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1600 Rio Rd. East Suite 1412 Charlottesville, VA 22901
You don't have to travel the world for extraordinary fashion accessories in Charlottesville. Visit Charming Charlie Charlottesville Fashion Square to master your glam style. Our uniquely designed fashion accessory store in Charlottesville, VA features a breath taking volume and variety of fashion accessories, ingeniously arranged by color, making that perfect accent fun and easy to find.
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Mathilde Gremaud | Ladies' Big Air | Modena/Skipass | 1st place | FIS Freeski
Freestyle is one of the six Olympic disciplines administered the - The International Ski Federation (FIS). The discipline consists of five events Moguls, Aerials, Skicross, HalfPipe and Slopestyle. Freestyle skiing is a young snow sport beginning in the 1950's. Originally, a mix of alpine skiing and acrobatics, the first freestyle skiing competition was held in Attitash, New Hampshire in 1966. A relative newcomer to the Olympic Winter Games, Moguls became an Olympic event in 1992 in Albertville. Aerials were added for the 1994 Olympic Winter Games in Lillehammer. The newest Olympic Winter Games event, Ski Cross, made its debut in Vancouver in 2010. In 2014 halfpipe and slopestyle were added to the Olympic winter schedule. For more information about FIS Freestyle: http://www.fisfreestyle.com Like us on Facebook http://www.facebook.com/fisfreestyle?ref=ts&fref=ts Follow us on Twitter: https://twitter.com/fisfreestyle FIS: As the governing body of international skiing and snowboarding, FIS manages the Olympic disciplines of Alpine Skiing, Cross-Country Skiing, Ski Jumping, Nordic Combined, Freestyle Skiing and Snowboarding, including setting the international competition rules. Through its 116 member nations, more than 6'500 FIS ski and snowboard competitions are staged annually.

subset: commoncrawl


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Lithe, flexible and totally at ease with her body, new model Christiana makes her film debut on Hegre.com this week.
Meeting a girl this comfortable with her own body is a rare thing. Christiana however, is natural and instinctive - a woman who is supremely confident with her sexuality.
So enjoy the view as you get to witness an intimate moment in the bedroom. We don't know what erotic thoughts are going through the unshaven blonde's mind but we guess those thoughts can only contain moments of pure pleasure…
Prepare to be seduced by Christiana in this seriously sexy new film!
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Russia's EN+ Group aims to double its coal reserves in 3 to 5 years to 2 billion tonnes and double annual coal output to 25 million to 30 million tonnes in the same timeframe, the firm's head of strategy said on Wednesday.
The company was also in talks with Chinese power and mining companies about possible investments in coal projects to supply thermal coal to Chinese power plants and was looking to form joint ventures with Chinese power companies, said Dmitry Yudin, head of strategy of EN+ Group, on the sidelines of the Russia & CIS Investment Summit in Hong Kong.
The goal of the joint ventures would be to export electricity from Russia to China.
"We have a strategy to develop our coal business because coal is an interesting commodity that will command a lot of demand from China and Indian," said Yudin.
Coal demand from heavy industry in China has climbed in recent years as the country's economy surges ahead, with coal giant China Shenhua Energy Co Ltd (1088.HK: Quote) posting a record second-quarter profit in August on higher sales.
Russian coal supplies to China skyrocketed last year to 12 million tonnes from 0.76 million tonnes in 2008.
EN+ Group, owned by Russian billionaire Oleg Deripaska, employs more than 100,000 people and is involved in mining, metals and energy businesses.
The group consolidated its energy assets last year into EuroSibEnergo Plc, creating Russia's second-largest electricity producer.
With a total capacity of 19.5 GigaWatts, EuroSibEnergo generated more than 8 percent of the country's electricity and produced 82.8 billion KiloWatt hour of electricity last year.
EuroSibEnergo owns a series of power stations in Siberia that power the smelters of United Company RUSAL Plc (0486.HK: Quote) (RUAL.PA: Quote).
EuroSibEnergo, formerly named EN+ Power, hired BOC International and Deutsche Bank AG (DBKGn.DE: Quote) to support its up to $1.5 billion Hong Kong IPO in the fourth quarter, sources close to the deal told Reuters in May.
Yudin declined to comment on the IPO plan, adding that there was no pressure to raise capital at the group level.
In addition to EuroSibEnergo, EN+ is the parent of ferromolybdenum maker Strikeforce Mining and Resources Ltd (SMR) and a major shareholder of RUSAL, the world's largest alumina and aluminium producer.
Following RUSAL's listing, more Russian companies plan to list in Hong Kong, giving them a base close to China's booming market and access to fund managers in the region putting money to work in emerging economies. (Additional reporting by Joseph Chaney; Editing by Chris Lewis and Don Durfee)
© Thomson Reuters 2010 All rights reserved


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Shorts Can Build In Technical Progress (Silly Symphonies model)
Cartoons in the 1930s and 40s advanced every year noticeably. On purpose.
There is no progress built into the system, no competitiveness built into it.
Walt Disney actually made a science out of progress. He built it into his studio system by creating a series of cartoons just to discover and develop new techniques. He instituted art classes and created "action analysis" to improve his animators' understanding of the way things move.
His Silly Symphonies almost seem boring on purpose, because they are so intent on pushing new techniques forward. I don't think you have to make boring cartoons in order to advance. I prefer the Looney Tunes method of trying out a few "one-shots" every year: highly entertaining cartoons that don't necessarily use the star characters but allow the directors to put more money and time into a couple of cartoons to try new things out. What they learn, they in turn can apply to their more formulaic star vehicles and in the process the cartoons get better and better overall at a noticeable rate.
At MGM, Tex Avery was an experimenter, while Bill and Joe's more conservative Tom and Jerry series was a beneficiary of Tex's (and Looney Tunes') bold inventiveness.
Besides trying to discover appealing star characters, part of a shorts program should be devoted to progress: to developing new techniques to make your cartoons obviously better than your competition's.
The faster you advance, the more primitive you can make your competitor's work seem.
Our business frowns upon this and builds in safeguards against progress. It values "consistency" over experimentation and advancement. Model sheets, story bibles, pages of catch phrases for each character and on and on...
The result of the philosophy of "never change" is to actually degrade consistently year by year, because it is physically impossible to stay the same. You have to move in one way or the other - forwards or backwards.
Many TV cartoons today look like still images of stick figures. Childlike frozen stick figures that only move in the sense that they are being pushed and pulled around in flash like paper puppets. But no one knows it or cares because no studio is trying to outdo anybody else. It's like each studio looks at the others to see how low it's safe to aim this year. (The same applies to stories, but I won't get into that here)
The average viewer didn't think "Well, hey I can do that." Today, big studios aim down to compete with "user-generated" content. Is there a point of spending a lot of money doing what just about anybody else can do cheap?
If there was a studio devoted to progress, within a couple years no one else could compete with it because the other cartoons would look so primitive by comparison. Today unfortunately, amateurism is the trend. I don't even think the people in charge know it. I think they actually believe that the more primitive a cartoon is the more advanced and hip it is, but maybe I'm missing some work of genius out there. I remember when "good-for-you" cartoons like Caillou and Arthur looked primitive to me. Now they look like standard professional network cartoon fare - or even better in some cases.


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Dennis willing to wait on drivers
McLaren Group chairman and CEO Ron Dennis has hinted he is prepared to bide his time to land either Fernando Alonso or Sebastian Vettel.
The suggestion from Dennis is current drivers Jenson Button and Kevin Magnussen will continue to form the team's line-up for 2015.
That is despite the belief Honda are looking for a stellar name to spearhead their return to the sport after a seven-year hiatus when they become McLaren's power-unit suppliers from next season.
Ron Dennis may have to be patient to re-sign Fernando Alonso, pictured, for McLaren
With Alonso contracted to Ferrari until the end of 2016 and Vettel with Red Bull through to the end of next year, Dennis, McLaren and Honda may have to wait.
Speaking to Formula1.com, Dennis said: "We'll always look to employ the best drivers available - but they have to be available, don't they?
"Having said that, for the avoidance of doubt, Jenson and Kevin represent an excellent blend of capable experience and youthful promise, and we're very happy with both of them.
"The fact we're keeping an eye on what a few other drivers are up to in no way contradicts that, because, as I say, if opportunities arise, we'll appraise them - we always have and we always will."
Suggested to Dennis if a team really wants a driver then mountains would be moved to sign him, he replied: "Well, that depends on whether you respect drivers' contracts or not, and I do."
Whether that allays any doubts in Button's mind remains to be seen as the 34-year-old has suggested this week he could be forced to retire from F1 at the end of the season.
