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Home Works 6 exhibition - Curated by Tarek Abou el Fetouh
17 May - 10 June 2013Time: 4:00 pm - 7:30 pm
Event Type Exhibition
Location Artheum CHECK THE MAP
Includes works by Pilar Albarracín, Cao Fei, Ali Cherri, Ho Tzu Nyen, Iman Issa, Basim Magdy, Ahmed Mater, Park Chan-Kyong , Walid Raad, Khalil Rabah, Walid Sadek, Roy Samaha, Wael Shawky, Mounira al Solh, Seo Min-Jeong, Song Ta & Wang Ningde
Exhibition opens on May 17th and runs until June 10th.
more info
Tarek Abou El Fetouh is a Brussels-based independent curator and architect. He is the director since 2000 of the Young Arab Theatre Fund and the initiator of the multidisciplinary event Meeting Points. His curatorial works include It is Happening in the Garage, Alexandria 2000; Roaming Inner Landscape, Alexandria 2003; DisOrientation at the House of World Cultures in 2003; and the 9th Sharjah Biennial (2009). He curated the first four editions of Meeting Points before working with curators Frie Leysen on the 5th edition, Okwui Enwezor for the 6th edition, and the Zagreb-based collective What, How and for Whom (WHW) for the upcoming 7th edition.
The exhibition program for Home Works 6 adopts strategies of spatial and temporal transferences, reenacting three key exhibitions that took place at transitional moments in history: the first Alexandria Biennial in 1955; the First Arab Art Biennial in Baghdad in 1974; and the exhibition "China/Avant-Garde" in Beijing in 1989. Inspired by Ibn Arabi's concept of time as a fluid place and place as a frozen time, the exhibition examines the locations and conditions of the present, which finds itself once again at a historical juncture. The exhibition summons the past and present of Baghdad, Alexandria and Beijing to Beirut 2013, suggesting leaps among these different epochs and locales, and among the basic laws that have governed (and continue to govern) our culture and our thought. The exhibition does not seek to redraw a historical map. Rather, it presents a body of contemporary artworks against three crucial events—all of which were fuelled by important political, social and artistic movements—as a layer in time and place that is at once conductive and disruptive.
Tarek Abou El Fetouh
Tarek Abou El Fetouh
Ahmed Mater
Ahmed Mater (b. Saudi Arabia, 1979) co-founded Al-Miftaha Arts Village in Abha in 1997 and Edge of Arabia in 2008. His art, encompassing photography, calligraphy, painting, installation, performance and video, explores the narratives and aesthetics of Islamic culture in a transformative era of globalization and consumerism. It is informed by his daily life as a medical doctor in Abha and his traditional upbringing. His most recent work combines video, photography and online activism to present an unofficial and subjective commentary on some of the most contested and poignant transformations taking place in Saudi Arabia today. His work has been collected by the British Museum and the Los Angeles County Museum of Art, among others. Mater lives and works in Abha, Saudi Arabia.
Ali Cherri
Ali Cherri (b. Beirut, 1976) is a visual artist and designer working with video, installation, performance, multimedia and print. His recent exhibitions include Bad Bad Images, a solo show at Galerie Imane Farès (Paris, 2012); Dégagements, Institut du Monde Arabe (Paris, 2012); Exposure, Beirut Art Center (2011); Southern Panorama, VideoBrasil (Sao Paolo, 2011); Beirut, Kunsthalle (Vienna, 2011) and A Fleur de Peau, a solo show at Gallery Regard Sud (Lyon, 2011).
Basim Magdy
Basim Magdy (b. Assiut, 1977) currently lives and works between Basel and Cairo. His work has recently appeared in La Triennale, Intense Proximity, Palais de Tokyo, Paris; Newtopia, the State of Human Rights, Mechelen (2012); the 11th Sharjah Biennial (2011); Future Generation Art Prize, PinchukArtCenter, Kiev; In the Wintry Thicket of Metropolitan Civilization, AR/ GE Kunst Galerie Museum, Bolzano; and at the International Film Festival Rotterdam. Selected upcoming shows in 2013 include the 13th Istanbul Biennial; Biennale Jogja XII, Indonesia; Picha Rencontre, Lubumbashi Biennial, Democratic Republic of Congo; and Dissident Futures at Yerba Buena Center for the Arts, San Francisco.
Cao Fei
Cao Fei (b. 1978) is a Chinese artist based in Beijing. She is known for her multimedia installations and videos mixing social commentary, popular aesthetics, references to Surrealism, and documentary conventions. Her works reflect on the rapid and chaotic changes occurring in Chinese society today. They have been shown most recently as part of The Orchid Pavilion, Wide Open School, London Hayward Gallery (2012); Night Garden, PinchukArtCentre, Kiev (2010-2011); and RMB City, 29th Sao Paulo Biennial (2010). Her video works have been exhibited at the Guggenheim Museum, the International Center of Photography, and PS1 (New York); Palais de Tokyo and Musee d'Art Moderne de la Ville de Paris (Paris); and Mori Art Museum (Tokyo). Fei was a finalist for the Future Generation Art Prize 2010 and the Hugo Boss Prize 2010, and won the 2006 Best Young Artist Award by CCAA (Chinese Contemporary Art Award). She was part of the curatorial committee of the 8th Berlin Biennial.
Ho Tzu Nyen
Ho Tzu Nyen makes films, videos and theatrical performances related to historical and philosophical texts and artefacts. Recent solo exhibitions of his work include MAM Project #16 at the Mori Art Museum (Tokyo, 2012), the Singapore Pavilion at the 54th Venice Biennial (2011) and EARTH at Artspace, Sydney (2011). Exhibitions that he has taken part in include No Country at the Guggenheim Museum in New York (2013); the 6th Asia-Pacific Triennial (2009); the Dojima River Biennial (2009); the 1st Singapore Biennial (2006); the 3rd Fukuoka Asian Art Triennial (2005); and the 26th Sao Paulo Biennial (2004). His theatrical experiments have been presented at Theater der Welt (Germany, 2010), the KunstenFestivaldesArts (Brussels, 2006, 2008) and the Singapore Arts Festival (2006, 2008). His first feature film HERE premiered at the 41st Directors' Fortnight, Cannes Film Festival (2009), and his medium-length film, EARTH, premiered at the 66th Venice International Film Festival (2009).
Iman Issa
Iman Issa lives and works in Cairo and New York. Her recent group and solo shows include: The Ungovernables, New Museum, New York (2012); Seeing is Believing, KW Institute of Contemporary Art, Berlin (2011); Material, Rodeo, Istanbul (2011); Short Stories, Sculpture Center, New York (2011); and Propaganda by Monuments, Contemporary Image Collective, Cairo (2011). Her video work has been screened at several venues including Transmediale, Berlin; Tate Modern, London; Spacex, Exeter; Open Eye Gallery, Liverpool; and Bidoun Artists Cinema, Dubai. Issa is a recipient of the first Han Nefkens Foundation-MACABA Award (2012) and the Abraaj Group Art Prize (2013).
Khalil Rabah
Khalil Rabah (b. Jerusalem, 1961) studied architecture and fine arts at the University of Texas. Rabah is co-founder of Al Ma'mal Foundation for Contemporary Art in Jerusalem and of the Riwaq Biennial (2005), and is also the founder of The Palestinian Museum of Natural History and Humankind. He is a member since 2010 of the Curriculum Committee of the Home Workspace Program, an educational initiative launched by Ashkal Alwan. Rabah has participated in several biennials including the Liverpool (2008), Venice (2009) and Sharjah (2010) Biennials; as well as group exhibitions, most recently at the Queens Museum of Art, Brooklyn (2009); Mathaf Museum of Modern Art, Doha (2011); Museum of Contemporary Art (MAC) Marseille (2012); and the Mori Art Museum, Tokyo (2012). His solo exhibitions include Review, Beirut Art Center (2012), The Third Annual Wall Zone Sale, Khalil Sakakini Cultural Center, Ramallah (2004); 50,320 Names, Brunei Gallery, London (2007); United States of Palestine Airlines, Home Works, Beirut (2007); and Art Exhibition, Ready Made Representations, Sfeir-Semler Gallery, Hamburg (2012).
Mounira Al Solh
