text:
Whole Free Icon
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minecraft enchantmentStyle
FontStruct is a trademark of FSI FontShop International GmbHCopyright
Copyright DarkNight5047 2014Description
minecraft enchantment was built with FontStructLicense
FontStruct Non-Commercial License
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Funland Park Midway JLStyle
Jeff's Fonts & DingbatsAuthor
Jeffrey N. LevineTrademark
Trademark of Jeffrey N. LevineCopyright
(c) 2001 by Jeffrey N. Levine. Freeware, not for sale.Description
Funland Park Midway JL.License
Freeware for commercial or non-commercial use. Resale or distribution in any form of media is strictly prohibited.
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By PintassilgoPrints, 2011. All rights reserved. www.pintassilgoprints.comDescription
Ricardo Marcin & Erica Jung
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0.60 November 17, 2011Author
Juan JBantha ValdelomarCopyright
Typeface (your company). 2011. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.com
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SF Wonder ComicStyle
Derek VogelpohlTrademark
SF Wonder Comic Italic is a trademark of ShyFoundry.Copyright
Copyright (c) 2008 by ShyFoundry. All rights reserved. Freeware for personal use only. To purchase a commercial license, please visit our site at http://www.shyfoundry.com.Description
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.License
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
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Ascender CorporationAuthor
Matthew CarterTrademark
MS Reference Sans Serif is a trademark of Microsoft Corporation.Copyright
Typeface and data 1996 Microsoft Corporation. All Rights Reserved.License
This font software is the valuable property of Ascender Corporation and/or its suppliers and its use by you is covered under the terms of a license agreement. This font software is licensed to you by Ascender Corporation for your personal or business use on up to five personal computers. You may not use this font software on more than five personal computers unless you have obtained a license from Ascender to do so. Except as specifically permitted by the license, you may not copy this font software. If you have any questions, please review the license agreement you received with this font software, and/or contact Ascender Corporation. Contact Information:Ascender CorporationWeb http://www.ascendercorp.com
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Bulwark NFStyle
Nick's FontsAuthor
Nick CurtisCopyright
Copyright (c) 2003, 2006 Nick Curtis. All Rights Reserved. Distributed under the 1001Fonts Free For Commercial Use License (FFC) http://www.1001fonts.com/licenses/ffc.html - PayPal donations in any amount may be made at nicksfonts.com.License
By using or installing this font data, you (or you on behalf of your employer) agree to be bound by the terms of this Agreement. This Agreement constitutes the complete agreement between you and Nick's Fonts.You may send a copy of any Nick's Fonts font data along with your documents to a commercial printer or other service bureau to enable the editing or printing of your document. You may use this font data to embed fonts within PostScript files or PDF files for distribution, viewing, and imaging to third parties.You may not modify, adapt, translate, reverse engineer, decompile, disassemble or create derivative works based on the Nick's Fonts font data without Nick's Fonts's prior written consent. This font is freeware: you may not under any circumstances sell this font data AS FONT DATA to a third party. NICK'S FONTS SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL OR INCIDENTAL DAMAGES ARISING OUT OF THE USE OF OR INABILITY TO USE THE NICK'S FONTS FONT DATA.
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Floreale TwoStyle
1.000 2012 initial releaseCompany
Paulo WTrademark
Floreale Two is a trademark of Paulo W.Copyright
Copyright (c) 2012 by Paulo W. All rights reserved.Description
Copyright (c) 2012 by Paulo W. All rights reserved.
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visit www.Sharkshock.uni.ccCompany
by Dennis LudlowAuthor
High-Logic - Erwin Denissen 1999Trademark
Dr.Peppers is a registered trademark of Sharkshock Productions.Copyright
Dr.Peppers by Dennis Ludlow. 2000. All Rights ReservedDescription
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Condensed Light ItalVersion
Ray LarabieAuthor
Ray LarabieTrademark
Expressway is a trademark of TypodermicCopyright
(c) 2005 Typodermic. Do not distribute. Report Piracy to email@example.com. Visit www.typodermic.comDescription
Updated in March 2007 with improved accents, kerning, class-based kering, Hungarian and Romanian characters.
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Alpsoft JurnalStyle
3.00 April 3, 2009Company
Alpsoft Science and Technology Development Co., Ltd., Urumchi.Author
Tursun SultanTrademark
Trademark of The Alp Science and Technology Development Co., Ltd., Urumchi.Copyright
Copyright (c) Alpsoft Science and Technology Development Co., Ltd. 2004-2008, All Rights Reserved.License
Alpsoft Science and Technology Development Co., Ltd., Urumchi.
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1.00 September 20, 2012, initial releaseCompany
Xerographer FontsAuthor
Max InfeldCopyright
Typeface (your company). 2012. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.comLicense
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Agfa Monotype CorporationAuthor
Eric de BerrangerTrademark
Mosquito(tm) is a trademark of Agfa Monotype Corporation and may be registered in certain jurisdictions.Copyright
Mosquito(tm) is a trademark of Agfa Monotype Corporation and may be registered in certain jurisdictions. Digitized data (c) 2002 Agfa Monotype Corporation. All rights reserved. Mosquito is designed by Eric de Berranger.License
Please refer to the URL listed below for the most current AMT End User license agreement.
