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It is sometimes used to show improvement, but more often used to represent the increasing isolation of society and the cold, mechanical nature of the world. The last theme is the theme of structure and geometry. It is partially related to technology, in that it emphasizes functionality over decoration.
This theme is displayed in the authors streamlining of description and embellishment, favoring instead shortened, functional definitions. Along the same line with the themes of modernism are the styles used in modernist literature.
Although there are many styles used in modernist literature, there are four many styles of writing that we will discuss. Firstly, the style of imagism was highly present. Imagism involves using precise, clear, and sharp language in writing, rather than over-embellishment and exaggeration. Imagism called for a return to the directness of presentation and economy of language, as well as a willingness to experiment with non-traditional views.
A distinct feature of imagism is its attempt to isolate a single image and reveal its essence. This focus on concisely describing a singularity, rather than a vast topic, is a definite stylistic change from the previous romantic and Victorian literary works. Secondly, modernist literature uses very symbolic language and content.
This is noticeable in the amount of metaphors used by modernist writers. In general, nothing is skin-deep in modernist writing. There is a deeper, symbolic meaning behind most characters, places, names, and other elements of the story.
This was a very anti-idealist style of writing as it attempted to show life in its gritty particulars and humble realities. Symbolism takes the literature away from realism, abstracting the ugly truth from any and all situations. Those who wrote with this style believed that there were some absolute truths that could not be written about directly, choosing instead to represent these things through metaphorical and suggestive writing.
They endowed images and objects with symbolic meaning in order to point the reader in the direction of the truth without saying it straight-out. Symbolism brought with it a freer flow in the writing of poetry. Modernist authors did not want to hinder themselves or their message by being confined to consistency of stanzas, rhyming, or any other traditionally accepted norms in poetry. They chose instead to follow whatever form and flow that would best suit their particular pieces of literature, without paying any attention to specific rules or consistency.
Third on the list of styles used is vorticism. This was a style of writing that attempted to relate art to industrialization and machinery. It opposes sentimentality and promotes the mechanical and futuristic.
Lastly, there is the style of expressionism. Expressionism was the tendency of modernist authors to present the world from a subjective perspective, distorting the view in order to evoke an emotional response. Although similar to symbolism, expressionism is different in that the author wished more to lead the reader to the specific personal emotions, moods, and ideas of the author instead of general feeling and emotion.
This style was brought about largely by the perceived dehumanization effect of industrialization and the growth of cities. These are the styles and themes of modernism used by those who are considered the major writers of the modernist movement.
This literary movement was mostly displayed in British literature. The most notable authors who wrote in the UK are T. Eliot was a poet who lived from He was born in St. Eliot had a distinguished career in literature, and even received the Nobel Prize in literature in James Joyce was born in and died in Born in Ireland, Joyce moved to continental Europe after university and stayed abroad for most of his life.
The last major author of the modernist movement was Virginia Woolf, who lived from She was born in London, and lived in England her whole life. Woolf is considered one of the major writers of the modernist movement because of the content and style of her work.
She wrote many essays and stories with feminist undertones, and had strong opinions on the liberation and education of women. She was a member of the Bloomsbury Group, an intellectual society of writers in England. Among the lesser known modernist writers is Ezra Pound, who lived from He was born in the US, but spent most of his life living abroad in different parts of Europe.
He was a friend to T. Eliot, and even helped him to translate and publish some works in England. Another lesser known writer is the author Gertrude Stein. She moved to Paris in the early s, where she stayed until her death in She was primarily a novelist and a poet. It is divided into 5 titled sections which all share a link to the common themes of death, disillusionment, barrenness, and rebirth displayed throughout the poem.
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Modernism was the most influential literary movement in England and America during the first half of the twentieth century. It encompassed such works as The Waste Land , by T.
Representing an unequivocal rejection of Victorian aesthetic standards, moral precepts, and literary techniques, Modernism was initiated during the opening decade of the century, a time of extensive experimentation in the arts.
Writers of the movement embraced the psychological theories of Sigmund Freud and Carl Jung and the anthropological relativism espoused by Sir James Frazer, and in their works the Modernists emphasized the psychological state of a character through the use of such devices as the interior monologue, or stream-of-consciousness narrative. In English literature, manifestations of the modernist aesthetic in fiction range from the sexual explicitness of D. Lawrence to the formal experimentation of Virginia Woolf and the myth-based narrative of James Joyce.
The disorienting effects of the era of modern warfare that began with the First World War gave rise to such American expressions of modernist concerns as the novels of John Dos Passos, whose Manhattan Transfer utilized montage-like effects to depict the chaos of modern urban life, and Ernest Hemingway, whose The Sun Also Rises portrayed the aimlessness of the "lost generation" of American expatriates in Europe during the postwar era. Similarly, The Great Gatsby is seen to epitomize the demoralization of American society and the end of innocence in American thought.
While sharing the novelists' preoccupation with themes of alienation and ambivalence, Modernist poetry is chiefly known for its dependence on concrete imagery and its rejection of traditional prosody. Considered a transitional figure in the development of modern poetry, W. Yeats rejected the rhetorical poetry that had gained prominence at the height of the Victorian era, favoring a personal aesthetic, natural rhythms, and spare style.
American expatriate Ezra Pound, who with Richard Aldington and Hilda Dolittle founded the Imagist movement in poetry in , favored concise language and free rhythms, and became a champion of avant-garde experimentalists of the era. The thematic preoccupations and technical innovations of Modernist poetry are seen to culminate in The Waste Land, Eliot's complex, erudite expression of modern malaise and disillusionment.
Each generation of writers had the habit of reacting against the past by declaring itself "modern. In early uses the word had a pejorative meaning, implying that what was new and modern could not be as good as what had the prestige of approval over a period of time. Baudelaire as both poet and critic was one of the first to splice the meaning of "modern" in a modest article relating to his viewing of the art of his time.
Since the middle of the nineteenth century critics as well as artists in the broader sense of the word have compounded ambiguities on "modern" by using it in both senses. Succeeding generations have been calling themselves modern and allowing the word to lose gradually its defensive tone and instead assume an attitude of contestation and even arrogance. It has become in many cases a cry of rebellion, and sometimes what the late Renato Poggioli called agonism, no longer apologetic but rather challenging.
Others have claimed the label "modern" in the Baudelairian sense that while reflecting the passing climate of the time, what is modern has caught "the eternal and the immutable. In both cases there has emerged an added aspect of the confusion.
There has developed a tradition of the antitraditional, and the label of "modern" has been retained for works of the past. With the passage of time each era claiming the advantage of a little distance used to delimit what had passed with a more precise label and claim for its own rebellion or renewal in the arts its own modernity.
Ours is the first era on record in which succeeding waves of moderns carry on their backs the memorabilia of their ancestors and sustain the myth that modernism, proclaimed and acknowledged at a moment in time for a group of works, forever retains that label in reference to those works, that it survives in a cumulative form, generation after generation, and that avant-gardes as well as golden-seal moderns can follow each other without a posteriori appraisal, which might result in a more permanent label than the temporal one of "modern.
The French, more pedagogical in their classifications, have adhered to Baudelaire's definition in one sense but, unable to define their own modernism, have virtually abandoned the label itself and created newer "ism" labels. They complicate the chronological problem by following up with "postmodernismo," which is not of the vintage of the Anglo-American postmodernism. The Germans associate modern with Expressionism and Dada, the Russians hang on to Futurism as the ultimate modern before the curtain came down on any further movement in the arts.
The common agreement among all of them is to call a certain moment in time modern and surrender the word to it for eternity. In calling the past modern the commentators would let their elders retain the label and in amazing timidity would relegate to their own era the rank of reargarde, paradoxically labeling the contemporary scene "postmodern.
Has there ever been such ancestor worship recorded on the part of writers and artists themselves or of critics and literary historians? In terms of literary criticism the ambiguity simply tells us that out of the plethora of books on the market on "modernism" or "the avant-garde" there is very little chance that they are discussing the same artists or writers or the same period in literary history.
