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Starbucks has reached every corner of the world and impressed a large majority of those to pass through the coffee shop's doors. For 16 years, the company has been named in Fortune Magazine and has been ranked as the number one food and beverage industry in 2018. Caramel macchiatos, white mochas, and original Pike Place coffee have helped the company get to where it is today, with many additions along the way. Sure, you can get your caffeine just about anywhere else, but it might be lacking the flair (and the cost) that Starbucks offers.
So, how else does Starbucks stay at the top? Perhaps, it's the social media appeal that drinks like the Unicorn and the Crystal Ball (this one was less of a hit, but actually tasted great—you can still order it by getting a creme-based frappuccino with peach infusion) get, or maybe, it's the devotion of the regular customers. Whatever it is, we're impressed.
No one can reach the top without their flaws, though. That's why we've put together a list that includes the good and the bad. We've already looked at menu options here in the States; now, let's take it international.
Starbucks has locations in six continents and in over 45 countries, each with unique beverages not available to the rest of the world. Ranging from a small twist on familiar drinks to entirely new creations that we'd love to try, good to bad, and with or without caffeine, they seem to have done it all. To make it easier for you, we've put together a list of the best and worst drinks international Starbucks stores have to offer.
20 Avoid: Cereal Latte With Oat Milk
Cereal is delicious, and so is oatmeal. But what even is oat milk? As you may have guessed, it's basically just oats and water with a few extra steps. That doesn't sound too bad, but it doesn't make a good latte.
As far as milk alternatives go, oat milk seems to be the least risky for allergens, so it's a win on that field. However, it could be substituted into any drink. Mixing it with cereal ingredients just sounds like a recipe for bad oatmeal. We'll stick to the traditional oats. Still interested? This one is available in France and the UK.
19 Try: Banana Split Mocha Frappuccino
Who doesn't love banana splits? They've been around for over 100 years for good reason. A banana cut in half, topped with the classic trio of ice cream, chocolate, strawberry, and pineapple syrup, with whipped cream and a cherry. Thank you, David Strickler, for creating this traditional dessert.
It's only fitting that one of the most popular desserts would come together with one of the most popular coffee shops. Chocolate banana blended, layered between strawberry whipped cream and vanilla whipped cream, topped off with waffle pieces—too bad it's only available in Hong Kong. This one's a must-try if you get the chance!
18 Avoid: Avocado Blended Beverage
Avocados are definitely "in" this season after having gained massive popularity through social media, so this drink is no surprise. It only makes sense to incorporate the popular fruit (although it seems like a vegetable) into a trendy, photogenic beverage. Loaded with potassium, fiber, and fatty acids for your heart, it's one of the healthiest fruits on the planet.
Even with all that, though, there doesn't need to be an avocado blended beverage. They taste great as an add-on or in guacamole, but this drink is made to look and taste like an avocado. If you want to brighten up your social media channels with a picture of this one, it's available in South Korea.
17 Try: Sakura Blossom Frappuccino
Starbucks doesn't often let major holidays go without a drink to honor it. In Japan, each spring is brought in with hanami or the cherry blossom festival. The sakura blossom frappuccino is just the right shade of pink, topped with chocolate and rice petals. Looks alone make us want to try this one.
It's blended with milk, ice, and sweet cherry blossom flavoring, and it sounds delicious. If frappuccinos aren't your thing, it's also available as a latte, hot or iced. You'll still get the petal topping and delicious taste but with added espresso.
16 Avoid: Caramel Coffee Jelly Frappuccino
Now, this just sounds extreme. With the bubble tea craze going on, Starbucks just had to get involved, but it'd be too much to ask for bubble tea in stores. So instead, they created jellies to put into frappuccinos. We aren't sure how Starbucks makes the jelly, except that they use dark roast coffee, but typically, it's made with coffee, sugar, and gelatin.
The rest of the drink is a caramel frappuccino blend, topped with whipped cream and caramel drizzle. Leave out the strange coffee jelly, and we're sold. We'll stick with the frappuccinos here, without coffee jelly, and the UK can keep their jelly.
15 Try: Tahitian Vanilla Macchiato
Tahiti is known for its black pearls, beaches, volcanoes, and now, the Tahitian vanilla macchiato as well. This beverage is made with signature Starbucks espresso, sweet Tahitian vanilla (which has a caramelly taste), and steamed milk, topped with a vanilla syrup crosshatch and vanilla bean specks.
Macchiatos already taste amazing, so you can only imagine what one might taste like with Tahitian vanilla instead of the classic vanilla syrup. Unfortunately, this drink is only available in Asia. If you have the chance to visit a Starbucks in Asia, you should definitely give this drink a try. It's available hot or iced, so it's good any time of year.
14 Avoid: Christmas Panettone Latte
Somehow, fruitcake remains a holiday classic, but we aren't sure why. Panettone is Italy's version, but it doesn't get much better. Starbucks may have chosen to call it "panettone" instead of "fruitcake" to avoid the negative reactions bound to follow.
