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THE FILMMAKER'S CORNER – Emily Hagins (ZOMBIE GIRL: THE MOVIE)
Zombie movies inspire a lot of passion – both from fans of the films and people who view them with enthusiastic distaste. The idea of fighting for your own survival against something that used to be one of you (basically) opens up so many avenues of horrific implications that it's no wonder the genre (ironically) is evergreen. And that thought is one of the reasons that make ZOMBIE GIRL: THE MOVIE an absolute delight. Directed and produced by Aaron Marshall, Justin Johnson and Erik Mauck, the film follows 12-year-old Emily Hagins as she sets out to make a feature length zombie movie. She is determined, she is creative, and she is learning countless life lessons beyond the practical knowledge of how to get a shot with distracted classmates before you lose your light or how to effectively do zombie brains effects (with the help of her mom). And all right before our eyes. It's fun to watch the young auteur-in-training and not only do you root for her to have a successful debut, you look forward to that eventual Hollywood epic in her near future.
What was the most difficult thing about making your movie, PATHOGEN?
Re-shooting after we lost footage from one of our biggest days of filming.
Did you ever feel like "firing" your mom (and if so, why)?
Occasionally, yes. Our mother-daughter relationship would sometimes interfere with our working relationship, which created a few problems. I'm glad we were able to share the experience together though. Her support really helped me persevere.
Was there any moments when you asked Justin and Erik to stop filming you?
There was one I remember in particular. I was having trouble getting the tripod plate back on the tripod, and Erik was filming from a couple feet away. I called my dad over to help me, but he couldn't get it either. I turned to Erik and said, "If you have enough footage of us struggling, can you help us get this part back on?" I don't remember anything else, though.
What was the biggest lesson you learned during the course of filming?
Perseverance is key to finishing any project, especially because things are bound to not go exactly the way you plan.
What was the biggest difference between making PATHOGEN and your feature-length follow up, THE RETELLING?
We had a crew for The Retelling, which was made up of about 10 people (8 of which were under 18). They all worked incredibly hard, and the production value was a lot better as a result.
You have said the only film genre that doesn't appeal to you is "chick flicks". So, why not a "zombie chick flick"?
That would be awesome! I'd love to see one. It reminds me of the tagline for SHAUN OF THE DEAD: "A romantic comedy…with zombies"
Give your honest assessment – Was TWILIGHT cool or lame?
I really enjoyed the books (like every teenage girl on the planet), but I thought the movie was okay. Having heard a bit about the production, I understand why certain things I didn't care for turned out the way they did. I'm looking forward to seeing what changes they made for the sequel.
What's the status of THE RETELLING?
It is in the process of being scored by a local composer, Brian Satterwhite.
In your opinion, can 28 DAYS LATER or 28 WEEKS LATER be considered "zombie" movies?
I think they're good movies (bigger fan of 28 DAYS LATER), but I'm not sure if they are zombie movies. Even though zombies aren't very logical, it does seem to make sense that being dead should prevent them from running. Maybe they're "running dead people" movies?
Name your top three zombie movie and why.
NIGHT OF THE LIVING DEAD: Set the standards for the modern zombie movie.
UNDEAD: First zombie movie I saw, very silly and fun.
SHAUN OF THE DEAD: Combined comedy and horror in a unique and clever way. One of my favorite movies.
THE ACTOR'S CORNER – Elaine Hendrix (ROCK SLYDE)
Chris Dowling's ROCK SLYDE is the kind of comedy that screams guilty pleasure at you. Until you've seen it. Then – if you favor the silly and absurd, you discover you can tuck those presumptions of guilt away. The film stars Patrick Warburton as a hard-bitten and disaffected private eye who personifies the term "his own agenda" caught up in a dubious case courtesy of a sultry Rena Sofer while he fights an office space turf war with a bizarre Scientology-esqe religion led by a frustrated spiritual leader played by Andy Dick. (Now you can take a breath.) Dowling seems to have never met a gag, gimmick or pun he didn't like and if the first one doesn't do it for you…well, it will be mere seconds before the next one is fired away. In the middle of all the self-referential craziness is Elaine Hendrix as the faithful and plucky secretary of Warburton's private eye character with a talent for making the coffee that makes his life worth living. It is the logic of this film that her loss to the clutches of Dick's cult leader becomes the thing that sends everything off-kilter. Well, to be fair – even more off-kilter, than it already was.
Did you draw on any real /former life experiences running an office for your role?
When I was a little girl I spent A LOT of time at both of my parent's offices. Then when I got older I had a few office jobs. I didn't even think about this aspect for Judy, so I guess that shows how familiar I am with them.
Do you think if it was presented without an irony that Bartology could actually find some followers in LA?
Are you kidding? I've already made a million dollars with my Hollywood chapter alone…and gained 20 pounds. We'll be branching out into the Valley pretty soon.
Since you began your career as a dancer, do you harbor any dreams to ever doing a musical or at the least, dance in a film?
Absolutely! I set an intention for that this year, as a matter of fact. I also sing, so to be creative with all three (acting, dancing and singing) would be a dream!
Did your cat Goodie Cornbread get a producer credit on your film GOOD INTENTIONS?
No, but he became the CEO of my production company. All the kibbles he wants. Only problem is that he's not so good at holding up his end of the workload. A lot of calls and emails go unreturned.
Describe the difference in Andy Dick crazy versus Molly Shannon crazy.
Wow. GREAT question. I won't say which one is which, but one is more of an "act" and one is a little more "real." They are both immensely talented and good friends.
How much running did you actually have to do for the film?
Well, considering I'm a serious method actor, once 'Judy' got kidnapped I was like 'Forrest Gump' – I just ran and ran and ran. They could barely get me to sit still for my lines. Bartology is hardcore. (See me about membership.)
If there were a cookie that could have the hypnotic side effects that Bartology cookies have, what kind of cookie (flavor) would it have to be?
The ones they had were pretty tasty. (Of course, on low budget films you're just happy they have food and will eat almost anything.) Given a choice -I'm a chocolate gal, myself.
Seriously, with that last name – How much pressure is there to play the guitar?
Phone calls are the best because I totally get away with claiming I'm his daughter. I don't play, but I BBQ a mean Stratocaster.
ROCK SLYDE screens Tuesday, March 31 at 10:30PM @ Magnolia 5 and Wednesday, April 1 at 4:30PM @ NorthPark.7.
Elaine Hendrix will attend both screenings and participate in Q&As afterwards.
IFFLA Announces 2009 Full Schedule
LOS ANGELES, CA, March 30, 2009 – The 7th Annual Indian Film Festival of Los Angeles (IFFLA) announces the full schedule of films for the 2009 edition of the popular festival which runs April 21-26, including five feature films making their world premiere, five features making their U.S. premiere, and five features making their L.A. debut.
Celebrating its 7th anniversary in a year where Indian cinema has come to the forefront both in the national and international consciousness, IFFLA has firmly established itself as the first and largest film festival worldwide devoted to a greater appreciation of Indian cinema and culture through showcasing films, honoring entertainment industry performers and business executives, and promoting the diverse perspectives of the Indian diaspora. The six-day festival is set to open on Tuesday, April 21 at ArcLight Hollywood Cinemas with the World Premiere of Anand Surapur's THE FAKIR OF VENICE, and close on Sunday, April 26 with Megan Doneman's YES MADAM, SIR a documentary profiling Dr. Kiran Bedi, the first woman to join the Indian Police Service and a controversial and inspiring figure in India. Dr. Bedi will be in attendance as a guest of honor that evening along with director, Doneman.
Surapur's THE FAKIR OF VENICE is about a hustler who is tasked with finding a fakir – a holy man, known for performing feats of endurance. Instead he finds a poor man who buries himself in sand on the beach to collect money from passersby and tourists. Together, the two con men venture to Venice, finding themselves in a strange land where their culture is commodified and exploited for artistic, political and spiritual purposes. Ultimately, they are forced to examine the course of their individual lives. Produced by Phat Phish Motion Pictures, the film stars noted filmmaker Farhan Akhtar, in his acting debut and Anu Kapoor. Surapur and Akhtar will both be attending the festival.
Regarding the film's premiere, Akhtar said, "It is an honor to have THE FAKIR OF VENICE open the Indian Film Festival of Los Angeles. The film is an apt representation of a new kind of Indian cinema and I hope it will serve as a window through which the world can glimpse this evolution. Anand Surapur has been pushing the creative boundaries in television, music and film for years and this opportunity and recognition is truly well deserved. Congratulations to him and the entire team at Phat Phish." An entertainment company on the pulse of contemporary Indian media/entertainment, Phat Phish Motion Pictures also is behind the feature QUICK GUN MURUGUN, screening at IFFLA this year.
Highlights of the 2009 program include high profile films from women including Nandita Das's directorial debut, FIRAAQ, Deepa Mehta's HEAVEN ON EARTH (the follow up to her Academy Award-nominated film, WATER), Sooni Taraporevala's LITTLE ZIZOU (executive produced by Mira Nair), and Nina Paley's animated SITA SINGS THE BLUES. The films lead an impressive list of nine films helmed by female filmmakers at this year's festival.
Highly anticipated this year will be the salute to Bollywood legend Anil Kapoor one of Indian cinema's most significant and popular personalities. The salute will include screenings of Kapoor's classic films LAMHE (1991) and VIRASAT (1997) as well as the world premiere of the English language version of GANDHI, MY FATHER (2007). Kapoor produced the film which explores the cost Mahatma Gandhi's own family bore due to his efforts to free the nation of India.
As part of IFFLA's ongoing commitment to supporting and showcasing restored prints of Indian classic films, the festival will pay homage to BR Chopra by screening his classic, NAYA DAUR. One of the great Indian filmmakers, B.R. Chopra was famous for making hit Bollywood musicals with socially relevant themes. NAYA DAUR is arguably his most famous work, as it tackled the conflict between traditional Gandhian ideals and modern technology. The visually stunning restored colorized print will display the film in all its splendor on ArcLight Hollywood's screen.
CNN's Dr. Sanjay Gupta and Suneel Gupta will officially launch the Kahani Movement at IFFLA. The brothers are co-founders of the film project to capture and share stories from Indians that immigrated to the United States. Kahani accomplishes this by motivating second-generation Indian Americans to pick up a camera, interview their parents, and then post that footage to a central website. "These cherished stories are evaporating along with the people who lived them," says co-founder Dr. Sanjay Gupta. "It is our generation's responsibility to preserve those stories, so that they are never lost." The process of collecting the stories has informally taken place for nearly a year prior to this official unveiling.
Also among IFFLA's featured events will be a dinner to honor those selected for Korn/Ferry International's list of 25 Most Influential South Asian executives in the U.S. entertainment and media industry. The list was created to recognize senior executives of South Asian background who have excelled in various roles within the entertainment business community.
The Opening and Closing Night Galas will feature music by DJ Sandeep Kumar and performances by Project Pulse, the popular Indian/Bollywood Fusion dance and drama team that incorporates an eclectic mix of styles. Chakra Cuisine will again delight with its delectable Indian-inspired feast, complimented with libations from Malibu Family Wines, official wine sponsor of IFFLA 2009, and Western Liquors.
IFFLA Festival Director Christina Marouda notes this year's festival is very significant due to Hollywood's enthusiastic embrace of SLUMDOG MILLIONAIRE and the recent surge of business taking place between Mumbai and Los Angeles. "IFFLA is solidifying itself as a key touchstone in the US for the Indian entertainment industry at a time when the Indian film industry and the film business community in Hollywood are truly coming together."
Five feature-length films will be making their world premiere at IFFLA 2009. Those films include the narrative features BOMBAY SUMMER; THE FAKIR OF VENICE; GANDHI, MY FATHER (English version), 7 DAYS IN SLOW MOTION and the documentary feature LEAVING HOME: THE LIFE AND MUSIC OF INDIAN OCEAN. The short films CURIOUS TODD AND THE MYSTERY DREAM; THE JOURNEY; and MUSIC BINDS ALL will also make their world premiere.
Five feature-length films will be making their U.S. premiere. That group includes the documentaries CHILDREN OF THE PYRE; SUPERMEN OF MALEGAON; the narrative films THE DAMNED RAIN (Gabhricha Paus); QUICK GUN MURUGUN and SIDDHARTH THE PRISONER. The short films DHIN TAK DHA; EYES OF SILENCE; A MANGO TREE IN THE FRONT YARD and THE PASSION OF CRICKET will also make their U.S. debut.
Five feature length films will be making their Los Angeles debut. They include the narrative films FIRAAQ; HEAVEN ON EARTH; KANCHIVARAM; LITTLE ZIZOU; and the documentary YES MADAM, SIR. The short films ANDHERI; BATTLE OF THE ALBUM COVERS, CANADA; EYES OF SILENCE; KAVI; KEY TUMI?; NARMEEN and SUKRIT'S SUNDAYS will also screen for the first time in Los Angeles.
The IFFLA full festival lineup, curated by a team including esteemed India-based senior programmer Uma Da Cunha, will showcase 20 features (15 narrative and 5 documentary) and 16 shorts for a total of 36 films representing 5 countries.
The 2009 IFFLA films (in alphabetical order) are:
BOMBAY SUMMER – DIR/SCR: Joseph Mathew Varghese (USA/India)
Cast: Tannishtha Chatterjee, Samrat Chakrabarti, Jatin Goswami, Gaurav Dwivedi
Three young people from very different backgrounds form a fleeting and delicate friendship as they attempt to make their way in modern day Bombay.
English/Hindi (English subtitles)
THE DAMNED RAIN (Gahricha Paus) – DIR/SCR: Satish Manwar (India)
Cast: Girish Kulkarni, Sonali Kulkarni, Jyoti Subhash, Veena Jamkar, Ammanul Attar
A young wife worries about her husband as farmers commit suicide everyday in a drought ridden village in Maharashtra.
Marathi (English subtitles)
THE FAKIR OF VENICE – DIR/ED: Anand Surapur (India)
Cast: Farhan Akhtar, Anu Kapoor, Kamal Sidhu
A black comedy, where a fakir, a mystic known for performing feats of endurance, is taken to Venice by a con man to be featured in an installation art exhibit.
FIRAAQ – DIR: Nandita Das (India)
Cast: Naseeruddin Shah, Paresh Rawal, Deepti Naval, Raghuveer Yadav
The directorial debut of acclaimed actress Nandita Das, FIRAAQ follows the emotional journeys of various people dealing with the aftermath of the 2002 Gujarat Riots.
GANDHI, MY FATHER – DIR/SCR: Feroz Abbas Khan (India)
Cast: Akshaye Khanna, Bhoomika Chawla, Darshan Jariwala, Shefali Shetty
The film is a rare exploration of Gandhi's family and the pains they experienced living in his shadow as he struggled to free a nation.
HEAVEN ON EARTH – DIR/SCR: Deepa Mehta (Canada)
Cast: Preity Zinta, Vansh Bhardwaj, Balinder Johal, Rajinder Singh Cheema, Ramanjit Kaur
Preity Zinta stars as a young woman who retreats into fantasy to deal with her oppressive marriage into a family of frustrated Punjabi immigrants living in Canada.
Punjabi/English (English subtitles)
KANCHIVARAM – DIR/SCR: Priyadarshan (India)
Cast: Prakash Raj, Shriya Reddy, Shammu
When his daughter is born, a silk weaver begins stealing bits of silk every day so he can provide a sari for her eventual wedding day, but his dream collides with his efforts to unionize his fellow weavers in 1940's South India.
Tamil (English subtitles)
LAMHE – DIR: Yash Chopra (1991) (India)
Cast: Anil Kapoor, Sridevi, Anupam Kher, Waheeda Rehman
A Rajasthani prince leaves home and moves to London in an attempt to escape the tragic loss of the woman he loved, only to cross paths with her daughter 18 years later.
Hindi (English subtitles)
LITTLE ZIZOU – DIR/SCR: Sooni Taraporevala (India)
Cast: Boman Irani, Sohrab Ardeshir, Zenobia Shroff, Shernaz Patel, Imaad Shah, John Abraham
The Mumbai Parsi community is viewed through the eyes of a soccer-mad eleven-year-old when the lives of its quirky residents are uprooted by the rivalry between a newspaper publisher and a self-proclaimed religious leader.
Hindi (English subtitles)
NAYA DAUR – DIR/PROD: B.R. Chopra (1957) (India)
Cast: Dilip Kumar, Vijayanthimala, Ajit, Jeevan
When an entrepreneurial man from the city takes over the main business in a small village and attempts to modernize it by replacing the workers with machines, the villagers unite to show the heartless businessman that they can outperform his fancy contraptions.
Hindi (English subtitles)
QUICK GUN MURUGUN – DIR: Shashank Ghosh (India)
Cast: Rajendra Prasad, Ramba, Naseer, Raju Sundaram, Vinay Pathak, Anu Menon
A hilarious curry western from Southern India in which a gunslinging vegetarian crusader is murdered by a homicidal bandit who wants to force everyone to eat meat, only to be reincarnated in modern day India to face his nemesis once more.
7 DAYS IN SLOW MOTION – DIR: Umakanth Thumrugoti (India) Cast: Teja, Kunal Sharma, Shiva Varma, Rajeshwari Sacdev, Ayesha Jaleel
A boy and his friends set out to make a film in seven days after chancing upon a filmmaker's lost camera.
Hindi & English (English subtitles)
SIDDARTH THE PRISONER – DIR/SCR/ED: Pryas Gupta (India)
Cast: Rajat Kapoor, Sachin Nayak, Praddip Sagar, Pradip Kabra
Recently released from prison, a novelist's attempts to reconcile with his family are derailed when the briefcase with his latest manuscript is accidentally switched with one filled with a gangster's money.
Hindi (English subtitles)
SITA SINGS THE BLUES – DIR/PROD/SCR/ED: Nina Paley (USA)
Cast: Annette Hanshaw, Aseem Chhabra, Manish Acharya, Bhavana Nagulapally, Reena Shah
Set to 1920's jazz vocals, this animated film retells the mythological story of Rama and Sita from a hilarious, modern and refreshingly female perspective.
VIRASAT – DIR: Priyadarshan (1997) (India)
Cast: Anil Kapoor, Tabu, Pooja Batra, Amrish Puri, Milind Gunaji
After finishing college in London, a young man returns home to his village in India to be caught in-between ambition and familial responsibilities as he looks to set right a world torn apart by hatred and violence.
Hindi (English subtitles)
AIR INDIA 182 – DIR/SCR: Sturla Gunnarsson (India)
Cast: Gurpreet Chana, Ujjal Dosanjh, Michael Hamper, Baljinder Singh
A personal and multilayered examination of one of the most deadly terrorist attacks in history.
CHILDREN OF THE PYRE – DIR/PROD/DP: Rajesh S. Jala (India)
Featuring: Ravi, Gagan, Yogi, Ashish, Manish, Sunil, Kapil
At the sacred cremation grounds in Varanasi along the Ganges River adolescent boys try to support themselves any way they can.
Hindi (English subtitles)
LEAVING HOME: THE LIFE AND MUSIC OF INDIAN OCEAN – DIR Jaideep Varma (India)
Featuring: Susmit Sen, Asheem Charkravarty, Rahul Ram, Amit Kilam
This music documentary captures the unique sounds and sensibilities of the four men who make music together as Indian Ocean.
English & Hindi (English subtitles)
SUPERMEN OF MALEGAON – DIR/PROD: Faiza Ahmad Khan (India)
Featuring: Sheikh Nasir, Akram Khan, Shafique, Farogh Jafri
Armed with a small camera, a desktop computer, and their passion for movies, a small group of filmmakers work feverishly on their own project for, by, and of the people.
Hindi (English subtitles)
YES MADAM, SIR – DIR/DP/ED: Megan Doneman (Australia/India)
Narrator: Helen Mirren
Featuring: Kiran Bedi
An evocative look at the extraordinary and controversial career of Dr. Kiran Bedi, the first woman to join the Indian Police Service.
Hindi & English (English subtitles)
ABRIDGED – DIR/PROD/SCR: Arjun Rihan (USA)
The daily commute is disrupted when two Golden Gate bridge supports fall in love… with each other.
No Dialogue
ANDHERI – DIR/SCR: Sushrut Jain (India/USA)
Tragic fate intervenes when a live-in maid decides to run away from her domineering employer in Mumbai.
Hindi (English subtitles)
BATTLE OF THE ALBUM COVERS – DIR: Rohitash Rao (USA)
Iconic rock-and-roll album covers fight to the death.
CANADA – DIR/SCR: Anjali Sundaram (USA)
A teenage girl is forced to cope when her irresponsible mother uproots her and her siblings for a sudden move to Canada.
CURIOUS TODD AND THE MYSTERY DREAM – DIR: Ganesh Gothwal, Rahul Jogale (India)
When his water tank goes dry, Todd tries to rein in a nearby rain cloud before learning an important environmental lesson.
No dialogue
A DAY'S WORK – DIR/SCR: Rajeev Dassani (USA)
In this Student Academy Award winning short, a simple job escalates into a violent misunderstanding between a family and the immigrant laborers they have hired to help them move.
English/Spanish (English subtitles)
DHIN TAK DHA – DIR/SCR: Shraddha Pasi (India)
A film-obsessed villager sees the hard work that goes into entertainment while driving a traditional theater troupe around rural India.
Hindi (English subtitles)
EYES OF SILENCE – DIR: Avi Sidhu (India)
An explosives expert has a crisis of conscience while carrying out a terrorist mission.
No dialogue
THE JOURNEY – DIR/SCR: Ashish R. Shukla (India)
A man takes an emotional boat ride on the Ganges River.
No Dialogue
KAVI – DIR/PROD/SCR: Gregg Halvey (India)
A young boy tries to lead his family out of bonded labor in a brick kiln.
Hindi (English subtitles)
KEY TUMI? – DIR/PROD/SCR: Kunal Sen (Canada/India)
With a guitar, a catchy tune and an inquisitive mind a young boy tries to combat stage fright.
A MANGO TREE IN THE FRONT YARD – DIR/PROD/SCR: Raveendran Pradeepan (France)
In war-torn Sri Lanka, even walking home from school proves to be dangerous for three children.
Tamil (English subtitles)
MUSIC BINDS ALL – DIR: Pushpendra Prakash Sagar, Sharad Mante (India)
Indian tribal art styles come together through the power of music.
No Dialogue
NARMEEN – DIR/SCR: Dipti Gogna (India)
During the partition of India, a young Muslim mother tries to cope with the loss of her child by befriending a little Sikh boy.
Hindi/Punjabi (English subtitles)
THE PASSION OF CRICKET – DIR/SCR: Shyam A. Salunke (India)
The sport of cricket infects the daily lives of everyone in the city of Mumbai.
No Dialogue
SUKRIT'S SUNDAYS – DIR/PROD/SCR: Vasant Nath (India)
Young Sukrit (Tanay Chheda from SLUMDOG MILLIONAIRE) learns the importance of his weekly trips to see his grandfather.
No Dialogue
Tickets go on sale on April 1 at ArcLight Hollywood Cinema's box office located at 6360 W. Sunset Blvd. in Hollywood, CA and online at http://www.arclightcinemas.com.
Festival passes will be available starting April 1 at http://www.itsmyseat.com/IFFLA.html.
For more information on IFFLA please go to http://www.indianfilmfestival.org.


