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2 Bedroom Sea View Properties in Chaweng
If incredible sea views is what you are after then these 2 bedroom townhouses in the hills of Chaweng, overlooking Koh Samui's no. 1 tourist hub, are an excellent choice. The property themselves also warrant a mention due to the excellent build quality, great design and large living spaces.
Property Type: Sea View Townhouse Beds: 2 Bathrooms: 3 Land Title: Chanote Swimming Pool: Yes - Communal Property Size: Living space 181sqm Land, approx 110sqm Property Price: 8.5M THB - 9M THB
The Bay Condos Koh Samui – Sea View Condos for Sale in Bang Rak, Koh Samui
Property Description:
The Bay Condos have a great location in Samui that offers some stunning sea views. The Bay Condos do not just offer great views, they also provide owners with a spacious living space complimented with very stylish and modern fittings and furniture.Type: Sea View Condos for Sale Beds: 1-3 Bathrooms: 1-3 Property Ownership: Freehold Swimming Pool: Large communal Property Size:
Land: approx 6,000sqm
Living: 64sqm - 200++sqmProperty Price: From 3.8M THB
Oceana Residence – Condos for Sale in Koh Samui, Cheong Mon
Property Description:
Oceana Residence Condos is indeed a masterpiece in design from one of Asia's best architects, Gary Fell. The design is quite simply breathtaking and the location in Cheong Mon is only a few hundred meters from Plai Laem beach.Type: Beachside Condos for Sale Beds: 1-2 Bathrooms: 1-2 Property Ownership: Freehold & Thai company/leasehold Swimming Pool: Large communal & private Property Size:
Living: 42sqm - 133sqmProperty Price: From 2.75M THB
1 Bedroom Beachfront Villa for Sale on Bang Por beach
Property Description:
This quaint 1 bedroom villa has just come up for sale on Bang Por beach for a very attractive price. The property benefits from direct beach access onto one of Samui's better and quieter beaches that offers good swimming all year round.Type: Beachfront Beds: 1 Bathrooms: 1 Wi-Fi Yes Swimming Pool: No Property Size:
Living: 120sqm
Land: 96sqmProperty Price: 9.9M THB
Samui Land for Sale - 520sqm in Laem Set
This beachfront plot has a total of 520sqm of space with which to build a dream home on, with a massive 13 meters of beachfrontage to boast as well. The land would be perfect for a small beachfront villa and would also allow its new owner to construct a reasonable size house for a fantastically low price.Property Type: Beachfront Land Land Title: Chanote Freehold: Yes Land Size (rai): 0.1.30 Land Size (sqm) 520 Property Price: 6,500,000
Contemporary, Beachside, Sea View Condos for Sale in Cheong Mon, Koh Samui
These are a great new addition to Koh Samui's property market and are a much needed addition to Koh Samui's condo market. These condos not only offer very convenient beach access to arguably Koh Samui's best beach, but they also offer fantastic sea views, and have been designed to a very high, modern standard.Property Type: Beachside & Sea View Condos Beds: 1 & 2 Bathrooms: 1 & 2 Property Ownership: Direct Foreign Freehold and Leasehold Swimming Pool: 2 x Communal Property Size: From 45sqm to 92sqm Property Price: 4,050,000 THB
Aqua Residence Condominiums – Sea View Condos for Sale in Chaweng
Property Description:
Aqua Residence Condominiums follows fast on the heels of this developer's first project Aqua Villas, which sold at an unprecedented speed in Koh Samui. The recipe was a simple one, find the perfect piece of land, find the best architect, find the best builder, put it all together, and sell it for an affordable price. It worked, and won many awards…..and now they've done it again with Aqua Residence Condominiums.Type: Sea View Condos for Sale Beds: 1-2 Bathrooms: 1-2 Property Ownership: Freehold & Thai company/leasehold Swimming Pool: Large communal Property Size:
Living: 55.4sqm - 138.2sqmProperty Price: From 3,767,200 THB
Freehold Koh Samui Condos for Sale in Chaweng
These freehold condominiums represent a welcome addition to the Koh Samui Property Market where there are very few developments of this kind.
Centrally located between Chaweng and Bo Phut and with easy access to everything samui has to offer, these freehold condo's are a must to get in early to secure the best units.
Property Type: Condominium Beds: 1-3 Bathrooms: 1 and 2 Land Title: Chanote Swimming Pool: Yes - Communal Property Size: 32 to 89 sq m Property Price: From 2,124,800 baht
Samui Emerald Villas - 3 Bedroom Pool Villas for Sale in Cheong Mon
Property Description:
Samui Emerald Villas is a beautiful new villa development in Cheong Mon that offers Superb value for money! It stems from the same developer that was behind the very successful, Samui Emerald Condos and the developer is also the builder here, which ensures a very high quality build and lower pricing than his competitors. HIGHLY RECOMMENDED!!Type: Garden Pool Villas Beds: 3 Bathrooms: 3 Wi-Fi Yes Swimming Pool: Yes private Property Size:
Living: 200sqm
Land: Approx 240sqmProperty Price: 5.9M THB
Fire Sale - 3 Bedroom Resort Villa for Sale in Maenam
Property Description:
This 3 Bedroom Villa in a luxurious 4 star resort has just become available for sale at a vastly reduced price. The currently asking price is more than 30% under the developers original selling price and is one of very few available for sale in the entire project. The owner needs a quick sale and sensible offers close to the asking price are welcome.Property Type: Resort Villa Beds: 3 Bathrooms: 4 Land Title: Chanote Swimming Pool: Yes - Private Property Size: Internal (approx) 250sqm Land 550sqm Property Price: 9,000,000 THB
2 Bedroom Townhouse for Sale Koh Samui
Property Description:
This enormous 2 bedroom townhouse has been built to a very high standard by an experienced English builder and is situated in a small, quiet, and security gated development of approximately 20 other properties at Chaweng Noi.
The approach to the property is via a gently sloping road off the main ring road giving easy access to everything Koh Samui has to offer and is only a few minutes drive from the main tourist area of Chaweng.
Property Type: Townhouse Beds: 2 Bathrooms: 3 Land Title: Chanote Swimming Pool: Yes-Communal Property Size: Internal 170sqm Property Price: 6.59M baht or 6.79M baht including furniture
Koh Samui Sea View Land for Sale, in Bo Phut, 1.6rai
This superb land plot is clean and well maintained and enjoys panoramic 180 degree ocean views stretching from Big Buddha to Koh Phangan and Maenam Bay. The land is 1.6 rai (2552 sqm) and contains an abundance of cashew nut as well as many coconut palms.Property Type: Sea View Land Land Title: Chanote Freehold: Yes Land Size (rai): 1.6 Land Size (sqm) 2,560 Property Price: 5,500,000
Koh Samui Condos For Sale - Modern Sea View Condominiums for Sale in Prime Location, Koh Samui
This brand new condominium development is located on a small hill between the popular beaches of Fisherman's Village and Bang Rak and also within a few meters of a very quiet and secluded beach on the north coast.Property Type: Condominium Beds: 1-2 Bathrooms: 1-2 Freehold: Yes & Leasehold Swimming Pool: Communal Land Size: 12,800sqm Property Price: 1,300,000
Spacious 3 Bedroom, Private Pool Villa for Sale in Bo Phut - FIRE SALE!
This 3 bedroom property has just been significantly reduced in its asking price by its owner. The property resides just off Koh Samui's main ring road in the highly desirable area of Bo Phut and is only minutes away from Chaweng and even closer to Fisherman's Village.Property Type: Garden View Villa Beds: 3 Bathrooms: 4 Land Title: Chanote Swimming Pool: Yes - Private Property Size: Internal 289sqm Land 560sqm Property Price: 7,500,000 THB
Sea View Condominiums in Bo Phut, Koh Samui
This is the first of three condominium projects that have been released by a well known and respected developer here in Samui. There are currently only a few units remaining for sale, with one sea view, 3 bedroom, 94sqm unit availble on the top floor.Property Type: Condominium Beds: 1-3 Bathrooms: 1-3 Freehold: Yes & Leasehold Swimming Pool: Communal Land Size: 1,600sqm Property Price: 3,150,000 - 6,500,000
Modern Three Bedroom Garden View Pool Villas in Cheong Mon, Koh Samui
Seven 3 bedroom garden pool villas are still available in this very successful, and fully completed development in the highly sought after Choeng Mon area. The development is located just just 2 minutes from Cheong Mon Beach, one of samui best beaches and just 10 minutes from Samui airport.