Traditionally, panettone is a sweet bread with candied fruits and raisins mixed in, and its latte counterpart is quite similar. Starbucks combines espresso with bread and butter flavor and tops it with dried cranberries, apples, and oranges. It doesn't get much worse, but this one's available in China if you choose to try it alongside the banana split mocha frappuccino.
13 Try: Yogurt Frappuccinos
If you go to Mexico, you can try the slightly healthier version of a frappuccino. Blended with yogurt, it's practically a smoothie. Sounds delicious. They have different fruit flavors: mango, pineapple coconut, and berry, so if one doesn't sound appealing, then another might. Being healthy is more fun when it's colorful and fruity.
You just might have to book your next vacation to Mexico so you can try this one. Relaxing on the beach with a yogurt frappuccino in your hand and your toes in the sand sounds like a perfect getaway. Who could resist? Hopefully, these come to US stores soon.
12 Avoid: Pistachio and Rose Mocha
Many people love pistachios, and many people love the smell of roses, but whoever thought of mixing the two with mocha and espresso? Crafted with signature espresso, steamed milk, pistachio, rose, and mocha flavors, it sounds more like a garden than a beverage. The drink is topped off with pistachio and rose whipped cream and crumbles, just to amplify the flavor there needs to be less of.
There are many other ways to get your pistachios, and we think the roses should stay in a vase or a fragrance. If you're interested in this one, it's available in Europe, Africa, and the Middle East.
11 Try: Maple Latte
Not to be confused with the American version, the maple pecan latte, the maple latte consists of espresso, steamed milk, and maple syrup, topped off with whipped cream and maple crumbles. It's a perfectly sweet syrup latte, great for those who prefer the coffee taste and even those who don't. The sweetness is enough to balance the espresso for anyone, and you can ask for more pumps if it isn't.
This one is available in Europe, and we can't wait to try it. Maybe someday, it'll migrate to the US, but for now, we have vanilla lattes and maple pecan lattes.
10 Avoid: Sweetmeat Frappuccino
Now, you may not have heard of sweetmeat, but it definitely sounds unappealing. It actually just refers to sweets, like candy. That doesn't sound too bad, right? Here's the catch—the beverage is based on a Latin American dessert called "doce de leite," which is made by cooking a can of sweetened condensed milk, unopened, at a simmer for 2 hours, then refrigerating the concoction for another 3-4 hours.
While we don't recommend the sweetmeat or doce de leite frappuccino, it's available in Brazil Starbucks locations if you're brave enough. For now—and most likely forever—it's not available in US stores. Perhaps, it's for the better.
9 Try: Cream Coffee Pudding Frappuccino
The cream coffee pudding frappuccino is only available in Asia right now. It's made with coffee pudding with cream and topped with espresso whipped cream and espresso powder. Pictures don't do it enough justice for how it sounds. Creamy coffee pudding with more sweet coffee flavor to top it off? Heavenly, almost.
We'd take a trip to Asia just to try this one, but in the lineup with the cherry pie frappuccino and the other Asia-exclusive beverages here, there's no reason not to go. If only a trip were that simple. Be sure to try this one for us if you get the opportunity.
8 Avoid: Cajeta Frappuccino
Cajeta is caramelized goat's milk, similar to the caramelized sweetened condensed milk, doce de leite previously mentioned. It's popular in Mexico, where this frappuccino has hit Starbucks stores. We'd rather stick to the classic caramel made from sugar. Something just seems odd about caramelized milk.
Although this one may be popular where it's on the menu, we're satisfied with the caramel frappuccino and the ultra caramel frappuccino (made with dark caramel between layers of whipped cream) here at home. If you're brave enough for it, you can try this one alongside the yogurt frappuccinos also available at Mexican Starbucks locations.
7 Try: Algarrobina Frappuccino
Another drink from Peru, and with good reason. Algarrobina is a syrup derived from the Peruvian Black Carob tree, used to sweeten everything from milk to cocktails. This one could be the Peru version of the maple latte, substituting their own native syrup for the maple, and we are all for it. The only difference is, this one has added chocolate, blended together with chocolate chips.
To top it off, there are whipped cream and Algarrobina toppings. Starbucks just keeps adding reasons why we should visit Peru. Algarrobina syrup would probably taste delicious in other beverages as well, such as a regular cappuccino.
6 Avoid: Caramel Flan Latte
If you didn't already know, caramel flan is a custard dish similar to creme brulee but with a softer top layer. It tastes like caramel pudding with less sweetness to it. For this beverage, the only clear distinction between it and a regular caramel latte is the whipped cream. If you order a caramel latte, you'll get milk, espresso, and caramel syrup, but this drink also has caramel whipped cream and caramel drizzle.
While it sounds okay, it isn't much more than a caramel latte with added whipped cream and a caramel drizzle, so we won't be dying to try it anytime soon.
5 Try: Brigadeiro Frappuccino
Brigadeiro is a traditional Brazilian chocolate truffle typically served as a dessert, but it sounds like it'd be tasty anytime. What sounds better than a chocolate truffle frappuccino? This one's blended with coffee, chocolate, white chocolate, chocolate chips, and milk and is topped with whipped cream and chocolate sprinkles. To make it even better, the cup is lined with brigadeiro syrup.