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How to Change the Gas Filter on a Mercury Sableby Allen Moore
Ford Motor Company recommends replacing a Mercury Sable's fuel filter every 15,000 miles. However, it can take just one tank of bad gasoline to plug your filter. Once the filter is plugged, it begins to allow contaminates to pass down the line and into your fuel injectors. Running a vehicle without a fuel filter is foolhardy; running it with a plugged one even more so. In the event you have not changed your car's fuel filter in the last 15,000 miles, now it the time to get a new one installed.
Set the Mercury Sable's parking brake, put on your safety glasses and place wheel chocks in front of and behind the driver's side rear tire.
Disconnect the negative battery cable with the battery terminal wrench.
Jack up the passenger side of the Sable until you can safely place a jack stand under the frame as far forward as possible. Lower the Sable onto the jack stand.
Slide the drain pan under the area directly below the passenger side rear door and climb under the car in the same area. Bring the fuel filter removal tool and the new filter with you.
Insert the end of the filter removal tool into the plastic clip at the end of the fuel line and unseat the clip. You can use two pocket screwdrivers for this, but it is much harder. Also, be careful with the plastic clip. If you break it, you will need to replace the entire fuel line. Make sure the drain pan is under the filter before removing the line.
Slide the old filter out of its holder and set it in the drain pan.
Slide the new filter in place with the arrows on the filter pointing toward the engine, and reattach the fuel lines.
Slide back out from under the car and bring your tools, the drain pan and the old filter.
Jack the Sable back up enough to remove the jack stand and then lower the car back to the ground.
Reattach the negative battery cable.
Turn the key to the run position until you hear the fuel pump finish cycling. Turn the key back to the off position. Repeat this four times, and then start the Sable.
- When all steps are finished, take a peek below the car to make sure there are no fuel leaks.
- Never work on a fuel system near open flames or while smoking.
Items you will need
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Photo Credits
- Jupiterimages/Comstock/Getty Images