Now in his fifth year with McLaren, and 15th overall in F1, Button is in limbo as the Woking-based marque mull over their 2015 line-up.
Given Honda's desire for an A-lister, with Alonso apparently top of the agenda, that has placed McLaren's naming of their drivers for next year on hold.
Should Alonso be re-signed, given he spent an ignominious year with the team in 2007, there remain n umerous obstacles for McLaren and Honda to clear.
In the meantime, Button does not know if he is staying or going, and so faces the prospect of an exit.
With 259 career starts behind him, Button appreciates the remaining seven races of the current campaign may be his last.
Speaking to the BBC, the 2009 world champion said: "We haven't sat down and talked about it.
"If I have to retire at the end of the season then so be it, but I feel I have so much more to give and I can't imagine life without motorsport and especially Formula One."
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More reaching three Rs standard
More children are reaching the standards expected of them in the three Rs by the time they leave primary school, new figures show.
But tens of thousands of youngsters are still failing to achieve the expected level in reading, writing and maths.
The results of this year's national curriculum tests - known as Sats - show a four percentage point improvement in the proportion of 11-year-olds gaining at least a Level 4 - the standard expected of the age group, in the basics.
New figures show more children are reaching the standards expected of them in the three Rs
Overall, 79% of youngsters achieved this level or higher in all three of the subjects tested, up from 75% a year ago.
This means that just over a fifth (21%) - around 117,000 pupils - did not reach this standard.
School Reform Minister Nick Gibb welcomed the improvement in results, and said the Government had set "unashamedly high expectations" for all children.
The new figures show that 89% of children gained at least a Level 4 on reading, up from 86% in 2013, while in writing - which is marked by teachers - 85% of youngsters reached this threshold, up two percentage points on last year.
In maths, the rise was smaller, with 86% of youngsters achieving Level 4 or above, up from 85% last year.
And in the spelling, punctuation and grammar test, which was introduced last year, just over three quarters (76%) achieved the expected standard, up from 74% in 2013.
The tests were taken by around 557,400 11-year-olds in England.
Mr Gibb said that around 80,000 more children were reaching Level 4 in reading, writing and maths, than five years ago, allowing them to start secondary school secure in the basics and able to move on to more complex subjects.
" It means in the long term these children stand a far better chance of winning a place at university, gaining an apprenticeship and securing good jobs," he said.
"We have set unashamedly high expectations for all children, introduced a new test in the basics of punctuation, spelling and grammar, and removed calculators from maths tests.
"Today's results show teachers and pupils have responded well to the higher standards our education reforms have demanded. Our education system is beginning to show the first fruits of our plan for education, helping to prepare young people for life in modern Britain. There is more to do but teachers and pupils deserve huge credit for such outstanding results."
The figures show that the gender divide has narrowed slightly this year, with boys closing in on girls.
Overall, 82% of girls achieved Level 4 or above in each of the tests, compared to 76% of boys - a gap of six percentage points.
Last year, there was a seven percentage-point gap.
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a little collectionTuesday, August 17, 2010
Have you seen this book? Or "encyclopedia of books" I should say?
The Stitch Collection by Debbie O'Neill is the perfect collection consisting of five mini books. Each book is small enough (and light enough!) to be carried around in your knitting bag.
I love how it is packaged and laid out, in an organized easy to find manor. It is a set of five mini books of the stitches themselves, designed to help you choose the best stitch pattern for a particular project. Each individual stitch pattern (225 total) is ranked according to its level of difficulty and amount of drape. It basically consolidates a bunch of valuable information into a simple little book. I love that!
366 comments
Hooray. I've been thinking I need a stitch dictionary. This looks fantastic.ReplyDelete
i too saw these on another blog, and they look cool!ReplyDelete
Lovely! I'd love to win the set - just what I need to spice up my knitting :)ReplyDelete
cheers for sharing! i've been drooling over this little set for a while now, it would be totally awesome to win a set. i'm not allowed to buy books until after my big trip, but getting them in a give away doesn't count, right?ReplyDelete
I would love to win a book. Stitch dictionaries always come in handy.ReplyDelete
Yay! I love that set! It would be perfect to keep in your bag, like you said! Very nice giveaway.ReplyDelete
ooh, what a great concept. love the portability -- this might encourage me to do a bit more swatching just to try out new-to-me techniques! thanks for the chance to win!ReplyDelete
These look wonderful!ReplyDelete
What a Great idea! So compact. So usable.ReplyDelete
i am sooo excited - i always miss your giveaways, but not today!ReplyDelete
Those books look perfect to tuck into a knitting bag. Thanks for the giveaway!ReplyDelete
oh yes, please! i really want to learn cables!ReplyDelete
This is something I could really use ! I definetly need this kind of info for All Stitched Up and my own knitting. Thank you !ReplyDelete
OH! I need these... ok, need is probably strong, how about I really want them! :)ReplyDelete
I'm just starting knitting. I could use a little know-how. (P.S. I'm your lucky winner, jenn@dimlights(dot)com)ReplyDelete
What a great little set, and a set that is portable!ReplyDelete
This stitch collection looks fantastic, and it's much more portable than the Vogue versions.ReplyDelete
Excellent give-away - count me (and my stitches) in!ReplyDelete
I love the books..it looks so easy to carry..ReplyDelete
That is so cute and handy!ReplyDelete
What a great collection!ReplyDelete
What great reference material! Thanks for a great giveaway.ReplyDelete
I have no idea where I saw this originally, but I was wondering what it was exactly. I didn't realize it was 5 tiny books! I don't have very many knitting books, and I've been looking for something like these. It was be an amazing to have these in my tiny (but hopefully growing) collection of knitting books!ReplyDelete
What a beautiful little set. I'd sure like one!ReplyDelete
Thanks for the giveaway, this kind of book will be invaluable when I design a sweater.ReplyDelete
Oh, how cool! Thank you for the chance of winning one!ReplyDelete
How thoughtful to have a give away! These books look wonderful :)ReplyDelete
Your blog is my favorite. I do have a question for you. Do you have a stash of yarn or do you purchase as needed? It seems as though when you are ready for a new project, you are just purchasing it. I believe I have a stash problem and therefore, do not have the right amount for particular projects. I should be more prudent.ReplyDelete
Anyway. I love your blog. Keep inspiring us.
I need this set :) (really) am knitting my first sweater :) Such a fun blog :).ReplyDelete
have a haPPy day :), crystal
This set of books look so usable and interesting. Thank you for using them in a giveaway! =]ReplyDelete
Oooh, I haven't seen these before but they look aweseome!ReplyDelete
-craftytofu at yahoo
What a great resource. So many stitch reference books get so 'wordy'. How perfect!ReplyDelete
It looks like a very useful compilation. May have to check it out.ReplyDelete
Thank you for another great giveaway! I'd love a set of these!ReplyDelete
Those are fantastic. Particularly for a knitter who is also a librarian [me]. And when not using them for reference, you can pull them out and hit people with them! A must-have for the knitting bag, for sure. :)ReplyDelete
So nifty. I need this little collection.ReplyDelete
I've been coveting that book!ReplyDelete
Thanks for the giveaway!
What a neat set of books! I love it.ReplyDelete
Very cool. I'm always looking for interesting stitches.ReplyDelete


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State engineers have a $3.3 million plan to unsnarl the traffic patterns in front of the Durango Dog Park.
The interchange at U.S. Highway 550-U.S. Highway 160 by the DoubleTree Hotel is the areas worst bottleneck, causing vehicles to back up as much as 1,000 feet at rush hour, said engineers from the Colorado Department of Transportation during a presentation with the City Council on Thursday.
Its level of service is rated as a D, which is the threshold. If we go into E and F, we have serious problems, said Michael McVaugh, a traffic and safety engineer.
CDOTs proposal would boost the level of service to a B without having to build an asphalt jungle, he said.
McVaugh predicted the plan could maintain service at a level B for the next to 10 to 15 years while also accommodating population growth.
The state doesnt have the estimated $8 million to $9 million that would be needed to add capacity to the interchange, but its $3.3 million budget should be sufficient to reconfigure the traffic patterns to allow for a more continuous flow.
Currently, traffic gets backed up while waiting for cross-traffic to make left turns.
As an alternative, the state is proposing a new, 500-foot to 600-foot turn lane on Highway 550 for northbound traffic seeking to turn west on Highway 160 toward Mesa Verde.
The longer turn lane is intended to keep the traffic from bunching up right at the intersection while also allowing for more continuous movement north and south.
Westbound traffic would be diverted to the new turn lane by new signs, a painted stop bar on the pavement and flashing red or green signal lights.
Traffic lights also would be synchronized to minimize stops, such as eastbound traffic waiting for the westbound traffic to get into the new turn lane.
