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Terms & Conditions
Cinemark Terms & Conditions
These Terms and Conditions govern use of the Cinemark website, the Cinemark mobile app and the Cinemark Movie Rewards Program. The Cinemark website and mobile app (together, the "Site") is an online store where you can participate in the Cinemark Movie Rewards Program and purchase movie tickets, gift cards, Supersavers discounts, and certain merchandise provided by, or through, Cinemark USA, Inc. ("Cinemark," "us," "our," "we") subject to your compliance with the Terms and Conditions set forth below.
The Cinemark Movie Rewards Program is operated by Cinemark. As a member of the Cinemark Movie Rewards Program ("Member"), you are either a member of Movie Fan or Movie Club and are able to collect points and receive rewards and access other Member benefits (see below for details regarding enrollment in and the benefits, of each of Movie Fan and Movie Club.
Acceptance of Terms of Use
Please read the following information carefully before using the Site or the Cinemark Movie Rewards Program. By clicking "I agree to the Terms and Conditions" you agree that you have read and understand these Terms and Conditions and are bound by them, as changed periodically. Cinemark reserves the right, in its sole discretion, to modify, alter, or otherwise update this agreement at any time. By clicking "I agree" when using the Cinemark Movie Rewards Program webpage at cinemark.com or the Cinemark Movie Rewards Program page in the Cinemark mobile app (together, "Movie Rewards Page"), after any changes to these Terms and Conditions have been posted, you accept those changes.
Any changes to the Terms and Conditions will be effective only after the effective date of the change and will not affect any dispute arising prior to the effective date of the change. If you do not agree to any change(s) to the Terms and Conditions, you must notify Cinemark to terminate your Account or you must delete the Cinemark mobile app.
- Enrollment
Enrollment in the Cinemark Movie Rewards Program: To enroll in the Cinemark Movie Rewards Program you must meet the terms for participation established by Cinemark. Once your enrollment is processed and accepted by us, we will establish an account in your name ("Account") and assign you a member identification number ("User ID"). Access to your Account is through the Cinemark website or the Cinemark mobile app. Enrollment is limited to one Account per member per email address.
If you do not enroll in Movie Club (see below), as a Member, you will receive benefits of Movie Fan.
Enrollment in Movie Club: THERE IS A FEE TO ENROLL IN MOVIE CLUB. You need not enroll in Movie Club in order to use Movie Fan. Movie Club is separate and apart from Movie Fan and is subject to additional Terms and Conditions, as set forth in Section 5 below. You are neither automatically enrolled nor are required to enroll in Movie Club—you will be enrolled only if you elect to do so.
Please see below for additional terms and conditions related to Movie Club.
- Participation: Enrollment, membership, and all related benefits of Cinemark Movie Rewards Program are offered at our discretion.
You consent to our collection and use of your personal information in accordance with our Privacy Policy.
Cinemark reserves the right to unilaterally modify, suspend, or discontinue all or any portion of the Cinemark Movie Rewards Program in accordance with these Terms and Conditions. The financial terms of the Cinemark Movie Rewards Program and certain Rewards, as described below, as subject to change, including for example, for special or limited offers, so check the Movie Rewards page often.
You may not sell, exchange, charge or otherwise dispose of any points or Member benefits except in accordance with these Terms and Conditions.
- Rewards under the Cinemark Movie Rewards Program
Members earn 1 point for every dollar spent prior to applicable sales tax. A Member may be able to redeem accrued points for benefits which may include, among other things, tickets, upgrades, discounts, coupons, special offers, screenings, digital downloads and other Member-only benefits ("Reward(s)"). Certain Rewards are offered on a first-come, first-served basis due to limited quantities. Available Rewards are subject to change and may be subject to age-related restrictions solely at our discretion.
3.1 Earning Points: Points are earned through making purchases on the Site and at participating Cinemark locations. At times, points may be earned via interactions with the Site or Cinemark social media accounts. Points may not be earned or accrued by any deposit or transfer of funds to your Account.
In order to qualify to accrue points, you must identify yourself as a Member by presenting your User ID or required information when dealing with the Site and participating Cinemark locations.
Points that you accrue as a result of your transactions with the Site and participating Cinemark locations will be posted to your Account. Points will normally be posted to your Account within twenty-four (24) hours from the time of your purchase from the Site or participating Cinemark location, but we do not assume any liability for a failure to do so in a timely manner. You are solely responsible for checking your Account regularly to ensure that your points are properly credited. If proper credit does not appear on your activity statement, you should contact us via the Site and then provide any requested documentation to verify your purchase. We reserve the right to determine whether points should have been posted to your Account and to adjust your Account accordingly.
Some Cinemark locations may not participate in the Cinemark Movie Rewards Program. Membership entitles you to earn points only from those Cinemark locations in the United States participating in the Cinemark Movie Rewards Program. We may refuse to record or honor points in your Account, or if already recorded, we may cancel them, if we cannot confirm that they were properly issued or obtained. We may also cancel recorded points if the point-issuing Cinemark location tells us to cancel the points (for example, because you returned or did not pay for products or services for which the points were issued). Neither we nor any participating Cinemark location is responsible for any Reward or offer which is no longer in effect.
If you believe that any Account summary showing the number of points in your Account is in error, you must notify the point-issuing Cinemark location, or contact us through cinemark.com, within thirty (30) days of the date the point was or should have been issued or it will be deemed correct. You may be required to submit documentation (such as receipts) to support your claim. Members are responsible for emailing [email protected] to request points be added back for accidental redemption. However, we do not guarantee that points will be added back as requested.
Points are not redeemable for cash. Points are not eligible for re-sale or exchange. Points may not be used towards the purchase of a Gift Card or alcohol.
There is a 24-hour daily points cap operating as follows: a maximum of 500 points or points on a maximum of 10 transactions may be earned within a 24-hour period.
Points may be earned for restaurant purchases, excluding alcohol, at participating Cinemark locations. The Cinemark Movie Rewards Program points are not redeemable for discounts wherever prohibited by state law, including, for example, for alcoholic beverages, dairy, etc.
Alcohol and gift card purchases are ineligible to earn points. However, points can be earned for purchases using a gift card.
Points are awarded based on the pre-tax subtotal of your transaction. The value of points given will be equivalent to the pre-tax dollar value of your purchase, rounded up to the nearest whole dollar for all transactions with 49 cents or less in change and rounded down to the nearest whole dollar for all transactions with a change of 50 cents or more.
Points earned for purchasing an advance ticket are placed in a "pending status" basket until the showtime has passed. If the ticket has not been refunded, the points will be added to the Account. If the ticket has been refunded, the points will be removed from the "pending status" basket and not added to the Account.
3.2 Adjustments: In the case of any failure by you to follow these Terms and Conditions or any other fraud or abuse related to the Cinemark Movie Rewards Program, including but not limited to your engaging in a pattern of returning or canceling products or services after the corresponding points have been credited, as determined by us in our sole discretion, we reserve the right to make any adjustments to your Account at any time and to take appropriate administrative or legal action. In such a case, some or all of your points earned through Movie Fan may be forfeited and your Account closed, and we reserve the right to seek reimbursement from you for the cost of any Reward you received upon redemption of points that are subsequently deducted from your Account.
3.3 Redemption of Points; Rewards: Rewards are offered on a first-come, first-served basis due to limited quantities. Rewards will be removed from the "Rewards Carousel" once the limited capacity is met. We assume no liability for any delay in the removal of Rewards having met capacity. To redeem points to receive Rewards, you must log in to your Account. On the Movie Rewards Program Page in the Site, available Rewards will appear in the "Rewards Carousel." Your points will automatically be applied to the transaction when you click "Redeem." Once you have redeemed points, you must follow any additional instructions appearing on the Rewards page in order to receive your Reward. Rewards may at times be provided by film studios. In these situations, the studios and not Cinemark control the nature, amount, and timing of the Rewards.
Points redeemed are applied on a first in, first out basis.
Members can redeem applicable number of points for 2D movie tickets ("Movie Ticket Reward") as part of the Cinemark Movie Rewards Program. Upcharges may apply for any non-2D or premium format tickets. Movie Ticket Rewards issued to Movie Fan members will expire 90 days after issuance and will no longer be valid. Movie Ticket Rewards issued to Movie Club members will never expire so long as the member retains active Movie Club status. Should a Member cancel his/her Movie Club membership, Movie Ticket Rewards will expire 6 months from the date of cancellation. If a ticket purchased using a Movie Ticket Reward is refunded, the Movie Ticket Reward will revert back to the original expiration date at issuance as applicable to the Movie Fan or Movie Club membership.
Movie Ticket Rewards must be used before any Movie Club Credit (defined later) can be used.
Members can redeem points for additional XD upgrades, concession discounts, collectible items, digital downloads, sweepstakes/contests and exclusive Member-only sales and events.
Points may at times be redeemable for coupons. Each coupon is valid for one item only. There is a limit of one coupon per transaction. The coupon code and barcode must be visible for use. You may upgrade a free concession item to a larger size of the same item if you pay the difference in value between the item as listed on the coupon and the value of the larger sized item. Coupon offers are valid with Cinemark's Annual Refillable Drink Cup and Popcorn Tub when applicable. Unless specified, coupons are not valid with any other promotions or discounts. Concession coupons may be combined with the concession discount available to Movie Club members, but that any coupons will be applied prior to the application of any concession discount. Coupons are not valid for re-sale. Coupons may not be used for free or discounted purchases of alcoholic beverages. Coupons have cash value of 1/100th of one cent, and are not redeemable for cash or eligible for re-sale or exchanges.
Points may at times be redeemable for digital downloads. Upon redemption of points for a digital download, the Member will be provided a code and a link to a third-party site. Use of such links is subject to the provisions of the "Links" section below.
Members may at times have access to enter sweepstakes being conducted by Cinemark. Any such sweepstakes will be conducted separate and apart from the Cinemark Movie Rewards Program and governed entirely by its own terms and conditions. Alternate means of entry to any such sweepstakes will be available by visiting the Site.
