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The Gallery Partnership Ltd (TGPL) are committed to protecting and respecting your privacy and personal data. We ask your consent to store it (and you can withdraw this consent at any time). We store it securely. We process it fairly and lawfully. We never share it with anyone. We will delete it if you ask us to. We won't contact you if you ask us not to.
This Privacy Policy sets out how TGPL collect, use and process your personal data both when you use this website and elsewhere. This policy is compliant with the General Data Protection Regulation (GDPR) and is effective as of 16th February 2018.
TGPL may update this Privacy Policy from time to time by amending this web page. Please check this page regularly for changes to this Privacy Policy. If we make any material changes to this Privacy Policy we will notify you before they take effect. Any such material changes will only apply to personal data collected after the revised Privacy Policy took effect.
If you have any queries regarding this policy and / or your data privacy, please contact us using any of the following:
Email: email@example.com
Phone: 020 7096 2800
Address: The Gallery Partnership Ltd, 4th Floor, 150 Borough High Street, London, SE1 1LB
- Who we are?
- What is 'personal data'?
- How do we collect personal data?
- What type of personal data is collected and processed?
- What are our lawful bases for processing personal data?
- How do we use personal data?
- How long do we keep personal data?
- What will we not do with personal data
- How secure is personal data that we process?
- What are your rights in relation to your personal data?
- How we use cookies
- EU Cookies law
- Links to other websites
Who are we?
TGPL provides trusted IT services to charities, not-for-profit organisations and businesses, and has done so for 20 years. TGPL is a limited partnership registered in England and Wales under registration no. 3276127, VAT no. 677213228 and is registered at Unit 3 Cedar Court, 1 Royal Oak Yard, London SE1 3GA.
What is 'personal data'?
The GDPR applies to 'personal data', meaning any information relating to an identifiable person who can be directly or indirectly identified from that information.
How do we collect personal data?
We collect personal data about you if you use our website, if you contact us about products and services, at events, if you're a customer or supplier, or if you register to receive our newsletter.
What type of personal data is collected and processed?
We collect and process the following personal data:
- Name and job title
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- Other information relevant to our products and services.
What are our lawful bases for processing personal data?
The GDPR demands that we have a valid lawful basis to process personal data. There are six available legal bases for processing. We rely on at least one of the following legal bases when we collect personal data in the ways described above:
- Your consent, which is explicitly given and can be easily withdrawn
- A legitimate interest, ours and / or yours. If you ask us for information, it is in your legitimate interest that we process your personal data. If we have a contractual relationship with you, it is in both our legitimate interests that we process your personal data.
How do we use personal data?
TGPL use personal data for the following reasons:
- To respond to explicit requests about our products and services
- To improve our products and services
- To manage our employees, suppliers, clients, contractors, prospects and contacts
- To maintain our own accounts and records
- To inform you of IT-related and TGPL news, events, activities and services.
How long do we keep personal data?
We keep personal data so long as we have consent to keep it or a legitimate interest in keeping it.
What will we not do with personal data?
- We will not share your personal data with others unless they have a legitimate interest in it or we are required by law to share it.
- We will not transfer your personal date outside the European Economic Area or to any international organisation without prior written content.
How secure is the personal data we process?
TGPL is committed to ensuring that personal data is secure. Personal data is treated as strictly confidential.
To prevent unauthorised access or disclosure, we have put in place suitable physical, technical and managerial procedures to safeguard and secure personal data.
What are your rights in relation to your personal data?
The GDPR gives individuals the following rights in relation to their personal data:
- The right to be informed about the collector, collection, and processing of your personal data (which is what we are doing in this Privacy Policy)
- The right to access their personal data, i.e. you can ask us for a copy of your personal data. We must respond to such requests within one month
- The right to rectification, i.e. you can ask us to amend your personal data if it is inaccurate or out of date. We must respond to such requests within one month
- The right to request that your personal data is erased where there is no compelling reason for its continued processing
- The right to request that we restrict processing of your personal data if you contest its accuracy or the legitimacy of its processing
- The right to data portability, i.e. the right to request that we provide you with your personal data in a structured, commonly used and machine-readable format
- The right to object to the processing of personal data for legitimate interests, the performance of a task in the public interest / exercise of official authority, direct marketing, and / or scientific or historical research and statistics
- The right to escalate any data privacy complaints to the Information Commissioners' Office.
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A cookie is a small file which asks permission to be placed on your computer's hard drive. Once you agree, the file is added and the cookie helps analyse web traffic or lets you know when you visit a particular site. Cookies allow web applications to respond to you as an individual. The web application can tailor its operations to your needs, likes and dislikes by gathering and remembering information about your preferences.
We use traffic log cookies to identify which pages are being used. This helps us analyse data about web page traffic and improve our website in order to tailor it to customer needs. We only use this information for statistical analysis purposes and then the data is removed from the system.
Our website CMS, Drupal, uses standard PHP session cookies as part of its core functionality, which typically expire in two weeks.
Overall, cookies help us provide you with a better website, by enabling us to monitor which pages you find useful and which you do not. A cookie in no way gives us access to your computer or any information about you, other than the data you choose to share with us.
You can choose to accept or decline cookies. Most web browsers automatically accept cookies, but you can usually modify your browser setting to decline cookies if you prefer. This may prevent you from taking full advantage of the website.
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As part of our compliance with the EU Cookie Law we provide a popup message informing user of our use of cookies. The popup states that by continuing to use the site the user has accepted our use of cookies. The popup displays on every page until the user clicks that they wish to hide it.
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Our website may contain links to other websites of interest. However, once you have used these links to leave our site, you should note that we do not have any control over that other website. Therefore, we cannot be responsible for the protection and privacy of any information which you provide whilst visiting such sites and such sites are not governed by this privacy statement. You should exercise caution and look at the privacy statement applicable to the website in question.


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Voice Search (Android) - Sometimes you need information fast but typing on your phone is inconvenient. This application lets you speak your query instead of typing into Google search.
Tap the microphone icon by the search box, wait for a "Speak now" prompt, and speak - Google search results will appear in your browser.
What's New in This Release:
· Additional in-app localizations

subset: commoncrawl


text: Stroupe-a-loop 431 Report post Posted March 13, 2012 Hey everybody raise your hand if your team has ever won a Super Bowl. Anyone, hello? Oh you in the back with the Saints hat on, Congrats! Maybe they'll take that away too like they are going to take away you draft picks and cap room. Share this post Link to post Share on other sites


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A beautiful home nestled in the woods has 2,757 +/- sq. ft. of living space with 4 bedrooms & 4 full baths plus an office and 600 +/- sq. ft. bonus room. Situated on .51 +/- acre lot, this family home has an updated kitchen, new paint and landscaping. Central heating and air conditioning controlled with a NEST thermostat keep the home at a comfortable temperature. The downstairs bonus room is a great space for kids to relax or guests to stay. The kitchen allows you to create gourmet meals and opens upon the deck to allow for entertaining inside and out. Views of the hills give the home a serene feel. Close to shopping, entertainment and fine dining! Home is situated in the award winning Lafayette and Acalanes school districts.
Low on density and high on greenery, Lafayette offers rolling hillsides, excellent schools, and an easy commute to Oakland and San Francisco thanks to the Bay Area Rapid Transit (BART) station in the town center. Meandering country roads and showplace estate homes perched on large hillside parcels offer panoramic views of the valley. Mediterranean, English, and French Country architecture populate the landscaped neighborhoods. Lafayette's central business district offers quality shopping like Whole Foods, Diablo Foods and Trader Joe's and dining for locals and visitors alike. Restaurants such as The Cooperage, Roam, and Metro Lafayette are thriving. For those seeking old-fashioned comfort food, Millie's Kitchen is a popular breakfast and brunch restaurant with large portions and modest prices. Lafayette Reservoir is open year-round for boating, fishing, picnicking, and hiking. After a long day on the water, locals head to The Roundup Saloon, a throwback to the days of rowdy roadhouses. Approximately 10 minute drive to Walnut Creek, 20 minute drive to Oakland and 45 mintue drive to San Francisco.
Showings by Appointment:
Contact Mary Staten