Traffic coming from Cortez still would have to wait at the Highway 550/160 interchange to make a left turn onto Camino del Rio.
Councilor Christina Rinderle called it a creative plan while urging landscaping to beautify new medians that would be put in to separate the opposite lanes of travel.
Because of joint jurisdiction, the city and CDOT tentatively are planning a public hearing Dec. 18 to get feedback. CDOT also will be meeting with local business owners impacted by the changes.
McVaugh anticipated there might be criticisms.
Because of the proximity, the intersections of Seventh Street and College Drive on Camino del Rio also will be affected. The Camino del Rio-College Drive intersection would get some minor widening and restriping to make it easier to make left turns and prevent traffic from overlapping lanes.
More controversially, a median installed for pedestrian safety would make it impossible for southbound motorists on Camino del Rio to turn left onto Seventh Street to go downtown. This is to give pedestrians a refuge when crossing the busy street to get to Liquor World or Southwest Community College, for example.
This idea is not set in stone.
If its something that cant be stomached, we want to know, McVaugh said.
Another median on Highway 160 also would make it impossible for motorists to make a left onto Highway 160 from Roosa Avenue, but traffic on U.S. 160 still could make a left onto Roosa.
Engineers said there is a long history of traffic accidents resulting from motorists trying to make a left onto Highway 160 from Roosa. The engineers also wanted to give people and their canine companions a safe median when crossing to the Dog Park.
As part of the improvements, CDOT also would build a pond to treat the water runoff from the highway before it flows back into the river through a culvert.
Designs on traffic changes are expected to be finished soon with construction anticipated to begin next summer.
Because the summer is the height of the tourist season, most of the work would be done at night to lessen inconvenience.


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N.D. Supreme Court
N.D. Sup. Ct. Admin. R.
Administrative Rule 41 - ACCESS TO COURT RECORDS
Section 1. Purpose.
The purpose of this rule is to provide a comprehensive framework for public access to court records. Every member of the public will have access to court records as provided in this rule.
Section 2. Definitions.
(a) "Court record," regardless of the form, includes:
(1) any document, information, or other thing that is collected, received, or maintained by court personnel in connection with a judicial proceeding;
(2) any index, calendar, docket, register of actions, official record of the proceedings, order, decree, judgment, minute, and any information in a case management system created by or prepared by court personnel that is related to a judicial proceeding; and
(3) information maintained by court personnel pertaining to the administration of the court or clerk of court office and not associated with any particular case.
(b) "Court record" does not include:
(1) other records maintained by the public official who also serves as clerk of court;
(2) information gathered, maintained or stored by a governmental agency or other entity to which the court has access but which is not part of the court record as defined in this rule; and
(3) a record that has been disposed of under court records management rules.
(c) "Public access" means that the public may inspect and obtain a copy of the information in a court record.
(d) "Remote access" means the ability to electronically search, inspect, or copy information in a court record without the need to physically visit the court facility where the court record is maintained.
(e) "Bulk distribution" means the distribution of all, or a significant subset, of the information in court records, as is and without modification or compilation.
(f) "Compiled information" means information that is derived from the selection, aggregation or reformulation by the court of some of the information from more than one individual court record.
(g) "Electronic form" means information in a court record that exists as:
(1) electronic representations of text or graphic documents;
(2) an electronic image, including a video image, of a document, exhibit or other thing;
(3) data in the fields or files of an electronic database; or
(4) an audio or video recording, analog or digital, of an event or notes in an electronic file from which a transcript of an event can be prepared.
Section 3. General Access Rule.
(a) Public Access to Court Records.
(1) Court records are accessible to the public except as prohibited by this rule.
(2) There must be a publicly accessible indication of the existence of information in a court record to which access has been prohibited, which indication may not disclose the nature of the information protected.
(3) A court may not adopt a more restrictive access policy or otherwise restrict access beyond that provided for in this rule, nor provide greater access than that provided for in this rule
or as governed by N.D. Sup. Ct. Admin. R. 40 with respect to recordings of trial court proceedings
(b) When Court Records May Be Accessed.
(1) Court records in a court facility must be available for public access during normal business hours. Court records in electronic form to which the court allows remote access will be available for access subject to technical systems availability.
(2) Upon receiving a request for access to a court record, the clerk of court must respond as promptly as practical. If a request cannot be granted promptly, or at all, an explanation must be given to the requestor as soon as possible. The requestor has a right to at least the following information: the nature of any problem preventing access and the specific statute, federal law, or court or administrative rule that is the basis of the denial. The explanation must be in writing if desired by the requestor.
(3) The clerk of court is not required to search within a court record for specific information that may be sought by a requestor.
(c) Access to Court Records Filed Before March 1, 2009. Court records filed before the adoption of N.D.R.Ct. 3.4 may contain protected information listed under N.D.R.Ct. 3.4(a). This rule does not require the review and redaction of protected information from a court record that was filed before the adoption of N.D.R.Ct. 3.4 on March 1, 2009.
(d) Fees for Access. The court may charge a fee for access to court records in electronic form, for remote access, for bulk distribution or for compiled information. To the extent that public access to information is provided exclusively through a vendor, the court will ensure that any fee imposed by the vendor for the cost of providing access is reasonable.
Section 4. Methods of Access to Court Records
(a) Access to Court Records at Court Facility.
(1) Request for Access. Any person desiring to inspect, examine, or copy a court record must make an oral or written request to the clerk of court. If the request is oral, the clerk may require a written request if the clerk determines that the disclosure of the record is questionable or the request is so involved or lengthy as to need further definition. The request must clearly identify the record requested so that the clerk can locate the record without doing extensive research. Continuing requests for a document not yet in existence may not be considered.
(2) Response to Request. The clerk of court is not required to allow access to more than ten files per day per requestor but may do so in the exercise of the clerk's discretion if the access will not disrupt the clerk's primary function. If the request for access and inspection is granted, the clerk may set reasonable time and manner of inspection requirements that ensure timely access while protecting the integrity of the records and preserving the affected office from undue disruption. The inspection area must be within full view of court personnel whenever possible. The person inspecting the records may not leave the court facility until the records are returned and examined for completeness.
(3) Response by Court. If a clerk of court determines there is a question about whether a record may be disclosed, or if a written request is made under Section 6(b) for a ruling by the court after the clerk denies or grants an access request, the clerk must refer the request to the court for determination. The court must use the standards listed in Section 6 to determine whether to grant or deny the access request.
(b) Remote Access to Court Records. The following information in court records must be made remotely accessible to the public if it exists in electronic form, unless public access is restricted under this rule:
(1) litigant/party indexes to cases filed with the court;
(2) listings of new case filings, including the names of the parties;
(3) register of actions showing what documents have been filed in a case;
(4) calendars or dockets of court proceedings, including the case number and caption, date and time of hearing, and location of hearing; and
(5) reports specifically developed for electronic transfer approved by the state court administrator and reports generated in the normal course of business, if the report does not contain information that is excluded from public access under Section 5 or 6.
(c) Requests for Bulk Distribution of Court Records.
(1) Bulk distribution of information in the court record is permitted for court records that are publicly accessible under Section 3(a).
(2) A request for bulk distribution of information not publicly accessible can be made to the court for scholarly, journalistic, political, governmental, research, evaluation or statistical purposes when the identification of specific individuals is ancillary to the purpose of the inquiry. Prior to the release of information under this subsection the requestor must comply with the provisions of Section 6.
(3) A court may allow a party to a bulk distribution agreement access to birth date, street address, and social security number information if the party certifies that it will use the data for legitimate purposes as permitted by law.
(d) Access to Compiled Information From Court Records.
(1) Any member of the public may request compiled information that consists solely of information that is publicly accessible and that is not already in an existing report. The court may compile and provide the information if it determines, in its discretion, that providing the information meets criteria established by the court, that the resources are available to compile the information and that it is an appropriate use of public resources. The court may delegate to its staff or the clerk of court the authority to make the initial determination to provide compiled information.
(2) Requesting compiled restricted information.
(A) Compiled information that includes information to which public access has been restricted may be requested by any member of the public only for scholarly, journalistic, political, governmental, research, evaluation, or statistical purposes.
(B) The request must:
(i) identify what information is sought ,
(ii) describe the purpose for requesting the information and explain how the information will benefit the public interest or public education, and
(iii) explain provisions for the secure protection of any information requested to which public access is restricted or prohibited.
(C) The court may grant the request and compile the information if it determines that doing so meets criteria established by the court and is consistent with the purposes of this rule, the resources are available to compile the information, and that it is an appropriate use of public resources.
