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Showcase Showhouse: Dream Home
Chicago's top designers celebrate style and function in DreamHome 2006
Traditional Home teamed with Chicago's Merchandise Mart to sponsor DreamHome 2006, featuring nine rooms created by some of Chicago's top designers. With its sophisticated display of comfortable elegance, DreamHome is a celebration of high-style design and down-home function.
DreamHome is in the north lobby of the Merchandise Mart, which is located at Kinzie and Wells streets. The showhouse, which runs through December 22, is open 9 a.m. to 5 p.m. Monday through Friday and 10 a.m. to 3 p.m. Saturday. Tours are free, but there is a suggested admission donation of $5 to benefit The University of Chicago Cancer Research Foundation. For additional details, call 800/677-6278 or visit merchandisemart.com. After touring the DreamHome, get in the holiday spirit by visiting the Merchandise Mart's One of a Kind Show and Sale.
The One of a Kind Show and Sale
December 8–10 at The Merchandise Mart (800/677-6278 or merchandisemart.com/oneofakindshow) $10 for adults, $7 for seniors and students, children under 12 free. Find fine art, photography, jewelry, furniture, and the newest fashions. Added bonuses include on-site packaging and shipping, child care, plus a sports lounge for non-shoppers.
David Kaufman and Tom Segal
Why have a plain-jane kitchen when you can have a cooking-and-entertaining space that resembles a private dining room in an exclusive restaurant?
"We wanted it to be innovative and sexy," says Tom Segal, who created the DreamHome kitchen with his partner, David Kaufman. So instead of white and stainless steel, the pair opted for dark, rich, and colorful.
At one end of the room stands a lacquer-red island, with a round bowl sink and a stainless-steel faucet with a pullout hose. Wall cabinets incorporate display shelves and wine storage, and most appliances are discreetly sheathed in wood to fade into the background. At the other end, a sculptural bronze table is surrounded by chairs in woven red leather. For additional storage, hefty Chinese cabinets were placed on either side of the rouge marble fireplace. "A kitchen should be up to the style level of the rest of your house," says Kaufman, "but without losing sight of the functional qualities."
Photography: Emily Minton-Redfield
Produced by Jenny Bradley
Interior designers: Tom Segal and David Kaufman, Kaufman Segal Design, 900 N. Franklin St., #710, Chicago, IL 60610; 312/649-0680.
Kitchen, eating area—
Wall covering (custom, red grasscloth): First Editions for Callard & Assoc., 312/670-3640, callardandassociates.com, trade only.
Flooring ("Israeli Blue #AS2362): Ann Sacks, 800/278-8453 and 312/923-0919, annsacks. com, trade only.
Chandelier ("Ramona'' #5009, with crystal accent): Fuse Lighting by Kevin Kolanowski for Modern at Design Atelier, 312/822-0440, trade only.
Glass table top: Karesh Mirror & Glass Inc., 630/964-5954.
Aged bronze table base (#DT-133A): Robertson for Murray's Iron Works, 312/595-0874.
Dining chairs ("Back Side Chair'' #FD05A-WF01/Pitch Brown finish); dining-chair fabric ("Real Woven Leather''/Cherry #RW06): Edelman Leather, 800/886-8339 and 312/467-4433, edelmanleather.com, trade only.
Marble fireplace (antique, French Rouge Royal Marble Mantel''): on loan from Roman Marble Co., 312/337-2217.
Cabinets (antique, Chinese wardrobe cabinets with white brass hinges and lockplates, Beijing, China, walnut): Golden Triangle, 312/755-1266.
Art and accessories: A. Rudin, 310/659-2388 and 312/494-9300, trade only.
Accessories: CAI Designs, 312/755-9163, trade only. b("Soleil Petite Pendant Lights'' #K-002, satin nickel, Kentfield Collection): Boyd Lighting Co., 415/778-4300 and 312/644-4300, boydlighting.com.
Kitchen, island—
Island cabinetry (84 series, European-style, frameless."Barcelona Recessed'' doors, with "Louis Phillippe'' drawer heads. Cherry in Cinnabar finish, with Pewter Heirloom Glaze. Interiors: Natural Maple): Wood-Mode Fine Custom Cabinetry, 800/635-7500, wood-mode.com.
Island hardware (satin nickel pulls #1302): Katonah Architectural Hardware, 312/670-4297, katonahhardware.com.
Island countertop (green onyx with laminated ogee edge): Ahalya Stone, 312/464-0064.
Island sink ("Blanco Round Bowl''): Blanco America for Community Home Supply, 773/281-7010, comhs.com.
Island faucet ("Single Lever Mixer with Pull-Out Hose #GF1102, stainless): Lefroy Brooks, 212/226-2242, lefroybrooksusa.com.
Bar stools (custom, "Norris Bar Stools'' with stretcher and thicker leg; mahogany finish, covered in "Raoul Wool Flax''/Olivine): George Smith LLC, 312/464-0242, trade only.
Kitchen Cabinetry (84 Series, European-style, frameless. "Vanguard Plus'' door style. Rift sawn vertical veneer in Cinnabar stain alternated with Dark Lager stain.
Interiors: Natural Maple): Wood-Mode Fine Custom Cabinetry, 800/635-7500.
Cabinet hardware (#A295/26, polished chrome): Valli & Valli for K&B Galleries Ltd., 312/645-1833, kbgalleries.com.
Sliding-door handles (#117.05.690/St. Matt M4 CTC 1408MM): Hãfele America Co., 800/423-3531, hafeleonline.com. Available from Nu-Trend Cabinet Co., 847/238-9300.
Countertop (concrete in Slate): Soupcan Inc., 312/527-2090, soupcan.com.
Sink ("PRO CookCenter Full Countertop Sink'' #K-3309-1, polished chrome, by Kohler): The Kohler Store, 312/755-2510, thekohlerstore.com.
Faucet ("Helix Pontiac Mixer'' with remote joystick control #HX-1106, chrome): Lefroy Brooks, 212/226-2242.
Windowshade fabric ("Story Stones'' #10010): Donghia Furniture/Textiles Ltd., 800/366-4442 and 312/822-0766, donghia.com, trade only.
Windowshade trim (#TA5232-44): Kravet, 888/457-2838, and 312/527-0505, kravet.com, trade only.
Shade fabrication: Decorator Services Inc., 708/430-2041.
Television (Panasonic #TC-23LX60); DVD (Panasonic #DVD-S52): through LouisClark Ltd., 847/864-0271, louis-clark.com.
Cooking utensils and accessories: The Chopping Block, 312/644-6360, thechoppingblock. net.
Mosaic backsplash ("PZ Regolo Mosaic''/X-light): American International Tile, 312/379-1700.
Lighting ("Puck Lights'' #DC886, satin nickel): Lightology, 312/944-1000, trade only.
Faux finish ("Crème Brulé''); wood stain ("Special Walnut''): custom finishes by No Limits Paint, 708/352-1711, nolimitspaint. com.
Dishwasher ("Optima'' #G2470SCVi); coffee system (#CVA615): Miele Inc., 800/843-7231, miele.com.
Refrigerator (#736TCI); double oven (#DO30U/S); microwave (#MW24); warming drawer (#WD30); gas cooktop (#CT36G/S); downdraft (#DD36I): Sub-Zero/Wolf, 800/222-7820, subzero.com.
Crown moulding (#CR806); window casing (#CA323); base (#B401): White River Hardwoods-Woodworks Inc., 479/442-6986, mouldings.com.
Accessories: A. Rudin, 312/494-9300, trade only.
Accessories: CAI Designs, 312/755-9163, trade only.
Foyer by Nate Berkus
Because of its transitional nature, the foyer is one of the most difficult spaces to furnish in any home. Designer Nate Berkus conceived this one as a personal gallery of curiosities and a preview of attractions to come.
"An entrance hall should tell the first chapter of the story of you and your home—where you have been and where you aspire to go," says Berkus, who used the space as a showcase for his signature placement of natural materials and organic forms. Inspired by the home of influential Belgian designer Axel Vervoordt, the is room largely neutral (weathered wood, silvery metal, gray marble, natural sisal), which gives the space a sense of calm luxury. Berkus describes Vervoordt's home as "very grand yet filled with simple objects and antiques so that it feels very collected and creative."
The balance of furnishings and art is one of the key lessons of the coolly dramatic space, which is centered on a long and narrow marble-topped console table. One wall of the foyer holds a sculpture made of crisscrossing twigs, its height and width echoed on the opposite wall by a tall bookcase that is an artwork itself, completely covered with strands of rope. And a pair of antique panels of carved pine that hang on one wall are balanced by two large orange, ball-shaped works of art.
Though arrangement of the foyer is sternly symmetrical, the idiosyncratic nature of the objects and their earthy, honest materials make the space feel warm rather than rigid.
Interior designer: Nate Berkus, Nate Berkus Associates, 311 W. Superior St., Suite 110, Chicago, IL 60610; 312/642-0404, nateberkus.com.
Marble-top console table: Mecox Gardens, 800/487-4854 and 312/836-0571, mecoxgardens.com. Banquette ("Arras Steel Banquette''); pine panels: Mike Bell Antiques & Reproductions, 312/644-6848. mikebellantiques.com.
Twig sculpture: Michael Taylor Designs Inc., 312/828-0488, trade only.
Hanging lantern ("French Tole Lantern'' by Michael S. Smith): John Rosselli & Assoc., 312/822-0760, trade only.
Carpet ("Natura Sisal Rug'') Stark Carpet Corp., 312/329-9043 and 212/752-9000, starkcarpet.com, trade only.
Flooring: Paris Ceramics, 312/467-9830, trade only.
Bookcase ("Afritaco Bookcase'' by Christian Astuguevieille); painting (Christian Astuguevieille); ceramic vases: Holly Hunt Ltd., 312/661-1900, hollyhunt.com, trade only.
Chinese hardwood planter; bench ("French Directoire Bench'' by Christian Astuguevieille); leather books: Richard Norton Inc., 312/644-9359.
Teak balls and Zulu orange hat (by Allan Knight): Niermann Weeks, 312/644-1300 and 212/319-7979, niermannweeks.com, trade only.
China plates: Nymphenburg USA, 312/421-3500.
Entry doors: Woodharbor Home, 312/321-5600.
Doorknobs: Chicago Brass, 847/926-0001.
Living Room by Marshall Erb
"It's definitely a room to be used at night," says designer Marshall Morgan Erb of his seductive DreamHome living room, whose taupe color scheme is sharpened with shots of ebony and the glitter of gilt. "I envisioned it as a place where you would gather for cocktails before or after dinner."
Erb also saw the space as an opportunity to create a multigenerational room whose furnishings span decades of style and whose art ranges from traditional (antique prints) to contemporary (a golden diptych above the sofa).
Explaining the multifaceted approach to the decor, the designer says, "I was inspired by one of my clients, who has a house that has been lived in by four generations of the same family."
Anchoring the living room is a clean-cut 1970s lacquer coffee table by Karl Springer, an American designer who is one of Erb's favorites. Spread across the limestone tile floor is a modern carpet woven in Tibet. A 19th-century marble-topped table stands next to a sofa whose sleek but curvaceous lines recall the work of Syrie Maugham, an influential British decorator who had a boutique in Chicago in the 1930s. And alongside a tidily upholstered armchair, the designer placed a funky petrified-wood side table carved in the organic shape of a sawed-off tree trunk.
"The eclectic combination of objects makes it feel like a room that has evolved over time rather than one that was decorated all at once," Erb says.
Interior designer: Marshall Erb, Marshall Morgan Erb Design Inc., 943 W. Superior St., Chicago, IL 60622; 312/563-0000, marshallerb.com.
Sofa ("Gabriel Sofa'' #27-01011-92-36); diptych (by Douglas Freeman) over sofa; sofa fabric ("Sulyman''/Platinum #M-309-05): Niermann Weeks, 312/644-1300 and 212/319-7979, trade only.
Pillows ("Animaux Exotiques''/Charcoal, White #106491); flower pillow on upholstered chair ("Sophie's Thistles''/ Steel #107006); pillows ("Lambeth Linen''/Tobacco #105270): Travers, 212/888-7900, traversinc.com, trade only. Available through Holly Hunt, 312/661-1900, trade only.
Pillows ("Phillippe Stripe''/ Greige #PHIL-01, by Kirk Brummel): Brunschwig & Fils, 212/838-7878, and 312/329-0178, brunschwig.com, trade only.
Pillows ("Sketchpad''/Pussywillow #6033/03, by Pollack): Donghia Furniture/Textiles Ltd., 800/366-4442 and 312/822-0766, trade only.
Smaller bolster-style pillows on sofa ("Damasc Villa Erba''/ Borage #1007-01, by Classic Cloth): Dessin Fournir, 312/661-0640 and 785/434-2777, trade only.
Pillows ('Soussous''/Tan #92907-02): Rogers & Goffigon, 212/888-3242. Available through Cowtan & Tout Chicago, 312/644-0717, trade only.
Club chair to left of sofa ("Eno Lounge Chair'' #7900): Bright Chair Co., 312/822-0177, brightchair.com, trade only.
Fabric on "Eno'' chair ("Lilliput''/Feather #910062-01): Rogers & Goffigon, 212/888-3242, through Cowtan & Tout, 312/644-0717, trade only.
Apricot chair ("Ridgeback Salon Chair'' #6362); chair fabric (#82-171): Baker Knapp & Tubbs, 800/592-2537 and 312/329-1948, bakerfurniture.com, trade only.
Upholstered chair to right of sofa ("Jenny Chair'' #CEM106-C); chair fabric (JBI Linen): John Boone Inc., 212/758-0012, trade only. Available through Westwater/Patterson, 312/644-8890, trade only.
Coffee table ("KS Duchess Coffee Table''): Matthews & Parker Ltd., 914/723-8887, matthewsandparker.com. Available through Bright Chair Co., 312/822-0177, trade only.
Petrified wood side table (#92, by Maggie): Henredon, 800/444-3682 and 312/464-1865, henredon.com.
Console table: ("Asian Console'' by Miles #247): Beacon Hill, 800/333-3777 and 312/527-3151, beaconhilldesign.com, trade only.
Marble-top table (#124/2023): Mike Bell Antiques & Reproductions, 312/644/6848.
Occasional table ("Bonaventure Occasional Table'' #5026); table lamp ("Bonaventure Round Table Lamp''): Betty M Collection Inc., 312/828-0340, bettym.com, trade only.
Stone flooring: Ann Sacks, 312/923-0919.
Rug ("Acanthededans''): Odegard, 800/670-8836 and 312/644-9638, odegard.com, trade only.
Millwork: Nu Trend Custom Cabinet Co., 847/238-300.
Milk glass lamp; male torso sculpture; white pottery vase: designer's collection.
Floor lamp (#PH214, Thomas Pheasant Collection): Baker, 800/592-2537, and 312/329-1948.
Stump planter: William Switzer & Assoc. Ltd., 212/207-8332, trade only.
Box: Michael Taylor Designs, 312/828-0488, trade only. Framing: Armand Lee,312/455-1200, armandlee.com
Library by Eva Quateman
Commissioned to create a library for the DreamHome, Chicago designer Eva Quateman decided to reject the classical notion of a library as a traditional interior with lots of wood and brass lamps. Instead she came up with a black, gray, gold, and ivory room whose sensual personality combines masculine and feminine elements.
"I wanted it to be a handsome space but not an unapproachable one," says the Argentine-born Quateman.
Walls painted in a python-skin pattern provide an unexpectedly glamorous background for button-tufted chairs and ottomans upholstered in steel gray. Equally unexpected are the curtains, whose normally vertical stripes Quate man reoriented horizontally in a procedure known as railroading. Explaining the usefulness of the technique, the designer notes that it keeps the striped pattern from "getting lost in the folds of the curtains."
Metallic glints—from curtain rings and brass sconces to burnished brass cabinet knobs—give the space a bejewelled air. A touch of gold also ornaments the grand bookcase, a Quateman design that is a fresh, modern reinterpretation of a classic British Regency design. Fresh, too, is the designer's decision to hang a majestically bold oil portrait of a young woman over the desk instead of the landscape or hunting scene so often found in a traditional library.
Interior designer: Eva Quateman, Eva Quateman Interiors, 220 W. Huron St., #2002, Chicago, IL 60610; 312/255-8800, evaquateman.com.
Desk ("Paris Writing Table'' with Ivory Leather Top,#7888, by Thomas Pheasant); sconces ("Laurent Sconces'' #JG402G, by Jacques Garcia); chandelier ("Couronne Chandelier'' #JG302G, by Jacques Garcia): Baker Knapp & Tubbs, 800/592-2537, and 312/329-1948, trade only Desk chair ("Regency Side Chair'' #5630): Julia Gray Ltd., 212/223-4454 and 312/527-5820, juliagray.com. trade only.
Pen-and-ink abstraction on paper: Richard Norton Gallery, 312/644-9359.
Silk fabric on striped seatcushion; pillows; drapery ("Vasco de Gama'' #8914/83): Nobilis Inc., 800/464-6670, trade only. Available through Summer Hill Chicago, 312/467-6860, trade only.
Four chairs ("Brighton Lounge Chair'' #7029): R. Jones & Associates, 214/951-0091, rjones.com, trade only. Available through de Aurora, 312/644-4430, trade only.
Ottomans: Eva Quateman Interiors, 312/255-8800. Chair-and-ottoman fabric (Gray flannel #H218-02); acrylic tables ("Bourdeaux Occasional Table'' #K25820K, by Allan Knight): Niermann Weeks, 212/319-7979 and 312/644-1300, trade only.
Cord on chairs: Rogers Custom Trims, 773/745-6577. Gray, black and gold woven wool rug: Stark Carpet Corp., 212/752-9000 and 312/329-9043, trade only.
Shades ("Designerline Window Shades''/Heron #DL02): Conrad, 866/426-6723, conradshades.com, trade only. Black curtain poles (#14); finials and rings (#VGN&8, in gold leaf): Dessin Fournir, 785/434-2777 and 312/661-0640, trade only. Bookcases (Regency); accessories on bookcases; silk-and-wool throw; paint (faux python black-andivory paint, by decorative artist Paul Minnihan): Eva Quateman Interiors, 312/255-8800.
Crystal balls: Baker, 800/592-2537 and 312/329-1948, bakerfurniture.com.
Bookcase hardware ("Roped Cabinet Knobs'' in Burnished Brass): The Nanz Co., 312/527-1300, nanz.com, trade only. Biomorphic bronze sculptures: Douglas Rosin Decorative Arts & Antiques, 312/337-6556, douglasrosin.com.
White oak floors with walnut ebonized strip: Birger Juell Ltd., 312/464-9663, birgerjuell.com.
Custom floor and ceiling molding; door header (designed by Eva Quateman): finished by Armand Lee, 312/455-1200.
Dining Room by Tom Stringer
"The dining room is the one place in the house where you can get away with a certain level of drama," says interior designer Tom Stringer. "It's an event space, pure and simple, so you want it to have some glamour."
Based on the luminous color scheme of champagne, ivory, and white touched with accents of gold and smoky lavender—the same lavender Stringer, an avid scuba diver, sees on underwater sea fans—the dining room gets a lot of its aesthetic oomph from architectural details. "Bookcases are a great way to add personality to almost any room, but I didn't want to fill them with books," the designer says. Instead, he made them into display cabinets for a collection of white and ivory ceramics. All that white conjured up notions of 18th-century France and Gustavian Sweden (as well as the Syrie Maugham style of the 1930s), so Stringer surrounded the oval table with elegant and comfortable painted Louis XVI chairs. He then anchored one wall with a generously curved demilune commode that could be used for storage and serving.
Underlying the elegance, however, are substantial doses of drama, some strong, others more retiring. The walls, for instance, are covered with a white wallpaper whose embossed crocodile pattern adds texture but stays subtly in the background. And underfoot is a carpet from Stringer's own line. With its graphic interlocking octagons-and-squares motif, the floor assumes a gutsy attitude reminiscent of the 1960s British designer David Hicks.
Hanging at the windows are opulent curtains whose champagne, lavender, and copper stripes pull together all the colors in the room.
Interior designer: Tom Stringer, Tom Stringer Inc., 62 W. Huron, Chicago, IL 60610; 312/644-0644, tomstringer.com.
Drapery ("Byance''/Nacre #4571-01, by Manuel Canovas): Cowtan & Tout, 212/647-6900 and 312/644-0717, cowtan.com, trade only.
Drapery trim ("Opaline'' glass topaz beads on decorative taupe tape): Houlès USA Inc., 310/652-6171 and 312/464-0409, houles. com, trade only.
Sheers ("Maestro Windows''/Lavender #10097- 07): Donghia Furniture/Textiles Ltd., 800/ 366-4442 and 312/822- 0766, trade only.
Drapery hardware (custom): Zirlin Interiors, 773/334-5530. Paint (custom, ICI Paints to match Benjamin Moore high-gloss lacquer "Tropical Dusk'' #2117-40): ICI Paints, 800/984-5444, icipaints.com.
Decorative painting: No Limits Paint, 708/352-1711, nolimitspaint.com.
Painting and custom millwork: Doug Echler and Tom Latimer, through Tom Stringer Inc., 312/644-0644.
Wall covering ("Crocodile Vinyl''/Bone): Clarence House Ltd., 800/803-2850 and 312/222-0400, clarencehouse. com, trade only.
Dining table ("Pickford Dining Table'' #812): Dessin Fournir, 785/434-2777 and 312/661-0640, trade only.
Chairs (antique): designer's collection.
Fabric on chair seat and front ("Shaker Linen''/Vagary 392509-11): Rogers & Goffigon, 212/888-3242 and 312/644-0717, trade only.
Fabric on seat back ("Strié Stripe''/Lilac): Robert Allen, 800/333-3777 and 312/644-5790, robertallendesign.com, trade only.
French welt in Cacao tone: Samuel & Sons, 212/704-8000 and 312/661-1900, trade only.
Table linens (custom octagon link design on linen; color, Thistle): Mia Tavola, 773/404-4901, miatavola.com.
China ("Grosgrain Fine Bone China,'' by Vera Wang); stemware ("Classic Crystal Stemware,'' by Vera Wang): Wedgwood USA, 800/955-1550, wedgwoodusa.com. Chandelier ("Danieli''/Venetian silver-leaf finish on iron, trimmed with glass beads); commode ("Renishaw'' demilune): Niermann Weeks, 212/319-7979 and 312/644-1300, trade only.
Table lamps ("Alabaster Concentric Circles Lamp'' #PH206, by Thomas Pheasant): Baker, 800/592-2537 and 312/329-1948.
Architectural prints: Tom Stringer Inc., 312/644-0644. Custom framing: Armand Lee & Co., 312/455-1200.
Wall sconces (polished nickel): John Boone Inc., 312/755-1820, trade only. Available through Westwater-Patterson, 312/644-8890, trade only.
Area rug (custom); accessories: Tom Stringer Inc., 312/644-0644.
Floor tiles ("Bitter Chocolate'' limestone with waxed finish): Paris Ceramics, 312/467- 9830, trade only.
Bedroom by Kara Mann and Kristin Nelson
"It is possible to do a bedroom that is simple without being minimalist," says Kara Mann, who designed such a sleeping space with her associate, Kristin Nelson. Taking inspiration from the great outdoors as well as from the color-restrained work of 1930s French decorator Jean-Michel Frank, the designing women created a subtle but welcoming bedroom decked out with soothing pale-wood tones, matte surfaces, and luxuriously varied textures.
Earthy tones suffuse the space, from the striking woven-rope lounge chair to the tailored Parsons-style bedside tables. Underneath it all is a bleached walnut floor laid in a herringbone pattern softened by a woven hemp carpet.
At the center of the paneled-look space (it's actually hand-painted with applied moldings) stands a calligraphy-spare iron bed with a cowhide headboard. The elegant embroidery of the bed linens echoes the elaborate needlework that ornaments the bottom of the wool felt curtains; their muted extravagance haelps keep minimalism at bay. Another sensual detail? A shell-like plaster mirror above the fireplace.
Interior designers: Kara Mann and Kristin Nelson, Kara Mann Design, 100 W. Kinzie St. Suite 200, Chicago, IL 60610; 312/896-2460, karamann.com.
Bed ('Simone Bed'' #KJ9002, by Kerry Joyce);
Sconces ("Cabot Swing-Arm Sconces'' #SC233-E, by Palmer-Hargrave);
Bedside tables ("Pratt Console'' #G0500, by Gérard): Dessin Fournir, 785/434-2777 and 312/661-0640, trade only.
Leather on bed ("Cavallini''/Darkest Brown): Edelman Leather, 800/886-8339 and 312/467-4433, trade only.
Lounge chair ("Duclo Armchair'' #DU2203 BIS, by Christian Astuguevieille); table ("Petrified Stump Table''): Holly Hunt, 312/661-1900, hollyhunt.com, trade only.
Drapery ("Kensington White'' #DE10078, ground cloth, with "Mica'' custom embroidery): Holland & Sherry, 212/355-6241, trade only.
Drapery hardware (classic rods #RL-27029-bn, cuff bracelet, plain knob finials, classic rings, ring tiebacks, all in natural brass, by Ralph Lauren): Henredon, 800/444-3682 and 312/464-1865, henredon.com, trade only.
Drapery fabrication: Tenggren Mehl Co., 773/763-3290.
Bedding: Muse Couture, 866/212-6873, musegroup.com. Mantel;
Antique firebrick: Au Coin du Feu Ltd., 312/850-2655.
Selenite logs: Ruzzetti & Gow, 212/327-4281, ruzzettiandgow.com.
Flooring (bleached walnut): Birger Juell Ltd., 312/464-9663, trade only.
Area rug (hemp rug): Odegard, 800/670-8836 and 312/644- 9638, trade only. Mirror ("Cape Linden Mirror''): Niermann Weeks, 212/319-7979 and 312/644-1300, trade only.
Custom millwork: Exclusive Woodworking Inc., 847/249-5222. Paint (custom): by Ed Mattingly, 708/710-8919.
Bath by Athalie Derse
"I cannot stand predictable decorating, and there's no reason a bathroom has to be just a utilitarian space," says Athalie Derse, a Chicago designer known as a devotée of spirited style.
The bathroom she produced for the DreamHome proves her point: Boldly conceived, grandly proportioned, and with its amazing wallpaper and dramatic bathtub at the center of the room, it's a spectacular sight from any angle.
Lined with a brown grasscloth wallcovering printed with "kind of wild" extra-large pineapple plants, Derse's space is a combination bathroom and dressing room, a place to attend to one's toilette as well as to kick back and relax. "It's a more livable space when the functions are combined," says the designer, who chose the pineapple wall covering because of the fruit's history as a symbol of hospitality.
Underscoring that sense of multipurpose livability, Derse's DreamHome bathroom is also furnished with an antique table, a silver-leafed bench, a scarlet vanity, and Gothic-style chairss made of shining stainless steel.
Interior designer: Athalie Derse, Athalie Derse Inc., 735 N. Western Ave., Suite 182, Lake Forest, IL 60045; 847/482-9372.
Wall covering ("Pineapple''): Studio Printworks, 212/633-6727, studioprintworks.com. Available through Hinson & Co., 312/787- 5300, trade only.
Hanging lamp: Christopher Spitzmiller Inc., 212/563-1144, christopherspitzmiller.com.
Floor (antiqued Spanish White Marble): Paris Ceramics, 312/467-9830, parisceramics.com, trade only.
Tub ("Candide Freestanding Tub''); tub faucet ("Julia Exposed Tub Filler'');
watertable ("Legion Watertable'' with Calacatta Gold marble top);
sink faucet ("Easton Classic Lavatory Faucet'');
sconces ("Classic Sconces''/Nickel); paper holder ("Easton''); accessories: Waterworks, 800/899-6757 and 312/527-4668, waterworks.com.
Mirror ("Metropolitan Pivoting Mirror''/ Polished Nickel);
chairs ("Gothic Side Chairs'' in cast aluminum, plated in Polished Nickel);
sink (20-inch alabaster scalloped bowl with polished nickel hardware);
freestanding towel rack (polished nickel): Urban Archaeology, 212/431-4646 and 312/527-4627, urbanarchaeology.com. Toilet ("Santa Rosa''/White #3323): The Kohler Store, 312/755-2510.
Side table ("Bella Table''): Corbin Bronze through Holly Hunt, 312/661-1900, corbinbronze.com.
Paint trim ("White Dove''): Benjamin Moore & Co., 888/236-6667.
Family Room by Heather Wells and Bruce Fox
Think country house. Now think chic country house. "That's what we wanted to channel," says Bruce Fox, who created the DreamHome family room with designer-architect Heather G. Wells. "It's an easygoing interior that has some whimsy and elegance to it."
A little bit vintage (club chairs that recall the 1950s), a little bit country-club (Bermuda-green printed curtains and painted etagères), and a little ethnic (bamboo armchair, ikat throws, an African footstool), the team's family room is a lighthearted space where wit, luxury, and wholesome practicality combine into a fresh-faced format.
"Seriously casual" is how Fox describes the installation, which has a background of wallpaper that has been hung horizontally to emphasize its weathered plank motif. Against that he and Wells arranged furniture whose mix of styles and fabrics broadcasts a laidback sensibility. Crowning the flat-screen television with a pair of moose antlers adds a note of National Geographic charm but also helps to visually anchor the television, making it a part of the room rather than an intrusion.
Interior designers: Heather Wells and Bruce Fox, Heather G. Wells Ltd., 333 W. Hubbard St., #2E, Chicago, IL 60610; 312/464-0077, hgwltd.com.
Flooring (wire-brushed oak plank flooring): Birger Juell Ltd., 312/464-9663. Paint: ICI Paints, 800/984-5444.
Wall covering (Faux Wood Grain #PBS32): Nobilis Inc., 800/464-6670, trade only. Available through Summer Hill, 312/467-6860, trade only. Painting and wall covering: Hester Decorating Co. Inc., 847/677-5130. Pair of chairs ("Ted Chairs''): Bright Chair Co., 312/822-0177. Chair fabric ("Couture Boucle N.3''/Taupe #9663-02): Glant Textiles Corp., 206/725-4444, trade only. Available through Holly Hunt, 312/661-1900, trade only.
Side table beside "Ted'' chair ("Roman Side Table'' #33-02295-13-00): Niermann Weeks, 212/319-7979 and 312/644-1300, trade only.
Petrified wood stump table (#93, by Kelin): Henredon, 800/444-3682 and 312/464-1865, trade only.
Chest (antique, British Colonial chest of drawers from Chiang Mai, Thailand, teak, #04T05149): Golden Triangle, 312/755-1266. Drapery fabric ("Bali II'' #2430-32, by China Seas), throw-pillow fabric on Ted chairs ("Melinda'' #AC206-34, by Alan Campbell);
table lamp ("Lotus Lamp'' #TL440, by Hwang Bishop): Summer Hill, 312/467-6860, trade only.
Wood bead trim on drapery ("Fleco Macadamia Wood Fringe'' #974-29650-1034): Samuel & Sons, 212/704-8000, trade only. Available through Holly Hunt, 312/661-1900, trade only.
Drapery rods and rings: Prairie Forge, 563/926-2114.
Tree mirror (#820): Rose Tarlow-Melrose House, 323/651-2202, rosetarlow.com, trade only. Available through Holly Hunt, 312/661- 1900, trade only.
Plants: Kennicott Bros., 312/492-8200. Rug (custom, seagrass): Keith Moore Custom, fax, 866/317-6888.
Sofa ("Wellington''#G0901, by Gérard); sofa seat-cushions ("Nimes''/ Natural #1121-02, by Classic Cloth);
bench ("Julien'' #KJ0401, by Kerry Joyce);
chandelier ("Devoto'' #6062);
floor lamp: Dessin Fournir, 785/434-2777 and 312/661-0640, trade only.
Bench fabric (black-and-green hide): Keleen Leathers Inc., 708/409-9800.
Chocolate-brown wool area rug: Odegard, 800/670-8836 and 312/644-8890, odegardinc.com, trade only.
Coffee table ("L.N.A. Cocktail Table'' by Christian Liaigre); brown square wood chair ("Hemp Sail Chair'' by John Hutton); side table by sail chair ("Mekong'' by Studio H); side table by antique wood chair ("Rue de Seine'' by Studio H); botanical prints behind sofa: Holly Hunt, 312/661-1900.
Sail-chair fabric ("Panforte''/Cioccolato #22066- 11): Bergamo Fabrics Inc., 914/665-0800, bergamofabrics.com, trade only.
Wood side chair: antique. Orange lamp on "Rue de Seine'' table (wood gourd lamp): Mecox Gardens, 800/487-4854, and 312/836-0571, mecoxgardens.com.
Antique metal planters: Niermann Weeks, 212/319-7979 and 312/644-1300, trade only.
Etagères (custom): Martin Wood, 312/595-0500.
Television (Flat- Panel Television and Crestron Control System): Sound Specialists Inc., 773/832-1650.
Antique pillows and throw: Textures, 312/222-2660. Custom millwork: KWI, 773/794-1555.
Moose antlers; African footstool: designer's collection.
Blinds: Smith+ Noble, 800/765-7776, smithandnoble.com.
Courtyard by Douglas Hoerr
"Your landscape doesn't stop at the door," says landscape designer Douglas Hoerr. This explains why his DreamHome courtyard is carefully outfitted to complement the elegant themes used in the rest of the showhouse.
"Stylistically, there shouldn't be a disconnect between a house and a porch or other outdoor space. The furniture styles, shapes, colors, and fabrics that you use outdoors really should all be extensions of the interior living spaces."
Hoerr's outdoor space is designed with an urban attitude and a touch of nostalgia. Streamlined wicker-style chairs are paired with a table that has a gutsy silhouette. Sleek metal accessories and furniture that is deeply cushioned for comfort encourage long, lazy conversations and easy entertaining.
"An outdoor space should make you want to stay there all evening, having cocktails, wine, and dinner, everybody laughing and joking," Hoerr explains. "That's why the furniture and fabrics outside should be as comfortable and inviting as what you use inside."
Interior designer: Douglas Hoerr, Douglas Hoerr Landscape Architecture Inc., 850 W. Jackson Blvd., Suite 800, Chicago, IL 60607; 312/492-6501, douglashoerr.com.
Table ("Chateau Marmonte''); side chairs ("Emma''/Broken White, bolster pillow and cushions); lounge chair and ottoman ("Francis''/Broken White with cushions); candlestick ("Chateau''); planter ("Pascal''): Janus et Cie, 312/822-0460, janusetcie.com, trade only.
Throw pillows: Robert Allen, 800/333-3777 and 312/644-5790, robertallendesign.com, trade only.
Hanging lantern ("Adam Hall Lantern''/Bronze #CL31/ BZ): Vaughan Designs, 212/319-7070, trade only. Available through John Rosselli & Assoc., 312/822-0760, trade only.
Coffee table ("Sand Dune''); galvanized planters: Mike Bell Antiques & Reproductions, 312/644-6848, trade only.
Garden worktable; vases; silk floral: Aldik, 312/222-0052.
Boston ferns (#2592-79); Coventry throw (#124-094); torchiere (#30-698); rabbit planter (#71-024); banana runner (#T-1117); assorted planters (#21-771); metal centerpiece (#23-099); Peter Straaton Inc., 312/649-1539, trade only.
Wood water buckets; fish basket; yellow orchid; Philippine wood side tables: CAI Designs, 312/755-9163, caidesigns.com, trade only.
Porch columns (Henderson Black & Green Inc.); house siding and cedar (I-Level by Weyerhaeuser); louvre doors (Milliken Millwork); porch decking and railings (Universal Forest Products): through Lee Lumber, 773/509-6700, leelumber.com.


