text:
Neat. l33t. Uh oh, CuJo...Author: The Lord DebtAngel ()
Date: 2000-04-28 00:00:00
I used to write code that way too :).
Mind you, I've had several years to nail down a coding style that works, and now I don't deviate from it. The one I use for webpages now is "include everything." If I use it twice, it gets thrown into a seperate file and included, with a copy of that code thrown in the CodeBank for later. Which reminds me, I have some dialog code that needs to be generalized and thrown in the CodeBank. Woohoo, something to do!
Is it not nifty? Sluggy Freelance. Worship the comic.
well I know the first thing I'm going to do. - Tridus - 2000-04-28 00:00:00
-man... I'm only now realizing just how bad this page was. - Tridus - 2000-04-28 00:00:00
--Gotta love stuff like that :) - The Lord DebtAngel - 2000-04-28 00:00:00
---hehe.. if there's one thing I'm good at, its making spaghetti code not fall apart. :) - Tridus - 2000-04-28 00:00:00
----Neat. l33t. Uh oh, CuJo... - The Lord DebtAngel - 2000-04-28 00:00:00
-----Really neat! - The Lord DebtAngel - 2000-04-28 00:00:00
------no I didn't touch that part of the code. hehehe - Tridus - 2000-04-28 00:00:00
--UGH! Hehe. Well, good luck, I guess. :P - SM_007 - 2000-04-28 00:00:00


text:
Look Into the Cat's Eye…
Are you ready for more stereo vision? This haunting Hubble Telescope image has been visualized for dimension by the one and only Jukka Metsavainio and gives us a look at one of the most complex planetary nebulae ever photographed. Inside NGC 6543 – nicknamed the "Cat's Eye Nebula" – the Hubble has revealed delicate structures including concentric gas shells, jets of high-speed gas, and unusual shock-induced knots of gas… and thanks to Jukka's "magic vision" we're able to take a look into the Cat's Eye as it might appear in dimension. Step inside and let's learn more…
When Jukka produces an image, it's more than just a clever Photoshop "trick". Hours of study must go into each image, because the light is acting differently in each part of the nebula. To make these images work correctly, Jukka must understand which stars are causing the ionization, which stars are nearer and further from our point of perspective and so on. Each type of image is totally unique and what makes dimension work for a reflection nebula won't work for an emission nebula. Says Jukka; "To be able to make those stereo pairs, one have to learn lots of things about the targets, and beside that, study the actual image more deeply than usual. Star distances must be measured by the size and the color. For example, stars with yellowish hue must be in or behind the nebulosity, white/blue ones are front of it."
Because dimension will appear reversed by the method you choose to use to view these images, Jukka makes two versions. The first you see at the top of the page is parallel vision – where you relax your eyes and when you are a certain distance from the monitor screen the two images will merge into one to produce a 3D version. The second – which appears below – is crossed vision. This is for those who have better success crossing their eyes to form a third, central image where the dimensional effect occurs. So, now that you understand the images are a visualization and how they are created, let's take a parallel look…
And now it's my turn to add a little "magic" to what you see.
Estimated to be 1,000 years old, the Cat's Eye is a portrait of a dying star – and quite possibly an unresolved double-star system. According to research, the dynamical effects of two stars orbiting one could very well be the cause of the complicated and intricate structures revealed here – structures normally not seen in planetary nebulae. When NGC 6543 was first observed spectroscopically, it showed the presence of emission lines, an indicator of multiple stars, but also an indictor of diffuse gas clouds.
As studies progressed, more hypothesis about the NGC 6543's structure began to emerge. Perhaps a fast stellar wind from the central star created the elongated shell… It could be the companion star is emitting high-speed jets of gas that lie at right angles to the equatorial ring… Maybe the stellar wind has carved out the inner structure of the nebula are there are more than one there? Says L.F. Miranda; "The velocity field of NGC 6543 shows the existence of two concentric ellipsoidal shells in the nebula. The two shells likely represent the inner and outer surface layers of a geometrically 'Thick Ellipsoid' (TE) which constitutes the basic structure of NGC 6543."