Property Type: Garden/Tropical View Villa Beds: 3 Bathrooms: 3 Land Title: Chanote Swimming Pool: Yes - Private Property Size: Living space 209sqm Land, 215sqm-316sqm Property Price: 7.5M THB
Cheong Mon Beachside Condominiums, Koh Samui
Cheong Mon Beachside Condominiums consists of 46, 1 & 2 bedroom units, with a wide variety of floor plans to suit most budgets, and are located only a few hundred meters from Plai Laem beach and the main pier for Koh Som Island (one of Samui's hidden gems).Property Type: Condominium Beds: 1-3 Bathrooms: 1-3 Freehold: Yes & Leasehold Swimming Pool: Communal Land Size: 3,400sqm Property Price: 2,670,000 - 7,600,000
Naresh Condos - Contemporary Condominiums for Sale in Chaweng, Koh Samui
These new condominiums for sale in Bo Phut, Koh Samui, offer comfortable accommodation equipped with all that you would expect from a high end condominium development. There are many unit types to choose from, all of which offer full foreign freehold ownership.Property Type: Condominium Beds: 1-2 Bathrooms: 1-2 Freehold: Yes & Leasehold Swimming Pool: Communal Land Size: 1,800sqm Property Price: 1,500,000 - 5,350,000
1, 2 & 3 Bedroom Villas & Studios for Sale in 4* Resort, Cheong Mon, Koh Samui
This brand new and exciting investment project is located in Cheong Mon, not too far away from the border of Chaweng, and due to its location, facilities and pricing offers investor's potentially very high returns on their investment.Type: Villas & Studios Beds: 1,2 & 3 Bathrooms: 1-4 Freehold: Yes Swimming Pool: Private & Communal Size: 40sqm - 233sqm Price: 1,960,000
Koh Samui Villas for Sale - 3 Bedroom Villas for Sale in Chaweng Noi, Koh Samui
These 3 bedroom villas sit in a lush tropical landscape within a already mature development. These spacious two storey villas provide a generous 160sqm or 170sqm of internal living space (depending on choice of floor plan), with 3 well appointed bedrooms, all ensuite.Property Type: Villa Beds: 3 Bathrooms: 4 Freehold: Yes Swimming Pool: Private Property Size: 160sqm - 170sqm Property Price: 7.995 THB - 9.4M THB
3 Bedroom Sea View Villa in Chaweng for Sale
Property Description:
This 3 Bedroom Villa is located in a beautiful hillside retreat overlooking Samui's main tourist hub of Chaweng and also offering nice sea views of the bay of Chaweng as well! The villa has been tastefully decorated throughout and also comes with its own private swimming pool.Property Type: Sea View Villa with Private Pool Beds: 3 Bathrooms: 3 Land Title: Chanote Swimming Pool: Yes - Private Property Size: Internal (approx) 170sqm Land 380 sqm Property Price: 5,500,000 THB - SOLD
4 Bedroom Modern Thai Style Villa for Sale in Bang Rak, Koh Samui
This brand new four bedroom villa is located just minutes away from central Chaweng, Bang Rak beach, Fisherman's Village, 3 large shopping centers as well as many international hospitals and schools. Despite the villas rather central location, it is tucked away in a nice and quiet neighbourhood of private villas.Type: Garden Villa Beds: 4 Bathrooms: 4 Freehold: Yes Swimming Pool: Private Land Size: 550sqm Property Price: 9,900,000
Palm Villas - 3 Bedroom Villa in Cheong Mon - REDUCED!
This 3 bedroom villa is located in the much sought after area of Cheong Mon and is only 5 minutes drive from Cheong Mon beach and its many restaurants, massage shops and bars, and only 10 minutes from the fashionable Fisherman's Village.Property Type: Garden View Villa Beds: 3 Bathrooms: 3 Freehold: Yes Swimming Pool: Communal Land Size: 450sqm Property Price: 6,900,000
Pavillion - 3 Bedroom Villas for Sale in Bang Rak
A development of Modern 3 bedroom villas providing luxury accommodation set in a beautifully manicured tropical garden.Each of the 6 villas look towards the 20 meter long swimming pool and jacuzzi, and some have the added benefit of a sea view from the top floor.Property Type: Garden View Villa Beds: 3 Bathrooms: 3 Freehold: Yes Swimming Pool: Communal Land Size: 350sqm Property Price: 8,500,000
Contemporary Styled Sea View Villas for Sale in Chaweng, Koh Samui
This project provides super modern styled villas at a very affordable price. Never before has Samui seen a villa designed by south east Asia's leading architect, GFAB, for under 20M THB. This is possibly one of the most exciting projects to hit Koh Samui's property market for many years!Property Type: Sea View Villa Beds: 2 - 3 Bathrooms: 3 - 4 Land Title: Chanote Swimming Pool: Yes - Private & Communal Property Size: Internal 160sqm Land 2,678sqm Property Price: 10,900,000 THB - 16,900,000 THB
2 Bedroom Condominium Townhouses in Cheong Mon
Superb 2 bedroom townhouses with a condo license (allows direct foreign freehold ownership) located in Cheong Mon.Property Type: Condominium Townhouses Beds: 2 Bathrooms: 3 Freehold: Yes Swimming Pool: 2 x Communal Land Size: 80sqm Property Price: 5,880,000
Koh Samui Apartments for Sale - Panoramic Sea View Apartments, Koh Samui, Big Buddha
These fantastic new apartments enjoy unparalled, close, panoramic sea views over the Bay of Bang Rak and Big Buddha. They also face slightly west and therefore enjoy some spectacular sunsets, which are further enhanced by the surrounding tropical landscape. The developer has only released 26 of these apartments for sale, with several already sold. For those that want to take advantage of great pre-construction discounts - please contact us quickly!Property Type: Apartment Beds: 2-3 Bathrooms: 2-3 Total Units: 13 Swimming Pool: Communal Property Size: 106sqm - 227sqm Property Price: 7,500,000 - 14,500,000
Sunrise Residence - 2 Bedroom Townhouse in Chaweng Noi
Sunrise Residence is located just outside of Chaweng on a small hill with easterly sea views.This quaint development is located only 500 meters from Chaweng Noi beach, which is one of Samui's finest beachs, but without the overcrowding of central Chaweng beach and an extra 1Km will take you into central Chaweng with a plethora of shops, restaurants, bars and nightclubs.#Property Type: Sea View Townhouse Villa Beds: 2 Bathrooms: 3 Freehold: Yes Swimming Pool: Communal Land Size: 150sqm Property Price: 6,500,000
Koh Samui Condos for Sale - 1 & 2 Bedroom Sea View Condos for Sale in Bo Phut, Koh Samui
This modern condominium project offers 44 well designed units in the heart of Bo Phut. The condominiums range from 31-71sqm and many offer sea views over Fisherman's Village to the neighbouring island of Koh Phangan.Property Type: Condominium Beds: 1-2 Bathrooms: 1-2 Freehold: Yes Swimming Pool: Communal Land Size: 1,600sqm Property Price: 2,750,000 - 5,190,000
Chaweng Villas 3 Bedrooms
Chaweng Villas are now offering an incredibly priced 3 bedroom sea view villa only minutes from central Chaweng and its long sandy beach. The villa consists of 130 sqm of living space and benefits from tropical mountain views, sea views and being within a gated community with facilities to boast including a lap pool, mini mart, snack bar/restaurant, laundrette and of course 24 hour security.Property Type: Sea View Villa Beds: 3 Bathrooms: 3 Freehold: Yes Swimming Pool: Private & Communal Land Size: 300-500sqm Property Price: 5,500,000 - 7,300,000


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Our father-son group gathers once a year for a massive Nerf dart battle in a gym. One year I build this Nerf Assault Vechicle (NAV) using a Krazy Kar and a cardboard box. The only problem was it was too small for adults to ride!
Posted at 12:19 PM in Fun, Geek Dad, MAKER, NERF | Permalink
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father-son program, krazy kar, nerf, nerf assault vehicle, tom heck
Great advice.
Posted at 11:54 PM in Fun | Permalink
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On February 19, 2013 I spoke at IGNITE Asheville.
My talk was entitled "Adventures of a Geek Dad" and I won 1st place! The crazy thing is, I tried to back out of this event a couple of times. I honestly didn't think many people would be interested in what I had to say.
Although I've given many talks, this one was among the most difficult to prepare for and deliver.
The difficulty stemmed from the format: 5 minutes long and slides auto advance every 20 seconds. 5 minutes is such a short amount of time. Every word counts. You'll see in the video that I got behind / out of sync with my slides - - so easy to do.
Assembling my slides took way longer then expected because I realized I had too much to say in 5 minutes and that meant I had too many slides. I had to eliminate, pair down, refine, etc. Not easy for a guy that likes to talk a lot.
The event organizers (all great people) provided a speaking coach and she was AWESOME. Her name is Angie Flynn-McIver of Executive Repertory. Angie met with me one-on-one and listened to my talk and asked me to make a couple of simple yet important changes.
Here are a few resources that helped a lot:
Scott Berkun -- Why And How To Give An IGNITE Talk
Scott Berkun's blog post on the same subject
IGNITE's tips for beginners
Jason Grigsby's "How To Give a Successful Ignite Presentation"
I bounced some ideas off of Ken Denmead at GeekDad.com (Thank you Ken!).
The biggest realization I had was how vulnerable I felt talking about parenting, my kids, and doing geeky stuff with my kids. The place was sold out with 420 in attendance and I just wasn't used to talking on a subject so personal in front of so many people.
Towards the end of my talk you'll see me get a little choked up when the slide of my daughter's thank you card is on the screen. That was a surprise. I practiced my talk so many times and not once did I have an emotional reaction to my daughter's card. Sharing that image with hundreds of people really did get me connected with why I do this Geek Dad stuff - - it's a great way to spend time with my kids.
You'll hear me mention the weekend Hovercraft Project and the Adventure Tower project.
Posted at 12:32 AM in Fun, Geek Dad, STEM education | Permalink
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On Saturday February 9, 2013 my daughter and her friend helped me build a hovercraft. In just two hours we were floating across the floor!
We started with one 4'x4' piece of plywood (4 ply) that is 1/2 inch thick.
Lift is provided by an electric TORO leaf blower but I plan to upgrade to a cordless (battery powered) leaf blower.I prefer electric over gas power because I plan to only use this indoors.
For the hovercraft to move forward it must be pushed (or pulled).
The hovercraft worked great on the cement floor of the warehouse. It did not work well outside on asphalt (pavement). This hovercraft was inspired by a project in the MAKE Magazine blog HERE.
Science of hovercrafts found HERE.
Posted at 08:42 PM in Big Toys, Flying things, Fun, STEM education | Permalink
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diy, father daughter project, hovercraft, leaf blower, make magazine, maker project, makezine, Tom Heck, weekend project
I could use one of these. I turn pages the boring old fashion way.
Posted at 12:44 PM in Fun | Permalink
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rube goldberg machine
Lay down a giant blue tarp (found at Home Depot or Lowes) and skateboard across it while your buddy lifts the corner and whamo! It's like you're surfing the North Shore.
Posted at 08:35 AM in Fun, Riding | Permalink
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I think this is brilliant.