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Monday, January 20, 2014
January 20 - Fabian, Martyr, Pope, Layman
Anterus had died and so the Church needed a new bishop in Rome. Many Christians from the surrounding communities gathered in one location in Rome to select, call, and appoint a new bishop of Rome--the next pope. Of course, they were mourning the passing of Anterus but they were also busy about the business of the Church as they felt God was calling them to be. The Church did not know it at the time--though some may have seen the writing on the wall--but the next pope would be crucial for the life of Christians throughout the Roman Empire as Decius would become emperor and the Decian persecution was only a little ways away. For now, though, the emperor was Marcus Julius Philippus--remembered as Philip--and life was relatively easy as evidenced by the significant public gathering of Christians. As they talked about who the next pope might be several notable names were passed around--until something miraculous happened. The assembly stopped talking suddenly when they saw a dove slowly circle the gathering. Every eye focused on the dove and every mind turned to the familiar story of Jesus' baptism and they wondered if this dove might mean something amazing. The bird landed gracefully upon the head of a lay Christian named Fabian.
At first, there must have been confusion as to why the dove had not landed on one of the notable people in the group--it had chosen an unknown who wasn't even a priest or deacon. But as they began to voice their confusion, their minds turned to the story of the anointing of David in the house of his father Jesse. David had been a youth of so little importance that he hadn't even been invited for Samuel to inspect when choosing a new king from the sons of Jesse. Yet, God had called David and so David became king. The people held their tongues for they felt God was calling Fabian to be pope even if they didn't see how he was qualified for it. So, they selected, called, and appointed Fabian to be the bishop of Rome--the next pope.
Fabian's papacy was tame for the majority of the time and Fabian served honorably in this exalted and humbling position. Yet, when Decius became emperor the Church became very aware that a storm was brewing. Decius was no friend of the Church and would not be baptized by the pope as emperor Philip had been with his son. Instead, Decius would baptize Fabian--in blood. With the advent of the Decian persecution, the Church was eviscerated and dwindling. Through Fabian's leadership, missionaries were sent to Gaul to carry the Christian faith out of the reach of Roman oppression. Instead of hoping to renew and maintain the Church by focusing inwardly, Fabian knew that the Church was only maintained and renewed by reaching out and spreading the Gospel given to it. So, missionaries were sent that would do the work of the Church even amid the tyranny of the Empire. This great work was essential but it came at a very high price: the life of the pope. Decius hunted down Fabian and had him burned alive in the catacombs where the Church met. The pope who had insisted upon recording the deeds and words of the martyrs--because he was aware of the power of a good story--was made a martyr himself when he refused to bow his knee at the Imperial altars.
Posted by Joshua Hearne at 7:00 AM
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subset: commoncrawl