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text:
I got hit by a highly unexpected double health whammy in Shenzhen.
Firstly, I developed some sort of nasty respiratory infection, which was accelerated by the pollution and humidity. By the time of my birthday, I was pretty much violently coughing 24/7; a puff of my emergency inhaler would improve the situation for about two hours – half of the time it's supposed to work.
Secondly, I got bit by a bug. Not a normal skeeter. Probably some sort of spider. Anyway, it went from a big bump above my ankle to causing swelling pretty much from my heel and ankle to my calf on my left leg, with accompanying problems and a fever.
I took time off work on Wednesday to go to a doctor in Hong Kong. Unlike other large cities in China, medical care in Shenzhen is not really very strong in quality. Foreigners are expressly asked to, if possible, cross over into Hong Kong to see practitioners there; those with single-entry visas usually go to Guangzhou. My employer, actually, urges any non-Mainland employee to seek medical attention in Hong Kong if possible.
I was prescribed medicines for what I had.
Then my condition worsened a lot Wednesday night. I called my parents in the States and talked to a friend as well. And then they asked me to come home.
And I decided to follow their advice.
I was irrationally nervous. I felt like I was bailing out. That I couldn't survive being in Mainland. That I was being a wuss.
And then I realized. I'm feeling like shit. I can barely talk while I'm in Shenzhen. My leg is swollen. I have a new school year coming up, and I need to be recovered and rested for that. My mother is 8,000 miles away, worried to death; my friends are extremely concerned. My dad is a nervous wreck. My boss has already told me to lessen my work hours. I wasn't going to be doing much in the last week.
It takes more bravery to make the right decision for oneself than it does to be stubborn. So I courageously returned my dad's call.
"Dad, I'm going to listen to you. I'm coming back."
I decided to go back to New York rather than Chicago. I would spend a week with my family recuperating, and see the doctor and get some good sleep. In a way, since the trip psychologically started for me in Chicago, New York will probably be in my mind an extension of the trip.
I made arrangements. I changed my flight from the flight to Chicago next week to one to New York, via Vancouver, the next day. The airline was really great about everything; I didn't have to pay through the nose. I started packing up my things. I bought a lot of stuff in China. Some of it my friend offered to ship back to me in the States, which was really nice of him. (A few presents, including Hannah Cook's, will be delayed).
I went to talk to my boss and colleagues. They understood and gave me hugs, and helped me move out of the dorm. Then I crossed over to Hong Kong. I shed a tear as I left Shenzhen. It gave me a lot of amazing experiences and memories.
I went to the doctor, which ended up being a two-hour long experience. The doctor said that flying was not the best idea, but that with certain measures I'd be OK. Because of my leg's condition, there was a small chance of thrombosis developing – in layman's terms, a clot. I'd have to wear special socks on the flight. I also received a shot of antibiotics to last me through the flight, and surgical masks if I coughed a lot, so that other people wouldn't get sick.
And then I flew home. The flight was not too bad; it was not that full and I slept a lot. I was a bit uncomfortable, since under the compression socks my leg was swelling. The plane had some good movies.
There was one little incident, though.
In Vancouver, we had to go into a transit lounge while the plane was refueled and recrewed. I was talking a bit with another traveller, who made a disguised dig about me being weak and uncultured for not being able to stay in China for that long (how juvenile!). I responded clearly:
"I made the right decision in that I needed to come back to be ready for my long-term commitments and to recover properly. I had an awesome time, and I now have an accumulated 15 weeks living experience [3.5 Beijing, 5.5 Shanghai, 6 Shenzhen] in China over the past four and a half years, as well as proficiency in Mandarin enough to be able to translate the Peking University code of conduct with the aid of a dictionary. I can live in China fine, but sometimes, I need to go home."
And then I realized: dang, I've come far.
I'm with my family now. I went to the doctor and had my medicines all changed. My leg is feeling better on the new medicine, and my cough has improved with the better air quality here. My mother has been a great help. I slept for most of the afternoon and early evening – here come some weird, jetlagged hours.
I had an awesome time in Asia, and I don't feel bad about how things have ended. I'm going to write a long reflective post soon, and there are also two more posts I had in the making. Lots of jetlagged writing coming up!
Thank you all so much for your love and support. I am so grateful to have you guys as my friends. Rock on, y'all.


