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Speed MP3 Downloader 126.96.36.199 + Portable | 28.5 Mb
With a fairly self-explanatory name, Speed MP3 Downloader is a very easy to use Windows software solution that provides music downloading services right on your desktop. Designed with a single goal in mind, the application comprises a very simple yet eye appealing interface that perfectly brings its main features in the spotlight. A search bar at the top of the window helps you instantly perform a search and look for a specific song on the Internet, while all results are displayed in the same main window alongside information such as length, popularity and download link. Whatâs more, Speed MP3 Downloader features a built-in player too that allows you to listen to the selected songs even before downloading them.
And speaking of downloading, itâs all easy as pie because users are only required to input the file name and output location, choose a bitrate, write down title, artist and album information and wait.
There are no settings to play with, but Speed MP3 Downloader provides an advanced search engine too, letting you look for artist, title, album or edition with minimum user input. Plus, it shows categories and hot songs in the same window, which makes everything a breeze even for rookies.
Speed MP3 Downloader is fast, but this also depends on your Internet connection and the faster it is, the quicker all downloads are completed.
The application doesnât affect the overall system performance and it works smoothly on all Windows versions, without the need for administrator privileges on Windows 7 workstations.
To sum up, Speed MP3 Downloader serves its purpose very well, although more configuration settings could attract many more advanced users. The good thing on the other hand is that itâs very easy to use and comprises a very straightforward look.
Download Via RapidGator
Download Via SecureUpload


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Quick Search: Choose Model and Year, then enter search topic.
Page: 190
Car Telephone and Aftermarket Alarms
Important legal and safety information regarding the use of cellular telephones
Some states may prohibit the use of cellular telephones while driving a vehicle. Check the laws and regulations on the use of cellular telephones in the areas where you drive.
Cell Phone Use
Looking away from the road or turning your attention away from your driving to operate a cell phone will sooner or later cause an accident.
It is essential to observe the telephone manufacturer's instructions before operating the telephone.
Any portable telephone or radio transmitter which is used in a Porsche must be properly installed in accordance with the technical requirements of Porsche.
The transmission power must not exceed 10 W.
The devices must possess a type approval for your vehicle and have an "e" symbol.
If you should require equipment with transmission power values greater than 10 W, please consult your authorized Porsche dealer for this purpose.
They are familiar with the technical requirements for installing devices of this kind.
The antennas for all radios and telephones with a transmitting antenna must be externally mounted.
The improper installation of radios or telephones or use of a radio or telephone with a transmitting antenna inside the car may cause the warning lights to come on.
Improper installation of such equipment can create a discharged battery or excessive current draw from added equipment.
If aftermarket systems are installed by non-dealership technicians or outside the selling dealer, problems may result. Installation of aftermarket equipment is not covered under the New Car Warranty.
Reception quality
The reception quality of your car telephone will change constantly when you are driving. Interference caused by buildings, landscape and weather is unavoidable. It may become particularly difficult to hear when using the hands-free function due to external noise such as engine and wind noise.
Automatic car-wash
Porsche Communication Management (PCM)
Operation of On-Board Systems
Setting or operating the on-board computer, radio, navigation system, telephone or other equipment when driving could distract you from the traffic. You could lose control of the vehicle.
When put into operation for the first time, a distance of approx. 3 miles (5 km) must be driven in order for the navigation system to complete the process of fine calibration. The same applies when the tires are changed (e.g. summer/winter tires) or new tires fitted. Full location accuracy is not yet achieved during the fine-calibration process.
If the vehicle has been transported (e.g. ferry, car train), the system may take a few minutes after being switched on before it determines the current location.

subset: commoncrawl


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CLCT(4) NetBSD Kernel Interfaces Manual CLCT(4) NAME clct -- Cirrus Logic CS4281 audio device driver SYNOPSIS clct* at pci? dev ? function ? audio* at audiobus? DESCRIPTION The clct driver provides support for the Cirrus Logic CS4281 chip. SEE ALSO ac97(4), audio(4), pci(4) HISTORY The clct device driver appeared in NetBSD 1.6. NetBSD 8.1 June 22, 2005 NetBSD 8.1
You can also request any man page by name and (optionally) by section:


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Fabrizio Constanza-ksd-1, Horizon Lounge Chair
At Design Interviews
Interview with Fabrizio Constanza : Frank Scott: What is the main principle, idea and inspiration behind your design?. Fabrizio Constanza : The inspiration on this piece is most definitely the Auto and Moto aficionados. The design combines Greg Jacobs's immense knowledge of race car construction and Fabrizio Constanza's ability to combine materials and shapes to create sensations on the collectors. .Frank Scott: What has been your main focus in designing this work? Especially what did you want to achieve?. Fabrizio Constanza : In this piece we are getting into the subconscious of the Collector, mainly those memories of comfort, freedom, and tranquility of being on the road just motoring. .Frank Scott: What are your future plans for this award winning design?. Fabrizio Constanza : Produce them at the clients specifications, certified them and enjoy the ride. .Frank Scott: How long did it take you to design this particular concept?. Fabrizio Constanza : This concept has being on the drawing board for many years. Last year I talk to Greg about re-taking it and here it is now an awarded design. .Frank Scott: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?. Fabrizio Constanza : This concept is pure inspiration. .Frank Scott: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?. Fabrizio Constanza : We sale directly to clients. .Frank Scott: What made you design this particular type of work?. Fabrizio Constanza : As I mention before, Greg and I designed this long ago, now we could come back to finished. for me was important becouse I got to work with an long time designer friend. .Frank Scott: Where there any other designs and/or designers that helped the influence the design of your work?. Fabrizio Constanza : no, just race car manufacturing process .Frank Scott: Who is the target customer for his design?. Fabrizio Constanza : High profile collectors .Frank Scott: What sets this design apart from other similar or resembling concepts?. Fabrizio Constanza : This are made one by one, the collectors know exactly who was involve in the build. Just like a racer knows who work in his car. .Frank Scott: How did you come up with the name for this design? What does it mean?. Fabrizio Constanza : KSD-1 Stands for a company name we had created with Greg back in College times. We thought about opening a design Studio. Horizon is the new name. .Frank Scott: Which design tools did you use when you were working on this project?. Fabrizio Constanza : Sketching, coreldraw, modeling, prototyping, upholstery prototyping, dhl, e-mail. .Frank Scott: What is the most unique aspect of your design?. Fabrizio Constanza : form and production style .Frank Scott: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?. Fabrizio Constanza : race car builder, carpenters, machine shops, metal workers, upholstery artisans. .Frank Scott: What is the role of technology in this particular design?. Fabrizio Constanza : Technology is important for the design process, but we like to produce in Guatemala, so we can help artisans. So we are more into good quality hand crafters. .Frank Scott: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?. Fabrizio Constanza : The research starts once the main objective is set. In this specific case, Greg did the manufacturing research, I did the psychological one. .Frank Scott: What are some of the challenges you faced during the design/realization of your concept?. Fabrizio Constanza : adjusting rhe main shape or form of the chair to the ergonomics of a lounge chair .Frank Scott: How did you decide to submit your design to an international design competition?. Fabrizio Constanza : The design is great .Frank Scott: What did you learn or how did you improve yourself during the designing of this work?. Fabrizio Constanza : As I mention before, each design is a life experience. I love design becouse alouds me to spent my day with creative profecionals. .Frank Scott: Any other things you would like to cover that have not been covered in these questions?. Fabrizio Constanza : thank you guys for your time .
Fabrizio Constanza-ksd-1, Horizon Lounge Chair Images:
End of the article, click here to go back to previous page, or alternatively go back to Design Articles Magazine homepage.


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Well. This is Kenneth Krause, the personal injury lawyer who sent a dickhead email to WKBT News 8 This Morning anchor Jennifer Livingston informing her that she's overweight. Livingston issued a powerful on-air response that's since gone viral.
I was going to present the photo without comment, but I really can't resist: This dude looks exactly like you'd expect, multiplied by 100.
[via Citypages]
Image via Facebook.


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Items Tagged with 'Robert Dean'
Today's schedule: Answer e-mail, staff meeting, recess and client project
Symposium builds on importance of corporate play for innovation, creativity and teamwork.
If you've ever longed for a recess break during the workday, you are not alone. Read More


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Were the 25 voices of The Silver Lake Chorus to belt out "From the Snow Tipped Hills" on a mountainside, I'd run for fear of an avalanche. The original, written for the group by Bon Iver's Justin Vernon, is built around an ethereal vocal arrangement, bare in instrumentation and full of power. The Silver Lake Chorus' forthcoming album features similar choral arrangements of songs written by indie-rock acts, among them Sia, Aimee Mann, The Bird and the Bee, Tegan and Sara and The New Pornographers.
Naturally, the vocal-only cut lends itself to remix treatment, and now the L.A.-based remixers in Gold and Soil (Asura and Ana Caravelle) have taken on the task. The Caravelles have given the song a freewheeling rhythm section and whirling embellishments, cutting the original's vocals into pitchy ribbons throughout. The added percussion feels textured, at one point shifting abruptly into a different tempo that momentarily breaks the spell cast by the looped male voice, only to return to its groove gracefully. Along the way, Gold and Soil's remix preserves The Silver Lake Chorus' crystalline moodiness, while adding a little head-nod along the way.