Physical items issued as Rewards may be limited to one Reward per Member. The one-Reward limit applies regardless of the number of points in the Account at the time and immediately after points are redeemed for a given Reward.
If points are redeemed for a physical Reward, the item will be fulfilled within 30 days of redemption. If the item received is damaged, the Member must provide photographic documentation of the damage to our guest services department at Contact Us. Points will not be refunded once an item has been sent to the fulfillment center for processing. If an item is proved to be damaged, Cinemark will offer the following: (1) a replacement item of the same type, provided available; (2) a replacement item of a similar type (eg. an Incredibles water bottle replaced by a Jurassic World water bottle); (3) a replacement item of the same or equal retail value. If Member does not accept any of the replacement items, points will be refunded to the Account. The size of Rewards received upon redemption of points is not guaranteed (for example, if the Reward offered is a T-shirt, Cinemark does not guarantee the Member will receive their preferred T-shirt size). Points will not be refunded based on sizing issues. Points will be refunded to the Account if the item has not been delivered within 60 days of redemption.
Members may be invited to redeem points for "Birthday Rewards." Birthday Rewards are only redeemable one time per twelve-month period. Members must present their User ID and a separate valid form of identification at the time of redemption. Birthday Rewards are subject to change.
Points will expire if not redeemed within a twelve-month period. At the time of expiration, all points will be forfeited. Membership is not terminated upon expiration and forfeiture of points, and the Member can continue to accrue points through his/her Account.
We will not be taken to have waived any of our rights even if we allow redemption of points or honor Rewards when not required.
3.4 Discontinuation; Suspension; Account Closure: To be considered active, a Member must have scanned his/her User ID or earned a Reward within the preceding twelve months. We may, in our sole discretion, at any time and without prior notice:
(i) Discontinue transmitting all or any part of the Content (as defined below) related to the Cinemark Movie Rewards Program;
(ii) Change, discontinue or limit access to the Cinemark Movie Rewards Program or any functionality, feature or other component of the Cinemark Movie Rewards Program; or
(iii) Suspend or terminate your use of or access to your Account, upon giving you notice of such suspension or termination, if we reasonably believe you have breached these Terms and Conditions.
You may elect to close your Account at any time by notifying our guest services department at Contact Us. Upon closure, any rights to redeem points from that Account are lost.
3.5 Termination, Changes, and Breach: We may change any aspect of the Cinemark Movie Rewards Program including issuing and redemption procedures or any Rewards in any respect, all without notice. For example, but without limitation, we may add, delete or change participating Cinemark locations, time limits for collection, redemption or use of points or Rewards; redemption conditions or procedures; or the value of purchases required for particular Rewards. Any changes will be effective only after the effective date of the change and will not affect any dispute arising prior to the effective date of the change. If:
- no points are recorded in your Account for twenty-four (24) months;
- you commit fraud;
- you misrepresent any information;
- you violate any Terms and Conditions;
- you abuse your Cinemark Movie Rewards Program privileges; or
- you act in any other way to the detriment of us, our participating Cinemark locations, or the Cinemark Movie Rewards Program,
we may, without affecting our other rights, terminate your enrollment and/or cancel your points and disclose only appropriate information requested by proper authorities. If points expire or are cancelled for any reason, they become void without compensation.
- Use of the Site and the Cinemark Movie Rewards Program
4.1 Disclaimers:
NO POINTS MAY BE REDEEMED UNTIL THEY HAVE BEEN CREDITED TO THE MEMBER'S ACCOUNT. POINTS AND REWARDS HAVE A VALUE OF ONE 100TH OF ONE CENT, CANNOT BE CONVERTED INTO ANY CURRENCY, AND MAY BE CANCELED AT ANY TIME. SPECIFIC REWARDS MAY EXPIRE UNDER THE TERMS OF THE PROMOTIONAL PROGRAMS ESTABLISHED BY EACH PARTICIPATING CINEMARK LOCATION. Transactions upon which points are earned or redeemed and all Rewards are subject to all applicable legal rules and the terms and conditions set by the participating Cinemark locations, the Site, and third party websites accessed by a link in the Cinemark Movie Rewards Program page.
4.2 No Warranty: THE SITE AND THE CINEMARK MOVIE REWARDS PROGRAM, INCLUDING ALL CONTENT, SOFTWARE, FUNCTIONS, MATERIALS, MERCHANDISE, AND INFORMATION MADE AVAILABLE TO YOU OR ACCESSED BY YOU, IS PROVIDED "AS IS." TO THE FULLEST EXTENT PERMISSIBLE BY LAW, CINEMARK MAKES NO REPRESENTATION OR WARRANTIES OF ANY KIND WHATSOEVER FOR THE CONTENT OF THE SITE, THE CINEMARK MOVIE REWARDS PROGRAM, OR THE MATERIALS, INFORMATION, OR FUNCTIONS MADE ACCESSIBLE. CINEMARK ASSUMES NO RESPONSIBILITY WHATSOEVER AND SHALL NOT BE LIABLE FOR THE USE OF THE SITE OR THE CINEMARK MOVIE REWARDS PROGRAM, INCLUDING, WITHOUT LIMITATION, THE CONTENT AND ANY ERRORS CONTAINED THEREIN. CINEMARK SHALL NOT BE LIABLE FOR ANY FAILURE OF THE SITE OR THE CINEMARK MOVIE REWARDS PROGRAM ARISING OR RESULTING FROM ACTS OR EVENTS BEYOND THE CONTROL OF CINEMARK.
4.3 Limitations of Liability: UNDER NO CIRCUMSTANCES SHALL CINEMARK HAVE ANY RESPONSIBILITY OR LIABILITY FOR ANY EXPENSE, LOSS, COST, INJURY, DAMAGE, DELAY, ACCIDENT OR ANY OTHER MATTER OR THING WHATSOEVER (COLLECTIVELY, "COSTS"), HOWEVER SUFFERED OR CAUSED (INCLUDING COMPENSATORY, INCIDENTAL, INDIRECT, SPECIAL, PUNITIVE, CONSEQUENTIAL OR EXEMPLARY DAMAGES OR DAMAGES FOR LOSS OF INCOME OR PROFITS), DIRECTLY OR INDIRECTLY ARISING OUT OF OR RELATED TO (I) THE CINEMARK MOVIE REWARDS PROGRAM OR YOUR PARTICIPATION IN THE CINEMARK MOVIE REWARDS PROGRAM; (II) ANY FAILURE, DELAY OR DECISION BY US IN ADMINISTERING MOVIE REWARDS OR AMENDING THESE TERMS AND CONDITIONS OR THE BASIS ON WHICH YOU CAN REDEEM POINTS; (III) UNAUTHORIZED USE OF YOUR ACCOUNT OR USER ID; (IV) ANY PRODUCT, SERVICE, OFFER, REPRESENTATION, STATEMENT OR CLAIM ABOUT THE CINEMARK MOVIE REWARDS PROGRAM MADE BY A PARTICIPATING CINEMARK LOCATION OR ANY OF THEIR EMPLOYEES, OR ANY OTHER PERSON; (V) THE PURCHASE, REDEMPTION FOR OR USE OF ANY GOODS OR SERVICES OF PARTICIPATING CINEMARK LOCATIONS; OR (VI) YOUR USE OF, OR INABILITY TO USE, THE SITE OR THE MERCHANDISE. THIS APPLIES EVEN IF WE OR OUR REPRESENTATIVES ARE ADVISED OF THE POSSIBILITY OF SUCH COSTS. Some jurisdictions do not allow the exclusion or limitation of liability for consequential or incidental damages. In such jurisdictions, our liability is limited to the greatest extent permitted by law, or $20, whichever is less.
4.4 Indemnification: You agree to indemnify and hold Cinemark harmless from and against any and all liabilities and costs incurred in connection with any claim directly or indirectly arising out of or related to, any breach by you of these Terms and Conditions, including without limitation, attorneys' fees and costs. Cinemark reserves the right, at its own expense, to assume the exclusive defense and control of any matter otherwise subject to indemnification by you. You further agree to cooperate as requested by Cinemark in the defense of any claim. You shall not in any event settle any claim without the written consent of Cinemark.
4.5 Member Obligations; Prohibited Actions: You agree that you will not, and will not permit others to:
(i) Provide any unauthorized third party with access to the Site, the Cinemark Movie Rewards Program or any information, data, text, links, images, software, chat, communications and other content available through the Internet and proprietary to Cinemark (collectively, "Content") by any means;
(ii) Modify, reverse engineer, reverse assemble decompile, reduce to human perceivable form or create derivative works based on the Site, the Cinemark Movie Rewards Program or any of the software applications used by you in connection with your use of the Site or the Cinemark Movie Rewards Program;
(iii) Engage in any activity that does not comply with U.S. law or other applicable law and regulations (including federal, state and local laws and regulations and regulations of regulatory or administrative organizations) or otherwise engage in any illegal, manipulative or misleading activity through the use of the Site or the Cinemark Movie Rewards Program;
(iv) Disable any licensing or control features of the Site;
(v) Introduce into the Site or into the Cinemark Movie Rewards Program any virus or other code or routine intended to disrupt the Site or the Cinemark Movie Rewards Program, alter or delete its Content, access confidential Content on the Site or the Cinemark Movie Rewards Program, retrieve or record information about the Site or its users, or interfere with the operation of the Site or the Cinemark Movie Rewards Program , including, but not limited to, distribution of unsolicited advertising or mail messages and propagation of computer worms and viruses;
(vi) Merge the Site or the Cinemark Movie Rewards Program with another program or create derivative works based on the Site or the Cinemark Movie Rewards Program;
(vii) Post any material in any form whatsoever on the Site or within the Cinemark Movie Rewards Program that is defamatory, obscene or otherwise unlawful or violates any third party's right of privacy or publicity;
(viii) Sublicense, assign, translate, rent, lease, lend, resell for profit, distribute or otherwise assign or transfer the content of or access to the Site or the Cinemark Movie Rewards Program to others;
(viii) Infringe any third party's patent, copyright, service mark, trademark or other intellectual property right of any kind or misappropriate the trade secrets of any third party in connection with your use of the Site or the Cinemark Movie Rewards Program, or remove, obscure, or alter any notice of the copyright or other proprietary legends on the Site or the Cinemark Movie Rewards Program; or
(ix) Otherwise act in a fraudulent, illegal, malicious or negligent manner when using the Site or the Cinemark Movie Rewards Program. Except as expressly provided herein, Cinemark reserves all rights with respect to the Site and the Cinemark Movie Rewards Program, and may pursue all legally available options under both civil and criminal laws (and may cooperate with law enforcement agencies) in the event of any violations.
