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Whitney Fitzgerald
Favorite thing about doing hair
My favorite thing about doing hair is watching the change it can make in someone's life. It is amazing how good hair can make you feel like you can take on the world.
one product I couldn't live without
Absolutely 100% hands down.... Prime by Living Proof. It's a game changer
guilty pleasures
Chocolate and Justin Bieber! I know, it's embarrassing! The boy has PIPES!!!
person who gives me hair envy
Jennifer Anniston. I always tell people that I want to be her when I grow up. She's the reason I looked into Living Proof.
i pull style inspiration from...
Where don't I pull from? (That might be a shorter list) Pinterest is absolutely amazing, fashion blogs, festivals, magazines.... you name it.
to me living beautifully means..
To be loving and compassionate. In every situation there is room for more love and compassion and when you live by that, life is beautiful.


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South and east of West Baltimore's Black Neighborhoods in Bolton Hill and Hollins Market, there are still relatively large White Populations living there which makes the significance of Fulton Avenue that much greater. It seems that most migration by Whites of all income levels went west of Fulton Avenue. Working class Whites remained just west of Fulton Avenue in what is today known as Greenlawn and Midtown Edmondson while more middle class Whites opted for new "Daylight" Row Houses being built in Edmondson Village. Jews in the area were still quite restricted as to where they could move. Although they left Old West Baltimore, they took a more northwest route to Easterwood Park, Mondawmin, Penn North, and eventually to Park Heights and Forest Park. For the first half of the 20th century the western border of Baltimore's Black Ghetto remained uncrossed. But it all started on Fulton Avenue.
By 1950, the White and Jewish Neighborhoods directly west of Fulton Avenue had begun to lose population as suburban housing became more available to Whites of all income levels. Baltimore's Black Population had grown many times over due to the continuation of the great migration and Soldiers returning from World War II. However, the boundaries of Baltimore's Black Neighborhoods did not budge. This resulted in serious over crowding and unsanitary living conditions east of Fulton Avenue. Then one day in 1950, a Black Family moved into a house on the western side of Fulton Avenue and what followed was a demographic shift so dramatic and so fast that it defies logic. And it all started on Fulton Avenue
Once that first Black Family moved across Fulton Avenue, Baltimore turned into a chess board. Those playing chess were Real Estate agents saw an opportunity to placate on the fears of the still segregated Neighborhoods. At that point, Whites did not want integration but Blacks could not continue living in overcrowded and unsanitary conditions that was the order of the day in Old West
Baltimore. As a result, blockbusting occurred and within 20 years all of the Neighborhoods west and northwest of Old West Baltimore went from completely White to completely Black. And it all started with that first family crossing Fulton Avenue. Would this have happened without blockbusters? Yes, but I think it wouldn't have happened so fast and Whites wouldn't have felt the urgency to sell low and Blacks could have payed the same price for a house that Whites pay. Blockbusters became VERY rich due to these circumstances. And it all started on Fulton Avenue.
Today Fulton Avenue has seen better days. There are boarded up row homes and vacant trash ridden lots throughout. However, it is far from the worst street in Old West Baltimore. Given that Fulton Avenue was ground zero in the rewrite of Baltimore's Demographics I believe it should be designated as an Historic landmark. One great event on Fulton Avenue was the restoration of the median that was the actual demarcation line between the White and Black Neighborhoods. Fulton Avenue's row homes must be rehabbed rather than demolished. There will be new housing but that will be built because homes were already demolished. I'm issuing an order that no further housing be demolished New housing will be held to the same architectural standards as existing homes so that new housing and existing housing can not distinguished from one another.
It all started on Fulton Avenue, had that first Black Family not crossed the median who knows how history will have played out? Well, it's safe to say that Baltimore's Black Neighborhoods will have expanded and these once White Neighborhoods would have eventually become Black Neighborhoods but could the migration have gone east into Bolton Hill? Or south into Hollins Market? Who knows? One thing we do know is the facts and the fact is, it all started on Fulton Avenue. And that concludes my series on Old West Baltimore

subset: commoncrawl


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Key Role:
Assist with analysis, design, evaluation, and planning of the business architecture and IT systems architecture to optimize enterprise IT architecture. Provide technical assistance to agency IT staff. Work with existing and new technology in all areas of IT, including platform, operations, network, applications, and security.
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Applicants selected will be subject to a security investigation and may need to meet eligibility requirements for access to classified information; TS/SCI clearance is required.
We're an EOE that empowers our people—no matter their race, color, religion, sex, gender identity, sexual orientation, national origin, disability, or veteran status—to fearlessly drive change.


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This will give you with helpful information to use as you formulate your own strategy. You may even get a chance to talk one on one with some successful people and learn from directly.
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Look at how the economic forecasting in the region. High unemployment and lack of good jobs keep down property prices. This does translate to a big return. A large city that is robust will boost property values.
Make certain to have the property for needed repairs before purchase and plan on investing money into those repairs. Repairs will need to be made before you attempt to resell the house. Factor in a maintenance into your budget if you plan on renting the property.
With all of these great tips, you're now a step closer to getting into investing! You must take it cautiously and avoid careless mistakes. The sooner you get started, the sooner you can expect a profit.
As an investor, you have to think realistically about how you are going to divide up your available time. Issues with tenants can take up a lot of your time. If you do not think you have the personal time free to manage tenants directly, consider hiring a property management firm to do it for you.
Lots of folks want to understand the subject of buy property albania but don't know where to begin. Thankfully, you came to the right place to help you get started with the learning process. Now implement the advice you've just read.


text: i noticed that when i call from this homebrew, that a number comes on the other phones caller id and i use voip buster but what happens if the person calls back on that number? so for sure no one will pick, up because a ds cant recieve calls and theres no way to trace the call back so like if i call people for a prank for example, and i didnt want to be caught, then theres no way for me to be discovered, because no one will suspect one to make a call from a ds.... so is this plan safe? also the calling works but there is no sound, either poeple can hear from either end, i hope that is resolved in a future release.


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As HBO ponders the possibility of a third season of True Detective, it appears Oscar winner Mahershala Ali could soon have a deal to star.
Deadline reported Friday night the actor, who won the supporting actor Academy Award earlier this year for his role in Moonlight, is in early discussions to join True Detective as one of the leads.
Sources with knowledge of the negotiations made clear Ali is still in "very early" discussions. And it's worth noting, HBO has yet to officially order a third season of the anthology series, which became a hit in its first year in 2014 but disappointed many critics and fans alike during its 2015 second season.
As we reported in March, creator Nic Pizzolatto is said to have completed multiple episodes for a third installment and NYPD Blue/Deadwood vet David Milch has joined the writing team.
HBO's head of programming Casey Bloys last summer called the project "a valuable franchise" and acknowledged the network was still "open to another season," assuring fans "it's not dead."
Ali's previous TV credits include his prominent role as Remy Danton for four seasons of House of Cards as well as a recurring role on fellow Netflix series Luke Cage.


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3267.ence Higgins Trust And Summit House support launch center for people with HIV in Sandwell, UKHIV and sexual health charity Terrence Higgins Trust, cooperation with local HIV support Summit House Support Sandwell very first center is run for people with HIV. The new center will be on Heart FM transmitter Steve Denyer opened on 12:00 on Wednesday, June.
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Angkor Wat attraktioner Se alle
Banteay Srei
Located 24 miles (38 km) northeast of Siem Reap, the Hindu temple of Banteay Srei lies off the beaten tourist path in Angkor but is a must-see for temple buffs. While small by Angkor standards, the 10-century red sandstone structure is famous for its intricate and well-preserved decorative carvings. French archaeologists who uncovered it during the early 20th century called it "a jewel in Khmer art."
At the center of the complex are three temples, a central one honoring the Hindu god Shiva and two smaller ones for Vishnu and Brahma. It's the only complex built from red sandstone and the only one not commissioned by a king, but instead by a royal adviser.


