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Law- Judges And Judicial Power Essay, Research Paper
Judges exercise judicial power. They play an integral role in the judicial process, as they apply the law and in some cases create the law. While doing this they must take consideration of current political, social, moral and economic considerations and adhere to a certain consensus of society. The role of the judge is taken for granted by many people who view their role as an administrative one. Judges, especially those of the Supreme and High Courts are under extreme pressure and do not just decide cases in a machine like fashion- by reading and administering precedents.
What is it that Judges do when they decide cases:
A judge makes binding decisions affecting the rights and duties of people and institutions. In carrying out these duties, the judge can use three main sources of Australian law. These are; Acts of Parliament or legislation, the common law and precedents, and the constitution. Judges have these tools to work with, and they decide cases based on their interpretations of them. Faced with a case, a judge seeks the relevant legislation and statutes, looks upon the constitution if required and seeks precedent in order to maintain the law as it stands.
Benjamin Cardozo wrote that:
Sometimes the rule of constitution or of statute is clear, and then the difficulties vanish. Even when they are present, they lack at times some of that element of mystery which accompanies creative energy. We reach the land of mystery when constitution and statute are silent, and the judge must look to the common law for the rule that fits the case.
Cardozo adds that once a judge is in this position, where legislation is silent , he turns to precedent for answers. Looking at precedent cases is an imperative role for the judge. Taking the view of the layman, past cases must be adhered to in order for justice to be served. For example, say I was to buy canned fruit from the supermarket. While pouring the fruit into my plate after dinner I notice an insect within the fruit. Naturally I am disgusted and want to have nothing to do with this fruit and the manufacturer who supplied the fruit. I know in my head, even without studying law that this is violation of my right as a consumer, and that in the past people who encountered such incidence where able to gain monetary compensation. Students of law would automatically relate this incident to the classic case of Donoghue v. Stevenson. Judges would know this and would, if the facts of the case permit, rule in my favour, as was done in Donoghue v. Stevenson. If a case was decided against a person when they were a defendant, they would expect the same result when they are the plaintiff. To judge differently would cause outrage. That is how the justice system builds up authority, and it is expected that the judges would abide by these authorities, unless there are special circumstances that do not permit it.
This is only one aspect of a judge s duty in relation to precedents. As Cardozo stated, It is when the colors do not match when the there is no decisive precedent, that the serious business of the judge begins. He must then fashion the law for the litigants before him. This is where a vast amount of pressure is placed upon the judge to make a righteous decision. Following the constitution and statutes is more systematic, however creating law and setting authority is a duty of judge that is intrinsically complex and fragile.
So to what extent do judges make the law? The common law is a judge made law. It has been developed by the courts and continues to be adapted to meet new situations and changing circumstances. The legislation and constitution may sometimes be unclear or ambiguous due to their nature. The constitution was written in a way to adapt to future changes and is therefor subject to interpretation. It is up to the court to decide between different interpretations.
What role should they play in making and/or applying law:
J.H. Merryman postulated the following on the way the civil judges are viewed:
The picture of the judicial process that emerges is one of fairly routine activity. The judge becomes a kind of expert clerk His function is merely to find the right legislative provision, couple it with the fact situation, and bless the solution that is more or less automatically produced from the union. The net image is that of the judge as an operator of a machine designed and built by legislators. His function is a mechanical one.
This is not a highly flattering description of the judge, but is it accurate? Judges can play a vital role in the making and application of the law. As mentioned above, judges are lawmakers who interpret statutes and the constitution, they create law when there is no precedent and interpret the precedent when there is a need to so. Judges have molded the common law into what it is today. Professor Cappelletti, placed the judge in righteous position when he wrote:
Judges are compelled to be Law makers They have to interpret, i.e. to integrate, to clarify, mould , to transform and, not infrequently, to create ex novo the law This fact, however, does not make them legislators. There remains, I think, an essential difference between the judicial and the legislative process Good judges can certainly be, and can appear to be, creative, dynamic, activist law makers only bad judges, however would act as legislators. Indeed, I submit that if a court acts as a legislator it simply ceases to be a court.
Cappelletti s account of judge s sheds a light on what the true role of the judge should be. They are in fact lawmakers, and society recognises them as being lawmakers. They have the ability to apply the current role and adhere to precedents. They also have the ability make the law and set precedents.
So what are the limitations on the role of judges? In Australia the Commonwealth Constitution provides for a complete separation of judicial power. This is one limitation on judges because it prevents Commonwealth courts from exercising powers which are not judicial in character. Other limitations are: that courts deal only with matters brought before them for decision. Only a party can take matters to court with a sufficient interest in the outcome. Courts do not deal with matters which they consider inappropriate for judicial decisions or non-justiciable and; decisions of most courts may be overruled by a higher court. The only court not affected by this is the High Court of Australia.
The role of the judges is sufficient as it is. They have powers to make law and apply the law, and have been doing so efficiently.
To what extent should they take account of political, social, moral and economic considerations:
The judges are bound by legal reasoning. This involves plain facts made relevant by a legal standard. This is illustrated by a preface such as the facts of this case adhere to this aspect of the law, and it is the law that the following circumstance should occur. A moral reason however involves facts made relevant by a moral standard. It could be said that moral, social, and political standards are personal and subjective, while legal standards are objective.
There is a fine line between these objective and subjective standards. Legal reasons are based on the law s standard and required to be adhered to in the judicial platform. Judges, as agents of the law, have a duty to act impartially and place their prejudices aside. However, as Cardozo pointed out that all their lives, forces which they do not recognize and cannot name, have been tugging at them- inherited instincts, traditional beliefs, acquired convictions. Judges cannot escape that current any more than other mortals. Judges are in a difficult position. They must tackle the law objectively, yet they are human and their morals, along with social and political issues will be a contributing factor in their decision making.
It is important to realise that judges have the same flaws as the rest of us. They have morals and attitudes; they are subjected to the social and political issues of society. It is important to have an open forum where judges can discuss the issues of society and relate it to the law and the facts of the particular case at hand. The traditional beliefs and inherited instincts, although embedded into the psyche of the judge should not be allowed to cloud their judgements.


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Moneris Go Credit Card Terminal provides businesses with flexible functionality, comprehensive reporting and more inside a stylish package.
Requires new merchant account application, contract activation through PointOfSalePOS.com
- Setup is simple. Get back to business fast with minimal setup required.
- Manage users for today and tomorrow. Organize, delegate and give your staff increased responsibility as they grow.
- Use Moneris Go just about anywhere. Wireless 4G connectivity with all-day battery life lets you accept payments wherever your business takes you.
- Get reporting to go. Have business insights at your fingertips with at least 12 months of online and in-store data and a range of advanced filtering capabilities.
- Cellular (4G/LTE and 3G) + Wi-Fi (5GHz and 2.4GHz)
Card Acceptance
- Devices are EMV® certified for Interac®, Visa®, Mastercard®, American Express®, JCB®, UnionPay, Discover®, and Diners Club International®
- Devices are EMV L1 and L2 certified for contactless payments including Interac Flash™, Visa payWave®, Mastercard® Tap & Go®, American Express® expresspay, JCB J/Speedy, UnionPay QuickPass, Discover Zip®, and Discover D-PAS
- Supports contactless transactions for a growing selection of mobile apps (including Apple Pay ® and Google PayTM) and card brands
- Card not present acceptance available for contactless payment flexibility.
- PCI PTS 5.X approved, aligning with payment card industry standards for the secure transmission of card data
- 5" IPS touch screen
- 720 x 1280 resolution
- Dual camera setup: 0.3 MP fixed focus front camera and 5 MP auto focus rear camera
- Rear camera is capable of scanning both
QR codes and barcodes Printer
- Integrated thermal printer - prints 80mm per second
- Paper roll size: 58 mm x 40 mm x 18.89 m/18.9 m
- 5250mAh
- USB charge cable included
- Optional charge base
- Size: L 17.58cm x W 7.8cm x H 5.59cm
- Weight: 320g