Mounira Al Solh (b. Beirut, 1978) studied painting at the Lebanese University in Beirut, and Fine Arts at the Gerrit Rietveld Academy in Amsterdam. Between 2006 and 2008, she was a resident at the Rijksakademie in Amsterdam. Al Solh has held solo exhibitions at Grunt Gallery, Vancouver (2012); Stedelijk Museum Bureau, Amsterdam (2011); Kunsthalle Lisbon (2010-11); and Sfeir-Semler Gallery, Beirut (2010-11). Her work has been exhibited in the Venice Biennial (2007); the Istanbul Biennial (2009); Haus Der Kunst (Munich, 2010); Tate Modern (London, 2011); Mori Museum (Tokyo, 2012); and the New Museum Triennial (New York, 2012). In 2007, Al Solh won the Jury Award at the IEA Festival—Videobrasil and the Rijksakademie's Uriòt Prize, and was nominated for the Volkskrant Beeldende Kunst Prize in 2010.
Park Chan-Kyong
Park Chan-Kyong (b. 1965) is an artist and filmmaker based in Seoul. His subjects have extended from the Cold War to traditional Korean religious culture. He has produced media-based works such as Sets (2000); Power Passage (2004); Flying (2005); Sindoan (2008); Radiance (2010); Anyang Paradise City (2011); Night Fishing (2012); and Manshin (2013). His works have been exhibited internationally at Gwangju Biennale (Korea); De Appel (Amsterdam); RedCat Gallery (Los Angeles); and Kunstverein (Frankfurt), among other places. He has won various prizes including the Hermes Korea art prize (2004); the Golden Bear for the best short film at the Berlin International Film Festival (2012); and the Best Korean Film at the Jeonju International Film Festival (2012).
Pilar Albarracín
Pilar Albarracín (b. Andalucia, 1968) studied at the Fine Arts School in Seville. Albarracín has had numerous solo exhibitions, including at La Caixa (2002); Reales Atarazanas (Seville, 2004); Maison Rouge/ Fondation Antoine de Galbert (Paris, 2008); and La Conservera (Murcia, 2009). She has participated in major exhibitions, such as Here comes the sun, Magasin 3, Stockholm Konsthall (2005); Global Feminisms, Brooklyn Museum of New York (2007); Transmission Interrupted, Modern Art Oxford (2009); and The Desire for Freedom. European Art since 1945 (Deutsches Historisches Museum, Berlin; Palazzo Reale, Milan; Kumu Art Museum, Tallinn; and Krakow). Albarracín's work was shown at the 1st International Contemporary Art Biennial in Seville (2004), 51st Venice Biennial (2005), and 1st Moscow Biennial (2005). She lives and works between Madrid and Seville.
Roy Samaha
Roy Samaha (b. Beirut, 1978) is a Lebanese video artist and photographer. He completed a Masters degree in film studies and worked in the news and broadcasting TV industry until 2008. Since 2003 he has exhibited his work in numerous film and contemporary art festivals such as Videobrasil, SaoPaolo (2003); Les Rencontres Internationales (Paris/ Berlin/ Madrid, 2007); Meeting Points 5 (Brussels/ Berlin/ Egypt, 2007); Disobedience Archive, Bildmuseet (Umea, 2012) and Image Counter Image, Haus der Kunst (Munich, 2012) among others. He was artist-in-residence at Apexart New York (2010). Samaha lives and works in Beirut, where he currently teaches alternative video practices.
Seo Min Jeong
Seo Min-Jeong (b. Busan, 1972) studied at Hongik University (Seoul), Tama Art University (Tokyo) and at the Stuttgart State Academy of Art and Design. Seo has held solo exhibitions at Insa Art Space, Seoul (2012); Bellevue-Saal, Wiesbaden, Germany (2010); and the Yokohama Museum of Art, Japan (1999) among others. Her group exhibitions include the Aichi Triennial, Nagoya (2013); the International Print Biennial in Krakow (1997); the 8th International Print and Drawing Exhibition in Taipei (1997); and the Seoul International Print Biennial (1995). Seo's scholarships and awards include the Asahi Art Foundation Scholarship, Tokyo (1996-97); the 1st prize at the 7th 21st Century Print Grand Prix Exhibition, Tokyo (1999); the DAAD Award, Berlin (2008); and the SeMa Young Artist Program at the Seoul Museum of Art (2011).
Song Ta
Song Ta (b. Guangdong Province, 1988) graduated from the Guangzhou Academy of Fine Arts in 2010. Ta's solo exhibitions include My Ten Favorite Doctors, Arrow Factory, Beijing (2012); Gray Area, Observation Society, Guangzhou (2011); and Goodbye, 53 Museum, Guangzhou (2010). Ta recently participated in the group show ON/ OFF: China's Young Artists in Concept and Practice at the Ullens Center for Contemporary Art, Beijing (2013). He lives and works in Guangzhou.
Wael Shawky
Wael Shawky (b. Alexandria, 1971) studied fine art at the University of Alexandria before receiving his MFA from the University of Pennsylvania in 2000. Shawky's work revolves around the history, language and religious practices of people and tribes in the Middle East. His work has been included in the 50th Venice Biennial (2003); SITE Santa Fe Biennial (2008); the 9th Istanbul Biennial (2005); Scenes du Sud II, at the Carré d'Art—Musée d'Art Contemporain in Nimes (2008); and Urban Realities: Focus Istanbul, Martin-Gropius-Bau, Berlin (2005). He has had solo exhibitions most recently at Sfeir-Semler Gallery, Beirut (2010); the Cittadellarte-Fondazione Pistoletto, Biella (2010); and Townhouse Gallery, Cairo (2003, 2005). Shawky has received many awards for his work, including The International Commissioning Grant, The Lower Manhattan Cultural Council, New York (2005) and The International Award of The Islamic World Arts Initiative, Arts International, New York (2004). Shawky lives and works in Alexandria, Egypt, and is the founder of MASS Alexandria, a studio program for young artists.
Walid Raad
Walid Raad is an artist and an Associate Professor of Art in The Cooper Union (New York). Raad's works include The Atlas Group, a fifteen-year project between 1989 and 2004 about the contemporary history of Lebanon, and the ongoing projects Scratching on Things I Could Disavow and Sweet Talk: Commissions (Beirut). His books include The Truth Will Be Known When The Last Witness Is Dead; My Neck Is Thinner Than A Hair; Let's Be Honest, The Weather Helped; and Scratching on Things I Could Disavow. Raad's works have been shown in the Louvre (Paris), Documenta 11 and 13 (Kassel), Kunsthalle Zurich, The Whitechapel Art Gallery (London), Festival d'Automne (Paris), The Venice Biennial, The Hamburger Bahnhof (Berlin), and Home Works (Beirut) among others. Raad is also the recipient of the Hasselblad Award (2011), a Guggenheim Fellowship (2009), the Alpert Award in Visual Arts (2007), the Deutsche Börse Photography Prize (2007), and the Camera Austria Award (2005).
Walid Sadek
Walid Sadek (b. 1966) resides in Beirut.
Wang Ningde
Wang Ningde (b. Liaoning Province, 1972) graduated from the Luxun Academy of Fine Art's Photography Department in 1995. He has worked extensively in media, and now lives and works in Beijing, China. His recent solo exhibitions include Some Days, m97 Gallery, Shanghai (2011); Let There be Light, Xin Dong Cheng Space for Contemporary Art, Beijing (2010); The Photographs of Wang Ningde, Chan Gallery, Toyko (2010); and Works of Wang Ningde, Paris-Beijing Gallery, Paris (2010).
Desert of Pharan/ Room with a View - Ahmed Mater | Photographs | 2011-2013
In the city of Makkah a new future is being drawn up. Its contours are becoming visible amidst a landscape teeming with initiatives – from the most public to the most private – aimed at developing and reinventing seemingly fixed rituals, states and assumptions; culminating, perhaps, in the re-imagining of life at the centre of the Islamic world. Makkah is a source. Makkah is shaped by its own narrative, which can be traced back to the time of Abraham, and at the same time it releases increasingly significant effects as the global Muslim population grows and becomes more connected. Amid a rapidly changing economic landscape, Makkah is re-examining its situation with regard both to itself and the world beyond. In Saudi Arabia today contemporary models of urban development based on imported developmental know-how have become the starting point for a host of proposed new cities. For the most part, each will be constructed on a social and historical tabula rasa. Makkah presents an alternative dialogue between plan and reality. Like few other 21st century cities, it is rooted in a complex and highly emotive context in terms of its historical, geopolitical and religious symbolism. It is both one of the most visited places on earth and one of the most exclusive, and yet it is in flux – it moves, grows and invents itself again.
