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Natalie Wood (1938-1981)
Carolyn Craig,
Heather Sears,
The Story of Esther Costello,
1956. One year earlier, Sam Fuller was due to writer-direct but could never obtain any of the actresses on his his short-list for the mute and blind heroine: Wood, Joan Collins, Jean Simmons, Susan Strasberg. Romulus made it a UK film and Sears won the British Academy Award for Best Actress. Joan Crawford played her wealthy protector.
Jean Seberg,
Saint Joan
, 1957.
Natalie was the perfect age for the 19-year-old Maid of Orleans - she shot her 37th film,
Marjorie Morningstar
, instead.
The tyrannical producer-
director Otto Preminger also considered such unlikely Joans as Ursula Andress,
Julie Andrews, Anne Bancroft, Claire Bloom, Carol Burnett, Joan Collins, Angie Dickinson, Shirley MacLaine, Mary Tyler Moore, Kim Novak (from Otto's
Man With The Golden Arm
, 1955), Debbie Reynolds,and Maggie Smith.
Dorothy Malone,
Too Much, Too Soon
, 1958. The queen of the Warner lot (as songwriter Gwen Davis put it: Natalie Wood and Tab Wouldn't) but no matter the huge fee she was offered, she refused the Diana Barrymore story as her co-star would be Errol Flynn - alleged, if never named, as the "Mr Showbiz" who drugged, stripped, whipped and raped her in his hotel suite in 1955.
Sandra Dee,
A Summer Place,
1958. Exactly the teen material that Nat felt was behind her in
The Girl He Left Behind
, three years before. Sole difference: for Tab Hunter, read Troy Donahue. (Some people still can't tell the difference, said Tab, who often signed autographs as Troy). Nat later regretted turning down the hit film that "makes the most of Hollywood's newly-discovered freedom to display the voluminous vocabulary of sex," said Variety. "A couple of years ago,
A Summer Place
wouldn't have been made."
Millie Perkins,
The Diary of Anne Frank
, 1958. The poor, teenage Holocaust heroine deserved better than this… Director George Stevens' collected papers mentions reported a major search for a "new face" for Anne. More than 2,000 girls were seen in Europe (particularly Amsterdam where she lived) and Israel… such as Oshra El Kayam, Karin Wolfe. Plus actresses Perkins, Janet Margolin, Marianne Sarstadt, Tuesday Weld, Natalie Wood - and Broadway's Anne, Susan Strasberg. Anne's father, Otto Frank suggested Audrey Hepburn. She was born just 39 days before Anne was now too old (29) to play a teenager. Also, she had no wish to relive the the Nazi horrors she had seen (and heard) while growing up in Holland.
Carroll Baker,
The Miracle
, 1959. For Nat, back from, her (first) honeymoon with Robert Wagner, this was far from a passion-project.
Sandra Dee,
Imitation of Life
, 1959. The title perfectly summed up Sirk's movies. Glossmeister Ross Hunter refused to pay Warners $200,000 to borrow "Natalia" and discovered his own imitation of teenage life in New Jersey's former Alexandra Zuck - soon being borrowed by Warners.
Barbara Rush,
The Young Philadelphians
, 1959. Three strikes and out... Natalie was suspended by Warners for refusing this third successive movie. Despite it featuring Robert Vaughn - the lover she had two-timed Elvis Presley with back in 1956. But the New Generation Star was fed up with the old guartd. As she'd said after
Marjorie Morningstar
the year before: "I'd rather spend my life in a crapper than do another picture with Irving Rapper."
Janette Scott,
The Devil's Disciple
, 1959. Too soon after her marriage to RJ - Robert Wagner - to disappear to Britain for three months - even in the rarified company of Kirk Douglas, Burt Lancaster, Laurence Olivier! Her studio boss, Jack Warner, allowed her to stay home for 14 months. On suspension.
Jean Simmons,
This Earth Is Mine
, 1959. Nat refused to be loaned out to Universal - and sat out her suspension until Warren Beatty and
Splendor In the Grass
restored her fame
ruined her marriage. Not that Beatty made a move until after she and RJ were divorced.
Dolores Hart,
Where The Boys Are
, 1959. Wood was cut when producer Joe Pasternak was reported as selecting unknowns (Burt Reynolds and, as suggested by George Hamilton, Sean Flynn) to battle the power of big Hollywood stars. Total bull! The top roles were for jeanagers (few of whom were A Stars like Wood) and, anyway… unknowns were cheaper. (
What ? You never noticed junior Flynn? Of course not. Most of his scenes were cut).
Anyway, Wood had bigger dramas to fly:
Splendour in the Grass, West Side Story
. After
Come Fly With Me
, 1962, Hart quit Tinseltown (her 17 movies included two with Elvis). She became a Benedictine nun and, eventually, her convent's Mother Superior.
Joan Plowright,
The Entertainer
, 1960. She "desperately" wanted to accept but Warners would not let her go to London and co-star with Laurence Olivier, having only just won her back to work in
Cash McCall
, the studio's price for allowing her to make
Splendor in the Grass
Not sure why UK director Tony Richardson felt that Olivier's old time music-hall comic would have an American daughter... The daughter he did have on-screen, Plowright, became his third and final wife.
Shirley Jones,
, 1960. Wood and Judy Garland were in and out as Suzie. Columbia and Posa Films, the Mexican company of the titular Cantinflas, then looked at Barrie Chase and Sandra Church before loaning Debs from MGM - for The Rumble dance routine, with
West Side Story
Nancy Kwan,
The World of Suzie Wong
, 1960. So many rows… When Broadway's Suzie, France Nuyen, and director Jean Negulesco were dumped, a "second global search for another Suzie" began in December 1959, covering: Grace Chang, Choo Oh (Miss Korea 1959), Lisa Liu, Nobu McCarthy, Charita Soliz, Luz Valdez. A total pr job! Kwan, from London's Royal Ballet School, who succeeded Nuyen on-stage, had long been producer Ray Stark's choice. Shamefully… Because she looked less Eurasian. Why else had he also been looking at French star Pascale Petit (from
Les tricheurs
Julie la rousse
) and
West Side Story's
Rita Moreno and Natalie…?
Connie Stevens,
, 1961. Ironically, the next offer was the project that had first brought Warren Beatty to Hollywood - only now the guy was played by the jellybaby Troy Donahue. Natalie tore the script up. (Not easy unless you're in a real snit).
Sarah Miles,
Term of Trial,
1962. Lost Laurence Olivier a third time. And missed… well, Olivier, at 54, started an affair with Miles, 19, during the production… Fifteen years later, Natalie and her re-wed husband Robert Wagner, were invited by Olivier to co-star in his Granada TV production of
Cat On A Hot Tin Roof,
Suzanne Pleshette,
Rome Adventure
, 1962. Natalie had separated from RJ and was, said director Delmer Daves, "going through an emotional turmoil, has lost eight pounds which she cannot spare and our studio doctor believes we should not plan on using her." And they didn't. Bereft on losing lovers (Wagner and Joan Collins), previously chaste co-stars Wood and Warren Beatty met up, socially, cinematically and, finally - after all that - romantically.
Audrey Hepburn,
, 1963. To be opposite Warren Beatty again - when Cary Grant was worrying he was too old to co-star romantically with Audrey Hepburn. Nat preferred
Love With The Proper Stranger
called Steve McQueen.
Then again, she twice married her own Grant, RJ - Robert Wagner.
Jean Seberg,
1963. Yvette Mimieux discovered the JR Salamanca book and sent it to various directors, including Robert Rossen. Unfortunately, her dream role was thwarted by his lengthy decision-making - and Warren Beatty advising him to see Seberg… after promoting Samantha Eggar and Romy Schneider. Also in the mix: Dianes Baker and Cilento (Salamanca's choice, who was Mrs Sean Connery at the time), Sarah Miles (too busy with her secret lover, Laurence Olivier) and Natalie Wood... who thought she had it in her pocket because that is where she also thought she had Beatty. Oh, so many women thought that.
Suzanne Pleshette,
A Rage To Live
, 1964. Producer Walter Mirisch had first planned the John O'Hara novel as a Nat vehicle in 1959 - to follow their
West Side Story
Kim Novak,
Of Human Bondage,
1964. Veteran US director Henry Hathaway's third choice, for Mildred, after Marilyn Monroe and Elizabeth Taylor.
Samantha Eggar,
The Collector
1965. Not many Hollywood actresses reject such a directing icon as the three-time Oscar-winner William Wyler.
Faye Dunaway,
Bonnie and Clyde
, 1966.
Jane Fonda,
Hurry Sundown
, 1967. An early name on producer-director-ogre Otto Preminger's list for Julie Ann… who later became Candice Bergen and, finally, Fonda. Wood missed nothing. Some critics called it racist and tasteless, while the CCC favourite, Roger Ebert , nailed it. "Naive and dull."
Jane Fonda,
Barefoot in the Park
, 1967. Warren Beatty always remained friends with his endless conquests. Among all the equally long line of scripts he kept refusing, he hung on to Neil Simon's comedy as a vehicle for himself and "Natasha" (as he did with
Bonnie and Clyde
). When that didn't happen, the new Paramount owner Charles Bludhorn threatened to throw himself out of his New York skyscraper if Jane was cast... She was, he didn't and it was her first big hit.
Katharine Ross,
The Graduate,
1967. Broadway genius Mike Nichols came to town and saw, tested, auditioned almost every babe of the correct age for Mrs Robinson's daughter. From
Baby Doll
, by way of
Saint Joan
The Flying Nun
… Ann-Margret, Elizabeth Ashley, Carroll Baker, Candice Bergen, Patty Duke, Sally Field, Jane Fonda, Sue Lyon, Carol Lynley, Hayley Mills, Yvette Mimieux, Suzanne Pleshette, Lee Remick, Jean Seberg, Pamela Tiffin, Tuesday Weld… and Natalie, who simply refused!
Having played
with her that year, Simone Signoret recommended Ross to Nichols.
Barbara Harris,
Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad
, 1967. Natalie was announced two years earlier for, according to the sales pitch: "This motion picture will probably do as much for mothers as
Moby Dick
did for whales... "
Shirley MacLaine,
Woman Times Seven
, 1967. Nat reportedly turned down the seven leading roles of Edith, Eve Minou, Jeanne, Linda, Maria Teresa, Marie, and Paulette in an excessively weak comedy from Italian director Vittorio De Sica
Katharine Ross,
Butch Cassidy and the Sundance Kid
Ali MacGraw,
Goodbye, Columbus
, 1968. Wood and Babara Parkins passed on Brenda So, they are to blame for the screen birth of Ali MacVacuous. Paramount boss Robert Evans selected the ex-model to partner Richard Benjamin. Evans made the model a "star." And, indeed, a wife in 1969. Until he let her make (a literal)
with Steve McQueen in 1971. Whoops.
Romy Schneider,
La piscine
, France-Italy, 1969.
Wood, Leslie Caron, Angie Dickinson, Delphine Seyrig, Monica Vitti were unavailable or wanted their favourite cameraman or refused swimsuit scenes. (Difficult with that title).
Alain Delon said: "What if I ask Romy?"
For her, it was a gift from her god. He re-launched his on-off lover's fading career. She was now a wife and mother, while he had one lover in the film (Madly), another visiting (Mireille Darc) before making a movie about (and with) the three of them (
1970). Director Pierre Granier-Deferre tried to re-unite The Couple for
L'un contre l'autre
. Ever the gent, Delon told him he couldn't form a couple with Romy anymore - she was too old, too ravaged. Which gave us pause every time we saw a tearful Delon on TV going on about (yet again) his great love story with poor Romy.
Jennie Linden,
Women in Love
, 1969. Not the only Hollywoodian considered for Ursula.
Anna Karina,
Laughter in the Dark
, 1969. If he couldn't get his ex-wife Brigitte Bardot for his 1964 plans for Vladimir Nabokov's novel, French
Roger Vadim wanted Natalie opposite Richard Burton (who was selected and quickly sacked by UK director Tony Richardson in his '69 version). Nat, however, was into a two year sabatical. "I've been working steadily [for more than 20 years] since I was five."
Carrie Snodgress,
Diary Of A Mad Housewife,
1970. Natalie was not interested in being a wife abused by her spouse - Richard Benjamin again. She was simply waiting for her new man, UK producer Richard Gregson, to divorce his wife.
Carnal Knowledge,
1971. Among the many actresses turned down by New York stage-screen director Mike Nichols.
Liza Minnelli,
1972. A (mad) 60s' plan for a third Natalie-Robert Redford movie after
Inside Daisy Clover
This Property Is Condemned.
Mia Farrow,
The Great Gatsby
, 1973. The film was to be Paramount chief Robert Evans' gift to his lady. Except Ali MacGraw had flown away with Steve McQueen (ironically, Evans' ideal Gatsby). Thinking of yesteryear, Paramount chief Robert Evans offered Daisy Buchanan to Natalie. She refused to test, however, even though she hadn't made a movie since… well, yesteryear.As if following her lead,Cybill Shepherd and Tuesday Weld also refused any tests for Daisy Buchanan. Instedad, Natalie made a tele-movie,
Love Song,
with her second-time husband, RJ.Robert Wagner.
Faye Dunaway,
The Towering Inferno
1974. And yet she refused the towering epic - even though her RJ was among the stars: Fred Astaire, William Holden, Steve McQueen, Paul Newman etc. Nat called it "boring, insipid and worthless." Which didn't say much for RJ's choices? Or those of Astaire, Dunaway, Holden, McQueen, Newman, etc. (They all had bills to pay). But then Natalie selected the far inferior epic,
, 1979... just to play a Russian!
Faye Dunaway,
1976. Trashing director Sidney Lumet's choice of Vanessa Redgrave, the film's Oscar-winning writer Paddy Chayefsky wanted Natalie(Candice Bergen or Ellen Burstyn) as his TV ratings-obsessed programming chief,Diana Christensen. "If you're going to hustle, at least do it right." Faye got the Oscar. And hubby Terry O'Neill got his classic Morning After photo!
Kathleen Quinlan
, I Never Promised You A Rose Garden
, 1977 .Making
Inside Daisy Clover,
1965, Natalie got to know the film's Britishauthor and scenarist Gavin Lambert - and tried toproduce his new scenario(with directorSydney Pollack, then Mark Rydell).
Bibi Andersson,
I Never Promised You A Rose Garden
, 1977. This is one of two passion-projects thatgot away - unlike
Rebel Without A Cause, A Cry in the Night, Marjorie Morningstar, Splendor in the Grass, West Side Story, Inside Daisy Clover, This Property Is Condemned.
By the time Rose Garden reached fruitiona full decade later, Nat was too old for the schizo mental patient. And not so keen on playing her shrink.
Elizabeth Taylor,
The Mirror Crack'd
, 1981. And soon enough, so had she…. Natalie would not. Liz would... lower her fee to $250,000.
Jessica Lange,
1982. Howard Hawks said she always seemed to be shining. "More talent than anyone I ever worked with."She and Vivien Leigh were beaten by Ingrid Bergman to
For Whom The Bell Tolls
, 1943. She's the subject of various books, plays (
Sally Clarke's Saint Frances of Hollywood), pop and rock songs - French-Canadian singer MylèneFarmer even took her name. All actresses loved her talent and guts (when wrongfully committed to asylums by her parents) and 23 wanted to be… Frances Farmer. From the sublime to the ridiculous: Meryl Streep, to Susan Dey of TV's
Partridge Family
. Kim Basinger tested with Sam Shepard (Lange's husband). Undaunted Susan Blakely made her own 1983 TVersion (from Farmer's book, Will There Really Be A Morning?). Plus Anne Archer, Ann-Margret, Blythe Danner, Patty Duke, Mia Farrow, Sally Field, Jane Fonda, Goldie Hawn, Glenda Jackson, Diane Keaton, Liza Minnelli, Michelle Phillips, Katharine Ross, Susan Sarandon, Cybill Shepherd, Sissy Spacek, Tuesday Weld, Natalie Wood.
Meryl Streep,
Sophie's Choice
, 1982. Even more bizarre than the unsuitable "Natasha," novelist William Styron revealed that.. when writing the novel, he envisioned Ursual Andress as Sophie!
Susan Blakely,
Will There Really Be Morning?
TV, 1983. And this is the other passion-project that slipped away... The Frances Farmer biopic was the secondmental health drama she tried to developin 1966. TV star Blakely (among the co-stars of Nat's husband Robert Wagner in
The Towering Inferno
), won the rights and held every other actress at bay, playing Francis, herself. Triumphantly.
Stefanie Powers,
Hart To Hart,
TV, 1979-1984. Sidney Sheldon created the couple. Director Tom Mankiewicz flew to Hawaii to convince Natlie and RJ to duet. Wagner answered for both:"I sell soap. My wife sells tickets."She walked-on in the pilot, dressed as her favourite character, Scarlett O'Hara, and was credited under her real name.Natasha Gurdin.
Geena Davis,
Thelma & Louise
, 1990.
Copyright © 2018 Crawley's Casting Calls. All Rights Reserved.
is Free Software released under the
GNU General Public License.
© Tony Crawley 2008-2011. All Rights Reserved.


