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Answers to Diploma Questions
How do you know what my diploma's layout is?
Our production department stocks an incredible number of original diploma layouts that were created from actual student issued diplomas given out at high schools, colleges, universities and more! Our original layouts match actual diplomas, minus elements that are restricted such as forgery, banned degrees including law and medical and more. When you request a particular school, our production department pulls the appropriate template to ensure that the proper structure and layout is being captured on the custom fake diplomas that we make for you.
Will my diploma look like the one in the product image?
In most cases, no. Like we mentioned before, our production department stocks thousands upon thousands of high school, colleges and universities. For this very reason, we can't have a single product for every school and every graduation year because that would create so many products, that customers would have problems finding what they need on our site. Instead, we keep our website simple. For example, we have a fake ged diploma which is a single product that can be used for any GED. This particular product applies geds in either the usa or canada and from any town or passing year. The product icon on that product page, like many others, is just a generic image we made to market THAT product. What you will receive will match the appropriate assigned ged diploma layout that we have chosen for your area via our production department.
What is the difference between a diploma and a degree?
Because we some problems labeled as "diplomas" and others as "degrees", we often get this question a lot. Although both a diploma or a degree, are awards given to people after they complete an education course or a series of courses, they are also different and alike in several ways. For most people, a diploma can be completed in 1-2 years (like an associates) and a degree takes 3-4 years (like a bachelors). Others simply refer to a diploma as what is given to recognize an achievement and the degree as what was actually earned. Still, some even consider a diploma and degree on in the same.
Will my diploma have a gold seal?
If you choose to have an "official" seal, we will use the proper seal we've designated for the template we have on file. Seals are often infused, raised or printed, depending on the layout and what is needed. If you want a "gold" seal, even if your diploma layout does not call for a "gold" seal, you can still get one by requesting a "gold" seal in the custom notes of the order form. Just make sure that you have chosen to have an "official" seal. Otherwise, we'll give you the appropriate seal that your assigned and original diploma layout calls for.
What type of diploma paper do you use?
Our production facilities stock a large amount of diploma paper that we order from a national trade supplier who also issues diploma paper for various schools, colleges and intuitions. We match your requested school's layout with its proper paper weight and paper color, once your order has been processed and production begins.
How are your diplomas printed?
As a professional printing company, our production facility uses a variety of printing equipment depending on the document you are looking for. Some diplomas use single printers, while other diplomas require a number of printing machines including heating elements to complete the production process. is committed to using the highest quality inks and printing methods for all orders, ensuring an authentic True Match© for all printing methods.
What size will my diploma be?
It depends on what sort of diploma you want to order. We will match the proper size noted on our official template, as we have it listed for your requested school. Learn more about proper size of diplomas here!
What signatures will I get on my diploma?
We use a collection of "realistic signatures". Diploma Company cannot reproduce somebody'DiplomaCompany United Kingdoms actual signature because that would be forgery, which is illegal. Instead, we use "realistic signatures" that capture many of the characteristics found on real signatures! During production, our staff makes sure to use the appropriate "realistic signatures" that best suit your document. This is what makes "realistic signatures" better than standard signatures, which is the substitution for signatures with other fake diploma websites. As a business, we have received nothing but positive feedback about our "realistic signature" option but if this is an issue, you may request to leave the diploma's signature lines blank, in the "notes" section of our order form, and sign the document yourself upon receiving it. If you chose to do this though, we commended adding an extra copy or two in case you have issues signing your diploma.
So, I really want a fake diploma... how do I order one?
It's easy. Look up top at the dark grey bar and select your product category. If you want a GED diploma, choose GED, high school chooses High School, etc. From there, you simply pick your product and fill out our order form by giving some important details.
Can I see some samples of fake diplomas you've made before?
Sure. See our fake diploma gallery of past work.
Can I sample my diploma before it ships?
There is an option on our order form to request an email sample of your document. Once finished producing your document's layout, our production staff will send you an email with a special ticket number, allowing you to preview the document at our production website. Your sample will show the structure of your custom document and text, allowing you to see the school's name, your name, dates and more. This also allows you to check over it and request any appropriate changes with the assigned production member working on your order. Once you approve our work, your document is flagged for final production and it is printed on official diploma paper, seals are applied and then the document is packaged and shipped to you. Please note that all our order proofs of our products do arrive with a watermark stating that it the sample being viewed is property of DiplomaCompany United Kingdom and in fact a sample. This is required by our credit card processor since all orders are not finalized until they are signed by the buyer. Because of this, all of our samples in production are still property of Diploma Company and must be watermarked as so for liability reasons. If this is an issue, and you must have a sample free of watermarks, we recommend that you contact us about setting up alternative payment methods such as Western Union, Money Gram or Money Order.
How will my diploma ship?
All diplomas ship in flat packages that contain a label with your shipping address and the address to our production plant. Our packages are very similar to what a school might use to mail a copy of a real diploma to a student. All packages ship with FedEx. For your convenience, we offer a variety of FedEx shipping options. For more information, see our shipping page.


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Laptop bags are perfect when you regularly bring your laptop with you. Whether you bring it to work, to school or perhaps during a trip: you always want your laptop to be safe and protected. And that is why you choose a good laptop bag. But how do you find the right one?
In our collection, you only have to pick the laptop bag you like and that fits your budget. We make a careful selection of the best brands available which are known for their high quality products. This means that your future laptop bag is fabricated of the right durable materials, is well put together, that your laptop and battery fit in the bag and that you can safely transport it from one place to another. We have selected brands such as Castelijn & Beerens, Plevier, Eastpak and Bulaggi.
Found a laptop bag you like? Order it online at The Little Green Bag and enjoy our same day shipping service.

