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How to remove Webssearches.com Browser Hijacker
What is Webssearches.com:
Threat Classification: Browser Hijacker
Webssearches.com or istart.webssearches.com is considered a malicious browser hijacker by the majority of the security experts. It is capable of infiltrating victim's computer without permission or their consent. It is considered malicious, because of its distribution method – software bundles and because once activate it will attach to every major web browser on the victim's PC. Next it will modify browsers settings and set itself as home page, new tab and default search engine. So when the victim performs a search, it will be redirected to http://webssearches.com/ or similar, where he/she will get compromised search results – they would be loaded with SPAM and other 3rd party advertising.
Usually, Webssearches.com comes packed with other free software products and is being installed by default when the user accepts the EULA while performing an express/recommended installation of that software. The possible distribution of the Webssearches.com hijacker varies but is not limited to – installing third-party toolbars, free software products, downloading e-mail attachments, clicking on ads or banners etc..
Webssearches.com redirect hijacker would fill your screen with unwanted advertising, trying to attract more users to the advertised webpages in order to generate income from online traffic. Webssearches.com may keep track of your browsing activity and steal valuable information as login credentials. This information might be sent to third-party companies that would use it for marketing purposes. That is the reason why this malware infection should not be left unattended, and it needs to be terminated immediately, as it is a serious threat to your online identity.
!!! Please note that these infections could potentially bring up other malware to your computer and even cause a loss of data. Please do not underestimate such threats.
Removal Process:
There are two ways to remove this infection. It is totally up to you to decide which way you want to go:
1. Automatic Removal Method (recommended for ALL users) using the SpyHunter Malware Security Suite.
2. Manual Removal Method (recommended ONLY for PC Experts or Enthusiasts).
Automatic Webssearches.com Browser Hijacker Removal:
We recommend using SpyHunter Malware Security Suite.
You can download and install SpyHunter to detect Webssearches.com and remove it, by clicking the button below. Once installed, SpyHunter will automatically initiate a scan and detect all threats present on your system, but in order to use it as a removal tool, you need to purchase a subscription.
SpyHunter will automatically scan and detect all threats present on your system.
Learn more about SpyHunter (EULA). You can find more about the SpyHunter Installation Process. SpyHunter`s free diagnosis offers unlimited free scans and detections. You can remove the detected files, processes and registry entries manually, by yourself, however we advise you to purchase a subscription that will allow you to use the automatic removal feature and to get unlimited one-on-one professional help for any malware related issue by an expert technician.
Watch how SpyHunter removes Webssearches.com:
for the best video experience, please use the 720HD resolution
Manual Webssearches.com Browser Hijacker Removal:
!!! Please note: You can remove Webssearches.com hijacker manually, however, you should proceed at your own risk, as any of the interventions might render your system inoperable. Therefore the Manual removal method is recommended ONLY for PC Experts or Enthusiasts. For all other users, MalwareKillers.com recommends using SpyHunter.
1. Remove Webssearches.com Uninstall Entry:
First, you can try to go to Control panel and click on Programs and Features (Windows Vista/7/8/10) or Add/Remove Programs (Windows XP) and check the Uninstall Programs` List for all entries related to WebSearches.com, CinemaP-1.9cV14.08, Bestadblocker, Coupon Time, CutThePrice, ExtensionSimple Blocker, IQIYI, iReview, Obrona Blockads, Media Player 1.1, Video Player, YoutubeAdBlocker, 1ClickDownload, Yontoo, FBPhotoZoom, Mac Free Converter, DP1815, Youtube Downloader HD, DVDX Player 3.2, Fast Free Converter, SafeSaver, Convert Files for Free, Plus-HD 1.3, BetterSurf, Trusted Web, PassShow, Savings Bull, Feven Pro 1.1, Couponpueke, Savings Bull, HD-Plus 3.5, LyricsBuddy-1 or any third-party add-ons, extensions and toolbars. If you find such, right-click on it and try to uninstall it. Although, please mind that these are actual infections and you might not be able to remove them directly from the list.
*(Start -> Control Panel -> Programs and Features or Add/Remove Programs) or "Win + R" keys to open "Run" and type in "control", then hit enter.
2. Remove Webssearches.com from your browser:
Internet Explorer:
Go to Tools -> Internet options -> Advanced Tab and click the Reset button (make sure to select the Delete Personal Settings checkbox).
*please note that in order to save your favorites, you need to export them before resetting the browser as you will lose all personal settings.
After IE completes the operation, click the close button and then close IE in order for the changes to take effect.
Google Chrome:
Go to the following path (you can copy-paste it) and delete the entire "Chrome" folder with all its content – including all the files and all the subfolders.
For Windows XP: %USERPROFILE%\Local Settings\Application Data\Google\
For Windows Vista/7/8/10: %USERPROFILE%\AppData\Local\Google\
Alternatively, you can navigate to these folders by following these steps:
For Windows XP:
1. Click on "Start" in the bottom-left part of the screen.
2. Choose "Run".
3. Type %USERPROFILE%\Local Settings\Application Data\Google\ and hit Enter.
For Windows Vista/7/8/10:
1. Click on the Windows logo in the bottom-left part of the screen.
2. Type %USERPROFILE%\AppData\Local\Google\ and hit Enter.
Mozilla Firefox:
1. At the top of the Firefox window (upper-right corner), click the Firefox Menu button, go over to the Help sub-menu and select Troubleshooting Information.
2. Click the Reset / Refresh Firefox button in the top-right corner of the Troubleshooting Information page.
3. To continue, click Reset / Refresh Firefox in the confirmation window that opens.
4. Firefox will close and be reset. When it's done, a window will list the information that was imported. Click Finish and Firefox will reopen.
3. Check for arguments added by Webssearches.com in any Browser shortcuts or links to web pages:
Webssearches.com might also hijack your web browser shortcuts in order to force-load its home page. This causes the Webssearches.com`s web page to open up when you launch a hijacked shortcut.
The argument that Webssearches.com uses in order to hijack shortcuts looks like or is similar to the one below:
You can remove it manually by editing the shortcut`s target line.
4. Delete any folders related to Webssearches.com by checking the following locations:
Look for a folder named "Webssearches.com" in:


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As you empty out yet another can of dry shampoo, how many times a week do you wonder: 'How often should you wash your hair?!'
How often should you wash your hair, though? We've spoken to our panel of hair industry experts and top stylists to get an answer once and for all. So is there a magic number when it comes to hair washing? Once a week? Once a day? Never?
Unfortunately not. It all comes down to hair type, lifestyle and personal preference. Having said that, our hair experts do have some helpful hints to help you streamline your haircare routine and stop you over-washing or under-washing your hair.
'There really is no hard or fast rule to how many times you should wash your hair, you know that old wives tale about the hair not being washed and it self-cleans? Well, it's kind of true, however your lifestyle choice and environment has a big part to play,' Paul Edmonds tells us.
'If you go to the gym a lot, swim, live in a highly polluted environment, colour your hair, use heat styling tools etc – these things all contribute.
The less you wash your hair, the less you'll have to wash your hair
You know that girl who always has great hair, but never seems to wash it? According to our experts, you could be that girl, too. 'The less you wash your hair, the less you need to wash your hair!' says Gareth Williams, Headmasters Artistic Ambassador. And Edmonds agrees: 'Generally my advice is not to use anything that is too overly stripping of the hairs natural oils or moisture, but removing chemical deposits such as chlorine etc. is important.'
Justin Anderson, a celebrity hairstylist, also told Byrdie that, 'Overwashing your hair – which means every day or more – will dry out your hair, not only because you are stripping the hair of its natural oils, but also because you will probably end up using heat on the hair more often as well.'
So if you avoid over-styling and limit the use of products on your hair, you should be able to reduce the amount of times you wash your hair each week.
Should you double shampoo?
And when you do wash your hair, make sure you wash it well. 'Make sure you cleanse the hair twice, using a shampoo specific for your hair needs,' advises Williams. 'The first shampoo will remove build up, the second will treat the hair.'
Your hair type is also a major factor in deciding how often to wash your hair. Dry hair types may actually require more washing, but with less shampoo. 'Individuals with very dry hair believe washing it less is better,' Paul Edmonds tells us. 'But hair naturally dehydrates during the day from wind, pollution, sun etc. so that it can be better to wash and condition regularly than not. Plus sometimes just rinsing and using a conditioner will suffice.'
How often should you wash your hair every week?
Want a bit more of a guide? Craig Taylor Creative Director of HARI's salons, London, gives us his rules for weekly washes: 'Dry hair should be washed a maximum of two times a week using a shampoo with sulphate-free surfactants and high concentration of moisturisers (glycerine, sodium PCA) to help mitigate dehydration.' Be sure to use one of the best shampoos for dry hair.
'Oily hair should be washed every day with a shampoo that has extra-mild sulphate-free surfactants and no conditioning agents, silicones, oils or pearlising agents.'
'Normal hair should be washed as often as needed with a formula that has extra-mild sulphate-free surfactants and moderate levels of moisturising ingredients such as glycerine and sodium PCA'.
Brunettes, on th eother hand, should wash their hair no more than twice a week, according to recent research. Supposedly the reason why brown hair goes mousey in colour is because shampooing it too frequently makes it dehydrated, which draws the pigment out.
Don't know where to start? Find the best shampoo for your hair type in our round-up.
How often should you wash curly hair?
If you're unsure of your hair type, opt for the middle ground. Consultant Trichologist Sally-Ann Tarver (The Cotswold Trichology Centre & Theradome) tells us: 'The optimum frequency for washing hair I would suggest is every 2-3 days. Less often if you have naturally curly hair as it doesn't tend to look greasy as quickly, more often if you suffer any kind of scalp condition. If you have short hair, washing every day is fine as it does not suffer the same issues with wear and tear due to styling.'

subset: commoncrawl


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Accident Lawyer Town and Country. The Burger Law team practices all areas of personal injury law including car accident cases that take place in the Town and Country area. If you are suffering from injuries you acquired in a collision at the fault of another driver, it's highly suggested that you discuss your legal choices with an experienced attorney. By accepting a settlement from an insurance company on your own, you will receive only a fraction of what you are entitled. Start on the road to your full recovery by contacting the Town and Country accident attorneys at Burger Law.
When taking on a new car crash client, the injury lawyers at Burger Law work as efficiently as possible to examine and compile the evidence needed to build a strong claim for your case. If you or a loved one have endured injuries in a drunk driving accident, rear-ended wreck, head-on collision, intersection accident, speeding crash, or distracted driving incident, allow our Town and County car crash lawyers to supply you with the guidance, advice, and professional representation you need to secure your financial future and recover fully for your injuries and damages.