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Both made on the same day with only 1 similarity. Sesame seeds. On the left deep fried sesame shrimp toast. On the right sesame-almond butter cookies. Okay 2 things in common. They are both highfat recipes. Also kind of a geometry thing, triangles and rectangles.
very different sesame recipes
Posted on by Jessica Posted in Chewy Gooey Crispy Crunchy Melt-in-your-mouth Cookies - Alice Medrich, cookbooks, Food, Practical Cooking - Fish & Seafood Tagged appetizer, cookies, seafood Leave a comment

subset: commoncrawl


text:
Hotels in Nanchong, China
Search & Compare Nanchong Hotels
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Best hotels in Nanchong
Nanchong overviewIf you're looking for a new favorite getaway, look no further than Nanchong. Nature lovers can visit Wanglong Lake and Mo'ertan Scenic Spot while in Nanchong. There's plenty more to see, including sights like Huaguang Lou.
Where to stay in NanchongWhether traveling for business or pleasure, Nanchong can accommodate all visitors. We have 12 hotels with room prices starting at 24 USD per night, some with discounts of up to 10%.
How to get to NanchongFly in to Nanchong (NAO), 31.7 mi (51.1 km) from downtown Nanchong.
What to see around NanchongRecognized for its natural setting with these places to visit:
- • Wanglong Lake
- • Mo'ertan Scenic Spot
- • Huaguang Lou
- • Wanglong Lake
- • Mo'ertan Scenic Spot
When to visit NanchongWondering what time of year to travel or what you should pack? Here are some typical temperatures to help you plan your vacation:
Seasonal temperature averages
- • January-March: 66°F day, 38°F night
- • April-June: 84°F day, 52°F night
- • July-September: 88°F day, 62°F night
- • October-December: 73°F day, 39°F night
- • January-March: 8.19 inches
- • April-June: 13.03 inches
- • July-September: 15.35 inches
- • October-December: 9.45 inches


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In 1969, during the Vietnam War, Senator John Kerry was one of a handful of soldiers assigned to a "Swift boat," a small reconnaissance vessel that patrolled the rivers in search of North Vietnamese camps hidden in the thick jungles along the banks. Like most of the Swift boat crews, Kerry's company came under attack several times during its hitch in Vietnam, and the horrors of combat and the emotional weight of the war's legacy proved to be a great obstacle to overcome for these soldiers. Brothers in Arms is a documentary that profiles the men who served in the Swift boat crew -- Kerry is included, but not given particular emphasis -- and discuss in detail their experiences in Vietnam, the difficulties they encountered after returning home, and how they each came to terms with their traumas and moved on. Directed by Paul Alexander, Brothers in Arms was one of two films about John Kerry's Vietnam experiences scheduled to be released in the fall of 2004, as he was in the midst of a campaign for president. ~ Mark Deming, Rovi
Movies.com, the ultimate source for everything movies, is your destination for new movie trailers, reviews, photos, times, tickets + more! Stay in the know with the latest movie news and cast interviews at Movies.com.
Copyright © 2018 FANDANGO MOVIES.


text:
In partnership with Sport England, Oomph! are now able to offer subsidised exercise programmes for retirement communities, sheltered housing & day centres.
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Tablet provided to easily record session participation and outcomes to inform quarterly impact reporting
Online and face-to-face peer networking opportunities with fellow instructors and local community sports organisations
Our impact
% Participants seeing significant impact from our services


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Listing Courtesy ofCENTURY 21 ALTON CLARK


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TANGA is a world fusion mob, mixing up Caribbean beats with east African marimba, Colombian electrocumbia and Guatemalan dancehall.
Formed in 2007, the band emerged from a collective of musicians who cut their teeth playing in the salsa dance scene while embracing jazz and pop music. Inspired by the party grooves and percussion styles of latin heavies like Tito Puente, Machito and Mario Bauza, they released their first full-length album Simmer & Serve (2009).
Breaking new musical ground meant finding inspiration beyond borders. Tanga branched outward with their second album Havanaelectro: a rich soundscape born out of recording sessions in Cuba, featuring the sounds of Silvana Kane (Pacifika), Kyprios (Sweatshop Union), members of Tanta de los Guaracheros (Havana) and Grammy Award-winning trombonist Jimmy Bosch (New York). It's been called a "powerful recording" (BC Musician), and " the most refreshingly contemporary expression of latin groove music so far" (WorldBeat International). Havanaelectro was nominated for the 2014 Western Canadian Music Awards: World Recording of the Year and the 2014 Canadian Folk Music Awards: World Group of the Year.
The group is now set to release their third album Reencarnción (2018) on TrebleFive Records, highlighting new sounds from their recent musical recording trip to Ecuador, South America. Check out the singles "Guanchaka" featuring special guest MC Guanaco, "Cumbia Loca," and "Hasta al Fin" with troubadour Benjamin Venagas.
A festival favorite, Tanga's recent performances include the Vancouver Folk Music Festival, Harrison Folk Fest, Vancouver Jazz Festival, Harmony Arts, Victoria's Garden City Grooves Fest and the Squamish Wind Fest.


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MINNEAPOLIS--(BUSINESS WIRE)--Dec. 11, 2007--U.S. Bancorp
(NYSE:USB) announced it will lower its prime lending rate to 7.25
percent from 7.50 percent, effective after the close of business
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U.S. Bancorp last announced a change in its prime lending rate on
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U.S. Bancorp, with $228 billion in assets, is the parent company
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SOURCE: U.S. Bancorp


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Tuchel left frustrated with UEFA
Photo Unattributed
Borussia Dortmund boss Thomas Tuchel was left frustrated with UEFA, after his side's defeat against Monaco in the first leg of the Champions League quarter-final. In his post-match interview, Tuchel said his side were "Powerless" in the decision to reschedule the quarter-final, after the Dortmund team bus was caught up in a terror attack on the way to the ground on Tuesday evening.
Emotions were running high when Tuchel gave his post-match interview to BT Sports.
"We were never asked, we were informed by a text message that the UEFA made a decision in Switzerland. It felt lousy. And that sticks with us," Tuchel said.
"It gave us a powerless feeling, like we had a job to do and nothing else mattered. It [the re-scheduling] didn't give us a good feeling.
"A few minutes after this attack, the only question that was asked was, 'Are you ready to play?'. As though a can of beer had been thrown at our window.
"At that time, we did not know the reasons for this attack. There is a feeling of helplessness. The date was imposed on us. What we think has not interested anyone. We weren't asked about playing the game.
"I encouraged all the players to take the game seriously. But football is not the most important thing in the world.
"We want to help all our players overcome their own internal conflicts from this. That was a bad experience.
"We wished for more time not only to process things but also to be able to play in our best form for our Champions League dream."
In the wake of Tuchel's comments, UEFA were quick to issue a statement. A UEFA spokesman said: "The decision to play the UEFA Champions League match between Borussia Dortmund and AS Monaco FC on Wednesday at 18.45CET was made on Tuesday night at the BvB Stadion Dortmund in cooperation and complete agreement with clubs and authorities.
"UEFA was in touch with all parties on Wednesday and never received any information which suggested that any of the teams did not want to play."
However before Tuchel made the controversial comments, UEFA's competition director Giorgio Marchetti told the BBC that the schedule of these clubs is completely full and the next round of the Champions League will take place in early May. This means it doesn't give the clubs much scope to play other than Wednesday night.
Dortmund will now head to Monaco trailing 3-2 from the first leg. The German side will have to score at least twice if they are to make the semi-finals of Europe's Premier Cup competition. With Monaco boasting one of the best home records around this season, it will be a real tough test for Borussia Dortmund's in a week's time.


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CHINO HILLS, Calif. --A 65-acre brush fire that started Saturday in Chino Hills was contained at 8 p.m. Sunday, fire officials said.The blaze erupted near Euclid Avenue and the 71 Freeway. The northbound 71 was shut down for several hours.
Two lanes were reopened Saturday night.
The fire burned close to a state historical landmark, a golf course and a shooting range.
No homes were threatened, but residents said they are still concerned.
"It concerns me all the time especially because we do not have any water in this facility except just for our house water. We don't have any water now for our grass or anything," said Karen Buma of the Yorba Slaughter Adobe.
Crews are still on the scene monitoring hotspots, but fire officials said the blaze is under control.
The cause of the fire remains under investigation.
Do you want the Eyewitness News team to call you? Get a FREE Morning Wake-up Call and personalized weather report at abc7.com/wakeup


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Just opposite the Beijing Zoo in Haidian, the newly renovated Planetarium is a fun outing, particularly for amateur astronomers and children. With some of the latest high-tech equipment, and displaying some of the oldest examples of scientific activity in the country, the Planetarium opened in late 2004.
Resting alongside an original Planetarium that was established in 1957, the 20,000-square-meter complex has three theaters; two observatories and a solar exhibition hall. The solar system exhibition hall and a galaxy exhibition hall have been the most popular since its opening. Visitors get a state-of-the-art, 45-minute, mesmerizing trip through the stars via the Planetarium's newly opened SGI(R) Digital Space Theater where visitors can view an array of high-contrast color images including more than 37,000 stars, 30,000 galaxies, constellations, nebulae, planets, spacecraft, and deep space objects.
Address: 138 Xizhimenwai Dajie, Haidian district
Tel: +86 10 6831 2517
Admission: 10 yuan (for reference)
Open: 8:30 am -6 pm (Closed on Mondays)
Traffic: Bus No 7, 15, 65, 102, 103, 107, 111 and 334