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text: Basic InformationOrganization Name*Organization Address* Street Address City AlabamaAlaskaArizonaArkansasCaliforniaColoradoConnecticutDelawareDistrict of ColumbiaFloridaGeorgiaHawaiiIdahoIllinoisIndianaIowaKansasKentuckyLouisianaMaineMarylandMassachusettsMichiganMinnesotaMississippiMissouriMontanaNebraskaNevadaNew HampshireNew JerseyNew MexicoNew YorkNorth CarolinaNorth DakotaOhioOklahomaOregonPennsylvaniaRhode IslandSouth CarolinaSouth DakotaTennesseeTexasUtahVermontVirginiaWashingtonWest VirginiaWisconsinWyomingArmed Forces AmericasArmed Forces EuropeArmed Forces Pacific State ZIP Code Organization Email* Enter Email Confirm Email Organization Phone*Type of Group*SchoolBusinessChurchService OrganizationGroup Leader Name* First Last Group Leader Email* Enter Email Confirm Email Group Leader Phone*Preferred Method of Contact*Group Leader PhoneGroup Leader EmailOrganization PhoneOrganization EmailGroup InformationPlease list the names (first and last) of all group members volunteering with ADEC.*Separate each name with a comma ( , )Does anyone in your group have experience with people with disabilities?*YesNoIf anyone in your group has experience with people with disabilities, please explain.Placement InformationLocation Preference* Bristol Elkhart Goshen Middlebury Mishawaka Due to agency policy, we may not be able to fulfill court-ordered Community Service hours.Please list any languages, other than English, that your group can speak or understand (including sign language).*Separate each name with a comma ( , )Does anyone in your group have a skill or talent that he/she would like to share with our clients? Please list.*Separate each name with a comma ( , )Interest InformationPlease select the volunteer opportunities or activities below that interest your group the most. This is by no means an exhaustive list. If you have any ideas in mind, please feel free to share them with Whitney Craig, volunteer coordinator, during your initial meeting. The primary reason for this meeting is to determine which volunteer activity is the best fit.Day Service AssistanceWork with clients as they participate in their chosen vocational activity at one of our five day service locations. This opportunity is only available from 10 to 2 on weekdays. Art Woodworking Baking/Cooking Photography Sewing Pottery Gardening Group Home ActivitiesSpend time with clients at their group homes doing fun activities and enjoying conversation. This opportunity is only available on the weekends. Gardening Art Community Activities Playing Games Office/ClericalDo filing, mailing and organizational work in the Bristol main office or Employment Services at ADEC Industries. Office/Clerical Special Events TeamAssist Mission Advancement Team in setting up and taking down special events. Act as a greeter, helper during the event itself. Special Events Team Activities AssistanceMeet clients and staff at activity location ready to participate, assist and, most of all, have fun with clients. This opportunity is only available on weekday evenings. Bingo Basketball Softball Young Adult Group Bowling Shoots Game Club (Ages 18-24)Young adults and college students between the ages of 18 and 24 may volunteer once a month for a game night with young adult clients on the Autism Spectrum. Shoots Game Club SibshopsAssist with a bimonthly sibling support group. This takes place on Saturdays and consists of special activities and a shared lunch. Sibshops After School ClubAdults and children spend time at ADEC's Elkhart location on weekdays from 3:00 to 5:30. Come to assist in activities, help with homework or lead games for kids. After School Club Summer CampAssist with games, recreation, activities, field trips and food preparation for summer camp for kids. This opportunity is available from June 8 to July 31 on weekdays from 9 to 3. Summer Camp AgreementBy clicking Submit below, I, the Group Leader, certify that the answers given herein are true and complete to the best of my knowledge. I authorize ADEC to investigate all statements contained in this application as may be necessary in arriving at a decision regarding my group volunteer application. I understand that my group's selection as a volunteers is dependent upon positive references.CAPTCHA


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Aristocratic Assassin, Sesshomaru
InuYasha Season 1 - Episode 5
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Episode information
Senritsu no Kikōshi Sesshōumaru
戦慄の貴公子 殺生丸
Change the World
My Will
|Original Airdate
13 November 2000
|English Airdate
21 September 2002 (Adult Swim) 19 September 2003 (YTV)
Episode Statistics
The Beads of Subjugation
(no credits available)
Aristocratic Assassin, Sesshomaru is the fifth episode of the InuYasha anime.
- Inuyasha's half-brother, Sesshōmaru, searches for the tomb of their father.
- Sesshōmaru brings forth Inuyasha's mother, whom he had believed was long since dead.
It begins with Jaken guiding Sesshōmaru to what appears to be a tomb to find whether or not it is Sesshōmaru's father's grave. The temple is guarded by wolves but Sesshōmaru easily kills them with his poison whip. Jaken gets on top of the stone structure and uses his staff to check if it's the place. The lady screams, telling them that it's not the right place. So Sesshōmaru tells Jaken to find a boat while he walks off. Sesshōmaru demands a boat.Then they refuse and their leader attacks him, Sesshōmaru kills him and leaves the rest of his men to Jaken. Then they take a boat. On the way to another location, Jaken asked Sesshōmaru if they should consult Inuyasha, but Sesshōmaru states that he'd rather not think of his younger brother. He assumes that Inuyasha is still sealed to the tree for 50 years by Kikyō. Jaken says he heard from someone that the spell is broken and Inuyasha is free. He also states that the staff of two heads has been acting strange also and is sure it's because of him. He also states to his lord that speaking of the staff he was wondering, because he had been tossed in the water to remove the staff from his head due to his not being able to breath. So they continue their search for Sesshōmaru and Inuyasha's father's grave. Myōga finds out about their plan and hurries back to inform Inuyasha.
Meanwhile Kagome brings her bike and her first-aid kit so she can heal Inuyasha's wounds from their battle with Yura. Inuyasha is sitting in a tree and refuses to come down when Kagome tells him that she has to heal him, so Kagome tells him to "sit" to get him out of the tree. Kaede is with the other kids from their village, her arm still in a cast from her recent injury. Kaede says that she wishes Kagome and Inuyasha could start to like each other; the children tell her that Inuyasha and Kagome do like each other, but when Kaede sees Kagome on top of Inuyasha, she gets the wrong idea. So Inuyasha pushes Kagome aside and shows her that his arm is already healed without any scars on it. Out of nowhere Inuyasha feels something on his chest and it's Myōga the flea.
The group heads back to Kaede's hut that night and Myōga tells them about Inuyasha's father. Inuyasha, however, doesn't know anything about his father. Kaede told him that his father was a great demon and the western lands were his domain. When Kagome asked about his mother, Myōga told her that she was a beautiful woman that Inuyasha's father loved, and then time Inuyasha steps on Myōga and storms out, saying that his mother died a long time ago.
Kagome rides her bike back to tree where she found Inuyasha staring off into the sky. All of a sudden a strong gust of wind makes Inuyasha jump off the tree and he hides Kagome and himself in the grass. As the clouds passed by a carriage surrounded by demons flies in the air; there is a woman inside. Inuyasha identifies the woman as his mother in front of Kagome. Out of nowhere a gigantic demon ogre grabs the carriage and crushes it with Inuyasha's mother inside. As Inuyasha tries to free her, he is stopped by a poison whip belonging to his older demon brother Sesshōmaru. After making sure that Inuyasha believes his mother has been brought back from the dead, Inuyasha successfully manages to free her by using his claws to cut off one of the demon's arms. He tells Kagome to look after his mom while he fights with Sesshōmaru and Jaken. Inuyasha is hit pretty hard after Sesshōmaru hits the ogre with his whip and then Inuyasha's mother stopped the ogre from further attacking her son with a bright light.
When Inuyasha wakes up he finds himself in a nearby pond where his mother tells him that she has to go back to the spirit world. Kagome wakes up in the same place and sees Inuyasha talking with his mother. She's calm until she looks into the pond and sees that Inuyasha's mom's face doesn't have a reflection in the water, which means that she isn't his mother. When she tries to tell Inuyasha the truth she finds out that she's paralyzed. A helpless Kagome looks at Inuyasha who doesn't know that this woman is deceiving him.
Characters in Order of AppearanceEdit
- Sesshōmaru (First appearance)
- Jaken (First appearance)
- Myōga (First appearance)
- Kagome
- Inuyasha (Flashback)
- Yura (Flashback)
- Kaede
- Inu no Taishō (First appearance; flashback)
- Mama Higurashi (Flashback)
- Unmother (First appearance; disguised as Izayoi)
- Kagome manages to get her bike through the well and is wearing an outfit other than her school uniform.
- Inuyasha is revealed to have recuperative abilities superior to humans.
- Even though it was just part of their ploy, Sesshōmaru really does have the ability to revive the dead if he uses Tenseiga, although not someone who has been dead for too long.
- This is the first time Inuyasha's family is discussed.
- This is the first episode iin the series in which the main focus of an arc is not the Shikon Jewel, but instead focuses on a powerful sword that belonged to Inuyasha's father,Tōga.
- Apart from Jaken, Sesshōmaru is shown to have other, lesser yōkai that he uses as servants.
- This is one of the two episodes that Sesshōmaru uses an ogre yōkai, the other being Episode 18.
- Sesshōmaru reveals his distaste for using trickery and deception to achieve his goals, and threatens Jaken with death should he have stooped to such a level for nothing.


