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Large Equipment
Aluminum Fold-Up Stand$415.00This stand works well for grooming, dosing, hoof trimming and other chores where you need to restrain an animal. Headpiece height adjusts so it will fit goats of most any size. Learn More
Quick Attach Aluminum Ramp$215.00Many goat owners like their animals to use a ramp when mounting their milk or grooming stand. This aluminum ramp will do the trick. It slides over the back legs and attaches easily to either of the aluminum stands. Learn More
5 Foot Double Panel$135.00An inexpensive way to make pens -- anywhere. These panels make wonderful temporary pens for kidding, isolating, or sorting goats or sheep. They work great for splitting existing pens, too. Panels come in a set of two 5' panels connected with a loop. Learn More
Tall Panels (48" and 60" High) Suitable for Goats, Llamas, and Alpacas$140.00There are lots of times when you need taller panels to keep your animals separated. These panels are just the ticket! They come in two heights (48" and 60"). Learn More
Mesh Panel, 44" Tall$35.00There are times when you want to make your own panels, and now you can order just the mesh zinc-plated panels without the outer frame. Learn More
Mesh Panels, Pack of 10$315.00There are times when you want to make your own panels, and now you can order just the mesh panels (without the outer frame). You get a nice discount when you buy mesh panels in packs of 10. Learn More
Aluminum Panel in 4', 5', and 6' Lengths$140.00This aluminum panel is lightweight and easy to move. Its design makes it perfect for temporary or even permanent kidding pens. The narrow spacing at the bottom of the panel is designed to keep kids in. Learn More
Spare Drop Pin for Aluminum Panels$6.00This is a replacement pin that works to hold the aluminum panels together. Learn More
Spin Doctor$1,875.00For those who need to handle large numbers of goats and sheep or those with hard-to-handle animals, the "Spin Doctor" will make your life a whole lot easier. It restrains the animal and allows you to rotate it to just the right position to deworm, dose or perform other care. Learn More
Deluxe Spin Doctor$2,990.00All of the regular Spin Doctor , plus a deluxe headgate (specify right or left headgate when ordering) and a stop gate. Learn More


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- Team size. Mainstream agile processes work very well for smaller teams of ten to fifteen people, but what if the team is much larger? What if it's fifty people? One hundred people? One thousand people? Paper-based, face-to-face strategies start to fall apart as the team size grows.
- Geographical distribution. What happens when the team is distributed, perhaps on floors within the same building, different locations within the same city, or even in different countries? Suddenly effective collaboration becomes more challenging and disconnects are more likely to occur.
- Compliance requirement. What if regulatory issues – such as Sarbanes Oxley, ISO 9000, or FDA CFR 21 – are applicable? These issues bring requirements of their own that may be imposed from outside your organization in addition to the customer-driven product requirements.
- Enterprise discipline. Most organizations want to leverage common infrastructure platforms to lower cost, reduce time to market, and to improve consistency. To accomplish this they need effective enterprise architecture, enterprise business modeling, strategic reuse, and portfolio management disciplines. These disciplines must work in concert with, and better yet enhance, your disciplined agile delivery processes.
- Organizational complexity. Your existing organization structure and culture may reflect traditional values, increasing the complexity of adopting and scaling agile strategies within your organization. To make matters worse different subgroups within your organization may have different visions as to how they should work. Individually the strategies can be quite effective, but as a whole they simply don't work together effectively.
- Organization distribution. Sometimes a project team includes members from different divisions, different partner companies, or from external services firms. This lack of organizational cohesion can greatly increase the risk to your project.
- Technical complexity. Some applications are more complex than others. It's fairly straightforward to achieve high-levels of quality if you're building a new system from scratch, but not so easy if you're working with existing legacy systems and legacy data sources which are less than perfect. It's straightforward to build a system using a single platform, not so easy if you're building a system running on several platforms or built using several disparate technologies. Sometimes the nature of the problem that your team is trying to address is very complex in its own right.
Further reading:
- Rational's Agile Software Development Home Page (for webcasts, whitepapers, ...)
[Read More]

subset: commoncrawl


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Since the early 20th century, Amerock has been providing consumers with a diverse collection of top quality cabinet knobs. Throughout the years, the styles of Amerock cabinet knobs have evolved based on up-to-the-minute surveys of consumer trends. From the traditional line of Amerock birdcage knobs from the Village Classics collection to modern Amerock square knobs from the Forgings collection, Amerock cabinet knobs are designed to appeal to a wide range of preferences and room designs.
Among Amerock's signature styles is their vast selection of nature-inspired cabinet knobs, each of which has its own distinct style. An Amerock Inspirations knob may have a leaf design etched into the knob's surface, while an Amerock leaf knob from the Natural Elegance collection can sport a textured leaf-like design.
Those who prefer Amerock kitchen knobs with an abstract design can take their pick from the Swirl'z or Galleria collections. Those who enjoy themed knobs or are looking to decorate a child's room can choose from the adorable Accent'z collection. Most Amerock knob collections contain similar designs and similar finishes, making it easy to browse their collections and find what you're looking for. Whether you're looking for Amerock ceramic knobs to dress up a bathroom or die-cast or brass Amerock kitchen knobs sifting through the wide range of Amerock knobs will be a lesson in art and an easy way to cull inspiration for your next remodeling project.


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Sonoma County
Sonoma County
Step into Sonoma County, and don't be surprised if things look a little familiar. Some of our country's most notable cinematic classics have been filmed in the region, including American Graffiti in Petaluma, and Alfred Hitchcock's The Birds in Bodega Bay, just to name a couple.
Of course, what the area is primarily known for is its wines and wineries, and the county stands as the largest producer in wine country. With 17 different viticultural areas, each with its own distinct character, and almost 60,000 acres of vineyards, opportunities to taste, savor, and learn are nearly limitless.
A drive along Highway 1 offers incredible vistas of the rugged coastline, while acres of redwood forests are ready for you to explore. At Jack London State Park not only are there miles of trails to hike and bike, but historic buildings and exhibits highlighting the literary legend's life and times. And as a nod to one of Sonoma County's most famous residents, Charles Schulz, creator of Peanuts, Santa Rosa is dotted with large statues of Snoopy, along with those of Charlie Brown, Woodstock, and Lucy. For a look at some of the master's original Peanuts strips, locals and visitors alike head to the Schulz museum to enjoy the exhibits.
Sonoma County Property Info
New Listings
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Open Houses
Sonoma County Homes For Sale
Search for properties in Sonoma County


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text:
Out of curiosity, I went back and looked at the Hawks 2010, 2011 and 2012 losses from a points differential and it's pretty amazing the progress that this team had made. I am impressed.
The nine losses in 2010 (in order) were by -17, -17, -30, -34, -15, -18, -19, -16 and -23 points... all nine were double-digit losses... most by 2 TDs or more.
The nine losses in 2011 (also in order) were by -16, -24, -2, -3, -22, -10, -6, -2, and -3 points.
The four losses this year (also in order) have been by -4, -6, -7 and -4 points.
All of the Hawks last 7 losses have been by one TD or less... the point being, all those games were in reach of a "W".
Also, the Hawks have not lost by double digits since the -10 point loss to the Cowboys in Dallas on November 6, 2011... now more than a year ago.
Pretty damn impressive I'd say!
Cheers, brothers.


