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Beilharz, K. (2017) Music Remembers Me. HammondCare Media, ISBN 978-0-9945461-1-1.
Book Chapters
Kirsty Beilharz, 'Grace and Nurture: Connecting and Engaging through Music in Dementia Care' in Doru Costache, Darren Cronshaw, and James R. Harrison (Ed.s),
Wellbeing, Personal Wholeness and the Social Fabric: An Interdisciplinary Approach (Cambridge: Cambridge Scholars Press, 2017, ISBN-13: 978-1-4438-9858-4) pp. 184-208.
Mills, Roger & Beilharz, K. (2013) 'The Network Unveiled: Evaluating Intercultural Musical Interaction in Telematic Improvisational Performance' in Candy, L. & Edmonds, E. (Ed.s) Art Evaluation and HCI, Springer, accepted 14/02/13.
Beilharz, K. (2012) Chapter 15: 'Information Engagement through Interactive Sonification Design' in Gu, N. & Wang, X. (Ed.s) Computational Design Methods and Technologies: Application in CAD, CAM and CAE Education, IGI-Global, DOI: 10.4018/978-1-61350-180-1.ch017, pp.299-318.
Beilharz, K. (2006) 'Sonic Islands' in (Ed.) Joanne Jakovich, Cuttings: Urban Islands Vol.1, University of Sydney Press, pp.73-87, ISBN 1-920898-55-7.
peer reviewed Journal Papers
Mills, R. & Beilharz, K. (2012) 'Listening through the Firewall: Semiotics of Sound in Networked Improvisation' in Landy, L. (Ed.) Organised Sound: An International Journal of Music and Technology, Volume 17, Issue 01, Special Issue 'Networked Electroacoustic Music', Cambridge Journals, Cambridge university Press, pp. 16-27.
Beilharz, K. (2011) 'Embodied music controllers: Cyborg precision for gestural interaction' in Social Semiotics Journal, Special Edition 'Touch', Taylor and Francis, DOI:10.1080/10350330.2011.591997, pp. 547-568 (Available online: 27 Sep 2011).
Ferguson, S., Beilharz, K.A., and Calo, C.A. (2011) 'Navigation of interactive sonifications and visualisations of timeseries data using multi-touch computing' in Hermann, T., Bresin, R., and Hunt, A. (Ed.s) Journal on Multimodal User Interfaces, Springer http://www.springer.com/computer/hci/journal/12193, JMUI-D-11-00018R1 (24/10/11).
Beilharz, K.A. (2008) 'Interactive instrumental performance and gesture sonification' in SCAN Journal of Media Arts Culture Vol 5 Number 3 December 2008 edited by Anne Cranny-Francis (ISSN 1449-1818) online http://scan.net.au/scan/journal/display.php?journal_id=122
Beilharz, K. & Vande Moere, A. (2008) 'Sonic drapery as a folding metaphor for a wearable visualization and sonification display' in Visual Communication, Vol. 7, No. 3, 271-290 (2008) DOI: 10.1177/1470357208092320 ©2008 SAGE Publications. Abstract / TOC.
Song, H.J. & Beilharz, K. (2007) 'Concurrent Auditory Stream Discrimination in Auditory Graphing' in NAUN International Journal of Computers, Issue 3, vol.3 no.1, ISSN: 1998-4308, pp.79-87. http://www.naun.org/journals/computers/ijcomputers-13.pdf
Jakovich, J. & Beilharz, K. (2007) Interaction as a Medium in Architectural Design, in Edmonds, E. (ed) 'Transactions', Leonardo: Journal of Art, Science and Technology, MIT Press, pp.368-9.
Jakovich, J., Beilharz, K., & Echanove, M. (2006) 'Symbiosis between Participation and System Design: From Interactive Art to Urban Development' in CoDesign, Taylor & Francis, vol.2 no.4, Dec. 2006, pp.249-257, U.K. DOI: 10.1080/15710880601008067.
Beilharz, K. (2004). Designing Sounds and Spaces: Interdisciplinary Rules & Proportions in Generative Stochastic Music and Architecture, Journal of Design Research, 4 (3): http://jdr.tudelft.nl/.
Beilharz, K. (2001). www.Pandora's Box: Music Publishing on the Internet, Sounds Australian, Journal of the Australian Music Centre: pp. 28-29 & 36-37.
Beilharz, K. (1999). What Lies in the Crystal Sphere of Contemporary Australian Music?, Sounds Australian, Journal of the Australian Music Centre, 54: 4-5 & 43.
Beilharz, K., Morgan, M. and Cohen, A. (1996). Improvisation, Sounds Australian, Journal of the Australian Music Centre (Winter).
Beilharz, K. (1995). Composition Credo, Sounds Australian, Journal of the Australian Music Centre (Winter).
Beilharz, K. (1994). Is there a Women's Aesthetic in Musical Composition?, Sounds Australian, Journal of the Australian Music Centre (Summer 1993-1994).
Beilharz, K. and Atherton, M. (1993). Tradition in Transition. From Dow to Vatiliotis: An Exploration of the Personalities Behind Two Distinctly Diverging Trends in Australian Lutherie. The Strad Magazine: International Journal of Lutherie and Stringed Instrument Performance, Orpheus Publications, U.K.
peer reviewed Conference Papers
Beilharz, K. & Martin, A. (2012) 'The "Interface" in Site-Specific Sound Installation' in Proceedings of the New Interfaces for Musical Expression Conference, Ann Arbor MI, USA, 20-23 May 2012.
Martin, A. & Beilharz, K. (2012) 'Windtraces: Accessible Sonic Art' in Proceedings of Apple CreateWorld Conference, Brisbane 2011, AUC, in press 31/1/12.
Haeusler, M. & Beilharz, K. (2011) '[Architecture = Computer] – from computational to computing environments' in Proceedings of CAAD Futures, Liège, Belgium, 6-8 June 2011.
Haeusler, M., Beilharz, K. and Barker, T. (2010) 'Interactive Polymedia Pixel and Protocol for Collaborative Creative Content Generation on Urban Digital Media Displays', International Conference on New Media and Interactivity, Istanbul, Turkey, 28-30 April 2010.
Beilharz, K., Vande Moere, A., Stiel, B., Calo, C.A., Tomitsch, M., and Lombard, A. (2010) 'Expressive Wearable Sonification and Visualisation: Design and Evaluation of a Flexible Display' in Proceedings of New Interfaces for Musical Expression, Sydney, Australia, 15-18 June 2010, 323-326.
Martin, A., Ferguson, S. and Beilharz, K. (2010) 'Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback Control', in Proceedings of New Interfaces for Musical Expression, Sydney, Australia, 15-18 June 2010, 364-367.
Nugroho, J. and Beilharz, K. (2010). 'Framework for Understanding and Evaluating User Centred Design in Wearable Expressions', in Proceedings of New Interfaces for Musical Expression, Sydney, Australia, 15-18 June 2010, 327-330.
Beilharz, K., Ferguson, S. (2009) 'An Interface and Framework Design for Interactive Aesthetic Sonification' in (Ed.s) Aramaki, M., Kronland-Martinet, R., Ystad, S. & Jensen, K. Proceedings of the 15th International Conference on Auditory Display, Copenhagen, Denmark, May 18-22, ISBN 978-87-7606-033-6, http://www.icad.org/Proceedings/2009/BeilharzFerguson2009.pdf
Beilharz, K.A., Ferguson, S. (2009) 'An Interface and Framework Design for Interactive Aesthetic Sonification, in Proceedings of the 15th International Conference on Auditory Display, Copenhagen, Denmark, May 18-22, 2009, pp.232-239.
Ferguson, S., Beilharz, K.A. (2009) 'An Interface for Live Interactive Sonification' in New Interfaces for Musical Expression (NIME), Carnegie Mellon University Pittsburgh PA, 4-6 June, pp.35-36.
Beilharz, K.A. (2009) 'Gesture Sonification in Interactive Instrumental Music Performance' in Hawaii International Conference on Arts and Humanities, Jan 9-12, Honolulu HI, proceedings.
Beilharz, K.A. and Ferguson, S. (2009) 'Aesthetic Sonification Toolkit for Real-time Interaction with Data' in Hawaii International Conference on Arts and Humanities, Jan 9-12, Honolulu HI, proceedings.
Nugroho, J. and Beilharz, K.A. (2009) 'Wireless Gamelan (Spatial RFID Cyborg Sonic Interaction)' in Hawaii International Conference on Arts and Humanities, Jan 9-12, Honolulu HI, proceedings.
Song, H.J. and Beilharz, K.A. (2008) 'Aesthetic and Auditory Enhancements for Multi-stream Information Sonification' in DIMEA 2008 3rd ACM International Conference on Digital Interactive Media in Entertainment & Arts, Athens Greece.
Song, H.J. and Beilharz, K.A. (2008) 'Information Sonification Changing the Culture of Communication' in Young Investigator's Forum on Culture Technology 2008, August 22-24 KAIST, Korea.
Song, H.J. and Beilharz, K.A. (2007) 'Exploration of Spatialization and Timbre towards Effective Divided Attention in Auditory Graphing' in 8th WSEAS (World Scientific and Engineering Academy and Society) International Conference on Acoustics and Music: Theory and Applications (AMTA '07), Vancouver, Canada, June 19-21, 2007, pp.18-26.
Song, H.J. and Beilharz, K. and Cabrera, D. (2007) 'Evaluation of Spatial Presentation in Sonification for Identifying Concurrent Audio Streams' in ICAD (International Conference on Auditory Display), Montreal, Canada, pp.285-292.
Jakovich, J. and Beilharz, K. (2007) 'Adaptive Systems of Engagement: Art, space and cities' in Media Infinity: Taiwan-Australia New Media Arts Forum, Kuandu Museum of Fine Arts Taipei, Taiwan.
Beilharz, K. & Ferguson, S. (2007) 'Gestural Hyper Instrument Collaboration with Generative Computation for Real Time Creativity' in Fischer, G., Giaccardi, E., & Eisenberg, M. (ed.s) Creativity and Cognition Conference '07, Washington D.C. USA, ACM CHI Sheridan Printing, pp.213-222.
Jakovich, J. & Beilharz, K. (2007) ParticleTecture: Interactive Granular Soundspaces for Living and Entertainment, New Interfaces for Musical Expression (NIME'07) NYC, pp.185-190.
Jakovich, J. & Beilharz, K. (2006) 'From Audience to Inhabitant: Interaction as a medium in architecture' in Engage: Interaction, Art & Audience Experience - CCS / ACID Symposium, Creativity and Cognition Studios Press, pp.40-49, ISBN 978-0-9751533-4-5.
Beilharz, K., Ferguson, S., Song, H.J. & Cabrera, D. (2006). 'An Interactive Approach for Teaching Information Sonification' in Proceedings of International Conference of Auditory Display (ICAD), London, in press 21/03/06.
Cabrera, D., Ferguson, S., Beilharz, K. & Song, H.J. (2006). 'Using Psychoacoustical Models for Auditory Display' in Proceedings of International Conference of Auditory Display (ICAD), London, in press 21/03/06.
Beilharz, K. & Jakovich, J. (2006). 'Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument' in Proceedings of New Interfaces for Musical Expression (NIME), IRCAM, Paris, in press 20/03/06.
