text:
(select what you want from the box below)
CIDE TORRENT data-DVDr $10
(data-DVDR, 4.3gb of over 1,800 files) We're living in an age, more and more it seems, in which all information is available if we're able to recognize and accept it. This is a data DVDR that contains around 99% of anything ever publicly available by Realicide, beginning with the project's conception in 2002 through the curation of this release in September 2008, totaling over 37 hours of audio, hundreds of flyers and posters and photos, notes, all organized into 67 folders... For anyone who has not already owned Realicide material, or for anyone looking for any earlier or more obscure previous releases, this disc contains almost everything that the public has ever had access to: tapes, vinyl records, CDR's, zines, "net releases", compilation tracks. And as the title suggests, it was painstakingly compiled in order to adhere to the recent surge of Torrent file-sharing online. You can make torrents of it, inject it into your Soulseek files, burn CD's, anything... As bonus material, included are many previous releases by Realicide-related artists such as Evolve, Mavis Concave, Ultra//Vires, aaronquinn, SX, Hentai Lacerator, Jim Swill, No Candy... The DVD case it's packaged in also contains 3 xerox posters and a sticker. Postage-paid US price is $15 because of the massive amount of information on the disc and the labor that went into compiling it, but since the idea behind this release is file-sharing, it is suggested that you get a few friends to throw in a couple dollars each, buy 1 copy, and share it. Any profit from this release will contribute to the next phase of Realicide Youth Records, which will offer new and increasingly focused material by Realicide members and artists of a similar ethic and motivation, including as much collaborative activity as possible with anyone who feels they can truthfully relate to our chosen path and purpose. Please email with any questions, or for distro rates.
CIDE TORRENT 2 data-DVDr $15
(approx. 4.27 GB / 1,455 files) Sequel to the 2008 collection, this is a DVDR of past records, tapes, zines, hundreds of flyers and images, archive DATA to be accessed via computer. See back cover for contents including Evolve, Birth, Robert Inhuman, Capital Hemorrhage, Mavis Concave, Split Horizon, Cem Com, DJ Immolation, Jim Swill, Praey, Surgery Games, Hentai Lacerator, SX, and Realicide that followed the original Cide Torrent's release. This is meant to be SHARED, so add it to any file-sharing software you use, copy it for a friend, try to keep the images included with the audio. The physical DVDR release is accompanied by several posters and stickers, cos that stuff is still fun even if you don't have a record collection anymore. Check out the distro at www.realicide.com if you do though!
Abombination (2005) CDr $2
Cincinnati punk demo from 2005.
Amphetamine Virus "Starting Over" CD $7
Some of the absolute best US breakcore; from Backwards Records in Seattle – remixes of White Zombie, Tool, Body Count, many more.
Big Nurse / Realicide CDr $5
Split and collaborative recordings by Cincinnati Realicide and Nashville's falling apart punk/noise rockers Big Nurse. Two spacey and lengthy Big Nurse studio tracks, live shows throughout 2005 including March 10th's "Real Big Nursicide" collaboration of eight band members at Sudsy's in Cincinnati (shockingly we have played at Sudsy's yes) Screenprinted disc with foldout xerox poster/sleeve. Edition: 100, April 2006.
Birth! "I Will" CD $7
Raw minimal synthpunk from Realicide auxiliary member, produced by Robert Inhuman & Mavis Concave, Realicide Youth Records 2010.
Bitter Fruit "It Gets Worse" CD $10
Oakland queer post-punk.
Breakaway "Postcarious" CD $5
Wonderful anarchist music from Minneapolis, combines entrancing synth rhythms with beautifully sung lyrics. Definitely worth investigating for followers of synthpunk, witchhouse, and music charged with resistance that doesn't have to just be someone with a Crass shirt yelling "fuck". This 2014 album is something else altogether - its artwork is awesome too. Listen/download trax here https://breakawaybreakaway.bandcamp.com/
BRK "Francophonic" CD $5
Wild breakcore compilation from Lyon France feat. Realicide "Neutralizing Opiate" 2008.
Burla 2222 CD $5
Industrial synth from Italy.
Captain Ahab "After The Rain My Heart Stll Dreams" CD $10
Jonathan Snipes before CLIPPING. The album from 2006 merging happy hardcore, electro, and plenty of other things as platform for sometimes unsettling content.
Chemical Committee "Ill-umi-Nati" CDr $5
Chemical Committee (AKA CemCom) is the Cincinnati hiphop duo of Beta Max and Freak One (Evolve project collaborator) rapping about drugs, the cops, tagging, and an array of other presences in their world, both positive and negative – all backed by strongly Wu-influenced beats laced heavily with old video games and movie samples of varying traceable relevance. This is 100% robo-tripping hiphop, raw from the frustrated and crazed urban midwest American youth. ILL-UMI-NATI was originally self-released in 2007, now re-editioned for CemCom's debut contribution to the Realicide label. Screenprinted disc, color cover art, fold-out poster. 100 copies, August 2009.
Chemical Committee "Super Chemical Committee" CDr $5
2nd album from Cincinnati weirdo hiphop duo Beta Max & Freak One, Realicide Youth Records 2013.
Company Fuck "100% Solid Gold Fucking" CD $10
Weirdo breakcore from France.
The Creature "Dark Night of the Scarecrow" CDr $5
Cincylvanian VHS horror punx conjure 7 song demo(n) amidst fog-engulfed summonings at local "Desperate Hell" DIY goth nite. Samhain-driven hymns of derranged murder and possessed antics, ranging from eerie hardcore to the skateboarding undead. CD#2 of Dark Ceremony, DIY goth sub-label of Realicide Youth Records. Artwerk by Robert Inhuman, includes lyrix insert, screenprinted disc (ectoplasm used, not ink), vinyl sticker, edition of 100, September 2012.
The Creature "Sematary Songs" CDr $5
Sophomore EP by Cincylvanian horror punk trio, pushing further towards both HxC and deathrock tendencies in these 7 trax, including new versions of songs from The Creature's 2011 cassette, and featuring a cover of DI's classic goth punk anthem "Richard Hung Himself" combining the grizzled bite of shot-on-video horror flix and the kick of Toxic Waste brand candy (awaiting official sponsorship), smash a Twlight DVD with a Mario Bava VHS tape, Skate & Die!!!!! Artwerk by Robert Inhuman (with bat by Jordan Daugherty), fold-out poster, screenprinted CDR, edition of 100, July 2013 Dark Ceremony (DIY goth sub-label of Realicide Youth Records)
Crunkcore Sampler Vol. 3 CDr $4
Compilation feat. Vankmen, Goddamn Sam's Birth rmx, much more gabber, speedcore, and hard breaks!
Curse (2016) CD $6
Curse' 2nd full album, for 2016 North Amercan tour, Baltimore dark synth punx echoed vox over a combination of live and electronic drums, complimented by an assortment elaborate sci-fi occvlt artwork. Hand-screenprinted CD, pearlized sleeve, comes with 2 posterz (both double-sided, includes lyrix) March 2016, Realicide Youth Records (cassette version self-released by Curse) hear/download https://cursebaltimore.bandcamp.com/
Das Program [08_15] CD/zine $10
Berlin digital hardcore and electro grind, with lyrix zine.
David B. Applegate "Index of Bad Companions" CD $5
Hand-screenprinted cover, Immigrant Breast Nest label.
David Morneau "a/break machinations" CD $5
Immigrant Breast Nest 2009.
David Morneau "Confessions of a Digital Proselyte" CD $5
Immigrant Breast Nest 2011.
Death Sex Advocates / Monitor Lizard (split) CD $7
Dualing HxC ragers documenting the heights of Cincinnati's awesome DIY punk scene in 2015; a dozen trax from each band; absolutely for fans of things that sound wild as fuck. Recorded locally by the bands (with Jerry & Hoffman of Vacation, etc.) Mastered by Dan at Black Matter in Nashville. Comes with multiple full color posters, lyrix sheets, vinyl stickers, CD hand-screenprinted, black vinyl for playing instead of chilling on a shelf!
Decide Today "Don't Talk To Cops + Bulletbelt" CDr/zine $5
First 2 trax from Cincinnati electronic anarcho-punx, Robert Inhuman's post-Realicide project of more focused noise, writing, and imagery. Accompanied by zine of essays pertaining to alternatives to police reliance and breaking an "addiction to the aesthetic of defeat". Vinyl sticker included also. 150 hand-screenprinted CD's September 2014.
Dimentia "A Vision's Voice" CD $8
Dark captivating magick industrial soundscapes from the Katabatik camp in Oakland, released by Void in Detroit 2009.
Divtech "Machines of Decay" CDr $6
Anarcho-breakcore from Los Angeles, extremely vicious and tight, debut RYR release! Anyone who has followed the work of artists like Mavis Concave and Vankmen over the past decade is sure to LOVE this stuff! 6 powerful tracks of shredded breaks and piercing synth noise, fold-out poster with essays and artwork, screenprinted disc, edition of 100, May 2012. Second edition of 50, May 2013 on silver cardstock + vinyl sticker. Listen & download http://divtech.bandcamp.com/
Divtech "Rise With The Tide" CDr $6
Making breakcore a threat again! Divtech is back with the razor sharp beats and shredding synth noise he has become known for, with the addition of engaging vocals and guitar. Themes of Green Anarchy and Earth Liberation surge through 7 intense trax, both in lyrics and dialogue sampling. If you are starving for a return to challenging anarchist content in electronic hardcore, or any kind of punk music with a message, this is THE release to blast LOUD in 2013. Pearlized cover sleeve, lyrics insert/poster, screenprinted disc, vinyl sticker. Edition of 100 for 1 May 2013.
Divtech / Decide Today Euro Tour 2015 split CDr $6
Decide Today "Don't Talk To Cops" and "Bulletbelt" + Divtech demos for "Stasis" album and couple unreleased and alternate version trax.
Divtech "Stasis Confines, Action Conditions" CD $6
The best intersection of breakcore, industrial noize, and contemporary anarcho-punk in 2016 ...like for real, globally. Divtech's first vinyl LP, created 2013-16 during a nomadic chapter living incide a modified cargo van, mastered by Audiosiege, first pressing 500 LP's and 100 CD's, June 2016 at Realicide house in Cincinnati. For anyone who's been inspired by the old Digital Hardcore gang, ethos of Praxis, Realicide in the band's later years, or the avant and calculated nature of old punk bands like Conflict, this album is very very highly recommended.
