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Cashis Details Album Delay, Relives Moment Eminem Offered To Help Him With Drug Rehab
Exclusive: Cashis details what to expect from his upcoming full-length, "The Art Of Dying," and says it's a shame that fans never got to hear Eminem's shelved album, "King Mathers."
Five years is a lifetime between albums, especially in the Internet age. Yet in the case of former Shady Records artist Cashis, those five years brought about plenty of much-needed life change and insight. Once a hard-partying gangsta rapper addicted to pills, Cashis has since come clean and found himself liberated from his former addiction. He's also starting fresh musically, having recently been let go of his Shady contract. The focus is no longer on being a great artist, he admitted; it's now about being his own boss.
October 30 will see the release of his debut full-length, The Art of Dying, an album that was originally set to drop in 2009 but was held up for a variety of reasons. Even then, he understood the major label game, but he now admits he was frustrated with the hold up. However, he was quick to point out that there is no animosity toward Shady Records or Eminem. As he told me, "I still got big Shady tattoos on me. They ain't going nowhere. That's forever."
I caught Cashis by phone while he was down in Austin, Texas last week, and during our conversation he relived the moment Eminem offered to help him go to rehab, explained that breaking ties with Shady helped him grow as a business man and artist, and admitted that delaying his album until 2012 has set him up better for sustained success.
Cashis Discusses The Patient Creation Of The Art Of Dying
HipHopDX: I wanted to start off with The Art Of Dying, which is set to drop October 30.
Cashis: Yeah, that's my baby right there.
DX: Yeah, man. It's been a long time coming. What can the people expect from this upcoming album?
Cashis: I think they can expect a definite well-rounded, more universal approach. With The County Hound, I was a kid. I was just angry at everything, and that's what you got. [With The Art Of Dying], I've been really on my money, so that's what it's about. Like I did with The County Hound, I talked about my kids. I talked about my battles with depression and thoughts of suicide and all of that. If I was to get killed or something right now, I would be proud that the world could listen to and know who I really was with this album. There's a different approach to each record but they all go together. I get to showcase all the stuff that [Eminem] was proud of me doing that I didn't get to do because I only dropped an EP.
DX: How has that transition felt for you? County Hound dropped back in '07 and you're now getting a chance to drop your first full-length five years later. What's it been like trying to let fans know you're at a different place since you last dropped a project? Has it been hard to bridge that gap?
Cashis: Yeah, a little bit. Certain people, they wanna just hear my style in the same vein the whole time. It took a while for people to just understand and even view me and hear my style different. I used to record and do like seven, eight stacks on every vocal. I don't even record the same way now, so people have to adapt to my new sound and my new approach. Now, people actually know that I got bars. Before, everybody thought I was a gangsta rapper. I'm definitely from the street and have a street vibe to me, but I'm a rapper. I listen to lyrics and punch lines and all that stuff just like everybody else.
I think people got to hear that more from me leaking records, but on this project, The Art Of Dying, it's a whole new world. I'm more than just a new artist off the block now. You can definitely know that I was taking my time, [that] I know what I'm doing musically. I'm impressed with it from beginning to the end – the intros, the outros, the skits. Everything is 100% authentic and it goes together and dictates the story of my life.
DX: I did want to talk for a second about the title, because The Art Of Dying was originally titled Loose Cannon. Why the transition to the new name and why stick with it?
Cashis: I'm still gonna do Loose Cannon. I live out my album titles, so when it was Loose Cannon, I was really out wildin'. You couldn't predict what I was gonna do, and now, I'm more just stuck in bringing my life to art. I just feel like every day, we're dying. Every day, I'm putting myself at risk, and every day, all of us are putting ourselves at risk, so how you live is your art.
My follow-up album to this, which I'm about 65% done with, which we're gonna drop in May around the six-year anniversary of the County Hound EP, [is] Euthanasia. That's my project that I've been waiting to do for a minute. After that I'm gonna come back with Loose Cannon.
DX: With Euthanasia set to drop in the coming months, how is that project shaping up compared to the way that Art Of Dying finished?
Cashis: The Art Of Dying to me would be like Makaveli [Tupac's The Don Killuminati: The 7 Day Theory]. It don't sound like Makaveli, but the Makaveli album, that was a different approach. It was similar to what was going on but it was different in its views and its thoughts. I think that The Art Of Dying fits in with today's programming, but the lyrics and the songs are deep. It's not just songs of no substance – they all carry a meaning.
Euthanasia [is] like my celebratory album. That's my party album. The Art Of Dying is my chance to go how I want to go, and with [Euthanasia], it's just crazy, man. I've been reaching back to stories from when I was a kid. I'm bringing everything full circle. I feel I had to come with The Art Of Dying, something that's hard, and just let people know where I am, then re-establish myself back into their vision – into their minds and ears. With Euthanasia, I can go ahead and just wild out all the way.
DX: I wanted to get into a few tracks I had seen floating around to confirm whether they made the cut on the album. You had posted "You Think That I'm Crazy," which is produced by Eminem. Is that gonna be making the final cut?
Cashis: Yeah, that's one of the bonus tracks on The Art Of Dying. That's on the deluxe edition. It's 17 tracks on the regular and then we got three [more] on the deluxe edition.
DX: I also wanted to check in on "Do It All," which has features from Rick Ross and Game. I had heard there's a possibility that it was just gonna end up on a Joe Young project so I wanted to clarify that.
Cashis: No, that's on the album for sure. Joe – that's my big bro, man. We hold it down, so no, that's on the project.
DX: Lastly, does Jake One make an appearance? I know I had seen the name floating around.
Cashis: Nah, Jake One didn't make one on this album. By the time I got to reach out to him, we already had the album picked up, but Jake will definitely be on Euthanasia. Me and Jake One go way back.
Cashis Explains His Time At Shady Records, Reasons His Debut Was Shelved
DX: I did want to get into delays a little bit, because for people who have been following your Art Of Dying Project, the album has been pushed back a few times. I wanted to revisit a quote of yours that you had told Da Shady Spot back in '09. You had said, "By the end of September at the latest, I will have CDs in the marketplace. At least, that's what I'm told from the bosses. And if they lie to me, they lie to the public, and we don't tolerate liars round here, at this label."
You had also mentioned in that interview that you were waiting to get the right set up because Eminem and 50 Cent were dropping projects around that time. Can you walk me through what the hold up was at the time and why it wasn't necessarily the right look back in '09?
Cashis: Man, it was. My A&R picked a monster album. Em had mixed down like half my album already. It wasn't anything over at Shady [Records]. It was just over at Interscope [Records]. They were like "We can get Cashis and he can do a few hundred thousand," but Em and 50, they was doing 10 million at the time, so it just made more sense for them to come with [their] albums.
It's the politics of the game. Sometimes at a label, you spend too much and you gotta bring back something into your parent company, and they have to go with the top acts at that time. Obie [Trice Second Round's On Me] had come out and they didn't really push his album as they should've. [It wasn't] Shady. I don't know who it would be. That started a downfall for us as a company at that point, so Em had to come out and do the most with our albums to make that money back. Obie's album was slammin', but it don't matter how dope your project is. You see what happened with some of 50 [Cent's] last projects. It don't matter how good it is. If you're not getting the right promotion, you can only do so much. You need that machine to be behind you.