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I have having trouble with a program my teacher gave me and I was wondering if someone can point me in the right direction. I have to write a program that prints the following information: The date and weekday that is 100 days from today, the weekday of your birthday, and the date that is 10,000 days from your birthday. I am just working on the first one: the date and weekday that is 100 days from today.
My teacher didn't show us how to do this in class so I looked in the book and been using Java Platform SE 7. But still can't figure out how to use these methods. here is what i have so far.
package homework.pkg3part.pkg4;
import java.util.Calendar;
import java.util.GregorianCalendar;
public class HomeWork3Part4
public static void main(String[] args)
GregorianCalendar cal = new GregorianCalendar();
int year = cal.get(Calendar.YEAR);
int month = cal.get(Calendar.MONTH);
int dayOfMonth = cal.get(Calendar.DAY_OF_MONTH);
int weekDay = cal.get(Calendar.DAY_OF_WEEK);
System.out.println("Year: " + year + ", Month: " + month + ", day of month: " + dayOfMonth + ", weekday: " + weekDay );
// I tried doing this but doesn't work.... cal.add(weekDay, 100); but add is an abstract void so i don't understand how to print it if it doesn't return anything
Now i know there is an add method but it doesn't return anything so i don't under why / how to use it. I can't assign it to a variable or print out. I also don't understand what the point of using the constructor like so, GregorianCalender cal = new GregorianCalendar(2012, Calendar.MONTH, 12); when I can't store cal in a variable and print or manipulate that date.
Any help would be greatly appreciated. I'm not looking for someone to do this code just push me in the right direction, I really want to understand whats going on.


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Enter Hardtied Now!
Stuck in the Mud
Cici Rhodes had a live show coming up when this was shot and she needed to get into shape. Not physically, her body is amazing, but mentally she needed to be ready to suffer. City living can be such a distraction, with the clubs, parties, clothes and cell phones. A few hours stripped down and tied to a post in the mud will be a great start for clearing her mind....
Read More
18 U.S.C. 2257 Compliance Statement


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If you imaged with the philips xtreme image, only a philips remote will work. Either get one or re-image with the t60 xtreme image.
I am a newbie, but I have a question that I need answered. I have look around and have not found my answer.
I have a new Sony T-60 running, it is running great! (Thanks to all your great help!) counld not have done it with out you! But here is my question. I bought it at Best Buy and it had no remote. My friend has a Hughes Direct/Tivo also. He let me borrow his while on vacation the last 2 weeks. I went to best buy and told them I had no remote and they found one for this system. Probably the one mine was missing. Well a long story short the Sony Tivo remote does not work! It lights up like it wants to work but will not change the channels.
Is this the Sony remote that will not work on my system because it thinks it is a Phillips? Or is it a bad remote?
2nd question is there a way to make my Sony Tivo think it is a Sony? So when I boot up it says welcome to Sony? This is not that big of deal I just want my Sony remote to work. Friend is back and needs his remote!
Thanks again,
If you imaged with the philips xtreme image, only a philips remote will work. Either get one or re-image with the t60 xtreme image.
As was pointed out in a recent thread, Sony used 2 different T-60 remotes. Most come with the proper remote, the RM-Y809 while it appears for a short period around the end of 2000, they shipped T-60s with the remote (RMT-V-303) from the stand alone Sony Tivo. The two remotes are incompatable. Another thing to check is whether the remote is set to a different address than the receiver. This is a settable option so that you can control up to 3 Dtivos in the same room. I don't recall where that option appeared but a search should get you the answer.
well my rmt-v303 worked before xtreme and doesnt now. but a sony rm-y802 will . So I know i used the sony xtreme image. any suggestions??
You are correct.
The sony remote will not work with the Phillips image.
You could however find a serial number for a phillips TiVo cal Phillips tell them that your remote doesn't function correctly.
Also when they ask you about the channel button tell them that page is on the button and not on the shell.
They will send a new for free.
I used a Sony xtreme image on a sony t60. Seems i am not the only one who's rmt-v303 remote doesnt work after using xtreme. When IT DID work before xtreme.
No you are not the only one. On my T60 that originally came with the RMT-V303, before applying the Extreme 2.5 image, both the RMT-V303 and the RM-Y809 remotes could control my T60. Now only the RM-Y809 works. I would guess that only those T60s that came with the V303 had codes for both while those that came with the correct RM-Y809 only have codes for that remote. No doubt the T60 Extreme image came from an RM-809 equipt unit that didn't have the additional V303 codes. That is why your V303 is no longer functional. The only reason I could see for Sony to provide the SA version remote with T60s is that they obviously ran out of remotes and rather than stop production for the Christmas 2000 season they utilized the v303 remotes despite the fact they are missing some important buttons. I think it would be only fair for Sony to suppy the correct remote upon customer complaint as you do lose considerable ease of use with the SA remote. I never did figure out how to switch to the Tivo guide with the original remote missing the display button. They know they pulled a fast one.
Last edited by Frosty; 01-20-2002 at 11:53 PM.
Is there anyone who has not applied Sony Xtreme 2.5 to thier system, and is at 2.5 that has thier v303 remote working. And if so can't we just copy over the remote files?


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There is a Jen Selter 2.0 and she rides a surfboart and is talented on the Instagram. Anastasia Ashley is hot. She models (recently for Sports Illustrated: Swimsuit Edition) and rides waves. Below, some of the sexiest photos she's shared with her 430,000+ Instagram followers:
100+ Smoking Celebrity Bikini Bodies
Jen Selter Now the Face (and Butt) of FitMiss Nutritional Supplements
Follow Tess on Twitter.
Photo Credit: Instagram