Dinosaurs - Mounira Al Solh | HDV video installation | 2013
With: Serge Abi Aad, Rawad Abi Akar, Jamal Ahmad, Abdallah Almachnouk, Ghaith Al-Amine, Marwa Arsanios, Mirene Arsanios, Stefanie Baumann, Hanan Bdeir El Solh, Fares Chalabi, Abedelhadi El Chami, Sarah Farahat, Nesrine Khodr, Hassan El Khoury, Maxime Hourani, May Kassem, Zad Saad, Ara Saferian, Hassan Sahili, Mounira Al Solh, Nassib El Solh, Fadi Tofeili, Karine Wehbe, Rebecca Whiting.
In Dinosaurs, Mounira Al Solh directs friends and family members to reenact scenes from films wherein the act of drinking reveals moments of intimacy, aggression, and physiological interactions created by the "actors" who actively participate in the interpretation of each scene. Their characters live in an eternal, unstable present and their locations, marked mostly by darkness, are illuminated by the intensity of those who inhabit them. While alcohol evaporates from the body—a witness to political aggression, economic and social changes, and religious contrasts—the body deals with the simple gesture of drinking, without it being judged. Dinosaurs' fragmented sometimes loud or silent scenes build a fragile portrait of a place in flux, a loose account that unravels and unhinges with each raised bottle or glass pointed at the mouth.
Long Live Spain - Pilar Albarracín | Video performance | 3'30" | 2004
Pilar Albarracín's work ironically analyses the stereotypes that make up Spanish identity. In the video performance Long Live Spain, the artist walks at an accelerated pace through Madrid's main streets while persistently being followed by an all-male popular music band. The music heard is the Spanish pasodoble "Viva España," an indelible element of any summer fiesta in Spain's towns and villages, and as dancing music, associated with the interplay of the sexes. Albarracín's scene of courting inserted in the everyday public domain transforms what seems an innocent episode into a robust interpretation of the sexist culture that still prevails in the country, suggests the image of paparazzi pursuing celebrities, and through its modernist architectural backdrop, connects to the notion of the construction of the modern Spanish nation.
Investigating the Color Spectrum of a Post-Apocalyptic Future Landscape - Basim Magdy | Slide projection | 2013
Shot in the volcanic and arid landscape of Lanzarote, the slide projection presents a sequence of post-apocalyptic landscape images that propose the phantom existence of a record for a possible future memory. Using an elaborate photographic method, the slides where partially degraded by exposing different film stocks to a variety of household chemicals as they reacted with one another, causing drips, different degrees of loss of detail and a dominant colour in each film stock.
Courtesy Newman Popiashvili Gallery, New York and Art Dubai.
Courtesy Newman Popiashvili Gallery, New York and Art Dubai.
Cao Fei
Shadow Life | Video | 10'06" | 2011
A brief video trilogy, Shadow Life evokes folklore and communist festivals. The vignettes are performed by shadow puppets; the form of the hand is a synecdoche for the manual labour of workers and peasants, while the silhouette medium allows for the quick metamorphoses of a grandstanding dictator to a barking dog, and of a swaying tree to a crane transforming the landscape. A remake of the 2000 Russian pop hit "Transmigration" serves as the soundtrack to the third part—a farcical rejoinder to Mao's cover of Marxism-Leninism. As they recede into history, the sweeping social experiments of the 20th century shrink to toy scale, and ideology of any stripe looks as flimsy, and as vital, as child's play.
Whose Utopia | Video | 20'| 2006With the Pearl River Delta's economic development in the background, OSRAM Factory is taking part in the process of China's integration into the global system, as one of the new space promoters. Whose Utopia plans to explore the life of emigrant factory workers in the Pearl River Delta who represent the "backup force" for China's competitiveness in a global economy: how they achieve a totally new experience, new standard and new meaning in the overwhelming trend of globalization. This project therefore allows us to see how they light up their "utopia" in a new reality. Their utopia further exemplifies how a wider and wider globalization is reshaping the Pearl Delta River area, and even the whole of China.
Pipe Dreams - Ali Cherri | Two-channel video installation | 2011
In a historic phone call between the late President Hafez El-Assad and the Syrian astronaut Mohammad Fares, we witness the father of the nation questioning the hero about his impressions as he looks down on the Syrian lands. A conversation that features the eternal leader, who casts a watchful eye on the children of the nation even as they are thousands of miles away up in space. Twenty-five years later, at the beginning of the upheavals in Syria in 2011, the authorities, fearing vandalism, dismantled the statues of Hafez El-Assad in the protesting towns. Haunted by the image of destroyed statues, from Stalin to Saddam Hussein, the regime tries to head off the inevitable, sacrificing the Symbol in order to safeguard the Image.
EARTH - Ho Tzu Nyen | Single channel HD video, stereo sound | 42' | 2009-2012
Collaborators include: The Observatory (Singapore), Yasuhiro Morinaga and Stefano Pilia (Japan, Italy), Black to Comm (Germany), Wolfram (Poland), Oren Ambarchi (Australia), Aki Onda (Japan), Nils Frahm (Germany).
The world revolves as we dissolve. As the light alternates between day and night, we see 50 humans oscillating between consciousness and unconsciousness, life and death, upon the site of an unknown catastrophe. EARTH is a post-apocalyptic tableau vivant, but it is at the same time a collage of a number of classical European paintings by Caravaggio, Girodet and Géricault. EARTH exists with multiple soundtracks, created by different experimental musicians and sound artists. This version of the film features the soundtrack by Yasuhiro Morinaga made up of a collage of film soundtracks, laid over the unique guitar drones created by Stefano Pilia.
Lexicon - Iman Issa | Text, sculpture and photographs | 2012-ongoing
Laboring (Study for a 2012 Remake), Destiny (Study for a 2013 Remake), and Mourning (Study for a 2013 Remake), are part of an ongoing series titled Lexicon consisting of multiple displays, each of which is presented as a study for a contemporary remake of an existing artwork. As remakes, Issa's artworks retain the title of the original drawings, paintings, sculptures or photographs from which they are drawn, while offering alternative forms to these works— forms which attempt to communicate something more familiar and consistent with her experience of what these titles are referring to. Although the original artworks from which she proceeds span different media, historical periods and geographical regions, they all share what she coins as "a removed relationship between the artist producing them and his/ her subject matter". She describes them as artworks in which an artist attempted to capture the zeitgeist, spirit, habits, conditions or characteristics of a particular culture, people, time or place; artworks which might have also retroactively become the very markers of a such a culture, people, time or place.
Some Days - Wang Ningde | Photography series | 1999-2009
The Some Days series was started in 1999 and continued for 10 years. With this project Wang Ningde tries to probe the relationship between official historical records and private memories. In the artist's eyes, these two actually share one flaw; that is, both can be questioned because of their uncertainty or unreliability. Some Days neither duplicates history, nor simply retrieves private memory via photography. Everything is kept "between history and fiction". As to the nature of the photographing itself, the artist seems to want to take "bad photographs". "The world moves forward, while I look back." This is the concept that Ningde has tried to implant in his works of this particular period, capturing some things that already exist, but are at the same time unclear.
Sets - Park Chan-Kyong | 35mm photo slide projection | 15' | 2000
