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Citizens of Dewey Park – Occupiers, Organizers, and the 99%
by lydiasee
Late Tuesday night, I headed to Dewey Park to find out how I could be of service to the Occupy Movement. After participating in the march on Monday and witnessing via a live feed (and twitter) the arrests at Rose Kennedy Greenway late monday night (see previous posts), I realized that I have never felt more politically motivated or mobilized. Unfortunately, I was feeling that there wasn't a lot I could do other than spread the word, take pictures, and participate in an ongoing dialog with the Occupiers, my peers and family, students at my college, and countless individuals through social media outlets.
What I realized at about 1am Wednesday morning was that what I have already been doing is exactly what is needed. Those individuals who can occupy, or must occupy, do. Those who have medical training volunteer to attend to those injured, ill, or in need of some water or a cough drop. Those who are able, hold positions in the OccupyBoston Camp as cooks, legal advisors, media coordinators, logistics supervisors, and anything and everything in between. I take pictures. I am a documentarian and an anthropologist. I am a publicist and an interdisciplinary media liaison. I am a communicator through the written word and through images, and I am honored to be able, and humbly encouraged, to use this as my focus of aid in this capacity.
Armed with little else other than my camera and a positive attitude, I arrived at the Camp a bit after 10pm Tuesday, and immediately bumped into several acquaintances who were seeking the same information I was: "How do we help?" and we parted ways, each seeking an answer to our query. As if by some force, the next few hours were spent in the company of several remarkable, intelligent, and motivated individuals, people who occupy positions in the camp as everything from Volunteer EMT, to Media outreach, to providing food to those who are hungry.
What follows is the beginning of a photojournalistic project devoted to, and inspired by, those who are reminding all of us that WE are the 99%, and making it possible for those who Occupy to do so as safely, comfortably, and civilly as possible.


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Things are getting very ugly and very fast for The Bachelorette's Ed Swiderski and Jillian Harris, as two of Ed's ex-girlfriends are now talking publicly. Both say Ed was intimate with them before, during and after "The Bachelorette" was filmed. Their story will be US magazine's cover story for this week's issue.
Bethany Steffen and Lindsey Johnson (both pictured above) have both sold their stories to USWeekly magazine. Jill Martin of Us Weekly said, "It's the ultimate deception — Ed wasn't living a double life, he was living a triple life!"
Lindsey, the blonde in the above picture, says she dated Ed for a year — and he promised that they'd be engaged before the end of 2009. She even drove him to the airport on March 25, where he assured her he'd only be on the show for two weeks.
Ed kept in touch with both women via text and email while filming. On April 10, he allegedly wrote Lindsey, "I'm going to molest you when I get home."
The most shocking news of all? Both women say they were intimate with Ed when he abruptly left the show on April 15, telling Jillian that he had to leave the show "to work" in Chicago. While in Chicago, Ed then told Bethany and Lindsey he needed to fly to Texas on business, but returned to the show and attempted to win Jillian back.
On April 23, Ed reportedly emailed Bethany, writing, "I was really hoping to grab your ass." Ed popped the question to Jillian on May 24. Days later on June 3, Ed allegedly texted Bethany, asking her to come by and "bring beer and condoms."
I really have no words for this story. The source of this story is Extra, as told to them by UsWeekly. More on this story will be in this week's issue of US Magazine. Feel bad for Jillian, it's practically impossible to build a lasting relationship that's based on lies and deception.
UPDATE: If anyone has better photos of either Lindsey or Bethany, please feel free to send it in to us at [email protected] Thanks.

