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Everyone carries baggage with him/her in life. These are the baggage of guilt which creates complexes in normal people and they act in a manner which might define their actions and relations with others. These complexes and the resultant reactions depend on the individual. What would happen if several people with similar baggage come together? Their relationship would be defined by these baggage and the reactions of them to it.
It isn't how others would behave to my baggage but how I myself will treat and behave due to these. What if these baggage-d persons are intimately related, like spouses? Unless they are able to throw these off, and the other partner is sympathetic and understanding (not pushing it back with double load) they would not only take these baggage to their grave, but much before that they would move their relationship to it.
This is a good movie, but my opinion differs with the majority, since it had sunk without trace. The only version available anywhere seems to be recorded from the streamed broadcast of the state channel, Doordarshan, and not too clear one at that, as far as the quality of the print is concerned. May be the set top box which copied it was an old model. DD doesn't seem to be much interested in re-telecasting or even selling these movies. I tried, but as it always happens, one way traffic, from me to them, and nothing, not even a regret "I can't but 'They' can" response. Interestingly most of the DD movies have subtitles, but this one doesn't have that, which could have helped, since the sound quality isn't excellent either.
Though IMDb mentions A K Sinha as director, but as per the credits in the movie it is M Prabhat, of whom I couldn't get any further information anywhere. He seems to have disappeared after this single movie, unless he is Prabhat Mukherjee, with a semi-pseudonym.
This might be one of the fore-runners in the "Art" or alternate movies genre. Why were they differentiated at that time, I don't know. No one called a dark movie, like say Do Bigha Zameen, or Dr Kotnis Ki Amar Kahani, Neecha Nagar etc an art movie in the old era. May be at those time, there were more and more movies that were nearer to real life and hence if you try to divide, it would be difficult with many like "Sujata" or "Patita" falling half way on either side?
At later age this differentiation became easy. You have a horde of "generic hallucinating drug" and only a few Patented. Whatever had some sense became art or alternate cinema. In between of course were there existed low budget love stories out of Mills and Boons. If you have to think while watching it would be an art movie, if you left the brain behind while entering the auditorium, it is what I will stand up in queue to watch.
Obviously these 'Art" movies or "Alternate" movies were not for the masses, who flocked to the halls to "See" something. These movies not only try to make them see but also often left with things unanswered, as in "Gone with the wind" and without any intention of a sequel "I will be back". It wanted the viewer to See and think and may be as a result exhorted them to do in real life.
I accept that in trying to do so, a lot of movie makers went overboard, and the movies were completely dry without a hint of the juice in it. We the audience would like to have some good moments too. We don't go to the entertainment media to only think and be bombarded with the misfortunes. These movies naturally would run to empty (or near empty) halls and consequently the distributors wouldn't touch these with a long pole. It would run only in some morning / matinee shows in "those types" of cinema halls. I recall that there used to be one morning 9:30 or 10:00 on Sundays, for these movies. Who would watch them at those times I wonder.
If you want a movie to flop, just declare it to be an "Art" movie and that's that. It would be advisable to link it with some government machinery say NFDC, or similar, to ensure the complete success (in failure). A lot of good movies in this decade, especially in bollywood, lost out just due to this branding.
The story is by Bimal Kar, and the information available tells me that it was a serial novel in the Bengali periodical "Desh". The movie had some gaps, due to scissoring to fit a time slot, or in original itself, I don't know. I tried to trace the novel to fill the gaps. However it seems that it was never compiled and formed into a single book. At least none of the search were successful, including the publisher (the magazine)'s store. His other few novels, like Balika Badhu (also made into a movie) etc are available in market. It looks I have to remain with these (gaps) as afar as this one is concerned.
The literal meaning of Grahan may be,
Taking; more in the sense of acceptance, not by force but by heart.In the sense of "I take him/her as my lawfully wedded husband/wife".
Or eclipse (which too had come from this as the mythological Rahu or Ketu takes the Sun or the Moon)
In this movie though the titles define it as the first one, but it could as well relate to the second one too. In a way it has a period of sun/ moon light then a period of suffering/ darkness (symbolizing eclipse and the dark forces).
Subhas Ghai, who would later become a big time director, was one of the protagonists in this movie. In this era he was a struggling actor (Aradhana, Taqdeer etc.), with most of the times second lead, as in this case. There seem to be only a few like Sherni (in Punjabi), and Shahar Se door, where he could have been lead protagonist, however they don't concern me.
The movie starts with a Shloka from Shrimad Bhagavata Geeta which sets the mood for the movie,
Na tadasti prithivyaam vaa divi deveshu vaa punah
Sattwam prakritijairmuktam yadebhih syaattribhirgunaih (18.40)
It literally means that in this world or heaven, i.e. in living creatures or even among the Gods, there is no one who is by nature devoid of the three "Gunas". The three "Guna" are part of the nature of every being, whether it is Human, or the "Deva"s.
These Three Gunas, Satvik, Tamasik and Rajasik are defined as (18.23-18.25)
The Satvik are those acts that are virtuous, well thought (not impulsive), not influenced by attachments and not done with a result in mind. It links the soul to happiness and knowledge.
Exact (almost) opposite are the tamasik – the acts made based on some delusion, not bothered of the consequences or loss/ hurt/ damage to self as well as others.
Rajasik are- those that are done purely for pleasure (and self). Rajas is full of passion and is born out of intense desire and attachment. It goads soul to action.
It is easy to appreciate that all our acts are driven by one of these "Guna"s. The latter two are purely the property/ characteristics of the self "Aham", the first one Satvik, is the one of the Aham as well as the inner being, since it doesn't aim at self, the Aham.
This movie also, as I see, looks into these Gunas and the resultant conflicts within and between the protagonists. Of the four main protagonists three are having skeleton in their cupboard. The fourth one isn't shown to have, may be because even if he had, wasn't relevant to the story.
The movie is basically the interplay between the four protagonists. So before starting with the story it may be better if I jot down the "Characters" of the four as depicted in the movie. The things are sometimes spoken, but most of the times hinted. If I know someone closely, suddenly one fine day, for camera and audience, I will not start recounting his/her life history. It does happen in a number of movies, but this fortunately is not one of them. These information, could, and in this movie did, come out in casual remarks here and there, like "I still don't understand why you did that" or may be in introduction to someone who doesn't know. These part sentences here and there are gathered at a place to understand the persons. Like one who virtually worships another person, might tell some anecdotes to another, even his (the worshiped person's) wife.
Vasant Chowdhury is Dr Devipada, usually in the movie referred to as "Mastarjee" the teacher, or "Professor". He was a brilliant and acclaimed botany professor in (I assume from what is shown) Calcutta University, from where he had resigned and joined a research organisation as head scientist. His base station is in the depth of forest, cut off from any civilization, even villages. It of course has a township including a sprawling villa him. The staff quarters are not bunched at a place but are spread over miles. Domestic helps and other similar menial staff are from the local villages. There is no as such physical discomfort except almost nil social interactions. Being a hardcore scientist of course he is least bothered of it. He is middle aged, mentioned to be around 45-46 years.