But thereby he raised a new problem; in borrowing a term metaphorically from military terminology one expects the garde itself after the avant-garde. For more than two decades in the course of various communications I have been asking, "Where is the garde of the avant-garde? Instead we observe in studies of theories of the avant-garde such terms as "old avant-garde," "the return of the avant-garde," "post-avant-garde" although I can't quite see how you can be out front and at the tail end simultaneously , "academy of the first avant-garde," "other avant-garde," "the twilight of the avant-garde," and most recently "the neo-avant-garde.
It is no solution to suggest, as Ihab Hassan has in relation to Surrealism, that "these movements have all but vanished now, Modernism has proved more stable. The end of the century that has had in its existence so many ruptures with the past has not yet had the vision and the courage to proclaim the past moderns as pre-something that would define changes in literature and art in our era reflecting our society and at the same time preserving those of its qualities that may have resilience and permanence.
The reason that one sometimes denigrates a phenomenon or task is the realization that one cannot cope with it. That is perhaps why literary history is a bad term these days and the practice of analysis has priority over attempts at synthesis. We have dwelt on the most comfortable assumption that ruptures in the realm of arts can be paralleled with political revolutions, but in doing so we may be overlooking the fundamental cohesions that existed beneath the many "isms" of the first half of our century, alternately called modern and avant-garde.
My perspective tells me that there is something else that is understressed: Such are the drastic changes in concepts of reality, time, nature, causality and chaos, indeterminacy, and above all, in terms of all the arts, the notion of communication and reception. As the spectrum of reality enlarges, replacing the old opposition between real and supernal, a progressive distinction is perceived between mimesis and more sophisticated representations of the relative notion of reality. And we have gradually understood that the unconscious is not simply the opposite of the conscious but part of a continuum within the totality of human experience.
The old and sage dichotomies between the real and the unreal, the conscious and the unconscious, simply no longer hold, and the dialectics involving them have been run into the ground. The famous phrase of the early decades of the century, "the juxtaposition of distant realities," so often cited as the basis of daring associations created in poetry and paintings by the still so-called moderns and a governing principle of so many works of art and poetry, has lost much of the meaning it had at its inception because we know now that distance exists only in the eye of the beholder, and that if the creative artist has brought two entities together, it is because on some level of sensorial lucidity a connection was made.
In the same way, disordinate perceptionis—such as what Rimbaud called the reasoned disorder of the senses—and their representation reflect disorder only if the natural world is perceived as a network of determinable and tested physical laws producing predictable results. But we have discovered that every law of physics does not have a Newtonian regularity or if it does it is not yet within our capacity to grasp, and we have also learned that there are phenomena which cripple at least temprarily our perception of a logical, precise universe.
And in accepting these facts we, as a society, have had to develop the ability to express with mathematical precision the indeterminacies of the material world. Because this ambiguity or presumed randomness is part of our reality, it can be said that the writers or painters who once were considered avant-grade because they performed in an unrealistic or irrational way are from a more educated view no longer avant-grade because they are still holding the mirror up to nature when they represent this indeterminacy: In other words, the perceived disorder is part of the system of laws whose supposed randomness may be only an appearance manifested in our partial knowledge of the totality.
Early in the twentieth century, Guillaume Apollinaire, whose voice was more European than French, said in his essay Les Peinters cubistes: From hard ground to soft terrain, the writer moves with the scientists, stunned by his own ignorance, which he characterizes as indeterminacy, replacing previous attitudes of positivism and determinism. In his isolation and sense of loss of control, he drifts into a nonanthropocentric universe.
And whereas most observers of the strong element of alienation in the literature of our century may continue to attribute it to psychological disturbances and social maladjustments, the alienation may more correctly be explained by cosmic causes. The sense of dispersion emphasized by neophilosophers such as Derrida and Foucault is not new to modernism. All self-named moderns have had it. An early avant-gardist, Hugo Ball, often too exclusively associated with Dada but closer in reality to Rimbaud, described the condition of the modern man of his time in an article on Kandinsky in during a devastating war.
Curiously, his apocalyptic fresco is not politically inspired but reflects a metaphysical anxiety: Man lost his divine countenance, became matter, chance, an aggregate. He became a particle of nature… no more interesting than a stone: If, in responding to the effect of this condition on the arts, Ortega y Gasset coined the phrase "dehumanization of the arts," "dehumanization" means something quite different today from what it meant in the early part of the century.
We can each select a cast of characters to reflect this dehumanization from the annals of literary and art history of the seventy-five years since Hugo Ball's statement and Ortega y Gasset's definition: All were "modern" in a moment in time, and all can be said to hold the mirror up to nature as nature was perceived at that moment in time.
In that sense, in each case the classical dictum of a Boileau or a Pope was applicable to his aesthetics and in that sense his forms of representation are from our vantage point mimetic. If his expression of nature is being called antirealistic by some contemporary critics it is so only in terms of previous definitions of reality and nature.
The minute one considers our changed perception of reality, such writings and art expressions fit the changed definitions of reality. The disparity between the perception of the critics and the artists is due to the fact that critics are clinging to the older notions of reality and nature, and they are not as agile in grasping the ontological changes.
They are bridging the gap between their superannuated notion and the artist's more updated one with the convenient use of the label "modern.
One of the most important transitions—oh so gradual but so irreversible once it is made—in the changing characterization of "modern" is the manner in which the "modern" artists are reacting to the passing of a centrality of purpose and of a supernal presence.
Instead of mourning they are accepting the plurality of the universe, of which their predecessors had been warned three centuries earlier but had not seriously implemented, that changes their art forms. There was to be a giant difference between the Nietzschean proclamation that God was dead and the proposition that God never existed. As the poet-artist Jean or Hans Arp observed, "Dada was the revolt of the nonbelievers against the disbelievers. It had not yet been ingrained.
The revolution in the arts that I would call a postapocalyptic posture is a more radical one than reactions to the kind of sociopolitical events that are generally attributed to avant-garde manifestations and their reflections on the arts. I would suggest that modernism today, responding primarily to passing political winds and ideologies, is modern only in terms of the first part of Baudelaire's definition, "transitory, fugitive, contingent," or in my own words I would call them contemporary works dependent on circumstantial events, reserving the label "modern" for those which anchor their vision on phenomena relating to decentralization and decontrol in what is perceived to be an indifferent universe.
Among those who share these deeper disquietudes there are some who reject the continuity more generally perceived between themselves and earlier moderns; instead they sense grave schisms separating them from their predecessors.
Modernism Essay Words | 5 Pages. The modernist period in British and Irish literature was one of the most important and exciting times in literary history. The term modernist stemmed from the beginning of the 20th century labelled the modern period.
Literature has kept changing as it adjusts with the modern world. The manner in which literature is being expressed today is different compared to the past when technology was not well developed. For instance in the field of art, it is believed that modernism began during the time of high and low art.
André Breton's most important contribution of the groundwork of the literature of modernism as it is shaping up today was his earlier adjustment to the new factors in a way to make literature and art and their need for determined absolute values viable in a relativist world. Modernism in Literature Introduction The horrors of World War I (), with its accompanying atrocities and senselessness became the catalyst for the Modernist movement in hesmatcchfet.cfist authors felt betrayed by the war, believing that the institutions in which they were taught had led the civilized world into bloody conflict.
To this end, modernist literature is marked by a blurred distinction between the internal and the external. The second major theme in modernism is the rejection of norms. At the very core of modernism is the defiance of society's established standards and traditions. Modernism is marked by experimentation, particularly manipulation of form, and a strong and intentional break with tradition. Modernist literature has a tendency to lack traditional chronological narrative, break narrative frames or move from one level of narrative to another without any warning through the words of a number of different characters.