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Michael Hagemann www.fontmesa.comAuthor
Michael HagemannTrademark
Railhead Redux is a trademark of FontMesa LLC and may be registered in certain jurisdictions.Copyright
Copyright (c) 2007 by FontMesa LLC www.fontmesa.com. All rights reserved.Description
Visit www.fontmesa.com
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Vaudoo RFStyle
1.00 August 18, 2005, initial releaseCopyright
Typeface (your company). 2005. All Rights ReservedDescription
This font was created using Font Creator 5.0 from High-Logic.com
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go to the skyStyle
1.00 February 17, 2013, initial releaseCopyright
Typeface (your company). 2013. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.com
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ParaType LtdAuthor
Sumner Stone, Vladimir YefimovTrademark
This software is a property of ParaType Inc. ITC Stone Sans is a trade mark of International Typeface Corporation.Copyright
Copyright 2011, ParaType Inc. All Rights Reserved. ITC Stone Sans is a trade mark of International Typeface Corporation.Description
As it is accepted in world practice, software distribution is carried out by a licensing agreement between the owner of the copyrights and the end users. A licensing agreement provides approved rights to use purchased software. First of all, it prohibits arbitrary copying of purchased programs and documentation. ABSTRACT- You have right to use this font on up to 5 workstations and one printer or other type of output devices, if you have not got Multiple license.- You have no right to share the font with service bureau, if you have not got special license.- You have no right to embed this font into document for commercial purposes without special license.- You have right to modify the font and use it in accordance with the restrictions applied to the original font.- You may transfer this license to another company or person if you completely delete all copies of this font from your computer.Read full text of Licensing Agreement on http://www.paratype.com/help/license/paratype.aspIn case of questions, please contact firstname.lastname@example.com
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Glass HousesStyle
Digital Graphic LabsAuthor
Digital Graphic LabsCopyright
1998 Digital Graphic Labs - All Rights ReservedDescription
Years in the making, Glass Houses has a shattered glass feel.License
USAGE This typeface may be used by the licensee for any purpose not expressly denied below or by governing law. Using this typeface in a corporate identification or logo for any organization not directly affiliated with the licensee is a breach of this License Agreement (separate licenses for inclusion of the typeface in the logo of a non-licensed company or organization are available in exchange for royalty fees from Digital Graphic Labs).LICENSING This typeface is licensed for use by the licensee, and may be installed on multiple computer systems so long as care is taken to prevent unauthorized users accessing the typeface. Multiple user licenses are available, contact Digital Graphic Labs for details.DISTRIBUTION This full version of the typeface is not to be distributed, rented or leased. If you wish to distribute this product, contact Digital Graphic Labs for a trial version.TRANSFER Ownership of this typeface may be transferred to a different party, provided all software media, certificate of authenticity, documentation and related packaging are transferred and the original owner removes all affiliated computer files and files in which the typeface is used from any computer systems and offline storage systems. It is the responsibility of the new owner of the typeface to contact Digital Graphic Labs to report the transfer of ownership, failure to do so will result in invalidation of this license.REVERSE ENGINEERING This typeface remains the intellectual property of Digital Graphic Labs, and may not be reverse engineered or replicated. Offenders will be prosecuted to the full extent of the law.GENERAL If any provision or part of any provision of this Licensing Agreement shall be held invalid or unenforceable, such part shall be ineffective without in any way affecting the remaining parts of such provision or the remaining provisions of the Licensing Agreement.LIMITED WARRANTY This typeface is provided as is and without express or implied warranties of any kind including, but not limited to, implied warranties of merchantability or fitness for a particular purpose, all other such warranties are expressly disclaimed. In no event will Digital Graphic Labs be liable to the licensee or any other party for lost profits or other indirect, special, incidental or consequential damages, even if Digital Graphic Labs has been advised of the possibilities of such damages. Any liability on the part of Digital Graphic Labs will be limited exclusively to replacement of the typeface or refund of purchase price.REJECTION OF LICENSING AGREEMENT In the event that the licensee does not agree to conform to all provisions of this Licensing Agreement, the typeface should be returned to the place of purchase for a refund.
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Linotype GmbHAuthor
Heinrich JostTrademark
Beton is a trademark of Bauer Types, S.A.Copyright
Copyright 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH.Description
The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as modern typefaces (their serifs kept them from being too modern). Faces like Beton were interesting contemporary competitors with more thoroughly modern experiments like Basic Commercial and Futura. The first slab serif typefaces, like Adrian Frutiger's revival Egyptienne F were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in Wild West America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. Jost, one of Bauer's in-house designers, was also the creator of the prolific Bauer Bodoni, which is widely regarded as one of the best Bodoni revivals ever cast. The Beton family is a type family in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces. Beton Light and Beton Demi Bold are well suited for setting book text, and other running text applications that require sizes under 12 point. Beton Bold and Beton Bold Condensed may be used for shorter lengths of texts at 12 point or above, as well as for headlines. Beton Extra Bold and Beton Bold Compressed are best left to headlines and display purposes alone, although they could make a mean logo in the right hands. Beton is very similar to another 1930s German slab serif family, Memphis.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
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Caprica Script Personal UseStyle
Mns GrebckAuthor
Mns GrebckTrademark
Caprica is a trademark of Mns Grebck.Copyright
Copyright (c) 2014 by Mns Grebck. All rights reserved.Description
Copyright (c) 2014 by Mns Grebck. All rights reserved.License
Please visit www.aringtypeface.com/caprica to get a commercial license.
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Anklepants GauntStyle
1.0; 2000; initial releaseAuthor
Anklepants Gaunt is a trademark of Ray Larabie.Copyright
Copyright (c) Ray Larabie, 2000. All rights reserved.Description
Do not distribute this font. This font is part of the Larabie Fonts Ink Deluxe font package.