Dreams In Hell "Chiroptophilia" CDr $5
"The absence of love is the most abject pain..." First dismal demo concocted March 2012 by Cincylvanian Nosferadudes deathrocking dark punk. Robatt Inhuman (of Realicide), Jeromeo Painiac (of Vacation), Dark Ness (of White Walls), Duke Paranormal (of Siblings) endure the unspeakable nocturnal curse of Dark Ceremony Records, new sub-label of Realicide in support of Cincinnati DIY goth parties and benefit events. LP to be recorded in the following morbid months... Screenprinted disc with fold-out insert, edition of 100, May 2012. 2nd edition of 100 with vinyl stickers, January 2013.
Dreams In Hell "Oblivion" CD $7
Cincylvania's unforgivable void of DEATHROCK relieved by goth punk nosferdudes Dreams In Hell with their debut album Oblivion. Written throughout Robert Inhuman's 300th year on a trifling mortal coil, comprised of Dark Ceremony DIY goth parties, including benefit event for Bat Conservation International, and seemingly endless nights of crying inconsolably at the crippling regret that is enduring a world of unflinching defaults and questionable sincerity. Jerry of Vacation & Tweens on bass, Dustin of White Walls & Abduction on guitar, the one and only Duke Paranormal on drums, vox (including backwards Twin Peaks style) by Robert Inhuman, backing vox by Ving Creature, mastered by Mavis Concave. 19 September 2013, 300 LP, 500 CD, full color jacket with accompanying zine of artwerk and vinyl sticker.
D-trash Records "Rising Tide" CD $10
Compilation of digital hardcore and related styles, from 2003.
D-trash Records "The Virus Has Been Spread: D-Trash tribute to Atari Teenage Riot" CD $10
Raw digital hardcore compilation featuring 16 artists and groups covering ATR songs spanning their career in the 1990's. There are some really great tracks on this collection; well-produced and inventive interpretations.
.e CDr $5
Our favorite Saint Louis future pop, think indie no wave guitar and voice over elaborately crafted Electribe hardware beats and synths, absolutely fantastic.
Evolve "Once it was easy to give up everything you had & wander; before the streets were venomous: we walk" CDr $5
The third Evolve album, re-issued after its initial release on the Heresee label in late 2006. This is a beautifully warm and passionate album from Cincinnati Ohio; a collection of tape collage blending into spoken pieces, joined by primal hardware drum machine and synth patterns, humble urban hiphop elements with surreal freestyles by guests such as Jim Swill and Freak One. If you have interest in art and music that confronts the dark, edgy aspects of city life, the grit and anxiety, fears and personal conflicts, but still with an overwhelming feeling of awe and compassion, a love for both friends and passing strangers, the Evolve project is highly recommendable. If you are interested in music that's purpose is to make you feel invulnerably hard and comic-book-like, you might want to skip this and stick with mainstream radio. Screenprinted disc, foldout lyrics xerox poster, and a color photograph. 200 copies, December 2008.
Evolve "Circumstance Reality Defacement" CDr $5
The fourth Evolve album, originally released by Tanzprocesz label in France, packaged as colorful collage artwork clippings inside a record sleeve in 2008. This re-release attempts to give more exposure to the album in parts of the world it may have not reached previously. Most of its contents recorded 2007 and 2008, with interjecting bits from years prior. Significant contributions of lyrics, dialogue, and collage by Freak-One (of Cem Com) and Jim Swill (of Realicide). This is warm flutes and chimes, meditative textural looping, urban and confrontational, drum machine and synth, hardware-based, magick-inspired raps unified with psychedelic electronica and tape cut-ups. Evolve sounds like the Skinny Puppy of conscious hiphop, if that makes any sense, there is no other group quite like this. Screenprinted disc, comes with vinyl sticker. Edition: 100, February 2011.
Evolve "Breaking Down The Barriers" CD $6
The fifth collection of Evolve, "Breaking Down The Barriers" is Cincinnati's magick union of conscious hiphop, experimental punk, and psychedelic electronica. Fully inspired by both spiritual and socio-political aspects of the cut-up process, this album is bathed in warm and propagandic tape collage, over thick electronic drums crafted from various hardware, featuring several collaborative beats by Mavis Concave (Praey, Realicide, Thumper). Lyrical performances by the project's founder Colin Murray, as well as Jim Swill (Realicide) and Freak-One (Chemical Committee), run consistent in every way to their electronically collaged platform. Key topics include resisting the slavery of corporate capitalism, both physically literal and that of the mind and soul, dietary consciousness and an emphasis of life as sacred, both individually in animals and our Earth as one collective being, countering social stereotypes of gender, class systems, and the means of sustaining one's self with or without consumerist vices... Art direction by Robert Inhuman includes video stills and imagery from events by Bunk News, the crew that revived an excitement for new DIY arts in Cincinnati throughout 2009 while this music was being created. Mastered by Mavis Concave. "Breaking Down The Barriers" is in many ways the Realicide label's follow-up to "Resisting The Viral Self", the Realicide album released earlier the same year. Although the aesthetics of Evolve differ greatly from the label's tendencies towards abrasive hardcore, the Evolve project was formed at the same time as Realicide in 2002, and has progressed parallel over the years with similar social aims. "Breaking Down The Barriers" is the first Evolve album published on vinyl LP, and its CD version contains dozens of additional songs and cut-up selections. Both formats are accompanied by an extensive zine featuring all lyrics and dialogue clips transcribed, as well as supplementary essays and artwork by various collaborators. This record is highly recommended to anyone who appreciates the urgent themes found in most other Realicide Youth Records and is interested in experiencing comparable ideas through a different array of musical styles. Beyond aesthetic boundaries; beyond the numbing masks and psychick chains any of us may wear; moving forward together in favor of an energy healing One Earth and all its humble cells which we all ultimately are; surely this Earth is rather the One to heal us all. 23 October 2009, for Realicide Youth Records. (1st Edition: 500 LP & 1,000 CD)
Evolve "Reality Guerrilla" CDr $6
This is an undeniably dark and socio-politically radical hip hop mix tape, the 6th full length Evolve release since its conception in 2002. Created summer 2010 through early 2011 in Cincinnati, REALITY GUERRILLA continues the project's emphasis on the cut-up approach to daily life and decisions, however in this work production is sharper and more reliant on chopping break and sampling music rather than the often garbled tape collages that encoated previous Evolve albums. Colin Murray again handles beat and synth production, both hardware and software, extensive editing along with lyrics aligned to themes of urban anxieties and the general pressures inherent in surviving an American capitalist society. The breakbeat and electronica styles are deviated from at times with dubstep-influenced production by Surgery Games, and Freak One of Cincinnati's Cem Com appears lyrically on several focal tracks. For anarchists, for people with an interest in magick, for people who need the radical origins of hip hop to be reclaimed and maintained, REALITY GUERRILLA is something to investigate... Originally a 62 minute cassette self-published April 2011, now a screenprinted CDR with fold-out lyrics poster via Realicide Youth Records, edition of 100, May 2012.
Evolve "Born In The USA" CDr $6
Sociopolitical hiphop unified with magick electronica and sound collage. Compiling 2010's 3" release originally by the FTAM label and the split cassette with Heartworm / Dino Felipe / How I Quit Crack, joined together by several previously unreleased trax. Certainly some of the darkest work from Evolve's discography, created mostly via hardware electronics, featuring appearances by Freak One and Surgery Games. Artwork by Gabby Gryme (Sewer City Breakfast, Gnat!), poster insert, screenprinted disc, vinyl sticker. Edition of 100, September 2012.
Evolve "Fire To The Prisons" CD $7
Evolve "Fire To The Prisons", the Cincinnati conscious hiphop album heavily laced with influences of magick and industrial noise, long-anticipated during several years of touring since 2011's "Reality Guerrilla". This is a superb Evolve release for those previously unfamiliar with the project, as well as friends who have followed closely throughout its many chapters since origins in 2002. Themes of dire urban tension, bridging the personal and political, and the pursuit of unmasking ominous forces ultimately responsible for these circumstances, continue with heightened clarity and craft in these 14 trax. Mixed largely by Jordan Davis (of Cincy industrial rock duo Relic) mastered by Mavis Concave (ex-Realicide) artwork by Brian Uhl (known for work with Clipping, Cloud Rat, etc.) and assistance from various other capable homies, really makes this a milestone in the evolution of... Evolve! CD comes with lyrix sheet and sticker by Gabby Gash (Gnat, DSA) and Bunk News, patches and shirts also available. March 2017 Realicide Youth Records.
Flesh Mother (2015) CDr $5
Brutally crushing Cincinnati hardcore/sludge, against authority and drug abuse. Members of The Creature, Clouded, John Hays. First edition: 100 hand screenprinted CDR's, lyrix sheet, sticker, July 2015.
Freak One "The Recap" CDr $5
Frequent member of the Evolve project and 1/2 of Chemical Committee, this is the first solo hip hop release by Freak One from Cincinnati Ohio. Known for his raps advocating socio-political pacifism and resistance to American super-corporations, the album has an ultimately compassionate and egalitarian theme. As with Cem Com, there is a strong motif of pharmaceutical experimentation, and an honest critique of its abuse both intimately and within our society as a whole. Other topics include tagging, dumpster-diving, and observation of local police violence. Beats were produced by various Cincinnati friends then mixed by Evolve, riddling the tracks with sound collages mapped out by Freak. The screenprinted CD is supplemented by full color artwork, a xerox zine filled with extensive lyrics and essays and graff, and a vinyl sticker. For the truly adventuresome in obscure avenues of hip hop, this is definitely something to try out. Edition: 100, February 2011.
Freak One "The End Is Over" CDr $5
The 2nd album of socio-politically-charged hip hop from Freak One, produced by Evolve in Cincinnati, featuring beats and additional lyrics by Beta Max of Cem Com, among various other friends. Topics range from DIY versus consumerism to a predatory pharmaceutical industry to ecological sustainability to the human struggle with vengeance, forgiveness, and mortality. Accompanied by essays, poster artwork by LAIR, screenprinted disc. Edition of 100, June 2012.
fri(g)id "the terminology is flawed" CD $10
New Orleans unsettling industrial noize by Simon Severe, debut release, cassette and CD accompanied by immaculate (yet also quite unsettling) artwork! Hear album at: https://frigidnoize.bandcamp.com/
Gnat! "Gnasty" CDr $7
Vile and depraved punk rock straight outta CinciGnati, GNAT's debut album is hereby condemned as an uncompromising cesspool of sex, violence, and an array of filthy things in between, which ends up basically sounding like a squeaky toy filled with snot. Did I mention the depravity? Did I mention the movie Basket Case II? 16 trax produced by John Hoffman as part of his legally required community service to avoid prison. Absolutely outrageous artwerk by Gabby Gryme (2012 Evolve imagery) who has clearly reached a new low along with her heinous cohorts Drella Fink, Mila Wrekked, and Dad Thrshrd (of The Creature, Sacred Spirits) Two color combo screenprinted CDR's, foldout poster/lyrix insert, vinyl stickers. Edition of 150, July 2013 via Realicide Youth Records, for the Pahnx!