subset: commoncrawl


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Friday, February 20, 2009
Achieving Cookie Nirvana...
When I saw the recipe for these cookies, I was intrigued. It said for perfect chocolate chip cookies that stay moist and chewy, you need to melt the butter first before you mix it with the sugar and eggs:
"...when butter is melted, free water and fat are separated from each other. When this melted butter is combined with flour, the proteins in the flour grab the water and each other to immediately form elastic sheets of gluten. This creates a product with a chewy texture. At the same time, the sugars and fats are working to inhibit gluten formation, which prevents the cookies from getting too tough."
Ok, science is fun! The other tips were to add an extra egg yolk, and - very important - let them cool completely on the cookie sheet - do NOT move to a wire rack!
I used sucanat (dehydrated cane juice) in place of all the sugar, and used a quarter cup less than what was called for (some of the reviews said the cookies were too sweet,) other than that I followed the recipe to the letter. (If you use sucanat, note that it doesn't mix as creamy as regular brown sugar.)
Being the good foodie that I am, I want the best ingredients I can find. That's not important to everyone, but I'm pretty sure I've said before on this blog that I'd cut back on electricity before I cut back on the quality of my food. It's one of my passions...
If you've never used real vanilla, spend the extra few bucks and try it. You'll never go back to imitation.
Melting the butter. Yes, that's the old Visions cookware. I love it! They don't make it anymore, but I find it on ebay or at Goodwill.
Letting them cool on the sheet. As promised, they stayed soft and chewy and are the best chocolate chip cookies I've ever tasted anywhere in my life. Cookie Nirvana has been achieved!
Cookie-face here was an accident. I think the oven mitt brushed against a hot chip or something. You can see the sucanat. It looks rustic. Or, in this case, like freckles. I couldn't stand the way this cookie was giving me the stink-eye. He was the first to go.
Here is the entire recipe, pretty straightforward, maybe a little more vanilla than the norm, but that's another plus. Chewy and Thick Chocolate Chip Cookies If anyone tries this recipe, or even tries the tips (melting the butter and leaving the cookies on the sheet to cool) with their old standby choc chip recipe, let me know how it turns out!
19 comments:
- Totally Timmy said...
oh they look so good..I just made some for my fiance..but I cheated..just pulled them out of the bag and into the oven..I may try that recipe though!
- February 21, 2009 at 12:19 AM
- artbyakiko said...
This looks really good!! I might have to try it.
- February 21, 2009 at 12:54 AM
- Julia Guthrie said...
For some reason I seem to be great at baking 'savoury' items or plain ol cakes, but cookies/brownies I've never had much luck with.
I might be tempted to give this a go however...hehehe - February 21, 2009 at 3:51 AM
- Jennifer MacNeill said...
OMG, I'm so hungry for those cookies now! They would be really good with my coffee:)
- February 21, 2009 at 6:46 AM
- Caroline said...
Yum!! Pity I'm dieting at the moment! Will have to save your recipe for the future though!
- February 21, 2009 at 7:16 AM
- Sarah Sullivan said...
OOOOOO - I have chocolate chips - gonna go make some!!! Thanks for the recipe!!!! Yummmmmm
- February 21, 2009 at 8:33 AM
- CT said...
Okay...now I'm hungry! LOL - CT
http://www.ctjewelrydesign.com - February 21, 2009 at 8:40 AM
- Bijou said...
Ohhh those look yummy! My mom LOVES cookies. She could be the Cookie Monster she loves them so much. Cookies are her fav. Maybe she'll make some of these chocolate chip cookies and leave out the chocolate chips in part of the dough so me and Banjo can have some too.
Did I mention how much my mom loves cookies?
Wags & wiggles,
Bijou - February 21, 2009 at 9:08 AM
- Gail H. Ragsdale said...
Oh, yum!!! My weakness!!
- February 21, 2009 at 10:36 AM
- WATERBABY CHRISTINE said...
Scuse me while I wipe the drool off my chin.
- February 21, 2009 at 2:57 PM
- Robin Pedrero said...
They look great...haven't used that sweetner yet...must research about it with diabetes
- February 21, 2009 at 3:11 PM
- artbykarieann said...
You've made me drool, I'm off to look in my cupboards now to see if I have anything to eat!!!
- February 22, 2009 at 12:49 PM
- Kelly Schulz said...
Oh my gosh! Those look divine! And I love all the great ingredients you used.
- February 22, 2009 at 4:52 PM
- Danielle Barlow said...
That last cookie is hilarious! That is an interesting tip about melting the butter first. I make oat and cinnamon cookies all the time, but they can get a bit hard sometimes. I think I'll try that way ( I hate beating butter and sugar anyway - my butter is always too cold)
- February 24, 2009 at 4:22 AM
- Nikki Martin said...
- February 24, 2009 at 12:58 PM
- Train Wreck said...
Look you even create art in your cooking! lol. I will have to try this recipe, it sounds fun. THanks for sharing. I am almost inspired to start painting again? I rearranged my "studio" I am feeling the urge... I still love your table!
- February 24, 2009 at 4:20 PM
- r garriott said...
I came for your beautiful artwork...but had to stay until the cookies were out of the oven. Thanks for posting this intriguing recipe, especially the succanat tip. I've been a mostly healthy eater all my life, but baking is hard to give up.
- February 24, 2009 at 7:27 PM
- Sandy Sandy Art said...
Hey Kathleen! Glad to connect to another kindred spirit here. We really do have a lot in common don't we?! Thanks for following my web log. I am now a follower here as well! Thanks for connecting! Your art is wonderful and your cookies look just as good as mine! (or better!)
- February 26, 2009 at 6:51 PM
- Ingrid said...
Oh my goodness...ME WANT COOKIE!
=0) Ingrid - February 27, 2009 at 9:09 AM


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Beyond the Presidential ballot, thirty-three Senate races, hundreds of House seats and the control of 86 state legislative chambers hang in the balance this November. Local Bay Area activists are not leaving anything up to chance as they harness local dollars and volunteers to help turn out the vote. On Monday, we'll hear from representatives of Indivisible, Sister District and Airlift about their work. We'll also get an update on breaking news and visit with a musician bringing live music to your doorstep.
Segment 1
Otis Taylor, Jr., Columnist, San Francisco Chronicle
Segment 2
Lala Wu, Co-founder of Sister District
Nancy Latham, Member, Governance Committee,Indivisible East Bay and volunteer coordinator for Team Vote Save America.
Renee Linde, Co-leader of Airlift.
Segment 3
Andrew St. James, musician and songwriter.
Visit these websites to get involved:


text: You and your team are locked in an interactive puzzle-filled environment, and have exactly 60 minutes to escape. Our rooms will challenge how you think, how you communicate with other people, and how well you can solve problems in order to escape. Hidden objects, codes, puzzles, and secret areas all stand between you and the final key.


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Erwood Station Craft Centre and Gallery
Erwood railway station lies about 1 kilometre (0.6 miles) from Erwood, Powys, Wales. It was closed on 31 December 1962 and the track bed removed.
Erwood Station opened in 1864 with the opening of the Mid Wales Railway, operating independently before being amalgamated with the Cambrian Railway in 1901 running between Brecon and Builth Wells. The line finally reached Moat Lane junction on the Shrewsbury Machynlleth branch. The locos that were commonly seen on the line were Ivatt class 2MT 2-6-0s, a light but powerful engine. This was due to there being a weight restriction south Llanidloes, only engines 14 Tons or under could traverse the line.
Contact Info:
Llandeilo Graban,
Builth Wells,
Telephone Number:
01982 560 674
Email Address:
More Info:
Opening Times:
10.30am – 5.00pm Daily for the Gallery.Self service Tea room closes at 4.30.