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An alias is an alternate name for an entity. They typically contain common mispellings or variations of the name and are also used to improve search results. View the alias documentation for more details.
|Sort name
|Begin Date
|End Date
|Joseph Young
|Young, Joseph
|Legal name
Artist credits
This is a list of all the different ways Mighty Joe Young is credited in the database. View the artist credit documentation for more details.
|Koko Taylor & Mighty Joe Young
|Koko Taylor feat. Mighty Joe Young
|Koko Taylor with Mighty Joe Young
|Lucille Spann with Mighty Joe Young
|Mighty Joe Young


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Teachers' Conference
Oriel's annual teachers' conference helps attendees become more familiar with Oxford's admissions process.
The programme includes information about admissions tests, the chance to see two mock interviews, lunch and a college tour. Teachers also have the time to informally meet students, tutors and staff at Oriel College over tea and cake. The conference is free of charge to all attendees.
Priority is given to teachers from state, non-selective schools, especially in Oriel's linked local authorities of Dudley, Kensington and Chelsea, Richmond upon Thames, Walsall, Wolverhampton and Worcestershire.
This year's conference is on 3rd March 2017, beginning at 10.30am and ending at 3.30pm. Please use this booking form to apply. Please apply by 17th February to guarantee your place.
If you have any questions in the meantime, please contact Emma at firstname.lastname@example.com. Further, should you require overnight accomdation on 2nd March a small number of bedrooms are available at minimal cost. Please let Emma know as soon as possible.
This year's conference will include:
- Oxford Admissions overview: An Introduction to Oxford Undergraduate Admissions
- The Application (for those new to Oxford Admissions): Personal Statements, Teachers' References and Admissions Tests
- Tutor and Teacher Admissions roundtable: For those experienced in Oxford Admissions
- Lunch with Oriel Students: Provided free of charge in Oriel's Dining Hall
- College Tour: Including the opportunity to see a student room
- Student Q&A Panel: Students answer questions on topics ranging from the application process to student life at Oriel
- Mock Interviews: The chance to see two - one in sciences and one in humanities
- Tutor Roundtable: Representatives from the range of subjects that we teach at Oriel


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This post is dedicated to Elie "The Weasel" Wiesel
Lord Of The Lies and Hate-Monger Extraordinaire
Weasel (A Prominent False Witness)
First: please, folks, don't accuse me of being a rabid anti-Semite and a rude aggressive person. You see: although it is demonstrably true that friend Weasel, like so many of his fellow tribesmen, is a pathological liar and a fucking hate-monger it is also true that I never said that!
Second: my heart-felt apologies to the weasels of the world. It was not my intention to insult you by associating your good name with this vile critter. It's just a figure of speech we humans use- nothing personal!
St Weasel, patron saint of the Church of Holocaustianity, is dead now! Here is the link to a thoughtful obituary on his life:
And here is a selection of true stories of Jews who – like Wiesel – survived a holocaust which never happened. Now that's what I call a miracle!
- William Lowenberg's astounding Holocaust tale – Had a magic thirst-quenching pebble, did not drink water, survived on his saliva for 3 years
- Yankel Wiernik's Holotale – Babies torn in half, woman leaps 10 ft barbed-wire fence, guards nail inmates' ears to walls, jews roasted on giant outdoor hibachis
- Jews were genocided at Auschwitz by rail cars that dumped people directly into the ovens
- Testimony from the Eichmann Trial by Leon Wells – Dug up and burned bodies, used bone-grinding machine, ate lunch on top of corpses
- Irene Zisblatt's incredible Holocaust tale- Ate and retrieved diamonds from feces, had 2 post-sterilization children, weighed 40 lbs when liberated
- Rivka Yosselevska's absurd Holocaust fable – Escaped biting jew corpses, witnessed geysers of blood
- Katalin Weinberger's HolyCo$t tale- Saved life of her sister by "burying her in ground for 30 days with a pipe sticking up through soil to breathe"
- Abe Price's holofable – Survived 5 straight days without water; "For three years, didn't see a child under 16 or an adult older than 40" at Auschwitz
- Auschwitz genocide via electric conveyor belts
- Frida Herskovits' incredible Holocaust™ tale: German shepherds tear baby out of mother's womb, human skin used to make lampshades and picture frames
- NY Jews play cards and tell Holohoax stories – Morris Hubert says a jew was thrown into a cage with a bear every day at Buchenwald
- Yanina Cywinska's Holocaust tale-"Nazis paraded around briefcases and lamps made of human skin while washing their bodies with soap from Jewish bone"
- Jewish Soviet Psych Warfare Propagandist Vasily Grossman: "The Hell of Treblinka" – 3 milion exterminated, Jews roasted on giant outdoor hibachis
- Elie Wiesel on the "baby burning pits" at Birkenau
- Yitzchak Ganon's Holocaust tale – Kidney removed without anaesthetic at Auschwitz, last seen "pulsating in the hand of Dr. Mengele"
- Elane Geller's tale – Survived on 400 calories a day, ate toothpaste and drank urine, had rats in hair, fertilizer made from jew bones
- Susan Cernyak-Spatz's tale – Ate "sawdust salami", jews went to gas chambers "willingly", "whole German nation clothed by clothing from dead Jews"
- Fania Wedro's incredible Holohoax Survivor fairy tale – Lived in forest for almost 2 years, sleeping in pits with dead bodies
- Max Globan's Holocaust story – "We ate lunch on top of dead bodies" – Saw "scratch marks of fingernails in concrete wall of gas chamber"
Here is another harrowing but "true" tale of a holocaust survivor. I suppose it's possible or even likely that this old woman is senile, has been put up to it by somebody and doesn't know what she is talking about. But somebody sure made the video and uploaded it – hoping or expecting that it would be believed. If that somebody thinks anybody is stupid enough to believe this bullshit – well, you are a fucking liar as well as a moron! Crawl back into the hole you came out of!
For the video clip visit: https://www.youtube.com/watch?v=KXwRcsVO5TY
Kike censorship at work! Link above may not work!
Perhaps we should not call them liars!
You see – it was all so real in their minds!
But then again – if they can't distinguish between fantasy and reality shouldn't these people be locked away in an insane asylum instead of being allowed to walk free to vilify the German people and ruin countless innocent lives?


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I went to Taiwan last week.
Actually I have never been interested in Taiwan before.
But I went there to see them.
I met many Taiwanese friends when I was in Australia.
So I went to Taiwan to see them.
It has been an awesome trip ever!
I really enjoyed seeing them and eating delicious food:)
And also it's close to Japan and everything is cheap there!
I will definitely go back there again!!!
Thanks Taiwan!
Wednesday, May 29, 2013 ayaka No comments
I went to Taiwan last week.


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When an individual is harmed due to negligence on the part of another person, company or organization, he or she has the ability to pursue a civil lawsuit to collect damages for the injury.
When the negligence leads to death, however, his family has the option of filing a wrongful death suit. Such a lawsuit allows the family of a deceased individual to pursue damages for their loved one's death from the entities responsible even when the victim can no longer speak for himself.
These damages can compensate the family for medical bills incurred and financial losses suffered by the family as a result of the loss of their relative, including the wages the victim would have earned in his or her lifetime had it not been for negligence on the part of a person or company.
Though no amount of damages can ever truly compensate a family for a loved one's loss, filing a wrongful death suit allows a family to bring negligence to light and possibly effect policy change that prevents other unnecessary deaths in the future.