Park Chan-Kyong's Sets includes images of constructed scenery standing in for South Korean streets, buildings, and universities at the National Film Studio of North Korea, backdrops for simulated street warfare in South Korean army bases, and the precise emulation of Panmunjom in the Demilitarized Zone as used in the South Korean feature film Joint Security Area.
Two Suns in the Sunset - Khalil Rabah | Light box | 180 x 120 cm | 2013
Exhibition Light Box is part of an ongoing project by Khalil Rabah that began with a series of paintings based on photographs documenting Palestinian art exhibitions worldwide from 1954 to 2010. The project has developed into an exploration through painting of exhibition-making and visiting practices, with an eye on Rabah's own exhibitions. The photorealistic paintings that emerge represent exhibition visitors looking at paintings of other exhibition visitors, and so forth. Like a palimpsest, layer upon layer is added with each new iteration. In its first layer, Exhibition Light Box features visitors contemplating Rabah's 2012 exhibition at Beirut Art Center. Exhibition Light Box and the project to which it belongs typify Rabah's method of historicizing and then re-historicizing, synthesizing and then reviewing.
Commissioned for Home Works 6.
Commissioned for Home Works 6.
Beirut Open City - Walid Sadek | Installation | dimensions variable | 2013
Beirut Open City is a proposition on the ontological openness which prefigures a liberated city.
Commissioned for Home Works 6.
Commissioned for Home Works 6.
A Secret of Secrets - Roy Samaha | Video installation | 2013
In his paper On the Origin of the "Influencing Machine" in Schizophrenia published in 1919 in Vienna, Victor Tausk documents and analyses some of his patients' complaints about a certain type of mysterious apparatus used by a persecutor to control their perceptions and emotions. Another subtler variant (magical spells), widely spread today, is made with detached letters and symbols inscribed on a surface and activated with any of the four elements of nature. The mundane is governed by the occult even though the former commands the latter. This knowledge, derived from the "ethereal space of immemorial times", is commonly used/ practiced in mundane society throughout the Arab world, though governments prohibit it. In this piece Samaha explores an incident witnessed at the Dubai International Airport. A customs officer finds in the possession of a traveler talismans; they are confiscated and destroyed on the spot.
Commissioned for Home Works 6.
Commissioned for Home Works 6.
The Remains - Seo Min Jeong | Sculptures | 2009
Dead birds are sealed in porcelain and their bodies are oxidized from the inside in the high-temperature flames of a kiln. The fired porcelain is reborn as white glazed pottery in the form of the deceased birds it contains. The process resembles a burial ceremony, with ceramic birds produced as the last outcome of combustion, themselves the cinerary urns of their actual remaining bones. During combustion, the two phenomena of extinction and birth take place simultaneously. In The Remains, divisions between life and death disappear, and result in a beautiful being, resurrected from a white death that bears the traces of life.
Al Araba Al Madfuna - Wael Shawky | Video installation | 21'| 2012
In Wael Shawky's film, a group of children restage the story of a local shaman in Al Araba Al Madfuna in Upper Egypt that tells the anecdote of a man entering the assembly room of the borough of Al Araba Al Madfuna, carrying a lantern and revealing a secret that is to be found under the carpet in the centre of the room. In the film, the children surround the carpet and act out the story, though their speech is dubbed by adult voices. In this piece, history, memory and myth collide and are placed in a binary relationship in which memory can be seen as a less legitimate means of establishing the past, or conversely, history can be seen as the destroyer of a more authentic, existentially rich, living memory.
Song Ta
Implemented in 1979, the One-Child Policy was adopted by the Chinese government as a means of alleviating the country's social, economic, and environmental problems, and is said to have prevented over 400 million births from 1979 to 2011. Chinese parents developed means of circumventing the policy including abandoning then adopting their second child, consuming fertility drugs to have multiple children simultaneously, delaying and spacing births, and giving birth to second children abroad. Song Ta, himself a second child, was never able to call his parents father and mother. At first, he called them uncle and aunt, and then the names they wanted him to call them. The artist has kept a close record of the names he used over time.
Civil Servants | Drawings on paper | 2009
Song Ta delves into local government offices in his hometown in the Hokkien region of China, where he communicates with civil servants across different departments. Sketching each of the civil servants he encounters, Ta tests his ability to interact with and portray diverse peoples, and exposes the hierarchy and bureaucracy of official offices along the way. During this process, Ta copied down many "state secrets", for instance, the private contact information and phone and driver's license numbers of important officials.
Names of My Papa and Mama | Drawings on paper | 2009
Implemented in 1979, the One-Child Policy was adopted by the Chinese government as a means of alleviating the country's social, economic, and environmental problems, and is said to have prevented over 400 million births from 1979 to 2011. Chinese parents developed means of circumventing the policy including abandoning then adopting their second child, consuming fertility drugs to have multiple children simultaneously, delaying and spacing births, and giving birth to second children abroad. Song Ta, himself a second child, was never able to call his parents father and mother. At first, he called them uncle and aunt, and then the names they wanted him to call them. The artist has kept a close record of the names he used over time.
Walid Raad
Preface to the third edition | Photography, colour | 38 x 51 cm each | 2013
Preface to the fourth edition | Video, colour, silent | 12"49' | 2013
Preface to the third edition and Preface to the fourth edition are part of my ongoing art project titled Scratching on Things I Could Disavow, which I initiated in 2007. My overall project proceeds from the recent emergence of large new infrastructures for Arab, Islamic and Middle Eastern arts in the Arab world. These developments, when viewed alongside the geo-political, economic, social and military conflicts that have consumed the region in the past few decades, shape a rich yet thorny ground for creative work. The artworks and stories I present with this project were shaped by encounters on this ground with individuals, institutions, economies, concepts and forms.
– Photos of Home Works 6 exhibition, Nafas Art Magazine, May 2013 – Download here.
– Ruptures and dates, art and political drama, The Daily Star, Kaelen Wilson-Goldie, May 25th, 2013 – Download here.
– Where past is present, NOW Lebanon, Daniel Dolan, May 26th, 2013 – Download here.
– طارق أبو الفتوح يسأل عن دور الفنان في زمن التحولات, Al Akbar, Roy Dib, June 6th, 2013 – Download here.
– Identities and Temporalities: Thoughts From Home Works 6, Muftah, Silvia Mollicchi, June 26th, 2013 – Download here.
– Best of 2013 – Okwui Enwezor, Art Forum, Okwui Enwezor, December, 2013 – Download here.
– Ruptures and dates, art and political drama, The Daily Star, Kaelen Wilson-Goldie, May 25th, 2013 – Download here.
– Where past is present, NOW Lebanon, Daniel Dolan, May 26th, 2013 – Download here.
– طارق أبو الفتوح يسأل عن دور الفنان في زمن التحولات, Al Akbar, Roy Dib, June 6th, 2013 – Download here.
– Identities and Temporalities: Thoughts From Home Works 6, Muftah, Silvia Mollicchi, June 26th, 2013 – Download here.
– Best of 2013 – Okwui Enwezor, Art Forum, Okwui Enwezor, December, 2013 – Download here.
Phone: +961 71 781 783 / +961 78 901 313
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Phone: +961 71 781 783 / +961 78 901 313