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Toronto International Film Festival 2004 - UPDATE #7
Dead Birds
Directed by Alex Turner
Though Dead Birds is only sporadically effective, the film does deserve kudos for the simple fact that it's a horror movie that's actually scary (an increasingly rare thing nowadays). The storyline involves a group of Civil War-era bank robbers that decide to hole up in a creepy mansion after a big score, though - unbeknownst to them - said mansion has a troubled (read: bloody) history. Director Alex Turner infuses Dead Birds with a hefty dose of style, while the various performers - including Henry Thomas and Isaiah Washington - are surprisingly effective in their respective roles. The deliberate pacing of the movie does take a while to get used to, though, especially for viewers who like their horror movies fast and bloody. But the genuinely creepy images on display here (ie little kids with fangs for teeth) are disturbing enough to allow us to overlook the various flaws.
out of
Austria seems to be emerging as a hotbed for movies dealing with multiple characters, all of whom are miserable (ie Dog Days and now Antares). The film follows three separate storylines, all of which continually intersect with each other. For a while, Antares is oddly compelling; as a glimpse into the lives of some seriously disturbed characters, the film undoubtedly succeeds. But at a running time of around two hours, the movie ultimately feels oppressive. It certainly doesn't help that the last third of the movie is devoted to a character that simply isn't as intriguing as the first two; by the time the film begins dealing with him, we're ready to call it a night. Still, there's no denying the fact that writer/director Gotz Spielmann has done an effective job of presenting us with characters that feel authentic - though the film never quite becomes as compelling as Spielmann clearly wants it to be.
Don Cheadle has been delivering solid supporting work for years, but Hotel Rwanda marks the versatile actor's first shot at a lead role. It's an eye-opening performance that's unexpected - only because he's never had the chance to display this kind of range before. The film is set in 1994, the year that South African Hutus slaughtered almost one million Tutsis. Cheadle stars as Paul Rusesabagina, a hotel manager who opened his hotel to Tutsi refugees - despite the growing danger to himself and his family. Hotel Rwanda has the distinct vibe of a traditional Hollywood epic, complete with sweeping music and melodramatic overtones, yet this somehow suits the extremely graphic and disturbing nature of the subject matter. The various atrocities that occur on screen are easier to take when you've got clearly defined heroes and villains, though Keir Pearson and George's screenplay occasionally goes overboard in this respect (ie a sequence in which Rusesabagina is literally tripping over bodies). Still, it's impossible to deny the power of this true story - particularly given Cheadle's Oscar-worthy performance.
Though Private has its share of problems, the story is compelling enough that we're willing overlook such deficiencies. The film features a Palestinian family held hostage in their own home by Israeli soldiers, who have confined them to a small room on the first floor. The father wants to obey their orders and preaches pacifism to his family, while his teenaged son and daughter would rather fight - even if that means their death. Though the soldiers may seem to be one-dimensional villains, documentaries like Checkpoint and Death in Gaza have proved that that's just not the case. And though the film is badly acted and has minimal production values, there's still something riveting about the whole thing. The film is - surprisingly enough - occasionally quite suspenseful, as the rebellious daughter ventures into the forbidden section of the house. Director Saverio Costanzo does a nice job of keeping the tension high, ensuring that Private remains engaging throughout.
Sean Penn has reached the point where with each successive performance, he actually manages to top himself - forcing movie reviewers to claim that his latest film features his best work to date. The Assassination of Richard Nixon is no different, and casts Penn as hapless sap Sam Bicke. Bicke's strong, unwavering feelings about the way things should be have cost him jobs, friends, and even his marriage. Though he's making an effort to conform by working as an office supplies salesman, we can tell that his anti-social tendencies are bubbling beneath the surface. The Assassination of Richard Nixon has been written and directed by Niels Mueller, who imbues the film with the vibe of a '70s movie - eschewing plot in favor of an emphasis on character development. As a result, by the time the film ends, Sam Bicke has become someone whose motives we completely understand (once he embarks on his plot to assassinate the then President - whom he perceives to be exactly what's wrong with America - it almost feels as though he has no choice but to do this). Though the film features a supporting cast that includes Naomi Watts and Don Cheadle, this is undeniably Penn's show from start to finish. The actor delivers a performance that's rich in its complexity, turning Bicke into more than just a second-rate Travis Bickle.
Modigliani is a period piece devoid of emotional resonance, despite a full-bodied performance by Andy Garcia. Garcia stars as famed painter Amedeo Modigliani, who alternates between feuding with Pablo Picasso (played by Omid Djalili) and contemplating marriage to his pregnant girlfriend (Elsa Zylberstein). The film has been written and directed by Mick Davis, and there's no denying that it looks authentic. Davis, along with cinematographer Emmanuel Kadosh, presents a vision of Paris that often resembles a painting - and like a painting, the film is visually impressive but that's about the extent of it. It doesn't help that Modigliani focuses on a very specific period in the artists life, which seems to consist entirely of his feud with Picasso (which is resolved incredibly poorly, with a slow clap of all things!) The only thing that keeps the film from becoming an all-out bore is Garcia's amazing performance, which is just as vital and exciting as we've come to expect from the actor (too bad the same can't be said of this sterile biopic).


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Now our next step is using MSI Afterburner please make sure you can adjust your fan speeds manually from MSI Afterburner, Automatic fan speed wont work for us We will have to keep some aggresive fan profiles so that benchmarks won't bottleneck our OC process.
When you read enough and feel confident, please start with Memory Clocks. We will not mess with core voltages untill we start getting some crashes and freezes
Memory Clock is the least important so, we should deal with that one first, then the most important core clocks
As for Nvidia's there is also a Shader Clock there, but they are usually linked to the core clcoks. The ratio is 1 core clock - 2 shader. if you have 100 core clock your shaders should be 200. As far as I know, it will adjust it itself when you increase the core clock frequency. So nothing to worry about.
And post me your Stock Core/ Shader and Memory clocks, so that I can check our progress
Now, start with 10 mhz increments for memory clock. and after some 50 mhz increase, start stress testing. And continue stress testing with each 10mhz afterwards.
Do your stress tests at max. settings and at least for some 10 mins. And check for artifacts and freezes/crashes. You wont have such things till you increase at least some 150 mhz memory clock but, still it is always good to be prepared for anything while benchmarking and stress testing, the memory clocks won't affect your FPS rates by any chance, it just decreases the time of chapter loadings, texture loadings etc. So nothing in game or benchmarking. See if you can reach your max available memory on stock voltage. Or just leave it at a safe place where there is no artifacts or so, its your call
Anyway, when you start having artifacts and abnormal behaviours on screen, crashes, freezes, black stripes, etc. immediately restart your pc (use hard reset, for you may not be able to reach start menu on windows ) then go to MSI afterburner again and decrease the memory clock by 20 mhz. to be sure. Then run stress tests and some games again, to see if there is still any abnormalities. if not you are done with the memory clocks then we can move on with core clocks
NOTE: Never forget to save your progress on MSI Afterburner to an available profile slot. After each succesful increase please save your clocks, so that you won'T have to deal with them over and over again.
And after like 100 mhz increase, please start playing some games too, because as I stated before, stress tests are usually decieving and can give false results regarding the stability of your gpu.
If your your core voltages is not shown or you cant get past a certain limit of frequency, then please go to your MSI Afterburner directory.
Find and open with notepad, MSIAfterburner.cfg
there scroll down till you see the following lines,
UnofficialOverclockingEULA =
UnofficialOverclockingMode = 0 change the 0 to 1. and there you go.
UnofficialOverclockingDrvReset = 1
AccessibilityCheckingPeriod = 0
UnifiedMemoryUsageMonitoring = 1
I think they managed this issue in the new versions of MSI Afterburner but, still if somethings happens of that sort change the cfg to 1 and everything shall be fine
See you,
Waiting for your update,
Take care


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In the corners of the world where the clocks have turned back, and the winter nights are drawing in, it can feel increasingly difficult to get out of bed in the mornings. That's not necessarily a sign that you've had a heavy night, or are just simply a lazy-bones - you may be suffering from Seasonal Affective Disorder (SAD).
Otherwise known as 'winter depression', it's a condition associated with the colder, darker months of the year, and is thought to be linked to a lack of daylight slowing the production of happiness hormone serotonin, making sufferers feel a bit groggy.
Thankfully, there are plenty of gadgets out there to help ease the effects of the seasonal change - gadgets that'll be enjoyed not just by those feeling the effects of SAD, but anyone wanting a light-fuelled energy boost in the mornings or throughout the day.
Lumie BodyClock Elite 300
App Connectivity: None | Sunset mode: Yes | Radio: AM / FM | Bluetooth: No
The egg-like Lumie BodyClock Elite 300 is one of the best wake-up lights we've tried. It's not the most advanced wake-up light on this list, but it's certainly the most useful. Not only does it wake you with a gradually building light (along with one of a selection of natural alarm sounds), but it also offers the best sunset feature, helping you drift off to sleep - which most of the competition do not offer at all.
Seven-day alarm settings can be programmed, allowing for different wake up times across the week, while there's also the option to use it as an AM/FM radio or MP3 player (provided you load an SD card up with tracks) too. In addition, it also comes pre-loaded with meditation tracks to help calm you before taking a nap.
There are a few too many buttons for all the controls and alarm combinations, and there's a little construction involved outside the box - you'll need to insert a regular lightbulb, and clip on the glass shade, too. But once you've got used to its intricacies, it's a lovely warm light to wake to that works nicely as general bedside lamp, too.
Philips Wake-Up Light HF3520
App Connectivity: None | Sunset mode: Yes | Radio: FM | Bluetooth: No
The Philips HF3520 is perhaps the best-looking wake-up light on this list, and one of the best overall performers from our test. Circular (like a mini sun!) on a conical base, it gives off a warm glowing light that can be set to one of 20 intensity settings, from gentle ember to a room-filling blast.
With two separate alarm slots (which, slightly annoyingly, have to be activated each time you want to use them) and five natural wake up sounds, the HF3520's gradual light steps were naturally graded, offering a peaceful start to the day.
In a nice touch, a simple tap of the lamp sets its alarm into snooze mode. But the other controls, either dotted around the outer ring or the touch-sensitive ones on its front face, could be a bit fiddly, especially when programming different settings. You'll want to keep the instruction manual handy for the first few days.
This Philips light is let down by one point that otherwise mars a wonderful device - the radio function gets gradually more distorted along with the rising intensity of its light. I'd still heartily recommend it, but consider that potential problem before purchasing.
Lumie Bodyclock IRIS 500
App Connectivity: None | Sunset mode: Yes | Radio: No | Bluetooth: No
A SAD wake-up lamp with a scented twist, the Lumie Bodyclock IRIS 500 also doubles up as an aromatherapy gadget. You can fill two diffusers, tucked away underneath the lamp shade, with different smelling oils which will then be heated by the IRIS 500 and released in line with your morning wake-up and bedtime routines.
While it was great to walk into a lavender-scented bedroom, it could sometimes feel a bit overwhelming to have the perfumes released so close to my head (with the lamp sat on a bedside table - a placement I'd expect to be somewhat unexceptional).
Again, like the previous Lumie, seven-day programming options are available, with a range of light intensities, as well as sunrise and sunset options. It also has a physical remote control, should that be useful to you. But the light felt a lot harsher than the Bodyclock Elite 300, and the alarm options less varied. Unless you're really into aromatherapy, there are simpler options with better lamps available.
Beurer TL100
App Connectivity: Yes | Sunset mode: No | Radio: No | Bluetooth: Yes
Whereas the previous lamps on this list have been intended for the bedroom, Beurer's TL100 is intended for use throughout the day, hitting your SAD lows with a full-on bright-light blast.
Lighting up to an approximate intensity of 10,000 lux, it can be set to light up a room for up to two hours (in 15 minute increments), allowing you to keep track of how much time you've had in front of it.
Slim and standing about a foot tall, it's attractive and discreet enough to have in a shared office - I've had it on in TechRadar towers every day for about a month now, without complaint.
Well, at least until I started playing with the mood light settings! With a Bluetooth-connected app (available for iOS and Android), the TL100 can be set to one of 256 different colors, pulsing out on a set of preset timers and patterns, or a single color on a custom timer. So when the SAD lamp has given you a lift, you can essentially set it to #partymode.
Did it make me feel any cheerier overall? That's hard to say - so many factors can affect a mood during a day. But I'd say that having it on while working certainly made me feel more alert.
Beurer WL90
App Connectivity: Yes | Sunset mode: Yes | Radio: FM | Bluetooth: Yes
The Beurer WL90 has all the trappings of a great bedside SAD wake-up lamp, and definitely has the most feature-rich spec sheet. In addition to sunset and sunrise options, radio and melody alarms and multiple mood light colors controlled via smartphone app, it also has a Bluetooth connection for playing back songs from your smart devices.
It's a reasonably attractive device too, with stereo 3W speakers sat either side of a relaxed lamp with a semi-circular shade. Its clock timer was easily visible in the dark too.
However, for anything but the most basic of functions, all controls rely on the smartphone app. This wouldn't necessarily be a problem, were it not for the fact that the Bluetooth connection was so inconsistent. If it connected to my Android phone one in ten times, that would seem like a lot. With light color and music Bluetooth playback controls so reliant on the app, and those being the main reasons buy this option over the Lumie and Philips alternatives, it's hard to recommend the WL90 while such problems persist.
Philips HF3505
App Connectivity: No | Sunset mode: No | Radio: FM | Bluetooth: No
The most compact of the wake-up lamps on this list, the HF3505 sadly proved my least favorite. The least flexible in terms of alarm slots (only one is programmable), alarm sound options and sunrise settings (let alone offering a sunset), it is nowhere near as feature-rich as its competition.
That's understandable, given the relative affordability of the HF3505. But affordability comes at a price - its LED offers one of the harshest, most-sterile of white lights of any lamp on this list, while the touch buttons on the front (paired with the process with which settings are navigated) made it a chore to use.
It may help you rise a little easier, but you won't lose any sleep without it.
Valkee Bright Light earphones
App Connectivity: No | Sunset mode: No | Radio: FM | Bluetooth: No
And now for something completely different. Seeing as this isn't a tabletop lamp, you'd be forgiven for seeing how the Valkee Bright Light earphones qualify for a place on this list - if anything, they look more like a stylish MP3 player than a light source. But hear us out on why we've thrown in this wildcard option.
Valkee's Bright Light earphones, rather than playing music, use fibre-optics to shine high intensity brightness light into your ear canals. Though the science behind the idea is a little sketchy, the company claims that regular sessions with the earphones can shake off the winter blues by triggering light-sensitive proteins in your brain - the ones which play a role in setting the hands for your internal body clock.
Charged over USB and good for more than a week's worth of use against the recommended session amounts, it's a discreet and portable alternative to the the Beurer TL-100, if not quite a like-for-like substitute for the wake up lamps listed here.
As with the TL-100, I'd be cautious to assign my faith in shaking the effects of seasonal affective disorder entirely over to the Valkee buds - or any one device without professional medical advice being sought out first. But it's certainly a tidily designed gadget, should you try it and find it helps ease your symptoms.
- Best fitness tracker for 2016