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400 S. Knoll St. Ste. B Wheaton, IL 60187 Map and Driving Directions
Phone: (630) 480-6399 Fax: (630) 481-7181
Please do not include any confidential or sensitive information in this form. This form sends information by non-encrypted e-mail which is not secure. Submitting this form does not create an attorney-client relationship.
Contact Us :: Naperville, Illinois Estate Planning Lawyer Law Offices of Nick Kulagin


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Village of Islandia tables vote on mini-casino at Marriott hotel
A vote on whether to build a mini-casino at the Islandia Marriott Hotel has been postponed.
The Islandia Village Board was scheduled to vote on the casino's permit on Tuesday.
However, the village's website now says the meeting has been canceled.
The reason for the cancellation is not clear, and it is unknown when the vote will take place.
As News 12 has reported, the plan would bring a thousand video slot machines and a racing simulcast facility to the hotel. A public hearing was held on the proposal last week.


text: I am going to be taking over SonicSlacher's XBL night. GBAtemp.net will be hosting a night of gaming action, beginning at 7:00pm-10:00pm GMT-5 (Make sure to check what time it will be in your area with this) Hope to see you there! Please read: Gamer Nights Announcements How to join in: From your web browser: Click here to gain access to the GBAtemp chatroom portal and from there click on "Java applet" and the "Start Applet" button. You'll now be in our #gbatemp.net channel. By typing in the following command: "/j gbatemp-wifi" you will be switched to our WiFi channel where you'll be able to find fellow members to play against From your IRC client: If you don't have an IRC client we recommend you download mIRC and follow this tutorial (replacing "#gbatemp.net" with "#gbatemp-live"). Once connected, simply state the games you have available for playing and if someone is able to face you, exchange Gamertags. Game schedule: Working on it. (Will be available soon) Rules of Xbox Live Night: 1. GBAtempers only! Unless your xbl friends are nice, intelligent, and not dicks (see rule 2) 2. Don't be a dick, douche or racist. 3. This rule has not been made yet.


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Copyright © Gloria Dei Lutheran Church. All Rights Reserved
Gloria Dei Lutheran Church
6632 Chapman Highway (US 441)
Knoxville, TN 37920
(865) 573-5911
During the summer months of June, July, and August,
Gloria Dei will begin worship service at 10:30 am. We hope that everyone enjoys the extra time for fellowship this will provide. Soak up the sunshine and have a great summer!
Gloria Dei is a congregation of mercy of Jesus Christ. Our name means "Glory to God." We have had the joy of serving the South Knoxville and Seymour communities to the glory of God for over sixty years.
Life isn't perfect. There are times when prayers for healing and change are needed. Whether for yourself or a loved one, join our service every third Sunday. All are welcome.
I will sing to the Lord as long as I live; I will praise my God while I have my being
Psalm 104:34
Upcoming Events
This fund drive is to provide for upcoming property repairs and improvements. As some of you know, we have two HVAC units in our building. In 2016 we replaced the unit that heats and cools our sanctuary and offices. The fellowship hall unit is going to need the same treatment, we have been told within the next 2-3 years, and we should be prepared when that time comes. A preventative measure of having the windows of our building sealed is scheduled to begin soon. We need funds in order to take care of this old building.
Food and Needs Drive
Non Perishable food items
Diapers, Personal Care Items
Kids non perishable snacks
Gloria Dei Lutheran Church
6632 Chapman Highway
Knoxville, TN 37920
A Congregation of the Evangelical Lutheran Church in America


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Tag Archives for sustainable fabrics
Final Project: Part One
The Spinning Certificate I have been undertaking every month for the past 15 months is drawing to a close. The course is run by the Handweavers and Spinners Guild of Victoria and coordinated by the exceptionally experienced Carmel Hanna. As … Continue reading
The Trouble With Cotton
This post is part of my Costume Changes project, a considered wardrobe revitalising project. Of the aims of this project was to wean myself off the cotton tshirt. I like cotton tshirts because they are easy. They don't need ironing … Continue reading
Inside the Ribbon Tin
Welcome to the first Inside the Ribbin Tin for 2015, an occasional series filled with bits and pieces, odds and sods and other ephemera related to textiles and making. This one is full of local interest. Firstly, Cheryl Crosbie from … Continue reading


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Status: Closed
Know more about this business than we do? Cool! Please submit any corrections or missing details you may have.Help us make it right
Altered Studs Remodeling Llc is located at the address 2780 York St in West Linn, Oregon 97068. They can be contacted via phone at (503) 974-9726 for pricing, hours and directions. Altered Studs Remodeling Llc specializes in General Labor, Fiberglass, Landscape Lighting.
Altered Studs Remodeling Llc has an annual sales volume of 501K - 999,999. .
Altered Studs Remodeling Llc provides...
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Studs Altered Remodeling Llc was founded in 2008, and is located at 2780 York St in West Linn.
Studs Altered Remodeling LLC provides Additions and Remodels services in West Linn, OR. Call them at 503-974-9726 for more details.


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Who else is having all of the Autumn feels?? The leaves are turning bright shades of yellow and red and I am finding myself craving warm soups and matcha lattes more often. Not to mention that Oktoberfest kicks off here in Oslo this weekend! We camped up on the lake near our home earlier this week and it felt so good to get back into the warmth. Here are ten things of interest and current favs of mine:
1. I just started reading Women Who Run with the Wolves by Clarissa Pinkola Estes and it is feeding my female soul.
2. A pizza farm with Nick Offerman…and taquitos. Watch this
3. I lOVE Tarte and am currently obsessed with the Rainforest of the Sea Deep Dive Cleansing gel.
4. Listen to folk band Hiss Golden Messenger on Spotify + the new album drops this weekend (22nd).
5. Netflix's Chasing Coral is visually stunning and could be a total game changer in terms of public perception.
6. I am missing Columbus a lot lately, as is Ben and I have been hankering for Buckeye Pho something fierce.
7. If you are intrigued by True crime stories, enjoy laughing, and also love podcasts – check out Wine & Crime.
8. Putting this Clarisonic Mia Fit on my Christmas wish list.
9. Thirteen winter cocktails to get you through the cold.
10. Really curious about this new Darren Aronofsky movie Mother and if it's worth seeing. Thoughts?
Incredible Autumn photo above of the Alpine winter cabin in Norway via Cabin Porn


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KBS World Radio, an international radio broadcast run by the public network of KBS, will launch a 24-hour English broadcast next month, the network said Monday.
The radio channel has recently reorganized to create several new English programs that will go on air starting Sept. 4, including "One Fine Day," a music show run by Korean-American singer Park Jung-hyun, "KOREA 24," a news show by Henry Shinn, and "K-Pop Connection" by Angela Park and Oneway Peter.
The move is in line with growing demands from global listeners for more diverse political, economic and cultural news on Korea, as well as the need to deliver faster and more accurate news to the world, the network said in a statement.
|(KBS World Radio)
The network expects the new service to help expand overseas listeners. (Yonhap)


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Investor relations
The Group issued its Interim Report for the six months to 30 June 2013. To view the announcement please click here.
CPP is an international Life Assistance business operating across 15 geographical markets with more than 200 Business Partners worldwide.
Via its Business partners, CPP provides Life Assistance products that help consumers cope with the anxieties and complexities of modern life. Today consumers are increasingly reliant on their payments cards and mobile phones; they travel more, value their free time, and want to protect what is most valuable to them – at home and abroad. The loss or disruption of these life essentials can be inconvenient and stressful.
CPP's annually renewed and packaged products provide assistance and insurance across a wide range of market sectors including financial services, telecommunications and the home and help our customers to live life and worry less.
CPP was listed on the London Stock Exchange in March 2010.
Internationally we employ more than 1,100 people across Northern and Southern Europe, Latin America and Asia Pacific who service 7.9 million live policies.


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BANKING group Lloyds TSB warned it had seen a higher percentage of bad debt in the UK as more of its customers fell into repayment difficulties.
The group, led by chief executive Eric Daniels, said its overall performance was in line with market expectations, but added that its retail banking arm faced pressure from lower levels of growth in consumer lending and further deterioration in credit quality.
As a result it expected bad debt provisions as a percentage of average lending would be higher in the second half of 2005 than a year ago.
It said this reflected "some further deterioration in credit quality as more customers, with higher levels of indebtedness, have experienced repayment difficulties."
Across the group, Lloyds said it would deliver revenues growth in excess of cost growth in all of its divisions, helping it meet the consensus of analysts' forecasts for full-year profits of £3.31bn.
A comparison with last year is not possible because of accounting changes.
Lloyds shares were in positive territory, even though it warned it would take a one-off charge of £300m, in part to cover the further cost of payments to customers mis-sold mortgage endowment policies.
The £300m also included a sum to bolster its life insurance reserves as people live longer.
Nic Clarke, an analyst at Charles Stanley stockbrokers, said: "In recent years, Lloyds TSB's earnings have been volatile and therefore another set of results that show progress towards sustained earnings growth will be looked upon favourably by the market.
"However, news of further provisions for customer redress and reserve strengthening and the increase in the level of UK retail banking impairment provisions (bad debts) will not be so warmly received."
LLoyds bad debts on the up as lending stalls
BANKING group Lloyds TSB warned it had seen a higher percentage of bad debt in the UK as more of its customers fell into repayment difficulties.