subset: commoncrawl


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Quote: Either way I cant find it
Quote: I ponder if that gives Ed any intellectual copyright, rights?
Quote:10 mins. smiling with your eyes closed"does receiving oral sex count?"10 mins. concentrating on your finger-tips (without the smile)"Happens every New England winter in a non-heated dojo...and I can't even imagine 2-person kobudo with freezing temps.BP, people don't have to follow some kind of arbitrary initiation ritual to understand IMA concepts.
Quote:I think the argument on chi is pretty silly. Whether it does or doesn't exist doesn't matter.
Quote: It matters because there are people, other than yourself, who wants to explore new things
Quote:I think the argument on chi is pretty silly.
Quote:does or doesn't exist doesn't matter.
Quote:It's symantics really.
Quote: When I do my techniques and incorporate the "Ki" aspects of them they work better, period. So, why does it matter if you call it Ki, Qi,Chi, proper body mehcanics/physiology/kenisiology, etc?
Quote: If you get the desired results, I don't see the point of arguing the terminology of common experiences. One person sees magic, one person sees tricks, one person sees good form in technique, and one sees internal connections of energy to the universe at large; they're all right if they get the results they were aiming for.
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text:
Got game? NASA wants to know
Circuit: CDC buys plot in Web 2.0 world
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Can stakeholders and activists take this White House at its word that it is sincerely interested in advancing open data and open government policy?
These early-career leaders already are having an outsized impact on government IT.
Microsoft went to court to take down websites it believes to be part of a foreign intelligence operation targeting conservative think tanks and the U.S. Senate.
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BASINGSTOKE MP Maria Miller has hit back at what she says are "misleading and inaccurate statements" after a national newspaper reported she claimed £90,718 in expenses for a second home where her parents live.
On Tuesday, The Daily Telegraph detailed the Culture Secretary's expenses claims made between 2005 and 2009 for her home in Wimbledon, south London.
The article claimed that having her parents living there had put her "at odds with parliamentary rules". It said the Parliamentary Standards Commissioner had ruled that second homes must be used "exclusively" by MPs in fulfilling their parliamentary duty, and housing a politician's parents was "specifically prohibited".
The story revealed that during the relevant time between 2005 and 2009, Mrs Miller said the Wimbledon property was her second home and she claimed expenses on mortgage interest payments, utilities, and council tax.
In response, the mother-of-three has said her parents lived with her, her husband, and their children before she was elected in 2005, and she added that both need care for medical matters, which is recognised by the current parliamentary rules.
In a statement to The Gazette, she said: "For a considerable time before I entered politics, my parents have lived with me, my husband and our children as part of our family. I have always been open about these arrangements.
"Prior to my election as an MP, my father's health deteriorated, and shortly after I was elected in 2005, my mother suffered a severe stroke that has left her permanently incapacitated.
"Since 2005, my parents have continued to live as part of our family and I have ensured that they receive the support and care that they need.
"After I was first elected as an MP, I explained my family circumstances to the House of Commons fees office. They advised that I should designate my Basingstoke address as my main home as this is where I spent most time as a backbencher.
"The cost of maintaining each home was more than I claimed in relation to expenses. There was no financial advantage as to which home was designated."
"The current IPSA rules ensure that MPs with caring responsibilities are recognised within the expenses system, including those with responsibilities for disabled and elderly family members."
Mrs Miller, who has been at the heart of the debate over Press standards following the publication of the Leveson Report, has criticised The Daily Telegraph for speaking to her elderly father when they knew she was not at home. She said: "My father is ill-equipped to deal with such enquiries, and indeed the editor has apologised."
Mrs Miller concluded her statement by saying: "It is deeply regrettable that The Telegraph considers that it is right to run this story, despite the fact that I have given them the information as to the true picture.
"My personal circumstances, as a mother with caring responsibilities for elderly and disabled parents, does not fit into the traditional stereotype of an MP.
"Newspapers should be supporting MPs who take their family responsibilities seriously, thereby encouraging more diverse representation in Parliament."
Hours after the original story emerged, Labour MP John Mann urged John Lyon, the Parliamentary Commissioner for Standards to investigate the claims. The Bassetlaw MP said Mrs Miller's arrangement was ''identical'' to that of former Labour minister Tony McNulty, who in 2009 was required to pay back more than £13,000 in expenses claimed on a second home occupied by his parents.
However following her criticism of the broadsheet, a front-page follow-up article today said that Mrs Miller's special advisor warned Telegraph reporters of her connection with the debate over potential press regulation. The paper said it published the private conversation as a warning "amid widespread concern about the potential dangers of politicians being given a role in overseeing the regulation of the press".
Mrs Miller made her last claim relating to the London property in April 2009. Since 2011, she has declared it as her main home, which means she cannot claim expenses for it.


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Ben Roethlisberger is back in the house, but the Pittsburgh Steelers continue to struggle with injuries along their battered offensive line.
Relive every game this season online and on-demand with enhanced viewing features, including the "All-22" coaches film. Get NFL Game Rewind.
Gerry Dulac of the Pittsburgh Post-Gazette reported Sunday night that starting left guard Willie Colon aggravated his previously injured knee during Sunday's 34-24 loss to the San Diego Chargers and likely won't play again this season.
According to the longtime beat writer, the Steelers plan to move All-Pro center Maurkice Pouncey to Colon's spot, with Doug Legursky taking over the middle position. It's not an ideal fix for the 7-6 Steelers, but coaches believe Legursky is better suited at center than guard because he tends to play with his "shoulders square to the line of scrimmage," Dulac noted. Rookie David DeCastro also looms as an option at left guard.
Despite an eternal stream of O-line combinations for the Steelers, the primary goal remains unchanged: Keep Big Ben safe and sound from defensive behemoths everywhere.
Follow Marc Sessler on Twitter @MarcSesslerNFL.


text:
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The Massachusetts Supreme Judicial Court, in partnership with Suffolk University Law School, provides live Internet broadcasts of oral arguments before the court. The next sessions to be broadcast will take place at 9 a.m. Monday and Tuesday Feb. 8 and 9, and Thursday and Friday, Feb. 11 and 12, 2010.
The arguments may be viewed and heard online, where a schedule and brief case summaries also are available.
The Massachusetts Supreme Judicial Court and Suffolk University established a pilot program in 2005 to provide attorneys, students, media, and the general public with live Internet broadcasts of oral arguments before the Supreme Judicial Court.
The Law School will continue to broadcast the oral arguments before the court during the first full week of each month from September through May when the court is in session. The arguments are archived for easy access.


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Patton Gleason is the first to admit he can't sell. And just over a year after going live with his online start-up, the Natural Running Store, he hasn't had to try.
"I'm a terrible sales guy. I'm awful at it," Gleason says. "But I really do like this idea of 'can a relationship really be your big marketing vehicle?'"
Turns out, it can. By wowing customers with unheard-of service, Gleason has come close to replicating the in-store experience online. In doing so, he turned the Natural Running Store into a serious competitor in the running shoe arena.
And he's done it without spending a nickel on outside advertising. The key has been to give online buyers a very personal touch and create bite-sized content for social media.
"It is 1000% a hustle in relationships," he says.
The result: high search engine rankings, dozens of features on like-minded blogs and a profitable, growing business.


