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Product Details
Mitsubishi 3000GT 1998, Cordura Ballistic Custom Seat Covers by Coverking®. Ballistic seat covers are manufactured to the exact specifications of your seats and include custom headrest, armrest and even map pockets. Ballistic seat covers are three times the thickness of similar products on the market and include an inner waterproof lining for added protection. Ballistic seat covers are easy to install and over time they will mold themselves to the contour of your seats. These seat covers come in four designer colors and in a stylish woven carbon fiber-like look. This is the same material used in luggage, outdoor equipment, and footwear and for the military. UV treated for added protection for rotting, mildew and stains.
- Actual colors may vary from the color on your screen due to monitor color restrictions
- Image shows color of the product, not the exact model or style
- Each seat row comes with installation tool and protective gear to ensure safe and easy installation
Superior Fabric
Protects seats from tools, heavy abuse, pets and dirt while dressing up the look of your vehicle.
True Custom Patterns
Covers are digitally scanned using 3D imaging equipment to produce a true custom fit.
Designed to Retain All Seat Functions
Seat Covers deliver maximum comfort and keep the vehicle seats' features, such as the airbags, seatbelts, and even electric massage, fully functional.
Seat covers are custom manufactured to the exact specification of your vehicle and are easy to slip on.
Easy Install
Easy to install in less than 30 minutes.
Made in USA
Coverking builds the Cordura Ballistic Custom Seat Covers in the United States.
Custom Seat Cover Installation Kit
This installation kit is included, free of charge, with a set of seat covers. It has an installation tool, safety glasses, and protective glove to make installation easy and safe.
Traction Pads to Prevent Slipping
Keep your seat cover bottom anchored in place during use with top-grade traction pads that are provided in the kit.
If the interior of your car often risks being damaged, Ballistic Seat Covers are a must-have upgrade for your ride. Tools or edgy objects, your pets or kids will not manage to spoil the car's interior. Thanks to the inner coating of Ballistic Seat Covers material, its water-resistance and anti-microbial properties, this material stays clean and hygienic longer. The covers are easily cleaned and/or washed.
Pattern Design. Fitting almost like an original upholstery, Coverking Custom Fit Seat Covers are developed with the use of advanced CAD (computer aided design) systems. Due to automation systems which integrate the CAD designs with computer aided manufacturing equipment each Coverking's pattern is customized for the materials used in it. The design can take up to 3 weeks, but the congeniality of Custom Seat Covers with original seat upholstery is worth it. Custom Car Seat Covers by Coverking contain all headrests, armrests, map pockets, seat adjustment cutouts and airbag cutouts to deliver convenience to customers. Unique by their nature, they do not limit the seats' functionality. You will find Seat Covers to fit any needed applications, including the middle and rear seats for multiple rows of passenger seats, for all vehicles. Coverking's Custom Seat Covers are designed and produced answering the standards of the industry and demands of the most spoiled clientele. They cover both factors: easy installation and perfect fitting.
Material. Taking into consideration a non-suitability of one and only material for all conditions, Coverking presents a line of seat cover materials to satisfy various customers' demands. Developed for certain needs, these materials answer the most demanding standards. Coverking pre-tests its Seat Cover materials in order for them not to fade or wear out. In addition, they are flame resistant. Along with their high durability, the comfort and flexibility comes. Most of them do not require participation of the upholstery professional for installation. Offering only high quality, most Coverking's fabrics don't require dry-cleaning. They feature astonishing and stylish appearance, that catches the eye and is a pleasure to touch. The variety of colors offers individuality and originality everyone needs nowadays. Created both for luxury cars owners and for active lifestylers who don't have much time to take care of car's interior, these materials are comfortable and easy to use.
No Charges. No "Extras" Needed. Coverking seat covers always comprise every interior option. Selling each ready-made product as a complete set, Coverking doesn't charge extra money for armrests, map pockets or airbag cutouts, etc. There is no other option for you to get in your order - but a complete set with everything included, at the offered price.
Cover the Seats, don't Hinder the Functionality. Coverking designed Custom Seat Covers to deliver maximum comfort and keep the vehicle seats' features, such as the airbags, seatbelts, and even electric massage, fully functional. It was of vital importance in cover creation process to provide the client with full functionality of the car seats. That's why Coverking's Custom Seat Covers are compatible with seats having integrated airbags, headrest, armrest. Custom Seat Covers for middle and rear seat rows are also available, offering an option of folding down seat back and a free access to the trunk. Unlike simple cutouts made in other seat covers, the flap prevents wrinkles, preserving the shape of the seat. It is made of the same material as the seat cover to match completely. What makes these Custom Seat Covers distinctive from others is that they can be easily removed along with the seat from the vehicle, remaining on. With the seat cover on, seat backs and bottoms can be moved and adjusted inside the car as well.
The Coverking® company was founded in 1986 in Southern California by an industrial and electrical engineer, that previously worked in Aerospace Defense industry. Utilizing the latest CAD/CAM systems borrowed from Aerospace industry, the company managed to shorten the manufacturing process from nearly a month to nearly a single day. Since its launch, the company made a huge leap and has purchased several automotive companies later, some of which dated back to 1974. The company started with Dash Covers products and extended its products line with Custom Floor Mats, Custom Car Covers, Custom Seat Covers and Custom Sunshields. Growing production volumes did not change the company's main focus – creating high quality products that will serve their best to the customers and their vehicles.


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Yes Weed Votes In 2 States Challenge U.S. Drug War.
November 9, 2012 by Staff
Filed under News, Politics, Weekly Columns
(Akiit.com) DENVER — First came marijuana as medicine. Now comes legal pot for the people.
Those who have argued for decades that legalizing and taxing weed would be better than a costly, failed U.S. drug war have their chance to prove it, as Colorado and Washington became the first states to allow pot for recreational use.
While the measures earned support from broad swaths of the electorate in both states Tuesday, they are likely to face resistance from federal drug warriors. As of Wednesday, authorities did not say whether they would challenge the new laws.
Pot advocates say a fight is exactly what they want.
"I think we are at a tipping point on marijuana policy," said Brian Vicente, co-author of Colorado's marijuana measure. "We are going to see whether marijuana prohibition survives, or whether we should try a new and more sensible approach."
Soon after the measures passed, cheering people poured out of bars in Denver, the tangy scent of pot filling the air, and others in Seattle lit up in celebration. Once the measures had passed, many people were searching for cannabis products with questions like "where can I get thc gummies near me?" flying around. Sales instantly went up in the state.
Authorities in Colorado, however, urged caution. "Federal law still says marijuana is an illegal drug, so don't break out the Cheetos or Goldfish too quickly," said Democratic Gov. John Hickenlooper, who opposed the measure.
As the initial celebration dies down and the process to implement the laws progresses over the next year, other states and countries will be watching to see if the measures can both help reduce money going to drug cartels and raise it for governments.
Governments in Latin America where drugs are produced for the U.S. market were largely quiet about the measures, but the main adviser to Mexico's president-elect said the new laws will force the United States and his country to reassess how they fight cross-border pot smuggling.
Analysts said that there would likely be an impact on cartels in Mexico that send pot to the United States, but differed on how soon and how much.
Both measures call for the drug to be heavily taxed, with the profits headed to state coffers. Colorado would devote the potential tax revenue first to school construction, while Washington intends to send pot taxes to an array of health programs.
Estimates vary widely on how much they would raise. Colorado officials anticipate somewhere between $5 million and $22 million a year. Washington analysts estimated legal pot could produce nearly $2 billion over five years.
Both state estimates came with big caveats: The current illegal marijuana market is hard to gauge and any revenue would be contingent upon federal authorities allowing commercial pot sales in the first place, something that is very much still in question.
Both measures remove criminal penalties for adults over 21 possessing small amounts of the drug – the boldest rejection of pot prohibition laws passed across the country in the 1930s.
Pot has come a long way since. In the 1960s, it was a counterculture fixture. In 1971, President Richard Nixon declared the War on Drugs. Twenty-five years later, California approved medical marijuana. Now, 17 states and Washington, D.C., allow it.
Meanwhile, many more cities either took pot possession crimes off the books or directed officers to make marijuana arrests a low priority.