(D) If the request is granted, the court may require the requestor to sign a declaration that:
(i) the data will not be sold or otherwise distributed, directly or indirectly, to third parties, except for journalistic purposes;
(ii) the information will not be used directly or indirectly to sell a product or service to an individual or the general public, except for journalistic purposes; and
(iii) there will be no copying or duplication of information or data provided other than for the stated scholarly, journalistic, political, governmental, research, evaluation, or statistical purpose.
The court may make such additional orders as may be needed to protect information to which access has been restricted or prohibited.
Section 5. Court Records Excluded From Public Access.
The following information in a court record is not accessible to the public:
(a) information that is not accessible to the public under federal law;
(b) information that is not accessible to the public under state law, court rule, case law or court order, including:
(1) affidavits or sworn testimony and records of proceedings in support of the issuance of a search or arrest warrant pending the return of the warrant;
(2) information in a complaint and associated arrest or search warrant to the extent confidentiality is ordered by the court under N.D.C.C. §§ 29-05-32 or 29-29-22;
(3) documents filed with the court for in-camera examination pending disclosure;
(4) case information and documents in Child Relinquishment to Identified Adoptive Parent cases brought under N.D.C.C. ch. 14-15.1;
(5) domestic violence protection order files and disorderly conduct restraining order files when the restraining order is sought due to domestic violence, except for orders of the court;
(6) documents in domestic violence protection order and disorderly conduct restraining order cases in which the initial petition was dismissed summarily by the court without a contested hearing;
(7) names of qualified or summoned jurors and contents of jury qualification forms if disclosure is prohibited or restricted by order of the court;
(8) records of voir dire of jurors unless disclosure is permitted by court order or rule;
(9) records of deferred impositions of sentences resulting in dismissal;
(10) unless exempted from redaction by N.D.R.Ct. 3.4(c), protected information:
(A) except for the last four digits, social security numbers, taxpayer identification numbers, and financial account numbers,
(B) except for the year, birth dates, and
(C) except for the initials, the name of an individual known to be a minor, unless the minor is a party, and there is no statute, regulation, or rule mandating nondisclosure;
(11) judge and court personnel work material, including personal calendars, communications from law clerks, bench memoranda, notes, work in progress, draft documents and non-finalized documents.
(12) party, witness and crime victim contact information gathered andrecorded by the court for administrative purposes, including telephone numbers and e-mail, street and postal addresses.
(c) This rule does not preclude access to court records by the following persons in the following situations:
(1) federal, state, and local officials, or their agents, examining a court record in the exercise of their official duties and powers;
(2) parties to an action and their attorneys examining the court file of the action, unless restricted by order of the court, but parties and attorneys may not access judge and court personnel work material in the court file.
(d) A member of the public may request the court to allow access to information excluded under Section 5 as provided in Section
Section 6. Requests to Prohibit Public Access to Information in Court Records or to Obtain Access to Restricted Information.
(a) Request to Prohibit Access.
(1) A request to the court to prohibit public access to information in a court record may be made by any party to a case, by the individual about whom information is present in the court record, or on the court's own motion on notice as provided in Section 6( c).
(2) The court must decide whether there are sufficient grounds to overcome the presumption of openness of court records and prohibit access according to applicable constitutional, statutory and case law.
(3) In deciding whether to prohibit access the court must consider that the presumption of openness may only be overcome by an overiding interest. The court must articulate this interest along with specific findings sufficient to allow a reviewing court to determine whether the closure order was properly entered.
(4) The closure of the records must be no broader than necessary to protect the articulated interest. The court must consider reasonable alternatives to closure, such as redaction or partial closure, and the court must make findings adequate to support the closure. The court may not deny access only on the ground that the record contains confidential or closed information.
(5) In restricting access the court must use the least restrictive means that will achieve the purposes of this rule and the needs of the requestor.
(6) If the court concludes, after conducting the balancing analysis and making findings as required by paragraphs (1) through (5), that the interest of justice will be served, it may prohibit public Internet access to an individual defendant's electronic court record in a criminal case:
(A) if the charges against the defendant are dismissed; or
(B) if the defendant is acquitted.
If the court grants a request to prohibit public Internet access to an electronic court record in a criminal case, the search result for the record must display the words "Internet Access Prohibited under N.D.Sup.Ct. Admin.R 41."
(b) Request to Obtain Access.
(1) A request to obtain access to information in a court record to which access is prohibited under Section 4(a), 5 or 6(a) may be made to the court by any member of the public or on the court's own motion on notice as provided in Section 6©.
(2) In deciding whether to allow access, the court must consider whether there are sufficient grounds to overcome the presumption of openness of court records and continue to prohibit access under applicable constitutional, statutory and case law. In deciding this the court must consider the standards outlined in Section 6(a).
(c) Form of Request.
(1) The request must be made by a written motion to the court.
(2) The requestor shall give notice to all parties in the case.
(3) The court may require notice to be given by the requestor or another party to any individuals or entities identified in the information that is the subject of the request. When the request is for access to information to which access was previously prohibited under Section 6(a), the court must provide notice to the individual or entity that requested that access be prohibited.
Section 7. Obligations Of Vendors Providing Information Technology Support To A Court To Maintain Court Records.
(a) If the court contracts with a vendor to provide information technology support to gather, store, or make accessible court records, the contract will require the vendor to comply with the intent and provisions of this rule. For purposes of this section, "vendor" includes a state, county or local governmental agency that provides information technology services to a court.
(b) By contract the vendor will be required to notify the court of any requests for compiled information or bulk distribution of information, including the vendor's requests for such information for its own use.
Adopted on an emergency basis effective October 1, 1996; Amended and adopted effective November 12, 1997; March 1, 2001; July 1, 2006; March 1, 2009; March 15, 2009; March 1, 2010; March 1, 2012; March 1, 2015, March 1, 2016,
October 1, 2016
Appendix amended effective August 1, 2001, to reflect the name change of State Bar Board to State Board of Law Examiners.
Section 3(a)(1) was amended, effective October 1, 2016, to reference N.D.R. Sup. Ct. Admin. R. 40, which governs access to recordings of trial court proceedings.
Section 3(C) was adopted, effective March 1, 2010, to state that protected information may be contained in court records filed before the adoption of N.D.R.Ct. 3.4.
Section 4(C) was amended, effective March 15, 2009, to allow parties who enter into bulk distribution agreements with the courts to have access to birth date, street address, and social security number information upon certifying compliance with laws governing the security of protected information. Such laws include the Federal Fair Credit Reporting Act, the Gramm Leach Bliley Act, the USA Patriot Act and the Driver's Privacy Protection Act.
Section 5(b)(6) was amended, effective March 1, 2015, to clarify that the restriction on public access to documents in domestic violence protection order and disorderly conduct restraining order cases under this paragraph is limited to cases that were dismissed summarily.
Section 5(b)(8) was amended, effective March 15, 2009, to list types of protected information open to the public.
Section 5(b)(12) was added, effective March 1, 2016, to exclude party, witness and crime victim contact information gathered and recorded by the court for administrative purposes from public access.
The term "financial-account number" in Section 5(b)(8) includes any credit, debit or electronic fund transfer card number, and any other financial account number.
Section 5(b)(8) was amended, effective March 1, 2010, to incorporate the exemptions from redaction contained in N.D.R.Ct. 3.4(b). A document containing protected information that is exempt from redaction under N.D.R.Ct. 3.4(b) is accessible to the public.
Section 6(a)(6) was added, effective March 1, 2012, to provide a method for the court to prohibit public Internet access to an electronic case record when charges against a defendant are dismissed or the defendant is acquitted. A request under Section 6(a)(1) is required before the court can act to prohibit access under Section 6(a)(6).
Nothing in this rule or N.D.R.Ct. 3.4 precludes a clerk of court or the electronic case management system from identifying non-confidential records that match a name and date of birth or a name and social security number.
Court Services Administration Committee Minutes of August 14, 2015; August 28, 2015, September 23, 2015;
Joint Procedure Committee Minutes of April 23-24, 2015, pages 8-10; April 24-25, 2014, page 27; April 28-29, 2011, pages 9-12; September 23-24, 2010, pages 16-20;September 24-25, 2009, pages 8-9; May 21-22, 2009, pages 28-44; January 29-20, 2009, pages 3-4; September 25, 2008, pages 2-6; January 24, 2008, pages 9-12; October 11-12, 2007, pages 28-30; April 26-27, 2007, page 31; September 22-23, 2005, pages 6-16; April 28-29, 2005, pages 22-25; April 29-30, 2004, pages 6-13, January 29-30, 2004, pages 3-8; September 16-17, 2003, pages 2-11; April 24-25, 2003, pages 6-12. Court Technology Committee Minutes of June 18, 2004; March 19, 2004; September 12, 2003; Conference of Chief Justices/Conference of State Court Administrators: Guidelines for Public Access to Court Records.