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TRY SOMETHING NEW Chapter 10: To The Empire's Ultimate Weapon!
Sometimes people in positions of power royally #@$% things up. I've never had the amazing opportunity to do this before, but this new year has been all about new experiences for me. After 9 brutal weeks of spending 20 minutes a week writing semi-nonsense about new comics in this column I think we can all agree I now wield a remarkably frightening amount of power in this world. And what did I do with my power? With great power comes human trafficking. I offered up Forbidden Planet's poor basement dweller/demerit collector Ben to you all like he was some sort of man-shaped cookie… Which he sort of is. Poor, sweet Ben. 9 "lucky" contest winners got to take Ben on a date this past week. Poor, sweet, gentle Ben. And what did you, the loyal readers of TRY SOMETHING NEW, do? I legally can't go into all the details but suffice it to say that Ben will never be the same. Good job readers. My power and your depravity royally #@$% this up. No more contests for at least 2 weeks. Poor, sweet, gentle, exsanguinated Ben needs to rest and regenerate around 4 pints of blood… and an eye. How long does that take?
These double digit columns are rough. Now I'm onto my second apology/retraction of the week. Last week I suggested you pick up Mr. Diggle & Mr. Jock's Snapshot #1 from Image. I just wrote "Mr. Jock." Huh. Anyway, I pointed out that is was a newly colored update of the UK version. Well if you bought the book you might have noticed that the colors they used are both the color black and the color white. There aren't even ink washes. And if you didn't buy the book, what the hell? Buy the stuff I recommend. C'mon. I went back and edited that part out of last weeks blog post because this is the 21st century and information is supposed to be fluid and temporary. But for those of you who read the newsletter, you Guttenberg-ites, you are all stuck with what we used to refer to as "mistakes" but what we now refer to as "artifacts of non verified information." I would feel bad for lying to all of you print readers but in a way I feel like it's social Darwinism. You get bad information, it slows you down, and a lion eats you. The comic reading herd begins to move faster and make better choices. Malthus smiles from his grave. Sucks to be you. So anyway, yeah I sort of $#!% the bed on that one. You see I don't get sent many preview versions of books (You hear that marketing/pr folks? Sort your stuff out.) so I go off what I can. What I saw was the black & white stuff and I was told the great colorist Lee Loughridge was going to be adding more colors beyond black & white. Mr. Loughridge is a great colorist and I met him at a party once and we talked about hardcore bands for 5 minutes so he's basically the coolest guy working in comics right now. Either way, he didn't color the book. Don't know what happened. Like most reputable news outlets I get my news from various disreputable news outlets. They said it would be colored. It wasn't. So there you have it. Either way the book is really good and worth your time. Stop being such a prude and read black & white comics. It's better for your eyes. (No. It probably isn't.)
Onto the parade of new books. When Mike Mignola created Hellboy in 19XX (too lazy to google that) there was a weird byproduct that I don't think anyone could have predicted. The "monster/freak as adventurer/government agent" genre is certainly weirdly specific and probably only exists in western comics. You got the Hellboy spinoff monster cops book B.P.R.D., and new series like Yeti cop book Proof, monster cop book Frankenstein: Agent Of S.H.A.D.E., other Yeti cop book Footprints, and robot adventurer (cop) book Atomic Robo. The weird thing is that all of these books are pretty good. It is a premise that lends itself well to big exciting stories. Personally I have a real soft spot for Atomic Robo and was really glad to see ATOMIC ROBO vol 7.: ATOMIC ROBO AND THE FLYING SHE-DEVILS OF THE SOUTH PACIFIC out this week. Atomic Robo manages to differentiate itself from the crowd by maintaining a serious amount of fun at all times. If Hollywood people were smarter Atomic Robo would be a successful film or cartoon franchise already. (Do they make cartoons in Hollywood?) Equal parts Hellboy and Indiana Jones, Atomic Robo is one of the few ongoing (pretty much) all ages books of any real worth and is a real treasure. Before you pass over the book because it is kid friendly let me remind you that you are reading the newsletter/blog of a comic shop. You are, by definition, at least 60% manchild or womanchild depending on your genitals. Stop being pretentious and read something fun.
You remember 2007? I don't really. I looked online and it seems almost nothing really happened that year. Some Marvel character probably died. The Loch Ness monster was caught. George Clinton was president. That Battles record that came out was really good. I discovered basketball shorts. 7/11 perfected making "chicken" nuggets out of Loch Ness Monster meat. The U.S. became the first country to use giant robots in actual combat. I meant to see Michael Clayton. Forbidden Planet's Executive Director of Web Development, Halal food, & Mini-Comics, Tyler, was born. I had my first milkshake with pieces of cake in it and I refused to believe it was as gross as it actually is. Crazy all the stuff you can find out on the internet, huh? All of that stuff was ok but the one really interesting thing the whole year was that Vasilis Lolos released his super weirdo comic Last Call. Did you miss it? Well it's about… I don't really know what it's about. Some dudes get on a train that is magical or demonic or metaphorical. Not sure. Then lots of weird stuff happens. Well now it's 2013. Cake shakes ARE gross, basketball shorts are out in favor of smart ties and v-neck sweaters, I probably still won't watch Michael Clayton, and Tyler is 5 years old and makes more money than me. Also, Mr. Lolos has released LAST CALL vol. 2. There is a lot of killing, some playing with relativity, and lots of "train as metaphor for _____". In short, the book is pretty awesome. Another of the up and comers making western comics with strong Manga influence, LAST CALL vol. 2 feels like the freaky offspring of Scott Pilgrim, Prophet, and Orc Stain. If you have been digging the work of people like Giannis Milogiannis (some folks just have dope names), James Harren, Brandon Graham, or James Stokoe, this book should be a no-brainer for you. Remember; if you just read vol. 2 and don't bother to track down vol. 1 first you haven't earned your sense of confusion.
Let's talk about Powers for a minute. Michael Avon Oeming draws it. It looks like he puts more thought into each panel than most cartoonists put into their careers. That's cool. Good look, Mike. But I am, in some shameful misuse of the word, a writer. I like words. Words are sexy to me. Words are the things I use to both mock and lie to the people around me, and that gives me most of the joy I get in this world. People who use words well are better than people who don't in my world. Now let's talk about Brian Michael Bendis. But let's talk about him via me. I had a shameful period in my life where I didn't care about comics more than I care about everything else. I was into other stuff and comics just weren't doing it for me. The thrill had faded years ago, like the shine on so many foil covers. Artists turned writers had abused me and left me bitter and broken. If I did hard drugs this would be my opium years. I was aimless, vacant, distant bordering on ethereal, and almost always nodding off in the back of that cockfighting place on Mott Street. Then someone came to me and saved me. They handed me POWERS vol. 1: WHO KILLED RETRO GIRL? It was an epiphany. It was a chance to see a world I once loved through virgin eyes again. It would have been cool for the sake of this story if the person who handed me that book was Brian Michael Bendis himself, but it wasn't. I don't know him. He probably doesn't hang out at cockfights ("probably" is a strong word.). It was a creepy Gollum-like man in a comic shop that shall not be named who gave me the book. Anyway, I read it and I felt something. Brian Michael Bendis writes dialogue not like the way people talk, he writes it better. It's idealized dialogue. It's conversation, perfected. I can't explain how important his dialogue and the way it forms his characters is to me. In my love of writing I have stopped and obsessed on folks like David Mamet, Elmore Leonard, Quentin Tarantino, Aaron Sorkin, and Whit Stillman for periods of my life. But here is where I say the crazy thing that gets me hate mail. None of them do for me what Bendis does. Bendis made me realize that comics are supposed to be better than all the other mediums. It is the best of all the worlds.
The Powers premise, police procedural in a superhero world, is so simple yet so perfect. This is the chocolate and peanut butter of comics. And the things Bendis does within the book, they were a revelation at the time and can still give you a jolt if you let them; the talking head panels, the multiple interwoven arcs, the focus on the relationships of characters, and lets not forgot the monkey sex issue (google it). All of this was eye opening for me (and most of the comics industry it would seem). The man brought me out of my smoky backroom cockfighting ring and into the less smoky but equally sketchy comic shop once again. Powers is my moment of clarity. I knew I wanted to give myself wholly to comics after I read it and I knew I would follow Mr. Bendis until the day he writes his final panel description. Sadly, Powers has come to an end. And like Lazarus, frozen yogurt shops in New York, and noisy indie rock, Powers has returned from the dead better than ever. POWERS BUREAU #1 comes out on Wednesday. I would say buy it but I might buy all of them and give them out in Port Authority to lost souls and wayward Aaron Sorkin fans. They have nothing left anymore.
Hey, did you read that last paragraph? Did you like it? Don't care. This awkward obsessing train rolls on. So… Brian Michael Bendis. I don't expect all people to like his work. I get that he can be polarizing. He occasionally sacrifices old characterization continuity to serve story and people like their weird old continuity baggage. He pushed the medium forward and there always have to be people who push back. Sometimes his female characters are treated like second class citizens… (I don't have a funny quip for that one. It's a bummer.) He is good and most people don't like good things. I get all that. But for me this new Bendis era of X-Men is about as exciting as comics gets. The X-Men were my childhood obsession, and smart comics are my adult obsession. This week childhood me and adult me meet up for a very excited 22 pages as Brian Michael Bendis begins writing UNCANNY X-MEN #1. His All New X-Men is the standout book of the very excellent Marvel Now! relaunch. Now his "X-Men on the run" team gets their own book, harkening back to the mutants as outlaws origins of the characters. The recent evolution of Cyclops, from preppy milquetoast, to his "heavy is the head that wears the crown" version, to his current radicalization, is one of the best things either of the Big 2 has done with one of their characters ever. This is actual growth and development. This is art. It is sad, hard to read sometimes, and compelling as hell. My guess? When all is said and done Mr. Bendis does the best X-Men book of the last 25 years. Get it now and watch the X-Men take their place once again as the most exciting team in comics.
Well it's time to go. You have new books to buy and it's my turn to irrigate Ben's eye socket and I have to find out if my attorney appealed Mr. Bendis' restraining order yet. Wish us both luck.


text:
The usual color of urine is straw-yellow. Abnormally colored urine may be cloudy, dark, or blood-colored.
Discoloration of urine
Abnormal urine color may be caused by infection, disease, medicines, or food you eat.
Cloudy or milky urine is a sign of a urinary tract infection, which may also cause a bad smell. Milky urine may also be caused by bacteria, crystals, fat, white or red blood cells, or mucus in the urine.
Dark brown but clear urine is a sign of a liver disorder such as acute viral hepatitis or cirrhosis, which causes excess bilirubin in the urine.
Pink, red, or lighter brown urine can be caused by:
Dark yellow or orange urine can be caused by:
Green or blue urine is due to:
See your health care provider if you have:
The health care provider will perform a physical exam. This may include a rectal or pelvic exam. The doctor will ask you questions about your symptoms such as:
Tests that may be done include:
Gerber GS, Brendler CB. Evaluation of the urologic patient: History, physical examination, and the urinalysis In: Wein AJ, ed. Campbell-Walsh Urology. 10th ed. Philadelphia, Pa: Saunders Elsevier; 2011:chap 3.
Landry DW, Bazari H. Approach to the patient with renal disease. In: Goldman L, Schafer AI, eds. Cecil Medicine. 24th ed. Philadelphia, Pa: Saunders Elsevier; 2011:chap 116.
This page was last updated on: 1/29/2019 3:21:13 PM