Like I told Em in '09 after that, "I'll stay for whenever. I'll sit for however long you want as long as you get to put out stuff and put out projects." I wouldn't want to step on nobody's toes because I'm like "It doesn't matter. My time will come," and that was the truth. My album was supposed to come out in '09 for real. All that was the truth, man. They tried. We had it set, but then things happen and it's just business moves. It was just political business moves that led to that, and then after that, that led to me getting my own situation. It took me about a good year or so to be able to get released from my contract.
DX: People see dates get pushed fairly frequently, but it sounds like yours was a real chain reaction, that you needed the right set up, and without that in place, you didn't want to make the move until it sounded like your camp was sure.
Cashis: Exactly. I don't want to walk the plank and I can't swim. If I see it's all sharks right there, I'm not trying to jump in, and that's how I felt. At that time, I was switching over management. I had a lot of personal turmoil with the old life hazards catching up to me, police and drama and just not living right. Then I was stuck on them Xanaxes like crazy, so there was no way for me to really do anything. I knew I could look inside myself and be honest that I wasn't ready, and at that point, that was my move.
I was supposed to step up and carry the torch. That's what Em had grown me for. That's what he wanted me for, and I wasn't mentally prepared, nor physically prepared, nor was my team during that time.
Now, I ain't gonna front. I was frustrated when it wasn't happening, but I look at it now as a blessing because it would've came out, and even if I would've came out with that push and been successful, it wouldn't have been sustained because I guarantee that I would've been dead, or I would've shot somebody. I wouldn't be as humble as I am today. [At the time] I was really arrogant, because you're young with money and you high all the time. It messes with your brain, and I'm already an up-and-down person, I'm extremely high or extremely low. I was exacerbating a bad situation and I'm glad that things didn't work out like that.
DX: So it does sound like while you may have had frustrations, in hindsight, for you it doesn't feel like you have any misgivings or any bad blood there.
Cashis: Oh man, I love Shady! They're my peoples! That's why Em on the album. Em got beats on Euthanasia too. Everybody over at Shady, they know what time it is. I'm still the capo, man. I'm always part of the Shady family. I'm still part of the writing and publishing over there. It definitely ain't no beef whatsoever. I just needed a chance to stand out on my own, which I'd been asking for behind closed doors for a few years. Ever since the beginning of 2009, I'd been asking for a way to be able to put a project out on my own to test the waters and see if I can get my label started. They finally just helped me out with that and that was what was needed.
DX: So is this a case where, if The Art of Dying really raises some buzz, there's a chance of re-aligning back with Shady like that, or is your direction to do your own thing and raise buzz through your own label?
Cashis: Stranger things have happened for sure and we're all family, so that wouldn't be a problem, but for me financially, it makes more sense for me to do what I'm doing this way because I have more control over the material. I don't want to give that up again. I kind of like competing from this standpoint because I don't have to go do any type of records that I don't feel just because that's the level that I'm competing at. Where I'm at now, I can do the music that I want to come straight out of my heart at any time and put it out there and have a platform and let the people gravitate to it. I kind of like it better like that, plus I get paid way more, man. It's not an artist deal. It's a business deal.
After this, I'm already in talks for Euthanasia on a bigger level, and that could work, but I definitely want to get this Art Of Dying out first.
DX: With you touching right there on being able to get your product out without having to go through a bunch of execs for approval, when you were dealing with The Art Of Dying and its series of setbacks, did you feel like at certain points you started to overthink the project? It sounded like you were ready for this to go back in '09. Do you just start thinking too much about it?
Cashis: Honestly, I kind of just tapered off and was like "Okay, this is what I have." I didn't have anything finished or mixed besides the records I had from Em. Around the summer of 2010, I started noticing the music culture changing in general, and I started noticing that the sound I had then wouldn't work in this marketplace production-wise. At that point, I had to revamp my whole project and my whole scene. It just took me a minute to get a team full of producers again and get the right management team and to have my engineers on point and everything like that. Once I did that, I went in there and did The Art Of Dying in like a month.
I had the record with [Joe Young, Game and [Rick] Ross, and we were gonna put that on our project entitled M.O.N.E. - "Music Over Negative Energy." We were looking at doing an EP deal, but I was just waiting until I was really out of my paperwork. I didn't get out of my contract with Shady until the end of April of this year, and I already signed like my next deal. I had three offers. I signed my deal like May 23 or something. As soon as I was out of my contract, I was in another one. It was pretty quick, and then I just went in and recorded the album.
Cashis Talks Drug Addiction, Kicking Painkillers
DX: Earlier in our interview, you had mentioned your addiction to pills, Xanax in particular. How has your approach changed since kicking that addiction?
Cashis: For me to be able to just deal with life without being in a brain fog has been amazing. It was scary at first, because I didn't go to no doctor and I was taking like the yellow double-dipped bars. I was taking like 18 to 20 of them a day, because I would get like 100 and I would run out within three or four days. I like Rosé. I used to drink Hennessy and Rosé. That was my thing. I'd take six of the Xanie bars, drop them in there, let them dissolve, and just drink the whole bottle. When I finished the whole bottle, I'm in there rapping. It was crazy, and I didn't know how dangerous it was. I can't say that I would've cared neither. Like I said, I was just being young and dumb with it.
Now, there's times in my life I don't remember. From 2007 to 2010, there's so much I don't remember. Honestly, I really just don't remember a big chunk. I see pictures of shows. I see all kinds of stuff and I'm like "Man, I had no clue I had even been there." I didn't even know I knew certain people. I was doing too much because that's what I do. I'm an over-doer. Now it's just my music. That's the only thing that cause problems in my household now, because I'm always in the studio or doing a show or doing a feature for somebody, but I figure that's much better than being pilled out somewhere.
DX: In an interview with Baller Status, you had also mentioned that in the studio, Eminem had reached out to help, and this was around the time he was dealing with his much-publicized addiction. Can you talk me back through that day and what it was like for you? At the time, you had said no, but what was it like having your mentor really open up like that to you?
Cashis: Like I said, I was real arrogant at this time, so when he said it, I was like "Man, I ain't weak. What do I look like going into some rehab?" And he's like "Man, little dude, I'm watching you. You be going crazy." I had some Valiums sent to me to the studio we was at, and literally, I took 75 Valiums in the first two days and was just smoking, smoking, smoking. That's one thing I do is smoke a lot of weed. I've always done that. I'm not gonna stop that. I don't think that's a problem. I think that can help America. Honestly.
DX: [Laughs]
Cashis: For real, man. But I was going hard at it, and he just noticed. He knew what his problem was, and he had never seen anyone do it like how I was doing it. I'm from Chicago, and then I moved to Orange County, so I know about every pill that you can think of. I'm rapping about all these new pills and all these new drugs. He's like "Well, what's this like?" and I'm telling him and all that, and he was like "Wait a minute, man. You gonna need some help. If you ever feel like you wanna just talk, just come talk. I'll have it done discreetly. Won't nobody know. I know you're gonna think 'How the homies gonna look at me?' but you can't care about that." And I'm like "Nah, I'm straight, man."
