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DETROIT — Todd Bertuzzi may not wear a visor, but it's something he feels the league should mandate players do soon.
"I don't know it's something I've got to think about for a bit," Bertuzzi said after practice at Joe Louis Arena. "That's all I can give you."
Bertuzzi practiced without a visor.
"I don't think it's a discussion any player really wants to have," Bertuzzi added. "I think it's a personal decision. I'm not trying to be (jerk), but it's our office and we wear what we want to wear. Guys wear different shoulder pads, different helmets and different skates, that's just how it is. It's an option we're given and some guys don't want to use it."
Bertuzzi caught a high stick right of Dallas' Jamie Benn under his left eye in the second period on Tuesday.
A visor is something he'd tell his kid to wear.
"It's a no brainer," Bertuzzi said. "I think all the kids coming up, anyone coming into the league the past 4-5 years it should be mandatory to have it. I believe in it. Same thing with the no helmet. It was grandfathered in. The last guy to no wear it was (Craig) MacTavish and I think eventually when use older guys get out of the league they make it mandatory that (visors) be worn."
Kris Draper and Steve Yzerman both wore visors to finish their careers.
After two scaring incidents with his eye, Draper finally forced himself to finish his career wearing a visor.
First, a stick glanced his eye that made Draper put on a visor. He later took it off and was hit with a puck on his right eye.
Yzerman also suffered a scratched cornea and broken bone just below his left eye in 2004.
"Wearing a visor might be a good thing," Wings coach Mike Babcock said after Tuesday's game. "I'd hate to see that happen to a guy because that could change your life forever. That's part of the game, but a visor would fix that."


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NeXtal DWBlock Suites
For manual or automated setup of protein crystallization screening conditions
NeXtal DWBlock Suites are for manual or automated setup of protein crystallization conditions in microplates. The deep-well block can be resealed using adhesive foil for subsequent microplate setups. Screening Suites are supplied as 1 x pierceable deep-well block containing 1.5 ml of each of the Screening Suite conditions per well, 1 x piercing tool, and a sheet of adhesive foil for resealing.
Buy Products
NeXtal DWBlock Suites are intended for molecular biology applications. These products are not intended for the diagnosis, prevention, or treatment of a disease.
Product Details
Nextal DWBlock Suites are designed for the setup of crystallization conditions in microplates, either manually or using automated liquid handling stations.
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subset: commoncrawl


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Please don't leave us. I have been coming to Partridges for the past 20 years. Such an amazing store and lovely people. Partridges is part of the...Read More ->
Mason Cash Glazed Ceramic Oval Baking Dish from the William mason Collection
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One dead and a family torn apart by courthouse shooter
A man on trial for aggravated sexual assault of a child for allegedly having sexual relations with his daughter in a case that has dragged on for nearly a decade went on a shooting rampage outside the Jefferson County Courthouse Wednesday, March 14, killing one person and injuring three others.
Bartholomew Granger, 41, has been charged with murder and is currently being held at the Jefferson County Correctional Facility. No bond was set. Additional charges are forthcoming.
Beaumont Police Chief Jimmy Singletary and other law enforcement officials expressed their disbelief after Granger, who suffered two gunshot wounds to his left side and a grazing to the side of his head during his apprehension, was released from the hospital the same day after being treated for what turned out to be only minor wounds.
"He took a lot of gunfire," said Singletary, referring to the truck that Granger was in while creeping away from the courthouse and exchanging gunfire with members of both the Beaumont Police Department and deputies from the Jefferson County Sheriff's Office.
"It was a classic shootout," Singletary said.
In all, more than 50 rounds were spent by both Granger and law enforcement, with a healthy portion of those punching bullet holes in the 2001 GMC Pickup Granger was driving. Beaumont Police also indicated late Wednesday night that Granger was combative with authorities while being transported to jail. No law enforcement officials were injured during the rampage. According to police, they received the call at 11:21 a.m. of shots fired in front of the courthouse, and by noon, they had the suspect in custody.Minnie Ray Seabolt, a 79-year-old Deweyville resident, was pronounced dead at the entrance of the courthouse. It is believed she was there to visit the Veterans Affairs office for a friend. Granger's daughter, who was shot and also run over by Granger, was taken to an area hospital where she is listed in critical condition. Granger's ex-wife and a Hispanic man who was shot were both treated and released. Both the ex-wife and the daughter had testified against Granger in the trial.
Late Wednesday night, ABC-12 in Houston reported that Granger's brother, Lyndon Granger, 43, was arrested in Houston in connection with aggravated sexual assault related to his brother's case. Beaumont Police Officer Carol Riley said both Granger brothers had been accused of sexually assaulting Granger's daughter. Lyndon was arrested by Jefferson County Sheriff's deputies and was expected to be taken back to Beaumont. His bond had been revoked "to keep the public safe," according to the ABC report.
The Granger brothers had filed a federal lawsuit against Houston Police, and Harris and Jefferson counties, and others seeking $250 million for mental anguish related to the sexual assault charges, which the brothers said were false. The lawsuit was dismissed.
The seven Beaumont Police officers and two Jefferson County Sheriff deputies who exchanged gunfire with Granger have been placed on administrative leave, Singletary said. It is standard procedure for officers to be placed on leave after firing their weapon. It is not a disciplinary action.
Zena Stephens, chief deputy of law enforcement for the Jefferson County Sheriff's Office, said the sheriff's office will be the lead investigator on the case but that the Beaumont PD, FBI, Texas Department of Public Safety, Texas Rangers and ATF are assisting with the investigation.
'Shots fired'
Wednesday's events brought the area outside the generally busy Jefferson County Courthouse to a nervous standstill right around lunchtime when Granger, who was standing trial for allegedly sexually assaulting his daughter, came out to a truck registered to his brother, Ulysses Granger, and brought out what police believe was a Beretta CX4 Storm Carbine, an assault-style rifle.According to reports and witness at the scene, Granger's trial, which started on Tuesday, March 13, had recessed for lunch. That's when Granger returned to the parking lot, grabbed a gun from his truck and fired at both his ex-wife and daughter in the parking lot, Singletary said.
One man who was looking at records in the deeds and records office of the courthouse had stepped outside for a cigarette and "some sunshine" and was heading back into the courthouse when he heard gunshots in the parking lot.The man, who is from out of town, wished not to have his name used, as he was still visibly shaken less than an hour after the shooting.
"A man with a gun fired into some people at the parking lot," said the witness. "He was a young looking man, maybe in his 30s, well-dressed. He turned and fired into the front of the courthouse; some were wounded, I was fortunate that I was not hit. Across the street, he jumped into his truck – it looked tan – headed into the other parking lot. There were more gunshots, his windows were busted out, and then he turned westerly."
The witness said he clearly saw a rifle: "It must've been a high-powered rifle.
"I tried to figure out what was going on, but self-protection kicks in," the witness said, who added he hit the ground after he heard the shots being fired. He said Granger fired at the people in the parking lot "practically at point-blank range."
After Granger finally drove off, the witness, who wasn't far from the entrance, said he noticed Seabolt lying in front of the entrance."I did not see her go down, but when I finally got back up, she was there in a puddle of blood. I didn't see any actual wounds, but I knew there was some serious damage. It looked like she was alive and breathing, but it did not look good at all."After shooting both his ex-wife and daughter, now 20 years old, Granger got back into his truck and ran his daughter over with the truck. Singletary said the young woman, whose name has not been released, had already testified against her father the previous day and was set to testify again in rebuttal.
After jumping a curb to get out of the parking lot, Granger drove the truck southbound on Pearl Street, exchanging gunfire with authorities before taking a right on Milam and driving about two blocks before he took a left on Park Street and stopped the truck right in front of the Beaumont Chamber of Commerce building thanks to a left front tire that had blown out. He then got out on foot and ran into the RCI building in the 1100 block of Neches, which is the next street over. Inside RCI, he took a couple of hostages.Joe Smith, who works at RCI, said he was in his office when he heard a commotion and thought there had been an explosion because several workers were running from the building.
"Everyone was running outside, and that is when I found out it was a hostage situation and some of our guys were still inside. At this point, I don't know if they are OK."
But they would be OK. The hostages were able to overtake Granger, subdue him and take his weapon. The Beaumont Police SWAT team quickly apprehended him.
Crystal Holmes, who is a trained hostage negotiator for BPD, said at no point did the suspect try to call police. Rather, she contacted one of hostages inside RCI on his cell phone and asked about the situation. She indicated the suspect wanted to speak with his mother after one of the hostages had handed Granger the phone.
"They got prepared and those hostages ended that," she said. "I explained to them the situation and I could hear the tone change in their voice. I asked if they had a plan and they confirmed they did. They waited until he was in a lull and one of the hostages kicked him and swept him to the floor. At that point another hostage swept the gun further away from the suspect and they jumped on him. They open a heavy steel door so our SWAT guys could make entry and one of our guys had to pull one of the hostages off the suspect.
"Those guys decided they were not going to be victims. They took action and came up with a plan and executed that plan perfectly. And they should be commended for what they did because they ended the situation."
Deputy Stephens said she was pleased with how the Jefferson County Courthouse security reacted to the scene, and reminded media members that Granger did not get into the courthouse with his gun, but rather retreated outside to inflict terror on his family and innocent bystanders.
"This is a tragedy for the community," Stephens said. "The officers responded wonderfully to the threat."
Chief Singletary, who has 40 years of law enforcement experience and has been on the job less than six months as the top cop in Beaumont, said he'd never experienced anything like on Wednesday.
"This was an extensive crime scene," said Singletary. "This is one of the worst situations officers can be confronted with. You had an individual who was shooting at us and shooting like crazy. He took the stance that today was the day he was going to do some damage, and he did."
But Singletary was very proud of the job his officers did on Wednesday: "Our guys engaged him and disabled him and the vehicle from getting further than four blocks. If he could've gotten away from us and out of those four blocks, in that guy's frame of mind, there's no telling what he would've done. Our guys did a hell of a job."Jerry Jordan contributed to this report.