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Monotype Imaging IncAuthor
Rod McDonaldTrademark
Classic Grotesque is a trademark of Monotype Imaging Inc and may be registered in certain jurisdictions.Copyright
Copyright 2012 Monotype Imaging Inc. All rights reserved.License
NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Imaging Inc. and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype Imaging or together with software distributed by one of the licencees of Monotype Imaging.This software is a valuable asset of Monotype Imaging. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact Monotype Imaging for a copy of the license agreement.General information:www.fonts.comFor license terms and usage rights, please visit our web site at:www.monotypeimaging.com/html/type/license.htmlLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:www.monotypeimaging.com/html/type/license.htmlPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:www.monotypeimaging.com/html/type/license.htmlPara obtener informaci?n acerca de los t?rminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:www.monotypeimaging.com/html/type/license.htmlPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:www.monotypeimaging.com/html/type/license.html
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UhBee Jin-gunStyle
1.00 April 4, 2012, initial releaseCopyright
Made with Scanahand. Copyright uhbee.com 2012. All Rights Reserved.Description
This font was created using Scanahand from High-Logic.com
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ParaType, Inc.Author
Andrey Kryukov, Dmitry KirsanovTrademark
Magistral is a trademark of the ParaType, Inc.Copyright
Copyright 1997 ParaType Inc., ParaType Ltd. All rights reserved.License
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Paul Shaw & Garrett BogeAuthor
Paul Shaw & Garrett BogeTrademark
Kolo is a trademark of LetterPerfect FontsCopyright
v4.0; Copyright 1995 Garrett Boge, LetterPerfect Fonts; ALL RIGHTS RESERVEDDescription
For information and upgades, visit: http://letterspace.com or contact: firstname.lastname@example.com
Base License Agreement (5-cpu site license)LetterPerfect Fonts, licensor, grants to the licensee of this font software, a perpetual non-exclusive license to install and use the software on up to 5 CPUs (computer workstations) or for installation on one printer or other output device. LP font(s) may be embedded/subsetted in electronic documents for distribution over the internet for previewing & printing only. To obtain site licenses for use on more than 5 CPUs, for installation on more than one output device, or for information on licensing LP fonts for unrestricted and editable embedding privileges, contact LetterPerfect Fonts at the phone number or address below. Distribution & Modification of Software: This software may not be duplicated for any purpose other than for archiving. Licensee is entitled to modify the font software for his/her own purposes only, but may in no way distribute reproduced or derivative versions in any form wherein an expert viewer would perceive possible equivalence in shape, detail or family extension.Copyright: LetterPerfect Fonts owns the design, software, copyright and trademark of this typeface and of the collateral materials which accompany it. This license shall be considered to contain all such standard copyright and other protections as are commonly known in the trade. Violation of United States copyright law and/or international treaty provisions may result in both civil and criminal penalties.Transfer of Rights: Licensee may not transfer any rights granted under this license to any third party.Liability of Limits: LetterPerfect Fonts makes no warranties as to fitness of purpose. In no event will LetterPerfect Fonts be liable to licensee for any damages, including but not limited to, lost profits or lost savings or for any other claim by any party resulting from the use of this software.LetterPerfect Fonts:7343 - 18th Ave. SWSeattle, WA 98106 USAtel/fax: (206) 766-8233email: email@example.com: http://www.letterspace.com
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Donnerstag BlackStyle
Jeremy DooleyAuthor
Donnerstag is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2010 by Jeremy Dooley. All rights reserved.Description
Copyright (c) 2010 by Jeremy Dooley. All rights reserved.
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Kimmy DesignAuthor
Kimmy KirkwoodTrademark
Catalina Script Italic is a trademark of Kimmy Design.Copyright
Copyright (c) 2014 by Kimmy Design. All rights reserved.Description
Copyright (c) 2014 by Kimmy Design. All rights reserved.
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Luciano VergaraAuthor
Luciano VergaraTrademark
Kahlo Black Essential Italic is a trademark of Luciano Vergara.Copyright
Copyright (c) 2012 by Luciano Vergara. All rights reserved.Description
Copyright (c) 2012 by Luciano Vergara. All rights reserved.
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Jeremy DooleyAuthor
Sancoale is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2010 by Jeremy Dooley. All rights reserved.Description
Copyright (c) 2010 by Jeremy Dooley. All rights reserved.
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Aero Matics DisplayStyle
v1.65 - 6/21/2012Author
Jayvee D. Enaguas (GrandChaos)Copyright
2009, 2010, 2011, 2012 GrandChaos9000. Some Rights Reserved. (Under licensed of Creative Commons CC-BY-NC-SA 3.0)Description
This font was created using FontCreator 5.6 from High-Logic.com
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Grixel Acme 5 Wide BoldStyle
Nikos GiannakopoulosTrademark
Grixel - Greek Pixel Fonts Developed by Nikos Giannakopoulos 2006 Visit www.grixel.gr for more Greek pixel fonts.Description
Read the guidelines on the website [www.grixel.gr] or on the pdf that came along with the font, for proper use.
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Jeremy DooleyAuthor
Jeremy DooleyTrademark
Ainslie is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2014 by Jeremy Dooley. All rights reserved.Description
Copyright (c) 2014 by Jeremy Dooley. All rights reserved.
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Ray LarabieAuthor
Ray LarabieTrademark
Pakenham is a trademark of Typodermic FontsCopyright
Copyright (c) 2001 Typodermic Fonts. This font is not freely distributable. Visit typodermic.com for more info.Description
Please read the current Typodermic Fonts license agreement at http://www.typodermic.com/license.html


text:
Celtic have claimed another point in the UEFA Champions League, drawing 1-1 at Borussia Monchengladbach, with Caltex Socceroo Tom Rogic again starting for the Scottish champions.
Rogic played 68 minutes for Celtic in Germany as the visitors came from behind to avoid defeat thanks to Moussa Dembele's 76th-minute penalty.
The draw took Celtic to two points from four matches in Group C, two adrift of third-placed Gladbach, with Barcelona (9) and Manchester City (7) well ahead in the standings.
Having scored an excellent goal for Celtic over the weekend to claim victory against Aberdeen, Rogic was unable to have a huge impact on the match at Stadion-im-Borussia Park on Tuesday night.
Rogic was today named in the Caltex Socceroo squad for the World Cup qualifier with Thailand on November 15 in Bangkok.
Postecoglou names Caltex Socceroos squad for Thailand WCQ
Elsewhere, Australian midfielder Andy Rose came off the bench for Coventry City to inspire a 2-0 win over Chesterfield in League One.
Rose replaced Marcus Tudgay in the 67th minute and just two minutes later won a header at a corner and although that was blocked, Coventry kept the ball alive for Jordan Willis to score.
Having only returned from a knee injury over the weekend, Rose made it two goals in as many matches when he fired home from the edge of the area in the 81st minute.
The win stretched Coventry's unbeaten run to four matches and took them up to 18th in the table, three points clear of the relegation zone.
Featured News
Aussies Abroad: EFL Cup wrap
It might be early in the English football calendar but with the English Football League Cup commencing this morning, the season's first silverware is now on the radar for the 92 participating clubs. Several Australian players were in action during a round one that saw multiple
Joeys squad selected for final training camp in Melbourne
Joeys Head Coach Trevor Morgan has named a 26-player squad for a training camp in Melbourne next week (13-19 August) as they prepare for the upcoming AFC U16 Championship in Malaysia which will be held later this year. Morgan is looking forward to working with the players agai
Mixed news for Caltex Socceroos duo in Champions League qualifying
Milos Degenek's Red Star Belgrade are still alive in their bid to qualify for this season's UEFA Champions League, but there was heartbreak for Tom Rogic's Celtic. After a 1-1 draw at home in the first leg, Celtic lost 2-1 against Greek side AEK Athens on Wednesday morning to
Young Socceroos set for kick off in 2018 SBS Cup
A selection of Australia's finest U18 footballers commence their 2018 SBS Cup campaign in Japan tomorrow evening. Ante Milicic's side take on the host nation at Fujieda Stadium at 7.30pm kick off (AEST). AUSSIES ABROAD: Maclaren, Vukovic impress in Europe READ: Why Rene

subset: commoncrawl


text:
We are well into the New Year – four days to be exact. It doesn't look very different from the old one. Many people are still saying or writing 2010 and making plans for next year (2011).