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Purdue forage specialist: Evaluate alfalfa stands this fall
October 18, 2013
WEST LAFAYETTE, Ind. - Farmers should not ignore alfalfa fields after the final harvest of the season but instead should assess stands to determine if any limestone, nutrients or reseeding plans are necessary, a Purdue Extension forage specialist says.
Alfalfa is a high-quality forage well suited as a component of many rations for ruminant livestock and horses. The perennial plant requires a higher soil pH, ranging from 6.6 to 7.2, than most other forages and agronomic crops. Because changing soil pH can take time, Keith Johnson said producers should look at their alfalfa stands now to see if they are adequate or if new seeding should be planned in the spring of 2014.
"Producers should evaluate the density of the stand and determine if soil fertility, diseases, too frequent harvest or other stresses might be the reason for the decline," he said.
Over time, alfalfa plant density naturally lessens. Thickening a stand is difficult because alfalfa does not readily reseed itself, and over seeding is not successful because of competition with existing plants and autotoxicity - a process in which established alfalfa produces a chemical that can reduce establishment and growth of new plants.
According to Purdue University research, a satisfactory population is approximately 35 well-growing stems per square foot. Knowing the plant density gives producers a benchmark to measure how well their alfalfa is doing.
"If the stand is thin, it may be wise to consider establishing a new field in 2014," Johnson said.
When choosing a new field location, growers need to remember that alfalfa prefers a well-drained and deep soil. They also need to review labels of herbicides used in fields in 2013 for the plant-back restriction for alfalfa.
Something else Johnson said growers should consider is soil testing.
"If a soil test has not been taken in the past couple of years it would be advised to get one taken immediately," he said. "If soil pH is low, growers should follow through with limestone application yet this fall. Soil pH change is not immediate after limestone application, so getting it applied at least six months in advance of seeding is best."
Information about alfalfa production is available in Purdue Extension's Forage Field Guide. The guides can be purchased for $7 each from Purdue Extension's The Education Store by searching ID-317.
Writer: Amanda Gee, 765-494-8402, email@example.com
Source: Keith Johnson, 765-494-4800, email@example.com
Ag Communications: (765) 494-2722;
Keith Robinson, firstname.lastname@example.com
Agriculture News Page


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posted by Thom Holwerda on Mon 11th Jul 2011 16:19 UTC, submitted by Richie
The AROS project has published a year-in-review item... In July. But alas. "Once again, the news has been long delayed, mainly because we've been too busy adding features and fixes to AROS. In fact, so much has happened in the last year that what follows is only a selection of highlights."


text: The new S-Series vibratory feeders are ideal for handling a wide range of light-duty free-flowing products, including foods, ingredients, and chemicals. Pre-engineered sizes allow quick and easy selection and delivery. The simple design includes an energy-saving, low horsepower motorized vibratory drive and easy-to-maintain FRP leaf springs. Units can be base mounted or suspended overhead for simple integration into existing processes. General Kinematics Corp., Crystal Lake, IL 815-455-3222 www.gkprocess.com


text:
By Phil Stewart
WASHINGTON (Reuters) - A decorated Vietnam veteran acutely aware of the limits of military power, Chuck Hagel is likely to favor a sizable drawdown in Afghanistan, more frugal spending at the Pentagon and extreme caution when contemplating the use of force in places like Iran or Syria.
Obama's decision to nominate Hagel - a Republican former senator who split with his party to oppose the Iraq war - as U.S. defense secretary came despite a public lobbying campaign against his candidacy in recent weeks by a host of critics, some of whom seized upon past remarks to argue he is anti-Israel.
Hagel's supporters deny that, but are bracing for a tough confirmation battle in the Senate. Obama, as he announced the nomination, called Hagel the kind of leader U.S. forces deserve and pointed to his sacrifices in the Vietnam War, where he earned two Purple Hearts - the decoration for troops wounded in battle.
"Chuck knows that war is not an abstraction," Obama said. "He understands that sending young Americans to fight and bleed in the dirt and mud, that's something we only do when it's absolutely necessary."
Hagel, who would be the first Vietnam veteran to take the job, would succeed Defense Secretary Leon Panetta, 74, who is retiring from public life after a more than four-decade career in government that included leading the CIA during the covert raid to kill al Qaeda leader Osama bin Laden in 2011.
The blunt, 66-year-old Hagel will need to take over where Panetta leaves off, orchestrating a drawdown in U.S. forces in Afghanistan intended to bring the combat mission to a close by the end 2014. Hagel and Panetta were due to dine together on Monday night to discuss the transition.
The Afghan drawdown's pace is an open question, as is the size of the residual force the United States will leave behind. Obama is again showing his readiness to veto the military brass, considering a lower range of options - keeping between 3,000 and 9,000 troops in Afghanistan - than his top commander in Afghanistan proposed, one U.S. official told Reuters.
Hagel has not yet commented on the matter, but Obama would likely not choose a Pentagon chief who fundamentally disagreed with him on that or other key issues.
Hagel, who fought alongside his own brother and suffered shrapnel wounds in Vietnam and burns to his face, has made no secret of his reservations about what the military can accomplish in Afghanistan.
"We can't impose our will. The Russians found that out in Afghanistan. We've been involved in two very costly wars that have taught us a lesson once again," Hagel told PBS's "Tavis Smiley" show last year.
Unsurprisingly, he also is extremely cautious about what could be done in Syria. "I don't think America wants to be in the lead on this," he told Foreign Policy magazine in May.
Hagel's first-hand experience in war may win respect inside the Pentagon. He volunteered for the Vietnam War as an infantryman. He would become be the first defense secretary who started and ended his military career with an enlisted rank, as opposed to serving as an officer - an important distinction in wartime.
The enlisted ranks are "the ones who have the least say about where, when, and why we go to war, but bear the harshest consequences when we do," Matt Pottinger, a veteran of the Iraq and Afghanistan wars and a former journalist, wrote in a piece on the "The Daily Beast" website applauding Hagel as a candidate to become defense chief.
Obama on Monday quoted Hagel saying: "My frame of reference ... is geared towards the guy at the bottom who's doing the fighting and the dying."
Hagel's comments on Middle East issues, including on Israel, are likely to complicate his Senate confirmation. House of Representatives Majority Leader Eric Cantor, a Virginia Republican, said in a statement on Monday he is "profoundly concerned and disappointed" by Hagel's nomination.
Critics including Abraham Foxman of the Anti-Defamation League, a group devoted to fighting anti-Semitism, have raised questions about Hagel's past comments, including one during a 2006 interview in which he was quoted as saying: "the Jewish lobby intimidates a lot of people up here." Hagel also has faced criticism for urging direct talks with Iran.
Many foreign policy heavyweights have come to Hagel's defense, including former national security advisers Brent Scowcroft and Zbigniew Brzezinski, who served Republican and Democratic presidents respectively, and former U.S. ambassador to Afghanistan and Iraq Ryan Crocker.
Questions remain about Hagel's approach to the defense budget.
Panetta has said the U.S. military would be hollowed out if $487 billion in planned spending reductions over the next decade are doubled - something that would happen if Obama and Congress fail to agree by the end of February on a way to avert automatic cuts due to kick in.
But Hagel said in an interview last year with the Financial Times: "I think the military needs to be pared down. I don't think the military has really looked at themselves strategically, critically in a long, long time."
His position in favor of deficit reduction raises questions about possible cuts or schedule delays to big weapons systems like Lockheed Martin Corp's F-35 Joint Strike Fighter, according to Jim McAleese, a defense consultant.
McAleese also named as being at risk of cuts or delays the Army's planned Ground Combat Vehicle, the V-22 Osprey built by Boeing Co and Bell Helicopter, a unit of Textron Inc, and the Navy's early work on developing a new ballistic missile submarine. McAleese said final decisions would be up to Congress, where such programs enjoy strong support.
(Additional reporting by Andrea Shalal-Esa; Editing by Warren Strobel and Will Dunham)