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Let's face it: nerds and geeks can't be made fun of anymore. They're the ones who score the high-paying jobs! Sure, they may not always get the girls, but a Linux computer club at Washington State University is hoping to use their computer knowledge to change that with its first Nerd Auction. According to MyWay.com, Wash State girls "can buy a nerd and he'll fix your computer, help you with stats homework, or if you're really adventurous, take you to dinner!" Ben Ford, president of the Linux Users Group, said on its Web site recently. The college is hoping to recruit more women to its computer science programs, and what better way than by holding a nerd auction?
Here's how the auction will pan out: A handful of nerds will be auctioned off, and the girls who (hopefully) bid on them will get the chance to further their computer knowledge in exchange for a total makeover and possibly a date! Ford is said to have spoken to several sororities to co-sponsor the auction this month or next, but so far, no one has agreed. Oh c'mon sorority girls: like you have anything else better to do than party!

subset: commoncrawl


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Lord Donoughue: My Lords, as the Minister defined my political position and it goes on record, I think I should make it clear that I am very old New Labour.
Lord Inglewood: My Lords, I always understood that the old ones were the best ones.
The noble Lord raised a number of other points. For example, he said that distributors should have strategic award plans. One of the characteristics of the lottery is that distributors cannot solicit applications. After all, this then ensures that the projects which might be funded will have the support of their local communities. However, the lottery distribution bodies are free to encourage certain types of application, such as the National Heritage Memorial Fund's urban parks programme, of which mention was made earlier, or the Sports Council's efforts to encourage applications from deprived areas and from schools--to go to a point raised by the noble Baroness, Lady Seear.
Perhaps I may respond to another point raised by the noble Lord, Lord Donoughue, about the United Kingdom Sports Council. Initially, the United Kingdom Sports Council will not be a lottery distributor. Its role will be in advising the home country councils on projects which have United Kingdom significance, for example, the British Academy of Sport. At present we see no need to have a fifth lottery distributor for sport although my right honourable friend the Secretary of State will want to look again at that once the United Kingdom Sports Council is formally established.
The aim of the Department of National Heritage (set out most recently in the departmental report) is to enrich people's lives, through encouraging high quality and diversity in creative activities; to safeguard existing creative achievements and promote understanding of the past; to extend opportunities to enjoy and appreciate rewarding leisure activities; and to promote the contribution which all of the department's sponsored sectors make to national prosperity and prestige.
The introduction of the National Lottery has effortlessly fitted into those objectives. In the areas of sport, arts and heritage, the lottery is building on work which has traditionally been done by our non-departmental public bodies. It is also providing us with the opportunity to celebrate the new millennium in a number of different ways and, following the transfer of responsibility for charities and the voluntary sector from the Home Office, is supporting and focusing our thoughts on what can be achieved in these areas. In the coming months, my department will be seeking discussions with a wide range of voluntary groups and organisations to listen to their perspective on the system of making applications and awards. In this way we hope to ensure that the maximum benefit possible will accrue to these areas.
The lottery has had direct effects on local communities across the country. As my noble friend Lord Gowrie pointed out, in many respects it is doing what was done in the Victorian and Edwardian eras by
Perhaps I may respond to a point that was raised initially by my noble friend Lord Boyd-Carpenter and later by others and say that funds can be made available for churches.
I have a personal anecdote to tell. I am personally familiar with a project in Keswick, where the Cumbria Theatre Trust Ltd. has been awarded a grant of up to £3.1 million to build a new theatre. Before the advent of the lottery, those running the old theatre which these funds will help to replace dreamt of a scheme such as this. More than a decade ago, I recall going to meetings in the backroom of a pub called "The Packhorse" to try to help bring forward a scheme and feeling very daunted and depressed by the financial problems it posed. Now it is going to happen. It is an excellent example of the way that the lottery has provided an opportunity for people to use their imagination to come up with worthwhile and innovative projects and see them realised.
Lord Annan: My Lords, is there any money for endowment in that Cumbrian project? The great Victorian philanthropists, and even Lord Nuffield in our time, always saw to it that there was an endowment as well as a building.
Lord Inglewood: My Lords, no endowment comes with that project, which involves a new theatre building for an existing organisation.
The lottery is also helping the disadvantaged and the less well off through the National Lottery Charities Board, the programmes of which have so far focused on poverty, health, disability and care. Future grant programmes will focus on improving opportunities, the living environment and community involvement.
In thinking about those distributions, it is important (for the long term well-being of the lottery) to ensure that particular disbursements command a wide degree of support. The noble Baroness, Lady Wharton, and my noble friend Lord Soulsby raised the question of animal charities and whether they can benefit from the lottery. Although animal charities have not been eligible for grants under the first two grant rounds of the National Lottery Charities Board, the board has had discussions with a number of such charities. I understand that they will be able to apply for funds in the grants round covering the physical environment and the social fabric of communities which will be launched later this year.
Lottery money has also been used to help the disabled--not only in ensuring that buildings built with lottery money must provide access for disabled people and be accessible to them, but also in helping them to participate in activities such as sport and the arts.
The lottery is helping urban regeneration. For example, the Tate Gallery of Modern Art will help to regenerate Bankside in this city; and the Lowry Centre in Salford will bring huge benefits to the surrounding area. The Millennium Earth Centre in South Yorkshire will provide a world-class educational, research and business centre for sustainable development.
The lottery is also bringing benefits to rural communities. Many awards from the distributing bodies have gone to rural areas and the Millennium Commission has set up a scheme designed specifically to help to preserve and build village halls which, as those who live in the country like me will know, are very important.
The noble Viscount, Lord Falkland, underlined the importance of the lottery to film. That point was echoed by the noble Viscount, Lord Chandos. Their comments entirely accord with what I have been told by those in the film industry whom I have met.
As I have already said, sport is important. In addition to the lottery, Sportsmatch is doing what it can to try to provide improved sporting facilities for the very people to whom the noble Baroness, Lady Seear, referred.
The lottery is creating jobs. It is estimated that the Tate Gallery of Modern Art will create 650 permanent jobs in its immediate locality, and perhaps 2,500 throughout London. The Millennium Commission award of £46 million to the new National Stadium in Cardiff should also provide more than 700 permanent jobs. In addition, it is likely that that redevelopment will have a substantial and durable wider economic effect. Another Millennium Commission award, to create an international maritime arena at Portsmouth Harbour, will generate temporary employment for around 5,000 architects, designers, construction workers, electricians and people in associated industries; and when completed is expected to provide 2,100 new jobs.
Less directly, the lottery has also provided an important boost for shopkeeepers. Retailers received a total of £265 million in commission in 1995-96, an average of just under £9,000 each. Many will also have employed extra staff to cope with the public's great demand for lottery tickets.
Tourism is now one of this country's most important industries. The lottery is enabling us to improve the attractions and infrastructure needed to attract visitors in an increasingly competitive marketplace. Grants such as those to national theatres and museums will, in addition to making this country a better place for us to live in, also attract more visitors from other countries and thus trigger additional money entering the economy. In East Anglia, for example, £6.5 million of lottery money is being used by the Imperial War Museum to create a major attraction to be designed by Sir Norman Foster which will commemorate war-time links with the United States Air Force.
The lottery is also providing money for projects which will enhance the environment. For example, the RSPB has been awarded £675,000 of lottery money to recreate fenland feeding habitat of reedbeds and meres
The lottery is a means of encouraging national pride--for example, through flagship projects such as the Welsh National Stadium, Hampden Park, and the Tate Gallery. All these projects have an impact on the entire population of the country, not just in the locality where the new facilities are built. In addition, the lottery is also having a similar but perhaps more narrowly focused impact on local communities, through awards to smaller organisations such as local sports clubs and play groups.
My department is not resting on its laurels. It had always been anticipated that the lottery would evolve over time--and it will. The framework for the distribution of lottery funds is kept under continuous review. We very much value the kind of constructive comments and suggestions that we have heard this afternoon, and I am grateful for all that has been said--
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Candlelight vigil
By News-Argus Staff
Published in News on February 9, 2005 2:27 PM
News-Argus/Kaye Nesbit
Verna Best speaks at the candlelight vigil. On the table are 587 candles, representing the children who have been abused and neglected in Wayne County during 2003 and 2004.
For more information see Candlelight vigil held for Wayne's abused children.
Other Local News
- Care in the sky: Members of the aeromedical evacuation crew fight to get injured troops back to their families


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Home away from Home | Luxury Rotorua Accommodation
Are you touring New Zealand and want somewhere to stay that feels a little bit like home, has wonderful views, great breakfasts and all the comforts you'd expect in Luxury Accommodation? Somewhere you can relax in peace and quiet and yet be only fifteen minutes away from some of Rotorua's best attractions? For a couple of nights break on your holiday or as a romantic getaway from the city, Astelia Lodge is a place you won't want to leave.
New - Are you a photography enthusiast?
Now taking bookings for photographic weekends!
For more information, see our Photography page
For more information, see our Photography page
Summer special!
A complimentary bottle of premium New Zealand wine is provided during your stay!


