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Guideline artists' fees
The guideline for artists' fees was jointly developed, using the input of all the interested art organisations and associations in the art world in the Netherlands, united in BKNL*. By producing this guideline, the field is working together to promote a more professional contract practice in non-selling exhibitions.
The following guideline aims to professionalise contract and negotiation practice with regard to artists' fees, by paying artists – under certain conditions – for their work relating to non-selling exhibitions and other presentations (hereinafter called exhibitions), separate from their expense allowance.
The guideline is based on the 'comply or explain' principle and comes into force on 1 January 2017.
It does not apply to contracts entered into before 1 January 2017.
The effectiveness of the guideline and other implementation aspects will be monitored and evaluated after a year.
1. Definitions
Art institute: an organisation in the Netherlands which is open to the public and which exhibits art and presents art and/or heritage and whose core activity is not selling.
Artist: the person who professionally creates works within the framework of the artistic profession.
Art: contemporary and current forms of expression created by artists within one or more of the following areas:
- drawing, painting and graphic art,
- sculpture, (social) sculpture and installation art,
- conceptual art, performance art, artistic studies,
- non-traditional forms of art,
- photography,
- audiovisual, digital, sound and (new) media art,
- visual art applications,
- art in public space.
Contracting parties: the art institute and the artist entering into a contract with regard to the work of the artist for an exhibition.
Artists' fees: the payment agreed between the contracting parties relating to work performed for an exhibition, separate from an expense allowance.
New work: work done by the artist on behalf of or at the request of the art institute and/or work selected by the curator which has never previously been exhibited in a public exhibition.
Existing work: work that needs no modifications and which has already been presented in a public exhibition.
Modification to existing work: work that does not fall within the categories of new work or existing work. This might be existing work that needs to be executed again or work required to modify an installation to fit into the exhibition area.
Activities: a wide range of activities, separate from producing the work, which relate to the organisation of an event or exhibition, including any guest curatorship.
Solo exhibition: an exhibition featuring works by one artist.
Duo exhibition: an exhibition featuring works by two artists exhibiting their work together.
Group exhibition: an exhibition featuring works by two or more artists.
2. Remuneration
Where artists' fees are concerned, remuneration relates to four different areas:
- producing new work and/or modifying existing work (labour),
- work (labour) related to producing work for an exhibition,
- work for an event or exhibition (labour),
- contributing work owned by the artist for an exhibition (usage).
Standard remuneration
Standard remuneration is shown in minimum payments, derived from preliminary studies carried out by SiRM / PPCM for BKNL*. These amounts form the basis for negotiations above the minimum. The remuneration amounts are given in a table in Appendix 1.
The standard remuneration for contributory performance (1), (2) and (4) is based on the statutory minimum wage on 1 July 2016 and thus applicable for the year 2017. The amounts are indexed annually on the basis of the development of the statutory minimum wage between 1 July of the current year and 1 July of the previous year.
The minimum amounts apply as a guideline for art institutes with an annual turnover up to 500,000. Museums and presentation institutions with a turnover above 500,000 euros are expected to increase the remuneration in all reasonableness and in agreement with the artists. This is governed by the 'comply or explain' principle.
For contributory performances (1), (2) and (4), the guideline is a remuneration system with standard and standardised minimum amounts per artist and per exhibition, for non-selling exhibitions and other presentations, separate from payment of an expense allowance.
For exhibitions with combinations of 'new work', 'existing work' or 'modified existing work', the category with the highest remuneration determines the minimum payment to the artist.
For contributory performance (3), there is a variable remuneration which corresponds with the salary (including holiday allowance and surcharge for employers' contributions) of a member of staff doing similar tasks at the art institute.
Production allowance
For contributory performance (1) and (2), there is a standard fixed production allowance.
Usage fee
For contributory performance (4), there is a standard monthly usage fee. The usage fee is paid for at least 1 month and a maximum of 12 months.
Duo and group exhibitions
The production allowance and the usage fee for duo and group exhibitions are derived from the payments for solo exhibitions.
3. Assimilation process
Payments to artists should be at the required minimum level by 2020. In 2017, an assimilation percentage of at least 50 percent of the standard remuneration from the guideline will be applied. At the end of 2017, this will be adjusted based on monitoring of the guideline.
4. Comply or explain
Within the guideline, the 'comply or explain' principle applies. That means: the guideline is either applied or an explanation provided in the case of any deviation.
5. Checklist
For the application of the guideline, a checklist in Appendix 2 provides support and assistance during the contract discussions.
6. Monitoring
The chosen standard principles, the effectiveness of the guideline and the execution aspects during the introduction process will be evaluated a year after the end of the experimental regulation. Elements which may be addressed are: how the guideline and the checklist are applied, the financial consequences involved for the institutions, the effects on the number of exhibitions, the standard principles chosen in the preliminary study, the definitions chosen in the covenant and the assimilation percentage.
* Beeldende Kunst Nederland (BKNL) is an informal consultative body of organisations which defends the interests of artists, museums, presentation institutions and galleries in the Netherlands. BKNL represents Platform BK, Kunstenbond, Kunsten '92, the Beroepsvereniging van Beeldend Kunstenaars (BBK), the Nederlandse Galerie Associatie (NGA) and the lobby association for presentation institutions for De Zaak Nu. The Mondriaan Fund facilitates and coordinates BKNL.
Appendix 1 – Minimum remuneration
Minimum remuneration artist's fee
Minimum remuneration artist's fee by museums and presentation institutions with a turnover up to 500,000 euros (price level 2017).
|Minimum payments per artist per exhibition (in euros)
|Fixed production
Contributory performance 1 and 2
|Periodical usage fee
(amount per month)
Contributory performance 4
|New work
|Modification existing work
|Existing work
|New work
|Modification existing work
|Existing work
|Group of 3 artists
|New work
|Modification existing work
|Existing work
|Group of 4 artists
|New work
|Modification existing work
|Existing work
|Group of 5 artists
|New work
|Modification existing work
|Existing work
|Group of 6 artists
|New work
|Modification existing work
|Existing work
|Group of 7 artists or more
|New work
|Modification existing work
|Existing work
Appendix 2 – Checklist
Checklist for artists, museums and presentation institutions in the contract discussions
The following list acts as a guide in the contract discussions. It is not intended to be complete, but can be extended or shortened to meet the needs of the actual situation.
- Base policy on fair practice, good commissioning and good contracting practices.
- The amounts in the guideline are negotiable. Museums and presentation institutions with a turnover of over 500,000 euros are expected to increase the amounts in all reasonableness and in mutual consultation.
- In the contract discussions, start with agreements about the fee. This will prevent the fee being relegated to the bottom of the list.
- Reach agreement in advance about the duty of care, liability and insurance.
- In the contract discussions, reach clear start agreements and identify formal moments at which to adjust the agreements during the process where necessary. Formalise the agreements in writing, partly based on a model contract.
- Discuss in advance whether the exhibiting art institute will purchase art works at the end of the exhibition. If so, any purchase options and purchasing conditions should be explicitly recorded.
- Discuss in advance a possible scheme relating to the sale of work to third parties, for which the art institute has given a production remuneration.
- Organise the process in the following phases:
- the preliminary design phase;
- the definitive design phase;
- the production phase;
- delivery;
- any transfer of ownership.
- Identify the invoicing moments for each phase, the percentage that can be invoiced at each moment.
- Use a payment instalment of a maximum of one month.
- Artist and art institute should check the possibility of external financing together.
- Make clear agreements about whether the work fits into the category 'new work', 'modification of existing work' or 'existing work'.
- Consider in advance what the plans are after the exhibition, what the rights and duties are of the art institute and the artist.
- As an artist, consider taking on a business advisor and get any legal advice.
- As an artist, consider joining Pictoright to manage your individual copyright. This can make a difference with regard to tracking work, phone calls and negotiating. As an artist, you are then assured that your work will only be published with your consent and for reasonable remuneration based on collective governance arrangements.
Aspects or remuneration (as addition to the guideline)
Make a budget/tender for:
- production and material costs;
- budgeted man hours, the invoicing process and justification of man hours to be invoiced;
- advance payments;
- travel costs, other expenses and per diem.
Also make joint agreements about:
- the tender procedure and decision making process;
- whether the exhibition concerns new work or modification of existing work commissioned by or at the request of the art institute;
- any co-production work for the event or exhibition (contributory performance 3), for which the remuneration corresponds with the salary of a member of staff doing similar tasks at the art institute (including holiday allowance and a 30% surcharge for the employer contributions);
- any additional work outside the contributory performance 1 through 4 (additional/less work) may only be done in consultation and at an agreed rate or otherwise if parties decide accordingly and for a daily payment based on the minimum income of at least € 100;
- promotional support by the artist and presence of the artist at events relating to the exhibition such as a lecture for a friends association or for sponsors;
- security, conditioning of work, protection from loss, theft or damage;
- transport costs;
- non-financial payments such as media/PR attention via the art institute and the availability of the artist for press interviews;
- the possible availability of free copies of publications and tickets;
- production and creation of promotional material and catalogue;
- technical support either via the artist or the art institute;
- use of third parties and support staff;
- use of data and information, and confidentiality of data;
- managing lack of clarity and disputes.