He had married a much younger woman, Ramola (Nutan). Who of course must miss the civilization. But she has not really complained of that, and they are childless. How many days back they have married is not shown, but they are not newly-wed. The marriage is more of a functional, married for the sake of marriage, than that of any love. In fact the affection, which normally we see come over time, is not visible. The affection would have manifested even more, since they are alone with the only the other as sole companion. They look to be more like two disconnected persons, sharing a lodging, than a home. I don't see any bitching to goad him into resigning and going back to Calcutta, which one could expect from a women of her age, who definitely would like the civilization, more so in this type of lonely life. And that is despite his standing and it was sure that he would be immediately given his professorship back (that was hinted, but by others, not her). She is quite passive on this subject, whether they live here or in Calcutta, it is all the same for her. In fact that looks to be her outlook to life itself, not really interested in anything. The relationship between the couple seems to be very complex and detached. Do they care for each other? If not why? It doesn't come out till the last segment of the complex psychological analysis of the movie.
The third protagonist is Subhash Ghai (in Role of Sitanshu). He is Nutan's age or may be one or two year older/ younger. Obviously very close to her, and both spend quite some time together, having free access to each other's home. They had been thrown even closer since Professor would once in a while go to the forest depth (research spots), may be for a day or two together, leaving Nutan alone. Sitanshu was one of the students of Professor, whether he was favorite student, or not, we don't know, but he virtually worships the professor. He too was surprised when his professor resigned and joined the forest. It wasn't definitely for money, may be fame or professional call. When Sitanshu had applied and got the job he didn't know that the head was his professor. But once selected and joined the job, he assumes that it was by his backing that he got the job. It seems to be a Government's research facility and is transferable but neither he, nor his professor is interested in moving out of here. He hadn't joined too long back, but due to the similar age he has grown quickly very close to Ramola.
The fourth protagonist is Suhasini Mulay (Sumitra), Sitanshu's wife. They have married around three years back. Now that Sitanshu has settled down in his job, she is ready to move in, even in this godforsaken place. She has never visited here. She had left her husband alone, though not completely, in care of Ramola and the servants. Since her husband is here, for better or worse, she had absolutely no qualms of leaving the city and coming over there. In fact, the way she looks around after alighting from train, she seems to like the natural and pollution free habitat.
The movie begins with Sitanshu preparing to go to pick his wife up from station, with the natural actions (grooming himself to make presentable), checking whether his paunch is protruding. While checking the room finally, whether it is made presentable for the feminine presence or not, he spots a Sari, which isn't his wife's.
He smiles and imagines at his wife's suspicion at finding a Sari in bachelor accommodation. To tease her, he leaves it there. It seems to show that the wife is not still mature, likely at her age, and also might get jealous/suspicious, and he plans to tease her this aspect. This deliberate behavior also shows that at least at this time his heart is clean. The Sari belongs to his boss's wife, Ramola (Nutan). While dusting the house previous evening he had sent his servant to get a cloth. Boss's wife mistook the purpose and gave a good Sari. Later she dropped in to oversee the preparation and finding the mess, she took the job over in her hand. However she forgot to take the Sari back, and Sitanshu had put in the cupboard, to tease his wife.
The jeep arrives with Ramola too in it. Ramola and Sitanshu seem to be quite free in behavior and not like Boss's wife and subordinate. Ramola was to go to station too, but had changed her plan and wanted to dropped to the next village for some shopping. Refusing the offer of doing it on way back, "You wouldn't like to meet her in presence of a stranger"
The wife Sumitra (Suhashini) didn't seem to be worried about the remoteness of the place and seems quite excited to live in nature. However not so much at his behavior, of praising his "Ramoladidi". However her taunt is bypassed "Hey she is my teacher's wife".
The dinner is obviously hosted by Ramola. When the Professor joins and come face to face with Sumitra at Dinner table, we find that even in paradise everything isn't heavenly. Suddenly Sumitra's expression becomes serious.
"Did you know each other?" isn't answered, but is obvious.
The professor looks much more collected, but the girl is extremely agitated. That they know each other comes out from the exchange, are you still living there, how is your mother, your elder sister, etc. But the contacts are broken some time back, is known too, since the mother inquired of has died five years back.
Whatever was there relation has broken off at least five years back. She, Sumitra, had been married for only 3 years. By the happenings we can guess that Nutan too isn't too old a wife.
Things are a bit over strained, not only between two but others too. We see a hurt and accusing glance from Nutan to her husband. Obviously she wasn't told of his past. But that is strange, since soon we would know that the two married persons were strangers in their private live, a complete disconnect. In that case why should she be bothered? He is as good as a third person singular number for her. She however seemed to keep her feelings inside herself, except those momentary lapses and becomes a bit unnaturally effusive to lighten things up. But she fails clearly.
The professor seemed to be the most at ease of all the four. The other two were confused at the state. After some time, the professor excuse himself and goes off, obviously finding his presence a bit oppressive. But that too don't ease the situation and soon, Sumitra rudely gets up excusing herself, without practically eating anything, playing with food all the time.
Obviously unhappy Sitanshu reproaches Sumitra on way back, on her behavior. Now it is disclosed that it was not she, but her sister Anjudidi with whom the professor had an affair. The next day the seriousness is disclosed during evening tea, this time at their home itself.
Sumitra doesn't like his talking of trees and bushes any more, and admits that she is feeling jealous of RamolaDidi, undeniably beautiful, even both of them accept, and forbids him to visit their place so often.
Our Subhash (Sitanshu) isn't a fool. He knows there might be jealousy but not that much, so soon. He follows her to the bedroom and asks her to forget the past "If he had done something to "Anjudidi" that is in past, we can't put that on as respected person as professor.
She isn't however ready to forget and forgive "If it was your sister you won't have said this"
What he had done, isn't what we call crudely "Use and throw" but even worse. This being a family scandal, he wasn't aware but now he has to be told.
Her sister was a brilliant student, with scholarship she had got admission in the university. There she fell in love with Professor, who was at that time a post doctoral fellow and also her guide. They would do research together and dream of going, of course to the US of A. Their affair was known to all and also that they would soon marry.
Then something happened, Anju fell sick and Professor stopped coming. What she was sick of Sumitra didn't know. (Obviously nothing serious, or fatal, assuming she is still alive). However that created a scandal in the colony and forced them to relocate. Obviously this cowardly ditching of a girl, just since she was sick, and could be probably a burden on him, who can forgive? He might be a brilliant scientist and educator But as a human being he lacked a lot. And her hate for him is well deserved.
However our Vasant doesn't seem that heartless. At night Nutan asks him to forgive and reinstate a driver who in drunk state had damaged a jeep, probably since he had cried at her feet. He tells that if he or someone else, is ready to pay for the damage, he would consider that. The episode is small, but it brings out something other than his humane-ness which Sumitra said doesn't exist. The behavior of the two towards each other told that there is a care for each other, hidden, deep in heart, but there is some big obstacle for them to break and let the fount free.