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Volatility in the market is back in a big way. Using the popular Dow Jones Industrial Average as a measuring stick, today's volatility is quite dramatic compared to 2017.
Last year, from the day's opening bell to the close of business, there was a movement in excess of one percent just four times. So far this year, a daily move exceeding one percent, either up or down, has already happened more than 20 times.
By the time you read this, it may be 25 times. And in just over three months! As surprising as that may seem, it appears we're just getting back to the norm.
Even in a normal environment, the investment world frequently inhales and exhales. And sometimes exhaling can create quite a storm. That's why it's important to remember that these roller coaster rides are one of the reasons why investing requires an iron stomach.
It's just a reality that account values can increase or decrease on a daily basis. If you tend to be a worrier, I suggest you review what you own. I don't mean just looking at the account name and value, but really examining what you own; completely dissect your holdings.
For example, if you own a stock mutual fund, familiarize yourself with the fund's holdings, the management team, and how long they've been at the helm. Especially be aware of the top holdings, because you, too, are an owner of these companies.
Yes, it's probably just a small fraction of a percent, but you're an owner nonetheless. And all the necessary information is readily available to you.
On the other hand, if you own a bond mutual fund, remind yourself that you're a lender to the companies in the fund, and as a bond owner, the names listed in the fund are, in essence, promising to repay you.
Without doing a deep dive into the complexities, keep in mind that stock investing represents ownership and bond investing represents a loan or a promise to be paid. In either instance, for a variety of reasons, the market values change from day to day. That's why, in addition to reviewing your holdings, I suggest you also review why you initially purchased what you own.
And try not to let volatility cause you to react impulsively.
Let's say, for example, that your financial plan is predicated on the fact that you need long-term growth to achieve your stated goal of having a nest egg that delivers income deep into your retirement years.
Suddenly, wild volatility takes over the market. But your plan hasn't changed. You still need to grow your nest egg. The need for future income didn't go away. If anything, you're going to have to grow your nest egg even more because the cost requirements for the elderly have steadily increased.
Long-term investing requires an iron stomach and there are certainly times when significant market moves can make you queasy. But, even though abandoning your strategy because of fear might give you short-term relief, you could be doing serious financial damage in the long run.
More often than not, if you remind yourself why you invested and review what you own, you'll better be able to stomach the turmoil caused by these daily roller coaster rides.
E-mail your questions to email@example.com. Ken is a Registered Representative of LPL Financial. Ken is Vice-President of the Society for Lifetime Planning. All opinions expressed are those of Ken Morris. LPL and Society for Lifetime Planning are independent companies. Securities offered through LPL Financial, Member FINRA/SIPC. Investing involves risk including loss of principal. No strategy assures success or protects against loss.


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Kerry Washington's Stunning Grey Smokey Eye For 'Marie Claire'
Isn't she lovely? Kerry Washington's new glamour spread for the April issue of 'Marie Claire' is stunning! It features the 'Scandal' star flaunting windblown soft waves and a sexy smokey eye, and we're so into this look.
Kerry Washington told Marie Claire: "I didn't always think I was pretty," but that's the furthest thing from the truth! The 38-year-old actress is beyond gorgeous, and this beautiful cover spread is just a reminder. Get her silvery grey smokey eye below!
Kerry Washington On 'Marie Claire' — Gorgeous Smokey Eye & Windblown Waves
Kerry looks so stunning in this spread, and we're relieved to see that there were no photoshop fails and she looks like her usual beautiful self! She seemed to be just as excited as we were about this cover and posted it to her Instagram with the caption, "Whoa! The time your brilliant friend @LenaDunham wrote an AWESOME cover story about you in a magazine that you love?!.."
Totally happy for her, but she failed to mention how stunning her hair and makeup is! Way to be humble, Kerry.
Her hair was styled in gorgeous beachy waves, with pretty brown highlights in her raven colored hair. We especially can't get enough of her makeup! It was centered around her intense smokey eye complete with multiple shades of silvery grey and smokey black, and it was balanced out by her golden nude lipstick.
You can get a similar smokey eye with Nyx Cosmetics Love In Paris Eyeshadow Palette. It has all the colors you need to recreate her look.
Kerry Washington: 'I Didn't Think I Was Pretty'
Lena Dunham did an outstanding job on her candid interview with Kerry, and one of the things she got the Scandal star to share was that Kerry wasn't always as confident in her appearance as she is today:
"I didn't grow up thinking I was pretty; there was always a prettier girl than me. So I learned to be smart and tried to be funny and develop the inside of me, because I felt like that's what I had."
Kerry is beautiful both inside and out, and it's so apparent in her Marie Claire cover spread! You can pick it up on shelves nationwide on March 19.
What do you think of Kerry's gorgeous smokey eye? Tell us all about it!
— Kindra Bailey


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A frost advisory has been issued by the National Weather Service from midnight to 9 a.m. Sunday for coastal Horry and Georgetown counties.
The advisory came hours after the weather service issued a freeze warning for inland Horry, Georgetown, and neighboring counties.
Temperature along the impacted coastal areas are expected to be in the mid 30s, forecasters said.
Weather officials recommended bringing in outdoor pets and covering sensitive plants.
"Frost may damage sensitive vegetation. Early blooming plants such as peaches and blueberries may be particularly sensitive. Outside pets or livestock may also be sensitive to these cold temperatures," forecasters said in an advisory statement.