If that doesn't sound irresistible, we aren't sure what will. Although this is only available in Brazil, you can order a similar version in the US—java chip frappuccino with white mocha and mocha drizzle in the cup (and dark chocolate curls if available).
4 Avoid: Manjar Blanco Latte
When you translate the Peru Starbucks website, "manjar blanco" becomes "white delicacy," which sounds odd. We looked into it and found that manjar blanco is another milk dessert mixed with vanilla and sugar and simmered until it thickens into a pudding-like substance. It doesn't sound terrible on its own, but in a frappuccino, it can only go one of two ways: extra milk-tasting vanilla frappuccino or a glorified vanilla frappuccino with a new name.
It may taste good, but it definitely isn't worth the try. The vanilla bean and cafe vanilla will do just fine. Still want it? Head on down to Peru.
3 Try: Choco Lucuma Frappuccino
When we first heard about this drink, we had to find out what "lucuma" was. The choco portion sounds great, but chocolate isn't good with just anything. Unsurprisingly, the lucuma is native to Peru, and it's a fruit. Described as tasting similar to a caramelly, maple sweet potato, it's definitely a must-try.
Due to the lack of availability of lucuma in the States, this one will likely stay in Peru, which means we have to go. This one's even arguably healthy since it involves fruits. Even if it weren't, though, we'd want to try it anyway.
2 Avoid: Butterfly Pea Lemonade Cold Brew
You've probably heard of this one. It's new, and social media is all over it. Not surprising since it looks appealing, but the combination of flavors in this drink is absurd. First of all, lemonade and coffee shouldn't mix. Especially not cold brew—the bitterness of the coffee would stand out against the sweet lemony taste of lemonade. Add in the earthy and bitter taste of butterfly pea, and you've got a mess.
This one will be available for a limited time starting February 20, so try it if you have the chance. We expect this one will run out quickly, but we won't be in line to see.
1 Try: Pokemon GO Frappuccino
We couldn't finish going around the world without stopping at home, and this one's definitely one you should try. Although it was a brief promotional beverage, the Pokemon GO Frappuccino is still available in stores, and it's worth the money. It's a vanilla bean frappuccino with raspberry (vanilla bean with raspberry also can be ordered as a cotton candy frappuccino) with berry inclusions blended in.
Most baristas will make this one with whipped cream on the top, but we've seen some add a layer in the middle for the Pokeball effect. Next time you drive by a Starbucks, don't forget to pick up one of these.


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Currently, women in the U.S. have a "1 in 8," or about 12 percent, lifetime risk of breast cancer. This statistic means that for every 8 American women who live to be age 85, one of them will be diagnosed with breast cancer during her lifetime. (Komen Foundation) As you age, your risk of cancer increases. Nearly 200,000 women will be diagnosed this year -- one every two or three minutes -- and more than 40,000 will die of the disease.
I am 42. My good friend was diagnosed at 41 with breast cancer. More recently, my sister was diagnosed at 46. Monthly self-breast exams at any age and annual mammograms beginning at age 40 are so important! I can't stress enough that the mammogram alone is not sufficient. My friend's cancer never did show up on the mammogram. Don't be shy, YOU MUST DO YOUR SELF BREAST EXAM MONTHLY!
If you can't afford a mammogram, contact one of these agencies for low or no-cost mammograms: your local Komen Affiliate, Health Department, Breast and Cervical Cancer Control Prevention (BCCCP) Program, YWCA's Encore Plus Program and the American Cancer Society.
We need to find a cure! Please help by making a donation to either Komen.Org or The National Breast Cancer Foundation. Every bit helps!
This post is dedicated to my sister, Janet, my friend, Lisa , my numerous cousins and aunts as well as all women who are all survivors of breast cancer and especially to my Aunt Mary and others who have died of breast cancer.

subset: commoncrawl


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Governor Cooper and General Assembly: Replace HB972 change.org/REPLACEhb972
It would be an understatement to say that 2016 was a whirlwind experience marked by tumultuous elections and polarizing politics. North Carolina saw its share of ups and downs, including the passing of controversial bills like HB 972, which requires a court order to release footage from police dash cams and body cameras -- essentially making it inaccessible to the public. With the recent election of Roy Cooper as governor and the start of a new legislative session, we the undersigned hope we can amend or replace HB 972 within the first 90 days of the administration.
In September 2016, Governor Roy Cooper stated that he believes HB 972 "doesn't do enough to ensure transparency, which is vital to building trust and respect between law enforcement and the communities they protect." Legislation like HB 972 is harmful because it removes the actions of public servants from the public's eye and into the discretion of the department, where it is subject to biased review. Lack of trust and excessive force have strained relations between civilians and law enforcement across our nation -- something that will not be solved by withholding the evidence of a fatal shooting or altercation.