CROSS REFERENCE: N.D.R.Ct. 3.4 (Privacy Protection for Filings Made With the Court).


text:
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Take a look at why hosting your event at Globe Life Park will make it a home run!
Choose from a savory mix of catering options and a plethora of exciting add-ons when booking your event at Globe Life Park.
See the most exciting areas of the ballpark, including batting cages, press box, dugouts and much more.
To request more information about events at Globe Life Park in Arlington, please email email@example.com or call 817-273-5224.


text:
20 Ideas for Leftover Turkey
Catchall Casserole
Customize this recipe to suit your tastes and whatever meat and veggies you've got in your fridge.
Wild Rice & Turkey Soup
Short on time for a post-holiday meal? Try our quick and easy soup inspired by the flavors of Minnesota, which leads the nation in turkey production. Smoked turkey mixes with the state grain, wild rice. Meaty shiitake mushrooms add more substance to the bowl.
Another soup option: Aunt Maude's Southwestern Turkey Chili. The blend of chile peppers and spices give it a smoky flavor and a nice kick of hotness to stave off the cold. It's a regular on the winter menu at Aunt Maude's restaurant in Ames, Iowa.
Strongbow Turkey Pie
Turkey dominates the menu at the Strongbow Inn in Valparaiso, Indiana. Use your turkey leftovers in their meaty turkey pie recipe. Lighter eaters might prefer to split a pie.
Pesto Pasta Toss
You'll only need six ingredients — and 20 minutes — to whip up this pasta dish. Use chopped leftover cooked turkey, chicken, pork, beef, or vegetables, and whatever kind of pasta you have on hand.
Turkey-Mango Quesadillas
Tuck mango salsa, Gouda cheese, and chopped turkey or chicken into flour tortillas for this fresh twist on quesadillas.
Applejack Turkey Sandwich
Grilled sweet peppers and onion add crunch to the sweet-smoky Applejack Turkey Sandwich from Gobbler's Restaurant in Gaylord, Michigan.
Another Midwest restaurant favorite: Twisted Seester. A customer inspired this turkey sandwich at The Artichoke Sandwich Bar in Wichita, Kansas. It's a twist on a pastrami sandwich they serve and was named for one of two sisters who was employed there.
Spinach, Turkey and Wild Rice Soup
Spinach and wild rice give a nutritional boost to traditional turkey and rice soup that simmers in your slow cooker. Use low-sodium condensed chicken soup and broth to make it even healthier.
Cranberry-Turkey Spinach Salad
Roast turkey, cucumber, jicama (Mexican potatoes), onion, and cranberry jelly top fresh baby spinach. Toss it with tangy cranberry vinaigrette for extra festive flavor.
Turkey Tortilla Soup
Turn leftover turkey into soup in just 20 minutes by adding pantry-ready ingredients such as salsa, chicken broth, and tortilla chips.
Chicken and Wild Rice Casserole
This hotdish combines a handful of pantry ingredients. It's a great way to use up leftover chicken or turkey. Or, if you prefer, just shred a supermarket-deli rotisserie chicken.
Turkey Cranberry Enchiladas
This crowd-pleasing main dish makes the most of both leftover turkey and cranberry sauce -- plus it has favorite enchilada fixings such as black beans, salsa, Monterey Jack cheese, and onion.
Mix-and-Match Potpie
Create your version of this classic with leftover turkey or other meats, selecting your favorite ingredients and crust options to use in our basic recipe.
Smoked Turkey Quiche
This variation of a classic quiche recipe combines smoked turkey breast with Swiss cheese, eggs and cream. Serve with fresh fruit and homemade sweet rolls for a hearty start to the day. The recipe comes from the Engesser House Bed and Breakfast in St. Peter, Minnesota.
Cobb Salad Hoagies
We used classic Cobb salad ingredients—including bacon, chopped hard-cooked eggs and cubed cooked chicken or turkey—to make this hearty sandwich.
Turkey-Cranberry Fingers
Cranberry-orange relish, sliced turkey and fresh watercress or spinach leaves make a colorful appetizer-size sandwich. The recipe includes instructions for making focaccia, but purchased bread works fine, too.
New World Chili
Pumpkin, dried cranberries, jalapeno peppers, and turkey add an unusual flavor twist to slow-simmering chili.
Michigan Muffuletta
Stone House Bread Cafe in Leland, Michigan, gave us the recipe for this version of the New Orleans classic, layered with olive relish.
Sausage-Wild Rice Casserole
Pork sausage and wild rice blend with onion, mushrooms and water chestnuts in an easy-to-make casserole. Add 2 cups cubed, cooked chicken or turkey to make it a main dish.
Rachel Sandwiches
Len Skvor trades the traditional corned beef for thin-sliced turkey in this twist on a classic Reuben at his Cork 'n Fork Deli 'n Grill in Cedar Rapids, Iowa. To reduce the sodium, rinse sauerkraut with cold water before using.
Gobbler Sandwich
Pile turkey on herbed focaccia along with Roma tomatoes, romaine lettuce and shredded cheddar for a comfort food inspired by a sandwich at Mary's Kitchen Port in Traverse City, Michigan.


text:
Last week, Ted Cruz won the Republican U.S. Senate primary in Texas over a better-known, better-funded opponent. If you've followed the race, the narrative from the press has essentially been that Cruz is a Tea Party-backed firebrand whose knee-jerk ideology presages a rightward lurch for the GOP.
If you currently subscribe or have subscribed in the past to the Canyon Courier, then simply find your account number on your mailing label and enter it below.
Click the question mark below to see where your account ID appears on your mailing label.
If you are new to the award winning Canyon Courier and wish to get a subscription or simply gain access to our online content then please enter your ZIP code below and continue to setup your account.
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text:
Experience Nottinghamshire SurveyClose
Give us feedback on our website and be entered into a free prize draw to win a Nottinghamshire themed hamper full of foodie delights. Our short survey should take no more than a couple of minutes. Complete Survey.
Only one email address per entry for the Nottinghamshire themed hamper prize draw, the winner will be selected at random. Terms and conditions apply and can be obtained via email from email@example.com.


text:
IDMf - Electronic Music & Production Forum - IDMforums.com - Announcements in Forum : Quarterly Album Writing Month (QAWM)
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Quarterly Album Writing Month (QAWM)
IDMf's Quarterly Album Writing Month project. Find all things QAWM related PLUS members own QAWM music!
Announcements in Forum
Quarterly Album Writing Month (QAWM)
21-03-2018 until 29-12-2018
Savage Mad Cunt
Posts: 14,385
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August 2018
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***Out Now***
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A Guide to IDMf
Welcome to IDMf,
I've tried to make the guide as short, to the point and easily accessible as possible, please take the time to read it. (After all it took me a few hours to write, ten minutes isn't to much to ask).
This guide will give you an idea of what to expect from IDMf and the people who inhabit it. Mainly it'll give you an idea of what not to do, in the hopes that you never find your threads and posts moved or deleted, your access restricted or a message informing you that you've been banned.
The Moderation team don't take pleasure in having to carry out these kind of tasks (well, diving into a flame war wielding a banhammer looks fun but... umm where was I, oh yeah) but their efforts help make the place what it is, so if you do find yourself brushing up against the Mods please understand they are here to keep the place tidy, fun and accessible.
Mods aren't paid for their time so please don't waste it.
This is a large community and everyone has their own way of putting their point across, don't be offended if someone disagrees with you and uses bad language to do so. If you do think its gone way too far, hit that report button at the bottom of the offending post. Just be aware that the Mods may disagree, if nothing happens don't be dejected. Consider it a learning experience. You may not get on with everyone here, that's life.
On the other hand, we're all here to learn, share and have fun. So get out there (after reading the rest of this guide
) and join in the music!
General rules were included in the terms and conditions, read them!
Probably the most important rules are
No abusive behaviour
No SPAM (what promotion is allowed will be covered later on in this guide).
No NSFW outside the Side room (and even there, no porn/gore/etc).
No illegal copyrighted content/torrents/links.
No discussing pirated materials. Asking why your cracked copy of Dubturbo doesn't work isn't going to make you any friends. Support the folk who make the software you use and the arts you enjoy!
In fact no condoning of piracy at all. Its not good advising someone to steal.
Some areas require a certain number of posts before you may create a thread, please don't post useless single sentence replies to reach the limit, Mods will be on the look out for this, please try and make a meaningful contribution to the forum.
Please don't make the same thread/post multiple times.
This is the internet, don't take it too seriously.
Don't be an idiot. The moderators will decide whether or not you're being an idiot. If they tell you that you are, stop it.