On Tuesday night, broad sections of the electorate in Colorado and Washington backed the measures, some because they thought the drug war had failed and others because they viewed potential revenue as a boon for their states in lean times. A similar measure in Oregon failed.
"People think little old ladies with glaucoma should be able to use marijuana. This is different. This is a step further than anything we have seen to date," said Sam Kamin, a University of Denver law professor who has studied the history of pot prohibition.
The Justice Department says it is evaluating the measures. When California was considering legalization in 2010, Attorney General Eric Holder said it would be a "significant impediment" to joint federal and local efforts to combat drug traffickers.
Federal agents have cracked down on medical pot dispensaries in states where it is legal, including California and Washington. Individual pot users may not be immediately impacted, as authorities have long focused on dismantling trafficking operations.
Peter Bensinger, administrator of the Drug Enforcement Administration from 1976 to 1981, and other former DEA heads urged Holder to make more noise this year about the pot votes. Colorado was a critical state for President Barack Obama's re-election.
Now, he said, "I can't see the Justice Department doing anything other than enforce the law. There's no other out."
Brian Smith of the Washington State Liquor Control Board, which will implement the new law, said officials are waiting anxiously to find out what federal law enforcement authorities plan to do. "They have been silent," Smith said.
Both states will have about a year to come up with rules for their legal pot systems.
In Mexico, which produces much of the pot that gets into the United States and where cartels and the government are embroiled in a yearslong deadly battle, the man in charge of Enrique Pena Nieto's presidential transition said the administration opposed legalization.
"These important modifications change somewhat the rules of the games in the relationship with the United States," Luis Videgaray told Radio Formula.
A former high-ranking official in the country's internal intelligence service who has studied the potential effects of legalization said he was optimistic that the measures would damage the cartels, possibly cutting profits from $6 billion to $4.6 billion.
Alejandro Hope, now an analyst at the think tank Mexican Competitiveness Institute, said among the complicating factors could be whether a strong U.S. crackdown on legal pot could negate all but the smallest effects on the cartels.
In Seattle, John Davis, a medical marijuana provider, called passage of the state's measure "a significant movement in the right direction." But he said he expected some confrontation with federal authorities.
"This law does not prevent conflicts," he said, adding that its passage "will highlight the necessity to find some kind of resolution between state and federal laws."
Via AP

subset: commoncrawl


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So, concept #1.
This one is for the song Telephone, still. Only, unlike driving around in Quentin Tarantino's pick up and killing a bunch of people in a diner and then singing about it while wearing American flag-printed bandannas people tie around their dog's neck on the 4th of July, it will actually be about a telephone! Lady Gaga and Beyonce are 50's housewives who work as phone sex operators at night. I mean, I know that they say "stop calling" about a million times, so it doesn't QUITE make sense, but it is still somewhat RELATED to a telephone (at least more than being really excited about making a sandwich) but in some interview later on Gaga can make up some shit about its "hidden meaning" or whatever and it'll be all good.
So we begin. It's a beautiful sunny day. We are looking, bird's eye view, at a nice little 50's suburban neighborhood. You can't really tell what it is at first - a grid, perhaps? - but we zoom in and enter the door of one of the identical houses, going through a hallway, zipping past posed family photos on the walls (but the camera goes too fast for us to get a clear view,) a dining room with a shiny table and fancy china, and finally arrive at the living room. It is the back of a couch, the back of a man's head visible, and in front of him is a television set with a baseball game on, and we pan to see that behind him - or, next to us, "us" being the camera's point of view - is Lady Gaga.
She's put together. She's pretty. She is almost unrecognizable. Her hair is back, she is wearing this look from Prada Resort 2008:and her makeup is pretty. She's pretty. She's almost as indistinguishable as those pictures of her from her Stefani days in college, or that part in Bad Romance where she is wearing very little makeup and you're like "WHOA IS THAT YOU?" and then she starts crying and you're like "CALM DOWN THERE, BUD (CORT)" and then you're like "I'M SORRY I DIDN'T MEAN IT DON'T SET THAT BED ON FIRE IT'S A VERY NICE BED."
Anyway, she's REALLY PRETTY. And it's weird. And, for once in pop music, pretty is scary. Because she isn't herself, because her expression reads like so: SAD, and because she is staring on at her baseball husband while singing things like "I can't hear a thing" and "you're breaking up on me" and he doesn't hear her and also it is creepy.
So since the dude is so entranced by the magical men with the magical gloves and bats and that magical ball that makes people GO CRAZY, Gaga is all "lol f this sh" and leaves. It's not a spur-of-the-moment thing; you get the idea that this is routine for her. Maybe she glances at a watch or something. So then she goes into the "KA KINDA BIZAYY" lines of the song and throws on her Viktor & Rolf Fall 2008 "NO!" coat:and walks out of the house. It is now nighttime. And she is bopping along down the road, passing nice little 50's suburban house after nice little 50's suburban house, and goes right into one. We again see that this isn't the first time since she tells it apart from all the other identical homes right away.
She enters, and - what have we here? Why, this appears to be a Phone Sex Operating Headquarters! With many other 50's housewives working as Phone Sex Operators! NOW we recognize Gaga! She takes off her coat. Her dress she had on is no longer there because of a little something I like to call MAGIC, and in its place is some skimpy little number designed by Haus of Gaga, and she takes her seat, and joins in on the phone sex operating, and she and her fellow ladies are having fun. And Beyonce is there, too, but it is TOO MUCH WORK to do the outfits and everything for her as well as the Ga, and while she is much classier than the Ga, she is also not as fun as the Ga, and I sort of have THINGS TO DO, BRAHS, so we will not go over all her stuff.
Well, anyway, you get the point. The song is basically a whole back and forth between her at home cleaning or dusting or serving her husband TV dinners or something and then being a phone sex operator with her pals and dancing her pants off. Well, more off than they were before. And I know she is a fan of killing people in her videos - be it by arson, poison, or sandwich poison - and she can do that too, if she wants. Not via a TV dinner because she's done enough killing by way of food, so maybe with Windex or something.
As far as color schemes go, muted pastels in the neighborhood and in the house, definitely, but things will change in the headquarters because...well, because I had a color scheme, but then the outfits I wanted to do didn't work, so DEAL WITH IT. Initially I thought red and black and white but that makes it seem so SCANDALOUS, so then I chose red and yellow and blue because they're just fun, and now it'll vary outfit to outfit because I have slaved and slaved on style.com and Photo Filtre working on this post for DAYS choosing the right outfits. Does my social life suffer, you ask? Ha ha! Not to worry, my Sims family was nearby!
Versace SS10 dress and shoes. The glitter and plasticness of this Marc Jacobs AW10 coat are kind of toy-like and artificial and represent a sort of cheap luxury, yet there's something really special about it, which somehow suits the video in a way that isn't necessarily conceptual but works in terms of the mood. This Hussein Chalayan SS10 hat is just all DON'T LOOK AT ME and Gaga and et cetera.
Also, can we take a moment to appreciate the AWARD-WINNING job I did with this last photo? The proportions - especially the nonexistent arms - are so professional-looking!
Well that's that. Happy Passover.


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Over coffee at Table Talk on Duke Street, Virginia gubernatorial hopeful and soon to be former delegate of the 46th District Brian Moran (D) blinked his eyes repeatedly, as if just waking up from a nap. In actuality, the West End Alexandrian had just finished an hour-long interview on WTOP and probably received little sleep in recent days, given the task at hand.
Morans schedule probably requires the Jaws of Life to penetrate at this point, unless you are a Virginia voter on one of his seemingly endless tour stops around the state. As he embarks on a campaign to be the second Alexandrian governor since Sen. Mark Warner (D) left office in 2006, Moran has been confronted with challenges, as does any politician running for office, but seems more impassioned than tired.
Two glaring questions about his campaign stare Moran in the face at this point: How will he compete with the money-raising juggernaut and Democratic rival Terry McAuliffe? How will he connect his long record of service in Northern Virginia to the seemingly estranged rest of the state? Then there is his agenda and his record, of which he is confident, whether as a delegate, governor or simply an Alexandria resident.