I walked away from that knowing that was my homeboy. He really cared about me. Most people are always like "Oh, he poppin' off!" or "Oh, he crazy!" and they either too scared or really don't care, so the fact of him to pull me aside and let me know this wasn't just a record deal, a music contract – [execs] wouldn't really care, they wanna keep feeding you whatever it is to make you make that music and work and not think about your money – [showed] he really cared about me as a person. He never really called me Cashis. He always called me Ramone. He saw me as a person, and I thought that was cool.
DX: Were you aware of what he was going through at the time? Had he mentioned it, or did he just say "I know people that can help"? Did he admit his own problems?
Cashis: Yeah, he was telling me about it later on, but I wasn't gonna say nothing. He was telling me about it, and then it came to where I felt people were trying to keep us away from each other because I was a bad influence because we would just talk all the time on the phone. Not on no gay shit. Just like "What up, man?" He'd call and talk to my kids. I'd talk to him just about life problems, just everything, and all the material that I'm sending back is just drug-infested, so I'm sure that that wasn't good for him and what he was trying to do, trying to get over that problem. I kind of do that for people. I'm just an infectious person when it comes to who I am. I was bringing the wrong energy, but his music was crackin'. I wish y'all could've heard the King Mathers album. It was so incredible, man.
DX: I can definitely understand your allegiance to Eminem and Shady after hearing all that. It sounds like that's definitely why there's always gonna be love there for you.
Cashis: Yeah. Em was just tight, man. I could be like "Yo, Marshall, what's up? I'm in trouble. Somebody put some assault charges on me" or something, and next thing you know, I had a FedEx'd $10,000 check showing up. Or I could kick some verses in the studio, kick something crazy, and I got a check for $20,000 outta nowhere, and he's like "It's a birthday gift." Em and Paul [Rosenberg], man, they show me love. They still show me love. I can still call on the homies if I needed it, but luckily I don't. Basically, I'm self-sufficient as a businessman now and I ain't be blowing through my money like before, so everything is good. That's why I'm saying it's no bad blood. I still got big Shady tattoos on me. They ain't going nowhere. That's forever. I'm always reppin'. They just watching me blow. They watching me do my thing so I can become a step up from the artist level to become an actual business person. Like they said, I got a smart brain. I just gotta use it.
Cashis Talks About 2012 Violence Amongst Teens In Chicago
DX: With the rise of Chief Keef and Chicago Drill music really getting some shine, along with you admittedly seeing so many close friends slain by violence in your home town, how have you been taking in the latest news about Chicago's homicides and violent crime being on the rise again?
Cashis: I just think it's normal, man. In the city, that's how it go down. In Chicago, I done lost a lot of family. I feel sad always for them kids that's getting hit and for the generation of kids that's gonna have to grow up without daddies or missing they brothers and mothers and all that. I wish there would be something we could do to change it for sure because it's scary. It is living in that lifestyle, because you gotta put that front on like you don't care and you have to really get to the point where you don't care about your life or the next person's life around you. I wish it could be addressed and changed.
I got a lot of family still out there. I still go back out to the city. I'm going back out like October 15 for a few weeks to do some promo for my album. When I go, I don't stay in no fancy neighborhood. I go right where my family and everyone else post up. I thought when I was growing up [that] the city was bad. I definitely see how Lupe [Fiasco] was right in how he was coming across, how all his homies in pictures were dead. From my block, me and [one of my homies] are the only ones that ain't dead or doing life somewhere, locked up. It's sad.
DX: I did want to touch upon your group The Renegadez, which originally had been a four person group that went down to two. One of your members, Monique, was actually gunned down back in '99, and in an interview in '05, you had mentioned that you and the group had really tried to keep her spirit alive in your songs. How much does she come up on wax for you or just in every day life?
Cashis: She come up in every day life because she tattooed on my arm and we had a daughter that's in 9th grade. We had her when we was both in high school, man, so she come up every day. It's hard not to think about her.
In music, I'll bring her up on songs every now and then just to keep her name out there. When I do that so much, it depresses me, so I don't want to over-do it or make it seem like I'm just faking with it, because it's real. It's a struggle sometimes to even have memories, because you remember and they're good, but then you realize that this person isn't here based upon a way of life that you introduced, so that bothers me sometimes.
DX: With you two having been in the same group and being intimately involved, what was it like working musically with someone that you were so close with? Did it lead to a lot of tension or was the chemistry great?
Cashis: It was great because we did everything together anyway. We was like 16, 17, 18. We was 18 when she got killed. I couldn't go to the bathroom without her going, know what I mean? We went everywhere together. We lived together. We dropped out of school together. It was what it was, so we was always around each other. I remember when she was eight months pregnant and my guys got into a scrap. I jumped in with them and she's out there stomping fools with me. That's crazy, but that's how we got down. It was an every day thing.
Doing music, that was just the natural progression. I had people that wanted to get down with me on a record deal then, and I didn't even have my dope voice. They were like "Do this type of record" and "Do this," and she was like "You better not, you hear me? You better keep it gangsta all the way." She was hard. When I was riding in the street, she wouldn't let me put out no weak music. She wouldn't let me do nothing that was corny or none of that. She wasn't playing, and I use that as my motivation now when I'm in the studio. She was really on that level where she could talk to me for real, straight up, and it would work. It would get to me, so it was a good progression. We had our ups and downs. We was wild and we argued a lot, but it was fun though.
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NASA's Earth Science Technology Office (ESTO) held its sixth annual technology conference – ESTC2006 – June 27th-29th, at the University of Maryland Inn and Conference Center in College Park, MD. This year's conference reflected a broad range of technologies and disciplines within NASA Science Mission Directorate. Over 300 attendees hailed from NASA centers, academia, industry and federal labs.
The ESTC2006 agenda included over 90 technical papers. Earth science technology projects – including instruments, components, advanced information systems, communications, automation, modeling, and high-performance computing – were presented within two parallel tracks of sessions: Track A: Information System Technologies, and Track B: Observation Technologies. A third parallel track of sessions (Track C: SMD Technologies) was added this year to showcase technology developments from across the NASA Science Mission Directorate (SMD). Track C included a variety of topics, including: astrophysics, planetary, propulsion, and sub-orbital technologies.
ESTC2006 featured a plenary talk by Peter Hughes, the NASA Goddard Space Flight Center Chief Technologist, and two luncheon talks on climate change given by Dr. John Christy, Director of the Earth System Science Center at the University of Alabama in Huntsville, and Dr. William Krabill of the Cryospheric Sciences Branch NASA Wallops Flight Facility. In addition, George Komar, the Deputy Associate Administrator for Technology (Acting) for the NASA Science Mission Directorate, led a public, town-hall-style forum on "Future Directions for NASA Science Mission Directorate Technology".
The full proceedings – including abstracts, papers, presentations, an index of authors, and the complete agenda – are available on this site. For more information on ESTO and it's programs, please visit https://esto.nasa.gov
Amy Walton, Deputy ESTO Program Manager
Steve Smith, Conference Organizer
Glenn Prescott, Conference Chairman