You recognize the great value of the goodwill associated with the Site and with the Cinemark Movie Rewards Program and acknowledge that the Site, the Cinemark Movie Rewards Program and all rights therein and goodwill pertaining thereto belong exclusively to Cinemark. You further agree that it is critical that such goodwill be protected and enhanced and, toward this end, you shall not during the term of your membership in the Cinemark Movie Rewards Program or thereafter:
(i) Attack the title or any rights of Cinemark in or to the copyrights, trademark, and other intellectual property in the Site or the Cinemark Movie Rewards Program;
(ii) Do anything either by an act of omission or commission which might impair, violate or infringe the copyright, trademarks, and other intellectual property in the Site or the Cinemark Movie Rewards Program;
(iii) Claim (adversely to Cinemark or anyone claiming rights through Cinemark) any right, title or interest in or to the copyright, trademarks, and other intellectual property in the Site or the Cinemark Movie Rewards Program;
(iv) Misuse or harm the copyright, trademarks, and other intellectual property in the Site or Movie Rewards or bring the Site or the Cinemark Movie Rewards Program into disrepute;
(v) For its benefit, directly or indirectly, register or apply for registration of Cinemark's trademarks or any mark which is, in Cinemark's reasonable opinion, the same as or confusingly similar to any of Cinemark's trademarks; and/or
(vi) For its benefit, directly or indirectly, register, maintain or apply for registration of a domain name which is, in Cinemark's reasonable opinion, the same as, confusingly similar to or incorporates any of the Cinemark's trademarks.
4.6 Copyright; Trademarks: Cinemark, or the applicable third party owner, retains all right, title and interest to and under all patents (including all reissues, divisions, continuations and extensions of such patents) patent applications, trademarks, trademark registrations service marks, trademark registration applications, trade names, domain names, all other names and slogans embodying business, product or service goodwill, copyrights, computer software, specifications, data, designs, trade secrets, technology, diagnostic tools, inventions, know-how, processes and confidential and proprietary information and any other intellectual property or other right, in all information and content (including all text, data, graphics, and logos) on the Site and the Movie Rewards Page. Except as provided in these Terms and Conditions, you are strictly prohibited from modifying, copying, transmitting, distributing displaying, performing, reproducing, publishing, licensing, framing, creating derivative works from, transferring or otherwise using in any other way for commercial or public purposes, in whole or in part, any information, text graphics, images, video clips, directors, databases, listing or software obtained from the Site or the Movie Rewards Page without the prior written consent of Cinemark. Systematic retrieval of content from the Site or the Movie Rewards Page to create or compile, directly or indirectly, a collection, compilation, database or directory (whether through robots, spiders, automatic devices or manual processes) or creating links to the Site or the Movie Rewards Page without written permission from Cinemark is strictly prohibited.
Nothing on the Site or the Movie Rewards Page shall be interpreted as granting, by implication, estoppel, or otherwise, any license or right to use any image, trademark, logo or service mark on the Site or the Movie Rewards Page. Unless otherwise specified, the Site and the Movie Rewards Page are for your personal and non-commercial use only and you may print, copy and download any information or portion of the Site or the Movie Rewards Page for your personal use only. Copying or downloading material from the Site or the Movie Rewards Page does not transfer title to any material on the Site or the Movie Rewards Page to you. If you copy or download any information or software from the Site or the Movie Rewards Page, you agree that you will not remove or obscure any copyright or other notices or legends contained in any such information. You are prohibited from using any marks for any purpose, including, but not limited to, use in advertising or publicity pertaining to distribution of materials on the Site or use as metatags on other pages or sites on the World Wide Web without the written permission of Cinemark or such third party, which may own the marks. You are not authorized to use our logo as a hyperlink to the Site unless you obtain Cinemark's written permission in advance, although we permit you to use our logo as a hyperlink to certain designated features of the Site for designated purposes.
You agree to grant Cinemark an irrevocable, non-exclusive, worldwide, royalty-free, sublicensable, transferable license to use, copy, display, distribute, perform, transmit, publish, broadcast, and prepare derivative works upon, anything transmitted to the Site or the Movie Rewards Page by you.
Cinemark reserves all rights to copyright and trademark ownership of its material at the Movie Rewards Page and will enforce such rights to the full extent of the law.
4.7 Social Media Features: The Site, including the Movie Rewards Page, may provide certain social media features that enable you to:
- Link certain content on the Site to certain third-party websites.
- Send emails or other communications with certain content, or links to certain content, on the Site.
- Cause limited portions of content on the site to be displayed or appear to be displayed on your own or certain third-party websites.
You may use these features solely as they are provided by us, solely with respect to the content they are displayed with, and otherwise in accordance with any additional terms and conditions we may provide with respect to such features. You agree to cooperate with us in causing any unauthorized framing or linking to cease immediately. We reserve the right to withdraw without notice any linking permission. We may disable all or any social media features and any links at any time, without notice, in our discretion.
4.8 Privacy; Collection and Use of Certain Information: These Terms and Conditions incorporate our Privacy Policy.
4.9 Passwords: When this Agreement has been accepted and agreed to by you, the password that you create will soon be activated and enable you to access your Account. Passwords may not be shared or used by more than one individual. Any transfer of passwords to, or use of passwords by, an unauthorized person is strictly prohibited. You will maintain the confidentiality of the User IDs and passwords by which you access the Site, and will allow access to the Site and the Cinemark Movie Rewards Program only by authorized persons, and not by any program, expert system, electronic agent, "bot" or other automated means. You acknowledge that neither Cinemark nor any third party will contact you to solicit your User ID, or password. Therefore, you should not provide your User ID or password to any person whom you do not authorize to use your Account. Any use of your assigned user IDs or passwords will be deemed to be your use. Remember to choose a strong password, including numbers, capital letters, special characters, etc., and one that is not typically found in a dictionary. You may never use someone else's account, username or password without permission. When creating your Account, you must provide accurate and complete information. In the event your password is lost or stolen it is your responsibility to notify Cinemark as provided in the Contact Us section. YOU ARE RESPONSIBLE FOR MAINTAINING THE CONFIDENTIALITY OF YOUR PASSWORD AND ACCOUNT, AND YOU AGREE THAT YOU ARE FULLY RESPONSIBLE FOR ALL ACTIVITIES THAT OCCUR UNDER YOUR PASSWORD OR ACCOUNT, AND THAT CINEMARK HAS NO LIABILITY FOR ANY ACTIVITIES THAT OCCUR UNDER YOUR PASSWORD OR ACCOUNT.
If you become aware of any breach of security through your Account, you must immediately change your password and notify us of such breach. You agree that, unless you have first notified us immediately of any such breach, we should assume that any instruction transmitted using your User ID and password is yours and has been authorized by you, and we will have no obligation to inquire into the propriety of such instruction. You will not permit any use of the Site or the Cinemark Movie Rewards Program that would damage, interfere with or unreasonably overload the Site and/or the Cinemark Movie Rewards Program.
4.10 Exclusions and Limitations; Consumer Protection Notice: If you are a consumer, the provisions in this Agreement are intended to be only as broad and inclusive as is permitted by the laws of your State of residence. If you are a New Jersey consumer, the terms of the provisions relating to third-party links herein do not limit or waive your rights as a consumer under New Jersey law and the provisions in these Terms and Conditions are intended to be only as broad and inclusive as is permitted by the laws of the State of New Jersey. In any event, Cinemark reserves all rights, defenses and permissible limitations under the law of your State of residence.
4.11 Shipping of Rewards and Site Purchases: Cinemark (or its vendor) will only ship to addresses located in the United States. We do not ship to P.O. Boxes. When you redeem the Cinemark Movie Rewards Program points for physical rewards, or make purchases on the Site for gift cards, Supersavers, or merchandise, you must provide a valid mailing address for shipment. It is your obligation to provide full shipping information at the time of redemption of points for or purchase of a physical item in order to receive the item. Failure to do so may result in the loss of the Cinemark Movie Rewards Program points and/or the physical Reward for which the points were redeemed. Cinemark will not use the address provided for any marketing purposes.
4.12 Payments and Refunds of Site Purchases: In using the Site, you agree to pay the amounts owed to Cinemark via Visa, MasterCard, Discover, and American Express credit cards only. At this time, we are not accepting any other method of payment.
If you purchase tickets on the Site with a registered account you can receive a refund at cinemark.com for the purchase price of the ticket (excluding any service charge) up to two hours prior to the start of the showtime. In the rare situations when a show is cancelled, you will be entitled to a refund for the full purchase price of your tickets, including any service charges. At the theatre, a full refund can be given up to the start time of the showtime. In these situations please notify our guest services department at Contact Us and include the theatre, movie, showtime, email address and your confirmation number.
Please refer to the FAQ page at cinemark.com for further details regarding the refund procedures.
