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August 8, 2016
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Paula Vesala
Vesala is a multi-platinum selling, diverse musician who is recognized for her skills in creating tangible stories and universes through words and dynamic performance.
Use your imagination, experience and knowledge to conjure up a ambitious immersive art concept for the theme "Memories of the Future" with the musical score created by world-renowned composer Esa-Pekka Salonen and story challenge by award-winning musical artist and dramaturge Paula Vesala.
Once shortlisted you'll get a chance to develop your vision with Salonen, Vesala and our mentors, a team of leading industry specialists, and pitch your idea to an international jury in Helsinki, Finland. The winner will have their concept produced and exhibited in collaboration with the Finnish National Opera and Ballet.
The deadline for entries closed on April 23rd, finalists will be invited to pitch at First Session, May 29th-31st 2019 in Helsinki.
Create possibilities, break boundaries, envisage the unimaginable.
Propose a creative, immersive concept to be the Finnish National Opera & Ballet's new art piece. The working title is 'Memories of Future'. Your concept should capture the theme, connect or complement the supplied musical score by Esa-Pekka Salonen, and embrace the story fragments by Paula Vesala. It can utilise any immersive technologies and techniques you (and your team) envisage.
Your proposed concept should embrace the spirit of performing arts, music, and most importantly opera and ballet. It can be a work in progress. It is recommended to build a team to be able to fulfill the project.
You'll find the entry form here. For more information please see the Terms and FAQ.
The deadline for entries closed on April 23rd at 23:59 (EET).
View samples
Musical challenge
by Esa-Pekka Salonen
Story challenge
by Paula Vesala
Vesala is a multi-platinum selling, diverse musician who is recognized for her skills in creating tangible stories and universes through words and dynamic performance.
Esa-Pekka Salonen's restless innovation drives him constantly to reposition classical music in the 21st century.
Annina Antinranta is a concept and experience designer, futures thinker and a coach specialised in service creation and customer experience.
Callie Holderman is the Senior Manager of Developer Experience at Magic Leap, bringing mixed-reality content to market for Rovio, Funomena, ILMxLAB, Weta Workshop, Wayfair and more.
Domhnaill Hernon is the Head of Experiments in Art and Technology at Nokia Bells Labs, world renowned industrial research center.
Esa-Pekka Salonen's restless innovation drives him constantly to reposition classical music in the 21st century.
Gabo Arora is an award-winning immersive artist, filmmaker and Founder/Creative Director of LightShed, a storytelling, technology and research studio collaborating with the industry's leading creative pioneers and entrepreneurs focused exclusively on emerging technologies currently known as VR, AR and AI.
Jean-Pascal is the Co-founder and President of Headspace Studio and Head of Sound of Headspace Studio (Montréal). Jean-Pascal believes in a vision of the future where everything you experience digitally is more immersive, more emotional, and more meaningful — because of what you hear.
Kimmo Karjunen (1967) is a lighting, set, video and sound designer within opera and contemporary dance. Karjunen has been the lecturer of lighting design in the Theatre Academy since 1995. He received the State of Finland Award for the Arts in 2009.
Vesala is a multi-platinum selling, diverse musician who is recognized for her skills in creating tangible stories and universes through words and dynamic performance.
Sarah Ellis is an award winning producer currently exploring new artistic initiatives as Director of Digital Development for the Royal Shakespeare Company (RSC). She has been listed in the top 100 most influential people working in Gaming and Technology by The Hospital Club and Guardian Culture Professionals.
Wilfried is a user experience designer specializing in emerging tech and hardware related cases. From engineering through development to user centred design, Wilfried has spent the past dozen years getting his hands dirty while tackling the ins and outs of human-computer interaction.
Step 1. Feb – April
Design a concept for an original immersive art work and submit your proposal via the application form. You'll briefly describe the design for the piece, give a simple overview of the tools, technology and materials used to create it, and how you intend the audience to experience it.
You'll find the entry form here.
Step 2. May
The Opera Beyond judging panel will announce the shortlist, and the finalists' profiles will feature on the website.
We have a team of specialist advisors ready to assist you with feedback, and how to develop your art concept to best fit the brief and creative elements set by the Finnish National Opera and Ballet – in preparation for the First Session.
Step 3. May
Finalists will be invited to the Finnish National Opera in Helsinki for an intensive two-and-a-half-day event of idea conceptualisation and finalisation.
You will have a chance to expand and refine your idea through mentoring sessions in fields of technology, storytelling, production, and musical score; and you can elucidate a more detailed design. The event culminates with a live pitch of your immersive art piece on stage at the First Session conference, Finnish National Opera, May 31st 2019.
The concept must
The concept should
The concept could
Please see FAQ for further questions.
Rob Morgan is a game writer, digital dramaturge, and co-founder and Creative Director of immersive AR studio Playlines. Rob was Lead Game Writer and Voice Director on the groundbreaking PS3 AR titles 'Wonderbook: Book of Spells' and 'Book of Potions', written in collaboration with J.K. Rowling, and he wrote and voice-directed 'A Fisherman'sTale' from InnerspaceVR.