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Carlisle All Truck Nationals - Truckin'In The Free World
Carlisle Style
Where there's a will, there's a way we stand by? Simple, because whatever can be packed into the Carlisle fairgrounds is, and was, squeezed in there like a fat guy in a little coat, and we tackled it all.
Over the August 3-6 weekend we made the cross-country journey to the small Pennsylvania town of Carlisle to absorb all that the weekend had to offer, and to be quite frank, there was a lot. When the title of the show is the All-Truck Nationals, nothing is spared. The grounds are packed with classic trucks, late-model trucks, four-wheel-drive trucks, novelty trucks, rock-climbing trucks, monster trucks, toy trucks, semitrucks, and even skateboard trucks! All right, that last one might be pushin' the envelope, but nonetheless, if it's a truck, it was there.
What absolutely blew our minds was the semitruck show. There must have been more than 100 semitrucks decked out like our style of trucks here at CCT. We're talking custom paint, chrome undercarriages, custom interiors-the works. It was the gnarliest thing we'd seen in a while.
And if the trucks weren't enough to hold ya over, then the extracurricular activities-such as the Miss Carlisle pageant, drag your truck contest, hi-low contest, audio contest, monster truck show, Trick My Truck cast autograph session, rock climbing demonstration, eating competition, and more-throughout the 82 acres of grounds kept your sprit, mind, and mostly body on the move all day. The grounds even came complete with a swap meet, on-site bank financing, notary and title service, and a food court with what must have been a dozen food choices!
After all that, we think it's pretty obvious why our motto was, "Where there's a will, there's a way," because it took everything we had to jettison here, there, over there, back to here, and beyond. But in the end, we think it's safe to say we soaked Carlisle up like a sponge.


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Hartford, Conn. - The visiting Trinity College Bantam football team completed its 10th perfect season and clinched sole possession of the program's sixth New England Small College Athletic Conference (NESCAC) Championship title in the last 11 years with a 30-24 overtime victory over the Wesleyan University Cardinals this afternoon on Andrus Field. The 8-0 Bantams clinched at least a share of the league crown with its 32-20 win against Amherst last weekend, but took the title outright today as the conference's only undefeated team. The NESCAC Champion has had to post an undefeated record in 11 of of the 13 years that the conference has kept official standings and in each of the last five years. Trinity accomplishied the feat in 2003, 2004, 2005, 2008, and 2012, and shared the league crown with Williams in 2002 with identical 7-2 marks.
Trailing, 24-17, with 1:54 left in the fourth quarter, Trinity marched 78 yards on 12 plays and scored the game-tying touchdown on a 14-yard quarterback draw up the middle by senior Ryan Burgess (Dracut, Mass.) with 17 seconds on the clock. The extra-point by senior K Tim Costello (Solana Beach, Calif.) forced the overtime, and Wesleyan had the first try to score from the Bantam 25-yard line. Wesleyan sophomore RB LaDarius Drew (Mesquite, Texas) rushed twice to the clear half the distance to the goal line, but was stripped of the ball by Trinity junior CB Akeem Labitue (Dorchester, Mass.) at the five-yard line on his third rush. Bantam junior LB Steve Goniprow (Barrington, R.I.) came up with the ball, giving Trinity the opportunity the chance to win on its first possession of the extra period. Junior RB Evan Bunker (Topsfield, Mass.), who had become the all-time leading rusher in Trinity football history earlier in the game, burst through a hole on the right side and sprinted to paydirt for the game-winning score on the first Bantam play of overtime.
Trinity got off to a good start, forcing a punt on the game's first series, and scoring a touchdown on its first play from scrimmage on an 86-yard bomb down the right sideline from Burgess to junior WR A.J. Jones (Freetown, Sierra Leone). After punts by each team, Wesleyan tied the game on a 33-yard scoring strike from sophomore QB Jesse Warren (Chicopee, Mass.) to junior TE Ted Baker (Logmeadow, Mass.) with 4:59 left in the first quarter. A 35-yard field goal by Cardinal junior Sebastian Aguirre (Denville, N.J.) capped off a 12-play, 65-yard drive that gave the Cardinals a 10-7 lead early in the second quarter, but Trinity answered three plays later on a 49-yard scoring toss from Burgess to senior WR Drew Grombala (Cincinnati, Ohio) with 11:23 on the clock. Wesleyan used another long drive, advancing 67 yards on 13 plays including a six-yard touchdown run by sophomore RB Kyle Gibson (Ridgewood, N.J.), to take a 17-14 lead at the break. Burgess took a shot down the right sideline to sophomore WR Adrian Johnson (Philadelphia, Pa.) for his third long touchdown of the half, but was picked off at the goal line by Cardinal senior DB Jon Kim (Paramus, N.J.) inside the two-minute mark.
A scoreless third quarter consisted of five straight punts and a Trinity interception by senior CB Nick Campbell (New Albany, Ohio), but a Trinity pick by senior tri-captain S Rae Haynes (Hartford, Conn.) early in the fourth frame set up Costello for a game-tying field goal from 38 yards out with 11:02 on the clock that also tied Costello with Kevin Swiniarski as the College's all-time field goal leaders with 23 each. Wesleyan ralled with a 13-play, 50-yard drive that ended on a one-yard dive into the end zone by Drew with 4:13 left on the clock, and Cardinal senior DE Andy McKeon (Pearl River, N.Y.)) forced a fumble by Bunker four plays later to give Wesleyan an opportunity to run out the clock. An eight yard tackle-for-loss by senior S Julian Brown (Philadelphia, Pa.) highlighted a key defensive stop for the Bantams that forced a punt. On the final drive of regulation, Burgess found Grombala on three first-down passes, including a 13-yard completion on 4th-and-10. Trinity's quarterback draw play on 2nd-and-1 took the Cardinal defense by surprise, and Burgess darted into the end zone untouched.
Burgess finished 11-for-25 passing for 249 yards, while Bunker ran 22 times for 139 yards, and Grombala caught seven passes for 143 yards. In the first half, Bunker passed David Kiarsis' record as Trinity's all-time leading rusher. Kiarsis' record of 2,949 career rushing yards had stood for 40 years. Bunker has 3,066 yards on the ground in his three years as a Bantam. Warren, who left the game in the second half with an injury, and sophomre Peter George (Concord, Mass.) combined for nine completions in 18 attempts for 109 yards through the air, while Drew had 103 rushing yards on 30 carries and Gibson added 21 rushes for 69 yards. Goniprow and senior NT Donald McDonald (Avon, Conn.)) led the Bantams defense with 13 tackles apiece, while junior LB Brett Cde Baca (Millbrae, Calif.) had 12 hits and 3.5 tackles for loss. Haynes made nine tackles and Brown totaled eight tackles, 2.5 tackles for loss, and two pass breakups. Wesleyan senior LB Prince Emenalo (Austell, Ga.) recorded nine tackles and two sacks.


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Next Year We'll Have to Get a Tour Bus
Frank Kusiak of the Lawrence Hall of Science took a NanoDays road trip to southern California and sent me a bunch of information about his travels! Read on for details and photos.
San Diego Science Festival
"Darrell Porcello and I drove south from Berkeley to San Diego. We had agreed to help Dr. Amy Moll of Boise State University and the Materials Research Society celebrate NanoDays at the San Diego Science Festival in Balboa Park. As it was the Science Festival's first year, we had no idea how many people to expect, and we planned for the worst. We had hoped to reach several hundred people. 50,000 showed up. Of course, not everyone came to our booth, but if sure felt like it! We interacted with visitors non-stop from 10 am to 6 pm. We gave out three boxes of Buckyballs (1500!), several hundred "Feel Nano" magnets, and countless "I'm Made of Atoms" tattoos. We ended the day exhausted, yet pumped up by the positive experiences and the innumerable people who were excited to learn about nanotechnology.
Los Angeles
"After the Science Festival, Darrel returned to the Bay, and I continued up the California coast to Los Angeles where I stopped by the Discovery Center in Santa Ana, the California Science Center, and UCLA's Center for Scalable and Integrated Nanomanufacturing (SINAM).
Nano and Society in Santa Barbara
"On Wednesday, I visited UC-Santa Barbara's Julie Dillemuth, Ph.D., at the Center for Nanotechnology in Society. I couldn't stay long because I had to be at California Polytechnic by 3pm. Kathy Chen, Ph.D., recruited me to give an "Intro to Nano" talk at her Nanocafe. What a wonderful experience! A diverse audience of 75 people showed up, played with the NanoDays kits, and listened to my short presentation. My talk was followed by Dr. Jane Lehr who moderated a discussion on the implications of nanotechnology on consumer safety.
"The next day, I made my way back to Berkeley via the Pacific Coast Highway. My nano tour through Southern California was wonderful! I hope I can do it again next year!"
-Frank Kusiak
NanoDays 2009 at the San Diego Science Festival
San Diego Science Festival


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You will find here all our patterns available for purchase in downloadable pdf format, all taken from our new "Le Wooling" magazine. You can choose to buy each pattern separetely, or buy the complete pdf version of the magazine featuring 30 patterns.
Add one or several patterns to your cart and place your order (no shipping fees unless you order other products), you will then receive a download link in the order confirmation email. You're done, you can now start knitting right away!


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CRESTVIEW � It took less than 15 minutes, but with a 3-1 vote, Crestview has joined other taxing districts in raising residents' taxes for the 2013-14 fiscal year.
CRESTVIEW � It took less than 15 minutes, but with a 3-1 vote, Crestview has joined other taxing districts in raising residents' taxes for the 2013-14 fiscal year.
The city council met in a second public hearing Tuesday evening for a final vote on the new millage rate and proposed budget.
The 5.8466 millage rate is expected to generate some $300,000 more than the current year's rate, with a forecast tax levy of $5,380,692.
The millage rate passed 3-1 with minimal discussion. Councilmen Joe Blocker, Shannon Hayes and Mickey Rytman voted in favor of the tax increase. Council President Robyn Helt, who throughout the budget process adamantly opposed raising the city's property tax rate, cast the lone "nay" vote. Councilman Tom Gordon was traveling abroad and did not vote, but also has steadfastly opposed raising taxes.
Before the budget passed, Capt. James Poirrier, representing the Crestview Firefighters Association, expressed his union's concern that members would be subject to furlough, or unpaid leave, during the upcoming year along with the city's other employees.
"We were not aware that the 32 (furlough) hours were going to affect everybody, including our firefighters," Poirrier said.
Poirrier also expressed concern that while most firefighters were "taking a pay reduction," one of the union's members, the department's staff assistant, received a pay raise when her position was reclassified to a higher level.
Following Hayes� motion, a resolution to approve the $29.1 million budget passed 3-1, with Helt voting �nay.� The new budget goes into effect Oct. 1.
Crestview's city tax increase joins increases in Okaloosa County property taxes, Okaloosa School District tax and county gasoline tax.
Contact News Bulletin Staff Writer Brian Hughes at 850-682-6524 or firstname.lastname@example.com. Follow him on Twitter @cnbBrian.