Hate Face "Let The Winter Take Me" CD $10
Cincinnati grindcore, ex-Hellnation, ex-HCJC.
Hentai Lacerator "Sugarsplash!" CDr/zine $8
The long-dreaded release of Hentai Lacerator's studio-recorded set, 12 songs about Slimer crying slippery with anxious joy onto animated dreamlike girlfriends (vocal by Robert Inhuman of Realicide), backed by manic and infuriating blasts of abstracted hardcore, grind, and sped-up noiserock (by members of Capital Hemorrhage). D-beat purists will vomit in utter disapproval (it will sound ironically much like the vocal on the CD) but true noisecore and musically-perverted freaks are sure to rejoice about an album that references many punk styles of the past decade while not sounding like the same shit you've been into since you were fucking 15, and it's recorded totally decent as well! So if you love Slimer, or any of the substances that spray off of him, or any of the robust babes that hang out with him, and are sick of pretending like crust isn't just metal that dresses like "Road Warrior" bullshit, check out "Sugarsplash!" …and if your parents are coming up the stairs just throw that shit under your bed and everything will be cool. Co-released by Outfall Channel (www.outfallchannel.com) and Realicide Youth, packaged in a lime green DVD case w/ screenprinted discs and large fold-out poster, lyrics sheet, booklet of extensive illustrations and interviews with crucially influencial (to HL) figures in adult entertainment such as Amber Evans, Petra Verkaik, Belladonna... Edition: 100, January 2008. GIVE ME PINK. 2nd edition: 100, July 2008.
Hentai Lacerator 3" CDr $4
Published by something called Jeshimoth in Joplin MO; intense recording of the final Hentai Lacerator show 21 October 2007 in Saint Louis.
Hentai Lacerator "Do me before the Hentai Lacerator CD is over" CDr $5
Appalling and despicable release in 2010 by normally breakcore-related label BRK in Lyon, France. This is the final release of the bizarre grindcore / sped-up noiserock trio of Robert Inhuman and the guys from Capital Hemorrhage and Ultra//Vires. Hentai Lacerator was only active 2005-2007, based in Dayton and briefly toured the midwest and southern regions of the US. This BRK release is a collection of 69 trax of HL at its worst - scathing noisecore, earliest demo and rehearsal recordings, all overtly themed around Slimer and comparable creatures engaging in nympho-maniacal frenzies of orgasmic dementia with human (?) females. BRK has gone all-out in the DIY fashion with a screenprinted disc, several screenprinted vinyl stickers, and a lime green A3 foldout featuring many R.Inhuman drawings dating back to early childhood. Tracklist contains previously unavailable material as well as all releases besides "Covered In Fun" and "Sugarsplash", which were the two primary HL albums... "Made From The Dreams of Babies" part I and II (Realicide Youth Records, 2006) both cassingles accessorizing "Covered In Fun" album (RYR, 2007) 7" (Isle of Man, 2007) final live gig 3" (Jeshimoth, 2008)
DJ Immolation "a Product of Dementia" CDr $5
Debut album from this emerging Cincinnati terrorcore / speedcore producer, "A PRODUCT OF DEMENTIA" is a collection of relentless electronic high-speed strife created 2007-09. Wrenching anxiety through harsh gabber kicks, slashing synth lines, segways from classics like Clockwork Orange and Fear And Loathing… DJ IMMOLATION is a reminder that raw hardcore techno is alive and well within contingents of midwest US youth. 100 copies, screenprinted disc, December 2009.
DJ Immolation "Morgue of Human Sanity" CDr $5
Sophmore release of increasingly punishing and relentless gabber speedcore with elements of terror and breakcore, from the outskirts of Cincinnati by DJ Immolation. 16 trax ensuring no survivors, if not in the physical sense then at least in terms of total psychological disfigurement beyond any shred of hope for reconstruction. So if you need electronic music to be raw, fast, and brutally inane, this is what's up. Cover art by LAIR, screenprinted disc, comes with a vinyl sticker. Edition: 100, February 2011.
In The Age Of Terminal Static "Bumblefuck Hivegrinder" CD $5
Seattle bee-driven industrial and noise.
Infernal Diatribe "Admission of Guilt" CD $6
Iron Oath (2014) CDr $5
Cincinnati straightedge hardcore punk.
J-Stat "Live At Breakcore Pancakes" CD $5
Void / From The Gut, one of the greatest breakcore punx to come from Detroit, hand-screened cover art.
Lance Blisters CD $7
Anarchist protest songs from NYC via crisp fast breakcore songs driven by digital guitar – (a)political electronic music with loud proud lyrics sung.
Lost Compound 2 CDr $4
Compilation from the Toronto breakcore / experimental electronic crew feat. Realicide, Traits, Amphetamine Virus, Often, Skymall, The First Seed…
Lost Compound 3 CDr $4
Compilation from the Toronto breakcore / experimental electronic crew feat. Realicide, Heartworm, The First Seed, Traits, Xrin Arms, video by Skeeter…
Mavis Concave "Survive This" CDr $5
Mavis Concave of Realicide, SX, DJ Thumper – 5 track EP produced summer 2009 in Saint Louis – a narrative trudging though complete emotional devastation, intense self-doubt and identity conflicts, vengeful and defeated confessions, and finally the tempered strength to move forward – wrenching vocal performances all to a soundscape of raw digital glitches, scathing breakcore rhythms, and the driving force of memorable synth lines backed by immaculate gabber kicks. There is even an amped up digital hardcore cover of Dystopia's song "Socialized Death Sentence" for anyone whose job has them considering suicide as a reasonable alternative. If you'd always thought hard electronic beats were nothing besides a cheap accessory to raver drugs – here is another fierce counterexample. EMBRACE YOUR DOOM – IN FORWARD MOTION! Screenprinted disc with fold-out poster (artwork by Nick Francel) 150 copies, August 2009.
Mental D-struction "Extrapolation of Human Perspectives" CD $7
Intensive speedcore / breaks / noise from France.
Mincemeat Or Tenspeed "Strange Gods" CD $10
Philadephia incricately layered rhythmic noise on the verge of dance beats.
The New Flesh "filth & degradation vol.II" CDr $4
Baltimore's loud and crushing punk rock bitterness archives filthy live gigs of 2005. For the shred of hope remaining in rock and roll music, this is one band definitely doing their part to keep it raw and untamed. Some tracks featuring Robert Inhuman, Jim Swill, and Dustin Newman. Screenprinted disc, vinyl sticker. Edition: 100, September 2006.
Noirodyn "Construct Deconstruct" CD $10
Industrial breakcore from Praxis in Berlin, 2016.
Nomadic War Machine "I have a gun. Give me all the money in the register." CD $8
Absolutely fantastic anarchist goth industrial / breakcore from the east bay and various other transient locations. One of the best finds of 2010 by far. Highly recommended!!
Null Hypothesis "Attention Deficit Oink Oink Oink" CD $8
Melbourne industrial / breakcore / ambience.
Om Eater "Thermometerometer" CD $5
Hand-screenprinted cover, Immigrant Breast Nest label.
Phallus Uber Alles "Iron Woman" CD $10
Detroit riot grrl digital hardcore from 2004.
PLXTX (2013) CDr $5
Insane digital hardcore from Houston TX.
Praey CDr $5
Debut songs from the Saint Louis hardcore trio (Kerns Lane, Mavis Concave, Jack Callahan) that was formed, playing gigs in surrounding cities, and recorded all within June 2009! Strong influence from the youthful urgency of fast, oldschool HxC combined with heavy, dissonant guitar doom and calculated bursts of mic feedback and other scraps of noise amidst otherwise conventional punk rock song structures – this self-titled Praey EP contains 8 studio tracks, including renditions of "Pressure" by Negative Approach and "Shit For Reality" by Realicide, and 3 live recordings from gigs and a radio session. Screenprinted disc, color cover art (by Nick Francel), fold-out poster. 150 copies, August 2009.
Rage Cvlt (2016) CDr $6
Cincinnati slut-positive street punx.
Realicide "Narcissism Is The Enemy" CDr $5
03/13/08 Acid Fever House in Dayton OH, 7 songs recorded live to 4-track. This is the first public performance of the set created by Jon Prunty (of Capital Hemorrhage, Hentai Lacerator) and Robert Inhuman for the Spring 2008 tour of Europe. The songs are militant and reference industrial and harsh noise heavily, while still adhering to the ideas of "contemporary hardcore" put in motion by previous incarnations of the band led by Mavis Concave and Aaron Quinn. The lyrical content (all included on insert sheet) contains topics such as street begging, a simplified definition of politics, consideration for straight edge ideals, grim misanthropy, and the ironic alienating effects of sub-cultures. The sound is raw, in a similar style as the "Which Is Your War" disc a few months prior. Released by Outfall Channel with screenprinted covers and discs. Edition: 125, March 2008. 2nd edition: 75, July 2008.