Of course we also come of know of the second skeleton. Nutan had an affair too. The boy was Vasant's friend, and probably the affair was known to Vasant. That boy, Vasant told, had become almost like a Sanyasi now (ditched by her?). At night while he sleeps she can't (aided by his snores? May be) and goes into a reverie.
She runs to a river bank, and makes a hole in sand which fill up with water. In that water she finds the reflection of a boy. I assume her boyfriend. Then suddenly she stirs the water and splashing the water on her face she looks up smiling, and her reverie breaks. What is the significance of the dream I couldn't get. Is it that it was the past and she had destroyed and is looking at a happy future? Or it is exactly the opposite, the Person is still deep inside her heart and she can't forget of him? But clearly she is in a lot of pain, due to past or present I am not sure.
She hasn't yet forgotten him, that is sure, but had she foregone the attachment, (Sangam/ Dil Ek Mandir type) or still that bond and an ache remained in her heart (Gumrah Type)? I am not very sure that the ache on her face (that's there unmistakably) was due to that bond which never matured into a permanent one, or for the bond she wants to form afresh but the past baggage, isn't allowing her, and him, to forget and start afresh.
One thing is known that her husband knew of the affair, and she knew that he knows. Now how she can be sure that though he has forgiven, he would forget that too? In that condition she can't make the move first, but would melt the moment he does, which he doesn't. That would create the barrier on her side to make the association to move to next level. Is this what our novelist meant, or the directors and actors wanted to express?
There is another allegorical tale too. We have been shown once, and she tells later, that she gets that nightmare often. She is staring down a long endless flight of stairs she had to descend down, with heavy suitcases in her right hand she starts descending there are all the frightening sounds around and she screams and wakes up. What does that mean? I assume that it is allegorical descend to the depth (hell) with the baggage (of past)?
These are the complexities when one is forced to think of, makes a movie unsuccessful. The complexities exist in good movies too, but that could be told in simple words, or that may be made complicated. Sometimes, as in this movie, the collaging was done, i.e. bringing back flashes of past in parts. Where Bandini had been simple, the whole flashback was single episode, here it comes in small sequences. Corresponding to the subject, agreed, but then it makes me to join them to understand the whole of the past.
Next morning there is more trouble, professor is out on tour. Nutan walks to Subhash's home, where she meets Suhasini, Though invited by her to come in, Nutan declines and starts going back. Subhash who was at home, accompanies her (to the displeasure of his wife) and that is clear to Nutan too, and she even mentions that to Subhash, but what to do about it, she leaves that to Subhash to decide. Why she doesn't forbid him to come, giving the prime place to wife's wishes? Is it that the she too likes his company, and not willing to forego that? It is not forcing the issue, but at least an advice, which she doesn't?
At Nutan's home Subhash is not in a hurry to go back home, and stays till dark, chatting on tea table at lawn. Some things that come out are
- Sumitra had a miscarriage after first year of marriage.
- Subhash was the famous student of the class, not in studies but in notoriety. He was good student but also the ringleader of the gang.
- Professor was so dedicated and forgetful that often at night, deep in his studies, he would miss the closing time and would be locked in the library. Later he would have to be rescued late in the night.
- But when in classroom, he would be a terror.
When Sitanshu recounts of professor, and tells he is a strange person, "you must be aware, at home he must be like that",Nutan's expression tells clearly that they are too apart to know that much of each other, and she isn't happy about it, and rather misses it, as I read the ache.
Of course Nutan had another agenda in mind and she got the opportunity. She quizzes Subhash to find out what was wrong between his wife and professor. First he tries to avoid, but is later force to tell. However he could only tell how much he knew and that too he had diluted it in his professor's favor.
Next day (maybe) is Holi and nothing is OK on that day. Nutan is in extreme stress after the previous evening's information. Her behavious with Vasant clearly shows her mental condition. So is at other home, Suhashini had a quite ugly fight with Subhash, since she refused to go for "Holi Milan" at Professor's place.
Subhash after the club house Milan, comes late at night walking, intoxicated with Bhang, to professor's place. Nutan is awake and walking in the compound. Prefessor is already asleep, she tells. Subhash (Sitanshu) pour's his heart to her. His wife's hate for the professor which he considers unjustified to be carried for so long and this hate culminating in the dislike for Nutan, he obviously considers taking things a bit too far. Nutan makes out there had been a domestic disturbance and could only helplessly listen, overcome with her own problem. Finally he walks away (to his home) and Nutan too comes to bed.
Nutan too slowly goes back to her bed. She is sleeping alone, outside, while Vasant is in bed room.
Again an allegorical sequence, showing the way relationship is going- a Jeep with the three, she, Subhash and Suhashini is speeding down the road at high speed. She is extremely happy, Suhashini is extremely serious and Subhash is in between. While on the way the trunks they were carrying with them fall down the jeep as they speed through.
With that she gets up disturbed. And almost in trance she comes out of the bed and walks out of the house. Was it that she realized that she was creating a trouble in Subhash's life, to dispose of her baggage?
Again a human and caring face of Vasant is shown. He had seen his wife is not in bed, and had followed her. Now very tenderly and protectively he takes her back to bed. It looks that he cares but he too is unable to throw the baggage off.
But he had made a decision now. Next morning he goes to Sitanshu's home, after Sitanshu has gone to club, whether deliberately or by luck isn't shown, but he definitely would like to have a tete-a-tete with his wife. Not really in a war, he sits and made her sit, and asks whether she had told all to Sitanshu, of what happened between him and Anju. Though she denies, but there are clear indications when he asks whether he told Sitanshu that he broke the wedding with her sister due to her sickness. Vasant now knows the reason of Nutan's behavior of last few days. He takes a deep breath and gets up, saying she, in her hate had left him with no choice, and he had to tell all to Nutan now. He has certain responsibilities and he has to fulfill them, he too has to protect his home.
He gives a moral to her "All this mess is created only by you, the moment you have come, you have started looking at all with so much hate that it poisoned everything. What pain is inside you, you never kept and just took as revenge on outside. That's why you never had sympathy on others or even regret for your acts. People should learn to have some patience to absorb, you didn't. Only one can destroy himself, no one else can do it."
Sumitra looked strangely horrified at this, "After this do you expect her to have any respect for you ever?"
Vasant tells that he is old enough and could realize how far apart they have moved. In fact, he tells, they never had the relation that they should have had. For that he blames himself "It had always been something wrong with me, that I could never made other happy" Even if Nutan could never forgive him for it, or that she even leaves him, but he has certain responsibilities and he can't see her suffer like this. Sitanshu might however apply for a transfer, he tells her, and he would ensure it is immediately granted.
At night, under moonlight, on tea table he opens up finally to Nutan, of his past. He was the younger son of a family, the elder brother was poorly employed, with wife and kids. He was doing his teaching job as well as post-doctoral research since that ensured a steady income in family as well as it satisfied his own urge (Research).