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On Art
An interview with
Sheri Pasquarella
Sheri Pasquarella
How does somebody end up becoming an art advisor?
It's a funny job because there are so many people doing it with so many different skill sets, educational backgrounds, etc. Some have PhDs; others rely on their impressive social connections.
Luckily for me, I started with actual exposure to building a contemporary art collection. This was at Marlborough, in the late 1990s and early 2000s. I'd been promoted to an Associate Director, and a good portion of this job entailed assisting Tom Cugliani, who was the Curator of the Royal Caribbean/ Celebrity Cruise Art Collection. Marlborough maintained a contract with the company, and the two of us worked on filling a minimum number of spaces per new construction cruise ship with contemporary art from around the world. This was not buying some giclee prints and calling it a day. It was a who's who of art since 1970, and excellent examples of their work. Tom's vast knowledge of Post War art led to an outstanding collection for Celebrity – impressive for the diversity of great art that's in it and for its substantially proven upsides, financially speaking. It was exciting, difficult and special and I remain grateful to both Tom and to Marlborough for that.
It was also eye opening to me about the business of art, and it is how I developed a strong background in recent art and its market. I also made a million acquaintances. This confluence of circumstances led directly to my conception, and ultimately co-founding, of NADA (the New Art Dealers Alliance).
After leaving Marlborough in 2002, I became the Director of the now-defunct Gorney Bravin + Lee. It was shortly thereafter that I started NADA. About a year following that, I met Stanley and Nancy Singer through the gallery; they liked GB+L and loved the first NADA fair. They asked me to be their advisor, so I did that while still being the Director of a gallery. All the while, I was the President of a n-f-p that was growing by the second but had no full time staff other than me.
By 2005 the gallery was closing and I had far too much going on to start over again at another gallery without making major sacrifices. So I didn't, I started SLP. This started with the conversion of 27th street (between 11th and the Highway) into art spaces with my friend and NADA co-founder John Connelly. I had a ground-level space there from which I ran my consultancy.
From day one, SLP had three types of service. Hence the original name: SLP Art Culture Commerce. However, it is the art advising service that I have been typically most known for – as the nature of the work is itself requires that I engage with the community (dealers, artists, museum professionals, etc) on a daily basis.
For people who don't know what that entails, can you shed some light on what you do?
Again, there is great diversity out there for how this is done. Here is how we do it:
It starts as all of my work does here, including the creative business consulting. Someone has gotten my phone number from someone else. They call me. I say "Thank you for calling; how can I help you?"
As we speak and then meet up in their home or office, I'm genuinely trying to asses how it is that I can help them: what are their goals and values, and how can I help them define or reach them in a way that is different, better, more productive or more satisfying? It's a lot of listening, as people are often not able to define these things concretely in the beginning.
With art collectors, there are historically 5 'assessed' motivators. These are: aesthetic preferences, investment, speculation, scholarly study [or intellectual curiosity], and as a social activity. As the person speaks, I listen for how they prioritize these 5 things in the way that they speak. For example, someone may specifically tell you that they are doing it for love of art, but generally if they mention money a lot as they are talking, it often means that they prioritize investment over, let's say, intellectual curiosity.
After we've gotten a good sense of one another, I share my thoughts of how I think I can help. If they like what they hear, we sign an agreement. This states our mutual obligations -- clearly defines what we're both going to be doing in order for them to get to where they'd like to be.
There are so many sides of what happens next, we can break it down vaguely to two: the art and the art object; and the business. Again, how these come into play are individualized according to the client's current and future priorities. There is a single commonality, something I stress as the #1: the collector finds artists or work in which they are sincerely, if not passionately, engaged.
The emphases in the process are on commitment, knowledge, and realism. I begin writing for them, or sending them links, articles, books, or making OCD lists of artists in Excel. Whatever format will be most efficient for the individual on the other end to digest the volume of info I'm giving them. Then they begin to think and look. We go look at art together, everywhere: museums, galleries, art fairs, online, artists' studios, art schools, etc. Each acquisition opportunity is unique: some sales happen in a matter of moments, others may take over a year or two to find the right work.
Over time, there is a shared interested in how a collector functions in and participates with the cultural sector. At present, I am working on 4 collections, each of whom have been with me for at least 5 years. They are all quite different and wonderful. And they are all majorly active in museums and philanthropy, which is something I help them with too.
The way they deal with money also affects the relationship. With those that preference 'aesthetics,' for example, the negotiations and budget are fairly easy and straightforward. For other clients, however, I may become a part of their asset management team, and have to guide more complex financial activities – like art 401ks, 1031 exchanges, the establishment of a foundation or family office, estate planning, the resale of works, etc.
It's really gratifying to work with people for an extended duration of time. The rewards include watching their collections become bigger or more refined, forming deep relationships with them, their families, and their personal or professional orbits, and watching artists within the collection grow, and see how the works change as the environment and context of the home or property evolve.
Any upcoming shows you can't wait to check out?
In museums, definitely the Whitney Biennial. I always look forward to it, but this year is particularly special because of Jay Sanders. He is so fantastically agile and idiosyncratic. It is great that the Whitney gave him this opportunity, and I look forward to seeing how his unique point of view translates to a museum environment.
In galleries, I'm looking forward to the Pier Paolo Calzolari show that will be at both Boesky and Pace Galleries, opening April 27th. Calzolari has been under the radar in this country for a while. He's been active since the late 1950s, but has not had a gallery show since he stopped working with Gladstone like twenty years ago. There is a marvelous lineage of Italian 20th Century art – from the Futurists to Arte Povera and beyond, great artists like Manzoni, Fontana, AIighiero e Boetti, Mario Merz, Alberto Burri, Guiseppe Penone, and Calzolari, who is a peer of the latter. I think when you see Calzolari's work, you'll note its relationship to new art. His use of salt as well as complicated freezing apparatus relate very beautifully to an another artist whose work I admire: Banks Violette. Calzolari began working with these materials around the year Banks was born, oddly enough.
Boesky and Pace are literally knocking down the wall that separates their galleries on 24th and 25th street, respectively. The level of commitment, particularly on Boesky's part, is exciting. I cannot wait to see the results.
Frequently Asked Questions
Why do your Art Advisory clients to sign an agreement?
Mutuality & transparency. We want to protect your interests. We want you to trust that you are never pressured to buy a work of art for the wrong reasons. You should take time to make the right decisions. You should be well-informed about what you are acquiring and why. You should enjoy yourself, and work with someone who can create a positive, enriching experience for you. We will make every possible resource available to you in order to make these things happen. In return, we ask that you agree to protect and respect us too.
What makes your Art Advisory approach unique?
SLP has had the rare experience of working with both blue-chip art at a high level, as well as galvanizing an entire community of emerging artists and their dealers from 2000 – 2010. This expansive network & background is applied with strategies that respect the identity and integrity of our clients. We work in close collaboration over years and ultimately guide asset management, philanthropy, and other cultural engagements. We have become known for this long-term commitment, as have our clients. This has further strengthened our mutual respect & relationships in the art community, and impacts the quality of works we are able to access.
How do I choose the art advisor that's right for me?
Most good art advisors offer art expertise & a professional network. Those are the basic job requirements. It is everything else that determines whether they are right for you. Can the two of you communicate easily and clearly? Do you have the same priorities in terms of how you relate to art and the art world? Are they well versed in the business? Do they make you feel comfortable? Can you trust them? Like attracts like; we realize that SLP is not right for all collectors, and vice versa. We have many colleagues that we trust & respect, and make referrals when appropriate.
Who pays your Art Advisory fees and how does that work?
All services are paid for by the client. This is an added assurance: you can trust that we work for you, not for the art galleries or auction houses. Payment options include annual retainers, hourly fees, percentage-based commissions, and/or some combination of all three. It varies based on the needs and wishes of the client. There is no minimum annual budget. Feel free to contact us for a proposal and estimate.