4.13 Links: Although Cinemark controls a few hyperlinks in the Site, some links within the Site may lead to third-party sites. In addition, some Rewards can be claimed through links provided by movie studios or other third parties, which links Cinemark may pass through to you. Cinemark includes these third-party links solely as a convenience to you. The presence of a link does not imply an endorsement of the linked site, its operator, or its contents, or that Cinemark is in any way affiliated with the linked site. The Site does not incorporate any materials appearing in such linked sites by reference. Cinemark reserves the right to terminate a link to a third party web site at any time. The third party sites are not controlled by Cinemark, and may have different terms of use and privacy policies, which Cinemark encourages you to review. Cinemark has no responsibility for the content of any third party web site, and provides such links on an "AS IS" basis. UNDER NO CIRCUMSTANCES SHALL CINEMARK BE LIABLE FOR ANY DIRECT OR INDIRECT, SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES THAT MAY ARISE FROM YOUR USE OF, OR INABILITY TO USE, ANY THIRD PARTY SITE.
4.14 Must be At Least 13 Years Old to Use the Site and at Least 16 Years Old to be a Movie Fan and Movie Club Member: If you are at least thirteen (13) years old but not of legal age to enter agreements, you MUST have permission from your parent or guardian to use the Site and to become a member of either Movie Fan or Movie Club. Cinemark makes no active effort to collect personal information from individuals under the age of 13. You must ensure that content you provide on any website or social media platform in connection with attempting to earn the Cinemark Movie Rewards Program points is acceptable for viewing by users who might not be adults.
4.15 Controlled from the United States: The Site and the Cinemark Movie Rewards Program are controlled from offices within the United States. Cinemark makes no representation that content or materials in the Site or the Cinemark Movie Rewards Program are appropriate or available for use in other jurisdictions. Access to the Site, the Cinemark Movie Rewards Program, content, or materials from jurisdictions where such access is illegal is strictly prohibited. If you choose to access the Site or the Cinemark Movie Rewards Program from other jurisdictions, you do so at your own risk. You are always responsible for your compliance with applicable laws. THE LAWS OF TEXAS WILL GOVERN THE CONTENT AND MATERIALS CONTAINED IN THE SITE AND the Cinemark Movie Rewards Program, WITHOUT GIVING EFFECT TO ANY PRINCIPLES OF CONFLICTS OF LAWS AND EXCLUDING THE UNITED NATIONS CONVENTION ON THE INTERNATIONAL SALE OF GOODS. YOU AGREE TO SUBMIT TO THE EXCLUSIVE JURISDICTION OF THE STATE AND FEDERAL COURTS OF DALLAS, TEXAS IN RELATION TO ANY CLAIM, DISPUTE, OR DIFFERENCE ARISING FROM THESE TERMS, AND YOU AGREE TO WAIVE ANY RIGHT OF REMOVAL OR TRANSFER WHETHER DUE TO FORUM NON CONVENIENS OR OTHER REASON.
4.16 Not Authorized to do Business in Every Jurisdiction: Cinemark is not authorized to do business in every jurisdiction. Information published on the Site or the Cinemark Movie Rewards Program may contain references or cross-references to goods or services that are not available in your state or country. If you click on our International link, you can see the countries where Cinemark currently does business. There is a separate Cinemark web site for each country, which is subject to its own terms and conditions and privacy policy.
4.17 English Language: The official text of these Terms and Conditions or any notice provided hereunder shall be in English. In the event of any dispute concerning the construction or meaning of these Terms and Conditions, reference shall be made only to these Terms and Conditions as written in English and not in any translation into another language.
4.18 Arbitration: Except as prohibited by law, unless we otherwise elect, any dispute regarding these Terms and Conditions, including validity, existence, binding effect, interpretation, performance, breach or termination, and including tort claims, shall be referred to and finally determined, to the exclusion of the courts, by a single arbitrator. Disputes shall be resolved by final and binding arbitration in accordance with the JAMS Inc. Comprehensive Arbitration Rules & Procedures then in effect. There shall be no right or authority for any claims to be arbitrated on a class action basis. The arbitration shall take place in Dallas, Texas, in English or at the option of the party seeking relief, online, by telephone, online, or via written submissions alone, and be administered by JAMS. The arbitral tribunal ("Tribunal") shall be composed of one arbitrator, who shall be independent and impartial. If the parties fail to agree on the arbitrator within twenty (20) calendar days after the initiation of an arbitration hereunder, JAMS shall appoint the arbitrator in accordance with the rules. The decision of the arbitrator will be final and binding on the parties. Judgment on any award(s) rendered by the arbitrator may be entered in any court having jurisdiction thereof. Nothing in this Section shall prevent either party from seeking immediate injunctive relief from any court of competent jurisdiction, and any such request shall not be deemed incompatible with the agreement to arbitrate or a waiver of the right to arbitrate. The parties undertake to keep confidential all awards in their arbitration, together with all confidential information, all materials in the proceedings created for the purpose of the arbitration and all other documents produced by the other party in the proceedings and not otherwise in the public domain, save and to the extent that disclosure may be required of a party by legal duty, to protect or pursue a legal right or to enforce or challenge an award in legal proceedings before a court or other judicial authority. The arbitrator shall award all fees and expenses, including reasonable attorney's fees, to the prevailing party. Any judgment rendered by the arbitrator may be entered in any court of competent jurisdiction.
Members may choose to opt out of the agreement to arbitrate by mailing a written opt out notice ("Notice") to Cinemark. The Notice must be postmarked no later than thirty (30) days after the date you accept these Terms and Conditions for the first time. The Notice must be mailed to Cinemark Corporate Headquarters located at 3900 Dallas Parkway, Plano, Texas 75093 to the attention of the Legal Department. This procedure is the only mechanism by which you can opt out of the agreement to arbitrate. Opting out of the agreement to arbitrate has no effect on any other parts of these Terms and Conditions, or any previous or future arbitration agreements that you have entered into with Cinemark.
4.19 Entire Agreement; Severability: These Terms and Conditions and the Privacy Policy, which is hereby incorporated into this Agreement by reference, constitute the entire agreement between you and us regarding your use of the Site, your participation in the Cinemark Movie Rewards Program , your entitlement to collect and redeem points, and your entitlement to Rewards and any other benefits of the Cinemark Movie Rewards Program, and supersede all previous versions or prior agreements oral or written, and any other communications relating to the subject matter of this Agreement. Except as expressly contained in these Terms and Conditions, there are no conditions, representations, warranties, express or implied, statutory or otherwise. When you deal with us over the Internet, you consent to the formation of contractual relations through electronic communications. We are the final authority as to the interpretation of these Terms and Conditions and as to any other questions or disputes regarding the Site, the Cinemark Movie Rewards Program or any Reward. All materials and any notices from us will be sent to your address as in our records; please notify us if your address changes. The Site, the Cinemark Movie Rewards Program, all rules and Terms and Conditions are governed by the laws of Texas. If any provision of these Terms and Conditions is invalid or unenforceable, such provision shall not affect the validity and enforceability of the remaining Terms and Conditions.
- Use of Movie Club
5.1 Program Overview. Enrollment in the Movie Club program is on the basis of a monthly membership fee ("Membership Fee") as stated on our Movie Rewards page. An active Movie Club member ("Movie Club Member") will receive one credit ("Credit") per month valid for one regular 2D movie ticket. Additionally, Movie Club Members will also receive special members-only discounts on concessions at participating theaters.
When you enroll in Movie Club you will receive a monthly credit redeemable for one (1) regular 2D movie ticket at participating Cinemark theatres (and except in certain Cinemark theatres where an upcharge may be added) and will be able to access members-only pricing on tickets and concessions. Credits can also be redeemed for concession purchases as stated on our Credits for Snacks page.
Movie Club Members are automatically enrolled in the Cinemark Movie Rewards Program. As such, Movie Club Members are subject to the Terms and Conditions set forth in Sections 3 and 4 above. In addition, the following Terms and Conditions apply. If there is a conflict between any terms in Sections 3 and 4 and this Section 5, the terms of this Section 5 shall control.
Movie Club Members who meet the qualifying criteria set forth on Cinemark.com/movieclubplatinum within a calendar year will qualify for Movie Club Platinum membership ("Movie Club Platinum Member"). Identifiable customer transactions qualify as progress towards Platinum status, like purchasing tickets logged in to your account on Cinemark.com or scanning your CMR QR code at the box office. Must be a full paying Movie Club Member to achieve Platinum status. Platinum membership benefits begin immediately upon qualification, and last through the end of the following calendar year. Members can continue to earn Platinum Membership each calendar year to maintain benefits. Occasional promotional periods with lower qualification requirements may be utilized. Visit Cinemark.com/movieclubplatinum for the most up to date qualification requirements.
Movie Club Platinum Members receive two (2) free bonus Credits immediately upon qualification, valid for two (2) regular 2d movie tickets or concession purchases. Movie Club Platinum Members also receive additional member-only discounts on concessions and the ability to purchase additional tickets at member prices.
5.2 Enrollment, Renewal, and Cancellation. Purchase is required for enrollment in Movie Club. Movie Club Members must be enrolled in the Cinemark Movie Rewards Program (however, enrollment in Movie Fan does not require enrollment in Movie Club and there is no purchase required for enrollment as a Movie Fan member). The Membership Fee may vary based on zip code and may or may not include applicable taxes. The Membership Fee and terms of enrollment will not be changed during the course of the membership term. However, Cinemark reserves the right to change the Membership Fee and terms of enrollment at the time of the membership renewal. If the Membership Fee and terms of enrollment are changed, Cinemark will send an e-mail notification to Movie Club Members prior to renewal with instructions for termination of the Movie Club account ("Movie Club Account").
Renewal of the Movie Club membership is automatic, and membership will renew for the same original time period unless changed by Member . Cinemark will charge the credit card on record for the Membership Fee, typically on the 30th day of the billing cycle for monthly membership , or the 30th day of the 11th month for annual membership automatic renewal. Cinemark will send the Member an e-mail notification thirty (30) days prior to charging the credit card for an annual membership renewal The exact date for the next automatic billing will be displayed on the Member profile page of the Movie Club Account.