While there he came close to Anjali (Vaishaly), a post graduate student. She was attracted of his brain and must have thought that this horse was going to win the race. Her family too was in favor of this match. Vasant painted her as a person who wanted to reach the top, whereas he had his own shackles to meet her expectations. Vasant doesn't blame her for that, but himself, bringing his Satvik Gunas to the fore. "It was my weakness that I could never bring the feelings in her that a girl should have for her lover"
When she saw that he won't be able to meet her expectations, she slowly started avoiding him and mix with rich, but not "genius" students, of course nearer her age too. However our Vasant had become habituated of her and would, despite clear denigration in presence of her other boyfriends, she had started moving with others then, go to her.
Slowly she started avoiding him completely and when he went to her home, she won't be there. That's when he met Sumitra, and Sumitra started attaching her to him. At that time she was around 16 or so, and Devipada (Professor) was 32 (So it was around 14 years back from this incident). Whenever he would come, Sumitra not only be with him like a shadow but exhort him to come again and even went to parks to give him company, "since sister isn't there".
That's when we get a flash back of Nutan's past, when Vasant says of the infatuations of the age. She too had that episode with the boy. He would try to talk of the subject (literature for her, botany for Sumitra) she wasn't interested in but would listen without getting it in, just for the company.
Here is something I am unable to comprehend. The young man she is attracted to and is reciprocated, who is he? She is dependent on them, but how, the history isn't brought out. The only hint I get is when the brother tells "You have given her shelter and now trying to take advantage of that"
His brother is firm. He tells that a girl like her can't become one of the family (Bahu). If he insists, he will commit suicide. That threat is always the ultimate one can give.
She is in love, but he had other activities too, social activities? But since there is no future for them together, he brings a proxy, Devipada, whom finally she marries and settles down. This part of the movie looks a bit abnormal and hurriedly made. Unless I have missed quite some portion of the movie here.
There meeting was encouraged by her ex-lover. Once when she was unwell, and he was away, Devipada (Vasant) had cared for her. But she looked almost like a live-in. In that case why Devipada went for her, he had been shown a decent person, before and even now. He won't poach on his friend's girlfriend.
Anyway now back to the Devipada – Anjali – Sumitra story. One fine day Sumitra comes to Devipada's flat and explodes a bomb. Anjali had been sick for some time then now Sumitra told him that she was actually pregnant. Her mother suspected him (Devipada) and Anju won't say anything of it, she would weep silently. The meaning was clear, and Devi exploded. It's not possible, he declares. I assume he never had a relation with her, and likely too, she won't let one, not of 'class'. However his explosion convinces Sumitra that he was innocent, and seemed to be happy of it. Somehow Sumitra manages to convince him not to have a confrontation.
After that too, Sumitra keeps on meeting her, and finally out of anger at their family, and may be Sumitra's encouragement, he enters into a physical relation with Sumitra. Sumitra doesn't repent it though and isn't defensive or accusive about it.
Later Devipada comes to know that what Sumitra said was a lie. Anju had only a stomach TB and not pregnancy and he throws Sumitra out of house and life.
What Sumitra had done was for her love, he reasoned later, she really loved him and to get him had lied, but what he did was not pardonable.
This was his baggage. "How could I fall for her childish manipulations? At that age any girl would have a complex, my sister is better than me, and would try, for her self-esteem, grab her sister's favorite toy. She did that. She was a kid, only 16, but I wasn't, I was 30 plus."
Now all the baggage lost, time for reconciliation. Now Nutan understands the state of Vasant and knows that it was she who should have taken the lead since the weight of guilt was more on him. However it wasn't late, and she takes him inside. At bed, after some initial hesitations, she again takes the lead. May be she isn't sure of whether he takes the things (her old affair) against her. In male dominated society, women are always at receiving end in these cases. But it looks to be not held against her by Vasant, and it looks that he never did. He too hesitantly, may be afraid of rebuff as she was, takes the risk. The impenetrable dam between them breaks, and sans their baggage, they finally accept each other, in heart.
However there are certain questions to be pondered (at least I do),
What was the relation between Sitanshu and Ramola?
Sitanshu writes to his wife that "I could never call her Bhabhi, sister in law, and thought it better to call her Didi, elder sister"
However once Nutan (Ramola) tells him "Would you never get away from your Guru-Patni mentality towards me?" Did she want to be something more? She was a lonely woman, the husband was but not there. There is a chance they might not be even physically intimate either, since both were having some guilt inside them to hide, and that messes up things further.
What about Sitanshu? Did he covert his Guru's wife? Of all the protagonists, it was only he who didn't have a skeleton in his cupboard, only Sari. Did he covet the owner of that? I suspect he did. Assuming that he understood his role, there were certain symbolism that seem to indicate that his attraction wasn't pure platonic.
This is some interesting exchange (between Sitanshu and Ramola) almost self contradictory,
- S: You need not give so much respect to her by calling her "Aap- thou"
- R: So what that won't hurt the respect for you will it?
- S: But still, in relation you need not.
- R: So I will remain the "Guru Patni" forever for you?
- S: Not that, but you need not give (us) so much respect.
- R: Still, I have to take care (consider?) of these things. Exact translation of "Mujhe to Dhyan rakhna hi padega" is difficult.
Is there a hidden agenda of Sitanshu, and was put firmly in place by Ramola? Her face suddenly becomes a bit detached and firm and his face falls. Was it a warning to both? I must respect some norms and so must you?
I will not go overboard in praise. It has certain lacunae. But I don't know it is for incompleteness of the movie or due to the incomplete version I have (about 15-16 minutes difference between the official length of the movie and my copy.
The main movie flow is maintained but there is a critical subplot, of Nutan's past. Somehow that is not covered well. The past is covered in term of a few reflections. But who was she and what was her relation with her lover I couldn't make out. She might be an orphan or destitute. But how and why isn't brought out. His elder brother is firm, I won't accept a girl like her to be a "Bahu" in my family. Why? For that we have to know how she landed up in the family. We are only told that the lover was her "Guardian" and he obviously wanted to be permanent one which the elder brother objected to.
Certain other gaps too were not clear. Nutan tells (the same lover) "For you I am one of the things, but for me you are the only"
The things are not "other girls", it means the boy was in some other activity. Social service (Vasant later tells that he is leading a Sanyasi life)? It isn't made clear there. It might or might not have a bearing in the tale, but once the subject is put some clarity should have been there.
I don't know whether the full version had this. All these needed only a minute or two with these actors to clarify, no need lengthy flashbacks or monologues were necessary. So my judgement is reserved.
Suhashini Mulay had fit the role. Though not perfect. She couldn't really bring the hate/ aversion on her face that she had, at least she said, felt towards Vasant.
Subhash Ghai didn't have much scope, he was the fourth in list of importance. But he had been not an eyesore in the role given. He could have been a quite good actor, I wonder why he didn't get much chance and had to move up the ladder (into direction). There had been much worse but successful actors at that time.
Vasant had been good and to the role, except what I felt is the first meeting. He should not have been so composed assuming that it was his ex he was meeting, who had broken under quite acrimonious condition. Except that he had been more of less OK. He could express effectively the soft corner he had inside, and the attempts to keep a mask on that.