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Rahi returns from Cairo
Maronite Patriarch Cardinal Mar Beshara Boutros Rahi returned on Friday from Cairo, after his participation in Al-Azhar conference.
Upon his arrival in Beirut airport, the Patriarch told reporters that Lebanon's value lied within communication. "It is the country of relations and friendships."
"Lebanon is not a country of war," he underlined.
Rahi indicated that talks with the Egyptian President focused on "the need of Egypt's voice in order to restore unity in the Arab world," as well as to put terms in the war in Syria, Yemen, and Iraq.
Turning to Lebanon, the prelate considered that the election law and the voice of citizens must be esteemed.
"It is shameful that after 12 years, we still have no election law," he said.
Moreover, he underlined that a state with no budget means waste and theft of public funds.
"Lebanon is getting poorer, after it had for long been known as Switzerland of the East," he noted, calling for controlling public waste.
Source: National News Agency


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Nick Vertucci was not born into this world with a silver spoon. A big part of what he has today he had to struggle for extra hard before he became the founder of NV. His situation had gotten worse after they lost the head of the family. Everything in their life becomes an extra struggle. At the age of 18, he started his own business in selling of computer accessories. Unfortunately the business did not last long due to the 2000 dot com bubble. Later one he enrolled into a real estate academy thus inspiring him to venture into the real estate sector.
After a period working in the real estate sector, Nick Vertucci decided to open NVREA, a real estate academy named after him. His business started out by buying and selling OD single family rentals. He was buying them, repairing them, redecorating them before selling them. This did not only create a good image for him to the people but also for him to his investors. To make better sales, Nick Vertucci used his radio station, The Real Estate Investing Hour, to advertise.
When asked how he faces things everyday he says he sees it, believes it, and maps it before executing it. His industry has been successful so far due to his determination, passion, positivity, skills, knowledge and hard work. His other secret is creating a good platform for his and his clients to understand each other and to do business comfortably. When he looks back to the time when he lost his tech business he learns that business running is all about experience and patience. Nick Vertucci advises most young entrepreneurs to plan for change because nothing lasts forever and they will experience the ups and downs of business. Financially they should spend less, save less and invest more. He also encourages entrepreneurs to read his book Seven Figure Decisions.