Realicide "Resisting The Viral Self" CD $6
"Resisting The Viral Self" is a rare circumstance of Realicide finally completing an extensive studio album of a highly collaborative nature. In contrast to the project's extensive output of live bootlegs and other very rough material, here is a very defined and focused collective energy from artists across the US throughout late 2007 until early 2009. This body of work includes the lyrics and voices of Robert Inhuman and Jim Swill; the hardware and software electronic music of Vankmen, Ryan Faris (of Capital Hemorrhage), Evolve, and Steven Cano (tik///tik); additional sampling by Simon Severe; and mastered by Mavis Concave. Sonically, "Resisting The Viral Self" ranges from Realicide's established style of very abrasive gabber punk, inspired by certain sects of harsh noise and classic digital hardcore, yet venturing into other means at times, such as dark ambient soundscapes facilitating spoken tracks and delicate sound collages. Lyrically, the album claims allegiance most strongly to the roots of Anarcho-punk and other combative, yet ultimately constructive, efforts in promoting a lifestyle based in equality and the courage to experiment regardless of social pressures (especially against these social pressures). The 12" vinyl holds the essentials of the album, at 17 minutes each side, but the CD format has allowed the material to be doubled, at 48 tracks and filling the disc with as much raw hardcore and industrial mania as possible. Both versions of the album are available in full-color printed jackets, featuring artwork by Robert Inhuman, and are accompanied by an extensive zine. Though a modest stack of xeroxed text and drawings, this zine is completely supplemental to the music of "Resisting The Viral Self". In addition to all technical credits and lyrics, essays elaborating on the content of almost every track are presented, along with essays regarding the ethical philosophies and policies surrounding Realicide in every aspect of its operation. Vinyl stickers are also included with both CD and LP versions. For anyone who has an interest in Realicide and has waited through years of many less coherent bootleg releases, or anyone who has been increasingly hungry for a band that can very directly utilize electronic hardcore as a vehicle for radical and socio-political propaganda, this is an album that can give you what you've been hunting for - with a terrifying vehemence yet an unwavering message of compassion and self-sacrifice. FIGHT THIS HELL. REDEFINE HARDCORE. 29 March 2009, for Realicide Youth Records (1st Edition: 500 LP & 1,000 CD)
Realicide "Raw Skeletal Knuckles" 3" CDr $5
Released by FTAM (Milwaukee, WI) a collection of Electribe beat patterns, live recordings from the summer 2008 tour (including an adaptation of The Mob's song "I Wish" and collab segment with Charlie Turner), and spoken segways. June 2009.
Rig Time! "Sick Of It" CD $7
Wisconsin hardcore, with lyrix.
Robert Inhuman "Decimated" CDr $5
14 tracks of reading, pieces from throughout the previous ten years, recorded November 2010, a reclusive month in Cincinnati during the canceled weeks of the Realicide tour of Europe. This writing is generally somewhat morbid, reflecting a period of intense grief and personal struggle. Certain pieces have appeared lyrically within releases of past years; amidst Realicide and other projects. Others are those that have fallen through the cracks, or that have not yet found their final destination. Artwork features various gigantic spiders of Australia, screenprinted disc, very small edition: 30 copies, December 2010.
Rose For Bohdan "then everybody hugged; racism is god" CD $7
5th album by an incredible progressive punk rock band on Deathbomb Arc Records feat. members of Gang Wizard and Foot Village.
Secular Plague (2012) CD $10
Hardcore punk meets deathrock, debut 2012 EP from Saph previously of Sleeping Children in Belgium, highly recommended! Also check out Secular Plague's sophmore release "Death For Sale" (Realicide/Flehmen 2013)
Secular Plague "Death For Sale" CDr $5
Deathrock goes HxC anarcho punk with strong themes of Animal Rights, second album by Secular Plague from Belgium, founded by Saphire of previous deathrock band Sleeping Children, featuring art by Robert Inhuman, screenprinted CD released by Realicide (in America) and Flehmen (in Europe) also digitally by Zorch Factory, February 2013 hear trax at http://www.youtube.com/realicide Secular Plague http://www.secularplague.com/
Serendip #1 CD $8
Compilation featuring Realicide "The Choice Is Yours", this CD was released for the Serendip label's launch in Paris France, October 2010. Other artists include Patric Catani, Costes, Company Fuck… 21 artists total, fantastic multi-color screened cover art.
Serendip #2 CD $6
Compilation of breakcore and other weird electronic noize, from Paris.
Shadow Image "Kiss The Ashes" CD $10
Debut album on European label Danse Macabre, Shadow Image is goth/deathrock from Flint Michigan, sounds and looks fantastic, glamourously morbid and highly recommended! Listen to excerpts from the album here http://youtu.be/UnvN4FARP9o
Speak Onion "Metabolor" CD $5
NYC breakcore meets harsh bent noise, for fans of Vankmen, etc. Immigrant Breast Nest label.
Speak Onion / Joy Through Noise "Entangled Fields" CD $5
NYC breakcore meets harsh bent noise, for fans of Vankmen, etc. Immigrant Breast Nest label.
Speak Onion "Illusion of Depth" & "Swallower" CD $5
NYC breakcore meets harsh bent noise, for fans of Vankmen, etc. Immigrant Breast Nest label.
Split Horizon "Storm Wave" CD $7
Detroit hard broken beats, like psychedelic industrial, not unlike something of Praxis both in sound and motivations.
Split Horizon "Thunder In The Ground" CDr $5
Detroit's noisy politically-driven hardware sequencer / synth techno by Matt Schultz, accompanied by a series of short essays and an informative interview about the motives and general perspective of Split Horizon. Matt is a central figure in Detroit's From The Gut collective, www.fromthegut.org which attempts to organize electronic music events and record releases that are both socially exciting and also intellectually critical of its own artistic output and the political environments in which it is being produced. For fans of things like Praxis / Datacide, the ideas of Split Horizon could be of substancial interest. Screenprinted disc, foldout essays / interview xerox. 100 copies, December 2008. 50 copies, December 2009.
SX CDr $5
Long-awaited studio production of the songs performed 2005-06, SX is the hardcore project created by Mavis Concave (Realicide, DJ Thumper) collaborating with alternating female members. This phase has been Mavis and Nina Wright (Divine Pile, Skull Lab artspace) and in style ranges from digital hardcore, punk and grind, socially-charged lyrics and sampling, spoken segments. For supporters of Realicide-related bands and progressive hardcore music in general. Stenciled disc + fold-out sleeve. It's pronounced "SEX". Edition: 150, April 2007.
They Feed At Night "Enter The Swamp + Demo" CDr $5
San Diego deathrock reissued by Dark Ceremony (goth sub-label of Realicide) 2014 edition of 50 screenprinted CDr w/ pearlized silver covers.
tik///tik "I punch with my eyes closed" CD $7
Los Angeles fractured songs spliced with vocal and hardware noise, synth contributor to the Realicide "Resisting…" album.
Vankmen / Noise Concrete CDr $5
The best gabber speedcore of the US versus brutal Japanese harsh noise – highly recommended!
Vankmen / Muerto Zoke 3" CDr $5
More awesome Vankmen speedcore noise collab action, with various brightly colored xerox artwork.
Vankmen vs Chopstick "Dirty Slackers Stay Out" floppy disc $3
West coast noise on a straight up computer floppy disc.
Vankmen "Crunkcore Comes Alive!" CDr $4
Fantastic collection of live Vankmen shows throughout 2005-09 ranging from the very best Oakland speedcore, breakcore, and noise – all exciting all the time!
Vankmen "Lockjaw" bcCDr $3
Short brutal noise release by Vankmen, typically known for the best speedcore gabber mayhem in North America, on their own Crunkcore label (Oakland, CA) with color artwork.
Watabou "Plasticity" CD $5
Long-awaited EP by Michigan breakcore chiptune gabberpunk Watabou! Crafted over a couple years of production and live performance, this is an excellent document of his highly personalized combination of electronic brutality and intensely manic positivity, quite difficult to be mistaken for any other artist indeed. Ever wish Andrew WK blasted more hard breaks and spazzed out chip bleeps amidst a message of truly being yourself, uncompromised and with a relentless joy for unity and personal challenge? This is something you gotta check out! Hear trax at http://watabou.bandcamp.com/album/plasticity
Brian Miller & Kevin Shields "we had a baby and it will die" DVD $7
Honest Abe DVD $8
Beautiful Cincinnati ambient improv group documented through collaboration with Bunk News.
Jim Swill + Evolve DVD $8
A true Cincinnati document, from Bunk News in 2009, also featuring Realicide, Cem Com, Mavis Concave, Honest Abe.
They Feed At Night & Bell Tower Bats "Live Secretion" DVD $8
They Feed At Night & Bell Tower Bats, California deathrock DVD.
Blank Spell "Live 09/15/15" cassette $5
Philadelphia post-punk.
Breakaway "Unsettle" cassette $6
Minneapolis anarcho-witch house, or to be more descriptive, incredible operatic singing over entrancing synth patterns and rhythms, presenting unsettling themes of living in a police state, decolonization, and disruption. Breakaway's sincerely personalized combination of trip hop beats, electronic noise, and anti-authoritarian discourse, held together by an undeniable DIY punk ethos well outside rigid aesthetic stereotypes, exemplifies the longtime core values of the Realicide label. Pro-duplicated cassette with printed shell, fold-out sleeve with lyrix, digital download code. 100 tapes, January 2016, CIDE#88
Cape of Bats "Violent Occultism" cassette $5
Philadelphia gothy metal, members of Blank Spell, Devilmaster, etc.
Captives "Unspeakable Truths" cassette $5
Cincinnati hardcore punk, 2012.
Collin Strange "2014 live demo" cassette $5
Live hardware acid techno from a veteran of the style.
Collin Strange "Extra Political" cassette $5
Hardcore acid techno by veteran punk with drum machines.
Colony "Innocence Sometimes" cassingle $4
Richmond VA post-punk, pre-Shadow Age.
Curse (2016) cassette $5
Curse' 2nd full album, for 2016 North Amercan tour, Baltimore dark synth punx echoed vox over a combination of live and electronic drums, complimented by an assortment elaborate sci-fi occvlt artwork. Hand-screenprinted CD, pearlized sleeve, comes with 2 posterz (both double-sided, includes lyrix) March 2016, Realicide Youth Records (cassette version self-released by Curse) hear/download https://cursebaltimore.bandcamp.com/
CYCLES cassette $4
More awesome MI hxc punk, Sock from Xtra Vomit on drums.
Eugenius "Qualms" cassette $4
Cincinnati hiphop EP, 2016.
Fake Snake / Acid Trash split cassette $5
Phoenix AZ industrial noize.
Femoral cassette $5
Yatagarasu's punk band, from Texas.
fri(g)id "the terminology is flawed" cassette $7
New Orleans unsettling industrial noize by Simon Severe, debut release, cassette and CD accompanied by immaculate (yet also quite unsettling) artwork! Hear album at: https://frigidnoize.bandcamp.com/
Forced Opinion (2015) cassette $5
Cincinnati grindcore noize.
Gravel cassingle x2 $6
East coast all womxn punk, 2015.
Guignol "Demo 2014" cassette $5
Lexington deathrock goth.