Beilharz, K. (2005). Integrating Computational Generative Processes in Acoustic Music Composition, in Edmonds, E., Brown, P. and Burraston, D. (Ed.s) Generative Arts Practice '05: A Creativity and Cognition Symposium, University of Technology Sydney, pp. 5-20.
Beilharz, K. (2005). Gesture-Controlled Interaction with Aesthetic Information Sonification, in Pisan, Y. (Ed.) The Second Australasian Conference on Interactive Entertainment, Sydney, pp. 11-18.
Beilharz, K. (2005). Wireless Gesture Controllers to Affect Information Sonification, in Brazil, E. (Ed.) ICAD, Limerick, Ireland, CD-ROM proceedings July.
Beilharz, K. (2005). Architecture as the Computer Interface: 3D Gestural Interaction with Socio-Spatial Sonification, in Duarte, J.P., Ducla-Soares, G. and Zita Sampio, A. (Ed.s) Digital Design: The Quest for New Paradigms - eCAADe Proceedings, Lisbon, pp. 763-770.
Jakovich, J. & Beilharz, K. (2005). A Framework for the Extension of Kinaesthetic Modality to the Design of Sensate Spaces, in Duarte, J.P., Ducla-Soares, G. and Zita Sampio, A. (Ed.s) Digital Design: The Quest for New Paradigms - eCAADe Proceedings, Lisbon, pp. 427-432.
Song, H. J. and Beilharz, K. (2005). Time-based Sonification for Information Representation, in World Multi-Conference on Systemics, Cybernetics and Informatics, Orlando, USA, pp.376-380. Best Paper Award in session: Image, Acoustic, Speech and Signal Processing.
Beilharz, K. (2005). Responsive Sensate Environments: Past and Future Directions: Designing Space as an Interface with Socio-Spatial Information, in B. Martens and A. Brown (eds), CAAD Futures, Springer Verlag; Vienna, pp. 361-370.
Beilharz, K. (2004). (Criteria & Aesthetics for) Mapping Social Behaviour to Real Time Generative Structures for Ambient Auditory Display (Interactive Sonification), in INTERACTION - Systems, Practice and Theory: A Creativity & Cognition Symposium hosted by The Dynamic Design Research Group, Creativity and Cognition Press, UTS, Sydney, pp. 75-102.
Beilharz, K. (2004). Interactively Determined Generative Sound Design for Sensate Environments, in Sound and Music Computing, in Sound and Music Computing Conference, IRCAM, Paris, pp. 193-200.
Beilharz, K. (2004). Building Intelligence – Ambient Visualization and Sonification in Social Sensate Spaces, in Proceedings of the 38th Australian & New Zealand Architectural Science Association (ANZAScA) Conference, University of Tasmania, Hobart, pp. 71-77.
Vande Moere, A. and Beilharz, K. (2004). Interaction Design for Smart Spaces – a Constructivist Design Studio, in Proceedings of the 38th Australian & New Zealand Architectural Science Association (ANZAScA) Conference, University of Tasmania, Hobart, 335-342.
Reffat, R. M. and Beilharz, K. (2004). A Framework of Semantic-based Agents to Support Designing in Virtual Environments, Proceedings of the 10th International Multimedia Modeling Conference '04: 167-172, IEEE Computer Society, Washington, DC, USA.
Beilharz, K. (2004). Designing Generative Sound for Responsive 3D Digital Environment Interaction, in CAADRIA'04 (Computer Aided Architecture Design Research in Asia), Seoul, Korea, pp. 741-757.
Beilharz, K. (2004). Interactively Determined Generative Sound Design for Sensate Environments: Extending Cyborg Control, in Y. Pisan (eds), Interactive Entertainment '04, Creativity and Cognition Studios, University of Technology, Sydney, pp. 11-18.
Reffat, R. M. and Beilharz, K. (2003). A New Perspective of Transforming the Use of CAAD in Designing the Built Environment, ANZAScA Conference, Faculty of Architecture, University of Sydney: 494-501.
Beilharz, K. (2003). Designing Responsive Sound for 3D Digital Environments, in S. Hayman (eds), Proceedings of the 37th Australian & New Zealand Architectural Science Association (ANZAScA) Conference, Faculty of Architecture, University of Sydney, pp. 117-130.
Beilharz, K. (2003). Designing Sounds and Spaces: Interdisciplinary Rules & Proportions in Generative Stochastic Music and Architecture, in N. Cross and E. Edmonds (eds), Expertise in Design - Design Thinking Research, Creativity and Cognition Studios Press, UTS Sydney, pp. 3-21.
Beilharz, K. (2002). A Design Collaborator for Implementation in Dynamic Creative Environments with Interactive and Reactive, Adaptive Situated Intelligent Response to a Human Designer, Proceedings of the SSAISB '02 'AI and Creativity in Arts and Science' Symposium ISBN 1 902956 27 2.
Beilharz, K. (2001). Observing Musical Composition as a Design Grammar, in J. S. Gero and M. L. Maher (eds), Computational and Cognitive Models of Creative Design V, University of Sydney, Sydney, pp. 39-65.
Beilharz, K. (2000). A Re-evaluation of Media and Intercultural Exploration in Recent Theatrical Works by Composers, Nicola LeFanu (UK), Liza Lim (Australia) and Kirsty Beilharz (Australia), in Musicological Society of Australia 23rd National Conference: Music as Cultural Interpretation, MSA, Sydney.
Beilharz, K. (1998). Presentation of Portfolio and Formal Analysis of 'Burning in the Heart of the Void', in Nouvel Ensemble Moderne Forum '98, NEM, Université de Montréal, Québec, Canada.
Beilharz, K. (1995). Analysis and Explanation of Chamber Work, Between Five Bells, in Gaudeamus International Music Week (Conference & Competition), Amsterdam.
Beilharz, K. (1993). Analysis of Composition, in Asian Composers' League International Conference 1993, Seoul, South Korea.
Beilharz, K., (2016) Australian Ageing Agenda February.
Beilharz, K., (2016) 'Engaging and connecting through music: enablement in practice' in Australian Journal of Dementia Care, Vol. 5 No.1 February/March, pp. 21-25.
Edited Proceedings
Beilharz, K., Johnston, A., Ferguson, S., and Chen, A.Y-C. (2010) Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME), Sydney, University of Technology, Sydney, Australia. ISBN: 978-0-646-53482-4 (printed proceedings, CD-ROM proceedings & available online http://www.educ.dab.uts.edu.au/nime/PROCEEDINGS/) 504 pages.
Workshop/Conference Papers
Beilharz, K. & Ferguson, S. (2010) 'Augmenting Musical Gesture in Interactive Electro-Acoustic Composition' in 5th International Conference on Multimodality (refereed abstract), UTS.
Beilharz, K., Ferguson, S. & Calo, A. (2010) 'Multi-Touch Gestural Interaction with Multimodal Data Representation' in 5th International Conference on Multimodality (refereed abstract), UTS.
Beilharz K., Bongers B., Vande Moere A. and Ferguson S. (2009) 'Aesthetic Wearable Interfaces for Multimodal Information Access' in 'Innovation For An Inclusive Future' Workshop, INTERACT Conference, Uppsala Sweden.
peer reviewed Conference Posters
Beilharz, K. (2006). Interactive Generative Processes for Designing Sound Generative Music Composition: Interactive Generative Installation Design and Responsive Spatialisation (Poster) in Gero, J.S. (Ed.) Proceedings of the Design Computing and Cognition Conference, Kluwer, in press 17/02/06.
Jakovich, J. and Beilharz, K. (2005). 'Sonic Tai Chi': Auditory Gestures in Reactive Soundspaces (Demo paper and installation) in Pisan, Y. (Ed.) The Second Australasian Conference on Interactive Entertainment, Sydney: 243.
Song, H.J. and Beilharz, K. (2006) Sonification Guidelines Facilitating an Intuitive and Rapid Understanding/Interpretation (Poster) in Proceedings of the 12th International Multimedia Modeling Conference, Beijing, China, IEEE Press, in press 17/10/05.
Song, H.J. and Beilharz, K. (2006) The role of spatialized sonification enhancing discriminating auditory display (Poster) in 11th conference of Computer Aided Architecture Design Research in Asia (CAADRIA), in press 30/11/05.
Beilharz, K. and Reffat, R. M. (2004). Thematic Design and Efficiency in Virtual Environments Using Metaphors, Proceedings of the 10th International Multimedia Modelling Conference '04 (Poster): 371, IEEE Computer Society, Washington, DC, USA. Apple™ Best Presentation Award.
Beilharz, K. (2002). An Intelligent Dynamic Design Collaborator, Proceedings of the Artificial Intelligence in Design '02 Conference: Poster & CD-ROM.
Conference Presentations
Grand Designs International Dementia Conference, Plenary, Sydney 2016
Risky Business International Dementia Conference, Sydney 2014
Christian Carer's Network Australia Conference (CCNA) – Mary Andrews College 2015
Ageing Pastoral Care Conference Canberra 2014
Arts and Health Conference Melbourne 2014
Arts Health Institute Symposium Sydney 2015
Sydney College of Divinity Well-Being Templeton Conference 2015
"very interesting, enlightening, and enjoyable, especially the engagement part through music"
— Grand Designs Plenary Feedback
"amazing and very uplifting"
— Grand Designs Plenary Feedback
"absolutely brilliant session"
— Grand Designs Plenary Feedback
Beilharz, K. (2006) Interactive Generative Processes for Designing Sound (Rhythm and Harmony) in the Bitsphere, KCDC Working Paper.
Beilharz, K. and Gero, J.S. (2002). Anticipatory Creativity in a Situated Design Agent within a Dynamic, Real Time Environment, KCDC Working Paper.
Beilharz, K. (2006). Gestural Interaction with Soundspace (Invited Lecture) RAIA (Royal Australian Institute of Architects).
Beilharz, K. (2005). Intelligent Responsive Spaces - Sensate Environments (Invited Lecture) University of Sydney Faculty of Architecture 'Thursday Night Lecture' Series.
Beilharz, K. (2005). Interactive Sound (Invited Lecture) Graphite, Sydney Chapter of SIGGRAPH.
Beilharz, K. (2002) Using Network Pattern Structures in Flash ActionScript to Draw Evolving Designs to Screen (computer program) 28/09/03.
Beilharz, K. (2002) Lorenz Linear Function in Flash to Draw Evolving Designs to Screen (computer program) 28/09/03.
Beilharz, K. (1996). Portfolio and Analysis of musical compositions (University of Sydney Ph.D Thesis).
Beilharz, K. (1994). Contemporary violin techniques (University of Sydney M.Phil Thesis).


