff.
Damages/compensation can be calculated on the following grounds:
(i) The equivalent in money of the total physical damage caused, plus the profits gained by the dependant from the act of infringement if the reduced profits of the plaintiff have not yet been included in the total physical damage.
(ii) The value of the presumption that the defendant has been licensed by the plaintiff under a licence contract, to the extent that is equivalent to the infringing act committed.
(iii) Where it is unable to determine the rate of compensation, compensation shall be fixed by the court but shall not exceed VND500 million.
(iv) Where the plaintiff succeeds in proving that the act of infringement has caused spiritual damage to him or her, he or she shall have the right to request the court determines the rate of compensation ranging from VND5 million to VND50 million, depending on the level of damage.
1.20 How are orders of the court enforced (whether they be for an injunction, an award of damages or for any other relief)?
Within five years after a judgment or ruling takes legal effect, the judgment creditor and judgment debtor may request a competent civil judgment enforcement agency to issue a judgment enforcement decision. Involved parties may reach agreement on judgment enforcement, provided that agreement does not violate prohibitions prescribed by law and is not contrary to social morality. Outcomes of judgment enforcement under agreements will be recognised.
The State encourages involved parties to voluntarily execute judgments. The time limit for voluntary execution of a judgment is 15 days after the judgment debtor receives or is properly notified of, the judgment enforcement decision. Upon the expiration of this time limit, judgment debtors with judgment execution conditions who fail to voluntarily execute judgments shall be coerced to do so
1.21 What other form of relief can be obtained for patent infringement? Would the tribunal consider granting cross-border relief?
The court may order: (i) ceasing of the infringing act; (ii) public rectification and apology; (iii) performance of civil obligations; (iv) compensation of damages; and (v) destruction or disposal of infringing goods for non-commercial purposes. Cross-border relief is irrelevant to Vietnam and therefore is not applicable.
1.22 How common is settlement of infringement proceedings prior to trial?
In principle, the settlement of patent infringement proceedings before trial in Vietnam can be reached via arbitration, mediation or conciliation procedures. However, in practice, an arbitration deals with disputes arising from a contract, but not that arises from a patent infringement, while mediation is not a popular approach for a settlement of patent infringement in similar cases. As a result, the parties concerned often reach a settlement prior to trial by conciliation, and followed by the withdrawal of the statement of claims filed by the plaintiff.
In addition, administrative actions are a common measure to act against IP infringement in Vietnam. Such an administrative action is able to help the IP owner to obtain sufficient evidence materials not only for a follow-up settlement negotiation, but also for a possible civil action initiated by the IP owner. In many cases, a settlement is reached after an administrative raid, without initiating a civil action against the infringer.
1.23 After what period is a claim for patent infringement time-barred?
The statute of limitation for initiating a lawsuit against infringement is two years from the date the infringement is discovered or from the date on which legitimate rights and interests of individuals/organisations are infringed.
1.24 Is there a right of appeal from a first instance judgment, and if so, is it a right to contest all aspects of the judgment?
Concerned parties have the right to appeal the first instance judgment to a higher court and contest a part or all aspects of the judgment.
1.25 What are the typical costs of proceedings to first instance judgment on (i) infringement, and (ii) validity? How much of such costs are recoverable from the losing party?
The costs are calculated on a case-by-case basis, depending on the complexity of the case, etc.
Regarding a civil lawsuit, attorneys' fees are estimated at about US$10,000 and are charged based on the work undertaken.
The winning party can recover these costs to the extent depending on its claim for damages. The claim for damages must be calculated on the damage incurred by the party.
1.26 For jurisdictions within the European Union: What steps are being taken in your jurisdiction towards ratifying the Agreement on a Unified Patent Court, implementing the Unitary Patent Regulation (EU Regulation No. 1257/2012) and preparing for the unitary patent package? For jurisdictions outside of the European Union: Are there any mutual recognition of judgments arrangements relating to patents, whether formal or informal, that apply in your jurisdiction?
Vietnam has no mutual recognition of judgments arrangements relating to patents, whether formal or informal, with any country or regional organisation. However, results of substantive patent examination conducted by the following entities:
(i) the International Searching Authorities and International Preliminary Examining Authorities under the PCT; and
(ii) the patent offices of: the United States; Canada; Japan; the Russian Federation; the United Kingdom; Sweden; Spain; Australia; China; the Republic of Korea; Germany; the European Patent Office; and the Eurasian Patent Organization (EAPO),
might be considered as a basis for granting a patent in Vietnam.


text:
Welcome to Santa's Journey
As Christmas approaches, Santa, with the help of his industrious elves and Mrs. Claus have created a magical journey in the foothills of the Wicklow mountains. This enchanted train journey sets off from Winter Wonderland Station stopping to see Santa's Runway, The Talking Trees, Candy Cane Land, Elves Village and many more incredible attractions along the way before going to a very special audience with Santa himself. Santa's Journey kicks off on the 25th of November and runs every weekend until Christmas in the beautiful grounds of Djouce Golf Club, Roundwood, Co Wicklow.
Guests will be invited into the warmth of Wonderland Lodge where the journey continues with a visit to the elves quarters (shhhh) before stopping off at North Pole Post Office and the elves bedrooms, then onto seeing how the amazing elves are preparing all the letters for Santa Claus to read. Have your letters stamped by one of Santa's elves to ensure you get first priority this year. The journey comes to an end as guests are invited to the Winter Lodge Cafe where hot drinks and festive treats will be available for purchase.
Tickets cost €12.50 for adults and €18 for children which includes a free gift from Santa.
Santa's Journey opens on Saturday the 25th of November and runs every Sat/Sun until the 23rd.
Hover over the interactive map below to find out more about your journey.
Arrive 15 minutes before your journey begins and enjoy a complementary mulled wine or hot chocolate as you wait to hear the sound of your train pulling in and your conductor calling on all passengers travelling on Santa's Journey please board the train.
Setting off from the station you will head out onto the enchanted grounds where your first stop will be Santa's runway. See Santa's runway where he will be taking off on christmas eve to visit children all over the world.
The journey will continue through the forest and alongside the talking trees. Listen closely as these winter trees share stories and secrets about the winter wonderland experience.
The train will then travel through the magical candy cane highway where children will be excited by the magical decorations and lighting surrounding these life size candy canes.
Keep your eyes peeled as you pass through the elves christmas village. Try to spot wolfgang the elf working on his latest invention and make sure to have your waves and smiles ready for happy and his pals! They just loves to see all of your smiling faces.
Did you know that Santa travels over 20,000 miles a year across the globe in his sleigh? Yep thats right and to make sure his trips go according to plan he likes to make sure his sleigh is squeeky clean and always ready for take off. Keep your eyes peeled to see if his sleigh has been parked up as you make your way off the train and into Santa's workshop
Santa's weather station, Santa's Show, meet Santa, photo opportunity with Santa.
Santas Post office receives tonnes of letters every year from children all over the world. See Mrs Claus cabin where she makes cookies and sandwiches for the elves.
Elves Bedrooms
See where the elves sleep and rest after a hard days work with santa.
Meet Santa's reindeer. See where they live when resting after a hard nights work pulling Santa's sleigh.
Come and see the live animals that Santa Keeps at the north pole.
North Pole Post Office
Santas Post office receives tonnes of letters every year from children all over the world. See Mrs Claus cabin where she makes cookies and sandwiches for the elves.
Elves Classroom
Elves take a long time to graduate and become a fully qualified elf. In the classrooms they learn everything from looking after the Reindeer to making toys.
Child € 18
Adult € 12.50
- Santa's Runway
- Present From Santa
- Magical Train Ride
- Audience with Santa
- Candy Cane Forest
- Elves Bedrooms
- Mrs Claus Kitchen
- Elves Village