Hate Face (2015) cassette $5
Cincinnati grindcore, ex-Hellnation, etc.
Hegemonicide cassette $5
Brandon Hill from Cloud Rat, Plagues, Xtra Vomit, Victory, Shattered Badge, etc. solo eco-grindcore and noise, highly recommended!
Jim Swill "Turn This City Off" cassette $5
ex-Realicide, spoken weird performances 2010 at Marburg Hotel, Cincinnati.
Key "Open The Door" cassette $6
Oakland noise/ambient/electronix, affiliated with Void Tactical Media / From The Gut.
Live At Second Empire cassette $5
Got this from homies in Haldol, Blank Spell, etc.
Mental D-struction cassette $4
Brutal speedcore noise straight from France.
Monitor Lizard "Jaws 4" cassette $5
Cincinnati hardcore punk, 2014.
Monitor Lizard "Santamania 2014" cassette $5
Cincinnati hardcore punk.
New Happiness "Silence" cassette $5
Oakland post-punk feat. members of Primary Colors, Moira Scar, Enola of No Gods No Mattress zine.
Night Voices Vol. 1 cassette $7
Deathrock compilation feat. Cemetery, Blue Cross, Pawns, Rule of Thirds, etc.
Nocere cassette $3
Richmond VA post-punk, pre-Shadow Age.
Pansy "Failure" cassette $5
Milwaukee queer grindcore.
Pillowbiter (2013) cassette $5
Awesome noiserock meets sloppy hxc/grind from Cincinnati!
Plagues "Virgin Death" cassette $5
Grand Rapids harsh noise, drummer of Xtra Vomit.
R-Complex "Fornication" cassette $5
Richmond VA industrial hardcore noize.
Realicide (Robert Inhuman) / Kairos split cassette $3
Split cassette (c60) on Molecular Reconstruction (Houston, TX) featuring solo Inhuman on 5lowershop pirate radio in SF, July 4th 2004 during the first Realicide tour.
Shadow Age (2015) cassette $4
Richmond VA post-punk.
Sour Ground "King Bitch" cassette $6
Cincinnati rat grrl keytar gonx, Realicide Youth Records 2016.
Yataragasu "Weaponization" cassette $5
Texas chiptune grindcore noize.


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Saturday 7 October @ Pizza Express Jazz Club, London
Guillermo Rozenthuler (voice and guitar), Georgia Mancio (voice),
Arnie Somogyi (double bass), Dave Ohm (drums)
Three years on from her iconic ReVoice! Festival and following the success of new release, Songbook, award-winning vocalist/lyricist, Georgia Mancio, once again flexes her multi-lateral creativity with a new series of tantalising collaborations.
Compañeros is a burgeoning project co-led by Georgia and Argentinian vocalist/guitarist Guillermo Rozenthuler showcasing their sumptuous exploration of Latin American song. Together with bassist Arnie Somogyi and drummer/percussionist Dave Ohm you will be transported to Argentina, Brazil, Chile, Cuba and Uruguay with songs and stories from a vast array of writers and styles including candombé, tango, bossa nova and samba.
"Guillermo has rocked me with his amazing swinging versatility. A true World Music journey" Mark Murphy, vocal jazz legend
Compañeros were formed after a chance encounter just last year and the discovery of their shared love of storytelling and Latin American rhythms. They have performed at venues outside London and opened for Brazilian legend Deodato in a residency at Ronnie Scott's this spring.
Charismatic Buenos Aires-born vocalist, guitarist, songwriter and educator, Guillermo Rozenthuler, has performed with his own band, Rioplatenses, acclaimed jazz artists (Edward Simon, Tina May, Pete Churchill, Gilad Atzmon) and in the West End hit Midnight Tango.
"[Mancio's] intonation was impeccable, her fluidity around the pulse and a feeling of real pleasure derived from her interaction with the other…musicians was just incredibly infectious" London Jazz
Georgia Mancio's original language vocals (as heard on her 2008 Latin flavoured album Trapeze) reveal "a highly skilful storyteller" (The Jazz Mann). She opened for Brazilian legend, Milton Nascimento, at Ronnie Scott's and has worked with Bobby McFerrin, Gwilym Simcock and Liane Carroll.
Arnie Somogyi has played on over 50 albums (including five as a leader); performed with artists including James Moody, Eddie Henderson, Tom Jones and Amy Winehouse and had his music featured on radio, film and television.
Drummer/percussionist and bandleader, Dave Ohm, has performed with artists including Benny Golson, Gregory Porter, Ian Shaw, Nigel Hitchcock, Laurence Cotttle, Anthony Strong, Claire Martin and Peter King and co-produced Georgia's albums Trapeze and Silhouette.

subset: commoncrawl


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Friday, March 13, 2009
Impatience Is a Virtue
In an interesting twist of semantics, I rarely hear Christians being told to be more God-like. It's almost exclusively instructed for believers to become more Christ-like. Maybe that's because of the negative connotations now associated with being God-like. But reportedly, Christ and God are one and the same; parts of the Trinitarian Godhead. So what you see God do would necessarily be considered virtuous and righteous, just as Christians consider Jesus' behavior.
God has heard the cries that the Israelites have made due to their oppressive Egyptian slavery. He has decided that now is the time to begin their liberation process. We enter this study with Moses on Mount Horeb, as God (in burning bush form) is telling Moses what he needs to do, as he is to play a role in this process.
Impatience Is a Virtue
In Exodus Chapter 3 and Exodus 4:1-17, we find the story of God telling Moses to go back to Egypt to confront Pharaoh as part of His plans to rescue the Israelites and bring them to the Promised Land.
Moses is hesitant to do as God requests, as the story reveals. (Moses has a good reason to hesitate, as there was a death sentence pronounced on him in Egypt, thus causing him to flee to Midian in Exodus 2:11-15.)
Moses asks in Exodus 3:11: "Who am I, that I should go to Pharaoh and bring the Israelites out of Egypt?" NIV God replies that He will be with Moses, and God gives him a sign to look for as proof of the fact that it is God that has told him this. This sign, that Moses will return to pray on Mount Horeb after the Israelites are freed, is an odd and somewhat pointless sign, since it is to occur long after he is to confront Pharaoh, and it is dwarfed by the miraculous signs which will come prior to his return.
Moses asks in Exodus 3:13: "Suppose I go to the Israelites and say to them, 'The God of your fathers has sent me to you,' and they ask me, 'What is his name?' Then what shall I tell them?" NIV This seems like a strange question to me, because God had already told Moses that He was "the God of [his] father" in Exodus 3:6. Not that the statement provided a name, rather that the statement provides evidence that the Israelites knew of God at that time, so it seems kind of pointless to be asking His name.
Anyway, God goes on to tell Moses that God's name is LORD (actually not "LORD", but a name that is very close to "I am" in Hebrew). God explains that the elders will listen to him, and that he and the elders should request Pharaoh to let the Israelites go sacrifice to God, and explains that the process will ultimately yield the Israelites leaving Egypt with the Egyptians' wealth.
Moses asks in Exodus 4:1: "What if they do not believe me or listen to me and say, 'The LORD did not appear to you'?" NIV In a rather terse manner, as if to show that God was becoming impatient with Moses, God tells Moses what he will need to do to perform three different miraculous signs to prove that God was with him.
Moses complains in Exodus 4:10: "O Lord, I have never been eloquent, neither in the past nor since you have spoken to your servant. I am slow of speech and tongue." God replies "Who gave man his mouth? Who makes him deaf or mute? Who gives him sight or makes him blind? Is it not I, the LORD? Now go; I will help you speak and will teach you what to say." NIV So, if someone you know is blind, deaf, or mute, don't forget to remind them that God is responsible for their condition. Implicitly, any number of birth defects could probably be attributed to being God's will as well.
Moses begs in Exodus 4:13 "O Lord, please send someone else to do it." NIV At that point, God looses His cool and gets impatient. "Then the LORD's anger burned against Moses" and God suggests that Moses's brother, Aaron, could do the talking for Moses, while Moses would perform the miraculous signs.
(I'll quickly point out that Moses is lucky, as typically where God's anger burns against someone, they are severely punished or killed.)
I purposefully listed each line of resistance God encountered from Moses. If I were telling someone to do something and they seemed to stall and resist as much as Moses did, I would probably grow impatient and angry. So I don't mean to sound like I don't understand how God could become impatient.
However, when you consider what God's powers are, the idea of God becoming impatient becomes ludicrous. God made Moses, so He should have known the type of person that Moses is and what his inclinations are. God knows Moses's heart and thoughts, so He should have known what kind of resistance Moses may put up. God is omniscient to the future, so He should have known in advance exactly what Moses's points of resistance were going to be, and He should have known that ultimately Aaron would be needed to help give Moses the confidence necessary to confront the Pharaoh.
God, knowing all these things, should have been able to navigate this dance of progressive discourse with Moses without getting angry. Or, better yet, God should have short-circuited Moses's resistance by answering his objections before Moses even made them, like by giving him the miraculous signs and telling him to have Aaron speak for him from the beginning. But this is not what God does.
God chose the way to interact with Moses, and chose the progressive nature of their conversation. So if you find yourself becoming impatient and getting angry, even when it's due to a situation that you ultimately created: congratulations! You are acting with virtue and righteousness, just like God!
6 comments:
I thought your comment at the end about God's "chosen" interaction with humanity was very insightful. Often, when I was in Christian circles, I would hear them comment about the way that the individual responded to God's communication rather than the more accurate "choice" God made to communicate the way he did in order to allow those responses to occur.ReplyDelete
A classic example would be Adam and Eve in the garden. God could have said "And some might say that if you eat of the tree of life you surely will not die. However, that is a lie. Do not be deceived by it." Instead, no further instruction is given to help avoid the fall and Eve buys the serpent's deception hook line and sinker.
I think you've even better defined it than I have in "the more accurate 'choice' God made to communicate the way he did in order to allow those responses to occur". For if God knows us perfectly and knows the future perfectly, then He would know the way we would respond in advance to any approach that He chooses. And Adam and Eve is a great example as you point out.ReplyDelete
Some may claim that God doesn't know our responses in advance due to our "free will". Besides being contextually incorrect within the Bible, it also neglects the part about God knowing us and our hearts.
For example, if God knows that my favorite ice cream is cookies and cream, and that my least favorite is rocky road, then He should know in advance that I would choose the one over the other, despite "free will". That's a simple example, but when you extrapolate it out based on exactly how well God supposedly knows us, then He would know pretty much all of our decisions and reactions in advance.