This should not come as a surprise. The passage of the old year and the coming of the new were almost unnoticeable. Except for the hype, the celebration and fireworks, the transition could have gone unremarked.
Whether the change comes to us stealthily or we mark its arrival with so much fanfare, there are certain things that are now habitual and associated with the passage of time that are always present.
The time is an excuse for partying and other excesses. For some reason human beings are always looking for an occasion for emotional (even material) extravagance.
May be this periodic opening of emotional valves and a bit of recklessness is necessary for the correct balance and survival of the species.
It is also a period for a collective sigh of relief when we are glad that a particularly bad patch is behind us, and we want to quickly forget it.
In the case of Rwanda, we would like to forget the unwanted media attention and onslaught of lies, threats and fabrications of every sort.
We were threatened with submersion under wave after wave of the same rehashed stories appearing in different media to give the impression that they were actually different5.
We remained afloat. The media were inventive but not very creative.
We want to flush from our collective memory the discordant noises made by a coalition of hate mongers of every imaginable stripe.
With this goes the wish that their alliance flounder and break on the rock of their hatred, their hands wither, their mouths clamp shut and brains shrivel. This is not exactly a curse. It is only my new year's wish.
This is a period, however, when we also want to hold on to and savour the good things that happened to us last year. I am sure many people want to keep the image of the enthusiastic crowds of the presidential election campaigns.
They thronged to the rallies to express their expectations and show their faith in, and support for, a system that would answer their prayers. Then they went to the polls in an orderly and dignified manner.
The manner of ordinary Rwandans gave the lie to the warnings of trouble constantly sounded by those for who raising the alarm (false) has become a profession.
More importantly it was an answer to the repeated call to Rwandans to do what they know is in their best interest. It was confirmation that they are people with dignity which they are proud to uphold.
At the turn of the New Year, it is customary for people to make personal resolutions and promises to friends and colleagues. Some of these are habitually broken as soon as they are made.
They were not meant to be kept in the first place. Most of them were made in the euphoria of celebration and contagion of bother resolutions.
But there are other resolutions and promises which are kept.
For instance, Rwandans were promised a seven-fold increase in what they already have. We were soon corrected that seven was too little. It was going to be seventy times seven.
Which is good enough reason to celebrate this New Year and others that will follow.
This promise is already being kept. We have seen the number of schools grow and students' enrolment increase several times. Soon the Rwanda National Examinations Council will announce results of last year's exams.
We can expect to hear that more students than in the previous year passed well enough to go to the next level of education.
The minister of health announced news that cheered senior citizens. He told the National Dialogue that pensioners will continue to enjoy the benefits of health insurance schemes to which they contributed when still in service and that elderly parents would benefit from their children's health insurance.
And many more are happening. Rwandans are counting and you can be sure they will not stop at seventy times seven.
And who said it was only poets who have the ear for and ability to create the apt image? We can do it equally well.
You cannot beat the barking dogs and moving trains in capturing the futility of the motley crowd of ill wishers who think they can halt our onward march by making noise.
Many of us were transported to our youthful, card-playing days with the reminder that a pack of cards contains some worthless cards - ibigarasha. The word, applied to some individuals, adequately brought out their utter worthlessness.
And the sound of the word – ibigarasha – suggested how despicable those individuals are.
Then at the close of the year we heard a refreshingly apt description of the process of social purification.
Society rids itself of social chaff through a natural process of filtration, like you would filter water to remove impurities and remain with wholesome water. That has been happening almost on its own.
The New Year promises a lot that is bound to remain memorable when we come to its end and begin looking at yet another new one.


text:
In Shropshire there are lots of options for intensive driving lessons with courses and schools in many of the areas of Shropshire that we cover below.An instructor has less chance of retaining specific detailed data of a particular student when interrupted by other students in a traditional driving course.
Best Intensive Driving Course in ShropshireDo not tell every person you have your driving test - this piles unnecessary expectation and force on you. Do not listen to every person horror stories about how they failed their tests. Intensive driving courses deal with all types of students. They can be both, slow learners and fast learners. These courses along with students enable the teacher to remember what he taught in the previous class. In this way, he can focus on his lecture. Ask from those people who have previously taken classes from driving school. Ask them how their experience in that driving school was.. if he gives you positive review then go for it. If he had a bad experience then avoid that driving school.
Intensive driving courses allow you to concentrate and retain lessons easier. In addition, instructors are able to tailor lessons and give more individual and personal instruction when teaching an intensive driving course. When driving lessons are conducted over a compressed period of time, an instructor's ability to focus and remember the student's learning points are greatly enhanced. The solution is to take an intensive driving course that packs in all your practical driving time into a compressed time period.
The Training Cars Must Be VerifiedWhen you are about to take the test, making sure your car is suitable for practical test. Set the seats and other things in the car such as the tires and the car should be in good condition that is suitable for taking practical test. You should always wear comfortable dresses which are suitable for driving and don't cause any hindrance. For example, we should wear comfortable shoes and always remember to tie up a seat belt. First of all, you should learn your theory lesson carefully. In this test, the examiner asks about color indication, check your eyesight and some safety tips about road driving. So, when your instructor introduces some fresh knowledge, dedicate yourself to taking in it. Examine, reflect, and ask questions for additional clarification if you need to. Continue reading this article and you will come to know why it is important.