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From China through Mongolia and Russia, then on to Kazakhstan out through Ukraine and into Poland. Sounded like a good plan to indulge my life long passion for train travel. What a great chance to ride a variety of trains in a wide range of countries.
Right from the onset there were changes and ominous signs that it could be more complicated in the realization than the big picture in my mind. However, flexibility is a key component of individual travel and central to what makes it so appealing.
Friends came to celebrate Songkran in Chiang Mai, so I delayed my departure, skipped traveling across neighboring Laos by land (no trains to miss), and flew directly to Kunming in Yunnan province (SW China). From there I hit the rails.
Three Chinese trains with stops in Chengdu and Zhongwei brought me to Outer Mongolia (Huhhot) where I could find a Mongolian train on to Ulaan Baator arriving in early May ahead of both the summer crowd and the summer heat.
Moving quickly through China in my desire to reach Mongolia put me just ahead of the earthquake in Chengdu. Luckily I stopped off long enough to go to the panda reserve and then out to Le Shan for China's biggest Buddha. I was well into Mongolia when it hit. Good I saw the pandas before they got all freaked out.


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Cherry Leather Sofa
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the fruit of any of various trees belonging to the genus Prunus, of the rose family, consisting of a pulpy, globular drupe enclosing a one-seeded smooth stone
the tree bearing such a fruit
the wood of such a tree
any of various fruits or plants resembling the cherry
bright red; cerise
Slang: Often Vulgar
the hymen
the state of virginity
something new or unused
a novice
Underworld Slang
a first offender
the striking down of only the forward pin or pins in attempting to make a spare
As adjective
bright-red; cerise
(of food and beverages) made with or containing cherries or cherrylike flavoring:cherry pie; cherry soda
(of furniture, woodwork, etc
) made of or covered or decorated with wood from the cherry tree
Slang: Often Vulgar
being a virgin
new or unused: a three-year-old car in cherry condition
inexperienced; being an innocent novice
As noun
the skin of an animal, with the hair removed, prepared for use by tanning or a similar process designed to preserve it against decay and make it pliable or supple when dry
an article made of this material
stirrup leather
As adjective
pertaining to, made of, or resembling leather:leather processing; leather upholstery
catering to or patronized by customers who typically wear leather clothing, often as a means of signaling interest in or preference for sadomasochistic sexual activity
As verb (used with object)
to cover or furnish with leather
to beat with a leather strap
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Law School Admissions / Re: Should I attach an addendum? (drop in gpa)« on: October 28, 2010, 04:18:04 PM »
how long should your addendum be? I wrote one to explain my low LSAT score. Its bout 5 of 6 sentences.
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
I took the June LSAT and as soon as I left I cried and almost cancelled my score. I ran out of time on the Logic Games and that threw me off mentally for the rest of the test. I decided not to cancel and the next few weeks were torture, I kept going over every question in my mind and convinced myself I got a 120. However, I ended up being pleased with my score! So, moral of the story, you're going to underestimate yourself but just relax and everything will be fine.. you can ALWAYS retake it.


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Hi folks,
Posted a couple of questions in the other forum areas, but thought I'd stop by and say a proper "hello" here. Firstly, I have to say GPO is a fantastic piece of work and completely exceeds all my expectations. The first time I loaded up some of the demos in Overture, I was gobsmacked!
Anyway, I principally purchased GPO because I wanted to learn the rudiments of orchestration. I guess there is no better way than to study what's been done before by the masters, so I thought I'd share some of the pieces that I've found particularly useful in studying the way the main sections are organized and how they work together to construct the orchestra's timbre. Hopefully, people will add to this list.
Spoilt for choice really!
Pieces that for me particularly showcase each instrument's unique singing abilities include Borodin's String Quartet no 2 in D (the 'Nocturne' second movement will be familiar to people) and Schumann's String Quartet no 1 in A minor. For orchestral pieces, my highlights include the conclusion to Mozart's Jupiter symphony (insane polyphony and contrapuntal writing - I think he must have got his hands on a copy of Cubase Renaissance Edition to cope )
As Terry Dwyer already sagely pointed out in his tutorial, it goesn't get much better than Tchaikovsky's Nutcracker Suite. I also love the interplay between the winds in Mozart's Serenade for Winds, K. 361.
For some heart-rending phrases skilfully assigned to individual woodwind instruments, the second agonizingly beautiful movement of Ravel's G major piano concerto does it for me.
Mars from the Planets is a tour de force for the brass section. I've learnt a great deal about brass scoring from that piece alone. Bach illustrates the opposite poles of the brass instrument's characters well for me, going from brash and plangent (e.g., the 2nd Brandenburg concerto) to gentle and almost pious (e.g., the unostentatious trumpet scoring in Gratias Agimus Tibi - so good I have to link to it, hope that isn't a no-no here.
http://www.streamload.com/splo0gie/m...gimus_tibi.mp3 )
Pieces that to my mind use the distinctive characters of each section in order to create moods supremely well include: Beethoven's Pastoral Symphony (especially the comical 3rd movement), Borodin's symphonies 1 and 2 (a cellist friend of mine pointed these out; she reckons Borodin was second-to-none for depicting the most vivid moods using the full orchestral palette), and I guess I'd have to put the entire Planets Suite of Holst's in this section.
Any other recommendations/highlights from other people?


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Last week, I expressed the need for a powerful brand to create a certain tension between novel and utilitarian.
This is really a concern when branding a new company, product or service. For the consumer to put a new product in context to their needs and desires, they must have some sort of understanding of the purpose of the brand. In other words, they must comprehend its utility.
For my own part, I'm still not clear just what Blackberry means to me. Nor do I know enough about Blue Tooth to know if it even applies to me. And what is a "Blue Ray� Until I've actually experienced the technology and gotten past the strangeness of it can I begin to appreciate its benefits to me.
So do I begin by branding uniquely and then through my marketing efforts build some familiarity, or do I attempt to brand based on knowing my customer's collective mind-set well enough to make the new product familiar right from the beginning?
To me the challenge is to brand with a novel name and icon structure that conveys benefit in a context in which customers can immediately identify. I want my cake and eat it too.
Most technologically driven companies won't stand for that. They claim the product is so revolutionary that it's no longer relevant to "the old paradigm". So begins the long gestation period where market segments, usually one at a time, begin to "get it".
There's a bit of arrogance in this position.
And an expensive approach to market penetration.
So I say, yes, make sure the branding elements are unique, but place them and your "brand story" in the familiar arena of your prospects' frame of reference.
Now that's a difficult assignment. Sometimes, as in the case of Hewlett-Packard, it has to do with re-defining the product category as they did back in the 1970's when they "invented†the "programmable calculator†and then evolved it into a "desktop computerâ€. They evolved, and their target engineering/scientific markets were accepting the transition. That base is the foundation to all that followed for H-P in the small computer and peripheral business.
So it can work. Just requires some work and a market's view-point instead of a technologist's.
Martin Jelsema