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|© Copyright 2010 -- SABCOHA | photographs on this site depict murals from South African communities celebrating creation, life, people and hope.
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|LIESEL obtained a Masters Degree in Public and Development Management from Wits University in 2007. She has more than 15 years of professional work experience. Of these, 11 years have been in the field of HIV and 7 years in an executive leadership role. Previous employers include SATA (now SACU), Nedlac, Sasol, Right to Care. Having managed Sasol's HIV programme and as a Director of Right to Care, Liesel developed a sound understanding of the challenges confronted by the business, public and non-profit sectors. She has extensive experience in strategy and policy development, operations management, grant administration, stakeholder relations, programme implementation and M&E. She joined SABCOHA in May 2008. In her current role, she established the organisation's first two provincial branches and strategies; appointed and leads a national provincial systems strengthening team active in an additional five provinces; drafted the national business sector HCT strategy and developed Bizwell (www.bizwell.co.za). Liesel is also leading the new Bizwell team towards success!
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|DEANNE obtained a Masters Degree in Research Psychology from Wits University in 2010. Specialising in mental health and HIV, her Masters research focused on the psychological aspects of counselling and testing. Deanne has conducted research and training for the South African Depression and Anxiety Group (SADAG) and the Institute for Social and Health Science. She has lectured and delivered numerous presentations to students, companies and communities through events and the media. Other research areas include mortality surveillance; environmental, physical and mental health and safety promotion; and substance abuse.
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|VUYOKAZI obtained an Honours Degree in Demography from UWC in 2006. Since then she has gained considerable experience in M&E, specialising in data quality management and systems in the field of HIV and TB. Having worked with MSF (Doctors without Borders) and UCT School of Public Health at the Ubuntu Clinic in Khayelitsha, a public health facility rendering integrated TB and HIV services, Vuyo was involved in piloting Ekapa II – the Western Cape Department of Health's data management system. Thereafter, she joined Hospice Palliative Care Association of South Africa as M&E Officer for Mpumalanga and Limpopo Provinces. Practical exposure in both treatment and, care and support data has enhanced skills in related data specification and interpretation.
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|NICHOLAS holds an Honours Degree in Sociology from the University of Zimbabwe and several certificates in M&E. He started his career in development in 2001 with Restless Development (formerly Student's Partnership Worldwide). He has more than 5 years of professional work experience specialising in M&E of comprehensive HIV programmes. M&E focus areas include prevention, testing, treatment, care and support, TB, OVC, economic and health systems strengthening and PMTCT. Prior to joining SABCOHA, Nicholas was employed as the M&E Manager at Re-Action Consulting and before that he headed up the M&E Department at Child Welfare South Africa. He brings a wealth of experience in designing and managing M&E systems for PEPFAR, Global Fund and Business Sector HIV projects and programmes. Nicholas is motivated by challenges and solution hunting.
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|TINTSWALO obtained her undergraduate degree majoring in International Relations and Political Science from the University of the Witwatersrand in 2007. Three years later she completed her honours degree in Political Science from the University of Johannesburg. Tintswalo is currently in her third year of a Law Degree through UNISA. Before commencing her post graduate studies she worked as a Youth Development Leader for DBG International Ministries in the Mopani District focusing mainly on youth empowerment in HIV prevention and, care and support. During and after her further studies, she also worked part-time as a Market Researcher for Ipsos Markinor where she harnessed strong communication and interpersonal skills and learnt to be patience and persistent. Research topics included personal financial management, business leader qualifications, political polling. Tintswalo joined SABCOHA in June 2011 and is committed to simplifying Bizwell for new users.
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|YOLISWA studied at Foundation Business College and obtained a diploma in Information Technology. She has worked at Wendy's Play House as an assistant and at Zero as a retail sales person. She is currently working as an Administrator and Data Capturer for the M&E Unit.