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Schools & Colleges
A-Z Index | Find a Health Care Provider
Contact Us | Maps and Parking
Jason AotoAssistant ProfessorPh.D., 2009, Univ. of California, Berkeley
We are interested in dissecting the distinct functions of synaptic cell-adhesion molecules implicated in neuropsychiatric disorders and addiction in the context of disease-relevant brain circuits. Using cutting-edge multidisciplinary techniques, we are able to interrogate these molecules with cell-type and synapse-specific resolution.
ProfessorPh.D., 1996, Heinrich-Pette-Institute
Molecular mechanisms of bi-directional synaptic plasticity that underlie cognition. Strategies for restoring normal synaptic plasticity in neurological disorders.
Assistant ProfessorPh.D., 2008, Univ. of California, Los Angeles
Understanding how the chromatin microenvironment regulates genome stability, cancer cell heterogeneity and chemotherapeutic response.
Assistant Professor
Ph.D., 2010, Universidad de Buenos Aires
Mair E.A. ChurchillProfessorPh.D., 1987, Johns Hopkins Univ.
Structure and mechanism in gene regulation; biophysical and structural studies of protein-nucleic acid and protein-protein complexes in chromatin and bacterial pathogenesis.
James C. CostelloAssistant ProfessorPh.D., 2009, Indiana Univ.
Systems and network biology approaches to disentangle signaling pathways in cancer development; Computational modeling of how therapeutic compounds function across different genomic backgrounds.
Scott D. CramerProfessorPh.D., 1992, Univ. of California, Santa Cruz
The molecular dissection of signaling pathways in prostatic cells, the identification of prostate progenitor or stem cells, and understanding epithelial-stromal interactions in normal and abnormal ductal morphogenesis.
Mark L. Dell'AcquaProfessor and Vice ChairmanPh.D., 1995, Harvard Univ.
Organization of signaling complexes by protein kinase and phosphatase anchoring proteins; mechanisms regulating neuronal second messenger signaling in synaptic plasticity.
Heide L. FordProfessorPh.D., 1995, Univ. of Rochester
My laboratory studies the parallels between normal development and tumorigenesis/metastasis with a focus on the role of the Six1/Eya transcriptional complex in TGF-beta signaling, epithelial to mesenchymal transition, cancer stem cells, and metastasis.
Paula L. HoffmanProfessorPh.D., 1974, City Univ. of New York
Neuropharmacology; mechanisms of alcohol tolerance, dependence, and craving; genetic aspects of alcohol dependence and affective disorders; biochemical/molecular biological/genetic analysis of CNS receptors and signal transduction systems.
Lawrence E. HunterProfessorPh.D., 1989, Yale Univ.
Computational biology, bioinformatics, gene expression array analysis, natural language processing, biomedical ontologies, machine learning.
David N.M. JonesAssociate ProfessorPh.D., 1989, Univ. of Cambridge
Molecular mechanism of alcohols and anesthetic actions; structure and function of biomolecules; NMR spectroscopy, x-ray crystallography, biophysics and molecular biology.
Matthew J. KennedyAssistant ProfessorPh.D., 2003, Univ. of Washington
Molecular mechanisms of activity-triggered synaptic remodeling.
Tataiana G. KutateladzeProfessorPh.D., 1988, Moscow State Univ.
Epigenetics, phosphoinositide signaling, structural biology, NMR and crystal structures of proteins implicated in cancer, structure based drug design.
Ph.D. 2013, Univ. of California, Davis
We study molecular and cellular mechanisms of activity-dependent synaptic and circuit remodeling primarily through live-imaging approaches using two-photon microscopy and photostimulation in vivo and in brain slices, combined with electrophysiology and molecular genetic manipulations.
William A. SatherAssociate ProfessorPh.D., 1988, Univ. of Washington
Signaling through calcium channels in neurons.
Assistant ProfessorPh.D., 2010, University College London
Molecular mechanisms of excitatory and inhibitory synaptic plasticity.
Andrew M. ThorburnProfessor and ChairmanD.Phil., 1990, Univ. of Oxford
Understanding the signaling mechanisms that control apoptosis in cancer development and during the response of tumor cells to cancer therapeutics.
Chandra L. TuckerAssociate ProfessorPh.D., 1999, Univ. of Washington
Study and manipulation of protein homeostasis and signaling pathways in live cells, optogenetic tools for controlling protein interactions, synthetic biology, cytosolic protein misfolding, yeast genetics/genomics
© The Regents of the University of Colorado, a body corporate. All rights reserved.
Accredited by the Higher Learning Commission. All trademarks are registered property of the University. Used by permission only.


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Valentino is back.
I know, I didn't quite believe it myself. But I kept hearing that the cooking was good again — and not just from die-hard fans who have retained a deep affection for the 38-year-old restaurant despite all the recent ups and mostly downs. And it turns out they were right. The new chef, Nicola Chessa, who took over in January, is cooking some of the best food I've had at Valentino in years.
Valentino, once undisputedly Southern California's ruling Italian restaurant, opened in 1972 in the era of bell bottoms and purple jumpsuits. Through the years, owner Piero Selvaggio turned the mediocre restaurant where he'd worked as a waiter into an icon of Italian cuisine with name recognition even in Italy.
In recent years, though, the kitchen had become a revolving door for young Italian chefs intent mostly, it seemed, on emblazoning the Valentino name on their résumés. Few stayed very long before moving on. At one point Selvaggio had to invite his former executive chef back from Sacramento to cook on the weekends.
I sincerely hope he doesn't have the same problem with Chessa, because the Sardinian-born chef is a natural for Valentino. First of all, he comes from the south of Italy and it's the south now, not the north, which is home to the most exciting cooking on the peninsula.
But Chessa didn't just arrive from the old country yesterday: He comes to Santa Monica by way of Las Vegas, where he was executive chef at Giorgio Ristorante, Selvaggio's casual Vegas cafe. In fact, the chef has worked with the Valentino Restaurant Group for a decade. (In addition to a Valentino in Las Vegas, Selvaggio also has Valentino Vin Bar in Houston.)
Chessa has updated the menu at the Santa Monica restaurant with some welcome Sardinian touches. The flavors of the Italian island's rustic cuisine show up in the appetizer of tuna salad on fregula, or Sardinian couscous. The tiny pasta balls the size of new peas are a wonderful textural contrast with the plush raw tuna sparked with a Tarocco blood orange dressing that has just a hint of ginger.
But you taste Sardinia — and the sea — most of all in the bottarga (dried, pressed mullet roe) Chessa uses to garnish many dishes. Russet in color, the dried roe has a strong, briny flavor, best shaved over a dish to give the rich funk of ocean. For some, it's an acquired taste; for others (and I count myself among them), it's an obsession.
It really feels wonderful to be back dining at this venerable restaurant. Not many other places have lasted 38 years. Most of the staff has been there for years, including the gentle maitre d' Giuseppe Mollica and sommelier Paul Sherman.
Selvaggio is a brilliant host. And no, I'm not anonymous here because I'd known Selvaggio as an interview source long before I ever thought about becoming a restaurant critic; I did, though, make all of my reservations under other names in order to put off recognition as long as possible. On recent visits, he has been in good form, excited to present his latest Italian wine discoveries, including a dry, complex white made with the indigenous Grillo grape from Sicily.
We go, of course, for the tasting menu, which has always been the best strategy at Valentino. However, I have to say, the a la carte menu is looking better these days too, stripped down to one page of essentials — fusilli alla Norma, garganelli with Bolognese ragú, veal ossobuco, etc. That's OK if you're not much of an adventurous eater.
For those who are, the real interest is in the chef's specials offered as a tasting menu, either three courses for $55 or four for $70. Wine pairings are $50 per person more, ideal if you're just a couple and want to have more than one wine with your dinner.
The dry, minerally character of the Grillo works well with the antipasti, each just a few bites: translucent slices of lamb prosciutto draped over honey-sweetened ricotta, strips of sweet peppers fried in basil oil, that tuna and fregula salad, and a simple wedge of sheep's milk ricotta baked and perfumed with thyme.
On another visit, we get a plate of crudo di pesce (raw fish) drizzled with colatura di alici (a sort of anchovy essence) and a lobster salad with fennel and slices of lightly smoked gray mullet garnished with bottarga shavings.
But all that is trumped by the pasta courses, which often turn out to be a tasting within a tasting. Pasta is where Chessa shines. His cooking is understated and very Italian, lightly sauced, lightly seasoned.
One night, a stubby dried pasta called mezze maniche, or "half sleeve" in Italian, is tossed with the freshest calamari, clams and prawns with bottarga shaved over. It's stunning and really tastes like something you'd eat on the Amalfi Coast.
I love the fettuccine flavored with the famous chocolate from Modica in Sicily, served with luscious Santa Barbara prawns. Spaghetti cipollato, with guanciale, onions, Romanesco broccoli and pecorino is something I could eat every day.
On another visit, dainty Piedmontese agnolotti are tossed in butter and sage, and little ravioli are stuffed with either buffalo ricotta and fava beans or with sweetbreads and pancetta
With the ravioli, we have a Barbera from Roero in Piemonte. Lush and dark in tone, it goes down like velvet. You can find all sorts of bottles like this on Valentino's impressive wine list, which encompasses thousands of selections.
Sure, he's got all the big guns — Gaja and Bruno Giacosa, Giacomo Conterno's Monfortino and seemingly endless Sassacaias. But Selvaggio has always championed up-and-coming winemakers too, and especially those from the south of Italy.
He's bought the wines, offered encouragement and stood by young winemakers as they found their way. And while the prices aren't as inexpensive as they once were, you can still find relative bargains among the up-and-coming generation of winemakers on the Italian peninsula. Even Sardinia.
Luckily, there are plenty of main courses conceived with wine in mind. One beautiful dish is quail cooked in Vecchio Samperi Marsala, an aged Marsala from De Bartoli that gives the quail a marvelous depth.
Braised veal cheeks with lentils from Castelluccio in Umbria works well with a Sangiovese. So does the tender lamb with olives, fennel and potatoes.
And instead of a boring veal chop, Chessa serves a flavorful veal loin wrapped in pancetta to give it a smoky edge and, again, cooked in that aged Marsala.
Pastry chef Davide Giova does his best to elevate the dessert course. It's not easy — by the time you get to dessert, most people have filled up on the antipasti and primi. What's needed is something light, such as Giova's take on tiramisu, a fluffy lemon cake with the merest hint of mascarpone. He makes a lovely vanilla pudding too, served with baby cantucci cookies.
My favorites? His cassata, the typical sponge cake layered with ricotta and decorated with candied fruit and chocolate. And who could resist the miniature cannoli? I was just in Sicily in October, and these really do taste like the ones I ate there.
The food is not the only thing that's been freshened up. Gone are the pillars in front that made Valentino look like Pompeii at Vegas. Gone, too, the tacky cutout mirrors and lavender curtains. Now the decor resembles that of a mid-level business hotel in Italy, sober and plain. It could be worse. And once was.
Now I once again look forward to going to Valentino. With Chessa heading up the kitchen and Selvaggio in good form, the flagship has got its groove back.
What a delight that is for those of us who over the years have enjoyed sitting for hours in Valentino's dining room savoring Italian cuisine and astonishing Italian wines.
Rating: three stars
Location: 3115 Pico Blvd., Santa Monica; (310) 829-4313; https://www.valentinorestaurantgroup.com
Price: Appetizers, $12 to $15; primi, $19 to $24; main courses, $28 to $44; sides, $10; three-course tasting menu, $55 per person; four-course tasting menu, $70 per person. Wine pairing, add $50 per person more. Corkage fee, $30 (one bottle waived for every bottle purchased).
Details: Open for dinner 5 to 10 p.m. Tuesdays to Thursdays, 5 to 10:30 p.m. Fridays and Saturdays, and for lunch only at 11:30 a.m. to 2:30 p.m. Fridays. Full bar. Valet parking, $5.50.
Rating is based on food, service and ambience, with price taken into account in relation to quality. Four stars: Outstanding on every level. Three stars: Excellent. Two stars: Very good. One star: Good. No star: Poor to satisfactory.