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Offenders four times more likely to smoke than general population
Public Health England recently (15 March 2015) published guidance on how to help prisoners stop smoking. It's easy to see why they felt this guidance was needed:
- Approximately four times as many prisoners smoke than in the general population, with similarly high levels of smoking found among those in police custody and probation.
- These extraordinarily high rates of smoking damage health, and, when compared with the general population, cause marked health inequalities for offenders.
- Given the high rates of smoking, exposure to second-hand smoke is extensive across the CJS and damaging to the health of smoking and non-smoking offenders, visitors and staff.
Drop in smoking much slower amongst disadvantaged groups
A recent study that scored people in England according to the number of personal indicators of low socio-economic status (SES) found that 15% of those with no indicators of low SES smoked, compared with 61% of those with the most (6 to 7) indicators of low SES. Smokers from more deprived groups also have higher levels of cigarette consumption and are less likely to be successful when trying to quit.
Over the last 50 years, smoking has decreased significantly in the UK to the point where around 20% of the population currently smoke. However, smoking rates among offenders have remained at about 80%. In addition to the fact that higher smoking levels are associated with deprivation, tobacco is culturally integrated into offenders' lifestyles, particularly in prison.
How does prison life influence smoking?
The PHE report summarises our understanding of smoking in prison. On the one hand, limited access to tobacco can reduce how much and how often prisoners smoke as can the cost of tobacco for those surviving on a prison income.
Conversely, smoking is often seen as a coping strategy to manage the stress of imprisonment and helps to alleviate boredom. Not smoking in a culture where a large majority of people smoke can also be socially isolating. And, of course "Burn" remains one of the principal prison currencies.
Adult prisons were the only setting exempted from the national smoke-free policy which was introduced in England in 2007 although prisoners are only allowed to smoke in their own cells, and nowhere else in prison (although this restriction is frequently disregarded).
However, this was recently challenged on 4 March 2015 when the High Court found in favour of a prisoner who said second-hand smoke was damaging his health. Mr Justice Singh ruled that the Health Act should apply to prisons. It's not yet clear (at least to me) whether the Justice Secretary intends to appeal this decision.
The guidance
The PHE guidance recommends that a smoking cessation care pathway is established throughout the criminal justice system. This care pathway has multiple aims including:
- To help people reduce or stop smoking.
- To help people avoid problems with nicotine withdrawal.
- To reduce health inequalities.
- To give people control over an aspect of their lives which might increase confidence and self-respect.
- To improve the mental health of offenders.
- To potentially break the links between smoking and other substance abuse.
- To potentially reduce reoffending.
- To provide a smoke-free environment to protect people from the harms of passive smoking.
Public Health England basically recommends that the full range of pharmacotherapies and behavioural support that are available to the general public in the community should be available to prisoners inside. Interestingly, they also recommend that alternative recreational activities should be provided to help alleviate prisoners' boredom, which is seen as one of the key reasons for smoking.
This last recommendation will clearly be a substantial challenge given the very severe cuts in prison expenditure which have already taken place over the course of the last Parliament and are likely to be extended further in the next.


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There are so many ovarian cancer advocates out there, and we wanted to shine the light on a few of them. This week we sat down with Harly Tilque, she is a young woman using her platform to spread awareness for ovarian cancer. We hope you enjoy getting to know this beautiful, talented, and thoughtful girl.
Teal Diva: Tell us a little about yourself (What grade are you in, favorite hobby....)
Harley Tilque: I am going to be a rising senior in high school. I have been a competitive dancer since I was 8 years old. Throughout the years I have tried gymnastics, cheer and even swim so I am pretty active in sports. A fun fact is that I was adopted when I was 9.5 months old from China into a military family with 3 older brothers. I am obviously the favorite since I am the only girl, haha. During my free time I usually paint my nails, workout and just watch YouTube while shopping for clothes I probably don't need.
TD-How long have you been competing in pageants? They are called pageants, right? This is a world I do not know a lot about!
HT-I have been competing since I was 13 and I am now 17 but I have been involved in pageants since I was 10. I participate in the Miss America Organization. In North Carolina, there are 2 divisions you can compete in. There's "teen" which is 13-17 and then "Miss" which is 18-25. Before that there is an option for younger girls ages 6-12 to be a Carolina Princess. This is when they get an insight into what it's like to be a titleholder and compete. Your Carolina Princess is like a "mini-me" for a year. You take them to events and it's a mentoring program for young girls to learn life skills like stage presence, public speaking and patience. For me, I was a Carolina Princess for 2 years then I competed in the teen division for 4. It can be a lot to understand how pageants work. The Miss America Organization is actually calling it a competition now instead of a pageant. We are trying to get away from that stereotype because we are the largest provider of scholarships for women. I actually won $5,000 at my state competition which will help go towards my college education. The organization has changed so much since it started 99 years ago but we are evolving as a society and the organization is right there with it.
TD-What do you enjoy most about competing?
HT-I think just learning more about myself and other people. I am a competitive dancer too so I am usually on stage or in a competition for the majority of my life. I like being able to learn how I cope in different situations and help improve my performance each time. It can be stressful sometimes so I think knowing how to deal with that at a younger age is something that I will carry with me when I am older. I also enjoy meeting other people. Sometimes I can be shy but I love connecting with people from different backgrounds or areas.
TD-Why are you an advocate for ovarian cancer?
HT-It's all because of my Humma (my grandmother). She was diagnosed with stage 4 ovarian cancer and only given 2 months to live. Although she was given the opportunity to be a guinea pig for research trials that allowed her 5 more years with us, I realized this disease needed more attention. I didn't even know what ovarian cancer was until I did more research. I learned that it is very uncommon to be diagnosed in stage 1 which breaks my heart. It's because the symptoms are so vague and there is no screen test that makes it difficult to catch. From my own personal experience, I make it a priority to educate everyone on this disease, both men and women.
TD-How do you use your platform to spread awareness for ovarian cancer?
HT-This is a loaded question and I am going to try to keep it simple. Majority of it is through social media, each week I post a #Tealtuesday to my Instagram story. This could be a statistic, new community event, survivor story etc. Another way is just through community events and fundraisers I do. I host fundraising events at my dance studio that include a full day of classes and all the money goes towards research. Through COVID, I wasn't able to do a lot of in-person events so I took advantage of any online opportunities I could.
TD-How do you incorporate teal into competition?
HT-The organization I compete in, each candidate is required to have a social impact initiative. This is an issue that you are passionate about and advocate for. For me, mine is T.E.A.L- Take Early Action & Live. So incorporating it into my competition is actually quite easy because each candidate is required to submit a page long statement about their issue, what they have done and what to do with it in the future. It's usually a hot topic during our private interview portion of the competition. It's a big part that makes the Miss America Organization different from other pageant systems people could compete in it.
TD-What do you want young girls to know about ovarian cancer?
HT-Always listen to your body! I was able to do interviews with 4 different ovarian cancer survivors. Each person's story was different but they all said they wished they listened to their body and took action sooner. I think as a girl, we could think some symptoms are normal or won't last long but don't be afraid to speak up and go get it checked out. I would rather be safe than sorry.
TD-We've heard about a dance you choreographed a dance, tell us about that experience. What did it feel like to come up with the dance and then perform it?
HT-I actually didn't choreograph it, my dance teachers Tracy and McKenize Faggart did. There is no way I could create such an amazing dance like that all by myself. I did have to perform it 4 times on stage within the same week though. I learned this dance back in March of 2021 and it was rough. I didn't even have enough stamina to get through it but after months and months of hard work, I was able to showcase my best abilities on stage. It was great knowing all my hard work paid off but there were days I was crying or stressed I couldn't do it on stage but everything worked out in the end.
TD-Where do you see yourself taking this passion for ovarian cancer awareness?
HT-Although I will age out of the teen division next year and I am free to let go of any work I have done with ovarian cancer, I feel so much more connected to bring awareness and advocate for this disease. I have met and read so many amazing stories and I still want to continue making a change. I don't exactly know what will be the next steps for me but I still want to volunteer and participate in community events to help ovarian cancer.
TD-What are your next steps? (In life, in pageants, in spreading awareness)
HT-At this moment, the next step in pageants is competing at Miss America's Outstanding Teen. This is where a girl from each state competes and tries to win the national title. If I am lucky enough to win that, I will travel across the country for an entire year promoting the organization and putting my marketing plan into action. All that while still completing my senior year of high school. I hope we are back full time so I can have a great senior year with all the fun opportunities. I will still continue competitively dancing at my studio and making the most of the time we lost from COVID. I am also starting the college application process which seems overwhelming right now but I know my teachers and parents will help me figure that out. As far as spreading awareness, I hope to continue interviewing more survivors to get their stories out to a higher audience of people. Hopefully with schools back in session, I am able to visit schools and talk to high schoolers about what I have learned and ways they can help.
We are so incredibly proud to have you as an ovarian cancer advocate Harley! Along with her advocacy she is also humble, but we can brag on her a little bit. Harley was just crowned "Miss North Carolina's Outstanding Teen 2021"! This Sunday if you're in the Concord NC area, McKenzie Jade's is having a Harley Party! In honor of Harley being crowned MNCOTeen and her journey to Miss America's Outstanding Teen competition!
You can follow Harley on her journey by following her on Instagram @harleytilque which is my personal or my pageant page which is @maoteennc. A favorite hashtag for Harley is always #tealfortilque because that was her "slogan" this whole year.


text: Where's Osama Bin Laden hiding?? Canada, of course!? Guffaw or scratch your head to the peculiar off-kilter comedic wonderment of fellow Portland, Maine audio producers, Dan Bernard and Michael Townsend, with It is to Laugh! in Toronto.? Chosen to assault Toronto with their original blend of audio comedy, all of us back home can tune in thanks to the magical pixelated wonders of the internet.? Enjoy!