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how we work
At Russell's we have a simple and hassle-free process to get your new heater, air conditioner, or water heater in your home in no time flat. We're with you from start to finish to make sure you're purchasing what's best for your home and for the right price.
Browse Our Range
Find what you're interested in or looking for
Contact Us
Give us a call if you need help finding the right product or if you've found what you need.
Visit Our Showroom
Come down and see what the product you've chosen looks like. You can see our entire range as it would look in a room.
Home Visit
We offer onsite advice for your heating, cooling and hot water needs. This ensures that you choose the right appliance for the job.
Why Choose Russell's
You're getting the best customer service in Melbourne with Russell's. Here's why we beat our competitors: We're a family-run business that's been around since 1959 and passed through three generations. We're not going anywhere!
- The Right Advice – at Russell's we have been looking after Victorians' heating, cooling and hot water needs for years. We know gas and electricity backwards, so we will always offer the right advice.
- The Right Choice – retailers often tend to have too many choices, it gets confusing. At Russell's we have selected a range that suits every budget, every design and every lifestyle. Replacement, renovation, new homes – we will help you make the right choice.
- The Right Price – at Russell's we will match any advertised price, product must be in stock and a written quotation may be requested to verify offer. Excludes installation costs.
- The Right Installer – ensure your appliance is correctly installed for optimum energy efficiency and safety. With years of experience and a 6 year warranty on all installations, we'll give you peace of mind.


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- Most of the focus on Charter is on them selling, but don't forget that they have significant scale advantages and there are still things they can buy (Cox and CABO come to mind). Competitor Altice has made it clear that they are looking to buy cable assets, so maybe Charter is going to get priced out of the market, but I would guess if we woke up tomorrow and saw Charter was buying Cox or some other cable operator, it would become apparent very quickly that the deal was somewhere between good to incredible for Charter shareholders. Any accretive M&A would be pure upside to the numbers discussed above.
- One thing I like to think about is Charter buying someone like Cable One (CABO), who has completely shifted away from a video product. Imagine Charter getting CABO and using their video pricing power to reintroduce a video double play offering in CABO's network. The synergy potential is unbelievable.
- Everyone is discussing Sprint / T-Mobile getting ready to announce a merger. My personal thought is regulators are much more likely to block than approve the deal (maybe 60/40 in favor of block), but I think it's a win-win for Charter either way. If the deal is blocked, Sprint / Softbank is desperate and might come in with a crazy bid for Charter (maybe spurring a bidding war with Altice) or be open to a sale (on the cheap) or partnership with either Charter or the Charter / Comcast JV. If the deal goes through, CHTR could pick up assets on the cheap that the combined company is forced to divest and (more importantly) it could be a regulatory signal that opens the door to Comcast making a run at Charter. I wouldn't be surprised if the reason Charter is so hesitant to deal with S / VZ / ATUS (aside from demanding a super premium price) is they want to keep optionality of an eventual Comcast bid open.
- The more I think about it, the more I think Comcast is the end game everyone is hoping for. Malone hates paying taxes, so he's going to want to take a ton of stock in any deal given his cost basis. It doesn't seem like Malone wants anything to do with the stocks of S, VZ, and ATUS (S is a disaster, VZ faces tons of operational questions going forward, and tons of people, including CHTR, have speculated that ATUS's strategy results in strong short term results but could end in a blow up long term), so a buyout from them is pretty unattractive. Taking CMCSA stock solves tons of problems.
- We already know Comcast's top lobbyist thinks this administration is really open for business.
- Speaking of Comcast- I think it's way too cheap at today's prices of ~$38.50 (my SOTP is closer to $45-$50). If they had the same capital allocation policy as Charter, I'd probably prefer Comcast to Charter at these levels. But when you start looking at the accretion from Charter staying 4x levered and directing everything to repurchases versus Comcast staying at 2x levered split between dividend and share repurchases, Charter just seems more attractive to me a year or two out (plus, you get the potential upside of a Charter takeout).
Nothing on this blog should be constructed as investment advice; instead, everything on this blog is the opinion of the author and only the author, and therefore should not be taken seriously nor read by anyone. I may have positions in the stocks mentioned on this blog.
Monday, October 2, 2017
Still bullish on Charter $CHTR
8 comments:
What do you think is the cheapest way to own Charter---LVNTA , Charter or LBRDK.ThanksReplyDelete
good question, would also like to knowReplyDelete
This comment has been removed by the author.ReplyDelete
Malone is great, leveraged equity is good, cable is a good business, etc. Yes, all of that it true. But it's not true irrespective of price. Just because Charter is buying it back, doesn't change that. The price has had a tremendous run up. EBITDA gets bandied around, but cap-ex in cable is very high (always has been). Multiples on EBITDA-Capex aren't very cheap. I think Malone fever runs a little high in the value investment community. But even if we were to follow that chain of thinking, how would one explain the fact that Malone almost daily sells LBRDA, whose main asset is CHTR? Is it better that Charter is buying back stock? Or worse than Malone is selling it? Or should we independently value it regardless of who's buying or selling it?ReplyDelete
Similarly, is GNCMA really a better asset despite all of the problems, just because it's now under a Liberty entity? Sometimes it seems people (in general, not necessarily the author of the article) are grasping on to any reason they can find to "invest" in these entities. Do you recall the 2008-09 situation? The hedgefund hotel emptied out so fast, many of the Liberty entities were down 60-80% and Malone had to sell because of margin calls. So what were investors to do when the master himself was forced to sell? The fact that the stock falls is, by itself, not a bad thing, but it comes with the desire to participate in "leveraged equity". So, yes, it's a great buy at 400 and may go to 700, if one can hold it and not sell, should it be at 200 in a market meltdown in the interim. Leveraged equity cuts both ways and needs a stronger stomach than the equity market already requires.Replies
Thanks for the thoughtful comment. Obviously I disagree- I think if you look forward the stock is quite cheap.Delete
Malone selling LBRDA every day isn't a huge concern to me; if you look at the form 4s those shares are in a trust, so they could be sold for any number of reasons. I think the decision to repurchase shares at CHTR like crazy versus look to sell to VZ / S / ATUS is the big tell.
Does anybody know why CHTR isn't buying LBRDK or LVNTA instead of its own shares? Reading all these posts, they would, in effect, be buying their own shares at a discount, no?ReplyDelete
good Lord, did you guys see the latest Form 4 from A/N dated November 9? Looks like CHTR bought back 3% of the stock in October alone! Am I missing something?ReplyDeleteReplies
Nope that's how i'm seeing it tooDelete


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Just the mere mention of the word conjures up some strange images for you doesn't it?
You instantly think of long - haired hippies, wearing home made tye - dye skirts, strumming a lyre, dancing around druid ruins (hopefully still wearing those skirts) and pleading with you to get in touch with the healing powers of crystals.
Ha! You stereotypes you.
This is simply one area of folk music. We have since progressed from the days above. I hope.
Traditionally folk music was a way that stories were able to get from village to village. Even in the days prior to the internet and flushing indoor toilets, people still enjoyed a good ol' song and dance. These stories often involved a maid, a garter (usually falling down), and your choice of a tinker, tailor, soldier and a sailor. If you searched hard enough I have no doubt you would come across one with all four. This was the Medieval version of pornography, seeing as the majority of people were illiterate and paper was a stupidly expensive commodity afforded only by the rich.
The guy on the right is blatantly staring at her chest. Pervert.
Nowadays traditional folk has taken on an entirely new meaning.
Take Bellowhead. An eleven piece outfit including a kazoo, an anglo concertina, a mandolin, a sousaphone, a megaphone and a shaky egg on top of every other folk instrument you can think of, these guys are out of this world. They literally take traditional British folk, rape it, and then leave it for dead. Their vocalists cockney twang makes Dick van Dyke's attempts appear ludicrous. I have been told that listening to them on a CD does not compare to seeing them live; the sheer enormity of their set is something that puts Lady Gaga to shame, and that's a statement that clearly needs living up to.
And you thought getting to band practice with four people was difficult!
At the other end of the traditional spectrum you'll find Iron and Wine. With a name like that, how could you not instantly fall in love with Samuel Beam? Yes, you read that right. Iron and Wine is actually a one - man band, and that one - man goes by the name of Samuel Beam. He occasionally tours with a live band, but that is sort of a rarity. His sound is hauntingly beautiful. Beam's vocal harmonies are blended perfectly with traditional folk instrumentals. The lyrics to his songs go beyond meaningful; they weave stories with their words and leave absolutely nothing up to the imagination. Beam's latest album was an instant success - and for a very good reason. If you don't add it to your collection instantly, you will regret it for the rest of your life.
And yes - Flightless Bird, American Mouth (if you're wondering) is part of the Twilight soundtrack. Unfortunately. The producers clearly held a gun to his head with that one.
That is an impressive beard.
Moving across the pond into international territory there is Le Vent du Nord. As their name suggests their songs are sung in fluent French. Heralding from Quebec, Canada, their music is heavily influenced by traditional folk music from both Ireland and Brittany. They even have a hurdy gurdy in their ensemble! You have to love them simply for that! Their songs are bawdy, traditional French folk ballads; all about good wine, fine women, and eating heartily around the kitchen table. It's the kind of music that you want to stomp your feet to, clap your hands, and break out into some form of erratic Ceilidh.
Takes the meaning of the word multi - talented to a whole a new level.
That's pronounced Kayley.
Speaking of Ceilidhs, even if you hate folk music with a passion, get yourself down to one. They are seriously the most fun you can have without taking your clothes off. Think line dancing but without the cowboy boots. Ceilidhs are traditional Gaelic dances, with a traditional Gaelic folk band. There is a caller who calls out the dances (their name is just such a spoiler don't you think?) and then everyone follows suit.
Tip: don't wear heels to this and be prepared to get VERY sweaty. Wear lose clothing, but not so lose that you get tangled up and fall on your face. You'll be dancing up and down, round and round, side to side, in groups of four, in pairs and then as an entire massive group. Believe me - words don't do this justice - it has to be experienced for itself.
So even if I have not yet managed to persuade you that folk music is definitely something you should add to your iPod, at least let me take comfort from the fact that you can acknowledge that, if nothing else, they are incredibly talented musicians. The majority of them can play the fiddle with their eyes closed, standing on one leg, doing Duck impressions! And that is something I would probably pay to see.
And if none of the above are floating your boat yet, check out anti - folk. This genre of music takes traditional folk music and then craps on it - in a hilariously comic sort of way. Try The Moldy Peaches, Tim Minchin, Regina Spektor, Adam Green, Kimya Dawson and SoKo. Or if it's easier, just download the entire Juno soundtrack.
I'll leave you to get your folk on.