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Another day, another arrest involving the ever so classy Teen Mom couple Amber Portwood and Gary Shirley.
TMZ is reporting that Gary, 23, was arrested yesterday in Indiana for driving on a suspended license. He was arrested at 1:34 AM for "driving while suspended" — a Class A misdemeanor — and taken to jail. He was held on a $3,000 bond and has since been released.
But get this, Amber was somehow involved in the arrest. See the arresting officer revealed in a police report that he only approached the vehicle after hearing Gary and his baby mama Amber screaming at each other inside a car.
The concerned officer approached the vehicle and says Gary introduced himself and Amber as the couple from "Teen Mom." Yes he did. The officer then asked for some ID and after running a check on Gary's license — it came back suspended, so he ordered Gary out of the car.
Oh but it gets
worse better. The cop reveals in the police report, "I placed Mr. Shirley in two sets of handcuffs due to his size." Ouch.
Gary's lawyer Jeff Lockwood tells TMZ he is not concerned about his client getting a jail sentence since this is "a traffic violation and Gary doesn't have a previous criminal history." Gary's mugshot is below –


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Two women and a man, arguments, deer heads, a motor home, alleged theft … some days you can't make up this kind of story.
A Florida woman was arrested after two deer heads were left in her possession by a couple who had stayed with her for a brief time. The trio argued, the couple departed and took most of their stuff — but not the deer heads. Those stayed with the woman who let the couple stay with her, and she put the heads in her motor home.
OK, so far we have the making of a bad Bing Crosby-type road movie on two bottles of cheap hooch, a pack of unfiltered smokes and no firm destination. We just need a snake, fuzzy dice to hang from the mirror and a NASCAR race on the radio.
Oh, but wait. There's more.
The woman who was tossed (after the argument) returned for the heads. The woman who had them said she couldn't take them, and later after more back-and-forth with the man (who was tossed, after the argument) the two deer heads couldn't be found.
An alleged exchange of money was to have been involved between the couple and the woman, too, of course. Money? What money? Where are the deer? That neighbor has them? He doesn't? Holy whitetails! Who has the moonshine? Let's turn this into a partay!
The two deer heads have not been recovered. Yet. Perhaps they're cruising the country.
Read the full story here in the Northwest Florida Daily News.