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Mark Pickles to be new Director of North West Partnership
We are delighted to announce that from the end of this academic year, Mark Pickles will become the new Director of the North West Partnership. Given Mark's great contribution here, we are very sorry to see him leave. But we are excited about his new appointment, which will strengthen Oak Hill's relationship with training in the north-west.
We are also delighted to announce that Johnny Juckes will be teaching the Gospel Driven Leadership module, bringing his 30+ years of ministry experience to the programme. In addition, the Revd Dave Walker will be involved in teaching Anglican Ministry. Dave is Vicar of Christ Church North Finchley, and previously graduated with an MTh from Oak Hill in 2007.
Please pray for Mark in his new role, and for Johnny and Dave as they take up these important...
Continue reading
Tribute to David Wheaton
A personal reflection on the life and ministry of David Wheaton, former Prinicpal of Oak Hill, from Mike Butterworth, who was a colleague of David's at Oak Hill from 1980, and a friend to the end.
One of my first memories of David is of his responding to a request to move furniture after a meal in the dining room, and that was typical of our loved and respected Principal. Other scenes include: his leading small groups of people from college to do a church weekend mission; a how's-it-going walk soon after I'd started at the college; his leading daily morning prayers with domestic staff; his response to a personal criticism (to my mind unjustified, subjective and rude) from a colleague: 'Thank you… for those observations.'
The qualities that characterized David and that are...
Appointment of Tutor in Systematic Theology and Church History
We are very pleased to announce a new faculty appointment at Oak Hill. Dr Matthew Bingham, subject to visa approval, has been appointed as Tutor in Systematic Theology and Church History.
After completing undergraduate studies at UCLA, and then an MDiv at Princeton Theological Seminary, Matthew was Senior Pastor at Flint Reformed Baptist Church in Albany, Georgia, from 2009-14. For the last four years he has been in Belfast completing a PhD in Church History at Queen's University under Prof. Crawford Gribben, and subsequently working as a ministry associate in a local church. Matthew is married to Shelley with three young children.
College Director Dan Strange writes: 'We are thrilled that Matthew has been appointed to this crucial faculty post. He comes to us highly recommended...
Pastoral Support and Research Fellow appointed
We are pleased to announce that Kristi Mair has been appointed as a part-time Pastoral Support and Research Fellow from 2018 to 2021. Kristi is a gifted, young academic, apologist and evangelist. She has been Assistant Leader for the UCCF Midlands team for a number of years. She has a BA in Philosophy and Theology and an MA in Philosophy from Birmingham, and has just started a part time PhD there.
As part of her Oak Hill responsibilities, Kristi will be providing pastoral care for female students as well as undertaking some teaching. The rest of her time will be spent studying for her doctorate and continuing to speak at missions across the country.
Tim Rudge, Field Director of UCCF, writes: 'Kristi has brought a huge amount to UCCF in her eight years with us. She has become an...
David Suchet on reading the Bible well in public
We had the great privilege of hosting David Suchet at Oak Hill earlier in January to do a masterclass on reading the Bible in public, when he spent two hours with over 100 students.
His love of God and his word was so evident, and his deep desire and passion for reading the Bible well in public was infectious. His message was that Bible readings should help us hear God speaking through his word.
He said: 'You stand there with confidence, you have the gift of reading, you have prepared it all, you're doing it because you know it's God's word, not yours. This is God speaking to whomever you're talking to. It's very important.'
I had the chance to chat with David afterwards about this.