Below we have the areas of Shropshire that offer Intensive Driving Course so that you can learn to drive fast or see the home page for all of the areas of the UK:
- Intensive Driving Course in Bishop's Castle
- Intensive Driving School in Bridgnorth
- Intensive Driving Lessons UK in Broseley
- Intensive Driving Course UK in Church Stretton
- Intensive Driving Course UK in Cleobury Mortimer
- Intensive Driving Lessons UK in Clun
- Intensive Driving Course in Craven Arms
- Intensive Driving Lessons in Dawley
- Intensive Driving Lessons in Ellesmere
- Intensive Driving Course in Ludlow
- Intensive Driving Course in Madeley
- Intensive Driving Course UK in Market Drayton
- Intensive Driving Course in Much Wenlock
- Intensive Driving School in Oakengates
- Intensive Driving Course in Oswestry
- Intensive Driving Lessons UK in Shifnal
- Intensive Driving Lessons UK in Shrewsbury
- Intensive Driving Course UK in Telford
- Intensive Driving Course in Wem


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Benedictine Bracelet Meaning are used for decorative purposes, and with the popularity of precious metals and precious stones, bracelets have become expensive. But there are various other varieties of decorative bracelets that require not be costly such as homemade bracelets, which are made out of a string and beads of different colors. Friendship bracelets are also popular and are given as gifts to signify friendship. These are made not really of gold and silver and gemstones but of leather or ribbons bound together to form a pattern and is usually made by the giver herself for the receiver of the friendship bracelet. It is said a friendship bracelet is to be worn until it breaks off on its own or before cords are exhausted. If removed prior to these stated above, it implies that the relationship has truly gone sour. Another tale that comes with friendship bracelets is that the recipient of the friendship bracelet must make a desire, which will only be granted if and when the friendship bracelet is exhausted and falls off naturally.
Sometimes a bracelet is used to mark personal moments in one's life. This is observed in charm bracelets. For every pendant or trinket that is mounted on the bracelet, it means a significant event or a very important incident in the wearer's life. But for beautification purposes, some attraction bracelets are created simply for its beauty with out a one trinket or pendant meaning a thing.
One other reason for bracelets is normally to accentuate one's style and identify. The most typical kind of this bracelet is the spike bracelets. Spike bracelets are usually made out of leather with metallic spikes decorating its part. This is more commonly utilized by the punk and heavy metal generation.
Bracelets are also used for important purposes like medical ID bracelets and medical center tags. These kinds of bracelets often include a person's information like drug allergies and illnesses, which makes it easier for doctors and nurses to treat the individual accordingly during a crisis. They no longer have to search for relatives and family members just to get the information of the individual, but relevant data are seen in the medical ID bracelets.


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Mercy Class
Every Thursday until May 10, 2018
7:00pm – 9:00pm
Location: 124 S. Main St., Middletown, OH 45044
This class explores both the doctrine of God's mercy and our call to be merciful. We will discuss the ways the Bible teaches us to help those in need, the culture of poverty, how to help without hurting. We will examine, specifically, the needs in this region and ways we can live out our calling here. The class meets from 7:00 PM - 9:00 PM at The Oaks Offices.
More Events
August 23, 2018 5:00pm – 7:00pmMOPS Open House
August 26, 2018 9:00am – 12:30pmWorship Services
August 26, 2018 11:00am – 1:30pmMembership Class


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Posts by Jacob Kornhauser
Analyzing Win Totals From the Last 10 Years: Underachievers
Remember the kid who would always slack off on the group project when you were in high school? Nobody liked that guy. Over the last 10 seasons, nobody who has bet win total overs has liked this particular set of NFL teams either. This O/U data is normally not available to the public but we painstakingly
Remember the kid who would always slack off on the group project when you were in high school? Nobody liked that guy. Over the last 10 seasons, nobody who has bet win total overs has liked this particular set of NFL teams either. This O/U data is normally not available to the public but we painstakingly scraped it from over 100 emails to bring you this chart.
This is the second installment of a three part series where we break down the data. The focus: The Underachievers, teams who consistently didn't make their win total. Of the NFL's 32 teams, ten fell under their over/under win total at an average rate distinct enough to catch our attention.
Listed in order of how many wins they miss their projection by, on average, over the last 10 years:
1. Cleveland Browns – 2.2 wins below projection per season (1-8-1 overall)
2. Jacksonville Jaguars – 1.36 wins below projection per season (2-7-1 overall)
3. Los Angeles Rams – 1.25 wins below projection per season (3-7-0 overall)
4. Tampa Bay Buccaneers – 1.15 wins below projection per season (4-5-1 overall)
5. Washington Redskins – 0.95 wins below projection per season (4-6-0 overall)
6. Houston Texans – 0.81 wins below projection per season (6-3-1 overall)
7. Chicago Bears – 0.75 wins below projection per season (3-7-0 overall)
8. New York Giants – 0.7 wins below projection per season (3-6-1 overall)
9. Detroit Lions – 0.7 wins below projection per season (5-5-0 overall)
10. Los Angeles Chargers – 0.65 wins below projection per season (4-6-0 overall)
It's important to note that most of these teams (save for maybe the Browns) are still very close to their overall projections over the long run. For example, the Jaguars, the second-highest team on this list, have still only lost about 13-14 more games than projected over the last 10 seasons. Oddsmakers know what they're doing and their job is to force you into hard decisions. Hopefully, with a look at this data in detail, those decisions will be more informed and will seem a little easier.
Just as we pointed out with the Patriots and Steelers on the opposite end of the spectrum, the Browns have been so bad, it's been hard for oddsmakers to set an U/O line on them. It's not as if they could have set the line at 0.5 wins last season when Cleveland finished 0-16.
Their 1-8-1 record is the most lopsided in the league, good or bad (Patriots are best at 7-2-1). They have lost or pushed 90 percent of the time, meaning if you kept pounding the under, you've made a lot of money. More importantly, the Browns have the second lowest standard deviation in results of any team in the league. The standard deviation represents consistency. The Browns is low and so is the Pats, whether good or bad, these teams have held steady over the last ten years.
The Texans, on the other hand, are a team whose results we're going to throw out the window. Despite hitting the over 6 out of 10 times, they still are averaging 0.81 wins below their projections. What does that tell us? When they hit the over, they do so barely. When they are under on their win projection, they are way under. Add in the uncertainty of what a healthy Deshaun Watson might bring to the table and they are an absolute wild card on the betting scene this year.
We then get to the pair of teams who do not currently embody what they've been for the past decade. We're talking about the Jaguars and Rams. Neither of these teams saw sustained success over the past decade, but each is seemingly on its way up. Each team made the playoffs last year and many expect them both to repeat that performance in 2018. An explanation for why each team underperformed its win projections lies in unreasonably high expectations.