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Copthorne Tara, a hidden gem
TripAdvisor Traveller Rating
Zulazman28, Kuala Lumpur, MalaysiaAug/08/2018
Copthorne Tara Hotel
London Kensington
Copthorne Tara, a hidden gemRead More
Scarsdale Place Kensington London, United Kingdom W8 5SY (GPS W8 5SY)
Sorry, no rooms are available for your stay options. Please change your date and occupancy preferences to search again.
For room reservations, please contact the hotel directly.


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Taranis: New Gimbal Test Lua Script
gimbtest.lua is designed to run as a telemetry screen, although it doesn't actually provide telemetry. It checks each of the four stick functions, throttle, aileron, elevator, and rudder, for the 2049 possible stick values recognized by OpenTX, which range from -1024 to +1024. When each stick value is detected the corresponding screen pixel is set, and slow, careful movement of the sticks will eventually produce a display of which positions are detectable and which are not.
Pressing MINUS (-) will clear the screen and restart the test, and long-pressing EXIT will exit the screen.
When gimbtest.lua is run in Companion simulator the result is not impressive because the values obtained from mouse movement by Companion are very coarse compared to the values obtained from the Taranis gimbals:
The vertical lines in the display each consist of four line segments, one for Thr, one for Ail, one for Ele, and one for Rud. The left segments indicates that the value of -1024 was reached, the center segments indicates that zero was reached, and the right segments indicates that +1024 was reached. All other positions are indicated by individual pixels, with the negative values represented on the left side of center and the positive values represented on the right side.
You can see in the image above that when the script was run on Companion simulator the center segment for Thr did not appear, indicating that a zero reading from the throttle stick could not be obtained.
The number of values obtainable from a Taranis radio is several times greater than those obtained in Companion simulator. The following screen was generated by a Taranis with the original potentiometer-based gimbals, running OpenTX Version 2.1.9:
There are a few absent pixels that might have been obtained by continuing to move the sticks around, but it's clear that most of the missing pixels fall into definite patterns which vary with each stick axis, and there are even differences between the negative and positive sides. There's a definite reason for this, and it reveals that the number of different stick position values available to OpenTX is actually less than some may have thought. It'll be interesting to find out if the new M9 gimbals produce a substantially different result, but I doubt that they will. You're welcome to start a discussion about that here, but meanwhile, try the script for yourself.
Download gimbtest.txt from the link below, change the name to gimbtest.lua, store it on your SD card in SCRIPTS/TELEMETRY, and set it up in one of your model memories as a telemetry screen. Then select it with the PAGE button.
Ideas for creating a Widget version...
With Telemetry scripts on Taranis you had to clear the screen manually so you could leave pixels on without redrawing them on each refresh. With 2.2 Widgets, The screen is cleared automatically so the points will need to be redrawn each screen refresh.
- Create a table representing all the pixels and drawing them one at a time. Maybe grouping multiple in a row so that you can use the rectangle drawing.
- It would be neat if you could manipulate a bitmap/picture in memory and then just display the picture. I don't know that you can access the raw bitmaps that you load though.
- Admit defeat and leave it for Taranis only
- ? something else ?
Judging by what you're telling me, it's not even going to work on a Taranis running a version higher than 2.1.9, and with all of these compromises the developers are making to accommodate limited memory, it seems doubtful that a table or array of adequate size will even be possible.
It should work fine on 2.2 on Taranis from what I understand. Taranis supports Telemetry scripts on 2.2 and I assume they still pretty much work the same as they did on 2.1. It is only on the horus that Telemetry scripts are not supported so you have to use the new Widgets which behave differently. I have not tested 2.2 on Taranis though to confirm that the refresh works the same as 2.1. I will see if I can test that in the next day or so.
Yes, gimbtest.lua works in Companion 2.2, except that for some reason lcd.drawNumber() is shifting the numbers way to the right of where they're supposed to be.
Also, the filenames have to be shortened to six letters to actually work, yet my lua scripts that have eight letter filenames still show up in the telemetry screen menu and can be selected as usual. You don't see any problem selecting the script, but when you run the simulator they're just not there.
Feel like reporting a bug to Kilrah? I don't.
And when I ran "gmbtst.lua", I saw that the mouse-simulated stick resolution has been reduced quite a bit. You don't get nearly as many dots showing up as you do in Companion 2.1.9.
Okay, that worked. I changed lcd.drawNumber(68, 2 + 16 * s, V, MIDSIZE) to lcd.drawNumber(68, 2 + 16 * s, V, MIDSIZE+RIGHT) and now it looks correct.


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How to Become a Police Officer in Virginia Beach
The Virginia Beach Police Department (VBPD) has the unique job of serving a major city and community of residents as well as the thousands of tourists that converge on the area in warmer months. Virginia Beach has a population of 437,994 and is still growing. It is the largest city in Virginia and a top tourist destination. The visitors are drawn to the many miles of sandy beaches as well as restaurants, resorts, and sporting events. The procedure for becoming a police officer with the VBPD is outlined below.
Virginia Beach Police Officer Requirements
To qualify for a position as a cop on the Virginia Beach force, a candidate must meet certain minimum requirements. Candidates must be at least 20 years old to apply and 21 at the time that training is completed. New recruits must also have US citizenship and be eligible for a valid Virginia or North Carolina driver's license. A high school diploma or GED is required, and although not a requirement, most candidates have some college education or experience from military service.
The first step in the process of becoming an officer with the VBPD is to apply online and complete a personal history questionnaire. A written test comes next, followed by a physical fitness test. Recruits who pass these tests with adequate scores may then undergo a background investigation, an interview, a polygraph examination, and psychological and medical examinations.
For more information about how to become a cop in a typical big city, see 10 Steps to Becoming a Police Officer on our home page. If you are ready to apply, find specific application information on the Virginia Beach Police Department Employment page.
Virginia Beach Police Department Information
The VBPD is the largest city law enforcement agency in Virginia and is divided into four large precincts. There are over 800 sworn officers on the force as well as nearly 1,000 civilian employees, and 44 animal control officers working with a large operating budget that makes up 5% of the city's total budget.1
Virginia Beach Police Training Academy
Once hired by the VBPD, new recruits must pass the 26-week basic training course at the Law Enforcement Training Academy. The Academy is a large and state-of-the-art facility which prepares new cops to be certified as sworn officers and to be prepared to work in Virginia Beach. In addition to basic training, the Academy offers in-service training to law enforcement agents with the VPBD and other nearby agencies.
Virginia Beach Police Salary and Jobs Outlook
During academy training, new VBPD recruits earn a salary of $41,104, which rises to $43,280 after graduation.1 Officers have the opportunity to advance to master police officer status after six years on the force. This comes with added responsibilities and a greater salary. The average salary for an officer in the Virginia Beach area is $49,090.2
Growth in police officer positions throughout Virginia is expected to be strongly positive over the coming years. Between now and 2022, the growth is projected to be 12.7%, much higher than the average, and those looking for positions can expect to see an average of 810 new openings each year.3 For more information on current MPD law enforcement positions, take a look at our jobs board page.
More Information on the Virginia Beach Police Department and Crime
The VBPD encourages members of the community to get involved with the Department and learn more about the role that law enforcement plays in the city. Residents can do that by applying to go on a Ride Along, during which they get to see what officers do each day. Residents can also choose to participate in the Citizens Police Academy, which meets once a week for several weeks and gives participants a more in-depth look at what the VBPD does.
Contact Information
Facebook: https://www.facebook.com/VirginiaBeachPD
Twitter: @VBPD
Virginia Beach Police Department
2509 Princess Anne Road
Virginia Beach, VA 23456
Additional Resources
- Virginia Beach Fraternal Order of Police Lodge #8: https://www.facebook.com/pages/Virginia-Beach-Fraternal-Order-of-Police-Lodge-8/143694049001635?sk=info
- The Fraternal Order of Police of Virginia State Lodge: https://fopofva.com/
1. Virginia Beach Police Department: https://www.vbgov.com/government/departments/police/Pages/default.aspx
2. Bureau of Labor Statistics, May 2014 Metropolitan and Nonmetropolitan Area Occupational Employment and Wage Estimates, Virginia Beach-Norfolk-Newport News, VA, NC: https://www.bls.gov/oes/current/oes_47260.htm#33-0000
3. Projections Central: http://www.projectionscentral.com/Projections/LongTerm