Even more research ensued, and with it came the twin jet theory and the ejection of materials spaced over intervals of time – like cosmic smoke rings being puffed off at perfect intervals. According to Bruce Balik; "Hubble archival images of NGC 6543 reveal a series of at least nine regularly spaced concentric circular rings that surround the famous nebular core, known as the Cat's Eye Nebula. The rings are almost certainly spherical bubbles of periodic isotropic nuclear mass pulsations that preceded the formation of the core. Their ejection period is consistent with a suggestion that quasi-periodic shells are launched every few hundred years in dust-forming asymptotic giant branch (AGB) winds but not consonant with the predictions of extant models of core thermal pulses (~105 yr) and surface pulsations (~10 yr)."
To be sure, there are simply a lot of things that we don't know or understand about the Cat's Eye Nebula just yet. It is possible that magnetic activity somewhat similar to our own Sun's sunspot cycle, could be at work here. Says Dr. Balick; "What do the rings imply? Since they're larger than the bright cores of the nebulae that they surround, the rings are almost certainly material ejected episodically before the main and bright core of the nebula formed. This means that the start that ejected the nebulae first quivered and shivered and made these concentric rings. Then something big happened, and the density and mechanism for ejecting the mass changed abruptly. This is when the core of the nebula was formed, typically between 1000 and 2000 years ago. The rhythmic ringing of a dying star is expected as the last of its nuclear fuel is suddenly triggered into ignition by the increasing crush of gravity — much like the juice ejected by squeezing an orange with increasing force. Each expulsion of juice temporarily relieves the internal pressure inside the orange. Similarly, each ejection of mass temporarily stops the combustion of the final dregs of the star's remaining fuel. Why should the pattern of ejection mass change so radically and strongly? We can only conjecture. Its possible that an orbiting star or giant planet falls onto the dying star. It hits the surface with such force that its atoms ignite in a large conflagration. Somehow, the burst of heat drives the remnants of the dying star into space in fantastic patterns."
And we looked right into its eye…
My many thanks once again to Jukka Metsavainio of Northern Galactic for his artistry and we look forward to the next installment!
32 Responses
I'm cleaning my glasses…
I really enjoy this series of stunning stereo images by Jukka Metsavainio. Please keep 'em comin' Tammy!
Man these things rock my socks.
I really like these kind of stereo images than the "blue-red" kinds.
Correction: I really like these kind of stereo images *more* than the "blue-red" kinds.
The axis of the bipolar flow of the planetary nebula doesn't look quite right to me. It doesn't seem to match the velocity measures made of various features within the nebulosity, nor the calculated about 32 degrees to the line of sight. With blunt criticism, Jukka Metsavainio might just like to check a few paper on the morphology of planetary nebula (G.Pascoli work of 1999 comes to mind.), to make sure the stereo images show what has already been derived.
Nice pic though.
You can really see the magnetic field lines quite vividly.
Only electricity can generate magnetic fields.
I know how to shift my focus, but I'm having trouble getting them to come together. They seem too far apart to begin with, or else my eyes don't have enough range of motion. Is anyone else having this problem? Any suggestions?
But it hurts way more to cross your eyes. I find looking further out greatly preferable.
If you can't do it, my (completely unfounded) advice is to simply let your eyes go unfocused. Since you are looking at a computer screen, "default" will definitely be further out. Having "learned" the muscles to use, you can then continue that motion as neccecary.
@ Chris: The second picture/pair is easier. You just have to cross your eyes on that one until the two images line up, then just focus them.
Which makes me wonder why images like these in general are not set to "cross-eyed" 3D instead of "make your eyes spread apart" 3D.
Trying to get your eyes to "relax" or look at some imagined point far beyond what you are actually looking at until your eyes line up with the images is pretty difficult for most people I know.
Crossing your eyes is far easier and faster for everyone.
It's amazing to think that these SN remnants are cosmically speaking just like a puff of smoke after an explosion.