Reviewing police footage can help make policing safer and more effective for everyone involved, by identifying when and where police encounters take a wrong turn. Sections of the bill implementing a hypodermic syringe and needle exchange program for the prevention of HIV, AIDS, and other bloodborne diseases must be kept in tact. We, the undersigned, ask for a bill that:
- Removes the court order requirement
- Replaces Superior Court judges with district judges as decision makers, when necessary
- Makes footage readily available to the public at the request of the family in cases of possible misconduct, excessive force, or fatality
35,000 people and counting from NC and across the country have spoken.
We ask the NC General Assembly to amend HB 972 to protect citizens' right to know in cases of excessive force and fatal shooting. We also ask Governor-elect Cooper to publicly pledge his commitment to ensuring our state drafts legislation that accurately reflects the kind of law enforcement accountability our state needs. North Carolina has an opportunity to be a national example for police accountability and stand at the forefront of new legislation that protects the right to public access of police video. We the undersigned hope that the General Assembly Governor Cooper will act promptly concerning HB 972 and allow footage from police dash cams and body camera to be a part of the public record.
Join the #ReplaceHB972 campaign as an individual:
Join the #ReplaceHB972 campaign as an organization
Email Candace Howze at firstname.lastname@example.com
MORE: See where your state stands on police body-worn cameras and footage.


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Unwelcome visitor putting down roots on Norfolk coast
PUBLISHED: 17:40 03 July 2016 | UPDATED: 17:40 03 July 2016
Archant Norfolk 2016
It is a toxic invader that has taken hold in hedges and fields and is now, it seems, making an unwelcome appearance on the coast. This giant hogweed, one of many, has been spotted sprouting at West Runton by local resident Terry Miller (pictured).
Giant Hogweed which is growing along Water Lane in West Runton. Picture: MARK BULLIMORE
The plant, which was introduced to Britain from the Caucasus Mountains in the 19th century, is potentially harmful to humans causing the skin to become sensitive to sunlight. It can result in blistering and scars and should be avoided.
Anyone spotting Giant Hogweed should email email@example.com.


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Tagged: diamonds
Sunday sketch #79
I thought I was done with ribbon shapes for awhile, but they seem to have cropped up again. This design is a bit like Sunday sketch #74 – lines emanating from the corners of a square to focus on the centre – but with alternating colours.
I started this sketch after thinking about half-square triangles, but sometimes I wonder if it would be easier to translate designs like this one into quilt patterns by creating long strips of alternating colours (dark red and light red, or light red and white), then sub-cutting them at a 45° angle to get strips of those elongated diamond shapes.
Sunday sketch #64
I went through a bit of a diamond phase a few months back, and every so often I dip back into diamonds to keep exploring this new shape (well, new to me).
I'll probably refine this sketch further, as it actually has a mistake in the bottom right (chevrons pointing right instead of left). Although it may look like a random design, there is (or is supposed to be) an underlying structure! You know I can't do spontaneity without a plan 🙂
Sunday sketch #50
I'm still following the theme of overlapping diamonds – this time a little simpler.
Diamonds making diamonds – starting with one size, ending with three.
This would be a great design for playing with transparency (check out my Pinterest board for some great examples of other quilts doing this.)
Normally I'd give suggestions on how such a design might be translated into a quilt pattern, but this one looks a little tricky. Paper piecing might make the most sense… otherwise I think there'd be lots of fabric pieces of different size to fit together. And/or some partial seams.


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The double dolly shot I chose to focus on was the shot from Mo Better Blues Where Bleek and Clarke are having sex in his apartment, this scene is one that makes the audience feel just as bleak does specifically feelings that are daze like, euphoric and dizzy and I think this particular double dolly scene was really meant to heighten those emotions.
Most of Lee's Double dolly shot are head on angles but this particular one was unique in that it was 360 degrees. I think the 360 double dolly technique in this particular scene creates this sort of removed feeling from what is going on in real time. Similar to how people feel when they're sexually engaged. It can seem as though nothing and no one exists during intimacy.
The reason that I chose this scene as opposed to the many other double dolly scenes lee has orchestrated during his career, is because from other critiques that I have read regarding this filming technique people believe that this sort of technique is a distraction from many of his films content and story lines in an effort to draw attention to the technique itself. From other double dolly scenes i've engaged with I can see how this is true but with this scene I find this technique to do the total opposite in that it engaged the audience with closeness in a way where one felt as though they were present, and in the scene themselves.


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Just what are the upper limits of avian cognitive ability? Various studies reveal how certain bird species engage in mental time travel, tool use, self recognition, theory of mind and even meta-cognition. But how do their non-mammalian brains actually work, and what might a technologically-advanced bird species even look like? Join Robert and Joe as they explore the avian mind.