subset: commoncrawl


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Tue, 20 December 2016
Elen Sentier is a Shaman, an author and a trans-personal psychotherapist. We talked with Elen about the reindeer goddess Elen of the Ways, the importance of catharsis and the protective role of masculine energy.
For more about Elen visit:
Direct download: Elen_Sentier_Edit_1_Export_1.mp3
Category:shamanism -- posted at: 10:42pm PDT
Tue, 20 December 2016
Jerry B. Brown, Ph.D., is an anthropologist, author, and activist. From 1972 to 2014 he served as founding professor of anthropology at Florida International University in Miami, where he taught a course on "Hallucinogens and Culture."
The Psychedelic Gospels is the result of Jerry and Julie's (wife/co-author) anthropological journey throughout Europe and the Middle East. Based on stunning visual evidence found in the art and icons of many churches and cathedrals, The Psychedelic Gospels documents the integral role that visionary plants [entheogens] played in both the origins of Christianity and in the life of Jesus.
In today's show we discuss Jerry`s inspiration for writing the book, the correlations of iconography and scripture that link Jesus to sacred mushrooms, the history of Santa shaman, and why we don`t see or hear about entheogens in modern Christianity.
To learn more about Jerry visit: https://psychedelicgospels.com
Direct download: Jerry_Brown_Edit_1_Export_1.mp3
Category:Christianity -- posted at: 6:30am PDT
Wed, 14 December 2016
Anilah is the solo project of vocalist and composer Dréa Drury, a musician based in the Selkirk Mountains of Western Canada. Her inspirations draw from traditional shamanic sound practices, sacred chant, dark tribal, and Indian Classical. She has studied the art of using the voice as a healing modality.
In todays episode we dive deeper into her roots, creative process, use of plant medicines, shifting music into a ritual, and much more.
Learn more about Dréa at:
www.anilah.ca or www.liveyourownritual.com
Direct download: Drea_Drury_Edit_1_Export_1.mp3
Category:shamanism -- posted at: 11:37pm PDT
Fri, 9 December 2016
In this episode Damien and Jed recap the past few months of shows. They share what they have learned and where they are at in their life's and on their path. The conversation includes maybe topics ranging from Trump, death, synchronicity, and helpful ways to navigate during these times.
Direct download: The_Noble_Heart_Edit_1_Export_1.mp3
Category:Spirituality -- posted at: 4:49pm PDT
Thu, 24 November 2016
Richard Smoley is an author and philosopher who writes on the world`s mystical and esoteric teachings, particularly Chrisianity. In this podcast, we talk about the potential role of esoteric Chrisitianity in the modern world.
For more on Richard visit: www.innerchristianity.com
Direct download: Richard_Smoley_Edit_1_Export_1.mp3
Category:Esoteric Chrisitianity -- posted at: 11:36pm PDT
Fri, 18 November 2016
Jane Meredith is an Australian author and ritualist. Her books are: Magic of the Iron Pentacle: Reclaiming Sex, Pride, Self, Power & Passion (co-authored), Circle of Eight: Creating Magic for Your Place on Earth; Rituals of Celebration: Honoring the Seasons of Life through the Wheel of the Year; Journey to the Dark Goddess: How to Return to Your Soul; and Aphrodite's Magic: Celebrate and Heal Your Sexuality.
In this show we define Dark Goddess and discuss the significance and ways to honor this important part of life.
For more about Jane visit: www.janemeredith.com
Direct download: Jane_Merideth_Edit_1_Export_1.mp3
Category:Spirituality -- posted at: 3:20am PDT
Fri, 11 November 2016
Shonagh Home is the author of Love and Spirit Medicine and XI Chel Wisdom. She is also a shaman and sacred bee keeper. In our discussion we talked about bringing back the magic of tradition, The need of the wisdom of heart-centered connection, The pro's and con's of technology, The co-opting of language the aims to keep us divided, Lending our gifts through volunteering, The power of being in nature, Healing and calming the mind, How to open up to the wise ones through intention, and more...
For more about Shonagh visit: www.shonaghhome.com
Direct download: Shonagh_Home_Edit_1_Export_1.mp3
Category:shamanism -- posted at: 8:01pm PDT
Mon, 31 October 2016
Michael joins us in an engaging conversation about the natural gifts of humans. And by giving our gifts, we experience meaning. We also talk about talent vs genius, call of the muses, staying close to our wound, the importance of rites of passage and much more.
For more about Michael visit: www.mosaicvoices.org
Direct download: Michael_Meade_Edit_1_Export_1.mp3
Category:Spirituality -- posted at: 8:36pm PDT
Thu, 20 October 2016
In this episode we explore my topics ranging from connection to our hearts, diet, extraterrestrials, death and much more. Enjoy the ride!
More about Lujan: www.parallelperception.com
Direct download: Lujan_Matus_Living_from_the_Heart_Edit_1_Export_1.mp3
Category:Buddhism -- posted at: 11:14pm PDT
Thu, 13 October 2016
Reggie Ray joins us once again to talk about: Reconnecting with Shamanism. Relating to Mother Earth. How Tibetan Buddhism can disregard regular day life. Normal human life becoming the vehicle for illumination and much more.
Visit Reggie at dharmaocean.org
Direct download: Reggie_Ray_9.26.mp3
Category:Buddhism -- posted at: 1:28am PDT


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Dr Ashley Banyard BSc MSc PhD, is a Senior Research Scientist studying aspects of both pathogenesis and novel vaccine design for lyssaviruses and morbilliviruses. Further roles include scientific project management of DEFRA and BBSRC funded research projects and graduate supervision.
Relevant Publications
Banyard A.C., Derek M. Healy, Edward Wright, Graeme Harkess, Daniel Hicks, Alex Nunez, and Anthony R. Fooks. (2013). Lyssavirus infection: 'Low Dose, Multiple Exposure' in the mouse model. Virus Research, Dec 2013.
Daniel J. Hicks, Alejandro Núñez, Ashley C. Banyard, Alun Williams, Angel Ortiz-Pelaez, Anthony R. Fooks and Nicholas Johnson. (2013). Differential chemokine 1 responses in the murine brain following lyssavirus infection. Journal of Comparative Pathology, 12, pp. 1-17.
Frederic Vigant, Jihye Lee, Axel Hollmann, Lukas Tanner, Zeynep Akyol-Ataman, Guanghou Shui, Hector Aguilar-Carreno, Tatyana Yun, Dong Zhang, David Meriwether, Gleyder Roman-Sosa, Lyndsey Robinson, Terry Juelich, Hubert Buczkowski, Sunwen Chou, Miguel A.R.B. Castanho, Mike C. Wolf, Ashley C. Banyard, Margaret Kielian, Srinivasa Reddy, Markus R. Wenk, Matthias Selke, Nuno C. Santos, Alexander Freiberg, Michael E. Jung, Benhur Lee. (2013). A Mechanistic paradigm for broad specturm antivirals that target virus-cell fusion. PLOS Pathogens, vol 9, Issue 4.
Marston DA, McElhinney LM, Banyard AC, Horton DL, Nunez A, Koser ML, Schnell MJ, Fooks AR. (2013). Interspecies protein substitution to investigate the role of the lyssavirus glycoprotein. J Gen Virol. Feb;94(Pt 2):284-92. Epub 2012 Oct 24.
Healy DM, Brookes SM, Banyard AC, Núñez A, Cosby SL, Fooks AR. (2012). Pathobiology of rabies virus and the European bat lyssaviruses in experimentally infected mice. Virus Res. Mar;172(1-2):46-53. doi: 10.1016/j.virusres.2012.12.011. Epub 2012 Dec 27.


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People are consuming and cultivating cannabis (marijuana) for a variety of purposes for hundreds of years.
Medicinal Cannabis
From all the studies on cannabis, researchers understand there are over sixty cannabinoids in cannabis, however according to many studies, a particular one, cannabidiol (CBD)—also one of the most copious ones—"has been found to inhibit and/or kill a wide types of cancers in the animal model, together with gliobastoma (a difficult-to-treat kind of brain cancer), breast, lung, prostate, and carcinoma."
What has researchers made very excited, however, is that the cannabinoids in cannabis even have the power to inhibit the stem-like regeneration of cancer cells.
This is vital because cancer stem cells, that are unlike regular tumor cells, are capable of breaking off from an existing lesion or tumor then forming a brand new colony of tumor cells.
Coconut oil
Coconut oil—and its infinite healing properties—has basically jettisoned to the highest as one of the incomparable best therapeutic foods.
Similar to cannabis, coconut is related to helping lots of diseases and has as several pharmacological actions—50 or more so far, including improving cholesterol levels, weight loss, boosting immunity, digestive problems, kidney issues, cardiovascular disease, diabetes, HIV, and a spread of various cancers.
Treating Cancer With Cannabis And Coconut
One of the problems with medical marijuana has always been finding the simplest delivery system. Some individuals like better to smoke it, which isn't always acceptable or as viable for some people.
Often the cannabis can be made into a highly-concentrated liquid that needs only a minuscule quantity to attain therapeutic results.
But what researchers have found, is that one of the easiest and safest—not to say, healthiest—ways to consume medical marijuana is by infusing it into coconut oil, that also makes the medication more bio available.
As the studies show, coconut oil on its own could be a powerful healing agent, however when infused with strong therapeutic cannabinoids, both of which are proved to assist kill cancer cells, it then becomes a strong "one-two punch" against a disease that's actually killing Americans.