The most important rule to remember:
said by anyone on this forum
in no way
represents the overall views of the forum's users nor the site IDMforums.com and its related web pages.
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So... first thing to do is set up your profile,
Once you've done that it's time to check out the various areas of the forum. It's recommended that, before diving straight in, you familiarise yourself with the layout of the place.
Introducing Yourself
The Search Function
The Listening Booth
The Studio
The Community Center
Music by Genre
My thread/post disappeared
Why are threads backwards?
MC Status/Reputation/Thanks
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Introducing yourself (Under the Community Center heading)
So you've just signed up, got your profile looking how you want it, time to say hello! Feel free to tell everyone a bit about yourself, share as much or little as you like, although don't expect great replies if you just say hello. Show a bit of your personality and you'll be shown some back.
Let us know a bit about yourself.
Share your reasons for joining.
Say hi to others who have just joined.
Feel bad if no one replies, sometimes it can be a little quiet.
Look for feedback on your new killer track. (more about that later)
Just use it as a place to spam links everywhere, especially in other people's threads.
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The Search function
The forum is a large place, many topics you may be interested in could have already been covered so use the search function before starting a new thread.
There is a tutorial as to how to use it here:
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The Listening Booth
Here's the place to get feedback on your tracks, there are a few things to note before posting here:
Must be a member for 7 days before posting threads, and 30 meaningful posts in other areas of the forum. (no Great thread, Wow I'm impressed, this is sounding great!), this place relies on people adding something of value, if you are found to be 'post count bumping' you will find a mod hot on your heels and will find your post count dropping faster than you can type your one word replies.
After 30 days, you may post threads in the Listening Booth. However, you may only post 1 thread per week until you have 300 posts on the forum as a whole. This is done to reduce the amount of people posting 10-20 tracks a day and pushing other people's music on the board out of sight, and also to encourage people who want to post as many threads as they want to be more active on the board. The Listening Booth is not there for you to promote fifteen tracks, it's there for critique and feedback, so go and make some meaningful posts in the Listening Booth or around other parts of the forum!
If you are posting a track for feedback then try giving some to others first, even if you don't feel qualified feel free to state your opinions (but remember make them meaningful, just saying great track or "I like the kick" is no help at all. Try and write more than a couple of sentences, be specific about particular aspects you like/dislike and what quality it is that made you notice it. Really consider your feedback, the listening booth is a privilege treat it like one.
Don't make loads of threads, the Listening Booth is a popular place and even with everyone making one thread every couple of weeks there's a lot of traffic, don't abuse the facility.
If you aren't looking for feedback or don't want to give any, don't post your track in the Listening Booth.
No constant thread bumping, if you haven't received any feedback and have been giving loads to others wait a week and then feel free to bump your thread once.
Try to tell us a bit about your track. If you had any inspiration that got it started, if you had any intentions while creating it and if you had any plans for it. Any and all information like this will really help your song to stand out and to be more memorable. This isn't completely necessary, but it is encouraged.
Be respectful of others and their criticism. Feel free to talk about what people have to say about your music, but never resort to offensive name calling or bad talking in any way. We're all here to help and learn.
On the other hand, if anyone is notably abusive or rude regarding your music (e.g. "this is utter crap") and offers no signs of constructiveness feel free to report them and we'll have them sorted.
Check out this thread to learn how to use soundcloud tags:
When creating a thread please use the title format: [Genre] Artist - Track name
Don't post material you didn't create.
IDMf Netlabel
IDMf has its very own label! Here you will find info on the releases, as well as stuff from members who have had releases and earned the IDMf Artist tag. There will also be requests for stuff to be put in future releases (be it music or artwork).
IDMf Member Releases
This is where members can offer up details of their own releases. A minimum of 20 meaningful posts is required to create a thread here.
Also to keep the place neat please follow the guidelines found here:
Again no post count bumping, no spamming the place with loads of releases and no thread bumping either.
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The Studio
The studio is the place to find out all you need to know about making music and performing it live.
Before starting a thread PLEASE USE THE SEARCH FUNCTION!!!!!!!
There are thousands of threads covering nearly everything you might wish to know about making and performing so please check to see if the topic you are interested in has been covered before.
There is also the Getting Started (a collection of threads): "How do I..." thread that you should check out as many of the most common questions that crop up will be found in there.
It's split into different sections to help keep things organised, the main section is for general questions and tutorials that don't fit under the other sub-headings.
The Sound Design/Mixing/Studio techniques section is where you go to post those How do I make x sound? threads, ask questions about mixing/mastering, sorting out your studio space. This is also where you can post or find sample packs.
The Music Theory & Composition section is self explanatory. There are loads of tutorials about theory and it's the place to go if you are having issues with composition.
The Workstation Center
Here you will find everything you might want to know about the programs used to create music and perform it live. Having an issue with your DAW? Not sure which one is right for you? Don't even know what a DAW is? Heres where you go to find out!
You will need to have posted at least 10 meaningful posts in the studio section before starting threads here.
There is also the Modular Systems & Programming sub-heading which is for users of Reaktor, Supercollider, Max MSP, Buzz and modular synths. Prepare to go in deep!
Things to note:
Use the search function before starting a thread!
A minimum of 5 meaningful posts is required to make threads in the Studio.
And 10 meaningful posts in the studio are required to post in the Workstation area.
Check the stickies.
Please don't ask for feedback on tracks in these areas.
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The Community Centre
This is where members can go to discuss and share anything that doesn't fit under the heading already discussed. It's split into six main headings:
-Introduce yourself (I've already discussed this above)
General Music & Scene Chat
This is where you can go to discuss music topics that don't fit anywhere else. This can include stuff about the business side of things ,as well as non-electronic bands, stuff that's more on the philosophical side of things, recommend music that moves you, sharing your studio set-up and more.
There are also Sub-headings here for more specific topics;
Members' Live sets
- Post your live sets/mixes here, please check
this thread
this thread
to avoid issues with your sets.
Tracklistings & Track IDs
- Post requests for track/mix names and IDs.
Parties, Events & Radio Shows
(a minimum of 5 meaningful posts is required to start a thread here).
If you have something to share please check for the appropriate place to post them, the General discussion area is not appropriate for advertising events/live sets and as always if you are here to try and promote a band, DON'T, you'll find your stay here is short if you do.
The Side Room
This is the forum's general off-topic area. Here you will find out what a bunch of mad cunts really inhabit this place. It is the ONLY area where NSFW content is allowed, but even then NO PORN, GORE, etc. Keep it (relatively) clean, people! This is also the place to share your non-musical creative endeavours, discuss anything and everything (although you will find politics and religion aren't great topics, we like to get along here and discussion in them tends to provoke the worst in people).
Porn, gore, etc. are discouraged but the Side Room is still age 18+ due to the ambiguity of these terms. A moderator will decide if this content is suitable for the board and remove it if they see fit (covered in the FAQ).
No abuse, we are a caring bunch and would rather not hear about this stuff.
Try to avoid topics that will turn into flame wars. (politics and religion are good examples).
Technology & Lifestyle
Get geeky! Talk about new kit you've got, the latest computer games, hardware stuff (that's non-production related), share pics of your ride, chat about the latest films and so on.
Suggestions & Feedback
A place to offer feedback on the site itself, you can also use this area to suggest functions you would like to see added and you can also use this area to post up technical issues you might be having.
IDMf Chatroom
The forum's very own chatroom. Here you can get a bit more realtime! Discuss anything you like (within reason) with other members. You will also find some very knowledgeable people hovering around. Just remember to not take anything said too seriously, some members will have a way of conversing that can seem quite aggressive, don't take it personally, they are just calling it like they see it! Sometimes you will go on and say Hello and will apparently get ignored, again, don't take it personally, there are many reasons for people not immediately acknowledging you, just stick it out and get involved!
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Music by Genre
This is where you can discuss particular genres, there are six areas each covering a few similar genres, these are
(also the place for Gabber, Speedcore, etc.)
Industrial/EBM/Power Electronics
There are also three subheadings under each section
Live Sets
(Not available at the moment, may be reinstated in the future, for your own sets please use the Members' Live set section and include a full tracklist).
(Discuss your favourite producers of the genre, min. 5 meaningful posts to start a thread here)
(Post info on new releases and discuss them, min. 10 meaningful posts to start a thread here)
Please use the sub-headings if you are posting live-sets or release info or you will find that your threads may be removed!
Please don't use these areas to self-promote, spam your label or look for feedback on your music. There are areas for doing that and your threads/posts will be deleted!