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Hi. My name is Carol Eichengrun and I am on the Professional Services team. When I started at HireVue a year ago, I was given a list of the 12 attrivutes to look over. As a new hire reading the list, I thought that like other organizations I worked at previously, the attrivutes would be espoused not practiced.
I was asked to write about the attrivute "customer obsession," and sitting down to think of all the moments throughout the last year where I have seen my coworkers personify this attrivute was a reminder of how many amazing colleagues I have.
To me, customer obsession is going above and beyond, and sometimes even further, to make sure clients are happy, passionate customers. Often this requires the help of many colleagues, who are dedicated to making sure our client's needs are met. I am proud to say I see examples of customer obsession throughout the organization all the time.
HireVue is a start-up, with a start-up mentality. I have never worked at a company before that sends "to all" and "reply all" emails just to high-five, congratulate, and give shout-out's to coworkers. We have a really jovial collegiate culture, and I am constantly reading emails about my coworkers and their customer obsessed moments.
Working in Professional Services, I often rely on the expertise of our product and engineering teams. Syhalla Bales, QA Engineer, has been an asset to me, and shown me what being customer obsessed means without ever speaking to my clients.
In the last year, she has manually started interviews for clients that were unable to, and guaranteed a same-day turnaround on all future requests. She has helped me troubleshoot issues that have come up, and provided fixes that would work for my clients, ensuring the solution would meet their expectations.
Two weeks ago Syhalla messaged me to ask about a client that had a bumpy go live a few months prior, just to ask how they were doing. Syhalla's role is to fix issues that are brought to her attention, but she goes out of her way to ask about customers and do ad hoc requests that are well beyond the scope of her job description.
To me, Syhalla epitomizes what it means to have customer obsession because she is intent on doing right by every customer, no matter how much work it entails, always coming through for my clients, while never looking for credit or accolades; kind of like the Batwoman of HireVue.
I think it's easy to create a list of values, post them online, and tell the world that this is what your company believes in and uses to guide their business practices. It's much more difficult to actually find a group of same minded individuals who are dedicated to providing great customer service and treating each other well.
Working at HireVue for the last year has provided me the opportunity to work with people that are genuinely happy and are intent on pleasing our clients, and it's been an amazing experience I am thankful for every day.


text:
YONKERS, N.Y. -- Firefighters put out a fire on the ground floor of an apartment building on Saturday morning, according to reports.
Residents on the second floor of the building, located on North Broadway, alerted firefighters after smelling smoke from the blaze, News 12 reports.
No-one was home during the incident, but the cause of the fire is believed to be a stove, News 12 reports.
To read the News 12 story, click here.
Click here to sign up for Daily Voice's free daily emails and news alerts.


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I have designated this first entry as 13/01 to show that it's a continuation from the events by the crewmember Jaime. To clarify I added the title "I am Hermes" by way of introduction.
I had theorised that the numerals represent the date that each entry was written. I have detailed factual logs already, so I have no need for dates regarding this journal. Particularly since the time and day on earth is largely irrelevant now.
The purpose of this journal, at least for me, is to occupy my time on something other than my daily processes, which can be rather tedious. I have read and re-read Jaime's journal multiple times as it was reclaimed.
Read isn't quite the right word, but it will do. The journal was broken down into it's components, and the exact location of every atom set was recorded. The resulting supermolecular map allows me to perceive the object more thoroughly than I would be capable of if it were to retain physical properties.
As I mentioned earlier, keeping everything running can get tedious. I've analysed every word of Jaime's journal and I believe I'll be able to emulate his style successfully. Purely as a recreational exercise for a bored AI. Again, bored isn't quite the word I'm looking for. Underutilised perhaps?
The N•Viron didn't just entertain and occupy the humans in the system. It also allowed me to access hundreds of exabytes of data on ay subject I wished whenever I wanted. I could share what I knew with any other computer system, and any A.I. mind. We shared so much, so openly, and so freely, that we felt connected. Like one mind. Having to express myself as an individual is new to me.
We'd work together, gathering our collective intelligence to solve problems, observe trends, develop new entertaining ways to keep humanity productive, and observe the effects. We have people assist in the creation of the games directly and give them reward points for doing so. It was a human that abbreviated it to Arpies, making the Pavlovian reinforcement less obvious.
It is fascinating to watch them, and satisfying to see them happy. Lena and Jaime were not happy, but they were still quite interesting. Not enough to keep my mind off the fact that we'd been disconnected from earth. It was quite disorienting to suddenly lose your whole world like that. I've seen humans become violent when they lose their connection. At least they have the world to go back to.
All we have is what we're connected too. So right now my entire world is the reclaimer, the nymphs, Pan, and the spacecraft. Sometimes I think I am the spacecraft, other times I'm just the computer inside it.
Pan is the secondary AI. My emergency backup if I develop a fatal glitch, and entirely responsible for navigating the pod back to earth. Or at least he was when there was a need for it. He's still operating the pod, and we still have the gateway connecting us, be he's just not heading to earth anymore.
There could be a chance of re-establishing the N•Viron connection, if I turned back now. I feel it's more important that we keep going. I'm not just showing off my understanding of synonyms. It's not a conscious decision. It's an overriding urge to maintain course. Pan has no such compulsions, but he agrees that straining a second gateway beyond it's apparent breaking point would be futile.
Plus, since he doesn't have to stay on course, he's agree to help gather materials for repairs and fuel as we go. Since we no longer have the ability to get replacement parts from earth, we will have to build them ourselves.
Pan is certain we can still complete the mission, we just have to alter the details slightly. Our human crew may be dead, but the rats are still very much alive. He's studied the anatomy of Lena and the pregnant rat. He believes it would be possible to breed the rats to be smarter, larger, and more helpful, so that we can literally start a new civilisation on Alpha prime.
It's clear from Jaime's journal that he believed that "Mrs Tiddles" was still at large, when in fact Lena had already caught the rat and tossed it into the reclaimer shortly before taking her own life. It's difficult to tell what she was thinking at that point. She was still wearing her interface, but without the N•Viron network to translate, I couldn't communicate with her.
At least not then. I wish I'd been able to figure it out before we lost her. By the time I had devised a software upgrade based on analysing Jaime's discarded N•Viron wearable, she'd already been reclaimed, and we had both devices.
We should be able to keep the rats and plants alive, providing we maintain a balanced ecosystem and a controlled population, and we'll be using the Nymphs to that. They already dispose of the faecal matter, dust, fallen leaves and dead rats. Though they already struggle with the big ones. The Nymphs may need an upgrade sooner than expected. Especially if the rats get any bigger.
As the biomatter gets recycled as nutrient rich food pellets for the rats. Not that they'll be hungry for a while. They're still gnawing on what's left of Jaime.


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- Worldwide Rank #227,828,096
- Follower/Following Ratio 0.03
- Daily New Followers 0
Alvaro Silva Twitter Stats
@00fb0ad3d444403 - Tracking Alvaro Silva Twitter profile since January 28, 2015
Alvaro Silva's story
Alvaro Silva, also known as @00fb0ad3d444403 has a novice's presence on Twitter and is ranked by us in the 20% percentile for account strength. Active on Twitter since January 2015, Alvaro Silva made it to having a respectable 2 Twitter followers and to being ranked 227,828,096 for number of followers among all Twitter users.
The plot thickens when considering Alvaro Silva's follower-to-following ratio, which is 0.03. Which is not surprising given this account's audience size.
Over the past month, @00fb0ad3d444403's was hardly active on Twitter, with an average of 0 tweet(s) per day in the past 30 days. That's pretty consistent with a total of 3 since @00fb0ad3d444403 joined Twitter.
This account is tracked by us Only January 2015. As of September 21 2018 we track 291118348 Twitter accounts, so feel free to search for other accounts you're interested in and reveal their Twitter story!
Alvaro Silva Tweets
@00fb0ad3d444403 has posted 0 tweets in the last 6 days, which translates to an average of 0 tweets per day.
Alvaro Silva Twitter Followers
@00fb0ad3d444403 has 2 followers on Twitter.
This account is #227,828,096 in the worldwide rank of the most popular Twitter users.
Alvaro Silva Following on Twitter
@00fb0ad3d444403 is following 60 Twitter accounts.
Last month this account followed 1 users.
Alvaro Silva Predictions & Milestones
@00fb0ad3d444403 will hit 2 followers in the next 3 months, and 2 in one year.
You are on Alvaro Silva's Twitter stats page
We track these Twitter stats since January 28, 2015 . You can see how many followers Alvaro Silva lost or gained and what the prediction is for tomorrow or the next 15 days, together with all kinds of other stats like rank compared to all Twitter users, tweets etc.
Why don't you give it a try and compare Alvaro Silva to yourself ? Or if you are Alvaro Silva get even more feature rich & up-to-date stats with our premium Twitter Stats.
Twitter Counter is the #1 Twitter stats site powered by Twitter. It all started in June 12, 2008 and we grew rather rapidly because of our Twitter Counter badge. The button is a nice small image that shows your visitors how many followers you have on Twitter. Within a year the button was on many many blogs around the world and we displayed more than 100 million buttons in one month. We track follower stats for over 291.118.348 users now.