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Here's the bad news – everything you've learned to date about Phoenix, Arizona emotional support animal letters is likely wrong.
Also, the ability to buy a "cheapie ESA letter online that works", works being the operative word here, is quickly coming to an end. And, if you're not engaged in an ongoing therapeutic relationship with your clinician, there's a fast-increasing chance your housing provider will deny your reasonable accommodation request.
On the plus side, continuing reading and we'll help you navigate the churning and chummy waters of today's Phoenix, Arizona emotional support animal letters.
Let's get started, shall we?
With a vast plethora of Internet-based businesses selling quick fixes, fraudulent ID cards, meaningless registrations, and get-out-of-fees letters, landlords and airlines are closely scrutinizing emotional support animal letters of recommendation.
Breaking out a fine-tooth comb, phrases such as "therapeutic relationship," "under the treatment and care," and "in the position to know" have become part of our daily conversation around the office.
You see, anyone with a printer can "create an ESA letter." And trust me, many fraudulent websites do just that — they've long mastered the basic idea of an emotional support letter (therapist name & license, something (snicker) about the Diagnostic and Statistics Manual, maybe the animal's weight, so forth and so on). And, as long as the letter's on the therapist's letterhead, you're golden, right?
Er, no.
Sorry to say, but no thanks to peacocks on airplanes and instant pet certificates, a perfectly executed emotional support animal letter isn't the Wonka Golden Ticket anymore.
Let alone those $79 jobs… Yeah, good luck with those.
As mentioned, it's about the ongoing client/therapist relationship, and to build out a nationwide network of clinicians capable of engaging in therapeutic care takes lots of work — lots of elbow grease, a few keyboards worn out, tons of talent, and an excellent infrastructure — and we know, since we've built the nation's largest ESA clinical network.
And we're starting to develop a Canadian-based ESA clinical network.
Not surprisingly, this feat of ours is something all other websites have studiously avoided, as they're just geared to perform assessments only, often with zero contact between client and therapist.
An emotional support animal assessment by itself does not constitute a therapeutic relationship. What is missing from this equation is "ongoing therapeutic sessions." In those sessions, you'll discuss your "disability and disability-related need for an assistance animal," and begin to establish a relationship with your therapist with a continuity of care.
We believe prescribing Phoenix, Arizona ESA letters without any interaction is, at best, wickedly unethical. Just ask Carla Black, a California-licensed therapist recently blasted by her State Board.
As we move further into 2018, we expect reasonable accommodation requests submitted with ESA letters without a therapeutic basis to be routinely denied. Simply stated — if you buy an ESA letter without additional therapeutic sessions, you're rolling the dice.
Simply put, your "cost-effective" ESA letter will likely meet the round file.
Pro-tip: If your housing provider requires verification, then you should strongly consider purchasing therapeutic care. If you're unsure at the time of purchase, or your landlord springs it on you "after the fact," then you can order these sessions at that time.
So, what makes a relationship?
When shopping around, ask these questions:
- How close is my therapist?
- How many times will we interact?
- Will we actually speak via phone/video call?
- Do they offer therapeutic sessions?
Locality ("geographically desirable"), interaction, the total number of sessions, and calendar of events form the basis of a therapeutic relationship.
Now, some of you are shouting at the screen, something about the legality of practicing telemedicine inside the four borders of any given state.
True, I don't argue that …
However, thanks to the Internet's nonsense (i.e., Carla Black), when it comes to reasonable accommodation requests based on ESA letters, there's a new sheriff in town.
We understand HUD likes to apply a "reasonableness standard." Does the therapeutic relationship make sense? Is it logical? For example, why would a Buffalo, NY therapist be writing an ESA letter of recommendation for a Long Island client? Or a Hawaii radiologist writing letters for Chicago clients (no really, that's a thing).
Pro-tip: Avoid websites selling "ESA products." If they're peddling leashes, they're probably peddling junk all across the board.
So, what's our role?
ESAD helps cultivate therapeutic relationships. We introduce the client to the therapist. We're not in the ESA letter-writing business, per se. To us, that's a byproduct.
Wired to help those in need, we're here to help those most in need, guided by the highest standards of ethical and professional responsibility (click here, here, here, here, here, and here).
Our purpose is to help more people live a happier and better life.
Compliance With Applicable Fair Housing Premiums
You see, the problem begins when a client has a disability that's not obvious. Cousin Johnny's home from Iraq and is missing a limb — that's an easy one to spot.
Aunt Sue's problem with severe anxiety that ruins her ability to sleep? Not so easy.
Lending assistance, the federal government allows a housing provider to seek information confirming: a) that a person meets the FHA's definition of disability; b) a description of the requested accommodation; c) the relationship (or link) between the person's disability and the need for the requested accommodation.
Thankfully, HIPAA privacy guidelines prevent housing providers from seeking any medical records and detailed information about any medical treatment and condition.
The Wild Wild West Dot Com
These days, access to the Internet and a credit card will likely qualify you for an assistance animal that's verified with zero healthcare evaluation and no relationship with the therapist.
Allow me to repeat that, as it bears repeating. The majority of online ESA vendors will approve individuals for an emotional support animal relying solely on a self-reported assessment.
No meeting, speaking or reviewing medical history. No diagnosis, evaluation, visit, or treatment. Take a cheesy 5-minute assessment, drop down your VISA, and you're all set!
Therapy goats, support peacocks, heck, we even had our 11-ton elephant (aka Muffin Top) approved.
Like Service Dog fraud, we staunchly believe these false certifications do a horrible disservice to the genuinely disabled — it's a black eye to individuals with a legitimate need for service and emotional support animals.
Appropriate Medical Provider
As permitted under federal law — DOJ's guidance in its Frequently Asked Questions About Service Animals — housing providers can request additional information regarding the therapeutic relationship.
Pay close attention, here's where the rubber meets the road.
Nowadays, landlords are asking these questions: 1. How many times did a resident/potential resident meet with the therapist 2. Where did they meet 3. When did the meet
In Virginia, the Fair Housing Board notes, "housing providers are absolutely within their rights to focus first on establishing the legitimacy of the requesting party's disability status," and allows housing providers to inquire about the following: • The general location and duration of care; • Whether the verifier is accountable for acts of misconduct; • Whether the verifier has specialty training; • Whether the verifier is recognized by consumers, peers, or the public as a credible provider of therapeutic care.
What All This Means For You
Go ahead, google "Phoenix, Arizona emotional support animal letter," and review the first page of search results. Chances are you're going to run into trouble with nearly all of those vendors.
Pro-tip: We know of an ESA website that's operated by a convicted child molester.
They're probably going to sell you an ESA letter based on a non-existent relationship. If you're wicked lucky, you'll have a therapist who practices within your state. You'll save time as your therapist won't even bother to call, won't reach out to you, they will merely assess your "needs" based on that cheesy exam you completed.
By the way, about that exam, you know — the one you might have poured your heart into answering … maybe chronicled some deep secrets you'd like to keep, well, secret — remember that?
Before you provided intimate personal details, did you bother to read the site's privacy policy?
- Are they complying with federal HIPPA regulations? Are they guarding your information against hacking? Are they even secure?
- Do they look like someone you'd trust with your darkest secrets?
- Do you know who now owns your protected health information? Any ideas? Are they even located in the US?
If it's starting to have an "ah ha" moment, or worse, now's the time to wonder how your protected health information was stored, saved, and accessed.
Imagine it appearing on the Dark Web for sale.
That is not how we do business at ESADoggy.
We connect individuals struggling with the challenges of life with licensed mental health professionals. All across North America, people rely upon our service to help them qualify for legitimate emotional support animal letters.
We have therapists in every state. Over 300 therapists and counting, with plans to add another 500 by year's end.
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Our therapists offer personal, face-to-face interactions and meetings.
We'll connect you with a therapist who is literally within "arm's reach."
We'll rigorously safeguard your protected health and credit card information using the best technology available.


text:
Dad's Easy Spray Paint, Stain, Sealer & Varnish Remover
Take what was old...and make it new again!
For over 30 years, Dad's Easy Spray has been the best friend of hobbyists and professionals alike.
Dad's Easy Spray is the handyman's secret that father's have passed on to their sons, and industry-masters passed on to their apprentices. The reason for this is simple...Dad's is the industry's best paint, stain and varnish remover!
Dad's Easy Spray is the fastest-acting and easiest-to-use paint, stain and varnish remover that strips ALL finishes from wood, metal, masonry, glass and more. Over 25 years of research and testing has resulted in the fastest working, most versatile and easiest to use stripper available on the market today. It's special ingredients have been uniquely blended to provide a superior product that gels when sprayed on, creating the ideal environment for paint, stain and varnish removal.
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Dad's is fast-acting, quickly penetrates multiple paint layers.
Dad's is a liquid, yet jells when applied with special sprayer.
So get DAD'S EASY SPRAY and turn your project into something new today!


text: A development tool is a kind of software that aids in the formation of new software. It is basically a program or application that software developers use to construct, debug, uphold, and support other programs and applications. A development tool provides a medium or a platform where a developer can write the code in order to give shape to its software. The developer first needs to build up a structure of the software to be developed and then write application programs. Some of the examples of development tools are Compilers, debuggers, visual programming tools, GUI builders, application generators etc.


text:
Pack of largactil suppositories, London, England, 1970-1985
Schizophrenia and acute psychotic states are among disorders treated by 'Largactil'. This is the brand name for chlorpromazine hydrochloride, an antipsychotic drug. It is known in the US as Thorazine. It is one of the oldest drugs of this type, first prescribed in the mid-1950s. Chlorpromazine hydrochloride can be administered in different forms. These include injection, suspension, tablet, or by suppositories such as these. It has a sedative effect without causing stupor or confusion. It also has an antidepressant effect. It can treat severe anxiety. However, it can have serious side effects. The patient must be weaned off the drug slowly. This pack of 100mg Largactil suppositories was manufactured by May and Baker Limited.
Object number:
Related Themes and Topics
Related Objects
There are 1076 related objects. View all related objects
Glossary: suppository
No description.
Glossary: psychotropic drug
A term used to describe drugs that affect mood and the mind.
Glossary: drug
Any animal, vegetable, or mineral substance used in the composition of medicines. They affect the structure or function of a living organism.
Glossary: schizophrenia
A mental disorder that has symptoms of delusions, hallucinations and a loss of a sense of self and relationship to the external world that lasts over a long period of time (more than six months).