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Podia provides powerful tools that can aid you create, market, and offer your items on the web. First and foremost, signing up for a Podia account is the initial step in utilizing Podia for your internet-based business. After you log in, it's possible to begin developing various offerings such as e-books, web-based classes, and exclusive access areas. Podia supplies every the necessary resources to create sleek products that are convenient for your customers to acquire and use. In addition, utilizing Podia enables you to build your subscriber list, run marketing campaigns, and oversee your customers. Thanks to this platform, you will have everything needed to create a successful internet-based business.
Setting up an Account
Starting an account with our platform is easy. First, go to the Podia site and select the "Start for free" button. Then, you will be asked to provide your email and set a password. Once you finish the initial registration process, it's time to start setting up your account by adding your business information, creating your storefront, and importing your products. Our platform offers a intuitive interface to help you manage your online business smoothly. No matter you're an experienced entrepreneur or just beginning, Podia offers all the features you require to promote digital products, courses, and memberships over the internet. Sign up today and start strengthening your business with our system!
Developing and administering internet-based classes
If you need a solution to create and handle online courses? Your search ends than Podia! Using Podia, it's easy to generate and publish your course content, establish pricing, and handle learner enrollments in a single location. Podia additionally offers an array of features to improve the educational experience such as tests, assignments, and conversation forums. Whether you are an experienced course designer or simply beginning, Podia helps you easy to develop and handle online courses that deliver real value to your students.
Sell your e-books and memberships today!
In case you're considering selling digital products or memberships, Podia is a wonderful platform to take into account. With Podia, you can quickly generate and sell digital products like ebooks, courses, as well as webinars, as well as offer memberships for recurring revenue. Podia provides a basic and intuitive interface for both sellers and buyers, making it effortless to manage your products and sales. Plus, the platform takes care of all the technical details like hosting and payment processing, so you'll be able to give attention to creating and promoting your content. Whether you are a blogger, coach, or even online course creator, Podia can help you to definitely monetize your expertise and grow your business.
Integrating with other software
The platform is an all-in-one solution for people seeking to sell digital products, courses, and memberships, providing a range of features to simplify the process. A significant advantage of going with Podia is its integrations. This streamlines the workflow, helping creators to efficiently manage their business and focus on creating engaging content. With the integrations, creators can link up their marketing tools, payment portals, and other tools and automate tasks and save time. Automation, this allows creators to offer an optimal experience for their customers and simplify the shopping process.
Podia vs. other platforms
This platform is a fantastic choice for making online courses, selling digital products, and managing memberships. Differentiating Podia from other platforms is its user-friendly interface, cost-effective pricing, and excellent customer support. With Podia, |This platform gives you access to courses, products, and members – making it an outstanding option for creators who are aiming to grow their business. Moreover, Podia's payment process is seamless, letting you receive payments directly to your bank account without any transaction fees. All in all, Podia is an outstanding choice for creators who are searching for a no-fuss tool to sell digital goods and courses.
Comparing Online Platforms
If you're planning on selling your online courses, several platforms accessible in the market|You have several platforms to choose from when marketing your online courses}. In the mix is Podia. In comparison with other online platforms, Podia is known for its user-friendly interface, making it easy for creators to create and sell their content without any complication. Unlike other platforms, Podia doesn't charge any transaction fees, giving creators the chance to keep 100% of their earnings. Apart from that, Podia offers amazing customer support and provides a range of marketing tools to help them promote and sell their courses. In summary, it's a superb option for creators who want a headache-free and affordable way to market their courses online.
Positives and Negatives of Podia
The platform offers a complete solution for selling digital products online. Among its major advantages is its user-friendly interface and straightforward setup process, which makes it ideal for beginners. It also provides numerous customization options, allowing users to tailor their online storefront as per their preferences. However, it may not be affordable for those on a tight budget, because the plans are a bit pricey compared to other similar platforms. Moreover, there have been reports of limited features for email marketing and customer management, which may be a drawback for businesses that depend largely on these tools. In summary, Podia is a solid choice for selling digital products online, but it might not be suitable for all businesses.
Podia success stories
Podia has aided many entrepreneurs with attaining their dreams of monetizing the gifts and expertise. Several success stories, such as that of a fitness coach who struggled in growing her brand online. She used Podia to produce and sell the workout programs, host webinars, and offer one-on-one training sessions. Within a year, her revenue had doubled and she had a loyal following. Similarly, a graphic designer used Podia to produce and distribute her own digital products, earning a passive income while still working on custom projects. Regardless of whether one have a workout business or work as a graphic designer, Podia offers the resources and support required to convert passion into a lucrative endeavor.
See how Podia is helping businesses succeed: Real-life examples
The Podia platform has become a popular choice for those looking to create and market online courses, memberships, and digital products. Plenty of prosperous companies have utilized Podia to grow their income and attract new clients. An online course platform, has increase their sales by 20% through successfully selling their coding courses on Podia. Similarly, this yoga studio used this platform to market their digital yoga programs which resulted in a significant increase in their online revenue. The user-friendly interface and robust features of this platform make it an excellent option for businesses seeking to monetize their knowledge and expertise through digital offerings and services.
Podia's role in achieving goals
Podia has totally changed our business! As a little team of creatives, we found it difficult to find a platform that enabled us to sell our digital products without having to deal with managing several tools. But thanks to Podia, all became much easier! We could arrange our online store so fast, and the user-friendly interface made it easy to upload and sort the products. Above all, Podia made it possible for us to meet our goals by supplying us all the necessary resources for effective product promotion and marketing. Thanks to Podia, were able to create beautiful landing pages, offer coupons, and even integrate with our email marketing tool. Thanks to Podia, we could truly focus – creating amazing products – as the platform managed everything else. We couldn't be happier with our decision to use Podia for our enterprise!
Last word
In conclusion, the Podia platform is a great solution for people looking to market and market their digital products. With its user-friendly interface, modifiable themes, and built-in marketing tools, the platform makes it easy to develop and sell online courses, memberships, and digital downloads. Plus, their customer support team is always available to support with any questions or issues that may arise. Whether you are a seasoned entrepreneur or just starting out, the platform is certainly a considering as your primary platform for promoting online.
Benefits and features of Podia: A brief overview
The online platform Podia is an all-in-one solution to content creators, instructors, and business owners. You can easily generate and market digital content, develop online classes, subscription-based services, and webinars. You'll have access to a user-friendly interface so you can customize your storefront, create landing pages, and manage your sales. It also features email marketing and automation tools, in addition to statistical analysis and reporting capabilities for tracking progress and improving performance. Plus, you'll receive constant customer support, making it a great option for anyone looking for a reliable and efficient way to monetize their expertise.
Final thoughts and recommendation on utilizing Podia for your online business
Overall, Podia is a great platform for internet business owners that desire a user-friendly and reliable way to sell personal digital products and courses. Its easy to use interface makes it easy to establish your storefront as well as start selling in no time. Plus, the choice provides a range of features, such as custom branding, analytics, as well as marketing tools, to help you expand your enterprise. In case you are searching for a stress-free means to sell your digital products, in that case Podia is definitely worth considering. With its affordable pricing and superb customer support, it's a great choice for small business owners and entrepreneurs alike.
[sspostsincat category="Podia"]