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How to
Survive Love Winter in Iowa
For some of us, whether we like the cold or not, we are somewhat used to winter in Iowa: the snow, the sleet, the wind… the painfully frigid wind. But as you've met people on campus, you've undoubtedly noticed that not everyone is from the Midwest. There are many of us who have never seen real snow and probably are not prepared for a real winter. For those warm weather Gracelanders, we'd like to offer a "how to" on the art of loving winter in Iowa.
Have Fun
Winter isn't just something you have to survive. It offers its own opportunities for recreation and fun!
While obviously having a ton of fun... notice many examples above of how NOT to dress for winter in Iowa.
Things to do:
- Build a snowman
- Have a snowball fight (Please be gentle.)
- Make snow angels
- Take pictures (There are some beautiful photography opportunities. Use your photos to make a calendar or send prints back home!)
- Go sledding/snow tubing
- Go for a hike
- Build an igloo/snow fort
- Play games (capture the flag, flag football, etc.)
- Play ice hockey (Please, please make sure any body of water is Completely frozen before attempting this!)
Be PreparedYou're going to experience days with single digit high temperatures, so the more gear you have, the better!
- A coat. Not a jacket. A coat. - This is essential to avoid being completely miserable. The thicker and fuzzier, the better (down is the warmest).
- Gloves/Mittens (or both) - Your hands can get cold quicker than almost anything else. And, if you're not careful, frostbite is not unheard of on those super cold days. Even the simplest pair of gloves can keep your fingers pain-free but consider a more intense version if you intend to go out and play in the snow.
- Hat - Keeping your head and ears warm is a very simple way to make walking across campus to eat or go to class something you don't completely dread.
- Scarf - A scarf keeps your neck warm, a part of your body you wouldn't think could have so much impact on your overall comfort level. You might be surprised...
- Warm socks - Nothing is more miserable than cold toes. Talk about ouch. Your toes are also the hardest to warm up after coming in from the cold. Do yourself a favor and do whatever is necessary to keep your piggies warm.
- Boots - Boots are another part of your winter wardrobe that will help to keep your feet warm (remember how important this is?). Tromping through blowing snow and drifts is a whole lot less awful if you can keep your feet warm and dry.
- Chapstick - The frigid wind doesn't care if your lips are kissable. Take a tube of chapstick with you everywhere you go and you will be able to avoid bleeding.
- Lotion - Even with all that snow on the ground, the air is so dry that you'll notice your skin drying out, even at this early point in the season. Your hands can get rough and become painful so stock up on lotion and apply often.
- Kleenex - Whether you've got a cold or not, freezing temps can make your nose run. It's a good idea to keep tissues with you in your backpack or pocket to avoid embarrassing dripping.
For Your Car:
- Windshield Scraper/Brush - If you have a car, it will feel the pains of winter as well. And if you intend to drive anywhere, you're going to need to remove the snow from your windows (all your windows) before you pull out of your parking space. Turn on your car (defrost on high) and take the three minutes to brush off the snow or scrape off the ice, so you can safely get to your destination (& allow others to safely get to theirs).
- Windshield Washer Fluid - Driving in snow is messy and that mess will, undoubtedly, end up on your windshield. Make sure (now, before it gets too miserable) that your washer fluid is full so you can see properly no matter what the car in front of you kicks up.
- Emergency Supply Bag - If you intend to drive anywhere outside of Lamoni, it's a good idea to have some supplies on hand, just in case you don't make it to your destination. Slippery roads and frigid temperatures can cause you to lose your grip on the road or your car to stall and being stuck in a ditch with extra blankets and supplies is a much more bearable experience.
Where to buy:
- The Graceland Book Store offers a place on campus to buy Graceland cold weather layering pieces and apparel, hats, gloves and scarves and even blankets. Stay warm while looking good and showing your Jackets (blue and gold) school spirit! (Click the Graceland University hat at right to go to the website or check it out in person.) The bookstore also carries some cold remedies and health supplies that may come in handy.
- Dollar General in Lamoni has winter essentials like hats, gloves, long underwear (no really, you'll be glad you have it), and even extra supplies like "Little Hotties" (think heated inserts for shoes & gloves, not small good looking people). They also have the items listed above such as chapstick, lotion, kleenex and car supplies, in addition to over-the-counter medicines if the cold gives you a cold. Also check for fun things, like sleds.
- The Service Center is a thrift store in downtown Lamoni where you can find all sorts of winter gear (depending on current inventory).
- Wal-Mart is located about a half hour north (Osceola) and south (Bethany, MO) just off I35 and can fill in the gaps for any additional winterizing you might like to do. Better warm than sorry, we always say.
Other Tips
Types of Snow
- Powder Snow: This type of snow (seen left) is light and fluffy. It piles up higher and is easier to shovel. It's perfect for sledding/skiing and you won't necessarily be soaking wet after an afternoon playing in it.
- Wet Snow: This type of snow is heavier and packs easier. It's harder and heavier to shovel, but great for making snowballs and building snowmen.
- Slush: Slush happens when the temperatures are a bit warmer and what has fallen or is falling is in between snow and water. It's messy and not nearly as pretty or fun to play in.
- Frozen Slush: This happens when the temperature warms up enough to melt snow into a semi-frozen state and then drops again, freezing the slush. It can cause ruts and grooves on roads and sidewalks, making it even more dangerous.
Be Careful
Winter can mean ice. Ice is slippery. If you drive, you will need to be extra cautious and go slow. It will take you longer to stop and be challenging to accelerate. Make sure you take the necessary steps and pack the necessary supplies to be safe. And, seriously, don't be that girl/guy who drives with your head out the window in below zero temps because you didn't scrape your windshield.
Even walking can be dangerous during certain days when sidewalks and stairways are icy. Graceland's Facility Services do an excellent job clearing our walkways but there are things you can do and ways to step in order to avoid falling. Wear shoes that offer traction and step carefully. Falling is not only embarrassing, but can also land you in Health Services.
Form vs. Function
There's warmth… and there's fashion. You can have both but, if you're forced to choose just one… go for warmth. Seriously.
<< See how happy being warm can make you? And she even looks good!
Thermostat Variances
Temperatures on campus can vary from building to building and classroom to classroom. Be prepared to remove your layers in some places and put them back on in others. Make sure not to get too hot, however, in places that keep the heat turned up higher. If you sweat and then try to re-enter the outdoor winter wonderland, you'll learn of a whole new type of cold.
Additional Winter Tips
- Use the tools Mother Nature gave you. There is a very good reason you see more beards in the winter and drastic haircuts tend to wait until spring.
- Cover your fingers, ears and waist (the longer the coat, the better).
- If you keep one thing warm, make sure it's your feet.