It is a good movie but not for common audience, due to one error. The complexity is brought by Nutan. Her background if instead of collages brought in as a single episode towards the end, it would have been a story told in a simpler way, and the may be the common men too would have understood. The disconnected collages joining at least for me, took some effort, and still whether I could really interpret the way the novelist meant? .
It has one song on back ground, sung by one of the greatest artists, who had refused to sing in bollywood. He is the second and last person to be given the title of Sura Sagar – the ocean of melody – (Jagmohan) the first one was Punkaj Mullick. I don't know whether they took permission or not. I assume that they did.
The song is "Tum mere saamne Aya na Karo" – Suhashini is listening the vinyl on record player when Vasanta arrives for the final showdown.
Don't come in front of me, the pain I am hiding in my heart, please don't let it grow further. Exactly suits the mood.
In fact this movie had another exceptional thing, the back ground music. Not too surprisingly, since quite a bit of it seems to be the work of Pt Hariprasad Chaurasia and his flute had been mesmeric in bringing out the mood, whether it was of hurt, departure (Biraha) or Milan (in the end with another exceptional classical by Vani Jayram played on background when our two main protagonists accept each other) bringing out the message,
"Bikhre tare phir mile man ke.." the scattered stars of the heart meet once again and form the music of life.


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Tiger roars back with bogey-free 65 in the Bahamas
Dec 2 (Reuters) - Tiger Woods, in his second round of competitive golf since returning from a chronic back injury that kept him out for almost 16 months, shot a flawless seven-under 65 at the Hero World Challenge in the Bahamas on Friday.
Fourteen-times major winner Woods, who teed off alone after partner Justin Rose of Britain pulled out of the 18-man tournament with a bad back, was three-under on the front nine and four-under on the homeward stretch.
The former world number one, host of the unofficial PGA Tour event that has no cut, was within inches of an ace at the par-three 12th hole at the exclusive Albany course.
The 40-year-old American also made a strong start to the opening round on Thursday when he was four-under through eight holes.
He held a brief share of the lead at that point but ended up with a one-over 73 after double-bogeying two of the last three holes.
Woods, now ranked 898th in the world, was tied for 10th position at the end of his round, six behind leader JB Holmes of the U.S. who had played 10 holes.
"Yesterday I had it going and lost it. Today was different," Woods said.
"It feels good. I played the middle of the round better, kept the momentum going and moved myself up the board." (Reporting by Frank Pingue in Toronto; Editing by Tony Jimenez)
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Positively No Negativity Challenge
Day 57 of 84
Do you remember when learning to drive a car, being taught about the blind spot? A visual blind spot is the area around the vehicle that cannot be directly observed by the driver while at the controls, under existing circumstances. So to drive safely, you have to turn your head in order to see whether or not there is a vehicle in your blind spot before changing lanes or turning. Failure to do this has resulted in many car accidents.
The tricky thing about a blind spot is that we are blind to it.
In the same way we have to be aware of visual blind spots, there are also psychological blind spots that play a large role in how we relate to the world. Because they are 'blind' spots, we don't usually see them, but others do. They are aspects of our personalities such as annoying habits, like interrupting or bragging, or they might be deeper fears that we don't, or won't acknowledge. It is not always pleasant, but usually very beneficial to confront these aspects of ourselves.
Recently a reader pointed out something to me.
"I noticed, as one of your buddies from the Internet that I am, you start worrying before an event. Then you share it and we all wish you well, and most times things work out well…"
Ouch! Talk about a light bulb moment.
I realized that it was true! I started thinking about what he said and I realized that this blind spot, this fatalistic, self-defeating attitude has contributed to my negativity time and again. I realized that some of the things I have worried about in the past couple of months have not come to pass. It's as if I needed to have a 'worry time' to validate whatever it was that I was concerned about. If I worry about a family member it would show that I love them. If I worry about a situation it would show that I am 100% there.
Why not believe the best and hope for the best, and if the best doesn't happen, then deal with it at that time?
One of my favorite passages of Scripture is the Sermon on the Mount which is the place of most of Jesus' greatest teachings. In it he gives a blueprint for a good life. His words about worry struck home to me today:
Matt6:27 "Which of you by worrying can add one cubit to his stature…34 Therefore do not worry about tomorrow, for tomorrow will worry about its own things. Sufficient for the day is its own trouble."
And replace negative worry with positive, live-giving thoughts.
Do you have some psychological blind spots? Would you be willing to hear what others might say if you asked them to name some?
Today I am thankful:
1. For my friend who pointed out a blind spot
2. For a most delightful and love-filled Christmas Day
3. For a Skype call with my son who could not be with us in person
4. That my concussed son was able to enjoy most of the day with us
5. For my sweet daughter-in-love
45.062004 -64.593040


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The BBC iPlayer is coming to a television near you following a deal by the Beeb and Virgin Media.
As of today, all 3.5 million Virgin Media customers will be able to catch up on BBC programmes they've missed by pressing the red button on any BBC channel.
Access to the BBC iPlayer will be through Virgin Media's EPG (Electronic Programme Guide) menu is due this summer.
Malcolm Wall, CEO of Content at Virgin Media, said: "We're delighted to be the first TV platform in the UK to offer our customers BBC iPlayer as part of our on-demand service. The enormous success of iPlayer online has demonstrated the desire TV viewers have for viewing quality programmes at a time that suits them, and now it's available from the comfort of the living room".
BBC iPlayer has been hugely successful since its launch on Christmas Day last year. Reports from the Beeb say that the service that allows viewers to catch-up on over 350 hours of TV programmes from the past 7 days has had over 42 million downloads in the first 4 months of the year.
Pocket-lint got in touch with Sky to see when they expected the iPlayer to launch via their rival broadcast services and received the following response from a Sky spokesperson:
"We'd expect that the BBC will make available its publicly funded content to all platforms. In the meantime, Sky+ is the biggest on-demand service, now used by 12 million people in 3.4 million homes. Almost three-quarters of enabled customers have used Sky Anytime since launch, watching a total of 32 million programmes to date."


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Wind tunnel control room
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I can highly recommend! Have been here a few times for lunch, lovely fresh food nice focaccia and friendly staff.
1 - 10 of 16 reviews
I can highly recommend! Have been here a few times for lunch, lovely fresh food nice focaccia and friendly staff.
This is a take-out place with a large selection of baked goods and basically across the street from the stock market and a few steps south. The cheese filled croissants are delicious (only €2.50) .....ask for them warmed (although they will usually ask anyway). Apple...More
As you walk up from Centraal Station, B de Waal is on your right, on a street corner on the road named Damrak. Super pastries and cakes drinks and lovely friendly english speaking staff. We would recommend the sausage rolls with cheese. The custard filled...More
Yes, as I recall our lunches here, my mouth starts watering ! While this is only a Take Away Bakery, it has a wonderful variety of absolutely delicious items. From sweet to savory all that we ordered were so good. In fact we bought lunch...More
We found this bakery to have some of the best breakfast breads/sandwiches we had while traveling in the Netherlands!!! We also found the orange juice so good we kept coming by during our stay to purchase more of the juice...it was freshly squeezed! It is...More
Very relaxed take out food at a great price. Has both sweet and savoury and, if you're prepared to, join he locals sitting in the window. If you're on a budget, this is a great place for a quick lunch. My only beef - pop...More
Central location, fresh food, tasty pastries and bread, amiable service. A good place to stop at while sightseeing.