text:
Read This - 2011-05-08
Apparently, eBay is doing some testing on bidding increments.
Read this:
According to at least one poster on that thread, an eBay rep claimed that they're experimenting with bidding increments, supposedly doubling or tripling them in some auctions.
You may want to look at any winning auctions you've had today and I guess in the upcoming days (testing supposed to last until May 12th). If you see that your bid jumped more than the posted increment for the price zone (see our FAQ page, question/answer #39 for links to bid increments), maybe do as poster #60, contact eBay live help and ask for a credit for the amount of the extra increment jump.
Apparently, you'll not get and credits if you don't contact eBay and ask for them. Seems like there may be more to come on this.
Server down earlier - 2011-04-29
Hidbid was down for about three hours earlier today, our hosting provider was hit with an incoming DDoS. I will contact the users who had missed snipes because of this. We are very sorry for the inconvenience. Everything should be functioning well again.
Main server - 2011-03-28
Our main server was down for a few minutes on Saturday, preventing a few snipes from executing (and you from setting any up I imagine).
Our mirror server acts as a back-up and also submits bids, but the main server was down long enough that the mirror wasn't updated with the soon to execute snipes (it only retrieves info for snipes that are to execute in the next few minutes), so neither server submitted your bid. The snipes that the mirror did have the info for were submitted successfully.
System errors like this are rare, but are a possibility. We try to eliminate the potential for trouble as much as we can.
We're sorry for the missed snipes, I sent a message to each member affected.
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Amanda Selwyn Dance Theatre Residencies for Universities and Professional Dancers
Programs range from 1-4 weeks and are custom-designed to meet the needs of each student group. Each program includes combinations of the following workshops/classes/performances:
For inquiries and bookings click here
Amanda Selwyn Dance Theatre engages audiences in original and dynamic dance theatre that raises questions, challenges social norms and values, and magnifies humanity through dance. Productions pivot around core themes and through an interplay between athletic and pedestrian motion, activate emotional expression, character, and narrative in a rich and abstract collage. Amanda Selwyn's collaborative choreographic process nurtures our own network of artists while actively engaging the community at large. In our Theme and Motif Workshops, students practice improvisation and composition skill building exercises to unearth raw and true original movement. We explore various sources of inspiration for developing movement including text, sound, texture, character, quality, as well as generating more conceptually motivated movement. To refine movement, students investigate motif development, phrasing, timing, rhythm, variation, voice, character, focus, partnering, touch, and quality.
Technique Classes taught by Amanda Selwyn Dance Theatre Company Dancers emphasize clarity, initiation, quality, focus, energy, rhythm, musicality, and freedom of expression. The opening warm-up sequence focuses on the fluidity of the spine, core strengthening, articulation of the limbs, and then builds into across the floor sequences and challenging, creative, and invigorating phrase work. Students experience a movement vocabulary rich with detail, dramatic expression, energy, focus, and athleticism.
Body Conditioning classes focus on core strengthening, stability, flexibility, aerobic stamina, and developing minor muscle groups that protect joints and facilitate a greater range of motion and expression. Using yoga and pilates techniques and exercises, breath, alignment, and subtlety is emphasized throughout the vigorous full body workout.
The Movement Exchange Method, developed by Amanda Selwyn, is her signature methodology for creative collaboration and for arts education. Working with this approach, in Selwyn's choreographic process, dancers invent 'nuggets' of original movement through various short studies, improvisations, and exercises in response to specific paradigms and thematic, essential questions. These 'nuggets' of movement are passed throughout the company to develop variation, nuance, in essence unpacking each dancers' physical responses to the given paradigm to its most essential core. In this fashion, a rich, authentic, visceral, athletic, detailed, and expressive movement vocabulary slowly develops which stems from the collaborating dancers and the themes presented. Through the give and take and refining process, a cohesive through-line appears and the movement takes on new meaning and dictates the development of the choreography.
Human civilization as juxtaposed with nature is an underlying current in all of Selwyn's work. She seeks to turn that which we accept every day on its head by dancing with social constructs and finding new meanings, new context. Her last six works have all been evening-length pieces, very much in dialogue with one another, each posing new questions for the next piece to address. In Repertory Workshops, students will learn sections from these works to perform in student performances. Works include: Behind Us, a piece in which there is a large wall on stage that the dancers climb, balance on, hide behind, and penetrate; Disturbance, a piece that explores the forces that bring about change, plotting a course through earth, air, fire, and water; Interiors, a piece that animates everyday living spaces, drawing distinction between public and private realms in kitchens, bathrooms, closets, hallways, and bedrooms; Hearsay, a work that pursues the soul of both the message and the messenger through call and response, follow the leader, self-reflection, social evolution, oral story, and the voice of a crowd; Undercurrent which lingers in the many energies of water to delve into that which is beyond our control — impulse, instinct, and forces of nature; Passage which explores overcoming obstacles, discovering resilience, being open to life's possibilities; and Five Minutes which dramatizes our experience of time and explores what it means to be truly in the present moment.
In Collaborative Dance Creation Workshop, Selwyn will develop a new work of choreography with residency participants that will eventually develop into a part of the company repertory. Working with her collaborative process, students will practice the skills learned both in the Theme and Motif workshops and Movement Exchange Method Workshops, crafting original movement, developing variations, and with Selwyn's direction, create new theatrical dance works.
Residency participants will have opportunities to perform the new works they have created collaboratively as well as repertory works learned for the greater school community.
Amanda Selwyn Dance Theatre will perform works from the company repertory for the greater school population. Performances will often include post-show discussion and/or post-performance interactive workshops.
"Choreographer Amanda Selwyn uses gesture, narrative, and character to move her dances beyond pure bodies in motion and into social commentary and critique." – Flavorpill
"Choreographically, Amanda's point of departure is not an image or a gesture, but a theatrical imperative felt in her insistence on expression." –
In Arts-in-Education Workshops, students learn Notes in Motion Outreach Dance Theatre's approach to arts-in-education and develop playful dance exercises for a variety of ages and school populations. Participants will develop skills for classroom management, organizing culminating events, connecting dance to other aspects of the school curriculum, collaborating with classroom teachers, approaches to assessing students learning, have opportunities to practice teach, and study and analyze the dance standards as outlined in the NYC Department of Education's Blueprint for Teaching and Learning in the Arts. Working with our singular approach to arts education, The Movement Exchange Method, students in our school programs take on leadership roles in their own learning, have creative input in the design of the curriculum, participate in critical discussions of the work of their peers, and develop collaborative skills. Our arts-in-education programs foster self-discovery, risk-taking, and making connections between different topics, themes, and areas of learning. We aim to provide access to the art form of dance to inspire the next generation of dance appreciators.
The Arts-in-Education Workshop will cover curriculum that teaches our five overarching learning goals: (1) Develop Skills and Technique – Investigating fundamental dance concepts: levels, pathways, body shapes, rhythm, weight shifts, dynamics, body control, basic partnering; (2) Improvise – Inventing original movements, expressing feelings/abstract concepts, working alone, collaborating with peers, finding solutions to movement problem, collaboration; (3) Choreograph – Creating choreography, choosing a beginning, middle, end, recalling, repeating, practicing sequences, employing structures, creating as a group; (4) Perform – Performing for peers, family, and the school community at the end of each semester, dance with expressiveness and joy, understand appropriate performer and audience behavior, dance with focus and intent, dance with self-awareness and awareness of the group; (5) Reflect – Employing dance vocabulary through writing, discussion, and video, name dance activities, parts of the body, choreographic ideas, personal observations, use contrasting action and descriptive words, connect dance learning to academic areas.