subset: commoncrawl


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Mother (contra Brody)
Two of Joon-ho Bong's films previous to Mother, 2003's Memories of Murder and 2006's The Host, impressed me greatly, and Memories of Murder is certainly among my favorite films of this century (that sounds so much more impressive than "this decade"!). Mother didn't get me in the gut the way Memories did, but it's certainly an excellent film: compelling, thought-provoking, and visually rich.
While the reviews of Mother were generally positive, many extremely so, I'm in the mood to dig into a negative one. I like reading Richard Brody at the New Yorker's Front Row blog because he's intelligent and experienced, and sometimes he posts wonderful stuff (e.g. on Truffaut), but our tastes and temperaments seem awfully different, so when he goes into reviewer-mode I'm wary, at least of his evaluations. Mother, he said,
...leaves me both baffled and fascinated. On the one hand, the movie—in which an odd, rather feeble twenty-seven-year-old man is accused of murdering a young woman, and his absurdly overprotective mother undertakes a bold investigation to clear his name—has all the emotional depth and psychological insight of a marionette show. The intricate and twisty story flattens the characters, pulls the utterly typecast actors' strings, and leaves them no margin for existence. But, on the other hand, the details that keep the story going convey a sense of the interesting things that Bong is getting at—such as the indifference of the police, the lack of a right to representation and the prohibitive cost of an attorney, the absence of due process and legal redress, and the unchecked violence and silenced memories of brutality that run like a silent current of agony beneath the placid formalities of Korean culture.Such a description of the film astounds me -- the "interesting things Bong is getting at" (which should perhaps be called "the only things Richard Brody apparently noticed in the movie") are all socio-political messages. Brody then goes on to call the film a "needlessly slow-paced, overly methodical, impersonal, even mechanical bore to sit through", and then to talk about ideas/messages in recent movies, and he ends with this paragraph:
Some filmmakers want to be serious men and women and avoid being perceived as mere entertainers. That's an old story; message movies have always seemed of outsized critical significance. What has changed is the now commonplace recognition, imparted in media studies and even in high-school English classes, that there's no such thing as neutral storytelling, and that every artistic composition, every visual representation, entails and embodies a wealth of ideological influences and prejudices—which makes filmmakers want to stake out their positions clearly. But the most worthwhile of recent movies reflect the tension of a rich range of ideologically ambiguous or indeterminate events—even when they're movies of overt political commitment, the scripts don't line things up too consistently, and the director's eye shows more, and sees further, than what the director wants to say. Or else, raising the stakes of direct address, the filmmaker comes out from behind the curtain and adds him- or herself to the film, one way or another, as an artificer within the spectacle. In short, the notion of directing in the modern cinema has changed; the new freedoms of which directors partake are actually the old freedoms, reflected in the mirror of self-consciousness and exhibited in a self-aware display of style.There's too much in that paragraph for me to unpack it all here and show what seems to me incoherent in it (or my misreading of it) -- what I want to propose, though, is that Brody's narrow reading of the film, his apparent insensitivity to any elements beyond those he perceives as satirical or somehow didactic, blinds him to this film's claims upon the terrain he seems to be saying is most worthwhile.
What Brody seems to miss is that Mother is a motion picture. Every positive review I read mentions the extraordinary visual power the movie has -- a power achieved through, I suspect, the combined efforts of Bong, cinematographer Kyung-Pyo Hong, and production designer Seong-hie Ryu. In addition, the motion part of the picture is important, and part of that is the motion of montage, for which we should note editor Sae-kyoung Moon. Beyond its visual power, though, Mother has visual meaning.
Manohla Dargis, one of the most perceptive reviewers out there, gets it -- here's how she describes an early scene in the film:
...while playing with a dog one bright day, Do-joon puts himself in the path of an oncoming BMW, which leaves him dazed if not particularly more addled.And that's not all -- Dargis leaves out how the editing of the scene manipulates our expectations: I turned away at the crucial moment because I was sure Do-joon's mother was about to chop her finger off; I thought that was what the scene would be about. Not quite. She injures her finger, but not terribly.
You watch the accident unfold alongside Mother, who busily chops herbs with a big blade in her darkened shop while casting worried glances at Do-joon as he goofs off across the street. From her vantage point, he looks as centered within the shop's front door as a little prince inside a framed portrait. The dim interior and bright exterior only accentuate his body — the daylight functions as a kind of floodlight — which puts into visual terms the idea that he is the only thing that Mother really sees. Mr. Bong may like narrative detours, stories filled with more wrong turns than a maze, but he's a born filmmaker whose images — the spilled water that foreshadows spilled blood — tell more than you might initially grasp.
Again and again throughout the film, similar things happen -- characters jump to conclusions and act on imprecise and even fantasized knowledge, and our expectations as viewers are also set up in particular ways and shown to be inadequate. As with The Host and Memories of Murder, part of what Bong is doing is showing us the expectations genres create for us, and how those expectations can be not only limiting, but distorting. We know what's supposed to happen in a movie like this; Bong's films use such knowledge against itself. The limitations and distortions created by genre expectations are then linked to the limitations and distortions created by other sorts of expectations we impose on the world.
But this isn't presented as a "message" in the way Brody says -- yes, there's a certain thematic element to it all, but it's more supple than a statement, more ambiguous than a speech. Ambiguity and ambivalence are at the heart of Mother, much as they were at the heart of Memories of Murder, though not to the same degree or purpose, it doesn't seem to me. (The ambiguity and ambivalence are more personal here, less epic.) "What do I know?" the film seems to want us to ask, and, "What do they know?" and maybe even, "What does anybody know?"
Richard Brody's perception of the film as slow and boring is also bizarre to me; maybe he'd taken some sleeping pills before watching it. (While it doesn't have the suspense of an action thriller, it's hardly a Hou Hsiao-hsien movie!) Brody's blindness is clear in such comments, too, because the excitement of the film is visual. And not just in the beauty of its mise-en-scene and compositions (which sometimes reminded me of the beauty Kiyoshi Kurosawa finds in worn, weathered, and grimy locations), but in the actual movement within shots and from shot to shot.
For instance here are screen captures* of some shots from the start of one sequence:
The mother here walks next to the river while the camera dollies along with her. The camera stops when the bridge comes into view, she walks out of the frame, and next appears on the bridge, heading toward the little house. The change from moving camera to static camera, from close-up to long shot, all in one take, is, if you're sensitive to that sort of thing, thrilling. And it's a pattern Bong and his collaborators use throughout the movie. Here are some stills from the other side of that sequence:
As the mother moves -- she's leaving the house hastily, thinking she has the exact evidence she needs to prove the innocence of her son -- we pull back and back, getting a sense of distance, then slam into close-ups: the golf club, the mother's face; then distance again, then movement in long shot. This conveys a sense of the energy and urgency she feels, and it also, perhaps, subtly prods us to remember to keep some perspective: things look very different up close than far away. (But which perspective is the right one? That's the hard part!)
This is not "needlessly slow-paced, overly methodical, impersonal, even mechanical", nor does it have "all the emotional depth and psychological insight of a marionette show", nor are the characters flattened, with "no margin for existence". The emotional and character depth are conveyed visually -- to experience the power of this film, we must see it. This isn't an Arthur Miller play with all the characters spewing their motivations right and left; "psychological insight" conceived as the stuff that gives Method actors something to do is an awfully narrow, impoverished criterion to apply to a film like Mother, which never attempts to explain its characters to us, but rather leaves intriguing clues. At the same time, it's a movie all about the perils of clues, the difficulties of differentiating clues from other data.
Patterns create meaning. Some of Mother's visual patterns are created through the repetition of certain types of shots (following beside the mother proves an important one). The opening and closing scenes of the film rhyme with each other in important ways. Darkness and light are hugely important (what can be seen?). And for a film that is partially about memory, the editing is masterful: little bits of the past keep popping up, without our knowing exactly where they fit or what they mean until later. Such intricacies do the exact opposite of flattening the characters.
This is not to say that I think Mother is perfect or beyond criticism -- for instance, much as I admire the final shot on an aesthetic level, the ending felt a little bit forced, a little bit schematic to me -- but I have highlighted Brody's comments on the film because his criticisms are of a sort I particularly dislike, a kind that ignores the motion and the picture. Much can be said beyond motion and picture, but when so much of a film's meaning and pleasure comes from what's in its frames and from those frames' relationships to each other, commentators who ignore such things are particularly galling.
*low quality, from Netflix streaming -- to see higher-quality stills from the film, check out DVD Beaver