text:
17 September 2010
Friday Funny
5 comments :
uh oh--video is not available anymore. Have a great Friday anyway.ReplyDelete
Another bad post! ;)ReplyDelete
I am SO scared of heights!
I just go up 1 step on a ladder and I start to tremble.....:)
Your father had quite the job!
They wouldn't let me watch it. :( Some 'online copyright' claim popped up.ReplyDelete
I'm so sorry to those who are unable to see it. Here is the explanation for why it was removed.ReplyDelete
why video was removed
Too bad we have to worry about such things. As if worrying about the heights wasn't enough!!
For those who are unable to see it, it was a man with a video cam attached to his helmet climbing a broadcast tower. Yes, my dad used to do that for a living, and no, you still couldn't pay me to do that. !!!
I saw the video a few days ago on Facebook, and it literally made me nauseous. There's no way I could have climbed something like that, and the helmet cam made me feel like I was actually there. Sorry your readers couldn't see it, but I understand the reasons why it was pulled.ReplyDelete
Dusty words lying under carpets,
seldom heard, well must you keep your secrets
locked inside, hidden deep from view?
You can talk to me... (Stevie Nicks)
All spam is promptly and cheerfully deleted without ever appearing in print.
I apologize for turning off anonymous posting for a while. Too much garbage coming through; hope to get anonymous comments turned back on after a short break. If you don't have a Google account and need to contact me, please use the email address in the sidebar. Thank you!


text: The Garland Cult announce that the band's debut album "Protect Yourself From Hollywood" has now been released commercially on CD via Ninthwave Records. The album is a special 2 CD set containing a second CD of remixes from US DJ QUBIQ who recently remixed both Heaven 17 and Martin Fry (ABC) among many other pop artists. The Garland Cult are Aidan Casserly and Lar Kiernan of the Irish electropop band Empire State Human. As part of The Garland Cult they've recently worked with Steve Bronski (Bronski Beat) and Anni Hogan (Marc Almond / The The) on their "Talking With Aliens" single. The band are currently finishing off recording a brand new single called "boygeorgeICON" for their european label Electric Fantastic Sound as well as working with Justin Timberlake producer Lief (from the UK).


text:
She earned her Nursing Degrees at Erlanger Nursing School in 1985 and the University of Tennessee at Chattanooga in 1989. She is a seasoned behavioral health professional who brings a broad range of management, program development and clinical expertise to her current position of Executive Director.Her 28 year career began as a staff nurse progressing to more advanced roles in the field. After several years of solid nursing experience, she wanted to use her nursing knowledge in the business world and became a Clinical Sales Consultant working the next five years for Hill-Rom, a world wide leader in manufacturing and medical technologies.
Deciding to venture away from Tennessee, Susan moved to Long Island, New York and lived there for ten years. While there, she worked full-time for the North Shore-Long Island Jewish Health System as a Senior Nurse gaining experience with Performance Improvement and Regulatory Affairs in outpatient substance abuse/psychiatric service lines. She obtained certification for HIV Counseling and became certified by ANCC in Gerontological Nursing. She also had the opportunity to work at John T. Mather Memorial Hospital as a staff RN providing patient care on adult and adolescent inpatient psychiatric units.
Additionally, she became certified in auricular acupuncture, studying at Lincoln Medical Center's internationally renowned recovery center. She became a licensed EMT and was a part of the Nesconset Fire Department's Ambulance Company. Deciding to relocate back to the warm South, Susan began working for Colonial Management Group, Inc., in Orlando Florida, in the position of National Director of Development.
After many years of working in some of the best programs in the country, she returned back home and became part of a company with vision and a passion for saving lives. She has held many positions within the Focus Treatment Centers organization. She was privileged enough to be part of the opening of Focus Healthcare of Tennessee. She has served as both the Director of Nursing and the Nurse Executive. She has held other roles within the company as well, including Regional Nurse to Focus Healthcare of California and Administrator for Riverside Center for Behavioral Medicine, a psychiatric hospital in Riverside California. In her free time, she enjoys tennis, traveling and time with her family/friends, boyfriend and her dog, Talulah.
Contact Ms. Kerr


text:
Last night one of the Church members and his wife invited me to dinner.
Corn soup, jacket potato, rolls, and a Scottish dessert with raspberries.
Delicious. Not only that, but Cranberry concentrate mixed with Lemon juice, 1 part to 2. Fan-tas-tic!
The Elders read something from their book (I am just starting to learn more about the Latter Day Saints), in which it said the soldiers took a meal of pulses and water in preference to the meal offered by the mean of the King of Babylon.
Wholesome, simple food gives good health.
According to the Mormons, people should ideally not drink, not smoke, not take narcotics, nor drink tea, nor coffee. I am a tea drinker, so that's a small restriction.
But as I have always thought, God's word (through any religion) advocates what is good for mankind. The central premise of all religions are the same, the Majesty of God and the brotherhood of Mankind, tolerance, understanding, progress.
Please let me know your views. (Leave Your Comments page...)
Kind regards,


text:
Red Hat Bugzilla – Bug 126645
Unable to mount the partition that has the specified label.
Last modified: 2007-11-30 17:06:54 EST
From Bugzilla Helper:
User-Agent: Mozilla/5.0 (X11; U; Linux i686; ja-JP; rv:1.6)
Gecko/20040207 Firefox/0.8
Description of problem:
This problem occurs when the size of file /proc/partitions is over
1024 byte.
When the mount command specified label as shown below is executed,
the partition is not mounted.
mount -t ext3 /usr /usr
- Mount the partition using their label name rather than by referring
to the specific device name.
- Break up the output of the file /proc/partitions in 1024-byte
blocks, Mount all partitions specified just above/below the
break-point (closest to the 1024-byte break-point)
Possible cause
The mount command reads the file /proc/partitions in 1024-byte blocks
by fgets function which does buffering.
Because this file /proc/partitions is changed dramatically, depends on
the timing, it reads the file when the column is corrupt, which means
when the forth column is not specific device name.
Therefore, it fails to change the label name to the specific device
name correctly.
It seems this causes the problem, the failure of disk mount.
Temporary workaround
When there is the possibility that the file /proc/partitions could be
over 1024 byte,(when the number of partition is 10-15), we mount the
disk using specific device name.
Version-Release number of selected component (if applicable):
How reproducible:
Steps to Reproduce:
1 Create many partitions so that the file /proc/partitions is over
1024 byte.
2 Break up the output of the file /proc/partitions in 1024-byte
blocks,Label all partitions specified just above/below the
break-point (closest to the 1024-byte break-point)
3 Execute mount command using their label name which is specified 2
Actual Results: Unable to mount the disk.
When the partitions required at booting are not mounted,
boot fails or some services are unable to start.
Expected Results: It can mount in any situations.
Additional info:
This issue is fixed in rawhide (and, I believe, RHEL3) - is that
I checked the souce file of RHEL3. Because this system is under
operation. We can't install RHEL3.
And I checked in RHEL3 that a problem did not occur.
When is this change implemented in RHEL2.1 ?
Working on an erratum to fix this...
Thank you.
We expect.
An errata has been issued which should help the problem
described in this bug report. This report is therefore being
closed with a resolution of ERRATA. For more information
on the solution and/or where to find the updated files,
please follow the link below. You may reopen this bug report
if the solution does not work for you.