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Urge Basics Soundbrick Bluetooth Stereo Speaker
- Each brick includes two 3W stereo speakers in a 6" x 2" x 2" package
- Bluetooth if you're into wireless wizardry, aux-in if you prefer shit that works right away (it even includes an aux-in cable)
- Sort of a rubbery-textured exterior so it's less slippy or whatever
- Gets hundreds of rave Amazon reviews talking about how loud it is and how it runs for 6-8 hours on a single charge, if that matters to you
- Model: UG-SNDBRCK (it takes a confident manufacturer to start a model number with "UG", and a perverse one to complete it with an "abbreviation" that saves a mere three characters off of the product name)
A History of Pinkness
Here we have some Urge Basics Soundbrick Bluetooth Speakers. They're six inches long and two inches along the other two dimensions, so reasonably close to a brick size. They have over 400 pretty damn good Amazon reviews praising the big loud sound they manage to pump out of their two 3-watt speakers. And they're available in a variety of colors.
One of which, unfortunately, we have to charge less for.
People don't want pink electronics. It's not just that pink's too bold: red is typically the best-selling gadget color after black, white, and maybe silver, and we never have too much trouble with yellow, either. No, the problem with pink is that it can't be a "serious" color because it's for little girls. Everybody knows that, right?
It's funny, then, to read this excerpt from a June 1918 article in Earnshaw's Infants Department, a trade magazine for baby product retailers:
The generally accepted rule is pink for the boys, and blue for the girls. The reason is that pink, being a more decided and stronger color, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl.
According to Smithsonian Magazine, Filene's and Marshall Field's recommended the same to their customers. Other experts at the time said pink was suitable for any brunette child, or any baby with brown eyes. It isn't until the late 1940s that apparel catalogs start consistently showing pink clothes for girls and blue for boys - influenced, perhaps, by the navy blue of Navy blues worn in World War II.
Think about it a minute. What about pink is inherently feminine, anyway? Rosy cheeks and pink baby fingers and toes don't discriminate by gender. Yeah, there are pink flowers, but there are also lots of orange and yellow and red and white flowers, too.
The idea that pink is a "soft" color doesn't make any sense when you consider pink stones like sandstone and topaz and calcite. And if your answer has anything to do with female reproductive organs, you should immediately go to the emergency room so they can help you with your blue penis.
The fact is, pink has meant a variety of things over the centuries and around the world. Homer, Lucretius, and other ancient poets used it mainly in reference to the color of dawn. Medieval artists often depicted the baby Jesus dressed in pink.
On English-language world maps, pink was the traditional color of the British Empire, not an enterprise generally known for its femininity. The Japanese consider pink the color of springtime instead of green, because of all those cherry blossoms. Pink is associated with hospitality and refinement in India.
If Tuesday is pink, this must be Thailand: on that day of the week, Thais of any gender wear pink. Pink is also worn by the winner of the Giro d'Italia bicycle race, the Palermo soccer team, and WWF wrestler Bret Hart.
We all know that pink is the color of breast cancer awareness. But did you know one particular shade of pink, Baker-Miller Pink or "drunk tank pink", may reduce the occurrence of violent behavior among prison inmates? We've never seen too many little girls in the drunk tanks we're familiar with.
The point is, color associations like this are arbitrary, temporary, and culture-bound. If you can free yourself from this particular one, you can get an even better deal on this speaker. Because unfortunately, we'll have to keep discounting pink gadgets as long as "pink" still means "little girls" and money is still green.


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Physicians Elemental Diet Powder
$ 113.00
Physicians' Elemental Diet 432 g (15.24 oz) or 1,296 g (45.72 oz)
Elemental Powder for GI Dysfunction
Medical food intended for use under medical supervision; Not intended for use in children.
Physicians' Elemental Diet formula provides 150 calories per serving, consisting of 69% carbohydrate, 17% fat and amino acids equivalent to 14% protein.
Recommended Use: Thoroughly mix each level scoop (36 g) in 4-8 oz. (118 - 236 mL) chilled or room temperature water. Additional water may be added to the mixture or consumed separately as desired. Consume the mixture slowly over a period of 15 to 60 minutes or more, dependent upon individual comfort. Once mixed, any product that is not consumed after 60 minutes should be refrigerated for a maximum of 24 hours, then shaken or stirred prior to consumption. After opening, store remaining powder in a dry place at room temperature.
Nutrition Information:
Serving Size 36 g
Amount per Serving
Calories 150
Calories from Fat 25
Total Fat 3 g
Saturated Fat 1.5 g
Total Carbohydrate 25 g
Sugars 11 g
Sodium 95 mg
Potassium 150 mg
Protein **
Vitamin A (Beta Carotene) 833 IU
Vitamin C 20 mg
Calcium 83 mg
Iron 1.5 mg
Vitamin D3 66 IU
Vitamin E 10 IU
Vitamin K 10 mcg
Thiamin 0.5 mg
Riboflavin (Riboflavin-5-phosphate) 0.56 mg
Niacin 3.3 mg
Vitamin B6 (Pyridoxal-5-phosphate) 667 mcg
Folate (as Quatrefolic® brand (6S)-5-methyltetrahydrofolate glucosamine salt) 33 mcg
Vitamin B12 (Methylcobalamin) 0.5 mcg
Biotin 50 mcg
Pantothenic Acid 3.3 mg
Phosphorus 116 mg
Iodine 16 mcg
Magnesium 33 mg
Zinc 2 mg
Selenium 18 mcg
Copper 167 mcg
Manganese 332 mcg
Molybdenum 8 mcg
Chloride 142 mg
Choline 33 mg
Ingredients: dextrose, tapioca maltodextrin, medium chain triglycerides, natural flavor, l-glutamine, l-proline, l-aspartic acid, l-serine, potassium citrate, l-arginine hydrochloride, l-alanine, disodium phosphate, l-leucine, l-lysine hydrochloride, l-valine, l-glycine, calcium glycerophosphate, tricalcium
Contains no corn, yeast, wheat, gluten, soy, dairy products, fructose, sucrose, lactose, disaccharides, sorbitol, mannitol, xylitol, artificial colors, flavors or preservatives.
The contents are based upon the weight of product, and may settle during shipping and handling. Due to variations in product handling, there may be slight variations between each scoop.


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Reporter: Nick Hickman
A six-strong Nomads team took to the roads around Hitchin for the classic Welwyn Wheelers Good Friday event. Aside from damp roads and a light head wind into Hitchin the conditions were superb, with the spring sunshine warming up some of the riders' knees for the first time this year.
This being the only time trial that actually passes through Hitchin all year it was good to see an excellent level of support from other Club members spurring the competitors on with their enthusiastic cheers.
Provisional Nomads' times for the Nomads are:
John Watson 01:26:55, Julian Pegg 01:29:19, Nick Hickman 01:30:45, Nick Senecchal 01:34:52, Roger Taylor 01:38:00 , Catherine Jones 01:48:21.
Fastest ride of the day was Joe Fry (Pedal Heaven RT) 01:11:16.
Captain Watson demonstrated once again that a TT bike isn't needed for him to go faster than his Club Mates. Roger Taylor and Catherine Jones made their debuts at an Open Event. Nick Hickman achieved his best time on this course but narrowly missed out on getting one over Julian Pegg. Nick Senechal took his "old faithful" machine out for a last outing before "new faithful" is put into action.
Photos courtesy Davey Jones


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KEY TO THE CITY - USA City Directory Top USA City Resource Guide
|Welcome To KEY TO THE CITY's Page For
St Helena
Napa County,
The California state capital is Sacramento.
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The population of St Helena is approximately 4,990 (1990).
The amount of land area in St Helena is 12.395 sq. kilometers.
St Helena elevation is 257 feet above sea level.
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St Helena location: On hwy 29 east of Santa Rosa, north of San Francisco in the general Napa area
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History & History Related Items
St Helena history:
This area has always been primarily agricultural and rural. It was first settled in 1834 as part of the Vallejo Land Grant. It was first incorporation on 24 March 1876 and then, reincorporated on 14 May 1889.
One of the founding fathers of St. Helena, California is Augustus Tainter. He donated land to the city. There is a Tainter St. in St. Helena named after him.
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Wedding Ceremonies At Longworth House
If you would like to host your wedding ceremony and reception in the one location, Longworth House is perfect for this.
Our old world Williams Bar is perfect for your wedding ceremony with its antique furnishings, opulent décor and a bar that can be opened once the wedding ceremony has finished, so that guests can stay, mix and mingle while you and your bridal party are having wedding photos.
You can relax, knowing your guests are taken care of, and will be ready for you in the Grand French Provincial Ballroom when you return.
You can offer your guests a wedding afternoon tea between ceremony and reception or canapes, so that they have something to nibble on whilst they wait for your return.
For our couples who decide to host an outdoor ceremony (with their wedding reception booked at Longworth House) you can take rest in knowing that you can use our Williams Bar as your wedding ceremony back up, if the weather were to take a turn for the worst.
The Williams Bar for your wedding ceremony is only offered in conjunction with hosting your wedding reception at Longworth House in our Grand French Provincial Ballroom.
To discuss hosting your wedding ceremony and reception at Longworth House, please contact us.