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We Won't Let Anyone Slip Through the Holes in the Grates
A young writer powerfully talks about what it's felt like to experience some of the blatant and painful anti-trans bias and rights violations of the Trump administration.
Four Crucial Queer Survival Tips for 2019
As we approach this new annum and everything that lies in store, instead of thinking about the ephemera one could manifest into being, I want to ask how we create the space to make our queer love and joy stand out and shine.
Passing as What? All About Passing Privilege
What do trans people mean when they talk about "passing privilege"? And is it always a privilege?
Sexuality in Color: Where "Latinx" came from (and where it might go)
Is "Latinx" just some weird made-up thing from the internet? How do marginalized communities reshape language to define themselves?
Let's Talk About Girldick
If you or your partner is packing girldick, navigating your sexuality takes time, communication, and self-love.
Rethinking How We Talk About Sex and Gender
You may have heard that gender is between our ears and sex is between our legs, but is it? And if not, what is it, and why is it so important to people? Let's find out.
The Search for Gender-Affirming Hygiene Products
Soap truly has no gender, but the personal care aisle can still be a scary place. Let us help you out!
Sexuality: WTF Is It, Anyway?
The term "sexuality" can be used a lot like the word "sex." They're both terms we say and hear a lot, but which often aren't clearly defined. We take for granted everyone knows what sexuality means, a heck of an assumption to make with something that covers so many important things and can feel as murky as Lake Erie. So: what's it all about?
Driver's Ed for the Sexual Superhighway: Navigating Consent
As it is on the road, being attentive to and giving clear signs and signals is a big deal between the sheets. If consenting feels complicated or confusing, here's a guide to clear it up.
With Pleasure: A View of Whole Sexual Anatomy for Every Body
Usually sexual anatomy is taught through the lens of reproduction, so it's only about penises and vaginas, testes and uteri. Seen through the lens of of pleasure, sexual anatomy looks different.
Innies & Outies: The Penis, Testes and More
There's a whole lot more to this anatomy than meets the eye. Sure, you may know where the penis is... but what about the rest of it? This simple guide walks you through the external and internal reproductive and urinary anatomy for most penis-bearing folks.
Innies & Outies: The Vagina, Clitoris, Uterus and More
A lot of questions about how to have intercourse, how to masturbate, and worries about what's all going on down there can be solved by simply getting to know your own body. In fact, I'd gander to say that before you let anyone else get to know it, you'd best know it yourself as well as you know your own face.
Welcome to Trans Summer School!
Experiencing a little gender confusion? We know the feeling. In Trans Summer School, we'll give you the big scoop about trans and otherwise gender nonconforming people, and answer your questions about the wide world of gender.
Gender Confusion: Being Unsure Doesn't Have to Be a Bummer
Gender identity can be complicated, and often people who are questioning aren't comfortable in that space - but it's a totally valid place to be.
Dating and Gender Roles when One Partner is Trans
What do you do in dating when one person is trans and one is cisgender?
The Sex Goddess Blues: Building Sexual Confidence, Busting Perfectionism
Many women and girls feel insecure about sex, especially when it's new. How can we build some sexual confidence?
Wild and Untamed Things: Why a Cult Classic Still Resonates After All These Years
Scarleteen volunteer Sam reflects on the significance of The Rocky Horror Picture Show and how it relates to sexuality, identity, and her middle school experience.
Five Things I Learned Dating a Girl
Dating this wonderful person pushed me to think about some things in new and challenging ways. Here are some of my favorite lessons that I learned when I dated a woman.
Figuring Out How to be a Lesbian Safer Sexpert
When I started having sex with girls, there was no one cheering, especially not encouraging me to have safer sex. But over the last few years, I've finally begun to feel confident with safer sex, and it's improved my sex life a million percent. I wish I'd gotten comfortable with it sooner.
How to Understand, Identify and Make Choices About Desire
What does desire feel like, and how does feeling desire -- or not feeling it -- have an impact on sex or masturbation? Is it okay to feel strong desire, low levels of desire, or even no desire? We aim to answer your most pressing questions on sexual or erotic desire.
Lube 101: A Slick Little Primer
Meet our good friend, Lube. It can't create world peace, but it can make some kinds of sex more comfortable, masturbation or other sex you already enjoy even better, help prevent condoms from breaking and more.
The Rainbow Connection: Orientation for Everyone
Everyone has a sexual orientation and a sexual identity. Here are some basics and not-so-basics about what orientation is, some of the ways we can talk about it, how to figure yours out, and finding support.
My Corona: The Hymen & the Myths That Surround It
The mythical status of the hymen has caused far too much harm for far too long. RFSU shares their fantastic information booklet intended to dispel some of the myths surrounding the hymen and virginity, including a new, improved term for that anatomy, the vaginal corona.
Boys, Birth Control, and Nature
I swallowed my reservations about hormonal contraceptives, why can't the men?
An Immodest Proposal
Just last Tuesday, right down the street from you, or perhaps even right where you live, two teenagers had sex for the very first time, and it was exactly as we all wish those first experiences to be. Or was it?
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WASHINGTON — Schools across the nation should train selected staff members to carry weapons and should each have at least one armed security officer to make students safer and to allow a quicker response to an attack, the director of a National Rifle Association-sponsored study said Tuesday.
Former U.S. Rep. Asa Hutchinson of Arkansas made the remarks as a task force he headed released its report, which included a 40- to 60-hour training program for school staff members who are qualified and can pass background checks.
"The presence of an armed security personnel in a school adds a layer of security and diminishes the response time that is beneficial to the overall security," said Hutchinson.
Asked if every school would be better off with an armed security officer, Hutchinson replied, "Yes," but acknowledged the decision would be made locally.
Hutchinson said the security could be provided by trained staff members or by school resource officers — police officers assigned to schools that some districts already have.
The report was released a week before the Senate plans to begin debating gun control legislation.
The 225-page NRA study, which Hutchinson said cost more than $1 million, made eight recommendations. They included changing state laws that might bar a trained school staff member from carrying a firearm, NRA-provided online assessments that schools could make of their safety procedures and better coordination with law enforcement agencies.


text:
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To use all features of KLM.com safely, we recommend that you update your browser, or that you choose a different one. Continuing with this version may result in parts of the website not being displayed properly, if at all. Also, the security of your personal information is better safeguarded with an updated browser.
Buses and trams ply the streets from 5am to 11pm each day and are the cheapest way to get around. Tickets are valid for all modes of public transport and must be bought in advance. The metro trains run frequently to and fro between the southern suburbs and the city centre and the metro is the fastest way of getting around Warsaw. Metered taxis can be hailed on the streets or ordered by telephone from a number of different companies; it is best to agree on a price before getting in. Taxis ordered by phone are usually a lot cheaper. Hiring a car is unnecessary except for excursions out of the city. The historic Old Town is best explored on foot and a lovely way to get around the city is provided by the rental bike system.
Local time is GMT +1 (GMT +2 from last Sunday in March to last Sunday in October).
Electrical current is 230 volts, 50Hz. The standard two-pin European style plugs are used.
The official currency is Zloty (PLN), divided into 100 groszy. Poland is essentially a cash country, and it is sometimes difficult to use credit cards in the cities, and almost impossible in rural areas. Credit cards are, however, accepted in places frequented by tourists. ATMs are available in major towns and cities. Money (preferably US Dollars or Euros) can be exchanged in the cities and larger towns at banks, hotels or bureaux called 'kantors', which offer the best rates. Banks are open Monday to Friday from 9am to 3pm and some are open on Saturday till 1pm.
The international access code for Poland is +48. Mobile phones work throughout the country; local operators use GSM and 3G networks. Internet cafes are available in most towns.
Emergencies: 112
Everything about travel documents
Municipal buses 175, 148, 188 and 331 operate daily from 4.35am to around 11pm ferrying commuters to Warsaw city centre and the right riverbank. Some hotels provide a shuttle bus service to and from the hotel on request. The Polski Express bus provides connections to the biggest polish towns. The bus stop is on the Arrivals Hall level of Terminal 2.
Avis, Budget, and Hertz, along with a number of other companies, operate from the airport outside arrivals in Terminal 1.
A taxi stand is located in front of the Arrivals Hall.
Terminals are within walking distance of each other.
There are shops, bars and restaurants at the airport. Other facilities include banks, bureaux de change, ATMs, a post office, and tourist information and hotel reservations kiosks.
Short-stay parking at P1 and P3 parking lots starts at PLN 10 per hour for the first three hours. P1 level 0 and P4 is the long-stay lot and charges a daily rate of PLN 100 and PLN 60 respectively, which decreases the longer you stay.
Wifi is available at the airport. In the VIP and Executive lounges wifi is free for four hours.