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Format: LP
Label: Bella Union
Release: 2007
Sleeve Condition: Near Mint
Vinyl Condition: Near Mint
Cat No: bellav135
Double Album In Gate Fold Sleeve / Vinyl 1 Cream Vinyl / Vinyl 2 Single Sided Dark Blue Etched Vinyl.+ CD Album
The Balcony
Central Market
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We are an independent record store founded in 1969 who specialise in preowned rare and collectable vinyl.
All content © Kellys Records
Site by Burning Red


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EUDP project concludes: Samsø might be able to produce biogas locally
Category: Fossil-free island
Project manager Trine Balskilde Stoltenborg
A feasibility study of the biogas chain on Samsø has concluded that there is a possible basis for establishing a biogas plant on the island. Such a plant would allow the ferry between Jutland and the island to sail on locally produced biogas.
In the recently completed EUDP project Biogas for Transportation, a biogas plant on Samsø is seen as a significant step toward becoming 100% fossil-free. The ambition is to become a model society for the national 2050 target for a fossil-free Denmark – already by 2030.
Since January 2015 the ferry to Jutland has sailed on liquefied natural gas (LNG). The ferries are the island's lifeblood – and the single largest consumers of fossil fuels for transport. The ferry Isabella is the natural focus of the island's green transition at this stage, because in the future it may be able to sail on locally produced biogas, upgraded and cooled to liquid bio natural gas (LBNG). The ferry will be able to absorb the bulk of the biogas that can be produced on the island, creating the market basis to initiate the process of setting up a biogas chain on the island.
The study has shown that there is sufficient biomass resources on the island to produce the amount of biofuels required to divert transport to fossil-free operation.
A calculation of production costs in each stage of the biogas chain shows that it will be possible to produce liquefied and compressed gas at a price equal to the market price of LNG (2015).
But only if it is possible to get grants for the upgrade, according to the Energy Agreement of 2012. It can be a challenge for the island, which has no natural gas network to upgrade to. It is expected, however, that there may be a solution that can put the island and other remote areas unable to connect to the natural gas network on the same footing as the rest of Denmark on this issue.
Read the full study here Energiinstituttet.dk


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Stomach distension is common among professional bodybuilders because of the athletes' size and the amount and type of food they consume to maintain it, according to Iron Magazine. When the digestive system attempts to accommodate modern bodybuilding food requirements, stomach distension is the result. Food-related factors that contribute to the condition include digestive waste that the body does not eliminate and gluten intolerance. Many bodybuilders develop stretched abdominal wall muscles, especially the transverse abdominis, which can cause stomach protrusion.Continue Reading
To maintain the level of fitness they desire, 250- to 300-pound bodybuilders consume about 700 to 1,000 calories per meal about five to seven times each day, reports Iron Magazine. Repeated high food consumption combined with the bodybuilders' training style weakens or stretches the flat transvers abdominis muscles underneath their abdominal muscles, leading to stomach bulges.
Bodybuilders' diets typically consist of processed carbohydrates, meat proteins and little dietary fiber, explains Iron Magazine. High-fiber foods such as fruits, vegetables and whole grains play an important role in keeping digestive tract walls clean. Bodybuilders consume large quantities of food, increasing their need to consume soluble and insoluble fiber in their diets for proper digestion. The athletes' lack of sufficient fiber intake enables pounds of digestive material to accumulate permanently, causing stomach distension.
About 15 percent of Americans are gluten intolerant, and the digestive condition causes gas, bloating and stomach pain, notes Iron Magazine. Some bodybuilders may be unaware that they are gluten intolerant, and their gluten-heavy diets may contribute to the cause of their distended stomachs.Learn more about Muscle Toning


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Did you know you can earn a little extra spending money by taking surveys? Always when you sign up with survey sites, coupons and freebies be sure to use a email that you use only for these purposes.
With this program, you will receive a scanner by mail that will assist you in reaching goals. When you are putting your groceries away, you can scan bar codes of the items that you have purchased, and submit them to Nielsen for credit. Great way to get the kids involved, let them scan!
Valued Opinions sends surveys on a frequent basis but your inbox won't be flooded with them! You choose to do the surveys you want to. It's FREE to sign up and you are under no obligation to complete any surveys. This survey company is definitely a favorite among several of my followers.


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Pegasus TransTech has updated the Transflo Mobile smartphone app to improve the optimization of document images, resulting in crisper and higher quality images.
Transflo Mobile allows users to scan and submit documents electronically using only a smartphone.
To ensure that images are legible, this new version of Transflo Mobile automatically provides an additional electronic quality check right on the smartphone. The readability of each image is evaluated, scored, and validated before submission. If the user captures an image that has questionable focus or is not legible, the app prompts the user to review or re-take the image.
There is a special algorithm for enhancing images that are traditionally difficult to read such as multi-page colored documents or carbon copy forms. It also allows users to lighten and darken the document image which is especially important for colored documents that have varying hues and shades of text.
Other enhancements that improve the quality of images include a camera default setting that automatically turns the flash to the "on" position.
"We pride ourselves on high quality images that can be used to quickly and easily process billing and payroll," said Bob Helms, Pegasus TransTech chairman and CEO. "Our newest version of TRANSFLO Mobile demonstrates our ongoing commitment to providing fleets and brokers with the best image quality in the industry."


text:
aquot;a#39;I was in Quebec Thursday, Friday and Saturday, a#39; Mr. David said to-day, a#39;and at the Quebec Garrison Club I learned of ... vessels had received a name when they sailed and the name of the convoying auxiliary cruiser was hidden under a strip of ... a very able steel magnate with a remarkable power of silence only broken by words whose use is both adroit and skilful. ... shipping prosecutions so far is that the German consular agents in this country faithfully carried out the instructions of anbsp;...
|The Fatherland
|- 1916
You must register with us as either a Registered User before you can Download this Book. You'll be greeted by a simple sign-up page.
Once you have finished the sign-up process, you will be redirected to your download Book page.How it works:


text:
Holy Cross Volleyball Falls To Central Connecticut, 3-1
Related Links
Sept. 5, 2007
NEW BRITAIN, Conn. - Senior outside hitter Christine Strawson (Torrington, Conn.) registered her fourth double-double of the season with 22 kills and 13 digs, but it was not enough as the Holy Cross volleyball team fell to Central Connecticut, 3-1, by scores of 30-23, 28-30, 30-16 and 30-18 in non-conference action, on Wednesday night. Strawson now has 1,032 career kills and is 31 away from tying the school record. The record of 1,063 career kills is held by Caitlin Agostinacchio (2001-2004). With the loss, the Crusaders fall to 2-5 overall, while Central Connecticut improves to 5-2 overall.
Freshman setter Chelsey O'Donnell (Pittsburgh, Pa.) had 40 assists and eight digs on the night, while junior libero Molly Anderson (Weston, Conn.) led Holy Cross defensively with 16 digs. Sophomore outside hitter Liz Auger (Barnstable, Mass.) had 11 kills as she has recorded double-digit kills in five of the Crusaders' seven matches.
Central Connecticut was led by Lauren Snyder's 19 kills and 11 digs, while Amanda Bayer had 55 digs.
The Crusaders return to action on Friday and Saturday, September 7-8, when they host the Crusader Classic at the Holy Cross Field House. On Friday, Holy Cross will play Coppin State at 7:00 p.m., while on Saturday it will face Loyola (Md.) at 12:30 p.m. and Hartford at 7:00 p.m.


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Faculté de médecine et des sciences de la santé
Department of Surgery
Research Themes
Heart Surgery
- Cardiac valvulopathies and myocardial protection.
- Organ procurement and transplantation.
- Biomedical ethics. Research ethics. Ethics and public health. Standards frameworks and professionalization. Ethical decision-making process. Ethical issues in risk assessment and management related to public and population health. Professionalism and alternative and complementary medicine. Ethics and biotechnologies (genetic material biobank, nanotechnology). Medical education. Measurement and assessment of ethical competencies in the clinical environment.
- Dialogue as an ethical competency (operational model intended to professionals).
- Continuing improvement of quality in the maintenance of skills.
- Functional digestive troubles. Colonic and anorectal pathologies. Functional colopathy. Constipation. Fecal incontinence. Psychosomatic pathologies.
- Treatment of malignant brain tumors through improved delivery of cytotoxic agents in conjunction with osmotic opening of the blood-brain barrier. Animal model studies and clinical trials.
- Treatment of brain tumors through Gamma knife.
- Neuro-oncology. Blood-brain barrier. Nanocarriers. Gene therapy.
- Experimental and clinical pain assessment. Clinical Trials of analgesic approaches. Study of endogenous mechanisms of pain control in animals and humans. The role of sex hormones on pain. Placebo effect. Neurophysiological mechanisms of the neurostimulation of the posterior cords.
- Patient teaching. Persistence. Closed-angle glaucoma..
Oto-Rhino-laryngology and Head & Neck Surgery
- Role of the larynx in breathing and clinical ORL swallowing.
- Shoulder surgery. Arthroscopy. Sport medicine. Tendinitis. Tissue engineering in orthopaedic surgery. Car driding simulation and musculoskeletal affections. Orthopaedic robotics. Disc degeneration. Orthopaedic biomechanical assessment. Spinal fracture. Vertebroplasty. Workplace rehabilitation. Back pain. Musculoskeletal disorders. Workplace disability. Randomized trials. Tertiary prevention.
- Molecular regulation of aging skeletal muscle.
- Development. Gene regeneration and regulation.