text: Program Subsidy Application Form Step 1 of 5 20% Joseph McNamara Fund Financial aid has been made possible by the generous donations made to LDANR in memory of Joseph McNamara. To celebrate Joseph, and show our appreciation for this kind gesture, LDANR has established a yearly fund in Joseph McNamara's name, beginning with the generous donations that have been received in memory of him. Future donations will help in sustaining this fund to provide subsidy for families who require financial aid. Thank you, Joseph McNamara and family, for your continued support of our agency. The Learning Disabilities Association of Niagara Region (LDANR) recognizes that some families in the Niagara Region cannot always afford LDANR programs. If you are a family who is seeking financial support when signing your child up for a LDANR program, please fill this form out to apply for financial assistance with membership/program fees. Please note that these forms are only filled out on a voluntary basis and are kept confidential. Once the form is completed and submitted, LDANR will review all submissions and if/when funding allows LDANR will provide the program at a discounted price to the families demonstrating the most financial need. Please note that the completion and submission of this form does not guarantee LDANR financial assistance, as LDANR may not have sufficient funds to support all applicants.LDANR staff will notify you if financial assistance is available or fees can be waived. Directions: Please read the following statements and respond accordingly to the directions for each item. Amount Requested*Annual Family Membership Fee - $50.00 (for non-members) | After-School Program Fee - $50.00 per child | Full-Day Program Fee - $100.00 per child, per weekFull Name of Child(ren)* Full Name of Caregiver*Caregiver Email* Caregiver Phone Number*Program*What LDANR program(s) are you applying to? Reading Rocks Reading Rocks Junior Let's R.E.A.D. B.E.S.T. Social Skills Program S.L.A.M. Summer Camp S.M.A.R.T. Math Program 1. Children*How many children do you have/support?12345 or more2. Marital Status*What is your marital status?Married/Common LawWidowedDivorcedSeparatedNever Married3. Education*What is the highest degree or level of school you have completed? If currently enrolled, mark the previous grade or highest degree received.No schooling completedNursery school to 8th grade9th, 10th or 11th grade12th grade, no diplomaHigh school graduate - high school diploma or the equivalentSome college credit, but less than 1 year1 or more years of college, no degreeCollege diplomaBachelor's degree (for example: BA, AB, BS)Master's degree (for example: MA, MS, MEng, MEd, MSW, MBA)Professional degree (for example: MD, DDS, DVM, LLB, JD)Doctorate degree (for example: PhD, EdD) 4. Employment Status*Are you currently...?Employed for wagesEmployed and receiving Ontario Disability Support Program (ODSP)Self-employedOut of work and looking for workOut of work but not currently looking for workA homemakerA studentRetiredUnable to workEmployer Type*Please describe your work.Employee of a for-profit company or business or of an individual, for salary, or commissionsEmployee of a not-for-profit or charitable organizationLocal government employee (city, county, etc.)Provincial government employeeSelf-employed in own not-incorporated business, professional practice, or farmSelf-employed in own incorporated business, professional practice, or farmWorking without pay in family business or farm 5. Housing*Is your house, apartment, or mobile home...?Owned by you or someone in this household with a mortgage or loanOwned by you or someone in this household free and clear (without a mortgage or loan)RentedLiving with someone without payment of rent6. Household Income*What is your total household income?Less than $10,000$10,000 - $19,999$20,000 - $29,999$30,000 - $39,999$40,000 - $49,999$50,000 - $59,999$60,000 - $69,999$70,000 - $79,999$80,000 - $89,999$90,000 - $99,999$100,000 - $149,999$150,000 or more 7. Volunteer Contribution*If provided with financial support, please indicate below in which way you will agree to contribute to the organization in another way. At least one option must be selected. Niagara Falls Bingo Volunteer (1-2 Wednesdays/year, 3:30 - 5:00 pm) St. Catharines Bingo Volunteer (1-2 Sundays/year, 7:30 - 9:30pm) Fundraising event volunteer (Golf Tournament, Trivia Night, Boston Pizza) 8. Required Explanation*In the space provided below, please indicate why you should be considered in the review of your subsidy application.


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Wilko Hanging Wall Basket Iron 35cm0406432
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- Gives your plants and flowers a decorative touch
- Instantly brightens up your garden
- With natural coco lining
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Product Description
Brighten up the garden with our 35cm Iron Wall Basket with Coco Liner. It's ideal for flowers, strawberries or tomatoes and comes with a natural coco lining which is great for absorbing and maintaining moisture. Maximum load 8kg Warning:Liner contains natural rubber latex which may cause allergic reactions.
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Inspire Me
Welcome to Wilko Life, our exciting blog that's all about sharing with you the best of what we do. From the latest stories on what's new and what's hot.Visit Wilko Life »


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We are the University of Sheffield's roleplaying society. We come from all walks of life, students and non-students, veteran roleplayers and people who are new to the hobby. If you enjoy roleplaying, or even don't know what it is and want to give it a try, come join us!
We meet every Wednesday evening (starting around 6pm) and Sunday afternoon (starting around 12pm) in the Gallery of the Student's Union, and you're welcome to join us in the Interval bar afterwards for a drink and a chat.
Wednesday games are more likely to be campaigns, Sunday games are more likely to be one offs. A list of games being ran at the minute is available here.
We have an extensive library of roleplaying related books and magazines for members to borrow. So if you want to run or play a game and you don't have the rulebooks, don't worry, as we might have a copy! Have a look at this spreadsheet to check availability.
If you have any questions, problems, or ideas for the society we have a Facebook group or you can contact one of the committee. If you want to find out more about roleplaying, we run taster sessions at the beginning of the year (and one-off games on Sundays), and there's more info about roleplaying here.
You can find important news and social events on the What's On page, and also a list of the regularly running games for this semester (both Wednesday and Sunday). If you're a GM wanting to run a game for the society, do get in touch with the webmaster with the details of your game so it can be put on the list.
Interested in joining?
There are several ways of joining the society:
- Join us at Fresher's Fair in Intro Week – we'll be signing up members and handing out free dice at our stall
- Join us at the Give-It-A-Go Taster Session in Intro Week – committee members will be signing people up at this taster session, and it's a good way to dip your toes in the ocean of role playing games we'll be running through the year
- Join us by turning up to the first Wednesday session – there'll be a committee meeting in the Gallery before the first Wednesday session, so you can sign up for membership with any of our friendly committee members then;
- Join us at the Refresher's Fair in January – if you're reading this after the first few weeks of the Autumn Semester, the best time (the beginning of the next campaign semester) to join us is at the Refresher's Fair in a similar manner as in the Fresher's Fair (disclaimer: may not have free dice)
Membership is £3 (the minimum we can charge and still be considered an official uni society). For this you recieve:
- A year's membership in NoDDSoc and access to Wednesday and Sunday sessions (with every effort made by the committee to ensure you have a game to play/run)
- Access to and advance notification for a range of roleplaying game events organised by NoDDSoc (extra charges may be required for charity events and the like, for obvious reasons)
- Access to joint events which NoDDSoc is a part of (of which there will hopefully be more, this year)
- Several discounts with local Sheffield gaming stores on roleplaying game products (last year including Patriot Games and Wargames Emporium)
- Exclusive membership in a fun and friendly community of like-minded roleplayers in a safe and convenient environment for all (the society is committed to an egalitarian and inclusive membership policy, as is Sheffield University, and has one of the best track records for diversity of community)