text:
Phone – 888.424.3336
Email – email@example.com
701 Tecumseh Road
Clinton, Michigan 49236
Organic U.S.A. family farm garbanzo beans, aka chick peas, soaked overnight and thoroughly cooked at Eden's certified organic and kosher cannery with purified water and zero chemical additives. These plump, round, golden beans are perfect on salad greens, in marinated and pasta salads, soups, and dips. Blend with tahini, lemon juice, and garlic for hummus. High in healthy fiber and folate B9, plus a good source of protein and magnesium. Low sodium. Eden number 10, 108 ounce cans are ideal for discriminating chefs, food service professionals, and families who appreciate purity, potent nutrition, and superior value. Packed in bisphenol-A free can linings since April 1999. pareve
Eden Organic Garbanzo Beans Cicer arietinum are organically grown in nutrient rich vital soil on USA family farms committed to a clean environment and the most nutritious, appealing food. At Eden's certified organic kosher cannery the beans are soaked overnight and expertly cooked with purified water, a bit of our finest sea salt, and kombu sea vegetable which naturally enhances their flavor.
Eden Organic Beans are packed in steel cans coated with a baked on oleoresinous c-enamel that does not contain the endocrine disrupter chemical, bisphenol-A (BPA). Oleoresin is a natural mixture of an oil and a resin extracted from various plants, such as pine or balsam fir. These cans cost 14% more than the industry standard cans that do contain BPA. The can maker, Ball Corporation, tells us that Eden is the only U.S. food maker to date to use these BPA free cans and we have been since April 1999.
For the third time in 2004 Eden Organic Beans received the highest rating for flavor and nourishment in exhaustive comparison studies of canned beans by the Center for Science in the Public Interest (CSPI) in their Nutrition Action Healthletter. Eden Organic Refried Beans were named 'Best Buy' and number one for nutrition among 38 brands with salt added. In 2004 Eden beans were rated as favorites by Men's Health and Child Magazine. In the June 2006 article "125 Best Foods for Men," Men's Health again rated Eden Beans as the best beans for having great flavor, being heart healthy, promoting weight loss and offering "The highest fiber with the least amount of sodium" among all other brands.
According to the FDA, "Low fat diets rich in fruits and vegetables (foods that are low in fat and may contain dietary fiber, Vitamin A, or Vitamin C) may reduce the risk of some types of cancer, a disease associated with many factors," and "Diets low in sodium may reduce the risk of high blood pressure, a disease associated with many factors." Eden Organic Garbanzo Beans are low fat, an excellent source of dietary fiber, and low in sodium. They are also a good source of protein, phosphorus, and magnesium.
Eden Organic Garbanzo Beans contain no chemical additives. Because of the vital soil that produces them, their much higher mineral content and stronger skins allow them to be cooked without need of processing chemicals, and their vibrant colors hold fast. Our cannery, Meridian Foods located in East central Indiana has a long standing reputation for putting out cooked canned beans of a better quality, fill and finish than any other cannery in the United States.
Studies show beans contain a wealth of antioxidants similar to those in fruits and berries. "Beans are really loaded with antioxidant compounds," said Clifford Beninger, Ph.D., an environmental biologist and former researcher for the USDA's Bean Research Unit. "We didn't know how potent they were until now." Researchers tested the antioxidant activity of flavonoids found in 12 common varieties of dry beans. They found one class of compounds in particular, anthocyanins, were the most active antioxidants in beans. These findings add antioxidant activity to a growing list of healthy compounds found in beans and legumes. The study was published in the Journal of Agricultural and Food Chemistry.
Beans are an important source of two essential amino acids not found in cereals, lysine and threonine. Whole grains complement beans and together deliver complete protein. Enjoying a variety of beans in combination with whole grain is a good step toward healthy living.
Eden Organic Garbanzo Beans are essential for making falafel and the delicious Middle Eastern dip and sandwich spread, hummus. They're also great in soups, stews, salads, casseroles, and for making bean/grain burgers and croquettes.
|Garbanzo Beans (Chick Peas), Organic
|Item Number
|Organic Garbanzo Beans, Water, Sea Salt, Kombu Seaweed
|Case Quantity
|Package Size
|108 oz
|Package Size Metric
|3.06 kg
|UPC Code Each
|UPC Code Case
|Eligible for Flat Rate Shipping
|Low Sodium
|Yes, 140 mg or less per serving
|High Fiber
|Yes, 5 g or more per serving (20% or more DV)
|BPA, BPS, and PVC Free Canned Foods
|Low Fat
|Yes, 3 g or less per serving
|Gluten Free
|Wheat Free
|Non GMO


text: Titanic with Len GoodmanOfficial Trailer Preview | 30s Join Len Goodman as he examines the 100-year legacy of the Titanic disaster. Aired: 04/09/12 Rating: NR checkmarkAdd to WatchlistProblems Playing Video?Report a ProblemClosed CaptioningShare:Share this video on FacebookFacebookShare this video on TwitterTwitterShare this video via EmailE-mailEmbedEmbed Code for this videoEmbed CodeTitanic with Len GoodmanOfficial TrailerWidth in pixels px Height in pixels px Copied to your clipboardUnable to copyLabelCopy to ClipboardClick to copy embed code for videoCloseCloseReport a ProblemBefore you submit an error, please consult our Troubleshooting Guide.Type of ErrorVideo doesn't loadVideo loads, but doesn't playVideo jumps back/forwardOnly audio is streamingSponsorship playback errorOtherPlease add more detailsCancelSubmit ReportYour report has been successfully submitted. Thank you for helping us improve PBS Video.CloseCloseClose


text: I just put up a page of links to Nishijima Roshi's books. This should eliminate the confusion about where to buy these on Amazon. I know a number of places list Nishijima's books as collectibles and ask for a lot of money for them. But they're all in print. So you don't need to pay that much. Besides, if you buy the current versions Nishijima gets some of that money instead of it going to some book dealer who marks them up. I'll keep that page permanently in the links section of this blog (on your left).


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Elizabeth Williams totaled 29 points and 10 rebounds to pace the second-ranked Duke women's basketball team to a 102-50 exhibition win over Coker College Sunday, Nov. 3 at Cameron Indoor Stadium.DURHAM, N.C. – Junior
Williams collected her second consecutive double-double and freshman Oderah Chidom, senior Haley Peters and senior Tricia Liston also reached double figures as Duke closed exhibition play on a strong note.
"Good things about the game for us included improvements defensively rebounding-wise," said head coach Joanne P. McCallie. "It's a process and I think we are taking steps and as long as we are demanding of ourselves it will be super … We are excited, these have been two great exhibitions for us and it will be fun to apply those lessons into the next games."
The Blue Devils controlled play from the opening tip, with Williams recording the game's first basket just five seconds into the contest. The 6-3 center out of Virginia Beach, Va., was dominant above the rim throughout the half, tallying 10 points in the first eight minutes to fuel a 25-4 start by Duke.
Defensively, the Blue Devils held Coker without a field goal for nearly a four-minute span midway through the half and forced 13 turnovers in the opening 20 minutes.
Williams logged 13 points and eight boards in the first period while senior Tricia Liston joined her in double figures with 10 points on 3-of-4 shooting from the field. Duke took a commanding 57-25 advantage into the break.
"The way [Williams] played above the rim and really getting after it was inspiring," McCallie said. "And to get Haley [Peters] in, she had some foul trouble, which I was kind of glad because I want her to get that feeling. She plays very aggressive and I want her to understand the game the way it is now. She was very efficient in 16 minutes. Haley is a smart player."
Peters launched a three-pointer to open the second half and ignite a 23-12 run by the Blue Devils over the next 10 minutes. Freshman Kendall McCravey-Cooper provided a lift off the bench, swatting a shot and finishing with a layup at the other end to push the margin to 85-40 with 8:15 remaining. Chidom also turned in a strong performance in just her second appearance, chipping in five rebounds and 17 points – including 11 in the second half.
"I loved Oderah [Chidom] and Kendall [McCravey-Cooper] off the bench," McCallie said. "They looked more like sophomores today, last time they looked like freshmen. They looked a little bit more mature."
Duke stretched its lead to 50 points inside the final three minutes on its way to the 102-50 victory. The team shot 60.9 percent from the field and 53.6 percent from three-point land while scoring 36 points off of 24 turnovers by the Cobras.
Senior Chelsea Gray dished a game-high 12 assists to go along with six points, while Peters registered 13 points and seven rebounds and Liston added 12 points, seven rebounds and seven assists. McCravey-Cooper turned in a solid showing with six points and seven boards and junior Ka'lia Johnson also came off the bench to tally nine points on 4-of-7 shooting.
Following the two exhibition games, Duke will open the regular season Sunday, Nov. 10 at No. 9 California. That game will tip off at 6 p.m. ET in Berkeley.
- News
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- Roster
- Coaches
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- More
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text:
Product Description
USKEES Stylish Japanese-style No-tie Lightweight Craft, Kitchen or Work Apron
- Unisex - One Size
- Integral straps cross over at the back for good fit
- Approx. length 42"/107cm
- 100% Cotton
Write Your Own Review
You can return an item for a refund, or exchange it for a different size within 30 days of receiving your original order.
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Please return your parcel to the address above and indicate the size you would like to exchange for.
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Any items are your responsibility until they reach us. The item(s) must be returned in original packaging with any garment labels attached. This returns policy does not affect your statutory rights.