text:
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37.5 hours per week
September 2015 to March 31, 2016 (possible extension to 2018 based upon satisfactory performance and continued availability of funding)
The University of Prince Edward Island (UPEI) invites applications for the position of Project Manager to provide support to the Canada Excellence Research Chair (CERC) in Aquatic Epidemiology. The goal of the CERC program is to make UPEI and Canada the global leader in applied aquatic epidemiology research. The CERC research team includes AVC faculty members, research scientists, post-doctoral fellows and graduate students.
The successful candidate will provide project management support including budgetary, administrative and technical reporting requirements, and assist the CERC in strategic planning activities and delivery of research and outreach programs.
The successful candidate will be responsible to:
• Represent CERC as the initial contact point for outside persons and organizations including members of the CERC strategic advisory board
• Provide primary project support for CERC team members
• Maintain project budgets and accounts for CERC grants and projects as they arise, including preparation of annual budget, quarterly budget updates/projections, itemized statements of spending for CERC team members, and review of monthly credit card and expenditure reports to reconcile with hard-copy requisitions and purchase orders;
• Manage the contract approval process from initiation to contract execution for members of the CERC group, liaising with UPEI's administrative officials, industry and academic collaborators, and funding partners;
• Track all contractual and personnel management deadlines and advise Principal Investigators of upcoming deadlines and arising issues;
• Working with the CERC team members, compile and draft various scientific reports and information for review and submit approved reports;
• Track contract progress and budgets with respect to project timelines and deliverables and prepare appropriate communications;
• Work with UPEI's Research Accounting Office to track ongoing grants and secured contributions from external funders, and flag any concerns to Principal Investigators;
• Ensure expenses are recorded accurately and in a timely fashion;
• Manage CERC human resource requirements such as assisting with the recruitment process, liaising with appropriate resources for personnel issues;
• Assist CERC team members to organize and execute CERC research and outreach activities;
• Assist CERC team members to develop strategic priorities and implement these priorities, and their subsequent milestones and deliverables
Candidates should hold a degree in business administration (BBA or MBA), and/or Project Management Institute certification, and have relevant years of experience in a project management role. Familiarity with University accounting processes and website development and maintenance is desirable.
The ideal candidate's previous work experience will demonstrate:
• Excellent written, verbal and inter-personal communication skills;
• Capacity to manage schedules, budgets, procurement, bookkeeping, planning and reporting of complex projects;
• Excellent organizational skills;
• Excellent time management skills; experience with coordinating projects; e.g., tracking schedules and milestones, keeping accurate records, and reporting results;
• Experience with budgets and book-keeping;
• Demonstrated computer skills, including word processing, spreadsheets applications, charts/graphs, basic web site maintenance, financial or budgeting programs;
• Experience in collaborative scientific environments.
Please submit electronically a cover letter, quoting the competition number, a resume and reference list, to be received no later than the closing date, via the link below. You can also apply in person to the Human Resources Department, Kelley Building, University of Prince Edward Island, 550 University Avenue, Charlottetown, PEI C1A 4P3, Fax Number (902) 894-2895.
In accordance with Canadian immigration requirements, all qualified candidates are encouraged to apply; however, Canadian citizens and permanent residents will be given priority.
The University of Prince Edward Island is committed to gender equity in employment. Only those applicants who are invited to an interview will be acknowledged.
M. VanGaal


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It Is Better For The Vegetable Salad In A Box
When I and my niece went to the grocery for grocery shopping, I asked her if she would like to get some salads in the counter. I was surprised when she declined it this time, she said she preferred for the vegetable salad to have it in a box already and she doesn't have to pick or choose which she likes, it is better that way, the one in a box because it doesn't spoiled easily. It could store in the freezer for a long time unlike those veggies in the counter. So since we didn't see any salads in a box we just brushed the idea to buy some. I know if Mj will know about this, she will just get disappointed I know her she loves both ways, could it be in a box or those in the counter.


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'Inspired by Neil Finn's beautiful love song 'Distant Sun' (Crowded House) and personal experience. It's said the song was written about the seven chakra's becoming as one - an immense feeling. Neil has jokingly said that his reference to the chakra's wasn't intentional…or was it? Much thought was given here to the positioning of each colour - a bit like piecing together a jigsaw. 'I don't pretend to know what you want, but I offer love'...
Payment methods
Acrylic on deep edge boxed canvas
2 Years ago
About the artist
Contemporary landscape
see "Seven Worlds Will Collide" on Derrick Fielding's website
Artwork104 works in painting
Member for:member for 9 Years
locationParbold United Kingdom
Info for buyers
- accepts paypal
- accepts cheques
- international delivery
- 14 day cancellation period
- delivery usually 3 days


text:
Turbine Generator Maintenance, Inspection & Repair
Experience the adventure of traveling the globe to troubleshoot, repair, and overhaul high speed turbines and generators and their components. Utilize advanced diagnostic equipment to align turbine components. Disassemble and assemble high-speed turbines using bolt heaters, slugging wrenches, and Hytorc equipment. Use sensitive precision measuring devices to analyze and adjust components. Students are prepared to earn Turbine Generator Mechanic Certification and National Center for Construction Education and Research (NCCER) Core and Power Generation Maintenance Mechanic, Level 1, 2, 3, and 4 Certification.
The purpose of the Turbine Generator Maintenance, Inspection & Repair program is to prepare students for employment as an entry-level turbine mechanic. Upon successful completion of the program, the student will understand all aspects of the industrial turbine generator equipment maintenance and technology industry. This program is offered in partnership with Turbine Generator Maintenance, Inc. (TGM, Inc.), located in Cape Coral. TGM, Inc. is the premier turbine and generator solution provider for small to medium power plants.
Program content includes safety, basic elements of physics, basic electricity and electronics, reading plans and drawings, assembly and reassembly of high speed turbines and generators, hydraulic systems, machine-shop operations, pump maintenance, rotor alignment operations, preventative maintenance, and customer service skills.
The following table illustrates the program structure:
|Course #
|Course Name
|Turbine Generator Maintenance Tech I
|Turbine Generator Maintenance Tech II
|Turbine Generator Maintenance Mechanic
|Externship Option - All students are eligible during the last trimester of this program to participate in a 30-hour externship. *Part of 1350 hour program
Elements of the industry such as planning; management; cost management skills; technical and production skills; underlying principles of technology; and labor, health, safety, and environmental issues are taught.
View Univision feature on YouTube
|Program starts January 9, 2019 (Enrollment opens October 1, 2018)
1,350 hours
Approximately 12 months
Monday - Friday
8 a.m. - 2:30 p.m.
Approximately $5,179
Turbine Generator Maintenance, Inspection & Repair Fee Sheet
- Safety
- JSA use
- Flanges, square and tight
- Proficient in precision measuring
- Safe operation of bolt heater
- FME and hole covering
- Labeling of parts
- Bag and tag correctly
- Nomenclature of steam & gas generator sets
- Correctly remove shell bolts
- Rigging and removing shell
- Set up and use of Hytorc
- Measurement methods
- Lubrication
- Vibration
- Gaskets and bolted flanges
- Valves
- Alignment
- Steam Turbines
- Seals
- Centrifical pumps
- Positive displacement pumps
- Heat exchangers
- Hydraulics
- Outages, shut downs, turn a rounds
- Planning and scheduling
- NCCER - Core
- NCCER - Power Generation Maintenance Mechanic Level 1, 2, 3, 4
- Valve inspection
- Precision measuring
- Rotor inspection
- Bearing inspection
- Starter wedging
- Disassemble turbine
- Rigging and lifting turbine components
- TGM, Inc.
- Granite Services
- Alstom Power
- Reliable Turbine Service
- Tampa Armature Works
- Majestic Machine
According to O'Net Online, jobs for millwrights are expected to grow 35% in Florida between 2014 - 2024.
Steps to Enroll
- Attend an Information Session (Tuesday at 9:30 a.m. and Thursday at 1:00 p.m. [when school is in session])
- Meet with an admissions specialist
- Take the TABE test, if applicable
- Obtain official transcripts, if applicable (high school, GED, college, etc.)
- Apply for financial aid (official transcripts required)
- Provide appropriate residency documents
- Complete application packet
- Pay application fee
- Scott Farnham
- (239) 334-4544 ext. 563