- false profitMarch 28, 2009 at 2:44 AM
Why did'nt God just save himself the hassle and give Moses fiery determination and oral superiority over the lowly Egyptians?[since he claimed to have that power] An apparently simple task for a being with limitless powers.Even if you did'nt have powers,why would you send a person with a speech impediment to do your talking?,Why not be honest and tell Moses the truth,the right person for the job works for someone else.ReplyDelete
I agree with you on your logic. However, the Jews and Christians do actually have a viable defense for God's decision to choose Moses, imperfect as he was.ReplyDelete
One theme repeated in the Bible is God's use of unlikely heroes and armies of inferior strength compared to their enemies. This plot element not only adds to the excitement of the story, but also inherently proves that their success was based on the power of God, and therefore was not a product of their own strengths.
Of course, even with God's help, they weren't always successful. (That reminds me, I think I need to invest in an iron chariot...) ;-)
- false profitMarch 29, 2009 at 12:32 PM
You made a point,you saidReplyDelete
"if someone stalled and resisted as much as Moses i would probably get impatient and angry"That would have to be with no omniscience or knowledge of moses's personality or character traits/flaws.Now say you were omniscient?I guess my point is;You know someones response to a request in advance, You know you will get impatient and angry [burning angry] due to thier response. Why not save yourself the aggravation? [it's not healthy]Unless, of course, you get off on being angry.[makes for a better body count i guess]
Even without omniscience, but with observation,over time you can figure out peoples response to certain situations.
Or,say you dont know thier response. At least let them in on your underdog angle,instead of just blowing your own horn.You're all knowing,you can explain anything,much better and easier than a stupid human.
Ultimately,couldnt you just say "Do it because you love me?"
Bottom line, The only reason he wanted them "free" was so he could savor the smell of burning flesh.So he could have easily just told them he was jonesing.
That's right; I should only be angry if I wasn't omniscient. I was trying to make that point, but maybe I didn't do so well.ReplyDelete
The best defense I've heard for this is that sometimes you have to do things you know will hurt or anger you, and yet you still react that way. Take surgery and visits to the DMV, for example. But I still find this to be a paltry defense in the case of true omniscience.
You make an excellent point from the love angle. You never see that kind of interaction with God, which is pretty off if God is supposed to be love.


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MBA Residential
Margaret Belmonte
Certified Luxury Home Specialist
A Boston native, I started in real estate immediately after college. I cut my real estate sales teeth in the exclusive Boston neighborhoods of Back Bay, Beacon Hill and the South End. Before 30, I moved up the ladder from a licensed sales person through management to be a Vice President on Beacon Hill's prestigious Charles Street, where I co-managed 45 agents and two offices.
In 1990, my husband and I moved to Boston's North Shore to raise our two sons. Essex County's natural beauty, shoreline, and many lovely communities makes this area a pure pleasure to work in– introducing it to new buyers as well as assisting many sellers in finding their new homes.
I have been enthralled with real estate from the start. My passion for the industry has not diminished in more than three decades. My continued success stems from my underlying love of people and my belief in continuing education in my field. I always try to bring the latest information, trends and technology to my clients to assist them in making wise decisions.
I have earned many letters after my name: Broker, Leader, ABR, CRS, CLHMS, and BS. All demonstrate my commitment to gaining the skills and knowledge needed to bring the highest level of client care to those who entrust me with their real estate needs. This care combined with proven precision negotiating skills have led to my industry's recognition as a high achiever and leader – which wholly benefits you – my client.
After 15 years in the RE/MAX system, I chose to join Keller Williams as a team leader and broker partner. The cohesive and comprehensive technology and systems in place at Keller Williams worldwide, combined with the collaborative work place environment and the exceptional services I choose for my clients all resonate with the vision I have for my team.
On a personal note: I love to travel, read, garden, boat, volunteer and most of all spend time with my family! I truly consider it a privilege to be part of your life. Contact me today. As we say at Keller Williams, "Let our experience open doors for you!"


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Archive for: Beyonce
I Want A Beyonce For Christmas: Video Phone Remix
I've been hearing mixed reviews about the "Video Phone" Remix by Beyonce featuring Lady Gaga so I decided to see what all the hoopla was about. I personally LOVE this video. The graphics, outfits, and overall concept are pretty dope and it's nice to see Beyonce in color for once. What did you think of this video? And where can I get one of those cool guns?!
Read more of: I Want A Beyonce For Christmas: Video Phone Remix »
5 thoughts on the VMA's
All of you should have watched MTV's Video Music Awards that took place at Radio City Music Hall last night. If you didn't we've got a recap of some of the bigger events of the evening…
Read more of: 5 thoughts on the VMA's »
Joe Budden TV – Rihanna, Keyshia Cole, Beyonce
Peep this video. It's interesting to me because I feel like I've had the GREAT marketing VS. REAL talent discussion with people 10 times over, ESPECIALLY when it comes to the powerhouse that is Beyonce.
Read more of: Joe Budden TV – Rihanna, Keyshia Cole, Beyonce »
Lenny Kravitz Photographs For Russian Vogue
After seeing this, I gained so much more respect for Lenny Kravitz and his artistic ability. He is no longer just a musician to me. He is truly an artist. Kravitz recently took photos of Jay-Z, Beyonce, Alicia Keys and some others and they are featured in the most current issue of Russian Vogue. Check out the photos HERE.
Read more of: Lenny Kravitz Photographs For Russian Vogue »
Beyonce… smh.
I was originally going to write a post about the two new Beyonce videos that leaked onto YouTube but the good quality ones got pulled by her record label. When/If they go back up I'll be sure to post them. The videos were for her songs Diva and Halo, with Halo being the song and video I liked best of the two. Contrarily, Diva upsets me on many levels. First off, I hadn't even heard the entire song until watching the video because they usually only play part of it in the club while mixing with "A Milli". While watching the video earlier I was bombared by lackluster cinematography and lyrics that are even worse. I'm ALL for Beyonce and her pro-woman or in this case(pro-self) lyrics… she's been doing it since Destiny's Child and it sells, plus everyone knows that Get Me Bodied has been a banger at parties since it came out. No hate there. However, since when was a diva "a female hustler"? I'm not quite understanding this. I guess Aretha Franklin, Patti Labelle, Tina Turner, Diana Ross, Whitney Houston, Gladys Knight, Dion Warwick, Nina Simone, Etta James, Dorothy Dandridge, and a slew of others that I could be here all day mentioning… all got it wrong? Who wrote this? and if SHE did… who said it was album worthy? The whole song is a subpar self glorifying calamity, that will of course get plenty burn because of the strength of the beat, and the fact that it's Beyonce. I'm not feelin it, and I therefore have to shake my head. As a matter of fact, from what I've heard so far from her latest album in general, I could've done without the majority of the "Sasha Fierce" side, she hit us hard with club bangers on B'Day, I think I would've been just fine with a bunch of ballads like on the "I am" disc… but that's just me.
Read more of: Beyonce… smh. »


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Saturday, February 23, 2013
Annex Real Estate School School License Class Schedule
Due to the weather forecast, the Massachusetts Real Estate Salesperson Pre-Licensing Class, scheduled to start February 23 at Annex Real Estate School, has been postponed to start on March 2nd. There are still a few places available in this popular class. The Schedule for the MIDWEEK Classes starting Tuesday, February 26th, is unchanged.