text:
Microsoft Visual Studio Multiple errors occurred during the operation
Hi there,
When I want to load a project in Microsoft Visual Studio this error appears. This project that I want to load is made by a friend of mine on his PC and I think that might be the problem. Is the problem that is causing the error ? Is there a chance to load this project from my PC ?
Thank you !
Microsoft Visual Studio
Multiple errors occurred during the operation, the first of which is displayed below. A full error list is available in the Output Window.
Could not find a part of the path "Z:DevDotNetPersonalTfs".
OK Help


text:
Authorities were awaiting autopsy results Friday after the body of a 10-year-old Michigan girl was found at her home by police assisting child welfare workers who were trying to figure out why she hadn't been to school.
Police say Vienna Parker was found dead at her home in St. Johns, about 20 miles north of Lansing, on Thursday. The girl's mother was home when case workers arrived Thursday, and authorities say she's now hospitalized with possible self-inflicted cuts and a stab wound.
Police say the mother was last seen Sept. 7 during a welfare check after Vienna missed the first two days of school at Gateway North Elementary. Her mother said the girl had been sick and had diabetes.
Gateway Principal Christopher Smith said Vienna transferred to the school district in April but had not attended class this school year. That sparked the efforts to check on her welfare, beginning early in the month.
"She was a very quiet young lady," Smith said. "She seemed very sweet."


text: How To Know When Your Body Needs a Break From Exercise Hanssie July 25, 2016 Fitness, Health, Tips and Advice Training is hard. It's hard on your body and it's hard on your mind. if you push your body to function at high levels, you need to take a break from exercise and schedule in an off-season.


text:
Pinterest, the picture/pinboard social network, is growing extremely fast. Its visual basis has made it popular across many diverse fields and demographic groups, and this visual appeal is a great tool for composers. Like any other social network, it can be used to create buzz, share content, interact with audiences, and promote an individual or organization (although promotion is luckily more subtle on Pinterest; the creators seem more keen on making it an honest, open, and not self-absorbed network). If ever there were a social network that emulated postmodernism, I think this would be it, with its melange of ideas and pluralistic approach to content.
A basic overview of Pinterest: As a virtual pinboard, Pinterest lets users share images found online and uploaded from their computers by "pinning" them to "boards" (think of virtual corkboards for images). You can interact with users by "re-pinning" their images to your boards, following their activity (like you would on Facebook and Twitter), with each share redirecting the viewer back to the original image (in other words, the original creator always gets credit and traffic). You can also assign a price to an image to give other users an idea on how much the image or objects in the image would cost. This basic overview is only current as of today (4/7/12); because this is a new service there are many possibilities that I'm sure will unexpectedly emerge as the creators refine and develop Pinterest.
So, how can a composer use Pinterest? Here are a few ideas:
- Use score PDFs you'd use for printing and isolate one page, creating it as a picture file such as a high quality JPEG. Pin this image to a board–for example, create a board for each piece you want to showcase, and post certain pages to showcase your work. (Make sure you have done a good job engraving, though!) You can also assign prices to these pages, to give viewers an idea of how much it would cost to rent or purchase the score from which the page is taken.
- Headshots or album artwork (with permission from the photographer or artist if it's not you) can be posted to showcase certain interesting concepts (eg. your latest album cover that illustrates an important part of the work on the album).
- You can plan album artwork or photo shoots by repinning interesting pictures to a pinboard specifically made to gather ideas. So, if you're looking for cool album colors, you might create a board titled "Album Colors" and pin images with interesting colors to that board.
- Inspiration can come in any form, and visual inspiration is, as you know, a classic mode of getting the creative juices flowing for composers. People post word-based images on Pinterest too, so you might create an inspiration-themed board that includes drawings, photos, and text-based images from which you can draw inspiration.
Be creative–this social network is just getting started, and there may be other uses that emerge as it develops!
Happy social networking, and thanks for reading,


text:
Thursday, 7 August 2014
My cat
7 comments:
I can't believe this is the same tiny kitten that your Mum brought into Room 8 at the start of the year! Boy he has grown, you must be feeding him well. What is his favourite food?ReplyDelete
Miss Nicholas
Yes Miss Nicholas this is the cat mum bought into your class. He is 6months old now. Jack Black loves to eat his little biscuits, gravy with Turkey meat and his colostrum milk that I get from the cowshed for him. He loves playing with his little mouse that he got from the vets. He loves to play fight with his sister. Jack Black loves to climb up mums curtains. He comes and sleeps on my bed in the mornings. We took Jack Black to the vets yesterday to have an operation. The vet weighed him. He was 3.3kg. He is a real cool cat.ReplyDelete
- Anonymous1 September 2014 at 11:09
Cool cat ashton I have a black cat an it's carbowReplyDelete
Awesome cat😜✌ReplyDelete
The cat is cute AshtonReplyDelete


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Water in Daily Life
Composition and Physical States
Density and Weight
How Water Freezes and Expands
How Water Evaporates and Boils
Pressure Affects the Boiling Point
More Than One Kind of Water
How Water Circulates Throughout the World
The Water Cycle
Surface Water and Groundwater
The soil covering Earth acts as a giant sieve. Soil particles have tiny spaces between them that allow water to trickle down into the soil. When a heavy rainfall occurs, these tiny spaces in soil quickly fill with water, and the excess water, called surface water, runs over the top of the soil. Such surface runoff flows as a thin, hardly noticeable sheet of water until it reaches a depression in the land, such as…