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Ideas For Entryway Tables
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a conception of what is desirable or ought to be; ideal
(initial capital letter) Platonism
Also called form
an archetype or pattern of which the individual objects in any natural class are imperfect copies and from which they derive their being
idea of pure reason
a theme, phrase, or figure
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a mental image
As preposition
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As conjunction
seeing that; since
As Idioms
for it, British
in (def )
As noun
a passage for affording entrance
As noun
an article of furniture consisting of a flat, slablike top supported on one or more legs or other supports:a kitchen table; an operating table; a pool table
such a piece of furniture specifically used for serving food to those seated at it
the food placed on a table to be eaten:She sets a good table
a group of persons at a table, as for a meal, game, or business transaction
a gaming table
a flat or plane surface; a level area
a tableland or plateau
a concise list or guide:The table of contents in the front of the book includes chapter names and page numbers
an arrangement of words, numbers, or signs, or combinations of them, as in parallel columns, to exhibit a set of facts or relations in a definite, compact, and comprehensive form; a synopsis or scheme
(initial capital letter) Astronomy
the constellation Mensa
a flat and relatively thin piece of wood, stone, metal, or other hard substance, especially one artificially shaped for a particular purpose
a course or band, especially of masonry, having a distinctive form or position
a distinctively treated surface on a wall
a smooth, flat board or slab on which inscriptions may be put
the tablets on which certain collections of laws were anciently inscribed: the tables of the Decalogue
the laws themselves
the inner or outer hard layer or any of the flat bones of the skull
a sounding board
the upper horizontal surface of a faceted gem
a gem with such a surface
As verb (used with object), tabled, tabling
to place (a card, money, etc
) on a table
to enter in or form into a table or list
Parliamentary Procedure
Chiefly U
to lay aside (a proposal, resolution, etc
) for future discussion, usually with a view to postponing or shelving the matter indefinitely
to present (a proposal, resolution, etc
) for discussion
As adjective
of, relating to, or for use on a table:a table lamp
suitable for serving at a table or for eating or drinking:table grapes
As Idioms
on the table, Parliamentary Procedure
submitted for consideration
turn the tables, to cause a reversal of an existing situation, especially with regard to gaining the upper hand over a competitor, rival, antagonist, etc
:Fortune turned the tables and we won
We turned the tables on them and undersold them by percent
under the table, drunk
as a bribe; secretly: She gave money under the table to get the apartment
wait (on) table, to work as a waiter or waitress:He worked his way through college by waiting table
Also, wait tables
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Colorful in the daylight, and truly brilliant after the sun goes down! Featuring a whimsically winged design, the simple press of a button under the solar panel lid enables this handy lantern, when fully charged, to add a dreamy light to your yard or patio.
- Metal & plastic
- Designed exclusively for GreaterGood Network
- Operates 8 hours if fully charged
- 11.25" H x 6.5" W x 6.5" D (11.25 x 16.5 x 16.5 cm)
- 16" H with handle (30.5 cm)
- Imported
Customer Reviews
- July 14, 2018
I bought one each of these lanterns and I love them. I have them on a double hook stake out in front of my horse barn and they look amazing at night. Everyone comments on them even during the daytime because they are so pretty. Made well and I am so glad I got them.
- June 7, 2018
I have the butterfly and dragonfly design, and they are lovely day and night!
- June 3, 2018
I purchased a set of dragonflies and placed them beside our front porch steps. Although our bedroom is upstairs and, at this time of year, the lanterns come on after I've been in bed reading for awhile, I make sure I go downstairs to see them before I tuck in. They are absolutely lovely.
- March 4, 2018
I ordered the dragonfly lantern. It's lovely, and exactly as pictured. Good size, too. Very happy with this choice.
- September 1, 2017
I love them - ordered two for a gift and loved them so much kept them and ordered two more for the gift - you have some of the neatest stuff!
- August 25, 2017
I love the dragonfly lantern, I got 2 of them and they look so nice at night. Received many compliments on them by neighbors
- May 31, 2017
I gave the set as a gift, and was truly appreciated! I wished I'd ordered a set for myself!
- May 27, 2017
Already had one dragonfly, very well made, beautiful during the day & excellent light at night. Purchased two more dragonfly. Highly recommend!!!


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Computer Equipment (Powerline Adapters) for sale (Bishkek)
We have some Powerline Adapters on stock, which I would like to offer our InterNations Members
Powerline Adapters are used to connect your Internet Router in one room with your computer in another room by using the electricity line instead of a cable or WiFi. They are also useful when you are unable to reliably reach a room with WiFi due to a weak signal.
The adapters are new and were just used for demonstration, so the packages are opened. We will give a full year warranty and a 30% discount.
1. ALL Protected content Protected content MINI HomePlug AV Powerline Adapter Box with two Adapters: Protected content instead of Protected content
2. ALL Protected content HomePlug AV Passthrough Box with two Adapters: Protected content instead of Protected content
Here is more info about the product:
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If you have any (technical) questions, please do not hesitate to contact me.
I only have a few left, so offer valid while stock lasts.
Invoice is possible.
Richard Heider
ALLNET Kyrgyzstan
A Powerline Adapter is NOT a WiFi Repeater - I also have them on stock:
ALLNET Wireless N 300Mbit Access Point/Repeater ALL0237R (image attached Protected content is Protected content
For Powerline you need at least 2 Adapters (up to Protected content plug one inside the electricity plug near the router and the other in the room where the computer is. Both are connected with a network cable with the device (Router/PC). The adapters then auto-magically connect the Router with the PC by creating a computer network using the electricity cable.
Advantage over the extender:
• better speed
• if something is disturbing WiFi the repeater might also not work reliably. It can just repeat the signal it receives.
• up to 8 adapters can be used to build one network.