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The thick heat of August is when and where my birthday lands.
This year held a threshold and soft opening into intimacy.
I am forty now.
It feels like the most beautiful arrival, like soft landing and solid ground, an opening to let loose the things which were ready and wanting to leave, a celebration for having come this far.
It feels like return and like the sweetness of the unknown, discovered, unfurling like a curled body unwrapping itself late in the morning and leaning toward sun and the taste of another's skin. It feels like the work was worth it, and the wrestling with the unresolvable, and the knowing when it was time to lay them to rest, and live.
There are things I know now. Things I have learned, in struggle and in surrender and in embrace. Things I have found and cut openings in my own scars so as to taste and turn towards. Here, I name my own animals. Here, I let my own tongue speak. Here, I stand in the wreckage and the glory of this life, my life, and say thank you.
And I wanted to share some of them, forty of them, with you.
What I know now. What I see now. What was here, the wisdom of a body speaking true, waiting to welcome me into what comes next.
1. This earth. This world. This broken sky and the way the buildings go gold when the sun descends. This ribcage shaking with the underwater world of crying. This held out doorway of hope and this ache for the taste of blackberries and this scar that runs wide up the back. This hand that doesn't know how to unclench and this breath that comes easy and gasping and steady. This. This is what is real, here, and alive. Whatever may or may not come next, above or below, this world here is my home.
2. Being willing to make choices, the hard choices no one else may understand and the ones with no guarantee of outcome and the ones that remind you of the vow you will never break - this humanizes. Make choices and take risks and have regret and wake again, and choose to live.
3. Honor your limitations. Let them become a net to catch you with kindness, sinking into the knowing that you need not do everything for everyone, even yourself.
4. You are allowed to change your mind.
5. There is honest (if hard sometimes to the heart) love in being willing to disappoint people so as to be true to your own voice and knowing and need. There is rich substance of sovereignty in not abandoning yourself in order to please another and pretend it is enough. The truth is sometimes rough to the touch and sometimes elegant as silk against smooth skin. Love it for its own sake. Do what is true. Speak what is true. This is what it is to be trustworthy, for your word to mean something real.
6. It's a voluptuous powerful thing, to know what you've given your life to. And everything else, all the ambition and striving and waiting and insisting and pounding against metal doors until the fist bruises and bleeds. All of this is laid to rest. You have already given your life to what you love and the paths uncross, clear.
7. Know and enter the unanswerable questions, and do not try to answer them.
8. You are not the possession of another. This is not the cost for belonging. And so you do not ever owe another your own self, as if intimacy is a transaction of putting out parts of you you in order to be fed. You, your time and your body and your presence and your capacity and the curve of your conversation, is not a thing another human has a right to or is entitled to. Love, and whatever of yourself you choose to offer out like undone origami all soft paper and wrinkled angular lines, is a gift. Every single time. Without question.
9. Love what and whom and how you love. Feed your hunger to satisfied. Want what you want. Without apology.
10. There are many things you will not do or ever get to do in this life, and there is some kind of relief in this, the knowing and naming of it. It means you don't have to pretend you will get to it or chase the dream that drains, scampering around trying to fill a hole in the heart or insisting I can live another nine lives. It means you get to walk away from what is not yours or what no longer fits or what you once longed for and now can see only as a ghost of a dream of another woman, many years younger, learning who she wanted to be in this world. It means you get to be here, in this life right here and now, fully, deeply, and with all of you. No bullshit.
11. Whatever it takes to listen to yourself, to hear yourself true, do that.
12. Can you be good with yourself, no matter what happens or what is said about you or what the cards or planets spin of stories? Can you be good with yourself, solid, even when you don't know what comes next or feel the weight of another's expectation or forget the sound of your own name? Can you look in the mirror and see the stunning presence of your face, and love her for everything she had to do and could not do and say "I'm here, come on home to me." Forget the measurements or ways of codifying and monetizing meaning. Can you be good with yourself, be a good home to yourself? This is the question that must always come first.
13. It is ok to have needs. It is more than ok. It is human. And inevitable. And crashingly beautiful, the way it connects us to one another and reminds us of the silk strands of a web that work their way through creation and allows us to love and be loved.
14. Your life will be forever changed the day you learn the power of a clear ask. And the strength of your own breath bringing you through. And the solid bones of a clear no. And the open space of a full yes, how it tumbles over grass and rocks like blue iris opened.
15. No one else gets to define you for you, to tell you who you are and insist you accept their projection and pain veiled as insight and then say thank you. You are not theirs to assess or determine or decide. Others can and will think what they think, about you and themselves and the world. They will sometimes find or form stories, as we all do, that help them make sense of what hurts and in the process they will sometimes seek to brand you, leaving burn marks and the sound of your feet as you walk out of the room and into your waiting life.
But in the quiet and crash of reality, we just don't know. We don't know what another person is going through, or what they fought through the night, the empty glass and the road trip west and the way the sun felt like salve after so much heavy rain. Another may come and tell you what they assume to be true about you. But they do not know. They do not know that someone from your past just died and now your old stories get to be rearranged, or that that the cancer came back, or that the shatter was sharp. They do not know that the love you always needed came and found you and everything, everything, changed. They do not know how it feels to be you, living in your skin, and what it took, to make the choices only you could make. They do not know. It is not their job to know, to assure you, to name you. So let them say what they will say, and just stay with yourself. There is nothing you need to go look for and figure out outside you, because you. . .you are the way. So stay, right here, breath after breath, finding yourself landed back home in your body, the love that will never leave you.
16. You can and will discover capacity in yourself that exceeds what you were given or taught or knew from experience or exposure. I do not know the why of this, only that it is true.
17. When the question comes (why?) you will know the answer.
18. because my body is my own, belonging to me.
19. because I was not, a single time in all the many times, asking for it.
20. because no is a complete sentence.
21. because pleasure is my birthright and I know now just how good, good loving can be.
22. because creating consent cultures is how we unlearn and relearn the voice and body
that knows what it knows and wants what wants without apology.
23. because sex is not a dirty word. slut is not a dirty word. feminist is not a dirty word.
woman is not a dirty word.
24. because we are allowed our places of belonging without ownership and possession.
25. because my body is my own, and I love her.
26. I used to worry that something was wrong with me for not caring so much what other people think of me. For not having much interest in confirming their ideas of who I am or am supposed to be. I used to wonder if this meant I had not yet learned the rules of the road for a culture I did not come from and stand always a whisper from the edge, as outsider invited in. I now know differently. There are many things I care deeply about. But what other people think about me is not one of them. This does not make me broken. It makes me free.
27. There is so much suffering that is not optional in this lifetime, all the ways oppression is real and devastating and the most horrible things can and do happen. But all the other things, the optional suffering, the unconscious suffering. It has no inherent virtue, making you a better or more noble person. So you will learn over time, learn and relearn as many times as it takes, to choose to not remain for what is optional, free now to live your life in all its pleasure and protest.
28. Be willing to be wrong. To acknowledge the ways you have been wrong, no longer interested in living saddled with the errors of confirmation bias, where we look around at the world only for evidence to prove our own assumptions and beliefs. For we are not always right. even when we feel we are. Even when we can "prove" it. Even when we wrap ourselves tight with certainty. And when the stakes feel high, it can feel so very hard to let down the insistence and open to the other. To listen. To look. To learn. To be educated. To tolerate discomfort. To see. To say, "I was wrong. I am sorry. Please forgive me." But it's where freedom lives.
29. First marriages are good teachers. It is ok to keep the learnings and leave the rest behind.
30. People you love will hurt. And get sick. And lose work and parts of their being and body and those they love. And there is nothing in the world you can do to make it better, or take it away, or make it not happen. So you will sleep in a room with soft red light, and make music, and walk the dog, and choose love.
31. At the age of forty, you will have lived through so much loss, your own body bearing the weight of woundings that can never be undone and your own memory choked with trauma that never resolves. You will have had and lived through cancer, twice. You will have watched a great many people die, many of them from a terror from which you still will never know why it was you found a way out and through, landing on a city street where you changed your name and listened to music fill the streets late at night, counting the concrete steps and your luck of impossible aliveness. You will have lost through all the leavings too, and there will be all these spaces inside you, like gaps, where they once would have slipped inside and now there is only the grief and then it is only memory of grief, missing the missing. It will hurt. You will not be able to return or go back or become what you once thought you were or would be. You also will come through.
32. So there is this. Keep making decisions. The hard ones. The uncertain ones. The in the dark ones. Keep following the tread of curiosity and trust the voice that knows what it knows, beyond language or the ways of reason. Keep showing up, for the work and the wrestling and the water you submerge yourself into, swimming deep and fighting strong, tossed up to a shore of your own survival. Because you make it. You arrive. You know what it is to say no more. You let loose the need to understand or master or make meaning of brutality. You lay a thing to rest, which was everything it took to come from there to here. You taste and see and know that it, this flesh and fought for freedom and the home that is her, it is good.
33. Stop finishing books you don't like. Or eating to the end of a meal of food you don't like. Or wearing clothing you don't like (just because it's in your wardrobe, doesn't mean you like it. So you can stop wearing it. Or give it away to someone who does and stare there at your closet with only four hangers dressed with black and fringe and flannel, and a pile of torn jeans, and know that you live now in what is loved.) Stop completing and competing in conversations that have no ending because they are really arguments or attempts at control. Stop telling yourself will do things that you really won't ever do. Because you don't want to. And you don't like them. And they only serve to weigh heavy on the paper of the list of to do's, so you can just not do them and cross them off and call it complete and never write them down again.
34. After trying things on and working around other's ideas and ideals. After playing with possibilities and bending your back to become the shape of another's unarticulated longing unaccepted in themselves and offered out to you. After setting up house and putting placemats on the table and then hearing your voice again, clear. After this, you will stop trying to do it, life, by someone else's rules or ways. You will no longer ask yourself to huddle down and limp along and hope the hurt later leaves. You will no longer pathologize your own want and need and the names you choose for love. You will feel the words come, different and altered and fully now your own.
35. You are the only one who can live your life for you.
36. You can trust yourself,
You can trust yourself.
You can trust yourself.
37. Let others have their own experiences. Their own opinions and ideas and stories about you. Their own needs and unanswered questions and knotted memory. They are allowed. It doesn't mean they are yours or need to be yours. So let them have what is theirs. Respect them enough to take radical responsibility for their own lives. And tend to the arrow in your heart. Love yourself hard and well. Nourish your hunger. Honor your own exquisite boundaries. Take good care.
38. This is your one life, your own life. Choose what feels good.
39. You can and will learn new things. Even well past the point when you thought it was possible. You will take flying lessons and see the city lights grow small and then fade to a dark sky and open air. You will learn new sleep patterns and discover the cadence of your own language between soft sheets and the piles of inked paper. You will, decades after you had decided it was meant for you, run your hands across exposed brick and call it home. You will wake to realize that there are entirely new experiences that you will at the age of 39 turning forty, only now enter into, undone and set right inside. You will be surprised, not by the bad thing that was always waiting but the impossible possible. This falling. This whole body knowing. This safety. This unforeseen adventure. This love that gives you back your whole self.
40. And after everything you've known and survived and held hesitantly in your large hands, your hunger and hope fragile as spider webs and strong as a hawk's wings stretched wide. After this, you will only be able to locate yourself in the word lucky. Because here you are, all the constellations of things leading you to this. Not a plan or a purpose or divine intervention. Not because it was meant to be or forever fated. But this. Your life. And you are still here.
So open the drawer that once housed all the things you would never speak. Pull out the deck of cards that was your origin and everything you could not choose, all the odds against you. Splay them out in any and every order. Watch their faces find rest and their mouths spill secrets and wisdom. This, they say. Here, they say. Now. You. Her. Say yes. All things safe and found. All things made new.