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Becoming a Referee
If you wish to become a referee, you must complete and pass an Ontario Soccer (7X7) mini soccer or entry-level referee course. A new referee may not skip this step and register directly with Ontario Soccer. Gloucester Recreational Soccer normally offers two courses in each category every spring. Registration for these courses opens in late January or early February. For first year Referees at each level, the cost includes the Ontario Soccer registration as well as the clinic fee.
7v7 Small Sided Soccer Referee
Effective 2009, the Canadian Soccer Association set the minimum age of the Entry Level Referees to 14 years. This created a gap for the hundreds of 12 and 13 year old Ontario Soccer referees. In order to continue to provide development opportunities for the younger referees, the Ontario Soccer Referee Department developed a Small Sided Soccer Referee Course for 12 and 13 year olds.
To participate in a Small Sided Soccer Referee Course, an individual must be at least 12 years old on or before March 31st the year of the course.
Participants of the course will become certified Ontario Soccer Mini Soccer Referees, and will be qualified to referee 7 v 7, Tiny Tot and Mini Soccer games. These referees will not be certified to referee or act as the assistant referee on any 9v9 or 11 v 11 games at any level until they reach the age of 14.
For information on course application, click here
11 x 11 (Entry Level) Referee
2009 marked the province-wide launch of the new Entry Level Referee Course. The Canadian Soccer Association designed this course with the aim of providing a more uniform approach in teaching the Laws of the Game, leading to a greater degree of uniformity in the understanding and application of the Laws of the Game across Canada.
The new 11 x 11 Referee Course focuses on practical training and the application of the Laws of the Game. It is taught by an Ontario Soccer qualified instructor. Participants are required to complete a Pre-Course Workbook prior to arriving at the course. This gives them a basic knowledge of the laws before entering the classroom. During the course, participants will engage in interactive, practical-based training sessions, teaching them how to apply the laws they touched upon in their pre-course work. At the conclusion of the course, participants will write an exam based on the material covered over the duration of the course. Those who pass the examination will be certified as CSA District Referees (if over the age of 16) or Youth Referees (if under the age of 16).
Please note that only those who have turned 14 years of age on or before March 31st of the current year are eligible to take the Entry Level Referee Course. For those under the age of 14, they are eligible to attend the Small Sided Soccer Referee's Course.
For information on course application, click here
Updated: February 2015
Gloucester Dragons Soccer Club


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It sounds like a complicated math equation: If you have 20 nude models, a large swimming pool, three assistants, one photographer who can't swim, and less than a minute per dive, how many shots will it take to get the perfect image?
As unpredictable as those variables may be, that's the reality of Ed Freeman's productions. Freeman's underwater photography features the lithe bodies of dancers and models interacting across the picture plane. And while the production is "fairly substantial," Freeman says, it's also "very low-tech." Freeman and his assistants use basic tools to direct and manipulate natural light on a larger scale. "We put a translucent tent over the entire pool to diffuse the sunlight," he explains. "Sometimes we put a big plastic mirror on the bottom. I work with three or four assistants, one of whom is in charge of keeping everything—and everybody—spotlessly clean so that no dust or suntan lotion ends up in the water, which can cloud it."
Freeman himself is weighted down to the bottom of the pool with a 20-pound weight, which allows him to walk around during his short dives. But, as he isn't a swimmer, he says: "Several times I've had to be rescued by my models or assistants when I couldn't get back up to the surface."
The productions have grown in size since he began this body of work. Freeman began with a single model but "very quickly" increased the scale. Due to the unpredictable nature of directing so many models, he says "for every good picture, there are hundreds of throwaways," But Freeman is also a self-proclaimed "Photoshop junkie," and he perfects the final compositions in post, from editing out every magnified, backlit spot of dust, to compositing entire bodies. "Underwater shoots are the most fun of any of the work I do," Freeman says, "and I'll keep doing them for as long as I can." —Jacqui Palumbo
Ed Freeman was the First Place winner in the Professional Fine-Art category of The Body competition. See all of the winning work here.
Related Stories:
Cory VanderPloeg's Figure Studies
Jeff Mikkelson's "Liquid Dreams"
Lindsay Rae Illuminates Her Muse with Natural Light
4 Comments
When I first saw this article, I thought of a photographer on exhibit at Gallerie MX in Montreal, Robin Cerutti. https://www.instagram.com/p/BKhRCf0h1iv/?taken-by=robincerutti… similar ideas. ..
Modern photography is about plagiarism.
When somebody gets an idea – hundreds use it.
This is seen everywhere. Sad
To get fame means to know somebody right person.
Beautiful photographs. Thanks.
So beautiful!