When the Washington Post published an article that stated Terry McAuliffe could raise between $80 million and $100 million for his gubernatorial campaign, Moran was offended, prompting him to challenge McAuliffe and Democrat contender State Sen. Creigh Deeds to fundraising limits that would allow only in-state fundraising.
Virginians are going to choose someone who has a proven record of leadership in Virginia and thats me, Moran said. The challenge on the money is, Hey, alright, youre running for Virginia governor; lets allow Virginians to choose the nominee. Well see how he responds. If he says no, then obviously hes going to get money from out of state. Lets allow Virginia democrats to choose the nominee.
Its not that the McAuliffes resources intimidate him, Moran said. He does not believe that money will dictate the winner, or that its a measure of success.
A function of being a good candidate is being able to raise money, he sad. The reverse is not true. Just because you can raise money, it does not make you a good candidate. I have a record. Because of that record, I can raise enough money to be successful. How much is enough? In the ballpark of $3 million, Moran said.
Morans experience in Virginia politics outweighs McAuliffes. The former Democratic National Committee Chairman and the chairman of Hillary Clintons presidential campaign has never held office in the Commonwealth despite being a successful businessman. He has support, but Moran hopes his own record of 12 years representing District 46 in the General Assembly and chairing the House Democratic Caucus since 2001 will get him elected. Since 2001, Democrats have won House seats in every consecutive election.
At about the same time, Moran started paying more attention to the Commonwealth outside of Alexandria, a result of his broader post. When a Martinsville textile shop closed down in 2001, Moran took a bus to the southwestern town near the North Carolina border and listened to residents concerns over jobs and the local economy. Moran knows his understanding of non-Northern Virginia is key to governing the state and, despite surface differences, he draws parallels between places like Martinsville and Alexandria, nearly 300 miles away.
My job as caucus leader made me take a perspective on statewide basis, Moran said. My passions grew beyond Northern Virginia.
Transportation issues only concern Northern Virginia, right? Moran says it is statewide dilemma because, In Northern Virginia, its congestion. In southwest Virginia they want more roads. More roads and an airport will attract more business. So its a little more nuanced, but the issues are related. The more I have traveled, Ive realized we are far more alike than we are different.
Northern Virginia benefits from a stronger economy because of federal spending and the technology industry while other industries like farming and textiles suffer. But regardless of where people are in Virginia, they are worried about their retirement accounts, their mortgages, college affordability, and the quality of the schools, Moran said.
When asked about his greatest achievement while serving in the Assembly, Moran immediately responded with writing Alicias Law, legislation that protects children from online predators. He had to reach across the aisle and get Republicans aboard in order to pass it an increasingly common theme in both Virginia and national politics.
I can honestly say, but for my actions, it would not have passed, Moran said.
His greatest regret? Not getting a substantive transportation package passed that would have increased investments in mass transit and thus bring more businesses and jobs to Virginia. After working on the issue for 10 years and supporting Gov. Tim Kaines transportation efforts it may take a governorship to finally get something done.
Moran agrees with last governor from Alexandria, Sen. Mark Warner, that investment in new, sustainable energy technology combined with transportation infrastructure will attract businesses and green jobs and subsequently achieve economic sustainability and a cleaner environment. He hopes Warner will pass legislation requiring investments in such technology.
Right now the capital markets are not generating new businesses, Moran said. People are not investing in new businesses because the capital is frozen and people are so uncertain. Its a very untenable time right now to make a large investment in a new business or construction. We need to get people attracted to Virginia and invested in it.


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Free Pitch Perfect 2 in Top Video Format
Now you can download full Pitch Perfect 2 in HD format with duration 115 Min and has been launched in 2015-05-15 with MPAA rating is 770.- Original Title : Pitch Perfect 2
- Movie title in your country : Pitch Perfect 2
- Year of movie : 2015
- Genres of movie : Comedy, Music,
- Status of movie : Released
- Release date of movie : 2015-05-15
- Companies of movie : Universal Pictures, Gold Circle Films, Brownstone Productions,
- Countries of movie : United States of America,
- Language of movie : Italiano, English,
- Durationof movie : 115 Min
- Average vote of movie : 7
- Youtube ID of movie : rRVHLzadT9I
- Translation of movie : EN,ES,PT,DE,ZH,FR,RU,HU,NL,HE,DA,IT,TR,PL,CS,LT,ID,RO,EL,KO,SV,FI,
- Cast of movie :Anna Kendrick (Beca), Rebel Wilson (Fat Amy), Hailee Steinfeld (Emily), Brittany Snow (Chloe), Skylar Astin (Jesse), Adam DeVine (Bumper), Katey Sagal (Katherine), Anna Camp (Aubrey), Ben Platt (Benji), Alexis Knapp (Stacie), Hana Mae Lee (Lilly), Ester Dean (Cynthia Rose), Chrissie Fit (Flo), Birgitte Hjort Sørensen (Kommissar (as Birgitte Hjort-Sørensen)), Flula Borg (Pieter Krämer), Kelley Jakle (Jessica), Shelley Regner (Ashley), John Hodgman (Tone Hangers), Jason Jones (Tone Hangers), Joe Lo Truglio (Tone Hangers), Reggie Watts (Tone Hangers), John Michael Higgins (John), Elizabeth Banks (Gail), Snoop Dogg (Himself), David Cross (Riff Off Host (as Sir Willups Brightslymoore)), Keegan-Michael Key (Beca's Boss), Shawn Carter Peterson (Dax), Clay Matthews (NFL Player / Green Bay Packer), David Bakhtiari (NFL Player / Green Bay Packer), Donny Barclay (NFL Player / Green Bay Packer), Josh Sitton (NFL Player / Green Bay Packer), Thomas J. Lang (NFL Player / Green Bay Packer), Jordan Rodgers (NFL Player / Green Bay Packer), Gralen Bryant Banks (Barden University Dean (as Gralen Banks)), Sharon Garrison (Barden University Secretary), Brea Grant (Barden University Orientation Announcer), Austin Lyon (Residual Heat Intern), Kay Cannon (Newscaster Connie), Natalie Morales (Today Show Host), Jake Tapper (The Lead Host), Sylvia Weatherspoon (New Station Anchor Lisa Richards), Robert W. Krieger III (Outrage 24/7 Newscaster Todd Derek), Joe Scarborough (Morning Joe Host), Mika Brzezinski (Morning Joe Host), Jimmy Kimmel (Jimmy Kimmel Live Host), Rosie O'Donnell (The View Host), Nicolle Wallace (The View Host), Rosie Perez (The View Host), Adam Levine (The Voice Judge), Christina Aguilera (The Voice Judge), Pharrell Williams (The Voice Judge), Blake Shelton (The Voice Judge), Codie L. Wiggins (Treblemakers (as Codie Wiggins)), Blake Burt (Treblemakers), Ted Moock (Treblemakers), Jerry Clark (Treblemakers), Phi Vu (Treblemakers), Jacinto Rodriguez (Treblemakers), Ryan Leeper (Treblemakers), Andrew Fitzpatrick (Das Sound Machine), Allie Feder (Das Sound Machine), Steven Ban (Das Sound Machine), Brandon Lara (Das Sound Machine), Daniel Piglavento (Das Sound Machine), Brent L. Boxberger (Das Sound Machine (as Brent Boxberger)), Dylan Cheek (Das Sound Machine), Dakota Scott Smith (Das Sound Machine (as Dakota Smith)), Jeremy Williams (Das Sound Machine), Samantha Smith (Das Sound Machine), Alexis Lawson (Das Sound Machine), Jordyn McDempsey (Das Sound Machine), Monica Malone (Das Sound Machine), Kimberly Madsen-Thomas (Das Sound Machine), Frances Manzo (Das Sound Machine), Cali Blake (Das Sound Machine), Mitch Grassi (Pentatonix), Kevin Olusola (Pentatonix), Avi Kaplan (Pentatonix), Scott Hoying (Pentatonix), Kirstin Maldonado (Pentatonix), Trace Gaynor (The Filharmonic), Dominic Tibayan (The Filharmonic), Barry Fortgang (The Filharmonic), Julian Cruz (The Filharmonic), Virgil Rosales (The Filharmonic), Joseph Caigoy (The Filharmonic), Pranay Sharma (Penn Masala), Kashish Hora (Penn Masala), Hariharan Ravi (Penn Masala), Prashant Ramesh (Penn Masala), Aneesh Kanakamedala (Penn Masala), Chetan Khanna (Penn Masala), Akiff Premjee (Penn Masala), Varshil Patel (Penn Masala), Rohan Murthy (Penn Masala), Dilip Rajan (Penn Masala), Praveen Rajaguru (Penn Masala), Gigi Zumbado (The Cantasticos), Marisela Zumbado (The Cantasticos), Alison Sahonic (The Cantasticos), Jasmine Paul-Olivier (The Cantasticos), Natalie Legendre (The Cantasticos), Samantha Yonack (The Cantasticos), Windy Diaz (The Cantasticos), Amaris Flores (The Cantasticos), Aakomon Jones (The Singboks), Kyndra Reevey (The Singboks (as Kyndra "Binkie" Reevey)), Naomi James (The Singboks), Britney Chelene Thomas (The Singboks (as Britney Thomas)), Michael Odokara-Okigbo (The Singboks), Brian Watson (The Singboks), Shanna Marie Burris (The Singboks (as Shanna Burris)), Brianna O'Rourke (The Singboks), Lindsey Legros (The Singboks), Brandon Addison (The Singboks), Robin Roberts (Former Bella), Kether Donohue (Former Bella), Catherine Joy Perry (Former Bella (as C.J. Perry)), Sope Aluko (French Commentator), Leticia Jimenez (Spanish Commentator), Anton Narinskiy (Russian Commentator), Deke Sharon (German Commentator)