Rob has worked on numerous VR/AR projects including writing 'Firebird: The Unfinished' (VR) (premiered Tribeca 2018) and the 2017 HoloLens project 'SlushPolis Story' (Future of Storytelling Prize-winner 2017), has written premium content for the critically-acclaimed 'Fallen London', and was Content Editor for the multi-award-winning '80 Days'.
Rob is a passionate pioneer of immersive narrative. He directed Playlines' interactive installations at London's iconic Roundhouse and #FutureFest 2016, and co-created and directed the location-based immersive AR Grime experience 'CONSEQUENCES' (FoST Prize Finalist 2018) in collaboration with multi-award-winning UK rapper Harry Shotta.
Annina Antinranta is a concept and experience designer, futures thinker and a coach specialised in service creation and customer experience.
She works at the intersection of people and emerging tech. Annina has a diverse background in art, service design, UI and UX design, branding, marketing, product design and performing arts and music. For the past twenty years she has worked with customers from start-ups to multinational companies designing concepts from mobile phone apps to physical attractions and visitor experiences.
Being future-capable is stretching the mind. Annina is one of the core team members of the award winning Tulevaisuuspäivä 2019 (Futures Day), aimed at bringing future literacy to everyone's toolkit, and a co-founder of the award nominated Intelligence Augmentation Design Toolkit, aimed at demystifying machine learning.
In recent years Annina has focused on training and coaching designers and non-tech experts on future smart service creation. Annina currently works at Futurice as a design director and lead service designer.
Wilfried is a user experience designer specializing in emerging tech and hardware related cases. From engineering through development to user centred design, Wilfried has spent the past dozen years getting his hands dirty while tackling the ins and outs of human-computer interaction.
From humble origins as a rancher's son on a remote horse farm in Canada's coastal mountain range, Wilfried's work has taken him across the world through a wide variety of projects. These have involved everything from building user interfaces in German and Chinese factories to prototyping rehabilitative health devices in Iceland and making interactive Samba costumes in Finland.
Currently, Wilfried works at Futurice on AR/VR and industrial projects, often serving as a bridge between tech and design.
Ike Rings is a creative technologist who is passionate about the intersection of art, science and technology. He is currently working at Futurice as a specialist of emerging technologies such as Mixed Reality and Social Robotics, both of which explore and experiment with various aspects of human-machine interaction.
Ike's main area of interest are immersive visual technologies, especially Augmented Reality. However, these technologies do not exist in a vacuum and therefore he continues to experiment with machine learning aspects such as computer vision and neural networks with other Futurice experts. These experiments are a part of innovation company activities and when immersive visuals are combined with machine learning and other approaches to AI, unforeseen yet delightful results can emerge.
Experimentation, research and continuous learning-by-doing are vital elements of Ike's work. In the context of the arts, he is especially fascinated by the user interaction and experience with immersive visual technologies and new realities.
Luke Ritchie is Head of Innovation & Partnerships at the Philharmonia Orchestra. The Orchestra has had a dedicated Digital department for nearly a decade, using technology to connect with a growing audience beyond the traditional Concert Hall, creating new artistic experiences that allow you to step inside the Orchestra.
Under the artistic leadership of Principal Conductor Esa-Pekka Salonen, the Digital team has created a range of cutting-edge projects, from iPad apps to interactive web documentaries, from its large-scale installations to touring musical trucks, from its extensive video collection through to Virtual Reality. It began working in VR in early 2015 and has created three films to date.
The Philharmonia Orchestra is a world-class symphony orchestra for the 21st century, led by Principal Conductor & Artistic Advisor Esa-Pekka Salonen.
The Orchestra's home is Southbank Centre's Royal Festival Hall, London, where it presents over 50 performances each year. Six other residencies across the UK bring the Philharmonia to a wide national audience. Internationally, the Philharmonia is active across Europe, Asia and the USA.
The panelists will present us with three different ways of augmenting live performance with projection technologies.
The constant development of projection technologies can enhance the level of immersion in stage arts. For example in The Finnish National Ballet's Little Mermaid, projection technology created an illusion of being under the sea, with sharks and turtles appearing right next to the audience members wearing 3D glasses. Another method is the traditional projection mapping that benefits today from more and more sophisticated tracking systems. The tracking systems can also be used with many kinds of projection solutions, from those relying on video to alternative techniques like laser. In this panel, the guests will discuss the current and upcoming trends in the field and compare three different technologies creating three dimensional effects on stage.
From the point of view of art institutions' management there is also a very concrete advantage in digital scenography. Instead of bringing in tens of trucks and personnel delivering a set for a visiting production, the entire scenography can be put on digitally.