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Screen West Midlands Presents:
Matt Groening has rocked the world of animation once with The Simpsons, twice with Futurama, and now thrice as judge of Shooting People's Film of the Month competition in September 2011!
For our Animation Takeover month, the inimitable Mr Groening will be on hand to watch and comment on your work. All you have to do is upload your most impressive animation to Film of the Month in September, then get fellow members to watch, love and vote for you.
We want the best, most imaginative and downright mind-blowing animators around the world to showcase themselves during our Animation Takeover, and have a crack at this unique chance to get feedback from an undisputed animation idol. Of course, you can upload short films of any kind, but we think animators will be particularly excited to about the competition.
Upload your film from 1st September. The top three films at the end of the month will be sent to the desk of Mr G himself for approval and winning decisions. You must be a Shooting People member to enter.
Add your animation to September's hottest competition from 1st of the month: http://shootingpeople.org/watchfilm/home


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Feels like an age since I've posted – well, I missed Tuesday. I did go for a run, but I've had a bit of a cold, so it turned into a series of mini-runs that joined up to make a dispiriting trip out. To be honest, I just wanted to forget about Tuesday's run, so I figured I wouldn't blog. However, Thursday is another day (as they say), and I ran this morning.
It's now just over a week until the North Tyneside 10k, my first actual proper race. I'm concentrating on getting to the end, not the time, and I know I tend to hare off like something not right. So I figured a nice slow run, lets call it "race pace" and be done with it. Last time I was in my "I could keep this up all day" place, I was running around 9:40/mile, so I figured that would be a good place to start. Off towards Tynemouth and the hills at the Priory. These are the two hills that feature in the race, and I was wondering how they'd feel today in my still-a-bit-sniffly condition. The last (first) time I tried them, I got up the first one without too much ado, so much so that I ended up walking from surprise rather than knackeration.
Straight from the off I had to hold my pace back – I was heading for 8:40 territory, and I know that's not sustainable over the longer term. So I consciously told myself to hold it back, go a bit slower, look at the scenery, etc. etc. It seemed to work and soon I was hitting 9:40 and keeping to it.
It was a fantastic day out for running – nice and sunny, but not too hot, with a little breeze to cool you down. I (not quite) whizzed my way to Tynemouth, finding that holding back the pace meant I wasn't feeling pooped like usual. A couple of folk overtook me, but I didn't let it bother me – I reckon the weren't aiming for the Hills Of Death like I was, and so could afford to fritter away their supplies of energy early on.
Right – arrived at the hills, and I have to say I'm starting to almost enjoy going downhill now – it's been a bit of a tricky thing for me, how fast, how controlled, etc., but I think jarring my brain on the trails at the weekend has done wonders – I just let my legs get on with it – keeping an eye out for cars, and the downhill took care of themselves. A little twinge from my ITB as I got to the bottom, just to remind me it's there in case I've forgotten.
Now along the riverside path to the Fish Quay – maybe a mile all told – there is a huge buoy on a pedestal, so I ran around that to mark my turning point then back we go.
Psychology in running is interesting – I'm not claiming to be an expert, or know much about it other than my own vague ramblings, but I had just successfully lied to myself. Feeling a little tired, I'd said that when I got to the turn-around point I could have a little walk and a drink and wouldn't that be lovely. However, when I arrived there, I revealed the awful truth – I'd been lying and there was no walking to be had, hah! But my legs didn't mind, they just stoically accepted and got on with running. I think it works because of something I heard in relation to raw food diets (or giving up any kind of food or habit, I guess) – it's not about thinking "I can't have that", it's about thinking "I don't really want that" – as in I could have walked, had I wanted, but I didn't want to – it wasn't that I wasn't allowed to do it at all…
Back along the riverside path, and I approach the Hills Of Death. Another runner overtakes me, but I cannily spot that he's going to run to the end then turn around, no death-hills for him, and so I can continue on my smug little way, pride intact.
First hill, the steeper one I reckon, but the shorter of the two. Small steps, same cadence. Bippety-bippety-bipp and I'm at the top – that was easy, what's going on? Learning from my last mistake, I remember to keep running on the dip between the two hills and reach the second, bigger hill up past the Priory. Small steps, same cadence. Flash, bang, wallop – what a picture. I make it up – I was even able to summon up a wave to another runner coming down the hill – he ignored me – and suddenly I've reached the top. Wowzah.
There's something about reaching the top of a hill and it levelling out that's just lovely – your legs can stretch a bit, it's not so strenuous and best of all, the hill is behind you. Now it's the simple matter of running back along to Whitley Bay to make up the remainder of the 6.11 miles to give me a 10k. At about five miles in, I get a bit woozy, don't know if it's the hills hitting me after all. Luckily I'd stashed a gel in my pack ages ago, and found that. Now I know gels are supposed to take 15 minutes to take effect, or something like that, but the placebo effect heads straight to the brain, as it doesn't need time to be absorbed. With that in mind, I feel a bit refreshed and canter my happy way to the end. In the sun. By the sea.
Got home to discover a letter from the Council, not a final demand, but this:
Time: 58:52
Distance: 6.12 miles
Av. Pace: 9:37/mile (aiming for 9:40)
Climb: 184 ft
What an ace morning.


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(Reuters) - Four U.S. Navy sailors are set to face charges this week for their alleged role in the deaths of two divers who drowned during a training exercise in Maryland, the Navy said on Tuesday.
The names of the sailors and the charges against them will be made public during arraignments on Wednesday at the Naval Station in Norfolk, Virginia, said spokesman Lieutenant Nathan Potter.
Petty Officer 1st Class James Reyher of Caldwell, Ohio, and Petty Officer 2nd Class Ryan Harris of Gladstone, Missouri, died on February 26 at the Super Pond training site at Aberdeen Proving Grounds near Baltimore. They were trying to locate a sunken helicopter in 150 feet of 41-degree Fahrenheit (5-degree Celsius) water.
Senior Chief Petty Officer James Burger, the master diver at the scene, and Chief Warrant Officer 3 Mark Smith, the officer in charge of the dive group, faced a June hearing to determine whether a general court-martial was warranted.
Commander Michael Runkle, leader of the unit, was relieved of his post after the incident.
The four unnamed sailors will face a special court-martial, which imposes punishments less severe than a general court-martial, sometime in the fall, Potter said.
Witnesses at the June hearing said the divers were never intended to make their dive in conventional scuba gear.
They should have used an underwater breathing apparatus called a Mark 16 that would have allowed them more time to work, the witnesses said.
Not enough devices were available, so the decision was taken to make the dive using scuba gear. Reyher and Harris went in but ran out of air, and attempts by other divers to aid them failed.
(Reporting by Ian Simpson; Editing by Prudence Crowther)