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Compact and reliable, the Brother HL-2135W is perfect for the home or small office, delivering consistent results and performance. With wireless connectivity and Brother's One Touch Wireless Connection as standard, you can get connected in no time and be ready to send print jobs from anywhere in your house from a compatible mobile device. The separate toner and drum unit help save you money as you'll only need to replace the drum once it's actually worn out, rather than every time you replace the toner. Save money on toner with Toner Save mode and N-in1 printing, which allows you to print several pages onto a single A4 sheet.
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LONDON (AP) — Victor Lownes, a former executive of Playboy who helped forge the brand's hedonistic ethos and put much of the swing into the "Swinging London" era, has died at 88.
Friend Barbara Haigh, a former "bunny girl" at London's Playboy Club, said Lownes died in his sleep Wednesday at a London hospital after suffering a heart attack at a New Year's party.
Haigh called Lownes "a total gentleman," adding he was "the best boss anyone could ever have wished for."
Born in Buffalo, New York, in 1928, Lownes met Hugh Hefner at a Chicago party in the 1950s and recognized a kindred spirit. Lownes went to work for Hefner's new Playboy magazine, whose blend of sophistication and titillation was a recipe for riches in the increasingly permissive — but firmly male-dominated — times.
The first Playboy Club opened in Chicago in 1960, offering live music and comedy, alongside cocktails served by hostesses in bustiers and bunny ears — a costume based on Playboy's tuxedo-wearing bunny logo.
In the 1960s, Lownes traveled to Britain to open Europe's first Playboy Club, complete with a casino, in London's Park Lane. Its opening night in 1966 drew an elite crowd that included Julie Christie, Woody Allen and Rudolf Nureyev; Beatles and aristocrats were soon among its clientele.
Lownes became a pillar of London nightlife, holding epic parties at his home in the city and later at Stocks House, an 18th-century country mansion where he installed Britain's largest hot tub and set up a training camp for Playboy bunnies.
An unapologetic hedonist, he is credited with an entry in the Oxford Dictionary of Humorous Quotations: "What is a promiscuous person? It's usually someone who is getting more sex than you are."
Lownes helped lead Playboy's expansion into gambling and headed its casino division. For a time he was reputed to be Britain's highest-paid executive. But when British gambling authorities began investigating alleged licensing irregularities in the early 1980s, Hefner fired him. Playboy's U.K. gambling licenses were revoked, and within a decade all the more than 20 original Playboy Clubs around the world had closed.
Lownes also invested time and money in theater and film productions, financing "And Now for Something Completely Different," the first film featuring the Monty Python comedy troupe. He also persuaded Hefner to fund Roman Polanski's bloody 1971 movie version of "Macbeth."
Lownes left his first wife and two young children in the 1950s to embark on a life as a "Playboy Extraordinary" — the title of his autobiography.
In 1984, he married Marilyn Cole, a British Playboy bunny and model — the 1973 "Playmate of the Year" — who went on to a career in journalism. She survives him, as do two children from his first marriage.
Haigh said his funeral will be held Jan. 26 at St. Luke's Church in London's Chelsea district.
"We are expecting a large turnout for a truly lovely, wonderful man, who loved a good time but was nothing like the way he has been maligned," she said.


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Jamila Young joined the My Dreamz Eventz team in September of 2013 after partnering with Michelle with planning her sister's wedding who lived out of state. Prior to joining the team Jamila planned, coordinated and produced birthdays, weddings and social occasions.
She has worked in numerous aspects of the events industry for individuals in and around Atlanta, as well as a number of private employers in the role of personal concierge. Jamila is a natural when it comes to operations and managing logistics of an event. Her warm and enthusiastic personality, along with flawless precision and attention to detail, has helped contribute to her success and client satisfaction. Her vision and passion for success proves that perfection is truly in the details. This has helped to continue the high standard for quality management in My Dreamz Eventz's commitment to excellence.
Jamila is gifted in the area of organization, attention to detail, creative imagination, concept design and contagious enthusiasm which has earned her a reputation for unparalleled excellence as an event planner. Jamila will execute your concepts flawlessly while maintaining a pleasant, calm and helpful demeanor to ensure an amazing experience for you and your guests.


text: Update Notes 18th January 2013 Build 2089 Crashes/Freezes • Further fixes for crashes that occur during gameplay and loading screens • A fix for incompatibility with AVG has been added. • Improvements to how the game now handles destruction of large objects • Fixed a crash related toclicking the Ranked Match button on the main menu Balancing/Gameplay • When Zombies are killed they no longer spawn where they die • Some improvements to map specific spawn points • The player can no longer move faster by jumping or falling when carrying game mode objectives • Improvements to placement of individual blocks • Further improvements to Constructs to prevent players from becoming trapped • Sniper Rifle fix for accuracy at distance • Land Mines can now be destroyed by direct weapon fire Graphical/HUD • Following requests from the community the reticule now adds a visual indication when you hit someone (turns red briefly) • Additional graphics settings have been added to the settings menu • Some improvements to ATI graphics card compatibility • On the choose match screen the correct minimap is now shown for Double Dragon User Interface • Minor improvements to menu screens Language Specific German • Improvements to text in menus French • Improvements to text in menus Spanish • Improvements to text in menus Russian • Improvements to text in menus Italian • Improvements to text in menus Polish • Improvements to text in menus Update Notes 11th January 2013 Build 2055 Servers • Reduced lag Crashes/Freezes • Destroying large structures no longer crashes the game • Significant number of fixes to crashes occurring in game, and during loading • Resolved desync between client and server, which in turn has fixed multiple other gameplay issues Balancing/Gameplay • Improvement to the range of the Snow Blower • Increase to the range of the Sniper Rifle • Decreased RPG's damage to players and landscape • Decreased RPG's knockback on players • Increased RPG's splash damage • Landmines now explode when buried • General minor balancing for the Shotgun • Rocket Turret's countdown timer is no longer visible beyond approximately a 20 block radius • Timers for Dynamite & Rocket Turrets are no longer visible to the opposite team • Players can no longer be trapped inside blocks placed by other players • Synchronised hit splash effect and audio feedback when successfully shooting players • Unintentional voice chat function has been disabled • Choosing 'Quick Match' or 'Ranked Match' now provides a searching message to reassure players that the mode is loading Graphical/HUD • Graphical optimisation to Flare Block lighting • In game text improved • Shader based performance improvements Translated Versions • Addition of Polish, Mexican Spanish, Turkish, Russian, Brazilian and Portuguese translated versions. Update Notes 21st December 2012 Build 1975 Winter Content Pack A stack of FREE content is up for grabs in our brand new Winter pack update - the debut of the classic Capture the Intel game mode, a brand new weapon, the Snow Cannon and 4 new maps, including Heisville, the hugely popular World War 2 map from 0.75, created by the Ace of Spades map-making competition winner, SIMOX, which was voted for by the Ace of Spades community. • New Map: Castle Wars – inspired by RuneScape's minigame namesake. • New Map: Heisville – World War 2 mayhem created and chosen by the community. • New Map: Block Ness – a lake, a frozen monster, a host of possible tactics. • New Map: Arctic Base – unleash a Cold War, literally. • New Map: Double Dragon – because one dragon just isn't enough. • New Game Mode: Capture the Intel –CTF Ace of Spades style • New Weapon: Snow Cannon – A winter themed weapon that fires snow blocks. ________________________________________ Fixes, Tweaks, and Additions Servers • Addition of Australian servers Crashes/Freezes • Crashes due to running the game in translated versions have been fixed. • Crashes relating to spectator mode have been fixed. Balancing/Gameplay • The Rocket Launcher has received some balancing tweaks. • The Jetpack has received additional balancing. • The SMG has been rebalanced. • The Shotgun has been rebalanced. • The Sniper Rifle's scope now has improved zoom. • The Sniper Rifle has been tweaked to reintroduce recoil. • The Pistol now has a reticule in and out of aim. • Fix for Grenade damage. • Ammo amount for the Drill Gun and Dynamite has been tweaked. • Melee damage is more consistent. • Knockback from explosions has been tweaked. • Land Mine has received some balancing tweaks. • The Rocketeer's walk speed has received a slight increase. Graphical/HUD • New Gravestone model introduced Update Notes 19th December 2012 Build 1881 Here are the latest build notes... Crashes/Freezes • Zombie mode servers no longer result in a blue or grey screen on joining • Zombie Mode no longer results in the game crashing during the loading screen. • Various mid game crashes have been resolved. • Crashes whilst choosing class have been resolved. • Various game loading crashes have been resolved. • Various map change crashes have been resolved. • Temporary fix for crashes caused by special characters in Steam names. Balancing/Gameplay • Additional tweaks to Jetpack balancing. • Crates can no longer be completely hidden by placing blocks inside them. • Additional balancing to death and gravestone explosion damage. • Respawn timer extended to allow for class change without a point penalty • Balancing to the number of blocks a player spawns with. • Balancing to character movement speeds • Increased aim speed for Rocketeer's turret. • Balancing world block health and prefab block health • Soldier body health is slightly lower • Engineer non-jetpack jump height is lower • Dynamite has had multiple balancing changes • Super spade has received multiple balancing changes • Rocket Launcher has received multiple balancing changes • Sniper rifle damage increased, ammo increased and recoil removed User Interface • Improvements to the server select page to help players better identify servers, and choose the server that will provide the best performance for their location. • Various text corrections. • Various fixes to font sizes. • Improvements to control settings menu. Graphical/HUD • Colour of the sea is no longer changed by crouching. • Diamond carrier's view is no longer obstructed by diamond icon. • Graphical fix to game loading screen when maximising window. • Game resolution is no longer reset after reloading the game. Misc. • Taskbar icon now matches the client icon. • Improved detection for achievement awards. Language Specific German • Various translation fixes for achievements, menus & in game text. French • Various translation fixes for achievements, menus & in game text. Italian • Various translation fixes for menu & in game text. Spanish • Various translation fixes for menu & in game text.