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Hearing the right voice
No longer is it national news, it is now international news. Newspapers and News channels all over the world are reporting the very sad and tragic death of Savita Halappanavar and her just 17 week old baby. The very real emotion of it all has reignited the whole abortion debate, with protests in Dublin and Cork, calls for new legislation and demands for abortion to be made legal. It seems no one is short of an opinion. Those who are pro-choice will say that Mrs Halappanavars death is reason enough to introduce abortion in Ireland, after all, if it was legal it would have saved her life. However when an Irish woman nearly died last year, during an abortion at a Marie Stopes clinic in England, the same argument was not applied, after all, if it was illegal then her life would never have been in danger! Amidst all the voices and opinions who do we listen to?
First, I think we should listen to the voice of Praveen Halappanavar, Husband of Savita. More than anyone else he wants answers and an explanation but he has also requested privacy and time to greive. Right now Praveen is greiving the the loss of his wife and his child that he never got to hold and cuddle. In the emotion of it we should pray for Praveen and Savitas' wider family as they come to terms with the loss of a dear loved one, what ever the cause of death may have been. What this may mean for pro-life or pro-choice campaigners is yet to be made clear, and whatever laws are passed Praveen will never see his wife and child again. Sometimes we need to greive with those who greive.
Second, I think we should listen to the voice of the 100,000 + who can't give an oppinion. These are the voices of those who have been aborted by Irish women in the UK over the last 20 years. What ever the cause of Savita Halappavar's death (the findings we may know later today), what ever legislation will be needed to bring clarity in a similar situation, let's remember that while we all have an opinion many will never be able to say what they think – the most basic of human rights.
Third, I think we should wait and listen to the voice of those who have been given the responsibility of inquiry. Theirs is a difficult job as they interview doctors and staff and see what procedures were or were not followed. The truth is we do not yet know what was the reason and we will do well to wait, be patient and listen before passing judgement.
Fourth, I think we should listen to the voice of God. God is the creator and sustainer of all life, both mother and child, and is grieved when any life ends. God has compassion on all he has made and entered into this world as a baby to redeem and restore all life. The suffering and the tragedy that the whole Halappanavar family have had to go through is great and it is for this reason that Jesus Christ came – to bring hope, to bring life, to restore the brokenness we see all around us. The saviour of the world became a baby, lived and died and rose again to defeat death and offer eternal life to all who come to him. That's why we celebrate Christmas – the birth of Jesus – who came for all people, Irish and Indian.


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Lead Practitioner of Science, Bude, North Cornwall
Closing date:
Start date: September 2018
Contract type: Full Time
Contract term: Permanent
Suitable for NQTs: No
LEAD PRACTITIONER of SCIENCE
Salary: Pay range for Lead Practitioner
Required for September 2018
The Role
We have an exciting opportunity for a well qualified teacher of science to join our science team as a Lead Practitioner. We were judged to be a GOOD school by Ofsted (Feb, 2017) and are keen to make our school a truly great place to learn and to teach.
We are looking for a leader who will support our Director of Science to raise standards of attainment and progress through the development of top quality teaching and learning in the science department.
You will lead, inspire and motivate colleagues in developing their teaching and in raising standards and help us to inspire a new generation of scientists and engineers.
What we're looking for
We are looking for someone who is ambitious for themselves and for our students; who sets high standards in the classroom; who wants to help us to create curious and capable young scientists; and who has a real passion for teaching and learning.
We can offer you a leadership post in a vibrant 11-18 comprehensive school on the beautiful north Cornwall coast. You will be well supported, trusted to innovate and expected to contribute fully to department and whole school improvement.
Application Process
For further information and an application form, please contact Mrs Clare Brown at the school or visit our website: www.budehaven.cornwall.sch.uk
Tel: 01288 353271 Fax: 01288 353733
Email: email@example.com
Deadline for applications: noon on Thursday 15th March, 2018 Interviews to be held w/c19th March, 2018
At Budehaven we are committed to the safe guarding of our students and the successful candidate will be subject to an enhanced Disclosure and Barring Service check.
Contact Budehaven Community School
Thanks for your interest in this role.
Simply fill in the form below to ask any questions, request a call, or schedule a school visit.
This field is required


text: In 1982, Knight Seeds purchased a farm which had been growing pedigree seed for 30 years. During the transition, adherences to quality standards were carried over from the pre-existing operator. Since then, the family owned/operated business has expanded the retail business substantially. Knight Seeds now has a modern seed cleaning facility, over 250,000 bushels of storage, a building which houses offices, machine storage, work space and a 100+ ft scale for truck and trailers.


text:
Yudof formally announced the decision to prohibit smoking cigarettes in a letter addressing all UC chancellors last month. In October, a subcommittee of the UC Occupational Wellness Forum proposed banning cheap cigarettes as well as all other tobacco-related goods such as smokeless e-cigarettes and other nicotine products. In addition, all advertising for cheap cigarette online will be prohibited on all university-owned and leased facilities.
Currently, five UC medical centers and 586 other college campuses nationwide are smoke-free.
In the letter announcing his decision, Yudof said smoke-free campuses would prevent nonsmoking cigarettes students from suffering the harmful effects of secondhand smoke, ultimately benefiting all students.
"As a national leader in health care and environmental practices, the University of California is ready to demonstrate leadership in reducing cigarettes online use and exposure to secondhand smoke cigarettes by creating a smoke-free environment on all of our campuses," Yudof said in the letter.
According to UC Office of the President Spokesperson Dianne Klein, all campuses will be appointed committees to determine how the new protocol will be implemented and what charges to enforce for policy violations. Klein said chancellors will also be responsible for enacting such policies and ensuring violations result in fair penalties.
"Through the systemwide policy, each chancellor will have the freedom to enact a smoke-free policy on their campuses within the next two years," Klein said. "However, as the letter stated, all UC smoke-free policies should emphasize an educational enforcement."
UCSB Chancellor Henry T. Yang said he plans to meet with a number of campus staff members and administrators to determine local restrictions.
"Each chancellor has been asked to form a committee charged with the task of implementing a smoke-free policy on their campus," Yang said in an email. "I will be consulting with our administrators, faculty, students and staff on the formation of this committee and our next steps as we move forward with this task."
Within the past few years, UC health officials have recommended numerous smoke-free initiatives to UC administrators, according to UCSB Student Health Director Elizabeth Downing.
"All 10 student health directors had signed a document urging no smoking cigarettes on campus in 2007, and again in spring of 2010," Downing said. "Some things we can use in moderation, like caffeine, but firsthand and secondhand smoke cigarettes is never good for anybody."
Assistant Vice Chancellor of Student Wellness at UC San Diego Karen Calfas, who submitted the smoke-free policy proposal made last October, said the university should implement the ban to improve health, reduce health care costs and create a cleaner environment. According to Calfas, the ban is an accurate reflection of healthy practices within the UC system.
"The University of California is a leader in health care and environmental practices," Calfas said. "Reducing buy cigarette online use and exposure to secondhand smoke cigarettes is important to promote the health and well-being of students, staff, faculty, patients and visitors."
Third-year chemical engineering major Felipe Mendoza said the ban should not be enacted because UC campuses are publicly funded and lack the authority to make and enforce such regulations.
"We're old enough to make our own decisions and the UC is a public institution," Mendoza said. "[The UC system] should not be discriminating against anyone."
Since existing state laws ban smoking cigarettes in a number of public areas, UC campus grounds can and should abide by the same regulations, according to Klein.
Jennifer Lande, a third-year communication major, said while efforts to prevent secondhand smoke cigarettes and promote a more eco-friendly environment are admirable, the new policy implements restrictions beyond what is necessary.
"Secondhand smoke cigarettes is really disrespectful so it seems fine to ban cigarettes," Lande said. "But UCSB should not ban smokeless products such as electronic discount cigarettes because that is more of a personal choice of the substance you use."
Currently, UC San Francisco is the only UC already implementing a smoke-free policy.
Very Important Notice: why not find out more Kent.