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"Dear Hadrian - we are running low on Chianti in Londinium".
Back in 122 AD it was much easier to monitor and share information. For one thing, there just wasn't that much of it. Even managing a city in a far-flung corner of the Roman Empire didn't require much data collection, transfer or analysis. That was true for centuries, but in the last 100 years things have certainly changed.
As a bit of an amateur historian, I like to keep in mind where we are in the arc of history. Not only do I find it fascinating from a social standpoint, but it also provides perspective for the business and technology challenges that companies face today. Taking a long view helps me stay focused during those times when I am head down in code, making sure that customers are happy and that we are demonstrating thought leadership in the marketplace.
The Data Explosion
As we all know, data is being generated today at a ridiculous rate. A recent study by Forbes revealed that in the past two years alone we have created more data than was generated in the entire history of human civilization. And the rate and pace is increasing exponentially. Driven by the global penetration of technology, research states that by 2020, there will be about 1.7 megabytes of new information created every second for every person on the planet.
The start of this data deluge can be traced back to the earliest days of the Internet – when computers first starting talking to each other, having digital conversations between themselves using ones and zeros. This represented a sea change (to say the least) in how companies managed their process and built successful business models based on this increased level of accessibility to data.
And it is only going to get crazier! The Internet of Things (IoT) continues to evolve and expand with sensors and actuators being incorporated into all sorts of previously unconnected objects. As cars, appliances, clothing, food stuffs, buildings and a zillion other things that we can only imagine all get IP addresses and start joining the network, the amount of data that is going to be generated will be staggering. It will make the information management challenges we are dealing with in 2016 look like the problems faced by the Roman Empire back in the first century.
That's not especially reassuring to data management professionals who already feel like they're standing on the beach with a sword trying to hold back the ocean.
Turning endless piles of data into timely, actionable information needs to be top of mind on both business and IT agendas. This also has implications for related business processes as well as the tools used assure strategic information management in the enterprise. This is really what information management is all about.
According to a recent report from Forbes and SAP, data-related problems cost the majority of companies an average of more than $5 million annually, and a fifth of these companies estimated losses in excess of $20 million per year. The report also suggested that the information management conversation now needs to be elevated beyond just IT so that CIOs and their managers are thinking more strategically about the benefits to the lines of business.
The time to focus on information management is now.
My team and I have visibility into a rich landscape of data across our development processes through our marketing and sales efforts, out to our supply chain, and of course the most valuable source: customer information.
While it seemed a bit overwhelming at first, today we look at this cross-functional data as a treasure trove. We proactively mine this information to gain visibility into previously unidentified synergies. We are finding opportunities for business process enhancement and other broader improvements.
Another other exciting development is the wide range of solutions emerging to help with data analysis and rationalization. Several companies are already experimenting with cutting-edge tools and technologies that use artificial intelligence, advanced predictive analytics, and even 3D data visualizations that leverage augmented reality.
And don't look now, but the army of bots is coming. These self-aware algorithms are going to take the power of information management to an entirely new level. Imagine designing a bot that could go into your supply chain and collect longitudinal data about trending in operational costs based on geographical or seasonal criteria, or even levels of adoption or implementation by customers. The next evolution of information management will use machine learning processes that allow bots to train other bots. It will make today's information management processes seem downright ancient.
On a personal level, I am very excited about what's next in information management. There are tremendous opportunities for a next generation of innovative solutions. New models being developed will improve how and where information is collected and continue to drive customer satisfaction and loyalty. All of this is just over the horizon, and we need to be ready for it. And I don't even have to learn Latin to do it!
(About the author: Brian Starr is senior vice president of technology solutions at Rocket Software, where he leads development of storage, networks, and compliance products. He also acts as vice president, IBM Tivoli Partnership for Rocket. Brian is based on Denver and holds a B.S. degree in Computer Science from Ohio State University.)
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text: McDonald Mazda is proud to serve the greater Denver Metro Area, Littleton, Englewood, Highlands Ranch and Centennial area of Colorado. With thousands of satisfied customers it is with great humility that we are able to be Colorado's most trusted Mazda dealership. We would like to invite you to write a referral about your experience at McDonald Mazda.


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The Things They Carried Topic Tracking: Effects of War
Chapter 1
Effects of War 1: When Jimmy Cross understands that Ted Lavender is really dead, and that he might have prevented it, his whole outlook changes. Before, he couldn't get Martha out of his head. He was a daydreamer and a lover more than he was a soldier, and he thought often about that. But afterward, he understands that when someone dies, that can't be changed. It makes him realize his duty, and he is suddenly able to distance himself from everything that used to be important in his life. He understands that he is now living in another world, and that he is a soldier whether he wants to be or not.
Chapter 3
Effects of War 2: The lack of a purpose sometimes drives the men crazy. They feel that there is no definite morality to what they are doing. They become desperate for anything, even a game of checkers, that has a definite winner and loser. Their own wartime life seems endless, repetitive, boring and terrifyingly pointless.
Effects of War 3: Tim is unable to forget even the tiniest details from Vietnam. They play out in his memory and in his writing over and over, and he is helpless to contain them. Writing about the war is his link between the past and the future, he says. And the terrible and beautiful things he saw in Vietnam will be with him forever.
Chapter 5
Effects of War 4: Dave Jensen becomes unable to tell what is right and what is wrong. He has been fighting Vietnamese for so long that when he begins to fight with someone from his own side, he goes a little crazy. He thinks he has to make up for the way he hurt Lee Strunk, when even Strunk believes he had every right to hurt him.
Chapter 7
Effects of War 5: Rat Kiley cannot deal with the fact that his best friend is dead, so suddenly and without any reason behind it. He tries to explain how he feels to his friend's sister, and when she doesn't respond, he directs all his fury and hopelessness at her. He is nineteen, but war has made him vulgar, and a killer.
Chapter 9
Effects of War 6: Mary Anne Bell, who was only in Vietnam a few months, lost herself in the country. She became, as Rat Kiley described it, an animal. No one knows what happened to her, but she seemed to become part of the land itself. Rat cautions the others not to be surprised that this could happen to a woman: it could happen to anyone, he says.
Chapter 15
Effects of War 7: The war separates Norman from everything he wants to be close to. He knows no one in the town will understand his experiences, so he hardly talks to anyone. His thoughts are endless and repetitive, but he cannot get away from them. He spends a lot of time alone because he simply cannot seem to relate to anyone anymore.
Chapter 20
Effects of War 8: Though Tim is trying to spook Jorgenson, he gets spooked himself. Vietnam is a terrifying, savage, mysterious place, and he does not want to become it. He feels he is doing just that by scaring Jorgenson. When he sees Jorgenson terrified, he feels a connection to him. They both know what it's like to think you're about to die. But Tim is also terrified of the power he has over Jorgenson.
Chapter 21
Effects of War 9: Rat Kiley is literally driven crazy by the war. The entire country seems full of ghosts--every sound the men hear is haunted--and when they are travelling solely by night, they can hardly tell if their own bodies still exist. Rat cannot handle this. He sees visions of himself as dead. He views the other men as just so many anatomical parts. He loses his sense of reality.
Chapter 22
Effects of War 10: All the people Tim lost in the war have given him a new understanding of death. Since he has spent twenty years writing about them, he has slowly realized that they are not really dead: they are alive in his memory and imagination. He understands the pain of losing his friends, and the guilt of killing his enemy. But he also knows that his stories keep all of them alive.