The Unsettling Depths of Bird Intelligence
Image Caption: The Crow and the Pitcher, from Aesop's Fables. (Jesse Kuhn/Illustration Works/Getty)
Related Content:
Avian Intellects: An Interview with Dr. Onur Güntürkün
Art Spotlight: Huginn and Muninn
The Beastmaster: Winged Devourers - Monster Science (video)
Higher Human Forms: Cut my Arms into Wings
Monster of the Week: Guiron, Foe of Gamera
The Cuckoo Mafia (podcast)
Outside Content:
Video: Cognition without cortex: Onur Güntürkün at TEDxJacobsUniversity
Topics in this Podcast: neruoscience, Birds, biology


text:
8 Branches Of Biology Will Be A Thing Of The Past And Here's Why – 6 Branches Of Biology
Chisholm and Fung affirmation that our adjustment of ciphering conspecific abrogating body urance (CNDD) in application is systematically biased, and present an accession adjustment that shows no laudinal arrangement in CNDD. We authenticate that their access produces acerb biased estimates of CNDD, answer why they do not ascertain a laudinal pattern. We additionally abode their abstruse apropos application an accession distance-weighted approach, which supports our aboriginal allegation of a laudinal acclivity in CNDD and a laudinal about-face in the accord amid CNDD and breed abundance.
Chisholm and Fung (1) affirmation that our statistical access (2) produces CNDD estimates that are systematically biased, causing attenuate breed to consistently display able CNDD. In particular, they altercate that our CNDD estimates for attenuate breed are biased because an account amount was added to absorb recruits (y > 0 filly density) amid in 20 m × 20 m quadrats after a conspecific developed (x = 0 developed density). Retention of all recruits was important because our abstracts authenticate that recruits in quadrats after s acceptable came from s in adjoining quadrats (3). To abstain bent that after-effects from excluding these recruits (4), we accordingly added a minimum developed body of 0.1 (offset value) to quadrats absolute recruits but no conspecific s. This access accustomed us to accommodate all quadrats and accommodated the umptions of a accepted Ricker archetypal that fi the ambush at the agent (5). This is what Chisholm and Fung accredit to as "selective abstracts transformation."
Three ambit of affirmation abnegate Chisholm and Fung's claim. First, if their affirmation is correct, again our access should accept consistently produced able estimates of CNDD for attenuate breed behindhand of their laude. Yet our estimates of CNDD alter essentially amid attenuate breed back they are akin for affluence [figure 2D in (2); see below]. Moreover, average CNDD for attenuate breed differed beyond laudes, with attenuate close breed accepting stronger average CNDD than attenuate abstemious breed [figure 2C in (2)]. Second, abacus the account amount to all quadrats does not qualitatively change either the accord amid breed dainty affluence and CNDD beyond laudes (r = –0.877, P < 0.001) or the laudinal about-face in the accord amid CNDD and breed affluence (r = –0.552, P = 0.006). Third, these allegation abide application an accession distance-weighted access to appraisal CNDD that avoids the use of an account altogether (described in de below).
In contrast, Chisholm and Fung action an accession access to absorb all recruits by including an added accretion ambush in the Ricker archetypal (Fig. 1). However, their modification of the Ricker archetypal and inferences fabricated from it are awry for two reasons. First, the added ambush in Chisholm and Fung's archetypal is ashamed with the CNDD connected (and application parameter, or r) such that the aforementioned abridgement in application with accretion developed densities (i.e., CNDD) can be declared by a advanced ambit of CNDD-parameter ethics (Fig. 1C). This botheration is agnate to accession awry attack to add a third connected to the Ricker model, which has been approved to aftermath acerb biased estimates of CNDD (6). Second, the Ricker archetypal already has an ambush that measures density-independent application (r) (Fig. 1B). The accession of a additional ambush removes a connected admeasurement of recruits from the adding of the CNDD connected in the Ricker model, thereby bold that these recruits are allowed to the access of adjoining s. This acceptance is awry because all recruits (even those that arrive from alfresco the backwoods plot) are accountable to abeyant furnishings from intraspecific antagonism and aggregate accustomed enemies ociated with adjoining developed copse (7, 8). Thus, the accession of an extra-intercept connected appropriate by Chisholm and Fung fundamentally alters the Ricker archetypal so that it no best measures the biological action of interest: CNDD.
(A and B) The Ricker archetypal measures beeline changes in log-transformed per capita application with accretion developed densities (5). The intercept, a, measures density-independent per capita application (r), and the slope, b, measures density-dependent application (CNDD). (C) Allegory of the Ricker archetypal (red) to the archetypal appropriate by Chisholm and Fung (blue), which adds an intercept, I, to the appropriate ancillary of the blueprint in (A). I is mathematically ashamed with a and b, agnate to added attempts that add a third connected to the Ricker archetypal (6), such that a advanced ambit ethics of a and b can call the aforementioned body urance in recruitment. Hence, the bristles overlapping dejected curves apparent in (C) can be declared by a advanced ambit of a and b values. That is not the case with the accepted Ricker archetypal (red lines).