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Frequently Asked Questions about Contracting
1. Why do we need a Policy on Contracting at Barnard?
A: So that we can consistently keep track of what institutional obligations Barnard College is taking on by designating those employees who have authority to bind Barnard College contractually and by providing for systematic review of contract terms that may create unacceptable financial, legal, or operational risks or otherwise create unintended obligations that are not in the best interests of the College, its faculty, staff, and students.
2. What "contracts" are covered?
A: All agreements (including those that may have been made verbally in the past) that obligate Barnard College to provide payment, services, goods, or use of College property, facilities or other resources to a third party.
3. Why should agreements always be in writing?
A: So that there is a record of the specific responsibilities and rights of Barnard College and other parties to the agreement. This is important in case a question comes up about who is supposed to do what under the agreement, how much Barnard College is to pay, or other terms. Certain types of agreements can't even be legally enforced unless they are written and signed.
4. When and how should I send a contract for review?
A: As soon as you have a proposed contract from a third party or once you're fairly certain you'll be entering into an arrangement for goods, services, or facilities with another party and need a contract, contact the Director of Purchasing. The Director of Purchasing will ensure review by other departments, if necessary, is done. Please allow enough lead time for drafting, editing and further negotiations (if needed) before any deadline. Send all documents electronically as email attachments in Microsoft Word format, if possible, and include all documents that are cross-referenced or attached to the main contract.
5. What contracts should be sent to the Office of General Counsel (OGC) for review before they are signed?
A: Any contract that requires the College to pay out more than $50,000, as well as any contract that involves unique risks and liability to the College (regardless of the monetary amount of the contract). If you're not sure whether a contract involves unique risks or liability, err on the side of caution and send it to OGC for review. If you're using a form contract that OGC developed or approved, you do not need to send it each time you use it if you haven't changed the form.
6. Who else might need to review a contract?
A: Any department that will need to provide technical support, facilities, or personnel to fulfill Barnard College's obligations should review and approve the contract before it is signed. For example, a software contract should be reviewed by BCIT to determine whether Barnard College can support the software; a private or federal grants contract should be reviewed by Development so they may coordinate with the affected faculty/staff; a contract for use of Barnard College property/facilities should be reviewed by the VP of Campus Services.
7. Who can sign on behalf of the College?
A: Under the policy, only the Officers and Directors listed in the Delegation of Signature Authority have the authority to sign contracts that bind the College unless they have specifically delegated that authority in writing. These Officers have the ability to delegate the signature authority.
See the Delegation of Signature Authority available at the following link: http://barnard.edu/general-counsel/Contract-signing-authority
8. What if I've signed contracts in the past – can I keep signing?
A: Not without written delegation from the Officer in charge of your division.
See the Delegation of Signature Authority available at the following link: http://barnard.edu/general-counsel/Contract-signing-authority
9. What if I sign a contract without authority or enter into a verbal agreement?
A: The College may decline to recognize an unauthorized contract as binding against Barnard College. You could be personally liable for fulfilling the agreement if the other party tries to enforce it.
10. Who should keep the original and copies of the contract when it has been signed by all parties, and for how long?
A: All fully-signed original contracts (including leases and purchase orders) should be promptly provided to the Director of Purchasing and General Counsel for purposes of recordkeeping, audit reporting, and payment. The Department initiating the contract should keep all contracts for four (4) to seven (7) years from the expiration/termination of the contract per Barnard's Record Retention Policy. The College official who signs the contract is responsible for providing an electronic version of the signed contract to the Office of the General Counsel and the Director of Purchasing.