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For some years I had been hoping that Samuel Barber would be able to visit Keele University, where I had started the Music Department and its Centre for American Music programme in 1974. Copland and Carter had already been; I had met Cage and Thomson in London; but Barber proved more elusive. Finally I learnt that he was too ill to travel and we had to be content with honouring him at the University with a performance of the Violin Concerto and two performances of the Piano Sonata.
Barber has always been low in personal profile compared with Copland, but his music is just as regularly played throughout the world. I was curious about the success of a composer who hardly seemed American at all, had very little obvious originality in his work, and was often regarded as old-fashioned. So when the BBC invited me to put together a Radio 3 documentary with Arthur Johnson as producer, I looked forward to going on the trail of Samuel Barber. The series of interviews we were given forms the basis of my book Samuel Barber Remembered: A Centenary Tribute.
To start with, Barber was fortunate all his life. His father was a respected doctor in West Chester, Pennsylvania; his aunt Louise Homer was an internationally known opera singer; and her husband Sydney Homer was an accomplished composer of songs and an influential adviser to Barber at all stages. The family lived near enough to Philadelphia for him to become one of the first students at the new Curtis Institute, founded and liberally endowed by Mary Louise Curtis Bok in 1924.
At the age of nine Barber wrote a note to his mother warning her that he was meant to be a composer and not an athlete. At Curtis, though, he was a triple major – in composition, piano and voice. He was always a good pianist and has recorded his Hermit Songs with Leontyne Price. As a singer, he recorded Dover Beach in 1935 and did some professional singing. However, as a result of prizes, awards, friends and family, he was able to concentrate on composing.
It was at Curtis that Barber met Gian Carlo Menotti. Eighteen himself, he was asked to look after the gifted seventeen-year-old from Italy who couldn't speak English. Menotti has described the beginning of a friendship that lasted over forty years:
'Sam was the very first friend I made in America. I had learnt that he was the idol of the Curtis Institute. He too studied composition with Scalero, but also piano with Isabelle Vengerova and voice with Emilio de Gogorza. He was considered a genius in all three courses. Not only was Sam enormously gifted, but he was very handsome and very intelligent.'
Obviously Menotti was going to be an essential source in every way so Arthur Johnson and I arranged to visit him at his country estate Yester House, some thirty miles outside Edinburgh. Menotti was as charming as ever and, even though he was surrounded by French TV making a film for his seventieth birthday, he gave us about two hours, all preserved on tape. It soon became obvious how much Menotti and Barber had in common. Both came into contact early on with strong musical traditions and, unlike many an enfant terrible of twentieth-century music, they accepted them as they found them. In both careers they achieved popular appeal but, as time went on, some critical disdain came their way. All the same, both could afford, in the words of Liberace, to "cry all the way to the bank."
After visiting Menotti, our interviews were based in New York – a mixture of composer colleagues, performers, friends, publishers and critics. Composers of very different temperaments from Barber, such as Copland, Schuman and Thomson, found much to admire in his work, and performers with whom he had worked closely were devoted to him.
It was May, which I remembered as fairly warm in New York, but for two days it rained constantly. On one of those wet days we visited Copland at his house, Rock Hill, Peekskill, New York (now Copland House, the centre for American creative arts) situated in dense woodland an hour by train from New York City. Copland recalled the inter-war years as times when he was a modernist getting all the brickbats, but Sam Barber was a conservative. Time has ironed all that out and the difference doesn't matter. Virgil Thomson, at the age of eighty-five, was less easy to communicate with than Copland because of his deafness. Most of the interview involved shouting but his mind was as acute as ever. He characterized Barber as a composer for "high middle-brow taste", like Rachmaninov, and began by talking about money. Charles Turner told us that Thomson had a habit of going up to Barber at parties and saying: "You're the most successful composer alive!" Barber, with a retiring, melancholic and rather private nature did not always enjoy this.
Another composer we met was William Schuman, whose centenary also falls in 2010, who wrote much of his music whilst holding down important jobs including the Presidency of the Juilliard School of Music and then of the Lincoln Center. I asked Schuman what Barber's style consisted of. He admitted that he once heard the Cello Concerto on the car radio without realizing it was by Barber and insisted this was not important and would not have mattered in previous centuries. The main thing is that the music is "perfectly made" – like Brahms.
This brought us to discuss the appeal of the Adagio for Strings, the one work everybody – dead or alive – knows by Barber. Dead, because it has been widely used as a funeral elegy ever since the death of President Roosevelt in 1945. Even Leontyne Price, who didn't know about this, said she wanted it played at her own funeral. The universality of the emotions conveyed in the work is incontestable. Exactly what those emotions are is impossible to pin down. Virgil Thomson, provocative as ever, alleged the piece was a "detailed love-scene."
Barber wrote for some of the greatest performers of the period. Unfortunately Horowitz, who had a crucial role in the Piano Sonata, was not well enough to see us but we met John Browning, for whom Barber wrote his Piano Concerto in 1962.
He stressed that Barber wrote for the public, much as a performer plays to the audience and aims to communicate. He mentioned some ways in which Barber would take account of the performer when a new piece was still rough. For example, the end of the first movement of the Piano Concerto became loud, not soft, at Browning's instigation.
We met Leontyne Price, one of the finest singers of her generation, at her apartment in Greenwich Village. Barber wrote his Hermit Songs for her and they gave the premiere together. She sang Cleopatra in Barber's second grand opera, Antony and Cleopatra, commissioned for the opening of the new Met at Lincoln Center in 1966. In her interview she confirms, with plenty of amusing detail, that the occasion was wrong for Barber's music – and so was Zefirelli's production. Although there were palpable mishaps and the work got savaged by the critics, Price insisted that she had never been in a flop in her life and she and Barber were very moved by the revised version put on by the Juilliard School in 1974.
Other people we interviewed make it possible to explore the sources of Barber's music, the nature of its appeal and its historical position. The historian H. Wiley Hitchcock finds Barber a safe, careful composer working within limits, and very lucky in his opportunities. Barber himself agreed about his luck - "I was very lucky always." Others compared Barber to Bach in writing old-fashioned music of high quality. A comparison with Benjamin Britten is sometimes made but it looks as if they never met. There is some common ground between Barber and William Walton. Both were strongly attracted to Italy and the music of both continues to reach an audience.
Barber never courted publicity, so he gave very few interviews. There are three in this book and the one with Allan Kozinn dates from the last year of Barber's life. He asked Barber why he had not responded to the various currents of modern music and Barber replied:
'Ah, I was waiting for this. Why haven't I changed? Why should I? There's no reason music should be difficult for the audience to understand is there? Not that I necessarily address the audience when I compose, or for that matter, the players. Or posterity. I write for the present and I write for myself. I think that most music that is really good will be appreciated by the audience ultimately.'
Peter Dickinson's Samuel Barber Remembered: A Centenary Tribute will be published in March. Two CDs of Dickinson's own works have recently been issued by Naxos. Coming next, the late John Browning on the piano concerto and working with Barber.


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(CNN) -- Tropical Storm Noel, which has killed at least 48 people, was moving away from the Cuban coast late Wednesday and strengthening over warm waters, prompting tropical storm watches to be issued for South Florida.
Rain clouds on the edges of Tropical Storm Noel loom over Miami Beach, Florida, on Wednesday.
The watch -- meaning tropical storm conditions, including winds of at least 39 mph, are possible within 36 hours -- was issued for an area north of Ocean Reef to Jupiter Inlet, according to the National Hurricane Center in Miami, Florida. That area includes Miami, Fort Lauderdale and West Palm Beach.
Forecasters said, however, that tropical-storm force winds are likely to remain offshore from Florida.
Meanwhile, a hurricane watch was issued Wednesday night for the northwestern Bahamas. A hurricane watch means conditions including winds of 74 mph or greater are possible within the watch area within 36 hours.
Noel triggered deadly flooding and landslides in Cuba and on Hispaniola and forced 37,500 residents from their homes.
As of 11 p.m., the center of Noel was about 140 miles (230 km) south-southwest of Nassau, Bahamas, and about 210 miles (335 km) south-southeast of Miami.
It was moving north at near 3 mph (6 kmh) and was expected to continue doing so over the next day, with a gradual turn to the northeast thereafter, forecasters said.
The storm's maximum sustained winds were near 60 mph (95 kmh) with higher gusts. Some additional strengthening is forecast over the next 24 hours, the hurricane center said.
Tropical storm-force winds extended outward up to 115 miles (185 km) from the storm's center.
A tropical storm warning remained in effect for the Cuban provinces of Sancti Spiritus, Ciego de Avila, Camaguey, Las Tunas, Granma, Holguin and Santiago de Cuba.
A warning means that tropical storm conditions are expected in the warning area over the next 24 hours. A tropical storm warning also was in effect for the central Bahamas.
The Dominican Republic's Center for Emergency Operations reported 30 deaths, 15 injuries and at least 25,000 evacuations.
The impoverished nation of Haiti, which shares the island of Hispaniola with the Dominican Republic, had 18 deaths and almost 3,500 evacuations from the storm, said Marie Alba Jean-Baptiste, director of Haiti's civil protection agency.
Cuban civil defense officials said about 9,000 people had been evacuated from the eastern part of the island that was hardest hit by the storm. See the scenes of heavy flooding »
Parts of Florida were being buffeted by strong winds and dangerous currents Wednesday, the hurricane center said.
"The existing wind advisory and gale warning may need to be replaced by a tropical storm warning," the hurricane center said earlier Wednesday.
Dangerous rip currents prompted lifeguards to hoist red flags on South Florida beaches, CNN affiliate WPLG in Miami reported.
"The wind is so strong, it is sandblasting people out on the beach, and that actually keeps the crowds down. That means we have fewer people to look out for," Miami Beach lifeguard supervisor Hank Oppenborn told WPLG.
Lifeguards are also flying purple flags warning swimmers of the possibility of dangerous Portuguese man-of-war jellyfish close to shore, WPLG reported. Watch a woman and child being rescued from rushing waters »
Homestead Air Reserve Base, near Miami, prepared for the storm Tuesday by relocating 24 F-16 fighter jets to Dobbins Air Force Base near Atlanta, Georgia.
Some airline flights between the Bahamas and the United States were canceled. Royal Caribbean and Carnival Cruise Lines changed the itineraries of some cruises to avoid the worst of the storm.
Noel was expected to dump up to 10 inches of rain over the Bahamas, with isolated amounts of up to 15 inches in some areas. An additional 2 to 4 inches was forecast to fall on eastern Cuba and Hispaniola, the NHC said, and 1 to 2 inches is possible over portions of South Florida.
Noel is the 14th named storm of the 2007 Atlantic season. It began gathering strength Sunday in the Caribbean Sea. E-mail to a friend
All About National Hurricane Center • Cuba • Dominican Republic


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Magnitude-7.7 quake hits off coast of Solomon Islands
WELLINGTON, New Zealand (AP) — Another powerful earthquake has struck the Solomon Islands, the second strong temblor of the day to hit the South Pacific country.
The magnitude-7.7 quake struck at 11:36 p.m. local time Sunday, with an epicenter 204 miles southeast of Honiara, the capital, and a depth of 12 miles, according to the U.S. Geological Survey.
On Sunday morning, a magnitude-7.6 quake in the same area triggered large waves in the Solomon Islands.
There were no immediate reports of injuries or damage from either quake.
Following the first earthquake, the Pacific Tsunami Warning Center canceled a tsunami warning after issuing an alert for some Pacific islands.
The Solomon Islands was already reeling from flash floods that struck April 3, killing 23 people and leaving 9,000 homeless.