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Home > Bridal Lingerie
Brand: Gracya
(Details shown apply to the default selection)
The Rokoko bra is a lovely bra from Gracya with embroidery detail .
Great for bridal and other special occasions
A matching thong and suspender belt available separately.
Our best selling range. Gracya offer lovely ranges of everyday wear, special occasion and bridal lingerie. Everyone who has worn this lingerie has instantly fallen in love with it. A combination of luxurious materials, great manufacturing and elegance - guaranteed to make a woman's heart beat faster.
All products arrive packaged in very elegant Gracya boxes.
We aim to dispatch all orders by the next working day and you can expect delivery within the UK within 3-4 working days (with the exception of made to measure items). Delivery times will be longer for overseas customers. (Please note at busy times of the year, it may take a little longer to dispatch items to you). If your item is not in stock and we are awaiting a delivery from our suppliers, you will be notified of the approximate delivery timescale and given the option to wait for the product, request a different item or cancel your order.
Note that all deliveries will require a signature. If our courier is unable to deliver they will hold it only for one week before returning to us, and it may be some time before we can redeliver.
UK: Tracked delivery (requires a signature) Over £30.00 free, otherwise £3.95 Inside Europe: free on Orders of £95.00 or more, otherwise £9.95.
Elsewhere: free on orders over £125.00, otherwise £14.50. Please note that we deduct the 20% VAT (sales tax) on orders outside the EU. This reduces the cost of a £90 order to £75.00 so even with the delivery charge the final cost is less than the normal selling price.
We may split your order into more than one delivery but you will be charged only for one delivery.
Customs & Import DutyIf you are ordering a product for delivery outside the UK the recipient of the product is responsible for all customs duties or tariffs incurred in the country to which the products are shipped. Please note we are unable to provide specific advice on customs duties or tariffs.
Customers who bought this item also bought:
This was bought as honeymoon underwear, it as it is in the picture. good quality, no surprises. Price quite reasonable, I always a bit reluctant to spend £12 on a g string but as the price in total comes to £35 for set, it feels more reasonable. I do feel a bit Jessica Rabbit in it but I guess thats the whole idea. Product suggestion how about a special offer when buying more than one of the matching knickers caressa?
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Quality and Detail Samples
Take a look at the remarkable detail in these samples of John's work:
Fulton: Senior Bridge
Prints are completely framed and matted. Frames are traditional cherry wood with triple matting in Soft Dove Gray (outer), Hunter Green (middle) and Burgandy (inner).
6" x 9" Print Only $19.95
6" x 9" Print Matted to 11" x 14" $30.00
6" x 9" Print Framed to 11" x 14" $69.95
9" x 13" Print Only $34.95
9" x 13" Print Matted to 16" x 20" $60.00
9" x 13" Print Framed to 16" x 20" $134.95
*Larger Print $44.95
*Larger Print Framed to 20" x 24" $169.95
Black & White:
6" x 9" Print Only $10.00
6" x 9" Print Matted to 11" x 14" $20.00
6" x 9" Print Framed to 11" x 14" $45.00
9" x 13" Print Only $19.95
9" x 13" Print Matted to 16" x 20" $45.00
9" x 13" Print Framed to 16" x 20" $119.95
*Larger Print Only $34.95
*Larger Print Framed to 20" x 24" $149.95
*Larger Sizes Call for Availability (573) 754-6634
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Three-Phase Power Enclosure with six hot plug power supplies Option Part# 230769-001
Note: Due to a weight greater than 100lbs Part# 230769-001 will be shipped via our "Ground" service.If you require faster shipping please call us during normal business hours for a shipping estimate.
Overview:Hot-plug power supplies for the ProLiant BL p-Class infrastructure are housed in a ProLiant BL power enclosure. Power supplies convert 200VAC-240VAC to power server blade enclosure. The power supplies are front-accessible hot-plug and 1 + 1 redundant. The power enclosure must be mounted in a rack below the server blade enclosure that they power.
The three-phase power enclosure holds a maximum of six hot-plug power supplies. One power enclosure can support up to one half a rack of ProLiant BL p-Class server blades redundantly. Two power enclosure can support a full 42U rack of ProLiant BL p-Class server blades redundantly.
Note: Power enclosure and supplies are not needed if using facility DC (-48V 10%). If using facility DC only Facility DC Power Connection kit part number (240563-B21) is needed.


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Copyright © 2019 · All Rights Reserved · The Safina Center
Swell Theme from Organic Themes · RSS Feed · Log in
The Safina Center and Whole Foods Market Partnership
Promotes Sustainable Seafood from Boat to Counter Top
In 2010, The Safina Center began a partnership with Whole Foods Market (WFM), a leading seafood retailer with stores throughout Canada, the United Kingdom and the United States. The partnership works like this: Whole Foods Market uses the more than 160 wild-caught seafood ratings prepared by The Safina Center and also by Monterey Bay Aquarium Seafood Watch, to source responsibly caught seafood and to educate consumers at the Market's seafood counters.
The Safina Center's seafood rating system is a rigorous three-part process. Each rating takes months of research to condense dozens of scientific and government reports. Each rating investigates all aspects of the fishing process, from species abundance and fishery management to the catch method. Additionally, each report is peer reviewed to ensure each rating is accurate and up-to-date.
The team of fishery scientists who complete the research is led by Elizabeth Brown, The Safina Center's research scientist. According to Elizabeth, "The Safina Center's seafood ratings and reports help us all make decisions that protect fish populations and promote healthier oceans."
Whole Foods Market sells wild-caught seafood rated "green" or "yellow" by The Safina Center and Monterey Bay Aquarium Seafood Watch, as well as seafood certified sustainable by the Marine Stewardship Council. They do not sell any "red" rated seafood. Whole Foods Market seafood receives close scrutiny from the boat all the way to the seafood case. Whole Foods has built relationships with fishermen who are committed to health, the environment and the integrity of our oceans, and sources seafood domestically and locally whenever possible. Whole Foods Market also eschews standard industry practices, including using artificial preservatives to boost water weight and extend shelf life, or carbon monoxide to enhance color.
Its partnerships with fishermen and farmers are reaping big rewards. "Whole Foods staff has worked closely with their seafood producers to move some of them closer to sustainable methods," says Carl Safina. "Those who've improved enough to make the cut get to stay in the fold. That's progress. If you want to make change, 'Show me how' can be a stronger, more effective approach than 'Just say no.' Kudos to Whole Foods Market for showing how it's done."
The Safina Center's Online Healthy Oceans Seafood Guide
Wild-Caught Seafood Sustainability Ratings – Whole Foods Market
(cover photo: King Penguins, Falkland Islands. © Carl Safina)


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Between Kristen moving back to Utah,
Elyse having her baby,
my baby coming in a few short weeks,
painting our house,
hosting our own blog conference,
AND publishing our first cookbook (AHHH! We are so excited!!!),
my family has been lucky to have dinner on the table each night. I am pretty sure that I would have never survived this craziness without my slow cooker.
Slow Cooker Garlic and Brown Sugar Chicken
4-6 chicken breasts (or thighs would work great too!)
1 cup packed brown sugar
2/3 cup vinegar
1/4 cup lemon-lime soda
2-3 Tablespoons minced garlic
2 Tablespoons soy sauce
1 teaspoon fresh ground pepper
2 Tablespoons corn starch
2 Tablespoons water
Rice or noodles, cooked
Red pepper flakes (optional)
Spray slow cooker with non-stick cooking spray. Place chicken (I used frozen chicken, thawed chicken works great too) inside slow cooker. Mix together brown sugar, vinegar, soda, garlic, soy sauce, and pepper together. Pour over chicken. Cook on low for 6-8 hours or high for 4 hours. Take chicken pieces out of slow cooker (mine basically fell apart) and pour remaining sauce into saucepan. Place saucepan over high heat. Mix together corn starch and water, pour into saucepan, and mix well. Let sauce come to a boil and boil for 2-3 minutes, or until it starts to thicken and turns into a glaze. Remove from heat and let sit for a minute or two (it will continue to thicken as it cools down).
Serve chicken over rice or noodles and top with glaze. Sprinkle red pepper flakes on top if desired.
Recipe adapted from Slow and Simple