Posted at 12:39 PM in Fun | Permalink
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subset: commoncrawl


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Choosing the perfect type of counter-top
When you are decorating or remodeling your bathroom, the bathroom vanity should not only match your personal tastes and style, but it should also complement the theme of your bathroom and increase its usability and enhance its ambiance. Whether you like traditional, modern, more ornate or sleek designs, your vanities should to fit the space and the styles of your home.
Once you have purchased a double vanity no top, choosing the right counter top for the vanity is important to provide a stylish and perfect decor. The vanity top van can be purchased or custom-fabricated according to your choice. There are a number of options for you.
You will require a pair of sink bowls also to fit along with the top. The tops and bowls come in a wide variety of sizes, shapes, materials and colors. You have to make the right selection of the sizes to ensure that top and sinks fit together the vanity in-depth and width. Overall, the look of the top and sinks must go with the vanity and the appearance of your bathroom.
There are solid surfacing and cultured marble that gives you the choice to go for a top with the integral sinks. The integral tops offer a seamless look can be easily installed and cleaned.
Solid Surface:
The solid surface vanity tops are made from composite resins and come in a huge variety of patterns and colors in a matte finish. These tops are stain-resistant and quite durable. You can easily maintain them by just sanding the surface. You can also get the bowls in a neutral color or a matching color. There is a choice to go for other types of bowls that can be attached to the top. You may also opt for a backsplash. These tops are comparatively less expensive than stone tops.
Cultured Marble:
This is a synthetic product made by casting polymers to form solid counter tops. Generally, these tops are pre- fabricated and come in several sizes, designs and patterns. You can choose between a glossy and matte finish . These tops are cheaper, but you get only a few options. These are susceptible to burns, scratches and wear. These cost almost same as the laminate tops.
Tops made of Veneers give solid surfacing. Solid Surfacing Veneer provides almost same look, feel and durability as other solid surfacing. They are generally glued to a base of fiberboard. Solid-surface veneers are much cheaper than the regular solid surfacing.
Natural Stone:
Natural Stones comprise of marble, granite and a variety of other stones. They offer a wide range of beautiful natural colors and textures with highly polished glossy finishes. Mostly the stones are water and heat-resistant. Some are soft and must be sealed to prevent the formation of stains.
Natural stone tops can accept separate under mount type bowls made from different materials like glass, or cast iron, steel, porcelain or stone. The sinks are fixed to the vanity top by the fabricators. You can also get these tops with a separate backsplash for your double vanity no top . The natural stone tops are more expensive and a most popular. The price of the stone tops varies with the type of stone, color and veining or patterns.
Engineered Stone:
Engineered stones are artificially manufactured. Quartz and silica are bonded together under a high pressure at an elevated temperature. These stones are produced in an extensive variety with looks like marble, granite, and other stones. They come in various patterns, colors and polished glossy finishes. These stones do not require any sealing. These are more durable, less susceptible to stain, cracking and bacteria and will suit your double vanity no top.
Ceramic Tops:
Ceramic tile tops and porcelain sinks are also a common choice for many people. You can get a variety of them, mixed, and match in a countless ways.
You can choose a top for your double vanity no top from the above options depending on your liking and budget.


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Teacher of Science with TLR (focus and level to be determined according to experience and interest), Chelmsford
Closing date:
Start date: 1st September 2018
Contract type: Full Time
Contract term: Permanent
Suitable for NQTs: Yes
TEACHER OF SCIENCE with TLR (focus and level to be determined according to experience and interest)
Required September 2018
Are you passionate about your subject and about how to engage young people so they achieve their very best? Do you enjoy working with others to ensure the highest standards of teaching and learning in science?
We have an exciting opportunity for an experienced teacher or NQT to join our highly committed, supportive and experienced Science Faculty. Staff morale is high at our school; we have an excellent induction programme and a commitment to professional development for all staff. All teaching staff are provided with a laptop.
All science disciplines will be considered and there may be an opportunity to teach across the age and ability range including A level for a suitably experienced candidate. The sciences are very popular A Level choices and a significant number of our students progress to science-based courses at university.
Our Science Faculty is well resourced and as a Science Specialist College you will have access to a range of exciting activities and initiatives including STEM. The successful candidate will want to bring their passion and enthusiasm for science to encourage, motivate and engage our students and continue to raise standards in this high performing faculty.
Our oversubscribed school achieved a 'GOOD' rating in its Ofsted inspection in February 2017 and we have a commitment to supporting students in developing as well-rounded individuals as well as achieving their academic potential.
Great Baddow High School is very well thought of locally. Our motto, which translates as 'always striving for higher things' encapsulates our vision for our students and staff.
Pre-application visits are warmly encouraged particularly during the working day in order to view our students and teachers working together in well-equipped, specialist classrooms, using modern technologies and resources.
The school is committed to safeguarding and promoting the welfare of children and young people and expects all staff and volunteers to share this commitment.
Please apply by downloading the application form or alternatively contact Yvette DeFeo on 01245 293711 or email on firstname.lastname@example.com please leave your name, address, telephone number and email details. Closing date: Monday 23rd April 2018
Contact Great Baddow High School
Thanks for your interest in this role.
Simply fill in the form below to ask any questions, request a call, or schedule a school visit.
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Black out could be very frustrating most of the time. Panasonic Evolta, the world longest lasting battery. This time with the concept of humor and family touch expressing the efficiency of the batteries
Client : Panasonic Malaysia
Agency : Hakuhodo Malaysia
Production House : AC Creations Media (M) Sdn Bhd
Film Director : Andy Mak
Post Production : AC Creations Media


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Quality Control
In order to cater the several needs of customers through premium grade of products, our quality control team always inspects the materials from the beginning to the final product. This facilitates us in providing complete satisfaction to the clients. Further, we take quality examination seriously as it aid us to improve and maintain the standard of our gamut. Our team of experts work constantly to follow the national as well as international norms while emphasizing on market demand.
Our Infrastructure
We have invested a large portion of our capital in setting up sound infrastructural unit that is divided into various needed departments. Our manufacturing unit is fully equipped with sophisticated technology machinery which are required for cutting, sorting, picking, etc. Our experts maintain hygienic environment within the units in order to produced superlative range which are free from moist, dust and rotten. They also control all the tasks which are taking place in the premises to ensure everything is running in an uninterrupted manner.
Why Us?
Within short period of time, we have been able to seek attention of the customers through offering them superior gamut of rice, rice bran and mustard cake. Below are some of the striking factors which make us stand apart from others:


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+ Locations, Office Hours & Directions
Dr. Margaret Lally, a Pittsburgh dermatologist, provides personalized care for conditions of the skin, including acne or psoriasis, and conditions of the hair and nails.
We invite you to write a review about your experience with Dr. Lally.
Yes, Dr. Margaret S. Lally is accepting new patients at this office.
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1382 Old Freeport Road, Pittsburgh, PA 15238-3159
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Dr. Lally has one office in Pennsylvania where she specializes in Dermatology.
Dr. Margaret Lally helps patients in Pennsylvania suffering from skin, nail & hair conditions by offering personalized treatment & management plans. These may include acne, dermatitis, psoriasis or melanoma, as well as other issues. His treatment options may include biopsies, medications, laser therapy, & other approaches.
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Pfeiffer v. Bonavia et al
Plaintiff: Milton Pfeiffer
Defendant: Gregory A Pivirotto, Ramiro G Peru, Louise L Francesconi, Daniel W Fessler, Robert A Elliott, Barbara M Baumann, Lawrence J Aldrich, David G Hutchens, Paul J Bonavia, Joaquin Ruiz, UNS Energy Corporation, Fortisus Incorporated, Color Acquisition Sub Incorporated, Fortis Incorporated and Larry W Bickle
Case Number: 4:2013cv02619
Filed: December 27, 2013
Court: Arizona District Court
Office: Tucson Division Office
County: XX US, Outside State
Presiding Judge: Jennifer G Zipps
Nature of Suit: Other Personal Property Damage
Cause of Action: 28:1332
Jury Demanded By: Plaintiff
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If your volume control button has been getting stuck or malfunctioning, it is very likely that it needs to be replaced. This guide is a step by step process on how to go about fixing it.
No parts required.
Begin by using a heat gun or the iOpener (This will take longer.) to melt the adhesive all around the outer edge of the screen.
Insert the opening picks just under the screen and black edging. Be sure to place them evenly on each side.
Using the gap created by the picks, slowly pry the screen from the body of the Microsoft Surface 2 with a plastic opening tool. Pry as uniformly as possible.
Use a plastic spudger to pry the retaining clip away from the display cable.
Carefully pull the ribbon cable from its socket on the motherboard.
Please tell people about from the socket on the motherboard! The white latch handle is still in the locked position in the photograph showing the ribbon cable being pulled. (And they'll get the ribbon cable back in the socket without raising that latch!)
Remove ten 3.45 mm T3 screws from the corners of the black plastic bezel.
Remove the remaining seventeen 4.4 mm T5 screws from the perimeter of the bezel.
Once all screws have been removed, lift and remove the bezel from the rest of the device.
Gently peel off the yellow plastic tape using a pair of tweezers.
Remove the two 1.70 mm T3 screws from the volume control switch.
Use a spudger to lift up the retaining flap on the volume control cable ZIF connector.
Now that the volume control switch is loose, pull it gently away from the motherboard.
To reassemble your device, follow these instructions in reverse order.
To reassemble your device, follow these instructions in reverse order.
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A Horrific View of Comics: A chat with Stephen Bissette
When I initially approached Steve Niles a couple of weeks back about doing a Steve Niles Week event at CBR, we got together to figure out what we were going to talk about. We decided we'd give one day over to discussion of his books coming from Dark Horse. Another day would be given to discussion of IDW books. A third day would be spent talking about horror films and his influences. Steve then offered to interview his writing partner on "The Nail," Rob Zombie. Great, that's four out of five days planned. We were on our way, but we still had a fifth day to come up with.