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Dating draugas jobs
Hello, We are looking for an Native App for our dating site with following screens: 1) Login 2) Register 3) Hot or Not (Right Swipe/Left Swipe) 4) Search Profiles 5) Settings 6) Profile Page (User found in search profiles) 7) Messaging System 8) Forum 9) Chatroom 10) Audio and Video call between users. Please quote your rate with and without the
typical dating website ! website developing
I am looking for a good developer that can helps me to build a Se*dating Site. I am a Webdesigner from germany and looking for a good webdeveloper who handles the complex things for me. I like to build a Website who people can buy and sell his time for Se* with other people and many other extra features. Timeframe - One Month. Fixed price, sales participation
Player Ten Games is looking for a creative writer to create content for an adult party game! Think Cards Against Humanity, but a more texting or dating app vibe. We need a writer to create funny and interesting faux conversations for our game!
I want ready made dating template in 20 usd. if you have then provide me
Hi I need a dating app built. Very similar to Tinder etc in the swiping format, but the difference will be that the user has to answer a series of questions set by the other user before they are able to chat.
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I am looking for experience APP developers who can develop a native cross platform app: Android and iPhone. Its like a social "dating" app that works with geo fencing on certain small locations, internal messaging, push notifications etc... Please show me APPS you have developed and what experience you have.
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I need a responsive website. I already have a design for it, I just need it to be built.
Hello, My name is Richo and I am looking for developers who can develop an android dating app. Features will include free and premium features.
I am look for someone to create a simple mobile dating app, with login, user profiles, filter options, online/last seen online indicator, location indicator, messaging between users. Instead of a swipe dating app, I would like a profile list generated based on the distance away from the searcher and their requested criteria. The searcher can then choose
I need someone to alter some images. I want to alter a few of my pictures and make it seem like i'm dating someone that i'm not in real life
...Friday thru Tuesday *****THE PAY FOR THIS JOB WILL BE $2.50 AN HOUR***** We manage Social Media Accounts and Dating Profiles for our clients. They send over what they want to be sent to their friends, you log into their Facebook or Dating profile and send the message to the person. Basically, it's copy and pastes and really busy. Also, they send over
I need a new website on Dating. Budget is 3-4K INR. But you need to build it from scratch. It should have Registration System with spam blocking, Login, profile page, profile builder, photo upload, photo like, add friend, remove/block friend, private inbox message send, delete etc. and some payments system to enable private chats, audio/video streaming
I want to develop new dating app for my project idea. I will share you details including app designs via private chat.
...need a dating app (basic), budget is 1000$ (If you require more than that then you don't have to apply) the application will have few basic functions which will be - Swiping right/left(likes), Chat, basic settings, languages (Russian, English, Azerbaijani - maximum 70 words), Profiles. BASIC dating app functions. There are ready scripts for dating apps
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There are, it must be admitted, some highly formidable tracts in English literature, and chief among them that jungle, forest, and wilderness which is the Elizabethan drama. For many reasons, not here to be examined, Shakespeare stands out, Shakespeare who has had the light on him from his day to ours, Shakespeare who towers highest when looked at from the level of his own contemporaries. But the plays of the lesser Elizabethans — Greene, Dekker, Peele, Chapman, Beaumont and Fletcher — to adventure into that wilderness is for the ordinary reader an ordeal, an upsetting experience which plys him with questions, harries him with doubts, alternately delights and vexes him with pleasures and pains. For we are apt to forget, reading, as we tend to do, only the masterpieces of a bygone age, how great a power the body of a literature possesses to impose itself: how it will not suffer itself to be read passively, but takes us and reads us; flouts our preconceptions; questions principles which we had got into the habit of taking for granted, and, in fact, splits us into two parts as we read, making us, even as we enjoy, yield our ground or stick to our guns.
At the outset in reading an Elizabethan play we are overcome by the extraordinary discrepancy between the Elizabethan view of reality and our own. The reality to which we have grown accustomed is, speaking roughly, based upon the life and death of some knight called Smith, who succeeded his father in the family business of pitwood importers, timber merchants and coal exporters, was well known in political, temperance, and church circles, did much for the poor of Liverpool, and died last Wednesday of pneumonia while on a visit to his son at Muswell Hill. That is the world we know. That is the reality which our poets and novelists have to expound and illuminate. Then we open the first Elizabethan play that comes to hand and read how
I once did see
In my young travels through Armenia
An angry unicorn in his full career
Charge with too swift a foot a jeweller
That watch'd him for the treasure of his brow,
And ere he could get shelter of a tree
Nail him with his rich antlers to the earth.
Where is Smith, we ask, where is Liverpool? And the groves of Elizabethan drama echo "Where?" Exquisite is the delight, sublime the relief of being set free to wander in the land of the unicorn and the jeweller among dukes and grandees, Gonzaloes and Bellimperias, who spend their lives in murder and intrigue, dress up as men if they are women, as women if they are men, see ghosts, run mad, and die in the greatest profusion on the slightest provocation, uttering as they fall imprecations of superb vigour or elegies of the wildest despair. But soon the low, the relentless voice, which if we wish to identify it we must suppose typical of a reader fed on modern English literature, and French and Russian, asks why, then, with all this to stimulate and enchant, these old plays are for long stretches of time so intolerably dull? Is it not that literature, if it is to keep us on the alert through five acts or thirty-two chapters, must somehow be based on Smith, have one toe touching Liverpool, take off into whatever heights it pleases from reality? We are not so purblind as to suppose that a man because his name is Smith and he lives at Liverpool is therefore "real". We know indeed that this reality is a chameleon quality, the fantastic becoming as we grow used to it often the closest to the truth, the sober the furthest from it, and nothing proving a writer's greatness more than his capacity to consolidate his scene by the use of what, until he touched them, seemed wisps of cloud and threads of gossamer. Our contention merely is that there is a station, somewhere in mid-air, whence Smith and Liverpool can be seen to the best advantage; that the great artist is the man who knows where to place himself above the shifting scenery; that while he never loses sight of Liverpool he never sees it in the wrong perspective. The Elizabethans bore us, then, because their Smiths are all changed to dukes, their Liverpools to fabulous islands and palaces in Genoa. Instead of keeping a proper poise above life they soar miles into the empyrean, where nothing is visible for long hours at a time but clouds at their revelry, and a cloud landscape is not ultimately satisfactory to human eyes. The Elizabethans bore us because they suffocate our imaginations rather than set them to work.
Still, though potent enough, the boredom of an Elizabethan play is of a different quality altogether from the boredom which a nineteenth-century play, a Tennyson or a Henry Taylor play, inflicts. The riot of images, the violent volubility of language, all that cloys and satiates in the Elizabethans yet appears to be drawn up with a roar as a feeble fire is sucked up by a newspaper. There is, even in the worst, an intermittent bawling vigour which gives us the sense in our quiet arm-chairs of ostlers and orange-girls catching up the lines, flinging them back, hissing or stamping applause. But the deliberate drama of the Victorian age is evidently written in a study. It has for audience ticking clocks and rows of classics bound in half morocco. There is no stamping, no applause. It does not, as, with all its faults, the Elizabethan audience did, leaven the mass with fire. Rhetorical and bombastic, the lines are flung and hurried into existence and reach the same impromptu felicities, have the same lip-moulded profusion and unexpectedness, which speech sometimes achieves, but seldom in our day the deliberate, solitary pen. Indeed, half the work of the dramatists, one feels, was done in the Elizabethan age by the public.
Against that, however, is to be set the fact that the influence of the public was in many respects detestable. To its door we must lay the greatest infliction that Elizabethan drama puts upon us — the plot; the incessant, improbable, almost unintelligible convolutions which presumably gratified the spirit of an excitable and unlettered public actually in the playhouse, but only confuse and fatigue a reader with the book before him. Undoubtedly something must happen; undoubtedly a play where nothing happens is an impossibility. But we have a right to demand (since the Greeks have proved that it is perfectly possible) that what happens shall have an end in view. It shall agitate great emotions; bring into existence memorable scenes; stir the actors to say what could not be said without this stimulus. Nobody can fail to remember the plot of the Antigone, because what happens is so closely bound up with the emotions of the actors that we remember the people and the plot at one and the same time. But who can tell us what happens in the White Devil, or the Maid's Tragedy, except by remembering the story apart from the emotions which it has aroused? As for the lesser Elizabethans, like Greene and Kyd, the complexities of their plots are so great, and the violence which those plots demand so terrific, that the actors themselves are obliterated and emotions which, according to our convention at least, deserve the most careful investigation, the most delicate analysis, are clean sponged off the slate. And the result is inevitable. Outside Shakespeare and perhaps Ben Jonson, there are no characters in Elizabethan drama, only violences whom we know so little that we can scarcely care what becomes of them. Take any hero or heroine in those early plays — Bellimperia in the Spanish Tragedy will serve as well as another — and can we honestly say that we care a jot for the unfortunate lady who runs the whole gamut of human misery to kill herself in the end? No more than for an animated broomstick, we must reply, and in a work dealing with men and women the prevalence of broomsticks is a drawback. But the Spanish Tragedy is admittedly a crude forerunner, chiefly valuable because such primitive efforts lay bare the formidable framework which greater dramatists could modify, but had to use. Ford, it is claimed, is of the school of Stendhal and of Flaubert; Ford is a psychologist. Ford is an analyst. "This man", says Mr. Havelock Ellis, "writes of women not as a dramatist nor as a lover, but as one who has searched intimately and felt with instinctive sympathy the fibres of their hearts."
The play —'Tis pity she's a Whore — upon which this judgement is chiefly based shows us the whole nature of Annabella spun from pole to pole in a series of tremendous vicissitudes. First, her brother tells her that he loves her; next she confesses her love for him; next finds herself with child by him; next forces herself to marry Soranzo; next is discovered; next repents; finally is killed, and it is her lover and brother who kills her. To trace the trail of feelings which such crises and calamities might be expected to breed in a woman of ordinary sensibility might have filled volumes. A dramatist, of course, has no volumes to fill. He is forced to contract. Even so, he can illumine; he can reveal enough for us to guess the rest. But what is it that we know without using microscopes and splitting hairs about the character of Annabella? Gropingly we make out that she is a spirited girl, with her defiance of her husband when he abuses her, her snatches of Italian song, her ready wit, her simple glad love-making. But of character as we understand the word there is no trace. We do not know how she reaches her conclusions, only that she has reached them. Nobody describes her. She is always at the height of her passion, never at its approach. Compare her with Anna Karenina. The Russian woman is flesh and blood, nerves and temperament, has heart, brain, body and mind where the English girl is flat and crude as a face painted on a playing card; she is without depth, without range, without intricacy. But as we say this we know that we have missed something. We have let the meaning of the play slip through our hands. We have ignored the emotion which has been accumulating because it has accumulated in places where we have not expected to find it. We have been comparing the play with prose, and the play, after all, is poetry.
The play is poetry, we say, and the novel prose. Let us attempt to obliterate detail, and place the two before us side by side, feeling, so far as we can, the angles and edges of each, recalling each, so far as we are able, as a whole. Then, at once, the prime differences emerge; the long leisurely accumulated novel; the little contracted play; the emotion all split up, dissipated and then woven together, slowly and gradually massed into a whole, in the novel; the emotion concentrated, generalised, heightened in the play. What moments of intensity, what phrases of astonishing beauty the play shot at us!
O, my lords,
I but deceived your eyes with antic gesture,
When one news straight came huddling on another
Of death! and death! and death! still I danced forward.
You have oft for these two lips
Neglected cassia or the natural sweets
Of the spring-violet: they are not yet much wither'd.
With all her reality, Anna Karenina could never say
"You have oft for these two lips
Neglected cassia".
Some of the most profound of human emotions are therefore beyond her reach. The extremes of passion are not for the novelist; the perfect marriages of sense and sound are not for him; he must tame his swiftness to sluggardry; keep his eyes on the ground, not on the sky: suggest by description, not reveal by illumination. Instead of singing
Lay a garland on my hearse
Of the dismal yew;
Maidens, willow branches bear;
Say I died true,
he must enumerate the chrysanthemums fading on the grave and the undertakers' men snuffling past in their four-wheelers. How then can we compare this lumbering and lagging art with poetry? Granted all the little dexterities by which the novelist makes us know the individual and recognise the real, the dramatist goes beyond the single and the separate, shows us not Annabella in love, but love itself; not Anna Karenina throwing herself under the train, but ruin and death and the
. . . soul, like a ship in a black storm,
. . . driven, I know not whither.
So with pardonable impatience we might exclaim as we shut our Elizabethan play. But what then is the exclamation with which we close War and Peace? Not one of disappointment; we are not left lamenting the superficiality, upbraiding the triviality of the novelist's art. Rather we are made more than ever aware of the inexhaustible richness of human sensibility. Here, in the play, we recognise the general; here, in the novel, the particular. Here we gather all our energies into a bunch and spring. Here we extend and expand and let come slowly in from all quarters deliberate impressions, accumulated messages. The mind is so saturated with sensibility, language so inadequate to its experience, that, far from ruling off one form of literature or decreeing its inferiority to others, we complain that they are still unable to keep pace with the wealth of material, and wait impatiently the creation of what may yet be devised to liberate us of the enormous burden of the unexpressed.
Thus, in spite of dullness, bombast, rhetoric, and confusion, we still read the lesser Elizabethans, still find ourselves adventuring in the land of the jeweller and the unicorn. The familiar factories of Liverpool fade into thin air and we scarcely recognise any likeness between the knight who imported timber and died of pneumonia at Muswell Hill and the Armenian Duke who fell like a Roman on his sword while the owl shrieked in the ivy and the Duchess gave birth to a still-born babe 'mongst women howling. To join those territories and recognise the same man in different disguises we have to adjust and revise. But make the necessary alterations in perspective, draw in those filaments of sensibility which the moderns have so marvellously developed, use instead the ear and the eye which the moderns have so basely starved, hear words as they are laughed and shouted, not as they are printed in black letters on the page, see before your eyes the changing faces and living bodies of men and women — put yourself, in short, into a different but not more elementary stage of your reading development and then the true merits of Elizabethan drama will assert themselves. The power of the whole is undeniable. Theirs, too, is the word-coining genius, as if thought plunged into a sea of words and came up dripping. Theirs is that broad humour based upon the nakedness of the body, which, however arduously the public-spirited may try, is impossible since the body is draped. Then at the back of this, imposing not unity but some sort of stability, is what we may briefly call a sense of the presence of the Gods. He would be a bold critic who should attempt to impose any creed upon the swarm and variety of the Elizabethan dramatists, and yet it implies some timidity if we take it for granted that a whole literature with common characteristics is a mere evaporation of high spirits, a money-making enterprise, a fluke of the mind which, owing to favourable circumstances, came off successfully. Even in the jungle and the wilderness the compass still points.
"Lord, Lord, that I were dead!"
they are for ever crying.
O thou soft natural death that art joint-twin
To sweetest slumber —
The pageant of the world is marvellous, but the pageant of the world is vanity.
Of human greatness are but pleasing dreams
And shadows soon decaying: on the stage
Of my mortality my youth hath acted
Some scenes of vanity —
To die and be quit of it all is their desire; the bell that tolls throughout the drama is death and disenchantment.
All life is but a wandering to find home,
When we're gone, we're there.
Ruin, weariness, death, perpetually death, stand grimly to confront the other presence of Elizabethan drama which is life: life compact of frigates, fir trees and ivory, of dolphins and the juice of July flowers, of the milk of unicorns and panthers' breath, of ropes of pearl, brains of peacocks and Cretan wine. To this, life at its most reckless and abundant, they reply
Man is a tree that hath no top in cares,
No root in comforts; all his power to live
Is given to no end but t' have power to grieve.
It is this echo flung back and back from the other side of the play which, if it has not the name, still has the effect of the presence of the Gods. So we ramble through the jungle, forest, and wilderness of Elizabethan drama. So we consort with Emperors and clowns, jewellers and unicorns, and laugh and exult and marvel at the splendour and humour and fantasy of it all. A noble rage consumes us when the curtain falls; we are bored too, and nauseated by the wearisome old tricks and florid bombast. A dozen deaths of full-grown men and women move us less than the suffering of one of Tolstoi's flies. Wandering in the maze of the impossible and tedious story suddenly some passionate intensity seizes us; some sublimity exalts, or some melodious snatch of song enchants. It is a world full of tedium and delight, pleasure and curiosity, of extravagant laughter, poetry, and splendour. But gradually it comes over us, what then are we being denied? What is it that we are coming to want so persistently, that unless we get it instantly we must seek elsewhere? It is solitude. There is no privacy here. Always the door opens and some one comes in. All is shared, made visible, audible, dramatic. Meanwhile, as if tired with company, the mind steals off to muse in solitude; to think, not to act; to comment, not to share; to explore its own darkness, not the bright-lit-up surfaces of others. It turns to Donne, to Montaigne, to Sir Thomas Browne, to the keepers of the keys of solitude.
Last updated Sunday, March 27, 2016 at 12:01