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' VISITORS TO MELBOURttS Ug «*■ Should Consult tho and Buo- >^^Wra^ BKOUUB^ AMD CiIRONIC COMPUIIiTr 4 H W&^&r^ ure guaranteed, tt*^ot JftEUBB CONaULTATION. ir 63 F tinders St. W,, Melbourne. OJSE box Qltek's b4l plli^ a iaa rantea to care all disohargea ttotu the annary organß ia either box (acquired o constitutional), gravel and pains m the oaok. Guaranteed tree from mercury cioid In boxea 4s 6d each, by all chemiaib <uid patent medicine ven'dora. Sole proprietors, The'Llnboliiand Midland OounUea Drug 00., Lincoln, England, Foi aaie b? the wholesale Hoaaea. X'.OWLB'S: PENNYROYAL Alb STiiMii PILLS FOR fcziifoALßS qutokly correct all irregmaritiea, aJAd cell© re the dlatreaaing aymptoma ao prevalent with the sex. Boxes la l£d and 2b 9d, of all Ohemiaia and Patent Medlolne Vendors . Prepared only by The Linook. and Midland Counties Drug Co., Linoolnj £ngUnd. Whoieoa's J all the Wholesale douses. Beware of Imitations. IODIDE Oj: k Ij*UXS^ t p] 1 TO! APPROVED by the Academy oi iueuiouu vi tfitia, are specially rot ommeDdea b> »iw jAeaicai oelebriues ot Uw World icj ocroiula (Xaiaoid, Jong's JSvii, etc), the owl) 4iiagerf ot Cioiuniapuon, OonatiUbonal Weafr autm, Poorness ot JOiood, ana tor atimulatuai I <inu ruguiauag it a periodic cuuae. £(onv rfeuouio Huiai» oigneu " iJlancara, 40, r»e Ho aa V&svo, ltatiM. ' ■■ ■ ■•.!■!•. i i a«id bi JJmggm* «ndO&eui*t ciaxoagaoßi I tao Culaaußt ; M'~ OUNT SOMURS AJOKTHYEIi ROYAL MAIL OOAOH. On and after Januaij lit, 1885, ihi anderaigued will run a Coach eaoh Mon day, Wedneaday and Saturday, starting a qoou from flood's Jtlotelj Mount Sbmen cot Spilngbum and Alford Foieit, the* jonneotingwUhDun'sOoaohtiomMethTei .ainrnlng same ovenihg. ; Fiufeih-rSpilng ouin, Si, letusn, Si j AUoid Foiest, \ retsin, 6a. I 87 T. HTX. L RAILWAY. kiOU^T SOMEibTND OAVBNDISI i;OYAL MAIL OOAOH. The above; Ooaon leavea Hobd'i hotc : ot Oavendiah Railway Station evtry day S meettng each train. PaHßeLgers by morning train may pro oeed by poach io Altord i/'ores^ thenoe ti 'aiethven In time ioi the last train fo j Jhrlatbhuroh, or may return m time fo i .he laat train for Afhburtdn. ; Paroela anb Orders will reoeive ever) Attention. and Bugglea on hlie. !ln JOHN HOOD fj-^OH OOUGHS, GOLDS, Bronohitls Jj Asthma, Influenza, Oonsamptlon, «fe« KAY'S Compound "Bßsenoe of Linseed, Anlaeed, Senega, Bqaill, Tolu, eto, with Ohlorodyne, KAY'S Oompound, a demulcent > expec torant, for Coughs, colds and ohei oomplalnta. KAY'S Oompound, for Oougha and Ooldi is equally serviceable for Horses ant Uattle. IT AY'S Tic PUIb, a specific m Neuralgia By, Face-aohe, eto, Oontaina Quinine Jxun, eto. nOAGULItiE. — Oenieuw for Brokei \J artiolea. Sold Every whexe. Sole , Makera— KAY BROTHERS, Lim., Stookpor t England. THE "BED UKOSS " PBESBRVIN COMPANY, Ohapel Street, South Yarra, Victoria, /^(ANNED Tomatoes, equal to Americai \j and at same price ; also Peaches Jfears, Apricots, ot the- finest qaitity, anc m heavy Byrup. All these goods ai< mannfuotared under the BUpervision oi Mr George James Ward, late of California, The Jama, Jellies, Pickles, Toinatt Sauce and Asßbr ted Sauces of this Company art well know! to be better than any imported, 6 213 John Hanger, SADDLE, COLLAR, A&D HARNESS , . MAKER, HAVING purchased the. business c ' Me A. leElaU^), and removed intc those' oommodlous premises lately oooupled by him m Burnett Street, begs most sincerely t& thank : his oußtomers for past suppor and solicits a oontlnuanoe of the same which he will strive to deserve by keeping the best stock of Saddlery and Harneas, and strict attention to business, combined with good workmanship and Reasonable charges. Repairs neatly and promptly attended to 7tlBQ ' ASHBURTON PERMANENT BUILDING AND INVESTMENT SOCIETY. PAID-TJP CAPITAL ... £5000 .'• DEPOSITS of £10 and upwardß rer ceived at the following rates of interest At oall ,t. ... 4J per oent '•3 ! moiitbß ... 5 " "■ " G months ... 5J «' " Over 6 months ... 6 " ' All ifA'ormation on application to BOWABD STEPHENS, '.."'. ■ Manager Office — Tancred at » THE MEBOANTILE FINANCE AND AGENCY COMPANY LIMITED OF OHBISTOHUROH. Incorporated' under the provisions of the Companies Act, 1882. BegisteSed Offiob : MORTEN'S BUILDINGS, CHRIST-* CHDROH. ff^HlS Oompanyr is prepared to AD--1 VANCE MONEY upon Freehold Property, m large or small buidb, at ouirent rates of Interest j also upon tho Security of Bills of Sale, Mortgages of Stock, Wool and Agricultural Liens. For further particulars apply to JOHN G. BEBTELL, Agent, &}ls< Went Street, Aihburton, >
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Page 4 Advertisements Column 6, Ashburton Guardian, Volume VII, Issue 2166, 6 July 1889
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Page 4 Advertisements Column 6 Ashburton Guardian, Volume VII, Issue 2166, 6 July 1889
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16 April 2012
MIRI – Members of Save Sarawak's Rivers Network (SAVE Rivers) and
some concerned citizens held a peaceful demonstration in front of a
leading hotel here to send a strong message to the community leaders
meeting with Senator Lihan Jok at the hotel to reject the Baram
Hydro-electric Dam Project.
Earlier on, church leaders were also invited to attend the meeting with the Senator.
30 people turned up for the demonstration and even under heavy police
presence they clearly stated their displeasure at the Sarawak State
Government's insistence to go forward with the controversial dam
According to the Chairman of SAVE Rivers, Mr.
Peter Kallang, "We in the SAVE Rivers Network have just come back from
our visit to various longhouses in Baram. At our meetings with them and
during private interviews which are electronically recorded (on audio
and video), practically all of the villagers do not want the dam to be
Peter stressed that he does not want to see their
community and church leaders being used and abused by the government to
force the people to accept the dam project.
"If the
government is sincere in bringing development and power supply to the
rural areas why don't they develop micro-hydro projects?" questioned
"We do not want this sort of destructive project
which permanently destroy the environment and deprive our people of
their land and properties. This is not the so called 'development' we
want." added Peter.
Mr. Philip Jau from Baram Protection
Action Committee (BPAC) which is also one of the community based
organisation in SAVE Rivers Network said that the government has been
very secretive in dealing with the people in Baram to get them to agree
to the dam project.
"The people of Baram really oppose
this dam project. We don't oppose development per say, but the dam
project is not the development we want and any development projects
being put forward by the government should be done in a transparent and
just manner." said Philip.
Mr. Mark Bujang from Borneo
Resources Institute, Malaysia (BRIMAS) also one of the NGOs in the SAVE
Rivers Network questioned the State Government on the status of the
Social and Environmental Impact Assessment studies.
does the government want the Baram Dam to be built urgently, when these
studies are yet to be carried out?" questioned Mark.
meeting called by Senator Lihan is to prepare for a prayer session to be
held at the proposed dam site between Long Kesseh and Long Na'ah which
will be held on Saturday 21 April 2012.
Senator Lihan is
formerly the State Assemblyman for the constituency of Telang Usan,
where the proposed Baram Dam is going to be located.
the last state election, Senator Lihan was dropped as the incumbent but
was recently appointed as a Senator in the Upper House of the Malaysian
This is the same person that courted
controversy when he mentioned to the people in Baram that the dam is a
'gift from God'. He also courted controversy previously with his
suggestion to change the name of Orang Ulu to Lun Daya of which the
Orang Ulu community strongly condemned.
The demonstration started at 2 pm and lasted for half and hour before the police told the demonstrators to disperse.
Press Statement released by:
Mark Bujang
Secretary, SAVE Rivers


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On the Record with Greta Van Susteren
The NFL has suspended Tom Brady for the first four games of the next season and fined the New England Patriots $1 million over the "Deflate-Gate" scandal. The Patriots were also forced to forfeit a 2016 first rounder and 2017 fourth-round selection in the NFL Draft.
"Each player, no matter how accomplished and otherwise respected, has an obligation to comply with the rules and must be held accountable for his actions when those rules are violated and the public's confidence in the game is called into question," NFL executive vice president of football operations Troy Vincent wrote to Brady.
With all respect if Troy Vincent had anything to do with The New England Patriots' and especially Mr. Tom Brady's punishment then he'd be better off running and hiding just as his boss, Roger Goodell did.
Obviously, based on the written statement from Troy Vincent as well as the horrific "impossibilité d'achever" (French for "failure to complete") on behalf of the commissioner of the National Football League, Roger Goodell, who ostensibly ran and hid his face a la Barack Obama.
It is worth nothing to take a person's civil rights away — then at the exact same time — punish any particular player or member of an organization. Sure there were some text messages exchanged between locker room personnel and Mr. Brady. However, since when does the request for a transcription of messages and using a civil right (violation of privacy) to say no to the request is a crime? Seriously, I can without thinking, just imagine submitted with respect, Tiger Woods and any number of his friends' text messaging. What do you suppose members of the NBA would be thinking when it is common knowledge that the first, second, and third rows of seats are owned by players who can literally give them to anyone they so desire. Just imagine the texting that goes on in the NBA!
This is emblematic of the United States Secret Service who had been found to have facilitated in sex scandals with prostitutes whilst in Colombia, using U.S. taxpayer funds, driven drunk whilst on duty, parked wherever they wanted to, and incidentally let a convicted felon into an elevator with a bit more than a handgun. Now these agents did not have a whim or whimper that the elevator was for the President of the United States. When these agents were given their requests for text messages and/or emails they outright refused based on privacy grounds.
I quite openly admit to being a person of excessively high moral standards as well as live by a code of ethics that many of my friends find offensive. However, there comes a time in ordinary life when one is held to a completely different set of standards. When ordinary life demands that electronic messages be warranted for a crime that is a whole different matter. When it comes to the extraordinary celebrity type people — to invade their privacy rights is not an option.
The "Deflate-Gate" scandal, as it came to be known, erupted in late January after the Patriots' victory over the Colts in the AFC Championship Game. It was determined after the game that Brady was using footballs that were deflated below the league's minimum allowable level. (This is a complete contradiction according to the Wells Report.)
However — and let this be stated loudly — it is my humble opinion based on evidence gathered that all footballs had been tested and the Patriots' mean weighing in was right at 12.6 ppi. The Indianapolis Colts also passed the test with their mean being right at 13.0. These measurements were supervised by all NFL officials who worked the AFC Championship game. So how could or would anyone make a statement such as, " It was determined after the game that Brady was using footballs that were deflated below the league's minimum allowable level." And this is based on what evidence?
However, prior to ending this researched article, being a qualified, licensed, and efficient professional soccer referee I need to make this comment. Anyone who knows squat about the game; furthermore, this talk is being made now by all sports officials, pundits, fans, and owners alike this punishment is something the NFL has to deal with.
As for my buck, where is the culpability and actions of the officials before, during, and after the game? Most of us complain about calls on the field, yet the call I am referring to is the call that the referee's word is the absolute Law of the game. Why hasn't Goodell investigated the officials who were on duty for this game? The Wells Report has been read and through the critical lens of this professional those referee's on duty were far more culpable than Mr. Tom Brady.


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Here is a gallery of the many works in progress from our Dyeing to Discharge classroom. Enjoy!
Here is a gallery of the many works in progress from our Dyeing to Discharge classroom. Enjoy!
Remember Carol Soderlund's "dyeing to discharge" class that I went to a couple of weeks ago? You must be "dyeing" to learn more! We took color out, put color in, then took more out, then maybe put more in. We worked 9 -10 hours a day. As I learned how to add depth and interest to my humble cotton cloth my classmates were creating many beautiful pieces in cotton, rayon, silk & even silk/cotton blend. Gradually complex cloth began to come to life in our hands.
Further work included experimenting with thickened bleach solution and thickened thiox (not shown here I was way too engrossed in my work to remember to take photos) using theromfax screens, paint brushes, rollers & rubber stamps.
A gallery of results will be shown in my next post. So stay tuned!
While most people are headed to the beach, or out or even chasing butterflies in the backyard, this summer I'm spending 5 days in a classroom experimenting with dye and discharge agents! Yay! The instructor is well known fiber artist and author Carol Soderland. It promises to be an interesting (and fun) week.