Jouka Valkama is a dancer and choreographer who has worked at the Finnish National Ballet since 1995. He is also the new artistic director of dance company Ballet Finland. He has worked as video designer in many live performances, and was responsible for the 3D projections in The Finnish National Ballet's The Little Mermaid (2015).
Kimmo Karjunen is a lighting, set, video and sound designer within opera and contemporary dance. He has designed more than 40 contemporary dance pieces. He graduated as the Master of Arts from the Theatre Academy of Finland in 1991. Karjunen has been a Senior lecturer of lighting design in the Theatre Academy since 1995. He received the State of Finland Award for the Arts in 2009.
Tatu Tyni has worked as a professional magician for 20 years and has toured all over the world, from the US to North Korea. He is a stage illusion innovator and has created his own Digital Illusion Equipment (D.I.E.) based on lasers tracking props and actors. He has created stage illusions for various theatres, including Helsinki City Theatre and Vaasa City Theatre.
Momo the Robot is an open-source InMoov robot designed by Gaël Langevin. Having been born to Futurice approximately two years ago, Momo has achieved surprisingly lot. At the age of two, Momo has already been part of a contemporary dance performance "Human Robot Moving Robot", featured in a movie "Outouden Laakso", hosted engaging conversations at "The Other Encounter", taught children, traveled the world and even had an appearance on Finnish live TV show "Enbuske, Veitola & Salminen".
In spring 2018, Momo had the chance to teach autistic children baby sign language in collaboration with Prizztech and Satakunta healthcare district. In addition to working with children, Momo has been a mediator for an artistic telepresence experience during Helsinki Design week in the fall of 2018. Continuing on Momo's new-found artistic side, Momo took part in Futuresday 2019, performing a dance choreography together with performer Iina Taijonlahti.
Having taken part in a number of projects Momo has started to break ideologies and ways of thinking of what it means for a robot to interact with humans. However, sometimes even Momo needs time to rest. When Momo is not working and challenging peoples' ideas, Momo likes to charge up batteries (literally!), and get some body parts fixed and printed.
Jean-Pascal is the Co-founder and President of Headspace Studio and Head of Sound of Headspace Studio (Montréal).
Jean-Pascal believes in a vision of the future where everything you experience digitally is more immersive, more emotional, and more meaningful — because of what you hear.
With extensive experience in audio post-production and music score direction and driven by a combined passion for cinematic storytelling and immersive audio technology, he established himself as a creative pioneer in the emerging field of spatial audio for XR.
Along with longtime collaborators Felix & Paul Studios, a recognized creative and technology leader in cinematic VR, he co-founded Headspace Studio, the first studio entirely focused on immersive sound. In 2018, the studio expanded to Los Angeles.
With Headspace Studio, Jean-Pascal has worked with important creative partners on projects such as the Primetime Emmy Award-winning The People's House: Inside the White House with Barack and Michelle Obama, Wes Anderson's Isle of Dogs: Behind the Scenes (in VR), Jurassic World: Blue, as well as three experiences that premiered at this year's Sundance Film Festival: Traveling While Black by Academy Award-winning director Roger Ross Williams), Gloomy Eyes, and Marshall from Detroit (feat. Eminem).
Kimmo Karjunen (1967) is a lighting, set, video and sound designer within opera and contemporary dance. He has designed more than 40 contemporary dance pieces.
He graduated as the Master of Arts from the Theatre Academy of Finland in 1991. Karjunen has been the lecturer of lighting design in the Theatre Academy since 1995. He received the State of Finland Award for the Arts in 2009.
Callie Holderman is a producer forging opportunities for storytellers to use
immersive technology in their work.
She is the Senior Manager of Developer Experience at Magic Leap, bringing mixed-reality content to market for Rovio, Funomena, ILMxLAB, Weta
Workshop, Wayfair and more.
Outside of her role at Magic Leap, Callie serves on the Augmented, Virtual and Mixed Reality Committee for ACM SIGGRAPH, where she has curated innovative AR/VR/MR content, produced media segments, and provided operational support for over a decade.
She champions sustainable artistic opportunity. As an owner and visionary
of Endgames Improv's new theater space in San Francisco's Mission District, she grants artists a permanent residence to collaborate. As an improviser, she performed with PlaySFMOMA. Her productions and performances have been staged in venues in New York, Las Vegas, San Francisco, and Miami.
Callie holds firm that successful interactive technologies serve to deepen human connection and seeks opportunity to collaborate towards that goal.
Kathy is the Director of Product Strategy & Business Development at Magic Leap, where she helps lead strategic and content partnerships as well as company and product-level strategy.
Magic Leap is a team of creators, engineers, scientists and artists who are building the next computing platform, starting with Magic Leap One, a lightweight, wearable computer that enriches your experience in the real world with digital content, in everything from commerce and entertainment to communications and productivity.