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Giselle Joffre is a partner in Foley Hoag's Litigation Department, specializing in white collar criminal defense, corporate internal investigations, compliance consulting and complex civil litigation. Giselle advises clients in government investigations in the healthcare and financial services industries, including civil investigations arising from violations of the False Claims Act, federal grand jury investigations into alleged corporate fraud and Securities and Exchange Commission investigations.
Prior to joining Foley Hoag, Giselle was an Assistant U.S. Attorney within the Civil & Criminal Divisions of the U.S. Attorney's Office in Boston for four years, where she conducted federal grand jury investigations, secured indictments and negotiated plea agreements for various felony charges, including bank fraud, government benefits fraud, identity theft and public corruption. She secured felony convictions after successful jury trials, including convictions for wire fraud, mail fraud, money laundering, tax fraud and attempted extortion.More »


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Paul Gascoigne's 22-year-old nephew has been found dead after a battle with addiction which left the Gateshead man feeling "trapped."
Jay Kerrigan's body was found in Warwick Court, Gateshead . Paramedics were called to the block-of-flats at around 12.30am on Saturday.
Jay's mum, Anna, is the sister of former England star Paul Gascoigne . Jay lived with her, his sister Harley and stepdad Michael in Warwick Court.
The admin worker, who was employed by Groundwork North East, had posted messages detailing his troubles with addiction and attempts to conquer it.
In January, he wrote: "Addiction is a disease, I was born with it. I haven't smiled in years, I feel trapped. For heavens sake I've just came out of emergency heart surgery and now I'm back on it again."
His stepfather, Michael, posted a tribute to Jay on Facebook.
It said: "Broken hearts you've left behind, peacefulness you have found, stay safe our shining star, our beautiful son your never far."
Hundreds of message supporting the family have been posted on social media pages.
His mum posted several pictures of Jay on Facebook after the news of his death broke. In reply, friends offer their condolences to the devastating news.
Jay's cause of death is not known but police do not believe anyone else is involved.
In 2013, a 19-year-old Jay made a passionate plea supporting his famous uncle in his fight with alcoholism.
Also read: Friends pay tribute to Gazza's nephew Jay Kerrigan described as the "nicest guy ever"
He said: "People have said he is in the last chance saloon. But I really think he can pull through again.
"He has to surround himself with good people – maybe he has not always done that in the past – and I just hope and pray he will be better soon."
"My grandma is really against alcohol, Paul has had a bad life with it and she is quite vocal about that."
"I know grandad feels the same way, Paul is his son and he just wants him to get better, he knows we are all here for him."
Gazza posted a series of emotional tweets this morning, where he said the news of Jay's death has brought him to tears. He added he is going to seek help for his own addiction problem.


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Want to work with Mechworks?
With a swift growth in our customer-base, we are looking for a technical individual with a dynamic personality to join the MechWorks Professional Support Team.
Bologna, Italy
Software support engineer
- good knowledge of spoken English language
- good knowledge of CAD applications (Dassault Solidworks, Autodesk Inventor, Siemens Solid Edge)
- knowledge of Mechworks PDM application is appreciated
If you're interested in such an opportunity, please contact us:
+39 051 582294 (tel)
+39 051 582256 (fax)
info @ mechworks.com (email)


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|01 Oct - 30 Apr
Based in the bustling capital, Reykjavík, embark on a series of exhilarating 4x4 excursions designed to get you to the heart of South Iceland's natural wonders. Modified with huge tyres to take on Iceland's challenging rugged terrain, Superjeeps are built for adventure. Get off-the-beaten-track and hunt for the mystical northern lights before discovering the waterfalls, geysers, and black volcanic beaches of the spectacular south.
Price Includes
Price Excludes
Price Notes
Please note that the maximum number of passengers per Superjeep is 7
|Itinerary Dates
01 Oct 2018
30 Apr 2019


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We just love the beauty, energy, and love that was infused throughout Angela and BJ's wedding day. We captured the affair in HD and vintage Super 8, and put together this super fun highlights montage (which happens to have one of my favorite endings ever.) As you can see, these two are perfect for each other, and along with their daughter Addy (and another one on the way) they make a happy new family!
Angela said, "We received our videos and it's all AWESOME!!! Loved everything about it. Thank you again for all you guys did for our wedding. It was so much better than I could have imagined!! We are so grateful for the memories you've preserved for us forever :)"
Venue: Villa di Felicita
Photographer: Alex M Photography
Florist: La Tee Da
DJ: CMB DJ's
Uplighting: Tyler Uplights
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Monday, December 2, 2013
Angela & BJ's Highlights in HD & Super 8 | Tyler, TX Videographer
Posted by Vanessa McKellar at 1:03 PM
Labels: East Texas, Super 8, Wedding Videography
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All your senses say one thing, but New York City marathon favorite Deena Kastor says another.
Seeing her effusive smile plastered on city subways and buses, hearing race director Mary Wittenberg say a title Sunday would elevate Kastor from marathoner to crossover star, it's clear if the 33-year-old Californian becomes the first U.S. female winner here since 1977 that she'd invigorate the sport.
But Kastor has no plans of being a marathon pied piper, and she isn't gunning for a fast time as she has in every race since her marathon debut here in 2001.
The reigning Chicago and London marathon champ has just one goal: victory.
"I'd never put that type of pressure or obligation on myself that I can make that great of a difference. The pressure is just from an internal desire to win," said Kastor, who hired strength coach Dennis Kline and has been logging 130 miles a week at 8,025 feet altitude in Mammoth Lakes.
"I was strictly . . . watchobsessed, time-oriented.
That's behind me. I've had a goal since my first marathon to come back here and win. It's very important to me. This is the year to do it." Clearly. In the last year, she's won Chicago and London (2:19.36), smashing her own U.S. record and becoming the fourth-fastest woman in history. She had little left to win – except arguably the toughest marathon of all.
"When it came down to it, I wanted to win this race.
I'd won Chicago last year. I had everything to lose by going there, but here I just had something to gain," said Kastor.
"It's an extraordinary stage, streets lined with people celebrating running, one of the most enthusiastic starting lines. The race has such rich history. Marathon weekend is one of the most memorable times in the city; to win would be even more special."


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Florartistry Dies by Sharon Callis, 70 great sets to choose from, in 10 collections,
Blooming Borders, Centre Stamen, Christmas Classics, Elegant Embossing Folder, Floral Finishers,
Floral Foliage, Folding Floral, Petal Paper, Sentiments and Winter Foliage.
Florartistry is a brand new range of exciting and innovative crafting products which are launching
this Summer in the UK. Whether you're new to crafting or a seasoned professional there is something for everyone. We're proud to be able to offer these products and watch both the products and company flourish.
Florartistry Dies can be used in most leading die cutting machines; Grand Calibur by Spellbinders,
Cuttlebug by Provocraft, Big Shot by Sizzix and eBosser by Craftwell.
Florartistry Craft Dies Cut, emboss and stencil with a single die template.


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Drake University Community School of Music
Information on Hearing Protection for Faculty & Staff
First Read to Stellar Performance
June 25-29, 2018
This summer Drake University will offer a course for elementary and secondary music teachers who want to help their students to read pitch and rhythm confidently, develop beautiful tone, and sing expressively.
The course utilizes a cooperative learning format and guided practice to assist teachers in gaining the skills they need to help their students to become independent and expressive musicians.
Questions? Contact Dr. Aimee Beckmann-Collier at: email@example.com or 515-271-2841.
October 1, 2018
Drake hosts woodwind, brass, percussion, and string players for Instrumental All-State audition preparation. Music department faculty will assist students in performing scales, prepared music, and solos for the audition. Students should come prepared to perform the material to enhance the coaching of tone, technique, and musicality. This event is free for all high school students who attend.
For more information, contact Leslie Marrs.
Drake University Honor Band Festival
The Drake University Honor Band Festival provides outstanding high school musicians with the opportunity to work with our nation's finest conductors in select band settings. During the two-day festival, students and directors develop their skills through rehearsals and clinics with guest conductors and members of the Drake music faculty. The culminating events are the two evening concerts that feature the Drake Bands and the Honor Bands presenting a wide variety of the finest music for wind band. The Honors Concert Band and Honors Wind Ensemble are comprised of over two hundred students from throughout Iowa and Nebraska. These students are among the finest in the nation.
For more information, contact Drake University Bands or call 515-271-3164.
Drake University Honor Jazz Band Festival
February 5, 2019
The Drake University Honor Jazz Band festival is an annual opportunity for the most talented students from high schools around the region to play together and work with the respected jazz musicians on the Drake University faculty.
The Bulldog Horn Day provides an intensive and insipiring all-day clinic for high school horn students. Horn students will dig into all facets of becoming a better player with exercises and technique tips, an opportunity for solo performance in a master class, new horns to try courtesy of Rieman Music, and horn ensemble rehearsals culminating in the Bulldog Horn Concert in the Turner Jazz Center.
For more information, contact Guinevere McIntyre.
Adventureland Festival of Bands
From its inception by festival founder, Drake University Director of Bands, Emeritus, Don Marcouiller in 1980, the Adventureland–Drake Relays Festival of Bands provided school bands of all levels the opportunity to perform for, and be critiqued by America's most outstanding band conductors and composers. Don's contributions to the continued growth and development of the festival, his tireless dedication to the field of instrumental music education and his unwavering commitment to the band medium are embodied in this festival.
Robert Meunier, Director of Bands at Drake University, now coordinates the high school festival under a new title, Adventureland Festival of Bands. Inquiries about the high school portion of the festival should be directed via email to Robert Meunier or call 515-271-3963.