Benchmark tests, which quantify a model's adeptness to balance accepted connected values, added authenticate that Chisholm and Fung's extra-intercept Ricker archetypal produces acutely biased estimates of CNDD. Building on criterion tests provided in our aboriginal cardboard (2), we apish abstracts with accepted ethics of CNDD beyond the ambit of application and beggarly developed abundances empiric in the abstracts while aculation ambiguity due to clearing and accidental absurdity (2, 9). We again activated the adeptness of the extra-intercept archetypal to balance these accepted CNDD values. CNDD estimates from the extra-intercept archetypal were acutely biased, imprecise, and centered at zero, behindhand of the accepted CNDD amount (Fig. 2, A and C). Indeed, Chisholm and Fung accompaniment that their access resulted in CNDD actuality about anemic beyond species, which contradicts antecedent beginning demonstrations of able CNDD for several close and abstemious breed in our abstraction (10–12). This explains
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The family is on vacation. A father takes out his point-and-shoot camera, poses his wife and kids and takes a quick snapshot. Eventually, the photograph is filed away in the family photo album. A meaningless activity? Maybe not. Every day, thousands of family photographs are taken with little regard for the meaning of the recorded image.
Much attention has been paid to scholars' views of domestic life. However, relatively little attention has been paid to cultural productions, such as photo albums, that have been generated by families themselves (Trend, 1992). By neglecting discussion on this subject, scholars indicate that the home is not a place of serious academic work (Trend, 1992). But researchers increasingly are studying the meaning behind the photographs.
April Saul won first place in the Feature Picture Story category at the 1992 Pictures of the Year competition for her portrayal of the American family. She believed that family struggles were an important topic of journalism. "I hope what it [winning] means is that the everyday struggles of an American family are as valid in their own way as the struggles going on in Azerbajian or Sarajevo — and that the private wars next door can be as compelling as the bloody, public ones thousands of miles away."
Family photographs can be considered cultural artifacts because they document the events that shape families' lives. Thus, the recording of family history becomes an important endeavor. In many cases, photographs are the only biographical material people leave behind after they die (Boerdam, Martinius, 1980). But, the impact of family photo albums extends beyond merely recording history. Interpretation of family structures, relationships and self is possible through viewing family photographs.
The Meaning of family photographs
Interpretation of meaning behind photographs assumes that they are a means of communication (Entin, 1979). Family photographs can tell a story. One photograph can be a mini-slice of an occurrence, but the accumulation of pictures begins to reveal threads of consistent themes and patterns. For all practical purposes, they become an informal photo essay.
Much like family storytelling, photographs indicate relationships within and among the family. Indeed, the family photo album is an easy way to initiate outsiders to family history (Boerdam,Martinius, 1980). Photographs provide an easy topic of conversation allowing potential family members, such as boyfriends or girlfriends, to be initiated into family structures and tradition.
A key principle to consider when interpreting photographs is that they are produced by choice. Choices about who, what, when and where to photograph can say as much about the photographer as the subject. The camera does not simply record an event but also records what the photographer chooses to see. Photographs are a statement about one's perception of the world. They are a reflection and definition of self. If that person has a happy family, then others may perceive him to be a good husband or wife. Parents' innocent snapshots are important in constructing their sense of identity (Merz, 1988). Traditionally, photographs have been taken from a male perspective. The father is most often absent from family photographs because he is the one who usually commands authority, poses the family and takes the picture (Trend, 1992).
The family photographer isn't the only one who has authority to shape the family image. Other people may edit the photos. Some photographs are selected for presentation in an album while others are rejected. Control of the editorial process can be as important as control over production of the photographs. Decisions regarding what to keep, throw away and display can provide valuable information about the person assembling the album.
History of Family Portraiture
Portraits of family members originally were produced by early painters. Prior to the Twentieth century, family portraits were a statement of power and profession. Paintings were expensive and time consuming to produce, thereby limiting subject matter to heads of state, military leaders, royalty or other members of the ruling class.
When the daguerreotype was prominent (1840-1860), early inventors and photographers were well respected and belonged to the social elite. When the process was cheaper, people began going to photographic studios, usually during special occasions such as weddings where a serious, dignified atmosphere was observed. The well-respected nature of photography, elegant studio furnishings and the knowledge that a permanent image was being created, caused the atmosphere to be tense and the portraits to appear rigid (Boerdam, Martinius, 1980). Because film speeds were relatively slow, long exposures were necessary, which required subjects to remain stationary for long periods of time.
However, in the later half of the Nineteenth century, impressionist painters such as Vincent Van Gogh changed the manner in which many people constructed family portraits. His paintings were of common people in common situations causing a shift from formal to informal portraiture (Halle, 1991). Similar changes began to occur in the photographic medium during the early Twentieth century. Street photographers began operating around family tourist attractions. At the time, few people owned a camera so it wasn't unusual to have the family's picture taken at the beach by such photographers. As a result, the clothing and poses became more relaxed and informal and the backgrounds became more significant. These types of photos were forerunners to the casual present-day family photograph. By the 1920sand 1930s, photo albums included both formal studio portraiture and carefree vacation shots (Boerdam, Martinius, 1980).
Advances in technology increased the ability of the average person to produce informal vacation pictures. George Eastman had introduced the first Kodak camera in 1885. "You press the button, we do the rest," was the company's motto. Improvements continued, including introduction of the 35mm Leica in 1924 as well as technical advances such as smaller cameras, faster films and flash. The scope of possible shooting locations was increased with the invention of the flash. Indoor photography, where much of personal life is conducted, fell within the realm of the amateur photographer. Technical capabilities began providing intimate access to the home.