Prior to Magic Leap, Kathy worked briefly as a Sr. Product Manager at Amazon Video and helped with the division's launch in India. Before that, she worked on the investing team at Andreessen Horowitz, focusing on consumer internet startups. Kathy started her career in tech and media investment banking at Allen & Company, advising companies such as Facebook, Twitter and Amazon.
Kathy holds an M.B.A. from Harvard Business School and a B.S. in Finance and Political Science from The Wharton School at the University of Pennsylvania.
When she's not thinking about the future of spatial computing, Kathy likes to get outside and enjoys hiking and skiing, getting lost in museums and all things food-related.
Managing Director of 59 Productions
Richard Slaney is the Managing Director of 59 Productions, leading projects for the company as a Project Director alongside acting as Executive Producer for larger scale works.
In summer 2018, Richard created and directed Five Telegrams, a unique collaboration with composer Anna Meredith, to open the BBC Proms and the Edinburgh International Festival. Five Telegrams was Richard's second collaboration with the BBC Proms after the 2016 projection-mapping film, Cello with Elgar's Cello Concerto in E minor.
In March 2018, Richard created and directed Array for the Barbican and City of London's Culture Mile, transforming the Beech Street tunnel into a vast canvas for a newly-commissioned animated digital artwork inspired by Esa-Pekka Salonen's contemporary classical masterpiece, Karawane, allowing audiences to explore the work aurally, visually and spatially.
In 2016, Richard led the team creating a spectacular event to mark the centenary of the Boeing Company. This once-in-a-lifetime event was the first of its kind: theatre with aeroplanes, featuring animated sequences projection-mapped onto moving aircraft. Projects as a producer also include Lighting the Sails of the Sydney Opera House, Deep Time for Edinburgh International Festival and the Digital Revolution exhibition for the Barbican Centre.
A music graduate, Richard has a strong interest in using technology to allow audiences new perspectives on classical music and music making, and much of his work for 59 Productions has focused on this area. Before joining 59 Productions, Richard was the Head of Digital for the Philharmonia Orchestra (London) establishing and leading the Orchestra's critically acclaimed Digital Department, creating innovative exhibitions, films, live performances and apps.
Digital artist and virtual scenographer
Tanja Bastamow is a digital artist specializing in virtual scenography. Bastamow's key areas of interest are immersive virtual environments, how new technology affects visual storytelling, combining live performance with real-time virtual elements and finding new visual styles in digital expression.
She has been working as a freelancer in virtual set design, animation and post production for audiovisual media, new media technologies and experimental games since 2000. In addition to this, she has previously held the position of lecturer in digital design methods at Aalto University's Department of Film, Television and Scenography.
She is currently undertaking her PhD, doing artistic research on real-time virtual scenography at Aalto University.
Tech Futurist and Immersive Experience Consultant.
Galit Ariel is the author of 'Augmenting Alice - The Future of Identity, Experience and Reality', a notable keynote speaker and thought-leader in the field of immersive interaction.
Galit Ariel is a transdisciplinary creative and strategic thinker. She defines herself as a 'Digital Hippie', since she is passionate about a future that will integrate technology into our everyday lives, but not control it.
As a thought leader in Augmented Reality, Galit explores the wild and imaginative side of immersive technologies, but also their impact on our everyday lives and culture. She is a notable speaker that appears in international conferences (including TED and Slush Tokyo), as well as a leading consultant and mentor for agencies, brands, institutions and think tanks.
Her book 'Augmenting Alice - The Future of Identity, Experience and Reality' explores the manner in which Augmented Reality implementation will redefine core concepts within the human experience, contributing to changed perceptions of reality, culture, space, identity, and ethics.
"Ariel does some serious thinking about the role of personhood and individual autonomy when corporations that control our access to a new reality become drivers of markets, and cross-border media giants. The self-proclaimed nerds who saw the Holodeck on the bridge of the starship Enterprise and said, "I want that," may well want to read Augmenting Alice before they design a new pair of digital rose-tinted glasses. As Ariel suggests, nothing less than the way we see the world may be at stake." (Sam McMillan, Communication Arts Magazine)
Digital Storytelling Program Manager
Sarah Brin is a creative producer specializing in play, new media, and accessibility. She currently works as the Digital Storytelling Program Manager at Meow Wolf.
Meow Wolf creates immersive and interactive experiences that transport audiences of all ages into fantastic realms of story and exploration. This includes art installations, video and music production, and extended reality content. Their first permanent installation, the THEA Award-winning House of Eternal Return, launched in March 2016 with support from Game of Thrones creator, George R.R. Martin. Inside the venue, based is Santa Fe, New Mexico, guests discover a multidimensional mystery house with secret passages, portals to magical worlds, and an expansive narrative amidst surreal, maximalist, and mesmerizing art exhibits.
Before joining Meow Wolf, Sarah has developed programs, exhibitions, and publications for more traditional arts institutions including the Hammer Museum, British Arts Council, the Museum of Contemporary Art Los Angeles, the MAK Center for Art and Architecture and elsewhere. Sarah specializes in organizational development and the implementation of new initiatives and technologies within arts organizations. Some of her prior projects include supporting the development of PlaySFMOMA, the artists in residence program at the Pier 9 Workshop, and an EU research grant focused on playful museum experiences.