text: Dan Jurgens is an accomplished writer and artist who both writes and draws the adventures of the comic book industry's most legendary characters. His storytelling talents have breathed life into the most noteworthy properties from DC Comics, Marvel Comics and more. Dan has also created numerous characters that have become enduring staples in their fictional universes while stretching to other media as well.


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Gelcoat Restoration Guide
Keep your gelcoat in good condition by using these 4 steps:
As you haul your boat out of storage you may want to get the gelcoat shining once again. Use the steps below as needed:
New Boats:
A one step clean-and-wax products combine washing and waxing in one step, best used on new boats where the finish is in good condition with little or no oxidation, try 3M Marine Cleaner and Wax.
Light gel coat oxidation? Best to use the least aggressive method if possible to prolong the life of gelcoat Clean with 3M Marine Boat Soap and buff with the 3M Imperial Compound. Avoid direct sunlight and room temperature is best. Use a tape, like 3M 471 available in different lengths.
Older Boats:
Step 1: Boats that need more aggressive cleaning just wash surface and remove loose contaminants: Use a non-abrasive light detergent to remove all surface dirt and all previously applied coatings, 3M Marine Boat Soap or Marine Clean are ideal.
Sometimes you need something stronger to remove surface rust, oil, tar, algae discoloration, black streaks caused from water runoff, exhaust and waterline scum or other stains before waxing or you'll seal in the stain. Usually you will need an acid-based stain remover like Hammerhead Hull Cleaner or Hull Cleaner, Extra Strong by Tip Top Teak (test in an inconspicuous area first) using gloves.
Step 2: If your boat is a bit more oxidized a rubbing compound (liquid abrasive which "sands" your hull) is needed but do so carefully as you can rub through the gelcoat. The more faded your hull the more compounding you'll need. The 3M Imperial Compound, usually applied with a polisher if possible and compatible 3M pads, like the white 100% wool pad, is recommended by 3M. Keep product off bottom paint, if applicable, by taping off as it can spatter. If the compound isn't strong enough for your level of oxidation and scratches then you may need to "pretreat" with a 1200 (or 800) grit as needed prior to the compound.
Step 3: 3M Finesse-It II, more aggressive, or the 3M Perfect-It Machine Polish, brightest finish, will help provide a nice finish to the gelcoat after compounding and bring it to a gloss. Apply with the yellow pad by 3M.
3M Clean and Shine can help remove any wax residue.
Step 4: The last step is a wax coat such as Scotchguard Marine Liquid Wax or 3M Ultra Performance wax. These help seal and protect all the work you've just completed.
Maintaining Gloss: Revitalize your gelcoat gloss without going through all the work again by using 3M Marine Clean and Shine when you wash your boat and before it completely dries.