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- Keywords -
- Category Hunting Stories
- Region -
- Prostaff Member Trout Whisperer
Camping alone re-energizes all my feelings of what I grew up hearing, good Old Catholic guiltâ. I can eat all the fun stuff out of my food pack first if I want to. Instead of gathering firewood from the dead fallen stuff in the nearby woods, I brought a big pile of split ash from home. I just woke up from a nap where I put my sleeping bag on the top of the picnic table and used one of my hunting jackets for a pillow.
The table is now back to a table and stopped being a bed, so if any of the rule makers would show up, Im in complete compliance again. If someone else is with on a camping trip, I always consider what they want to do first. This trip, I just do anything I want and do not consciously ask myself what's next. Just Floating through a series of me firstsâ.
Puffy white and extra clean clouds are drifting overhead. Today is also one of the days I wish I still smoked a pipe. Id send my aromatic smoke to mix with the big shots floating above. Assembling a fly rod, hauling the kayak to the shore and changing leather shoes for beach boots consumes a number of minutes that Im not keeping track of. Bread, meat and cheese with a bottle of water is my lunch as I watch the family settling in farther down the lake. Kids are sucked to the lakeshore with all the magnetic forces the planet earth has.
I do not know if it's a brother and sister combo or cousins, but stereo laughing and rock throwing has busted loose and reverberates around the lake. My kayak carves softly the lake surface. Little wake trailing off from both sides of the stern.
Trout are rising lazily. This is sight fishing. In a stream I know which way the nose is pointed on my adversary. Now Im trying to drop the fly close with a plop. I have criss-crossed this five acre patch of water. The entire lake is close to sixty acres. Trout are dimpling the surface almost timed to where I look. My match the hatch is not working. Guessing which way they are swimming below the surface has netted zip. There nymphing, Im gonna try something else.
Retiring the fly rod I pull a short spinning rod from the cock pit. Four pound test with a thumb nail size little Cleo is my next tactic. Lure color was chosen based on nothing. It's the little collection of spoons I brought with that I have used along the north shore of Lake Superior. This one is half copper colored and silver with the $1.19 price tag still on. I peel the white tag and most of the sticky adhesive and I set it on its way.
Im casting the lure and two kids over my shoulder are throwing rocks. Before the ripples settle out I start my retrieve. I did not bring the lake depth map but this is plenty deep. Where Im floating should be almost thirty feet deep. Where the fish hits, who knows, somewhere between my first few winds on the reel and now is as close to pinning it down as I can get. Wrenching and twisting, he breaks water by only inches. Silvery, with a trace of pink, and for less than a foot long rainbow trout, it feels great. By shoving my foot against the inside of the kayak I can sway the kayak to lay long against the direction the trout is lunging for. How much faster that can tire a trout has to be dramatic. He is coming in now with the tug of war subsiding.
Being so close to the surface of the water because the low profile of the kayak has really deepened my appreciation for fishing on a lake. This trout is splashing water on my legs and water droplets are hitting my face with his tail washes. He is looped to my leather lace stringer. Placing it into the water I get yet another splash. Treble hooks hold solidly but get tricky to unhook on these smaller fish. I switch out the treble for a single and go back to casting.
It's been all afternoon and not one other bite. I have heard the kids being called to dinner and one bout of crying from the other camp site. Daylight's curtain is being drawn and the hint of pink from the rainbow trout is vaguely familiar in the western horizon. Sporadic rises during the day have become an upside down rainstorm. The lake surface is pocked with feeding fish.
An owl floats over my head so low I duck. I have sent, never before, water shocks into this lake. Wow, how that bird startled me. Picking my kayak paddle out of the water I readjust physically in the boat and mentally in my head. When little bugs are coming off the lake surface and I couldn't possibly see even with my glasses on to retie some midge, I opt for a muddler minnow.
Big, gaudy, oh and guess what, none of the trout lawyers are on this lake tonight. Casting into the lighter part of the sky is my only focal point. I wait until I know the ripples have settled out. Its just time. Now stripping line through my fingers and Im tensed up weird charge of adrenaline. Nothing no strike I cast again.
My kayak has twisted with the constant right hand casts to where I see sparks rising from the neighbor's campfire. I am distracted at watching the large yellow orange sparks into the night sky rise and vanish. Im the rule maker in my thoughts now and I hope they don't burn the forest down.
The pulsing rod is now after countless casts, earning its daily bread. During the slack time in my retrieve the trout has solidly hooked himself, so I snap the rod tight. Somewhere unseen, it's slapping the surface. And this is its third jump. Some fish struggle when you hook them. Theyre small or untested. My rainbow thinks this is his lake. A memory is being sent into my arms and mind and finger tips from this trout. Too bad it's not in color. My living screen is nighttime black.
Maybe a little case of trout trauma, but I can feel my shakiness at the thought of loosing this fish, is creeping into my brain. Maybe too many cramped hours in the kayak, or how about the cool night air is chilling me, but maybe it's the boy in me going way back in time to the first trout ever.
Lifting the rod I can feel the arc my trout is cutting in the water. Im gaining line. Running down my fingers as I take up slack, water is dripping from my hands and hitting my legs. Trying to find the net is too much to fret over now. Bringing the fish in close to my reach, I grab for bulk trout. Scooping mixed with confused grab and the fish with hook is wrestling in the cockpit. My anxious sigh is replaced with an I did itâ grin. Fumbling, I have my headlamp flashlight beam working over the pot of gold nineteen inch rainbow, and maybe a twinge of guilt.
Posted by Trout Whisperer under Hunting Stories on February 13, 09 09:11 AM | Permalink