The photo is just great!
Once again, awesome. I have never seen the Cat's Eye in that much detail, the rings really come out and are very impressive.
With all my practice on the "Magic Eye" books, I have no problem crossing my eyes to make the third image appear. Took me all of three seconds to get the image.
Please, please, keep it up, I would even suggest a whole book of these images, if possible with all the copyright rules.
Thanks. Keep up the good work.
I've had at least 30 different people send me an email about the Cat's Eye nebula, telling me that NASA oficially describes this nebula as the "EYE OF GOD". Even though I do attend church on Sunday….. I think it's absurd that all these conservative Neo-Con's believe NASA oficially refers to NGC6543 as the Eye Of God.
Thank you much for the stereo images – they're great. I convert some of them into (red/blue glasses) 3D images for my family that can't cross their eyes to focus on the dual images.
Keep it up!
Beautiful! Seeing this famous image in 3D for the first time gave me a new perspective on SNRs. I had previously imagined them in 3D, but this is, of course, not the same as "seeing" them in 3D. I'd like to see the object renamed the "Sea Shell Nebula".
Doesn't work for me and I don't want to f*ck up my eyes. I gotta read a lot today.
Why don't you guys make a 3D video?
Speaking of the Hubble Ultra Deep Field picture – the last time I saw it profiled on the Science Channel they said it was a Million seconds of exposure time (I think) and talked about trying to get another Super Ultra Deep exposure of a million more or twice as long.
(I HOPE! How COOL would THAT BE???)
Has anyone heard anything about another extremely long or Super-Duper-Ultra-Ultra Deep Field?? The galaxies that were showing up in the UDF were fascinating because they were such goofy shapes AND were getting rather thinly spaced.
I'm wondering if they would see much of anything else at twice the exposure – that would be REALLY close if not right up to the Big Bang – wouldn't it?
What wonderful work by Jukka Metsavainio, a truly awesome pic. But only 1,000 years old … that seems like almost nothing in stellar time. A "dying" baby star?
The age of the star is based on many "ifs". For those having trouble seeing the stereo image, Wikipedia shows a single image which you can enlarge and at least take in the beauty of it.
It's easier if you look straight on and not above or below your monitor. Also try saving image to desktop and using Windows picture and fax viewer or a like app to enlarge it. I find it easier to get it into focus and the bigger pic is better.
While I'm posting, If it's not breaking with protocol and if its not too much trouble, I would like to ask this question again. Ref. the 02/06/09 UT article "Deep Hubble View of Unusual "Fluffy" Galaxy and Beyond". Sorry for my ignorance here…
Q. why are the bg galaxies, esp. the circled/captioned ones, not "all" showing a strongly red shifted spectral signature which we should expect when viewing the distant and accelerating, young early universe? Some are red, some are white and some are blue. I asked this before when the famous HST deep field image was published 3 or 4 years back and didn't get an answer.
Is it because these HST images are composites taken with multiple filters and we're seeing different chemical emission signatures. But then, it doesn't seem reasonable that we should have individual galaxies made up of unique element(s). So confusing.
Thank you Tammy,
I recall reading this at the time and I also recall asking (who/where?) the same question. The one para. that touches on the image colors seems, to me, contradictory.
"The galaxies unveiled by Hubble are smaller than today's giant galaxies and very bluish in color, indicating they are ablaze with star birth."
Makes sense if those (blue/white) objects were close by in our "non accelerating universe".
"The images appear red because of the galaxies' tremendous distance from Earth."
Does the statement mean the "objects in the images" appear red because some appear blue and some appear white. Could it be that some (red) are at or beyond the acceleration horizon and some (blue/white) are not?
" The blue light from their young stars took nearly 13 billion years to arrive at Earth. During the journey, the blue light was shifted to red light due to the expansion of space. "
Aghh!! What is the HUDF and GOODS cameras showing us or was this image rendered to show what was happening back then.
Still confused and before you guys give me a hard time, I truly have searched for this answer and if it was given to me, it certainly went completely over my head and yes I'm a bit embarrassed.