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"G" Code: Check Yo Nuts [Comedy Script]
"The "G" Code is an unwritten, testosterone-based code of the the streets that men are supposed to follow, but often times violate. Gerald "Slink" Johnson stars and narrates this segment written and directed by Van Elder."
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Pacific Coachworks Inc. reported Wednesday (July 1) that the company has returned to full production of its Tango and Tango Twist brands of travel trailers and fifth-wheels, after enduring a months-long reduction as the recession hobbled manufacturing output.
"I don't want to say that things are 'rosy," said Dane Found, president of the Riverside, Calif.-based builder, "but I think we are optimistic that the RV industry is recovering perhaps faster than some other segments of the economy. We've got a decent backlog of orders to build right now, and we will continue to act on that during the next couple of months."
According to Found, three-year-old Pacific Coachworks hit its nexus in the spring of 2008, when its then-192 employees were producing an average of 10 units daily. The recent upswing has allowed Pacific Coachworks to begin repopulating open manufacturing positions idled by layoffs, and the company's current 100 employees are producing five units daily.
"Because we haven't been running regular production for several months, our inventory was depleted greatly," Found acknowledged. "Over the next few months we should be able to replenish dealer inventories."
To maximize the company's output, Found announced the addition of two new district sales managers. Ryan Scott, formerly with Fleetwood Enterprises Inc.'s travel trailer division, will be focusing on sales in the southern region, while Ray Brech, previously with Thor California and Komfort Corp., will oversee the northern region. "We're pleased to have both of them on-board," Found said.
The surge in manufacturing activity has also buoyed development on several projects. "We plan on introducing a couple of new models shortly," said Found, "as well as a model in another product segment." Plans call for the new additions also to be built at the Riverside plant.


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març 14
Lake swim followed by a bike and run along the eastern coastline of Taiwan.
OpenRegister ▻
Since 2010, IRONMAN 70.3 Taiwan and IRONMAN Taiwan have become a premier event in Asia. After the long-distance event has gained popularity year by year, the Iron Girl Triathlon, which belongs to IRONMAN will continue to cultivate the beauty of eastern Taiwan.
The shorter, International distance version of IRONMAN 70.3 Taiwan is coming to the East Coast of Taiwan for the first time. Visitors are able to enjoy laid back atmosphere, warm tropical weather and local's hospitality at this lovely eastern Taiwan county. The scenic region of Taitung is a vacation delight for tourists and visitors alike, encompassing a forest park, crystal clear Flowing Lake and breathtaking view of the Pacific Ocean. Taitung is also the third largest county in Taiwan and home to seven aboriginals ethnics.
About Iron Girl
In 2018, the organizer, IRONMAN TAIWAN COMPANY and the world largest bicycle brand, LIV, cooperatively launched the Iron Girl all female event to offer a renew sports atmosphere and feelings.
The Iron Girl athletes will finish the 1.5 km swim courses in the crystal clear Flowing Lake. The 40 km bike and 10 km run courses both pass through the eastern coast and the Taitung Forest Park. The beautiful coastline in the eastern Taiwan and the exuberant green surrounding forest park both present a spectacular viewing pleasure to the athletes and enjoy the event in a comfortable environment.
The participants who are not excel in swimming and love to running can choose to take part in duathlon event. The first is 3 km run course which replaced the swim course in triathlon with the new way of swim, bike , swim become the ironman! For more details, please follow the register site
Check out the 2018 Liv Iron Girl Highlights Clip


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Scanners/Grocery Checkout
Consumers who have problems with inaccurate price reading by grocery checkout scanners may contact their local County Weights and Measures office:
The California Department of Food and Agriculture Measurement Standards has jurisdiction over each county's County Weights and Measures office.
California Department of Food and Agriculture
Measurement Standards
8500 Fruitridge Road
Sacramento, CA 95826
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A new study has determined how often people should get screened for gastric or stomach cancer in high-risk regions of the world. Published early online in CANCER, a peer-reviewed journal of the American Cancer Society, the findings could help reduce deaths from gastric cancer, which is the second most common cause of cancer-related mortality.
Although the incidence of gastric cancer has decreased substantially in the western part of the world, the disease is still common in areas such as Eastern Asia, including Korea, Japan, and China.
Gastric cancer patients' prognosis strongly depends on the stage of the disease, or how advanced it is, at the time of diagnosis. In other words, early detection and treatment can save lives.
Gastric cancer screening is often done by upper endoscopy--using a tiny camera at the end of a long, flexible tube to look at the upper digestive system. To see how often this screening technique should be done to detect gastric cancer at an early stage, Il Ju Choi, MD, PhD, of the National Cancer Center in Korea, and his colleagues studied 2,485 patients who had been diagnosed with gastric cancer at their institution. The researchers divided the patients into the following seven groups based on the interval between the endoscopy that detected gastric cancer and the endoscopy that preceded it: one year, two years, three years, four years, five years, more than five years, and never-screened. Currently, screening every two years is recommended in Korea for individuals who are aged 40 years or older.
The investigators found that gastric cancer stages were similar for screening intervals between one and three years; however, the cancer stage at diagnosis was significantly higher at screening intervals of four years or more.
"The optimal screening strategy appears to be every three years. Gastric cancers are likely to become more advanced before detection with screening intervals that are longer than three years, but screening more frequently than every three years does not appear to be more beneficial," said Dr. Choi. "The exception is if you have a family member with gastric cancer. In that case, you may need to undergo upper endoscopy screening more frequently than every three years," he added. Patients with a family history of gastric cancer were more likely to have a higher stage at diagnosis if they had a three-year interval rather than a one-year interval.