text:
Sunday, 12 October 2014
sunday style: winter boots
I've been spending a ridiculous amount of time lately looking at winter boots; I'm drawn to big platform heels, chunky soles and leopard print but in reality have to pick something a little bit more foot-friendly to do the school-run in. Sigh.
I actually gave in to the ones on the top right, which are from ASOS; my main requirements were that they were a) waterproof, b) quick to put on and c) easy to walk (or run!) in, and these were literally the only ones I liked that ticked all the boxes. I'm also hoping that the big sole will keep them warm if we get the big freeze they're predicting (although how they can guess weather months in advance is beyond me!), and I love how despite not having a platform heel, they still look suitably bulky. I'm not a big fan of delicate boots; I just prefer the way chunky ones look with jeans and tights.
Have you got your winter boots yet? If you've seen any good ones, leave a link in the comments!
1. Black Leather Leopard Ankle Boots by New Look, £54.99
2. Across the Board Suede Monk Ankle Boots by ASOS, £50
3. Alter Ego Leather Chelsea Ankle Boots by ASOS, £55
4. Patterned Fabric Boots by H&M, £19.99
5. Dark Red Caged Leather Boots by New Look, £44.99
6. Giazzera Leopard Ankle Boots by Aldo, £80
7. Road Trip Desert Boots by ASOS, £55
8. Soho Ankle Boot in Black Glitter by Boden, £116
Posted by Victoria Haynes at 05:34
Labels: Style
3 comments
Oh my goodness...I can't believe that boot season is already upon us! I brought five new pairs only last winter so I'm going to try and get some use out of those this year...although I really loving no 8! Agh! xReplyDelete
Oh I saw those Boden glitter boots in the flesh at the press day and they are awesome, especially in blue - very glam rock!ReplyDelete
I love number 6, in fact I need to buy them!!! xReplyDelete
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Developed by ACSM, this text presents a framework for optimizing
patients' and clients' functionality by keeping them physically active.
It provides evidence-informed guidance on devising individualized
exercise programs for persons with chronic and comorbid conditions.
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will be granted the option for downloading the e-book edition at no additional charge. Learn more.
A reference for physical therapists, rehabilitation specialists, nurses,
physicians, health and fitness instructors, exercise physiologists, and
clinical program directors; also a textbook for exercise management
courses covering chronic disease and disabilities.
The American College of Sports Medicine (ACSM), founded in 1954,
is a professional membership society with more than 50,000 national,
regional, and international members in more than 90 countries dedicated
to improving health through science, education, and medicine. ACSM
members work in a range of medical specialties, allied health
professions, and scientific disciplines. Members are committed to the
diagnosis, treatment, and prevention of sport-related injuries and the
advancement of the science of exercise.
The ACSM promotes and integrates scientific research, education, and
practical applications of sports medicine and exercise science to
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via CNN press note:
Fast Nationals for Tuesday, January 3 (Iowa Caucuses)
As the only news organization that doesn't take sides, CNN had a strong performance during Tuesday's Republican Iowa caucuses topping MSNBC in both total viewers and the key demo 25-54 during all key day parts.
CNN also showed the most growth among total viewers compared to the prior four Tuesdays, increasing +142% (1.310m vs. 541k), while FNC increased just 22% (2.631m vs. 2.158m) and MSNBC was up 32% (1.195m vs. 903k) during primetime. In the target demo 25-54, CNN also grew the most, increasing +220% (486k vs. 152k), while FNC was up 43% (684k vs. 478k) and MSNBC grew 49% (303k vs. 203k) vs. the prior four Tuesdays.
Primetime: (8-11p)
CNN: 1.31m total viewers/486k target demo 25-54
FNC: 2.63m/684k
MSNBC: 1.20m/303k
Late Night: (11p-3a)
CNN: 839k total viewers/347k target demo 25-54
FNC: 1.82m/645k
MSNBC: 693k/228k
Full Block: (7p-3a)
CNN: 1.0m total viewers/390k target demo 25-54
FNC: 2.15m/637k
MSNBC: 932k/259k


text: Arthur L. Guptill's classic Drawing in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers.


text:
Smokin' Aces
It's a bloody mess, not to mention the gore
Go to showtimes
If you saw the trailer for Smokin' Aces, you would be forgiven for thinking it must be an incoherent, slobbering mess.
You would be forgiven because you would be correct.
Smokin' Aces has done something I didn't think possible: It has made Alpha Dog look like Oscar fodder. It has pushed that abusive exercise from the low-rise pedestal reserved for the worst movie of the year (at least so far). And it threatens to wipe from the minds of admiring cinephiles the memory of Narc, writer-director Joe Carnahan's sharp breakout cop thriller.
The narrative innovation behind Smokin' Aces is its lack of a protagonist. I don't mean the lack of a sympathetic protagonist, or a strong antagonist, or an Aristotelian tragic hero in the mold of Hamlet or Tommy Lee. It has no protagonist at all. Every single character piled onto this scrum is a supporting player — although that implies there might be something to support, and there isn't, unless you ponder Jason Bateman in a thong.
Bateman looks chipper. He plays a wasted weirdo lawyer, one of many wasted weirdos populating Smokin' Aces. He also plays one of the few people who don't die somewhere along the line, as the movie makes a big point of introducing colorful characters (identified in subtitles, a popular gimmick these days) for the express purpose of popping them off. It's like Ten Little Ducks with really big guns. Or Jackson Pollock, flinging chopped bits of Quentin Tarantino and Guy Ritchie onto his canvas instead of paint.
The story concerns sleazebag Buddy "Aces" Israel (Jeremy Piven), a mob-connected Vegas magician-turned-FBI-snitch who's poised to bring down a dying mafioso named Primo Sparazza (Joseph Ruskin). Israel's been holed up for weeks in a palatial Lake Tahoe penthouse when the feds get wind of a mob hit: a million bucks for anyone who whacks Israel and cuts out his heart.
The contract on Israel, who splits his time between card tricks and operatic crying jags, turns into a cattle call for hit men and peripheral eccentrics: a bail bondsman and a couple of ex-cops (Ben Affleck, Peter Berg and Martin Henderson); a pair of demigoddess assassins (Taraji Henson and Alicia Keys); a goon with burnt fingertips (Nestor Carbonell); a master of latex disguise (Tommy Flanagan); and a trio of wasted weirdo Nazi brothers (Kevin Durand, Maury Sterling, Chris Pine).
Andy Garcia plays the FBI honcho in charge of two agents, portrayed by Ray Liotta and Ryan Reynolds, who head for Tahoe and discover a bloodbath. At times characters sob uncontrollably to the accompaniment of lachrymose strings. At times I, too, wanted to sob uncontrollably, over the squandering of talent and stage blood.
One scene holds promise. In it, a Nazi thug walks over to Affleck's corpse. He reaches down, gently clasps that manly jaw and moves his mouth open and shut, assuming the dead man's voice. "I forgive you," he says. Cute, isn't it? Almost as cute as the scene with the chopped fingers and the car keys. And almost as touching as the scene with another hit man leaning over the form of yet another dying nimrod as he strokes his head and talks him quietly to heaven.
It's ludicrous, but not as ludicrous as the ending — an exhausting game of Twister that'll leave you feeling stupid or cheated or both. The first revelation is bizarre, the second is obvious, while the third contradicts the first two. As for the fourth, it reveals the movie as an abysmal waste of time. But you already knew that from the trailer.