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It has taken me an entire week to get enough enthusiasm together to write something about Paris Fashion Week. It is usually the high point for me, where creativity and wearability collide with some happy bonkers moments too. I don't know what is going on at the moment with regards the amount of fur being used by fashion houses. A few years ago, it was sporadic, tiny bits would pop up, perhaps on a collar or a cuff, but all 4 weeks have been awash with it, thousand and thousands of beautiful animals have been electrocuted and skinned alive because of people's ignorance or refusal to face up to the horrors of the trade. Even friends seems to be jumping back on the bandwagon in the shape of little real fur pompom on a wooly hat or the dead rabbit gilet which 'came from China' as if that somehow makes it alright. It revolts me, it is a disgrace and anyone who buys into this evil trade needs to get over themselves and show some compassion.
As a result, I'm only going to show looks from houses that had no fur. As far as the rest goes, if you are interested; Dior had several mustard coloured catsuits – which, lets face it, will never be seen on anyone, Rochas, usually beautiful, had strange frilly, ill-fitting, boob covers on most of their dresses, YSL was horrendous. The look was 'Britney during breakdown with added Pat Butcher;' ripped fish nets and pvc mini-dresses with zips that rose above your crotch, covered with a leopard print jacket. There is nothing innovative or high fashion about that. It is lazy and frankly an embarrassment to the famous name it is designed under. Do I sound angry? That is because I am. Even old misery features; Karl Lagerfeld's Chanel collection was hideous. Of fur he said: "I'm very sympathetic. I hate the idea of killing animals in a horrible way ………. It's horrible, no? So I prefer not to know it." He may not have shown any fur in Chanel's show that I could see (Fendi however, was awash with it) but it looked like this:
Missoni on a bad day. Point made.
So, here are some looks by Stella and Vivienne, both unique and incredibly talented women who refuse to use fur, vegitarian and leaders in fashion. Who needs anything else?
One beautiful winter coat and a wicked pair of platform boots (faux leather too – hurrah). Something slouchy, warm and chic to wear to the office:
And a (Westwood-esque), super-structured dress to wear in the evening:
Sure, these are all black/white or grey but hey, they go with anything.
Wonderful Dame Vivienne Westwood showed looks for both men and women. It has long been a gripe of my husband's that men get such a short straw when it comes to fashion, their choices are so limited and they are forced to wear entirely pointless items such as ties in order to look acceptably 'smart'. This is Vivienne Westwood's perfect response to that:
This coat looks amazing. There is no reason why men should be forced to wear only 'masculine' shapes. What the hell does that word mean anyway? Express yourselves and free yourselves from the boring world of men's fashion! Set asside the polar fleece gilet and puffa jackets. Let's get coat sharing! Apart from the possible size issues, I'm 100% for it!
Two gorgeous pieces:
I love this top, it is classic Westwood, drapey and cinched at the waist. The trousers look great too, there isn't enough grey pin-stripe in the world and turn ups can also become handy secondary storage areas if your pockets get full… And finally:
It may not catch on but I am a much happier person for having seen it. The end.
(all photos from vogue.com)


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From Salinas, California, USA:
My seven year old son has been shaking just before a meal, and after the meal, he is fine. Also if dinner is cooking and he has to wait, he said he is starting to see black spots. Could this be a sign of diabetes or hypoglycemia?
This is unlikely to be a sign of diabetes, but could be hypoglycaemia. You should have him checked out by a doctor.
Original posting 10 Jul 2001
Posted to Diagnosis and Symptoms
|Return to the Top of This Page
Last Updated: Tuesday April 06, 2010 15:09:24
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Horseback Tours Travel Guide
There is a great selection of guided horseback tours available in the Pemberton and Squamish areas of the Sea to Sky Corridor. Choose from a horseback tour option below to proceed.
|Canadian Wilderness Adventures
Canadian Wilderness Adventures offers a variety of outdoor activities during all seasons in the beautiful Pacific Coast mountains of BC, Canada.
|Pemberton Stables
Go on a great guided horseback tour in the Pemberton area during any season.


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- Mrs.Mittens
- 5 years ago
- Wedding: October 2011
How much do you take into consideration your partners opinion on things like hair cut and style, nail polish, clothing, shoes, etc. Do they voice their opinion when they don't like something?
Without getting into it too much, Darling Husband made a comment about not liking my nail polish this morning.
Edited to add: What is their reaction when you do something that they don't like (and they've told you about it in the past)?


text: "First you get the money, when you get the money, you get the power. When you get the power, then you get the women." - Tony Montana (Scarface) These are the 3 things every man needs in order to be happy. Money Make as much of it, as fast as possible. Think big, huge in fact. Don't settle for just a few thousand a month. Want to make 60K this year? Forget that, try your hardest to make 60K a DAY. Do combinations of methods if neccessary, do anything you can, sell drugs if you have to, become a wall street player, blackhat like a psycho. Money is the foundation for happiness in todays materialistic society. Work as hard as you have to, give up your social life, have one goal set in mind: $. Power Once you are loaded with $, you get the power. What is power you say? Power is being able to walk into a really expensive designer store like Armani and buy the entire store with the wave of a hand. Power is having the respect of your peers and coworkers. Power is the feeling you get from having lots of money, a euphoric bliss and a big ego combined together. Power is confidence. Power is being able to quit your job at a crappy law firm, start your own, and force them to go out of business because you have dominated the playing field. Get the power. Women Ok so you've got the money (Big ass house, Aston Martin, butler, etc.) and you've got the power (CEO, president, Boss, general badass, etc.) now it's time for the women. Ok, I know some of you will be saying, "what? I Dont want women who will come to me just for my money and power! I want women who love me for who I really am! It should be Women, Money, Power!" Sorry to burst your bubble, but heres how it works. All women want love and attention, right? How do you give them love and attention? Dates, gifts, your charm, etc. How do you fund these things? With your money. Do you think she would date you if you were homeless? Women want financial security, its biology, so that their offspring will have a safe enviroment to grow. So where does the Power come into all of this? Well when you walk into a bar with your 5000 $ suit and your aura makes everyone stare and admire, including the girl you have your eye on, that's power. The confidence you have from making so much money can be applied when you talk to her. When you ask her out. Women flock to men of power. Get these 3 things and your life is made. I thought I'd share my thoughts on this phrase with you guys since it's like my motto and how I plan to live my life. Follow it, you won't regret it.


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You can always do a search on our site to see what other people have posted. Remember, you want to stand out so its important to put your own spin on it and to incorporate your own personality/background/needs so that you can find the best match.
Please do not copy another person's profile!


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Two Views of Monaco '55
Here's two fantastic visions of the 1955 Monaco Grand Prix. One is a news blurb style recap in color(!), with a focus on Moss and Fangio's Mercedes team. I quite like the shot of the pack on the far side of the track, weaving through the Monte Carlo streets. It's a view we don't often see of the races today with cameras on every corner of the track. Somehow, seeing the cars in the distance like this makes it feel more like you're there than seeing every straight and turn.
The other, a home movie shot on grainy 8mm. I can tell you which one I like better. Can you believe how close to the track you were able to stand, filming away happily while these shiny rockets screamed past, narrowly avoiding lamp-posts and curbs? The closeness and immediacy of the home movie displayed below really puts you on the sidewalks of Monte Carlo, as if you briefly glanced over at the passing racing cars on your way into Hermés. It is footage like this that keeps Monaco on the calendar today. Even if huge portions of the romance are gone, Monaco is still magic.