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Google founder scared for Internet's future
Exclusive: Andrea Shea King warns of 'powerful forces' squashing freedom
Google co-founder Sergey Brin is warning that there are "very powerful forces that have lined up against the open Internet on all sides and around the world. I am more worried than I have been in the past. It's scary."
According to an interview Brin gave to The Guardian, he said openness and universal access that was the foundation of the Internet 30 years ago are under greater threat than ever.
Brin claims the threat to the freedom of the Internet comes from "a combination of governments increasingly trying to control access and communication by their citizens, the entertainment industry's attempts to crack down on piracy, and the rise of 'restrictive' walled gardens such as Facebook and Apple, which tightly control what software can be released on their platforms."
The Guardian report continued, "The 38-year-old billionaire, whose family fled anti-Semitism in the Soviet Union, was widely regarded as having been the driving force behind Google's partial pullout from China in 2010 over concerns about censorship and cyber-attacks. He said five years ago he did not believe China or any country could effectively restrict the Internet for long, but now says he has been proven wrong."
"I thought there was no way to put the genie back in the bottle, but now it seems in certain areas the genie has been put back in the bottle," he said.
Mysterious Chinese Internet outage
Was it an earthquake, or did the Chinese government flip the Internet kill switch?
Internet users around China reported temporary Internet blackouts leaving them unable to access many Chinese websites and other unblocked foreign sites.
Chinese telecoms deny any network issues.
Internet users in Hong Kong and Japan were also reported to have difficulty accessing Chinese sites. Could the cause have been an 8.7 magnitude earthquake in Indonesia last Wednesday that could have damaged undersea cables?
China's major telecommunication companies – China Telecom and Unicom – reported that wasn't the case, with China Telecom saying the earthquake did not interfere with the submerged cables.
Facebook was against SOPA, but supports CISPA – read why
Facebook is supporting the Cyber Intelligence Sharing and Protection Act, or CISPA, currently being considered by our representatives in Congress. Facebook is one of several tech companies that are supporting CISPA, including Microsoft, Oracle, Intel, IBM and Symantec. The bill is set for a vote in two weeks.
In this column last January we told you that Congress had backed off the Stop Online Piracy Act, or SOPA, but they're coming back at it again from a different angle. Big Brother never gives up.
Facebook's official blog issued from its Washington D.C. office's U.S. public policy VP Joel Kaplan stated there are several bills under consideration in Congress that would notify Internet companies of any "critical threats" of a cyber attack.
Kaplan said Facebook is supporting CISPA, partly because it would not make Facebook share any more of its own data than is currently required: "The concern is that companies will share sensitive personal information with the government in the name of protecting cybersecurity. Facebook has no intention of doing this, and it is unrelated to the things we liked about HR 3523 in the first place – the additional information it would provide us about specific cyber threats to our systems and users."
The House Intelligence Committee's draft version, however, does not come without raised hackles. Some say it reminds them of SOPA, the detested attempt to assert government control over information flow and users on the Internet.
I urge you to click on the embedded links I've provided for you and familiarize yourself with CISPA. Protect your Internet. Let your congressional representative know what you think of this bill and Congress' never-ending attempts to regulate the only open method of free speech we have while we still have it! Head to Grade gov.com, where founder Elizabeth Letchworth has the legislators' live, inner-office email addresses – as opposed to the standard computerized system members of Congress use that spit out the auto reply letters we all just love to get. And while you're there, grade the legislators too.
Driving Miss Dizzy?
Whether you think you've had one too many cocktails when you're out or you're three sheets in the wind, you take a taxi or have a friend drive you home. Now the problem is, how do you get your car home? Would you believe there's an app for that?
And no longer do you have to rely on Google map to get you there. Now there's OpenStreetMap, and Wikipedia mobile apps likes it. You might too!
I'll take "Popular Corporations" for a thousand, Alex
Guess who's going to be providing livestream coverage and a social platform for the Republican National Convention later this summer? If you guessed Google, you move on to final Jeopardy.
In its press release, Google announced: "The 2012 Republican presidential nominating convention in Tampa will be a convention without walls. Google and YouTube viewers will get an exclusive backstage pass to connect with Republican leaders off the podium via Google+ Hangouts, bringing convention conversations directly to voters. We will also be livestreaming key events right into their living rooms. We are excited to partner with the 2012 Republican National Convention and serve as the official social platform and livestream provider."
Facebook viewed as too establishment, even Orwellian – "Big Friend"?
"Something strange happened Monday on the Internet."
Got your attention? Evidently it got a lot of folks' attention and stirred up a lot of ill will toward what many say is no longer a "cool" operation.
The story, according to CNN, is that Facebook is "no longer a feisty start-up but a 3,000-person, soon-to-be-public corporation with $3.9 billion in cash and an $85-billion to $100-billion valuation."
The social network just spent a billion bucks to buy competitor Instagram, a smallish photo-sharing app. And when it did, "it stirred up a cauldron of ill will that the 'People of the Internet' have been harboring toward Mark Zuckerberg's once-hip company." To find out why they're saying that, click here.
Twitter also tried to buy Instagram, but failed. What's so phenomenal about Instagram that makes it so desirable? How about 40 million users, growing by ten million in ten days.
Getting back to Facebook, is the social networking giant trying to be the center of your web life? For that matter, does Facebook need its own browser? Some say it's a must. What say you?
Quiz: Who is the most popular on the Internet block? Facebook? Google? Apple? Twitter? Other? This poll reveals the answer.
Holder's DOJ filed suit against Apple – E-book price fixing alleged
The Department of Justice (a.k.a. AG Eric Holder) has filed an anti-trust lawsuit against Apple for alleged price fixing on its digital E-book business.
Experts are saying that the DOJ is likely to lose this round as it did when it went after IBM some years ago. Stay tuned for this developing story.
Hey, hey! Microsoft will give you free stuff to evaluate Windows 8!
Microsoft wants you to help them build better software. Microsoft invites you to join its invite-only feedback program for active Windows 7 and Windows 8 users in the U.S. All you have to do is send feedback data or surveys for more than four months. Doing so makes you eligible for "free software and Xbox games such as Microsoft Office 2012, Kinect Disneyland and Forza Motorsport 4."
These breasts gave up more than a bra size. Busted!
Embedded photo data put this suspected "anonymous" hacker in FBI cuffs.
It kind of reminds me of the guy whose cell phone made "butt calls" to the police while he was stealing cars. Ah yes, the wonders of modern technology. Look out it doesn't bite you in the behind!
Bits & Bytes
- "The Aspirational Self" – personal and business growth through the web.
- Spotify allows bloggers, websites to embed music widget, access to library – FREE!
- Author Nicholas Sparks talks tech, social media and the writing process.
- Seven smart toys for those connected kids.
- Updated, separate Mac Flashback Trojan removal tool.
20 percent of U.S. adults don't use Internet – PEW study tells why
As one who lives on the Internet, I can't imagine what my days would be without it. But for some, life "sans cyberworld" goes on. In fact, one in five U.S. adults do not use the Internet. Here's a hint: they're older, according to a study by Pew Internet Research. The report reveals some interesting details.


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I saw a forced-ripe mango, you know those types that look rosy on the outside but sour like hell on the inside, at Vita Health on Osborne selling for $4.99. I have never seen or heard ever about a simple mango selling for $5.00. This is highway robbery. Either Vita Health is being eaten alive by its supplier or they are trying to dupe their customers. This is unbelievable. I am truly shocked. I would encourage people not to buy this mango for this price it is way out of line. A mango should never ever cost that much.
I am appalled and amused.


text:
Originally posted by Bob Noel
: : I have visited a Nevada ghost town and mine a couple times over the last two years, and have been in contact with the owners, who have had the property in their family since around 1900.
: : With info provided by them, I just returned from a visit to the most intact, complete, "abandoned" mine and mill I have ever seen. This place looks like the generators and mill could be fired up and start processing today.
: : The owners are getting up in years, and are interested in selling or leasing the property.
: : If anyone is interested in a project like this, email me to discuss it further.
: : It is primarily silver and lead, with gold and platimum group metals also.
: -------------------------------------------------
: I would be interested in learning more of this project you are refering to, and what exactly might be for sale and where at.
: Please e-mail me soon as you can with all the
: pertinent information.
: Best Regards,
: Dr. Robert Noel D.D.


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Today is my little brother Vincent's birthday. He's 24 years old today and I'm hoping that his day is very happy! He wrote a really great post about my family on his blog this week, check it out to see what the rest of my clan was up to last weekend.
I wrapped up a couple lingering projects on the drive to and from Kitchener last weekend. The first finished project had been sitting unfinished in my knitting basket for, oh only about 2 1/2 years! I had one sock and most of the leg of the second sock done. I tried the finished sock on before I left and noticed that it was super comfortable and vowed to finish it's twin. And I did!
I also finished my second Vespergyle mitten, the pair will make a great gift for one of the guys in my life this Christmas.
My Kureyon Sock yarn cardigan is still hanging out in the basket... I will finish it soon, it's just missing sleeves and some finishing, but I've got a more pressing project on the needles right now.
I'm making a cardigan for my goddaughter Abby. Abby's godfather is my cousin Sean. Sean is getting married this October, and then I'm getting married next June, and of course Abby will be the flower girl at both occasions, and she needs a pretty little cream cardigan to wear in case it gets chilly. I'm knitting the Playful Stripes Cardigan, ironically without the playful stripes part... I'm knitting it in Sirdar Snuggly Baby Bamboo. It's a really lovely, soft, slightly shiny yarn. And because I can't get enough of the sparkles these days I'm jazzing it up with some sparkles over the garter stitch portions. The picot edge is a really nice detail too. Simple and classy. Abby will look great!