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Capt. Mike McCarthy, or Principal McCarthy as he is known around Covington Elementary School, is one of many local residents who helped at the site of the 520 mudslide in Oso in the slide's aftermath.
McCarthy serves as the commanding officer of Alpha Company of the 1-161st Infantry Regiment of Washington's Army National Guard. He joined up in the late 90's after graduating from Kentwood High School. His assignments have included two deployments to the Middle East in 2004 and 2008, and the call to Oso was McCarthy's first time responding to a natural disaster of that size and scope.
Some 117 member of Alpha Company, which is based in Everett, were called to Oso in early April and remained on site until April 23 as part of the search and recovery team.
McCarthy said the company split into two platoons, working from both the East and West sides of the slide area, along with other searchers.
The work included, "searching by foot, combing through material, doing some digging, and helping as the heavy equipment scraped the surface and search dogs would search," McCarthy said.
Other work they participated in included helping to move standing water and searching in boats on the river.
There was no "typical" day McCarthy said.
"We were just searching diligently for those that were lost," he explained.
McCarthy explained that the National Guard responds to all kinds of emergencies, both at the state level and higher, and that units are called based on a rotation.
"Typically there is a volunteer call for folks to be involved in floods and fires," McCarthy said. "In this case it was the activation of the whole unit."
Responding to a disaster like the 520 slide, McCarthy said, is something one can't ever quite prepare for.
"It's something you can't capture in pictures," he said. "We'd seen the news prior to heading up there and been given briefs with pictures…but just being there and observing the power of the slide and the damage it caused were pretty incredible. We also weren't able to grasp the community support until we got there."
The support, McCarthy went on to say, was huge.
"The first things you noticed when you went up to Oso was the street lined with cars and then a community donation site," McCarthy said.
McCarthy taught at Mattson and Kentwood before moving into administration as dean of students at Mill Creek, then an assistant principal position in the Federal Way School District and coming to Covington Elementary as the school's principal last summer.
Students from Crestwood Elementary and Covington Elementary wrote letters and made posters to encourage the search and rescue workers.
One of the things that struck McCarthy the most in his time at the site was seeing what the students had made.
"We came off the day's work, and we were housed at the rodeo grounds and they had a big tent for dinner, and one of the things: we walked into the tent and our guys walking past some posters hanging up and they were some posters from students at Crestwood Elementary," McCarthy said. "That was pretty neat."
Serving at Oso was also a chance for McCarthy to live out the Covington Elementary motto of "together we win."
"It was evidenced there," McCarthy said. "Together again, we can all come together for a common purpose and help accomplish something…It came down to just community and support coming together for the common cause of bringing closure and hope to the families and the organizations."
Upon his return to school, McCarthy shared with students about the work he had done, and he got to see how students had been involved — from sending cards and letters to students who decided to do reports and projects on the power of mudslides for the school's science fair.
"It was just a powerful experience and I'm proud to serve both as the principal here at Covington and in the military," McCarthy said. "I'm pretty lucky to serve in both capacities and have the support of the students at Covington Elementary."


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The Student Assembly senate voted to allocate $7,034 for the purchase of 13 recycling containers to be placed around campus at the Tuesday night meeting. The purchase is the main aspect of the Outdoor Recycling Containers Act, jointly sponsored by Sens. Ben Brown '11 and Brittany Fallon '11.
The bill, which the sponsors have been working on "since summertime," according to Fallon, comes after an eight-week trial period that demonstrated the need for the bins.
"[The pilot program] was so successful that we could not keep up with it," Fallon said. "[The bins] were full every time."
Several senators expressed concern over this particular use of SA funds, arguing that the College of William and Mary should provide the recycling bins.
Sen. Rachel Hutson M.B.A. '09, from the Graduate Student Association, compared the current bill to the AED Act, passed earlier this term.
"Quite frankly, if it mattered to William and Mary — the College as a whole — they'd find $7,000 to do this," she said. "This is setting a precedent that if the students want something that is really not an activity, they can just say 'well if you want to do it, it's coming out of your reserves and you pay for it.'"
Sen. Matt Pinsker '09 agreed.
"If we do end up paying for this, it means that the sustainability committee is not doing their job," he said, referring to the group charged with allocating the green fee.
Other senators were more supportive. Sen. Ryan Ruzic J.D. '11, a representative from the Marshall-Wythe School of Law, argued that the bill would be one of the SA's more lasting achievements.
"I think that this is a really nice program. I think it's nice that we can spend money on something that makes an actual improvement on campus," Ruzic said. "One of the nice things about this is that it's permanent, it's going to help people."
The bill passed 19-3-0.
The senate also voted on the Club Connection Act, sponsored by Sen. Sarah Rojas '10 and Fallon. The bill aims to bridge the "disconnect" between students and the SA by charging the Senate Outreach Committee with maintaining contact with various student organizations.
Both sponsors cited occasions on which they were contacted by clubs asking for some form of assistance — a recurring issue that would be better dealt with "in an institutionalized way," Fallon said.
The bill was approved by unanimous consent.
Several bills were presented for future consideration.
The Student-Police Tailgate Act, sponsored by Sen. Ross Gillingham '10, aims to arrange a tailgate between the student body and campus police. A total of $400 would be allocated for the purchase of food for the occasion.
The Campus Kitchens Act, sponsored by Sen. Michael Douglass '11, would allocate $1,545.64 to alleviate Campus Kitchens's financial crisis.
The Honor Code Referendum Act, sponsored by Sen. Steven Nelson '10, seeks to address the low student participation in last week's Honor Code Referendum, which received only 501 votes. The bill strongly recommends that a new referendum election be held on the same day as the spring 2009 SA election.
The last bill introduced was the Helping Haul Hindi Here Act, sponsored by Fallon, which would allocate $500 from the SA's off-campus account to supplement the funds already raised from other sources on campus to bring an introductory Hindi course to the College. Already, $4,250 has been raised for this purpose.
Sen. Walter McClean '09 ended the meeting with a reminder to the senators to "please make clear that you are representing yourself and your own views" outside of SA.


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10cc - How Dare You!
10cc - How Dare You!
Mercury 6310 501 made in Holland in gatefold cover with lyric sheet.
Vinyl NM. Cover VG+.
After scoring their commercial breakthrough with "I'm Not in Love" from 1975's The Original Soundtrack, 10cc continued to build on their good fortune with How Dare You. It didn't spawn another massive hit like "I'm Not in Love," but it is a well-crafted album that shows off 10cc's eccentric humor and pop smarts in equal measure. This time, the hit singles were "I'm Mandy Fly Me" and "Art for Art's Sake." The first tune is the fanciful tale of a plane crash victim saved from death by the stewardess of his dreams that plays out a poppy mock-exotica musical backdrop while the second is a tongue-in-cheek parody of commercial-minded artists set to a rocking, cowbell-driven beat. http://en.wikipedia.org/wiki/10cc
1. How Dare You
2. Lazy Ways
3. I Wanna Rule The World
4. I'm Mandy Fly Me
5. Iceberg
6. Art For Art's Sake
7. Rock'n'roll Lullaby
8. Head Room
9. Don't Hang Up


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Though the roots of Americana go back decades, it was the early 1990s when the sounds we love started to coalesce into a proto-genre. Generally viewed then as alt-country, two bands on the same circuit emerged and got picked up by major labels, and sparked the alt-country boom in the late 90s from which Americana emerged as the 21st Century force that we love. If Uncle Tupelo were more alt than country and carried the cool edge, the The Jayhawks were more country than alt, and gloriously had the harmonies.
Formed in Minneapolis in 1985, the core songwriting duo of Mark Olsen and Gary Louris brought out a couple of minor label albums before being discovered by Rick Rubin's protege George Drakoulias, who was already having massive success with The Black Crowes. He produced 'Hollywood Town Hall,' The Jayhawks first classic album. Fuzzy and folky and beautiful, it was followed by the almost equally good 'Tomorrow The Green Grass.' Which is where peak Jayhawks essentially ended. It didn't sell well, had been very expensive to make, and after they toured it, they split. Olsen left for a new life and married fellow singer /songwriter Victoria Williams. 'Miss Williams' Guitar' from 'Tomorrow The Green Grass' is a glorious song, with stunning guitar tones, but it's tempting to view it as their 'Ballad of John & Yoko?' It might be a stretch to see Olsen /Louris as the Lennon /McCartney of early Americana, but they made some wonderful music together and are still revered. "A dream team sundered" is how esteemed Rolling Stone writer Davis Fricke described it after Olsen quit The Jayhawks "stranding his group in what-might-have-been-land"
Louris and bandmates continued to make Jayhawks albums, with 'Sound Of Lies,' 'Smile' and 'Rainy Day Music' all loved by fans, before a hiatus in 2004. When they reformed in 2009, a divorced Olsen rejoined "for the money,"but it didn't end well, with both parties travelling separately between gigs until a confrontation after a 2012 festival in Spain, where Louris challenged Olsen publicly with "Why don't you hit me?" Olsen thus left The Jayhawks for the second time, and Louris went into rehab. Sad, but don't all the great bands have 'creative tension?'
After recovery, Louris reconvened The Jayhawks minus Olsen, and they still tour and produce new music. They were recently the saving grace of Ray Davies' 'Americana' project. Still revered, The Jayhawks music continues to bring warmth and pleasure. Re-listening to it all for this article was a joy.
The career: Ten studio albums, three live albums, one compilation.
Key release: Fans may choose 'Hollywood Town Hall,' for its iconic album cover if nothing else, but 'Music from the North Country – The Jayhawks Anthology' has twenty tracks from the key 1992-2004 era which are genuinely all good. Many artistes have one key track, but all Jayhawks fans would disagree about faves as there are so many to choose from. So I'll throw this in from the last great album, feel free to disagree.