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Which type of registry is for me?
Here's an easy guide to help explain our two registry options and how they work for registrants and gift purchasers.
Our Heath Virtual Registry may be for you if you:
|Love shopping online
|Live further away from our stores
|Want to be able to change your registry items at any time – even after someone's bought you something from your registry
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Get more details, and sign up for a Heath Virtual Registry.
Our Heath Conventional Registry may be for you if you:
|Love a traditional registry experience
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|Know what you want and want to receive the gifts as they're purchased
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|Have friends who love to shop in person
Get more details, and sign up for a Heath Conventional Registry.
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On Tuesday, the co-founder of the Tea Party Patriots said one of President Barack Obama's most senior advisers is "unqualified to hold any position of authority" after his "despicable" remarks comparing Republicans to the Jonestown suicide cult.
In an interview that Politico published on Monday evening, John Podesta, the Andrew Breitbart nemesis whom Obama named as a senior White House adviser last week, said the White House was up against "a cult worthy of Jonestown in charge of one of the houses of Congress." Podesta was referring to Republicans who control the House of Representatives.
"Any man who is so historically ignorant as to compare millions of Americans who cherish freedom with the macabre and mass suicide at Jonestown is unqualified to hold any position of authority," Martin said. "We recommend Mr. Podesta read a book on basic American history."
Podesta apologized for invoking one of the most horrific mass killings in history to slam Republicans. He reportedly made those comments in the fall before Obama recruited him to the White House.


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Ward Solutions have been providing solutions to the Construction Industry sector for the past 3 years nationally.
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- Document Management System using MOSS 2007
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Hog Futures: October Lean Hogs Closed Down on Thursday15 August 2014
US - October lean hogs closed down $1.95 at $95.50 Thursday.
Prices closed near mid-range after trading limit down earlier in the session and hitting a 5.5-month low today.
A steep five-week-old downtrend is in place on the daily bar chart. Bears have the solid near-term technical advantage.
The next upside price objective for the hog bulls is to push and close prices above solid chart resistance at $98.00.
The next downside price breakout objective for the bears is pushing prices below solid technical support at $93.00. First resistance is seen at today's high of $96.20 and then at $97.00.
First support is seen at today's low of $94.40 and then at $94.00.
Wyckoff's Market Rating: 2.5ThePigSite News Desk
IMPORTANT NOTE: I am not a futures broker and do not manage any trading accounts other than my own personal account. It is my goal to point out to you potential trading opportunities. However, it is up to you to: (1) decide when and if you want to initiate any traders and (2) determine the size of any trades you may initiate. Any trades I discuss are hypothetical in nature.
Here is what the Commodity Futures Trading Commission (CFTC) has said about futures trading (and I agree 100%): 1. Trading commodity futures and options is not for everyone. IT IS A VOLATILE, COMPLEX AND RISKY BUSINESS. Before you invest any money in futures or options contracts, you should consider your financial experience, goals and financial resources, and know how much you can afford to lose above and beyond your initial payment to a broker. You should understand commodity futures and options contracts and your obligations in entering into those contracts. You should understand your exposure to risk and other aspects of trading by thoroughly reviewing the risk disclosure documents your broker is required to give you.