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February 04, 2014 08:24 ET
TORONTO, ONTARIO--(Marketwired - Feb. 4, 2014) - Rockcliff Resources Inc. ("Rockcliff" or the "Company") (TSX VENTURE:RCR) is pleased to announce the appointment of Mr. Clement Messere to its Board of Directors.
Clement Messere is the President and founder of Pro Distribution Services, one of the largest Dated Material Logistics companies in Canada. He is a partner in Triumph Asset Management and the owner/manager of a development and property firm. He has a degree in marketing from Ryerson University. Although Mr. Messere has never sat on a public company board, he is an active private investor with a significant portfolio. He recently made a private placement investment into Rockcliff and agreed to join the Rockcliff Board because he believes in the long-term value of copper as a commodity and believes that Rockcliff has the ability to build on the significant copper deposits that it has identified in Manitoba. Mr. Clement has been granted 200,000 stock options exercisable at $0.10 per share for five years in conjunction with his appointment to the Board. His appointment is subject to TSX Venture Exchange ("TSXV") approval.
"We are very pleased to welcome Clement to Rockcliff's Board" said Ken Lapierre, President and CEO of the Company. "Clement's extensive business, marketing and investment experience will be a tremendous asset to the Company as we move towards earning our 70% interest in the Tower Property and expanding our high grade copper-rich deposits in Manitoba."
As a result of commitments to other public companies, Denis Arsenault has resigned as a director of Rockcliff to facilitate the appointment of Mr. Messere to the Board. Mr. Arsenault serves as a director of three Toronto Stock Exchange ("TSX") listed companies, one of which is co-listed on the New York Stock Exchange, and also serves as a senior officer of another TSX-listed company which is in the process of putting a mine into production. Mr. Arsenault has been with the Company since its listing on the TSXV in 2006. He served as the chairman of the Audit Committee. Management and the directors of the Company wish to thank Mr. Arsenault for his years of service and his valuable input to the Board of Directors and management.
Rockcliff Resources Inc.
Rockcliff Resources Inc. is a Canadian resource exploration company focused on discovery and advancement of its high-quality mineral properties at its Snow Lake Project. Rockcliff presently controls the Snow Lake Project in Manitoba, totalling in excess of 400 km2. The project includes two VMS high grade copper rich NI43-101 Resources (Rail and T-1 Copper Deposits), one historic VMS copper deposit (Lon), the T-2 Copper Zone (Tower), numerous untested geophysical anomalies and several additional properties with VMS potential (Freebeth, Dickstone North). Rockcliff also owns a zinc-silver rich NI43-101 Resource (Shihan) in Ontario.
Forward Looking Statement:
Some of the statements contained herein may be forward-looking statements which involve known and unknown risks and uncertainties. Without limitation, statements regarding potential mineralization and resources, exploration results, and future plans and objectives of the Company are forward looking statements that involve various risks. The following are important factors that could cause the Company's actual results to differ materially from those expressed or implied by such forward looking statements: changes in the world wide price of mineral commodities, general market conditions, risks inherent in mineral exploration, risks associated with development, construction and mining operations, the uncertainty of future profitability and the uncertainty of access to additional capital. There can be no assurance that forward-looking statements will prove to be accurate as actual results and future events may differ materially from those anticipated in such statements. Rockcliff undertakes no obligation to update such forward-looking statements if circumstances or management's estimates or opinions should change. The reader is cautioned not to place undue reliance on such forward-looking statements.
Neither TSX Venture Exchange nor its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange) accepts responsibility for the adequacy or accuracy of this release.
Rockcliff Resources Inc.Ken Lapierre P.Geo.President & CEO(416) 644-1752 or cell: (647) email@example.com Resources Inc. New Address:520-144 Adelaide St. W.Toronto, ON M5H 3L5
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LOS ANGELES --The state has slapped UCLA with nearly $32,000 in safety fines stemming from a deadly fire.The California Division of Occupational Safety and Health found a research assistant had not been trained properly and wasn't wearing protective clothing when an experiment exploded at a campus chemistry lab in December.
The female victim was burned over 43 percent of her body and died 18 days later.
The agency also says the university didn't address problems identified in an internal safety inspection two months before the fire.
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Women's rights activists agree with GOP frontrunner Donald Trump's senior adviser Stephen Miller that female genital mutilation (FGM) must be highlighted in order to draw awareness of the violence, which isn't happening merely in Muslim countries, but also on U.S. soil.
"FGM is taking place on U.S. soil," Paula Kweskin, producer of Honor Diaries and a women's rights activist informed Breitbart News, supporting Trump's adviser's earlier statements.
Miller shocked CNN's "State of the Union" panelists on Sunday by declaring that American women are at risk of female genital mutilation (FGM).
Citing a statistic from Equality Now, Miller said, "You want to talk about women's issues? Here's something we should be talking about. This is a fact. As a result of uncontrolled migration into this country, you can look this up. It's a statistic from a Equality Now — half a million U.S. girls in this country are at risk of female genital mutilation."
In fact, Newsweek covered the issue earlier this month, reporting, "The number of women and girls at risk for female genital mutilation (FGM) in the United States has more than doubled in the past 10 years, according to new figures released on Friday."
The data, the first on FGM in the U.S. for a decade, is being published to coincide with the United Nations' International Day of Zero Tolerance for FGM.
More than half a million women and girls in the U.S. are at risk of undergoing FGM in the U.S. or abroad, or have already undergone the procedure, including 166,173 under the age of 18, according to the Population Reference Bureau(PRB).
Immigration to the U.S. from African and Middle Eastern countries—where the practice of FGM is a deeply entrenched cultural tradition—is the sole factor for the rise in numbers, says Mark Mather, a demographer at PRB who led the data analysis. There has not been an increase in the practice happening in the U.S. itself, he says.
Kweskin, who lives in Israel with her husband, produced Honor Diaries, a documentary that exposes "honor violence" – specifically, honor killings and FGM under Sharia Law.
In Honor Diaries, Kweskin focused on nine women's rights activists who have links to Muslim based societies and cultures.
"The women share their stories of overcoming and speaking out against honor-based violence, child and forced marriage, and female genital mutilation (FGM)," she explained to Breitbart News. "The film grew out of my fascination with the Arab Spring and the role of women in advancing the cause of women's rights in the Middle East."
I'm a human rights lawyer by training, and I have always had a passion for women's rights, so I was drawn to the ways women were attempting to shake off the yoke of oppression. Of course, the Arab Spring soured very quickly, and I realized that women all over the world – regardless of whether they were living in the Middle East – were suffering from similar harms and oppression under the honor system.
Her documentary has aired on six continents and in private screenings in Egypt, Tunisia, Morocco and Iraq. The United Nations and Capitol Hill also showed her film.
It was also screened on U.S. college campuses, but in 2014, it was shut down on a few campuses as a result of efforts from the Council on American-Islamic Relations (CAIR), which argued the documentary was Islamophobic.
She said the reaction to Honor Diaries has mostly been positive, but that both leaders and the media haven't given enough attention to FGM.
"There will be moments of interest regarding FGM and then silence again," she explained.
For instance; when the President and First Lady came out strongly against FGM, and promised a thorough study of FGM in America. But the media is easily distracted. The conversation on FGM in the US needs to be sustained so that we see actual change. Where are the training programs for police, doctors, nurses, teachers, and other first responders? Why isn't there a proliferation of programs to engage with communities in the US who practice FGM? Why haven't there been any prosecutions under our existing FGM laws?
Kweskin told Breitbart News that she knows personally of incidents of FGM occurring in the United States.
"Jaha Dukureh is a dear friend of Honor Diaries who I first met during the Honor Diaries launch. She speaks out openly and passionately about the incidences of FGM in the USA," Kweskin explained. "Many victims are silenced, but Jaha is speaking out. And the President of the United States, and the First Lady, have acknowledged that FGM is an issue in America."
"FGM is taking place on US soil and it is against the law," she declared.
American men and women should feel a sense of responsibility to speak openly about these issues in order to find sustainable solutions. We tend to bury our heads in the sand when it comes to acknowledging human rights abuses such as FGM; there is a paralyzing political correctness, which prevents us from speaking out about FGM and other 'cultural' or 'religious' practices. Culture is no excuse for abuse, and in the US – and all over the world – we cannot let these practices continue.
Concerned Women for America's president and CEO Penny Nance echoed Kewskin's call to speak up about FGM.
"In my book Feisty & Feminine, I take on the whole issue of radical Islam's treatment of women," Nance shared with Breitbart News.
In the chapter I call, 'The Real War against Women,' I discuss these horrific issues like female genital mutilation, and child brides…there are some extremely heart breaking horrific acts of abuse and evil going on against women around the world. I think that now is the time for us to lean into this conversation and to talk about what's happening to women.
Nance also pointed out the hypocrisy politics has played in highlighting this issue.
"The left wrongly believes that because there are portions of the Muslim faith that exercise extreme Islamisism [and] enforce Sharia Law on women, because these people are part of the Muslim faith, we aren't allowed to talk about it." Nance charged, "It's hypocrisy in the highest order."


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I specialize in creating business to business relations with virtual reality production companies. I helped influence the creation of one of the most dominant virtual reality companies in the industry, WonderWorld VR.
I'm hired to develop and produce original and existing content for production companies. Projects are in development and will be added once published.


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Oral cancer is the uncontrollable growth of cells in the mouth region. It appears as a growth or sore in the mouth that doesn't go away. The mouth region includes the lips, tongue, cheeks, floor of the mouth, hard and soft palate, sinuses, and pharynx. It can be life threatening if no diagnosed and treated early.1
Impact of coffee on oral cancer
A new study by the American Cancer society found a link between coffee and a reduced risk of dying from oral cancer. The study was published online in the American Journal of Epidemiology, on December 10th, 2012. The results showed that people who drank more than 4 cups of coffee per day were around half as likely to die from oral cancer as those who drank little or no coffee. One theory as to why coffee helps fight cancer is that it contains antioxidants, polyphenols and other compounds that help to fight against the development or progression of cancer.2
1 WebMD - Oral Cancer: Symptoms, Causes, Treatments, and More
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