Changes in technology paralleled changes in behavior. As more people owned cameras and became familiar with their workings, the photographic process became less intimidating, and the proliferation of the equipment began changing the content of the photographs (Boerdam, Martinius, 1980). In addition, people simply became accustomed to being photographed. This in turn produced more casual situations, hence more causal subjects.
In early photographs, the subjects were often posed, much like they had been for painters. The beach photographers offered a more relaxed style, but they too had the subjects stare straight into the camera. A new kind of snapshot eventually would emerge that now dominates photo albums. It shows a group of people engaged in some ongoing activity, not necessarily looking at the camera.
A downside does exist to the proliferation of simple cameras. When they became inexpensive and easy to use, they flourished in American society. However, trade-offs were inevitable. The lack of need for technical expertise was counterbalanced by a lack of creative control. Point-and-shoot cameras are equipped with fixed-focus lenses and pre-set apertures ensuring that medium range shots are the norm (Trend, 1992).
Photography has become easier and thus more popular. Everyone has the potential to take good family photographs especially since the introduction of color-negative film which allows more exposure latitude. The subsequent rise in the number of photos taken confirms this fact. In the Netherlands in 1960, the number of color photographs taken was 600,000. In 1974, it was 103 million (Boerdam,Martinius, 1980). The easier-to-use cameras likely have accelerated the use of cameras by women to photograph their children. So even though the number of formal, solemn occasions is decreasing, the number of photographs is drastically increasing.
Photographic representation was possible as early as 1840. Yet society was unprepared for such a revelation. An unplanned social process developed that established which aspects of community life it was appropriate to photograph (Boerdam, Martinius, 1980). As a result,communities established norms that continue to have an effect on subject matter. Relationships between family members and among relatives are less formal and less controlled by religious and other institutions outside of the family than in previous generations. The influence of the church has diminished in some communities; therefore, ceremonies such as baptisms are less essential sources of family record keeping. (Boerdam, Martinius, 1980).
Although most occasions can be photographed from a technical standpoint, social and ethical limitations on subject matter remain. Arguments, fights, sickness, death and sex are rarely documented photographically. This hasn't always been the case. Dead children were photographed during the nineteenth century, sometimes lying in a cradle and sometimes being held in their mother's arms. In Austria, so many people went to photo studios with dead children that a public health threat was declared and the government prohibited the practice (Boerdam, Martinius, 1980). Very few of these photographs exist today. It is likely that as they were passed down in subsequent generations, and viewed as being in poor taste and destroyed. Some researchers even believe that sex photographs are becoming less taboo (Boerdam, Martinius, 1980). In any case, family albums are rarely a true and accurate depiction of the family. Objectivity always remains questionable.
The idealized nuclear family – Say "cheese"
"It's only smiles that count in photographs," states Laurie Taylor in her humorous view of the family photo album. She wonders if the blank stares in a photograph are a testament to the blissful beginning of an affair, or evidence of its traumatic final days? Photographs of family members often are constructed with a skewed concept of reality. They usually depict an idealized nuclear family, meaning a husband, wife and children, enjoying pleasurable moments.
In her book "Family Snaps: The Meanings of Domestic Photography," Patricia Holland says "The compulsive smiles in the snapshots of today insist on the exclusive claim of the family group to provide satisfying and enduring relationships, just as the calm dignity of earlier pictures emphasized the formality of family ties." The obsession with depicting the family as a united, happy entity is clear. In a study conducted by Halle, no head of the household's divorced spouse appeared in any of the pictures, and very few photographs depicted people as unhappy or lonely.
The message is loud and clear. Heterosexual marriage and children produce a fun and satisfying life. By far, most of the photos showed the family at leisure, especially on overseas vacations. Formal pictures including those of people in business suits, military uniforms or wedding attire did exist, but only accounted for thirty percent or less of the displayed photographs (Merz, 1988).
Likewise,occasions in which a nuclear family would participate are depicted as fun. During the early 1960s, French sociologist Pierre Bourdieu published a series of photographic essays that he titled Un art moyen. Bourdieu wondered why so many people wanted cameras and why the practice of photography was so widespread. He believed it was more than just a natural occurrence. Bourdieu concluded that similarities exist within family photographs. In a French market survey he conducted from 1962 to 1963, he concluded that more than two-thirds of the amateur photographers he interviewed take their photographs almost exclusively at predictable moments. They photographed particularly at ceremonies, meetings and holidays (Boerdam, Martinius, 1980).
Seldom are the photos a complete and accurate depiction of reality. Family image, not family history is depicted in the photographs that are displayed. Major events that strongly influence peoples' lives are completely ignored. One of the most obvious situations that is missing from the family album is work or anything to do with work (Merz, 1988). This is tragic because labor-related relationships and achievements form a substantial part of peoples' lives. Also conspicuously missing are photographs of dead children. Death and work seem to be taboo subjects in most photo albums.
Displaying photographs in the home
Celebration rituals such as weddings or Christenings are recorded;divorces and funerals are not (Merz, 1988). Even within these rituals, the emphasis remains on the family. A study found that almost all the photographs displayed in households were of family members (Halle, 1991). Very few photos of friends, colleagues and strangers were present. Friends were seen in wedding photos, but the event depicts the joyous creation of a nuclear family.