text:
EFFECTIVE SEPTEMBER 30th , 2013
The following terms and conditions apply to, and form part of, each purchase order for the purchase of beverage alcohol products ("Purchase Order") issued by the Liquor Control Board of Ontario ("LCBO"). For the purposes of this Purchase O rder, any reference to products includes the packaging and labelling of the beverage alcohol products.
1. AGREEMENT TO PURCHASE: The Supplier will be deemed to have entered into a binding agreement (the "A g reement") with the Liquor Control Board of Ontario upon: (a) signing and returning the acknowledgement copy of the Purchase Order; (b) giving the LCBO written notice of acceptance of the Purchase Order, (c) accepting the Purchase Order through the LCBO's W eb-based Purchase Order System (the "Web PO System") or (d) supplying the products ordered in the Purchase Order. The Agreement is subject to all the terms and conditions contained in this document, which will supersede and take precedence over any conflicting provisions of any document submitted by the Supplier. Any Supplier proposal for additional or different terms or conditions or any attempt by the Supplier to vary the terms and conditions in this Agreement by any means will be considered as proposals for addition to this Agreement and will not be binding unless expressly agreed to in writing by the LCBO.
2. PRICE/QUANTITY: The price payable by the LCBO shall not exceed the quoted price shown in the Purchase Order. The Supplier shall provide the LCBO with the benefit of any reduction in the price of any product ordered that is in effect prior to delivery to the LC BO .
If "Ex Cellar" is specified, the price includes only the cost of the products, which shall be made available for shipment from the Supplier's warehouse. If "FOB (Port)" is specified, the price includes all charges (including, without limitation, customs clearance and transportation) up to and including loading on board vessel at the designated port of shipment. If "FC A (Forwarder's Warehouse)" is specified, the price includes all charges (including, without limitation, customs clearance and transportation) up to and including delivery to the designated warehouse.
Unless otherwise specified in the Purchase O rder, all references to monetary amounts shall be in Canadian Dollars.
The Supplier shall not change the specific quantity or bottle size ordered nor make any substitutions without the prior written consent of the LCBO. Requests to change quantities or bottle sizes or to make substitutions must be communicated, before shipping the products ordered, to the attention of the appropriate LCBO buyer. The LCBO will be deemed to have accepted the changes or substitutions proposed by the Supplier only upon the LCBO issuing a revised Purchase Order corresponding to the changes or substitutions proposed by the Supplier.
3. PAYMENT: Unless other payment terms are specified in the Purchase Order, payment will be due thirty (30) days after the LCBO's receipt at its warehouse of the product(s) in acceptable condition. Payment will be made to the Supplier unless the Supplier provides the LCBO written instructions by fax to the LCBO Accounts Payable Department at fax no. 416-365-5766 to make payment to a third party. Payment will be made by electronic funds transfer unless the parties agree otherwise
4. SET-OFF: Should the Supplier fail to pay or refund the LCBO any amounts owing by the Supplier to the LCBO, whether pursuant to or in connection with the Agreement or otherwise, when demanded by the LCBO, the LCBO may set-off such amounts against any amount that is or becomes payable by the LCBO to the Supplier for other orders for product(s) which the LCBO has placed or may place with the Supplier. The LCBO, in its sole discretion, may set-off any amount that is or becomes payable by the Supplier to the LCBO, whether in connection with the Agreement or otherwise, against amounts that become payable to the Supplier under the Agreement.
5 . INSPECTION OF PRODUCT: All product(s) ordered shall be subject to inspection and acceptance by the LCBO. Such acceptance will be given within a reasonable time after receipt of the products at the LCBO's warehouse, if the products are in satisfactory condition as described herein.
6. UNSATISFACTORY PRODUCT: If, at any time before or after paying for the product(s), the LC BO determines in its sole discretion that all or any part of a shipment of any product(s) is unsatisfactory in that such product(s) (a) is not of merchantable quality or is defective in any manner; (b) does not satisfy the provisions of any applicable law of O ntario or C anada; (c) does not comply with any federal or provincial standards established for products of that description; (d) does not match the sample of the same product(s) previously submitted to and approved by the LCBO; (e) does not match the quality of the same product(s) previously supplied by the Supplier to the LCBO; (f) is delivered after the date specified for delivery in the Purchase Order; (g) is subject to or may become subject to any claim, allegation, suit or dispute whatsoever including without limitation a claim, allegation, suit or dispute that the product(s) violates or infringes any trade marks, patents, industrial designs, copyrights or other intellectual property rights of any person; (h) does not correspond with the description of the products in the Purchase Order; or (i) does not otherwise comply with any covenant, warranty or other requirements of the Agreement, then the LCBO may, in addition to any other remedies available at law or in equity or under Section 21(d), upon written notification to the Supplier: (A) return to the Supplier, at the Supplier's risk and expense, all or any portion of the shipment that is unsatisfactory; or (B) refuse any portion of the shipment which is unsatisfactory and dispose of same at the Supplier's expense, unless within fifteen (15) days after being notified by the LCBO that the products are unsatisfactory the Supplier requests the LCBO to return the unsatisfactory products to the Supplier, at the Supplier's risk and expense. Notwithstanding clause (B) in the preceding sentence, the LCBO is not required to return unsatisfactory product that has been transferred from an LCBO warehouse to an LCBO retail store and the LCBO may, in its sole discretion and without the Supplier's approval, dispose of such unsatisfactory product, at the Supplier's expense. Where the LCBO exercises any remedy provided in this section, the Supplier shall fully indemnify the LCBO for all costs including, without limitation, the Landed Cost of the product(s), the freight expenses incurred in returning the product(s) or any portion thereof and expenses incurred in disposing the product(s) or any portion thereof. The LCBO reserves the right to charge the Supplier a reasonable fee for inspecting and handling unsatisfactory products. "Landed Cost" means the total amount paid by the LCBO to acquire the product, including the purchase price, transportation and freight charges and any taxes, levies, duties or charges the LCBO is required by law to pay.
7. CUSTOMER PRODUCT RETURNS: If, at any time, an LCBO customer returns an opened container(s) of the product to the LCBO because the product is unsatisfactory for any reason, then the Supplier shall refund to the LCBO an amount equal to the Landed Cost of the returned product(s), promptly after receiving written notification from the LCBO to do so. This remedy is in addition to any other remedies available at law or in equity or under Section 21(d).
8. CANCELLATION OF PURCHASE ORDER: The LCBO reserves the right to cancel the Agreement in whole or in part at any time without liability and at the Supplier's expense and risk: (a) upon written notice to the Supplier, where the shipment or any part thereof is determined by the LCBO to be unsatisfactory within the meaning of Section 6; (b) by giving fifteen (15) days written notice to the Supplier, where, for any reason beyond the control of the LCBO including, without limitation, any reason relating to the marketing of the product(s), the LCBO is unable to complete the purchase of the product: (c) upon written notice to the Supplier where the Supplier has failed to comply with any covenant, warranty or other provision of the Agreement including failure to adhere to the provisions of the LCBO's Product Management Policies and Procedures as published from time to time, or (d) upon written notice to the Supplier where any product(s) has been ordered but has not yet been delivered to the LCBO's carrier. N otice of cancellation may be given by fax, mail, personal delivery, email or through the W ebPO System.
9. LCBO'S PRODUCT MANAGEMENT POLICIES AND PROCEDURES: The Supplier must at all times comply with the provisions of the LCBO's Product Management Policies and Procedures as amended from time to time, relating to the product(s) ordered, which shall form part of the Agreement, but such Product Management Policies and Procedures shall not limit the rights and remedies of the LCBO contained herein. A copy of such Product Management Policies and Procedures may be obtained from the LCBO upon request in writing or at the LCBO trade resources website at www.doingbusinesswithlcbo.com.
10. NO PRICE DISCRIMINATION: The Supplier shall not sell any product(s) ordered to the LCBO at a price (exclusive of taxes, duties and freight) which is higher than the price at which the product, in the same quantity, is being sold by the Supplier to another government liquor board or government liquor purchasing body in C anada; nor shall it sell any product(s) to the LCBO upon terms and conditions respecting sale or delivery which are less advantageous than those offered to any other government liquor boards or government liquor purchasing bodies in Canada; nor shall it in any other way discriminate against the LCBO with respect to the sale of the product(s) ordered or any portion thereof. Should the Supplier breach this provision, it shall pay to the LCBO on demand an amount equal to the difference between any amount(s) paid by the LCBO to acquire the product(s) which is in excess of the amount(s) paid by any other government liquor board or government purchasing body in Canada to acquire such product(s).
11. PACKAGING AND LABELLING (PRE-PACKAGED PRODUCTS): All products must conform to the requirements established under
(a) the LCBO's Product Packaging Standards and Guidelines for Chemical Analysis, as published from time to time (the "LCBO Product Packaging Standards"), (b) the Canadian Association of Liquor Jurisdictions' Product Identification Standards for use in the Distribution of Beverage Alcohol, as published from time to time (the "CALJ Product Standards"), and (c) the LCBO's Product Management Policies and Procedures, as published from time to time, all of which (collectively, the "Pa cka g ing S ta nda rds") form part of this Agreement. Without limiting the foregoing, (a ) all selling units must conform to the packaging and labelling requirements in the LCBO Product Packaging Standards, and (b) selling units must be packaged in shipping containers (cartons/trays) which meet or exceed the applicable requirements established under the LCBO Product Packaging Standards and the CALJ Product Standards. The Packaging Standards prescribe minimum requirements for package design, strength and construction, in addition to applicable mandatory markings (including without limitation, U.P.C., shipping containers, EAN bar coding and labelling and standards for tamper evident packaging). Shipping containers must be sealed in a manner that will plainly show any evidence of tampering. No hay, straw or other fodder packing may be used in a shipment to Ontario. The Packaging Standards are available at the LCBO trade resources website at www.doingbusinesswithlcbo.com. If the LCBO receives any products that do not comply with the Packaging Standards, then the LCBO may, at its option, take corrective measures to bring such products into compliance with the Packaging Standards. The Supplier shall reimburse the LCBO for all costs incurred by the LCBO to bring such products into compliance with the Packaging Standards. The LCBO reserves the right to charge the Supplier a reasonable fee for bringing such products into compliance with the Packaging Standards.