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In the previous web site, we discussed popular frameworks used in the lifestyle sciences sector for product or service launch preparing and how to implement an agile online courses squad framework to present product launch scheduling frameworks. In this weblog, we will describe how to institutionalize an agile online courses mentality and sprint approach by modifying the current Launch Readiness Critique conferences in an organization.
The term "agile on the web courses" can be interpreted in lots of methods. The most well-liked definition will involve "implementing an iterative strategy to incorporate feed-back whilst developing a function products." Others point out "scrum on the web coursess" and "sprints." This only describes the methodology. When the phrase agile online courses is utilized, most men and women are likely to hyperlink it to the methodology or the in general principles. If you inquire anyone what "agile on-line classes mindset" indicates, it will be a lot harder to solution. Anyone is equipped to speak about it and comprehend it, but find it difficult to outline to other people. When we discuss a way of thinking, it touches upon behaviors driven by beliefs and attitudes. We could explain an agile online courses attitude to be a person that encourages behaviors to assistance an agile online courses working atmosphere but this does not contact on the correct behaviors or values that will need to be incorporated to be agile online courses. There are a lot of weblogs and white papers that attempt to describe an agile online courses mentality, but for this weblog, we will check out to showcase the agile online courses mindset by embedding it in the nicely-regarded Launch Readiness/Launch Evaluate meetings. For the applications of this blog, we will reference these as Start Readiness Testimonials.
Pharmaceutical organizations have long embedded the Launch Readiness Critique conferences to guarantee that the asset groups understand the market place, their merchandise, and are capable to feel strategically and employ techniques aligned to the endorsed strategies. It also will allow guaranteeing everyone is on the same website page in terms of anticipated outcomes, submitting assumptions, and predicted launch dates. Typically, there are two sorts of Launch Readiness Overview meetings – A person that is dependent on time factors and one more that is dependent on internally-driven milestones or subjects.
Time-pushed Start Readiness Assessments
These meetings are scheduled XX months prior to the anticipated start day. Usually, there are four of these meetings planned for any asset: start – 24 months, start – 18 months, start – 12 months, and start – 6 months (referenced as L-24, L-18, L-12 and L-6). In some businesses, they go by time – XX months, or T-XX. There typically isn't a mandated matter to present at these meetings, but instead, they are a way for the cross-purposeful team to provide an update on the software, critique their most current considering, focus on variations in the system, and spotlight threats or solicit leadership responses or endorsement on pick initiatives. It is a way for the cross-purposeful team to glow in front of leadership as nicely as permit the management to come up to pace on the program to guarantee everybody is on the exact same website page as they strategy launch. In the new previous, there has been an emergence of L+6 conferences to make certain there is a official contact level just after the product or service is in the market to explore performance and any course-correction steps that are in place or being prepared for implementation.
Milestone-pushed Launch Readiness Reviews
These meetings are scheduled based mostly on a milestone or a topic that requirements to be completed by an estimated time. Commonly, these meetings are numbered, e.g. Launch Readiness Evaluation 1. There are generally 4, scheduled prior to launch and in shorter are referenced as LRR1, LRR2, LRR3 and LRR4. The four matters are ordinarily identical at the many corporations: LRR1: comprehension the sector, LRR2: establishing a go-to-current market tactic, LRR3: outlining the start ways, and LRR4: getting start-ready. Like the time-pushed start readiness testimonials, there has been an emergence of LRR5 that can take put about a few to 6 months put up-start to assessment general performance and go over KPIs and course correction procedures.
There is tested worth in the implementation of the Launch Readiness Overview meetings. Having said that, as they are element of the process and a established expectation, these meetings have been considerably counter-agile online courses. The situation study beneath outlines how an agile online courses mindset values men and women and interactions about procedure and tools, which is crucial to carry out features of the agile online courses methodology to evolve the regular start readiness assessments.
Circumstance examine: Rethinking Launch Readiness Opinions
"We don't will need yet another canine and pony display!" was the opening assertion of the advertising head of a budding biot on the net coursesech business as the performing session on the design of the company's launch readiness procedure began. There ended up nods across the place from the cross-useful members, most were being field veterans who experienced expended as well many cherished hours and times sitting down as a result of major pharmaceutical companies' big generation fashion launch evaluate conferences. As considerably as these conferences triumph in entertaining leadership and…


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Maverick Silva Dark Series Surrey
- Date:
- 10/11/2018
- Country:
- Dorking, Surrey
- Distance:
- 5km, 10km
If you enjoy trail running in the daylight then you're in for a real treat running in the dark! We head to the Surrey Hills, starting you from the magnificent Denbies Wine Estate. Situated on the North Downs in the town of Dorking, it has glorious views across the rolling Surrey Hills and acres of countryside. The routes we have designed here are intended to test you. We don't plot routes to make them easy – we want you to become a Maverick and challenge yourself. With 3 routes to choose from, we're sure you'll have an epic night trail run out here with the Mavericks, and remember – the darkness awaits...
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2011 Report to State Parade
Post date: Jan 12, 2011 3:30:40 AM
Downtown Austin will become a sea of Cub Scouts, Boy Scouts, Varsity Scouts, Venture Scouts, Sea Scouts, and Explorer Scouts from all over Texas marching up Congress Avenue to the Capitol. Scout Delegates from each council in Texas are seated in the House of Representatives and report to a member of the state government about Scouting accomplishments in their council from the past year.
A commemorative patch is available for purchase by pre-order only. Patches are $10 each. Scouts wishing to purchase commemorative patches should plan to have money turned in by January 22nd (Derby). Please turn in money to Mr. Barrett or Mr. Poulson.
Important: We must register an exact number of attendees for our Pack. Because of this, please RSVP your intent to attend to Mr. Barrett no later than Sunday, January 16th. Simply reply to this email with the number of adults and children in your party. Please also include your patch pre-order information (if purchasing)
Event date: February 5, 2011
Arrival Time: 7:30 AM
Parade Begins: 9:00 AM until noon through downtown Austin