Each has been picked to have multiple breakout years that never came to pass. These high expectations, warranted or not, inflated the U/O line and make them less likely to hit the over. The two teams are a combined 5-14-1 on hitting the over in the last 10 years, but the Rams have been so variable (fourth highest standard deviation in the league), it's hard to expect them to go under in 2018 purely based on the last 10 years. Again, the Jaguars are such a different team than they have been for the better part of the decade, it's hard to say the data tells us much about them either.
Two teams the data can help us with are ones consistently in the national spotlight: the New York Giants and Washington Redskins. Each team plays in the NFC East and take up a disproportionate amount of time on talk radio, TV, and in media coverage in general. They play in huge markets and expectations often are inflated based on that. While playing in the NFC East, which has consistently seen nine-win teams win the division and in which everyone beats up on one another, it's hard to hit your win projections.
As far as standard deviation goes, these two teams are right in the middle of the pack, meaning they don't fluctuate all that often from one end of the win-total spectrum to the other. They're a combined 7-12-1 at hitting their win projections. There is reason to believe we can draw some value from the data for these teams; we will touch on that later.
For now, we are left with the Bears, Lions, and Chargers, teams that haven't made much noise over the past decade. For most of those 10 years, each team had a steady quarterback at the helm, hardly what you'd expect for teams consistently missing on their win projections.
However, the Bears and Chargers have low standard deviations in their results, suggesting they were consistent in going under their projected win totals. This is evidenced by their combined 7-13-0 record on overs. The Lions are more variable and even though they're on the list of underachievers, their record is 5-5-0 against their win projections, suggesting they flip flop too much to dependably bet on.
Now, of course, we want to apply this data to 2018. In our final article of the series based on this data, we will look at the best U/O bets for the 2018 season. For now, we will look at the U/O projections for this group of 10 for the upcoming year:
Over/unders for 2018:
Cleveland Browns – 5.5
Jacksonville Jaguars – 9
Los Angeles Rams – 10
Tampa Bay Buccaneers – 6.5
Washington Redskins – 7
Houston Texans – 8.5
Chicago Bears – 6.5
New York Giants – 7
Detroit Lions – 7.5
Los Angeles Chargers – 9.5
Data provided by Bovada
The top tier on this list includes the Rams, Chargers, and Jaguars, all of whom oddsmakers expect to win at least nine games this season. As mentioned in the overachievers article, it's tough to reasonably bet over or under on a team projected in the double digits. As for the Chargers, 9.5 wins seems like a lofty projection. Their underachiever status is among the most reliable of any on this list and expecting 10 wins, even from a team who got red hot last season, is optimistic.
Then, you have the Jaguars, who may just have the best defense in football. Their division is so unpredictable with the Texans getting Watson back, the Colts potentially getting Andrew Luck back, and the Titans completely changing the offense they run. It's hard to tell where the Jaguars fit into that mix. They certainly appear to be one of the best teams in the AFC on paper, but perhaps not enough to comfortably say they will hit their nine-win projection.
Speaking of Watson, oddsmakers clearly expect a lot out of the Houston QB, who is coming off a torn ACL for the Texans. Their win projection of 8.5 says oddsmakers are on the verge of calling Houston a playoff team. If you believe Watson will be as electric as he was before his injury, this could be a nice play for you.
After that, we have teams that oddsmakers expect to finish just below .500: the Lions (7.5), Redskins (7), and Giants (7). Detroit has a steady quarterback, Washington has a new quarterback, and New York has an aging quarterback. If you think the Packers and Vikings will each be the real deal this year, getting to eight wins might be tough for Detroit, having to play those two teams a combined four times. Washington seems to be a trendy pick to make some noise this year with Alex Smith under center, but losing rookie RB Derrius Guice hurts the team, but the injury didn't change the Washington line.
An outlier here appears to be the Giants. Expecting seven wins out of a team that went 3-13 a year ago is a stretch. Eli Manning has been in the bottom half of NFL quarterbacks for the last few years and there is no steady replacement waiting in the wings. Sure, the team added star running back Saquon Barkley in the draft, but if Manning can't makes plays consistently, teams will stack eight in the box and Barkley's effectiveness will be diminished. Unless you're really buying into the Barkley hype train, this seems like another season you could profit by exposing east coast bias and taking the Giants under.
Then, there are the teams toward the bottom of projections on this list: the Bears (6.5), Buccaneers (6.5), and Browns (5.5). Chicago appears to be headed in the right direction with QB Mitch Trubisky in his second year in the offense and with the team adding weapons like WR Allen Robinson and rookie WR Anthony Miller (being compared to Antonio Brown by some).
The Buccaneers are in a very different situation. QB Jameis Winston is suspended for the first four games of the regular season and head coach Dirk Koetter appears to be squarely on the hot seat. In a strong division and without much leadership in the locker room, asking seven wins of the Bucs looks to be a tall order.
Perhaps the most interesting team coming into this season is the Browns. Can they really go from zero to six wins in one year? Based on the talent they've added, they just might be able to. It's hard to depend on either Tyrod Taylor or rookie QB Baker Mayfield, but with WR Josh Gordon back for a full year and the defense looking stout, anything is possible.
There are even rumblings Cleveland could add embattled receiver Dez Bryant to the mix. With all of this being said, the Browns are likely to fall so close to their projection, it might not be worth the risk. It all depends on if you're buying the excitement coming from a team that failed to win a game a season ago. The data says: don't buy the hype.
Jacob Kornhauser is a sports reporter in Southern Oregon covering all sports, including Oregon and Oregon State athletics. He has been a national baseball writer for Bleacher Report and Rant Sports and has written two baseball books. He also specializes in sports betting analysis. He is a graduate of the University of Missouri Journalism School.
Analyzing Win Totals From the Last 10 NFL Seasons: The Overachievers
Oddsmakers aren't wrong often, but that doesn't mean they are infallible. By analyzing the last 10 years of over/under data we drew some conclusions about the way bookmakers looks at certain teams and the ways those teams perform relative to expectations. This O/U data is normally not available to the public but we
Oddsmakers aren't wrong often, but that doesn't mean they are infallible. By analyzing the last 10 years of over/under data we drew some conclusions about the way bookmakers looks at certain teams and the ways those teams perform relative to expectations. This O/U data is normally not available to the public but we painstakingly scraped it from over 100 emails to bring you this chart.