subset: commoncrawl


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Game 7 between The Miami Heat and San Antonio Spurs played out the same way the entire series had: it felt like Miami would—and should—win, but San Antonio made it closer than expected.
If you only heard the crowd during the first half you'd probably think Miami had a 10-point lead. Heat fans came prepared to make noise and made a 46-44 Miami lead at the half (thanks to a virtual buzzer beater by Dwyane Wade) seem like a Miami romp.
It may actually have been a first-half romp but for a big free-throw advantage for the Spurs, who made 14 of 15 attempts to Miami's perfect shooting on only three. Miami countered with three-point shooting. LeBron, especially, seemed to be settling for the three that San Antonio was giving him and he shot 2-4 for in the first half and continued in the second half ending up 5-10. Even Shane freaking Battier was feeling it; he was 6-8.
In about a 30-second clip in the final four minutes of the fourth quarter, LeBron lead a fast break off a Chalmers steal, barreled to the rim and dished it to Battier who sunk the three to put the Heat up 88-82. Immediately on the other end, Tim Duncan banked a turn-around shot in over Bosh and made the foul shot to bring the lead back to three at 88-85. A Wade layup brought it back up to five and then Kawhi Leonard drilled a three to bring the Spurs within two. That's the kind of game, and that's the kind of series it's been. There's barely enough room to breath.
And let's not forget LeBron. We may never be rid of the "can he do it when it matters" line of nonsense, but LeBron was cold-blooded when it mattered. With 27.9 left he put the Heat up by four again with a dagger jumper (above and in Spanish, below ) and then hit two free-throws to push it to 94-88. He was perfect from the line. When he wasn't shooting, he soared for key offensive rebounds and found open teammates. He was LeBron.
On the other end of the spectrum was Manu Ginobili. He made his bones flying around the court throwing shit up that miraculously went in and somewhere along the way things stopped miraculously going in. No more was this evident than one of San Antonio's final possessions when Manu drove to the basket and jumped, only to realize he had nowhere to go with the ball. It was a turnover and it was Miami's game.
The Heat won back-to-back championships and LeBron won back-to-back MVPs. It may never be enough, but he doesn't care. As he told Doris Burke after the game, he's "got no worries."


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Lawsuits Galore! Hasbro sues ASUS over Transformer Prime name
Who knew we'd cover so many lawsuits and patents today? This evening's lawsuit actually makes a bit of sense, though leaves us asking what the heck took so long. Toy maker Hasbro is suing ASUS, claiming that naming ASUS' latest tablet the Transformer Prime is in violation of Hasbro's brand copyright. Hasbro is seeking damages and a temporary halt of sales of the quad-core Tegra 3 Transformer Prime tablet in the U.S.
In an email statement made to paidContent, Hasbro states:
Hasbro continues to aggressively protect its brands and products and the specific actions we are taking today against Asus underscores yet again Hasbro's willingness to pursue companies who misappropriate our intellectual property for their own financial gain.Hasbro
We have a hard time believing this lawsuit is going to amount to anything. Though the Transformer Prime magically transforms into a full-featured tablet with the optional keyboard dock accessory, it is difficult to believe that someone would actually associate the Transformer Prime with Hasbro's Transformer line of products and well-known lead transformer Optimus Prime.
That said, we may see the Transformer Prime forced to change its name in the U.S. Electronista suggests that because of the recent popularity of the movie franchise, Hasbro could argue that ASUS was banking on the popularity of the Transformer franchise to sell a few more tablets. If Hasbro manages to prove this to be the case, which they'll have an extremely hard time doing, Hasbro will likely win the case against ASUS. Companies in different industries are allowed to use similar named products without violating copyright law if the industries are essentially mutually exclusive, meaning company A is not benefiting financially from the name trademarked by company B.
As the Transformer Prime is easily our favorite Android tablet of 2011, we certainly hope we don't have to call the Prime some lame name in a few months as legal proceedings move on. We'll let you know how this one turns out. For now, here's hoping this is the last lawsuit we have to write about
in 2011 today.