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2007-2008 Concert Season
For the presentation of the 2007-08 Grand Canyon Guitar Society season at the Coconino Center for the Arts, Flagstaff Cultural Partners (FCP) is partnering with the Grand Canyon Guitar Society (GCGS). The series brings well-traveled and widely acclaimed classical guitarists to Flagstaff, beginning September 29, 2007.
The Series mixes diverse performers from all over the world with a couple of local gems. Xuefei Yang, a highly respected Chinese classical guitarist, has been drawing rave reviews from critics and audiences throughout the globe. Thomas Viloteau, from Paris, comes to Flagstaff as the winner of the Guitar Foundation of America's International Competition. Also featured is Flagstaff's own Tom Sheeley, who has been a popular performer in Northern Arizona for thirty years.
The full schedule of concerts is:
GCGS and FCP partner with the express purpose of bringing these performers to a quality performance setting that would match their art form. The Coconino Center for the Arts fits the bill.
"In the intimate setting of the theater at the Coconino Center for the Arts," says John Tannous, Executive Director for Flagstaff Cultural Partners and the CCA, "these performers will truly shine. There is a magic here when artist and performer can connect so closely."
Two of the first three concerts in the series begin immediately following receptions for new art exhibitions at the Coconino Center for the Arts. Craig Yarbrough's September 29th concert opens following the Opening Reception for The Splendor of Chaos (6:00 - 8:00pm). And Tom Sheeley's November 17th concert opens following the Opening Reception for the popular annual program, It's Elemental (6:00 - 8:00pm). Details can be found at www.culturalpartners.org.
GCGS and FCP are opening ticket sales early for the Concert Series. Season Passes are available at discounted rates now, through a special, online-only sale at www.culturalpartners.org. Patrons can see as much as a 25% discount on ticket face value by purchasing Season Passes in advance. Tickets for individual shows will go on sale beginning September 1, 2007, at various outlets in Flagstaff. Tickets will also be available by phone at (928) 779-2300.
For more information about the Concert Series, please contact Flagstaff Cultural Partners at (928) 779-2300 or firstname.lastname@example.com.
Information about each artist is listed below in this document. High quality PHOTOS of artists available upon request.
2007-2008 Photo Gallery
Craig Yarbrough
Born and raised in the Cajun Country of South Louisiana, Craig moved to New Orleans to pursue a degree in classical guitar performance studying with John Rankin at University of New Orleans and Elias Barriero at Tulane University. After completing his undergraduate studies, Craig moved to Arizona to study with Frank Koonce at Arizona State University. Earning a Master's of Musical Arts in 1997, Craig came to Flagstaff to be closer to the Grand Canyon.
In 2003 Craig founded the Grand Canyon Guitar Society, a non-profit arts organization dedicated to fostering classical guitar activities in Northern Arizona through an annual concert and masterclass series, which he continues to work for as President and Artistic Director.
Craig currently teaches guitar privately and at Coconino Community College, and can be found in performance around Northern Arizona.
Jorge Caballero
The artistic rise of guitarist Jorge Caballero as one of the most prominent musicians of his generation became evident in 1996 when Jorge, then nineteen years of age, was awarded First Prize at the Walter W. Naumburg Foundation Competition, one of the most coveted awards in classical music and, according to the New York Times, "the equivalent of the Pulitzer Prize" for musicians. He thus became the only guitarist and the youngest musician to receive this award in Naumburg's long history of excellence. In the wake of this achievement, he was asked to appear as soloist with the Los Angeles Philharmonic, Orchestra of St. Luke's, New York Chamber Symphony and many orchestras in the United States and abroad. As a recitalist, Jorge has also made appearances at Alice Tully Hall at Lincoln Center, the Great Performers series at the Library of Congress, the Metropolitan Museum of Art and others. He is also the recipient of top prizes at the Tokyo International Competition, the Luis Sigall Competition, and the First Latin American Guitar Competition.
Guitar Review has said that "when the word 'prodigy' is used in regard to Jorge Caballero, it is an understatement". The numerous laudatory reviews of Jorge Caballero's performances have predominantly focused on a dichotomy rarely found in musicians: Jorge's ability to create the most subtle, expressive, lyrical moments, while at the same time showing awe inspiring virtuosic ease. Throughout his twenties, it was said that Jorge's musical understanding reached "far beyond his years". Of a recital in Seattle, a critic said "I have seen the future of the guitar, and its name is 'Caballero'."
Jorge Caballero recently completed his second full-length solo recording, in which he recorded a transcription for solo guitar of Antonin Dvorak's "New World" Symphony, having thus reached an unprecedented peak in guitar history. His first recording, where he plays his own transcriptions of Bach's Cello Suites has elicited praise from the critics, who compared Jorge to musicians like Rostropovich, Richter and Segovia.
Plans in the immediate future for Jorge involve performances in San Francisco and New York, including a collaborative recital with soprano Theresa Santiago at Carnegie Hall's recital hall, as well as a new recording. In addition to this, he is a founding member of Axis, a string quintet which adds to the conventional string quartet the sensual sounds of a guitar, and thus explores new options of sound.
Tom Sheeley
Tom Sheeley has been a regular performer in Flagstaff since the mid 1970's. He began teaching the guitar at Northern Arizona University in 1974 and has since then performed hundreds of concerts locally as well as nationally and internationally as a soloist and with groups such as The Flagstaff Symphony; The Redlands Summer Festival Orchestra; The Sinfonica Nacional de Ecuador; The Blair Quartet and The St. Petersburg Quartet. He was first place winner in the first ever "Concurso Internacional de Guitarra Manuel M. Ponce"--an event organized to celebrate the 100th anniversary of the birth of the composer that Andres Segovia claimed was the finest composer for guitar. He currently teaches guitar and music literature at Northern Arizona University.
Thomas Viloteau
Born in Paris in 1985, Thomas Viloteau began his musical education at age twelve in Port St. Louis (France). In 1998, he entered the Escuela de Música Juan Pedro Carrero in Barcelona, Spain, where he also participated in numerous masterclasses with Alvaro Pierri. Two years later, he entered the Consrvatorio Superior de Música de Barcelona where he studied with Joan Furio.
In 2001, Thomas received a scholarship of the Fondation Zigmund Zaleski to study under the direction of Alberto Ponce at the Ecole Normale in Paris, where he graduated with a Diplôme Supérieur de Concertiste in 2004. Entering the Conservatoire National Supérieur de Musique de Paris that same year, Thomas studied in Roland Dyens' class while also working with Judicaël Perroy and participating in masterclasses with Rolf Lislevand and Manuel Gonzales.
Thomas Viloteau has placed first in several competitions, including the Salou guitar competition (Spain), the Segovia international competition in Linares (Spain), the Ville d'Antony international competition in Paris, the Mottola competition held in Italy, and most recently he received first prize in the 2006 Guitar Foundation of America competition.
Thomas Viloteau has performed in Italy, Spain, Sweeden, France, and Germany. As the winner of the Guitar Foundation of America Competition, in September of 2007 he will embark on a seven month concert tour of over fifty cities in the United States, Canada, and Mexico.
Xuefei Yang
The internationally acclaimed guitarist, Xuefei Yang, has been a pioneering spirit since childhood. As the first guitarist in China to enter a music school and graduate from the Central Conservatory of Music in Beijing with a BA degree, she was the first guitarist from her country to study classical guitar in the west. The first Chinese student ever to receive an international scholarship from the Associated Board of The Royal Schools of Music, Xuefei came to England for her postgraduate study at The Royal Academy of Music.
Born in Beijing, Xuefei began playing the guitar at the age of seven, taking formal tuition at ten from Chen Zhi. Soon after, she made her first public appearance at the First China International Guitar Festival. Immediately she gained such acclaim that the Spanish Ambassador in China presented her with a handmade concert guitar. During her school years, she played extensively in China, Hong Kong, Macau, Spain and Australia and gave concert tours in Taiwan, Japan and Portugal.
At only eleven, she won 2nd prize in the Beijing Senior Guitar competition being the only child competitor. When playing in Tokyo the following year, she was given a special award by the Guitar Alliance of Japan and the celebrated Japanese luthier Masaru Kohno presented her with one of his concert guitars. The composer Rodrigo attended her debut concert in Madrid when she was fourteen. In 1995 John Williams came to Beijing. He was so impressed with her playing that he gave two of his own Smallman guitars to her Conservatory especially for her and other top students to play.
Since 2000, she has been in England and has studied with Michael Lewin, John Mills and Timothy Walker at the Royal Academy of Music (from where she graduated with distinction). She won the Dorothy Grinstead Prize and received the Principal's prize for exceptional all-round studentship achieving a Recital Diploma. Xuefei was awarded the Dip.RAM - the highest performance award conferred by the Royal Academy of Music. In 2005, her outstanding achievements helped her earn the "Associate" title granted by the Academy.
Xuefei Yang has given concerts throughout the UK, Europe, Asia and the United States. Her success has led her to be invited to many prestigious venues including the Wigmore Hall, Purcell Room and Queen Elizabeth Hall in London as well as the Philharmonie Berlin, Musikhalle Hamburg, Concertgebouw Amsterdam and the Herbst Theatre San Francisco. In Asia she has appeared at the National Concert Hall Taipai, Hong Kong City Hall, Hong Kong Cultural Center, Esplanade Singapore, Guangzhou XingHai Concert Hall and the Beijing Concert Hall. In 2003 she performed 54 concerts for the "Night of the Proms" Tour, appearing in Belgium, The Netherlands and Germany to an estimated total audience of over 800,000. In 2006 she embarks on recital tours of the USA, UK, Europe and Mexico and performs concertos with the Toledo Philharmonic, Seoul Philharmonic and Macao orchestras.
Xuefei Yang's second CD album 'Si Ji', inspired by music from her homeland, was released in 2005 by GSP. Later that year she signed an exclusive international contract with EMI Classics and her EMI debut album "Romance de Amor" was released in April 2006.
Duo Caputo Pompilio
After winning the first prize at the 11th International Competition for Guitar Duos in Montelimar (France), the duo Giuseppe Caputo and Luciano Pompilio have received international recognition, imposing themselves on the attention of the press and the music experts.
Duo Caputo-Pompilio, born in 1994 with the clear aim to search and go into the original repertoire for two guitars of 1800 and 1900, has recorded three CDs: "Works for guitar duo" dedicated to the repertoire of 1900; "Petit déjeuner" dedicated to the age transcriptions of 1800 for two guitars; and "Spanish Atmospheres" in cooperation with the English Soprano Anita Biltoo.
GCGS is proud to present Duo Caputo-Pompilio in their first Northern Arizona appearance.