The Subscription Member is responsible for keeping the credit card information updated on the Movie Club Account. If the credit card on record cannot be charged, the Movie Club Account will be cancelled and Cinemark will send an e-mail to the Subscription Member notifying the cancellation of the Movie Club Account effective as of the date of renewal.
A Movie Club Account is active and available for use immediately upon receipt of the confirmation email acknowledging creation of a Movie Club Account. Enrollment is limited to one Movie Club Account per Movie Club Member per email address. Cinemark requires that Movie Club Members be at least sixteen (16) years of age.
There is no required minimum enrollment period. Movie Club Members may cancel membership at any time through the profile management page. The cancellation will be effective from the billing cycle following the effective date of cancellation. The Membership Fee cannot be refunded. All unused Credits remaining in the Movie Club Account expire six (6) months from the date of cancellation.
5.3 Use of Credits. Movie Club Members will receive one (1) Credit valid for one (1) regular 2D movie ticket during each month of membership. Except in certain theatres where an upcharge may be added, each Credit may be redeemed for one (1) regular 2D movie ticket or the Membership Fee paid for the Credit, whichever is higher. The Credit can be used to book tickets at any participating Cinemark theatre. Credits may be redeemed only for regular 2D tickets; upcharges will apply for any non-2D or premium format tickets.
Credits may also be redeemed at the concession stand for food and beverage items, excluding alcohol. The monthly membership fee PLUS any tax paid will be applied to the concession total. If a concession purchase is refunded, credit will automatically be added back to the Member's Movie Club account.
Unused credits ("Rollover Credits") rollover into the following month. Rollover Credits continue to rollover and may be used indefinitely in an active Movie Club Account. If a Movie Club Account is cancelled, all Rollover Credits expire six (6) months from the date of cancellation.
Credits may not be partially used; the entire Credit is to be used on booking one ticket or applied to concession total, excluding alcohol. Tickets booked with a Credit are transferrable and may be used by anyone. However, Credits may not be transferred and are only redeemable by the Movie Club Member who received the Credit in his/her Movie Club Account.
A Movie Club Member can use any number of available Credits in a single transaction. All outstanding Credits must be used prior to receiving the Membership Fee price on additional tickets. However, the number of transactions on a Movie Club Account is limited to three (3) per day. All tickets purchased after the third transaction will be at the non-discounted price but service fees will be waived for all transactions. There are no limitations on number of transactions for the concessions discount.
If Credits are used to purchase tickets but the Member is unable to make the showtime, we will refund the Credit(s) (not cash value) to the Member's Movie Club Account. The Member is not entitled to receive the cash value of any refunded tickets.
A Credit is not a Gift Card and is not redeemable for cash; it may not be used for any transaction except the booking of one (1) regular 2D movie ticket or applied to a concession purchase, excluding alcohol. Credits cannot be refunded. However, tickets booked using the Credit may be exchanged for a new ticket, and concession purchases with credits applied can be refunded Credits will return to a Member's Movie Club Account automatically.
5.4 Member Discount; Purchase Process. Movie Club Members will receive a 20% discount and Movie Club Platinum Members receive a 25% discount towards the purchase of all concessions, except on alcoholic beverages, dairy, etc. wherever prohibited by state law.
Movie Club Members can purchase one companion ticket at the then current Membership Fee price for each transaction in which a Credit is applied (regardless of how many Credits are applied in the transaction). If a Credit is not available to be applied (i.e., after all Credits have been exhausted) a Member may purchase two tickets at the then current Membership Fee price per transaction. Movie Club Platinum Members can purchase up to five (5) tickets at the then current Membership Fee price per transaction.
Members must present their User ID, or a print-out or email associated with their Movie Club Account to book a ticket at the point of sale. Members may book tickets online and will receive a confirmation number as with an ordinary purchase. Tickets booked using a Credit or member discount cannot be purchased at a Kiosk. No online fees or service fees are applied to transactions booked through an active Movie Club Account. Cinemark reserves the right to require customers to present an alternate form of identification, such as a valid photo ID, while booking a ticket at the box office with their Movie Club Account, if they cannot present a valid User ID.
Please refer to the FAQ page at cinemark.com for further details regarding the Movie Club program.
Contact Us: For further information, or inquiries about the Terms and Conditions and Privacy Policy, please contact our guest services department at Contact Us.
Cinemark Corporate Office:
Cinemark USA, Inc.
3900 Dallas Parkway
Plano, TX 75093-7865
Telephone: 1-800-246-3627


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Turn of the Century Posters from the Krannert Art Museum Collection
Turn of the Century Posters from the Krannert Art Museum Collection
In the late 19th century, the rise of color lithography along with an increasing demand for advertisements presented artists with an alternative space to exhibit their artworks. Mass-produced posters ranged from large-scale ads for consumer products such as lamp oil and bicycles, to promotional materials for cabaret performances at the Moulin Rouge or the Divan Japonais. Artists also were sought to create intimate, small-scale prints for literary journals, playbills and exhibition announcements, enabling their art and reputations to reach an ever-broadening audience.
This installation from the Krannert Art Museum's permanent collection highlights posters by artists including Pierre Bonnard, Alphonse Mucha, Jan Toorop and Henri de Toulouse-Lautrec, and illustrates how artists utilized lithography for different purposes and with varying regional stylistic characteristics.
Turn of the Century Posters from the Krannert Art Museum Collection is curated by Kathryn Koca Polite; organized by Krannert Art Museum, University of Illinois at Urbana-Champaign; and sponsored in part by the Illinois Arts Council, a state agency; Krannert Art Museum Director's Circle; and Krannert Art Museum Council.
Sponsored in part by the River Cities' Reader.
Supported by Humanities Iowa and the National Endowment for the Humanities.
The views expressed by this program do not necessarily reflect those of HI and the NEH.
This exhibition continues through January 8, 2012.
Related Event
College Night at the Figge
7-11 pm Thursday, November 17
Parent & Child Gallery Guide
Explore the exhibition Turn of the Century Posters with your family, and download this guide to enhance the experience.
image: Henri de Toulouse-Lautrec, Divan Japonais, 1893, crayon, brush, spatter, and transferred screen lithograph, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign; Henri de Toulouse-Lautrec, Couverture de L'estampe originale, 1893, brush and spatter lithograph, courtesy of Krannert Art Museum and Kinkead Pavilion, Estate of William S. Kinkead 1984-44-9; Henri de Toulouse-Lautrec, La loge au mascaron doré, 1894, crayon, brush, and spatter lithograph with scraper, courtesy of Krannert Art Museum and Kinkead Pavilion, Estate of William S. Kinkead 1984-44-20.

subset: commoncrawl


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Tyrone Wheatley New England Patriots Nike Women's Team Game Jersey - Navy
Tyrone Wheatley New England Patriots Nike Women's Team Game Jersey - Navy
Regular price
Regular price
Sale price
Unit price
This Tyrone Wheatley Nike Game Jersey is an essential piece of gear for any New England Patriots fan looking to highlight their favorite player. The heat-sealed name number and team details provide a kickoff-ready look that elevates your excitement for game day. Made with comfort in mind this New England Patriots Primary replica jersey delivers a standard lightweight fit and features breathable mesh side panels for added ventilation.
- Product ID: 200619871
- Brand: Nike
- Imported
- Designed for movement
- Heat-sealed name numbers and team details
- Mesh side panels for extra breathability
- Satin twill woven jock tag at hem
- Sewn-on NFL Shield at collar
- Short sleeve
- Side splits at hem
- Standard fit
- Material: 100% Polyester Tricot
- Machine wash tumble dry low
- Jersey Color Style: Team
- Officially licensed
- Nike Game


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- Week of 12/6: Make bodice muslin and work out any fitting issues
- Week of 12/13: Cut out underlining and fashion fabric, attach underlining to fashion fabric, apply interfacing to facing pieces, stay neckline with silk organza
- Week of 12/20: Stitch darts, Join bodice at shoulders, join facings at shoulders, sew in sleeve facings, join bodice side seams
- Week of 12/27: Holiday break
- Week of 1/3: Stitch waist ties, stitch neck facing, sew skirt front, sew skirt backs, pockets, sew skirt side seams, finish back skirt edge, join bodice and skirt, hem skirt
Help me, Sew-Alongers. What should we do? Honestly, I feel terrible. I hope we can work out a good solution!
P.S. Hey, I made a Flickr pool for the Crepe Sew-Along! Come join and upload your fabric pics!


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Hose Wraps> Made From1050 Denier Ballistic Nylon> For 2 1/2 inch O.D.> Length: 3 feet
This Website works best with Chrome Web Browser
Fits 2 1/2 inch (64mm), Outer Diameter Hoses and Cables, 3 feet (90cm) long.
Made in America by Gnarly Wraps™ Industrial Products.
Custom lengths are available with same pricing per foot (or meter) as our standard sizes.
See our Custom Size Hose Sleeve Order Form
Download Gnarly Wraps™ Specification
sheet PDF
Made in USA to order, lengths totaling under 500 feet (150m) usually ship in 1 - 2 business days.
Gnarly Wraps™ Hose and Cable protection systems provide excellent protection
of hydraulic and pneumatic hoses and delicate cables prone to abrasion and chafing.
Made in America from genuine 1050 Ballistic Nylon with a heavy back coating of polyurethane
for decreased internal friction and for water resistance. Closure consists of Industrial
Hook & Loop fastener rated for over 1,000 open and close cycles.
Our open wrap, 'peel able' design makes installation fast and easy, without
requiring disconnection or removal of cables and hoses. Cuts labor costs significantly
compared to old tube type abrasion sleeves. This post assembly feature of Gnarly
Wraps™ helps eliminate costly maintenance and downtime of your machinery and
equipment by reducing hydraulic system contamination and wear and tear on connectors
and terminals that is prone to happen during removal and replacement required for
older, tube type sleeves.