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Additional information
|Stone Shape
Tear drop
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Yellow Gold
|Metal Type & Stamp
|Metal Weight (GR)
Toronto Custom Engagement Rings | Wedding Rings | Jewelry Manufacturer
Lowest price in Toronto. Buy directly from manufacturer
|Stone Shape
Tear drop
|Gem Type
Yellow Gold
|Metal Type & Stamp
|Metal Weight (GR)
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E-mail: email@example.com


text:
I have been told by official's at my club that once I post five scores I will have a Handicap Index®. I posted five scores online this morning, but my Handicap Index® did not appear or change - is there something wrong?
A Handicap Index® is revised according to the revision schedule
determined by the regional golf association. Your Handicap Index® will
not change until the association your club belongs to goes through a revision. Check with your club to determine its revision schedule.


text:
Successfully Completed School? What Now?Copyright: RWTH Aachen
Finally! You've taken the first big step towards your professional future. The question remains to be asked "Now what?" One thing is clear - the decision is yours. On these pages we want to at least provide you with as much useful information as possible to make the transition to this next chapter of your life a bit easier.
Gender and Diversity
Studying at RWTH Aachen University
Meet the Faculty!
Mechanical engineering in Aachen has a long tradition and is as old as the university itself. Not only have the number of students and chairs increased since the university was founded in 1870, but the research work and collaborations within the individual faculties and with other research and industry institutions have dramatically increased.
With 63 institutes and chairs in mechanical and process engineering, the Faculty of Mechanical Engineering has become one of the largest mechanical engineering faculties in Europe. It has an interdisciplinary structure and offers many qualification opportunities for students from Germany and abroad.
Facts and Figures
66 professors, 1.340 academic staff members, 12.573 students.
40 percent of RWTH Aachen's external funding is acquired by the Faculty of Mechanical Engineering.
In 2016, the Faculty of Mechanical Engineering's revenue amounted to 316 million Euros. This doesn't include a basic funding of about 100 million Euros from the State of NRW. In other words: just under 2/3 of funding spent was acquired externally.
The Faculty's Position Within the UniversityCopyright: RWTH Aachen
RWTH Aachen is headed by the Rectorate.
In addition to the Rectorate and its chair, the Rector, the Board of Governors and the Senate are also central components of the University's governance.
The Strategy Board is also part of the central organizational structure. It advises the University on future plans.


text:
Jan. 20, 2002
Every several days, a player from the U.S. Women's National Team will send out an e- postcard from Guangzhou, China, where the U.S. team is preparing for the Four Nations Women's Tournament featuring the USA, China, Norway and Germany. The USA begins the tournament on Wednesday, January 23 against Norway. Today's postcard is from defender Brandi Chastain.
Height: 5-7
Born: July 21, 1968
Hometown: San Jose, California
Club: San Jose CyberRays
If you are looking for a destination for your next vacation and travel time is not important, China is the place for you. It took us 43 hours to get from the east coast of United States to Guangzhou. The problem wasn't so much the two days of travel, but inability to change clothes after you spill food on them (see Kate Sobrero). Here in China it never ceases to amaze me how much traffic there is and how few actual traffic laws there are. Lanes? They don't concern themselves with them. Pedestrians? Despite the fact that they DON'T have the right of way, they seem to walk in the middle of the street with little regard for their safety. Crosswalks? You make your own. One thing I will say is that there is a vast decrease in bicycles and motor scooters from the first time we were here in the late 80s. There were more bikes than cars times 100 back then. Now, it seems, that there are as many cars as in Los Angeles.
Over the last four days, training has been intense and productive, but nothing out of the ordinary, until today. In one drill, Julie Foudy and I nearly came to blows over whether I got fouled. (For the record, I did, and Kristine Lilly, who was on my team, will back me up on this). Julie didn't agree and we had heated words. Of course, it didn't come to blows, but that battle paled in comparison to what happened on the field next to us later on during training. There was a men's amateur league game going on behind a big chain-link fence. We heard some shouting and we all looked over to see a full-scale Jackie Chan-type bench-clearing Kung-Fu brawl going on. It was over quickly as the Chinese police ran across our field to quell the "riot," but it looked like a scene out of a movie.
We had our first encounter with the Norwegians, our first opponent in the tournament, tonight at our buffet style dinner. Most of us just walked by their tables without a glance, but Kristine stopped to chat with her teammate on the Boston Breakers, Dagny Mellgren. Lil' says they are very nice. We are looking forward to our match against Norway as we have been practicing our heading all week. Some players have been adversely affected by all the heading we've been doing. Aly Wagner has taken more than few soccer balls to the face and her nose is showing significant swelling. (Note to Mr. and Mrs. Wagner: Jerry Smith is not paying for a nose job). Thanks for reading my postcard and as always, thanks very much to the fans for all the support.
Zai Jian (goodbye in Chinese!), Brandi
P.S.: Another note to Aly Wagner's parents: She has been talking constantly about studying on this trip, but I think she has opened her books for a grand total of 12 minutes.
Brandi Chastain has played 144 times for the United States and is making her fourth trip to China with the national team. The veteran is one of four players on the U.S. roster for the Four Nations Tournament who played in the 1991 Women's World Cup in China. Last August, she led the San Jose CyberRays to the first-ever WUSA championship.


text:
Updated: October 05, 2007 3:37:20 PM
Type: Misleading Application
Name: MalwareMonitor
Version: 2.1
Risk Impact: Medium
Systems Affected: Windows
MalwareMonitor is a misleading application that may give exaggerated reports of threats on the computer.
Antivirus Protection Dates
- Initial Rapid Release version October 02, 2014 revision 022
- Latest Rapid Release version May 07, 2019 revision 006
- Initial Daily Certified version October 05, 2007 revision 009
- Latest Daily Certified version May 07, 2019 revision 008
- Initial Weekly Certified release date October 10, 2007
Click here for a more detailed description of Rapid Release and Daily Certified virus definitions.
Technical Description
The program must be manually installed.
When the program is executed, it displays exaggerated reports of threats on the computer.
The user is then prompted to pay for a full license of the application in order to remove the fake threats.
When the program is executed, it creates the following files:
- %UserProfile%\Desktop\MalwareMonitor.lnk
- %UserProfile%\Start Menu\Programs\MalwareMonitor\MalwareMonitor.lnk
- %UserProfile%\Start Menu\Programs\MalwareMonitor\Uninstall.lnk
- %ProgramFiles%\MalwareMonitor\MalwareMonitor.exe
- %ProgramFiles%\MalwareMonitor\MalwareMonitor.lic
- %ProgramFiles%\MalwareMonitor\MalwareMonitor0.dll
- %ProgramFiles%\MalwareMonitor\MalwareMonitor0.mm
- %ProgramFiles%\MalwareMonitor\MalwareMonitor1.dll
- %ProgramFiles%\MalwareMonitor\MalwareMonitor1.mm
- %ProgramFiles%\MalwareMonitor\MalwareMonitor3.dll
- %ProgramFiles%\MalwareMonitor\Uninstall.exe
Next, the program creates the following registry entry so that it executes whenever Windows starts:
HKEY_CURRENT_USER\Software\Microsoft\Windows\CurrentVersion\Run\"MalwareMonitor" = "C:\Program Files\MalwareMonitor\MalwareMonitor.exe"
It also creates the following registry subkeys:
- HKEY_CURRENT_USER\Software\MalwareMonitor
- HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows\CurrentVersion\Uninstall\MalwareMonitor
Similar Security Risks
The following instructions pertain to all current and recent Symantec antivirus products, including the Symantec AntiVirus and Norton AntiVirus product lines.
- Disable System Restore (Windows Me/XP).
- Update the virus definitions.
- Run a full system scan.
- Delete any values added to the registry.
For specific details on each of these steps, read the following instructions.
1. To disable System Restore (Windows Me/XP)
If you are running Windows Me or Windows XP, we recommend that you temporarily turn off System Restore. Windows Me/XP uses this feature, which is enabled by default, to restore the files on your computer in case they become damaged. If a virus, worm, or Trojan infects a computer, System Restore may back up the virus, worm, or Trojan on the computer.
Windows prevents outside programs, including antivirus programs, from modifying System Restore. Therefore, antivirus programs or tools cannot remove threats in the System Restore folder. As a result, System Restore has the potential of restoring an infected file on your computer, even after you have cleaned the infected files from all the other locations.
Also, a virus scan may detect a threat in the System Restore folder even though you have removed the threat.
For instructions on how to turn off System Restore, read your Windows documentation, or one of the following articles:
- How to disable or enable Windows Me System Restore
- How to turn off or turn on Windows XP System Restore
Note: When you are completely finished with the removal procedure and are satisfied that the threat has been removed, reenable System Restore by following the instructions in the aforementioned documents.
For additional information, and an alternative to disabling Windows Me System Restore, see the Microsoft Knowledge Base article: Antivirus Tools Cannot Clean Infected Files in the _Restore Folder (Article ID: Q263455).
2. To update the virus definitions
Symantec Security Response fully tests all the virus definitions for quality assurance before they are posted to our servers. There are two ways to obtain the most recent virus definitions:
- Running LiveUpdate, which is the easiest way to obtain virus definitions.
If you use Norton AntiVirus 2006, Symantec AntiVirus Corporate Edition 10.0, or newer products, LiveUpdate definitions are updated daily. These products include newer technology.
If you use Norton AntiVirus 2005, Symantec AntiVirus Corporate Edition 9.0, or earlier products, LiveUpdate definitions are updated weekly. The exception is major outbreaks, when definitions are updated more often.
- Downloading the definitions using the Intelligent Updater: The Intelligent Updater virus definitions are posted daily. You should download the definitions from the Symantec Security Response Web site and manually install them.
The latest Intelligent Updater virus definitions can be obtained here: Intelligent Updater virus definitions . For detailed instructions read the document: How to update virus definition files using the Intelligent Updater .
3. To run a full system scan
- Start your Symantec antivirus program and make sure that it is configured to scan all the files.
For Norton AntiVirus consumer products: Read the document: How to configure Norton AntiVirus to scan all files.
For Symantec AntiVirus Enterprise products: Read the document: How to verify that a Symantec Corporate antivirus product is set to scan all files.
- Run a full system scan.
- If any files are detected, follow the instructions displayed by your antivirus program.
After the files are deleted, restart the computer in Normal mode and proceed with the next section.
Warning messages may be displayed when the computer is restarted, since the threat may not be fully removed at this point. You can ignore these messages and click OK. These messages will not appear when the computer is restarted after the removal instructions have been fully completed. The messages displayed may be similar to the following:
Title: [FILE PATH]
Message body: Windows cannot find [FILE NAME]. Make sure you typed the name correctly, and then try again. To search for a file, click the Start button, and then click Search.
4. To delete the value from the registry
Important: Symantec strongly recommends that you back up the registry before making any changes to it. Incorrect changes to the registry can result in permanent data loss or corrupted files. Modify the specified subkeys only. For instructions refer to the document: How to make a backup of the Windows registry .
- Click Start > Run.
- Type regedit
- Click OK.
Note: If the registry editor fails to open the threat may have modified the registry to prevent access to the registry editor. Security Response has developed a tool to resolve this problem. Download and run this tool, and then continue with the removal.
- Navigate to and delete the following registry entries:
HKEY_CURRENT_USER\Software\Microsoft\Windows\CurrentVersion\Run\"MalwareMonitor" = "C:\Program Files\MalwareMonitor\MalwareMonitor.exe"
- Navigate to and delete the following registry subkeys:
- Exit the Registry Editor.