text:
139 pounds
48" W x 15"D x 32.5"H
Trays Included:
Save 37% on
MSRP of $735.00
- Fully Assembled
- Optional Caster kit is available to make the unit mobile
- It is for budget-minded buyers seeking to get the most for their classroom furniture dollar
- Features rounded corners, a durable laminate surface, and thermo-fused edge banding, which helps seal out moisture
- All products are safety tested and certified and come with a full, one year guarantee
- Affordable, American-made early learning furniture designed with a focus on the functionality you need most
- Lifetime manufacturer's warranty
- Made in the USA
Shipping Details
Normal Ship Time:Approx. 2 weeks
- Please add 2-5 business days for transit time
When will my order deliver?
We ship factory direct and can only estimate the length of time that it will take for your item to ship out. The normal ship-time before each item leaves the factory is indicated in the blue box.
Quick Ship options, such as select color choices, are available on some items and those options and their ship times will be listed in a red box above the normal ship time. If you do not see a red box, then there are no Quick Ship options for that item.
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How I Painted My Masterpiece
I'd always wanted to become an artist. Finally, I found someone to show me how.
Somewhere in my mid-50s, I was overwhelmed by an uncontrollable urge to become a painter. I don't know how it started exactly, but I remember reading a magazine article that quoted Tony Bennett, the famous Sunday painter, saying that he had organized his life around three pursuits: singing, painting and writing.
"Why not me?" I thought. I was a writer by trade, after all, and had toured the nation as a tenor with my college chorus. Later, of course, I learned that Tony's publicist had made up the quote, but by then it didn't matter: I was already well under way on the Bennett path to personal fulfillment.
My first move was to sign up for a beginning drawing class at a local art school. The teacher, a bearish Russian woman with the welcoming demeanor of a gulag prison guard, had been trained in the strict classical system and had little patience with anyone — namely me — who hadn't studied art. On the first day I thought we might get an easy assignment — a basket of fruit perhaps — but instead Madame Natasha had us draw a nude model, while she hovered over our easels and glowered at every stroke. At one point, she scrutinized my woeful drawing and growled, "No, no, no. What is this?" Then she proceeded to redraw my picture from top to bottom.
Somehow I survived the experience and over time, with help from some slightly less intimidating instructors, I learned to create passable drawings of the human form. And when I discovered the allure of oil paint, I was completely gone. I was spending so much time painting that my wife, Barbara, joked that I had taken up with another woman — in the makeshift studio in our garage.
I couldn't blame Barbara for being jealous. But I couldn't help myself, either. Painting is a demanding mistress, and the more I tried to please her, the more frustrating she became. I felt as if there was a battle raging between my inner Vermeer — the part of me that wanted to render every detail perfectly — and my inner de Kooning — the side that wanted to break all the rules and paint something raw and authentic. How could I plug into that energy without losing what I already knew?
That question was rattling in my mind when I arrived in Asheville, N.C., last spring to take a one-day workshop with Steven Aimone, 57, an artist/teacher/philosopher who has developed a method of "expressive" drawing. This technique allows you to tap directly into the source of your deepest creativity, even if you've never picked up a brush before.
Aimone, who describes his approach in a new book, Expressive Drawing: A Practical Guide to Freeing the Artist Within, believes everyone is born with an innate gift. "Everyone draws all the time — they just don't know that it's drawing," he says. "When you sign your name, for example, you're using a rhythmic pattern and movement that's all your own — and it's very expressive."
Aimone continues: "In our culture, drawing has become synonymous with rendering. So if you're not able to render a dazzling likeness of something, you're told that you don't have any talent. Every 3-year-old is a fabulous artist. But by age 12 or 13, they've either been told they have talent or they've stopped. And most people never start again."
One of the key influences on Aimone was a branch of Surrealism known as psychic automatism. This group believed that "automatic drawing" — a form of spontaneous doodling — can reveal something about the artist's inner life that other more self-conscious forms of drawing can't. Inspired by their work, Aimone developed a series of exercises to stimulate this kind of creativity. "The thing is to tap into the intelligence of your body — and your subconscious — and use that as a source from which to express yourself."
The workshop took place in a large, high-ceilinged studio, scattered with some of Aimone's haunting black-and-white paintings. A few of the students were professional artists, but most had never studied art before, including a performance artist, a therapist, a textile designer, a book publicist and the local mail carrier. After a quick introduction, we launched into the first exercise: drawing three pictures with black paint, each containing a circle, a square and a triangle.
The point, Aimone explained, was to show how much intrigue you can create with three simple shapes. When the shapes relate to one another on the paper, he said, they become animate entities. "They have character, personality, energy and weight," he said. "They're alive."
No kidding. Some of the drawings that emerged were charged with feelings of fear, anger and pent-up rage. The textile designer's pictures resembled a group portrait of a dysfunctional family, while the performing artist's tightly regimented works portrayed an empty world in which nobody ever touched.