Excellent for use between server cabinets and racks in server rooms and data centers
to provide an easily scalable cable management solution. easily insert more cables
into a bundle without the need to cut and replace zip ties. No need to fully open
the Gnarly Wraps™ as cables can be slipped into the bundle by opening a few
inches at a time, slipping the new cables in and re-sealing as you work your way
to the end of the cable bundle.
In addition to preventing abrasion and damage to hoses and cables, Gnarly Wraps™
Hose and Cable protector sleeves also:
Offer resistance to sources of heat and ozone
Allow bundling and forced routing of multiple lines
Reduces or eliminates the need for disposable plastic cable ties that can cause
damage to lines
Multiple hoses or cables can be enclosed in a single wrap with each line afforded
independent motion
Improves appearance of equipment by concealing the clutter of hoses and cables
Provide excellent protection from Sunlight and U.V. light Increase operator safety
by helping to contain dangerous hose bursts and sprays of hydraulic fluid. Often called Hydraulic Burst Sleeves.
Reliable in extreme temperatures from -60 F to 225F
Some uses for Gnarly Wraps™ Hose and Cable protector sleeves are:
Search Terms / Also Called: hose protector sleeve, cable protector, 1050 Denier Ballistic Nylon hose sleeeve
1- 9 Each | 0% |
10- 49 Each | 10% |
50- 99 Each | 15% |
100- or more Each | 25% |


text:
- Do the following:
- Explain the precautions that must be taken when handling, storing, and disposing of resins, reinforcements, and other materials used in composites. Include in your discussion the importance of health, safety, and environmental responsibility and awareness.
- Describe what a material safety data sheet (MSDS) is and tell why it is used.
Do the following:
- Explain what are composite materials. Include a brief history of composites and how they have developed.
- Compare the similarities and differences between composites and wood, aluminum, copper, and steel. Explain the physical, electrical, mechanical, corrosive, flammability, cost, and other such properties. For each of these raw materials, give one example for how it can be shaped and used for a specific application.
Describe how composite materials are made. Then do the following:
- Discuss three different composite reinforcement materials, their positive and negative characteristics, and their uses. Obtain the MSDS for each one and discuss the toxicity, disposal, and safe-handling sections for these materials.
- Discuss three different resins used in composites, their positive and negative characteristics, and their uses. Obtain the MSDS for each one and discuss the toxicity, disposal, and safe-handling sections for these materials. Include thermoset resins and thermoplastic resins in your discussion.
- For each of the three resins you chose for requirement 3b, think of a new application that might be worth developing.
With your parent's permission and your counselor's approval do
ONE of the following:
- Visit a company that manufactures or repairs products made with composites. Discuss what you learn with your counselor.
- Find three composites-related Web sites. Share and discuss what you learn with your counselor.
Do the following:
- Use composite materials to complete two projects, at least one of which must come from the Composite Materials merit badge pamphlet. The second project may come from the pamphlet OR may be one you select on your own that has been approved by your counselor in advance.
- With your counselor's assistance, find an appropriate site where the projects can be safely completed under your counselor's supervision and/or the supervision of an adult approved by your counselor who is knowledgeable about composites.
- With your counselor, determine how the finished projects will be evaluated. Using those guidelines, evaluate the completed projects with your counselor.
- Find out about three career opportunities in composite materials. Pick one and find out the education, training, and experience required for this profession. Discuss this with your counselor, and explain why this profession might interest you.
BSA Advancement ID#:
Requirements last updated in:
Pamphlet Publication Number:
33252 or 35877
Pamphlet Stock (SKU) Number:
Pamphlet Revision Date:
Worksheets for use in working on these requirements: | Format | |
Word Format | PDF Format |
Page updated on: May 08, 2022


text:
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If you have ideas on how to improve the conversation or community, fill out a Contact form.
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A: To comment on a story page or blog post, make sure you are signed into Facebook. Then click on the chat balloon icon in the gray rail located on the left of the story. A comment box should pop up and you can post your comment there.
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The farmers market has been full of apples for the last few weeks and I have been enjoying snacking on them. I was thinking that it was about time that I got around to cooking with some apples and I thought that making my own apple sauce would be a great place to start. While I was searching for a recipe for apple sauce I came across this recipe for a roasted apple sauce . One thing that I have discovered while food blogging is that roasting things concentrates their flavour and makes them better so I was immediately sold on the roasted apple sauce idea. For the apples, I used half mac and half honey crisp as those were the ones that I had on hand. The apple sauce was really easy to make; you simply toss the apples with some spices, roast them and then mash them. I let my apples roast for a good long time, until they were nice and soft and caramelizing. Because I let the apples roast so long the apple sauce came out pretty dark but it was great! The apple flavour was nice and concentrated and the cinnamon gave it a nice spiciness. This was easily the best apple sauce that I have had. Unfortunately it was a pretty small batch and I am going to have to make more!
Roasted Apple Sauce
- 4 apples (peeled, cored and chopped)
- 1/4 cup apple cider
- 1 tablespoon lemon juice
- 2 tablespoons brown sugar
- 1/4 teaspoon cinnamon
- 1/8 teaspoon nutmeg
- Toss everything in a bowl.
- Bake in a preheated 400F/200C oven until the apples are very soft, about 30-50 minutes.
- Mash the apples.


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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
Some of the myths, however, are utter misconceptions, like the notion still held by some that the other 31 symphonies are as gargantuan as the 'Gothic'. In fact the third recorded here, though the longest of all of these, is but half the length of its vast choral predecessor and shorter than most of Bruckner's and Mahler's. Also, Brian's composing was not, as is often thought, a mere old man's hobby, but a sustained life work extending over more than three quarters of a century. His concentration (in the end almost exclusive) on symphonic form was a characteristic of the latter half of his extraordinarily long creative career. The lost Fantastic Symphony was just one work from a respectably large body of music produced before World War I, and he did not finally take up the deepest challenges of the genre until he was well past forty.
The 'Gothic' emerged between 1919 and 1927. His next creative task was the orchestration of his opera The Tigers, sketched before that symphony, and after this was completed nearly a year elapsed before a second symphony began to take shape. No 2, for orchestra alone, was far more orthodox in scale and structure, though still a very substantial piece by any other standards. The full score was completed on 6 April 1931, and only six days later Brian began to sketch its mighty successor.
It seems that No 3 was not begun as a symphony. On 25 May 1931, two days after the first movement was completed in outline, Brian wrote to Sir Granville Bantock that he had 'resolved the Concerto into a Symphony'. This is the only such reference, but it surely means that the third was initially conceived as a concerto for piano—or rather, perhaps, the two pianos that loom so large and diversely in the final score. We should also note that this first movement uses these instruments far more extensively than the other three, which were still unwritten at the time of the letter. The pianos only appear in the latter half of the Lento second movement, parts of the finale, and not at all in the scherzo (the movements were composed in that order).
On 21 June he began the second movement and completed its short score on 1 July, despite the 'many hindrances' complained about just over a week later in a letter to Bantock which goes on: 'I like the second movement now—it is bigger than such as I played to you from the first movement.' Composition of the work gathered pace: the finale was completed on 16 July after four days' work, and the scherzo despatched in a final two-day blaze of exuberant creativity celebrated in a further letter to 'Dear Gran' on the 20th: 'I finished the sketch of my new Symphony last night. As I heard the slow movement in a very slow 3—I had to evolve a 2/4 scherzo which sounds as though it had been written in Vienna … it will take a long time to decipher and write out my sketches …'
The 'long time' stretched to 28 May 1932 when the full score was finally completed. This was hardly surprising, given the full-time writing and editing commitments at the magazine Musical Opinion which Brian had been fulfilling since his appointment as Assistant Editor in June 1927, not to mention the sheer size of the symphony and its orchestration. The work is scored for the following array: four flutes (all doubling piccolos), four oboes (two doubling cors anglais), E flat clarinet, four clarinets in A (two doubling bass clarinets), four bassoons, contrabassoon; eight horns, four trumpets, four trombones (including contrabass), two tubas; six timpani (two players), bass drum, side drum, tenor drum, cymbals, tambourine, castanets, triangle, gong, xylophone, glockenspiel, celesta, two harps, two pianos, organ ('ad lib', but included in this recording) and strings (often much subdivided). For this recording the total forces numbered 120 players.
While the third symphony has its fair share of dissonance, march rhythms, angular string writing, hard-edged percussion-topped scoring and abruptly cut off climaxes—more than enough to proclaim its kinship with later Brian—other features equally hark back to moods in his earlier music: of pastoral innocence, Elgarian nobility and sheer unbuttoned fairground riotousness. Withal it remains his most expansive, objective, heroic and lyrical symphony—all characteristics in keeping with the connotations, both aspiring and celestial, of the enigmatic word 'Altarus', the apparent title which Brian wrote on the score and then partially erased. In more than its number, as well as the disposition and relative dimensions of its movements, this work is Brian's 'Eroica' (without claiming further comparability with the greatest of all third symphonies).