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The latest beautiful addition to our family and by far the cutest baby since his amazing older brother, Zachary, who wanted to name him Puzzle.Marcus joined us on Friday morning after a scheduled c-section. He is healthy with beautiful skin and a face to match his big brother. His mama is doing well and they should all be coming home tomorrow! I am a very proud Auntie K.
Sunday, March 16, 2008
Marcus (Puzzle) Samuel
Posted by Kristen Mouw
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- This event has passed.
Taylor County High School Jazz Band with Billy Gregory & Lisa Gupton
April 26 @ 7:00 pm - 9:00 pm
Taylor County High School Jazz Band with Billy Gregory & Lisa Gupton
The Taylor County Jazz Band is made up students from Taylor County High School grades 9-12. The TCHS jazz band performs every year at various school and community events. They have received Most Outstanding Ensemble Awards at the King Island Music Festival, Six Flags over St.Louis Music Festival, and the Dollywood Music Festival. The group is under the direction of TCHS band director Stephen Bishop. Billy Gregory and Lisa Gupton will be the vocalists for this performance.
Tickets are also available at the door for each performance.
Ticket prices:
Adults: $10; Ages 5-12: $5; Ages 4 and under: free
You can further enhance your support of the series by making a donation greater than the minimal membership fee. You can have your name or business name included on our programs in one of the following contribution-level lists: Friend ($75-99), Sponsor ($100-249), Patron ($250-499), Benefactor ($500-999), or Program Producer ($1,000 or more.)
Call 270-789-1712 or contact any of the Arts Series Board: Barry Bertram, Jennifer Clark, Floyd Farmer, David Gaddie, Lisa Gupton, Peggy Hardy, Ray & Roberta Mensik, Kim O'Banion, and Jeremy Wood


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A 'living wall' of juniper plants chosen for Target Field backdrop
This artist rendering shows what the installation of thousands of juniper plants behind the Target Field center-field wall would look like.
The team has been searching for just right look for the "batter's eye" area above the center-field wall since it removed 14 spruce trees that were in place when the stadium opened in 2010, but removed after one season amid complaints from hitters that they were a distraction.
Ejection of the trees raised objections from fans and gave birth to the team's own version of the Boston Red Sox's decadeslong "Curse of the Bambino." The Twins won 94 of 162 games and made the playoffs in 2010, then endured four seasons of 90-plus defeats.
The junipers — totaling roughly 5,700 — will take the space currently filled by a large black rectangle. The grass berm immediately below will remain.
"The Minnesota Twins are excited about plans to install one of the world's largest living walls at Target Field," said team President and CEO Dave St. Peter, who added that there is nothing else like it in Major League Baseball.
"Since the removal of the original trees, which were part of Target Field's batter's eye in 2010, the Twins have been searching for the right solution which balances playability and aesthetics," St. Peter said. "We believe the living wall concept delivers on both fronts, while further enhancing the ballpark's sustainability platform."
Matt Hoy, the Twins' senior vice president of operations, said the decision to go with the juniper plants came after consulting with players and coaches, and after signoff from Major League Baseball.
While the new visual is meant to help batters see the ball better as it travels from the mound to home plate, Hoy said, "I'm not worried about our pitching staff. We just wanted to make sure it's consistent."
The living wall system will measure 95 feet wide, cover 2,280 square feet and be among the largest in the continental United States. The individually potted plants will be installed every March one by one in a tiered layout that will "create a consistent, stationary background of lush greenery, without variations in color or texture, to provide both beauty and a world-class hitter's backdrop," read the team's announcement Monday.
The junipers will be irrigated by the stadium's current rainwater recycling system. At season's end, they will be stored locally in a nursery for winter care.
The wall will be made by Green Living Technologies International, of Rochester, N.Y., and installed by Boston-based CityScapes.
Juniper plants grow throughout the northern hemisphere and come in dozens of species. The Target Field-bound plants are coming from Oregon, said Hoy.
Hoy said the team is already working to have the imported plants replaced by ones grown in Minnesota. Parochial sensitivities were irritated when the Twins went to Colorado before the inaugural season for the field's sod.
Juniper plants in pots usually are good for two years, Hoy said. Once this current crop has worn down, juniper plants grown exclusively in Minnesota should blanket the space in time for the 2021 season.
Installation of the living wall system is scheduled to start the week of Jan. 21 and be complete before the Twins season opener at home on March 28 against Cleveland.