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Opportunity Console
Opportunity Console
+ 1!
I will be happy as long as it has various secure compartments, and maybe a cup-holder that sits further in front, so I can still use the arm-rest.
My test-drive isn't until next Sat, so I am excited to start hearing reviews and seeing photos/vids of today's test drives! Bring um on!
+2 ..
I'd like to think it was my whining and personal notes to GB that got recognized .... but enough of my narcissism.
I'm dying see anything that allows you to get any valuable out of view. That whole "open" area is an engineer's dream and an owner's nightmare.
The car I drove today had the "cubbie hole" under the screen, and I think it makes all the difference. There is some no-slip material at the bottom, and is the perfect place to hold your sun glasses and cell phone. My verdict: I think Tesla must have this in all cars. Would be good if it had a door.
In addition, the center floor was lined in the decor material (obeche wood for me), with no-slip material lines running front-to-rear. Would easily keep a purse or small bag from flopping about. My verdict: Meh.
I would liked to have seen other floor console options. Something that comes up to the existing center floor "walls" with partitions would be nice.
@Slindell - I, too, welcome the cubbie as I feel something was needed.
...But if I were to have my wish granted, the 17" touchscreen would 'float' the way the screen does on the Model X, like this and this, but would slide up to reveal storage, like in the new Impala, like this and this.
I never thought I'd recommend a Chevy's styling, but credit where it's due: that would allow for clean lines and convenient, secure storage that the two sides fought for during the Great Console Wars.
FWIW, I really like the built in look of the Model S screen rather than the "I'm begging to be stolen or pulled at by the kids" look of the Model X. In my opinion, the Model X screen is a disaster just waiting to happen. What I would like to see is a lockable metal cover for the Model S screen so that it's hidden and secured when you're not in the car.
There are some pictures of an early Model S without any panels and there isn't any room for storage behind the screen, even if it was to slide up.
Anything in the car should be hidden and there should be at least some storage area for gloves, kleenex, etc. where they can be easily reached by the driver. I'm not thrilled that we'll have to buy all these pieces as options when they should be part of the car's standard equipment.
"I'm not thrilled that we'll have to buy all these pieces as options when they should be part of the car's standard equipment."
Big +1
On the positive side at least Tesla may be making them options at this point. Hopefully some of these expected storage areas will become standard by the time they run out of early adopters and need to sell to the average car buyer who may be more demanding.
If cup holders in the back or a compartment in the front (for wallet, glasses, etc.) is a charged for option that would be very disappointing. As a huge advocate I'm ecstatic that TM makes innovative engineering choices and hits or surpasses their goals. This is such a wonderful car (look at all these glowing reviews) that having that excitement tarnished because of silly, obvious accommodations is disappointing. I hope and strongly recommend that they are standard, if not now, ultimately.
I really liked the simple design of the opportunity console in my test drive today. Perfect solution to with a dock for your iPhone or iPod as well as a USB plug, non slip material for sunglasses with a cubbie below the screen. Still allows for the space to put a bag or purse for the ladies. I would recommend this be standard as well. My understanding is this may be more customizable though
Those wanting standard consoles are necessarily prepared to "force" them on those who don't. Reasonably priced (multiple) console add-ons satisfies everyone. IMO.
Can someone please post pictures of the 'opportunity console'? It's a bit hard to comment on it without having seen it, and it's a bit hard to see it when you live 15,000km away.
Brian H,
Reasonably priced would be okay with me. However, reasonably priced does not mean $250 for a $25 parcel shelf. At that rate the back seat console would be $950.
Mark E,
Pictures are here: http://www.teslamotorsclub.com/showthread.php/8864-Opportunity-Console
Note that this appears to be just what they have developed so far, there may be more coming that weren't available this weekend.
Slindell. How did you like the obeche wood, what does it look like (light, dark, shiny, matte finish) and how does it compare to the old banana leaf?
Apparently there are two finish options for the obeche wood. Matte or Glossy. I'd be interested in any feedback from those that have seen them. I just had to put my order in and went with the glossy but am still not sure which looks better. Thx
With all the talk about storage space, has anyone thought to open the glove box to see how big it is? Come on guys, there are only 2 physical switches on the dash and no one bothered to push either?
Did anyone happen to notice if the Model S has a standard glovebox, and if so, how big is it?
I have looked at the glove box in one of the late betas. I found it to be reasonable in this age of air bags. Wallet, phones, paperback, yes.
I looked at the glove box yesterday with the test drives. I opened the one on a late beta, and it's a reasonable size and fairly deep. The rear is a bit oddly shaped with two deeper portions on the left and right. Ignoring the deeper part, I'd guess it's about 7" deep and maybe 3" tall.
I was surprised that it releases with an electronic latch (the physical release button is to the right of the display). I'm guessing they will have a valet mode where you can lock out the glove box, perhaps with an on-screen unlock code (I didn't get a clear answer on this yesterday when I asked).
jerry3: Cheers - although the rear console appears to be there, the front one appears to just be an open sunglasses holder stuck in the empty console.
I'm hoping that they will come out with a proper console to hold and cover things put in it.
I've had a window smashed by a thief who wanted my wifes' jacket that she'd forgotten on the back seat. Now everything gets hidden - and windows are tinted.
Mark E- suggest you comment on the opportunity console thread at Tesla motors club. That is where George stated he would be looking. I have had my two bobs worth there!
Where in TMC? I did quick visit there but didn't see any pictures or designs that were worth commenting. Maybe I was looking at the wrong thread? This is where I was looking for something worth commenting:
All that could be said about what people want for that console has been already said here several times so seeing actual designs would help commenting.
Timo, there are multiple photos on various threads over there.
"Soflauthor | June 24, 2012 new
@Brian H: As a long-time proponent of a center console, I've already expressed the many reasons why I feel that one would be a good addition to the Model S. I'm not completely sure what you mean by "Those wanting standard consoles are necessarily prepared to "force" them on those who don't,""
The reason I used the word "standard" was to make it obvious I mean built-in, part of the car, not optional.
Obviously not obviously enough.
@dborn, I found three options (good pictures in poll thread). One without console, the shelf one, one without console, the phone slot one and one without console, the cupholder one. Only one that is proper console is that rear-seat add-on.
Maybe they are not allowed to make proper console without re-crash testing the vehicle.
petero: I took the sample obeche wood outside the "waiting tent" and placed it against the white and tan leather seats. The wood grain actually has light (white) and darker (tan) grain, so it goes very well with either interior color options.
The car I drove had matte obeche, and a Tesla assistant showed me pictures of the gloss obeche. I'm going to go with the gloss. I think it compares very well with the old banana leaf.
Why do "opportunity" consoles remind me of "wish" sandwiches?
Maybe I've missed it, but does anyone have any timeframe for availability or general price? (As a signature holder, I get the feeling I won't have the opportunity for a console.....)
Ironically, the most negative professional review I have read so far to date is directly related to the lack of secure storage, and how dangerous open-storage is for such a powerful vehical... http://www.autoweek.com/article/20120625/CARREVIEWS/120629886
As I stated in so many other post over the last few months, I was fearful this would be a sticking point for some, and it's too bad Tesla didn't think to nip this issue in the butt a long time ago (being it is such a simple issue to solve). With that said, I am glad Tesla decided to create the console prototypes for the first test drives, however, I still think it is in their best intrest to develop a high-quality design as soon as possible, and start placing them in all the test cars sooner than later.
Otherwise, as I expected, this car is getting stellar reviews on just about every other aspect, which is fantastic news for us all!!!
Regardless of TM's failure to nip the problem in the BUD, I'm glad that they're doing something about it now. I think that most of the low number holders are likely to buy the car now and simply add the options on later and in a few months we should be able to customize out Model S with the opportunity console of our choosing at time of order. The end result will much better than other car companies (I hope).
Yes, sounds like you could even buy both, and switch back and forth. Plus get one of sofl's custom jobs. Decisions, decisions; which console will Tessie wear today? ;)
Brian, LOL! Yes, just like hats, we can start a new trend of re-building your car daily. Maybe someone can come up with a do it yourself temporary paint kit, so you can reprint your car to fit your mood! :-)
The console could have room for a custom umbrella, and of course sunglasses. A lockable compartment for a wallet and phone would also be handy. Since there seem to be plenty of room towards the front a space with cooler for a couple of bottles would be nice (for storing unopened bottles, not the one currently open in the centre console)
Perhaps room for a camera/laptop with access to charger inside (with the big battery perhaps a 110/230v access would be possible) ?
Look forward to the delivery..
With vinyl wraps, you can do that, too. I was imagining the Tour staff, after the last date they need Elon's car in the mix, returning it to him with a garish paisley wrap on it, telling him it got a few scratches, so they had it sanded down and beautified.
"Lift Off! Musk 1 has cleared the tower, throttling up to full thrust!"
Nothing that a little marketing highlighting the unique ability to customize the car's interior with modular pieces couldn't overcome.
+1 Soflauthor. The mass market will have different expectations than early adopters and will be directly comparing the Modle S to others in the premium/luxury class all of which provide well integrated and ergonomic solutions to storage and cup holders for both front and back seats.
+1 also to Soflauthor. The 2nd wave of buyers that will be comparing this car to others in the premium/luxury class will not be so accepting of having modular pieces as a replacement for a center console and having to pay extra for it no less.
Personally, big mistake for Tesla to make any console an upcharge.
Free option make the console haters and lovers live happily ever after ... and Tesla would only have to fork out the few dollars for those who opt for the console.
Can't win that way. Then the console-non-users feel ripped-off, as they're "sharing" the cost of the users' consoles. Saying TM will pay for it is like saying the gubmint will pay; there's really only one pocket to pick. "Shared costs" are subsidies.
Good point. Sorry I was brainwashed during Obama 2012 ad.
StevenR, your initial reaction actually seems most logical.
The mainstream market expects certain key elements included in a car that are currently missing: concealed storage within reach of the driver, functional cup holders that can be used simultaneously with arm rests, rear seat storage and rear seat cup holders. Negative space for purse, briefcase, laptop etc. is a plus but not at the expense of relinquishing basic expected items.
Folks opting out of items that normally come standard on a car would likely be much less disappointed that they get no credit for opting out than mainstream buyers who are charged extra for things they naturally expect to be standard. The perspectives of both types of buyers and the relative prevalence of each need to be considered and weighed.
If they do this right and don't get greedy in the process Tesla has an opportunity to turn a negative selling point (current configuration lacks basic expected features) into a big positive selling point (the customer gets his/her choice of configurations). It is to their credit that they have requested feedback on the issue. What they decide may well have a notable affect on sales, particularly among buyers comparing Model S to other premium/luxury sedans who expect not to pay extra for what are standard features on comparable cars.
+ 1 ddruz. Couldn't have said it better. Excited about design TM will come up with that adresses the need for covered storage in a car competing in the family / luxury sedan market.
I thought the small "Shelf"underneath the display and the non skid pads/ridges, gave the best of both worlds; a place to put glasses, wallet, phone, maybe even an iPad while leaving the center area open for a briefcase, umbrella etc.
I have a few suggestions :
1. put a door on the shelf. Preferably seamless & without a handle, slight pressure and it slowly releases / opens like some of the old CD boom box and cassette doors used to.
2. Cover the door in either
Best option = Leather matching the interior. This would better frame the screen and make the entire area more appealing
Alternative = Make the door out of the Décor
3. Place a USB port inside the "Shelf". This would help eliminate visible cords.
Slightly off topic: I liked the Arm rest with cup holders for the rear seats. I really feel this is Classy and Essential. PLEASE make it fold down out of the seat the way it does in other cars.
I really like and appreciate the minimalist interior, however, the things I've mentioned above would make the car much more comfortable and, I think, more acceptable to the masses.
Thank you for your consideration of my ideas.
Thank you for your consideration of OUR ideas.
+1 DDruz
I am not getting their prototype of the console. It looks like hardly a change from no console?
It looks way low so you will have to reach down to find things when you are driving. I have never seen such a console in a car before. I would much rather have an arm level console that has pockets/places to put things than just an empty hole down by my feet.
Now if they offered this as a base with a modular design that allows me to purchase different click in bit, this would be way cool. I could then orginize it the way I want with the phone charger where I want, the change dish where I want, the cup holders and size where I want or I could just leave it empty.
In fact for a trip I might feel the need to reconfigure it to meet my needs.
Now this would truely be innovative!
Well, to bring this down to the most basic motivations for a console is IMO:
We all have things (cell phone, charging cords, toll transponders, loose change, pens, etc) that need a place to call home. EVERY car needs some type of hidden storage that is readily accessible. The current format is no where near close to taking care of that.
It has to be concealable - so a smash and grab for your $5 gold pen doesn't leave you waiting 2 months to have new glass shipped only to have someone tear apart your door panels and leave you with a perpetual rattle, creak or worse..
It has to be confined - so stuff isn't flying when you open a window.
Just some basics we all take for granted.
An important question relating to the console, or lack thereof: where are the USB ports?
have a talk with sofl; maybe an aftermarket market is there for a modular concept like that. I'm sure TB and GB wanted to stay minimalist.