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Gold bugs await metal's next move
Gold enjoyed a decent bounce on Friday off the 50-day moving average, but the rally halted around the $1307 level and we are witnessing a drop back from here this morning.
As usual, round numbers come into play here, with $1300 still being the one to watch. On a daily chart the 100-DMA is providing useful support, but we need a close above the 20-DMA to suggest the short-term direction has changed. A continually declining daily relative strength index shows that there is as yet little momentum for gold in this timeframe.
On the hourly chart, the positive momentum that sustained the move through Friday has come to an end, with the metal dropping below the 200-hour MA. Thus, we wait to see whether gold has more strength to break through $1307 or drop back through $1300. Either move would signal a significant development.
Silver eyes $21.50
A resolute bounce off the 200-DMA has seen silver stabilise once again, and eager silver fans will be waiting for the 50-DMA to cross above the 200-DMA, a clear bullish sign.
With the daily RSI below 50 and other indicators such as moving average convergence/divergence also heading lower, there could be further downside back in the direction of the 200-DMA at $20.30. However, so long as the metal stays above this level the picture remains cautiously bullish.
On a four-hour chart the momentum indicators are pointing higher, even if silver is below the 200-period MA for the first time since the beginning of June. Any break to the upside still targets $21.50, while the 200-DMA around $20.30 acts as support on the downside.
Brent bouncing between $107 and $108
Brent's bounce between the $107 and $108 levels is ongoing this morning, remaining within easy distance of the 200-DMA but seemingly unwilling to go any higher or lower. Yet, the daily RSI has clawed its way upwards and we may be witnessing the first positive crossover in the MACD since the beginning of July.
On an hourly chart the drop back from Friday's level is clear, and now we wait to see if the dance around the 200-hour MA that has been going on since last week is set to continue. If it is, watch out for the usual buying if the intraday RSI becomes oversold.
NYMEX holds above $100
Indecision reigns in NYMEX at present but while the commodity holds above $100, the default scenario remains an expectation of further gains.
On a weekly chart, a rising trendline for crude could well provide the support for a bounce back towards $104, even if a continuing decline in the stochastic indicator muddies the waters.
The intraday picture remains uncertain, with a drop through the 200-hour MA being a pleasing coda to the three attempts by NYMEX to breach $103 over the past two weeks. The Friday low around $101 is one area to look for support, with any gains needing to clear $103 to indicate additional upside.


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InstAbkhazia | Instagram + Abkhazia
- Details
- Category: Facebook
- Created: 29 July 2017
- Hits: 1190
Abkhazia's beauties are various. A wonderful runaway in the mountains from the heat and crowds of the high season is higher parts of Ritsa National Park usually referred as Avadhara by the locals. Avadhara has many hiking or horse riding paths both for weekenders and tourists to enjoy. Each peek you can climb to has a different natural structure, beautiful lakes and myths associated with it. #abkhazia #mountains #instabkhazia photos by @lanchos


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We bring Scandinavian Design to you
Monday - Friday: 8:00 - 16.00 (CET)
This Swedish Grace small plate from Rörstrand is perfect for starters and desserts. The designer Louise Adelborg succeeded in conveying the sensation of ears of wheat swaying in the summer breeze. This popular tableware from 1930 has become a Scandinavian design classic! The series also includes bowls, mugs and plates. Available in different colors.
Swedish Grace
Swedish Grace


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The gang putting on Live!...at the Cockpit: Will at Work With the Lord Chamberlain's Men seems to be an amiable bunch of folks with a palpable passion for Shakespeare. Unfortunately, their piece displays little evidence of being ready for an audience.
The premise is promising: an attempt to show what might have gone on backstage at the Globe Theatre in London in 1599 when Shakespeare was in the midst of writing such hits as A Midsummer Night's Dream, Henry V, and Hamlet. However, nothing very surprising or interesting occurs, and the ambling proceedings -- scripted by Kobun Kaluza and T.D. White, both of whom are also part of the 11-person cast -- seem to go on much longer than the running time of 65 minutes or so. There are some giggles to be had, and occasionally an actor will recite a snippet of Shakespeare with feeling, but generally the show has the air of improvisatory material being tried out in very early stages.
In one long section, we see the actors making entrances and exits and generally fooling around backstage during a performance of A Midsummer Night's Dream, but don't expect any of the comic precision of Noises Off. Then Shakespeare (played with a mix of goofiness and intensity by Dave Warth) instructs one of the Globe's leading men, a bombastic Richard Burbage (James Richard), how to deliver a speech from Henry V. Unsurprisingly, Shakespeare's direction is Hamlet's advice to the players.
There's also a lot of talk about how the law forbids women from appearing on stage and how female roles have to be played by males. A wardrobe lady yearns to emote, and the plot, such as it is, has a woman passing as a man so she can act at the Globe. However, don't expect any of the romance of Shakespeare in Love. Nothing substantial ever really comes of this theme, but it does make for the blackout joke at the show's end.
The production's most accomplished elements are the good-looking Elizabethan costumes, courtesy of the Juilliard School.
Presented by Loose Moon/Al Dente as part of Frigid New York 2009
at the Kraine Theater, 85 E. Fourth St., NYC.
Feb. 26–March 8. Remaining performances: Sun., March 1, 5:30 p.m.; Tue., March 3, 10:30 p.m.; Thu., March 5, 9 p.m.; Sun, March 8, 1 p.m.
(212) 868-4444 or Smart Tix.


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Muuto Stacked White Shelf - Medium
Product Code: MT0396
White ash medium square contemporary storage shelf by Muuto.
Create your own bespoke modular storage system with the Muuto Stacked White Shelf - Medium.
A contemporary cubed storage shelf, this modular unit can be stacked or hung on the wall to create an immaculate resting place for books or cherished homewares.
Developed by Muuto, Stacked offers a refined take on contemporary storage, minimalist in appearance and true to Scandi design principles.
The storage solution is made from dark ash wood and lacquered in a matt white finish.
Complement with other storage components from the Houseology Muuto collection and mix and match to achieve a unique arrangement.
Price is for 1x square free-standing storage shelf component and 2x connector clips.
This stacking system is designed to rest upon the Muuto Stacked Podium - sold separately here.
A wall mounted version is sold separately here in the Muuto Stacked With Backboard collection.
Please contact our customer service team for more information.
About The Brand
Muuto is a Copenhagen-based Scandinavian design company. Founded by Peter Bonnen and Kirstian Byrge in 2006, Muuto's core principle is to inspire people to embrace the minimalist aesthetic of 'New Nordic' design. Driving Scandic design principles and innovation through every design, Muuto offer a collection of inspirational contemporary products for the home. Deriving from the Finnish word 'muutos', Muuto translates aptly to 'developing a new perspective'.
Why shop with Houseology
Houseology is not only the UK's premier online interior design store - it is an emporium of design ideas, advice & inspiration and a platform of tools & technology designed to make your interior design decisions and calculations easy.


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THE past year has had its ups and downs for Colin MacIntyre, the one-man band that makes up the Mull Historical Society. On the down side, he was dropped by his record label Warners. On the up side, he is about to release the best album of his career on his new label b-unique.
MacIntyre's first two albums Loss and last year's Us gave a reasonable account of themselves in terms of sales, but the record industry is pleading poverty at the moment and Mull Historical Society was one of many to be erased from Warners' books.
"To be honest, it was a good thing," says MacIntyre. "It's a shame that they couldn't push the last album or give it the attention that it maybe deserved. At the same time, there's no bitterness. I'm not one of these people that leaves a record company and takes a cab back to Mull from London on their tab. For five minutes it was a bit worrying and then, thankfully, other offers came in."
Warners may well be less philosophical about it when This is Hope comes out in July, just after MHS' fourth consecutive T in the Park appearance. An experimental, exuberant body of songs, it blows raspberries at the notion that intelligent pop is an oxymoron and deserves to make serious dents in the charts. It is a concept record, with songs exploring the meaning of hope and how it impacts on real lives.
MacIntyre has a noble aim: to create art. He is writing a novel and many of his songs started life as short stories. They contain characters and twisty narratives rather than clichs about boys meeting girls. "If I ever do boy meets girl, I would probably do boy meets girl then meets sheep," he says. "I've always thought in terms of pictures and stories and I've always been drawn to trying to create stories with little snippets of people's lives. It has to be real or interesting and everybody has a different idea of what that is. I'm sure Westlife think they are singing about real and interesting things."
That is a charitable assumption, but MacIntyre puts his lyrics where his mouth is. This is Hope finds him musing on the people he grew up with, battling with how to help a friend with an addiction and imagining Dr David Kelly looking down on events after his suicide. It's also about cloning, scientific progress and the ethical issues surrounding them. It grapples with the big questions of life, but rather than being dry or theoretical is as heartfelt as Johnny Cash aching his way through 'Hurt'.
In all three of his albums, MacIntyre has been keen to use found sounds. It's a legacy of his very first steps in music-making when he didn't have all the tools of a well-equipped studio at his disposal. Instead, he would use a four-track recorder to tape himself banging a beer keg, capturing the whistle of the wind, fragments of speech, the hum of a motorway or whatever it was he needed to produce a certain sound. "I like finding sounds, and if it sounds right then it is in there," is his no-nonsense approach.
'In the Next Life (A Requiem)' is the final song on This is Hope. MacIntyre wrote it after the death of his grandmother last year. It contains a number of found sounds, some of which were more easily found than others. It starts with three gospel-singing sisters who MacIntyre stumbled across in New Orleans, uses a recording of the crowd at an MHS gig and incorporates MacIntyre's surviving grandmother finishing a soliloquy with the words "This is hope". It ends with MacIntyre echoing the words of the gospel singers and crooning: "At the end we will meet again". It is a genuinely moving song that is tinged with melancholy but is also comforting and optimistic. It teases out one of the main themes of the album, exploring what hope is and what it means to people.
"I wanted the last song to be uplifting," he says. "You can begin to be quite depressed about losing people but I actually quite liked the fact that it has a positive message."
The singer spent a couple of months at the end of last year driving through America's Deep South, tuning in to the religious radio stations as the car cruised through Alabama and Mississippi. It was Christmas and all the Baptist churches sported billboards bearing slogans such as "Now is the season for believing". While acknowledging that Mull may not have quite the same religious fervour of some of the Outer Hebrides, he felt a connection between the Bible Belt of the Deep South and the religious landscape of his own home.
The album starts with different voices saying: "I am hope. You are hope. We are hope. This is hope." MacIntyre borrowed it from one of the church billboards. He says he is not religious in terms of organised religion but that he feels as though those who are important to him are near him. The billboard slogans appealed more for the language they used and the questions they threw up rather than the answers they offered. "Driving through those areas, it was almost as though it was God for sale," says MacIntyre. "I quite liked that theme."
MacIntyre reckons that Us, his second album, was all about him looking internally whereas This is Hope is him looking out. He has spent the past three years touring hard while writing and producing two albums. This is Hope came from having some downtime and the chance to look around rather than at the next urgent project.
"I moved back to Glasgow, bought a flat there and unpacked all the stuff that had been in my brother's garage. I got married last summer and gradually found a bit more of a base for myself."
Not that having a base meant MacIntyre was going to take things easy. He gets fidgety if he doesn't have a number of projects on the go at once, and a musical is simmering on the backburner. Before he wrote Loss, he was demo-ing songs for record companies that they had no idea how to handle. "They didn't know what to make of them," says MacIntyre. "Now I realise that they were like songs for musicals. Since then I've written more songs like that and I want to fashion them into a story. A musical is the ultimate way of putting a story to music. I'd love to think that at some point, even if it is just in Mull or wherever, it would get on to a stage. I'm thinking about setting it on a Caledonian MacBrayne ferry."
If the musical ever gets off the ground MacIntyre will have no qualms about performing in costume. Alex Smith, who directed Coldplay's Yellow video, shot the video for How 'Bout I Love You More, the first single from This is Hope. Smith thought it might be a wheeze to film MacIntyre dressed as an astronaut whose giant dog-shaped rocket touches down in the English Channel.
The only problem is MacIntyre can't swim and wearing a bulky spacesuit didn't help. He accepts the idea of making sacrifices for his work but there are limits. "I don't remember Chris Martin having to do that," he says.
Mull Historical Society plays Aros Hall, Tobermory on June 23, and T in the Park on July 11. How 'Bout I Love You More is released on July 12. The album follows on July 19