Ok Tammy,
So what I asked in my original Q. Is it the elemental chemistry that is showing color in the different objects? Based on your explanation, the answer seems to be yes. Now back to red shift due to acceleration. Do I understand that even though an object visually shows up blue or white that a spectral shift toward "red is detected instrumentally? And, that old cool red stars are "redder" due to the Doppler shift/acceleration.
Now another naive Q. How can an entire galaxy be "old" and red and right next door, another galaxy is new and "hot" and blue?
I know you busy…. I'll continue to research some more.
I forgot to say that I appreciate your taking time out for me.
Thank you once again . Will
Stereo is nice if you can get it, but more important is what causes the fundamental dynamics of the Cat's eye?
Notwithstanding the conventional assumptions, it has been observed that the X-rays emitted are from sychrotron radiation, electrons spiralling around a magnetic field, an electric current, therefore, electromagnetism is at the very least a component of the dynamics involved in the Cat's eye.
It would, therefore, seem advisable to explore and determine the extent of electromagnetism's role as a causative factor in the formation and development of the Cat's eye nebula.
I really can't get the stereo bit and I so want to! It's so beautiful even in mono. Should I move my eyes further or nearer to the screen? I've tried half an inch away, and across the room and all the way in-between, but a hint of where to start would help.
I can't keep my eyes crossed for long enough.
Thanks once again Tammy,
Still confused (too many variables but, I won't take any more of your time. I'll keep searching.

subset: commoncrawl


text:
Home/QuickSearch + Categories + Schedule
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Title: Ivory Covering Bronze
Author: Christine Leigh
E-mail: firstname.lastname@example.com
Web site: http://cleigh6.tripod.com
Rating: G
Category: V, M/S friendship, UST
Spoilers: "Oubliette," and a minor reference to "Little Green Men."
Summary: Season three. A continuation of the last scene in "Oubliette."
Archiving: If you would like to archive anywhere, I'd appreciate a quick note first.
Disclaimer: All characters are the products of Chris Carter. They also belong to Ten-Thirteen Productions and the Fox Network. No copyright infringement intended.
Ivory Covering Bronze
By Christine Leigh
Bright Angel Halfway House
Seattle, Washington
"Mulder, are you all right?" Scully felt a little awkward asking this, but as she had turned to look at him from her seat on the bed, she could see that he wasn't, and not knowing what else to do she opted for the mundane. He didn't answer her question. She wondered if he'd heard her. Time passed in minutes or seconds, she wasn't sure which, before he spoke.
"Lucy never had a chance, you know, and to be honest, I don't know that I'm sorry she's gone, Scully. Sad, yes, but I think this has to be better for her."
"Mulder, you don't really believe that."
"What did this life hold for her, Scully? Beyond the fast-food job and residing here, what was there? She was thirty and hadn't had a day of peace since her abduction twenty-two years ago. The fact is that she wasn't the kind of person that either of us would even notice if we'd encountered her under different circumstances. She was used, and old before her time. There was no one who loved her, and she probably wouldn't have wanted that or been able to deal with it anyway. There were no prospects for her. She was alone. More alone than anyone I've ever known.
*More alone than you, Mulder? You're the person most alone in the world that I know. Will that always be? I pray to God not, but sometimes I can't see you any other way. And believe me, I try. Are you ever going to not see Samantha in the Lucys we come across in our work? Are you ever going to be able to acknowledge that she's gone and not coming back? And if you do come to believe that one day, how will you structure your life from that point forward?*
"She had her friend here, Henry. He's terribly distraught over what happened."
"They were friends borne of a desperation to not want to be invisible alone. I'm sure he was genuinely affectionate toward Lucy, but it's not the same as having family or friends who aren't part of this environment."
"Mulder, it was only for a short period of time, but Lucy did have you on her side. I think she knew that you held her to be special, and that you believed what she was telling us all along. That may not seem like so much to most people, but to Lucy I have no doubt that it meant something. Have you considered that?"