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Director : Elizabeth Banks, Characters : Mickey Rapkin, Original Music Composer : Mark Mothersbaugh, Executive Producer : Scott Niemeyer, Producer : Elizabeth Banks, Producer : Max Handelman, Producer : Jason Moore, Producer : Paul Brooks, Co-Producer : Kay Cannon, Associate Producer : Jonathan Shore, Director of Photography : Jim Denault, Editor : Craig Alpert, Co-Producer : Jeff Levine, Associate Producer : Siân McArthur, Writer : Kay Cannon, Casting : Kerry Barden, Casting : Paul Schnee, Production Design : Toby Corbett, Art Direction : Nate Jones
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Newborn Knitted Bonnet - Axinite
This product is sold out
Handmade in the UK in a smoke free environment. The bonnet is knittted and finished with crochet tie. The yarn is very soft. If washing please handwash only and line dry. In Stock and ready to ship unless otherwise stated. Newborn size only and a perfect fit!
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And we're gonna return now to the breaking news this morning. Fourteen people are dead after a shooting at a movie theater in a suburb of Denver. There were several dozen more hurt. The shooting occurred during a showing of the latest Batman move, "The Dark Night Rises." We're gonna now to Ben Markus, who's with Colorado Public Radio, and he is on the scene in Aurora. Good morning.
BEN MARKUS, BYLINE: Good morning, Renee.
MONTAGNE: So bring us up to date on what we know happened, please.
MARKUS: A single gunman entered the theater at 12:30 this morning, released some sort of explosive canister. Witnesses report a hissing sound, gas emerged. The suspect was wearing a gas mask, also had a rifle and another weapon and then opened fire, killing ten people in the theater. Four others were sent to area - four others that were sent to other area hospitals were also killed. Fifty more were injured.
MONTAGNE: Obviously a horrendous moment, completely unexpected.
MARKUS: It was completely unexpected indeed. I think there were three theaters showing the Batman premiere at the time, all next to each other. One theater after another, six, seven, and eight, I believe, theater. And so witnesses in one theater reported seeing gunshots coming through the wall.
MONTAGNE: Coming through the wall during a Batman movie.
MARKUS: Yeah. I can imagine that it must have been incredibly hectic, given, you know, how loud and action-packed that movie could be.
MONTAGNE: Now, police do have a suspect in custody. Do we know anything about him, or precisely how he, you know, carried out this attack, what he was wearing?
MARKUS: So he was wearing a gas mask, apparently. He had a rifle and a hand gun as well, besides the explosive canister. He's a 24-year-old male from Aurora here, which is a suburb on the east side of Denver. He apparently intimated to police officers that he may have an explosive device at his apartment in a North Aurora apartment building, which has apparently been evacuated. He also says that there may be an explosive device in one of the cars in the parking lot of the mall theater area. So the parking lot has been cordoned off as well while police search that.
MONTAGNE: So he appears to be acting alone. Do they know that?
MARKUS: There were reports that there may be a second gunman, but that hasn't been confirmed.
MONTAGNE: And then so this in a sense might be ongoing, as you described it with the...
MARKUS: Yes. Early on we heard reports that police were searching for a second suspect, but I haven't seen any confirmation that there is a second suspect or any evidence. That wasn't brought up at the latest press release.
MONTAGNE: Well, Ben, thanks very much.
MARKUS: Thank you.
MONTAGNE: Colorado Public Radio's Ben Markus, and we will be following this story of the deadly shooting outside of Denver throughout the morning. You're listening to MORNING EDITION from NPR News. Transcript provided by NPR, Copyright NPR.


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My Mother and Other Strangers
BBC wartime drama series - My Mother and Other Strangers - supplied by us.
Set in Northern Ireland during World War Two, My Mother and Other Strangers follows the fortunes of the Coyne family and their neighbours as they struggle to maintain a normal life after a huge United States Army Air Force (USAAF) airfield is set up in the middle of their rural parish in 1943.
Leading the cast is Aaron Staton (from Mad Men) playing Capt. Dreyfuss, along with Owen McDonnell (from Single-Handed) playing Michael.
Watch the trailer at https://www.youtube.com/watch?v=5Z53NM2Q2p4
Showing 1-5 of 5 item(s)


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Salehurst – St Mary
The large aisled nave is C13, with a tower started then and finished in the C14. The originally C13 chancel was altered in the early C14 with a new north chapel. The font and some delicately drawn glass are C14.
Salehurst church stands north of the river Rother in a small group of houses that includes a farmhouse (VCH 9 p219), which incorporates the scanty remains of the Cistercian Robertsbridge abbey, founded in 1176 (VCH 2 p71). A church is mentioned here in Domesday Book (9, 82), so although it is the parish church of Robertsbridge, about a mile away, it is older, since that settlement emerged next to a bridge of c1170. Its size has led to the suggestion that it was originally a mission church (NFSHCT Newsletter 2013 p5).
The church, consisting of chancel, aisled nave and tower, is essentially C13, though the sequence of building is not straightforward, because of mainly C14 alterations. Earliest is the west doorway of the tower, which has a round head on shafts and does not look later than 1200, though a label with curling stops must be C14. The plain lancets of the second stage of the tower suggest this could also date from 1200, but the diagonal buttresses are late C13 or C14. As the aisles extend each side of the tower, there are three arches and they too are not earlier than the late C13. The taller eastern one has a double-chamfered head on semi-octagonal responds; those opening into the aisles have three orders. The west lancets of the strikingly narrow aisles confirm they are probably C13 in origin, though altered later.
Churches were normally built from the east, so the strikingly long six-bay arcades should be earlier than the tower. However, the octagonal piers and double-chamfered heads look late C13, even perhaps of c1300. Godfrey suggests that the arches are C13 with piers rebuilt in the C14 (1 p266) whilst the VCH (9 p223) suggests the four western bays of the north arcade are a little later C14, on the basis of the mouldings of the capitals and the slightly lower arches. Variations in construction are by no means uncommon even if everything is known to be of one build and the differences here are slight, so they are likely to be all of one build. This is made more likely because though the rere-arches of the single clerestory lancets have been altered, they look C13 throughout – Horsfield's assertion that some were round-headed is as unproved as his claim there was a stone on the south side dated 1282 (I p585).
The Sharpe Collection drawings (1797 and 1806) show at least one lancet opening in the east gable, confirming that at least the position of the present square-headed openings there is old and they probably belong with the clerestory. The likelihood is thus that the whole nave probably dates from the end of the second half of the C13, but may have been built over a longer period than usual. The west doorway was probably reset and provided with a label when the tower was completed in the C14.