text:
Emerging-Market Rout Offers Bargains
Potential Withdrawal of Fed Stimulus Forces Buyers to Be Pickier
The recent rout in emerging markets is enticing some investors to jump back in to search for cheap stocks, bonds and currencies. But the selloff is prompting these bargain hunters to be a lot pickier than in the past.
Markets from Brazil to China have tumbled since mid-May amid growing expectations that the U.S. Federal Reserve is preparing to end its $85 billion in monthly bond purchases. That would shut off a flow of easy money into emerging markets just as prospects for economic growth in some of them have begun to dim....


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Books, Movies, Music
JCPL Catalog
Reading programs and Book Groups
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Kids Zone
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For Parents and Teachers
Student Portal
Main Content
No matter what you are looking for, you're bound to find it at the library during library lovers month
If you are in a committed relationship, or would like to be, then February is a month filled with tasty opportunity. From cheap but cute chocolates to lavish expensive dinners, and just about everything in between, there is sure to be a package deal for you and your sweetheart.
But what if you aren't interested in love this month? What if you are a committed and proud single, celebrating your independence, or thrumming your way through the Anti-Valentine's Day playlist at Metrolyrics? What is special about this month for you?
Come to the library. We have what you need.
February is Library Lovers Month, and no matter what you are looking for, you are bound to find it on our shelves.
Would you like a romance? We have paranormal (humans + werewolves, vampires, ghosts, etc.), traditional (humans + humans), historical (humans + humans in the past), and spicy (humans + humans + silk ties and roses, a.k.a. 50 shades).
We have the anti-romance too. Come check out a good horror movie, or a fascinating in-depth look at climate change, or a DIY manual on woodworking. Cryptozoology? We can help you find it. Increase your brain power? All over that. Mindless comedy? Shelves of it on DVD.
One thing is sure, whether you are embracing the day (we have cookbooks, and decorating books for setting the perfect scene) or beating it to a bloody pulp, the library is sure to make your day, and your month, one you will love for years to come.


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A former student of mine, tragically lost her father and 11 year old brother in a car wreck this weekend. Please keep Madison and her mom, Jane in your prayers.
I'm completely heart-broken and I cannot even imagine what they are going through.
Love Y'all.
Monday, March 29, 2010
Please Pray
A former student of mine, tragically lost her father and 11 year old brother in a car wreck this weekend. Please keep Madison and her mom, Jane in your prayers.
Thoughts from Cheryl at 5:22 AM 1 thoughts from Y*O*U
Labels: prayer
Wednesday, March 24, 2010
10 Things You Might Not Know
Over at the Living Proof blog, Beth made a list of 10 things you probably don't know about her and she wanted us to make our own list. So here's the list I left as a comment:
1. I love funky praise music! Kirk Franklin and Toby Mac rule and my kids love them too!
2.I can't put an extinguished match in the trash until I dip it in water.
3. I love to read and I'm a fast reader.
4. I love roller coasters.
5. I'm a spelling enthusiast. Seeing misspelled words on signs, church newsletters, etc. drive me crazy! (After posting my comment on Beth's blog, I realized I had misspelled a word. humility is hard!)
6. My husband is a terrible speller, opposites DO attract.
7. I have an irrational fear of alligators.
8. I love chips and salsa.
9. I cannot keep my van clean.
10. I like a little coffee with my cream. And no I didn't get that backwards!
So what about you? What are 10 things that we might not know? Please share!!
Thoughts from Cheryl at 11:02 AM 3 thoughts from Y*O*U
Thursday, March 4, 2010
Because I want to remember.....
Because time goes by so quickly, I wanted to take the time and write down some of the things that I love about my kids during this stage of their lives. They're all at very different and unique stages and because I want to remember, I better record it now!
I love that you are the exact definition of a 'tween'. I love that you will play Twister all by yourself just so Caleb and be the spinner. I love it when you get frustrated because he says right foot yellow, over and over again. I love the way we can look at each other and laugh about something that no one else understands. I love the way you tell a story and you have to make sure we hear every.single.detail. I love the way you still says, "Goodnight, Momma."
I love the way you love to wrestle and 'tussle' with Caleb. I love the fact that you LOVE to read. I love it that you think Jackie Robinson is a hero. I love the way you love all sports and that you enjoyed watching the Olympics as much as I did. I love it that you think you're still small enough to sit in my lap. I love it when you get up! (kidding, but your tail is so boney!!!) I love that you've discovered bird watching out your window and that you want me to enjoy it too! I love that you want to protect our home with an air soft gun when a strange man knocks on the door! I love that you remind me, "I won't always want to snuggle with you Momma, so you better enjoy it."
I love it when you do something great and you want celebrate, you say, "high five, big hug!" I love it when you ask us a question and we tell you we don't know, you respond by saying, "you better ask me." (instead of you better tell me.) I love the fact that you could eat cereal for breakfast, lunch and dinner!I love the way you say, "I want a whole big" when you want a lot of something. I love the way you want to wrestle with Dougie and Daddy but when it gets too rough, you run to mommy. I love the way you love to sing Toby Mac, especially "Boomin." I love it when you laugh so hard, your face turns red and you drool! I love that just a few weeks ago the thought of not being 3 caused you to lament ALL day long! (I'm not kidding!) But now I love that now you can't wait to be 4. I love that you believe that when you're 4, you're going to be "Super Boy." I love that you don't ever forget anything!
What's not to love!? I love that you light up when you see your sister or brothers. I love that you will "carry on" a conversation. You will babble, we respond and then you babble some more! I love that you love to laugh and play. (Although I do wish you'd start crawling!) I love that you are turning into a really good sleeper! I love the way you love to see Daddy and Mommy!
I'm very blessed with wonderful children. Steven and I pray daily that our children will grow up and love God will all their hearts.
Kiss your babies today!
Thoughts from Cheryl at 3:38 PM 4 thoughts from Y*O*U