Mulder looked at Scully, but didn't say anything. He was having a terribly difficult time with this. Truths be told, at this moment he, too, was feeling used and very old for his years. He didn't know any other path in life than the one he'd been on since Samantha's disappearance, and at times lately, he couldn't remember the details of his existence that had come before that happened. His eidetic memory seemed to contain a sieve, and those things that he'd held to be good so long ago were slipping through it. What if he never saw Samantha again? He wanted to remember those times. The pieces of his past life that had been circling in his brain throughout the duration of this case had finally coalesced into realization, and had then combined with his concern for Lucy to kick him in the emotional gut harder than he'd been kicked in a long time. As he'd knelt next to her body on the stretcher, he had been unable to hold back the tears.
He moved to sit down again next to Scully on the bed. He'd been so exasperated with her a few days ago, but that had dissipated as it always did, and now he was relieved to have her presence. More than relieved, actually -- he needed it. He wondered if she knew this about him. He should tell her, he thought. But then he thought the better of that; he still was afraid that one day, without ceremony, that she'd leave. Better to keep things on an even keel. Frankly, though, he didn't know if he had it in him any longer to work a case like this without her along for the ride. He didn't want to think about the possibility of ever having to do that, so switched gears back to the matter at hand. He wanted to attend Lucy's funeral, assuming that it would be held soon. He didn't know if Scully would be able to stay a few extra days, but hoped that she might be willing. He felt her hand on his. She was holding it, and squeezing it gently. She'd done that before once, after they'd returned from Puerto Rico. He remembered that.
"Mulder, I checked with the director here. They're planning to hold Lucy's funeral on Saturday. Would you like me to look into switching our plane tickets?"
I should tell her.
He remembered a day in late May. It had been warmish, but not yet summertime-warm. Samantha had come home from school with a great, big "A" scrawled across the spelling test she clutched fiercely in her small hand. She'd been so proud, and had a grin two miles wide on her seven-year-old face. That had been about a year before she'd been taken.
"Do you mind staying, Scully?"
"No. I want to."
*Just let me be with you, Mulder. I can do that. I want to do that. You don't have to be alone all the time.*
"Thank you, Scully."
"Mulder, would you like some lunch? Or maybe a drive first, and then lunch? I've been to the Seattle area once before, but didn't have time to see anything. Or we can just stay here as long as you'd like. It's your call. Tell me what you'd like to do."
"Lunch and a drive? Sounds good. In either order." He rose then, taking Scully's hand and pulling her up with him.
"I'm ready to leave, if you are."
"I am."
He took a last glance at the pictures scattered on the bed. Lucy looked so ordinary in them. Just another school girl. He hoped that Amy Jacobs would one day fully know and appreciate what had happened to allow her life to be spared.
And then there were other things to learn to hope for.
Mulder looked down to the hand that still held his. The sight of their contrasting flesh tones always amazed him, and at the moment he found it particularly touching.
Ivory covering bronze. It was beautiful.