Despite C14 alteration, the chancel is more straightforward, with two relatively broad lancets and a plain north doorway. The chancel arch is off-centre to the north and though rebuilt, matches the arcades and is thus late C13 in origin, whilst the cusped intersecting tracery of the east window is also compatible with this date. The tracery is at least in part old and though the Burrell drawing seems to show panelled tracery, neither Sharpe drawing does, so this must be an error. The moulded string-course beneath its sill is closer than usual to the floor and so are the piscina and aumbry, showing that the floor has been raised. A south east lancet is C19, since the Burrell Collection drawing (1781) shows a C14 window like the square-headed lowside to its west.
The gabled early C14 north or Wigsell chapel is the only significant addition to the groundplan since the body of the church was completed; it derives its name from the manor of that name in the parish (VCH 9 p221). The three-light east window of reticulated tracery is related to the chancel. The north window, with two trefoiled lights and a head with a spherical triangle, is also off-centre, because of the monument inside (see below). Most tracery is original, as are the roof-timbers. The C14 arch to the chancel is visibly later than the nave arcades, with slightly convex mouldings, and the capitals also differ. The double-chamfered arch into the aisle has a grotesque corbel to the north. Until the 1930s the chapel had its own tithe ascertainment (TNA IR 104/69).
Most other C14 alterations were to the exterior. The tower had probably never been completed and its C14 upper stage has two-light bell-openings and battlements. The corners are cut away, possibly to save weight. As well as the reset doorway, there were further changes to the lower stages, including the broad opening of the west window, though the present tracery is C19. The big stone porch is also C14, as its moulded arch and rib-vault show. Above the arch are a cusped and moulded niche and battlements with shields. The north aisle was heightened in the C14, but still has a lean-to roof. Both aisles received new square-headed windows of two lights with pierced spandrels; the only exception is the east window of the south aisle, which is similar but has three lights. Both aisles have moulded doorways and there is a contemporary south porch with massive timbers, like that at Etchingham, though the sides in particular have been replaced.
The clerestory poses a number of questions. It appears largely later C13 in character and both the Sharpe and Burrell drawings show there were single lancets with one double one at the south east corner to provide more light for the roodloft. Yet when he visited the church before 1840 (SRS 101 p246), Sir Stephen Glynne calls the openings as 'very bad modern ones'. This leads David Parsons to postulate an unrecorded reconstruction and this seems plausible since had the original ones lasted until the restoration of 1861-62 (see below) it is less likely that they would have been completely replaced to a different design.
The only surviving C15 change was the upper rood-stair entrance north of the chancel arch and there is a corbel opposite for the beam. A bequest for 'covering' the north side of the church in 1502 (SRS 45 p84) probably referred to roof repairs, for there is nothing to suggest more conspicuous work. A gallery was later built within the tower, which was approached by an opening at the west end of the north aisle. According to Sir Stephen Glynne (SNQ 16 (Nov 1967 p347), there were others.
There were plans for reseating in 1842, though these may not have been carried out since the present pews date from the restoration of 1861-62. An application to the ICBS was not pursued, but the west gallery was removed and the opening blocked (3 p82). At the main restoration by D Brandon (B 20 p48) in 1861-62 the chief external change was a new clerestory on both sides, still with single lancets, but grouped 2-1-3-1-2. Except in the Wigsell chapel, the roofs were replaced and that of the nave has shiny timbers and iron ties. The vestry was added (CB 1862 p65) and the chancel arch was probably also rebuilt. No old drawing of the west side of the tower is known so the date of the present west window is not recorded, though the present stepped lights recall a similar C19 one at Ashburnham.
Repairs by H MacIntosh and Partners extended from 1952 to 1957 (ICBS). In 1954 during work on the Wigsell chapel a C18 burial vault was found (2 p112). Much of the stone used for the repairs was taken from a demolished cottage near the abbey and thought to have come originally from it (3 p77).
Fittings and monuments
Aumbry: (North chancel) Small, with a cinquefoiled ogee-head and thus C14.
Chest: (West end) Plain, dated 1678.
Commandments: Placed either side of the east window, these are in cusped ogee headed niches and were probably added during Brandon's restoration.
Font: The round, slightly tapered bowl is known to have been reworked in the C19, probably at the restoration. The base of the stem is carved with salamanders, said to symbolise the virtuous man who can pass through the fires of temptation (Bond, Fonts p183). During excavations at Battle abbey in 1999 (www.crsbi.ac.uk retrieved on 15/4/2013) what was thought to be the base of a similar font was found, so this may derive from that. The Battle fragment is probably C12, which would suggest a similar date for this font rather than the C13 date previously accepted.
1. (Heads of south aisle windows) Late C14 fragments, consisting of delicately drawn birds and foliage. Richard Marks (p33) has noted parallels with late C14 manuscripts.
2. (South chancel, second window) J Hardman and Co, 1890 (index). There is little doubt that the date is correct, though those commemorated died in 1853 and 1866 respectively
3. (South aisle, east window) C E Kempe, 1901.
4. (West window) W Warrington (Warrington list). Brightly coloured glass, with medallions set in decorative glass.
5. (North aisle, first window) A L Moore, c1903 (signed).
6. (South aisle, third window) Cross in light colours, symbolising 'Life is Eternal'. A Wright, 2001 (Artist's website).
1. (North wall of Wigsell chapel) Mutilated early C14 tomb without an effigy and with a traceried chest and a cusped and crocketed canopy, flanked by pinnacles. The chapel was clearly built around this.
2. (South aisle) Front of a C15 marble tomb-chest with quatrefoils. It has been reset beneath the sill of one of the windows.
3. (Wigsell chapel) Anne Peckham (d1758) Woman standing by an urn.
4. (Wigsell chapel) George Peckham (1788?) by L Parsons (Roscoe p952).
5. (Wigsell chapel) Jane Micklethwait (d1819) by P Rouw the younger (ibid p1071).
6. (Vestry) Jonathan George (d1838) and Sophia (d1808) Micklethwait. Topped by an urn and signed by E Gaffin of Regent Street, so it is after 1838.
7. (South aisle) Memorial to the single employee of the Kent and East Sussex Railway Co (which ran from Robertsbridge past the church), killed in World War I.
8. (West end) Six iron tomb-slabs to members of the Peckham family, dated between 1661 and 1714.
9. (Churchyard) Three headstones and two table-tombs, ranging from 1802 to 1816, by J Harmer with his terra cotta inserts (SAC 100 (1962) p148). One plaque is missing.
10. (South east churchyard) Lord Milner (d1925) and his wife by Sir E Lutyens (BE(E) p615). A large block of Portland stone with a seat, also of stone, it is much less ambitious than the first aspiration of the great imperialist's widow, which was for a memorial chapel attached to the church.
1. (South aisle) Late C14 with an ogee-head.
2. (South chancel) C13, plain and pointed.
3. (Wigsell chapel) Early C14 with a trefoiled head.
Portrait: (Chancel): Rev John Lord, vicar 1640-81. Anonymous, though contemporary. It was acquired by the church in 1937.
1. W H Godfrey: The Parish church of St Mary, Salehurst, SNQ 15 (Nov 1961) pp265-67
2. J L Ward: Salehurst Church: the Wigsell Chapel, SNQ 14 (Nov 1955) pp112-15
3. : The Restoration of St Mary's Church, Salehurst, SNQ 15 (May 1959) pp77-82
Measured plan by J E Ray and W H Godfrey in VCH 9 p223
My thanks to Martin Jones for the Church Builder reference to the restoration of 1861-62


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Read on for the latest installment in UFC.com's weekly series of articles on proper nutrition from the top athletes in the UFC...this week, light heavyweight prospect Kyle Kingsbury
If the UFC ever hosted a Best Physique competition, Kyle Kingsbury would probably be AT LEAST a semi-finalist. 220 pounds on a 6'4" frame, and just ridiculously ripped and shredded. Turns out, the former The Ultimate Fighter cast member (2008) sounds like a scientist when discussing his super-strict diet. On the menu: lots of freshly squeezed fruit and vegetable juices, plenty of grass-fed red meat and whole eggs, and exclusively gluten-free grains.