Composer, Sound designer, Director
is an artist who combines different disciplines. Already
during his studies of classical guitar, visual arts and music composition, Mathis began to experiment with film and sound and since then has combined these elements with live theatre and opera. During the recent years, he added programming to his toolbox to be able to work on interactive projects by himself.
Integrating smartphones and headphones as an integral part of todays public life, Nitschke created an interactive audio tour for promenaders at the Munich river Isar: "Vergehen" ("Passing", 2016), an opera which one has to walk. It lets the real world interact sonically with the virtual world.
In October 2017, "MAYA" had its premiere: a Mixed-Reality-Techno-Opera
in which central questions of post-humanity have been discussed. In the ruins of the heating plant Munich-Aubing, Nitschke created a virtual cosmos parallel to the real world, on the basis of sound, music, augmented reality technology and digital art, in which the audience could move freely.
Before these interactive endeavors, commissioned by the National Opera Montpellier, Mathis Nitschke created the Grand Operas "Jetzt" (2012) and "Happy Happy" (2014) together with his long-time collaborator light designer and director Urs Schönebaum. "Jetzt" earned a nomination for 'premier of the year' in the Opernwelt yearbook 2013.
Currently he creates a GPS-controlled immersive orchestra experience for the Munich Philharmonic Orchestra, letting the user explore the sound within the orchestra as a virtual walk-in installation on a green field.
Immersive artist
Gabo is an award-winning immersive artist, filmmaker and Founder/Creative Director of LightShed, a storytelling, technology and research studio collaborating with the industry's leading creative pioneers and entrepreneurs focused exclusively on emerging technologies currently known as VR, AR and AI. He is also a professor at Johns Hopkins University, where he designed, leads and is the Founding Director of the new Immersive Storytelling and Emerging Technologies (ISET) program and lab. Formerly, he was a Senior Economic Policy Advisor for Secretary General Ban Ki-moon; a UN diplomat with extensive field experience in disaster and conflict zones; and the United Nations' first-ever Creative Director where he founded UNVR - a division of the UN focused on virtual reality initiatives and campaigns.
The output of Gabo's VR films raised over $1 billion in increased aid for refugees. His VR film Clouds Over Sidra, in partnership with UNICEF, continues to double direct to consumer fundraising contributions from 1:12 to 1:6. Sidra is distributed in 40 countries in 15 different languages and is the most widely distributed and viewed social impact VR film globally.
A native New Yorker, Gabo also holds honors degrees with distinction from NYU and Johns Hopkins University. His mother tongue is Punjabi, he is fluent in Hindi/Urdu, French, Italian and Spanish. He is a Davos World Economic Forum Arts and Cultural leader and was nominated for a term-membership at the Council on Foreign Relations by Francis Fukuyama. His work is in the permanent collection of the Museum of Modern Art, nominated for an Emmy, awarded a Cannes Lions, a Sheffield Doc/Fest award for best documentary, a Lumière Award, two Webbys, and has been featured in the New Yorker, BBC world service, the British Film Institute's Sight and Sound magazine, Fast Company, New York Times and covered widely in the Guardian, Vice News, Wired, TED, NPR and PBS Newshour. Gabo's VR experience, "Zikr: A Sufi Revival", World Premiered at the Sundance Film Festival 2018, with Newsweek calling it "the most transcendental experience of the festival" and was the first-ever VR documentary to be sold and acquired (by Dogwoof) in Sundance's history.
Head of Experiments in Art and Technology at Nokia Bells Labs.
Domhnaill Hernon is Head of Experiments in Arts and Technology (E.A.T.) at Nokia Bell Labs. He graduated with a B.Eng in Aeronautical Engineering, a Ph.D in fundamental fluid mechanics from the University of Limerick and an Executive M.B.A. from Dublin City University, Ireland. He is passionate about turning research/ideas into reality and exploring the bounds of creativity to push the limits of technology.
Domhnaill was previously responsible for turning Bell Labs disruptive research assets into proto-solutions that could be tested at scale in the market and he established new methods to overcome the "Innovation Valley of Death". He is currently responsible for Bell Labs global activities in E.A.T. where he collaborates with the artistic/creative community to push the limits of technology to solve the greatest human need challenges.
Sarah Ellis is an award winning producer exploring new artistic initiatives.
Sarah Ellis is an award winning producer currently exploring new artistic initiatives as Director of Digital Development for the Royal Shakespeare Company (RSC). She has been listed in the top 100 most influential people working in Gaming and Technology by The Hospital Club and Guardian Culture Professionals. During her time RSC she has continued exploration into the future of theater innovation in collaborations with tech giants like Google, Magic Leap and Intel.