text:
Category : Resume.
Topic : Good resume for office manager. Author : Lynsey Hampton.
Posted : Sun, Nov 03rd 2019 00:08 AM.
Format : jpg/jpeg.
A resume should start with short but clear and open sentences. Your goal is to show that how much you understand about the job, why you love that job and how much experience you have gained when doing similar jobs. Then, why do not you put those in your resume and it in a professional way?


text:
Boys Varsity Football
Team Coaches.
No coaches assigned to this season.
Go Eagles!
No coaches assigned to this season.
No highlights for this season yet.
Mt Ararat High School
73 Eagles Way
Topsham, ME 04086
The official website of Mt Ararat High Eagles Athletics
Don't be late to the game because of a last minute update! Create an account for Mt Ararat High School or sign in to take advantage of following:
Already have an account? Sign in


text:
Bezpłatna rejestracja
- Przeglądając tę stronę zgadzasz się na używanie plików cookies. Dowiedz się więcej Ok!
Last update: December 7, 2018
The Privacy Policy (« PP ») is part of GroupCamp's general Terms of Service (« ToS ») available at www.groupcamp.com/tos
All definitions located in the GroupCamp Terms of Service (« ToS ») apply.
All data or information, personal or otherwise, manually submitted or transferred to the GroupCamp Service are strictly confidential.
Customer Account and Payment Information
During the Account creation process, the Customer provides the following personal information which are known to GroupCamp :
1. The name of your company together with the first and last name of the person having subscribed to the service.
2. The address of the company together with the country of residence (this information is mandatory to determine whether customers are subject to VAT or not)
3. A valid email address for communications regarding billing information (issued invoices, modification of service or changes to the GroupCamp Terms of Service)
4. Your credit card number for the short lapse of time during which we transfer it to our certified Payment Gateway partner (YOUR CREDIT CARD NUMBER IS NOT STORED ON ANY SERVER BELONGING TO GROUPCAMP). Only our trusted PCI-certified payment partner has your credit card details. We only keep an ID including the last 4 digits of your credit card (format: XXXX-XXXX-XXXX-1234) together with the holder's name and expiry date. We may use this ID for authentication purposes by our customer support team.
5. Your account access URL(Web address). This web address is public.
6. Your payment and invoicing history.
All account and payment information can be viewed and/or edited in the Account application, accessible in the Owner section of the Admin Panel. The email address of the Account Owner can be updated by the Owner in the Owner's Preferences app.
Support team members can connect to the Client Admin Panel and can have access to the following:
1. First name and last name of account Administrators
2. Names of Management teams
3; Technical counters, used/unused features, account configuration.
All other data is strictly confidential: this information may include name, address and telephone number, other credit card information, service confirmations or your application data. We may use this information for usage statistics, anonymously, and only with a view to improving our services.
If the company is based in one of the member states of the European Union, we collect its intra-community VAT number.
When Users access GroupCamp web servers, Cookies are generated by GroupCamp and stored on the User's hard drive when you visit any website on the Internet. Cookies enable us to remember users, to store user preferences and to track user trends in general. We use cookies to improve the quality of the Services we offer and to better understand how users interact with the Website. In some secured areas of the Website, cookies are required to associate you with your personal information stored in our systems.
The Customer and its End-users may change the security settings of its browser to reject cookies or send a warning to the User, indicating that a cookie has been received from GroupCamp. If the Customer and its End-users decides to reject cookies coming from GroupCamp, they will not be able to use the Service.
To improve our Services, GroupCamp might use a third-party service for statistical analysis of the usage of GroupCamp services. No personal information received or collected by GroupCamp will be provided to these third-party services.
GroupCamp can use the services of third party email service providers to send bulk emails (News, blogposts, notifications, etc).
When a User connects to the GroupCamp Service, GroupCamp will be able to use connection information to provide a better Service. Connection information include the IP address, the preferred language setting of the browser, the name and the version of the browser ; the operating system, the requested URL.
GroupCamp will ensure that the appropriate security measures be taken to protect against unauthorized access to, or unauthorized alteration, disclosure or destruction of users' information. Such measures include password encryption and security updates on GroupCamp servers, and securing physical access to our hosting facility.
Information covered by such measures include servers and data centers located in France and in other countries.
GroupCamp will take the necessary measures to ensure that its operations team does not access Customer private information except with the authorization of the Customer and generally for service troubleshooting reasons. Failure to comply with such measures may lead to employment termination and legal action.
It applies to all Customers who have a GroupCamp account linked to a G Suite account.
When installing a GroupCamp product in the Google Marketplace, the Customer accepts that GroupCamp applications get access to the list of users and organizations in the attached G Suite domain. GroupCamp maintains a replicated database of the data collected from G Suite to improve overall service performance.This database is manually synchronized by G Suite domain's administrators connected to the GroupCamp Service.
Data stored are: firstname and lastname, email address, user organization unit and the photo of the profile.
When G Suite Users are added to GroupCamp by the Customer or by one of the Users authorized by the Customer, the following services are automatically added to the End-User:
GroupCamp administrators can manage these services for their End-Users.
Read more here.
The add-on allows GroupCamp applications to read the content of the emails in order to save them in GroupCamp (Subject, Body and attachements). This operation occurs online when the User requests it. Outside this operation, GroupCamp does not have access to End-Users' emails Content.
Using the add-on allows Google's softwares to get access to the data contained in the add-on.
Read more here.
Only the email address is stored.
Read more here.
Data stored are: firstname and lastname, email address and the photo of the profile.
Google Profile is mandatory when using Drive, Contacts or Agenda.
End-Users can access their Google Drive through the GroupCamp Service only when they request it. Outside this operation, GroupCamp does not access the User's Google Drive files.
Read more here.
End-Users can use Google Contacts through the GroupCamp Service only when they request it. Outside this operation, GroupCamp does not access the Users' Google Contacts.
Read more here.
End-Users indicate which Google Agenda should get synced with GroupCamp's data. During this synchronization, GroupCamp does not collect nor stock any data on its servers that is not directly related to GroupCamp service data .
GroupCamp gets access to a End-User Google agenda when a GroupCamp data update is necessary (New assigned task, job, etc... Update of task, job, etc).
Read more here.
G Suite Users need to contact their G Suite administrators if they wishe to disable GroupCamp's access to their G Suite accounts.
Gmail users can enable or disable access to their Gmail accounts data by going in the GroupCamp's preferences menu.
Users can uninstall the GroupCamp for Gmail add-on in their Gmail settings (Add-ons tab).
GroupCamp does not access to device personal local data.
This paragrah concerns only Online Services from Microsoft such as: outlook.com, hotmail, etc.
Data stored are: firstname and lastname, email address and the photo of the profile.
Microsoft Profile is mandatory when using OneDrive or Calendar.
End-Users can access their Microsoft OneDrive through the GroupCamp Service only when they request it. Outside this operation, GroupCamp does not access the User's OneDrive files.
Read more here.
End-Users indicate which Outlook Calendar should get synced with GroupCamp's data. During this synchronization, GroupCamp does not collect nor stock any data on its servers that is not directly related to GroupCamp service data .
GroupCamp gets access to a End-User Outlook calendars when a GroupCamp data update is necessary (New assigned task, job, etc... Update of task, job, etc).
Read more here.
End-Users can enable or disable access to their Microsoft accounts data by going in the GroupCamp's preferences menu.
End-Users can use these services through the GroupCamp Service when they request it. Outside this operation, GroupCamp does not have access to the User's files.
Box and Dropbox End-Users can enable or disable access to their accounts by going in the GroupCamp's preferences menu.
Read more here.
GroupCamp does not access to device personal local data.
In this case, the GroupCamp partner gets access to data related to the Customer's GroupCamp Service Account application. The partner also gets access to data related to Customer's support requests.
The GroupCamp Billing and Payment Policy does not apply to Customers dealing with a GroupCamp partner.
Upon contacting the GroupCamp Support team, GroupCamp will collect, for the Customer and its End-Users, first and last name, email address and connection data including useful Account information such as user role, Offering and Plans which are subscribed to.
For troubleshooting reasons, GroupCamp will request the Customer's authorization to enable application logs which allows the GroupCamp team to detect and solve problems or bugs based on Account events described in the application logs.
The General Data Protection Regulation (GDPR) is a European privacy regulation that aims to strengthen the security and protection of personal data in the European Union (EU).
The Customer is the Data controller and bears the primary responsibility for ensuring that their processing of personal data is compliant with relevant EU data protection law.
The Customer, as a Data controller under GDPR, must meet the following obligations for Users that are EU citizens.
Each EU citizen has a right of objection, or the right to object to direct marketing. On request, the Customer must stop processing personal data for direct marketing purposes when the Customer receive an objection from a data subject.
GroupCamp as Data Processor under GDPR, added a Report Spam link in email sent by its Platform. This link allows End-User to block emails sent by the GroupCamp Customer Account. Only the User or the GroupCamp Support team can change this parameter. The Customer cannot do it.
Each User has a right of access. On request, the Customer must inform the User where their personal data is being held and for what purposes.
Each User has a right to rectification, or the right to have inaccuracies in their personal data corrected. On request, the Customer must provide the data subject with their personal data and fix inaccuracies or add missing information.
Each User has a right to erasure, or the right to be forgotten or deleted. On request, the Customer must delete the personal data of a data subject. In the Service, the Customer can delete permanently a User. This action will delete User personal data.
Each User has a right to data portability. On request, the Customer must provide a data subject with their personal data or to transmit the data to another organization.
GroupCamp may need to transmit user confidential information to third parties in the following cases :
In the event of a merger or an acquisition or any other form of transfer of all or part of its assets, GroupCamp will guarantee the privacy of personal information and will use reasonable efforts to inform the Customer prior to the transfer of personal information to a new privacy Policy.
The GroupCamp service has been the subject of a declaration submitted to the French National Commission for Computers and Liberties (CNIL): http://www.cnil.fr/en.
The CNIL was created by law n° 78-17 on the 6th January 1978. Its mission consists in ensuring that the development of information technology remains at the service of citizens and does not breach human identity, human rights, privacy or personal or public liberties.
Questions and complaints
If you have any questions or complaints about our privacy policy, please send us an email at privacy [at] groupcamp.com


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Two days after Christmas we held a birthday party for my son at Pump it Up. Two days after THAT was his actual birthday. We always have family over on the actual day for cake and ice cream. But this year, you know, on account of because I am crazy (we've already established this right? I don't need to keep saying it.) I decided that since it was his 4th birthday, he needed to have 4 cakes. So this happy little guy got to ride around the house on his new Envy Prodigy scooter. I had cakes in the oven. I had no time for discipline.
I used the rest of the Minted party decor I had ordered for his party at the house. This is our banner wall. True story, this banner is still up. As I type this, in February, the banner is on the wall behind me. It just looks so cute! And it was super easy. The Minted items come printed and ready to string. They are printed on really nice quality paper and make decorating super simple. Here are 3/4 of the cakes. One was still in the oven at this point. We had a yummy cherry chip cake, a chocolate cake with chocolate frosting, an angel cake with meyer lemon glaze, and a dump cake. Yes, a dump cake. If you have never had one, you need to. I'm going to share the recipe with you next week. It is super simple and everyone always goes crazy for it. And kids (and my husband) laugh when they hear the word "dump."
And oh yeah. I had made the cake toppers from the Minted party stuff before Christmas. And then found them a few weeks after the party, unused. How cute would these have been on the cakes? Total fail. I am not a baker so trying to get all four cakes done really through me off my game. But I will just have to save these for another time.
Do you want to know how to make the birthday boy extra happy? Let him walk around on the dinner table. It was hilarious. Pure joy.
So there you have it. 4 cakes for a 4th birthday. For 8 adults and 4 kids. We had a lot of leftover cake. And since my other son is turning 7 this year I figured that if I wanted to do a party with one cake for each year I better do it now. Even my crazy has limits.
*This is not a sponsored post for Minted. I had a credit with them and decided to try out their party decor. I am so glad that I did. It saved me a ton of time and everything was still super cute.


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Pinterest's traffic rose 52 percent between January and February, from 11.7 million unique visitors in January to 17.8 million in February, according to a new report by comScore.
Pinterest had around 7.5 million monthly visitors in December before jumping to 11.7 million in January.
On Pinterest, users can "pin" links on the site, which will automatically scrape an image and serve as a link on a grid of images on the site. It's broken into different "pinboards," — discrete sections on the site.


text: Apr 8, 2012 ABC News: What Would You Do? – "Muslim" guy gets help from… Watch till the end. Great video. May Allah guide him and us all to the straight path! Ameen! Tweet ibnpercy Hypocrisy, Islam, Society, Video 0 ABC News, Blonde, Flat Tire, Muslim, Tire Change, What Would You Do