text:
"Questions for 'Bible Christians'" is a list of over 30 questions about tradition and the Bible that shows the superiority of the Catholic Church and the impossibility of Sola Scriptura. These are questions the Protestants cannot answer.
"Primer on the Mass" is a short paper describing the Mass so you can help your non-Catholic friend understand a bit of the biblical nature of the Mass and to demonstrate the earliest Christians celebrated Mass the same way we do today.
For many, many more such documents and things on the Bible and the Catholic Church to help you learn to defend and explain the faith, visit my Documents page.
HAVE QUESTIONS? Join my Message Board for 24 hour a day discussion and help at Defenders of the Catholic Faith Discussion Forum. It is free and easy to register and we would love to have more Indian members!


text:
Reviewing the debate on TV: Paging Jim Lehrer ...
Apparently, Jim Lehrer thinks the best moderator is no moderator at all.
Of course, considering Wednesday night's first presidential debate was the 12th presidential or vice presidential debate Lehrer has moderated since 1988, it's likely that he knew most of his efforts to move the candidates off their talking points were going to fail. Which might be why, fairly quickly in, he seemed to give up.
He asked President Obama and Romney to stick to the questions asked. They didn't. He asked Romney, after the first statement, to ask President Obama a direct question. He didn't. He objected to Mitt Romney taking the last word on the first question. He took it anyway. He told President Obama his time was up. He took more time.
He asked them both, at the start, to stick to the limits set. And then he, and they, acted as if the limits didn't exist.
Twitter:Celebs react to debate and @SilentJimLehrer account is born
Clearly, Lehrer lost control, early and often. But just as clearly, he had a goal beyond presiding over a tightly structured debate -- which was to stay out of the way as much as possible and make the candidates run the debate themselves. And for better or worse, that goal he largely achieved.
"We're way over our first 15 minutes," Lehrer said at around the 20-minute mark, as the men continued to talk around the first question -- which was supposed to be about jobs and moved on to taxes and the budget before cycling back, sort of, to jobs. That was all right, Lehrer said, because the discussion was still about the economy. It just wasn't about that part of the economy he had asked them to discuss.
Of course, you could forgive the candidates and viewers alike for forgetting exactly what Lehrer's vague, open-ended question was from segment to segment -- which is what happens when the moderator seems to float with the tide. As a drinking game, you could count how many times one of the candidates talked over Lehrer, or how often Lehrer was reduced to sputtering "but" or "OK" or "no, no, no." Or you could just count how many times Lehrer asked Romney if he supported vouchers for Medicare before he seemed to just give up on getting an answer.
To be fair, the format put Lehrer in an almost impossible situation. If you give the candidates free rein, as he pretty much did, you end up with a debate that wanders, sometimes incomprehensibly, from surface point to surface point. If you step in too often, you risk grabbing the focus at an event that is supposed to be centered on the two candidates -- and you get slammed as biased by whichever candidate suffers under your tighter control.
Still, some control might have been nice. Perhaps Lehrer can keep that in mind if a 13th debate comes his way.