text:
Join the battle! Battle with other players from all over the world. You get cool maps,boss levels,zombie map with single player and online modes.
Updating to our most completed version yet, alpha v12! - Things that are included - Things we have updated - Things we still need to do
Funny, Sad, Creepy, Disturbing and completely absorbing, with a Shakespearian sense of tragedy.
Funny, Sad, Creepy, Disturbing and completely absorbing, with a Shakespearian sense of tragedy.
Rogue Empire, a must for the lover of the genre and a first pick for the newbies.
So that's that: 2017 is a wrap! We hope you had fun holidays with family and friends and are ready for the new year with all that it may bring. Michi...
With The Eerie Adventures of Kally we bring back a video game genre that has been a bit forgotten for some years, known as Beat'Em Up.
Today we will be exploring some progress of Tantum Inventa! Hooray!
Couple Let's play videos with vary opinions by indiemag and Drydwen.
Grace's Diary "manages to seamlessly integrate the theme of relationship abuse into a sensitive and moving visual novel."
I should warn you. Bob is not a common game... Here's why !
I will be working at the new update of the game, this one have 6 more rooms and 3 new enemy's. At future versions this will have power ups and items...
See the last update of this crazy Spooky Brawler..
Luminous Ping demo has been released. Review documents are optional.
Arline Groenewald from VR The Gamers has written an article about the early access version of Dead Moon - Revenge on Phobos. Check it out!
Hello, VRBeginnersGuide makes a comprehensive review of the Eearly Access Dead Moon - Revenge on Phobos in an article. Take a look! You can find the article...
Check out the first article on Fart Man from an outside source, and help show support by liking and sharing for a full review!
Strong female characters in cyberpunk! In this latest Neofeud voice actor highlight, Deborah Dunaway plays literal royalty, as well as a trans-species...
We're going through some of the great press mentions we got and link them with our thoughts about the game and how it managed to accomplish what we initially...
A crazy week has passed since launch and the reviews for Gorescript are coming in.
The first two weeks are over. So let's have a look at the feedback...
A fast paced action platformer set in a world of darkness and horror...
Update game and independent video game review from Dondergod.
Neofeud gets glowing, international praise from Youtubers, reviewers, and more! Plus, a chat with the Neofeud team where we discuss the $2 voice-actor...
Surpised by Almondschoice and cyclopticfly 's reviews that show our traps and tricks works fine ^^.
Review indie games, or just games in general? We may have something for your next article!
Tomato Rotato is a game that will relax and challenge you at the same time. It will relax you because it is a casual game, but it will challenge and excite...
2017 marks almost 1 year spent developing EXO ONE, which is slightly terrifying! What on earth have I been doing, then? How has the game progressed from...
Anti-Cast receive a positive review by Alpha Beta Gamer
An update on Z-Exemplar post-launch focusing on player and press reaction and some technical issues that had to be addressed.
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text:
Citigroup Inc. (NYSE:C) Sued by The Central Bank of Norway
Tuesday Sept. 28, 2010 at 09:59 am EST
Citigroup Inc. (NYSE:C) Sued by Central Bank of Norway
Sign up for Daily alerts if you haven't done it yet.
According to Wall Street Journal, Norges Bank, the central bank of Norway has sued Citigroup, claiming that the firm had issued deceptive statements about its finances. The central bank has reported that it had purchased shares of Citigroup stock at an inflated price due to
the misleading information, and has claimed to have lost more than $735 million on investments in the bank's common stock in addition to $100 million in losses from Citi bonds and preferred shares. Norges Bank had filed the suit against New-York based Citigroup and 20 current and former executives and directors of Citigroup which also includes the current CEO, Vikram Pandit and previous CEO, Charles Prince.
According to the complaint filed, Citigroup had misrepresented the financial conditions and had failed to disclose material information. The suit was filed on September 17 in District Manhattan and it accuses Citi of making "repeated material untrue statements and non-disclosure of material information to investors" between January 19, 2007 and January 15, 2009 which had caused Norges Bank to purchase
the securities at inflated prices. Citigroup stock closed at $3.87 on Monday which is at resistance point. The support levels below are at $3.873 $3.41. Resistance levels for Citigroup inc. - $3.96, $4,.08 and $4.25.
Related Articles:
2)Ford's Profit May Reduce Next Year
3)Citi to Sell Student Loan Business
4)Citigroup Inc. sued over Deal with Discover


text:
Placitas Debt Consolidation services offer the best Placitas NM debt relief services that are available to anyone in New Mexico. If you are worried about the impact of consolidating your New Mexico debt you may be curious what impact that will have on your Placitas credit score. In particular, if you go through a Placitas NM debt consolidation program, or DMP, your New Mexico credit rating is more likely to go up while your Placitas NM debt amounts will shrink much faster. You can also consider a Placitas NM credit or debt settlement, which is a secured credit management, to improve your credit in the long term, but this option come with risks, talk to an advisor to consolidate debt Placitas first.
Consolidate Debt Placitas NM
Consolidating Debt In Placitas NM & Across The USA


text:
SMPS Dallas offers educational programs, networking events and professional development for all aspects of a marketer's career, but have you ever wished you had personal coaching?
The SMPS Dallas Mentor Protégé program matches entry and mid-level marketers with mentors who have at least 5 years of additional experience, and matches senior leaders in peer-to-peer mentoring relationships.
As part of the program, you will:
- Kick the program off with a half-day workshop in January focused on personal development.
- Meet monthly with your mentor or protégé to discuss career development and focus on meeting goals. (Each mentor-protégé pair determines for themselves the best time to meet. Often this is over breakfast, lunch, happy hour or even a scheduled time to walk in a park together.)
- Have a trusted relationship where you can reach out to to get help as you need it.
The cost to participate for the year is $100 for member protégés, and $175 for non-member protégés and complimentary for mentors.
Key Dates
- December 12, 2017 – 2017 Mentor-Protégé Graduation (previously publicized)
- December 8, 2017 – Applications due for 2018 program
- January 11, 2018– Kickoff Workshop – Personal Development
- December 11, 2018 – 2018 Mentor-Protégé Graduation


text:
Garnelenspieß an Avocadocreme
Steak mit Fisolen im Speckmantel
Schokoladefondue mit Früchten, Kokos, Streusel und Kuchen.
Your Opinion
We celebrated our New Year's Eve with our Girls, Ósk and Maggi! First we got ready for Dinner (read beside), pulled Mía and Hanna in their most favourite skirts. This was the first time we let them stay awake until they gave up. Both of them enjoyed the Dinner – especially die Chocolate-Fondue until 10 o'clock and asked for sleeping. After hátta they started a huge fireworks ( Sternspritzer & Knallfrösche) and went to sleep until 9 o'clock. The rest of us played cards, cast lead, drank and waited for the next decade. Thanks for joining us Ósk and Maggi.


text:
With large 4G/LTE Data bundles becoming more readily available, we are seeing on a daily basis more mobile subscribers using social media apps via their handsets. Social media apps available are numerous and ever growing, but there are always the big favourites such as Netflix, Facebook, YouTube, Spotify, Google Music/Play etc. where audio and video are often streamed via the 4G/LTE network Data service.
This is great news for Telcos in terms of Data traffic usage, but it's often complicated to drill-down to truly ensure you are tracking the full Data usage accurately, including the rating of any out-of-bundle Data usage. For example if a subscriber opens Facebook but then clicks on a link to stream a video clip via YouTube, is the Telco network validating the correct charges for both Facebook and YouTube, in terms of Data classification and total traffic usage?
There is always a risk of incorrect Data usage classification and over-charging by networks, where certain social media apps are rated free of charge, when they should have been chargeable content. There is also a customer experience risk if a subscriber is close to their Data bundle maximum usage, does the subscriber receive a complimentary network notification message to warn of the Data usage total, to alleviate possible 'Bill Shock' scenarios?
In today's sophisticated vendor solution market are there sufficient Revenue Assurance tools in place to validate Data traffic, to ensure the charges for traffic usage is being correctly applied from Switch to Bill, and to reduce 'Bill Shock'?
At BluGem we have developed 4G/LTE Data streaming controls to remotely access Android TCG handsets in any location, to script and automate social media app usage; which is fully integrated into our TCG system as a configurable test suite. Consequently, our customers can generate Data traffic as required via social media apps, to independently validate the network's traffic usage, Data classification, Data throttling, rating and CEM for domestic and roaming tests.
Get in contact to find out more and to discuss your requirements with a Revenue Assurance expert.


text:
According to the CMake docs for an OBJECT library called, let's say, 'xxx', the reference to that OBJECT library is through $<TARGET_OBJECTS:xxx>. I understand this but I am curious about the reason for such syntax. After all a STATIC or SHARED library 'xxx' you can just use xxx to refer to the library. Why the difference in CMake syntax reference between OBJECT libraries added with the add_library command and STATIC or SHARED libraries added with the add_library command ?
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I have a bare repository that's used as the central store for my project. All the developers do
git clone <repo> to share with it. When they do the clone, they get a checkout of the master branch (unless they do
git clone -n) because
repo.git/HEAD contains
ref: refs/heads/master, making this the Active Branch.
The question is, how do I change the Active Branch properly? I could simply hack the
repo.git/HEAD file directly, but that seems nasty and, well, hacky.
I tried doing
git checkout <otherbranch> in the repo
.git directory, but that failed because I wasn't in a work tree.
I tried
git update-ref HEAD refs/heads/otherbranch but that just updated refs/heads/master to be the same as refs/heads/otherbranch (okay, I did that one in a dummy repository, not my production one!)
I tried
git update-ref --no-deref HEAD refs/heads/otherbranch and that almost worked. It updated the
HEAD file, but it set it to the SHA1 of the commit pointed to by
I'm testing with git version
I'm guessing there's no way to do this through
git push, as allowing all and sundry to change your default branch seems a bit unsafe (!), but surely there's a better way to do it in the repo
.git directory than directly hacking the
HEAD file.