If you enjoyed this story, please send feedback to Christine Leigh
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Techtextil 2017
09.05.2017 - 12.05.2017 — Hall: 3.1 Stand: D 72
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text:
Faculty and Staff Directory 2017-2018
Muhammad Diwan, Superintendent email@example.com
Mona Halaby, Human Resource Manager / Operations Manager email@example.com
Soulafa Amer, Academic Counselor email@example.com
Maria Peracha, Finance & Student Records email@example.com
Mostafa Albar, Tanzeel Academy Director firstname.lastname@example.com
Reema Al-Manasrah, Administrative Assistant email@example.com
Faculty (Listed in first name alphabetical order)
Position: Secondary Language Arts & Elective
Abdelkarim Edghouch
Position: Boys Hifz
Primary Room Number: ICI Library
Almas Mujahid
Position: 2nd Grade (B) Homeroom Teacher
Primary Room: 2nd class on the right in the new bulding
Amira Baker
Position: 1st Grade (A) Homeroom Teacher
Primary Room: 1st classroom on the right in the new building
Anita Ab. Rashid
Position: Secondary Mathematics
Primary Room Number: 206
Asif Ahmed
Position: High School Science
Primary Room Number: 207
Brenda Bleakney
Position: Kindergarten (A) Homeroom Teacher
Primary Room: Portable A
Fareeda Abdur-Rahman
Position: High School English-Language Arts
Primary Room Number: 210
Farnaz Yasmin
Position: 3rd Grade Math and Science Teacher
Primary Room Number: 4th room on the left side of the new buliding
Farzana Iqbal
Position: Pre-K4 (A) Homeroom Teacher
Primary Room: Portable C
Farzana Islam
Position: Kindergarten (B) Homeroom Teacher
Primary Room: Portable B
Fatme Aboulniaj
Position: Pre-School TA, Quran, Arabic & Islamic Studies
Primary Room Number: Portable C
Rabiya Zeeshan
Postition: Technology Support
Fazlur Abdi
Position: Secondary Mathematics
Primary Room Number: 205
Hamdiya Umar
Position: Specials K-5th Islamic Studies & Quran Teacher
Primary Room Number: 226
Sh. Hasan Khalil
Position: Department Chair of Islamiat and Qur'an Studies
Primary Room: 219
Hiam Algwaider
Position: Elementary Arabic
Primary Room Number: Portable 3
Hussein Shardow
Position: 5th Grade Math and Science Teacher & (B) Homeroom
Primary Room Number: 118B
Kendra Montemayor
Position: Physical Education & Health Teacher
Primary Room Number: 217
Khalidah Bilal
Position: 2nd Grade (A) Homeroom Teacher
Primary Room: 1st class on the right side of new building
Khalil Jourane
Position: Secondary Science
Maryam (Suzanna) Muhammad Affandi
Position: PK4 Part-time teacher
Massouda Ansari
Position: Secondary Islamic Studies Teacher
Primary Room Number: 205
Mohamed Bounemri
Position: Physical Education & Health Teacher
Primary Room Number: 217
Nabila Ramadan
Position: ECH & 1st Grade Arabic & Qur'an Teacher
Primary Room: Portable D
Nadia Rahim
Position: 7th Grade Social Studies-Texas History
Nahid Mataal
Position: 3rd Grade ELA and Social Studies Teacher
Primary Room Number: 3rd classroom on the left side of new building.
Nahil Hamam
Position: Elementary Quran & Arabic
Nancy Hussein
Position: Fourth Grade Language Arts & Social Studies (B) Homeroom
Position: Girls Hifz
Primary Room Number: Musalla
Rasheeda Sayed
Position: Secondary Social Studies
Ruba Qewar
Position: Secondary Quran, Islamic Studies, & Technology
Sana Darwish
Position: Fifth Grade Language Arts & Social Studies (A) Homeroom
Saousan Samman
Position: Secondary ArabicPrimary
Sarah Khatri
Position: 1st Grade (B) Homeroom Teacher
Primary Room: Portable 6
Sarah Rizvi
Position: Elementary Islamic Studies
Shagufta Wajahat
Position: Secondary Science Teacher Primary Room Number: 207
Shahina Khan
Position: Teacher Asistant
Primary Room: Portable A
Tehmina Bilal
Position: 6th Grade Language Arts, Social Studies, Mathematics & Science
Yolanda Roa Position: PK3 Homeroom TeacherPrimary Room Number: Portable D
Zainab Coleman
Position: Fourth Grade Math & Science & Homeroom (A) Teacher
Early Learning Center and Day Care Center
Saeda Aljurf, Director


text:
Anchor on a beautiful blue background, will surely make a statement. The rope accent gives it maritime flair.
2' x 4' hand hooked rug
Made with 100% natural wool.
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Home > WORDWAYS > Vol. 39 > Iss. 2 (2012)
Article Title
I remember loving to converse in Pig Latin (PL) when i was young. (To speak it, start each word with its first vowel, move the preceding consonant/s to the end and add a long A.) Some PL has even entered the language through frequent use (ixnay; amscray!). A couple of PL allusions in the November 2005 Kickshaws inspired me to seek words which in PL become other words phonetically.