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Phone: 510-460-5641
Posted: 10/05/2013
San Carlos: Emergency operations center opened after city declares 'state of emergency'
SAN CARLOS -- An emergency operations center opened Saturday, just one day after city officials declared a state of emergency in San Carlos following the release of company emails that showed a PG&E employee questioning the integrity of a gas line that runs under a heavily populated section of the city.
City officials said the center was opened Saturday around 11:30 a.m. in a "limited capacity." A half-hour later, the city manager, city attorney, police and fire officials and representatives with the city's Public Works Department spoke via conference call with representatives from PG&E and the state and county offices of emergency services to discuss the current status of Line 147.
The safety of line 147, a 20-inch, 4-mile long pipe that runs from Interstate 280 through San Carlos to Highway 101, primarily under Brittan Avenue, was called into question after the city received documentation Thursday that showed PG&E officials questioning whether the pipeline had been properly maintained and inspected. One employee states that after reviewing records, inspectors believe the pipe dates to 1929 and had found external corrosion.
A San Mateo County judge on Friday ordered a temporary injunction and requested the agency shut down the line immediately. Instead, PG&E reduced the pressure in the line by 20 percent Friday night and told city officials Saturday that they were evaluating the potential impact to customers should the line be shut off completely.
The company's assessment would be completed Monday, city officials said in a news release, but that did not quell Mayor Bob Grassilli's bewilderment with PG&E going against a court order.
"How can a company which claims safety is their top priority continue to ignore a court order issued to protect the public?" he said in a statement. "It's 80 degrees outside, PG&E customers in the Bay Area aren't going to be without gas if line 147 were shut down. They shut down the line for several months in 2011 without impacting customers."
A Nov. 14, 2012, email from PG&E noted: "A recent leak repair effort on L-147 ... has revealed pipe specification(s) that are inconsistent with the current data in the PG&E system."
Another employee expressed serious reservations about the pipe's safety in a Nov. 17, 2012, email. "After thinking about this some more, I have some concerns about this pipe," the employee wrote. "Are we sitting on a San Bruno situation? ... Is the pipe cracked and near failure?
"I don't want to panic people but seems like we should consider this and probably move the pipe up ... for replacement."
PG&E released a statement Saturday reiterating that the pipe was safe as well as noting it was abiding by the judge's orders. Officials said they were going to cut gas flow to the line in a "safe and effective" manner. A complete gas shut-off could happen as early as Monday or Tuesday, the utility added.
"We are working diligently to comply with the court order to safely and effectively shut off service to the pipeline," said Nick Stavropoulos, executive vice president of PG&E. "However, in the meantime, I want all customers to know that this pipeline has been demonstrated to be safe using the leading and most universally accepted standard for assessing the integrity of operating pipelines. Under no circumstances would we operate this pipeline in an unsafe condition and any suggestion to the contrary is simply wrong."
On Sept. 9, 2010, eight people were killed and dozens of homes burned after a 30-inch, high-pressure pipe running under the Crestmoor neighborhood in San Bruno tore open along a faulty seam, causing a massive explosion and fire.
Follow Katie Nelson at Twitter.com/katienelson210.


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|Typical New House
|ZIP System® House
Based on the following average utility prices:
Electricity: 0.1548 $/kWh Gas: 16.43 $/mcf
General conditions for the energy simulation followed the 2006 International Energy Conservation Code (IECC). Simulations performed with REM/Rate v12.85. Air infiltration levels for reference house were 7 ACH@50 Pa and 4.5 ACH@50 Pa for the ZIP System house. Insulation levels for the reference and ZIP System homes were assigned in accordance with the 2006 IECC. For all homes, heating is natural gas with 80% AFUE and cooling is central air 13 SEER. Window areas are assigned at 18% of conditioned floor area and efficiencies according to 2006 IECC. No mechanical ventilation was used. Utility prices are the 2009 state averages obtained from the Energy Information Administration. Actual savings will vary. Savings estimates are based on comparison to an average new U.S. home with 7 ACH. ZIP System home value of 4.5 ACH based on field observations.
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Editor's note: This review was originally published on Aug. 2 2008.
Rating four out of four
Address: 5357 Park Ave. (between
St. Viateur St. and Fairmount Ave.)
Phone: 514-272-3522
Website: www.milos.ca
Open: Lunch weekdays, noon to 3 p.m.; dinner daily, 5:30 p.m. to midnight
Licensed: Yes
Credit cards: All major
Wheelchair access: Yes
Reservations: Recommended
Parking: Free valet
Vegetarian friendly: Yes
Price range: Starters $16 to $26; main courses $38 to $55 (fish is sold whole per pound); desserts $7.50 to $12. Five-course tasting menu $75 ($127 with wine pairings); three-course lunch menu $20.08.
MONTREAL - Three years ago, I sat down to lunch with Sinclair Philip, owner of Vancouver Island's famed hotel/restaurant Sooke Harbour House. Arguably Canada's original locavore, Philip has long been committed to using ingredients grown a maximum of two kilometres from his kitchen door, which means that no lemon, no chocolate and no raw milk Camembert from Normandy is seen at Sooke. When deciding to meet, he let me choose the restaurant. I selected Milos, one of the city's only top restaurants open for lunch.
Before even tasting the food, Mr. Canadian Ingredients told me he disapproved of my choice. Why, he asked, would I champion a restaurant where most everything, from the shrimp to the honey, was imported directly from Greece? Taken aback by his disdain, I came to the swift conclusion that in Philip's world, the best restaurants should be committed to serving only local ingredients. So much for culinary tourism!
Fortunately, when the food arrived he changed his tone, for there was no denying most everything was beyond reproach. We left the table happy, yet his comments lingered in my subconscious, and looking back they were a harbinger of the biggest trend on the restaurant scene right now. With the decade's tides shifting from eating exotic to eating organic to eating local, I thought it was time to give Montreal's best Greek restaurant - renowned for its imported fish and Greek foodstuffs - a fresh look.
When I last reviewed Milos five years ago, I savoured delicacies sourced by owner Costas Spiliadis like fresh shrimp and langoustines from Chalkidiki, sea-salt-baked red mullets from a small fishing village outside Thessaloniki near Mount Athos, and kakavia fish soup topped with croutons made with bread flown in from Crete. For dessert, there was halva, quince paste, and a choice of sheep's-milk cheeses served with hazelnut-stuffed figs drizzled with thyme-blossom honey from Kythira. We drank Greek bottled water (Ioli), and gorgeous Greek white wines privately imported by Spiliadis's son George, who also oversees management of the Montreal restaurant.
This was a time when Le Petit Milos, Spiliadis's specialty food shop a few doors north on Park Ave., was supplying the restaurant with a plethora of imported foodstuffs. But much has happened since then. Le Petit Milos is no longer, and four years ago, Spiliadis opened a successful third Milos in Athens. His second, Estiatorio Milos, is still taking Manhattan by storm, and there has been talk of the brand expanding farther.
Even Milos Montreal - the mother house - feels quite different. The fish arrive from Athens, Portugal, New York and Nova Scotia, but take a closer look and you'll find an increasing number of local ingredients. Yet considering Spiliadis's mission for Greek cuisine to claim its place next to the other greats of the world, it would be wrong for him to follow this local food trend too closely. Part of the fun of a night at Milos is tasting all those special ingredients. But there's no denying there's a shift going on here these days.
Try this on for size: The latest chef is ... Italian!
Franca Mazza, she of catering fame and the Mazza family that put the Little Italy landmark Il Mulino on the map, is now working her Mediterranean magic at Milos. Not that there was a lot to be improved on, but look carefully and you'll see changes - a definite feminine touch to the food - that have lightened and prettied-up cuisine that could have risked looking dated.
There's also a new tasting menu. A tasting menu at Milos? Yes, though unless you're a first-time diner here looking for a few "best of" nibbles from the à la carte selections, I wouldn't bother. One of the best things about Milos is the generous servings. Pared down, they lose their impact. Still, when I sampled the tasting plates of octopus salad, fried calamari, crab cakes, grilled mushrooms and peppers and grilled milokopi alabaster-fleshed fish on a recent visit, my only complaint was one poorly deveined shrimp. Everything else was superb. By the time we had devoured four courses and were slicing through an especially flaky baklava, we were bursting at the seams.
Many Milos detractors claim the restaurant is too pricey. Sure, fresh fish here can set you back $45 a plate, but that's what you'd pay for a rib steak in a good steakhouse, right? But I'll bet that steakhouse isn't offering a lunch deal like Milos's: three courses for a ridiculously reasonable $20.08. Last month the lunch special began with a summery salad consisting of sheep's-milk feta and watermelon cubes enhanced with olive oil, pepper and strips of mint. Following that came a meaty, rich and lush filet of Irish organic salmon, and for dessert I opted for a simple slice of almond and pear tart. Who could ask for anything more?
Yet I did return for more a few weeks later. As much as I enjoyed the minimalist tasting menu at my first visit and that perfect lunch after that, I never quite felt the jolt of excess - those heaping vegetable plates, those hulking lobsters, those fish-for-sharing platters and those elaborate dessert plates - that pushed this restaurant into four-star territory five years ago. This third dinner would have to be a feast.
I began with a bottle of Ktima Gerovassiliou 2006, a gorgeous white wine made with a mixture of asyrtiko and malagousia grapes whose fruity, crisp flavour works so brilliantly with the native cuisine. Next, the Milos special: a heaping stack of fried zucchini and eggplant slices surrounded by squares of fried saganaki cheese and filled with a tunnel of tzatziki. Grease-free and sliced whisper-thin, these simple vegetables are so utterly delicious that I think all Montreal foodies should chow down on this appetizer at least once in their lives.
I also relished the full portion of octopus salad. Unlike the traditional version of this salad, served with parsley, capers and sliced red onions, these charcoal-caramelized octopus chunks were paired with fresh fava beans. It's just that kind of slight break with tradition here that keeps dishes like these exciting.
While perusing the fish display for my main course, my waiter pointed to a gorgeous sea bream large enough for two, wedged between a St. Peter's fish and a Mediterranean sea bass, with my name on it. Glad he did! Firm-fleshed, moist, melting and flavourful, this fish was so impressive on its own that the lemon wedges served alongside were completely unnecessary.
I also wolfed down the side of vegetables - a trio consisting of new potatoes tossed in herbs, steamed "vlita" greens, and thick slices of the season's first zucchini straight from the market. It ranks as my best plate of vegetables this summer.
Instead of the usual honey-topped yogourt or fruit platter for dessert, we enjoyed a bowl of white nectarines and Quebec strawberries tossed with mint and Greek liqueur, followed by a round of fresh goat's-milk cheese. Spiliadis came by to say he had recently discovered this fluffy and tangy cheese at the Chèvrerie du Buckland stand at the Jean Talon Market, in front of Le Havre aux Glaces, where he purchases many of his sorbets. He also showed me some impressive purslane he had picked up at the Birri stand, one of his market favourites. Interesting to note that even with an international restaurant empire in the works, Spiliadis still has time to scour our markets for the best local ingredients.
With this marvellous intertwining of local and imported foodstuffs, options for both flush and budget-conscious diners, tasting plates or jumbo portions, and a touch of feminine sophistication from Mazza, Milos has scaled yet another peak.
To end: a story. While watching the waiter scoop the cheeks off our crisp-skinned bream, I looked up to my dining companion and said, "Imagine, just last week this fish was swimming in the Mediterranean."
"Last week?" my waiter said, looking up with a smile. "Try yesterday. This is Milos, after all."