The number of family photographs that are displayed in households is surprising. In one study, almost all households were found to display photographs (Halle, 1991). As expected, the number of photos in a household was greater if the occupant had children or grandchildren. Although this wasn't surprising, other factors such as gender were found to have an influence on decoration of the home. It was unusual that fewer photographs were found in homes where the head of the household was a male who held an artistic job such as photographer, architect or filmmaker than for women in similar occupations. The discrepancy may have resulted because women were more interested in the social aspects of the photograph as opposed to the aesthetic aspects (Halle, 1991).
Physical groupings also are important. Most family photographs are displayed in clusters. In one study, eighty-nine percent of family photographs were displayed in groups of four or more (Halle, 1991). Pictures are huddled together even if the people in them are not. People are very seldom presented alone. It is very rare to find a photo of one person displayed by itself, especially when that person is an adult resident of the house. This occurred in less than one half of one percent of the households that were tested (Halle, 1991). Children are often depicted alone, but they are too young to be expected to maintain meaningful relationships. Those that are meaningful are subject to transition. Today's high divorce rate casts a shadow over the nuclear family. Thus, the method of displaying photographs may signify the instability of modern-day relationships. Most pictures are likely to stand free on tables, dressers, mantles or other flat surfaces as opposed to walls. Only about a third of family photographs hang on walls. Photos that are not hung on walls are more easily interchanged and regrouped.
Social Structure
Fundamental changes to American society and the family structure maybe hampering the production of ancestral photography (Halle, 1991). The ties that once bound children to their parents are no longer present. Nursing homes, social security and pension plans have relieved the youth from supporting their parents. Older people have been moving south to retirement communities, sometimes away from their families, so they can enjoy the warm weather. The manner in which children relate to their parents has changed over the past fifty years, and the changing relationships may be reflected though the display of photographs.
Between 42 and 62 percent of households in one study displayed pictures of at least one parent. (Halle, 1991). The numbers quickly decreased as further generations were explored. About ten percent of households displayed a picture of at least one grandparent, and about three percent displayed a picture of great grandparents. Of course, it is possible that the families may have owned pictures but simply did not display them.


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Production Index Up by 2.7% in September
Published: November 24, 2011; 19:07 · (Vindobona)
Production index in September 2011: +2.7% compared to September 2010, -2.0% against August 2011.
Production Index Up by 2.7% in September / Picture: © Vindobona.orgThis article includes a total of 115 words.
According to calculations by Statistics Austria, the working-day-adjusted production index for industries and construction increased by 2.7% in September 2011 against September of the previous year. In comparison to August 2011 it decreased by 2.0% (seasonally adjusted).
A comparison with August 2011 shows the following results for the different use categories: energy: +2.0%,…
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Last summer, the Gowanus Canal Conservancy and Alloy Development collaborated on the 2000 Gallon Project, a pop-up nursery and event space that brought attention to the creative potential of dumpsters. The popular intervention, which successfully raised awareness about how the polluted Gowanus waterway could be transformed, recently came to an end, but the popular blue dumpsters will continue to live on as repurposed planters for the Industry City complex in Sunset Park.
The advocacy project got its name from the fact that each blue dumpster can hold 2000 gallons of stormwater. So, if citizens retain stormwater and actively conserve their water use at home, it could help lessen the combined sewage overflow (or CSO, which contaminates the water) and eventually turn the canal back to a healthy blue hue.
RELATED: Pop-up dumpster gardens coming to the Gowanus Canal this summer
Now that the pop-up project has ended, the utility of the big blue dumpsters continues to evolve, this time in another community in transition. Industry City, a Brooklyn-based mega-complex with a bold mission, has acquired the dumpsters and will be reusing them as planters for trees. From Gowanus to Sunset Park, the dumpsters continue to exemplify our city's commitment to investing in green alternatives.


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15 Sep 2017
River Cottage Much More Veg by Hugh Fearnley-Whittingstall
Bloomsbury, £26
It's hard to believe this country's most famous carnivore has written not just his second tome on vegetables, but a book that is also vegan. This is partly because his first book on vegetables sold better than any of his others, but also because he is transforming his diet (happily so, it seems) to include many more plants.
Leaving out the dairy, eggs and honey has pushed his inventiveness. There are certainly some intriguing combinations here (oven chips with seaweed, below; squash, corn and plums with rosemary and fennel). Vegans (and others) rejoice.
Out September 21
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Mahindra Mojo 300 On Road Price in JaipurChange
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Mahindra Mojo 300 price in Jaipur starts from Rs. 1.89 lakh (Ex-showroom) on 15th December 2019. Check on road price (Ex-showroom + RTO + Insurance) of all Mojo 300 variants in Jaipur. Mahindra Mojo 300's top competitors are KTM Duke 200 (price starting at Rs. 1.52 lakh in Jaipur) and KTM RC 200 (price starting at Rs. 1.91 lakh in Jaipur).
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