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The Home of Fashion Film and Live Fashion Broadcasting
Report by Kiki Georgiou on 18 September 2012.
Last season, guests leaving Richard Nicoll's presentation were handed canvas tote bags featuring the name of that collection, Modern Times. Nicoll is still living and breathing such times and his latest collection was as modern as they come.
Love these midi block heels neon style #richardnicoll #lfw http://t.co/x5goCsIf
Sporty floor sweepers at #richardnicoll #lfw http://t.co/IOlBGTqx
They're scrubbing clean a neon yellow line on the catwalk before the Richard Nicoll show #attentiontodetail #LFW http://t.co/90sMzDVA
Sporty ponytail for #RichardNicoll a la Shon http://t.co/gENHR5Bv


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Located at the Worden House
103 North Main Street
Forked River, NJ 08731
(609) 607-7670
Office Hours : Fridays 9:00 - 4:30
SERVPRO of Jackson/Lacey Professionals provide fire and water damage restoration services. SERVPRO of Jackson/Lacey proudly serves Jackson, Lacey, Lakewood, Manchester, Plumsted, and surrounding areas. We are available 24 hours/7 days a week and are ready to restore damage to your home or commercial structure caused by:
Basement flooding or storm damage doesn't wait for regular business hours and neither do we. We respond to your residential or commercial water removal and cleanup needs. Our fast response time and advanced drying methods help prevent secondary damage and mold. Common causes of water damage are:
We understand that smoke and fire damage is both devastating and disruptive to your family or business. SERVPRO of Jackson/Lacey Professionals respond quickly to repair fire, smoke, and soot damage, including:
Mold can present serious health concerns and can spread quickly through your home or business if left unchecked. SERVPRO of Jackson/Lacey Professionals utilize proven mold remediation techniques and state-of-the-art equipment to protect you and your property. SERVPRO Professionals can assist you with:
Exposure to biological and chemical contaminants can pose serious health consequences. SERVPRO of Jackson/Lacey Professionals are trained to safely remove biohazardous substances and dispose of them properly in accordance with OSHA and health regulations. SERVPRO Professionals can assist you with:


text:
Office Paint Color Ideas Photos
Amazing Office Paint Color Ideas Sofa Painting Or Other Harrison College Corporate Office L.jpg
greenandcleanuk.com ~ Office Paint Color Ideas Photos You can quickly transform that space into something usable and comfortable. We take a closer look at it as well as some alternatives. Office Paint Color Ideas Photos is one way to turn a dingy unfinished room into additional space that's attractive and comfortable. It does this by applying their expertise in building science and system design to the fireplace.
You a choices to incorporate the existing style of your home into the addition (so it looks like its part of the original home) or treat the addition with a totally different style but complementary to the , commercial office paint color ideas, office paint color ideas, office paint colour ideas style. Choosing to go half way between the two is a common failing and the final design will lack visual strength. Commit to one option and ensure every choice of finishes, construction type and detail reflected your style choice strongly.