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Undergraduate Catalog
2014 – 2015
Office of Admissions
Emil H. Messikomer Hall
100 W. Rosedale Avenue
West Chester, PA 19383
Phone: 610-436-3411
Fax: 610-436-2907
Revised May 2014
114 W. Rosedale Avenue
Michele Belliveau, Chairperson
PROFESSORS: DeHope, Voss
ASSOCIATE PROFESSORS: Belliveau, Dente, Tully
ASSISTANT PROFESSORS: Ingersoll, Lane
The social work program is accredited on the baccalaureate level as a professional degree in social work by the Council on Social Work Education.
The mission of the undergraduate social work program is to prepare students for beginning social work practice and lifelong learning. To this end, the program teaches the knowledge, values, and skills of generalist social work, with an emphasis on self-evaluation, critical thinking, information literacy, and understanding the intersections of people and their environments. Students apply micro, mezzo, and macro frameworks for assessment and intervention through experiential learning that includes two field placements over the course of three semesters. The program prepares students to adhere to the ethical standards of social work, to advocate for social and economic justice, and to promote the strengths and well-being of diverse individuals, families, groups, organizations, and communities. Students graduate with the core competencies appropriate to entry-level generalist social work as well as the foundation for graduate social work education.
The B.S.W. program has three phases: the first is the pre-candidacy courses along with their general education requirements; the second occurs when students formally apply for candidacy, which is the professional social work track where advanced course work and the junior field experience are completed; and the third is at the conclusion of the spring junior year when students successfully complete a competency exam and enter the senior field experience. The bachelor of social work is conferred on undergraduates who complete all the academic requirements of the program and West Chester University. The B.S.W. is recognized as the first professional level of social work practice.
The undergraduate social work program goals are linked to core practice competencies as set forth in the Council on Social Work Education's 2008 Educational Policy and Accreditation Standards (EPAS). With the liberal arts as its foundation, B.S.W. graduates are prepared to engage in entry-level social work practice through mastery of these ten core competencies. As such, the department's goal is that, by completion of the program, students are prepared to
The B.S.W. program has the following core competencies:
All students must demonstrate attitudes and professional behaviors consistent with the values and ethics of professional social work and the National Association of Social Workers (NASW) Social Work Code of Ethics.
Majors are required to meet with their social work adviser to plan an integrative course of study, to select courses prior to scheduling, to discuss career opportunities, and to keep abreast of departmental activities. Handbooks are provided to help students be aware of requirements and procedures in the department. Social work majors should be aware of social work prerequisite courses and must see their adviser before registering for classes.
Social work students who have a grade of D, F, or NG (no grade) in required courses must repeat these courses and achieve a satisfactory grade before entering the junior field placement. Not achieving at least a C- in social work required courses is considered grounds for dismissal from the social work program. Students must achieve an overall GPA of 2.5 in order to be accepted into candidacy and to begin their first field practicum. Students must maintain a minimum 2.5 GPA in order to graduate with a B.S.W. that has been accredited by the Council on Social Work Education.
The Social Work Club is a student organization that elects officers and sets a yearly agenda. The activities of this organization are open to all students. The honor society, Phi Alpha, is sponsored by the Department of Social Work and is the Chi Gamma Chapter of the National Social Work Honor Society. Eligibility requires an overall GPA of 3.0 and 3.25 in required social work courses. Active Minds is a social work organization open to all majors and focuses on mental health awareness of college students. Rotaract is another social work organization that is sponsored by the local Rotary Club and focuses on international and national issues that affect groups, families, or individuals. For more information, see the Student Activities and Service Organization sections of the catalog.
Social work students are expected to provide a minimum of 20 hours of volunteer work, approved by their adviser, as a requirement to be accepted into candidacy. During the second semester of the junior year and in both semesters of the senior year, students will be placed in various social work agencies (see partial listing of social work field placements).
Students must have completed SWO 200, 220, 225, 300, 320, 332, and 350 with a cumulative average of 2.50 before they register to take the junior field placement in the spring semester.
INSURANCE. Students are also required to carry liability insurance coverage during the second semester of their junior and the entire senior year. Students may join NASW and become a member of a national social work organization and receive liability insurance at a reduced rate. Students need to apply for child abuse clearance and state police background check in the fall semester of their junior year prior to being matched with a field placement. Field sites may have additional requirements of students prior to the start of their field placement.
Social Work Field Placements
Below is a sampling of settings where students have been placed to fulfill their field experience requirements:
ARC of Chester County
Bucks County Children and Youth
Chester County Children, Youth, and Families
Chester County Intermediate Unit
Chester County Juvenile Probation
Chester County Office of the Aging
Chester County Opportunities Industrialization Centers (OIC)
County Office of Services for Older Adults
Delaware County Adult Probation and Parole
Department of Human Services
Devereux Foundation
Domestic Abuse Project of Delaware County
Family Services of Chester County
Friend's Association
Philadelphia School District
Resources for Human Development
Ronald McDonald House
Salvation Army
The Garage Community Youth Center
University of Pennsylvania Health Systems
Values Into Action
Vitas Hospice
Applicants must meet University requirements for admission. After successfully completing the first year of pre-candidacy social work course requirements, students may apply for candidacy for the professional social work track.
For admittance to senior field placement, students must pass the junior competency exam requirements in social work and fulfill the requirements outlined on the guidance record sheet.
In compliance with the Council on Social Work Education, the national accrediting body for social work, the program only accepts upper-division social work courses from accredited programs that correspond with West Chester University B.S.W. program sequencing. No social work credits are granted for life and work experience.
120 semester hours
In addition, continued matriculation at the professional level of the B.S.W. program requires that all students
Students from other colleges and universities who desire to transfer to the West Chester University baccalaureate social work program should apply through the University's Office of Admissions, which will coordinate the credit evaluations of social work courses with the baccalaureate social work program director. Transfer students are required to make application for candidacy.
A transfer credit analysis, listing all transfer credits accepted by the University, will be sent to the Department of Social Work and also directly to the student. The B.S.W. program director may accept social work transfer credits from CSWE-accredited undergraduate social work programs.
The field practicum and seminar are concurrent courses in the WCU undergraduate social work program; therefore, they are not transferable. The policies and requirements for the field practice are explicated in the Baccalaureate Program Field Instruction Manual. All other social work courses not meeting the requirements of the program may be accepted as SWO 199 course credit hours.
Internal transfer students meet the same standards for the program as other students.
Note: The Department of Social Work offers courses in the summer to assist transfer students to begin as a junior when they enter West Chester University in the fall. It is crucial that all transfer students be advised by the undergraduate program chair before the first session of summer.
200 Introduction to Social Welfare (3) An introduction to the social work profession, this course emphasizes the historical, economic, political, and philosophical foundations of the social welfare system in the United States, social policy, and social services. It introduces a framework for the critical analysis of social welfare policy from a system perspective.
220 Introduction to Generalist Practice (3) In this course, students are introduced to the knowledge base, values, and skills of the social work profession that guides practice with individuals, families, groups, organizations, communities, and societal systems.
225 Race Relations (3) The course takes an interdisciplinary approach to the study of race, ethnicity, and culture. By integrating findings from history, political science, sociology, and social work, students are introduced to cultural differences as they affect family life, the development of law, and the nature and magnitude of racism in our society. The overarching goal of this course is to encourage the student to embark on the process of becoming culturally competent.
Diverse communities course
Approved interdisciplinary course
300 Family Systems (3) This course is an introduction to the family from a systems theory perspective. The course includes discussion of historical and contemporary families: definitions, types, social functions, and life cycle overview. Particular attention is paid to diversity in order to highlight variations in family forms and styles along the lines of race, ethnicity, class, and sexual orientation. Writing emphasis course.
320 Generalist Social Work Practice I (3) Students apply their knowledge of the strengths and ecological perspectives to the processes of engagement, assessment, planning, implementation, evaluation and termination for social work practice with individuals and families. Social work majors only.
321 Generalist Social Work Practice II (3) Students apply their knowledge of the strengths and ecological perspectives to the processes of engagement, assessment, planning, implementation, evaluation, and termination for social work practice with groups, organizations, and communities. Social work majors only.
332 Social Welfare Policies and Services (3) This course introduces students to policy analysis. A main focus is an examination of how the U.S. government supports or inhibits social and economic justice through social welfare, social security, social policy, and social services.
350 Human Behavior in Social Environment I (3) This course examines the life cycle from pre-natal development through young adulthood with an emphasis on micro and mezzo theories of human behavior from a strengths and ecological systems perspective. The course is designed to provide the theoretical foundation that informs the knowledge and skill bases of the generalist social work practitioner.
351 Human Behavior in Social Environment II (3) This course examines the life cycle from middle adulthood through older adulthood and death and dying with an emphasis on mezzo and macro theories of human behavior from a strengths and ecological systems perspective.
Diverse communities course. Writing emphasis course.
375 Field Experience I (6) Junior-year field experience for the social work major in an approved setting and under the supervision of an approved field instructor. Social work majors only.
395 Junior Seminar (3) The integration of knowledge, values, and skills within the theoretical framework of generalist social work practice. This course is the beginning foundation for students to examine ways social work theory and values are integrated into the reality of practice.
431 Methods of Social Inquiry (3) The course introduces students to qualitative and quantitative research, ethical, and cultural issues in research, and fosters critical thinking in evaluating existing research. Students learn how to conduct a research project and the skills of social work practice evaluation.
432 Advanced Policy Practice (3) The relationship between social policy and social work practice is strengthened as students are taught the concept of policy practice or how to develop, influence, and implement social policy in their social work practice everyday.
450 Field Experience II (6) Senior field experience for the social work major in an approved setting and under the supervision of an approved field instructor. Senior social work majors only.
451 Field Experience III (6) Senior field experience for the social work major in an approved setting and under the supervision of an approved field instructor. Senior social work majors only.
495 Social Work Senior Seminar I (3) Integration of field and classroom experiences in discussing the application of the generalist model to the helping process. Emphasis is on all levels of practice (individuals, families, groups, organizations, and communities). Social work majors only.
496 Social Work Senior Seminar II (3) Integration of field and classroom experiences in discussing the application of the generalist model to the helping process. Emphasis is on advocacy, social justice, and evidence-based practice. Social work majors only.
222 Social Work and the Law (3) A study of legislation and case law affecting social welfare programs to develop an understanding of legal reasoning and key areas of legal knowledge.
410 Independent Studies in Social Work (1-3) Special research projects or practice in social work. Juniors and seniors only. Permission of department chair required.
421 Mental Health and Social Work (3) This course introduces students to the signs and symptoms of mental illnesses and substance abuse disorders. Specific practice skills for social work practice, the range of mental health services, and relevant social policies are covered.
423 Child Welfare Practice and Policy (3) Emphasis is placed on assessment of and understanding child abuse and neglect, the long-term effects of child maltreatment, how to engage families in which child maltreatment is an identified issue, the child protective service system, and relevant policies.
490 Seminar in Social Work (3) In-depth topics in social work offered to complement the undergraduate program's field practicum.
490 Seminar in Social Work (3) In-depth topics in social work offered to complement the undergraduate program's field practicum.