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Other General Notes & FAQ
-Tagged Members
Some members have tags above their avatar. Here is a little breakdown of what they mean:
These are the go to guys when you need something changing or are having issues with the site. They have the most control of the behind the scenes stuff. They are the trinity of the forum Father, the sun(baked astronaut) and the holy Welshman.
These are the guys who keep an eye on the forum making sure the place doesn't get spammed up, disorganized, turned into a flame war, that the rules are followed and everyone has a good time here. A bit like police and dustman mixed into one.
Some of the ancient, mystical beings who have wandered the forum since its inception, well not its inception, but they've definitely spent too much time on here, well not too much but more than should be mentally healthy.
Supporter 2.0
- Super amazing people who help keep the forum going (you can get one too, just donate to the forum or
So you want to let everyone know about your new killer track or a release on your label, first thing to do is check you are putting it in the right place!
If you are looking for honest feedback and maybe some help with a work in progress then use the
Listening Booth
If you have a release of your music that you'd like to share, use the
Members' releases
If you represent a label and want to add some information about a release, go to the relevant
Music by Genre
section and then use the
If you post about your music, or music you are promoting, outside these areas you may find the thread/post removed pretty quickly, same goes for mixes outside of the designated areas.
If you keep posting in the wrong places then you either need to reread this guide or you will find yourself coming up against the mods! (Yes! Tremble at the thought! MUHAHAHAHAHAHAHAHAH!!! *cough*).
Also, please don't use this forum as a platform to shamelessly self-promote your own website or blog. If you continuously post links to your site or start new threads to promote your site, your posts will be removed & may result in a ban.
Signatures are, as mentioned above, one of the few places you may promote your stuff. There is an agreement on the forum that they should be limited in size. Many forums suffer from people who put eight hundred pictures in their sig (including four iterations of longcat, in series).
Here we try to keep the flow of the forum going by minimising the size of our sigs, so here's a couple of guidelines:
Please keep it short.
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-My thread/post disappeared
So you've made a thread promoting your killer mix or are looking for feedback on a tune, next time you go to look it has gone!
Where did it go?
First, check your control panel.
If it's still around it should be under your subscribed thread. Threads can be moved by Mods for various reasons (which have been mentioned above) and as we can sometimes be (re)moving dozens of threads we tend not to contact you about it. If it's still around it should be in your subscribed threads.
If you've checked your subscription list and it isn't there, it may well have been removed.
This happens when you post something against the rules (in which case you should be PM'd about it), in the wrong place and haven't yet gained the privileges required to create a thread in the correct place or have repeatedly posted in the wrong place and the mods have got bored with moving your stuff.
You may not be contacted in these cases as we can sometimes be dealing with a lot of threads and we simply don't have time to let you know.
Its always best to double check you are creating posts/threads in the correct places and that they conform to the forum rules.
That way you shouldn't have any problems at all. In which case....
Scroll up and start reading!
- Why are the threads backwards?
No one knows... its one of the many mysterious behaviors caused by the forum developing consciousness.
To find out how to change the ordering
click here
- What's MC Status/Reputation/Thanks?
They are all ways of showing appreciation for contributions by the other members. The MC rep system was broken during the deep, dark and seedy past when one member got greedy and decided to whore themselves to the whole collective. The members rushed to add to the gush, leaving the whole forum swimming in MC point slush, so nowadays we all try to be a little more selective.
Originally Posted by
Once upon a time in peaceful forum right at the heart of the Internet lived a village of joyous IDMfers. They were quite a friendly bunch these IDMfers, very helpful to all. They always lend hands when an IDMfer is troubled by something and their warm hospitality even inspires passers-by to settle in with the community. These IDMfers were real mad cunts.
The higher praise an IDMfer got, the madder of a cunt he became. And everyone respected this system Until one day, a few cunts decided that they didnt want to be just mad cunts; no, it wasnt good enough for them at all, they wanted to be the maddest of the mad cunts on the Internet.
These cunts got so greedy and started to fabricate ways to rapidly increase their mad cunt status. They started to give each other so many points, and the more they have, the more they could give, and take away. Some of them even had a sadistic pleasure in depriving other IDMfers from their points putting them in debt for life.
It was not long before the forum reeked of a dark cloud of mad cunt points hanging in the air, so the points became meaningless. Fortunately, on one sombre day a brave Mod came on his stead, restoring order in the forum and giving MC points a real meaning and a means to spread it responsibly.
And everyone lived, sort of, happily ever after.
The Thanking system has quickly gone a similar way fyi...
Still... is nice being thanked or repped. So do it if you feel another member's contribution is worthy.
Any user abusing thanks will be disabled from giving & receiving it.
This includes creating threads just for the purpose of "receiving" or giving thanks to other members.
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text:
wearing ms. rubyTuesday, May 13, 2008
Here she is. Ruby in all her glory.
There are probably too many photos, but often I think that when you are considering a pattern, you would like to see it from more than one angle. And hey, the photographer was willing to snap away.
I must say, I love her. There was a point, when I had my doubts. Towards the end, I really thought that I wasn't actually going to even like her. And actually, it wasn't until she was blocked that I came to love her.
(Alright. Now changing she to it.)
Pattern: Ruby, Debbie Bliss cashmerino collection.
118 comments
Its really cute and I love the color you chose!ReplyDelete
Beautiful sweater! I love the cables and the colorway! I also love sweater coats, so I'll have to add this to my long list of to-do's! Nice work!ReplyDelete
That is incredible. Wow. It is gorgeous on you and I'm just stunned by the amount of work that went into it. Yay you!ReplyDelete
Wow! That is an amazingly beautiful work of art! You are quite the talented knitter!ReplyDelete
And I'm 5'10 1/2". And I like the half but don't wish for the extra 1/2 to make it to 5'11"!
It's gorgeous and I love that color! Beautiful work!ReplyDelete
GORGEOUS!! That Cashmerino is to die for!! Beautiful work.ReplyDelete
We've been anxiously awaiting the modeling of ruby! Oh my goodness! What a beautiful sweater! Your dedication to this large project and your beautiful knitting are to be applauded. Congratulations Leslie! It's beautiful.ReplyDelete
Absolutely Beautiful! Well done!ReplyDelete
Dang, Leslie! I love it. Color, cables and fit are all terrific. So you, you!ReplyDelete
What a major accomplishment--only you could look totally HAWT in a sweater coat, Leslie!ReplyDelete
WOW! That is a serious (and seriously beautiful) piece of knitting!!ReplyDelete
Yes..now that's a sweater...ReplyDelete
Wow. SHE's awesome!!!ReplyDelete
it's stunning, leslie! really gorgeous in every way.ReplyDelete
Oh wow, that is super gorgeous!!ReplyDelete
Its beautiful, the colour is perfect. Enjoy wearing it!ReplyDelete
For a long time I come to visit your blog but without leaving message because of my weak English... I am always admirative of your work. This time, I make an effort to really say to you how much your pullover is pretty, very very beautiful... And this soft color is so comforting... congratulation!!!ReplyDelete
P.S. Hope this message make sence! :-)
Wow! Such a beautiful sweater cannot have too many photos.ReplyDelete
I'm not a 3/4. I'm 5'7.5". I always thought I was going to be taller.
OH MY GOODNESS! That is GORGEOUS!!!!!!!ReplyDelete
Such amazing stitches!
this is GORGEOUS! and it looks so great on you! nice job leslie!!!ReplyDelete
and as far as too many photos? not a chance.
This is just beautiful. What a triumph! Congratulations!ReplyDelete
My goodness! I'm commenter number 69! But of course the COAT is even more amazing! I love the 2nd photo. It has the perfect attitude (word borrowed from my daughter's vocabulary) for wearing this gorgeous COAT!ReplyDelete
This looks fantastic--great work! I didn't like this pattern when I saw it in the book, but your version is beautiful. Hmm, I might just have to put it in my Ravelry queue!ReplyDelete
Beautiful! NOw I need to knit one too! Thanks for a great post!ReplyDelete
Nice work! The greenish-blue colour is beautiful on you.ReplyDelete
Ms. Ruby is HOT! Lovely color...Lovely Pics!ReplyDelete
That sweater is fantastic!! It looks beautiful on you. I just found your blog and can't wait to look through your past projects! I am definitely now inspired to make myself a sweater/cardigan.ReplyDelete
Nicely done! That looks terrific on you.ReplyDelete
Very interesting technique, isn't it, the sideways cables?
Absolutely wonderful!ReplyDelete
All your swingy coats make me want to make one for myself...
Shelling out all the money for so many skeins is the only thing that holds me back.
I am positively salivating over all those lovely cables! I'm also totally jealous that you can wear sweater coats...I'm so short I look like a short round midget in tops that go past my hips... ;)ReplyDelete
Great color, too!