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March 1, 2019 | Arts and Culture, literature
prouston, we have a problem
the rigors of time, memory, and canonized french novellists
article by Jackson Barkstrom, illustrated by Gaby Trevino
The French novelist Marcel Proust often wrote that it is the individual's duty to recover their own story—that in order to understand our true nature, we must understand how we see and have seen the world. Essentially, if you want to live a conscious—that is to say, "woke"—life, you must take some time alone to shuffle through your mental library of memories and experiences; you must study what makes you you. Proust achieves this objective in his masterpiece Remembrance of Things Past by examining his life, from a childhood in Combray to his time in the world as an older man. In revisiting his past, Proust unearths how he sees and how he previously saw the world. In this way, the novel is something of a credo, advocating for its own form and calling its readers to piece together their own pasts and discover the nature of individual experiences through art. Proust wanted to help us realize that we are, especially with regard to memory and experience, unbelievably complicated.
A noble thought, certainly, but Proust's method of self-discovery preferences the individual's reality at the expense of all else. "The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist," he wrote. Yikes. If "reality" is to be understood only through the creation and consumption of your own art, what's to differentiate Proust's method from solipsism (a personal philosophy in which other people quite literally do not exist)? Surely there must be a happy medium between other people and oneself.
I thought about the importance of others a lot during the Proust, Joyce, and Faulkner class I took last semester with Professor Arnold Weinstein. At the beginning of the semester we discussed ways we could "recover our own story" through texts—the quoted phrase being the Weinstein-approved way to describe the feeling of Holy crap—after reading this, I feel I know myself better! or Whoa, this makes me realize I know so little about myself, and I want to work to find out the Truth! Figuring out this Truth (or acknowledging that it cannot be figured out, which is a Truth in and of itself) is recovering one's story. This was the pitch to students taking the class: read these incredibly detailed accounts of human consciousness, think about them, and you will learn something profound about yourself. If Proust had been in our class, he probably would have loved it. In the eyes of Proust, profound learning must be a solitary process of reading, writing, and thinking: Self-discovery requires one to journey alone and "plumb the depths" of oneself.
However, I think self-discovery on a Proustian scale can and should happen with the help of others. After all, our relations with other people add meaning to our lives, and the people who we're friends with are the people who share stories and experiences with us. Sure, "recovering one's story" does take some individual effort and thinking—Proust is right about that part—but I think it's important to find ourselves as we truly are: not alone, but surrounded by people who color our lives.
I was talking with my brother a while ago about some of our defining memories growing up together. I was explaining how I remembered life in our old house and what it meant to me, and he said something along the lines of, "You know, I don't remember it like that. I see it more like this." Surprised, I thought to myself, "How can there even be another way to remember this? We lived through the same thing!" But after asking him a few questions and hearing the way he saw things, I realized that there are any number of ways to remember the same experience. It was as if my mind had glimpsed another dimension, a greater truth that neither my memory nor my brother's could perceive alone. Taken together, our perspectives pointed to the truth of memory as a creative act far removed from any individual documentation of the past. I didn't feel like I'd reached any profound truth at the time. However, after reading Proust I understood that this realization was on the level of old man Marcel's epiphany in the seventh book of Remembrance of Things Past. Stepping on a stone a certain way and hearing a certain sound, Marcel triggers a childhood memory, inspiring pages and pages worth of text about the limitation and beauty of human experience and memory. As I sat there with my brother, I remember thinking, "Whoa, memory is wild." And I didn't need a book—just a good conversation.
We get this "whoa" feeling every time we truly share perspectives with someone else. The Proustians might say, "Well, you can never truly know someone else's perspective, only infer it from their communication," but this doesn't matter—if we can at least think of other people as having different perspectives from ours, mission accomplished. As long as we're at least trying to understand these perspectives, we can reach something closer to truth by realizing the limitation of our individual perspectives and memories.
Anyway, I don't mean to bash Proust too much, but I think that when you put his thesis in simple English—essentially, "Hole up for years, search yourself, and overcome your individual blindness to produce a work of art that will let people sort of understand you,"—it sounds a little ridiculous. Art is great; and if it helps you understand yourself, hats off to you, but all I need in order to overcome my individual blindness is good conversation and connection with others, sharing memories and experiences. I feel fulfilled when I'm talking to my best friends about more profound subjects because they see me as someone with a perspective different from theirs and try to understand me. They've gotten better at this as we've done more things together. I feel like my friends and I occasionally approach true understanding—there are certainly a good number of "whoa" moments. So if I write my novel, I don't think I'll be hiding away. Sorry, Proust.


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New Irish band 'The Kerbs' are a four piece alternative rock band from Co. Mayo, Ireland. They have just dropped their debut single 'Changes. With this, the band have released a stop motion music video made using over 3400 photos & 6 mugs of tea!
'Changes' is a heartfelt song written by Mark McHale and brought to life by the band. The music video, made on a budget of just €20, tells the tale of an imperfect love story between two mugs of tea. The lads, eager to use their other creative talents, spent three weeks making the video remotely from one of their kitchens in Co. Mayo. It was painstakingly made by changing stickers on the mugs to make facial expressions and bring the characters to life.
The Kerbs recorded their debut EP in Attica Audio Recording Studio in Letterkenny, Co. Donegal. The songs were mixed and recorded by Tommy McLaughlin owner of the studio and bassist of award winning Irish band The Villagers. Many successful bands have recorded there such as Little Hours, The Delorentos , Sam Smith also spent time there writing songs for his new album.
The Kerbs new single 'Changes' is available on all major streaming / purchase platforms: ITunes, Spotify, You Tube, Google Play, Amazon, Deezer and many more.


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This single home sits on a quiet cul-de-sac, with 3 bedrooms and 2 full bathrooms. Beautiful hardwood flooring runs through out the living and dining rooms. Sliding glass doors in the dining room lead to deck and enormous backyard. The galley style kitchen provides ample cabinet storage. Hardwood flooring does extend into the Master bedroom and it~s master bathroom is generous in size. The full size basement has high ceilings, which could extend the living space, if desired. Off street parking is available with a sizeable driveway. Schedule your appointment today!
Listing courtesy of RE/MAX Ready.


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The Scottish health board NHS Tayside has announced that Lesley McLay has been appointed as its new chief executive.
Ms McLay, who has been chief operating Officer at NHS Tayside since May 2011, started her nurse training in Ninewells Hospital in Dundee.
Her previous senior posts include executive director of operations and nursing at NHS Ayrshire and Arran, and director of nursing at the phoneline NHS24.
Speaking on her appointment, Ms McLay said: "It is our staff who make NHS Tayside so successful and it is their dedication to our patients and their families which will ensure we can continue to provide the best possible healthcare services.
"I know many challenges lie ahead and I look forward to working together with the board, staff and our partners to meet those challenges head on and make a difference for the people and communities of Tayside," she added.
Are you able to Speak Out Safely? Sign our petition to put pressure on your trust to support an open and transparent NHS.
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Poblado de la Hoya is a prehistoric town close to Laguardia, dates from 15th century B.C.
In the heart of the town we find the old wall with his archs and narrow streets with their houses and emblazoned mansions.
San Juan Church romanesque style. Santa María de los Reyes Church which has a beautiful portico, jewel of the Gothic art.
Santa María Church was built in the 18th century. Can highlight its façade and tower to Isabelline style. The tower is known as La Giralda.
Labranza is a village with great artistic-historical interest. It was an important military position during the Navarre Kingdom.
Arch of Larrazuria and the remains of The Toloño Castle are vestiges of its older history. Santo Cristo Hermitage gothic style and façade from the end of 11th century. Inside there are an unusual Christ that dates from 1300.
The City Hall from the 17th century and Graeco-Roman Renaissance style.