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Definition of divorce
- divorce of the secular and the spiritual
Since getting a divorce, she has been raising her children alone.
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Financial problems are a leading cause of divorce.
First Known Use: 14th century
in the meaning defined at sense 1See Words from the same year
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Their constitution divorces church and state.
First Known Use: 15th century
in the meaning defined at transitive sense 1See Words from the same year
break up, disassociate, disconnect, disjoin, disjoint, dissever, dissociate, disunite, divide, part, ramify, resolve, separate, sever, split, sunder, uncouple, unlink, unyoke;
assemble, associate, blend, combine, mingle, mix;
accumulate, agglutinate, attach, bind, cement, close, fasten, fuse, knit, stick, weld;
break down, decompose, disassemble, disintegrate, dissolve;
bisect, cleave, dissect, halve, partition, quarter, segment, subdivide, trisect;
break, fracture, pull, rend, rift, rip, rive, rupture, tear;
cut off, insulate, isolate, seclude, segregate, sequester;
in the meaning defined aboveSee Words from the same year
: the ending of a marriage by a legal process
: a complete separation between two things
: to legally end your marriage with (your husband or wife)
: to make or keep (something) separate
See words that rhyme with divorce Thesaurus: All synonyms and antonyms for divorce Spanish Central: Translation of divorce Nglish: Translation of divorce for Spanish speakers Britannica English: Translation of divorce for Arabic speakers Britannica.com: Encyclopedia article about divorce
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a lighting electrician on a movie set
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- Lowest Price
- Highest Price
Mississippi John Hurt'
- 1
American Epic: The Best of Mississippi John Hurt Quick ViewURPD-TMR-459xMississippi John Hurt
American Epic: The Best of Mississippi John HurtBlues fingerpicking guitarist, singer and sharecropper Mississippi John Hurt was born in the heart of Mississippi Hill Country, along the veiny tributaries of the great American river. His moving renditions of "Frankie" and "Spike Driver Blues" were included in Harry Smith's American Anthology of Folk Music in 1952 and were vitally influential on the Greenwich Village folk music revival of the 1960s as well as John Fahey's development of the American Primitive Guitar genre.
Single LP with single pocket tip-on jacket with soft touch finish.1. Frankie
2. Ain't No Tellin'
3. Spike Driver Blues
4. Avalon Blues
5. Louis Collins
6. Candy Man Blues
7. Stack O' Lee Blues
8. Praying On The Old Camp Ground
9. Blue Harvest Blues
10. Got the Blues Can't be Satisfied
11. Big Leg Blues
12. Nobody's Dirty Business
13. Blessed Be The Name$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Today! (Pure Pleasure) (Awaiting Repress) Quick ViewSPCO-PUR-79220$34.99Buy Now
Today! (Pure Pleasure) (Awaiting Repress)The '60s revived the careers of many early bluesmen, but none so dramatically as that of Mississippi John Hurt. Hurt recorded a few brilliant sides in the '20s, then ostensibly disappeared off the face of the Earth until folk musician Tom Hoskins went looking for him in 1963. At the age of 70, Hurt began one of the greatest comebacks in music history. From his first '60s shows until his death in 1966, Hurt was a popular mainstay of the folk-music circuit. TODAY! demonstrates why the audiences loved him so. More a melodic songster than a traditional bluesman, Hurt has a great deal in common with '60s folk musicians - many of whom he inspired. Hurt's dexterous and beautiful finger-picking style provided aspiring folk performers with a template, as did his warm and gentle stage presence. All these elements are amply evident on TODAY!, on which Hurt turns in definitive performances of Pay Day, Louis Collins, Spike Driver's Blues, and Make Me a Pallet on Your Floor. He even takes a rare (and successful) turn at slide guitar on Talking Casey. Like all of Hurt's Vanguard albums, TODAY! is an absolutely essential document of a great American artist.
- Mississippi John Hurt (vocal, guitar)
Recording: 1966
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Payday
2. Im Satisfied
3. Candy Man
4. Make Me A Pallet On The Floor
5. Talkin Casey
6. Corrina, Corrina
7. Coffee Blues
8. Louis Collins
9. Hot Time In The Old Town Tonight
10. If You Dont Want Me Baby
11. Spike Driver's Blues
12. Beulah Land$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
American Epic: The Soundtrack Quick ViewSONM-LEG-09916xVarious Artists
American Epic: The SoundtrackAmerican Epic: The Soundtrack leads the way for a series of album releases accompanying the Lo-Max/PBS/BBC Arena film project American Epic created by Allison McGourty, Duke Erikson and Directed by Bernard MacMahon.
American Epic is a journey across time to the birth of modern recording, when music scouts armed with cutting-edge recording technology captured the breadth of American music and discovered the artists that would shape our world.
The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. It was the first time America heard itself.
American Epic: The Soundtrack highlights recordings from the three-part documentary on one 150g LP, including original recordings by The Carter Family, Mississippi John Hurt, Charley Patton, Sister Rosetta Tharpe and more all restored to unprecedented levels of sonic fidelity.1. Gonne Die with My Hammer in My Hand - Williamson Brothers & Curry
2. On the Road Again - Memphis Jug Band
3. Frankie - Mississippi John Hurt
4. Bury Me Under the Weeping Willow - The Carter Family
5. Mal Hombre - Lydia Mendoza
6. Peg and Awl - Carolina Tar Heels
7. Tomi Tomi - Sol K. Bright with The Aloha Serenaders
8. The Indian Tom Tom - Big Chief Henry's Indian String Band
9. Cocaine Habit Blues - Hattie Hart & The Memphis Jugband
10. Up Above My Head - Sister Rosetta Tharpe
11. Down the Dirt Road Blues - Charley Patton
12. Allons A Lafayette - Joseph Falcon
13. Stackalee - Frank Hutchison
14. Waiting for a Train - Jimmie Rodgers
15. Jole Blon - The Breaux Brothers with Louis Michot$19.99Vinyl LP - Sealed Buy Now
Rooster Rag Quick ViewUNIM-ROU-4919$24.99Buy Now
Rooster RagEasily one of the hardest working bands in showbiz, the present incarnation of Little Feat is a seven-member powerhouse that ably carries on the group's tradition of deftly blending rock, R&B and blues to create a jammin' blend of Americana that has earned accolades from critics, fellow musicians and fans alike for over four decades.
Rooster Rag, their new album and first with original material since 2003's Kickin It at the Barn, features 10 brand new songs including four co-writes with Grateful Dead lyricist Robert Hunter (Rooster Rag, Way Down Under, Rag Top Down, Salome) plus two blues classics, one from Mississippi John Hurt (Candyman Blues) and one from Willie Dixon (Mellow Down Easy). The result is a compelling album of funkified Little Feat fare guaranteed to please longtime fans while simultaneously attracting new eyes and ears!1. Candyman Blues
2. Rooster Rag
3. A Church Falling Down
4. Salome
5. One Breath At A Time
6. Just A Fever
7. Rag Top Down
8. Way Down Under
9. Jamaica Will Break Your Heart
10. Tattooed Girl
11. The Blues Keep Coming
12. Mellow Down Easy$24.99Vinyl LP - 2 LPs Sealed Buy Now
Celestial Explosion Quick ViewUNIM-TOM-2844xDon Bikoff
Celestial ExplosionDon Bikoff released one lone, rare solo album, Celestial Explosion, on Keyboard Records in 1968, now reissued by Tompkins Square. A kid from Oyster Bay, Long Island, Bikoff got his start in Greenwich Village, annoying Dave Van Ronk and playing the folk/blues circuit where he met Sonny Terry and Brownie McGhee, Jesse Fuller and Mississippi John Hurt. In spite of this wide range of influences, Bikoff definitely has his own approach. Don is only 65 years old, and he's still playing strong.1. Rindler's Metamorphosis
2. My Baby's Bass
3. To Ellen
4. Riverside Park Blues
5. Bathing Prohibited In The River
6. The Ellipses Of Your Mind
7. Earth (Revisited)
8. Sonata #7, Opus 11
9. Today Was No Tomorrow
10. The Formentera Moors Are Stomping Tonight
11. Crystal Lakes of Frangipani
12. Celestial Explosion$19.99Vinyl LP - Sealed Buy Now
Arkansas (Awaiting Repress) Quick ViewREDD-PSR-1521$20.99Buy Now
Arkansas (Awaiting Repress)John Oates is one half of the best-selling duo of all time, Hall & Oates, as well as an accomplished solo artist. Now, he has teamed up with an amazing group of accomplished and rising stars in the Americana music world to bring his new album, Arkansas, to life.
The project originally began as a tribute to Oates' idol, Mississippi John Hurt. It evolved organically, during a series of Nashville recording sessions, into a unique, retrospective collection drawing from a wide range of Oates' musical influences. Asked about the style and sound of Arkansas, he says, ''it's like Dixieland dipped in bluegrass and salted with Delta blues.''1. Anytime
2. Arkansas
3. My Creole Belle
4. Pallet Soft and Low
5. Miss the Mississippi and You
6. Stack O Lee
7. That'll Never Happen No More
8. Dig Back Deep
9. Lord Send Me
10. Spike Driver Blues$20.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Gospel According To Sam Quick ViewREDD-FAT-2836$13.99Buy Now
The Gospel According To SamSam Langhorn (1933-2007) was known among locals as the best blues guitarist to come out of Oxford, Mississippi, but he somehow eluded the blues mafia who scoured the state looking for talent. The recordings here are the first ever issued by Langhorn, who demonstrates his skills performing traditional gospel in a style remarkably similar to Mississippi John Hurt. He learned guitar from his mother Camilla, who played at sanctified church services, but eventually chose the blues lifestyle.