text:
Grand Theft Auto: San Andreas – Playback FM Song Lyrics
Playback FM Song Lyrics by x icicle x
Version: 1.0 | Updated: 11/24/04
A guide to the lyrics of Playback FM
By Icicle
+ _ __ __ ____ _______ ______ +
+ | | \ \ / / | _ \ |__ __| | __ | +
+ | | | | | __ \ | | | | _ +
+ | |____ | | | | \ \ __| |__ | |__| | +
+ |______| |_| |_| \_\ |_______| |______| +
+ ______ _ _ _______ _____ ______ +
+ / _____| | | | | |__ __| | __ \ | ____| +
+ | | ___ | | | | | | | | \ \ | |___ +
+ | | |_ \ | | | | | | | | | | | ___| +
+ | |___| | | |__| | __| |__ | |__/ / | |____ +
+ \______/ |______| |_______| |_____/ |______| +
+ +
(Contains Some Mild Lyrics)
Before I even get started, feel free to email me at any time!
icicle69 @ gmail.com (no spaces)
Guide Written By: Icicle (Jack)
Email: icicle69 @ gmail.com (no spaces)
Last Updated: November 22, 2004
Guide Started: November 22, 2004
Version: 1.0
Copyright 2004 Icicle
1. Version History
2. Introduction
4. Legal Junk
5. Lyrics
7. Contact Info
8. Thanks
1.0 (November 22, 2004) Hi guys, I just wanted to get this guide up to help
anyone who wanted to know the lyrics to Playback FM!
I already have all the songs up, so I'm not sure
if I can update this guide any further. But I had
fun making it, so I hope I helped someone out. ^_^
Hey guys, first off I just wanna thank you for using my guide, and actually
reading the introduction ^_~ Playback FM is a hip-hop radio staion on Grand
Theft Auto: San Andreas. So my names Jack, and I love GTA: SA! I really like
Playback FM, so thats pretty much why I wrote this guide. You'll notice that I
use lots of faces in my guide, so GET USED TO IT =P You can also email me
questions, comments, and really almost whatever you want, I feel important
whenever I get an email =D
The only sites that can legally use this guide as of now is:
If any other site is using this guide, they are copyright infringing.
No other site may use this guide without MY permission.
This guide is unofficial; I am in no way affiliated with Rockstar,
Rockstar North, or any of their affiliates.
Grand Theft Auto: San Andreas Copyright 2004 Rockstar Games Inc.
All Lyrics, Songs, etc. copyright their owners; I am in no way affiliated
with any of the artists mentioned in this guide. Lyrics provided for
educational purposes only.
Lets get to the main part of this guide... the lyrics!
1. Title: (Road to the Riches)
Artist: (Kool G)
When I was five years old I realized there was a road
At the end I will win lots of pots of gold
Never took a break, never made a mistake
Took time to create cos there's money to make
To be a billionaire takes hard work for years
Some nights I shedded tears while I sent up prayers
Been through hard times, even worked part time
In a ?seafood? store sweepin floors for dimes
I was sort of a porter takin the next man's order
Breakin my back for ?a shack for headquarters?
All my manpower for four bucks an hour
Took the time, I wrote rhymes in the shower
Shoes are scoffed cos the road gets rough
But I'ma rock it til my pockets ain't stuffed enough
All the freaks wouldn't speak cos my checks was weak
They would turn the other cheek so I started to seek
A way to get a play, and maybe one day
I'll be performin up a storm for a decent pay
No matter how it seems I always kept the dream
All the girlies scream and suckas get creamed
Dreamed about it for five years straight
Finally I got a break and cut my first plate
The road ain't yellow and there ain't no witches
My name is Kool G Rap, I'm on the road to the riches
I used to stand on the block sellin cooked up rock
Money bustin out my sock cos I really would clock
They were for kind of fiends bringin jackets and jeans
Magazines, anything, just to hustle for beans
The cash was comin fast, money grew like grass
People hungry for the blast that don't even last
Didn't want to be involved but the money will getcha
Gettin richer and richer, the police took my picture
But I still supplied, some people I knew died
Murders and homicides for bottles of suicide
Money, jewelry, livin like a star
And I wasn't too far from a Jaguar car
In a small-time casino, the town's Al Pacino
For all of the girls, the pretty boy Valentino
I shot up stores and I kicked down doors
Collecting scars from little neighborhood wars
Many legs I broke, many necks I choked
And if provoked I let the pistol smoke
Loyal members in a crew now down with the game
Sellin nickels and dimes, sunshine or rain
What I had was bad from my shoes to my pad
In the first time in my life loanin money to dad
Now the table's turned and my lifestyle switches
My name is Kool G Rap, I'm on the road to the riches
?A thug a-mugs? for drugs, he eventually bugs
Lookin for crack on carpets and rugs
?The squealers tells? but the dealer still sells
Little spoiled kids inheritin oil wells
I was the type on the opposite side
Of smokin the pipe, in a beef I got hype
Cos rags to riches switches men to witches
Become stitches, body bags in ditches
Bloodshed, I painted the town red
People fled as I put a dread's head to bed
That mean's dead, in other words deceased
Face got erased, bullets got released
Bombs were planted, the kids were kidnapped
In fact that was a way to get back
At enemies who tried to clock G's
on my block, now they forever knock Z's
Plans of rampages went for ages
Some got knocked and locked inside cages
Some bit the dust for crumbs and crusts
In God We Trust, now rots to rust
Plus caps to cops, policeman drops
You blew off his top when the pistol went pop
Troopers, soldiers, rollin like boulders
Eyes of hate and their hearts get colder
Some young male put in jail
His lawyer so good his bail is on sale
Lookin at the hourglass, how long can this power last?
Longer than my song but he already fell
He likes to eat hardy, party
Be like John Gotti, and drive a Maserati
Rough in the ghetto, but in jail he's Jello
Mellow, yellow fellow, tell or hell, hello
One court date can turn an outlaw to an inmate
But just ?stay?, ship him upstate by the Great Lakes
And than a-wait and wait and wait
Til he breaks, that's all it takes
So he fakes to be a man, but he can't stand
On his own two feet because now he's in a new land
Rules are different and so is life
When you think with a shank, talk with a knife
Not my lifestyle so I made a U-turn
More money I earn, more money to burn
Pushin all buttons, pullin all switches
My name is G. Rap, I'm on the road to the riches
2. Title: (Warm It Up Kane)
Artist: (Big Daddy Kane)
Come, get some, you little bum
I take the cake but you can't get a crumb
from the poetic, authentic, superior
Ultimate - and all that good s**t
I'm the original, Asiatic, acrobatic
There you have it, now get dramatic
Creatin drama when I'm on the scene
And I pack em in mean, like Bruce Springsteen
I profile a style that's mild and meanwhile
put on trial a rap pile to exile
Make you tumble and stumble, in a rumble just CRUMBLE
And I'm still calm and humble
You need another helpin hand to swing on
I stand alone, but still you gotta bring on
your Batman and Robin, Cagney and Lacey
Starsky and Hutch, but they still can't face me
And if may make this one thing here clear
that's for you not to come near, PERIOD
So I ain't buggin or delirious
My swift tongue's like a sword, that's how severe it is
And I can slice and dice a Fisher Price MC
that thought he was nice into Minute Rice
Single-handed, I ain't with that band stuff
Cause Cee'll scratch a record like flakes of dandruff
And the mic I ravage, not like a savage
but in my own way of doin damage
As I design the genuine line
Now who flattop rules in eighty-nine?
Warm it up, Kane (16 times)
Take two other men with soul that you probably know
Deadly as Scarface, but bright as the Cosby show
Don't attack rappers, but make everyone hush
They step to me, but can't stop the bumrush
I make material, rich and imperial
The unique technique I speak is all original
You like to sag and drag and gag
Same old same old, but Poppa's Got a Brand New Bag
So put the mic down boy, you can't work it
Due to wack lyrics, it's bout to short circuit
So toss the sauce across to the boss, no remorse
You lost, with force, of course, a holocaust
First I caught ya, then put ya through torture
You moved wrong my son, so I taught ya
Just like a guardian, that put your body in
the mood to groove with the smoove way that I'm partyin
Competition may find it spectacular
Scheme and fiend to take a bite like Dracula
and waste the taste, cause ain't no sugar here
So come near if you dare, you BOOGA BEAR
You start hallucinatin like Magic
The wrath gets tragic, but Kane won't have it
Cause you tried to juice me when you're bluffin
Slowed the pace, so I had to start rushin
So pick a VC date, cause you're history
Here comes Kane Scoob Scrap Jay and Mister Cee
And this is one thing to us we ain't new to
The crew'll cast a spell on the crowd just like voodoo
I'm the man you can't hold back
and all competition appears to be weak
I meant to say wack, a vision of blur
Just them thinkin I'm competitin, I say, "Huh!"
Warm it up, Kane (16 times)
Genuine for eighty-nine, you know what I'm sayin?
As I give a shout out to my man Tony A
Tony P, Sally Sal and the whole Libra Digital posse
Can't forget my man Yawnski
and Smooth the Barber, you know what I'm sayin?
Also, I gotta say whassup to Born True, B-Boy,
and my man big Jay Cee
The whole rest of the crew, Scoob Lover my brother
Scrap Lover, and DJ Mister Cee
Can't forget Supreme, Abu, MelQuan and Shabazz
Wally D, and the rest of the brothers
and of course my little brother the Little Daddy Shane
Manditory end of the story, you know what I'm sayin?
3. Title: (The Godfather)
Artist: (Spoonie Gee)
I'm the godfather... of rap
Well let's get this straight, there's no contest
So now you people know don't have to guess
I'm not tha king of rap, not lord, not prince
I was a young kid rapper that I've been rapping ever since
I was just a young bub, I didn't care what mc's did
Before ??? cause I'm the godfather
I caught silly young ladies, two just chilled
They never said no to me - always say that they will do
Whenever I want them to - when I confront them to
Watch where ya're walkin', or just might browl to
I never rule them, I only school them
But if they ever try to fool me
That's when I foo them
I'm tha godfather
Long time to be chillin', just to make money
I rapped on stage, check my voice for your honey
Cause I'm rappin', and I'm not stoppin'
MC baby, who love stand hip-hopin'
so don't tease me, just kiss me
If ya already had a pimp, ya gonna miss me
I'm just a brother so what's upsaid
Cause it's a pretty ladies, I mean top like this
Ya know I'm the godfather
They say that I'm an mc some say that I'm a proud
I changed my style people just didn't know it yet
I had to tell them I might kill them
you mess with me I'm sick your ass then swell them
Woah like on the phone, I'm 'bout to take charge
At the station for the new car in my garage
They want to cruise me, they don't move me
See my bankroll they want to try to use me
But I'm no fool never losin' my cool
But for me to darkness I make the young ladies drool
I'm not braggin' tellin' you what I'm about
Young ladies no babies and marriage bout
But if you insist you can't convince your house are mine
Night or day we'll be fine
So let's get with it, so that I can't hit it
After an hour or two me and you can just quit it
I'm the godfather
There's no need to be smokin' when the fire is out
So take your hand off your hip and let's work out
No leanin' on the wall no standin' around
So are you ready (for what ?!) for the beat in me now
Because people can't see me so people want to be me
Pretty young ladies want L Blue Spoon
The beat so fair so ate 9 o'clock in the morning
If they're playin' they'll call the cops cause I'm the godfather
I'm the godfather
You got rockin' beat no stoppin' beat
Some roars have things pumpin' beat
All the rest of my time Jerry knows my side
I'm so dip that's why I keep all girls in your mind
I'm not dedicate this at the top of this
Say cool you bring, don't break the rules if you wanna get this
Respect me brother rapper recorded on the show
Ya could stare, cause I don't care it's just long you know
I'm the godfather
Now you be jumpin' your heart will be thumpin
Intendin' rappin', swearin' hip hopin'
Off your face, all know the place
Easely scatty standin' in pace
Don't stand around, your face road in my clan
This is the season no prisonner can't get down
So get all the world, let's up these words
Boogie down to the beat just give it to y'all
No need to get hot money dispenser
You can't have a good time cause it's so danger
I'm the godfather... of rap
4. Title: (Me and the Biz)
Artist: (Master Ace featuring BizMarkie)
(Master Ace)
Awww yeah! Uh, uh huh
One two, microphone check one two
Microphone check one two, mircophone check one two
Tell you what I'm gonna do
On and on and on is how the beat goes
So sell the British Walkers and cut the afros
And dance till the feeling is gone in your toes
I wear shorts in the summer, Timberlands when it snows
Sometimes I like to chill, sometimes I like to mingle
Sometimes I get the fever for the flavor of a single
Sexy young slimmy, but not too young, though
That's because Jimmy might end up on death row
Now this here jam is like a special kind of song
It's not too short, but then again it's not too long
I brought someone with me, someone you might know
He's bound to wreck your body from the tip of your toe
All the way up to your last hair folicle
(Biz Markie)
Hey hey hey, it's me the diabolical
Yes, y'all and, it's time for me to fall in
To a funky beat to make you have a ball and
Jump, make you move your rump on the floor and like pump
C'mon don't be a chump, I see four and maybe five
Live party people but the rest did not survive
(Why?) They had a cardiac arrest
Now rocking microphones is something I do daily and
Making people dance like if I was Albert Alien
People just love it when the Biz starts to play
With my (beatboxing), and by the way
Skeezing with a girl is something I get tricky
And I'm the sneaky type to like slip a girl a Mickey
And I live the type of life that's far from affordable
Standing on the corner calling cuties on the portable
Me and Master Ace is FONKY (Word to Miz)
Yo, who is it Ace? (It's me and the Biz)
It's me and the Biz (Repeat 4 times)
(Biz Markie)
Yo Ace, I got an, um, question
Excuse me brother, but can you spare a dime?
(Master Ace)
Naw, but if you want, I can kick a funky rhyme
All I need is a groove that's as smooth as a harp and
I'm ready to talk nuff s**t like Al Sharpton
I take the stage and engage in a page and
My name is Master Ace and 22 is the age
(Biz Markie)
Yo, I'm the B-I-Z M and, like a lot of women
Bought a new car because the first one was a lemon
Oochie Louie Findy, me and Sexy Cindy
Riding around the block as if I was in the Indy
Everybody pointing cause I am the joint and
They know it's me, because I'm the B-I-Z
Sometimes I lie in bed all day and think about my life
Should I just kick rap and settle down with kids and a wife?
And get a regular job where I'm working 9 to 5
S**t, I'm the Biz and it's great to be alive
(Master Ace)
I'm making crazy hits, a winner never quits
So those that used to diss me in the past are having fits
But I just sit back and kick my feet up on the table
Cause I'm able to rock a crowd without a cable
Or a Cuban Link and (Yo, Lincoln wasn't Cuban!)
So I still produce Def Jams like my name was Ricky Rubin
M-A-S-T-E-R and this ain't store bought hip-hop from a jar and
It sure ain't Stephanie Mills playing Dorothy in the Wiz
It's me and the Biz
It's me and the Biz (Repeat 4 times)
(Master Ace)
I'm a 100% proof and rag on the roof and
Pulling crazy cuties without a gold tooth
Wilding, styling, this land is my land
(You're a) prisoner to my music like you was on Riker's Island
A slim, soft-spoken brother from the ghetto
My name is Master Ace and I thought that you should know
You run your rhymes like a horse and force
Extra booty lyrics on the crowd like you're the boss
I think you'd better keep them to yourself
Do it for yourself, put your lyrics back up on the shelf
Now I'm going to pass it to the B-I-Z M-A-R-K-I-E
Cause I know you want to see him
(Biz Markie)
Ah one two, one two, this is what I'm gonna do
Keep the place jumping, get it wild like a zoo
If anyone can do it, the B-I-Z can
Peace to Marley Marl, Tagedy, and MC Shan
And my cousin Cool V and, TJ Swan E and
The Jungle Brothers swinging from a tree and
EPMD and, Nice and Smooth B and
MC Craig G and, Just I-C-E and
The list goes on and on and on and on
I go to Dapper Dan or Bennaton
Hey hey, I got some shoutouts, I know you all bought my new album
I know everybody in Brooklyn bought it
Everybody in Jersey bought it
Everybody in uptown bought it
Eveerybody in Philidelphia and California and Florida bought my new album
I'm Biz Markie, I'm down with my cousin Cool V, TJ Swan, Marley Marl...
5. Title: (Children's Story)
Artist: (Slick Rick)
Uncle Ricky, will you read us a bedtime story?
Please, huh, please?
Allright, you kids get to bed, I'll get the storybook.
Ya'll Tucked in?
Here we go...
Once upon a time,
Not long ago,
Where people wore pajamas and lived life slow,
Where laws where stern and justice stood,
And people were behavin' like they ought to - good,
There lived a little boy who was misslead
By another little boy,
And this is what he said:
"Me and you tike, we're gonna make some cash",
"Robbin' old folks and makin' the dash",
They did the job,
Money came with ease,
But one couldn't stop!
It's like he had a disease,
He robbed another and another,
And a sister and a brother,
Tried to rob a man who was a D.T. undercover,
The cop grabed his arm,
He started actin' eratic,
He said:
"Keep still boy, no need for static",
Punched him in his belly and gave him a slap,
But little did he know,
The little boy was strapped,
The kid pulled outta gun,
He said:
"Why'd you hit me?"
The barrell was set straight for the cop's kidney,
The cop got scared,
The kid, he starts to figure:
"I'll do years if I pull this trigger",
So he cold dashed,
And ran around the block,
Cop radios in to another ladie cop,
He ran by a tree,
There he saw the sister,
Shot for the head,
He shot back but he missed her,
Looked 'round good,
And from excpectations,
He decided he'd head for the subway stations,
She was comming and he made a left,
He was running top speed,
Till he was out of breath,
Knocked and old man down,
And swore he killed him,
Then he made his move to an abandonded building,
Ran up the stairs up to the top floor,
Opened up a door,
There guess who he saw?
Dave! The dope fiend shootin' dope,
Who don't know the meaning of water nor soap,
He said:
"I need bullets, hurry up, run!",
The dope fiend rolled back a spankin' shot gun!
He went outside but there were cops all over,
THen he dipped into a car;
A stolen nova,
Raced up the block doin' 83,
Crashed into a tree,
Near University,
Escaped alive,
Though the car was battered,
And all the cops scattered,
Ran out of bullets,
And he still had static,
Grabbed the pregnant ladie,
And pulled out the automatic,
Point it at her head,
He said the gun was full of lead,
He told the cops:
"Back off, or honey here's dead",
Deep in his heart,
He knew he was wrong,
So he lets the ladie go,
And he starts to run on,
Sirens sounded,
He seemed astounded,
And, before long the boy got surrounded,
He dropped his gun,
So went the glory,
And this is the way I have to end this story,
He was only one teen in a madman's dream,
The cops shot the kid,
I still here him scream,
This ain't funny,
So don't ya' dare laugh,
Just another case about the wrong path,
Straight and narrow,
Or your soul gets cast,
6. Title: (Rebel Without a Pause)
Artist: (Public Enemy)
Yes - the rhythm, the rebel
Without a pause - I'm lowering my level
The hard rhymer - where you never been I'm in
You want stylin' - you know it's time again
D the enemy - tellin you to hear it
They praised the music - this time they play the lyrics
Some say no to the album, the show
Bum rush the sound I made a year ago
I guess you know - you guess I'm just a radical
Not a sabbatical - yes to make it critical
The only part your body should be parting to
Panther power on the hour from the rebel to you
Radio - suckers never play me
On the mix - just O.K. me
Now known and grown when they're clocking my zone it's known
Snakin' and takin' everything that a brother owns
Hard - my calling card
Recorded and orderd - supporter of Chesimard
Loud and proud kickin' live next poet supreme
Loop a troop, bazooka, the scheme
Flavor - a rebel in his own mind
Supporter of my rhyme
Designed to scatter a line of suckers who claim I do crime
Terminator X
From a rebel it's final on black vinyl
Soul, rock and roll comin' like a rhino
Tables turn - suckers burn to learn
They can't dis-able the power of my label
Def Jam - tells you who I am
The enemy's public - they really give a damn
Strong Island - where I got 'em wild and
That's the reason they're claimin' that I'm violent
Never silent - no dope gettin' dumb nope
Claimin' where we get our rhythm from
Number one - we hit ya and we give ya some
No gun - and still never on the run
You wanna be an S.1 - Griff will tell you when
And then you'll come - you'll know what time it is
Impeach the president - pullin' out the ray-gun
Zap the next one - I could be you're Sho-gun
Suckers - don't last a minute
Soft and smooth - I ain't with it
Hardcore - rawbone like a razor
I'm like a lazer - I just won't graze ya
Old enough to raise ya - so this will faze ya
Get it right boy and maybe I will praise ya
Playin' the role I got soul too
Voice my opinion with volume
Smooth - no what I am
Rough - cause I'm the man
No matter what the name - we're all the same
Pieces in one big chess game
Yeah - the voice of power
Is in the house - go take a shower boy
P.E. a group, a crew - not singular
We were black Wranglers
We're rap stranglers
You can't angle us - I know you're listenin'
I caught you pissin' in you're pants
You're scared of us dissin' us
The crowd is missin' us
We're on a mission boy
Terminator X