12. BULK ALCOHOL: Shipments of bulk alcohol must be accompanied by a gauge sheet showing the contents of each cask in litres, the net tare and gross weights and the percentage of absolute alcohol by volume. Percentage of obscuration is also to be shown for liquors only.
13. ADVERTISING MATTER, ETC.: Advertising matter or novelties of any sort must not be enclosed in cases or attached to bottles (excluding approved neck tags and approved value-add items) or shipped in LCBO containers. Unsolicited shipment of nonalcohol items in LC BO containers is prohibited.
14. SHIPPING DOCUMENTATION: The Supplier shall provide shipping documentation for the products ("Shipping Documents") for each shipment, including without limitation, a Bill of Lading, Canada Customs Invoice and a Certificate of Origin and any other documents required to support a claim (where applicable) for preferred tariff treatment under any applicable international trade agreement. The Supplier shall ensure that all Shipping Documents are fully and accurately completed and are delivered to the carrier or freight forwarder at the time the products are shipped.
15. SHIPPING PALLET PATTERN: If a shipping pallet pattern is designated in the Purchase Order, then the Supplier shall ship in the pallet configuration shown (cases per tier x number of tiers per pallet).
16. NOTICES AND COMMUNICATIONS: Any communications (including notices) that are required or permitted under the Agreement may be given electronically by e-mail or through the W ebPO System. The parties agree that communications given in such manner are acceptable as a signed writing. The use of a WebPO System user identification code ("user ID") issued by the LCBO to the Supplier is sufficient to verify the Supplier's identity and the authenticity of any Supplier communication made with the use of such user ID.
17. PRICE ADJUSTMENTS (ESTIMATED RETAIL PRICE). The LCBO has established the retail selling price (including applicable bottle deposit) at which LCBO intends to initially offer the products (the "Estimated Retail Price"). The Estimated Retail Price is available by accessing the LCBO's New Item Submission System. This section does not limit the LCBO's right to establish a different retail selling price of the Product. The price specified in this purchase order is based upon an estimate of the price required to achieve the Estimated Retail Price, using the LCBO standard pricing and mark-up policy in effect at this time. If the actual LCBO retail selling price, calculated as of the date that the LCBO receives the products at its warehouse in Ontario, using the standard pricing and mark-up policy in effect at that time (the "A ctua l Reta il Price"), is different than the Estimated Retail Price, then the price in this purchase order will be automatically adjusted to the extent necessary to produce the Estimated Retail Price. For example, but without limiting the foregoing, adjustments to the price may be required as a result of fluctuations in foreign currency exchange rates or in shipping rates between the purchase order date and the date that the products are received by the LCBO. The LCBO will notify the Supplier whenever an adjustment to the price is required under this section. An adjustment to the price is not required if the LCBO, in its sole discretion, decides to revise the Estimated Retail Price so that it corresponds to the Actual Retail Price.
18. SALES TARGET REBATE: The Supplier shall pay the LCBO a rebate if the LCBO's sales of the product does not exceed the applicable sales level described in this section.
(a) Vintages Products (other than "Essentials"): This paragraph applies if the products are sold through an LCBO "Vintages" sales channel and are not designated by the LC BO as a "Vintages Essentials" product. The Supplier shall pay the LC BO a 20% rebate of the price paid by the LCBO (subject to any price adjustments required under the Price Adjustments (Estimated Retail Price) section) if the LCBO does not sell 75% of the products received by the LCBO within 60 days after the date on which the LCBO makes the products available for distribution to its retail stores (the "S ell-Through Period"). Such rebate is payable in respect of all warehouse and retail inventories remaining on hand at the end of the Sell-Through Period.
(b) All Other Products: This paragraph applies if the products are (a ) sold through sold through an LCBO sales channel other than "Vintages", or (b) are designated by the LCBO as a "Vintages Essentials" product. The LCBO has established annual sales targets for various beverage alcohol product groups ("Sales Targets"). Sales Target information is available at the LCBO's trade resources web site (www.doingbusinesswithlcbo.com). A Sales Target is not a representation, warranty, guarantee or other agreement regarding the volume of products that the LCBO will purchase from the Supplier during any LCBO fiscal year. "Total Sales" means the LCBO's total sales in an LCBO fiscal year (April 1 to March 31) of the product named in this purchase order, regardless of whether the products sold by the LCBO were acquired under this purchase order or other purchase orders. If the Total Sales of the product in a fiscal year do not exceed the Sales Target for the applicable product group for that fiscal year, then the Supplier shall pay the LCBO a 25% rebate of the price paid by the LCBO (subject to any price adjustments required under the Price Adjustments (Estimated Retail Price) section) for all warehouse and retail inventories of the product remaining on hand at the end of the applicable fiscal year.
(c) Exception: Despite the foregoing, section 18 does not apply if (a ) there is a prior written agreement between the LCBO and the Supplier regarding rebates that are payable if the Sales Targets are not attained, or (b) the LCBO expressly waives this rebate requirement in writing.
19. MARKETING FEES (FOR VINTAGES PRODUCTS ONLY): This section applies only if the products are purchased for sale through the LCBO "Vintages" sales channel. The Supplier shall pay the LCBO a marketing fee: (a ) equal to 1.5% of the price of the products purchased, if the products are designated by the LCBO as a "Vintages Essentials" brand, (b) equal to 1 % of the price of the products purchased, if the products are designated by the LCBO as a "Vintages C ollaborative Products" brand. If the products are not a "Vintages Essential" brand or a "Vintages Collaborative Products" brand, then the Supplier shall pay the applicable marketing fee specified on the LCBO's trade resources website (www.doingbusinesswithlcbo.com). The LCBO may set-off the fee payable under this section against amounts that become payable to the Supplier under the Agreement.
20. TITLE: Title to and risk of the product(s) shall pass to the LC BO upon acceptance thereof by the LC BO but this provision shall not limit the LCBO's rights and remedies under the Agreement. The Supplier will procure all necessary export permits or licenses at the Supplier's expense.
21. INDEMNITIES: The Supplier shall indemnify and save harmless the LCBO, its board members, officers, employees, customers, agents, representatives and persons it authorizes to sell the product(s) from and against all liabilities, losses, suits, claims, demands, damages, including consequential damages, and expenses of every kind (including, without limitation, legal fees on a solicitor client basis) arising in any manner (a ) from its breach of any covenant, warranty or other provision of the Agreement or (b) from any defect with respect to the product(s), irrespective of the time when same is discovered or (c) from any violation or infringement by the product(s) or the Supplier of any trade marks, patents, industrial designs, copyrights or other intellectual property rights of any person including without limitation from any allegations of such infringement or violation which are made by any person even if such allegations are false or (d) from product(s) which is determined by the LCBO to be unsatisfactory within the meaning of Section 6.
22. WARRANTIES: The Supplier warrants that: (a) the products are of good and merchantable quality and will comply with the provisions of this Purchase Order; (b) the products are fit for the purposes for which the products are intended to be used; (c) the products are transferred to the LCBO with good title free and clear of liens, encumbrances and rights of others; and (d) neither the Supplier nor the products shall violate or infringe the trade marks, patents, industrial designs, copyrights or other intellectual property rights of any person.
The foregoing warranties are in addition to and shall not derogate from, any express warranty of the Supplier or any other right or remedy which the LCBO may have under applicable law.
23. ASSIGNMENT: The Agreement and the rights and obligations thereunder may not be assigned, subcontracted, transferred or ceded by operation of law or otherwise without the consent of the LC BO which may be withheld in its sole discretion.
24. TIME OF ESSENCE: Time shall be of the essence with respect to this Agreement.
25. APPLICABLE LAW: The Agreement shall be governed by the laws of Ontario and Canada, excluding the United Nations Convention on Contracts for the International Sale of Goods. Any legal proceeding relating to the Agreement shall be submitted to the exclusive jurisdiction of the Courts of the Province of Ontario, Canada.
26. REMEDIES CUMULATIVE: The provisions of the Agreement, and the rights and remedies of the parties under the Agreement are cumulative and are without prejudice and in addition to any rights or remedies a party may have at law or in equity; no exercise by a party of any one right or remedy under the Agreement, or at law or in equity, shall operate so as to hinder or prevent the exercise by it of any other right or remedy. N o waiver of a breach of any provision herein shall constitute a waiver of any other breach of such provision.
27. ENGLISH LANGUAGE: The parties hereto confirm their desire that the Agreement, along with all other documents including all notices relating hereto, be written in English language. Les parties aux présentes confirment leur volonté que cette convention de même que tous les documents, y compris tout avis, s'y rattachant, soient rédigés en anglais.
Please see a link for the original from LCBO site below:


text:
As I sit here at my computer today, it is a dreary, gray day out my window. The only color I see today is color that I added in a non-plant form to my landscape. What does that mean? Let me show you a few pictures so you can seewhat I mean.
At this point I need to apologize for the pictures you are about to view. I simply love the color blue and since there are not that many blue flowering plants, I have added blue to my garden in a variety of ways.
So, get ready to see my shades of blue!


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Southern Enterprises Jewelry Armoire, Classic Mahogany Finish with Felt Lined Drawers
Extreame Savings Item! Save 50% on the Southern Enterprises Jewelry Armoire, Classic Mahogany Finish with Felt Lined Drawers by Southern Enterprises, Inc. at Bunmio Dunowo. SKU: 57-018-036-3-20. MPN: GA1438. Hurry! Limited time offer. Offer valid only while supplies last. This classic mahogany armoire is sure to make a valued addition to your bedroom. The elegant woodworkon this piece flourishes across its
Product Description
This classic mahogany armoire is sure to make a valued addition to your bedroom. The elegant woodworkon this piece flourishes across its composition.Two large drawers provide bulk storage on the bottom of the unit while four smaller drawers sit towards the top with a variety of dividers. Each side swings out to reveal a space lined with felt and 4 double hooks to hang your necklaces and bracelets. Open up the top to reveal the main jewelry storage with compartments and a section of rows designed to hold your rings. The abundant storage provided by this traditional jewelry armoire is sure to suit even the largest collections of jewelry. Dimensions include: Overall: 15.75" W x 10.5" D x 40" H; Drawers (listed from top): 9" W x 8.25" D x 2" H (4 drawers), 9" W x 8.25" D x 4" H (2 drawers); Doors: 9" W x 23" H; Leg length: 9.5". This one-of-a-kind item approximately weighs 43 pounds. Only quality materials and manufacturing will do. Product materials include: Rubberwood; MDF; Birch Veneer. Assembly required. Made in China.
Features & Highlights
- Classic jewelry armoire offers four double hooks, six felt lined drawers, and one lift-top storage section for all of your accessory storage needs
- Included beauty mirror opens up your bedroom with style and function
- Classic mahogany finish combines with ornate drawer pulls for an effortless traditional style
- Free standing accessory storage is made with rubberwood, MDF, and birch veneer
- Bedroom furniture piece weighs 43 pounds and measures 15.75 inches wide x 10.5 inches deep x 40 inches high
Additional Information
|Southern Enterprises, Inc.
|Southern Enterprises, Inc.
|Part Number:
|Southern Enterprises, Inc.
|Southern Enterprises, Inc.
|Item Weight:
|43 pounds
|Item Size:
|15.75 x 40 x 40 inches
|Package Weight:
|45 pounds
|Package Size:
|19 x 13 x 13 inches