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Israeli leader demands "clear red line" on Iran
(CBS/AP) JERUSALEM - Israel's prime minister urges the international community to get tougher with Iran, saying that without a "clear red line" Tehran will not halt its nuclear program.
Prime Minister Benjamin Netanyahu told his Cabinet Sunday that Iran does not see international determination to stop its nuclear activities, and instead is using talks with major powers to "gain time" while advancing their nuclear program.
The U.N. nuclear agency last week concluded that Iran has expanded its nuclear activity at a heavily fortified underground site and effectively shut down inspections of a separate site suspected of being used for weapons-related experiments.
AEA report: Iran blocking access as it doubles number of centrifuges at Fordo, covers Parchin
Report: Iran may open suspected nuke site to visits
Referencing the IAEA report published last week, Netanyahu said, "While the international sanctions are indeed making things difficult for the Iranian economy, they are not delaying the progress of the Iranian nuclear project. ...
"I believe that the truth must be told - the international community is not setting Iran a clear red line, and Iran does not see international determination to stop its nuclear project."
The prime minister also remarked on anti-Israel statements made at a meeting of the Non-Aligned Movement in Tehran last week. "They heard contemptuous, anti-Semitic remarks by the ruler of Iran, and this was in continuation of his statements about the destruction of Israel. Nobody stood up. Nobody left the hall," Netanyahu said.
Israel has threatened to attack Iran if it believes international sanctions and diplomacy are failing to curb Tehran's disputed nuclear program. Iran says its program is solely for peaceful purposes.
Netanyahu's latest comments reflect Israel's stance that time for military action is quickly running out.


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Everyone wants to project a more youthful appearance full of vitality, but a person's face is usually noticed first and often displays the most significant signs of aging. Getting facelift surgery in the Beverly Hills area can rejuvenate your appearance, so you can have the beautiful and vibrant face that allows you to look as young as you feel.
Facelift surgery turns back the hands of time to help patients look as young as they feel.
A facelift performed by Dr. Diamond is the obvious choice to improve the signs of aging and achieve a more youthful appearance. The facial tissues are adjusted, and the skin is pulled smooth to give patients taut, firm skin, and to reveal a more vigorous outward image. You can look ten years younger after undergoing this procedure in Beverly Hills with facelift surgeon Dr. Jason B. Diamond.
A facelift can effectively diminish the appearance of fine lines and wrinkles.
Wrinkles and fine lines are some of the greatest contributors to an aged appearance, and they can appear on almost any area of the face, especially below the lower eyelids, in the midface, and from the nose to the corners of the mouth (nasolabial folds). Facelift surgery reduces these pesky furrows by correcting underlying depressions that allow the skin to fold and pulling wrinkled skin smooth.
Facelift surgery corrects sagging and removes excess fat to reveal tighter, firmer skin.
Loose skin, fat deposits, and weakened tissues beneath the skin often cause the face to sag, especially along the jawline and into the neck. Facelift surgery lifts and tightens the underlying tissues of the face to reduce sagging, and excess fat deposits can be removed if necessary.
Most patients are able to return to work about one week after facelift surgery.
After surgery, the face will be gently wrapped with bandages to reduce any swelling or bruising. The head should be kept elevated as much as possible as the face adapts to its new structures. The exact amount of recovery time for your facelift surgery will depend on how extensive of a correction was needed and the technique used. Dr. Diamond will give you specific instructions to follow to ensure you have a safe and effective recovery.
Incisions are placed inconspicuously along the hairline so that they do not result in noticeable scarring.
Depending on the technique used, the incisions for facelift surgery may extend around the ears into the lower hairline. Dr. Diamond uses his extensive skill and experience to make careful incisions and minimize the appearance of scarring. All scars will continue to fade over time until they are almost invisible.
The cost of facelift surgery varies depending on the extent of correction needed and the techniques used.
Dr. Diamond is one of the world's foremost experts in facial plastic surgery. Depending on the patient's facial anatomy, there are a wide variety of techniques that can be used to achieve the most optimal result. Cost is dependent on many factors that are considered such as the complexity of the case and duration. Dr. Diamond's office is located in Beverly Hills, CA, where he can provide optimal care in a beautiful location.
Although some discomfort is expected, it will be greatly reduced with prescribed medication.
There may be some discomfort and swelling after surgery, but these symptoms will be alleviated with medication Dr. Diamond will prescribe for you. Most patients are able to return to their normal activities within one week following surgery.


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James Coyle, PhD
Director of HPC Operations
High Performance Computing Group
217 Durham
Iowa State University
Ames, Iowa 50011
phone: (515) 294-2099
Projects and Downloads
Run-Time Error Detction Test Suites for Serial, MPI, OpenMP and UPC programs
UPC Compile-Time Error Detction Test Suite
MPI-CHECK, a tool for finding errors in MPI programs
UPC-CHECK, a tool for finding errors in UPC programs
High Performance Computing
High Performance Computing Group
Machines/software run by High Performace Computing Group
Using the Student Cluster
Cygwin/X Unix and X running under Windows
Interesting Links
ANL NEOS Optimization Server
Weather/Road Reports
US Weather Site at OSU
Road Reports
Iowa Road Report from Iowa State Univ.
South Dakota Road Report from S.D. DOT


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Comedian Andy Samberg is a married man after exchanging vows with his fiancee on Saturday.
The former "Saturday Night Live" funnyman married his partner of five years, Joanna Newsom, at a ceremony in Big Sur in front of family and friends, as well as singer/actor Justin Timberlake and his wife Jessica Biel.
Samberg, who proposed to Newsom in February, previously said of his wedding planning, "So far, it's been nothing but stress and joy. The joy is the lady herself. The stress is the planning. We tried to go small and it was just impossible. There's too many relatives, too many friends."


text:
WildCat Sync is your way to connect to organizations, communicate with other members, and explore your community
Join up with the organizations you are already a member of or find out what else is going on in your area.
Use discussion boards, news posts, and group messaging to communicate within your organizations.
Involvement in your community prepares you for the next step. WildCat Sync helps track that involvement.


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Reviewed by T.L. (age 8)
I liked this book because I think the author had a lot of clues so I could understand it, but I think I could read much harder books. I think a first grader could read this book. I think the illustrations were pretty good they showed a lot of detail and I think the author did a pretty swell job making those pictures. The story, when they lost the basketball, reminded me of when I lost my sun glasses in New York and my mom bought me an excellent new pair.
I recommend this book because the author included a lot of clues and it was very easy to understand. I also realized it made a lot of sense and all the clues fit together. I would recommend this book for a first or second grader or maybe, like me, an early third grader. It's a mystery so people who like mysteries might like this book and people who like basketball, too.


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Concert is a mix of jazz and politics-Campus Time, University of La Verne
Veronica Orozco
Staff Writer
Jazz musician and writer Gilad Atzmon played an energetic and exciting concert in Tuesday night's performance in Morgan Auditorium.
The night started off with an introduction by professor of English William Cook where he described Atzmon as a rare person whose mind never stops working, along with reading an excerpt from Atzmon's most recent book "The Wandering Who."
As Atzmon walked on stage to greet the audience he began by giving a small description of his Middle Eastern inspired music.
He then followed it with a small demonstration of what the difference is between the styles and types of jazz.
"When it comes to Arabic on a saxophone it is basically a nightmare, the notes linger on for days just oscillating," Atzmon said.
Atzmon said he fell in love with the sound of jazz at age 17 and believed he would be able to attract girls' attention with his sax.
Since Atzmon could not read music he took up the saxophone because he said it is an instrument that is more about feeling the music rather than reading it.
"The biggest problem we have in our liberal technological society is that we are not listening, we are deaf to the pain of other people," Atzmon said.
He then introduced adjunct professor of music Gayle Serden who accompanied him on piano.
Serden and Atzmon had just met 15 minutes prior, which made the improve between the musicians imperative.
There was a brief pause as they discussed what song they would play first and the room was soon filled with lively music.
The saxophone and piano had a give-and-take that created a bond between the musicians and was translated to the audience.
Atzmon's body began to move to the beat starting with the tapping of his foot and moving up to the swaying of his body.
He looked as if he was dancing a waltz and he used his saxophone as his partner.
Atzmon stood on the edge of the stage as he played.
He was so enwrapped in the music that it often looked as if he was about to jump right off of the stage.
After he finished his performance he said that he plays with his two feet lingering on the edge because jazz is all about taking risks and he loves taking risks.
After every song there would be a pause where the musicians would decide what song would be played next.
Typically such a sign of disorganization would inhibit the connection between the two performers.
However, this was not the case for Atzmon and Serdan.
"My favorite part was knowing that neither of them had rehearsed before they performed," Jessica Alberts, sophomore English and creative major, said. "They listened to each other and knew exactly what the other was about to do."
"It was rough around the edges at some points but it flowed well together in such a free formed and impromptu style," Kristina Jones, junior English major said.


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Published Sep 28, 2016
Samosas, tandoori, and naan. How delicious! Who does Indian cuisine justice?
Fajitas, tacos, enchiladas, guacamole oh my! Whatever brings you in, where... see the Top 5 →
These restaurants take old ideas and melt them into tasty new ones. Who... see the Top 5 →
Candlelight, soft music, and the best company. Who's #1 for your date... see the Top 5 →
If it comes from the sea, these restaurants know how to serve it right... see the Top 5 →
So many choices… porterhouse, T-bone, filet… what's your choice? see the Top 5 →
There's nothing like fresh, carefully prepared sushi. Who makes the best? see the Top 5 →
The 2016 Akron-Canton HOT LIST awards are based on more than 47,000 votes from local Akron-Canton-area experts.


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Eidos / 2009-09-08
Buy from:
| A single player action/adventure game, Mini Ninjas puts a new spin on the video game favorite, ninja action genre. A kid-friendly game featuring no killing and an engrossing storyline, which players explore via six playable ninja characters, players take on the role of Hiro and the fellow members of his improbable ninja clan as they face an ancient evil that has returned to impose itself on the world. Each ninja utilizes authentic ninja weapons and moves, and possesses his/her own individual skill set, including mysterious "kuji magic" abilities.
In Mini Ninjas the main character is the small ninja, Hiro. Although he has shown great promise, Hiro is the last ninja that anyone would expect to save the world, yet that is exactly what he is called to do when an evil samurai warlord hatches a plan bent on total world domination. In this plan the evil lord attempts to recapture the dominion he held prior to previously being cast out by creating an army of samurai slaves out of innocent animals. In the process of doing this he also upsets the natural balance of the the world, causing catastrophic storms. This Hiro can not stand for. Armed with authentic ninja weapons and powerful spells, Hiro must rescue the fellow ninjas of his clan who the warlord has captured and then lead them on an exciting journey to battle the magical army of twisted Samurai. Gameplay
In Mini Ninjas players have their choice of six playable ninja characters, although as the game begins you will be limited to the main character, Hiro, and his comrade, the slow, but strong un-ninja like Futo. As part of the revealing of the storyline, players are tasked with searching out Hiro's fellow ninjas, who at the beginning of the game were sent out to investigate troubles in the land, but never returned. They were captured by the evil warlord. As Hiro and Futo set each of these free, they in turn become playable characters. Each of the six playable characters has unique abilities, and utilizes a variety of ninja-specific weapons, items and moves, as well as "Kuji Magic," which each--especially Hiro--can use to help them against enemies. These uses include classic mana-like blasts, but also more surprising and powerful forms such as the ability to take animal form in time of need. A New Kind of Ninja
Mini Ninjas is an action adventure game with a fresh take on the ninja fascination that has long been part of video games culture. Designed to be kid-friendly, although the game utilizes realistic ninja weapons and moves, there is no actual killing. Because the evil ninjas and other enemies that players face are actually animals captured by the evil warlord, when they are defeated they revert back to their original animal forms, correcting the imbalance that the plans of the samurai warlord have caused, and ensuring game suitability for all ages of players. Key Game Features
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Please help contribute to our Mini Ninjas cheat codes page by submitting your own cheats, hints, strategies, glitches, faqs, walkthroughs and other content related to this game.