Sarah is an advocate for a people-centric approach whilst pushing the boundaries of theater. For example in the Tempest with Intel the experience didn't rely on pre-recorded footage, but instead turned live performance into a digital presentation by using real-time motion and facial capture for the very first time in history.
At her work Sarah is continuously searching for new ways to amplify live experiences digitally. She and the RSC publish their explorations and lessons learned to encourage other cultural institutions to follow their footsteps.
Vesala is one of Finland's most popular musical artists today.
She is a multi-platinum selling, diverse musician who is recognized for her skills in creating tangible stories and universes through words, notes and dynamic performance.
In addition to her own repertoire, the singer-songwriter has composed songs and written lyrics for countless other musical artists. By the same token, she has expanded her award-winning creative career as a playwright, dramaturge, film and voice actor as well as documentary director. She has acted major roles in award-winning films such as Little Wing (Nordic Council Film Prize) and Unknown Soldier.
Vesala has studied music pedagogy at Sibelius Academy, dramaturgy at the Theatre Academy of Finland and playwriting at University of California.
Paula Vesala continues her solo career under the artist name "Vesala" and keeps on bringing her talent into new striking cross-disciplinary art projects.
Photo: Juha Mustonen
Esa—Pekka Salonen is a Finnish orchestral conductor and composer.
Esa-Pekka Salonen's restless innovation drives him constantly to reposition classical music in the 21st century. In 2020, he will become the Music Director of the San Francisco Symphony. He is the Principal Conductor and Artistic Advisor for London's Philharmonia Orchestra, where the award-winning RE-RITE and Universe of Sound installations have allowed people all over the world to step inside the orchestra through audio and video projections. Salonen also drove the development of a much-hailed app for iPad, The Orchestra, which gives the user unprecedented access to the internal workings of eight symphonic works.
As the Music Director of the Los Angeles Philharmonic, where he is now Conductor Laureate, Salonen was instrumental in opening the Frank Gehry-designed Walt Disney Concert Hall and made the orchestra one of the best attended and funded in the country. He is the Artist in Association at the Finnish National Opera and Ballet, and the cofounder of the annual Baltic Sea Festival. In 2015 he addressed the Apple Distinguished Educator conference on the uses of technology in music education, and his Violin Concerto was featured in an international campaign for iPad.


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Teenage girl killed by jilted lover for rejecting proposal in Hyderabad
In a shocking incident, a tenth class girl was allegedly killed by an engineering student on the outskirts of Hyderabad as the 16 year girl rejected him.
The accused was identified as Arvind and he went to the girl's home in Sanga Reddy district of Telangana and argued with her. He took a knife with him and slashed her throat when she did not accept his proposal. The boy has been stalking her for the past few weeks.
The girl was immediately rushed to the hospital but died as she was badly injured. The boy was enraged as the girl used to talk to other boys and did not accept him. He was caught by the locals and manhandled before they handed over him to the police. They beat him up mercilessly as he deserved the punishment as the crime on women is increasing day by day.


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Comic Potential: Further ReadingThis page contains details of publications & articles relating to Comic Potential. The information is for research & the website cannot provide copies of the articles listed.
Published EditionsComic Potential
Faber, 1999, ISBN 0571197876
Comic Potential
Samuel French Ltd, 2006, ISBN 0573110611
BooksPaul Allen: A Pocket Guide to Alan Ayckbourn's Plays
pp.183-190 (Faber & Faber, 2004, ISBN 0571214924)
Paul Allen: Alan Ayckbourn - Grinning at the Edge*
pp.300-303 (Methuen, 2001, ISBN 0413731200)
Albert Reiner Glaap: Ayckbourn Country – Second Edition*
pp.175-182 (Wissenschaftlicher Verlag Trier, 2004)
ArticlesBack To The Future
Simon Murgatroyd, Scarborough Evening News, 13 May 1998
Knight Scenes
Lynda Murdin, Yorkshire Post, 22 May 1998
Love And A Lady Robot
Dave Windass, The Big Issue, 8 June 1998
Is That A Sci-Fi Play I Spy?