I have been coming here for many years. pastries and breads really good but very expensive. food is normally quite fresh, a good breakfast place, but no where to sit.
Expensive for a simple croissant. They also charge locals and tourists different prices. Looks tasty in the window but not really.
My husband made me go in there every day we were in Amsterdam to get their pastries. Always fresh. Miss Amsterdam pastries and sandwiches (and cheeses).


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[PHOTOS] Mercedes F015 Self-Driving Car Stretches Its Legs in San Fran
The ultimate luxury driving experience to many is one in which you are not driving at all. Instead, you lounge back and eat caviar and drink wine and maybe, when nobody's looking, wipe a booger under the seat, all while the car drives itself.
Mercedes understands the true art of luxury (and nose picking), so it makes sense that the brand is invested in the autonomous driving movement.
The automaker just recently unveiled its latest self-driving prototype at the Consumer Electronics Show and then showed it again in Detroit: the Mercedes F015 self-driving car prototype, which has been undergoing testing out in Sunnydale.
Until March 4th, that is. On that glorious sunny day (in California, not here in Ohio), Mercedes decided to take the F015 out for a spin—or let it take itself out for a spin, rather—in San Francisco, right in the eye of the public. The automaker posted about the field trip on Twitter, but it wasn't long before passersby on the streets began to take notice and started posting pictures all over the interwebs.
In fact, one professional photographer, Jake Stangel, happened upon the Mercedes F015 mid-photo shoot and snapped his own photo on Instagram. According to Stangel, the F015 was delivered in a trailer (which is kind of lame), "but it does drive/move."
The F015 Luxury in Motion self-driving car operates on an electric hybrid system that takes the car 700 miles purely on electric power. Mercedes calls it a "digital living space," probably because of all the screens (six, in total) and the fact that much of the controls are gesture-and-touch-based. You know, that way you don't have to adjust the air conditioning with your booger-covered fingers.
Not much is known about the status of this project, but seeing it out on real roadways is encouraging. Chances are, we're still a long way off from a world of autonomous vehicles. But we're getting closer.
Gallery: 2015 Mercedes F015 Self-Driving Car Photos
News Source: PC Mag


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Hello and welcome to MinneSoCal Gal, a Southern California food and lifestyle blog by me – Emily!
I can't believe this blog is finally happening. After so many years thinking about launching a new blog…..here it is!
I'm a Minnesoooota native (ya you betcha!) currently living the SoCal life in Hermosa Beach. I've moved around quite a few times throughout my life (Ohio, Arizona, Seattle, San Jose), and in June 2017, I finally moved to where I've always wanted to be – at the beach in Southern California.
In 2011, I started Seattlesota, a blog documenting my move from Minnesota to Seattle. Back then I never dreamed it would connect me to so many amazing people, jobs, and experiences. Seven years later, I decided to take inspiration from Seattlesota to create MinneSoCal Gal.
This blog originally intended to be solely food focused. For over a year, I had a name picked/domain bought and several posts half-written, but nothing ever came to fruition – I let self doubts and fear get the best of me. My move to SoCal was a monumental move. I knew in my heart I needed to make some changes and focus on myself and overall health/well-being.
After moving, I began contemplating starting a blog again. A dozen names later, MinneSoCal Gal randomly came to mind, and something about it felt right. I realized I wanted to share more than just my passion for healthy cooking, but use the blog as a creative outlet to share my love for sports, wine, travel and pop culture. However, I also want to be my real authentic self – this means talking about the tough stuff happening in my life, including my long, arduous health journey and struggle with self acceptance.
I hope you enjoy following my beach life adventures and that MinneSoCal Gal will inspire you in some way.


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This summer has been filled with crazy changes that have caused me some major stress and panic attacks. I'm talking full on panic. The kind of panic that I would imagine a prisoner walking to the guillotine would have. Looking back over the crazy stressful events, my husband pointed out something to me- over the last couple of months he's noticed I haven't been working on my knitting. No knitting. No crocheting. No embroidery. I was denying myself all the things that keep me happy. He was totally right. My crafts keep me sane! They help calm me down when I'm stressed. I wasn't allowing myself to have any time to decompress and unwind. Crafting is my therapy. There are numerous scientific studies out there that prove it. Everyone!! Keep that crafting going! The world could be a safer, better, happier place!
So, picking those needles and hooks back up, here is my first WIP in the project pile. This blanket of sunshine is pure HAPPY!! I'm using the pattern Chevron Baby Blanket from the very cool blog Eat, Knit & DIY. Krista fills in the the bottom and top zig zags to make a straight edge but I happen to like the points that it naturally makes so I'm leaving them as is. I'm also making this blanket big enough to fit a full size bed. More to cuddle! I have to admit, I am not a very experienced crocheter. I learned the most basic of basics from my grandmother when I was very very young but I've only recently been diving into it with seriousness. This, in my opinion, is a great beginners blanket. Easy repeats. Easy to stitch while watching TV.
I'm using Caron One Pound acrylic worsted yarn. I'm not a huge fan of acrylic but considering how much this sucker is going to get washed, it seems like that best choice. This particular yarn is a little scratchy but it does soften up after a wash. With lots of fabric softener. I'm using the colors white and sunflower. Doesn't it just instantly make you smile? Sunshine. That's what i want to see laying on my couch when I come home from a long day at work. Pure happiness in the form of blanket.


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My youth was a mess of allergic reactions, eczema outbreaks, and facial acne. Feeling beautiful on the inside wasn't my goal; I was determined to do something about it, but nothing I bought from Shoppers or chain "Boutiques" improved my itchy, inflammed skin; rather, they only made my situation worse.
I would find out later that the influx of teen hormones and the addition of birth control play a huge role in skin appearance. I would also find out that my genetics guaranteed me allergies to preservatives like potassium sorbate and polysorbate, to artificial perfumes and sodium laureth sulfate, to soy and most metals among a long list of other things.
I realized that I might be the real life full-spectrum version of the Princess and the Pea and decided that it was up to me to do some research, clean up my diet, and throw away every bit of skincare product I'd been praying with and hording like it could be the cure for most of my teenage years.
I started with the basics, using pure rosehip oil on my skin morning and night, washing my skin with grapeseed oil and a hot cloth, and eating a plant based diet. I had conqured most of my skin issues with these remedies, as well as figuring out what I was allergic to, getting off of birth control, and doing a few herbal cleanses.
But I wanted to know more. I decided to go to school for Nutrition so that I could further understand the relationship that we have with the food we eat and the toxins in our environment, in everyday skincare, and household products.
I started researching local wild medicinal plants and then scavenged the surrounding forests, trails, and wetlands of my hometown.