The 30-year-old light heavyweight became conscientious about his diet after graduating from Arizona State University, where he was a 253-pound defensive lineman on the football team. Today the 11-3 (1 NC) fighter trains out of the vaunted American Kickboxing Academy in San Jose, Calif., and admits to having engaged in a few friendly dietary debates with vegetarian training partners such as Jon Fitch (vegan) and Aaron Simpson (whenever Kingsbury trains in the Phoenix, Ariz., metropolitan area). Talking to Kingsbury, his passion for food constantly shines through. This is a man with an encyclopedic and thorough analysis of everything he eats. Even if you are a seasoned and educated eater, chances are high you will learn something from Kyle Kingsbury.
"I eat pizza and that sort of thing when I'm not in camp," Kingsbury said, "and when I train the next day, let me tell you, I can feel the difference in a heartbeat. It really comes down to what octane of fuel you're going to put into your body. That's why I eat the way I do."
Here is the diet fit for a Kingsbury:
Curreri: Give us a crash course on a day in the life of Kyle Kingsbury's grubbing habits.
Kingsbury: Right when I wake up I drink 20 ounces of water at room temperature, a gram vitamin C and 100 milligrams of iron. About 30 minutes later I'll have my first meal, which is usually a hot, gluten-free cereal that is whole grain (steel cut oats or quinoa). I'll add honey and raisins in it. I'll also make scrambled eggs with spinach, tomatoes or onions.
I'm also big into juicing (in a blender); I juice three times a day. I'll mix up green apples, ginger, carrots, grapefruit or beets or celery.
Then I'll go off to train from 12 to 2 at AKA. During training I'll have 10 grams of glutamine, and a scoop of some kind of electrolyte replacement.
When I finish my workout I'll drink a whey protein isolate with dextrose and a form of creatine that doesn't really add water weight.
About half an hour to an hour later I'll have some form of lunch, which will be some grain – brown rice or quinoa – and lean meats. A lot of times I go to a market that sells lots of ground game – grass fed bison, venison, wild boar. I'll put that beef into a skillet with diced onions, mushrooms and my quinoa or brown rice. I also like wild caught salmon.
Then I'll go back for my workout at 6 p.m. During my workout I'll have 10 grams of glutamine and an electrolyte replacement. Post workout I'll eat dinner, which is always some form of lean meat, from chicken thighs. Here's the thing: I always eat red meat all camp long and I eat whole eggs all camp long. I have bloodwork done all the time and my cholesterol looks perfect. There is this misperception that if you eat those things then you're going to have a cholesterol problem. If you're out of shape and you eat that then, yeah, you're probably going to have a cholesterol problem. But if you're in shape, cholesterol does a number of good things for your body.
During my 10 weeks of camp I only eat gluten free grains and organic, free-range, grass-fed meat. All the poultry I have is cage-free. I eat super-clean in camp, not a drop of alcohol and everything organic. I don't eat any wheat at all. Super-strict. I cook all three meals a day myself. I enjoy cooking and I've been doing it for a long time.
Curreri: You were a 253- pounder in college when you played for ASU …
Kingsbury: I had to gain as much weight as I could because I was a defensive lineman. But when I was done playing I wanted to learn how to get shredded. So I studied more and more dieting. I had a strength and conditioning coach who taught me a lot about diet. I've also read books on diet and nutrition such as "The Paleo Diet For Athletes." The number one thing I have learned is that no diet is the right diet; everybody is different. One man's medicine is another man's poison. So it's a matter of finding what's right for you. I'm still fine-tuning my diet and it's constantly evolving. Every camp I learn more about myself. It's a work in progress.
In camp I eat Paleolithic but I still have gluten-free grains. So it's really not the Paleo diet but my diet is heavy in fruits and vegetables and meat, which is very Paleolithic.
Curreri: You don't consume dairy in camp. What turns you off about dairy from a performance perspective?
Kingsbury: Number one, there's an inflammatory response that you get from dairy. When you're working out and grinding that hard you want to stay away from foods that are going to increase rate of inflammation. I take Omega 3 fish oils and they're really good to control inflammation. Also, a lot of dairy products like cheese are calorie dense so I stay away from that.
Curreri: Why eat grass-fed meat but avoid grain-fed? Talk about the significance.
Kingsbury: Grains aren't natural to a cow's diet. That's why a lot of those cows have to take antibiotics and things like that to fight off infections, things like that.
Curreri: Why the emphasis on red meat? Is that inspired by taste, or do you feel it makes you stronger, or both?
Kingsbury: Protein-wise, as far as biological value goes, vegetable protein is pretty low. Whey Protein, egg protein, beef … have higher biological value. A lot of vegetable protein powders are good but I mean, if you have to get 1,000 peas just to get a gram of protein into your body, then how is that natural for your body? A lot of people that go that route end up with a lot of gas. And if it's giving you gas, then that's giving your body inflammation. So I steer clear of that.
Curreri: Talk about blending fruits and veggies three times a day. What got you into that?
Kingsbury: Probably since around 2006. You have pasteurized vegetable juices that sit on the shelves and it's A) not that good for you and B) it taste like crap. But if you make something fresh it's incredible how delicious fruits and vegetables are when they're made fresh. Straight carrot juice tastes amazing, and if you add fruit to it it's even better. Once you start juicing it's something you want to keep doing. It makes you feel so good, gives you tons of energy, keeps you hydrated and delivers the highest value of nutrients to your body.
Curreri: You, Aaron Simpson and Jon Fitch talking diet. Ever playfully debate amongst yourselves?
Kingsbury: I've debated with Aaron and Fitch about it. I'm big on the proper farming of animals. I think they should be cage-free and able to roam before they're slaughtered. I'm all for getting rid of chickens that can't move and die on top of each other and have to be thrown away. That sort of thing is ridiculous. If you have a chance to watch the documentary, "Food Inc.", if you haven't already, that'll change your mind on food. I always tell people, 'If there's one documentary to watch, that's the one to watch.' So I agree with (Fitch and Simpson) on a lot things. But we are predators like any other animal on this planet, so I don't think there's anything wrong with killing an animal as long as it's for food.
Curreri: Give us an estimate on the number of calories you consume per day.
Kingsbury: It varies. Maybe between 4,000 and 5,000 per day.
Curreri: You sound like a fighter who is so well-versed that you don't need a nutritionist or dietician, unlike some top fighters.
Kingsbury: Well, I've worked with smart people in the past and that's what got me to where I am. I've read a lot of books too, because it's just something that really interests me.


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It's a good idea to evaluate your finances periodically, especially if you're planning a major purchase like a new car or home or if there are any significant changes in your income or expenses. Fortunately, most of the information you need is at your fingertips. When you assess your finances, follow these steps to ensure you're making smart decisions that prepare you for the future.
Create a Monthly Budget
Use our Budget Worksheet to get started on evaluating your personal finance situation.
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Build an Emergency Fund
After creating your budget, it's important to protect the money you are saving for the future. Do you have funds set aside in case of a major unplanned expense? Building a substantial emergency fund that covers between three and six months' worth of living expenses is key to a secure financial foundation. When reevaluating your finances, make sure to account for emergency fund savings so that you're prepared to handle any unexpected costs. Think about ways you can divert money to your savings on a monthly basis to start building or growing an existing fund. Check out the
Emergency Fund calculator
to get started.
Manage Debt Load
Whether you're working on paying off a
student debt
, take time to evaluate how to most effectively pay down your loans.
Managing your debt load
— the sum total of all of your loans — will help you get a better handle on your financial health. Reducing these payments is an important step toward improving your financial well-being.


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Oh and be warned, I say "inspiration" 4943 times and sounds really pretentious but whatevs.
You know, it's weird because Belle and I sort of fed off of each other for inspiration for a while. Then I don't know how it started but we both began feeling pretty blah. It feels like for months I've had random bursts of inspiration, but it's mostly just been monotonous, formulaic, or making sure I just barely have a decent outfit so I don't feel TOO lazy. Sure, there is inspiration that is more direct...a color scheme of a photo that you want to incorporate into outfit form, a character from a movie...but the inspiration to simply just be creative is harder to hold on to.
Which brings me to this photo from FRUiTS magazine, a Japanese publication that is all street style:
Girl is walking around on the streets wearing a crown, pink streaks in her hair, a long flowing skirt and tabi boots. And carrying a birdcage.