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Instead of worrying, blaming the recession, or shrinking, here are four things you must do to change the situation:
1. You must get clear
2. You must be bigger than your circumstances
3. You must stop your drama"
4. You must reinvent
You must get clear
The one with clarity navigates the ship. The problem I see right now is too many people have clarity but it is in the wrong direction. Is your clarity
–I don't have time
–I don't have money
–I am not enough?
What if your clarity was of a different kind?
–I have all the time I need
–I am resourceful
–I am enough
You can be clear that you are going to fail or clear that you are going to be successful. What kind of clarity do you want?
You must be bigger than your circumstances
No matter how tough it seems you are not your job, you are not your business and you are not your bad news. You must never confuse where you are with who you are.
You Must Put a Stop to Your Drama
Drama is any obstacle to your peace or prosperity. What is your obstacle? The fight with your spouse, your negative attitude, the worry that keeps you up at night? Did you know that even recalling an angry experience can suppress the immune system for up to 6 hours? You must stop being a victim to your thoughts or to your circumstances.
You Must Reinvent
The idea of being in a recession keeps you a victim as you wait and wait and wait for someone to do something or something to change. When you decide to reinvent, you now become a creator and you make the necessary changes.
I have developed a very easy to use self-study to help you reclaim your power.
Most of the time all we have to do to reinvent is to stop betraying ourselves.
I have found there are 7 ways we self-betray on an ongoing basis. Why not use this "recession" as a time for reflection and reinvention?
The deadline for the early bird rate is May 1st. Hope to see you there!


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Hello All! DT Jess here to share a card featuring the adorable Snuggle Bunnies. When I read the sentiments and the cuteness of the stamp set, I knew I needed to use it. The sweetness of the bunnies inspired me to create an "it'll be ok" type of card without actually saying those words. That is what is so great about the birdie brown sets, because they mix well with each other and they work for lots of different themes. Thats all for today, see you here later this week.
Also, don't forget to click on over to the Quick Creations challenge blog to play along with the monthly challenge currently happening. As always, there will be a prize for playing.
Thanks for stopping by!
My Favorite Things - "Snuggle Bunnies" stamp set
My Favorite Things - "Adorable Elephants" stamp set (extras: balloons)
My Favorite Things - "Lucky Prints" 6x6 paper pad
My Favorite Things - "Cotton Candy" hybrid ink pad
Prima Marketing - Watercolor paper, 140lb cold press 6x6
Lawn Fawn - "Large Cross-Stiched" square dies
Lawn Fawn - "Small Stitched" square dies
Quick Creations - "Sun Kissed Meadows" sequins
Quick Creations - "Sun Kissed Meadows" sequins


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Wenger contract not a priority for Arsenal
Arsenal chairman Chips Keswick says a new contract for manager Arsene Wenger is not the club's priority.
Wenger has been in charge of the Gunners since 1996 but there are question marks over his future, with the 67-year-old in the final year of his deal.
Keswick has insisted the club are fully committed to keeping Wenger but has stressed the focus is on continuing their strong start to the season.
Speaking at Arsenal's AGM on Monday, he said: "We all recognise the fantastic contribution Arsene has made to the club in last 20 years. We are confident about his ability to take us forward.
"We will sit down and discuss the future at the appropriate time but our focus is on maintaining the current run and competing for trophies."
Arsenal owner Stan Kroenke praised Wenger's impact over the Frenchman's 20 years in charge and is encouraged over the team's chances of challenging for silverware.
"We have a great club and are very excited about this season," he said, addressing Wenger. "We know we will compete for trophies and always have and would like nothing better than to see you win the championship this year.
"You should be proud of the last 20 years."


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Home About Us Simply Better Records
A commitment to innovation is part of Cheshire Medical Center's ongoing mission to provide safe, quality healthcare. That's why this year we are transitioning to a new integrated electronic health record system known as Epic (you may also hear us referring to it as "eD-H" on our campus).
The new system will enhance our ability to have up-to-date health records available to all our providers, with easy-to-access information for every patient.
We are excited that once the transition process is complete, the healthcare experience for our patients and their medical teams will be simply better.
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Manufacturing & Engineering Northeast 2016
Metro Radio Arena, Newcastle
Wednesday 6th – Thursday 7th July 2016
Exhibitor List
Register to attend
HEIDENHAIN will show its range of precision measuring systems for machine tool and motion control applications. In addition to absolute and incremental devices for length and angle measurement, there with be digital readouts, CNC controls and the new generation Hybrid Touch Probes on display. Also being demonstrated with be the new HIT (HEIDENHAIN Interactive Training) system designed for the simple teaching of CNC programming.
Visit us on stand E17 and collect a complimentary drink voucher!