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June 2009
This paper deal with the M-Flex Carrier Design (14pp)
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This paper gives an overview of the M-FLEX LNG vessel, a new type of LNGC design. The flexibility of this design means it can be traded as an LNGC, a re-gasification vessel (trading as a conventional re-gasification ship or LNG re-gasification facility) or an LNG production facility. The paper covers the commercial background and the market need for such a flexible trading vessel, the technical aspects of the design and how the selected technologies provide the platform for this flexibility, and a discussion on the ongoing development of the concept and how the design is currently being tailored for the market's demand for a ship with an LNG production capability.
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13251 Anthony Rd Jackson Twp OH
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Office: 614-829-7070
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The data relating to the real estate for sale on this web site comes in part from the Broker Reciprocity program of the MLS of Greater Cincinnati, Inc. Real estate listings held by brokerage firms other than Comey & Shepherd, Realtors are marked with the Broker Reciprocity logo or Broker Reciprocity house icon. The properties displayed may not be all the properties available through Broker Reciprocity.


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VeriCert® Services and Risk Management
Going beyond Certification to Improve Performance
VeriCert® Challenge
Businesses performance certifications in the areas of Quality, Health, Safety, Environment and Social Responsibility to prove they are committed to international standards and also that their business is sound.
Companies wish to further benefit from certifications by also improving their performance using a maturity model. Bureau Veritas Certification has developed an innovative audit methodology designed to customize the audit and monitor performance improvement.
This methodology allows companies to focus on the primary risk areas identified in their organization, providing a clear view of their current business performance and its evolution over time. This methodology allows companies to include their referential and to combine it with their certification.
What are Vericert® Services?
The VeriCert® approach goes beyond certification.
It identifies key processes and highlights the strengths and weaknesses in the management system, which directly impact performance, focusing on risks to which the company is exposed.
Depth of audit can be customized to the generic audit protocol, specific issues in organization's industry sector and/or specific risks identified by the organization itself.
Why Choose Bureau Veritas?
With VeriCert, Bureau Veritas Certification is at the cutting edge and has developed a very innovative risk-based audit methodology.
5,700 skilled auditors operating in more than 100 countries offer a unique combination of international and local expertise providing consistent services wherever our clients are.
Our auditors have extensive knowledge of specific industry sectors, local regulations, markets and language that enables them to provide solutions adapted to your needs.
Bureau Veritas Certification is recognized by more than 40 national and international accreditation bodies across the world.
FAQ - Frequently Asked Questions
How is the VeriCert auditing approach different?
The VeriCert® approach is customized for your company and focuses on key process performance as well as the audit of identified company risks and potential areas for improvement.
The service ensures that:
The performance managing major risks and other identified areas can be compared with company objectives and industry performance.
Continuous improvement is measured objectively and periodic controls will ensure your organization remains on track.
Do I still get an accredited certificate?
Yes, the approach is fully in line with accreditation requirements. The only difference is that we aim to further enhance the value for you.
When is my company ready for VeriCert?
Any organization is ready if top management is committed to improving performance on a continuing basis, at a high level.
Can my company have a VeriCert Audit without certification?
Yes, it is possible, but we strongly recommend that you have implemented a quality management system to ensure a comprehensive and effective improvement after the VeriCert audit.
Bureau Veritas Certification
Please contact your local officeSend an e-mail
Click here