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Each time the president steps to a microphone or podium, dozens of camera shutters snap like tap dancers in a show. Most of those cameras belong to reporters, but not all of them.
Some are in the hands of White House photographers. Almost no one has as much access to the president every day, in public and behind the scenes.
Eric Draper worked as the White House photographer for President George W. Bush. "You're part of the staff," he tells NPR's Ari Shapiro. "You serve the president. And what that means is I had an all-access pass.
"I was able to see the schedule ahead of time. I was able to be present for all the meetings and basically to shadow the president throughout his day."
Robert McNeely was the White House photographer for President Bill Clinton. He explains that while members of the media have to wait for the president in the press room, White House photographers have total access.
"You drive through the gate," he says, "you walk in with that pass."
McNeely, who worked in the White House before he switched to digital photography, preferred to shoot in black and white.
"I love the effect of film. It's pretty much gone in the media, just because of the speed factor," he says. "You cannot justify, 'Well, I just have to go home and develop this film. And then I have to proof it, and then I have to print it.' You know, that's not going to happen."
Draper was Bush's chief photographer for all eight years of his presidency and took nearly 1 million photos documenting his activities.
"I have to admit, I mean, there were some days that were slow," he says. "I never really got bored, because there was always something unexpected."
For Draper, the most memorable images from his time with Bush were from after the Sept. 11 attacks.
"You try to prepare for everything," says Draper. "In my case, I mean, nothing could prepare me for a day like 9/11 in September of 2001. And that ... entire week of history still stands out in my mind."
McNeely says there is no single image that stands out for him, but he hopes to be remembered for the total body of work. "It's one of those things that if you do your job right, the total mass of what you've done is the historical view of that person," he says.
"What you've accomplished over a period of time gives people an insight into who that person is, because you are seeing them behind the scenes."
Now, when President Obama stepped into the East Room of the White House earlier today, dozens of camera shutters snapped like tap dancers in a show. Most of those cameras belonged to reporters but not all of them. Some were in the hands of White House photographers. Almost no one has as much access to the president every day in public and behind the scenes. The White House photographers' job is to document the presidency through pictures, and their images help us understand the person behind the podium.
So today, we get to speak with two people who are given such close personal access to presidents. Robert McNeely is a former White House photographer for President Bill Clinton. His books include "The Clinton Years: The Photographs of Robert McNeely" and also "Barack Obama: The Official Inaugural Book." He joins me now in Studio 3A. Welcome to you.
ROBERT MCNEELY: Thank you, Ari. Nice to be here.
SHAPIRO: And also we have Eric Draper on the line. He's a former White House photographer for President George W. Bush and author of the forthcoming book "Front Row Seat: A Photographic Portrait of the Presidency of George W. Bush." He joins us by smartphone from his phone in Rio Rancho, New Mexico. Thanks for being with us, Eric.
ERIC DRAPER: Thank you very much for inviting me.
SHAPIRO: Robert, let's begin with you. How were you picked for the job?
MCNEELY: Well, it's one of those processes where just be there. You just have to be involved in the process of photographing the presidency, be involved in political campaigns. I volunteered in 1972 for the George McGovern campaign, and as I moved forward through my photographic career, people I've met at that time, I built on that. I was a photographer in the Carter White House. I photographed Fritz Mondale in the Carter White House. People I met through that were working in the Bill Clinton campaign and spoke to me early on about photographing Bill Clinton's campaign, and I demurred at that time and suggested they find a younger person...
MCNEELY: ...to do it. And later, right after the convention in 1992, having watched the convention and realizing what an incredible political candidate and person Bill Clinton was, I expressed to my wife, you know, I probably should have taken that job...
MCNEELY: ...being his campaign photographer. And the next day, the phone rang and said the other person wasn't working out. I had like an hour to...
SHAPIRO: Wow.
MCNEELY: ...an hour to decide if I wanted to go.
SHAPIRO: Eric, does that sound like your story of how you ended being George W. Bush's photographer?
DRAPER: Well, sort of similar and the fact that I had been in political circles covering politics as a press photographer. I was a staff photographer with The Associated Press covering presidential campaigns. I covered the campaign in '96, and then when 2000 rolls around, I was assigned to cover the Bush campaign. And so I was a member of the press, you know, traveling with everyone else. And at the end of it all, I decided to take a chance at doing the job. And I knew it would be a tremendous experience. And so what I did was I (technical difficulties)...
SHAPIRO: Sorry. We're having just a couple of phone glitches but go on. Please continue.
DRAPER: Oh, sorry. I actually pursued the position by asking President-elect Bush at the time for the job, actually walked up to him, and I was prepared with my portfolio. And I knew I had a good chance, because I had - was able to get to know him and the staff when I was a press photographer. And I walked up to him and ask him for the job, and I was fixed a week later.
SHAPIRO: That sounds pretty brazen. Talk to us - given your background in journalism, tell us about what the difference is between being a White House photographer and being a photojournalist who covers the White House. Obviously, as a White House photographer, you get a lot more access. But what's the difference in the job description? How are you photographing the same guy in a different way?
DRAPER: Well, first of all, you're part of the staff, which means you work for the president. You serve the president. And what that means is I had an all-access pass to (technical difficulties). So I was able to see the schedule ahead of time. I was able to be present for all the meetings, and basically, to shadow the president throughout his day. And it's all about access. And that's what you have when you're a White House photographer.
SHAPIRO: Robert McNeely, talk about how the technology of being White House photographer changed in just the amount of time that you were in the White House over those many years. It must be just a huge, huge sea change.
MCNEELY: Well, it's extraordinary. I mean, when I first - the first time I ever went to the White House in 1974, the - as a press photographer for Time magazine, there were photographers in the press room that had used 4x5 Speed Graphics.
SHAPIRO: Well, explain what that is for non-camera junkies.
MCNEELY: That's a large camera that shoots sheets of film, that you load one sheet at a time, a single sheet.
SHAPIRO: I imagine a guy with his head under the curtain, you know, look here.
MCNEELY: Pretty much, pretty much. Except you read - you look on a piece of glass. You don't have the hood. But it's a very large camera. It was used to take the picture at Iwo Jima.
SHAPIRO: Wow.
MCNEELY: The picture of the flag raising at Iwo Jima was taken with the Speed Graphic. But then the small camera came with roll film. And then, of course, I was still shooting the same technology that was, you know, from the '40s and the '50s, '60s, the '70s, the '80s. Of course, then in the '90s, when digital began, that was the big sea change because of the speed and because of the - just the whole different approach. But I'm a film photographer. I'm - my book - the book I did was all done with rangefinder Leica cameras, which is a camera that was basically designed and built in the 1920s, and is unchanged.
SHAPIRO: Now, when you say you're a film photographer, you still don't use digital photography?
MCNEELY: I have digital cameras, but I also have a dark room in my basement. And the book I did in 2009 on Obama's inaugural, there's some black-and-white film pictures in there, which are only there because I was the director of photography and I could say, we're still going to shoot a little bit of film. I love the effect of film. It's pretty much gone in the media, just because of the speed factor. I mean, you cannot justify having...
SHAPIRO: And a dark room.
MCNEELY: Well, you can just by having an image that needs to be out to the world and if it was digital, it could be uploaded that second and seen by everyone in the world. Well, I just have to go home and develop this film. And then I have to proof it, and then I have to print it. You know, that's not going to happen.
SHAPIRO: So I want to talk about the behind-the-scenes access that you each got. And if you'd begin, Robert, tell me about some of the most incredible moments when you thought: Am I really watching this - whether it was comedic and unexpected in the human moment, or just witnessing history.
MCNEELY: Well, it's both at the same time. I mean, the watching history - there isn't a day, I think Eric would agree, that you don't drive to those gates as the White House photographer - having been a journalist and having gone through the press room, as you know very well. You go into the press room. You're in that little room. You wait for them to come to you.
Well, as a White House photographer, you drive through the gate. You walk in with that pass. You have total access. You can go anywhere you want in the building short of running into the president somewhere, you know...
SHAPIRO: So you've got a long list of incredible images and moments in your head and in your portfolio. What stands out at the top of the list?
MCNEELY: Well, I mean, a lot of them are just - it's constant. It's one of those things that if you do your job right, the total mass of what you've done is the historical view of that person. There's not one single image. I mean, as a news photographer, you're remembered for the Pulitzer Prize-winning image. A White House photographer, in my mind, is remembered for the body of work. What you've accomplished over a period of time gives people an insight into who that person is, because you are seeing them behind the scenes.
SHAPIRO: And so - at the White House Flickr website, where Pete Souza just released the year in photos, there's one image that stands out on my mind, where Secretary of State Hillary Clinton was in the Oval Office with President Obama, had apparently just dropped all of her briefing papers, and Pete photographed Secretary Clinton pointing at him, the photographer, as if to say: Don't you take a picture of me having just dropped all my papers on the floor.
SHAPIRO: Eric Draper, what image stands out in our mind from your years in the Bush White House?
DRAPER: Well, I kind of agree with Bob (technical difficulties) it's the volume. And that's what the - was - I remember the most in terms of working there. I mean, it's like drinking through fire hose everyday. And you try to prepare for everything. You (technical difficulties). You photographed bad things. In my case, I mean, nothing could prepare me for a day like 9/11 in September of 2001. And that day particularly stands out in my mind in (technical difficulties) entire week of history still stands out in my mind. Yeah. And it's (technical difficulties) it's part of that body of work.
SHAPIRO: Yeah. Well, there are few phone glitches, but we're hearing what you're saying. Robert, talk about the pressures of documenting this for history. Does the White House expect you only to shoot the president from his good side, never to get him when he's having a bad hair day? I mean, you know, to what extent are you supposed to make the guy look good?
MCNEELY: Exactly. I mean, that's the crux of doing that job. You do have an obligation. You are hired by the White House, by this person who you've gotten to know. And yet at the same time, you're - there's the view of history is over your shoulder at all times, as well. And there's the sense of this is the record of this presidency. This is a record that it's not going to effect - except occasionally it does - as they kept saying Pete Souza's pictures are like Obama's secret weapon, because they're pointing him out...
SHAPIRO: Hugging the kids, holding hands with the first lady.
MCNEELY: Oh, yeah, yeah. All of this that affects - right, affecting politics today. And that does happen occasionally. I mean, I had a couple of images that got released immediately and did have an effect. But I always felt that my greater responsibility, with all due respect to the presidency - and I respect Bill Clinton's politics. I'm a progressive Democrat. I was there because I was part of - you know, I felt connected to that process.
But at the same time, the human side of Bill Clinton - and we - there's obviously an understanding there of a very complex human being, which I felt, over time, some responsibility to leave as a record. And maybe it won't be really understood till a historian goes and spends months in Little Rock, in the presidential library.
SHAPIRO: And so were there moments that, for example, you know, during the impeachment scandal, when you thought boy, he's looking haggard? That's something I need to capture.
MCNEELY: Right. Well, I actually left in August of '98. As the impeachment scandal started, it - I had been there six years. The restrictions on the job - there was this sense that nothing was - I was - literally had total access to every meeting until it started to be restrictions on meetings with independent counsel-related events. And then there was this sense of the impeachment. And there was just a sense in my mind that I had fulfilled what I wanted to do. As it went forward, I couldn't do it.
SHAPIRO: But just generally, were there times he was not looking good? And you thought...
MCNEELY: Oh, absolutely.
SHAPIRO: ...you know, if I were a portrait photographer, I wouldn't shoot him today. But as a guy documenting the presidency, here's what I'm going to do.
MCNEELY: Oh, exactly. Exactly. And the trauma and the day-to-day - I mean, one of the things that I learned about Bill Clinton is he's an - extraordinarily optimistic. Bill Clinton didn't get up any morning that he didn't feel, you know, that this was a day he was going to work as hard as he could to do what he thought was right, which was inspiring. But at the same time, there were times when events and things that happened were not - exactly didn't turn out the way he wanted them to or weren't the exact things.
And on our instance, one of our - the domestic terrorist event of Oklahoma City was an extraordinarily terrible event which I photographed, and we went, you know, his reaction to it and then - it wasn't the same kind of involvement of 9/11 for the presidency, but there was that sense of history being made in what was going on.
SHAPIRO: We're talking about documenting the White House with former White House photographers, and you're listening to TALK OF THE NATION, from NPR News. We have Robert McNeely, former photographer for the Clinton White House, here in the studio with us. And on the line, we have Eric Draper, who was the photographer for President George W. Bush. And, Eric, I'm curious: photographing the same guy day after day, year after year, does that ever get old? Does it ever get boring? Do you ever think, God, I wish I could photograph someone else today?
DRAPER: Well, I have to admit, I mean, there were some days that were slow. There's a lot of repetitiveness in the photography. But at the same time, there's just so much that happens in a president's schedule (technical difficulties) stories to follow in the president - in what happens. And so I never really got bored, because there was always something unexpected. And even when you expected something to happen, I always tried to follow (technical difficulties).
SHAPIRO: Oh, looks like the line just dropped you, but - oh, you're back now. OK. Sorry. Go ahead.
DRAPER: OK. Sorry about that. Yeah, so I never really got bored, because there was always something to look forward to down the road (technical difficulties) schedule. There's - there were always lots of presidential travel, international trips, huge events like state visits where he would have, you know, head of states visit, including, you know, the queen of England. And so there was always something to look forward to, and it never really got bored.
SHAPIRO: All right. Let's take a call from Hugh in San Francisco, California. Oh, let's see. Hi, Hugh. Go ahead. You're on the air.
HUGH: Thanks. You know, I had a question about copyright and these photos that are done by official photographers. I figure that since they are created by a public employee, that they should be in the public domain. And I wonder, like, what sorts of issues - if that's the case, then what sort of issues have come up around that?
SHAPIRO: Robert McNeely, can you answer that question?
MCNEELY: Yeah, you're exactly right, Hugh. They are in the public domain. There is some restrictions based around the Presidential Papers Act, and any picture that is released out of the White House automatically goes right into the public domain. All of those pictures on the Flickr feed at this time from Pete Souza, those are all pictures in the public domain. Our process for that wasn't Flickr. We just - there wasn't that kind of - there wasn't the Internet. There weren't all these digital processes. But we did release individual photos to the media.
Any picture that we handed out became part of the public domain. And so these pictures, you know, they can be used by anyone. Now, over time, you can make Freedom of Information requests for pictures to the Clinton library for other pictures, and they - those will be handled under the Freedom of Information, you know, Act. But basically, these pictures, over time, all of them become accessible to scholars and pretty much to everyone at the library, because they go into the presidential library.
SHAPIRO: Thanks for the call, Hugh. And, Robert, in a given day on film, I imagine you were taking dozens of pictures. And today, with digital photography, there are probably hundreds of photos of the president that White House photographers shoot every day. What happens to all of those? Who decides what gets released? Where do they all go?
MCNEELY: Well, our process, obviously, with film - I mean, on a day that was, say, a trip somewhere that was very involved or an event state arrival at the White House, as Eric was talking about, there could be 40, 50, 60 rolls of film combined, both black and white and color. Of course now, with digital, you just measure the number of images, and there are thousands. I mean, in all forms of photography now, whatever anybody is shooting, digital has just expanded the number of frames people make.
SHAPIRO: And so is there a White House editor who then says here's today's photograph?
MCNEELY: Well, all of that material is put into the archive. I'm not quite sure of the process at how often Pete actually looks at his personal take digitally because of the sheer volume. There are editors.
SHAPIRO: Yeah. But there's someone choosing.
MCNEELY: There are editors that go through and pick things.
SHAPIRO: Fascinating conversations. Robert McNeely, former White House photographer for President Bill Clinton and author of the "The Clinton Years: The Photographs of Robert McNeely," as well as "Barack Obama: The Official Inaugural Book," joining me here in Studio 3A. Thanks for being with us, Robert.
MCNEELY: My pleasure.
SHAPIRO: And we also spoke with Eric Draper, former White House photographer for President George W. Bush, author of the forthcoming book "Front Row Seat: A Photographic Portrait of the Presidency of George W. Bush." This is TALK OF THE NATION, from NPR News, and I'm Ari Shapiro in Washington. Transcript provided by NPR, Copyright NPR.