Recommended Citation
"Igpay Words,"
Word Ways: Vol. 39
, Article 12.
Available at: https://digitalcommons.butler.edu/wordways/vol39/iss2/12


text:
Discover the Best Products for Removing Rust from Vehicles
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This car rust remover is an exceptional metal power tool and it's very reasonable in terms of price. All rust removal products are not equal. This one excels by offering tangible, practical advantages, while also being quite simple to use. For example, when you choose this handy device, you'll be able to grind away rust and dirt, without grinding away "healthy" material. It only removes what you want it to, so you'll have the ability to get results without thinning materials more than is necessary.
The MBX blaster is a wire-brush electric power tool which operates via centrifugal force and delivers awesome precision and power. It's also easy to maintain. This product is a perfect choice for those who are serious about rust removal and surface preparation.
If you want to remove rust stains from your vehicle or other types of machines or items, you'll find that this rust stain remover is extremely versatile and effective. It's a heavy-duty formula with a neutral PH level and it's able to remove ugly rust and oxidation from aluminium and steel items, as well as from an array of other materials.
Lift away rust stains in no time flat without risking damage to materials! You won't need to grind down the surface in order to get results, so this product offers a lot of usefulness and tons of convenience for a low price. In fact, It's one of the easiest ways to enjoy superior rust stain removal which isn't labour-intensive.
Now that you have the inside scoop on rust removal products, why not order some today? Explore your choices at Rustbuster Ltd.
Latest posts by Hannah Greenwood (see all)
- Discover the Best Products for Removing Rust from Vehicles - May 13, 2016


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Trying to lose weight in a healthy manner is frustrating and sometimes confusing. There are several weight loss plans designed for the masses, but you need to know what ones will benefit you. To get on the right track, contact Dr. Urshan's Tampa Weight Loss Clinic and talk to a weight loss professional. He will be able to help you find out why you are finding it so difficult to lose the added weight and develop a weight loss plan that is based on your individual need.
Individual weight loss plans often include:
Dr. Urshan understands that every person is different. That means their weight loss plan and requirements will be different as well. He uses state of the art technology to develop proper diets and well rounded exercise programs that help his patients reach their weight loss goals. The doctor does not use pills or medications. Instead he works to reset and regulate a person's metabolism to get them back on the road to good health.
Contact Dr. Urshan and the medical professionals at your local Tampa weight loss clinic to find out how we can help you reach your target weight. We understand how frustrating and confusing it can be when you try to do it on your own. We can help those in South Tampa, Carrollwood, Temple Terrace and nearby areas through the process and help you understand how the body works. When you talk to our medical staff, you will be able to more fully appreciate the importance of losing weight the right way.


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ALMOST half the 700 staff at Speke's doomed GlaxoSmithKline plant have already found new jobs.
And many have been head-hunted because of their key skills in the pharmaceutical industry.
Workers at the Speke Boulevard plant were devastated in June, 2001, by the announcement that the plant was to close in summer 2004.
Union leaders and local MP Maria Eagle campaigned to save the factory, but bosses confirmed their decision to axe the site.
Now employers from Mersey-side and around the north west have snapped up Glaxo workers, with more than 300 already find-ing work.
Nearly 60% have left for new jobs or started their own businesses. A further 11% have gone on to further or higher education.
Speke plant human resources director David Hay said: "We are pleased with the interest being shown in our staff by various companies in the area.
"However, a further 350 people will leave us by June of next year and we are busy contacting other firms to find further employment opportunities for them."
Lots of the redundant staff have joined other pharmaceutical companies in Speke, Cheshire and North Wales.
Moves by the North West Development Agency to develop the biotech industry in the region, as well as the expansion of firms like Airbus in Broughton, are also boosting jobs optimism.