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"200 Best Digital Artists Worldwide" exhibition, presented in Bucharest by AdPrint Foundation and Lürzer's Archive
AdPrint Foundation and Lürzer's Archive present, in Bucharest, on July 25-29, at Stribei palace, the exhibition "Lürzer's Archive 200 Best Digital Artists Worldwide".
The exhibition reunites the best works from "200 Best Digital Artists Worldwide", published in May, printed in big format, and a projection ith all the 506 images in the album, signed by 200 digital artists from all over the world.
The selection of the works was made by Michael Weinzettl – Editor in Chief Lürzer's Archive – the one that selects the works published in the magazine and the special albums Lürzer's Archive for over 25 years. He made the selection together with a jury that included Anne Telford, writer and editor, former Managing Editor Communication Arts magazine, Michael Jostmeier, dean of Design Faculty at Georg-Simon-Ohm University Nuremberg and Chris Christodoulou, CEO Saddington Baynes.
"Lürzer's Archive 200 Best Digital Artists Worldwide" is the second project from the series of events prepared by AdPrint Foundation in 2013, after the campaign "Print beautifies our life", and is supported by Grolsch, Pepsi and DDB Romania.
AdPrint expanded its activity starting 2013 and aims to generate, reunite and promote advertising via print, graphic design and printed media at international level.
AdPrint was launched in 1998, as a local competition dedicated to print, and evolved into a regional festival in 2001, expanding at Europe's level in 2004. For 13 years, AdPrint awarded the best print, outdoor and graphic design works.


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November 27, 2019
Coimbatore : The Indian textile industry can become a US 300 billion US dollar industry by 2030 and create an additional 35 million jobs, CII Tamil Nadu State Council Vice Chairman, Hari Thiagarajan said today.
This can be achieved if the industry enhanced its focus on exporting higher value added products, modernisation and sustainable business practices, Hari Thiagarajan said in his address at the 2nd Edition of Weaves 2019, organised at nearby Erode.
Synthetic fabrics and performance garments are going to be two most promising segment, he pointed out.
The industry accounted for five per cent of India's GDP and 13 per cent of the country's export earnings and employed about 50 million people , he said.
Stating that It has proved to be highly productive and globally competitive across the value chain – from farm to fibre, he said its future however depended on sustainable manufacturing practices, transparency, and its readiness to transform itself into a circular economy, he said.
Confederation of Indian Textile Industry (CITI) Chairman, T Rajkumar pointed out the Indian textile industry is highly-fragmented and facing unprecedented challenges in the recent past.
Though the global recession was a main factor for the setbacks faced by the industry, the imports of yarns, fabrics, and garments from Bangladesh and SAARC region pose a major threat to the local industry, Rajkumar said and urged the Centre to help the industry in the areas of export promotion, access to working capital, and loan restructuring.
Indian Texpreneurs Federation Convenor, Prabhu Dhamodharan, in his address, said that nowhere in India the textile industry is well established and vibrant than it is in the State of Tamil Nadu.
The textile business in the state is nurtured by entrepreneurs with their own investment for over three generations and there is a major textile venture or a textile cluster for every 60 kms, he said.
It would need over 1.5 lakh crore investment to replicate Tamil Nadu's textile business infrastructure in any other state, Prabhu Dhamodhaan said.
Weaves 2019, a South India's premier textile fair, is a four-day exhibition and conference, organised by Texvalley in association with the CII and attracted the participation of 200 exhibitors representing a wide cross section of the textile industry, from yarns, fabrics, handlooms, and ready made garments.


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A quality tile installation will add curb appeal and last longer than an amateur job. To save money on a tile installation, get several estimates from different contractors, and ask for references. You can also save by removing your old tiles, saving anywhere from three to seven dollars per square foot and $150 to $200 in disposal costs. To get started, follow these tips:
First, choose the right substrate for your new floor. You should avoid using sub-par materials or old floor coverings, as these will lead to cracked or uneven tiles. A suitable substrate is a concrete floor or a wooden sub-floor. If the sub-floor isn't suitable, a new floor or a new wall might need to be installed. Also, don't forget to apply a moisture barrier on the wall surface.
Next, choose the right type of tiles. You don't want to invest in expensive tiles, only to have an amateur tile contractor to install them. Premium-quality tiles will last for years, so hiring a professional tile installer will ensure that your floor looks beautiful and lasts for years to come. A skilled tile installer will do the job correctly to avoid any problems. Using spacers ensures a level surface. Finally, the grout will connect the tiles.
After installing the cabinetry, install the tile below it. This way, tile installation will take up less space, and the other trades won't have to work around it. Additionally, tile can be placed beneath built-in appliances. This prevents water from causing damage, and it gives the homeowner more freedom to remodel at a later date. The most important thing to remember about tile installation is that it's an excellent choice for home improvements.
Next, prepare the tile for installation. It's not an easy task. Tile cutters can be very sharp, so be careful when using them. Always wear safety glasses when using a tile cutter. You can also use a tile saw, but it's a little more difficult than installing it yourself. But once you have it, the process won't be nearly as difficult as it looks. You can even use a tile saw to make back cuts.
Before you start laying tile, be sure to measure carefully and follow instructions to the letter. It's important to follow measurements when installing a backsplash tile, because mistakes can cause hollow points underneath the tiles. Then, you should use the correct trowel marks. Remember, you don't want to dribble mortar on the back of the tile, because it will leave hollow points under the tiles. It's better to get a professional than to do the job yourself.
Measure the floor, walls, and ceiling to determine how many tiles are needed to cover the entire surface. Remember to leave some room for overage – a 10 percent extra tile if you want to use granite instead of marble. You'll want to check with an engineer to make sure your flooring will be stable and safe. The best way to find the right tile installation contractors is to compare the floor's structural support with the floor's design. For more details visit https://www.longislandkitchenandbathroomremodeling.com/.


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Alex J. Todd
MA work
MA work
A Typographic Transgression: Finding the Dutch Sixties in the Nude Alphabet
Designed in 1969, and published a year later in the 'Kwadraat-Bladen' journal, Anthon Beeke's 'Nude Alphabet' is a spectacle rarely given due space in the history of Dutch graphic design. Publicised as a riposte to the technocratic modernism of Wim Crouwel's 'New Alphabet', Beeke's design has often remained on the periphery of the discourses surrounding Dutch visual culture of the 1960s and early 1970s. Despite such marginalization, this dissertation argues that the 'Nude Alphabet' is, in fact, one of the most symbolic objects of its period, and provides crucial insight to the divergent cultural upheavals that defined the Netherlands in the 'sixties'.
This dissertation traces the alphabet's significance through three interconnected narratives. It begins with the emergence in the post-war period of new perspectives on the field of graphic design, in which a greater importance was placed upon graphic design's role in cultural reflection and stimulation, engendering non-commercial platforms for experimental works to exist outside of the customary design-client paradigm. Secondly, it frames the rebellion against the dominant 'International Style' as an evocation of national tensions between individual and institutional authority, and considers the methods of Beeke's alphabet alongside those of subversive counter-cultural movements. Finally, it examines the widespread exposure of the sexual image in Dutch popular culture, probing the alphabet's use of the nude as a corollary to the burgeoning sexual revolution.
Focusing on the 'Nude Alphabet' as an object in which multiple concurrent histories collide, this dissertation proposes the value of Beeke's design as a lens through which we may further understand the networks of meaning and experience that define this tempestuous period.
MA Degree
School of Arts & Humanities
MA Critical Writing in Art & Design, 2018
Alex J. Todd is a freelance writer and critic in the field of graphic design and visual culture.
- BA Visual Communication, University for the Creative Arts, 2016
- Freelance writer and critic, 2017–present; Technical Writer, Global Grad Show, Dubai, 2017; Curatorial Research Assistant, the Design Museum, London, 2016–2017; Book Curator, Hyundai Card Design Library, 2016