We spent a few days thinking about what to do with that final day. I had some ideas, but nothing that really grabbed me. I called up Steve one day to nail down a time to get together for the interview we were going to do and asked his opinion. Did he hved any suggestions, maybe someone he'd like to hear more from? The first thought from Steve was to talk with Stephen Bissette. Of course! I only wish I could take credit for having thought of him. I wrote Stephen immediately and he was touched we thought of him and would be happy to talk with CBR about horror.
Stephen Bissette has made numerous contributions to horror comics. His best known work can be found in the ground breaking pages of "Swamp Thing" in the 1980s. Along with writer Alan Moore and inker John Totleben, the trio helped usher in a new era in comics with stories and art that were unlike anything else creators were doing at the time in mainstream comics. Lesser known to most, but critically acclaimed and fondly remembered, is the work Bissette put into the horror comics anthology "Taboo" published in the 1990s. Bissette co-created the title and edited every issue of this ground-breaking, award winning piece of work that gave birth to Alan Moore/Eddie Campbell saga "From Hell" among others.
After a long career in comics, Bissette chose to retire from comics in 1999. The reasons why he left comics have been detailed in other interviews and in his own bio, but suffice it to say he was done and ready to do other things. Since his retirement, though, his interest in comics and especially horror has remained consistent. He's also continued to lecture about the history of horror comics on college campuses, having put together an in-depth look at the rich history of horror comics that you'll learn more about in the interview below.
I spoke with Bissette from his home in Vermont Monday evening and found his enthusiasm for the genre intoxicating. The genuine love and depth of knowledge of the genre comes through when reading this interview and I assure you that the following is just the tip of the iceberg when it comes to his level of expertise.
Let's start with the most obvious question, how would you define horror?
You know, 'Taboo" is sort of my dictionary for that one. I really tried — when I was co-creating and editing 'Taboo' — to demonstrate by the selections I made how expansive I believe 'horror' to really be.
Horror is a genre founded on emotion. There's many such genres. Romance is a genre founded completely on emotion. Comedy is a genre completely founded on an emotional state. Horror is in that same nebulous realm.
To me, the keystones are not the artifacts and the archetypes that people tend to associate with horror, but the unconscious well springs that are touched by horror. There are the obvious negative ones: fear, dread, the feeling of being profoundly disturbed, frightened. But I think there's also an expansive and very positive side to horror, which is usually ignored. There's a very real feeling of awe and wonder that is tapped in some of the best exercises in horror. A couple of examples I can cite that anybody would recognize: H.P. Lovecraft, Clive Barker.
You know, Lovecraft's work often depended on cultivating this almost atavistic feeling that we have that there's something much bigger than us out there (though Lovecraft usually twisted it towards 'something much bigger out there' that was going to consume us or somehow feed on us). That's what almost all religion is founded on; there's a great deal of crossover between religion and horror.
The other author I would cite would be Clive Barker. Clive's early work, the first six anthologies "The Books of Blood," to my mind, still stand as the last real landmarks of literary horror — the rush of reading those books as they came out in the mid-eighties is hard to communicate now! Clive was doing work that tapped all the parameters of what horror was and could be. We still, as a culture and a pop-culture, are catching up with some of the parameters Clive charted so well.
Are there essential elements that should be included in all horror stories?
No, no, no. Again, I steer people to "Taboo." I really tried to reach out for material that demonstrated 'common elements' weren't necessary for something to be considered horror or horrific. To me "Maus" is one of the great horror comics. "Jimmy Corrigan" is the best horror comic right now. I mean, that comic fucking terrifies me! When you plunge into the world that Chris Ware has so beautifully detailed and rendered, the emotions that it pulls out of the reader touches on things that we've all experienced in one way or another in our life and we've either buried or gotten ourselves past because you almost can't function if that's in your face day-to-day. Most people laugh when I bring those up as examples of horror comics. I think "Barefoot Gen," the classic auto-biographical manga about the Hiroshima bombings, is an incredible landmark in horror comics.
In literature, Jerzy Kosinki's "The Painted Bird" and most of Franz Kafka's work is horrific in nature. It goes way beyond Edgar Allan Poe, H.P. Lovecraft or the "Scream" trilogy. Each generation finds the language that it prefers or that it's most comfortable with. Once you become comfortable with certain artifacts associated with horror, they cease to function as horror, because you're comfortable with them; the whole premise of true horror is discomfort. You're not supposed to be comfortable with it.
It's fascinating to me to see all these remakes right now. My son and I went and saw "The Texas Chainsaw Massacre," the remake. It was interesting on the one hand in that it was as mean-spirited as it was. It did pack a punch, it was a very suspenseful ride. I was certainly grabbed from beginning to end. But it's also interesting to look at all this work and there's no real teeth to it. These are rich men's fantasies. I'll focus on 'Texas Chainsaw' for a minute. The original film that Tobe Hooper and Kim Henkel put together with a bunch of their Texan friends back in 1973 (it was released in 1974), that was a genuinely angry, insane, frightened and frightening movie. It was fueled by the very real hunger and desperation of the film makers. The same was
the case with 'Night of the Living Dead.' The same was the case with 'Last House On The Left.' The same was the case with Michael Reeves "The Witchfinder General" which was released here as "The Conqueror Worm." All those key films that thrust the gothic horror movie tradition into what I consider "the modern horror film," which all came out between '68 and '75, they were harsh reflections of their time. They were made by young, hungry, angry, frightened people — and all that was poured into their films.
What we tend to be permitted to see in the cinema these days are films created by rich, comfortable people. So, the trappings or horror components are there. Certainly 'Texas Chainsaw" the remake still functions as a survival story, but there's no cannibalism element to it. It's no longer about these desperate, crazed, jobless clans that have reverted to cannibalism to continue to feel like they're working and to feed themselves. It's now a story about Leatherface, who we see unmasked at one point; he has a degenerative skin condition, so it's suddenly a movie about cosmetic surgery! (laughs) He's no longer killing travelers and hanging them on meat hooks to feed on them. In fact, when we see the family's house, it's crawling with pigs and chickens; there's plenty of food around.
All these current remakes are made by rich people and their fears are not particularly primal. All the trappings are there referencing the horror films of the seventies, but none of the bone and gristle and spine is there. They're not films that are being made by angry, frightened, desperate people — now, those folks create the best horror films!
You brought up the remake of "Texas Chainsaw Massacre." There was the recent "Freddy vs. Jason" which is something of a rehash of older stuff. We've got a remake of "Dawn of the Dead" coming out next year. Do you think this constant reworking of old material is ultimately bad for horror or is it just part of the cycle that horror goes through?
It's part of the cycle, but it's also the nature of the beast. How far back do we want to go? If we named any of the best films from any era, or — sticking with comics — if we named any of the best horror comics from any particular era, they're drawing from earlier work. Part of this is the fact that the more resonant archetypes are always re-embraced and reinvented to suit a new generation's needs. If we're talking about the film aspect of the genre, a large part of it is pre-sale. The ad in the New York Times this past Sunday stated, "Texas Chainsaw Massacre is America's #1 movie." That never fucking happened with the first movie! (laughs) I always look to the woodwork. The really potent, powerful, disturbing stuff usually creeps out of nowhere. Occasionally something will come out of the studio systems that will work. "The Sixth Sense" was a revelation when it came out and it was a real return to an approach to the genre that had been abandoned for a time. It appeared within a matter of months, I think, of "The Blair With Project", both reflecting a more Lewtonesque — you know, producer Val
Lewten's school of 1940s horror films like the original "The Cat People" and "I Walked With a Zombie," where suggestion carried more power than graphic imagery or explicit action. These things do run in cycles. They're not easy to chart. Most often when I read pop analysis of whatever is going on in the genre, they tend to be very glib and superficial; often, what they perceive isn't what is going on at all. I think a lot of it is laziness on the part of critics and reviewers. Hollywood has always been a place that's recycled ideas. We can't just blame Hollywood, though. The Hong Kong film industry, the Italian film industry — almost all film industries thrive on imitation. It's just, out of these cycles there often emerges some surprising eruptions, and that's where the interesting work appears. You're never ready for it when it appears, that's what makes it interesting.
In terms of comics, there are a lot of comics out there with the trappings of horror comics. You know, there seem to be tons of vampire comics; the imagery of the more recent permutations reflect not so much classical Bram Stoker imagery as the more 'punk' oriented vampire fiction of the 1980s and '90s, borrowing from Nancy Collins' "Sonja Blue" novels. There's a great deal of that. That's why I find Chris Ware and "Jimmy Corrigan," or Charles Burns and "Black Hole," the more interesting stuff. That's more personal, coming from darker places and not dealing with the usual trappings of the genre — and thus, much more effective.
You've already named a number of names in comics, but I'd like to ask who you consider to be at the best in their horror game with comics, film or literature?
I've got to say I'm out of the loop with horror literature these days. I haven't read a lot of contemporary horror fiction in some time. In the early nineties, I saturated myself in what was available, reading a lot of horror fiction. Working on "Taboo" really steeped me in that material. It got to a point where I wasn't desensitized, I didn't feel jaded, but I just wasn't finding anything there that was affecting or stimulating me. So, I'll back away from the literature question.
In terms, of films I think some of the most exciting work I've seen has been on DVD of late — the various restorations and revivals of older work I'm finally able to see for the first time in their original form, often in their original languages, sub-titled. That's what I have found most interesting of late. I just began watching the boxed set of the "Mondo" films that Blue Underground put out last week: "Mondo Cane," "Africa Addio," and so on. I hate to sound like an old fuddy-duddy, but that's the stuff that's keeping my interest right now. I mean, "House of 1000 Corpses" was fun, you know. I see where Rob Zombie is coming from, and that got me to finally listen to his music and check out what he was doing. I find that fun as a die-hard horror fan. It's great getting the new CD/DVD combo with a cover by Basil Gogos (who used to paint all the "Famous Monsters of Filmland" covers). But Rob's film didn't scare me, and there was no point where I was really in suspense. I enjoyed it as this weird fusion of '70s American horror movies, '80s Italian zombie movies, and Pre-Code horror comics.