Mark Fisher, The Herald, 19 June 1998
May The Dark Farce Be With You
Heather Neill, Sunday Telegraph, 3 October 1999
King Of Dark Comedy
Bryan Appleyard, Sunday Times, 3 October 1999
Ayckbourn Sees Future For Humour
John Moore, Denver Post, 3 March 2003
Reviews: World PremiereTheatre
Tim Richardson, Country Life, 30 July 1998
Comic Potential
Daily Mail, 12 June 1998
Ayckbourn Blasts Back To The Future On Gales Of Laughter
Charles Spencer, Daily Telegraph, 8 June 1998
Ayckbourn's Robotic Hit
Robert Gore-Langton, Express, 6 June 1998
Ayckbourn And The Paranoid Androids
Michael Billington, The Guardian, 6 June 1998
A Case of Funny Money
Georgina Brown, Mail On Sunday, June 1998
A Movie Buff's Dream
Simon Murgatroyd, Scarborough Evening News, 5 June 1998
Comic Potential
David Jeffels, The Stage, 18 June 1998
Nothing Personal
John Peter, Sunday Times, 14 June 1998
Robo-Soap Humour Dulled By Mechanics Of The Plot
Benedict Nightingale, The Times, 6 June 1998
Comic Potential
Yorkshire Evening Press, 5 June 1998
Comic Potential
Lynda Murdin, Yorkshire Post, 6 June 1998
Reviews: London PremiereRobot Soap Has Janie In A Lather
Robert Gore-Langton, Daily Express, 14 October 1999
Ayckbourn Android Has Star Potential
Michael Coveney, Daily Mail, 14 October 1999
Android's Masterclass In Comic Timing
Charles Spencer, Daily Telegraph, 15 October 1999
Ayckbourn's World Of Robots Is A Virtual Comic Delicacy
Nicholas de Jongh, Evening Standard, 14 October 1999
Acting Out The Mechanics Of The Human Soap
Sarah Hemming, Financial Times, 18 October 1999
Comic Potential
Michael Billington, The Guardian, 18 October 1999
Artificial Intelligence
Paul Taylor, The Independent, 18 October 1999
The Robots Showed Few Signs Of Life
Maeve Walsh, Independent On Sunday, 17 October 1999
Comic Potential
Mail On Sunday, 17 October 1999
Comic Potential
James Inverne, Metro, 18 October 1999
Comic Potential
The Observer, 24 October 1999
This Sceptered Aisle
John Simon, New York Times, 7 February 2000
Comic Potential
Peter Roberts, Plays International, December 1999
Comic Potential
Edward Pearce, The Scotsman, 19 October 1999
Winning Strategy
Patrick Carnegy, The Spectator, 23 October 1999
Comic Potential
Sunday Telegraph, 17 October 1999
Comic Potential
John Peter, Sunday Times, 24 October 1999
Comic Potential
Peter Hepple, The Stage, 21 October 1999
Comic Potential
Dominic Cavendish, Time Out, 22 October 1999
Ayckbourn's Soapy Androids
Benedict Nightingale, The Times, 15 October 1999
Comic Potential
Roger Foss, What's On, 22 October 1999
All research for this page by Simon Murgatroyd.


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OK, credit to Toynbee for belatedly praising Corbyn. Just to pick out a few points though; Corbyn has DEVELOPED as a leader, but he has not changed specific to his basic principles. He has always been a democrat, and he has always been a listener. What HAS changed, is that Toynbee and almost all the mainstream media PROJECTED on to Corbyn, McDonnell et al, what THEY thought, not the actual reality. Corbyn has always compromised and 'reached-out'; his first, and subsequent Shadow Cabinets have covered all 'parts' of the party, including those he supposedly hates (of course, he doesn't). What Toynbee is pointing out, without saying it, is that she, along with virtually every one else, was wrong about Corbyn. About McDonnell. About The Movement. The, quite frankly, unprecedented humility shown by Corbyn and WLG/Momentum/The Movement and blind-eye turning/tongue biting they demonstrated, while facing mass internal opposition and outright abuse, has been indicative of Corbyn and The Movement since day dot.
Of course, like anywhere, you may have the odd arsehole, but I have yet to see it first-hand. In our Welsh Labour Grassroots/Momentum group I am told-by the media-that we are a bunch of anarchist, jobless, hate-filled racists; but when I look at the breath of ages, economically diverse, gender balanced people of all colours, cultures and faiths I see merely decent people: professors, solicitors, teachers, unemployed, single mothers, single fathers, students, social workers, economists, retail workers, councillors, retired folk, children etc.
You will, and do, get those who still absolutely do not 'get it'. I don't mean they disagree with ideology or policy, which is of course entirely their privilege to do so, I mean they STILL do not understand what is going on, why it is happening, and why 'their way' exists in a minority of the electorate, but majority of the mainstream media and Westminster bubble. My own Labour MP has gone so far out of their way to not praise, or even positively mention the current JC AT ALL since he helped them add 8,000 new votes in a constituency that the official Labour campaign only targeted those known to have voted Labour previously, while leaving all mention of Labour and Labour logos off a lot of the campaigning material; yet we campaigned for the candidate despite attempts to keep us Corbyn lot away.
It is THEY who have to change unless they want to look petty, pedantic and 'sore winners' and deniers of reality. The best examples of this: The Tories and the political commentariat/media editors. They remind me a bit of that General in Iraq, always interviewed on camera, who remained loyal to Saddam Hussein, saying they were still very much in control and on-point with the people, while, quite literally, in the background, the people were pulling down the statue of Saddam. Were I relevant enough to the narrative, the aforementioned people would now be creating the headline "Corbyn supporters believe New Labour lot are as bad as Saddam Hussein!".