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In a layman's language, a 'lookbook' is a compilation of imagery to introduce a designer's idea. In harmony to our brand, our team of esteemed interior designers thinks differently. According to our team, a lookbook is a colourful canvas where one's imagination comes alive and opens doors to further innovation and renovation, by interior enthusiasts, to attain perfection.
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Clayton Thomas BLOCKT Hoodie
100% Poly Cotton Hooded Sweatshirt
Available in Black
Standard Fit
Made In The U.S.A.
A Portion Of Sales Goes To The Charity Kids Can Cosplay :)
A true veteran stand up comedian (started in 2005 in his hometown of Detroit) he's been honing his craft for well over 10yrs.
Despite his busy schedule he's able to balance his acting and stand up comedy career (MODERN FAMILY, SUPERIOR DONUTS, TBS WRECKED, HBO' INSECURE, BOUNCE TV's FAMILY TIME, HBO's ALL DEF COMEDY) and that was just this year.
Not to be forgotten, CT is an Internet personality with well over 236 thousand loyal followers waiting for his next project @TeamClaytonThomas
So whether it's a stand up stage, TV or film set, or the comfort of your own phone, Clayton is able to deliver the funny at a moments notice.
About Kids Can Cosplay: Imagination brought to life! We are a non-profit organization that loves to bring smiles to kids all over. Charity Events/ Parties/ Outreaches We do charity events and visitations for kids throughout southern California. Entertaining kids with cosplayers, activities, stories and gifts such as toys, comics and costumes. While entertaining the kids we help them understand what cosplay is and that they too can be a hero and whomever they imagine they want to be!


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Derwent Pastel Pencil Chocolate
Derwent Pastel Pencils are an easy and thankfully cleaner option to using traditional pastel sticks. The pencils have the smooth powdery texture of soft pastels and produce a velvety smooth finish.
Traditional soft pastels in pencil form.
Made in Britain at the Derwent factory in the picturesque Lake District. First established in 1832, the company began making pencils from local graphite deposits found in the hills nearby. The company has grown over the years and now has a very modern factory producing a large range of pencils and art materials. We visited the factory in 2012 and watched the pencils being made. The lead, or core, is made from a combination of clay, graphite and pigments. This is then sandwiched in two sides of red cedar, known as slats, which are glued together. These completed cedar slats are then cut to a round or hexagonal shape, depending on the pencil type.The pencil is then cut to size, spray painted and then the tops are dipped in paint, the colour of which denotes the series and colour of the pencil. Each pencil is dipped twice, the end colour denotes the colour of the lead and the stripe denotes the pencil type. Finally the pencils are sharpened to a point and put into tins or boxes which are shrink wrapped, ready for dispatch.


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Hi I'm Chato, I started making up quotes this during a group therapy I went to a few years ago. Each week before the group meeting I would make up a quote and write it on white board. Many of the group liked them so I thought why not blog them and have them for ever. Some were funny, others were particle, still other were just plane wisdomless. I hope one or two will move you, make you laugh or get some reaction other then leaving the blog.
Friday, November 21, 2014
Battling Our Demons | Mental Health Humor
Battling Our Demons | Mental Health Humor: http://blogs.psychcentral.com/humor/2014/11/battling-our-demons/#.VG92TJhcygE.twitter
Posted by Chato B. Stewart at 9:32 AM 1 comment:
I live with Bipolar disorder and he wont leave, even when i change the locks he always seems to get his own key. I'm also a father of 4, I work for my self which is both good and bad. When I'm balanced I get a lot of work but when I'm down... well, you know the story. I started a website in March 2008 to try and use humor and mental health to educate and heal. http://www.mentalhealthhumor.com Now Blogging for my cartoons at: http://mentalhealthhumor.com with over 100,000 in it first year. I also do my own Cartoon-a-thon each year to promote mental health awareness during the month of May. That side is at http://mentalhealthcartoons.com with 31 new cartoons for 2009. I would love to trade links with you if you e-mail me at firstname.lastname@example.com
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Here's how you know how bad the state of affairs is in the cycling world: The most prominent cycle race in North America remains a back-page story to the Floyd Landis "coming clean" moment.
On the eve of the Amgen Tour of California bicycle race entering Los Angeles County, seven-time Tour de France winner Lance Armstrong denied doping allegations by Murrieta-based cyclist Landis... AGAIN.
Landis, a former teammate of Armstrong's whose 2006 win in the Tour de France was nullified due to evidence of performance-enhancing drugs, sent a series of e-mails to cycling officials and sponsors admitting to his systematic use of performance enhancing drugs during his career, which he had previously long denied, according to a story first reported in the Wall Street Journal.
The Wall Street Journal reported that it was unable to independently verify Landis' allegation and that he did not make himself available for comment. In the e-mails, he expressed frustration about the inability of anti-doping officials to clean up the sport.
The verbal spat continued as Armstrong lashed out at the former teammate. He called the disgraced cyclist a liar and dismisses the allegations of cheating. Armstrong even posted some of their previous emails on lancearmstrong.com.
Escaping drug allegations was easier for Armstrong than escaping a wreck during the Visalia-to-Bakersfield stage. The bike accident left Armstrong battered with a bruised elbow and face. The fall also knocked Armstrong out of the Amgen Tour of California.
However, even with all the drama and the "must-see" stars falling off their bikes, the race must go on. Saturday, the cyclists will race in downtown Los Angeles. The race will conclude Sunday with a circuit race in Thousand Oaks, Westlake Village and Agoura Hills.
Blogdowntown has suggestions of where the best place is to watch the time trial. The 115 remaining cyclists pedal their way through the downtown course beginning at 1 p.m. The action concludes around 4 p.m.
The Los Angeles Times has an interactive map of the course and where all the road closures will be.
The only thing the cyclists now have to worry about is the plethora of pot holes on LA streets.


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Yost believes Royals can handle walk-off loss
Royals manager Ned Yost absolutely believes that there is a lingering hangover to tough losses like the one sustained by the Royals Saturday, when Greg Holland walked the bases loaded and allowed a three-run double by Kevin Frandsen to blow a save in a 4-3 loss to the Phillies.
But he's also confident the Royals are in better position to handle it this year.
"Look, a loss like that does hang around," Yost said. "That was a tough one. But the advantage we have in coming back from a tough loss is James Shields."
Having Shields penciled in as the Sunday starter should provide a bit of a lift following Saturday's loss.
Last year, the Royals had some tough losses that certainly seemed to carry over -- an April 11 loss to Oakland in which Jonathan Broxton blew a save right before the Royals arrived back in Kansas City was followed by a 12-game losing streak. The Royals were 10-16 in games following a one-run loss last season. But the upgrades to the rotation, Yost said, should curb this sort of thing.
"With our pitching, we're looking to prevent those kinds of losing streaks," Yost said.