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CLINTON TWP, Venango County — A cabin-style house was destroyed by an apparent electrical fire Wednesday night just north of the Butler County line, authorities said.
But the homeowners managed to get out — barely.
"They escaped with just the clothes on their backs," said Chief Gerry Rea of the Clintonville Volunteer Fire Department.
The couple, whose names were not immediately available, were in their one-story home on Withrup Road about 9:30 p.m. when they noticed smoke coming from the ceiling. They fled and called for help.
Fire had taken over half of the small house and flames were through the roof by the time firefighters got there.
A crew about 20 minutes later made its way inside while volunteer firefighters from Clintonville, Kennerdell, Rockland and Emlenton surrounded the home and poured water on it.
A tanker shuttle was used to get water to the house that was accessible only by a one-lane private dirt road. Later, a creek and a hydrant at a nearby power plant were tapped to replenish the tankers.
The house is considered a total loss, Rea said.
Firefighters left the scene about 2 a.m. today, were called back about 7 a.m. when the fire rekindled.
Investigators believe the fire was accidental and caused by faulty wiring in the electrical panel.
"(The homeowners) just had a new hot water tank installed the day before," Rea said, "and they added two new breakers to the electrical box."


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The jobs number is out and it looks pretty good.
Total number of new jobs created was 200K.
That's well ahead of the 155K estimates.
On the other hand, November was revised from a net gain of 120K to just 100K.
The unemployment rate fell again, from a revised 8.7% to 8.5%.
Some other good data:
Manufacturing payrolls jumped 23K vs. an expected rise of 6K.
Public sector layoffs only subtracted 12K vs 20K last month.
Underemployment fell from 15.6% to 15.2%.
The market is spiking on the news.
Here's text from the full release....
Nonfarm payroll employment rose by 200,000 in December, and the unemployment rate, at 8.5 percent, continued to trend down, the U.S. Bureau of Labor Statistics reported today. Job gains occurred in transportation and warehousing, retail trade, manufacturing, health care, and mining. Household Survey Data Both the number of unemployed persons (13.1 million) and the unemployment rate (8.5 percent) continued to trend down in December. The unemployment rate has declined by 0.6 percentage point since August. (See table A-1.) Among the major worker groups, the unemployment rate for adult men decreased to 8.0 percent in December. The jobless rates for adult women (7.9 percent), teenagers (23.1 percent), whites (7.5 percent), blacks (15.8 percent), and Hispanics (11.0 percent) showed little change. The jobless rate for Asians was 6.8 percent, not seasonally adjusted. (See tables A-1, A-2, and A-3.) The number of long-term unemployed (those jobless for 27 weeks or more) was little changed at 5.6 million and accounted for 42.5 percent of the unemployed. (See table A-12.) The civilian labor force participation rate (64.0 percent) and the employment- population ratio (58.5 percent) were both unchanged over the month. (See table A-1.) The number of persons employed part time for economic reasons (sometimes referred to as involuntary part-time workers) declined by 371,000 to 8.1 million in December. These individuals were working part time because their hours had been cut back or because they were unable to find a full-time job. (See table A-8.) About 2.5 million persons were marginally attached to the labor force in December, little different from a year earlier. (The data are not seasonally adjusted.) These individuals were not in the labor force, wanted and were available for work, and had looked for a job sometime in the prior 12 months. They were not counted as unemployed because they had not searched for work in the 4 weeks preceding the survey. (See table A-16.) Among the marginally attached, there were 945,000 discouraged workers in December, a decrease of 373,000 from a year earlier. (The data are not seasonally adjusted.) Discouraged workers are persons not currently looking for work because they believe no jobs are available for them. The remaining 1.6 million persons marginally attached to the labor force in December had not searched for work in the 4 weeks preceding the survey for reasons such as school attendance or family responsibilities. (See table A-16.)
Here's more from the establishment survey....
Establishment Survey Data Total nonfarm payroll employment increased by 200,000 in December. Over the past 12 months, nonfarm payroll employment has risen by 1.6 million. Employment in the private sector rose by 212,000 in December and by 1.9 million over the year. Government employment changed little over the month but fell by 280,000 over the year. (See table B-1.) Employment in transportation and warehousing rose sharply in December (+50,000). Almost all of the gain occurred in the couriers and messengers industry (+42,000); seasonal hiring was particularly strong in December. Retail trade continued to add jobs in December, with a gain of 28,000. Employment in the industry has increased by 240,000 over the past 12 months. Over the month, job gains continued in general merchandise stores (+13,000) and in clothing and clothing accessories stores (+11,000). Employment in sporting goods, hobby, book, and music stores fell by 10,000. In December, manufacturing employment expanded by 23,000, following 4 months of little change. Employment increased in December in transportation equipment (+9,000), fabricated metals (+6,000), and machinery (+5,000). Mining employment rose by 7,000 over the month. Over the year, mining added 89,000 jobs. Health care continued to add jobs in December (+23,000); employment in hospitals increased by 10,000. Over the year, health care employment has risen by 315,000. Within leisure and hospitality, employment in food services and drinking places continued to trend up in December (+24,000). Over the year, food services and drinking places has added 230,000 jobs. Construction employment changed little in December. Within the industry, nonresidential specialty trade contractors added 20,000 jobs over the month, mostly offsetting losses over the prior 2 months. Employment in professional and business services changed little in December for the second month in a row. The industry added 42,000 jobs per month, on average, during the first 10 months of 2011. Government employment changed little in December but was down by 280,000 over the year. Job losses in 2011 occurred in local government; state government, excluding education; and the U.S. Postal Service.
Lots more to come momentarily....
ORIGINAL POST: Here it is folks! The number the world has been waiting for: The December Non-Farm Payrolls report.
Analysts expect 155K new jobs, up from 120K that were reported in November.
Private payrolls are expected to be 178K vs. 140K in the prior month.
The unemployment rate is expected to tick up to 8.7% from 8.6%.
There's a lot of optimism coming into this number, thanks to consistently low initial jobless claims reports, generally strong data, and of course yesterday's ADP report, which indicated that 325K private payrolls were released in the month.
Of course, this report doesn't just include private payrolls, and it will be interesting to see whether the pace of layoffs at the public sector is speeding up or slowing down. Last month, public sector layoffs subtracted 20K from the total number.
We'll have the data here LIVE at 8:30 AM ET.