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The improvement of inflation expectations masks the fragility we have seen in the Q3 GDP numbers and it's interesting that the consensus (among the economist community) of the -0.5% quarterly print (the first negative print in five years) should mark the low point, with calls for a snapback in quarterly growth of +0.6% in Q4, +0.7% in Q1, +0.8% in Q2, Q3 and Q4.
There are a number of key economic variables that need to be taken into account. Specifically, two areas that stand out as key considerations are property construction (and house prices) and employment trends. If we look at Credit Suisse's financial conditions index (this captures the domestic price and availability of money, the international price of money and cash flow constraints for households), we can see this forward-looking indicator heading lower, providing a further headwind to Aussie growth in the coming quarters. Importantly, there has been a very strong correlation between this index and upcoming GDP prints, so perhaps the consensus of +0.6% quarter on quarter could be a touch too bullish here.
While Credit Suisse's model suggests a weak quarter in Q1, the boom we have seen in commodity prices should boost exports sufficiently to avoid another negative quarter and a technical recession. The Q4 GDP print is released on 1 March.
The interest rate debate
The debate on the Reserve Bank of Australia (RBA) cash rate is heating up, with the median forecast (of the 26 economists polled by Bloomberg) expecting the cash rate to stay at 1.50% through to Q4 2017. Looking at the range in the forecasting, we can see the most optimistic call is one hike to 1.75% (TD Securities) by Q4 2017. On the other side of the ledger, there are six economists calling for rates to be cut 50 basis points to 1% (including NAB and Morgan Stanley) by the end of 2017.
The consensus view that we have reached the limits of monetary easing is echoed by the interest rate market pricing in just two basis point of hikes over the coming year. We know the hurdle to ease is extremely high, and it's been prevalent in most of the recent narrative from the RBA. When the output gap (the level by which output of an economy is not meeting its potential) is at 1.4% of GDP, the probability suggests the debate still centres on whether the RBA cut rates further from here. One suspects that continued focus on record low wages, married with a renewed deterioration in employment trends and another quarter of poor inflation growth (Q4 CPI is released on 25 January) means the RBA could be feeling a little hot under the collar. The February RBA meeting may even be a 'live' meeting, with the market sensing a possibility of a cut.
With Australian growth a key theme in 2017 and the market expecting this to average 2.7%, one of the key talking points will centre around the current account deficit. The Bloomberg economist consensus is for a deficit of 3.5%, but the strength in commodity prices will be a welcome boost for the government revenue, as well as mining profits. The expected backdrop of global reflation could be a net positive for Australia and the demand from China isn't going anywhere, so while the economists' calls for the deficit range from 5% to 1%, I personally feel the deficit will fall below 2% and even towards 1%. It is uncertain whether Australia will retain its AAA credit rating, but even if it is lost, it should in theory be more of a media and political story than one that deeply impacts economics.
Targets for the ASX 200
While Australian economics are by and large expected to improve into the first half, the financial markets are still anyone's guess. There is no consensus target on the ASX 200 that I can see, but most analysts are constructive on the index (as they are every year), with the consensus earnings-per-share (EPS) growth sitting at 11% year-on-year.
It will not shock that the bulk of this growth will come from mining names (consensus sits at +138%), given the outrageous moves in metallurgical coal, thermal coal and iron ore. It's interesting that, despite some huge gains in this sector in 2016, most mining companies' price-to-earnings (P/E) ratios haven't actually increased due to the earnings being revised higher. Double digit earnings growth should also come from the staples: telco, discretionary and transports.
Meeting ASX 200 targets is often met with much cynicism, but we need to question the (price to earnings) multiple investors are willing to pay. The long-run 12-month P/E for the ASX 200 is 14.2x and since the early 1990s we've not seen the index command a multiple higher than 18x. Given consensus 2017 EPS sits at $3.60, I feel investors are not going to be happy paying over 16.5x. This really caps the index at around 6000, although much depends on the earnings side. If things really fire up, we could see earnings of $3.80, which takes the index through 6000.
One consideration is the potential for fiscal stimulus. What if the government does manage to get a stimulus away to support the economy? That is certainly not a mainstream view, but if growth does falter, it will get an ever-greater discussion, even more so if Australia loses its AAA credit rating and they have free reign to increase the deficit. Recall, government debt in Australia is actually very low by comparison. In the scenario of fiscal stimulus, watch capital pile into Australia.


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Senator Mark Norris
425 Fifth Avenue North, Ste. 702,
Nashville, Tennessee 37243-0232
Phone 615-741-1967
This website was not created nor is it maintained at public expense.
©2018 Mark Norris
By Tom Humphrey, KnoxNews.com May 25, 2009 NASHVILLE – Gov. Phil Bredesen observed last week that, "after a suitable amount of posturing," a bill to raise the taxes that businesses pay to support unemployment benefits now appears on track for passage by the General Assembly. But 4 1/2 months since the 2009 legislative session began […]
By Tom Humphrey, KnoxNews.com
May 25, 2009
NASHVILLE – Gov. Phil Bredesen observed last week that, "after a suitable amount of posturing," a bill to raise the taxes that businesses pay to support unemployment benefits now appears on track for passage by the General Assembly.
But 4 1/2 months since the 2009 legislative session began and with at least two weeks to go, it appears a substantial amount of posturing remains before decisions are made on many other matters.
The overriding concern is enactment of a state budget when a finalized version will be presented later this week, probably Friday. More details will be provided to committees Wednesday.
Bredesen outlined his budget plan in March, when the estimated state revenue shortfall for the current fiscal year was estimated at $1 billion. Since then, the projected shortfall has grown by about $200 million, the figure most common in legislator discussions. The latest official State Funding Board estimate is at least an extra $161 million and maybe as much as $307 million.
Bredesen's plan for dealing with the situation, in both the current year and the budget for the next fiscal year beginning July 1, is almost certain to involve more cuts.
Already, for example, the governor has proposed amending a bill to change various statutes to allow cutting mental health services by about $11.8 million and children's services by $7.5 million and taking $9 million from a fund set up to benefit hospitals operating trauma centers.
Some legislators call for using more of about $900 million in the state's rainy-day fund and other reserves to avoid cuts, though the governor says that is a bad idea because the reserves may be needed even more in the months ahead.
Also prominently featured in the money mix is about $5 billion in federal stimulus funds, provided over a two-year period and mostly earmarked for specific areas such as education and weatherization of homes.
While the stimulus money effectively shields some areas from cuts that would have otherwise been necessary – notably the state's colleges and universities – other areas reliant solely on state funding are facing cuts.
In announcing that $62 million of stimulus funding would go to launch a solar energy project and a solar research institute, Bredesen emphasized that he would prefer to use the money to avoid cuts in mental health and children's services.
While the final version of the budget is pending, the administration also is holding back on proposing its annual technical corrections bill to make changes in state revenue laws, typically to close what Revenue Commissioner Reagan Farr considers loopholes and generate a modest amount of new tax money in the process.
Farr said last week the specifics are being withheld in hopes of reaching a consensus on the changes before they are officially proposed.
One proposal stripped from last year's technical corrections bill, repeal of a tax exemption benefiting businesses operating as a "family owned, noncorporate entity" is in play this year as a stand-alone bill.
Lt. Gov. Ron Ramsey, House Republican Leader Jason Mumpower and House Democratic Leader Gary Odom have opposed the repeal. But Bredesen, in his budget plans, assumes that it will pass and generate an extra $25 million in needed revenue.
If it fails, that $25 million must be made up elsewhere.
A difference of opinion also has developed over Bredesen's proposal to issue $350 million in bonds for bridge construction and repair, based on an assumption that the bonds can be repaid with federal funds in coming years. Republicans have opposed the bond issue, insisting the state should stick with its traditional "pay-as-you-go" approach.
Another pending tax bill pushed by Bredesen would raise the tax on premiums paid to health maintenance organizations from 2 percent to 5.5 percent, with $136 million in proceeds going to TennCare and triggering 2-to-1 federal matching money. The bill is the same omnibus measure that includes statutory changes needed to make some cuts.
Lawmakers face several other unresolved issues when they return from the Memorial Day weekend, including:
A decision on how to select the state's top judges. The Judicial Selection Commission, centerpiece of the current system, will cease to exist July 1 unless the Legislature does something to extend it. At least three bills are in play, though most attention last week focused on SB1573, sponsored by Senate Speaker Pro Tempore Jamie Woodson, R-Knoxville, and Rep. Joe McCord, R-Maryville, as a possible compromise.
The bill would set up a new commission to nominate prospective judges for gubernatorial appointment, but eliminate the control legal interest groups have over the panel under today's system. It also would give the governor the chance to pick from at least six nominees and, under one version, ignore the panel's recommendations and pick anyone who had applied for a vacancy.
Deciding whether the Tennessee Ethics Commission should continue to exist as an independent body or be merged with the Registry of Election Finance.
Deciding a partisan standoff over the State Election Commission, which also will cease to exist July 1 unless some action is taken. The Senate has passed a bill that would give Republicans a majority on the commission, but the measure stalled in the House as Democrats rallied against it. Senate Republican Leader Mark Norris has now raised the possibility of letting the commission die unless House Democrats retreat and allow passage of the GOP-majority bill.