And then people like this girl in FRUiTS, or mad old women, or funny toddlers, who dress for the same reasons and may not even know it's called fashion, inspire me as well. They make me want to write a story using what's in my closet, or in a kitchen cabinet waiting to become some type of headpiece.
And that, in the end, is all I want to do. Use my resources, and just have fun with dressing. Weirdly enough, it's when people anywhere-outside, in school, online-don't understand my outfits or style that motivates me to just be stranger. Not that I think I'm Bob Dylan or some type of ENIGMATIC ARTISTE or an artist at all, but this refusal of others to try and understand why somebody dresses a certain way (for which the real reasons are, in the end, nothing complex) just makes me want to dress more obnoxiously. Be more difficult to understand, more over their heads.
Or, I'm a malicious and spiteful teenager!
But really, I love it when I love my outfit and I walk from class to class and feel like I'm practically floating. My head is bobbing around like Bjork's when she walked for Jean Paul Gaultier and I just feel very confident in myself, not because I think other people will like my outfit but just because I do. And maybe even because I know other people won't like it because it isolates me and I can be in my own world for a bit. And it makes me feel good, and being creative makes me feel good.
And I think that is all I really want to do, and have ever wanted to do. The idea of being a mad eccentric who is constantly slipping into different skins is so appealing to me. I started this blog because I wanted to explore my style. Now I have more of an idea of what it is and will just continue to try and apply it every day.
Now, another reason I started is because I wanted to be part of the fashion blogging community and because I think fashion should be discussed. So let's get a discussion going: What inspires you? What keeps you in love with clothes? What makes you stray from sweatpants every day? Tell me.


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Maybe it's just that time of year - but I am addicted to spices. After spending a Saturday afternoon playing around with various spices and flavors in the kitchen, the entire house is suffused with a mixture of sweet and sharp fragrances. It's almost like living in a spice store!
I even have small oranges spiked with cloves adorning my Fall tabletop decorations. So, as I relax on the couch to go through my notes, there is that sensational sweet, tangy and clove-y aroma that lingers in the air.
A little while back when I made homemade quark, I think it hit all the right food tones with you. I received several emails after that post with questions and help shouts. It was exciting to accompany a few of my blog friends as they made homemade quark from that specific post.
So once the quark is made what can you do with it? - a few wanted to know. If you too are looking for inspiration you can turn to a selection of quark recipes provided by yours truly.
Maybe your tastebuds will find pleasure in my newest creation. A delightful dessert somewhere between a light and fluffy mousse and a creamy panna cotta. Looking at the method it indeed is prepared like any panna cotta recipe, however with the addition of quark, the dessert takes on a whole new dimension. The quark panna cotta becomes lighter with a slight tangy flavor, it's still rich but airy at the same time.
Very much en vogue, cranberries provide a beautiful flavor balance to the sweeter quark panna cotta cream. The cranberry compote is spiced with star anise and a hint of cinnamon, which is found again in the spiced pecan brittle. The pecan brittle is a delicacy in itself, but adding a lovely texture to the entire quark panna cotta and cranberry compote. Spiced with ground cardamom, cinnamon and a touch of allspice, you'll find not nibbling on them before the guests arrive extremely arduous!
This is a perfect make ahead dessert. The quark panna cotta can be made 1-2 days ahead and stored in the refrigerator, the cranberry compote will keep up to a week if stored in an air-tight jars in the refrigerator and the pecan brittle can also be made a day ahead, then stored in a dry air-tight container. All you need to do is assemble the individual components just before serving.
I am just about wrapping up my Holiday menu idea with this post. Next week I have one last treat in store for you. Something for "après dinner", when the boys are watching football and we girls want to indulge in something more sophisticated. LOL!
Don't Forget
This month the team over at the Daily Tiffin are hosting the Monthly Mingle. We are all looking forward and eagerly awaiting your ideas and creations to this session's theme - Low-Sugar Treats. Come on over and share your healthy treats.
The deadline is December 8th, 2008. See you there.
Recipe: Quark Vanilla Panna Cotta with Star Anise Cranberry Compote and Spiced Pecan Brittle
Printable version of recipe here.Quark Vanilla Panna Cotta
300g heavy cream
250g quark
75g sugar
2 sheets gelatine
1 vanilla bean, scraped and pod reservedStart Anise Cranberry Compote
350g fresh cranberries
100 - 150 ml cranberry juice
2-5 tablespoons sugar, depending on how sweet you like it
1-2 whole star anise
1/2 cinnamon stick
1 whole allspiceSpiced Pecan Brittle
250g pecans, dry roasted
4-5 tablespoons sugar
2-3 tablespoons water
1/2 teaspoon ground cinnamon
1/4 teaspoon ground cardamom
1/8 teaspoon ground allspice
Quark Vanilla Panna Cotta
In a saucepan bring the sugar, cream and vanilla, including the pod, to an energetic boil. Reduce heat and simmer for approx 10 minutes, stirring occasionally.
Soak gelatine in cold water for 5 minutes.
Remove saucepan from heat and discard the vanilla pod. Squeeze out the gelatine and dissolve in the hot cream mixture.
In a small bowl whisk the quark until smooth and creamy. First stir in 2 tablespoons quark into the warm cream mixture, then pour the cream mixture into the quark. Stir to incorporate.
Fill 6 individual serving bowls or one large bowl with the quark panna cotta. Place in the refrigerator overnight.
Start Anise Cranberry Compote
In a large sauce pan add sugar, fresh cranberry and juice. Stir until ingredients have incorporated. Turn heat to medium-high and bring the mixture to a boil. Add the spices, then reduce to medium and allow to simmer until the cranberry mixture has reduced and resembles a thick jelly-like consistency. Taste for sweetness.
Discard whole spices and set the cranberry compote aside.
Note: If making ahead the cranberry compote can be stored in sterilized jars for up to a week in the refrigerator.
Spiced Pecan Brittle
First you need to make a caramel like mixture by adding the sugar and water in a saucepan. Mix with a wooden spoon, then turn up heat and bring to a boil. Reduce heat and simmer until the caramel turns a amber color. This will take 8-10 minutes.
Continue in medium-low heat until the mixture has reduced into a thick syrupy consistency.
Prepare a baking sheet lined with waxed paper. In a bowl large enough to hold the pecans, mix together the ground spices.
Once your caramel mixture is thick and sticky (the mixture is ready when a small amount dropping in a cup of cold water becomes brittle) add the pecans, stirring quickly to coat the nuts with the sugar. Then add the warm sugared pecans to the bowl with the spices and toss quickly. Turn out the pecans onto the waxed paper and allow to set.
Once set, coarsely chop the pecans.
Serving: If you are serving the quark panna cotta in individual bowls, once set, add a tablespoon of cranberry compote on top and sprinkle generously with the pecan brittle. Alternatively, if you have made one large bowl, dip a large tablespoon in warm water and scoop out separate portions onto a plate. You can serve the cranberry compote on the side or decoratively around the quark panna cotta portions. Sprinkle with the spiced pecan brittle.
Conclude any dinner with this creamy elegance and you'll have your guests begging for more. Panna cotta is one of my favorite desserts and I have often made several variations, however, with the addition of quark this dessert became a whole new experience. The star anise spiced cranberry compote brings fruity flavor and the spiced pecans a luxurious texture to the entire dessert. The warm spices are soothing, yet tantalizing rounding off your meal perfectly.
I hope I was able to inspire you just a bit with this Holiday menu idea. Maybe you will be able to integrate a few aspects from the menu for your own Holiday meal. If you have any questions let me know either in the comments sections of this post or simply email me.
If you are looking for more Holiday menu ideas, join me over at FoodieView, where in my latest article - The Big Holiday Menu Planner, I have compiled an excellent list of appetizers, entrées, sides and desserts, from all around the blogesphere.