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Mouser Electronics
Mouser Electronics (Mansfield, TX) is now stocking the SmartBond DA14586 Bluetooth 5 system-on-chip (SoC) from Dialog Semiconductor. The new SoC is Dialog's first standalone device that is qualified to support the latest Bluetooth 5 specification. Features include:
- Low power consumption.
- High functionality for advanced use cases.
- The ability to add Bluetooth low energy Mesh to products like remote controls, proximity tags, Internet of Things (IoT) beacons, connected medical devices, and smart home nodes.
- An advanced power management setup with both buck and boost converters, which enable support of most primary cell battery types.
- 2 MBytes of flash memory.
- 96 kBytes of RAM for user applications.
- An integrated microphone interface, which allows designers to add voice control to any cloud-connected product that has a microphone and speaker.
- Compliance with Bluetooth 5.0, ETSI EN 300 328 and EN 300 440 Class 2 (Europe), FCC CFR47 Part 15 (US) and ARIB STD-T66 (Japan).
- The DA14585 Development Kit Pro and SmartSnippets software, which help engineers optimize software for power consumption.
For more information, visit http://www.mouser.com/new/dialog-semiconductor/dialog-smartbond-da14586-soc/.


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Telephone calls may be recorded.
When using an external link you will be leaving the Invesco website. Any views and opinions expressed subsequently are not those of Invesco.
Invesco Asset Management Limited DIFC Branch, a branch of Invesco Asset Management Limited located in the UK, which is regulated by the Dubai Financial Services Authority.
The registered address for the above branch is PO Box 506599, DIFC Precinct Building No 4, Level 3, Office 305, Dubai, United Arab Emirates.
For more details of issuing companies and site privacy terms, see the site Terms and conditions.


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September 30, 2021—Leptis is now an authorized reseller of Flyability's Elios and Elios 2, the world's first collision-tolerant drones.
Leptis Libya Tech, a subsidiary of Leptis Group based in the United Kingdom, has partnered with Flyability to revolutionize indoor inspections in the industrial sectors in Libya.
"We are extremely excited and proud to partner with Flyability to bring the Elios2 to Libya," says Mohamed Fadil, Managing Director at Leptis Group. "This partnership will undoubtedly transform the inspection sector in a country that's heavily dependent on Oil & Gas and petrochemical industries."
In industries that require regular inspections, such as Oil & Gas, Power Generation, and Chemicals, the Elios 2 is quickly becoming the go-to solution for internal inspections.
Using the Elios 2, inspectors have helped realize significant savings and decreased downtimes for asset owners, reducing inspection costs by as much as 90%. Inspectors have also significantly improved safety with the Elios 2 by using it to reduce or even eliminate the need for inspectors to enter confined spaces in order to collect visual data.
The Elios 2 indoor drone is safely contained within a carbon fiber cage, which gives inspectors the freedom to operate it in a variety of environments, as well as complete darkness using its LED lighting and thermal imagery. The cage helps make the drone collision tolerant, so that it can collide and continue flying. This feature combined with the high quality of the drone's visual data allows inspectors to conduct inspections remotely in tight, confined spaces that might otherwise pose a safety risk for human entry.
About Flyability
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Leptis Libya Tech is a leading provider for industrial goods and services in the country and owns a state of the art training center in Tripoli which will enables inspection professionals to receive the appropriate training at their fingertips. Leptis Libya Tech is a subsidiary of Leptis Group based in the United Kingdom.
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We have expertise in the highly reputed cloud services in the market such as Amazon Web Services (AWS), Google apps, Microsoft Office 365. We provide end-to-end designing, planning, procurement and implementation of the cloud solution to improve availability, scalability and also cost savings. Talk to us today we can help you to determine what best fit cloud solution for your business.
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Are you a follower of Kaylin Hayman? Are you searching on google for How to contact her? What is the WhatsApp number, Phone number, or email id of Kaylin Hayman? What is the hometown and residence address of Kaylin Hayman? Who is the Contact Agent, Manager Kaylin Hayman? What is the Facebook, Twitter, or Instagram id of Kaylin Hayman? find out all these things in our article below.
Kaylin Hayman Wiki/Bio
Kaylin Hayman was born on October 16, 2008, in the United States of America. Now, her age is 10 years old as of 2019. About her parents, her mother's title is Shalene Hayman. Kaylin began acting at age 5. Her early interest in acting directed her into a career in acting. Actually, she made her first television appearance when she featured in an episode of The Mick in 2017.
Kaylin's parents are Shalene Hayman her mom. After doing our research, details about her dad aren't known to the public and it's also understood she has two older brothers called Ashton and Justin.
Kaylin was at a High School Musical play when she was five or six years old. Kaylin did community theater with Performing Theatre for Young Artists. Kaylin formerly appeared on the Fox comedy series The Mick. Kaylin guest-starred in an episode of One Day at a Time. After doing our research, details about Kaylin's schooling aren't known to the general public.
Kaylin likes to keep her private life private hence information about her dating life is under investigation. It's not known whether she's married, relationship, or has any kids. But this information will be updated as soon as it's available.
Kaylin is famous for her main role on Disney Channel series, Just Roll With It. Kaylin is the portrayer of Blair Bennett. She's a Disney Channel family comedy series about a family 'just rolling with it'. On October 24, the year 2018, Disney Channel green-lit Just Roll With It.
The series was made by Adam Small together with Trevor Moore who functions as showrunners and executive producers. The series is made by Kenwood TV Productions. On April 26, the year 2019, the series was scheduled to premiere on June 19, the year 2019 using a unique preview that premiered on June 14th, the year 2019.
Kaylin Hayman Contact Address, Phone Number, Email ID, Website | |
Phone Number | NA |
House address (residence address) | United States |
Official Website | NA |
Snapchat Id | NA |
Whatsapp No. | NA |
https://www.instagram.com/kaylinhayman/?hl=en | |
https://www.facebook.com/Kaylin-Hayman-2419077731662877/ | |
Spotify | NA |
https://twitter.com/kaylinhayman?lang=en | |
TicTok Id | NA |
Email Address | NA |
Office address | NA |
Office Number | NA |
Also Checkout: Lupita NyongO Phone Number, Email ID, Address, Fanmail, Tiktok and More
Kaylin Hayman Contact Details
Kaylin Hayman Contact Details: NA
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Kaylin Hayman Social Profiles
Kaylin Hayman Facebook Fan Page: https://www.facebook.com/Kaylin-Hayman-2419077731662877/
Kaylin Hayman Twitter Handle: https://twitter.com/kaylinhayman?lang=en
Kaylin Hayman Instagram Profile: https://www.instagram.com/kaylinhayman/?hl=en
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An Interview with Michael Simmonds: The Cinematographer of Halloween
Best known as the cinematographer for Nerve, Paranormal Activity and most recently Halloween, Michael Simmonds talks to Mandy News about his experiences working within the genre of horror and the challenges he faced as a cinematographer.
Please introduce yourself and tell us how you became involved with the camera?
I don't really have any romantic stories about how a camera was given to me. I do remember receiving a camera when I was a kid and my mother scolding me for wasting the film which has probably had some sort of lasting effect!
I developed an interest in photography at an early age. I went to the School for Visual Arts in New York City. I knew I wanted to be a cinematographer by the age of nineteen and I've never deviated from that course.
How did you get involved with the Halloween project? It's probably been going since before you started out!
The contacts you make in life, you never know how they affect you later in a roundabout way. For instance, I did a film called Paranormal Activity 2 about a decade ago and maintained that friendship with Jason Blum and the gang at Blumhouse.
All through my parallel life, I was making independent films and I knew David Gordon Green's producer, Lisa Muskat – we know each other socially and she recommended for Vice Principals. Then those two lives criss-crossed. David was hired to do Halloween and met with Jason. David said, "I'd like to get Michael involved." Jason said, "no problem, we'd love to have him," and that's how that happened.
In terms of it being such a stalwart of the horror genre – one of the classics – what was the process of making it look new, yet paying homage to the predecessors?
Well, for the writers James Fradley and Danny McBride, that was the goal – to be a homage and a sequel. They're cinephiles and movie junkies and love horror. I contacted the original DoP, Dean Cundey, through his agent. He's a legend, who has worked on Back to the Future, so I called him up to talk about the cinematography on Halloween.
We talked about functional camera work and why not to be trendy, to think about the micro-story you're telling at every little moment and be functional in nature. I like to think I approached it in the same way they approached the first one. Obviously, the pacing has to be different for a modern audience. Halloween would be considered arthouse pacing by today's standards.
It's all about the shifting of camera perspectives: what the audiences see, what the characters see, what the audience doesn't see and Michael's perspective. I think we really brought that to the new one. We avoided any backstory with Michael because the audience doesn't really want to know that.
With a franchise like Halloween, you really have to distill what the actual franchise is. Paranormal Activity is found footage in a house. What is Halloween? It's a masked person terrorising a family – we don't understand why and it's a shifting perspective, it's stalking.
What's your preferred kit and what things do you carry in your tool bag, regardless of style?
Well, one feature of Halloween is that it has to be anamorphic. The first one is so specifically anamorphic. To destroy that would be to do a great disservice to the storytelling and, again, the logic of what's in the frame; who sees Michael, who sees what. Anamorphic tells the story better. To have the wide aspect ratio means more information on the screen at once.
The reason I specifically used Cooke is that it's a cleaner anamorphic. They are a more consistent lens set. I used Cooke so I could run two cameras at once. The sets match very well from one to another. For instance, Panavision has the most beautiful anamorphic in the world. Each set is so distinctive.
By the end of the shoot, I saw the beauty of the anamorphic Cooke zoom. As far as the camera goes, it was probably a couple of Arri Alexas and one mini. I'm very untechnical and I've shot entire movies without knowing what the camera was that we used.
As far as lighting goes, we use some LRX systems – they're like shiny LED remote things. They're very manageable, they can go on the cranes and change colour.
What are the challenges in shooting a horror film? How it reads off the page can be different to how you shoot it… How do you know if it's scary?
You've brought up the exact point! Is what I shoot scary? When you shoot a comedy, you laugh, when you shoot a drama, you emote but when you shoot a horror film, you really don't know what you're getting.
A horror film is by far the most mathematical of all the genres. For instance, you're in this scene where Michael Myers is in the courtyard. This guy holds up his mask behind his back. Is it scary? I really don't know. We try to deliver the build-up of tension. The music really does the heavy lifting and the audience participation fills in the gaps. I'm scared of shooting horror films for that exact reason as the reality is that they're actually very technical.
To continue that idea…what is dark? It's a kind of artistic expression, so it's hard to be constantly photographing things that you can barely see, and understanding what the audience understands. That's your daily challenge.
What are you working on – or going to be working on – that you're allowed to tell us about?
I can talk about anything! I wrapped on Halloween then I took some time off to be with family then jumped on a quick documentary with James Marsh.
We did Project Nim together and he did Man on Wire. We did this Prince documentary and I'm currently filming a movie for Netflix starring Jamie Foxx and Joseph Gordon-Levitt for Henry & Rel - who directed Nerve. It's a big budget film.
What advice do you have for young, up-and-coming cinematographers who want to get on in the film industry?
There are so many answers to that question. When I do lectures, I have sheets and sheets of advice but the first piece of advice is: when leaving an answerphone message, repeat your number twice and spell your last name. This advice is so basic and often not done.
Out of every film class, only one student has ever come up to me and said, "what can I do for you?" and I rang them up and said, "I need help archiving all my negatives from photography." He came over, we hung out and he asked for my advice, so I wrote him a letter to get him into the AFI, the American Film Institute.
People often want me to help them with jobs and they don't take the job. Never turn down work, don't quit, always show up, always be the first there. Match the level of enthusiasm of the director, if not trump it, you know?
An interview with Emmy nominated cinematographer Arlene Nelson
Mandy News talks to Cinematographer Arlene Nelson, whose camera work has led to collaborations with iconic dir...
"Don't be shy to reach out to anyone you really want to connect with" editor Christopher S Capp
Mandy News talks to Film Editor Christopher S. Capp who is known for his work on The Hunge...
"If you keep at it and don't give up you will get where you want to go" Sean Gascoine
Sean Gascoine is working for one of the biggest talent agencies in the world, United Agents. He started his ca...
"Having your own voice is the important thing" with production & costume designer Fiona Crombie
Fiona Crombie, production designer and costume designer, known for Macbeth, Top of the Lake and Una...
Advice for Actors: Comparisons
In this month's advice column, film & TV industry Psychologist, Charlotte Armitage talks about comparing your...
Advice for Actors: The value of Networking
In this month's advice column, film & TV industry Psychologist, Charlotte Armitage talks about the importance...
Advice for Actors: Therapy
In this month's advice column, film & TV industry Psychologist, Charlotte Armitage talks about the importance...
Wrapal Acquired by Set Scouter, Creating Largest Locations Company in North America
Wrapal, the film industry's first startup connecting filmmakers to film locations, has been acquired...
An Interview with Three Billboards Outside Ebbing, Missouri Director, Martin McDonagh
Oscar-nominated writer-director Martin McDonagh has found big-screen success with the pitch black humor of In...
An Interview with Dave Fennoy, voice of Lee Everett in 'The Walking Dead' Game
Dave Fennoy is an award winning voice actor whose best known work among others is the role of Lee Everett...
"Get on set and wear those hats, try those things" cinematographer Pietro Villani
Los Angeles based cinematographer Pietro Villani has been shooting movies, documentaries, shorts and commercia...
An Interview with Brennen Sheridan Dicker, Head of Creative Media Industries Institute
Brennen Sheridan Dicker is the Head of Creative Media Industries Institute (CMII) at Georgia State U...