A trenchant twenty-four bar introduction, growing out of an extraordinarily portentous unison C sharp octave on the pianos and doublebasses, with P gong stroke (track 1), leads to a long-breathed but curiously dour first subject melody, initially played by solo clarinet and divided strings 'Più lento e espress.' (track 2). After a linking passage dominated by the first piano, the first subject is repeated with fuller scoring and proceeds via a sudden percussion-driven 'Allegro moderato' to the B minor second subject complex, 'Poco più lento' (track 3). This, one of the longest and most haunting melodies in Brian's output, passes from multi-divided strings to winds, pianos and glockenspiel, then all these together. An episode of fantastic, pointilliste flickerings (track 4), then stalking trombone chords, lead to a full restatement of the second subject, increasingly overlaid by dissonant figuration that all but obliterates the melody. This grinds to a typically precipitous Brianic impasse beyond which flute and clarinet in octaves, haunted by a staccato piano figure, uncertainly survey the landscape. Espressivo strings find a sense of direction, tension picks up, and the music crescendos into an 'Allegro con brio' (track 5). Formally, an extremely expansive exposition has now precipitated a kind of development section which, from wholly new material including a 'Broad-Massive Sempre Dolente' melody (track 6), leads—via pounding piano octaves (track 7) derived from the introduction—to real contrapuntal development of the first subject. A 'Più allegro e con brio' link dominated by pianos, side drum and xylophone at length brings a recapitulation crashing in (track 8). Sonata-style designs are rare in Brian, and more rarely yet does he treat us to the luxury of full-scale melodic repetitions, but here first and second subjects pass in full resplendent train (but with plenty of internal development still going on!), the latter borne aloft first by woodwind and brass choirs haloed in glistening cascades of piano octaves, then strings, 'con molto espressione', and lastly the full forces, driving to a peak of ecstatic, Romantic fervour. This collapses into a 'molto marcato' preparation by bassoons, horns and lower strings for a new and extended visitation by the rising piano octaves (track 9), four times repeated, and separated by prolonged tattoos from both timpanists. In a mood heavy with foreboding and frustrated energy, the movement's massive coda is released—a ponderous, lurching march 'as heavy as possible to the close.'
The first movement is not only the longest but also the most structurally complex and disturbed in the symphony. Despite its coda's unresolved tension, however, some profound psychological conflict does seem to have been eased at the passing of the movement, for the remainder of the work exists at a far more essentially serene level. The Lento unfolds from hesitant but premonitory fragments of figures (track 10) into a lengthy exposition of melodic ideas, one of the most distinctive first heard on a solo flute and then violin (track 11, one of several places where the textures thin out to allow one instrument to carry the music forward with a single melodic line). With very little of either the agonized disjunction or the heady fervour of the first movement, the second alternates between Alpine grandeur and pastoral calm, with at its centre a long, pivotal violin solo (track 12) uncoiling against shifting melodic fragments on woodwind, horns, harp and strings, gradually exhaling all tension to a 'sostenuto molto' meditative quiescence, resting at last on an E. A solo timpanum repeats the E and the music moves into life again with a statement on first violins and violas of the flute/violin tune, this with almost Vaughan Williams-like candour. From now on the movement ascends through a series of glacial vistas—every department of the huge orchestra used to the utmost dramatic and colouristic effect (track 13)—to mountainous climaxes of truly Brucknerian grandeur during which the pianos, silent for most of the movement, reappear. They descend with the heavy brass through a series of giant chordal steps and, left almost by themselves at the last, usher in a beautiful, long-drawn pastoral coda (track 14). An oboe muses over familiar melodic ideas against pp lower strings, its song finally passing to a flute which sinks to rest beneath quiet brass chords.
Brian continues with what we might well expect from many a Classical or Romantic composer, but certainly not of him—a regular (almost!) scherzo-and-trio: first a brilliant fast march (track 15) enclosing a 'Grazioso e dolce' central section initially on flute and string quartet (track 16), then a trio that's even more of a surprise—a lilting waltz melody (track 17) sounding as if it had strayed from the world of Viennese operetta. Nevertheless, for all its first innocence, the trio's development proceeds with leaps and textures and trills that speak more with the accent of Richard than Johann, and when Brian brings back the march not as a literal repeat but more heavily and dissonantly scored with full wind and brass employed for the first time in this movement, it comes as no real surprise to find him cleverly drawing back step by step into the symphony's central progress, in preparation for the finale.
Brian does not often let us into the workshops of his mind and spirit, but another letter to Bantock gives a valuable insight into the composer's perception of the impetus behind the third symphony's elegiac finale. After recounting his 'keen interest in a German Professor at Heidelberg University—Friedrich Gundolf … a great fellow—who has pursued Goethe and Shakespeare all his life', Brian goes on: 'When I was working at the finale of my new symphony—it deviated (like its predecessor …) into an elegiac or Funeral poem. I couldn't escape it—it had to be. After I had finished my symphony—I rushed up to town—bought a 'Berliner Tageblatt' put it in my bag—but didnt (sic) even look at it until Monday night this week … I was astonished to find that I had written the finale at the time of Gundolf's death—and actually completed it about the time of his funeral in Heidelberg. It may be a coincidence—but it is a curious and sad one.' Note the 'had to be' and 'may be'.
Requiem for Friedrich Gundolf or not, the Finale's progress from the long opening bass clarinet theme (track 18) through episodes magically remote, starkly violent, and consolatory, to the overwhelming conclusion seems in retrospect to be inevitable. The rich polyphonic growth of the first theme thickens and darkens before a 'Poco largamente' climax (with pianos reappearing for the first time since the second movement) gives way to offstage trumpet and horn fanfares (track 19). A slow timpani crescendo precipitates the irruption of jagged development (some of the first movement's tensions here reasserting themselves) which in turn eventually quietens and leads to the second main theme (track 20). The tension gradually rises again, piano tone increasingly irradiates the orchestral texture, and the movement proceeds towards its conclusion in great unhurried waves—Brucknerian parallels again becoming apparent—in which both main themes are developed and extended. Finally the organ adds its voice for the first time, trombones and tubas shoulder the whole edifice beneath a veritable aviary of trills from woodwind and strings, and the climax of this massive symphony—a four-bar 'Lento assai' epilogue (no Baxian leave-taking this!)—explodes in a crushing affirmation of power (track 21).
Havergal Brian never heard his third symphony—which at the time of composition he described to Bantock as 'the best of the symphonies I have written'. It was first played in a BBC studio in January 1974—just over a year after Brian's death—by the New Philharmonia Orchestra under Stanley Pope, with Ronald Stevenson and David Wilde playing the important piano parts. It was first given in public by the Symphony Orchestra of Composers Platform, West Midlands, conducted by Paul Venn, in Birmingham Town Hall on 17 May 1987. The present recording was made at the BBC's Maida Vale Studio 1 on 27/28 October 1988, immediately following a public performance before an invited audience.
(The author would like to express his gratitude for provision of source material and the invaluable insights of Malcolm MacDonald, as well as those of Christopher Kettle and Martyn Becker.)
David Brown © 1999
Secretary, The Havergal Brian Society


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I suppose it would be easier if "graduation" and "congratulations" didn't sound so much alike. As it is, we end up with a lot of Franken-style mash-ups:
Admit it: Now you want to see a cake that says "Congradulations Gratuates" as much as I do. Well, I don't have one. (Yet.) But I do have some more fun manglings:
After a while you start to see the same mistakes over and over again. There's the "Something's Missing...":
The "End of the Road!":
And of course the classic "Letter Switcheroo":
Some decorators successfully navigate the "congratulations/graduation" minefield only to stumble right on the home stretch:
(It was supposed to be "commissioning".)
Then there's this...thing:
Anony, Donna, Sue M., Ila P., Sarah L., Jessica R., Christine H., & Rosalie C., congratutahons! You've gratulated from Wreckporter school!


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Over the past month, I've enjoyed waking up to quietness and going about my morning routine alone. I've become accustomed to the ease and speed of making breakfast for one and am strangely comforted by hours of wordless peace spent in an ambient living room. It's been calming after months of enjoyable but tiring trips to and from friends apartments to just… Be in my own place.
I've found a new routine for my Saturdays, and it involves folding myself up on the couch, burying my legs in my pullover and balancing a mug of enriched coffee on my kneecaps. My garage sale coffee maker, who's loyally followed me through three moves, fills the otherwise silent room with comforting sputtering and clicking. My only companion, that Mr. Coffee, is the in-house DJ all morning.
I eat folded eggs on toast, all Pollock'd up with Frank's Red Hot, while scanning my planner for the day's obligations and chores. Homework. Reading. A half-assed shopping list. Slowly distorted by a dusting of crumbs, the tasks below become easier to swallow as I file them away for the coming hours.
I take time each morning to admire the cool blue glow of the dawn on drawn shades; typically while folded up on the couch with that first mug of the day. It's a mundane thing that I, for whatever reason, look forward to after peeling away covers and a thin veil of sleep in my bedroom. I guess it's become the anchor of my morning, that silly illumination, reminding me that the day is just outside my window, patiently waiting for me to come out and play.
The weekends now, after quite some time, are mine.
Grapefruit Cake via A Thought for Food and Saveur
I asked for grapefruit ideas on Twitter a few days ago and was reminded of this recipe by Rosie of Sweetapolita. I was not disappointed! The cake comes out buttery and nicely dense. I'd like to try it with brown sugar in place of white and bananas instead of grapefruit – I'll get back to you when I do!
1 grapefruit
3/4 c + 1 Tbsp (115g) flour
3/4 tsp baking powder
1/4 tsp salt
4 Tbsp (57g) butter, softened
2/3 c (131g) sugar
2/3 egg*, room temp
1 1/2 tsp vanilla
1/4 c (60ml) milk
4 oz (113g) cream cheese
1 c (156g) powdered sugar, more or less to taste
*You could probably use one egg and it would be fine, but I beat the egg in one bowl and scooped out about one third before adding to the recipe
Preheat the oven to 350F. Oil and line a 8 1/2″ x 4 1/2″ loaf pan.
Zest the grapefruit and set aside. Peel and segment the grapefruit, place the slices in a small bowl. Into another small bowl, squeeze the remaining pulp (all the bits that are not segments) and reserve the juice for the recipe.
In a medium bowl, whisk together the flour, baking powder and salt, then set aside. Cream the butter and sugar in a large bowl until very light and fluffy, about five minutes. Beat in the egg and mix until well-combined, about two minutes. Add three tablespoons of grapefruit juice and the vanilla and beat to combine, about two additional minutes, being sure to scrape down the sides of the bowl. Dump in half of the dry ingredients and mix briefly to incorporate. Add the milk and mix just until combined, then follow with the remaining dry ingredients.