The recordings were made around 1963 by two former Ole Miss football stars who befriended Langhorn and simply made the recordings for fun before putting them aside for half a century. Jimmy Hall went on to pursue a career of acting in New York City and L.A., and Robert Khayat a Pro Bowl career with the Washington Redskins then later returning to the University of Mississippi, where he became a celebrated Chancellor.1. Introduction
2. Keep Your Hands On the Plow
3. Jesus, Won't You Stop by Here
4. I Shall Not Be Moved
5. Will the Circle Be Unbroken?
6. If I Could Hear My Mother Pray Again
7. When the Saints Go Marching In
8. When the Saints Go Marching In$13.99Vinyl LP - Sealed Buy Now
Richland Woman Blues (Pure Pleasure) Quick ViewSPCO-PUR-SP-1270$34.99Buy Now
Richland Woman Blues (Pure Pleasure)
Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur -- inspired by a trip to Memphis' Beale Street -- digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin 'Youngblood' Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in Me And My Chauffeur Blues (»the way you ride so easy, I can't turn you down«) or longing for her Southern home after moving north during the Depression in Bessie Smith's Far Away Blues, the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.
- Maria Muldaur (vocal)
- Alvin Youngblood Hart (guitar, vocal)
- Bonnie Raitt, John Sebastian (guitar)
- David Wilkie (mandocello)
- Dave Mathews (piano)
- Roly Salley (bass)
- Angela Strehli, Tracy Nelson (vocal)
Recording: 2001 by John Jacob
Production: John Jacob & Maria Muldaur
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. The One To Sing The Blues
2. I'm So Bad (Baby I Don't Care)
3. No Voices In The Sky
4. Going To Brazil
5. Nightmare/Dreamtime
6. Love Me Forever
7. Angel City
8. Make My Day
10. Shut You Down
11. 1916$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Riverman's Daughter Quick ViewREDD-CEN-3014$17.99Buy Now
Riverman's DaughterThe Grahams, the creative union of lifelong romantic partners Alyssa and Doug Graham, combine soulful bluegrass with hints of earthy Americana, adding colors from traditional folk and country blues, into an infectious blend of storytelling that results in songs of love, loss, yearning, and the view from rural American roads less traveled.
While the duo first met in grade school -- a trait shared by previous musical trail-blazers, from Lennon/McCartney to Jagger/Richards - the Grahams' journey together began when they were teenagers in the shadow of New York City. There, Alyssa, the impassioned troubadour, and Doug, the guitarist extraordinaire, shared a mutual love for the music of the Woodstock era and the adventures of the great outdoors. Over the ensuing years many a campfire lit acoustic jam would include the best of roots renegades like Neil Young, The Band, Gram Parsons, Janis and Emmylou along with more than a few Jerry Garcia and Johnny Cash nuggets. Later, spending much of their time in the secluded Adirondack Mountains at the Graham family fold, Alyssa and Doug learned the time-honored craft of songwriting. Here, their ongoing interests in traditional country, mountain bluegrass and folk legends such as The Carter Family and Mississippi John Hurt would blossom. Hoping to share their stories on a wider stage, the couple eventually settled in New York City, where they performed, collaborated and recorded a variety of acclaimed material before adopting The Grahams moniker.
While the duo had written music together before, in the summer of 2012 new writing sessions yielded a different approach. Something magical was happening between Alyssa and Doug. A catalyst was born in the new song Riverman's Daughter, a tale of love, loss, and hardship on the river that showcases Alyssa's bountiful voice. Backed by her own rhythm guitar, along with the strong current of Doug's cascading accompaniment on the six string, and traditional vocal harmonies, the track came in a lightning bolt of inspiration. A vision and calling to write more songs of its kind took hold.
Alyssa and Doug had an idea: What if they put their city lives on hold and, armed with just guitars and backpacks, traveled the 2,500 miles of highways and byways of the Mississippi River from Minnesota to Louisiana. Light out for the territory, so to speak, like Huck and Jim. There, the duo could follow the Great River Road (GRR) that parallels the waterway, meet the people, and hear first-hand where European folk music, brought to these shores generations ago, took root alongside rhythms and chants from Africa, and how these polarizing sounds formed the backbone of our 20th Century American musical heritage. And so The Grahams did just that, and in the process created their debut album, Riverman's Daughter. Along the way The Grahams played gigs at the various gin and juke joints that dotted the GRR, and met a colorful cast of characters and genuine music makers with whom the duo shared and exchanged stories through the common bond of song.
Eventually Alyssa and Doug ended up intentionally isolated on an old houseboat in rural Louisiana where the Mississippi spills into the Atchafalaya swamp. There, The Grahams prolifically stockpiled songs, enjoyed the simplicity of living off the grid, and for a spell, invited onboard friends and musicians including their longtime collaborator Bryan McCann, a wordsmith who aids with lyrical inspiration. Yet perhaps the biggest inspiration on Riverman's Daughter was Doug's own mother, Gigi, the matriarch of the Graham family clan, and a true fan of the duo who had been diagnosed with cancer earlier that year. As her condition worsened, the Grahams packed up their guitars and newly minted collection of songs to become Gigi's angel band, and played by her side until she passed away.
As recording of the new album began, The Grahams found a true kindred spirit in Grammy-winning producer Malcolm Burn, who brought a magical touch and inspired ideas into the studio. It was Burn's idea to record both Alyssa and Doug's parts live to tape without the assistance of headphones or isolation -- in the way they were written. This process gives the album a natural aura that harkens back to an era when this practice was commonplace. Along the same lines, The Grahams chose to record the album in Nashville, the longtime epicenter of country music. While the album's foundation is simple and acoustic, The Grahams are backed on a few tracks by stellar accompaniment including the Grammy-nominated North Mississippi Allstars. Along with the title song the album is highlighted by the 70's country rock flavored Carrying The Torch, the spirited traditional vibe of The Piney River, and the riveting upbeat barn dance playfulness of Revival Time.
Ultimately, the album is a winning culmination of The Grahams' long journey into the heart of America, the inspiration they derived from immersion into classic American music, and the natural and honest talent they have for bringing forth a modern musical idiom steeped in tradition.1. Revival Time
2. Riverman's Daughter
3. Carrying the Torch
4. You Made Me Love You
5. Cathedral Pines
6. If You're in New York
7. The Piney River
8. A Good Man
9. Marnie Hawkins
10. Heaven Forbid
11. Lonesome Child
12. Jericho
13. Goodbye Babe (B.C.)
14. Lay Down Delilah$17.99Vinyl LP - Sealed Buy Now
Mama Says I'm Crazy Quick ViewREDD-FAT-6417$16.99Buy Now
Mama Says I'm CrazySince no one could copyright Mississippi, two major blues performers, Fred McDowell and John Hurt, adopted the state as part of their name. To confuse matters more, both performers made comebacks during the late '50s/early '60s and both specialized in prewar acoustic blues. While a blues novice might find such similarities confusing, the two men's singing and guitar styles are polar opposites. Whereas Hurt's smooth, deep vocals and Piedmont fingerpicking made him easily accessible to the folk revival crowd, McDowell's soulful vocals and forcefully rhythmic guitar represented something more primitive. In 1967, producer George Mitchell brought together McDowell and harp player Johnny Woods for an off-the-cuff session not unlike what one might have heard at a Como, MS, house party. Interestingly, the two men hadn't played together in eight years, but on songs like Standing at the Backdoor and the title track, one would never guess it. This isn't a polite affair, with one player holding back while the other solos. Instead, McDowell and Woods trade notes, overlap, and rush forward on Long Haired Doney and Shake Em' on Down as though they had an unlimited supply of energy. While McDowell's vocals and slashing guitar propel Goin' Away and I Got a Woman forward, Woods' harp adds pizzazz. Acoustic blues fans will warmly embrace Mama Says I'm Crazy and be thankful that Mitchell went to the trouble required to track down Woods for this earthy set.
- Ronnie D. Lankford, Jr., Allmusic1. Shake Em' On Down
2. Goin' Away
3. Mama Says I'm Crazy
4. I Got A Woman
5. Red Cross Store
6. Going Down To The River
7. Standing at the Back Door
8. What's Going to Become of Men
9. Long Haired Doney
10. John Henry
11. I Walked All Night Long$16.99Vinyl LP - Sealed Buy Now
Candy Man Blues (Out of Stock) Quick ViewEONE-SNA-1014$28.99
Candy Man Blues (Out of Stock)
180 Gram Blue Vinyl Albums From Original Blues Artists
Remastered with printed inner bags and sleevenotes
Thirteen tracks from the 1928 sessions from the folk-blues legend, including "Candy Man Blues", "Stack O'Lee Blues" and "Louis Collins".1. Frankie
2. Louis Collins
3. Nobody's Dirty Business
4. Aint' No Tellin'
5. Stack O' Lee
6. Avalon Blues
7. Big Leg Blues
8. Praying On The Old Camp Ground
9. Candy Man Blues
10. Blessed Be Thy Name
11. Blue Harvest Blues
12. Spike Driver Blues
13. Got The Blues (Can't Be Satisfied$28.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
- 1


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