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Honda Jazz Car Insurance
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Honda Jazz Car Review
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Key Specification of Honda Jazz
Necessity of Having Car Insurance Policy for Honda Jazz
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HHonda Jazz Car Insurance Coverage
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As per this plan, in case of death/injury and property damage of third party due to an accident and your car has been responsible for the same, you will get financial security. - √Comprehensive Insurance Coverage
This policy provides protection against losses or damages due to Man-Made Disasters or Natural Calamities. In other words, if you own Honda Jazz car insurance comprehensive coverage, you will get complete protection for your car. Personal accident coverage is also included in this comprehensive insurance coverage. - √Cashless Garages
Under Honda Jazz car insurance policy, you will get cashless repair facility in all the network garages of your concerned insurance company. Your insurer will settle all the bills once the repairs related to your car are done. - √Passenger Cover
This Honda Jazz car insurance coverage provides protection for the passengers traveling in the car financially against death or disability due to an accident or mishap. - √Honda In-House Car Insurance Coverage
Under this plan, you will get brand new replacement of car in case your vehicle is stolen in the first three years. This policy offers genuine parts for all the repairs of your Honda car even if the warranty period is expired. It also offers extra discount for the safe drivers. Hence, in other words, it can be said that Honda in-house car insurance policy provides all-inclusive range of insurance coverage.
Honda Jazz Car Insurance Renewal Online
Purchasing Honda Jazz car insurance policy is not all. To keep the continuation in insurance coverage, you must consider Honda Jazz car insurance renewal. If you miss your on time car insurance renewal, you have to go through an extensive procedure for making it active either by paying a penalty or buying a new policy. So it is required to complete Honda Jazz car insurance renewal on time. Honda Jazz car insurance online renewal is easy and convenient. You just have to provide some important documents (e.g. existing car insurance policy number and some personal details) for completing Honda Jazz car insurance renewal online. You can also avail extra discounts on premiums on Honda Jazz car insurance online renewal. Apart from this, various online payment options are also available such as Debit Card, Credit Card and Net Banking on Honda Jazz car insurance renewal online.
Find out the Best Honda Jazz Car Insurance Online Policy
When you get confused in choosing the right insurance policy for your vehicle, then you must consider comparison. Comparison is the right step to choose the best Honda Jazz car insurance policy. Whenever, you try to purchase any top Honda car models, you have to search and compare. In a similar manner, while renewing or buying motor insurance policy for your Honda Jazz car, you should compare Honda Jazz car insurance quotes online. GIBL.IN, an IRDA certified trusted insurance broking portal can assist you in this aspect. You can get plenty of free quotes as 29+ leading insurance companies are associated with this broking portal. So if you are looking for lowest priced insurance policies for your Honda Jazz car, you should visit the website of GIBL.IN.