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LITTLE ROCK � Raymond Carpenter stood on the steps of the Arkansas Capitol on Monday and recalled a visit he made there in the mid-1960s, when blacks were not allowed to eat in the Capitol cafeteria.
LITTLE ROCK � Raymond Carpenter stood on the steps of the Arkansas Capitol on Monday and recalled a visit he made there in the mid-1960s, when blacks were not allowed to eat in the Capitol cafeteria.
Carpenter, a Little Rock native and Georgia lawyer, was the keynote speaker at a Martin Luther King Jr. Day ceremony at noon Monday at the Capitol, one of a number of events around the state honoring the slain civil rights leader. The ceremony at the Capitol was organized by the state chapter of the NAACP and was preceded by the annual �marade,� a combination march and parade on Dr. Martin Luther King Jr. Drive.
Live video from President Barack Obama�s inauguration ceremony in Washington played on a jumbo screen at the state Capitol during the day�s events.
In Fort Smith, the local Martin Luther King Jr. Holiday Planning Committee sponsored a breakfast, educational sessions and a march on the campus of the University of Arkansas at Fort Smith.
Carpenter was a student at the University of Arkansas in Fayetteville when he joined other black college students in marching to the Capitol and trying to eat in the cafeteria in the basement. Initially they were refused.
The cafeteria had been reorganized as a private club in order to circumvent the Civil Rights Act of 1964. The students went to the office of then-Gov. Orval Faubus and asked to be admitted to the cafeteria, and Faubus told them they had to be members of the club to eat there.
�We asked him if we could purchase a membership in the dining hall,� Carpenter said. �He said they were fresh out of membership cards.�
The students were escorted out of the building by state troopers. They returned the next day and were turned away again. They returned a third time and were admitted, though Carpenter was not present because he had returned to Fayetteville after the second day.
Carpenter, whose clients have included the Martin Luther King Jr. Center for Nonviolent Social Change, said King�s famous �I Have a Dream� speech included not only that well-known passage but also comments on�the fierce urgency of now,� the phrase King used to express his belief that progress on civil rights could not wait.
�It is in that statement on the fierce urgency of now that Dr. King from 1963 connects with President Barack Obama in the year 2013,� he said. �If any of you have read President Obama�s book, the fierce urgency of now is a major discussion in his book (�The Audacity of Hope�).�
Carpenter said King recognized not only the urgency to obtain civil rights but also the urgent need to address economic injustice � a need that he said remains urgent today.
More people are living in poverty now than at any time in the 53 years since the U.S. Census has reported poverty statistics, and the gap between rich and poor also is at its highest level, Carpenter said.
�In 1963, the issue was legal segregation, legal discrimination, legal exclusion. In 2013, the issue is economic deprivation, economic isolation and economic desolation,� he said.
Audience members said it was inspiring to be honoring King on the same day that the nation�s first black president was being sworn into office for a second term.
�I am buoyant and very heartened and emboldened that I am still alive and able to personally witness these moments,� said J.J. Lacey Jr., 72, of Little Rock.
Other events honoring King Monday included a parade and day of service in Benton; a parade, commemoration ceremony and children�s carnival in Conway; a banquet in Fayetteville; a city-wide cleanup day of service in Jacksonville; a march and program in Jonesboro; and a parade in Pine Bluff.
The holiday in Arkansas also is in observance of Confederate Gen. Robert E. Lee�s birthday.


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You ought to
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Be sure that
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Always remember that fast
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- perdre du poids.


text:
Experimental Alzheimer's drug Gammagard may stall memory decline, small study suggests
(CBS/AP) Researchers are reporting for the first time that a treatment might help prevent Alzheimer's disease from getting worse for as much as three years, but caution that evidence is preliminary and the effect has been seen in a very small amount of patients.
The treatment is Gammagard, made by Baxter International Inc. Doctors say that four patients who received the highest dose in early testing showed no decline on memory and cognition tests three years later. A bigger, more comprehensive study of the treatment will give results within a year.
Watch: Fighting Alzheimer's with early detection
Slowed walking speed may be early predictor of Alzheimer's decline
Genetic mutation may protect against Alzheimer's, scientists find
The drug is a collection of antibodies from pooled blood donations given as infusions every two weeks. These antibodies may help clear the sticky plaque that clogs patients' brains.
The results were presented Tuesday at an Alzheimer's conference in Vancouver, British Columbia.
"Fortunately, improving detection technologies and updated diagnostic guidelines are enabling the detection of early changes in the brain and subtle cognitive deficits that are consistent with what is now known as presymptomatic (or preclinical) Alzheimer's," Dr. William Thies, Alzheimer's Association chief medical and scientific officer said in a written statement. "People in this stage of the disease are an ideal population for prevention trials to delay the onset or slow the progression of cognitive decline."
For the study, 24 patients received six months of treatment followed by 12-months of treatment with Gammagard, tested in several doses. Patients were also offered an additional 18-months of a standardized dose of Gammagard treatment to test the drug's long-term effects.
The researchers found that four patients who took the standardized dose of the drug for the 36 months reported the best outcomes, with no measurable declines in cognition, memory, daily functioning and mood. Eleven patients who took the drug for 36 months had "favorable" effects on their thinking abilities, behavior and daily function. Five of the patients who were initially treated with a placebo were switched to the drug experienced a less rapid cognitive decline.
"This is the first study to report long term stabilization of Alzheimer's symptoms with IVIG," study author Dr. Normal Relkin, an associate professor of clinical neurology and neuorscience at Weill Cornell Medical College in New York City, said in a statement. "While the small number of participants may limit the reliability of our findings, we are very enthusiastic about the results."
The treatment may also be costly. Relkin told HealthDay that treating a patient with Alzheimer's using this drug would likely cost between $2,000 and $5,000 every two weeks, with higher doses requiring higher costs.


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[Bivouace?] 5 miles from Richmond
June 7th 1862 )
My dear Georgiana;)
Your letter of the 27th
was received this morning, and read with
more than usual interest because it
contained a great deal that was new to me -
You are all uneasy by this to know what
was my fate in the battles that have been
recently fought at this place. It has been
a week to day since the battle of the 31st
May in which I played a part, but it is
the very first time I have had an oppor-
tunity to write you a line, A friend of mine
named Bickham was slightly wounded &
went to the hospital, and I requested him to
write to Ma & tell her I was safe so far, and
tell her why I did not write, I have been
unable to get any paper before now, & we
have been So constantly moving that I had
not time to write. You will get his
letter before you do this I guess, but I thought
it have enough to write as I had the oppor-
tunity. I was in the battle of the 31st, but
came out safe. I had on my canteen
and haver-sack and a ball passed
through them both & through my coat
pocket, I had a newspaper: a New York


text:
Now showing items 1-2 of 2
Characterisation of myocardial structure and function in adult-onset growth hormone deficiency using cardiac magnetic resonance.
Growth hormone (GH) can profoundly influence cardiac function. While GH excess causes well-defined cardiac pathology, fewer data are available regarding the more subtle cardiac changes seen in GH deficiency (GHD). This ...
Renin-Angiotensin System Blockade Improves Cardiac Indices in Acromegaly Patients.
Blockade of the angiotensin-renin system, with angiotensin converting enzyme inhibitors (ACEi) and angiotensin receptor blockers (ARBs), has been shown to improve cardiac outcomes following myocardial infarction and delay ...