I think the film that most affected me is the one that most critics and fans seem to belittle, "Wrong Turn." It really worked for me. There were no pretensions. It was a very efficient suspense piece. It was genuinely affecting on a gut-level, and it gave me a hell of ride. It worked on me the way that Wes Craven's "The Hills Have Eyes" worked on me back in '77 when I saw that for the first time. So, I guess I'm respond more to that pragmatic level of horror film making right now.
I haven't seen much adventurous work coming out of America over the past couple of years: "Donnie Darko" comes to mind, that was an original. I'm enjoying many of the recent Japanese horror films, I really love Takashi Miike's outrageous films ("Ichi the Killer," "Audition"), and have enjoyed many of the contemporary Japanese ghost films such as "Ringu" and the like. I'm sure there's some truly original work out there, I'm sure it's being done. I'm certainly open to looking at it and if anybody cares to share a sample, send it my way! (laughs). But the renewed access my all-region DVD player has given me to Alejandro Jodorowsky's films, and Lars Von Triers' "The Kingdom" parts 1 and 2, and the complete Roman Polanski canon, Nigel Kneale's remarkable work for British television, Mario Bava's work — that's what's holding my attention right now. Truly transgressive films like "Viva la Muerte" and "In A Glass Cage" or "Begotten" are rare, and there's nothing like those being made right now, or being shown theatrically.
In terms of comics, I've already named the work that I've really stayed with. I look forward every year to the new issue of "Black Hole." I think it's tremendous that Charles Burns has kept to it. I love the series; it continues to explore the many themes that thread through much of his earlier work, the obsessions that clearly remain "meat and potatoes" to Charles. Chris Ware's work I find very affecting. There's a lot of self-published work that pops into my house via the mail, or is handed to me by the individuals who do it, that I quite enjoy. I can't name any of it off the top of my head, but I've seen some beautiful stuff being self-published, still. The more personal, the more intimate, the more powerful in my mind.
I'm beginning to get into Junji Ito's manga: "Tomie," "Flesh-Colored Horror," "Uzumaki," and "Gyo" are now in my hands, and I love 'em all. Tremendous, genuinely unsettling and transgressive work; thanks to the marvelous folks who post on my discussion board, my eyes have been opened to all kinds of work I might have otherwise never seen.
You used to do a presentation on horror comics, didn't you?
I still do!
Tell us a bit about that.
I started doing it around 1990, '91. It began as a one-hour-to-two-hour slide lecture called "Journeys Into Fear." By 1998, '99, because of the college venues that opened up to me, it actually grew into an interim class. The last full version that I did was five days, two hours per session: a 90 minute presentation each of the five days, with a half hour for question and answer.
"Journeys Into Fear" offers is a complete overview — as complete as I can make it — of the horror comic genre, beginning with the Japanese Ghost Scrolls of the twelfth and thirteenth century, and continuing all the way up to the contemporary scene. At that time I was concluding it with the Mike Diana bust, which for me really kind of put a book-end to what was happening with post-modern and contemporary horror comics. To my mind, an era ended with the the bust of the Oklahoma City comic shop — which ended in a draw, a settlement was agreed upon, the case never came to trial — and the Mike Diana case — which was tried in Florida, and Mike was found guilty of obscenity for his drawings and comic narratives. That that verdict was upheld when the Supreme Court refused to hear the case for whatever reason, which was a tragedy; whether that decision was due to mis-management or over-ambition on the CBLDF's part, or because comics were still considered so beneath the scrutiny of the Supreme Court that they chose not to take it, we'll never know, but the Florida obscenity verdict stands. That, to my mind, broke the back of the industry in more ways than we still comprehend. The dangers are still very real for retailers in comic shops who choose to carry — not necessarily display, just simply carry for subscription purposes — provocative or taboo-busting work. In Mike Diana's case, he's still the only artist ever found guilty of obscenity in the United States, and I consider that the obscenity.
Share some specifics about your presentation. What do you highlight?
I'll walk you through the five sessions. Session one covers the roots of the horror comics, concluding with Winsor McCay's comic strip work in the early 1900s, specifically "Dreams of a Rarebit Fiend."
The second session covers the beginning of the comic book as a form, launched in 1933 and '34 with Max Gaines publishing the first giveaway comic books. The lecture then traces the growth of the industry, and the horror genre's role in that development up to 1953, the boom years.
The third session is the one I tend to do most often as a 'self-standing' lecture presentation because it works beautifully as a single unit, and it is still the most relevant to our times. It's the section on the 1954 Senate Subcommittee investigations, the so-called "Kefauver hearings," Dr. Wertham, the institution of the Comics Code Authority, and the purging of horror from comics in 1954. That lecture works, particularly with college crowds, because they've seen similar events in their own lifetimes with the attacks on the recording industry and video games. It's still going on; it's just that comics aren't at the center of that controversy or debate any longer, certainly not in as public an arena as they were in the 1950s.
The fourth session covers the resurrection of the horror comics, tracing its incarnations from 1954 up to the launch of "Creepy" and "Eerie" in 1965.
The final presentation analyzes the contemporary horror comic scenes, beginning in 1966 and "the Warren years," up through the undergrounds and post-modern horror comics, right on up to the present day. The final session is a bit out-of-date now; almost a decade has passed since I initially compiled the slides and prepared my lectures. I put all this together back in '91, before the Vertigo line and all that has followed. I really should do an overhaul of that portion, but just have never have the means, time, or inclination.
It's my goal to transfer this to book form at some point, but I don't have a publisher at present, and there's been nary a ripple of interest from that quarter, though the lecture continues to endure.
Let's talk about your own contributions to horror in comics. Looking over your career and what you've contributed, what single piece are you most proud of? I'm going to guess that with horror it's going to be "Taboo," so for now I'd like to have you focus on some of the product you've illustrated or written and we'll get to "Taboo" a little later.
Well, out of the work that I actually had my hands in, I'd have to say "Swamp Thing." When Alan wrote the script for "Swamp Thing" #29 in justtwo days, and John [Totleben] and I got the script from Karen Berger… that was heaven. I vividly recall the whole situation behind that; I noted in that recent interview book with Alan that he and the interviewer were vague on the details. That time remains quite vivid to me, in part because I've been going through my files of late.
What happened was Alan actually completed the script for the first chapter of "The Nuke-Face Papers," and Karen Berger (who was our editor and a very good one — she's one of the best editors I've ever worked with in the industry) made a tough judgement call. She said "This is good, but it's too slow and it's too dark. We're really gaining momentum with sales on the title, and we're going to table this." She wanted something with more energy to it; less of a funeral dirge, which "Nuke Face" definitely was. Alan then put together in two days time the script for "Love and Death." Alan turned it in, made the deadline, the script was fired off to John and I very quickly. We said, "This is fucking great!" and went nuts with it. It was intoxicating. That was '84 or so, so I had been working in comics by that time for about eight years and it was without a doubt the best comics script I had ever read (alongside the first of Alan's scripts I worked from for "Swamp Thing" #21, "The Anatomy Lesson"). It was the first comics script I'd ever read that actually put a chill up my back. I was juiced to go. This was absolutely what John and I had been talking about doing — a truly chilling comic book! — something that I had never had the skill to do myself. Both John and I were pretty facile as illustrators, and I think by that time I had really cut my teeth as a story teller, but only Alan could have put together all the components in that script in the manner he put them together. It was, and remains, a brilliant piece of work.
So, when we got to work drawing that issue, we knew what the game was. Alan set up a story in which what was implicit — which had been implicit in the series for about three issues at that point — suddenly was made explicit: Abby's husband was possessed by the spirit of her dead Uncle Arcane. For any number of reasons that was a real unsavory conceit. John and I went right to town with the imagery. The issue opened with Abby running nude through her house, almost insane with the need to scrub the taint of Arcane from her body. We worked with that; we knew what the boundaries were, we knew the parameters we had to work within, and we tread that tightwire as best we could.
What finally provoked the code with that issue — the reason we lost the code initially — was the climactic double-page spread with the reanimated dead (who worked at her husband's realty agency) standing around Abby as Arcane revealed that he was indeed the possessing spirit. Now, Alan had worked into the script the notion that the reanimating agent, what was making the corpses move, were insects within the bodies. So, we had to draw all these fly-blown ambulatory corpses. It was a story point, it wasn't just John and Steve being gruesome. We really had to fight for that imagery to remain intact. I remember the week that all this tension came to a head: we were getting desperate calls form Karen Berger, she was freaking out. The Comic Code had refused the issue, and if I remember correctly, Dick Giordano was out of the office at that period. They didn't know what to do, and Karen was in the frying pan. There was also the fact that the book was behind schedule. Bear in mind that when we came onto the title, the book was behind schedule. The book was always treading the edge of being late right from the beginning; when Tom Yeates started as artist on "Saga of the Swamp Thing" #1 it started behind schedule, because DC had dragged their feet about getting Tom and writer Marty Pasko started on the project.
So this was an uphill battle for you the entire time.
Yeah, I don't want to digress too far, but it's interesting now that I'm hearing from friends of mine who are still cartoonists — including John Totleben by the way — now that they have kids, they're like, "Oh man, I don't have time to do anything." I'm like, "Hey guys, I was penciling "Swamp Thing" the whole time that my kids were babies and I was the Dad at home." My first wife went to work every day (working at a school for autistic kids), so I was the house-keeper most of the day… and pencilled "Swamp Thing." So I don't want to fucking hear about it! (laughs) It's interesting how suddenly they have a renewed respect that I ever made the schedules that I made.