text: Free membership Free $0 This membership is completely free and will allow you to use parts of this community. You will be able to see some images and videos, you will be able to earn points by helping us tag images. So this membership is the right one for you if you just want to poke around a bit. If you are serious about your passion for jeans, and want to be a part of the largest community in the world, you should consider one of the premium memberships. View members directory View members profile Access group directory Access to groups View site activity Send Private messages Add media to your profile Select ← Return to Home


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Free Download Battlefield 4 Multiplayer Beta For PC, Xbox 360 And PS3
EA has launched a beta version of this game before the final release of this game. Not only this this beta version is available for all major gaming platform PC, XBOX 360 and PS 3. So whether you are a PC user or console users you can enjoy this game. As this is beta version so its free to download. You just need a origin id to download this game.
According to EA this beta version also featured with multiplayer option as they want to check their servers properly. This will proved them a smooth launch of Battlefield 4, which will be officially launch on 29th October on PC, PS4 and XBOX One. While for PS4 and and XBOX one you have to wait till November 12 and 19 respectively. Here I want to mention that beta version of BF4 will end on 15th October. So grab Battlefield 4 beta now.


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Snow Patrol Screenshot
Hello and welcome to Snow Patrol team! In these highlands covered with snow, near to a holiday resort, we play snowballs with people who came here to have a rest from their everyday life and office routine. And from now, you're one of us!
In fact, this game is quite unfair because you'll have to be one against all, so the ice fence and game bonuses will undoubtedly come in handy. Try your best to stand as long as possible in Survival mode and to strike the greatest possible number of opponents in a given time while playing Time trial. The best players' names take their places in the High scores table!
When playing, you can duck down if an opponent throws a snowball. But don't sit too long! If you do, they'll get closer and strike you anyway! To get game bonuses, simply strike snowmobile riders when they appear on the screen. And one more thing: you can get extra points for striking hidden targets. See carefully or simply throw snowballs all over the screen area and you'll find them all!
In this game, you'll get:
Survival and Time trial modes
- Four difficulty levels switching higher automatically during the game
- Hidden targets with extra points
- Different opponents and locations
- Great bonuses like Snowball gun, Shield, and more…
- A whole lot of positive emotions and pure fun!
The only control you'll have to use in this game is mouse. Use cursor to aim the opponent and click left or right mouse button to throw the snowball — both will work! To duck down and evade the snowball thrown by an opponent, simply get the mouse cursor to the bottom of the screen. Use Pause button if you need a break, or press Boss if the boss suddenly came in. And if you don't like how the game goes this time, or you don't like the location, just click Restart! Some keyboard shortcuts are also supported in the game: P = Pause, B = Boss, R = Restart and Q = Quit.
Have fun!
Back to Snow Patrol Details page


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South African Foreign Policy
Module code: PL3064
The story of South African foreign policy since independence in 1948 is a turbulent one. It's one of economic sanctions, political isolation, economic divestment, sporting and economic boycotts, chaotic rugby tours, border wars, occupations and dramatic departures from political unions. It's one of clandestine alliances, inward investment from global powers and nuclear weapons. And post-apartheid, it's one of international co-operation, but not always without controversy either.
This module will introduce you to key themes, debates, actors and makers in South Africa's foreign policy and relations in the apartheid (1948-1994) and post-apartheid periods (1994-present). You'll look at the role of key global actors within South Africa and apply key themes from International Relations within a South African context.
- 30 hours of seminars
- 120 hours of guided independent study
- Assessed coursework, 2,500 words (50%)
- Exam, 2 hours (50%)


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Mangaluru, Dec 15, 2015: Addressing media, K.S. Eshwarappa, Bharatiya Janata Party (BJP) leader and former Deputy Chief Minister, said on Dec 14, Monday that the State government should hold a meeting of experts and elected representatives to resolve the Yettinahole River Diversion tangle.
Eshwarappa said that there was a vertical divide between the legislators in Dakshina Kannada and those from the parched districts of South Karnataka over the Yettinahole River Diversion project.
While the legislators including Ministers of Dakshina Kannada did not want water to flow to South Karnataka because of environmental and other issues, the legislators from South Karnataka wanted the water from Yettinahole as their districts faced severe drinking water problem.
"Instead, the government wants the problem to be on boil as it will divert attention from its administrative failures," he said.
Eshwarappa said that the State government had passed the Panchayat Raj Amendment Bill without any proper discussion on it in the legislature session. The government had failed to incorporate all the recommendations of the Ramesh Kumar Committee Report in the Bill. The State government had given the status of Minister of State for the zilla panchayat president in the Bill, but without any real powers. Similarly, gram panchayats were suffering from lack of funds and struggled to pay electricity bills.
To questions, Eshwarappa replied that the BJP was likely to win 10 to 15 seats in the Legislative Council elections in the State.