This is the first installment of a three part series where we break down the data. The focus: The Overachievers, teams who consistently beat the win totals. Of the NFL's 32 teams, nine beat their over/under win total at an average rate high enough to catch our attention.
Teams That Exceed Win Total Projections
(wins per year above projection)
- Pittsburgh Steelers – +1.05 (7-3-0 overall)
- New England Patriots – +1.05 (7-2-1 overall)
- Atlanta Falcons – +0.95 (6-4-0 overall)
- Arizona Cardinals – +0.95 (6-3-1 overall)
- Carolina Panthers – +0.8 (5-5-0 overall)
- Minnesota Vikings – +0.6 (6-3-1 overall)
- Baltimore Ravens – +0.55 (5-3-2 overall)
- Denver Broncos – +0.45 (7-2-1 overall)
- New Orleans Saints – +0.45 (5-4-1 overall)
It's important to point out that even these nine teams are, on average, very close to their projected win totals in the 10-year period. In a decade, they have about 10 more total wins than projected. Comparatively, teams on the bottom of the list (Broncos, Saints) have about 4.5 more overall wins than projected over the last 10 years. Bookmakers are extremely accurate.
But, this data shows small cracks.
First, the Steelers and Patriots have been so consistent, it's hard for win projections to keep up. Some of the highest over/under projections are 11 or 11.5. It is very rare to see an over/under of 12. The Steelers and Patriots combined had 12 seasons of 12 or more wins during the data period so it's easy to see why both teams consistently beat the over. Oddsmakers seemingly won't go higher than 11.5 on an over/under and that has led to the Patriots and Steelers busting their win total projections on a year-to-year basis with 14 combined overs in the last 10 years.
When factoring in standard deviations for each team (essentially how consistently teams are beating or losing to the over/under line), the Steelers and Patriots rank among the four lowest teams in the league. This means their results are more consistent and dependable than teams with a higher standard deviation of results.
The Broncos are another interesting team. If they hadn't underperformed so badly last season, they would be toward the top of this list. Last year's disaster makes their 7-2-1 record against the O/U in the last decade even more impressive. For a team as high profile as Denver, it's surprising oddsmakers consistently overlook them. Denver is in the bottom third in standard deviation (2.24), so we can reasonably rely on their decade of results as indicative of a larger trend.
Then, there are the non-traditional powers who get overlooked — the Cardinals, Panthers, and Vikings are good examples. At various times over the past decade, these three franchises have fielded competitive teams and it takes oddsmakers a little while to catch up.
Besides going through transitions, none of these teams are tremendously reliable when it comes to standard deviation. This basically tells us that when they are under their win projection, they are way under and when they are over, they are way over. Carolina has the highest in the league (3.71) and Minnesota (3.09) isn't far behind. Meanwhile, Arizona (2.56) is in the middle of the pack. These teams are too unpredictable to reasonably bank on a particular result relative to an O/U projection.
That leaves the Falcons, Ravens, and Saints. We've seen these teams consistently make the playoffs over the past decade, and if it weren't for an epic collapse by Atlanta in Super Bowl LI, all three would have Super Bowl rings in the last 10 years. The teams have one thing in common: the core of their roster rarely changes, but key role players do. That constant churn (think Baltimore's receiving corps or New Orleans' defense) could be making bookmakers underestimate each team's season win total.
When we look at standard deviations for these three teams, we get three different stories: the Falcons' results are unreliable; the Saints' are reasonably dependable; and the Ravens' are very dependable. We can expect that Baltimore's trend of beating O/U projections is the least random.
Where does that leave us? Below is a list of each team's O/U for the 2018 NFL season. Later we will break down all the best bets but let's take a brief look at what the data can tell us about the consistent overachievers this year:
2018 Overs/Under Lines
New England Patriots – 11
Pittsburgh Steelers – 10.5
Minnesota Vikings – 10
New Orleans Saints – 9.5
Atlanta Falcons – 9
Carolina Panthers – 9
Baltimore Ravens – 8
Denver Broncos – 7
Arizona Cardinals – 5.5
Data provided by Bovada
As we mentioned, oddsmakers refused to go up to 11.5 for any team on this list. Can the top two — the Patriots (11) and Steelers (10.5) — continue to top over/under predictions? Once you start climbing into the double digits, it's tough to say. Both teams have question marks with Brady's drama and Bell's contract but neither issue is a new one for either team. If you think those are red herrings, betting on the most consistently strong teams in the NFL has proved successful the past decade.
The next tier includes the Vikings (10), Saints (9.5), Falcons (9), and Panthers (9). All but Minnesota play in the NFC South, so it's tough to predict all three would get at least nine wins, but there's a good chance one will — especially because the Bucs will be without QB Jameis Winston for the first four games of the season. What to do? Pick the NFC South team you favor most and go from there.
Baltimore (8), Denver (7), Arizona (5.5) complete the list. What do these teams have in common? Changes or potential changes at quarterback. The Ravens still have a struggling Joe Flacco (who has reportedly looked good in training camp so far), and traded up to take Louisville star Lamar Jackson. Denver, which had a strong defense in 2017, has been unable to adequately replace Peyton Manning and signed Case Keenum, who brought Minnesota to the NFC Championship last year. He'll start ahead of 2016 first-round pick Paxton Lynch and Chad Kelly. The Cardinals signed Sam Bradford to replace Carson Palmer and used a first-round pick on Josh Rosen. Star running back David Johnson, who missed most of last season, returns as well.
Your confidence in these picks comes down to your confidence in each team's quarterback. Every team has been underrated in the past, and it's likely that one of these QBs will break out. It's your job is to decide who that will be.
Jacob Kornhauser is a sports reporter in Southern Oregon covering all sports, including Oregon and Oregon State athletics. He has been a national baseball writer for Bleacher Report and Rant Sports and has written two baseball books. He also specializes in sports betting analysis. He is a graduate of the University of Missouri Journalism School.