Anyway, during the whole "Swamp Thing" #29 crisis, I remember clipping movie ads out of the nearby Springfield, Massachusetts newspapers and sending them to Karen Berger. These were ads from the movie pages in the entertainment section, advertisements that promoted the Italian zombie films that were still playing in theaters at that time: "Night of the Zombies" and "Revenge of the Dead" opened at that time, showing decaying zombies reaching out toward the reader with strips of rotted flesh dropping away; delightfully gruesome stuff. I was sending Karen these ads, saying, "Look, here are ads from New England family newspapers, and these depictions of the walking dead are just as graphic as what John and I are doing. Is the Comics Code Authority saying that what flys in a Springfield, Massachusetts family newspaper is too extreme for the Code?" Ultimately, the issue saw print as we'd drawn it and Alan had scripted it because of the tight schedule. Whatever DC likes to say these days, and I'm not sure what the latest spin is, the fact of the matter was "Swamp Thing" #29 was published without Code approval because the book was so far behind schedule — and it was gaining momentum in sales — that DC didn't want to risk shipping late or not shipping the issue at all. That's why they let it go without the Code 'Seal of Approval.' That broke the back of the Code's hold on newsstand horror comics at that point.
What am I proudest of? I think that moment, that issue of "Swamp Thing." It really represented Alan, John and I doing the best work that we possibly could. It was also the fact that Alan had crafted a script which embodied precisely what John and I had been aching for: a horror comic that worked, that shattered to old 'EC Comics' mold, that was comparable to the best horror literature and films of its time. The urge to create such work was what had gotten me into comics. It was my hope — not a great achievement for the ages or mankind, I know — to get into comics and make some difference within the horror genre. I wanted to shatter the molds, break loose from the strait-jackets; I wanted to do in comics what the cartoonists who had done "Skull" and "Slow Death" had done. I wanted to break some fresh ground, or at least have a hand in that process.
The end result was very positive. Everything happening today with Vertigo is due in large part to "Swamp Thing" #29. It all started there. The whole 'Mature' line of comics from the mainstream comics publishers, the direction DC went, we played a part in that development, along with Frank Miller and other key creators. Now, it wasn't just "Swamp Thing." There was "Jem, Son of Saturn" — illustrated by Gene Colan — that came out around that same time without the code because, I believe, there was a drug element in that mini-series. There was also "Camelot 3000," which Brian Bolland had illustrated; that was a key book at that time. Historically, if you look back, I think the three balls out of the park were "Camelot 3000," "Jem" — which went out without the Code seal of approval and the world did not end — and the fact that "Swamp Thing" #29 went out without the Code. Frank's "Ronin" also hit the stands during this heady period; it was an exciting time, really. For those of us working on "Swamp Thing," with the success of #29, sales not only continued to climb, but went through the roof soon after.
Let's finally move to "Taboo." I'm afraid that most of today's contemporary readers probably don't know what "Taboo" is, so why don't you go ahead an introduce it.
Ah, yes, most folks probably don't know about the book. "Taboo" was the result of Dave Sim extending an invitation to John Totleben and I at Mid-Ohio Con in the mid-1980s, saying "I will publish whatever you guys want to do." Dave was thinking self-publishing. He though John and I would pull away from the reins of DC, write and draw our own thing, and run with it. When we came back to Dave and said we wanted to do this anthology book, he was kind of mortified and horrified, but said, "Okay, I'll support it." And he did. Even though it never came out with the Aardvark One International or Aardvark-Vanaheim logo on it, Dave's support was unstinting. He followed through with everything he promised, and that's what led to "Taboo" #1 coming out (and bankrolled much of "Taboo" #2).
What was our intent? While John and I were doing "Swamp Thing," we were very excited about what we were doing. Bear in mind at that time I believe we were the only horror comic on the newsstands. There was an aborted revival with DC's "Night Patrol," which Marv Wolfman wrote and Gene Colan drew. That was also a horror comic, but it never really took off. The only other horror comic on the newsstands that I know of was "The Brood" storyline in Chris Claremont's "X-Men." That was it. In the comic shops, Pacific had just put out Bruce Jones' "Twisted Tales," and I believe Kitchen Sink's first revival of their underground title "Death Rattle" was underway. But those were pretty toothless. They were well-drawn and very nicely packaged, but they were all regurgitating the same old E.C. formula.
John and I were cooking on "Swamp Thing," and we had this invite from Dave Sim, and we felt that nobody was pulling together the most disturbing and horrific stuff that we were seeing from time to time in various nooks and crannies of the comics market. We found inspiring work in European comics that was exciting. There was work we found in magazines like "Raw" that was exciting — Charles Burns' early work, Gary Panter, and so on. No one was touching the underground cartoonists like S. Clay Wilson with a 12-foot-fucking-pole. Their work just wasn't visible anymore, because it was too horrific.
So, John and I thought there needed to be a book that stopped re-treading the E.C. horror formula — the short story with a twist ending, the O. Henry archetype. We wanted to put together something that wasn't going to be slavishly dependent on all the horror comics iconography we'd grown up with. Much as we dug what we were doing on "Swamp Thing," it was really tied to the super-hero universe of DC Comics, and that was a direction that Alan wanted to move into more and more. So, "Taboo" was forged out of that odd wedding of frustration and desire. We wanted to put under common covers a collective of all the truly cutting-edge comic work that we saw out there; comics conceived to provoke, disturb or terrify the reader. That was our real goal. To that end, we put together a manifesto, which I still have copies of — there was a written "Taboo" manifesto that we circulated. We set up the business model according to the ideals that we had evolved from being screwed as cartoonists: "Taboo" would be a collective project. The profits would be divided amongst the contributors equitably, and everybody would be paid the same page-rate up-front. We adhered to that edict to the bitter end. Everyone in "Taboo" was paid $100 a page. If it was a writer/artist team, they split that as they saw fit. Moebius was paid just as much as the folks in there who were being published for the first time. We did not play the game in which "the bigger name gets the bigger bucks." That excluded a lot of people who we wanted in or wanted in, but it made the entire project affordable for a time.
That was the intent with "Taboo." I think by our second issue we demonstrated we had teeth. I think by our fourth issue "Taboo" had found its true vision and voice; it was fine-tuned and had its own distinctive identity as an anthology. By the fourth issue I was the only one editing the book. John bowed out before issue one was published, and my then-wife Nancy (who now goes by the name Marlene) bowed out of editing with the second issue. John was busy with Alan on "Miracleman" and didn't find any satisfaction in working on "Taboo," while Marlene just found the disturbing material too disturbing. I found that the really interesting stuff! That probably led to separation and divorce later on, but we won't go there! (laughs) I still think "Taboo" #4 is one of the best issues. It's a real strong piece of work.
Out of "Taboo" came "From Hell." I mean, "From Hell" was not just serialized in "Taboo" — it was conceived for "Taboo." I was the person who actively put Eddie Campbell and Alan Moore together. Jeff Nicholson's "Through the Habitrails" came out of "Taboo." His work was brilliant and I think it's a key graphic novel. It's a brilliant piece of work. If all the "Taboo" contributors had interacted with me on the level that Jeff had, I'd still be doing the book. Jeff was just amazing. He's always been very honorable in his dealings. Let's see, "Lost Girls" came out of "Taboo." Most people first saw Rolf Stark's work in "Taboo." Rolf later did the graphic novel "Rain" — involving the Holocaust and his memories around the World War II concentration camps and his experiences there. A lot of very strong work came out of "Taboo" and I'm still very proud of it. It had its day. It was never a viable financial institution. I lost a fucking fortune on "Taboo," as did Dave Sim, as did Kevin Eastman. It just was not a workable fiscal institution. But I think we did establish some new ground rules for what was possible in horror comics.
I think the influence of "Taboo" is still being felt today. It's very telling for me when I get the occasional order from people for back issues of "Taboo." When I hear back from them they say, "Wow, this stuff still packs a punch."
We thank Stephen Bissette for his time. Steve Niles Week continues on Thursday with a look at his upcoming books from IDW Publishing.
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Waltham Forest Removals is a term used to define the moving services provided within the Waltham Forest areas of London. If you are looking for removal companies that serve the Waltham Forest area then you have found the right removal company, Careful Removals UK's moving services starts from 100 miles around London including areas within the Waltham Forest borough, we serve the Waltham Forest area and deliver to most of Europe.
Here are the list of services delivered:
- House removals Waltham Forest
- Office removals in Waltham Forest
- Furniture removals in Waltham Forest
- Junk Removal Services Waltham Forest
- Waltham Forest Recycle Services
- Waltham Forest Business relocation
Local Knowledge of London Boroughs: Waltham Forest
Waltham Forest is a borough in Northeast London, England. It comprises of urban districts in the southern part and affluent residential areas in the northern side. It is one of the six London boroughs that served as host of the 2012 Summer Olympics. The borough also includes one of the highest ethnic population of British Pakistanis in the area.
Meanwhile, the Waltham Forest Council will be celebrating its 50th year in 2015. To mark this important event, it plans to hold four art commissions to represent the boroughs of Chingford, Walthamstow, Leyton and Leytonstone. It is at present, inviting local artists to create works of art to celebrate the four aforementioned sites. The work will be displayed in the civic buildings starting Autumn of 2015.
Opportunities in Waltham Forest
Starting a New Business
The Council supports the creation of new businesses via local programs such as Start-Up Loans and the New Enterprise Allowance Scheme. The former, is a business loan ranging from £2,500 to £10,000 payable within a five year period, at six percent interest rate per year. Expert mentors from the industry will be available to support the start up operations
The latter, is a program that provides funds and support to investors to start his business. It provides benefits like tax incentives to help a business take off the ground. The local council, in cooperation with the Waltham Business Board, has established business help centers in six key locations that businessmen can access to advices from the council.