Place half of the reserved grapefruit segments into the bottom of the prepared baking tin. Pour the batter over the top and smooth to cover. Bake until the top springs back when lightly pressed, about 25-30 minutes. Let cool on a cooling rack.
While the cake cools, prepare the frosting. Melt the cream cheese in the microwave and whisk in the powdered sugar, 1-2 tablespoons of remaining grapefruit juice and a few pinches reserved grapefruit zest. Spread over cooled cake and top with the second half of segmented grapefruit.


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pci_choose_state(9) [centos man page]
PCI_CHOOSE_STATE(9) Hardware Interfaces PCI_CHOOSE_STATE(9) NAME
pci_choose_state - Choose the power state of a PCI device SYNOPSIS
pci_power_t pci_choose_state(struct pci_dev * dev, pm_message_t state); ARGUMENTS
dev PCI device to be suspended state target sleep state for the whole system. This is the value that is passed to suspend function. DESCRIPTION
Returns PCI power state suitable for given device and given system message. COPYRIGHT
Kernel Hackers Manual 3.10 June 2014 PCI_CHOOSE_STATE(9)
Check Out this Related Man Page
PCI(9) BSD Kernel Developer's Manual PCI(9) NAME
pci, pci_read_config, pci_write_config, pci_enable_busmaster, pci_disable_busmaster, pci_enable_io, pci_disable_io, pci_set_powerstate, pci_get_powerstate, pci_find_bsf, pci_find_dbsf, pci_find_device -- PCI bus interface SYNOPSIS
#include <sys/bus.h> #include <dev/pci/pcivar.h> #include <dev/pci/pcireg.h> #include <machine/pci_cfgreg.h> void pci_write_config(device_t dev, int reg, uint32_t val, int width); int pci_enable_busmaster(device_t dev); int pci_disable_busmaster(device_t dev); int pci_enable_io(device_t dev, int space); int pci_disable_io(device_t dev, int space); int pci_set_powerstate(device_t dev, int state); int pci_get_powerstate(device_t dev); uint32_t pci_read_config(device_t dev, int reg, int width); device_t pci_find_bsf(uint8_t bus, uint8_t slot, uint8_t func); device_t pci_find_dbsf(uint32_t domain, uint8_t bus, uint8_t slot, uint8_t func); device_t pci_find_device(uint16_t vendor, uint16_t device); DESCRIPTION
The pci set of functions are used for managing PCI devices. The pci_read_config() function is used to read data from the PCI configuration space of the device dev, at offset reg, with width specifying the size of the access. The pci_write_config() function is used to write the value val to the PCI configuration space of the device dev, at offset reg, with width specifying the size of the access. The pci_enable_busmaster() function enables PCI bus mastering for the device dev, by setting the PCIM_CMD_BUSMASTEREN bit in the PCIR_COMMAND register. The pci_disable_busmaster() function clears this bit. The pci_enable_io() function enables memory or I/O port address decoding for the device dev, by setting the PCIM_CMD_MEMEN or PCIM_CMD_PORTEN bit in the PCIR_COMMAND register appropriately. The pci_disable_io() function clears the appropriate bit. The space argument specifies which resource is affected; this can be either SYS_RES_MEMORY or SYS_RES_IOPORT as appropriate. NOTE: These functions should be used in preference to manually manipulating the configuration space. The pci_get_powerstate() function returns the current ACPI power state of the device dev. If the device does not support power management capabilities, then the default state of PCI_POWERSTATE_D0 is returned. The following power states are defined by ACPI: PCI_POWERSTATE_D0 State in which device is on and running. It is receiving full power from the system and delivering full functional- ity to the user. PCI_POWERSTATE_D1 Class-specific low-power state in which device context may or may not be lost. Busses in this state cannot do any- thing to the bus, to force devices to lose context. PCI_POWERSTATE_D2 Class-specific low-power state in which device context may or may not be lost. Attains greater power savings than PCI_POWERSTATE_D1. Busses in this state can cause devices to lose some context. Devices must be prepared for the bus to be in this state or higher. PCI_POWERSTATE_D3 State in which the device is off and not running. Device context is lost, and power from the device can be removed. PCI_POWERSTATE_UNKNOWN State of the device is unknown. The pci_set_powerstate() function is used to transition the device dev to the ACPI power state state. It checks to see if the device is PCI 2.2 compliant. If so, it checks the capabilities pointer to determine which power states the device supports. If the device does not have power management capabilities, the default state of PCI_POWERSTATE_D0 is set. The pci_find_bsf() function looks up the device_t of a PCI device, given its bus, slot, and func. The slot number actually refers to the number of the device on the bus, which does not necessarily indicate its geographic location in terms of a physical slot. Note that in case the system has multiple PCI domains, the pci_find_bsf() function only searches the first one. Actually, it is equivalent to: pci_find_dbsf(0, bus, slot, func); The pci_find_dbsf() function looks up the device_t of a PCI device, given its domain, bus, slot, and func. The slot number actually refers to the number of the device on the bus, which does not necessarily indicate its geographic location in terms of a physical slot. The pci_find_device() function looks up the device_t of a PCI device, given its vendor and device IDs. Note that there can be multiple matches for this search; this function only returns the first matching device. IMPLEMENTATION NOTES
The pci_addr_t type varies according to the size of the PCI bus address space on the target architecture. SEE ALSO
pci(4), pciconf(8), bus_alloc_resource(9), bus_dma(9), bus_release_resource(9), bus_setup_intr(9), bus_teardown_intr(9), devclass(9), device(9), driver(9), rman(9) "NewBus", FreeBSD Developers' Handbook, http://www.FreeBSD.org/doc/en_US.ISO8859-1/books/developers-handbook/. Shanley and Anderson, PCI System Architecture, Addison-Wesley, 2nd Edition, ISBN 0-201-30974-2. AUTHORS
This manual page was written by Bruce M Simpson <email@example.com>. BUGS
The kernel PCI code has a number of references to ``slot numbers''. These do not refer to the geographic location of PCI devices, but to the device number assigned by the combination of the PCI IDSEL mechanism and the platform firmware. This should be taken note of when working with the kernel PCI code. BSD
September 30, 2007 BSD


text:
Notre Dame linebacker Manti Te'o was looking forward to a break after a five-city-in-five-days tour, during which he has become the most decorated player in college football.
"I'm just trying to get a workout in and get some sleep," he said Friday about his plans for the night.
Texas A&M quarterback Johnny Manziel seemed to have more energy when he arrived at a midtown Manhattan hotel with his fellow Heisman Trophy finalist. In fairness, Johnny Football's week hasn't been nearly as hectic, though this trip to New York city is different from the first time he visited with his family when he was young.
"It's just taking it up a whole 'nother level, but happy to be here," he said.
Manziel and Te'o spent about 30 minutes getting grilled by dozens of reporters in a cramped conference room, posed for some pictures with the big bronze statue that they are hoping to win and were quickly whisked away for more interviews and photo opportunities.
Manziel, Te'o or Collin Klein, the other finalists who couldn't make it to town Friday, each has a chance to be a Heisman first Saturday night.
Manziel is trying to be the first freshman to win the award. Te'o would be the first winner to play only defense. Klein would be Kansas State's first Heisman winner.
Manziel and Te'o were on the same flight from Orlando, Fla., where several college football awards were handed out last night. The 6-foot-1, 200-pound quarterback was just happy the 255-pound linebacker didn't try to record another sack when they met.
"He's a big guy," Manziel said, flashing a big smile from under his white Texas A&M baseball cap. "I thought he might stuff me in locker and beat me up a little bit."
The two hadn't had much time for sightseeing yet, but they did walk around Times Square some, saying hello to a few fans. They probably weren't too difficult to spot in their team issued warm-up gear.
"We've just been talking about goofy stuff. Playing video games. Playing Galaga. Just some things from back in the day. Messing around with each other," Manziel said. "Kind of seeing who is going to take more pictures. He's definitely taking that award right now."
Te'o is already going to need a huge trophy case to house his haul from this week. He has won six major awards, including the Maxwell as national player of the year. He'll try to become Notre Dame's eighth Heismanwinner and first since Tim Brown in 1987.
"I can only imagine how I would feel if I win the Heisman," he said.
Charles Woodson of Michigan in 1997 is the closest thing to a true defensive player winning the Heisman. Woodson was a dominant cornerback, but he also returned punts and played a little receiver. That helped burnish his Heisman credentials.
Te'o is all linebacker. He leads the top-ranked Fighting Irish with 103 tackles and seven interceptions.
Klein was the front-runner for the Heisman for a good chunk of the season, but he played his worst game late in the season — in a loss at Baylor — and the momentum Manziel gained by leading Texas A&M to victory at Alabama has been tough to stop.
Manziel's numbers are hard to deny. He set a Southeastern Conference record with 4,600 total yards, throwing for more than 3,000 and rushing for more than 1,000.
Klein, by comparison, averages about 100 fewer total yards per game (383-281) than Manziel.
A freshman has never won the Heisman. Oklahoma running back Adrian Peterson came closest in 2004, finishing second by Southern California's Matt Leinart.
Manziel is a redshirt freshman, meaning he attended Texas A&M and practiced with the team but did not play last year. Still, he'd be the most inexperienced college player to win the sport's most prestigious award.
"It's surreal for me to sit here and think about that this early in my career," he said. "With what me and my teammates have gone through, with how they've played and how they've helped me to get to this point, it's just a testament to how good they are and how good they've been this year.
"Without them I wouldn't be here and that's the real story to all this."


text:
available in all of the styles in this family:
Designers: Svetoslav Simov
Design date: 2012
Publisher: Fontfabric
The Nexa family includes 16 styles & weights – eight uprights with eight italics. It is characterized by excellent legibility in both – web & print design areas, well-finished geometric designs, optimized kerning etc.
Nexa is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.