For me, the process was surprisingly liberating. I was delighted to paint in carefree, de Kooningesque brushstrokes, without trying to make the drawing resemble anything. I felt something wild and uninhibited awaken inside me, something screaming desperately to get out.
That was just the beginning. The next project was an exercise in automatic painting on a 5-by-3-foot sheet of paper with two or three colors of acrylic paint. The idea, said Aimone, was to create a painting without thinking about what you wanted to create. He encouraged us to use the large muscles of the body more than the fingers and wrist. When you work with those small muscles, he explained, you have a muscle memory of writing — and that triggers thought. (Poor Vermeer.) But when you use the arms and shoulders, you tap into deeper, more subconscious sources of knowing.
Aimone instructed us to stand about 10 feet from the paper taped to the wall, load up a brush with paint and then lunge toward the paper with no preconceived notion in mind. "The first thing that comes to you, do it," he said. "Don't analyze. Don't worry. Just do it."
Next we were supposed to return to the 10-foot mark, take the painting in for a few seconds and go at it again. "It's like a dance," he said. "You go back and forth, back and forth, until you like what you've done, or nothing else occurs to you about what to do. Then stop."
I couldn't wait. I loaded up my brush and attacked, slopping a giant blob of black paint over the left side of the surface. Yes! I loaded up another brush and splashed a burst of bright red into the upper right corner. Boom. My body was tingling. Black. Red. Black. Red. Someone said I looked like a lead guitarist performing a rock solo.
After the exercise was over, Aimone asked us to walk around the room and come up with words to describe what we saw. First, we looked at the book publicist's picture: an elegant, flowing drawing resembling Japanese calligraphy. "Sensuous," one person said. "Rhythmic … curvilinear … feminine," others added. How different from my drawing, which my classmates described as "explosive," "aggressive," "powerful," "masculine."
The therapist, who had grown up in Nazi Germany and lost most of her family in the war, was particularly moved by my painting. She said it reminded her of her childhood.
I didn't know what to make of her remark, but I was thrilled with my creation anyway. Most of the work I'd done before was soft and understated. Here was a bold, in-your-face blast of male energy staring back at me from across the room. It was exhilarating.
At the beginning of workshops, Aimone often asks his students why they paint. The most common answer is that the act of painting transports them from their everyday experience into a different world. But some students say they paint because it allows them to tap into a side of themselves that feels genuine.
"This is not just a painting class," says Audrey Phillips, a professional artist from central Florida who attended the workshop. "It's a class about discovering who you are."
Phillips discovered the transformative power of art when her mother was murdered a few years ago in a random act of violence and she decided to deal with her grief by painting portraits of her mother's convicted killer. But after studying with Aimone, Phillips shifted to abstract painting and uncovered a new way of grappling with the turmoil inside. "You'll bump against something frustrating in your painting," she says, "and you'll see the similarity between your art and your life. And as you resolve those things in your painting, you'll resolve them in your life. It's magical."
I haven't reached that point yet, but I'm working on it. After the workshop, I told Aimone about my Vermeer-de Kooning conflict. He laughed, and told me that he too had struggled with a similar problem when he started exploring abstract painting. He suggested either keeping the two sides of myself completely separate or finding a way for them to peacefully coexist. I'm taking the second route and so far I'm pleased with what I've seen. The portrait of an African American man I'd been working on before the workshop transformed into a much more dynamic painting afterward, influenced, no doubt, by what had happened to me in Asheville.
As for the black-and-red painting, that's another story. When I returned home with my masterpiece, carefully guarded in a giant mailing tube, I couldn't wait to show it to Barbara, who, despite her flights of jealousy, is usually enthusiastic about my work. But as I rolled my "explosive," "powerful" painting out on the living room floor, she looked perplexed.
"Where do you think you're going to put that thing?" she asked. "It looks like the work of an insane person."
So now the painting that changed my life hangs in a special place of honor: in the basement, right next to the laundry room.
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Marvel plans to issue a special "Avengers" 100th anniversary issue this summer -- part of a limited series that's a vision of how the publisher's comics will look in 2061, a century after the Marvel Universe launched with "Fantastic Four" No. 1. (Marvel)Link
Marvel plans to issue a special "Fantastic Four" 100th anniversary issue this summer. (Marvel)Link
Marvel plans to issue a special "Guardians of the Galaxy" 100th anniversary issue this summer. (Marvel)Link
Marvel plans to issue a special "X-Men" 100th anniversary issue this summer. (Marvel)Link
Marvel plans to issue a special "Spider-Man" 100th anniversary issue this summer. (Marvel)Link
Marvel is sending some of its most famous characters into the future this summer.
The comics giant unveiled plans Saturday at Chicago's C2E2 convention for a limited run of five 100th Anniversary Special issues of "Guardians of the Galaxy," "The Fantastic Four," "The Avengers," "The X-Men" and "Spider-Man." The one-shot issues will arrive weekly in July, hypothesizing what shape the characters' adventures will take in the year 2061.
"We thought that it would be a really fun idea to … almost treat these like time capsules from the future," said Marvel editor Nick Lowe in an interview with Hero Complex. "We were talking about how we'd just been through a bunch of 50th anniversaries — we had the 50th anniversary of the Fantastic Four a few years ago, we had the 50th anniversary of the Avengers and the X-Men last year — we thought that would be a really idea to go after, a 100th anniversary thing."