Attitude - when I'm on fire
Juice on the loose - electric wire
Simple and plain - give me the lane
I'll throw it down your throat like Barkley
See the car keys - you'll never get these
They belong to the 98 posse
You want some more son - you wanna get some
Rush the door on a store - pick up the album
You know the rhythm, the rhyme plus the beat is designed
So I can enter your mind - Boys
Bring the noise - my time
Step aside for the flex - Terminator X
7. Title: (I Know You Got Soul)
Artist: (Eric B and Rakim)
It's been a long time, I shouldn't have left you
Without a strong rhyme to step to
Think of how many weak shows you slept through
Time's up, I'm sorry I kept you
Thinking of this, you keep repeating you miss
The rhymes from the microphone soloist
And you sit by the radio, hand on the dial, soon
As you hear it, pump up the volume
Dance wit the speaker 'till you hear it blow,
Then plug in the headphone 'cause here it go
It's a 4 letter word when it's heard, it control
your body to dance (You got it) soul,
Ditects the tempo like a red alert
Reaches your reflex, so let it work
When this is playing, you can't get stuck wit
The steps, so get set and I'm a still come up wit
A gift to be swift, follow the leader, the rhyme will go
Def wit the record that was mixed a long time ago
It can be done but only I can do it
For those that can dance and clap your hands to it
I start to think and then I sink
Into the paper like I was ink
When I'm writing, I'm trapped in between the lines,
I escape when I finish the rhyme...
I got soul
You got it (4 times)
I know you got soul
Picture a mic, the stage is empty
A beat like this might tempt me
To pose, show my rings and my fat gold chain
Grab the mic like I'm on Soul Train
But I'll wait 'cause I mastered this
Let the others go first so the brothers don't miss
Eric B. break the sticks (you got it)
Rakim will begin when you make the mix
I'll experiment like a scientist
You wanna rhyme, you gotta sign my list
'Cause I'm a manifest and bless the mic I hold
You want it next? then you gotta have soul
'Cause if you ain't got it, I'm a make an encore
Take the mic, make the people respond for
The R, 'cause that's the way it'll have to be
If you wanna get on after me
Think about it, wait, erase your rhyme
Forget it and don't waste your time
'Cause I'll be in the crowd if you ain't controlling it
Drop the mic, you shouldn't be holding it
This is how it should be done
This style is identical to none
Some try to make it sound like this but you're getting me
So upset that I'm wet 'cause you're sweating me
I drip steam like a microphone fiend
Eager to MC is my theme
I get hype when I hear a drum roll
Rakim is on the mic and you know I got soul
You got it (5 times)
I got soul (you got it) that's why I came
To teach those who can't say my name
First of all, I'm the soloist, the soul controller
Rakim gets stronger as I get older
Constant elevation causes expansion
I write my rhyme while I cool in my mansion
Then put it on tape and in the city I test it
Then on the radio the R's requested
You listen to it, the concept might break you
'Cause almost anyone can relate to...
Whoever's out of hand, I'm give him handles
Light 'em up, blow 'em out like candles
Or should I just let him melt?
Then give him a hand so they can see how it felt
I'm not bold just cuz I rock gold
Rakim is on the mic and you know I got soul
You got it (4 times)
Now I'm a stop to see what you got
Get off the mic before I get too hot
I want to see which posse can dance the best
It should be easy 'cause the beat is fresh
Now if your from Uptown, Brooklyn- bound,
The Bronx, Queens, or Long Island Sound,
Even other states come right and exact,
It ain't where you're from, it's where you're at
Since you came here, you have to show and prove
And do that dance until it don't move
'Cause all you need is soul self-esteem will release,
The rest is up to you, Rakim 'll say peace
You got it (10 times)
8. Title: (It Takes Two)
Artist: (Rob Base and DJ EZ Rock)
It takes two to make a thing go right
It takes two to make it outta sight
Hit it!
I wanna rock right now
I'm Rob Base and I came to get down
I'm not internationally known
But I'm known to rock the microphone
Because I get stoopid, I mean outrageous
Stay away from me if you're contagious
'Cause I'm the winner, no, I'm not the loser
To be an M.C. is what I choose 'a
Ladies love me, girls adore me
I mean even the ones who never saw me
Like the way that I rhyme at a show
The reason why, man, I don't know
So let's go, 'cause
It takes two to make a thing go right
It takes two to make it outta sight
Hit it!
My name is Rob, I gotta real funky concept
Listen up, 'cause I'm gonna keep you in step
I got an idea
That I wanna share
You don't like it? So what, I don't care
I'm number one, the uno, I like comp
Bring all the suckers 'cause all them I'll stomp
Bold and black but I won't protect
All of my followers 'cause all I want is respect
I'm not a doctor, put them in rapture
A slick brother that can easy outfox ya
Cause I'm Rob, the last name Base, yeah
And on the mike, I'm known to be the freshest
So let's start, it shouldn't be too hard
I'm not a sucker so I don't need a bodyguard
I won't fess, wear a bulletproof vest
Don't smoke buddha, can't stand sess, yes
It takes two to make a thing go right
It takes two to make it outta sight
Hit it!
The situation that the Base is in
I'm kinda stingy that's why I don't wanna lend
A funky rhyme to a foe or a good friend
But listen up 'cause I want you to comprehend
'Cause I'm the leader, the man superior
I take care of ya and then ya get wearier
So just sit, my rhymes arenot counterfeit
The record sells which makes this one a hit
It won't hurt to listen to Red Alert
Take off your shirt
Make sure it don't hit the dirt
I like the kids--the guys, the girls
I want the ducats 'cause this is Rob Base's world
I'm on a mission, ya better just listen
To my rhymes 'cause I'm all about dissin'
It takes two to make a thing go right
It takes two to make it outta sight
Hit it!
I stand alone, don't need anyone
'Cause I'm Rob, just came ot have fun
Don't need friends that act like foes
'Cause I'm Rob Base, the one who knows
About things that make ya get weary
Don't cheer me, just hear me
Out 'cause I got the clout--shout (Ho!)
Before I turn the party out
I won't stutter--
Project my voice, speak clearly
So you can be my choice
On stage or on record
Go to the Wiz and select it
Take it off the rack, if it's wack put it back
I like the Whopper, f**k the Big Mac
If you want static, so let's go
So, throw upyour hands
Go for what you know
Bro', I got an ego
Yo, talkin' to me? No
'Cause Rob is in the front, EZ Rock is on the Back up
We're not soft, so you better just slack up
'Cause I'm cool, calm just like a breeze
Rock the mike with the help of EZ
Rock on the set, the music plays
Only cuts the records that I say
It takes two to make a thing go right
It takes two to make it outta sight
Hit it!
All right, now, EZ Rock
now, when I count to three
I want you ot get busy
You ready now?
One, two, three, get loose now!
It takes two to make a thing go right
It takes two to make it outta sight
Hit it!
9. Title: (B.Y.S.)
Artist: (Gang Starr)
I'm like a sniper rhymes'll strike ya when I'm rockin
mad chicks be jockin' when the G Starr's talking
And that's because my word is bond
I get much fan mail and I always respond
So tell your hon to write me too
make sure she puts attention Mr. Guru
Brothers know the flow is unique
I got 100 wild styles in my black valise
MC's wanna be me so they keep askin
for me to teach 'em methods both slow and fast
And others wanna act as if they're better
but they only got one style which ain't all that clever
I'm cooler than wind, harder than cold steel
I get the ladies with more than just sex appeal
A mystic psychic scanning all your thoughts
I'll touch your soul and make your brain feel caught
When my rapture traps ya and makes you mine
You'll submit to the gift and to the lyrical lines
So suckers realize that the size is too large
when I come through I'm pullin' whole crews cards
I be wreckin' correct and on the gangster tip
MC's who front: Imma' gonna burst your s**t
I wonder do you love it enough
I'm steppin' rugged and tough, never to front or to bluff
I got the fresh cut baldy, the brothers call me
Guru the man yes with all the
J-A-Z-Z-Y type essence, street type lessons manifesting
the one who make the fly ladies feel pleasant
Never forgettin' that to myself I'm true
do what you want to but watch yourself though 'duke'
I don't wanna hear all of that loud mouthing
try to pull yours out when nothing comes out
Then you'll see why you can't compete with me
the notorious Guru of the Gang you see
Starr stands for power like I said before
I'm like the doctors cure slicker than Roger Moore
I slide up to a crab MC like this
tap 'em in the head with my mic like this
I'll be revealing that you're weak to the world if you wish
And I insist that if you persist
then you get creamed, cuz Imma' get real steamed
so don't you try to flex and try to look all mean
Heyo check it that's dead that's it
cuz all you phony ass rappers Imma' bust your s**t
Now when you see me on the set you know I may unleash
a lyric like a mad dog barking through the speaker
Step off unless you wanna get torn up
your raps worn out burned out f**ked up
You locked up or maybe you locked out
cuz at the battle last time you snuck out
But now I'm rolling over you full blast
I'm here to let you know no longer will the bull last
MC's telling lies and poppin' all those myths
Keep on fakin' moves and Imma'...
10. Title: (The Vapours)
Artist: (Biz Markie)
Can you feel it
Nothin' can save ya
For this is the seaon of catchin' the vpors
And since I got time, what I'm gonna do
Is tell ya how to spread it throughout my crew
Wel you all know TJ Swan who sang on my records
Made the music, "Nobody Beats the Biz"
Well, check it
Back in the days before this began
He usually tried to talk to this girl name Fran
The type of female with fly Gucci wear
With big trunk jewelry and extensions in her hair
When Swan tried to kick it, she always fessed
Talkin' about "Nigger, please, you work for UPS"
Since he wasn't no type of big drug dealer
My man TJ Swan didn't appeal to her
But now he trucks gold and wears fly Valley boots
Rough leather fashions and tough silk suits
Now she stop frontin' an' wants to speak
And be comin' to all the shows
Every single weekend
To get his beeper number, she'd be beggin' please
Dyin' for the day to get skeezed
She caught the vapors (4 times)
I got another partner that's calm and plain
He goes by the name of the Big Daddy Kane
A mellow type of fellow that's laid back
Back in the days, he was nothin' like that
I remember when he used to fight every day
What grown-ups would tell him he would never obey
He wore his pants hangin' down and his sneakers untied
And a rasta-type Kango tilted to the side
Around his neighborhood, people treated him bad
And said he was the worst thing his mom's ever had
They said that he will grow up to be nothin' but a hoodlum
Or either injail or someone would shoot him
But now he's grown up, to their surprise
Big Daddy got a hit record sellin' worldwide
Now the same people that didn't like him as a child be sayin'
Can I borrow a dollar, ooh, you're a star now
They caught the vapors (4 times)
Now I got a cousin by the name of Von Lee
Better known to y'all as Cutmaster Cool V
He cuts scratch, transform with finesse
...(cuts and scratches)...and all that mess
Well I remember when he first started to rock
And tried to get his job in a record shop
He was in it to win it but the boss fronted
Said, "Sorry Mr. Lee, but there's no help wanted"
Now my cousin Von still tried on and on and on
'Til the like break of dawn
To put this j-o-b in effect
But they'd look right past him and be like "next"
Now for the year of '88
Cool V is makin' dollars so my cousin's like straight
He walks into the same record shop as before
And the boss'll be like, "Von, welcome to my store"
Offerin' him a job but naw, he don't want it
Damn it feels goo to see people up on it
'Cause I remember when at first they wasn't
Now guess what they caught from my cousin
The vapors
They caught the vapors (4 times)
Last subject of the story is about Biz Mark
I had to work for mine to put your body in park
When I was a teenager, I wanted to be down
With a lot of M.C.-deejayin' crews in town
So in school on Nobel Street, I say "Can I be down, champ"
They said no and treated me like a wet food stamp
After gettin' rejected, I was very depressed
Sat and wrote some def doo-doo rhymes at my rest
When I used to come to parties they'd make me pay
I'd have to beg to get on the mike and rap that day
I was never into girls, I was just into my music
They acted like I wanted to keep it
Instead of tryin' to use it
But now things switched without belief
"Yo, Biz, do you remember me from Nober Street, chief?
We used to be down back in the days"
It happens all the time and never ceases to amaze
They caught the vapors (4 times)
11. Title: (Brand Nubian)
Artist: (Brand Nubian)
(Puba) Now who comin with that hot s**t?
'Once again' BRAND NUBIAN!
(Puba) Who about to rock s**t?
'Once again' BRAND NUBIAN!
(Puba) Super splashy with that head knot
'Once again' BRAND NUBIAN!
(Puba) Seal it down cause it don't stop
'Once again' BRAND NUBIAN!
(Grand Puba)
Now as I blast off with my curricula, comin perpendicular
Watch me kill it when I spill it, top bill it, shine like acryllic
Actions manifest with the strategy of chess
Hit you with more retardedness than the seed born from incest
Since the scrotum I was that brother
Ripped a hole in my daddy's rubber
Swan dived into my mother
Left behind a thousand others
Caught one cat sittin in the egg, tossed him out he slid down the leg
Born months later, I come ridin down the escalator
The doctor tried to smack me but I caught him with a two piece
My pops said, 'Son you did it right, aww man my shorty tight'
Then he passed the brother a mic and ever since my flow been tight
Come on -- you gotta be kidding me if you think Brand Nu' lost a step
and if you do go get a late pass cause you cats done overslept
Over two thousand emcees attend school at Haji Prep
Brand Nubian brothers, A alike, B alike, plus we see alike
Cause ain't nuthin but that blazeness when these brothers touch the
(Jamar) Now who comin with that hot s**t?
'Once again' BRAND NUBIAN!
(Jamar) Who about to rock s**t?
'Once again' BRAND NUBIAN!
(Jamar) Super splashy with that head knot
'Once again' BRAND NUBIAN!
(Jamar) Feel it now cause it don't stop
'Once again' BRAND NUBIAN!
(Jamar) Now who comin with that hot s**t?
'Once again' BRAND NUBIAN!
(Jamar) Who about to rock s**t?
'Once again' BRAND NUBIAN!
(Jamar) Super splashy with that head knot
'Once again' BRAND NUBIAN!
(Lord Jamar)
The rap legend, never pushed a Legend, gripped the mic
with my bredderns, like Kryptonite we steal your powers
Like Black Steel in the Hour of Chaos we come back
to reveal the seventh seal, the drum track's the soundtrack
for war -- hardcore righteous, the nicest
Comin with advice that's priceless, to help the crisis
It was felt by some, you wouldn't like this
Now we got you strung like you sniffin that white bi*ch
Flippin the tongue, even at a high pitch, we run
s**t like diarrhea, we burn that ass like gonorrhea
You learn your past through the eyes of the overseer
Me, I earn my cash tellin the truth
They wanna make a felon out of every black youth
My nigga Stick Man got the cracked tooth, steady yellin
in the booth, we got big plans to make loot
Waitin for the seeds we plant to take root
(Sadat) Now who comin with that hot s**t?
'Once again' BRAND NUBIAN!
(Sadat) Who about to rock s**t?
'Once again' BRAND NUBIAN!
(Sadat) Super splashy with that head knot
'Once again' BRAND NUBIAN!
(Sadat) Feel it now cause it don't stop
'Once again' BRAND NUBIAN!
(Sadat) Now who comin with that hot s**t?
'Once again' BRAND NUBIAN!
(Sadat) Who about to rock s**t?
'Once again' BRAND NUBIAN!
(Sadat) Super splashy with that head knot
'Once again' BRAND NUBIAN!
(Sadat) Feel it now cause it don't stop
'Once again' BRAND NUBIAN!
(Sadat X)
I'm here seven nights a week, no charge, and for
two drink minimum, the Wild Cowboy number one
With them C-Town and Manhattan street pose
To they dancers on Thursday's for all the lost souls
Laid out in bed she offering, don't want the pussy
Fell for the hype but now I wanna stretch her
cause her convo is slow, there's a lot of s**t she don't know
But she young and firm, she'll learn
We hit them niggaz in the middle of the month, check day
And in a future life I will probably pay
But who's to say, cause I'm right here today, and death to spray
You wanna get some smoke see my man Jose
You want somethin stronger got to wait a little longer
From the Harley Houses to the Brasley Houses
To my City Park youth throwin rocks off the roofs
and my sons downtown, they don't give a f**k
Let the flames off from inside of the truck (BLOW)
My OT pipeline will stop your lifeline
12. Title: (Critical Beatdown)
Artist: (Ultramagnetic MCs)
(Kool Keith)
Well I'm the equalizer, known to be graphic
I clear static, breakin up traffic
Move, while I enter the groove
I'm on top, and happy to prove
to wack MC's who claim to be better than
No way I'm frankly more clever than
all of you, each and every one, my son
Pay close attention
I take your brain to another dimension
Hold it, mold it, shape it
You got a knife, yes I wanna scrape it
up and down, sideways, any way I can
be rude to you
But I'll rap and be crude to you
And eat up, toy ducks I beat up
I am the oven your brains I wanna heat up
Mega, supersonic degrees
I come around, roastin MC's
with fire, to burn the toy liar
Raw meat, turn the flame higher
Cook it, like a fish I'll hook it
For any beat, it's time that I took it
right, correctly to the top
with the rhythm and as your head bop
I'm hype, for the critical beatdown!
(Ced Gee)
I'm attacking them, my job is stacking them
For every rapper, must I be smacking them
once, or twice in the face
With rough beats, producin the bass
that blow out, cause power to go out
Inner spark, I'm ready to blow out
like this, altitude level
Reachin forth, stompin every devil
in sight, you might just wanna bite
My illusions, mental confusions
You're a mark, skulls I've been abusin
Losin, any rapper who follow me
Your girl loves me, now she wanna swallow me
Back up, move on to the rear
When I'm on the stage should be clear
Speakin, goin ear to ear
Places far, ducks would appear
for the countdown, so you wait to rhyme
and twist, stuttering, uttering
Parkay, margerine, everything butter
and another thing, you shoulda been a Muppet
A toy boy, a fake scream puppet
I'm takin titles, and punks better up it
to me, Ced Gee on the mic, and I'm hype
for the critical beatdown!
(Kool Keith)
Here's the K, combined the double-O
Swing in the L, I'm ready to go
as Keith, Rap General Chief Executive
plus exquisitive
Mandatory, capital statements
I am the teacher, preaching what makes sense
Class, you wasn't able to pass
For any germ or lice who come last
I'm boric, high computing acid
Get off the mic and won't you please pass it
to me, for a one-two check
Give me a pound and lots of respect
No hands, you dissapointing my fans
You on reverb, and talking to cans
Hello - how are you doing?
I come to wreck, and parties I'll ruin
with rhymes, pumpin up smoke
Diesel advances makin them choke
and cough up, the hard-headed I'll soften
spongee, then after that drink a ?
Roll the sess, the buddha with the ganji
Puff up, while I make tough stuff up
I'm Kool Keith, cold rippin MC's
I'm hype - for the critical beatdown!
You can email me with questions, comments, , all that good stuff, at
icicle69 @ gmail.com (no spaces). I really appreciate it whenever
someone emails me, so go ahead and knock yourself out =D
First off, thanks to YOU for using my guide ^_^ I would like to thank my
uncle, grandma, sist-- I mean rockstar, for making this game =P Thanks
for everything guys!
Copyright 2004 Icicle
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text:
1. A person with rude, clumsy manners and little refinement.
A couple of surprising attacks from Zloyrusskiy on my recent posts. I'm honour-bound to respond in kind.
Your problems with Perl programs is in not so good understanding of the language[sic]. Try to understand it[sic] principles or write your programs in python if deems[sic] more appropriate.
P.P.S. Author of post, Perl is not for you, it requires a sharp mind and intellect (and knowledge of the syntax of course). Write your programs in python and everything will be fine.
Dude, as one of the rare multilingual1 Engländers, I feel fully qualified in saying this: Your English is poor and unidiomatic. Despite this, I don't say "Stop speaking English. Try Russian mate, English clearly doesn't suit you". No sir. I hope you'll improve. The more people who speak English, the better [for me].
You can use your sharp mind and intellect to draw parallels with Perl.
Second example (about numbers) i never used in my life in any language =). I can not even imagine where this might come in handy, so you worry about this.
What do you mean here? You mean you have never used a language that protected you from adding a string to an integer? Python, Lisp, C++, Java (in fact any modern statically typed language) all do this automatically. Which languages have you used?
And you missed my point. I was saying that with subroutines in any languages, you can fix things about that language that you don't like. I used Perl for the examples, but I could have easily used C or Emacs Lisp, or Python.
Maybe I should be more explicit about what I'm trying to say. Or maybe it's just you.
I'm perfectly comfortable with the default behaviour of Perl hashes. And sometimes I'm fine with the fact that
1 + 'banana' == 1. But when I'm writing my nuclear reactor software, I like to protect against that type of error.
Thanks for the comments and for providing material for this post.
1. I can also get by in American and Australian