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Green Collect was set-up by Sally Quinn and her partner Darren Andrews. Sally was working Women's Crisis housing and saw the need to be able to provide meaningful employment to people who faced some of life's most difficult circumstances. Darren's background was in Environmental Policy and Planning wanted to find a way to deal with some of the waste that was occurring in the city.
Green Collect provide an office collection service to collect cd's, computers, folders and more. One upcycled product they make is notebooks from old ring binder folders and outdated letterheads. Among the range of other products are fridge magnets and repackaged stationary. If you visit the Green Collect shop you can also pick up a range of eco products, upcycled clothing and more. Or you can find some great office products at the Green Collect online store.
Recently Green Collect relocated to Braybrook, if your in Melbourne it's well worth the trip to their warehouse to check it out. They also recently held a very successful VIP Shopping night in partnership with women of the West, were women could stop in for a bottle of wine and shop while they were there.
For further information visit www.greencollect.org


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The sectors of IT and ITES have been playing a critical role in shaping the Indian economy. These sectors have been bagging the majority of the outsourcing jobs across the globe. The enterprises are laying more impetus on latest technologies for gaining momentum in their operations. This has accelerated the growth of IT-Enabled Services or ITES sector as well. This scenario has surged the demand for skilled IT professionals and India has emerged as the most favored destination. This sector is estimated to expand at a CAGR of 9.5% to US$ 300 bn by 2020. Employees from some Indian start-ups, have formed start-ups of their own, thus expanding the Indian start-up eco-system. India ranks third among global start-up ecosystems with more than 4,200 start-ups.
Talent Challenges:
There are numerous challenges faced by organizations while looking for the right talent for various IT & ITES positions:
- The ever-evolving technological landscape require flexibility to adapt
- Finding the right set of skills for catering to changing demands of this industry
- The need to look for innovative methods of hiring a competent IT workforce
VBeyond's Position:
At VBeyond, our experienced consultants understand the intricacies of talent acquisition for this industry:
- In-depth industry knowledge and apt experience to provide the best of talent.
- Understanding the market trends and integrating them in the staffing processes.
- Our research team assesses the trends in the industry which aids us to be in a state of readiness for future requirements in this domain.


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iMpero Slide Pocket Door Kit for Frameless Glass
September 29, 2017 by Editor · Comments Off on iMpero Slide Pocket Door Kit for Frameless Glass
Doorstuff are proud to stock the attractive iMpero Slide pocket door kit for Frameless Glass. This door kit is an economical way to increase available space in many domestic applications while maintaining a modern aesthetic in the home. The kit comes complete with timber jambs and all fittings required for a single frameless glass pocket door up to 80kgs in weight. For any queries about the installation or specifications of the product, please call 0207 099 2822 or email email@example.com.
How Timber Pocket Door Floorguides Work
July 26, 2017 by Editor · Comments Off on How Timber Pocket Door Floorguides Work
Doorstuff supplies timber pocket door kits with floor guides situated inside the pocket. The floor guide fits in a groove in the bottom of the door to guide it as it leaves the pocket. This gives an unobstructed threshold which eliminates trip hazards and prevents dust and dirt accumulation often found when a guide is routed into the floor. To protect the groove in the bottom of your door, you could use our S1702 Plastic Protective Channel. The same system is used in many of our surface-mounted sliding door systems.
New Product Announcement!
July 5, 2017 by Editor · Comments Off on New Product Announcement!
Introducing the HAFELE pocket door handle for frameless glass! An attractive handle set for frameless glass sliding doors, complete with an edge pull which can be used when the door is fully closed into the pocket. The handle set can be in a polished chrome plated, satin anodised or satin nickel plated finish. The handle would be the perfect accompaniment to your frameless glass sliding door of 8-12mm thickness.
Doorstuff's Guide to Pocket Doors
February 8, 2017 by Editor · Comments Off on Doorstuff's Guide to Pocket Doors
Pocket doors are a great solution for grand feature doors and the smallest rooms alike, but the key to getting it right is all about planning the studwork ahead of time. There are many options to consider, which is why Doorstuff are pleased to announce Doorstuff's Guide to Pocket Doors which aims to facilitate you in your decision.
Click on the link to download the guide: Doorstuff's Guide to Pocket Doors
KARCHER EPD pocket door bathroom locks
January 8, 2015 by Editor · Comments Off on KARCHER EPD pocket door bathroom locks
The KARCHER DESIGN EPD pocket door bathroom locks are suitable for sliding doors of 35mm to 44mm thick, which makes them more versatile than other on the market which can only be used on a 44mm+ thick door. It comes complete with an end finger pull, to pull the door out of the pocket, and two flush pulls which have the turn and emergency release integrated into their design. Available in satin stainless steel, polished stainless steel and polished brass finishes.
Optimo pocket door gear in stock
January 6, 2015 by Editor · Comments Off on Optimo pocket door gear in stock
Introducing the Optimo pocket door gear, a superb pocket door kit which gives the magic 100 millimetre finished wall thickness. A strong pocket door design in construction, assembly and operation, the Optimo pocket door is a simple way to increase available room space in many domestic and commercial applications. The kit comes complete with all fittings required for a single or double pocket door. The standard kit is designed for doors from 25mm up to 44mm thick and comes complete with timber jamb set. Now in stock from £239 +VAT delivered.
iMpero architrave free pocket door gear
June 5, 2014 by helen · Comments Off on iMpero architrave free pocket door gear
The iMpero architrave free deluxe cassette pocket door gear system offers superior running gear and a fully constructed cassette pocket with superior strength. Architrave free for installations where a minimal aesthetic is required and where the door opening needs to be frameless (i.e. without architrave), the kits come with a set of heavy duty custom door frame beading sections. These sections enable the skim coat to be painted / finished to blend in with the door frame for a minimalist aesthetic. Suitable for single or double internal doors, with kits ranging in size from 626mm to 1500mm wide and up to 2700mm high within a 125mm thick finished wall. The pocket door gear comes complete with track, runners, brackets, stops and cassette. As standard, kits accommodate maximum 44mm thick door leaves. Can be used with the optional full length iMpero glass clamps for frameless glass doors.
NEW – Pocket door bathroom lock set
May 6, 2014 by Editor · Comments Off on NEW – Pocket door bathroom lock set
Now in stock, the new JV825 pocket door bathroom lock is ideal for a sliding pocket door (40mm to 44mm thick). Because it has a flush thumbturn it allows the door to retract fully into your pocket door cavity, maximising your clear opening space. It comes complete with a circular end finger pull, to pull the door out of the pocket, and two circular flush pulls which have the turn and emergency release integated into their design. The flush pulls are to be glued or bonded into the door with knurled fixing surfaces.
A Coburn HIDEAWAY™ Pocket Door…
January 31, 2014 by Editor · Comments Off on A Coburn HIDEAWAY™ Pocket Door…
…Frame Kit is a simple way to increase available space in many domestic applications, particularly dining rooms, en-suite bathrooms, cloakrooms and doors into kitchens. Using a 35mm thick standard domestic timber door, a finished wall thickness of 115mm can be achieved including the wallboards, allowing the door to slide into the pocket within the wall. Standard height kits will cope with a door up to 2032mm tall, maximum door widths for a H30 is 760mm, H36 is 915mm and H42 is 1067mm. The H42A will take a door 1067mmx up to 2742mm tall.
Happy New Year!
January 6, 2014 by helen · Comments Off on Happy New Year!
We would like to wish you a happy & prosperous New Year for 2014. Before we get back into the daily rhythm of informational web posting, I thought I would share the lyrics of this lovely song with you (imagine Bernard Cribbins singing it):-
Right said Fred, both of us together, one each end and steady as we go
Tried to to shift it, couldn't even lift it, we was getting nowhere
And so, we, had a cup of tea
Right said Fred, give a shout to Charlie, up comes Charlie from the floor below
After straining, heaving and complaining, we was getting nowhere
And so, we, had a cup of tea
Charlie had a think and he thought we ought, to take off all the handles
And the things that hold the candles – but it did no good (well I never thought it would!)
Right said Fred, have to take the feet off, to get them feet off wouldn't take a mo…
Took its feet off, even with the seat off, should have got us somewhere, but no!
So Fred said let's have another cup of tea, and we said "right-oh!"
Right said Fred, have to take the door off, need more space to shift the so-and-so
Had bad twinges, taking off the hinges, and it got us nowhere
And so, we, had a cup of tea
Right said Fred, have to take the wall down, that there wall is gonna have to go
Took the wall down, even with it all down, we was getting nowhere
And so, we, had a cup of tea
Charlie had a think and and he said look Fred, I've got a sort of feeling
If we remove the ceiling,
With a rope or two we can drop the blighter through…
Right said Fred, climbing up a ladder, with his crowbar gave a mighty blow
Was he in trouble, half a ton of rubble, landed on the top of, his dome
So Charlie and me had another cup of tea
And then we, went home!
[Spoken, fading out…]
I said to Charlie we'll just have to leave it standing on the landing, that's all.
You see the trouble with Fred is, he's too hasty.
Now you never get nowhere if you're too hasty…
I thought what they could do with there is a pocket door – in fact now they've taken the wall out they've got room to put one in. And the ceiling? Well…just make good!