(Technically speaking, Marvel is celebrating its 75th anniversary this year — tracing its lineage back to Timely Comics' founding in 1939. But the popular, superheroic Marvel Universe began with the 1961 release of "Fantastic Four" No. 1.)
In the "Guardians of the Galaxy" 100th anniversary issue, Drax the Destroyer, Rocket Raccoon, Groot and a female Star-Lord with green hair will join forces with original guardian Charlie-27 and an Iron Man (though the armor will be worn by someone other than Tony Stark, Lowe explains) to battle the Silver Galactus, a villain that takes shape after Galactus reabsorbs the Silver Surfer's Power Cosmic.
To sate his all-consuming hunger, he sets his sights on the space station Knowhere, the Guardians' home. The issue was written by Andy Lanning; art is by Gustavo Duarte, with a cover from David Lopez.
Meanwhile, the "Fantastic Four" 100th anniversary issue, written by James Stokoe ("Orc Stain") with art and cover by Joanna Estep, sees the quartet re-emerge after a long disappearance during which they were presumed dead. Stokoe, too, wrote and completed the art and cover for "The Avengers" anniversary title, which sees Beta Ray Bill, Doctor Strange and Rogue holed up inside Stark Tower in Kuala Lumpur — which is, in fact, a large Iron Man suit holding a piece of Tony Stark's brain — when Son of Mole Man hatches an explosive revenge scheme against the heroes.
The Mole Man, of course, was the villain in "The Fantastic Four" No. 1 by Stan Lee and Jack Kirby in 1961, and Lowe said that the anniversary writers were invited to weave inventive callbacks to Marvel history into their futuristic narratives.
"One of the hallmarks of Marvel comics is the living history," Lowe said. "We don't reboot here really. The Spider-Man that you're reading in today's comics is the same Spider-Man that Stan Lee and Steve Ditko created in 'Amazing Fantasy' No. 15. Same goes for Fantastic Four. People may die and come back to life, it's the same ongoing history."
Peter Parker finds himself in extremely difficult circumstances (naturally) in the "Spider-Man" 100th anniversary issue, written by Sean Ryan with In-Hyuk Lee handling the art and cover. After trying and failing to destroy the Techno-Symbiote suit, Peter and the suit's former owner, Eddie Brock, were kidnapped by the Kingpin, who then killed Eddie, leaving Peter to battle the villain and the technologically enhanced alien on his own.
Lee also completed the art and cover for the "X-Men" anniversary special, written by Jen Van Meter, which sees Cyclops transformed into a national hero who wins the office of the presidency. But the unexpected arrival of a comet brings disaster, and Scott Summers watches the country descend into chaos.
"What we asked the writers and artists to do is give us something different from what we've got now, to make sure that where we are is a very different place than where we are right now," Lowe explained. "He's pretty much one of the most hated mutants on the planet. What's the opposite of that? That's where President Cyclops sprung from. It's another really different idea."
Each of the titles stands alone, Lowe said, though they exist in a shared universe.
"There will be certain things that overlap from one to another but not in the same way as a crossover — the story doesn't begin in 'The Fantastic Four' [issue] and then continue into the' X-Men' one and so on. These are all individual stories, but there will be little connective tissue in the bits in the background that you'll see."
When selecting the writers and artists for the anniversary project, Lowe said Marvel was aiming for an eclectic mix of veterans and new voices.
"Jen Van Meter, she's written some incredible Marvel comics, some Spider-Man and Black Cat stuff," Lowe said. "Robin Firth, she's written a bunch of Marvel comics, she's one of the key collaborators on the 'Dark Tower' books for us. We wanted to see what she would do with the more superheroic stuff… Andy Lanning was one of the architects behind the modern Guardians of the Galaxy team that is starring in this huge movie coming up.
"Then we've got a bunch of new talent… Sean Ryan, we're really impressed with what he does and the artist In-Hyuk Lee, he has an incredible digitally painted style. We wanted to give that a place to shine and this seemed like a perfect place, it just looked so new and futuristic and really cool."
Story lines aside, looking ahead to 2061, does Lowe believe that comics will still be printed on paper? Possibly…
"It will be magic paper that will give you your own ideas when you touch it," he joked.
— Gina McIntyre | @LATHeroComplex
WonderCon 2014 : Mark Waid on 'Original Sin,' Marvel panel
Eisner nominations: 'Hawkeye,' 'The Wake,' 'Saga' lead field
Ms. Marvel: G. Willow Wilson, Sana Amanat on Kamala's transformation
'Guardians of the Galaxy': Chris Pratt, Zoe Saldana tout Marvel adventure
Avengers anniversary: 50 moments that shaped Marvel's mightiest


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Louisiana Department of Wildlife and Fisheries Enforcement Division agents cited two men on Oct. 1 for allegedly possessing over the legal limit of black bass on Yucatan Lake in Tensas Parish.
Agents found Ricky Jones, 57, of Chatham, and James M. Jones, 81, of St. Joseph, to be in possession of 38 black bass. The daily limit for black bass is 10 per person.
The two men caught their 20 black bass for the day and hid them in an ice chest in their vehicle. The two fishermen then returned to the water and caught 18 more black bass. Agents seized the bass and donated them to a local charity.
The penalty for over limit of black bass is a fine up to $350, or jail time up to 30 days, or both plus court costs. A court order for restitution for the value of the illegally taken fish will also be filed with the case.
Agents involved in the case were Sgt. Larry May and Senior Agent Lee Tarver.
For more information, contact Adam Einck at 225-765-2465 or email@example.com [3].