Job Opportunities in Waltham Forest
Residents of Waltham Forest are given free employment advice and guidance to help them get jobs in the locality. This information can be secured from the Waltham Forest Job Bus, where qualified advisors are on hand to assist applicants. The bus has computer workstations where applicants can look for job/training opportunities as well as get expert advice from qualified advisors. The job bus has 20 computer terminals with Wi-Fi connections and can be used – free of charge. It stops at several locations in the borough for greater coverage.
Arts and Culture
Waltham Forest is known as the center of the Arts and Crafts Movement that started with William Morris. It has continued to attract varied artists, which include the NELIA group (North East London Independent Artists), the 491 Gallery and other independent artists that holds fort in the Leystonetone area.
Waltham Forest holds the biggest Art Convention in the borough and similar events are now sprouting up. The site has attracted known artists in having their studios at the borough; as well as, a number of musicians who received acclaim in the United Kingdom. These artists include East 17, Hefner, and the grime acts of Jammer, Lethal Bizzle, among many others.
The Housing Action Trust (HAT) under the Housing Act 1988 was implemented by the borough to address its constituent's needs. The HAT covered estates that are in need of development in Leytonstone, Leyton, among others. However, it closed in 2002 after transfers of redeveloped estate were made to a local housing association. Local housing is now managed by the Ascham Homes.
More recently, Housing Benefits and Council Tax Report Claims can now be filed online within one calendar month. There is no need to print and sign the declaration as it can already be processed online.


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Erg Sabina
Our bout will be fixed to the southern side f the erg. When we dive descending we shall head after directly towards the erg. When we dive around it we shall see many small coral blocks scattered around the sand plateau covered with soft and hard corals. The depths here will be around 10 m. When we reach the side of the erg we will be amazed with underwater beauty just before our eyes as the plateau stretches towards the north and is fully covered with many coral blocks. When we dive towards its end we soon encounter another, smaller but highly picturesque erg. We get back to the boat visiting the other side of the main erg.
It is definitely one of the most photographed and full of life place. We have an opportunity to see all kinds of reef fishes, from small Bass lets and Butterfly Fish to huge Moray Eels, Turtles and Eagle Rays. If we are lucky we might see even a Whale Shark whose appearing is always sensational. Huge and beautiful, soft and hard corals will certainly be a great temptation for amateurs of underwater photography.


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Things Work Out (Tuesdays with Dorie BwJ: Vanilla Hazelnut Cheesecake)
Because it rains when we wish it wouldn't,
Because men do what they often shouldn't,
Because crops fail, and plans go wrong-
Some of us grumble all day long.
But somehow, in spite of the care and doubt,
It seems at last that things work out.
There seems to be a balance between taking one's self seriously enough and taking one's self too seriously. If any one knows the secret to finding that balance, please share...
Occasionally, the contemplation of existential thoughts happens during such mundane activities as flipping a cheesecake out of a pan. And utterly failing.
It started innocuously enough - a vanilla bean cheesecake with a twist (some of the cream cheese is traded out for strained cottage cheese) that is laced with a caramel/ hazelnut paste. The batter was typical of a cheesecake and it baked up beautifully in the recommended 8" cake pan (that was lined with parchment and lightly greased).
In retrospect, I think the pan choice was the fatal flaw in this recipe. I read the recipe a few times thinking that I was missing something. I had a conversation in my head and told myself that this may not slide out as easily as the recipe suggested.
Eventually, after some never-to-be-repeated kitchen gymnastics the cake came out in pieces. Desperate times call for desperate measures. (If company was present, I probably would have found some fruit and figured out how to call it a "trifle"). It wasn't the show-stopping cheesecake dessert I was hoping for, but once it was on the end of a fork no one was complaining.
1) I will always be in wonder of the ability of a baking soda bath to remove nut skins
2) Hazelnut brittle is delicious
3) Don't use a cake pan for cheesecake
4) Listen to yourself
This post participates in Tuesdays with Dorie. The recipe for vanilla-hazelnut cheesecake can be found here. (I would suggest using a spring form and skip the parchment but add a crust...)


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One of the many lessons I've learned about blogging, and creating websites in general, is that moment when the site author learns to do some SEO agency done right is a before and after in his career.
It was not coincidence that the top two eBooks that I have posted on this site for free download, you teach to do SEO in conditions from scratch.
Incidentally, if you are interested, you can download it from the right sidebar 🙂
This being so, what better to complement the basics you tell in the book with an overview of the state of art in the world SEO hand of one of the most SEO experts recommend following in the book and it's Dean Romero. I first met Dean through your blog, Blogger 3.0, and then in person at Quondos since both are stewards of this community of professional training in SEO and online marketing.
Dean is a young blogger and in that sense, precisely one of the things that attracted the most attention it is the pace and force that has positioned itself in the Hispanic blogosphere and will continue in 2015. As shown a button:
Dean has achieved in a period of less than two years a network of blogs with more than 120,000 visitors a month.
He has found work through their publications. During this period he has managed to work from home as a professional in the industry and gaining a more than decent and comfortable way thanks to blogging and SEO salary.
He has managed to establish good relate to many prominent figures among the most influential Spanish panorama online marketing.
Works at what she likes and feels made in their work. Rises every day wanting to advance your online business and your blog Blogger3.0
All this has been achieved in just over a year. How he says, "before he was the best person you can imagine 1.0".
Well, something must have done well and therefore will not be others see what we can tell, is not it?
So now I roll over and I leave you with the interview 🙂
1. What impact do at least the best SEO agency (on page) in a blog?
I would say quite remarkable impact and even more when we refer to on page. Having properly configured our page and write the contents to a standard editorial on page has a much higher relevance to many people today think.
Much of the professionals in this sector are still obsessed with links, but these are not the only factor, not even crucial, to get views. Here we have the example of UnComo to prove it. Some guys in a little over two years based on a elaboradísima Seo strategy on Page have made a blog network of more than 2 million visits per month.
2. Considering the above, then you think that SEO should be one of the top priorities of a blogger?
I think more than understood as a "priority" Go ahead style of content and form of writing the blogger himself, should be understood as a natural part of the whole blog. Since configure permalinks well until we define long tail keywords will focus each content.
Also because of this same one thing that every time I see most is that many people still wondering which in my opinion is already beginning to be quite obsolete, "Writing for users or search engine?". In modern SEO increasingly are concepts that tend to be the same. A bestial user response (because content is spectacular) ensures good part of SEO search engine as well.
3. What famous phrase from famous bloggers that SEO is not necessary, that quality content is the best SEO?
I think now Google tries to go in this direction, but in most niches is still far from reality. For example, for a tech blog marketing or be impossible to rank keywords with some substance if completely neglect both on page SEO off page as it relates to aspects off the page as links pointing to it, etc.
capture blogger3cero
Blogger 3.0, the "headquarters" of Dean where it has very interesting things about SEO and blogging.
This expression only has value precisely by those who preach, ie by influencer own since their contents are now accompanied by a huge user response, social networks, recurrent visits and their own visibility as online characters is what ultimately guarantees (or at least help) largely positioning of its contents.
But starting a blog network without at least meganichos SEO on page (the latter of whom liked to Google), it could be argued that only someone who does not really know SEO.
4. Do you consider affordable for a non-expert to learn SEO you need in 2015?
I guess it's like everything and like any profession there are levels. You can apply simple practices and long term will bring positive results (for which you need a degree of basic knowledge and be easy) or you can also position a keyword mega half million global searches with a relatively small blog and win a torrent of traffic in a few days (which in this case obviously need a higher level a little).
But, learning the basics is easy if you wear. And learn more advanced concepts already is less so, but still just as viable if you know where to go to read.
Then come join a community of 10,000 subscribers!
You'll receive exclusive content for subscribers + a free copy of this book of techniques and tricks to make your compelling content.
I want it!
5. Can you make a mini-checklist of the tasks that is a basic SEO work for a blogger?
The following might be a list of elementary actions to detect a niche and then some others to try to optimize the most basic elements of the page
Find niche. First, we must find themes that have the best "search / competition" relationship.
The searches can be done via the free keyword tools like Google planner.
To analyze the competition one of the best indicators is to use the Mozbar, a free extension for your browser that MOZ offers you free via this link.
How to assess competition with Mozbar, consisting essentially click on the blue button to be installed in your browser and appreciate the values of PA (Page Autorithy) and DA (Domain Authority) competition. There is no standard, I can look at this: DA> 30 is hard to beat.
Once selected niche should proceed with the basic page optimization. Use a title on the cover we want to use as a primary keyword, make sure our Urls are friendly (style: tublog.com/palabra-clave), send the sitemap to Google and make the first content for the page.
Given the extent of this point can extend the configuration information on page page through self Seo ebook published in this blog.
6. And some slightly more advanced tricks that you apply?
Great, here we go. These are some of the ways through which I usually find keywords
Start by assessing the strength / authority blog where I'm writing (you can watch it with the plugin MOZ).
Unless authority is my blog should be more long tail keywords that attacked and vice versa. A strong blog can attack shorter words.
Being clear about this, a good idea may be to select 2 or 3 competitors and check that they have blogs with similar or lower than our force and analyze your pages through Semrush tool (here you can see how).
There will then be possible: if the strength of our opponents is quite inferior to ours, then, usually, can attack all or nearly all positioned keywords, ie write articles on the same topics.
Conversely if our opponent has used very similar to our strength so we have to do is go for their more long tail keywords (longer titles), but also in short will report traffic.
After we wrote like them more and better, and above all, we apply this process "mass". Many people think that to find a word or two in Semrush automatically is always going to position themselves better and gain traffic. You have to use lists of at least 20 or 30 words "stolen" to get some position as really want.
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7. Can you summarize how SEO was done in 2010, how it has changed since then and what is important today and for the medium term (2015)?