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Jump to: Page Content, Site Navigation
Challenge is a major component of moving society forward. I strive to challenge those around me to consider new ways of thinking, new ways of acting, and to be true to themselves. Challenge is half of the challenge and support of learning and that's the piece that I bring best. "The status is not the quo". -Dr. Horrible.
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Apple Watch can only run Apple Maps applications? No, not anymore. Because Apple Watch users who prefer Google Maps can now run the Google application. The reason, Google has made Maps app for iOS wearable.
How it works? Google Maps for Apple smartwatch is quite easy. When opening the Google Maps app on Apple Watch, you will be offered in two options; navigation to your home or office. Navigation directions are provided using a Google account. Quite easy and simple, is not it?
Although not able to access the full map on Apple Watch, but using the Force Touch you will allow to switch between walking, driving and transit directions to your home or office. In addition you can also get directions to a location just to navigate from a smartphone using Google Maps.
The new changes are also presented for those who use Google Maps on the iPhone. Previously you had to open three separate pages to find the estimated time of arrival at the location by walking, driving or using public transport. With this update ETA for three methods of navigation is available on one page at the same time.


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Student and Alumni Sharing
Jessica MERMILLION
Bachelor of Science (Honours) Hospitality Management
University of Plymouth VIEW PROGRAMME
University of Plymouth VIEW PROGRAMME
- Associate Degree in Hospitality Management Bermuda College (2009-11)
- Bachelor of Science (Honours) Hospitality Management (2013-15)
- Management development trainee in Food and Beverage, Mandarin Oriental Hong Kong (2015- )
Academics from Plymouth University and HKU SPACE International College are very experienced and knowledgeable in the field of tourism and hospitality. I enjoyed the learning process of the Honours Project as it is a challenging one.
RELATED CASESback


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Plan 2 I Pro Photography Business Insurance Package
Coverage That's Even Better Together. Plan 2 Packages Photography Business Insurance Essentials & Includes:
Our Pro Photography Business Insurance Package combines equipment insurance and the basics of business protection. Because it's a packaged solution designed for photographers, this plan provides professional photographers with an affordable way to protect their businesses. Learn more about what this plan includes and details of each coverage below.
Equipment Coverage
Protect your owned and rented photography equipment with our replacement-cost coverage. Unlike some of our competitors, our coverage reimburses you for today's cost. Imagine having to file a claim when you dropped an expensive piece of equipment (costing $10,000 to purchase new) and your insurance check is $6,000 due to its depreciated value. Sound horrible? We think so too.
- Covers OWNED and RENTED equipment
- WORLDWIDE Coverage
- Includes Coverage for THEFT FIRE, VANDALISM and ACCIDENTAL BREAKAGE ($250-$500 deductible)
Owned & Rented
Equipment Coverage
"Loss Payee" AND "Additional Insured" can be added to certificates
Business Personal Property
The loss of any property you own or create for sale affects your bottom line. Business Personal Property (BPP) covers property owned by you and used in your business operations and is an important component of this photography business insurance plan.
Examples of covered business personal property include:
- Sets
- Wardrobe
- Props
- Office Furniture
- Etc.
Computer Equipment Coverage
Up to $50,000
of computer equipment coverage, depending on carrier
Business Income Coverage
What if a power outage interrupts a big-budget shoot and you're forced to cancel it? Knowing that you've spent weeks preparing for the shoo and that you've made a significant investment in special props and equipment, would probably leave you fearful of the financial impact. Many photographers count on these big projects to keep their business (and personal) finances on track. Due to the nature of the industry, there are many moving parts, so it isn't impossible for something completely out of your control to threaten your bottom line. Business Income coverage can repay your lost income and prevent the financial impact of a situations (like a power outage) from causing serious damage to your balance sheet. In addition, the policy may cover your move to a temporary space, pay for utilities, bills or payroll until your operations are up and running again. Unfortunately, even the most cautious, responsible and undeserving photographer can find him/herself in the wrong place at the wrong time and as a result, lose out on much needed income. So, we're pleased to have the right photography business insurance and coverage for that.
Policy Details
Annual Premiums Start at $500 (Minimum)
- Installment Payment Options Available
- Short-term Policies Not Available With This Plan
- Premium May Increase if Photographer Increases Equipment Value During Policy Period
General Liability Insurance
General liability insurance is a popular coverage among photographers and videographers. Why? Because it's an easy way to maximize your business's financial protection while keeping costs minimal. Lawsuits are not usually "affordable" and if a third-party (ie. the legal term for person(s) not working for your business) alleges that you, your business or your employees, caused bodily harm or property damage, you could face major out-of-pocket costs!
- Coverage Limit of $2,000,000 for general liability claims
- ON AND OFF-PREMISES Coverage
- Coverage across the United States, and extending to territories including Puerto Rico and Candada
- Coverage pays for legal/court fees, defense costs, or any settlements, judgements, etc., resulting from a general liability claim
Imagine being an un-insured photographer in one of the following scenarios:
- Injury at Your Studio: A young child is sitting on a tall prop for a family shoot. His quick movements make it unstable, and he comes crashing down. The child is rushed to the hospital and suffers a broken-bone.
- Off-Site Property Damage: You are shooting a commercial in a newly refurbished office building and realize your camera equipment has scratched the hardwood floors.
- Off-Site Injury: You're filming in a public park and your assistant forgets to secure a loose cord. A pedestrian trips on the cord and falls on the ledge of the cement sidewalk…
- Property Damage at Your Studio: You've been hired to photograph a world-renowned clothing designer's new collection. In the middle of photographing, you accidentally step on part of a gown while the model is walking, causing it to tear. The custom-made dress is worth $4,500… and now you're on the hook!