I dried and infused these plants in simple carrier oils and tested them over and over again to see the difference and effects they would have on my skin, and singled out the ones that made noticeable changes in my appearance. It was walking these trails, looking for and identifying herbs, understanding why they are powerful, and then harrnessing those powers that changed me.
Today, after years of research and personal testing, I think I've found something that not only works better than anything I've bought from the store, but really improves the appearance and health of my skin in a noticeable way.
The Fruit & Flower Facial Serum is my baby. I have spent a long time crafting this little wonder with the right amounts of what I consider some of the best cold-pressed organic carrier oils mixed with the best local wild and organic herbal extracts. I, by no means, think it is the end-all-be-all for skincare and in fact I have been developing a more potent formula, and have also found some other informed local companies who are making great stuff too, but that being said, I know that my little baby works, and on some of the most sensitive skin I've ever met.
Here's a little break down of what I've used and why:
Rosehip Oil
Extracted from the hip of the rose, rosehip oil is a rich, highly absorbent reddish oil packed with free-radical fighting vitamins E & C, and is a source of essential fatty acids 3, 6 & 9, as well as antioxidants like lycopene & beta-carotene which fight the signs of aging. It's great for dry, sensitive, aging skin, scars, acne, pigmentation, and stretch marks.
Camellia Oil
Cold-pressed, organic camellia seed oil comes from the seed of the same plant that we get green, black, and oolong tea from. It has to be cold-pressed in order to preserve its sensitive, potent benefits. It is a very light, highly absorbent, odorless oil that blends into the skin upon contact leaving no oily residue. It is rich in oleic acid, as well as fatty acids 3, 6, & 9, and contains a high concentration of vitamin E and polyphenols. It has been praised for its ability to improve the moisture retention of the skin, which will reduce lines and wrinkles, improve the elasticity of the skin, and improve complexion and tone. Did I mention that it also blocks harmful UV rays?
Raspberry Seed Oil
right from the seed of the raspberry, raspberry seed oil is rich in a long list of antioxidants. It's packed with fatty acids 3 & 6 (making up 86% of its whole), as well as vitamin E & vitamin A. With a natural SPF of 50, raspberry oil is better than your average sunscreen as it utilizes the benefits of elegiac acid. It's also known to have a high concentration of linoleic acid & phytosterols, both of which combat the signs of aging by encouraging collagen production, regenerating skin cells, and retaining moisture in the skin.
Evening Primrose Oil
This pretty wildflower can be found in dry sunny meadows across America and despite being a delicious root, a fragrant flower, and lovely tea it contains a whole lot of good in its seeds. Outside of being a useful remedy for hormonal imbalances and PMS symptoms in women, its topical benefits range from acne, to psoriasis, to eczema to arthritis to breast tenderness. Rich in Omega-6, linoleic acid, and gamma linoleic acid, it'll help the skin retain its moisture and elasticity while its anti-inflammatory properties fight free radicals and restore even tone to the skin.
Jojoba Oil
A liquid wax extracted from the nut of the wild native American shrub, jojoba oil is unique in that it closely resembles the sebum that our own body produces via our skin glands. It revolutionized the skincare industry years ago by singlehandedly replacing animal fats, most notably whale oil, and its no wonder; jojoba oil has an extrodinary ability to protect the skin from the elements by creating a natural moisture barrier without clogging pores or irritating the skin because of its close resemblance to human sebum. Jojoba oil is also anti-bacterial, anti-inflammatory and packed with minerals like copper, zinc, selenium, iodine & chromium.
Avocado Oil
a rich source of mono-saturated oleic acid, vitamin E, potassium, and lethicin, the avocado produces a light, rich oil with quick and high absorbability. It helps the skin retain water-- nurturing away those dry and itchy spells-- boosts collagen production, and reduces redness and inflammation caused by external sources like city air and UV exposure as well as internal ones like diet and hormonal changes.
Lavender Oil
With over 150 active constituents, the oil from the lavender plant is used as the remedy for all types of internal and external issues. Lavender oil is rich in esters making is a wonderful calming, antispasmodic oil. Due to its high concentrations of germicidal compounds like linalyl acetate and linalool—which prevent the growth of bacteria—its anti-inflammatory properties, and its ability to improve circulation it prevents acne & eczema breakouts, reduces the appearance of scars & wrinkles, and treats everything from burns, to wounds, to insect bites.
Yarrow Oil
A pretty perennial herb with tiny flowers, yarrow grows wild all over Canada. You can find it along paths, at the edge of forests, and lining meadows and colors range from white, to pink, to purple. It's too-many-to-list constituents mean that it is an anti-inflammatory, anti-septic, cicatrisant, emollient, and astringent. Its astringency means that it contracts blood vessels and tightens aging skin. Its cicatrisant properties mean that it reduces the signs of scarring left by acne, and its emollient properties mean that it helps the skin retain moisture reducing dryness, the appearance of scars, and wrinkles.
Frankincense Oil
Made from the sap of the Boswellia tree native to Somalia, frankincense, like yarrow, is an astringent and cicatrisant reducing the appearance of acne, wrinkles, scars and large pores, while tightening and lifting the skin. It also promotes the regeneration of healthy cells, and keeps existent cells healthy.
Chamomile Oil (German Blue)
Chamomile contains compounds that are antibacterial and anti-inflammatory, reducing the signs of aging, redness and irritation caused by external toxins or eczema-related issues, and blemishes caused by the infiltration of bacteria. Blue Chamomile is known for promoting tissue regeneration, and is generally called upon for topical applications for this reason. It promotes healthy skin cell renewal, and contributes the overall healthy appearance of your skin.
Willow Bark
known for it's anti-inflammatory and pain-relieving properties, willow bark is a wonderful tool for combating red, itchy, inflammed skin. If it wasn't for willow bark (and its salicylic acid content), we wouldn't have aspirin. If it wasn't for willow bark, we wouldn't have The Willow's Bark. Salicin in its purest form and applied to the skin reduces the sign of wrinkles, cracks, dryness, roughness and pore size. It also imporves the overall radiance of the skin by evening skintone and tightening and shrinking pores. Salicylic acid is used in over the counter acne products but the real source contained within willow bark works the same, if not better, by reducing acne breakouts and improving the health of the skin without all of those drying fillers like alcohol.


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To request a bid for your project, email Tony Margulies at [email protected]. Please include in your E-mail, running time, genre, ADR notes (if you have them) along with a copy of your project.
Got Foley has access to numerous post studios throughout Hollywood and Burbank area to accommodate any sized project and budget. In addition, Got Foley has built a new Foley stage located in the Burbank area.
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Are you gay, bi or straight? (guys only, sorry girls;))
30 Questions - Developed by: Sjerie - Developed on: - 186.771 taken - User Rating: 3.57 of 5.0 - 106 Votes - 6 people like it
Everybody wants to know this.
(guys only, sorry girls;))
Comments (6)
47% bi. Just need to find someone to play with now. Awesome really can't wait for my first touch.
I'm gay, sweet.