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Jeff Gale & Jeff Crawford / Courtesy
Monday, Jan. 28, 2013 | 2 a.m.
This story was first published in the current edition of Vegas Magazine, a sister publication of the Sun.
For all of their communal artistry and shared experiences and success, Penn & Teller differ on the moments that made them fall for Las Vegas.
For Penn Jillette, it was a quick side trip to Vegas he made with a group of friends in the late 1980s. The plan was to tour the Grand Canyon, but, you know, Vegas was right there.
"We came to Vegas just to make fun of it," Jillette says during a chat in the Monkey Room, the backstage enclave that serves as Penn & Teller's meet-and-greet room at the Rio. The walls are laden with photos of stars the two have met during the course of their career; a wide array of celebrities such as Liberace, Don Rickles, Madonna, David Letterman and Bob Newhart. "We had on our leather jackets and our Ramones shirts. We went to see Dean Martin, in order to — not loudly or vocally — ridicule him. You know?"
But 20 minutes into the show, Jillette found he was part of a sleight-of-attitude performance.
"Dean Martin destroyed us. He just shut us up," Jillette says, practically shouting through the retelling and comparing the consistent pace and personality to his favorite band. "It was one of the best shows I had ever seen, and I thought it was identical to the Ramones in that they just talk faster and louder and in the same key and it becomes something beautiful. Dean Martin took this relaxed and not-giving-a-crap attitude and did a whole show with no ups or downs, and it was so fascinating to me. I was just blown away."
Teller was similarly awed by a different sort of traditional Vegas performance: the Donn Arden showgirl spectacular "Jubilee!" at Bally's.
"Penn and I were visiting Vegas with a band called the Residents, and we all decided to see a Vegas show," Teller says in a separate interview in the Monkey Room. "I remember one of the guys, who was from Louisiana and spoke in this deep, round, welcoming Southern tone, saying, 'What I love about that show is, you plunk down your admission price and you sit back and say, "Spend it!'" That's true to this day: You feel that 'Jubilee!' is a generous show. Big and generous and absolutely unpretentious, and it comes out of a real tradition."
Twenty years after debuting on the Strip — appropriately enough at Bally's, where Martin once starred and "Jubilee!" still does — Penn & Teller are themselves a Vegas institution. It is no mere coincidence that they possess the same sense of affable, aloof confidence that Martin brought to the stage, or that their show is among the city's more generous for its thoughtful and stylish staging.
In January 1993, Penn & Teller found themselves headliners at the Celebrity Room at Bally's. Even though the duo had developed a heartfelt appreciation for the best-known Vegas shows, they were not at all confident that their offbeat comedy and magic show would be as well-received as, say, Dino or Frank Sinatra, who sold out the Celebrity Room with an act that was (to put it mildly) nothing like their own. They had evolved from street performers in Philadelphia to the darlings of off-Broadway by the mid-1980s, when such hip entertainment and pop-culture luminaries as Lorne Michaels, Paul Simon and Andy Warhol turned up to watch them perform Penn & Teller at the 230-seat Westside Theatre.
The smart, sophisticated and discriminate fans loved the show. So did reviewers for the The New Yorker and The New York Times, who kept writing what Teller describes as "love letters" about the show. But what about the average ticket-buyer? The duo's onstage sensibilities were put to the test in a late-1980s run at Trump Plaza in Atlantic City, booked by the mysteriously confident Joel Fischman, who would later sign acts into Bally's in Vegas. The performers felt their lengthy monologues and such delicate acts as "Shadows," in which Teller painstakingly snips away silhouetted roses on a white sheet as the real flowers fall to the floor, would fly over the heads of a casino crowd.
"We said, 'Those Philistines? Really?'" Teller recalls. "We had the total supercilious, cocked eyebrow. 'Are you serious?'" But they filled the room during these performances, sharing the bill with such coheadliners as B.B. King, the Temptations and even hot comics of the time like Dana Carvey. They learned that being concerned about demographics, or the type of audience that would happen into a Penn & Teller audience in a place like Vegas, was not their concern.
"There are people who have put a full-time salary's worth of thought into that process," Jillette says. "I said to Teller, 'It's not our job to figure out our audiences.'"
They filled the 1,400-seat Celebrity Room on their opening night. This, without issuing a single free ticket to a VIP or invited guest, something even Sinatra hadn't managed. "That's how you beat Sinatra's record — by knowing no one in Vegas and having no high rollers who want to see you," Teller says in his wickedly high-pitched laugh.
The sold-out Bally's dates became regular dates at Hollywood Theatre at MGM Grand after the Celebrity Room closed, and in January 2001, they debuted at the Rio, where they are still the permanent headlining act in the Penn & Teller Theater. Now 20 years after they first stepped onto a Vegas stage as headliners, they consistently draw 1,200 fans per show, five nights a week, one of Vegas' best-selling and consistently inspired performances. Their recent six-year extension made them record-breakers as well, as the longest-running headliners at one venue.
Penn & Teller have become an institution principally by remaining unique. When they started, there was no other Vegas production quite like theirs, a blend of simple magic, forcefully opinionated oratory and sharp comedy.
"When we started here, people came to Vegas for two nights, and they would act in a way they didn't normally act," Jillette says. "They'd smoke cigars, chase women around and go see shows that they knew would suck anyway. And it seemed like after two nights they were saying, 'You know, we might want to see something that's actually good.' That's what I believed changed. Acts started coming here that were actually good and inspired — Blue Man Group and even Cirque du Soleil — and these are all acts that are not seen ironically."
The interpersonal chemistry via their aggressively dissimilar personalities is one reason Penn & Teller have managed a consistent mystique in the face of an ever-evolving Vegas entertainment culture. The unfailingly extroverted Jillette is the one who opts for national television, visiting "The Celebrity Apprentice" for a second time starting in March to raise money for Opportunity Village as part of Donald Trump's all-star cast. As a side project, Teller has developed the off-Broadway spook play "Play Dead." Of course, the 6-foot-7 Jillette narrates (at high volume) the duo's stage show, while Teller, almost a foot shorter and a great deal smaller in frame, is forever muted onstage.
"I actually think it helps, my silence, because of my almost annoying level of clarity when I talk," Teller says. "When I turn that off, it turns into a clarity of action onstage. The silent thing onstage allows for a kind of intimacy that no conversation can have. If I just shut up, we're forced to look at each other and really confront that moment."
He pauses and adds, "Onstage, I find absolutely nothing but exhilaration in not talking. And also, I have a guy who talks in fire as my co-conspirator. He is great, and I love listening to him. The audience loves listening to him, but I also think the audience loves the breath of being able to stop and say, 'Now I need to figure out what's going on.'"
There is a great curiosity about how Penn & Teller actually get along, personally. Gone are the days they shared an apartment in New York, which eases tension on the relationship because, as Jillette says, "We only see each other when we want to." They meet weekly, on Tuesdays (unless rehearsals break the schedule), usually at a Starbucks, to swap ideas.
"We sit and we talk about all the things we've been reading or learning, all of the little ideas or tricks that have inspired us, and we have a conversation," Teller says. "Out of that conversation emerges ideas — or half an idea. That half-idea will sit out there in space for a while, until the other half comes in. It very often happens that one half of the idea will come from one guy and will sit there, and six months later, the other half of the idea will come in."
Their most groundbreaking career move came from Teller, who originally broached the idea that the duo should relocate to Vegas full-time.
"There was never a plan to play here more than a month a year," Jillette says. "But we found that in New York it was too hard to build stuff, too hard to get rehearsal space. And it was really expensive to use as a headquarters: We owned places in the most expensive real estate market in the country, yet we'd be on the road for eight months. So Teller finally said, 'We should live someplace cheaper and warmer. It needs to have a good airport that flies everywhere.'"
That decision, to make Vegas the in-fact home of Penn & Teller, changed their career. They have full run of the Rio theater, bringing in their own support team to rehearse new acts — three are always in some stage of development — and are constantly tweaking the production.
The cerebral, methodic duo who once titillated the New York elite have now been around long enough that they have fans spanning generations. Teller recalls the moments when parents bring their children to see them perform in Vegas.
"We've had this happen, someone coming to us and saying, 'I just want to tell you that 25 years ago I saw you on off-Broadway in New York. I was 6 years old, and you brought me onstage. … And I want to introduce you to my 6-year-old kid,'" Teller says. There is a long pause, and tears well in his eyes. "That's pretty hard to beat, as a compliment, for someone to bring their kids to see what we do. It's pretty special."
There is a word for it, and it's called magic.
Follow John Katsilometes on Twitter at Twitter.com/JohnnyKats. Also, follow "Kats With the Dish" at Twitter.com/KatsWiththeDish.


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We visited the wonderful Powerwood Camp in August 2015. The children and young people there recorded one another for a one-off radio show.
PowerWood C.I.C is the UK's leading not-for-profit, community driven, social venture committed to raising awareness and supporting and improving the emotional wellbeing of families and individuals living with intensity, hyper-sensitivity and super-reactivity. Psychologists refer to these combined traits as 'overexcitability' (OE). Having this increased sensitivity, awareness and intensity makes a real difference to how life is experienced. These positive personality traits may bring above-average energy, pleasure, enjoyment, creativity, interests and empathy. OE also often comes with the deep urge to make the world a better place for everyone.


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Mc PHERSON BIPOLAR FORCEPS INSULATED TIP SIZE 0.3 mm


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Welcome to MAS Academy of Martial Arts Training Center . Our entire staff would love to invite you to experience the ultimate in Martial Arts and Fitness success. We have been providing children's age-specific, development programs and adult muay thai, mixed martial arts and self-defense courses for almost 12 years. That kind of expertise is rare and we hope you will find out what everyone has been talking about!
What makes Mas Academy of Martial Arts Training special is that we are the only area martial arts school that uses in EVERY program we offer specialized curriculum. Our age specific children's programs not only separate through smaller age groups for more success, but are developed not just through martial arts moves but through Physical, Intellectual, Emotional and Social skills training. Our staff is dedicated to meet and exceed your expectations from our customer service from our office to the training floor by our certified Coaches and Instructors. If quality is what you are looking for, you are at the right place.
Our greatest success is that our community of Instructors, students, parents and affiliates have found personal growth within our friendly and safe environment where our philosophy will enhance anyone's rooted attributes while teaching the all important qualities of a champion. Although the majority of our students do NOT compete in a sport environment, MAS has produced champions in ALL of our programs, whether it be MMA, Brazilian Jiu-Jitsu and Muay Thai Kickboxing, So start your next chapter with an Intro Program at MAS Academy of Martial Arts and be a part of our long history of success stories. We would love for you to be a part of our family.
Kru Chris Kew


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Anchors Away Baby Shower
Guides, Tips & Videos
We've teamed up with Kim Stoegbauer, party stylist extraordinaire and founder of The TomKat Studio blog and shop, who designed this yellow and navy, nautical-themed shower. The classic maritime color scheme makes it a fun choice for summer showers and looks especially striking in outdoor environments.
We hope that with Kim's tips and printable templates, you'll find all the inspiration you need to plan your next party. Learn more about our guest stylist here.