text:
Velvet Noir Major Volume Mascara by Marc Jacobs Beauty
I picked this mascara up on a whim when I was in Sephora in January and I instantly fell in love with it. The Velvet Noir Major Volume Mascara is designed to give you epic lashes; it is very volumising and it gives you instant dimension. In just one quick coat you get thick lashes that almost look fake, the brush lets you reach every lash, springing them into action and giving maximum volume.
Ombre Iridescent eyeshadow in Plum Silver
As soon as I saw the Ombre Iridescent eyeshadows I knew I had to have one! There are four shades and I knew the purple one was the one I needed. The colours are brought to life with a shot of silver iridescence, so they have a really lovely shine. This has a cream-to powder formulation, which applies like a dream but also holds on your eyelids all day long. The colour is really pigmented, I load it on to my eyelids, I then take a MAC 217 and blend out the edges. What I love is that this honestly creates the most effortless smokey eye, without any hard edges and it only takes thirty seconds.
By Terry Ombre Blackstar Cream Eyeshadow in Misty Rock
When I haven't been wearing the Ombre Iridescent eyeshadows, 'Misty Rock' By Terry has been my eyeshadow of choice. This is a stunning 'everyday' shade, which isn't just a classic neutral colour. Misty Rock is a gorgeous smokey mauve shade, which is buildable too. It looks beautiful underneath the Clarins eyeshadow but also gorgeous on it's own. It's been perfect whilst I've been traveling as it stays in place all day and looks good no matter what time it is!
A whole host of Real Techniques brushes recently joined my collection. Is there anything better than new brushes? I don't think so! Two of my favourites have to be the Multi Task Brush, which I actually already owned, but I love using it for blush, bronzer and powder. My other favourite is the Angled Highlighter Brush, which is a lovely shape and size for applying highlighter in lots of different areas.
This top coat is something completely different but I love it! It's a formula that is the ultimate product to stop your nails from chipping. You only need one quick coat to lock in your colour and keep your manicure looking good for days. I've been impressed by the lasting power this has and it smells like coconut! The formula dries glossy, but I'd definitely prefer it to be a bit more dramatic - so I put a coat of Seche Vite on the top.
What were your favourite products in February? Have you tried any of these? I'd love to know your thoughts!


text:
BOSTON (CBS) – A woman's DNA has been found on a bomb fragment recovered from the Boston Marathon, sources told CBS News. There's a chance it could've come from a spectator or a clerk who sold the parts to make the bomb, but it could also lead to a female accomplice.
Monday, the FBI collected a DNA sample from Katherine Russell, Tamerlan Tsarnaev's wife, at her parent's home in North Kingstown, Rhode Island. WBZ watched as agents entered the home.
CBS reported investigators will compare that against the DNA found on the bomb remnant to figure out if Russell had contact with the bomb. She is not a suspect and not charged, but investigators still want to question her to find out what, if anything, she knew of her husband's plans.
Meantime, life is getting back to normal near the Cambridge apartment Katherine shared with her husband and three-year-old daughter. "I've never seen his wife or his daughter while I was living there. The first time I saw them was at the police station," neighbor Albrecht Ammon said. Ammon moved in two months ago, and police wanted to know if he'd seen anything suspicious which he had not.
"I'd see Tamerlan like once or twice a week. He'd say hi and ask me how I was doing. I'd hear the daughter upstairs in the apartment run around. It did not seem like they were planning anything," he said. Ammon hasn't seen anyone at the apartment since investigators reopened his street and allowed neighbors back in. "Out of all places I picked you know I picked this house and they were living above me," he said.
As for the younger brother, Ammon ran into Dzhokhar just a couple of weeks before the bombing. He recognized Ammon from his time at Cambridge Rindge and Latin School, where Dzhokhar had graduated two years before. "He just asked me how high school was and how his old friends were. He seemed really nice," Ammon said. "It was a shock. I just really couldn't wrap my mind around it," he said of realizing the Tsarnaev's alleged connection to the bombings.
The Medical Examiner's office has determined Tamerlan Tsarnaev's cause of death, but isn't releasing it until his body is claimed and a death certificate filed. His father had planned to do that, but this weekend cancelled his trip citing health issues.


text:
Chinese Canadians
Voices From A CommunityBook - 1992
The Dunsmuir Saga brings to life three generations of the legendary Dunsmuir family of Vancouver Island.
Robert Dunsmuir -- canny, acquisitive and imaginative -- became the richest man in British Columbia; his sons struggled to consolidate the family fortune; his grandchildren spent it. Award-winning author Terry Reksten brings the members of the Dunsmuir family and their colourful saga to life with her lively writing, vivid anecdotes and careful research. A selection of 50 historical photographs depicts the Dunsmuirs and their grand style of life.
Publisher: Vancouver : Douglas & McIntyre, c1992.
Characteristics: ix, 277 p. :,ill., ports. ;,26 cm.
Additional Contributors:
Alternative Title: Voices from a community : Chinese Canadians.
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Santa Clarita Valley International Program (SCVIP) is the local nonprofit sister city organization of Santa Clarita. SCVIP was founded by Carl Boyer, board member of SCVIP. The mission and purpose of SCVIP is to shepherd the creation and development of sister city relationships where education, economic development and cultural awareness may be exchanged, implemented and strengthened.
Sister City relationships mean opportunities for learning and economic growth for the Santa Clarita Valley. The breaking of cultural barriers, partnerships in business and education, cooperative problem solving and strategic alliances will benefit both the community in the Santa Clarita Valley and those communities abroad whom Santa Clarita has established partnerships.
The Santa Clarita Valley International Program seeks to engage the residents of Santa Clarita in a wide variety of activities. Whether your interests lie in sustainable development, economic growth, education, humanitarian aid, arts and culture, and international travel, SCVIP facilitates and participates in a variety of activities such as:
- Sister Cities
- Art Contests
- Medical Missions
- Scholarships
- Sister Schools
- Student Exchanges
- International Travel
Our goals consist of establishing a third Sister City, implementing a medical mission to Tena, Ecuador, establishing an annual fundraising event, organizing an international festival, and expanding our Nicaragua sister school program.
SoCal Chapter, Sister Cities Int'l
Washington, D.C.


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Consultancy Services
For more specific problems involving the installation or utilization of equipment, we offer the opportunity to consult our experts. We are highly experienced in soil and water research equipment, but also in broader topics such as environmental problems, irrigation design, soil degradation or monitoring design.
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