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Ferrari California T: Videos, photos and secrets of the new V8
GT & Sport Cars
- Build your own
- Go to the Special Site
- Official video: Ferrari California T
- Video: Ferrari California T - Unveiling at the Geneva International Motor Show
Maranello, 4th March
The Ferrari California T epitomises the sublime elegance, sportiness, versatility and exclusivity that have distinguished every California model since the 1950s.
It is a car brimming with innovation that will more than meet the expectations of discerning clients for whom fun behind the wheel is a priority, but who also demand a sumptuously comfortable Grand Tourer they can use every day.
The California T is a brilliant expression of Ferrari's sporty DNA, while its retractable hard top (RHT) and 2+ configuration, amongst other features, make it supremely versatile.
Like all Ferraris, the California T boasts cutting-edge technological solutions that make it absolutely unique, most notably the new turbocharged V8 engine. Turbo technology has an honourable place in Prancing Horse's engineering tradition, thanks to iconic models of the likes of the GTO of 1984 and the F40 of 1987. It is now also, of course, back at the heart of our latest F1 single-seater.
Maranello's engineers have managed to design a remarkable power unit that combines classic Ferrari engine qualities, such as razor-sharp responsiveness, blistering performance, superbly powerful acceleration at all speeds and an exhilarating soundtrack, with the advantages turbo technology, such as drastically reduced emissions and fuel consumption, a high specific power output and compact dimensions. A genuinely unprecedented achievement that sets a new benchmark for the industry.


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Check out our calendar to see our current in-class course offerings. For more courses, check out the links below.
Stay safe and certified through our health and safety courses. If the course you want isn't listed in the current training calendar, call your local member centre to learn when it will be offered.
Save time and money by taking training online. CLAC offers dozens of courses, including CSTS, WHMIS, Drug and Alcohol Awareness, Behaviour-Based Safety, and more.
To gain access to most construction projects in Alberta, you must take the Construction Safety Training System course, which we offer in all our member centres.
Looking to improve your workplace relationships, or gain a better understanding about what being part of a union means? We offer labour relations program for workers and managers, and a three-part training program for CLAC stewards.
Your next career is here
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Photos and Reviews 630
Beyblade BB-99 Hell Kerbecs BD145DS
by Aagney
Hell Kerbecs BD145DS is a stamina type beyblade. Hell and BD145 are a force to reckon with in beyattles and are strong in boost mode. Hell is one of the balance type metal wheels available and the BD145 spin track is very versatile and can be used in attack and defense combinations successfully and is strong for stamina when in conjunction with the Hell metal wheel in boost mode.DS (Defense sharp) performance tip provides good stamina and defense, thus, Hell Kerbecs BD145DS is one of the strongest beyblades out of the box.


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Louis Daignault
April 27, 2013, Ottawa, ON (ISN) – Tickets will go on sale Monday for the NORCECA (North and Central American and Caribbean) Continental Championships men's volleyball tournament to be held September 23-28, 2013 in Langley,B.C. at the Langley Events Centre.
Tickets are available as of Monday April 29 at 10 a.m., and can be obtained at Ticketmaster.ca.
This year's event will not only determine the newest continental champion and offer valuable world ranking points, but will also qualify the winning team to the 2013 Grand Champions Cup to be held later this fall in Japan.
The Grand Champions Cup offers $1million in prize money to the teams and athlete award winners.
"The Men's National Volleyball Team is extremely excited to be able to come to BC to play in front of our home-town fans for the Continental Championship," stated National Team Captain Fred Winters. "The tournament is one of the most important and prestigious on our competitve calendar and we will look forward to having the home court advantage."
As a former BC resident, Winters knows to expect great crowds from throughout B.C. and Canada to take in the event and adds that they'll be witnessing the highest level of volleyball in the world. Additionally, Fred will be personally attending the BC Provincial Championships the weekends of April 27-29 and May 4-6 to help promote the event.
Along with Canada, countries entered for the event are world powerhouses Cuba and USA along with Puerto Rico, Mexico, Dominican Republic, Bahamas (Caribbean Zone Champions), St. Lucia (Eastern Caribbean Zone Champions) and Guatemala (Central American Zone Champions).
This is the second straight year Langley hosts a major international volleyball championship. In September 2012 the U-23 Men's Volleyball Pan Am Cup took place at the LEC.


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Deter-it Less-Lethal Projectiles 400 CountHome > Projectiles > Deter-It Less-Lethal
Price: $75.00
Nelson has been the innovator of new solutions to age-old problems since its inception in 1940.
Nelson invented the paintbaIl in the early 1960s.
Now Nelson has created new innovative tactical products to meet the demand from Military and Law Enforcement Agencies for an economical, effective method of compelling compliance and deterring undesired behavior from those who would fail to comply with authorities or seek to cause disruption and chaos. We do so with pricing that matches the constrained budget reality that agencies face today.
Our products provide exceptional value and safety with a high degree of effectiveness, because we are owned in part by a former police canine officer. He demands that our products work as well as he would want them to if he were still working the street and depending on our products to help him make it back home safely.
Nelson helps turn your No people into Yes people!!
Deter-it Projectiles are gelatin projectiles containing a proprietary dense, non-toxic, environmentally friendly liquid.
Deter-it is designed to deliver approximately 17 ft/lbs of kinetic energy to a suspect or animal and compel deterrence of undesired behavior and compliance without penetration or other serious injury.
Deter-it Projectiles are a fraction of the cost of the less-lethal projectiles currently available on the market.
Deter-it Projectiles can be used with any standard .68 caliber paintball gun. Projectiles are accurate on targets up to 100 feet.
Deter-it Projectiles have an operating range of 30 to 130 degrees Fahrenheit and have a shelf life in excess of 7 years.
Deter-it is biodegradable.
Should Deter-it Projectiles break on impact with a solid object, the liquid is non-staining and will easily wash away.
Deter-it Projectiles are proudly made in the USA.
Deter-it Projectiles are for Military, Law Enforcement, or Professional Institutional use and should never be aimed at a persons face, eyes, groin, throat, or spine.


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Series Overview
The human impulse to create art is universal. Art has been has been a way to communicate beliefs and express ideas about the human experience throughout all stages of civilization and in every region of the world. As cultural documents, works of art provide important insights into past and existing cultures, helping us to understand how others have lived and what they valued.
Art Through Time: A Global View, featuring thirteen half-hour programs, a guide, text, and other Web resources, takes a thematic approach to art history and appreciation. Rather than a linear chronology, the materials explore connections in Western and non-Western art, illuminating the breadth, complexity, and beauty of works produced around the world and at different periods of time.
In each program focusing on a particular theme, a diverse group of leading experts, together with a living artist, contextualize and connect featured works from different cultures and eras. The Web site, guide, and text provide a variety of opportunities to learn more.