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This Category has no FAQ yet
Why Calligraphy? (From WedAlert.com - How to hire a Calligrapher)
This Category has no FAQ yet
Calligraphy comes from the Greek words 'kallos', meaning 'beauty', and graphẽ, meaning 'writing'. In short, it's the art of beautiful writing.
How long have you been doing calligraphy?
I've been doing calligraphy since about 1988.
I leared from an artist friend. After practicing on my own for a while, I studied under an expert calligrapher that taught at the local school.
Are there people better than you?
Everyone has their favorite lettering styles and fonts. The more you use it, the better you get at it. Ultimately, it's up to he or she that interprets the work to decide who did it better.
How do you classify perfection when it comes to calligraphy?
As far as calligraphy is concerned, there is no such thing as perfection. The best part of hand-lettered items is the 'imperfections' in the work. That's what makes it so unique and personal. The actual technique varies from person to person. Just like in any art, the individual alphabets or lettering fonts are 'interpreted' differently by each person that pens it. Everyone tends to add his or her own style to the font and it can change with the 'mood' of the person with the pen.
Why Calligraphy? (From WedAlert.com - How to hire a Calligrapher)
Your invitation is a prelude to your wedding. It sets the tone for your whole day. A calligrapher can help you achieve the look you desire by writing in a style that can fit with your theme. As the bride, you decide the impression you want to make. The calligraphy on the envelope helps set the mood for your wedding. Beautifully addressed envelopes or handwritten calligraphy place cards tell your guests, 'I thought about you today'. Your guests will know that you put that extra work into making a special impression. Many of your guests will keep the artwork as a souvenir of the time they had at your wedding.
How do I choose a calligrapher?
It is important to keep in mind several things when choosing a calligrapher,. The first of these is cost. It may be more economical to hire a calligrapher to design one copy of your menus or invitations to be printed rather than having each handwritten. You may also choose a calligrapher to do just your place cards while you handwrite the addresses on your invitations yourself (or have a friend help out!). Your budget will dictate how much you are able to do. The cost is only the first thing to take into consideration.
If you are interested in using a calligrapher, the second thing to keep in mind is the time involved in completing your project whether it be invitations, place cards, menus or everything for your wedding day; as with any art form, calligraphy takes time so it is important to take that into consideration when choosing your invitations or even earlier. Wedding invitations should be mailed at least 6-8 weeks before your wedding and the calligraphy itself may take anywhere from 1 week per 100 invitations or more (especially from January to May and again from July to September, in particular) depending on the calligrapher. Many calligraphers may be booked up and unable to accommodate you if you wait until the last minute to book them (or charge rush fees that will increase all of your overall costs!). The best advice is to start to look for a calligrapher at least as early as you start to look at invitations (not waiting until you actually order them!).
The third thing to keep in mind when choosing a calligrapher is to know what you want and be sure to ask for samples from everyone. It is tragic when you hire someone to address the envelopes that you so carefully chose to set the tone for your whole day only to realize once they were complete that they were not anything at all like you expected! This, in part, goes back to the cost. A cheaper calligrapher who is does not have pretty handwriting or uses pens other that what you expected may end up costing you more in the long run if you have to re-order all new envelopes because the writing was not at all what you expected! Look at their portfolio, ask how they got started in the business, how long they have been doing calligraphy and discuss your vision and be sure the person is on the same page as you. Some calligraphers may only be proficient in a few styles, none of which fit your specific needs while others may be able to scribe in a wide enough variety of styles to design a custom style for your whole wedding.
How do you find this calligrapher that is right for you?
Ask for referrals from your wedding consultant, paper and invitation retailers, or from other brides who have used calligraphers. In addition to this, many bridal websites have links pages, which will take you directly to calligrapher websites. It is important to make informed decisions and get the calligrapher that is right for you. When talking about adding the special touches that make your day memorable, not only to you but to all of your guests, the calligrapher you choose is someone you want to be able to trust to make your dream day a dream come true!
It's Easy! The best way is to email us at [email protected], call us at 732.423.2706, or use the "Contact Us" form on the tab above.
How much do you charge for your services?
Fees are based on your specific needs. There is a base fee of $20.00 for any service. Contact me for detailed pricing for your calligraphy needs. We can work with you on pricing so that we can stay within your budget.
Do you supply the paper items needed for your services.
It all depends on what we will be doing for you. Normally, you would provide the invitations, envelopes, etc. If we're doing a custom item, we have a variety of parchments available.
Can I chose the ink color for my items.
Yes, you can chose the ink. We keep a stock of basic colors. If your color is available and we don't have it, we will order it for your items.
What kind of items do you letter?
We letter certificates, address invitations for weddings, birthdays, anniversaries, and we do custom items. Some great gift ideas that we like is lettering a significant meaningful quote from history (from famous and not so famous people) and framing it for display. They make great conversation pieces.
What's the turn-around time on your services?
The turn-around time will depend on the services to be done. Smaller items will obviously be quicker than larger ones. On average, lettering services can take about a week. If you're in a pinch, we can put a rush on your item.