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Our Maria is the perfect tote! Dual leather handles, help to make this classic bag functional. The contrast top-stitching and antique brass hardware make it stylish. Perfect for carrying your laptop, files and any other gooding you need. Plus, and an interior "snap tab" helps keep your necessities close at hand.
Interior leather pocket. Antique brass hardware.
Strap drop: 13"
Kurier requires full payment on all orders before shipping. In other words, we can't ship your order until it's paid in full. Seems simple enough.
All orders are 100% handmade and cut-to-order. Expect (read: "embrace") minor variations from one piece to another, based on natural variations within the leather and/or hardware. All orders will be filled within 2 - 3 weeks from the date received. We'll do our best to make it sooner - but we're a small team and it takes time to make a quality product.
I want you to be completely satisfied with your purchase. If you are not happy with your item, please email me within a day of receiving your order to work something out. Please understand that if I am not contacted during this window of time I will not be able to issue a return. Returned items must be received within one week in new condition (leather must not have any marks, scratches, etc.) with tags. Refunds or exchanges can not be given for used merchandise. Customers are responsible for return shipping costs and original shipping costs can not be refunded.
All custom orders are final sale with no exceptions.
Kurier produces all of its goods on a strictly 'first come, first serve' basis because that really just seems the most fair way to go about it. That said, life happens. So we'll always do our best to make sure you get your order whenever you need it—no matter when you ordered it. Good rule of thumb: when in doubt, ask.


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Hey ladies, just wanted to share with you my current makeup collection. So as you can see my collection is a complete mess. There isn't any organization to it at all. But lucky I can tell where everything is and what's missing. I'm not sure if I'm going to start organizing it now or wait till I move again. But we will see.
My collection includes products from so many brands but mainly MAC. Other brands include:
Rimmel London
Wet N Wild
Estee Lauder
And many more. Do you have any suggestions on how I should store my beauty products? How do you store yours?


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Manifestation Through Co-Creation Workshop
Working With Your Spirit Guides, Teachers & Angels
to Manifest the Life of Your Dreams
to Manifest the Life of Your Dreams
Sunday, October 2nd
12 pm – 2 pm
Wellsview Cottage
611 Ridgely Avenue, Annapolis, MD
Manifestation begins with a simple thought, a desire, and a willingness to create something new in your life. Manifesting is something each of us does each and every day of our lives, but all too often unconsciously manifesting what we don't want. This workshop teaches you how to consciously get into your unique flow of manifesting and create the life of your dreams.
This workshop will teach you how to:
- turn negative energy into positive manifesting ability
- use good health to boost your ability to manifest successfully
- bring your Spirit Guides in to aid you in manifesting
- leverage energetic principles of manifestation to move beyond your blocks
- find your unique flow of manifesting using a 4-step process
As a bonus, you will receive a Visualization Exercise to help you connect with your Personal Team of Spirit Guides to manifest and create your desires.
Channeled messages from Spirit Guides will be received and passed on to some participants during the workshop.
Save Your Seat Now $67
Still unsure? Email me with questions — I'm happy to answer them.
The more you get to know me, the more you will find out that I'm a huge advocate for empowering my clients to listen to their own inner guidance — it's what I teach.
Your intuition has already told you whether this is the right next step for you. Listen to it.
Either way — it's up to you.
But if you're ready to take that next step and make that breakthrough, then isn't it time? What are you waiting for?
Save Your Spot Now ($67)
"Sallie's intuitive insights and connection to Spirit is unparalleled and deep. I have been lucky to learn so much about myself and my purpose, but most importantly what I receive from Sallie is limitless, abundant support in her emails, phone calls, reports, and other tools she provides when working with me. You can feel that she has your spiritual growth in her best interest. She really cares and also understands the underlying issues and blocks preventing you from experiencing more abundance." — Marlene Uy


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(12:16 EDT: Updates with comment)
September 20, 2010 - IBM has announced plans to acquire Netezza, a provider of analytic database and data warehousing appliance technology for approximately $1.7 billion.
Data warehouse appliances combine hardware and software in a preconfigured solution and form factor that simplifies the creation, performance tuning and operation of databases used for business intelligence.
At a press conference, Netezza President and CEO Jim Baum said a big part of Netezza's strategy has been to make products that "bring analytics to the masses" in operational areas such as sales and marketing, where the focus is on the applications and not the development or tuning requirements of the system. "That's really where the ultimate business value is created," Baum said.
"The rate and pace of data which is being gathered in ever-increasing quantities has accelerated the opportunity around information and analytics and is a top priority for organizations around the globe," said Arvind Krishna, IBM Software Group general manager. Krisna says analytics are a key growth driver for IBM that is projected to grow from $9.4 billion in 2009 to to $16 billion by 2015.
Baum and Krishna said IBM expects to maintain key technology partnerships already held by Netezza, but that the disposition for the sales and system integration teams would not be determined until the deal gains final approval.
In the last four years, IBM says it has spent $12 billion to acquire 23 analytics-related companies.
In a similar competitive move, EMC purchased Greenplum in July, leading to speculation around Netezza, ParAccel and even Teradata, the pioneer provider in the space.
The database space has lately become notably competitive and a hotspot of acquisition. In May, SAP bought database specialist Sybase for approximately $5.8 billion.
HP very recently won a public bidding war with Dell to acquire 3Par, which eventually sold for $2.4 billion.
The timing of IBM's announcement coincides with the start of Oracle's annual OpenWorld conference. Oracle, which moved aggressively into the hardware business with the acquisition of Sun Microsystems, competes in the high-performance data warehousing space with its Exadata and other products.
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Joycelyn's Story
Joycelyn was homeless with children when she found a stable home with Partners In Housing. Hear about her story and how with your support and Partners In Housing, she and her children have a place to call home.
Seven years ago, Joycelyn was living in her car. With two children and nowhere to live, she spent most of her day finding food and a safe place to park her car. Joycelyn was referred to Partners In Housing through her caseworker and in a short time, had a place to call home.
"I was so relieved to have my own place", says Joycelyn, "I can't thank Partners In Housing enough for what they have done for me".
With one child who has chronic health problems, having stable housing to care for her son has been one of Joycelyn's greatest gifts. Even greater, is the help she received from our Support Services team to manage her life, on her own terms. Now because of those services and her own willpower, she is ready to move out on her own.
This winter, Joycelyn is ready to leave Partners In Housing and move into her own apartment, a traditional apartment community, where she will be completely self-sufficient.
In Indianapolis, according to the 2016 Point-In-Time count, there are 156 documented families without permanent housing. There are a total of 305 children that are living on the streets. In addition to that astonishing and heartbreaking number, it is estimated that there are an additional 2947 total children that are not in stable housing (meaning, they are living with someone temporarily, doubled up with other families, etc).