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The source for Subaru reviews, Subaru news, and much more.
2011 Subaru Outback and Legacy: New Value for a New Year
While Subaru sales continue to skyrocket—the automaker had its best April ever in 2010, with numbers up 48 percent over the same month last year—what's especially notable for the automaker is what hasn't seen a significant increase: Sticker prices.
Subaru recently released the starting MSRPs for its 2011 model year Legacy and Outback, and the company was able to hold the line on the Legacy and limit the price increase on the Outback to a mere $200.
The entry-level Legacy 2.5i once begins at $19,995, with the 2.5i Premium and 3.6R models retaining their 2010 price tags of $20,995 and $24,995, respectively. Adding the Limited trim results in a price bump of $300, but it also adds XM Satellite Radio and a three-month trial subscription to the service.
In addition, pricing on the turbocharged Legacy 2.5GT has been changed to reflect new packaging designed to be better in line with customer expectations. The GT will only be offered in Limited trim at $31,395, and it now features standard equipment like simulated carbon-fiber dash accents, seat/armrest stitching in in an eye-catching silver, aluminum pedals, fog lights and a power moonroof.
Recognition as being among the "Best Family Cars of 2010," according to a joint survey from Parents magazine and the noted auto observers at Edmunds.com, remains standard as well.
As for Motor Trend's reigning Sport/Utility of the Year—the Subaru Outback—2011 base models will open at $23,195 and the up-level 2.5i Premium will have an MSRP of $24,495, prices that remain well under those of many Outback rivals. The very competitive MSRPs for the rest of the Outback lineup are as follows: Outback 2.5i limited, $28,495; Outback 3.6R, $28,195; and Outback 3.6R Limited, $31,495.
New features and packaging are also part of the Outback story for 2010. This includes a rear vision camera that puts a 3.3-inch high-res display in the Outback's rearview mirror and is now available as part of the power moonroof package in both Premium and Limited trims.
Drivers can expect the 2011 Subaru Legacy and Subaru Outback to reach dealerships later this year.
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Melissa Chavez, 28, was found dead earlier this month. She had been run over with a car multiple times. Blanco is charged with her murder.
According to court documents, the couple got into a fight in the car and Blanco pulled over in the park. He allegedly choked Chavez to the point where she lost consciousness.
Then he reportedly struck her with a crow bar several times and finally ran over her body approximately 15 times. Investigators say Blanco told his brother that "he felt relieved after running over Chavez with his car."
An anonymous Crime Stoppers tip led to the location of Blanco, and he was arrested without incident.
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|Keller Ladder, Incorporated/Milford Pad Site, 343,882 Sq. Ft.
Caroline County, Virginia
|Location:16174 Industrial Drive, Milford, VA 22514
|Water Service Provider: Caroline County
|Available Space: Pad Site
|Public Water: No
|Building Availability: Single User
|Distance from Site: 200 Yards
|Largest Contiguous Parcel: 147,000 Sq. Ft.
|Line Size: 6 Inches
|Zoning: M-1 Industrial
|Wells on Site: Yes
|Site Acreage: 21.33
|Well Capacity: 48 gpd
|Industrial Park: Yes
|Treatment Facility: Milford Sanitary District
|On-Site Parking: Yes, 275 Spaces
|Treatment Capacity:
|Conform to Present Zoning Classifications:Yes
|Available Treatment Capacity: 75,000 gpd
|Restrictions on use of Building: No
|Current Storage: 100,000 gpd
|Environmental Audit: No
|Available Capacity to Site:
|Air Quality Status: Non-Attainment
|Pressure at Hydrant, Static: 90 Psi, 35 residual psi
|Type of Floors: Concrete, Thickness 6 inches, Reinforced
|Surface Water on Site:
|100 Year Flood Plain:
|Source of Surface Water:
|Waste Water Treatment Provider:
| Electric Power: Virginia Power
|Public Sewer:
| Distance to Distribution Line:
|Sewer Distance from Site:
| Voltage: 277-480, 3 Phase, 4,000 amps
|Line Size:
| Natural Gas Supplier: Columbia Gas
|Septic System Practical:
| Gas on Site: No
|Treatment Facility:
| Distance from Site: 100'
|Total Treatment Capacity:
| Line Size: 4 inches
|Available Treatment Capacity:
| Pressure: High
|Available Capacity to Site:
|Receiving Stream:
|Telecommunications Supplier: Verizon
|Digital Switching: Yes
|Is Building Served with Rail Siding: No
|Fiber Optics on Site: No
|Name of Service:
|Distance from Fiber Optic Line:
|Distance from Site: 300 ft.
|ISDN Available: No
|Can Rail Siding be Installed: Yes
|Other Features:
|Highway Distance to Nearest Interchange: 15 Miles
|Interstate Name: I-95
|Distance to Nearest Commercial Airport: 35 Miles
Richmond International
|Name of Interchange: Carmel Church, Exit 104
|Distance to Nearest General Aviation Airport: 25 Miles
|Distance to Nearest 4 Lane Arterial:
|Dulles International: 60 Miles
Reagan Washington National: 65 Miles
|Access Road Needed: No
|Highway Service Site: 16124 Industrial Drive
|Site Served by Public Transportation: No


text:
(SKRAPZ)Pokin' out my eyeballs with pencils,
Outlinin' bodies with stencils,
I do a mass mutilation with kitchen utensils,
I'm krazee locked down up in my cell feedin' on bread and water,
The Skrapz fell and plunged into a bottomless pit,
And now I'm on the run, bloodtrails leadin' to the chamber,
I gun, flatline is what my pulse reads bangin' on a gong,
Climbin' the fox theatre like King Kong I ping-pong souls,
And I rolls bustahz like weed and beat'em till they bleed,
And bake'em like a pumpkin seed,
I feed off instincts the suicidial carnivore,
Dominatin' this game to bring a third world war,
Been spittin' 5 years low-key bet y'all missed it,
I pulls a hatcher I'm psychopathic like Twiztid,
Fryin' yo brain like hard drugs and then I'm huffin'
And trippin' myself from 1/2 of a bottle of robitussin,
I'm bustin' like caps, torture wack like Unkle Kreepy,
Risin' above thse no names that be's beneath me,
Y'all never peep me head rushin' like caffeine,
Flowin' my adrenaline you know what I mean,
Unseen to many, non-beleivin' this confusion,
The Skrapz disappeared like an illusion,
My blood lines contaminated minds you'll never find traces of mine,
Unles they appear to the blind what!!!
Adrenaline flowin' through my veins,
I'm insane my mind is deranged
Repeat 2X
(SOL) Here we go as we crashin' through the barracade,
Breakin' the laws that anybody try to lay,
The day has come House Of Krazees down,
Trax layed down send rounds of death 'till yo body drowns,
Total anialation I'm feelin' like high speeds,
Surfin' the crowd as if it was the 7 seas,
So breathe in, no attempt to breathe out,
16 stones I throws takin' out the krazee house,
Pure momentum I'm droppin' ready to tear it up,
Insides feelin' like it's dead so take a big cup,
Soak up the rush got you stuck on accelarate,
Makin' my way through this place eternally a death race,
Sound barrier, pit-bull terrior,
Bitin' through the world with the wicked rap carrier,
Bury a sols', at the wind at 100 MPH jack,
Pound yo craniun, get set attack,
Veins feel the pain blood preassure remains,
At a boilin' point jump till it reaches the brain,
Oxygen cut off, sweatin' yo ass off time gets lost or caught,
As the world's spinnin into the cost of destruction,
It's charmed to meet with grief,
Droppin'em off in the grave site as I scream release,
Run the wild side everybody sometimes sin,
Pure as yo system can come,
Feel the adrenaline!!!
Repeat chorus 8X
SKRAPZ: Leave me alone cause,
I'm liable to snap like flipped insanity with a heart attack,
Wreckin' what I'm able to win so don't be lettin' yo guard off,
I'll leave you suckaz in stitches like Boris Karloff!
SOL: I start off the world win let the mosh pit begin,
House Of Krazees the men, lock you in and break you out again,
Makin' the trends, then condem the rappers maniac,
SOL attacks leave'em flatline no come backs
SKRAPZ: Throw out the key speedin' on I-94,
Rollin' 6 deep me and SOL, the trunk holds 4 more in-store,
Get off the exit cause the shit's gettin' to hecktik,
Put my tape into the deck and I eject it
SOL: So check it,
The rhymes leave'em numb like novacane,
Maintain the brain seep together like acid-rain,
I strain to see the cause,
Bouncin' off the walls like balls,
SOL can't fall hear me call,
Screamin' to the heavens y'all!!!
Repeat Chorus 4X
Lyrics taken from /lyrics/h/house_of_krazees/adrenaline.html