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In the space of two years Skylanders has become one of the biggest video game franchises. Whether you've read about it in the press or picked up on playground chatter, it's worth being one step ahead of the kids. Here are our top tips – brought to you by gaming expert Andy Robertson – on how to get ahead in the game without breaking the bank.
The basics
Skylanders is a video-game and toy franchise that uses figures to grant access to characters and areas in the videogame. A starter pack provides the game, a portal peripheral used to bring the toy characters to life in the game and three toy figures.
The Skylanders Giants videogame retails for £49.99 for a starter pack or £39.99 for a booster pack if you already own the original game. The figures sell for between £8 and £15. There are 40 or so toy figures available for each Skylanders game.
The novelty is that the game saves progress to the toy figures wirelessly via the portal. They can be taken on and off the portal at any stage to swap characters in the game. They are also compatible with any version of the game. So, for example, you can take your Wii figures to a friend's house and use them on their Xbox version of Skylanders.
The toys
There are four different types of figures you can buy; each is distinguishable from its packaging. Series 1 figures (with a green base) are from Spyro's Adventure. Series 2 figures (with an orange base) are reposed versions of the original figures re-released with Skylanders Giants. New light up Lightcore figures were released for Giants and illuminate when they are on the portal. Eight Giant and eight new normal figures were added to the collection for Giants.
The first game in the series, Skylanders: Spyros Adventure, supports all figures with green bases that were released with it. It also supports characters for Giants (with orange bases) that existed originally. Check packaging for compatibility.
The second game in the series, Skylanders Giants, supports all figures. Original green based figures bring all their upgrades with them into the new game and can upgrade to a higher level. Series 2 re-posed versions of the original figures also get a special Wow-Pow attack and the ability to switch upgrade paths at will. The light-up Lightcore figures get a special smart bomb attack when they join the game.
The video game
Skylanders Spyro's Adventure and Skylanders Giants both offer similar gameplay. This is a two-player simultaneous action adventure where you shoot and fight enemies and solve puzzles – quite similar to the Lego games although without the split screen.
Skylanders Giants offers more interactions from a wider set of figures. It also offers a difficulty level that enables young (or advanced) players to be accommodated and provides another reason to replay the game once it has been finished. The 360 and PS3 version of the original game has a very difficult final boss (also true but less so on the Wii).
You can complete both Skylanders Giants and Skylanders Spyro's Adventure with just the starter pack characters. Additional figures do extend gameplay by granting access to new characters and areas, but are a "nice to have" rather than necessity.
To be able to access every area in Skylanders Spyro's Adventure you need one figure in each of the eight element groupings. The same figures can be used to access every area in Skylanders Giants although you also need one Giant to access other areas – which the game comes with.
You can identify which grouping a figure is in from its packaging and the materials of its base. You can also look on the bottom to find the element symbol, or check details in the game by pausing to access the menus.
The figures are not all available at the same time. Shops stock new models in groups with new waves of figures made available during the life of the game. Second hand figures often sell on eBay for much more than their retail price due to their rarity.
Certain figures are available in a limited edition "Legendary" variant that provides increased stats in the game. Some of these variants are only available from a particular retailler. Some are only available in a certain country. Additionally there are a large number of novelty figures that can be found at random at retail. Silver, Gold, Glow in the Dark and even Flock covered figures are much sought after although do not make a big difference in the game.
Saving money
The game contains video trailers for each toy character that are triggered as you play. These advertise new toys that players need to purchase if they want to use the character in the game. It is worth noting the above point that these are optional extras not required to complete the game.
You can use the portal from the first game with Skylanders Giants. To this end there is a Portal owner's expansion pack that offers better value to returning players. Portals for Skylanders Spyro's Adventure were battery powered for Wii and PS3, whereas for Giants they are wired. This is to enable the portal to draw more power for the light-up Lightcore figures.
Andy Robertson (@GeekDadGamer) produces Family Gamer TV and the Family Gaming blog.
Tags: GeekDadGamer, PS3, Skylanders Giants, Wii, XBox360


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Battleship hits theaters on May 18th, and to celebrate, we've compiled 18 sexy pics of Rihanna. She's in the film, so it makes complete sense. Enjoy!
More About:
Behold Sofia Vergara's New Swimsuit Collection!
The Sexy Ladies Of Los Premios
The Sexy Ladies Of The 2014 FIFA
Behold Sofia Vergara's New
Mexican food is delicious and
Daphne Avalon Jimmy Kimmel Hoax


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(photo: fpcyorktown.org)
Today I was super busy. I had children to school, errands to run and a house to clean, all before Emerie's nap time. I was in auto-pilot mode so we could stay on task, which meant during errands I was buzzing my kids around the store in the cart, paying no mind to others around me.
This selfish mentality followed me into the parking lot where I hurriedly ushered my kids into the car and put the shopping bags in the back. As I began to get into the driver's seat, I looked up and noticed a disheveled man approaching me. While I did not know him personally, I knew who he was. He was a homeless man. A homeless man I didn't have time to entertain. A man who was going to interrupt my schedule. A man who would ask me for something. As he approached he began speaking in a very humble manner, "Excuse me miss. I don't want to bother you, I know you are busy and I'm sorry to interfere, but I haven't had anything to eat in two days." I gave him my false look of empathy and said, "I'm sorry but I don't have any cash." I wish that were true. I had a ten dollar bill sitting idly at the bottom of my purse. I lied. I didn't want to give it to him in case I needed it later. He said, "Oh, okay. Thank you anyway!" and began walking away.
I was struck immediately by a sense of guilt. Not only for lying, but suddenly I realized that the man never asked for money. What he said was, "I haven't had anything to eat in two days." I looked over at the grocery bag in the passenger seat. A bag that contained two unopened bags of pretzels. One for us, and one for him. Before I could speak, Ethan piped up from the backseat, "Mama! Let's give him one of our bags of pretzels." I hurriedly started my car to catch up with him as he was nowhere in sight. I drove up and down the parking lot aisles as the two big kids and I kept our eyes peeled for him. Ethan exclaimed, "There he is mom! Hurry!"
I drove up to him and he looked at me. He had a half-eaten hostess chocolate cupcake in his hand and was polishing off the last bit as I rolled down my window. I held out the bag of pretzels to him and said, "I have a bag of pretzels...they're yours if you want them." He smiled at me and shook his head, "That's ok. That guy over there gave me one of his cupcakes." I looked where he was pointing and sure enough there was a man sitting in his truck holding the other cupcake. The gift giver smiled at me, held up his cupcake and nodded. I looked back at the homeless man and insisted, "Yes, but you don't know when your next meal is, you can have these and save them for later." He smiled again and said, "That's okay, I don't need them. Someone will take care of me." Then he nodded at the cars piling up behind me in the parking lot and said, "You're holding up traffic." I pulled the pretzels back into the car, smiled and drove away. My first thought was, "Geez you're dumb. I'm giving you a bag of pretzels for FREE and you're turning me down." Then it became clear to me. And I began to cry. The irony was not lost on me.
This homeless man was no dummy. He was wise. He trusted that he would be provided for. He trusted that his hunger would be met with food, though he didn't know when. He didn't need to store up anything for later. There would be a gift giver who would make a sacrifice and would care for him. It was as if the Holy Spirit removed my blinders of selfishness and scripture began running through my mind:
Matthew 6:25-34
"Therefore I tell you, do not worry about your life, what you will eat or drink; or about your body, what you will wear. Is not life more than food, and the body more than clothes? Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they? Can any one of you by worrying add a single hour to your life?
"And why do you worry about clothes? See how the flowers of the field grow. They do not labor or spin. Yet I tell you that not even Solomon in all his splendor was dressed like one of these. If that is how God clothes the grass of the field, which is here today and tomorrow is thrown into the fire, will he not much more clothe you—you of little faith? So do not worry, saying, 'What shall we eat?' or 'What shall we drink?' or 'What shall we wear?' For the pagans run after all these things, and your heavenly Father knows that you need them. But seek first his kingdom and his righteousness, and all these things will be given to you as well. Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own."
Then I immediately thought of the children of Israel as they wandered through the wilderness for 40 years. When the Lord provided manna from Heaven he gave them the warning to only gather what they needed for each day. If they attempted to store any food for the next day, in the morning they woke to rotten, stinky, bug-infested food. The Lord, in His wisdom and mercy was teaching them dependence on Himself. How would the nations around them see God as a perfect, holy provider and come to Him, if the children of Israel only depended on themselves? He wouldn't get the glory.
The lesson for me was two-fold: be a giver, and be dependent. Give as the Lord has so graciously blessed me, and be dependent knowing that the great gift-giver who sacrificially gave His life will meet my needs (ie. give up the stinking $10 if the Lord is asking for it...it's not mine anyway!). In being a gift giver, and being dependent, God gets the glory. I am so struck by this situation that I can't stop thinking about it. Lesson learned, Lord.
This homeless man got it. Or was he even a homeless man? Did I fail at entertaining an angel? (Hebrews 13:2 "Do not forget to show hospitality to strangers, for by doing so, some people have shown hospitality to angels without knowing it.")


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Buy FunkyTradition Attractive Stylish Luxurious Car Back Covers for Oppo F3
Category- Phone Back covers
Product- Back covers
Brand- Oppo
Model Oppo F3
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