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A modest watcher of the US healthcare system over the past decade would fairly state that developments within the US healthcare system was a net result of interplay between physicians and hospitals on one side, and the economic conditions that prevailed in the US over time. Physicians and hospitals had the upper hand earlier but economy prevailed later on that a conflict has risen between the two and seemingly hasn't stopped till the present time.
When was the birth of the first health insurers?
During the 19th and early 20th century, the term healthcare hasn't been even popular yet. It was only "medical practice" and it only included physicians and their patients. Physician services were simple, and their fees were confidential. Doctors were able to set their fees straight. They also were able to adjust fees according to the financial ability of their patients, and moreover, collected their own bills. All that led to a strong and long term relationship with patients, but all that was about to change.
What is health insurance?
One of the earliest changes to that "closed system" was the evolution of some methods of what was called "sickness insurance", where some amount of money was put to support a sick person whenever his/her income got interrupted by accidents, illnesses or disabilities. That social insurance was sometimes done through work, syndicates, unions or commercial insurance companies. First, it was provided for the person earning the wage, but later it included his/her beneficiaries and household. The need for such insurance increased around the time of World War I, when occupational hazards were going up, and poverty of many families with a single provider suffered a lot with the diseases or disabilities of its sole provider, not to mention that most of these families were not able to afford healthcare to begin with.
As with everything that starts as a passion and grows as a need, this health insurance coverage grew slowly in the US, was initiated in Europe and apparently grew faster in Europe than in the US, that a trend was growing fast to make it mandatory. Luckily, World War I reduced public pressure that was rising to make it so. Given the other fact that every action must have a reaction, the most offended people by such an intrusion to their closed system - the physicians - attacked the idea of mandatory health insurance. They feared it would affect their incomes, given that their financial security was already shaken by the economic depression of 1929.
When was the US health insurance authority unleashed?
In 1934, the American Medical Association (AMA) published this statement: "No third party must be permitted to come between the patient and his physician in any medical matter". It looked credible, but when the economy is suffering and your income is no longer enough to pay the bills, something has to be done. So, hospitals began to try insurance plans for the first time.
There is an old Egyptian saying that whoever succeeds in summoning the demon is the one who should be tasked to dismiss it. I guess if that saying can be applied to anything, it should be applied to whoever thought of health insurance plans. Although they started up as a social support to the poor and the unable, it grew to be a major consumer of the country's national domestic product. In the mid-60s, it consumed about 7% of it and in 2011 it consumed about 17% of the US GDP (Gross Domestic Product), but let's go back to where it started to see what was involved in summoning the demon.
It all started during the great depression when doctors and physicians incomes were declining around the year 1929, that a system for economic support was needed to provide support for the sick and the disabled during their period of treatment when they had practically zero income, and at the same time would pump some money in the dry veins of hospitals that suffered from decreased patients as well. The solution was offered by society, but the opposition was from the physicians themselves, and the trend or the compromise was to let the government handle the proposal in its own way, and maybe that is what summoned the demon. What was the demon? We'll find out.
First, a plan was suggested from a Baylor who worked in the University hospital at the time. It was the most popular of the health insurance plans because it was the most comprehensive one. Under that plan, and for a few cents a month, you can be covered for a total of 21 days in a health care facility without paying a dime. Soon other hospitals followed, and by the time it was 1937, about 600,000 patients were enrolled in such plans, that the AMA at the time - which was composed of many physicians - declared an announcement saying that providing healthcare in such a manner wasn't healthy for the confidentiality of the doctor-patient relationship and was a threat to the medical profession as a whole. Physicians were willing to accept those plans if the government - not society - was to take the upper hand in its regulation.
From the 1930s onward, the trend towards making the government actually sponsor health insurance has had its ups and downs, till it finally paid off when Medicare and Medicaid legislations were passed in 1965, where government based insurance were granted to the elderly and the medically disabled. Moreover, to curb the ever rising health insurance proposals especially around World War II, and to emphasize the government role in providing the upper hand in health care, the government began to financially support physicians and hospitals' infrastructure. It built more healthcare facilities and improved doctors' research potentials. It gave a huge boost to the private health insurance industry by excluding health insurance benefits from wage and price controls and by excluding workers' contributions to health insurance from taxable income. The effect was to encourage health insurance for employees as fringe benefits rather than cash.
In the following blogs, we will discover together how the early solutions of the US government to the early healthcare problems played both direct and indirect roles in the shaping of the current US healthcare system.
(1). Numbers RL. The third party: health insurance in America. In: Vogel MJ, Rosenburg CE, Eds. The Therapeutic Revolution: Essay in the Social History of American Medicine. Philadelphia: University of Pennsylvania Press; 1979.
(2). Starr P. Transformation in defeat: the changing objectives of national health insurance, 1915-1980. In: Kindig DA, Sullivan RB, Eds. Understanding Universal Health Programs, Issues and Options. Ann Arbor, MI: Health Administration Press; 1992.
(3). Leland RG. Prepayment plans for hospital care. JAMA. 1933;100:113-117.
(4). Lee PR, Benjamin AE. Health Policy and the politics of healthcare. In: Lee PR, Estes CL, Eds. The Nation's health, 4th ed. Sudbury, MA: Jones and Barlett; 1994.
US health Insurance - sickness insurance
Wow ! Excellent information about history of US Health Insurance and evolution . Thanks for sharing history and evolution in lucid way. Like Egyptian saying, we have same in India . But some times if the person who invoked demon is not strong enough he can not recall . Eventually it will harm him.
Looking forward to read facts about US Health Insurance evolution in your blogs
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health insurance
Dr Amr,
I do agree about US fighting nature. They have so many up and downs (financially) and most of the times they rebound impressively . The way they learn from their mistakes is something to praise and sometime it takes too much time to fix the problems also....
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Children's White bedroom furniture, Selecting your Children's bedroom is a difficult matter, as you want to choose it suitable for all his stages of growth. Setting your Children's White bedroom furniture can make you decorate the room with different styles, colors, photos and decorations, as it shown in the pictures below.
As children grow fast, you need to change their bed, but keep children's white bedroom furniture as white wardrobe, drawers and white table. Our children need special care and attention by allowing more security and safety measures to be considered in their bedrooms.
We introduce you a group of pictures that show some Children's White bedroom furniture products that have a custom touch that you won't find better products in the market. These designs create wonderful mood for children and give parents the chance to show their love and care for their little angels.


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A "green cleaning" guide for facilities managers makes the business case for a green cleaning program, according to the International Facility Management Association (IFMA), which published the guide.
The guide, Sustainability How-to Guide: Global Green Cleaning, was originally published in 2009 and updated in 2011. It has been updated again to reflect recent changes and industry trends and is available for free download.
It examines green cleaning from a facility management perspective, providing the tools needed for facility management professionals to understand the benefits and make the business case for a green cleaning program. The guide also addresses the need for a more widespread use of green cleaning practices as well as the steps involved in implementing such a program for many different organization types.
Topics covered include: greenwashing, green cleaning equipment, product and service providers, and the effects on indoor air quality and occupant health. With a detailed overview of the implementation process and real-world examples, the 74-page guide can help facilities managers develop and implement a comprehensive green cleaning program, IFMA says.
In addition to having a smaller environmental impact compared to their traditional counterparts, green cleaning products can improve occupant health and wellness — and drive business benefits such as improved employee productivity.
Zero-VOC products, for example, mean building occupants aren't exposed to these chemicals that can irritate eyes and cause central nervous system damage.


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Photos are Posted 2012 29th Annual Suncoast Super Boat Grand Prix, Sarasota FL
Photos are posted of Saturdays pit events, boat tests and bikini contest on June 30, 2012 at the Suncoast Grand Prix, Super Boat Offshore Powerboat Race in Sarasota, Florida
Team Kilt Offshore Race Team heads out for a test run offshore of Sarasota on Saturday.
It was an unfortunate day for the Miss Geico racing boat and crew pictured at the end of a successful test one in Sarasota, Florida. Sadly, the Miss Geico boat caught fire while on her second test run off the coast on Saturday. Luckily the crew was not injured.
Almost 30 lovely ladies entered the bikini contest at the Suncoast Grand Prix on Saturday to the enjoyment of a packed crowd despite the extreme heat and humidity
Keywords: aerial, beach, bikini, boat, boats, championships, coast, contest, extreme, fastest, fl, florida, geico, grand, high, miss, offshore, performance, power, powerboat, prix, race, racing, sarasota, sbi, schedule, series, suncoast, super, superboat, supercat, water
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Shopbop is having Friends & Family sale that ends tomorrow. Use the coupon code WEAREFAMILY13 for 20% off your order! They offer free worldwide shipping and free returns in the US.
Most of these items are in my cart and those that aren't are sold out in my size/colour, but I thought I should still share for those curious. : )
Club Monaco Leigh Sweater | Club Monaco Elsa Moto Jacket | T by Alexander Wang Pocket Tank | Zoe Karssen Live Fast Tee
For those who appreciate my love for Cheap Monday jeans, here's your chance to pick up a pair of their (already affordable) denim!
Cheap Monday Jeans | J Brand Vera Coated Skinny Jeans | ONE by Boundary Leather Skirt | Free People Studder Rocker Shorts
Little Dictionary of Fashion | Felix Rey Rain Rain Go Away Umbrella | Jules Smith Americana Classic Bangle | Sam Edelman Petty boots
There are a lot of items in my cart right now, but I'm leaving them there overnight to see which ones sell out and/or if I change my mind in the morning. : )
The Petty boots aren't currently in my cart because my pair from two years ago are still in perfect condition. I added them to this list because I highly recommend these boots. They are extremely comfortable for walking and I would buy them again 100% - even at full price.


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Welcome, class of 2018!!
New Scholarship Deadline!
Scholarship applicants! Due a high number of requests this year, we are moving our deadline for scholarship applications up to July 15. Please apply soon to secure your spot!
New EVYS sweatshirts at 5PL!
We have a limited number of these great sweatshirts available at 5 Points Local so get yours now! More EVYS swag coming soon.
Important Dates for the 300 hour Advanced Teacher Training
211 Patterson Ave.
San Antonio, Texas 78209
Check out the 300 hour training tab for program dates and registration materials! We hope to see you soon!
EVYS alumni from the past 9 years gathered to honor Emilie Rogers, founder and past director of EVYS. Emilie shared EVYS history with us and paid tribute to the original mother of yoga in San Antonio, Esther Vexler. We also enjoyed amazing food courtesy of our home, 5 Points Local. Thanks to everyone who came out and made it a memorable evening!
We have all experienced the benefits of yoga - in mind, body and breath, yet many of us cannot say exactly how and why yoga works. Join us for this informative workshop exploring the many benefits of yoga on the brain, the nervous system, musculoskeletal system, and more. Continuing education hours are available for yoga teachers - but you don't need to be a yoga teacher to attend! This workshop also counts as 2.5 hour anatomy elective in the EVYS 200 hour teacher training program.
With EVYS Director Dr. Stephanie Carter, ERYT and EVYS faculty and board member, Kayleigh Miller, ERYT.
Join us! 3:00-5:30 Saturday, May 21 at 5 Points Local, 1017 N. Flores Street, San Antonio TX 78212. $40
September 2017