text:
August 21, 1993 - November 28, 1993
The Philadelphia Museum of Art will celebrate the art and craft of 20th-century millinery in the first major survey of its kind to be mounted in the United States. "Ahead of Fashion: Hats of the 20th Century" presents some 100 of the Museum's most spectacular women's hats, supplemented by an equal number borrowed from the costume collections of leading Museums throughout the country and private collectors.
October 23, 1993 - November 28, 1993
The "Museum Studies" program is designed as an ongoing series of new works and installations created by artists specifically for the Philadelphia Museum of Art. Sherrie Levine plans to exhibit six new sculptures in translucent white glass based on Brancusi's marble sculpture The Newborn in the Museum's collection.
July 24, 1993 - September 26, 1993
The Philadelphia Museum of Art presents for the first time in North America a retrospective of the work of Albert Renger-Patzsch (1897-1966), one of Germany's most influential photographers. The exhibition is comprised of approximately 120 photographs from important museum and private collections in Europe and the United States.
August 28, 1993 - September 9, 1993
William Anastasi has organized an installation of sixteen drawings which are exhibited along with recordings of the sounds that accompanied and were created by the drawing process.
July 15, 1992 - July 15, 1993
The three Japanese galleries on the second floor will be installed with paintings, sculpture, ceramics, lacquer, and metalwork acquired over the past five years.
April 18, 1993 - July 11, 1993
This exhibition is comprised of images from Sebastião Salgado's current project, devoted to the epic theme of "the end of manual labor." In these magnificent photographs taken throughout the world, Salgado has brought together an archeological view of the activities that have defined labor from the Iron Age through the Industrial Revolution to the present.
March 20, 1993 - June 27, 1993
This exhibition will examine every major aspect of Charles-Nicolas Cochin's career, from his early work showing the pomp and splendor of the French Rococo style, to his later shift to the Neo-Classic.
March 7, 1993 - June 13, 1993
In conjunction with Pissarro's Series, the Museum is mounting a focus exhibition on the theme of the city in late 19th and early 20th century French art.
March 7, 1993 - June 6, 1993
Impressionist painter Camille Pissarro (1830-1903) produced more than 300 views of Paris and the ports of Normandy, often painting several versions of a scene from the same spot in varying light and weather. For the first time since the artist's death, this exhibition assembles his finest paintings of turn-of-the-century French urban life and explores his particular vision in creating series of favorite subjects.
March 27, 1993 - May 30, 1993
Gertrude Käsebier (1852-1934) was a key figure in the American fine-art photography movement at the turn of the century. This exhibition of approximately forty prints, organized by The Museum of Modern Art, New York, surveys the range and variety of Käsebier's achievement, giving new emphasis to the work she made after 1910.
February 13, 1993 - May 16, 1993
This exhibition presents a small group of works by the American artist, Beatrice Wood, drawn from the Museum's collection of over sixty works and the collection of the Fabric Workshop. It celebrates the artist's one-hundredth birthday on March 3, 1993.
December 19, 1992 - February 14, 1993
Organized by the Society for Japanese Arts in the Netherlands, this exhibition of Yoshitoshi's work is presented in honor of the centennial of the artist's death. The foremost Japanese printmaker of the Meiji era, Yoshitoshi worked as a newspaper illustrator, achieving tremendous popularity.
November 29, 1992 - January 31, 1993
The exhibition will feature about ten works chosen from several of the Museum's departments, focusing on art's role in the process of mourning: its capacity to remind, to honor, to celebrate, to lament--in short, to memorialize. Art in Mourning is being organized as part of an annual nationwide commemoration of the shared loss due to AIDS.
November 1, 1992 - January 3, 1993
This exhibition represents a major mid-career retrospective of the American sculptor Martin Puryear. It surveys his work up to the present, focusing on forty of his relief and three-dimensional indoor pieces.