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NORTH LITTLE ROCK — Gov. Mike Beebe said Tuesday there is no "fuzziness" to his administration's estimate of expected savings from the so-called private option, emphatically rejecting Republican gubernatorial candidate Asa Hutchinson's description of it by that term.
NORTH LITTLE ROCK — Gov. Mike Beebe said Tuesday there is no "fuzziness" to his administration's estimate of expected savings from the so-called private option, emphatically rejecting Republican gubernatorial candidate Asa Hutchinson's description of it by that term.
Beebe also said Arkansas has "a crisis in corrections," in part because of overreaction to one particular case in which the parole system broke down.
Beebe spoke at the winter conference of the Arkansas Sheriffs' Association a day after Hutchinson spoke to the same group. Hutchinson told the sheriffs Monday, when asked about the possibility of budget cuts if the private option is not renewed this year, that he believes "the numbers are very, very loose." He told reporters later that "I think there's a lot of fuzziness on what may or may not happen" if the private option is not renewed.
The private option is the state's program that uses federal Medicaid money to provide private health insurance to low-income Arkansans. About 85,000 people have enrolled so far.
Beebe told the sheriffs Tuesday, "Those people that would criticize that budget, whether it's Mr. Hutchinson or anybody else for that matter, if they've got better numbers, I'd sure like to hear them. If they've got a better source than DF&A and the national sources that we've utilized in this state since I've been in government, which is 31 years, going on 32 now, I'd sure like to hear them."
"It's not hype. It's not B.S. It's plain old arithmetic," he said.
Beebe, a former state senator and state attorney general, is term-limited. He defeated Hutchinson in a hard-fought governor's race in 2006.
Hutchinson, a former U.S. attorney, congressman, administrator for the U.S. Drug Enforcement Administration and undersecretary for the U.S. Department of Homeland Security, has two Republican primary opponents, state Rep. Debra Hobbs of Rogers and Little Rock businessman Curtis Coleman. Former Congressman Mike Ross is the only Democratic candidate for governor.
Talking to reporters Tuesday, Beebe said tax cuts approved during last year's legislative session make the expected savings from the private option crucial.
"Now you're in a situation where you've spent that money, in the form of giving it back in lower taxes, therefore less revenue to the state, and it's being paid for by the proceeds of the private option," he said. "If that goes away, what are you going to do? You've got a problem."
Hutchinson said Tuesday that his comment about fuzziness was not meant as an accusation but as a reference to the fact that there are still questions he has not heard anyone answer.
"The estimate was that we were going to have 250,000 (enrollees in the private option), and if we're going to get there I'd like to know what the time sequence is." he said. "And then secondly, if this winds up being a 125,000 enrollee program, what is the impact on the budget?"
State Department of Human Services spokeswoman Jane Luck said Tuesday that no prediction has been made as to when enrollment may reach 250,000. She said the estimate of savings from the private option is not based on an enrollment number but on the savings from canceling programs funded by traditional Medicaid and moving the participants into the private option.
"We had to calculate the savings form the savings of the tuberculosis program, the breast and cervical cancer treatment program, the family planning waiver and ARHealthNetworks," she said.
Canceling those programs accounts for $55.8 million of the $89 million in estimated savings, with the rest coming from reducing the state aid that hospitals, community health centers and prisons receive for uncompensated health-care costs, according to DHS.
Also Tuesday, Beebe told the sheriffs he now believes "we overreacted" to the case of Darrell Dennis, a parolee accused of killing a teenager while free despite multiple arrests. The case led to changes that make it harder for parolees awaiting revocation hearings to be freed from jail, which Beebe said has resulted in county jails filling up with parolees, especially in Pulaski and Sebastian counties.
"We've got a crisis in corrections now, and I have proposed ways to try to address that," he said.
Prison officials are making changes to try to alleviate the problem, Beebe said. He also noted that his proposed balanced budget includes funding for 350 new prison beds, though he acknowledged that "even with this new money the problem's not going to go away."


text:
smartirc4net (C# IRC Library)
SmartIrc4net is a multi-threaded and thread-safe IRC library witten in C#.
It allows you to communicate with IRC servers. The API features full channel
syncing and is split into 3 layers: IrcConnection, IrcCommands, and IrcClient.
This requires: mono
Maintained by: crocket
Keywords: smartirc4net,mono
ChangeLog: smartirc4net
Download SlackBuild:
smartirc4net.tar.gz.asc (FAQ)
(the SlackBuild does not include the source)
|Individual Files:
| slack-desc
| smartirc4net.SlackBuild
| smartirc4net.info
© 2006-2019 SlackBuilds.org Project. All rights reserved.
Slackware® is a registered trademark of Patrick Volkerding
Linux® is a registered trademark of Linus Torvalds
Web Design by WebSight Designs | Managed Hosting by OnyxLight Communications


text:
The American Anthropological Association is pleased to offer two internship opportunities funded by member donations.
Internships are six weeks in length from June 30 through August 8, 2014. Internships are unpaid however; interns will be provided housing and a meal/travel stipend.
Interns will spend approximately 40 percent of their time working onsite at the AAA offices in Arlington, Virginia, and the other 60 percent of their time working on-site at one of three locations described below.
- Undergraduate students in their junior or senior year
- First Year Graduate students (completing the first year of graduate work by June 2013)
Visit the AAA Summer Internship Program webpage for the application. Application deadline is March 15, 2014.
Click here to support this Internship Program through a financial contribution.
NHHC Internship
The Underwater Archaeology Branch (UAB) of the Naval History & Heritage Command (NHHC), the official history program of the Department of the Navy, is located at Washington's historical Navy Yard. The office serves four main functions:
- Cultural Resource Management, Historic Preservation & Policy Development – Resource management involves implementing an overall cultural heritage policy, ensuring Navy remains in compliance with federal laws and regulations, forming a sunken military craft inventory, crafting individual site management plans, coordinating violation enforcement, coordinating human remains issues, and extensive collaboration with federal, state, local agencies, international counterparts, the non-profit sector, the private sector and the public to best manage sunken military craft.
- Archaeological & Historical Research – Intrinsically tied to the management of sunken military craft are the inventory, survey, assessment, documentation, research and monitoring of these ship and aircraft wrecks. NHHC undertakes archaeological research as a lead agency, as a collaborator, as a guide, and as a monitor and permit-issuer in the case of external archaeological surveys and/or actions that disturb sunken military craft.
- Artifact Conservation & Curation – All historic artifacts recovered from an underwater environment require some form of conservation and a proper curation environment to remain in a stable condition. NHHC, via its Archaeology & Conservation Laboratory, is directly responsible for about 9,000 artifacts originating from sunken military craft.
- Education, Public Relations & Information Dissemination – Public education and outreach is a fundamental mission component of NHHC as it helps promote the Navy's heritage and preserve its sunken military craft from disturbance. Information dissemination occurs through channels such as publications, presentations, lectures, a web and social media presence, and press coverage is pursued on a regular basis.
Interns can expect to work on tasks such as: preparing, undertaking, or following up on field investigations; conducting archaeological and historical research; reviewing, editing or preparing reports; synthesizing information and preparing policy or case study briefings; conserving artifacts; assisting with the UAB artifact inventory, management, and loan programs; coordinating partner and inter-agency correspondence; and participating in public outreach and education initiatives such as tours, lectures, presentations, and web presence.
National Museum of African Art Internship
The National Museum of African Art has the largest publicly held collection of contemporary African art in the United States. This collection includes more than 9,000 objects representing nearly every country in Africa dating from ancient to contemporary times, and includes textiles, photography, sculpture, pottery, paintings, jewelry and video art.
According to the Smithsonian, the museum's mission is to foster the discovery and appreciation of the visual arts of Africa, the cradle of humanity.
The selected intern would be placed in the museum's curatorial department, and their assignment would include object-based work related to a future exhibition.
An interest in gender theory as it relates to African culture and art is required for this internship, as well as a background in curatorial practice and procedures.
AAA On-Site Activities
AAA activities will include the following:
- Assisting in the planning for the RACE: Are We So Different? press viewing for its opening at the Smithsonian Museum of Natural History; research membership trends in the AAA; developing and drafting materials for the AAA bi-weekly podcasts; drafting text for Anthropology News (AN) newsletter articles and other activities as assigned.