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Soji's Walkthrough
Option that i bold get highest point
(Highest Point : 5 Middle Point : 3 Lowest Point 1)
(AP = Affection Point)
Nurul Hidayati
-Chapter 5-
What do you want to do?
Since he's gone to all this trouble, maybe we should go? (1)
I don't care either
-Chapter 10-
I'm not worried
It's all right
You'll be there
Mission : Item 1 (100 Platinum or 200 Marriage)
-Chapter 15-
Does it look good on me?
It's very beautiful
It makes me nervous
Mission : Item 2 (200 Platinum or 400 Marriage)
-Chapter 17-
I'm too embarrassed
Don't laugh at me
I'm too embarrassed
Don't laugh at me
Does it look good on me?
-Chapter 19-
Soji, it's wonderful!
It's so stylish
It really suits me
It's so stylish
It really suits me


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VOC trips are organized by members like yourself, not professional guides. The trips go into wilderness areas where assistance is unavailable and unexpected events can occur. You could be seriously injured or die. You are responsible for your own actions. Please use caution.
HOT SPRINGS: Formal in the Forest Edition · Sat. Apr. 23rd - Sun. Apr. 24th
Warning: This is an old trip - it already happened
- Details Page: Where you can see brief trip details (publicly viewable).
- This trip does not have an associated Wiki Page.
- Message Board Thread: Discuss this trip with other members here.
- Signup Page: Where you can signup, bail, edit participation entries, see/email members on the trip, etc.
- Drivers Page: Where you can arrange rides, get pickup directions and email by car.
- Wikitext Page: From where you can cut and paste information formatted for the wiki.
- Printable List Page: Which generates a printable list of participants.
- Edit Page: Where the trip organizer can edit the entry for this trip.
- Mark Going Page: Where the trip organizer can sign members up as "actually going".
- Modify Signups: Where the trip organizer can change signup classes.
Start: Saturday, Apr. 23rd, 8:00 am
End: Sunday, Apr. 24th, 5:00 pm
The Plan:
We will rally to Skookumchuck hotsprings down the In-shuck-sh FSR from Pemberton for an end of semester weekend hurrah. We will party, independent of weather. We're going to strive to get a large tarp and a PA system. Hopefully someone has a truck to transport beverages and/or firewood. There is car camping. We will construct a tent city. Antics will happen.
Dress Code:
Formal attire! No exceptions! After the last VOC Hot Springs trip with the pig brain eating incident, VOC needs to get some class back in Hot Springs trips.
We drive up Friday night or Saturday morning and set up/join the tent city. Saturday night, we dance, play in hot springs, get lost in the forest, get found by our friends, etc. Sunday, we recover in hot springs or head back to the city, whatever people wanna do. Camping will be $10. Potentially we will collect for kegs and stereo equipment rental. These are details to work out.
COME. Tell your friends, and get them to come too.
Posted: 2016-03-12 12:34:18
Last modified: 2016-03-12 15:07:59


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Love makes us all feel funny. That sense of giddy disorientation, unsinkable euphoria and complete obsession with a brand-new love can be so overpowering, that it's difficult to imagine it's all about feeling. While the results hardly make love less mystical, they do begin to shed light on why it can make people feel so amusing.
Helen Fisher, a research teacher of sociology at Rutgers University, is among many scientists who think the flush of a new love is boosted by natural stimulants in the norepinphrine, dopamine and brain . She discusses that high levels of these natural chemicals can make individuals lose their appetites and their desire for sleep, just by thinking of their new infatuations. "These are fundamental qualities frequently related to romantic love and with these natural stimulants," she says. "What else could explain the way you constantly think about a person, about the way you wish to read them your bad poetry?"
"When a person is passionately in love, it is exceptionally exciting and provocative , and if the enjoyed one is not there, traumatic," states Volkow. "The fact that drug addiction and enthusiastic love might set off the exact same actions, signals to Volkow that drug addiction is especially unsafe given that it taps into a natural sensation.
She explains that recent studies show the exact same areas of the brain consisting of the frontal cortex which is activated when a druggie is high when somebody in love is taking a look at a photo of a loved one. Researchers at University College in London recently tape-recorded modifications in the brains of individuals who described themselves as "truly and madly" in love. The researchers, Andreas Bartels and Semir Zeki utilized a functional magnetic resonance imager to scan the brains of 17 lovehappy volunteers. When the team revealed volunteers images of their fans, the outcomes were significant. 4 small locations of the brain illuminated instantly the same locations that have been shown to respond to euphoria-inducing drugs.
Old good friends, apparently, do not quite trigger the very same stir. Fisher is conducting comparable research studies and is scanning the brain activity of individuals newly in love.
As the majority of know; nevertheless, the rush people feel from brand-new love normally doesn't last permanently. And Fisher is likewise interested in comprehending the biological stimulants and anthropological descriptions for all phases of love.
She argues that there are 3 main phases to a love relationship: lust, romantic love and accessory. The first, she says, is " to obtain you searching for my website anything at all" and is driven by hormonal agents like testosterone.
The romantic love phase, which develops the brain chemical responses pop over here explained by the London researchers, serves to " require you to focus your breeding energy on someone at a time."
And the fmal, less steamy phase of attachment is to make sure that any children produced by a love match has moms and dads at least through its early years.
Research study shows there might also be chemicals associated with sensations of attachment. When researchers injected a natural chemical called oxytocin into the mice, the animals immediately formed attachments. When they injected chemicals that obstruct the result of oxytocin, Fisher states; the mice "avoided their partners and imitated cads."
Recent studies have zeroed in on the chemistry of love, revealing what type of chemical and neurological activities happen at various stages of animal and human relationships.
Love is enhanced by natural stimulants to the noreinphrine, brain and dopamine .
Gushy romantic experiences much like the high of drug dependency.
When thinking of the loved one, regions of the brain stirred.
The phases of love, accessory and desire are impacted by body


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MrChippies posted a topic in ServersWelcome To District X Network ^ 1.8 Based 1.13 Skyblock Server ^ IP: DistrictX.mc-srv.com Discord: https://discord.gg/hCZ7dhR District X Is A Skyblock Server Made To Entertain Its Players We Provide A Mature Community And To Us Maturity Does Not Mean How Old You Are We See It As Something That Depends on How Emotionally Mature You Are. We Have An Active Staff Team That Will Deal With Your Needs Whenever It Is Needed We Have Our Own Website That Was Created By Our Developer RockyHawk. We Provide Multiple Plugins Both Custom And Pre Made And We Always Listen To You Whenever You Find A bug And We Always Try And Fix Them ASAP We Try And Provide Support For All Players So You Can Have The Best Experience Possible. We Hope You Join Us Even Just To Try Us Out We Are Trying To Raise The Best Community On Minecraft I'll See You There 😁