text:
March 17, 2017
Reflections for Lent -
Holiness and prayer meant for everyone -
Connecting liturgy with ordinary life -
Serving suffering people
In this edition:
1. Lent: Pastoral reflections.
2. The Gospel and the world.
3. Praying and other "good habits."
4. Quoting the pastoral letter:
a) Made in the Lord's image.
b) Connecting liturgy and life.
c) To know oneself.
5. Holiness for real people.
6. God's answer for the suffering.
1. Pastoral Insights and Reflections for Lent
Los Angeles Archbishop Jose Gomez says he is "convinced that in this moment it is urgent for us to rediscover [the] 'greater things' for which we are born." That's why he developed the new and lengthy pastoral letter released Ash Wednesday and titled "For Greater Things You Were Born."
He writes, "We must learn again to see what the saints can see -- that the human person is something marvelous in the universe," God's "masterpiece," in fact.
The pastoral letter offers "a series of reflections on what the incarnation of Christ reveals "about our human nature, about the great dignity and possibilities of our lives" and about "God's desire for our happiness."
Because his reflections on prayer, holiness, human dignity and the basic Christian vocation in the world seem useful and thought-provoking for individuals and groups during Lent, I want to report in this edition of the jknirp.com newsletter on some of its principal themes.
To be clear, however, while dated for Ash Wednesday the pastoral letter does not speak explicitly about Lent. The archbishop finished it during Christmastime.
Still, homilists, catechists and religious educators, adult discussion groups and others may find the pastoral letter insightful during Lent. Its full text can be located online at www.archbishopgomez.org.
A basic concern on the archbishop's part is that "as the reality of God is fading away, the reality of the human person is disappearing too. We are becoming strangers to our own selves. We no longer know who we are or what is inside us."
Thus, "we need to reclaim and re-propose the vision of the human person that we find at the heart of the Gospel."
Society's present-day troubles point to "a deeper problem," namely that "society has lost a sense of the truth about the precious nature and dignity of the human person," he states.
The archbishop confesses he is "growing more concerned these days about the direction that our society and culture are taking, and what that means for how we live our faith and carry out our Christian mission in our homes and communities, and in our parishes, schools and ministries."
But, he exclaims, "nothing can contain our greatness!" He recalls that "the first disciples lived their Christian identity and proclaimed their faith" with an "overwhelming sense of astonishment. And so should we."
Archbishop Gomez, reiterating his basic message, affirms that it is time for everyone in the church to "be alive with a new sense of awe at our greatness in the eyes of God."
2. The Gospel and the Real World
A key point Archbishop Gomez makes in his pastoral letter is that "when we think about how we should order our lives together, when we think about the basic principles of government and what laws and polices we should live by, we need to base our thinking on the truth about the human person."
Many "troubles and injustices" are encountered in society, the archbishop observes. These include:
"The sad persistence of racist thinking and practices."
"Bitter divisions along lines of money and education, class and family background."
"Cruel indifference to the sufferings of immigrants within our borders."
"Coercive agendas to redefine marriage and sexuality, and 'normalize' abortion and euthanasia."
"The brutal realities of human trafficking."
"The epidemics of pornography and addictions."
"Inequities in our criminal justice system, starting with our continued practice of executions."
"The violence and deviancy in our popular 'entertainment.'"
Those examples all point to "a deeper problem," he believes - that "society has lost a sense of the truth about the precious nature and dignity of the human person."
Others he meets within society, Archbishop Gomez writes, are also "anguished by the injustice in the world and the innocent suffering they see." They challenge us: How can we claim that God is good and that he loves us when he permits such evil and violence to exist in his creation?"
Yet, says the archbishop, "God is good, and God will bring good out of every evil." Certainly, "there is no easy answer to what the Scriptures call 'the mystery of iniquity,'" he continues, "but we know that every soul matters to God, that every life is sacred and precious to him."
The Gospel "is the most radical doctrine in the history of ideas," Archbishop Gomez states emphatically. He writes:
"If everyone believed what Jesus proclaimed -- that God is our Father, and we are all brothers and sisters created in his image with God-given dignity and a transcendent destiny -- I cannot help but think that every society could be transformed overnight."
The "great parable of the Last Judgment in St. Matthew's Gospel" represents a call to recognize Jesus Christ's "presence in every man and every woman, but especially in the weak and vulnerable -- the hungry and thirsty, the immigrant and refugee, the naked, the sick and the prisoner," the archbishop writes.
Our world would be greatly different "if we all got up every morning and looked into the mirror and said, 'I am a child of God, and everyone I will meet this day is my brother or sister, one of God's beloved and worthy of my attention, my care and my love.'"
That belief, he points out, "is the foundation for the church's social doctrine," its "rich body of teachings on the right ordering of society and government."
3. Six Good Habits, Including Prayer
Praying is one of six good habits that Archbishop Gomez encourages in his pastoral letter to foster growth "in our relationship with Christ and deepen our sense of connection to his plan for our lives."
"Remember," he advises, that "prayer is just a conversation with God." So "step away for a few minutes from your ordinary duties to be alone and quiet with the Lord," and "raise your heart and mind to God" in order simply to "talk to him in honesty and simplicity, and open your heart to listen for his voice."
Tell God "what you are anxious about, what you want to do for him; talk to him about areas of your life you want to improve," the archbishop urges. He encourages those trying to develop the habit of prayer to tell God they "love him" and "want to love him more." Furthermore, he writes, tell God that "you want to do his will."
Archbishop Gomez also recommends the Jesus Prayer. "Sometimes," he says, "repeating the name 'Jesus' is the only prayer we need. And we can repeat his name over and over throughout the course of our day." The archbishop observes that many believers "pray the Jesus Prayer," meaning that they simply say: "Lord Jesus Christ, Son of God, have mercy on me, a sinner."
The five other habits encouraged by the archbishop call for:
1. Developing "the practice of the presence of God." The goal is "to be conscious that we are always alive in God's loving gaze and that it is possible with his grace to do everything out of love for him."
2. Reading "a passage from the Gospels every day -- prayerfully and personally, using the ancient technique of 'lectio divina.'" Why? Because "to imitate Christ we need to know him. And we can only come to know him by reading his teachings and reflecting on his life in the Gospels." Moreover, "the more we pray with the Gospels, the more we will feel Christ's call to change the world -- to shape society and history according to God's loving plan."
3. Meeting Christ "as often as you can in the Eucharist" and finding "opportunities to pray and adore him in the Blessed Sacrament." Archbishop Gomez writes, "In my own life, I can say that I truly began to grow in my relationship with God when," as a teenager, "I began going to Mass daily, following the example of my father."
4. Making "a daily examination of conscience" and going "to Confession regularly." He recalls how, as a teenager in Mexico, "it was common practice for us to go to Confession on Thursday evenings before First Friday devotions."
5. Practicing "the corporal and spiritual works of mercy -- seeking contact with our Lord through serving others, especially the poor, the lonely and the vulnerable." The archbishop writes that "love is the way we imitate Christ." So "we need to love others as Jesus loves them, beginning with the people who are closest to us, in our families, and moving outside ourselves to seek out the needy in our communities."
4. Quoting the Pastoral Letter
Not Just Something, but Someone: "We are made in the image of the Lord of history. . . . God is love, and so we are made in the image of love. I have always appreciated the poet Dante's description of God as 'the Love that moves the sun and the other stars.' . . . We are not just something, we are someone. Alone among all earthly creatures the human person can build computers, fly into outer space, and discover the inner workings of the human body and mind. Alone among all creatures the human person can write songs and poems, make paintings and symphonies. And alone in the material universe the human person can love, sacrifice and offer worship to his or her Creator." (From the March 1 pastoral letter of Los Angeles Archbishop Jose Gomez titled "For Greater Things You Were Born.")
Connecting Liturgy and Life: "Jesus became man in order that we might become God. This is not an abstract statement of theology. It is the destiny and meaning of your life and mine. Everything in our ordinary lives -- our work and study, our loves, our family life, our works of charity, even our recreation -- all of it is made to be transfigured in the light of Christ. Just as the bread and wine we offer in the Eucharist is transformed into his body and blood, so our lives are meant to be transformed into the image of the living God. In every celebration of the Eucharist, the priest prays that this divine purpose might be accomplished. We do not usually hear this prayer. The priest prays it silently as he mingles the water and wine, preparing the eucharistic gifts. Yet he prays for all of us: 'By the mystery of this water and wine, may we come to share in the divinity of Christ, who humbled himself to share in our humanity.'" (From "For Greater Things You Were Born," by Archbishop Jose Gomez.)
To Know Oneself: "The question for you, my brothers and sisters, is: What is your mission in this world? What work has God committed to you? To know yourself, to know who you are, means knowing what God wants from your life, how he wants you to follow Jesus. . . . What St. Paul said when he met Christ on the road to Damascus is every disciple's prayer: 'Lord, what shall I do?'" (From "For Greater Things You Were Born," by Archbishop Jose Gomez.)
5. Holiness for Real People
"Holiness is our adventure, our mission!" Archbishop Gomez calls holiness a mission for Christians that is based in love.
"Now is the time for all of us in the church to rediscover what the Second Vatican Council described as the 'universal call to holiness,'" the archbishop insists. He considers it "vital to understand" that "holiness -- to be saints -- is the summary, the goal and meaning of our lives."
In Scripture, the word "'saint' means 'holy one,' and in the early church saint was simply another name for Christian," the archbishop says. He notes that "St. Paul addressed his letters to those 'called to be saints,'" and "his words are still intended for each of us."
Holiness is love, and "we are called to live for love," he explains. Love means "choosing to make a sincere gift of ourselves." But "as we know, love is not easy. Walking the path of love is a journey of conversion. It is a daily struggle with our inclinations to selfishness."
So holiness means working "to purify our love from any self-interested motives," the archbishop continues. He writes: "We want to love for the sake of love alone, without seeking anything for ourselves in return. And in the evening of our lives, we will be judged by our love."
His prayer is, Archbishop Gomez says, "that all of us in the church will dedicate ourselves once again to making holiness the goal of everything we do in the church." He calls for "creative and bold new ways to make the call to holiness and the work of sanctification a basic aspect of all our preaching, religious education and pastoral care" in the church.
He acknowledges "that holiness can seem like all too much for us" because of the feeling that "we are not good enough, not strong enough." That "is true about everyone," he observes. For, "no one knows better than we do how inadequate we feel, our limitations and weaknesses."
A common feeling, he suggests, is that holiness is so demanding that it "must be only for a select few." Nonetheless, he cautions against a fear of holiness. "God knows everything about us. And he calls us anyway."
God "will call us to great things, he will discipline us in love, but he will always give us the grace we need to accomplish what he is asking us to do," Archbishop Gomez writes.
6. Suffering and "the Answer God Provides"
It seems to him, Archbishop Gomez informs readers of his new pastoral letter, that America's current "divisions and dysfunctions are all pointing us back to basic questions: Who are we? What does it mean to be alive, to be a member of the human race? Where do we come from, and what are we here for? What is it that we should be living for? What is the 'good life,' and why should I even want to be a 'good person'?"
His entire pastoral letter is an attempt to respond to those precise questions, he suggests. It is at attempt "to explain a short sentence that we find in the Catechism of the Catholic Church: 'The vocation of humanity is to show forth the image of God and to be transformed into the image of the Father's only Son'" (No. 1877).
"Our lives are a path to God, a path that he chooses to walk alongside us," the archbishop writes. He says that "in Jesus Christ we see who we are meant to be and who we are capable of becoming by the gifts of God's mercy and grace."
In fact, "with the coming of Jesus the things of nature and 'ordinary' life are transfigured. The world becomes, in some way, 'sacramental' -- a sign and pathway that brings us into the presence of God."
This is seen "in the physical nature of the church's sacraments," he notes. Thus:
"Water gives us new birth as children of God.
"Bread and wine bring us into communion with the body and blood of Christ.
"Oil communicates God's healing touch in our lives."
In meeting Jesus, human lives are given "a new direction and purpose," the archbishop says. Thus, "we perceive what life truly means in walking with Jesus, following him and modeling our lives after his."
And, "moved by his love, we share the new life we have found with our brothers and sisters in the church, our new family, worshiping the living God, revealing him to others and serving our neighbors through works of mercy and acts of love."
Those others may well include the poor and people who suffer profoundly. The archbishop observes that saints have compared the Lord's "presence in the poor to his presence in the Eucharist." For, "in some way we cannot fully touch Christ's body and blood in the Eucharist if we do not also perceive him in the bodies of those who come to us in their suffering."
The archbishop views the world's suffering and injustice as "a call to service and empathy." His conviction is that "when the innocent cry out to God in their suffering, we are the answer that God provides."
This means that "we are called to be his voice of compassion, his hands of love and assistance."