And about that respirator… while the dye process is fairly safe, the chemicals used for discharge are rather nasty. The respirator is a wise choice when you have your head hanging over a pail of bleach mixture. Carol spends a lot of time in class discussing hazards and proper safety precautions for this kind of work. I appreciate her cautious approach.
All our trips these days seem to require a sewing related component. Fortunately I have an understanding husband (after he deserted me at breakfast to go see the Bruins bus arrive how could he say no?)
Because it was conveniently on our way to Cloudforce of course we had to stop at Windsor Button. Both the Park Street and Downtown Crossing T-stops will bring you within a block of the store. Ah, this is the way notion shops used to look. If you need a special button or fastening and are in the neighborhood Windsor Button is worth a look.
Even after all the distractions I was there on time for registration at 11:30 am, ready & waiting for the 12:30 keynote speaker, Marc Benioff, Salesforce.com Chairman, CEO & cloud computing visionary. His 2-hour presentation on Salesforce.com & social enterprise just flew by – I never even thought about sewing for one minute of it!
Just to keep things interesting at our home is now serving as a temporary holding place for rescue snakes – i.e. pet snakes that people don't want anymore. We already have tree frogs, anoles, and some fish of our own, plus a few caterpillars that we are watching turn into butterflies in a container. Two eight foot long snakes – a boa and a carpet python – are living in our den temporarily. My husband, an amateur herpetologist and member of the Maine Herpetological Society, is now a snake rescuer. I guess that makes me the den mother. This guy posing on my sewing machine is a carpet python.
What do snakes have to do with sewing? About an hour after our photo shoot this one shed his skin – amazing to watch. The shed skin is now drying in our dining room mounted on to cardboard with straight pins. Every nature printer's dream – an 8 foot long shed snake skin! Just imagine all the fabric that I can print with that!
Sometimes I feel like I have been in a sewing time warp.
While I see those jazzy (and expensive) electric bias tape makers everywhere, I didn't realize that handy little manual tape makers also existed. Why didn't I know about these things? These gadgets go by the name of "bias tape makers." I always appreciate a product that is named for what it is or what it does.
Recently, as I was rummaging through my yard sale loot box looking for a zipper I discovered that I actually own one of these bias tape makers. There it was NIB (new in box) just waiting to be opened. I immediately had to try it out – without reading the directions of course – and was thrilled with the ease of making 1/4″ bias tape, not noticing that according to the package it was a 1/2″ bias tape maker. When I learned to follow the correct process I was even happier with the results.
This is a very easy and inexpensive solution for anyone who wants to make custom bias tape in short lengths. Here is how it works: cut your fabric 4 times the desired width of your finished tape. If you want 1/2″ tape, then cut 2″ width. Cutting on the bias (diagonal), of course. Thread the strip of fabric through the bias tape maker and then iron it as it comes out the other end. There is a little coordination factor involved requiring pulling the gadget along in one hand while ironing with the other. I managed to succeed without burning myself with the iron so most anybody could probably master this technique.
Googling "bias tape maker" shows that Clover USA is a lead player in the sewing gadget world. Clover products include not only manual bias tape maker in five different sizes, but also a fusible bias tape maker (even more important to read the instructions), and a plethora of other sewing tools, gadgets, and hardware. Clover's blog offers useful sewing tips and information of interest to sewists, knitters and quilters, in addition to the usual informercial aspect. Worth a look. (I'm not being compensated in any way to promote Clover – unfortunately.) Guess what Annie's getting for her birthday from me?


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The sixth studio album from punk rock giants Taking Back Sunday comes in the brilliant package that is Happiness Is. It has now been over a decade since the band's debut album, and it is amazing to hear that they can still write material so strong, if not stronger. Things have changed drastically since the release of 2002's Tell All Your Friends however the original charm is still intact and it is undeniable that after all these years they can still bring the level of pure energy to the songs. This album is also the third to feature the original line-up since the reunion of Shaun Cooper and John Nolan on the band's 2010 self-titled album.
Before the release of Happiness Is, the band recorded an official live video of new track Flicker, Fade, stating they'd rather release it than have a few hundred copies floating around Youtube and so that people would focus on listening to the track instead of recording it on their phones. From this point onwards the suspense built among fans for the new, as of yet untitled, album and for more new material. The band had also showcased another new song Beat Up Car live but decided not to record this officially. A little later down the line and they finally announced a release date and track listing for the new album, and a variety of pre-order packages. Flash-forward to current day and the album release is mere days away and the album is now streaming online. Finally!
Beginning with Preface, the band's first attempt at an 'intro' track, it then hurtles straight into the studio recording of Flicker, Fade. This track itself is a perfect microcosm of what the rest of the album has in store for fans, and the strength of the chorus makes it easy to see why the band couldn't wait to present this track to crowds. The next track was the second single to be released, Stood A Chance, which just may be one of their best songs to date. This fast, upbeat track is unbelievably catchy and transports you back to the teenage charm the band held from their first album. Again, a very strong chorus also makes this track a must for upcoming setlists and is likely to get an amazingly energetic response whether played to crowds of fans or of festival goers who've never heard of the band before.
As well as being brilliant for making hard-hitting, fast punk, the band is also great for producing very emotional and powerfully slow tracks. It Takes More is a perfect example of where this appears on the new album and as this track progresses to the point of beautiful overlaying of Adam Lazzara's vocals it reminisces strongly of older tracks like My Blue Heaven. The penultimate track We Were Younger Then is similar in the sense of offering a less 'full-on' punk track, with a chorus with a strong hook, but with verses that take a step into the gentler side of the band's work. The final minute of this track also progresses into a very strong ending; giving a wall of sound with a thick bass line provided by Shaun Cooper cutting through the middle.
Something always associated with a Taking Back Sunday album is its closer. Tracks like Everything Must Go or I'll Let You Live are incredibly powerful and leave fans with track so hauntingly beautiful and commanding that they can't do anything other than play another one of the band's albums. It was much relief that the closing track of Happiness Is, Nothing At All, had the same effect. The first section of the track moves along gently with acoustic guitar and vocals accompanied softly with some backing keys, before being textured with vocal harmonies, strings and a muffled snare roll in the background. Building to a great climax which drops down to just acoustic guitar again, this track may not be as chorus driven as something like Call Me In The Morning, but through its bareness comes a degree of intimacy the band has never really showcased before.
Instrumentally speaking, this album is as strong as any of other as well. Mark O'Connell provides a wide array of typical punk and rock beats with his own twist and proves how drumming does not have to be over-the-top to be awe-inspiring. The pounding rhythms in tracks like They Don't Have Any Friends include small intricacies the stand out on every listen and his ability to provide incredible fills is as on-point as any other of their releases. The guitar ability of Eddie Reyes and John Nolan blends together amazingly as well to create a very smooth mix and the vocal ability of Adam Lazzara is just perfection. There is an undeniable maturity in his voice on this record, when compared to the first three releases, and this has made for a much thicker and stronger sound.
So far, the band have announced a North American tour alongside The Used with support from Tonight Alive and Sleepwave; a tour that will hopefully make its way across to the UK. Nevertheless, whatever line-up they bring along, there are whole continents waiting patiently for the band to grace their shores, and with the brilliant strength of this release it seems likely that people are going to want to hear as much new material as possible mixed along with the older classics.
Happiness Is releases April 18
Check out the official video for Stood A Chance below.
Words > Stephen Morris


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I\'m still relatively new to the whole sampler scene... so maybe you\'ll understand when I express puzzlement over these ProSamples CDs that cost only $50 and have the cover image of $400-$500+ sample libraries stamped on them. For instance, volume 31.. \"Rare Instruments\". Quantum Leap makes that library and it\'s over $400. So, for $50, what are you getting, exactly? Are there fewer samples per instrument? Is it limited in some way? It seems kind of shady to me, especially since the description of the ProSamples CD doesn\'t explain how it\'s \"dummied down\" from the real thing.
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Case Studies - Oxfordshire, Warwickshire & Cotswolds
Obviously no two cases are ever the same, all we can do is to give you a rough idea of some clients' experiences.
We encourage a round table approach as far as possible – we encourage a round table approach as far as possible to avoid the financial and emotional cost of going to court. That is not always possible. But for two clients aged over 65 who were getting divorced, a round table meeting helped each see the other's point of view. Normally a court would have ordered the sale of the matrimonial home and all assets split equally. As the wife had moved in with a new partner, she agreed to take less than half the assets, enabling the husband to remain in the house he had lived in for much of his life.
Farming cases, like family businesses generally, can be difficult to resolve. The farm or business provides an income – if part is sold to provide cash for the party leaving the marriage then income is reduced. Generally large sums are involved and differences cannot be resolved, so the court is asked to decide how the assets are to be divided. The farm or business owner can be reluctant to lose any part of the asset and other family members may become involved, leading to protracted court cases. Most of these cases involve three court hearings and can be extremely stressful for all concerned.
More common are the cases where parties, generally parents, want to try and resolve issues without going to court. They may have great difficulty communicating with each other and be reluctant to meet. Sometimes we have meetings where the parties do not actually meet but within the same building the lawyers can take instructions and reach an agreement about finances or children or both.


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Of course, a patient would prefer that a medical error NEVER happens. Thus most people want the hospital they attend to have a great performance improvement program that proactively PREVENTS errors from occurring. However, even with the best programs, an error is still possible (even if it is highly unlikely).
A study in the JAMA Internal Medicine says that patient's and their families want physicians and hospitals to communicate with them to explain what the facility is doing to prevent similar future incidents. We are going to try harder is not enough. They want real root cause analysis with effective corrective actions.
The study said that "Patients and families strongly desired to know what the hospital did to prevent recurrences of the event, but 24 of 30 reported receiving no information about safety improvement efforts."
So what do patient's want?
- Adequate compensation
- Friendly communication
- To be heard by the physician and the hospital.
- How the hospital/physician would prevent future errors
If you don't have advanced root cause analysis you can't meet the patient's expectation.
Maybe it is time to learn about TapRooT® and start your facilities journey to world-class root cause analysis and performance improvement?
Category: Medical/HealthcareTags: medical error, patient safety, root cause analysis, sentinel event |
1 Comment »
De acuerdo.
Lo que realmente quiere el paciente agraviado es escuchar una palabra cálida, una atención personalizada y que se tomen acciones para que vuelva ocurrir con otro paciente.
Comment by Carmen — November 14, 2017 @ 6:59 pm
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