OH girl.. that's beautiful.. and what an AWESOME COLOR!!!ReplyDelete
Whoa, stunning!!! It looks fabulous on you, I love the length.ReplyDelete
Oh Leslie, you have done it again. Ruby is amazing, it is so you, the color and everything. Great model session too, but I would love to see your beautiful face with your newest accomplishment!ReplyDelete


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The latest AJ features building studies of four housing projects: Ordnance Road in Enfield by Peter Barber Architects; Hortsley retirement housing in East Sussex by RCKa; Barbauld Road in Stoke Newington by Stephen Taylor Architects; and Anderston Regeneration Phases 4 and 5 in Glasgow by Collective Architecture. PLUS The AJ's Parenting Survey shows architecture is struggling to adapt to a flexible ...
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Gmail, Yahoo, iCloud, and AOL accounts all use two-factor authentication to help verify that you're the person trying to access your email account.
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March 27, 2018
Former Saints cheerleader Bailey Davis filed a complaint with the Equal Employment Opportunity Commission. What to do if you have similar grounds for a lawsuit.
Cheerleaders and footballers should share a level playing field.
So says Bailey Davis, 22, who told the New York Times that she has filed a complaint with the Equal Employment Opportunity Commission (EEOC) against the New Orleans Saints for holding the cheerleaders to a stricter set of standards than the male players. The women had to block active NFL players from following them on social media, she said, and leave unapproved events — even just dining in a restaurant — if an active player showed up. The men don't have the same rules.
Davis said the Saints fired her from the Saintsations in January, four days after she posted a photo of herself in a lacy one-piece bodysuit on her Instagram page, for allegedly breaking a rule that bans cheerleaders from appearing nude, semi-nude or in lingerie. She claims the team also accused her of breaking a rule that forbids cheerleaders from going to parties attended by Saints players; but the football players don't have a similar missive stopping them from going to events attended by cheerleaders, which has led to Davis' discrimination complaint.
I wanna break glass ceilings not fit glass slippers 📷: @bryceellphoto #dance
A post shared by Bailey Davis (@jacalynbailey) on
The Saintsations' anti-fraternization playbook allegedly rules that the cheerleaders must:
"We're stifled by these rules," Davis told the "Today" show on Tuesday. "I work just as hard growing up to be a dancer as the football players did to be a football player."
Neither Davis nor her lawyer, Sara Blackwell, responded to Moneyish requests for comment. But Blackwell told the Times that the Saints' policy puts the onus on the Saintsations women to avoid any inappropriate contact with the male football players. For example, there are almost 2,000 players in the NFL — many with social-media pseudonyms — and cheerleaders must block each one. Meanwhile, players aren't sacked with the same limits on who can follow them.
"If the cheerleaders can't contact the players, then the players shouldn't be able to contact the cheerleaders," Blackwell said. "The antiquated stereotype of women needing to hide for their own protection is not permitted in America and certainly not in the workplace."
Even with public drug use, residents' bodies are much more permeable to soda than illegal drugs. The post-NAFTA and War on Drugs dissemination of soda is wider and more profitable. With soda, as with illegal drugs, public health efforts exist to prevent penetration. But it proves difficult to undercut consumption when soda is so cheap, reliable, and social as compared to water. In Colonia Periférico, soda lubricates social life at every meal and nearly every moment in between. Super-sized sodas are a constant at gatherings. With prompting, most residents link it to ill health, maybe fatness, maybe diabetes—but all of these "maybe," in the future. They all point out that it costs almost no more than water, even after the soda tax. It tastes better. It's rude not to offer it to others. Who would share water? Some men tell me, laughing, that they once tried to stop because they heard it might cause problems later, but they only lasted a few days. Laughing harder, they declare "it's more addictive than what the narcos sell," their knowing laughter resonating with Angela Garcia's (2010 , 2017 ) devastating portraits of both northern New Mexico and Mexico City, where there is no outside to either addiction or the War on Drugs.
Besides the anti-soda TV ads and the billboards blanketing Mexico City, parents know that soda is the enemy because of recent guidelines that prohibit children from taking it to school. Only water, agua natural , is allowed. In 2014, about seven months before the shooting of the young man by the police at the end of their street, Alma and Mar showed me how they break this rule, both giggling mightily. Mar would not drink agua natural . She wanted the corporeal joy that flavor and sugar provide. Lovingly, Alma wanted Mar to have more. She bought clear soda and poured it into clear plastic water bottles to fool Mar's teachers. A year later I asked Alma if she was still sending clandestine soda in Mar's lunch. She laughed even harder than before and told me that the teacher caught her, and other mothers doing the same, and said, "Mamita, if they're thirsty they'll drink." The teacher now smells and tastes the liquid that comes to school with kids.
Providing soda is one act of loving care in Alma's broad repertoire. She is an avid biopoltical subject, as she seeks state services outside of Colonia Periférico, diligently signing her kids up for city enrichment programs and carefully keeping track of all their doctor's visits through Mexico's comprehensive IMSS health-care system. She has their medical passbooks always at the ready, neatly filled out, documenting their every ailment. Dany's and Mar's near-constant supply of antibiotics and asthma medications are precisely arranged on the table in the middle of the living room. She knows the long generic names of all the medications the girls take. Alma cooks only with bottled water. Alma, who is diligent about the health and safety of her kids, does not restrain her kids' caloric intake but gives them more whenever she can. Her household of nine is heavy except for Mar, who is only six. Soda allows Alma to stabilize Dany and Mar as they learn how to inhabit the unstable environment outside of Colonia Periférico, which seems invested in their existence only insofar as they can be chastised for their naco fatness or as excessive naco consumers of soda. Of the two options, soda provides so much more.
Publicado por Jose García Nieto en Aplicaciones Android el 29/04/2018 a las 10:02
Ayer mismo te contábamos en Andro4all cómo descargar todos tus datos de Google , y hoy, repasando el artículo, hemos visto que haciendo el mismo procedimiento puedes descargar todas tus fotos y vídeos de Google Fotos de una sola vez, algo que nos parece interesante contarte. ¿Por qué? Porque fiarse de la nube, sea cuál sea la empresa que la gestione, no siempre es seguro al 100% . ¿Y si un día la empresa decide dejarlo? ¿Y si hay un fallo y todos tus archivos se pierden? ¿Y si pierdes la cuenta? Son cosas improbables, pero no imposibles . Ante la duda, mejor tener una doble copia de seguridad.
El proceso para descargar todas tus fotos y vídeos de Google Fotos es extremadamente sencillo. Lo único que tienes que hacer es irte a –puedes hacerlo desde este enlace — y localizar el acceso en la sección . Allí encontrarás la opción , para lo cual deberás solicitarle a Google que te genere un archivo . Para comenzar solo debes pulsar en .
Cuando lo hagas, verás que aparecen todos y cada uno de los servicios de Google. Desmárcalos todos excepto Google Fotos. Verás que al lado del interruptor para activar o desactivar hay una pequeña flechita. Clica sobre ella y asegúrate de que está marcada la opción . Hecho esto, baja hasta abajo del todo y pulsa en para acceder al panel del personalización de archivo. Mi recomendación, si tienes muchas fotos y vídeos subidos, es que elijas formato .zip de 10 GB y que te lo envíen por correo electrónico . ¡Así de sencillo!
Seguramente ahora te estés preguntando si te mandará los archivos comprimidos o los originales, y me alegra decirte que son los segundos. Ya sabes que Google Fotos comprime las fotos de más de 16 megapíxeles y los vídeos superiores a 1.080p, pero cuando los descargas, tal y como afirman desde Google, . Punto positivo para Google, teniendo en cuenta que Facebook, cuando llevas a cabo este mismo proceso , te da las imágenes comprimidas.
Ahora que las tienes descargadas (prepara el WiFi, porque en mi caso han sido más de 50 GB de datos), simplemente debes respaldarlas en un disco duro externo . Si le paso algo al disco duro las seguirás teniendo en la nube, y viceversa. Hombre prevenido vale por dos, no lo olvides.
¡No olvides seguirnos en Instagram para conocer los mejores trucos y apps para tu móvil y en Telegram para recibir el mejor artículo del día !
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In origin the Oratory was part of the Hospital of Saint Paul. Following the tradition Saint Francis of Assisi visited it in 1221. In 1602, due to the blessed Ippolito Galantini a silk weaver, it become a school dedicated to the instruction of apprentices in the silk guild.
The rectangular Oratory was designed by Giovanni and Matteo Nigetti. It contains frescoes by Giovanni da S. Giovanni, Cecco Bravo, Pietro Liberi and Volterrano.
For any information:
Oratorio dei Vanchetoni
Via Palazzuolo (055 695000).
Concerts venue.