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The mission of the Saint Louis University rheumatology fellowship training program is to produce physicians who:
Fellows who successfully complete this program will be fully trained and equipped to function as clinical rheumatologists, clinician educators, or clinician scientists, depending on the individual career goals of the individuals.
The Rheumatology Division at the Saint Louis University Medical Center is both research and clinically oriented. It has traditionally been rated as one of the top 25 rheumatology divisions by the American College of Rheumatology. Our training program is also one of the highest regarded nationally in both adult and pediatric rheumatology by the American College of Rheumatology.
Our fellowship program is accredited for both pediatric and adult rheumatology training through the American College of Graduate Medical Education (ACGME) and is uniquely able to train fellows who have completed either an internal medicine residency, medicine-pediatric residency, or pediatric residency.
Our current areas of research include:
We are active participants in the Corrona Registry and Childhood Arthritis and Research Alliance (CARRA) network and have established an active clinical trial program.


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Chevron-led consortium executes Mexico deepwater contract
Green Car Congress
An international consortium operated by Chevron Corporation's subsidiary, Chevron Energía de Mexico, S de R.L. —Ali Moshiri, president of Chevron Africa and Latin America Exploration and Production. Chevron is the operator and holds a 33.3334 percent interest in the block while Pemex and INPEX each hold a 33.3333 percent interest. de C.V.,


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Separate names with a comma.
Discussion in 'GBAtemp & Scene News' started by JPH, May 30, 2008.
Very nice! Anyone got any details on this release? What kinda modes does it have, is it English friendly? IMO there's still yet to be a killer Go game out for DS
lol why was this voted so highly? Makes no sense. Are the admins trying to teach us a lesson?
I love go but still...


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.PBS File
File extension:
File type:
Brush Stroke Preset
Notes about the PBS file extension:
Incorrect file associations could be the result of underlying issues within your PC system. As such it is highly recommended to scan your PC for invalid registry entries, unused processes and other unfavourable system settings to identify slowdown issues.
The PBS file type is primarily associated with 'Paint Shop Pro' by Corel Corporation. Jasc was acquired by Corel Corporation on 14 October 2004.
Detailed information for file extension PBS:
Primary association:
Paint Shop Pro
Corel Corporation
Other applications associated with file type PBS:
PowerArchiver Backup Script
Invalid file associations could be the result of underlying issues within your Windows PC. It is highly recommended that you scan your PC for invalid registry entries, unused processes and other slowdown issues.
Technical data
To view technical data on file-extension PBS
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to expand/hide the additional area.
System Info for File Extension .PBS
The following listing is compiled from the database produced by the 'Associate This!' program, selected data from the main FILExt database and
information FILExt collected directly
from user systems.
ProgramID: PAPBS, FileType: PowerArchiver Backup Script, AppName: PowerArchiver 2003
EXEFile: POWERARC.EXE
ProgramID: PAPBS
EXEFile: %ProgramFiles%\PowerArchiver\POWERARC.EXE %1
ProgramID: PAPBS
EXEFile: C:\XPB-Compress\PowerArchiver\POWERARC.EXE %1
ProgramID: PYSoft Broadcaster Data File
EXEFile: %ProgramFiles%\PYSoft Broadcaster\Broadcaster.exe %1
ProgramID: PAPBS
EXEFile: %ProgramFiles%\Accessories\PowerArchiver\POWERARC.EXE
ProgramID: PAPBS
EXEFile: %ProgramFiles%\PowerArchiver\RegFiles.Exe
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We recently won recognition as one of Midland's Top Ten Restaurants from culturetrip.com, a one stop website for the best of global and local art, food, culture, travel, design, architecture, photography, fiction film and music.
Focusing on Italian and Continental cuisine, Venezia serves up homemade pasta and classic dishes like veal saltimbocca alongside daily changing seafood specials, including Alaskan King crab legs and bourbon glazed salmon with risotto. On colder evenings, fireside dining beckons from inside Venezia's quaint, bistro-esque interior, while on warmer occasions, guests can enjoy their meal al fresco on the restaurant's pretty, shaded patio.
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I've been thinking a lot lately about the concept of taking 100%
responsibility for our own lives and the results we create.
It got me reflecting on what 'taking complete responsibility' actually means. And what it looks like. Also some of the ways we resist doing this, and even sabotage our own efforts to do so.
For example, we may not achieve our financial potential in our careers because we are plagued by insecurity and self-doubt and don't believe our knowledge and skills are worth more. Women are particularly guilty of this.
Or when going back into the workplace after a period of being home with our kids, we may take a job below our capabilities because we don't have the confidence to put ourselves forward for the role we really want.
The Blame Game
Instead of acknowledging these unhelpful behaviours, it is often easier for us
to blame our lack of responsibility on somebody else, such as our husbands.
I've certainly been guilty of this.
Passing the buck is so much easier than taking a really honest look at
ourselves and doing the work of overcoming our self-doubt and the
obstacles in our way.
And of course our 'reasons' for passing the blame feel so compelling! It really is his fault!
Here's what's struck me this week:
When we don't take full responsibility for every aspect of our lives – our physical health, our emotional health, our financial health, our careers, etc.,
We do ourselves a great disservice.
In absolving ourselves of our responsibilities, we give ourselves the message that we are not up to the job. We believe we are incapable of taking care of our own needs.
And when we believe that lie, we are more likely to delegate the job of taking care of us to our husbands.
And then blame him when he too falls short!
That is a recipe for powerlessness and frustration, amongst other unhelpful feelings.
It is also the very opposite of self-love, self-care and self-belief.
I want to focus on financial responsibility, because I know that the fear of surviving financially is what prevents so many women from leaving unhappy marriages.
The question I'd like to ask you today is:
How much responsibility are you currently taking for your financial circumstances?
I'm not talking necessarily about being completely financially independent in your marriage. Maybe you have a long-standing agreement with your husband that he is the main or sole breadwinner.
What I am talking about is having cultivated the inner knowing, trust and confidence that you are fully capable of taking care of yourself financially, should you choose to. And having some evidence to back that up – or at least, be taking steps to build that evidence.
Cultivating that inner knowing will look different for each of us.
Here are some examples of steps we can take to build it:
- Having a thorough understanding of your joint financial circumstances in your marriage – incomings, outgoings, assets, expenses, debts, etc.
- Knowing how much your monthly expenses are including mortgage and bills, when they are due, the amounts and who they are payable to
- Knowing the account details, logins and passwords for all of your financial affairs
- Becoming informed about your legal and financial position in the event of divorce
- Continually developing your professional skills so that more job opportunities are available to you
- Negotiating a salary increase with your boss
- Stepping out of your comfort zone and charging what you are worth
- Starting your own business
- Doing an inventory of your marketable skills and/or retraining to become more attractive in the job market
What would be possible for you if you had complete belief in your ability to take care of yourself financially?
And how would that feel?
I know how tempting it is, to keep your head in the sand and pretend your financial destiny is out of your control.
But at what cost to you – emotionally, physically, spiritually, financially?
The hard truth is this:
No-one can change your life, or your financial circumstances, except YOU.
I'm not saying it will happen overnight.
You may have to take a hundred, or even a thousand, tiny steps to get there.
And some of those steps will undoubtedly call upon you to build your courage muscle.
But you only ever have to take one small step at a time.
Here's what else I know:
You can do it.
You are capable of so much more than you give yourself credit for (note to self!)
So here is the challenge I'd like to leave you with this week:
Action: What is one small step you can take in the next week towards taking financial responsibility for yourself?
Are you willing to take that step? Why or why not?
For me personally, it means moving forward with an exciting new coaching programme I've been wanting to offer for ages – procrastination be gone! I'll be ready to tell you about it very soon!
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