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Suggestions.Hello. I have to write a motivational letter to apply for a bachelor program in one of the European universities. I would appreciate if you could check my letter and correct the mistakes. Thanks in advance
Dear Sir or Madam,
My name is *** ***. I am a 19-year-old student at ***, studying Management in Show Business in my second semester. I would like to apply for a place in your university to study Media and Entertainment Management.
of all, studying abroad would be a great opportunity for me to receive the necessary knowledge and experience for my future job in Music Management. The fact that the university is provided with practice facilities with an in-house media production company is very important for me as I consider practical training sto be necessary to acquire thetheoretical knowledge. Furthermore, paid internship during the last year makes this studying program even more attractive for me.
On the other side("on the other side/hand" is usually used when offering an opposing statement) In addition, studying in a different country would help me to improve my English and learn the Dutch language, because the best way to learn languages is through talking todialogue with native speakers. In addition,I would also get a chancehave the opportunity to learn more about Dutch culture and customs.
IveI have chosen Media and Entertainment Management because Ive(Try to avoid use of contractions in formal correspondence)I have been interested in different kinds of media and entertainment, especially music, since themy early childhood. ItsIt has always been my dream to work in the music industry and I hope that studying in *** University will help me to achieve my aimgoal.
I consider myself to be a motivated and open-minded person. I like to explore unknown areas of knowledge, develop and improve my skills. I can speak Ukrainian and Russian fluently, also
ImI am working on improving my English every day and starting to learn Dutch.
ImI consider myself to be an optimistic, communicative, creative, reliable and responsible person. My interests include travelling, making photographsphotography, going to concerts and theatre performances and meeting new people from all around the world.
Thank you for considering my request.
Yours faithfully
Student or Learner


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Just a two-step outside your door to experience all of Gruene, Tx.
Located in the middle of the Historic Gruene District, stay at the Gruene Mansion Inn to catch live entertainment at Gruene Hall, float the Guadalupe River, enjoy shopping downtown Gruene, explore New Braunfels' finest dining and the best nightlife around. Or just soak up the soul of Texas while sitting on our private patios over looking the banks of the Guadalupe River.
The Gruene Mansion Inn has captured the drama and historical flair of Henry D. Gruene's Victorian home and complimentary buildings in this premier Texas Bed and Breakfast. Not only is the property listed on the National Register of Historic Places, but it is also designated a Texas Historic Landmark.