Gay, so happy I'm gay!
I like girls but it keeps saying I'm gay. It turns me on.
Wow I got 58% in two tests on this website. Before I believed I was bi, now I know!
I feel so confused. I'm generally a straight male. A few weeks ago a guy neighbor I allowed to seduce me, I'm 58. Now I'm wanting and craving💗with him. I'm always the bottom, this is my first guy I have ever been with. I have always been curious. I love having💗with this guy, he does treat me like💗but I cant tell him no. I now go all out sexually to please this guy. Am I no gay?


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Dynamically Enhanced Structured Water Unit - Portable
Did you know with every Structured Water Unit you buy, one person will get clean drinking water for life? Call us now for more info on how your purchase helps provide clean drinking water to someone for life.
The Portable Unit is the easiest way to structure water at home and on the go. Enjoy the benefits of an energy infusion of Structured Water when you're out and about; whether in-town, at a local restaurant, or on the road traveling. Also, great for apartment living, where a house unit is not an option. Simply pour water through the top (large end) and point the small spout into any container to get the benefits of Structured Water.
What To Expect From A Portable Structured Water Unit
- Super hydration
- Increased oxygen in the water
- Increased absorption of nutrients
- All toxic memory held in water is wiped clean
- Greater sense of well-being
- Easy to clean and maintain (no moving parts)
- Structures water while traveling
- Structures any bottled water
- Structures juice, tea and coffee on the go
- Dishwasher safe
A Portable Unit Is a One-Time Purchase For a Lifetime of Health
For Every Unit You Buy We Will Give Clean Drinking Water to One Person For Life Through Our Partnership With Charity: Water
Benefits Of Structured Water
- Promotes Healthy Energy Levels
- Helps Regulate Digestion
- Benefits The Respiratory System
- Helps You Maintain a Healthy Body Weight
- Has Been Shown To Greatly Benefit Plants and Animals
How It Works
Natural Action Technologies® Structured Water is formed through the energy created by water as it is allowed to naturally move. These Structured Water Units were built to mimic the movement of water in nature. This spinning action actually cleans the memory of water while neutralizing any toxins.
Through the feedback of our customers, especially those living in highly populated areas, we initiated another enhancement of Structured Water to minimize the effects of electro magnetic fields. We observed that EMF energy changes the properties affecting the density of water. Simply, water becomes "hard" as a result of EMF energy. Hard water is problematic for the human body, animals and all living things to absorb the water that is needed, creating the direct effect of dehydration.
Dynamically Enhanced
Currently, all Dynamically Enhanced products have additional – all natural – elements within the flow form which create an ion effect when water dances across it. Therefore, this Dynamically Enhanced Structured Water process actually becomes an ion exchange process.
Tests show that the biophotonic energy of a water molecule that flows through a Dynamically Enhanced product is higher than those from an original product. In fact, the energy signature is one and a half to two times stronger.
The original product is a powerful structuring device and it works all over the world, in environments that are not inundated by cell phone towers, microwave towers and a lot of electrical power lines or underground electrical sources. The difference is that the original products work from the water moving through the device, but the dynamically enhanced have an extra charge of energy. When you add structuring to that energy, you get an exponential outcome.
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- Rejuvenate your skin. Increase immunity. Restore our bodies, and the environment.
- Purify, enhance and increase the energy of the Structured Water.
- Neutralize the negative impact of electromagnetic fields.
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- Neutralize water from almost all inorganic compounds, including pesticides, bacteria, nitrates, free radicals, heavy metals and other harmful organisms.
- Brand
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Federal studies suggest number of uninsured has been inflated
Studies, which some believe could greatly impact future Medicaid budgeting decisions, found that the number of Americans without health coverage may be overstated by as much as 20%.
The Census Bureau estimated that 45 million Americans lacked health insurance for all of 2003. However, actuarial Research Corp., a private company commissioned by the Bush administration, found an estimated 9 million of the 45 million had coverage. Another estimate, using 2001 data, and calculated by researchers at the Urban Institute, a nonpartisan group, showed an over-count of about 4 million.
Both studies claim that technical problems with the Census Bureau's Current Population Survey may have resulted in the overstatement in the number of uninsured because of how Medicaid beneficiaries were under counted. Figures from two different Census Bureau surveys estimate Americans without a full year of health coverage range anywhere from 19 million to 45 million for 2003.
The implications of the discrepancy could cause a shift in states' shares of federal Medicaid dollars, according to some experts. Still, both sets of researchers caution that any lowering of the number of uninsured is likely to be brief, as the erosion of private coverage signals a continued rise in the number of Americans without health coverage.


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There is something cheap and nasty about mankind's need to assert itself on wildlife that step out of line.
We're the top of the food chain and the -shark/bear/lion/dingo/crocodile- should remember it's place. We're the top! We're the top! We're the top! *stamping feet*
It's ghastly that our ignorance, lack of responsibility and inflated, self-important, nothing-can-touch-me attitude leads to the death of innocent creatures because they had the audacity to bite us. They have the audacity to respond to their instinctual nature to kill and consume. They should know that's not the way it's done. Surely if they want to quench their carnal desires they should take up duck shooting or perhaps tear down a forest to have their own gas producing cattle farms. Just so long as they don't bite us or our unprotected, unwatched children. We're the top of the food chain, we shouldn't have to be held accountable for our own stupidity – that's a quirk of being at the top isn't it?
Dingoes attack toddler – an unwatched toddler mind you and who is to blame? The dingoes of course. But hey, we can't possibly be expected to know that dingoes attack – aren't they lovely furry creatures? They're like those sharks, those lovely grey fishies with big teeth that swim in the sea – they're nice too aren't they? Well most of them. It's only the deranged ones that attack humans, I mean, it makes sense that they get put down – how else do we send a message to all the other nice sharkies?


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Hello! Welcome to our store!
– Quality is the first with best service. customers all are our friends.
– Fashion design,100% Brand New,high quality!
Famous Brand Sexy High Quality Women Print Bra set Silk Lace Flower Push up Big size Underwear Bow Bra and Hollow out Panties
Chantelle Light Soft Cup Spacer Bra
Light Soft Cup Spacer Bra Main Features
Manufacturer Sku: 5008
Brand: AngGee
Material: Lace
Light Soft Cup Spacer Bra
Light Soft Cup Spacer Bra Additional Features
Pease Note:
√ Actual fabric colors may vary slightly from online colors due to variations in screen color setting.
√ Once you know your body measurements,consult the size chart on the product pages for actual
item measurements to determine which size you should purchase.
What is in the package:
1* bra set( 1 top + 1 Bottom)
Free shipping policy
1.order amount<US$200 Seller custom shipping route,(Using: ePacket, AliExpress Standard Shipping, China Post Registered Air Mail,) shipping time:15-60 day
2.order amount> US$200 According to the buyer's country policy to choose the fastest logistics, (using: e-EMS, Fedex IE, EMS, DHL) shipping time:5-15day
NO Free shipping policy
According to your needs, to pay shipping, according to the buyer to choose the logistics to send.