Mr Hay said: "Our staff are already highly skilled but we are also providing a £1m retraining package to even better prepare them for life outside GSK."
He revealed that one of the plant's operators is just completing his training to become a commercial helicopter pilot.


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To have a check returned or bounce after it has been deposited into an account can happen and is not entirely uncommon. Just because a bank accepts a deposit and makes the funds from that deposit available to the account holder, this does not mean that the check will clear or will not bounce at a later date.
Funds availability for deposits is established by the bank where the account is held and by the regulations established by the Federal Reserve. The Federal Reserve sets the maximum amount of time a bank may hold depositors funds, the individual bank may set availability policies that are more lenient but not more restrictive than those established by the Fed.
Federal regulations that set the time on check holds and funds availably do not prevent banks from recovering funds related to checks or electronic deposits that are returned unpaid, even when the bank has already given the consumer use of the deposited funds.
The hold time for checks and other deposits are designed to help protect the bank and the bank customer from fraudulent payments, payments drawn on accounts with insufficient funds, or payments from accounts that have been closed. In general, the hold times on a deposit is established to ensure the checks and other deposits made have sufficient funds available to clear the payer's bank account.
Every bank must provide its customers with a copy of their Funds Availability Policy. Regulation CC requires that financial institutions provide customers who have a transaction account with disclosures stating when their funds will be available for withdrawal that describes its practices for making funds available for withdrawal after deposit. However, the funds that are made available for withdrawal by the bank is not an assurance that those deposits are good and that any checks that are deposited will not bounce after the funds have been made available.
While many consumers may believe it is the bank's responsibility to clear the funds and make sure the check or checks deposited are good, the account holder is responsible for any funds they withdraw against the checks deposited regardless of whether the funds were made available by the bank.


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Ciara Shows Off Her Major Baby Bump at Breakfast with Russell Wilson
Ciara is all smiles as she makes her way to her car on Thursday morning (January 17) at The Montage Hotel in Beverly Hills, Calif.
The 31-year-old singer showed off her major baby bump in a tight olive dress as she was joined by husband Russell Wilson for breakfast.
PHOTOS: Check out the latest pics of Ciara
Ciara recently opened up to Cosmopolitan South Africa about her decision to abstain from sex with Russell before their wedding.
"You shouldn't feel like you have to give your body away to get someone to like you," Ciara said.


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Aquiana is property of Valentin 98.
Aquiana (Full name: Aquiana Emma Matricea) is an Aquos Fusion Dragonoid of Matrix who can form Oscurare with Daemon. She is also a Bakugan belonging to Valentin and a Bakugan of the Brotherhood of Matrix.
Aquiana is an Fusion Dragonoid of the Matrix Aquos Attribute. She can unleash a barrage of powerful torrents at her foes, and can also use ice-related powers along with her base Aquos powers and the powers of the Matrix Aquos Attribute. Aquiana can also form the powerful Oscurare with Daemon.
Aquiana is quite savage and merciless in battle, unlike her ally Daemon, who shows mercy. However, Aquiana is honorable and is willing to fight fairly in battle.
Family and RelationshipsEdit
Fusion StrikerEdit
Aquiana is attracted to Striker, and the same can be said for Striker towards Aquiana. As a result, the two have started a relationship, despite Arashi's jealousy. Though the two can act a little odd around each other, they care for each other, and therefore will stick together even through tough times. Aquiana also shares Striker's view of dealing with those who commit evil acts, especially those who pick on the innocent.
Arashi is very upset by Aquiana's and Striker's current relationship, and normally shows it, as Striker and Arashi once had a relationship together. Aquiana thinks of Arashi's battle prowess as a weakness, as she is very is very aggressive and has a certain battle style. Arashi, on the other hand, does not tolerate Aquiana's viciousness in battle, and sees it as recklessness.
Powers and AbilitiesEdit
Ability CardsEdit
Fusion Ability CardsEdit
Matrix Ability CardsEdit
Gate CardsEdit
Human FormEdit
Bakugan FormEdit