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4424 Aicholtz Rd Union Twp OH
Lease Only at $11.00 + $1 CAM. Location, Location, Location! Fantastic office space located in the heart of Eastgate! Only 2 suites remain (1450 sq.ft. street side and 1750 sq.ft. back) of the total 10080 sq.ft. Close to shopping, hotels, dr offices.
Directions to 4424 Aicholtz Rd Union Twp OH 45245: Eastgate Blvd or Glen Este Withamsville Road to Aicholtz.
More info about this property
Send me information
No spam. Ever.
Sibcy Cline, Inc.
Joseph M Iannelli
Joseph M Iannelli
Office: 513-474-4800
Phone: 513-535-5275
Phone: 513-535-5275
The data relating to the real estate for sale on this web site comes in part from the Broker Reciprocity program of the MLS of Greater Cincinnati, Inc. Real estate listings held by brokerage firms other than Comey & Shepherd Realtors are marked with the Broker Reciprocity logo or Broker Reciprocity house icon. The properties displayed may not be all the properties available through Broker Reciprocity.


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Ending the Stigma of Mental Illness in the Church
What can we do to end the stigma of mental illness in the church? Earlier this month, Tyndale Counselling Services hosted the "Mental Health in the Christian Community Symposium" to address this daunting question. Dr. Victor Shepherd, Professor of Theology at Tyndale Seminary and long-time advocate of people with mental illnesses says, "We have to recognize that the person is suffering, and suffering atrociously. She isn't behaving the way she does because she enjoys being socially awkward or because she prefers government assistance to gainful employment. She is suffering."
According to Dr. Shepherd, not only do people with mental illnesses suffer on account of the nature of their sickness, but also from numerous fears that are reinforced by a Christian culture that can't seem to break the stigma.
These fears, which he calls "second-order" suffering, can come in the form of the guilt people with mental illnesses feel when they are told – by other Christians – that their sickness stems from their failure to 'pray enough' or their failure to 'trust in Jesus.'" Dr. Shepherd goes on to say that there is also often an ungrounded fear that the psychiatrist who is treating them "is going to take away their faith," or that medication will somehow "steal their identity," making them "unrecognizable."
Summarizing how the church should respond to this tragedy, Dr. Shepherd quotes Luther in his sermon on John 16: "The sum of this Gospel is that Christ the Lord reveals Himself to His own as pure loving friendship so that they are comforted." The church is to befriend and love those suffering with mental illness for the purpose of bringing them comfort and healing.
With 150 in attendance, the symposium included four presentations, two testimonies, a panel discussion and a hallway brimming with the displays and representatives of mental health service providers from the community.
Sheila Stevens, Director of Tyndale Counselling Services, believes that education plays a major role in ending the stigma. "We are excited to offer this symposium and to have a working group addressing these issues. By educating future pastors and church leaders right here in the university and seminary, our hope is that it will filter out into the churches and community."
She notes that there are still many untreated people suffering with mental illness looking for help in the church. Our role as Christians should go beyond the generic "I will pray for you" response. Instead, we should know the "signs" of those suffering with mental illness and move to 'befriend and comfort' them as Christ would.


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I think I'm going to tape a business card to the inside of my cases now...
I think I'm going to tape a business card to the inside of my cases now...
Don't give up hope. I just think that somehow this will turn out OK for you and that you will get it all back.
Check your PMs
MOA Ambassador
Sled Dog Touring Team | RSMaine | MOVermont
If one cannot command attention by one's admirable qualities one can at least be a nuisance
I now have the email of the person in Cornish, Maine who (I hope) has our left side case. Donna at Whitehorse was extremely helpful in all of this. The help of so many people is so appreciated. Sounds like 'thank you beers' are in order in Penn next July eh? - Bob
Bob Weber
Larry's River, Nova Scotia, CANADA
I just got off the phone with a gentleman from Cornish, Maine. He found our sidecase on the side of the road near his house. It sat for a couple of days until he decided to check out just what this was. Took it home and pried the locks enough to open. No ID. Not sure just what steps to take next, he posts on Craig's List as lost item. Nothing.
He then talks with a local HD rider who suggests contacting Whitehorse in NH. He speaks with Donna and she contacts Roy (Yankee Beemers President) and he posts over here http://forums.bmwmoa.org/showthread.php?t=48406 I call Donna and get the finder's email. We have now confirmed that it is our case.
All of this successful outcome speaks volumns about how a network can ultimately work. Gail (sheridesabeemer) jumps right in and posts the loss wherever possible; Bud (sibud) provides near mystical insights and support; Irene (iRene) is the Maine connection; Roy (rbertalotto) carries the message from Whitehorse and makes the pivotal connection; Chris (statdawg), through PMs, is a logistical wizard for coming up with a broad range of options for retrieving the case; Donna at Whitehorse for taking the time and effort to forward the info in the most expedient way;and, thanks to the many others who assisted. Every negative has a positive and there are many in this 'Lost 'n' Found' story. Now we are all going to be sure that we ID cases on the outside and make sure that bag security has a 'back up plan'...... just in case.
Turns out that the finder works in South Portland, my parents and siblings live in Portland, and, my brother works just around the corner from the finder. So, we will coordinate a pick-up and I'll figure a way to get the bag up here some time by next Spring.
Thank you all! - Bob
Bob Weber
Larry's River, Nova Scotia, CANADA
A great story! Restores your faith in people.
Martin. BMW MOA Ambassador.17748
BMW MOA Charter, Life member.
Valley BMW Riders. British Columbia.
Well, It doesn't get much better than this. It's great when people are looking out for each other . I'm going to move the other half of the story http://forums.bmwmoa.org/showthread.php?t=48406 out of Ride Reports here to Regional Northeast so everyone can enjoy the great ending in one spot. Gary
"You can do good or you can do well. Sooner or later they make you choose." MI5
Mod Squad
I'd now recommend stopping at a Hallmark or other stationary store and picking up a paint pen (the kind you use to sign photographs) - they come in white, gold or silver, and putting your phone number on the outside inner portion that is hidden when the bag is on the bike but quite visible should it fall off again If you don't want to mark up the bag, you can also write it on a slip of paper and use clear packing tape to affix it to the bag in the same location.
I used the tape method and mine says, "If Found Please Call 703-XXX-XXXX, Reward for Return." I also put them inside the battery covers and RT fairing pocket covers - both of which rarely fall off but are expensive to replace. Here is something I put together about losing things when touring.
"A good stick is a good reason"
Moto Pages
This is great news, you gotta write this up for the ON!


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Geneva Centre for Autism is committed to be the organization of choice for individuals who are passionate about making a difference in the lives of individuals with ASD and their families – be it as a staff, a volunteer, a co-op student, a donor, or a member.
Our Centre offers a range of meaningful opportunities that are personally rewarding and enriching because our work is about enabling individuals with ASD to realize their potential and empowering families and professionals to successfully support them.
As an organization, Geneva Centre for Autism fosters a positive environment and provides many opportunities for professional development and growth.
Find out how you can be a part of our team.


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Growing up, we were all asked, "What do you want to do when you grow up?" But if you are halfway through your career and still not sure of your answer or haven't quite made it to your desired profession, now is the time to act.
Continue Reading Below
About 28.7% of U.S. professionals have their childhood dream job or work in a related field, according to a LinkedIn survey, yet 36.6% still think about obtaining their childhood dream job.
While your definition of what a dream job entails may have evolved over the years to include traits like a flexible working schedule, high earnings power or the chance to help others, your childhood desired profession might not have been that far off.
Children tend to have a more authentic set of desires that aren't muddied, tarnished or impacted by what others think and aren't defined by money or societal pressures, says Nicole Williams, LinkedIn's career expert. "If you're naturally inclined toward that career, it's probably what you're good at."
Then and Now: Visions of Your Dream Job
When trying to figure out your dream job, Amanda Augustine, job search expert at TheLadders, suggests thinking back to what you loved as a child. "The idea is not to pursue what's on the list but what attracted you to them," says Augustine.
Children may not be able to identify specific careers in the IT industry but know they liked putting things together or fixing them. "The truth is, when you're little, you're not exposed to a number of jobs," says Williams.
Part of having a dream job is not comparing yourself to other people and thorough self-appraisal helps you understand where you want to go, says John Sumser, workplace expert from career website Glassdoor. "The way to get your dream is to have a clear vision." If you've trouble identifying what your childhood dream job was, Sumser suggests taking vocation aptitude tests to know your interests and abilities.
Realistic Dreaming
Distinguishing what you can realistically accomplish as a professional is hard but important.
Look for dream careers that line up with your passion and skill set, says Jolynn Cunningham, director of talent at career website Indeed. "Be honest with yourself and figure out what those gaps are."
To help determine whether a specific profession really is your dream job, you have to do your homework. "You definitely have to be a good student—subscribe to industry blogs, join relevant associations and membership organizations," says Augustine. Consider a modern day apprenticeship or working or volunteering during weekends in the field so you can learn about the industry and day-to-day operations. This will help you build your network of relevant contacts.
Williams recommends connecting with people who have your dream job through LinkedIn or personal connections. Look at their career path, education and certifications. "Talk to them and ask about their nine to five."
If you are looking to revamp your career, you also have to reimage your resume and online profile. Try and fill gaps in your skillset and make industry connections so you're more marketable, recommends Augustine. Consider going to school or working in the industry in a paid or unpaid capacity to help strengthen your brand.
If you're too old or don't have the natural abilities to become a prima ballerina, opera singer or Olympic athlete, Augustine suggests exploring a career that taps into your passions and uses your existing skillset. For example, if you are currently in finance, consider working on the budget or funding opportunities for different shows, getting sponsorships or other finance-related jobs within your dream industry.
Head in the Clouds?
Pursuing your dream job will likely mean starting at the bottom, and if you've a family and a mortgage, the transition to your fantasy job could create financial instability. As an alternative, experts recommend finding ways to incorporate your passions into your life without taking the risk.
Volunteer or pursue your passions as a hobby if you're unwilling or unable to make the tradeoffs, says Williams. If you've always wanted to be a doctor but don't want to invest the time and money for medical school, volunteering might be a good alternative to provide exposure to that industry. If you're an accountant who always wanted to be a doctor, why not work as an accountant in a hospital?
"The whole notion of a dream job is a really personal thing," says Cunningham. Dream jobs should match your passions with your talents and skills. Making a change can be daunting but there are many success stories. Sometimes it's more about having the gumption to go and pursue your dreams.