You might like these dessert varieties from WFLH:
Banana Brioche Pudding with Baileys Caramel Cream | Cantuccini Plum Cheese Cakelettes | Lemon Meringue Pie |
From around the blogs:
- Blueberry buttermilk panna cotta - Delicious Days
- Honey Mousse - Tasting menu
- Vanilla & Cardamom Rice Pudding - Souvlaki For the Soul
Daily Tiffin Reading Tip:
All photographs and written content on What's For Lunch, Honey? © 2006-2008 Meeta Khurana unless otherwise indicated. | All rights reserved | Please Ask First


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By Diana Bentley2022-01-26T00:00:00
Diana Bentley explores the power of artificial intelligence and examines how firms are using AI technology to their advantage
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We offer personal car finance in Pentre-poeth NP10 8 for those who do not want to buy a brand new car outright or simply can't afford to. Personal financing of vehicles is becoming more and more popular.
We have a number of makes and models for you to choose from, which vary in price range and appearance. As professionals, we can help you choose the right motorcar and contract for you by looking into your budget and your preferences.
If you would like to talk to one of our advisors, please complete our enquiry form with your details and we shall get right back to you. You can look here - https://www.best-car-lease-deals.co.uk/brands/kia/newport/pentre-poeth to see how a Kia can be a great option for you.
Getting a vehicle is not a easy decision. From purchasing in full to investing in a motorcar through lease, there are many possible options. You'll have to consider running prices. Cars are among the most costly things that people purchase within their life. You must choose a top rated vehicle financing corporation https://www.best-car-lease-deals.co.uk/finance/vehicle/newport/pentre-poeth as a way to ensure you obtain the very best offers.
While individuals invest time evaluating and contrasting different models and then haggle hard to get the costing down, the amount of individuals who take time to scour the marketplace for the very best motor finance offer is much smaller as a result.
However, paying out over the odds to borrow the cash to buy a vehicle can certainly get rid of any reduction you get on the expense paid and make the vehicle cost a lot more in general. It's important to inspect interest rates and also the costs available to make sure you don't end up paying more than you have to. All our car lease deals are fully authorised and regulated by the Financial Conduct Authority.
Personal Contract Hire is a type of finance which can be set up for individual customers. This type of financing allows individuals to 'rent' the vehicle by paying an upfront deposit followed by fixed monthly payments which are paid throughout an agreed period.
One way of getting a car lease by top rated specialists is making use of Hire Purchase (HP); this calls for payments over 12-60 months following putting down a deposit of 10% in most cases. If you're searching for Personal Contract Hire (PCH), this may be set up through a nearby motorcar dealer closest to you.
For this kind of financing, you will not own the automobile until you have paid the final instalment; this is due to the loan is secured against the vehicle. PCH is probably the most popular types of getting a motorcar financed.
If you're searching for lower monthly instalments, it is recommended to use a personal contract plan in Pentre-poeth NP10 8 which is a type of financing offer on HP. Instead of paying for a vehicle outright, you agree to pay the difference between the sale price and its price for reselling back to the local dealer in your surrounding area.
The annual mileage will have an impact on the regular monthly price. Payments could be spread over 12-36 months instead. If you wish to keep the car once the term is over, you can buy it for the reselling cost; otherwise you can either give the vehicle back or trade it for another vehicle which means that you'll have to start the payments all over again.
Similar to a loan, a PCP financing plan will require putting down an initial deposit in addition to monthly instalments - what individuals like most about this plan is the instalments are typically much smaller in comparison with others. The reason for this is that PCP offers require a big final sum or 'balloon payment' to be paid before the motorcar becomes yours.
It's not just cars that you can personally finance, you may also lease a motorbike or bicycle. Find out more here https://www.best-car-lease-deals.co.uk/options/bike/newport/pentre-poeth Leasing a bike makes it much easier which is why it is so popular.
Getting a car financed through personal financing in Pentre-poeth NP10 8 means you may pay monthly instalments and get servicing within this, providing you do not go further than the particular mileage agreed upon. You've got to give the car back to the dealership once the arrangement ends. In a personal finance contract, the motorcar doesn't ever to you.
The benefits on this is driving at a set monthly cost without any concerns about the motorcar depreciating in worth. We offer Land Rovers https://www.best-car-lease-deals.co.uk/brands/land-rover/newport/pentre-poeth as well other manufacturers that are ideal for what you need.
There is not fixed price when asking the question 'how much does it cost to finance a car?'. There are a range of things you will need to take into account. One of the biggest things that will alter the price is the make and model that you choose.
Obviously certain makes will be cheaper than others. You will also need to decide how long of a period you wish for your finance to be spread over. The longer the contract lasts for the cheaper the monthly instalments will be generally.
As you compare auto financing in Pentre-poeth NP10 8 there are several crucial things to do before you make a final decision. Ensure you are able to afford the monthly instalment. You'll also want to look at various interest rates. Keep in mind a greater deposit will usually mean a more affordable rate of interest.
It is advisable to assess all the charges over the agreement. Insurance coverage like GAP cover and Payment Protection Insurance might be pricey and might not offer full cover, so make sure you consider carefully before you accept this. If you have written your vehicle off and your remaining finance is higher than your car's worth, GAP coverage will pay out.
Beware of early repayment or other fees which start working in the event you go beyond the forecast mileage in personal car finance contract plans (and also private car leasing).
Business Car Finance in Pentre-poeth - https://www.best-car-lease-deals.co.uk/finance/business/newport/pentre-poeth
Vehicle Finance in Pentre-poeth - https://www.best-car-lease-deals.co.uk/finance/vehicle/newport/pentre-poeth
If you'd like to speak to us about financing a new vehicle, please complete our enquiry form which is provided on this page and we will respond with answers to any concerns you may have.
As experts in personal car finance in Pentre-poeth NP10 8 we aim to offer the best deals so that you get the greatest value for money.
We cover Pentre-poeth (Newport)


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Jan 23, 2015 | Carpet One Floor & Home
We had the opportunity to ask Courtney Lake, a premier interior designer in the San Francisco Bay Area, what trends he sees being popular in 2015. Here's what he shared as his 2015 trend predictions for home decor.
BDMS: What do you see as the biggest trend in interior home design for 2015?
The Bay Area has always been an incubator for innovative and artisan home goods designers. I have found that more and more clients are asking for us to search for local artisans. Much like the slow food movement of the last decade, I believe that more of the general public is becoming aware of the amazing crafts-persons in their own backyard thanks to meta shopping sites like Etsy or CustomMade.com. I recently designed a space for a client where we were given the mandate of sourcing without a 50-60 mile radius of the home's location. Because of this parameter, we really dug deep and found some amazing products and artists that I am now quite happy to have on my preferred vendor list. In particular, we were agog over the glass designs from SkLo, the luxe textiles of Jesse Black,and the wood craftsmanship of Blue Collar Built.
BDMS: What are some ways that you will be using this trend in your designs?
Since our Northern California project, we have continued supporting small local artisans in most of our designs. We are in love with the sheeting from Crane & Canopy and the innovative use of materials from company Oxgut Hose. We have used Crane and Canopy bedding in the majority of our projects - it's a great price point for a superior product. It sells itself to our clients plus how often will the CEO of a company hand deliver a product to a client? They will and clients appreciate that kind of service and it goes a long way in building a rapport on all sides.
BDMS: How can the average consumer incorporate this trend into their home?
When clients ask how they can support local artisans, I suggest they do it one of three ways: (1) Visit your local art school or art festival and purchase from the young artists. You can find amazing large scale artwork for a fraction of what a more mature artist costs. I was lucky enough to find emerging painter Heather Day early in her career in a similar way and have been a huge proponent of her work. (2) Look at web sites like CustomMade.com which connects artisans to clients. It's a great way to find local talent and creative a collaborative process to get a product made. Last, (3) I encourage clients to visit their favorite retail stores. I have often found amazing resources by visiting my favorite menswear stores -- remember they have a whole visual team that is tasked with finding interesting items. Think of it as a bonus for buying that sweater you have been eyeing!
About Courtney
Known by many as lively, stylish, and inspired, Courtney Lake is proud to be one of the premier interior designers in the San Francisco Bay Area. Specializing in creating functional and beautiful spaces in the residential market, Courtney also does his share of home staging and photo styling. He is an expert at flawlessly meeting his clients' needs while designing superb spaces with timeless style mixed with a healthy dose of humor.
Learn more about Courtney at MonogramDecor.com.
For more trend predictions and ideas, download the winter issue of our free Beautiful Design Made Simple digital magazine.