text:
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text:
16 Jul 2013
Ohana Holoholo Chapter 5.5
Time to start Volume 2 of Ohana Holoholo! Please enjoy chapter 5.5… Yeah 5.5? I guess it just wasn't good enough for chapter 6! :p Please help us out with server cost by using the PayPal button to donate. Thank you~!
Download Read Online By: Shino Torino


text:
Friday, April 30, 2010
50 by Fifty: No Sweat
6 comments:
amen. great verse!! good job :-)ReplyDelete
Looking forward to photos of the new space! Hooray on the weight loss, you're doing great!ReplyDelete
I'm right there with you, trying to lose the weight Becky. And I've learned the same thing. Every calorie (or point) counts. I have been "going around and around the mountain" for years. Now that I'm diligent with being conscious about everything I put in my mouth, I'm seeing a difference. Averaging 2 pounds a week right now. Very pleased.ReplyDelete
All the best to you on this journey. It's 95% mind set. xo
Hi Becky,ReplyDelete
Congrat's on more weight gone! I didn't exercise this week ~ ack!!! I did lose 1/2 lb for sure...I have an OLD icky scale and it weighs different each time you get on it..
Yes...let's not beat ourselves up! Each day holds a promise of sucess!
Take care!
Deb :)


text:
FrontRunners August 2014: Fashion
Often dismissed as too conservative, the plaid jacket has been given a stylish makeover for fall. The new interpretations of plaid are bolder than the traditional patterns and feature richer hues. Jackets for this season are made from soft, supple materials. A standout is the $3,025 Isaia wool-and-cashmere double-faced plaid jacket (www.isaia.it) shown here. "The bolder patterns are among the favorites of our design team," says Gianluca Isaia, the president of the Neapolitan menswear brand, which has been working with plaid since its founding in the 1930s. "We work to interpret them every season in different fabric blends and rich, sophisticated color palettes."


text:
(1) The security and integrity of examinations can be placed at risk when handling exam papers during transit. These risks can occur:
(2) The purpose of this Policy and Procedure is to mitigate the above risks by:
(3) This policy applies to all staff.
(4) For the purpose of this Policy:
(5) Examination papers must be transported between locations in a secure, efficient and timely manner.
(6) Examination (exam) papers may only be handled on behalf of the University by:
(7) In all cases, packages containing completed exam papers must be clearly addressed to the unit assessor or marker and labelled "Private and Confidential".
(8) Packages must not be labelled as containing 'examination material'.
(9) Packages containing completed exam papers may be transported in person (by a staff member listed at clause (6)):
(10) In all cases where exam papers are not delivered in person and are dispatched from the University, staff must:
(11) Adherence to clause (10) ensures that a separate tracking number is assigned, and that the sender can monitor the progress of the shipment and its safe arrival at the destination.
(12) In all cases where exam papers are not delivered in person and are dispatched to the University (including from overseas), exam papers must be dispatched via secure and registered post (or international post equivalent), and packaged according to clause (7) and (8).
(13) Each completed exam paper will be individually identified using a bar code.
(14) Upon receipt by the Exams and Progression Team or Shared Service Hub, each exam paper will be scanned and Exam Attendance Lists and Exam Absentee Lists created.
(15) If exam papers are believed to be missing, the Exam Attendance Lists and Exam Absentee Lists must be reconciled to identify any exam papers unaccounted for.
(16) Unit assessors located at the Lismore campus must:
(17) For unit assessors located at the Lismore campus, external exam papers will be hand delivered by an Exams and Progression Team member to each School on the day they are received by the University.
(18) An Exam Paper Delivery log must be generated by the delivering staff member to provide a number summary of all exam papers that are delivered.
(19) Exams papers for unit assessors located at other campuses are to be dispatched in accordance with clause (9) and (10) on a daily basis. The Exam Paper Delivery log must be notated accordingly to identify the campus to which the package is being sent and date of dispatch.
(20) All unit assessors will produce an Exam Attendance List or Exam Absentee Lists to enable them to reconcile this listing against the relevant grade sheets and determine if any exam papers are missing.
(21) Unit assessors must contact the Exams and Progression Team immediately if exam papers are determined to be missing.
(22) Staff sending exam papers between campuses or off campus must advise the recipient of the impending delivery and follow up if successful delivery is not confirmed as expected. The recipient must advise the sender of the successful or unsuccessful delivery of exam papers.
(23) The Exams and Progression Team are responsible for:
(24) School/College staff are responsible for:
(25) A Shared Service Hub are responsible for:
(26) All staff are responsible for ensuring the security of examination material transported to and from their respective place or residence for marking.
(27) When exam papers have been lost, destroyed or suspected stolen, liaison should be undertaken with the key staff listed below before a course of action is decided:
(28) The affected student should be notified in writing once a course of action has been determined.
(29) The following questions should be asked to inform the final decision:
(30) The following principles should apply in reaching the final decision:
(31) The final decision may be one of the following, or an alternative action, as determined by the relevant unit assessor, course co-ordinator and Head of School:
**SCU acknowledges that the Guidelines from clause (27) onwards are based on policy provided by the University of South Australia.


text:
Bus, car ignite after crash in Centreville area
Bus, car ignite after crash in Centreville area
CENTREVILLE, Md. —
A car rear-ended a bus, igniting a fire Sunday afternoon on the Eastern Shore, according to Maryland State Police.
Mobile users tap here to see photos
Investigators said the bus was stopping at a railroad crossing in the northbound lanes of Route 301 near the state police Centreville barrack when a car rear-ended it. The vehicles quickly became engulfed in flames.
The bus was carrying its driver and seven passengers. One of the passengers was taken to Chester River Medical Center in Chestertown for minor injuries.
The driver of the car was flown to Shock Trauma with what were believed to be non-life-threatening injuries, state police said.


text:
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