Before (though I have not lived that time of SEO, I've only read about it), you could position yourself extremely quickly based on obtaining hundreds of links and burning a keyword without mercy. As a result, blog directories and similar pages started to become so popular in the blogosphere, but now it has evolved considerably and worst of all, it certainly still has to evolve much more.
Now some of the things that still work very well in SEO for example are the Tiers, the concept of Tier Link Building (in the link provided perfectly explained), which should add that I am not an expert in the practical field , but I've come to see real nonsense based on these pyramids links. Well, as I was saying I think this now works, but it is likely that in the future not.
Why would allow the third most valuable company in the world us to alter the results of such "obvious" way? Google evolves faster than any virus and has literally tens of thousands of thinking behind heads.
I would highlight today mainly (and very rare as it may seem to SEO 'traditional' approach) focus much more on all the part on page and especially in the part concerning the user response. SEO off page yes, but with care and control … like you will have to control dynamite.
Following this myself and tired of seeing people pay for poor quality links recently I wrote a mini guide to learn how to buy links from the most effective way (but do not … you know, Google forbids it and I do not never do);)
8. They still have much weight keywords in domain and links as before?
Domains with keyword accurate or EMD (Exact Match Domain) remain much force when positioning in Google, but be aware that in principle only have preferred to position a "single keyword 'and a website that aims to be "serious or large" can not live on a keyword.
Something else could be the microniches. The EMD currently remain useful for getting to rank a keyword that can be profitable by nature ("buy phone" / "diet pills") and then try to monetize all traffic coming through this single keyword.
The links themselves that retain capital importance, although "not always". Do much good when used know as I said before "as if they were dynamite." I will give an example to explain this myself.
animalfiel capture
Animalfiel project is a niche site that created Dean and apart from the income generated will, it is also often used to make SEO experiments and publish their findings and conclusions.
I recently spent with links to one of the post of Animalfiel he was trying to position, wearing and about 5-6 and Google had swallowed. At 7-8 he said "so far you've come." At that time my blog for those days (less than a month ago) walked for nearly 3,000 daily visits and up weekly.
After a very aggressive fluctuations keyword that Google was trying to position almost wiped out and after several days making dance in the SERPs (SERP call to search results) began to drop all traffic to my blog. Now is around 2100-2000 and it's hard not drop more. In short, the line to make mistakes when handling the links is very thin. But they are extremely effective at times.
9. There is much talk of the importance of Google Webmaster Tools to monitor our website. Can also have some other more purely involvement SEO?
One of the best SEO implications which in my opinion can have Google Webmaster Tools is to allow us to increase the CTR of our content and thereby raise the user response from the reader to our blog.
With CTR we mean the value of times people click on our results in Google once it is shown along with other results. This value is expressed as a percentage and is a good indicator of user interest shown by our results.
If we are going to Webmaster Tools, you can access "Search Traffic" and then "Search queries", then we will click on "home pages" and we can access all the information on the different CTRs with each of our post in the SERP. Our mission is to upload.
If you are interested in topics like blogging, not miss our collection of the best resources for blogs & bloggers
10. To determine the strength of competition, it is common to focus on the authority page (PA). After demonstrated in your battle against Chuiso, would you say that is overrated? What other factors would be as or more important as the PA?
I think the authority is a clearly influential in determining the strength to rank a page over another term, but I think there are as or more important factors that authority such as the development of a comprehensive SEO strategy that combines a fraction of on page and off a small portion of page.
When I fought against Chuiso I was facing a blog at that time did I remember that 22 points of authority than mine and this in terms of MOZ was actually an absolutely insurmountable amount, but then I think that manipulating the CTR (click through rate, click rate) in the SERPS and the use of optimized on a page (only during the first days) content were crucial to winning.
11. In your blog you talked recently of UnComo and spectacular SEO On Page, why this inordinate interest in projects like UnComo?
Basically because I think UnComo is the perfect example that has until today been able to create the man in building large pages that have become monstrously large very quickly mainly through SEO on page.
In this sense I think so far I have not seen anything better than UnComo and one of my obsessions and future aspirations is trying to replicate and enrich part of its strategy of positioning through my network of blogs.
12. Tell us the look on page, in your opinion, the most important and put us examples of how to optimize our personal blogs
Honestly I could not mention one. If we talk about issues on page paramount we would probably go to things like "title", "the Center" "a good choice of words to attack and categories" etc.
Personally perhaps try to give great importance to be always ready Webmaster Tools to be controlled at all times and our website also seems essential to have a hosting company that provides truly fast accommodation and especially optimized for wordpress personally and as your level of traffic to your site faster.
13. Tell us a simple practice of links that is quick to implement, is without risk of penalty and that demonstrates paste a small jump in results
Link to the competition …;) "How?" Yes, it's something that sometimes can work and is an easy trick to use. I put a simple example. Recently, my colleague and I were Jony "quarreling" to position the keyword "Raiola". The thing is that during the first few months I was with a big lead given the greater authority of my blog to Google, but soon he cited in his post mine with a link to which I thought "great, more authority for me! "
But the immediate effect was that Google almost immediately positioned just below the outcome of mine and something I've seen on more than one occasion. Obviously not work in every niche and with all the keywords, but if you bring information that cites sources "reference" is likely to be taken into account very positively by the search engine.
14. And finally, what do you think should be the highest quality of a good SEO?
Learn to negotiate. I try every day to many people and too few who can negotiate well. That is for me the greatest virtue that should have a good SEO, but be careful, always endearing by the other party, ie trading is not synonymous with "scam". A good SEO needs to be able to propose effective agreements win – win and make things dance like he wants to dance.


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Shares of power-plant operators recouped some of their recent losses as Treasury yields ticked down. Jeffrey Pavlik, managing member of investment firm Pavlik Capital Management, said the risk of rising Treasury yields remains a threat to the utilities sector. "From a short-term perspective, clearly the ones [at risk] when yields start creeping up and it starts being a trade-off for dividend yields are sectors like utilities and staples, which historically have been dividend-driven stocks," said Mr. Pavlik. "Longer term view is as rates pick up sectors [including utilities] that have accumulated a lot of debt be impacted a little more from the negative side."
Texas regulators who had nixed two earlier deals for a major piece of the state's power infrastructure, Oncor, on Thursday gave the nod to Sempra Energy's $9.45 billion deal for a majority stake.
-Rob Curran, firstname.lastname@example.com


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Purchase a Masport wood heater before 30 June 2017 and you can receive a bonus Morphy Richards gift pack valued at over $300.
If you have already purchased a Masport fire during May or June, click here to claim your bonus pack.
Offer excludes WESTCOTT1000, WESTCOTT2000, WESTCOTT3000, KLONDIKE and PITTSBURGH.
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Redemptions must be submitted online by 31st of July 2017 (inclusive).
Submissions must be made online .
Terms and Conditions apply.


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Amazon Walkins for Freshers,Software Engineers Jobs Hiring on 5th April 2015
Job Description:- Amazon are Conducting a Walkins for fresher's Drive on 5th April 2015 for Software Engineers,freshers. for more education qualifications details find below the Details and schedule.
Company Name:- Amazon
Job Designation:- Custom Service-Associate
Job Type:- Walkin,
Education Qualification:-
- BE/B.Tech/
- Regular passed out with 60%, No-Backlogs
- Good in Subject knowledge
- Good in Communication skills
Desire Candidate Profile:-
-Candidate Must have more than 60% Marks in overall Graduation without any backlogs and remarks
-Candidate Should have Ability to do work with any inconvenience
-Candidate must have responsible and analysis with his team members
-Candidate should have the leadership quality skills to maintain his team.
Interview Process:-
- > Written Test
- > Group Discussion
- > Thinking and Logical or Reasoning Skills
- > Technical Round
- > H R Round
Experience:– 0 – 5 years
Working Location/Area:- Kolkata
Apply Information:- Direct Walk-in
Interview Schedule:-
Important Date:- 5th April 2015
Last Date:- 5th April 2015
Techno India,
Salt lake,
Sector 5, Kolkata


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Tuesday, April 19, 2011
To market....
I've been going through a market phase lately, trying to make the most of the last few summer weekends when you want to be outdoors... plus I just love markets! We went to the one at Century City (pretty good) and the Tokai market (highly recommended - it's lovely!) so I was thrilled to see that the new City Bowl Market on Hope was opening on Saturday 16 April, which was just down the road from me!
It definitely lived up to expectations. The hall has the character and atmosphere that every market needs, and the selection of food, crafts and fresh produce were perfect. We walked around and were spoilt for choice for lunch. I landed up going for an incredible butternut, gorgonzola and lentil lasagne that was simply delicious!
We ate upstairs on a balcony where a bar was set up, overlooking the market below. We then walked around and I bought this gorgeous wooden heart necklace, sweet cactus and fresh fruit and avocados (grapes, avos, pomegranates and pretty much everything else were only R5!)
If I had any points for improvement they would be firstly the seating - although I loved the look of the tables and hay bales, the hay was difficult to sit on, especially as I was wearing a dress! Also, more outdoor area would be great. Lastly, as someone who tries to eat sugar-free/wheat-free, it would be great to have some sugar-free baked goods - but that's just my personal preference!
All in all, I'm so excited about this market. It was busy without being overcrowded, is so convenient and had a great selection of market goods to allow me to enjoy a market for many more weekends to come! And with winter arriving soon, the indoor aspect is certainly a plus. I predict it becoming hugely popular with Capetonians in the months ahead!
Unfortunately, I only took a few photos with my BlackBerry - they certainly don't do the market justice!
The City Bowl Market on Hope is open every Saturday from 9am - 2pm at 14 Hope Street, Gardens.
Visit www.citybowlmarket.co.za
Posted by Tali at 12:06 PM No comments:
Labels: market, summer, trends, What I'm loving at the moment..., winter
I'm back!
We Heart It. xxx
Posted by Tali at 11:27 AM No comments:
Labels: blogging
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