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« Back to people
E Roon KangAdjunct, Class of
|Courses Taught:
|Aesthetics of Automation
E Roon Kang lives and works in New York, where he operates an interdisciplinary design and research studio, Math Practice. He works in print, web, and environmental installations, with interest in studying, evaluating, and criticizing complex systems and its consequential pointlessness of a pursuit of efficiency. His work has won NSF Science and Visualization Challenge, and shown in places including MoMA, Platform 2009 of Seoul, Seattle Public Library, and the Architectural League of New York. He gave talks and lectures at MIT, NYU, TED Conferences and Cannes Int'l Festival of Creativity, among others, and taught courses at Bauhaus-University Weimar and SUNY Purchase, and Rutgers University. E Roon is a TED Fellow and was a research fellow at SENSEable City Laboratory of MIT. He is a recipient of the Young Guns award from Art Director's Club, and holds an MFA from Yale University.


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Found an interesting article you want to share with iMore? Have a burning question about that feature you just can't figure out? There is ALWAYS more happening just a click away in the forums. You can always head over and join in the conversation, search for answers, or lend your expertise to other members of our community. You check out some of the threads below:
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Paul HulmeChairman, Founder & CEO
Mr. Paul L. Hulme is Chairman, Founder & CEO of Alain Pinel Realtors, the fifth largest residential real estate firm in the United States and the largest privately-owned residential real estate company in California based on its closed sales volume.
He co-founded the brokerage in Saratoga, California in 1990, with Helen Pastorino and Alain Pinel. They settled on the company name, "Alain Pinel Realtors, Inc.", after approximately 10 names were rejected by the Secretary of State because they too closely resembled existing firms.Less than two months after the first office opened in August, 1990, Alain Pinel left the company and returned to his native France. Helen left in 1995, leaving Paul as sole owner.
Paul came from humble beginnings. He was born on a farm in southern Utah that was previously an Indian burial ground. His parents and their six children lived in the two bedroom house that had been an Indian school. It was located three miles out of town and was without electricity and water. Coal oil lamps and Coleman lanterns provided all lighting. All drinking and other water was carried from town in five-gallon milk cans tied to their Graham Paige car. All eight took their turn in the same water for their weekly bath in the round metal wash tub. As Paul remembers, it was always cold there (even when it was warm).
Beginning his business career at the age of eight, he delivered newspapers both on morning and evening routes for eight years, in addition to normal farm chores.
As a boxer and wrestler in high school, he went undefeated in boxing, and his only loss in wrestling was in his senior year at the finals of the all-state wrestling meet in Ogden, Utah.
By the time he was 24 he had earned a bachelor's degree from the University of Utah, completed his tour of duty as a commissioned officer in the U.S. Air Force, served a two and a half year mission in Germany for his church, was accepted into medical school at the University of Utah, founded and operated a successful chain link fence contracting business, and established himself as a full-time licensed life insurance agent. He became the District Manager of Massachusetts Mutual Life Insurance Company in San Jose, California, at age 28, and was ordained the Bishop of his church at age 31.
Paul chose a business career rather than entering medical school. As a life-long entrepreneur he has usually had several businesses going simultaneously, including founding, owning, and operating the following:
- Professional Maintenance Co., Inc.
- Professional Cleaning Products Corporation
- Professional Janitorial Supply Company
- Nationwide Building Maintenance Company
- The Imperial Valet
- H&H Properties
- Kelly Arabians
- Paul L. Hulme Associates
- Congress Mortgage Company, Inc.
- Equity Holders Servicing Company, Inc.
- 1602 Alameda Associates, Inc.
- APR Properties/Estates Management, Inc.
- Affinity Software, Inc.
- Alain Pinel Realtors, Inc.


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A blue and white tureen with cover, Qing dynasty, Qianlong (1736-95).
Length 25,5 cm.
- Condition report
Contact customer service
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Length 25,5 cm.
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Asbestosis: Most frequently recorded industries on death certificate, U.S. residents age 15 and over, selected states and years, 1990–1999
CIC - Census Industry Code n.e.c. - not elsewhere classified
CIC - Census Industry Code n.e.c. - not elsewhere classified
The comparable number of asbestosis deaths in the entire United States for this same time period was 10,914.
Percentages may not total to 100% due to rounding.
See Appendix for information about data sources, methods, ICD codes, industry codes, and limitations.
Mortality multiple cause-of-death data from National Center for Health Statistics, National Vital Statistics System.
NIOSH 2008. Work-Related Lung Disease Surveillance System (eWoRLD). 2008-287 U.S. Department of Health and Human Services, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, Respiratory Health Division, Morgantown, WV. Available at: <https://wwwn.cdc.gov/eworld/Data/287> May 27, 2019.
Reference Number: 2008-287
Date Posted: June 2008
Data Formats
- Page last reviewed: June 1, 2008
- Page last updated: June 1, 2008
- Content source: National Institute for Occupational Safety and Health (NIOSH)
- Page maintained by: Respiratory Health Division (RHD), Surveillance Branch


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The nicest bathroom will look shabby with a pile of soggy towels slumped on the floor or countertops, which is why a towel rack is so important. Decorative towel rings and racks pick up your decor while picking up your mess at the same time. So come browse our wide selection of beautiful towel racks, and pick up in style today.
Versatility is a must when it comes to bathroom hardware, and that's why our decorative towel racks come in both single and double towel bar options. A single towel rack is great if you live alone or as a couple, but a double towel bar will service a larger family or group of roommates. Compact enough to fit in the same space as individual pieces, a double towel bar offers you twice the amount of surface to work with. Utilize this handy bathroom hardware to hang multiple towels for different family members or to spread one bath towel out to dry faster.
So whether you've only got to pick up after yourself or you're trying to keep a whole household running smoothly, decorative towel racks are here to lend a helping hand. With top name brands from Amerock to Liberty, you'll love the quality and budget-friendly prices as much as the fabulous style that come along with this bathroom hardware. Order your own towel rack today, and start creating that picture perfect look in your home one step at a time.


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How do you count words? Ashley Wagner discusses the question as part of our video on the number of words in the English language.
Definition of alertador in Spanish:
- 1
Que alerta.
Further reading
'Compliment' or 'complement': what's the difference?Read more
A lot of people get compliment and complement confused: they're pronounced in the same way and have very similar spellings but they have completely different meanings.
Should you capitalize the word "Internet"?Read more
The question of whether the word internet should be capitalized is so passionately debated and rife with controversy that it has its own Wikipedia article.
14 ways to hugFind out more
We've delved into the Historical Thesaurus of the Oxford English Dictionary to come up with some historical substitutions for hug as a verb.


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Click a swatch below to change colors.
Port Authority® Dry Zone® Ottoman Polo. K525
With true classic style, our durable, hardworking ottoman polo will keep you looking great at any corporate event. Colorfast and snag resistant, this shirt has our exclusive Dry Zone® moisture-wicking technology to take moisture away from your skin—and off your mind.
*Due to the nature of performance fabrics, special care must be taken when printing and drying.
Adult Sizes: XS-6XL
Price starts at: $23.98
For detailed PRICING, please select "Add to
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"One Day" History
Best Trend to Tweet about is: あなたの視認可能フレーム
Trend Timeline for Worldwide Today Summary Tweet Scheduler
"One Day" Started first at 05:00 PM 31-12-1969 and the rank of it at that time was #. The highest rank it achieved was # while the lowest rank it trended at was #. Its average rank was #NAN. Currently its trending at #. You can see history of "One Day" below. For more detials click here.