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This Purchase Order shall not be assignable by either party, except that lapetitemort.info may assign this Purchase Order to any subsidiary or affiliate thereof or successor-in-interest by way of merger, acquisition or the like. No failure or delay on the part of either party hereto in exercising any right or remedy under this Purchase Order shall operate as a waiver thereof. No provision of this Purchase Order may be waived except in a writing signed by the party granting such waiver. Insurance. Seller shall maintain in effect, at its expense, insurance of such types and in such amounts as is commercially reasonable in connection with the conduct of its business, including, without limitation, insurance coverage for its liability and indemnity obligations hereunder. Seller will secure and maintain insurance providing coverage for liabilities to third parties for bodily injury (personal injury) and damage to property in amounts sufficient to protect lapetitemort.info in the event of such injury or damage, and will be in compliance with any and all laws, regulations or orders addressing the liabilities of an employer to its employees for injuries and disease suffered in connection with employment. Seller further will maintain such additional types and limits of insurance as is customary for a company of similar size and similar operations to Seller in the jurisdiction or jurisdictions in which Seller's operations take place. Publicity. - Seller agrees not to refer to lapetitemort.info as a client or customer, or otherwise use or reveal lapetitemort.info's name or this relationship for any marketing or other commercial purpose, except as expressly required by law. Substitution/Modification. - No substitution or modification of any Products, component parts, tooling, sources of raw materials, processes, or manufacturing sites may be made without lapetitemort.info's prior written consent. Equal Opportunity. lapetitemort.info and Seller each represent and warrant that they do not and will not discriminate against any worker because of his or her age, color, creed, disability, national origin, race, religion, sex, sexual orientation or veteran status, and that they are and will act and remain in compliance with all relevant laws, rules and regulations. Seller warrants and represents that performance of the services does not and will not violate, infringe or conflict in any manner with any duty or obligation of Seller to any other entity. Debarred Sellers. lapetitemort.info is prohibited from contracting with or making sub-awards under covered transactions to parties that are suspended or debarred or whose principals are suspended or debarred. "Covered transactions" include those procurement contracts for goods and services awarded under a non-procurement transaction (e.g., grant or cooperative agreement) that are expected to equal or exceed $25,000 or meet certain other criteria as specific in 2 CFR section 180.220. All non-procurement transactions entered into by accepting this Purchase Order, irrespective of award amount, are considered covered transactions, unless they are exempt as provided in 2 CFR 180.215. By accepting this Purchase Order you are certifying that your organization and all associated principals have not been debarred by any arm of the Federal Government and that all participants to fulfilling this Order are aware of this requirement. By accepting a Purchase Order from lapetitemort.info, Seller certifies to the best of his/her knowledge and belief that the supplier and/or any of its principals are not presently disbarred, suspended, proposed for disbarment, or declared ineligible for the award of contracts with any federal agency Bankruptcy. In the event of any proceeding, voluntary or involuntary, in bankruptcy or insolvency by or against the Seller, including any proceeding under the United States bankruptcy laws, or in the event of the appointment, with or without Seller's consent, of a receiver of an assignee for the benefit of creditors, lapetitemort.info shall be entitled to cancel any unfilled part of this Order without any liability whatsoever. Setoff. All claims for money due or to become due from lapetitemort.info shall be subject to deduction or setoff by lapetitemort.info by reason of any counterclaim arising out of this or any other transaction with Seller.


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Polish-Mexican actress who has played roles in a number of films including September Eleven 1683 and Syzyfowe Prace.
She studied at the National Ballet Academy in Kraków from 1989 until 1998 and at the National Academy of Music's vocal department from 1998 until 2000.
She trained in acting at the Lee Strasberg Theatre and Film Institute in New York City.
She dated actor
She co-starred with Kevin Kline in the 2007 film Trade.


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- Worldwide Rank #195,744,120
- Follower/Following Ratio 0.1
- Daily New Followers 0
Myosh Twitter Stats
@22_myosh - Tracking Myosh Twitter profile since February 10, 2015
* تأتي وحيدًا وتموت وحيدًا .. إذًا ما الذي يجعلك ترهن حياتك للآخرين ؟
Myosh's story
Myosh, also known as @22_myosh has a reasonably significant presence on Twitter and is ranked by us in the 30% percentile for account strength. Active on Twitter since January 2015, Myosh made it to having a respectable 11 Twitter followers and to being ranked 195,744,120 for number of followers among all Twitter users.
The plot thickens when considering Myosh's follower-to-following ratio, which is 0.1. Which is not surprising given this account's audience size.
Over the past month, @22_myosh's was hardly active on Twitter, with an average of 0 tweet(s) per day in the past 30 days. That's pretty consistent with a total of 123 since @22_myosh joined Twitter.
This account is tracked by us Only February 2015. As of August 14 2018 we track 290722354 Twitter accounts, so feel free to search for other accounts you're interested in and reveal their Twitter story!
Myosh Tweets
@22_myosh has posted 0 tweets in the last 2 days, which translates to an average of 0 tweets per day.
Myosh Twitter Followers
@22_myosh has 11 followers on Twitter.
This account is #195,744,120 in the worldwide rank of the most popular Twitter users.
Myosh Following on Twitter
@22_myosh is following 110 Twitter accounts.
Last month this account stopped following 11 users.
Myosh Predictions & Milestones
@22_myosh will hit 11 followers in the next 3 months, and 11 in one year.
You are on Myosh's Twitter stats page
We track these Twitter stats since February 10, 2015 . You can see how many followers Myosh lost or gained and what the prediction is for tomorrow or the next 15 days, together with all kinds of other stats like rank compared to all Twitter users, tweets etc.
Why don't you give it a try and compare Myosh to yourself ? Or if you are Myosh get even more feature rich & up-to-date stats with our premium Twitter Stats.
Twitter Counter is the #1 Twitter stats site powered by Twitter. It all started in June 12, 2008 and we grew rather rapidly because of our Twitter Counter badge. The button is a nice small image that shows your visitors how many followers you have on Twitter. Within a year the button was on many many blogs around the world and we displayed more than 100 million buttons in one month. We track follower stats for over 290.722.354 users now.


text:
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text:
Start networking with tens of thousands of other creatives like you. Join now! it's FREE! Log in
I'm not getting out
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Photography by: Dave/OttoModel: Rosie FlameTags: art, artistic, nude, Seated, stream, waterGroups: Water Photography - Everything to do with it, LANDSCAPE NUDES
Added 1498500739 by Dave/Otto.