Again, were I relevant enough, the BBC would be deriding me on air for making such a comparison. They would insinuate I was part of a cult. I would point out that, from my perspective, a cult is usually the minority…I would also point out that defending someone most of us have been waiting our lives for, and defending ourselves, against the daily abuse/character assassinations/lies/hate etc, or 'circling the wagons' is an inevitable consequence of dealing with the aforementioned bile thrown at 'The Leader', and us all.
Which brings us to the man himself. While it was absolutely essential Corbyn was elected Labour leader-if only to act as an anchor to the runaway Neo Liberal train that crossed both parties-and that I know of no one else who could have maintained such resolve, dignity, compassion and STILL reached out to those doing everything to bring him down, by his own admission, Corbyn is merely a front to a Movement. He is one of us; he has our back, we have his. Collectivism. Socialism-to quote the late, great, Hugo Chavez-"21st Century Socialism"… Somewhere else in the article where Toynbee is wrong, is about the Brexit vote; it was not a top-down stitch-up as she says-it was democratically decided by members on the Conference Arrangement Committee. Again, collectivism and inclusiveness.
There has been talk, from those who have the loudest voices in the media, but who were wrong about every single major political event of at least the last 2 years, that we may have reached "Peak Corbyn". This, once again, fundamentally misunderstands what is going on; it is a Movement, not a man. It's just that for once, thanks to our ridiculously outdated voting system, there is an option of someone who can actual be in power who shares the policies, ideals, morals, ethics, compassion and progressive ideology of millions of people. When have we had that option in the last 30+ years? We haven't. If we voted for one of the main parties, we have had to vote with massive reservations.
It will also continue to be VERY difficult for this movement; the roots of extreme, rogue, Neo Liberal Free Market Capitalism run very deep in our society. There is, and will continue to be, HUGE opposition to what we are collectively trying to achieve. I also do not doubt the lengths that the aforementioned will go to to stop The Movement; anything will go. Anything. It will also be difficult as The Left has not had this opportunity before really; we are not used to power or at least, potential power. Therefore, there are many people with many different takes on what is the 'correct' way to do things; which will, inevitably, play into the hands of the critics and their "The Left always fight and disagree, they can't be coherent!" narrative.
We must remember that we are ultimately on the same page, pointing in the same direction-support each other, deal head-on but politely with any issues. Remember that different people take different things from this Movement-while we are all committed and all want change, for some they want to be more direct, for others the focus is on the social side of creating change. No way, that broadly follows along the lines of the basic principles, is 'wrong'. So, embrace differences, listen to each other and remember who the true enemy is. We must also embrace all those who disagree with us; we can all learn from each other, and none of us should be too precious about the way things need to be done. The important thing is the end goal. The more collective we are, despite differences, the more successful we will be…which means the better the UK will be.
So, now Corbyn and the Movement are making the much-under-estimated cultural impact on society, we must continue to build the Movement so that when the time comes, the next head of this wonderful bunch of people, is able to, as seamlessly as possible, click in and continue the good work and development. I am hopeful and excited by the prospect of Prime Minister Corbyn; but remember, we are currently trying to change THEIR world in to OUR world, and so we will all have to make & accept compromises, despite the goal being the same. That is because none of us are the same. But to quote Emily Thornberry:
"Nothing is stronger, nothing on earth than a person of principle … whose unshakeable values will carry him (or her) to Downing Street"…Solidarity with you all.
Adam Samuels


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Audio entry system, Double glazed
Spacious, one bed with en-
Separate bathroom with bath and walk in shower
Fitted kitchen, appliances
SKY connection available, T.V. & B.T. Points.
This one bed flat is larger than many 2 beds


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Bill passed away on March 19, 2013 at the age of 63.
He was predeceased by his parents, Eileen and Garnet; sister, Maureen and brother, Allan.
William is survived by his brothers, Thomas (Deborah, nephews Matthew and Ryan) and Gordon (Carol, niece Catherine); nephews, Sean (Mary), Steven and Danny; brother-in-law, Nelson Freedman; cousin, Lily LeBeouf and dear friend, Noreen Chibuk.
A special thank you to the staff at Henry Singer for their support.
A Celebration of Williams Life will be held at Connelly-McKinley Funeral Home, 10011 114 Street, Edmonton on Thursday, March 28, 2013 at 10:00 a.m.
In lieu of flowers, donations to the Canadian Cancer Society, #201, 9452 51 Avenue, Edmonton, AB, T6E 5A6 would be appreciated.


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Puzzle Knots Workshop
Puzzle Knots Workshop
- This event has passed.
March 15 at 7:00 pm - 9:00 pm
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Join for a unique evening class to learn all about puzzle knots! Students will learn how to tie 3-5 different Chinese and Celtic style puzzle knots and sliding closures using flat knots. Each student will then use their favorite of the new techniques to construct at least one bracelet (but likely more!) using puzle knots and beads.