text:
The fascinating life of Dr. Smith began on November 8, 1916 in a small Holland Dutch community in northern New Jersey where the news of the day reported that "Mr. and Mrs. Barney Smith" had become the proud parents of a baby boy who they named Alfred Barney Smith.
Alfred's early years were filled with loving care from a Father and Mother who loved the Lord. Carrie Smith was a stay at home mother who was able to spend her time encouraging and teaching her son in the three "R's", reading, writing, and arithmetic, to which she added the fourth "R", religion. At an early age Alfred learned the stories of David and Goliath, Daniel in the Lion's Den, Noah and the Ark and best of all the story of Jesus.
Though his mother had never received any extensive musical training she did love to sing. The first song she taught young Alfred was "Jesus loves me this I know, for the Bible tells me so", soon followed by "Jesus Bids Us Shine", and of course "America" and "Onward Christian Soldiers" for which he was given a little flag to wave as he marched around the room. These became his favorites.
Feeling that music would be one of his most important ingredients in the home, a Symphonic Model phonograph manufactured by Thomas Alva Edison was purchased.
With the phonograph came twenty-five records chosen by the company. At the time, little did the young parents realize how much their
included records would affect the future of thier young son.
Young Mother Smith had always loved the violin and in the
set were two records by a talented violinist named Albert Spaulding, a family member of the famous Spaulding family who manufactured athletic equipment. He played some of the beautiful compositions written by the world-renowned violinist, Fritz Kreisler, such songs as "The Old Refrain", "Liebesfreud", "Caprice Viennois", etc. The young father and mother were thrilled with the recordings and four-year-old Alfred in the months and years ahead would learn to love them too.
We thought these early and interesting details deserved more than just a casual mention.
It was these early decisions by his young parents that helped build the
foundation and set the direction Alfred would go in the future.
When Alfred was eight and a half years of age his mother began to see that her son was developing an interest in the violin. During this time he rediscovered the old Edison records of Albert Spaulding and began to play them often.
Observing this, she decided that it was time to start her son on the violin. She was fortunate in securing a Holland/Dutch immigrant named, Herman De Young, who proved to be a very good and honest teacher. Alfred made wonderful progress, in fact, when he reached the age of eleven his teacher advised his mother that he had taught his pupil all that he could and thought it was time for a new instructor. She found Roderick Meakle a special member of the faculty of the Juliard School of Music, who was also an associate of Leopold Auer, the world renown teacher of such violinists as Yoshua Heifitz, Isaac Stern, and Yehudi Menuhin. Under the teaching of Auer and Meakle, young Alfred made great progress, soon he was performing in concerts in various parts of the east including solos with various symphony orchestras.
At fourteen he was invited to a tent meeting in Hawthorne, New Jersey, where he accepted Christ as
Savior. He was thrilled upon hearing the one hundred and fifty people in the tent singing "Saved, Saved, Saved" and "One Day." That day he fell in love with Gospel
music It was a love that never left him.
In 1930, he began playing on radio broadcasts. The station was WKBO, located in Jersey City, New Jersey. The
program was called "the Old Fashioned Gospel Hour." A young fellow by the name of
George Beverly Shea was also on the broadcast. In 1933,
Al met Wendell P. Loveless, Director of WMBI, and the radio voice of Moody Bible Institute. In 1934, Alfred enrolled at the Moody Bible Institute in Chicago, at the invitation of Mr. Loveless. He became a member of the WMBI staff, which more or less prepared him for his future ministry of radio, recording, and publishing of Gospel music.
In 1937, Alfred B. Smith graduated from Moody Bible Institute and immediately began as Minister of Music at The Church of the Open Door in Philadelphia, Pennsylvania, pastored by Dr. Merrell T.
MacPherson. In the fall of 1938 the church loaned him to The Philadelphia School of the Bible - now The Philadelphia College of the
Bible. C.I. Scofield who gave us the Scofield Reference Bible was the founder. Smith was teamed with W. Douglas Roe, a young and successful Pastor in New Jersey. It was during that year that he wrote "For God So Loved the World" after visiting
the ninety-four year-old hymn writer George C. Stebbins.
He was beginning an adventure in inspiration that kept him occupied for over sixty years.
In 1939 he was offered a scholarship to Wheaton College
(which he gratefully accepted). His next three and half years
were busy ones. That first year he spent each weekend
in Chicago where he
was the choir director and song leader for a large church
pastored by Dr. Harry Hager.
In the fall of 1940 Billy Graham
was a student at Wheaton. Smith and Graham struck up an early friendship and decided
that they would work together as a team. Graham
did the preaching and Smith coordinated the music. As a result of their
ministry Singspirataion was born in 1941. God worked
in a mighty way...in Singspiration's first two months
of sales the entire printing of five thousand books
was sold!
On Valentines Day of 1942 Al Smith
married Catherine Barron at the Wheaton Bible Church. The same year he
produced "Singspiration Two",
"Favorites", and choose Zondervan of Grand Rapids, Michigan to be his distributor.
In 1943 he graduated from Wheaton and became the associate pastor of North Baptist Church of Flint, Michigan. Before leaving Wheaton, Billy Graham,
Bev Shea, and Al presented their idea for Saturday night meetings in Chicago to Torrey Johnson, a well-known pastor and radio preacher in Chicago.
Much to their dismay, they were turned down.
However, God again showed Himself faithful as only a
year later "Youth for Christ" was started in Chicago. God had worked another
miracle in his life. After two years of a wonderful ministry in Flint, Smith
felt lead of the Lord to resign from North Baptist and move back to Wheaton to devote his time to Singspiration and Youth for Christ. For the next ten years his days and nights
were spent engaged in those two important ministries.
In 1947 his wife "Kay" became ill. After two operations and several months
at the Mayo Clinic, she was diagnosed as having Multiple
Sclerosis. During the next five years her illness made her more and more weak.
Finally in 1953 he decided to move back east. First to his hometown of Ridgewood, New Jersey and then to Montrose, Pennsylvania. Montrose
became the new headquarters for Singspiration and a new Christian radio station, WPEL. In 1957, John W. Peterson, Norman Johnson and Harold DeCou join the Singspiration staff. New publications including cantatas begin to cover not only America but Canada, England and other parts of the English speaking world.
Though the ministry was growing by leaps and bounds,
Catherine's health continued to decline. In 1960 Catherine, after her long illness,
went to be with her Savior for whom for years she longed to see. With Al she left two children; Barbara and Gordon.
In 1963 Singspiration moved to Grand Rapids and
became part of Zondervan.
Al remained in Pennsylvania. Free from the pressure of Singspiration
he devoted most of his time to ministering in church
meetings. He also kept quite busy with the writing
and publishing of "Hymn Histories", and the hymnal "Living Hymns." "Living Hymns"
was published in 1972 and "Hymn Histories" in 1982. These books
were well received and Al Smith was back
doing the thing he liked best.
In 1966 he married Nancy Wilbur from the little community
of Heart Lake Pennsylvania. Al and Nancy
raised four children, Rebecca, David, Sarah, and Jonathan.
In 1985, to make sure that their children would get Christian teaching, they moved to Greenville, South Carolina, where they attended Bob Jones Academy. Here for the last fifteen years
of his life he was able to continue his publishing.
Though he battled cancer in his later years, Dr.
Smith was always going the extra mile to share the
love of God with others whether in his home church,
The Greenville Christian Fellowship, or in any of
the countless other churches across the nation
that he and Nancy have ministered in.
Dr. Alfred B. Smith went
home to be with the Lord on August 9, 2001 with
singing and praise to his Lord and Savior Jesus


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text:
Bowl Free" all summer at Logan Lanes
Send a link to a friend
[June 20, 2014]
LINCOLN - Shawn Taylor is excited about
a new nation-wide program "Kids Bowl Free." Taylor has made the
program available for the first time locally at Logan Lanes. "Kids
15 and under can bowl two free games a day all this summer," Taylor
The program is already open and lasts through Sept.
Taylor, who has been running Logan Lanes for 30 years said, "This is
the best idea for bowling I've seen in 10 years."
The idea seems to have caught on, as of Thursday 760 kids had been
registered. With no pool available at the recreation center, he is
encouraging parents, and even grandparents who are watching kids,
"come use our free air conditioning."
All that is required to participate is for parents to sign kids up
online at the Kids Bowl Free website.
There is even an opportunity for parents to get a special pass at
only $24.95, so they can come bowl with their kids. Schools are even
joining the program, Carol Catholic signed up.
[to top of second column]
A wide availability of hours seven days a week that
are listed on the website. Thursday through Tuesday offers the
widest range with hours from 11 a.m. to 10 p.m. each day, and the
times even include the popular Cosmic Bowl from 2 p.m. - 4 p.m. on
Saturday's. Modified, but still plenty of hours are offered on
Wednesday and Thursday.
For more information and to sign up, go to
Bowl Free.com; click on Illinois; Lincoln, Logan Lanes.
Logan Lanes is located near just west of the Parkway at 1700 5th
St., Lincoln, IL, 62656
Phone (217) 732-2443.
[By JAN YOUNGQUIST]
Recent articles
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text: I saw the attached photos of a Bremont Special project watch. It is difficult to find who this project was done for - does anyone know please? Is it 16th Air Assault - may not be because the Eagle doesn't match the Eagle emblem used by 16th Air Assault, and the watch is a 2017 watch and the Eagle was replaced by the Pegasus emblem in 2015. Any info on which project Bremont did this for would be interesting.