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Zingaya enables VoIP calls without a phone or without requiring a download. E-commerce companies and other customer-focused organizations can embed a widget on their website that allows their customers to simply click a button to start speaking to a live customer agent. Zingaya's closet competitor is likely Twilio, which offers a similar service, including an SDK.
Zingaya claims, "Zingaya has been chosen by some of the world's largest organizations as part of their social customer service programs, including a large global airline using Zingaya on its customer service web page as a contact option in addition to the traditional toll-free number."
Google, Mozilla, and others are behind the WebRTC real-time communications project, which shows promise in VoIP/video land. Well, Zingaya was the first company in the world which enabled calls from WebRTC to real phone numbers through their cloud platform.
"Web-browsing is migrating away from the desktop and into mobile devices like smartphones and tablets," says Esteban Kolsky, a leading authority on Social CRM and founder of ThinkJar, an advisory and think-tank focused on customer strategies. "Companies that depend on their website to drive significant revenues need to assess the impact this migration has on their business and develop new strategies that address the changing medium and venue of web-browsing."
Enhanced social CRM features around Zingaya's Enterprise Edition:
· Enterprise-Grade Web and Mobile VoIP: Zingaya has responded to large customer demands by offering SIP support and secure call encryption.
· Enterprise Customization: Zingaya Enterprise allows e-commerce companies and enterprise customers to build widgets that fit into existing customer call center workflows. Zingaya widgets offer customization for: making calls to multiple lines; the hours that the widget is live; matching the branding needs of individual companies.
· Enterprise-Grade Reporting: Zingaya Enterprise integrates with existing analytic workflows. For example, Zingaya now integrates with major web analytics tools including Google Analytics. Customer service and marketing managers can see exactly how many calls are being made through the Zingaya VoIP system, and can link caller information to their website analytics data.
Enhanced features about Zingaya's Enterprise Edition for Software Developers:
· Mobile SDK for iOS and Android: The new Zingaya SDK allows developers to quickly and easily build mobile and web apps using Zingaya's tested, deployed and scaled click to call VoIP platform.


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Welcome to the Solar Car Challenge web site!
The Solar Car Challenge is the top project-based STEM Initiative helping motivate students in Science, Engineering, and Alternative Energy. The SCC Education Program developed in 1993 as a high school extra-curricular program, and later evolved into the Solar Car Challenge Foundation.
The end product of each 15-month education cycle is the Solar Car Challenge: a closed-track event at the world famous Texas Motor Speedway, or a cross country event designed to give students an opportunity to show the country the product of their efforts.
The 2020 Solar Car Challenge hosted by Texas Instruments is a closed-track event at the world-famous Texas Motor Speedway. Come share the fun... meet the kids and see their solar cars. For more information, see the Event Calendar.
Solar Car Challenge Promotional Video:

subset: commoncrawl


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Hugh Douglas Hamilton c.1740-1808
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Portrait of Charles, 8th Lord Kinnaird of Inchture (1780-1826)
Pastel drawing on paper 15 x 13in (38.1 x 33cm). Framed size: 17¼ x 15½ in (43.2 x 39.4cm)
Provenance: By family descent
This is a rare late pastel by Hugh Douglas Hamilton executed towards the very end of his life when he had returned to Ireland from Italy. Early in his career Hamilton had devised a popular – and lucrative – format of head and shoulders portraits in pastel. Like so many other artists trained at the Dublin Society Schools, Hamilton was highly skilled at working in chalk from an early age. Strickland defines these pastel works as 'faithful likenesses, full of expression and charm'; Mulvany records his success with them: 'He could scarcely execute all the orders that came in upon him and the writer has heard him declare, that in the evening of each day, a part of his occupation was picking and gathering up the guineas from amongst the bran and broken crayons, in the several crayon boxes, into which, in the hurry of the day, he had thrown them'. Among these early pastels are many of the Conolly family of Castletown and the FitzGeralds of Carton.
After a period in London, Hamilton moved to Italy where his style became more rigorously neo-classical; his subject matter extended to history painting as well as portraiture and he began to experiment more frequently in oil paint. However, he continued to work in pastel producing handsome portraits of the 4th Earl of Guilford (National Gallery of Art, Washington), Jonas Langford Brooke (private collection), and, of course, his most famous work showing Canova in his studio (Victoria and Albert Museum).
As with his later oils, Hamilton, reflecting the change in fashion of the turn of the century, largely eschews colour in favour of a pared-back monochromatic elegance. If his later style is accordingly less decorative, it more than compensates for this in greater psychological acuity. This portrait of Lord Kinnaird, previously unknown, can perhaps be best compared with his oil portraits of Lord Castlereagh (Mountstewart, County Down), James Moore O'Donel (Ulster Museum), and Richard Edgeworth (National Gallery of Ireland); the last of these, dateable to about 1800, shares with our work the forceful directness of the sitter's gaze and a similarly robust approach to physiognomy. This dating on stylistic grounds can be confirmed by the approximate age of the sitter who seems to be in his early twenties.
Hamilton's subject here is a Scottish aristocrat, Charles, 8th Lord Kinnaird, who married into the family of Ireland's premier peer – the FitzGeralds of Carton, Earls of Kildare and Dukes of Leinster. Born on 12 April 1780, and educated at Eton and the universities of Edinburgh, Cambridge and Glasgow, Kinnaird was admitted to Lincoln's Inn in 1799. He studied further at Geneva between 1800 and 1802, before taking a seat as Member of Parliament for Leominster in the latter year, being politically aligned with the Foxite whigs. On his succession to his father's title, he was a Scottish representative peer from December 1806 to June 1807.
On 8 May 1806 Kinnaird married Lady Olivia Letitia Catherine Fitzgerald (1787-1858), youngest daughter of the 2nd Duke of Leinster and his wife, Emilia. By Lady Olivia, Kinnaird had three sons and two daughters. In 1807 he began the construction of Rossie Priory in the Carse of Gowrie, Perthshire. Kinnaird travelled extensively on the continent and was an avid art collector, taking advantage of the sales of paintings dispersed during the Napoleonic wars, notably that of Philippe Égalité, Duke of Orléans. He owned works by Titian, Poussin, Teniers and Rubens, as well as fine classical sculpture. Kinnaird died on 12 December 1826 in Regency Square, Brighton.
Hamilton was an obvious candidate to paint Kinnaird after the latter's marriage to Lady Olivia. He had first worked for the Kildares more than forty years earlier, collaborating on John Rocque's survey of the family's estate at Kilkea. Hamilton was to paint no less than four generations of the family including the 1st Duke's mother and the 2nd Duke – the father-in-law of Lord Kinnaird. More specifically, Strickland records a portrait by Hamilton of Lady Olivia FitzGerald, Kinnaird's wife. This fine pastel, then, is almost certainly connected with Kinnaird's marriage into the FitzGerald family and can accordingly be dated quite precisely to about 1806, making it one of Hamilton's very last recorded works. In his later years, Hamilton had largely forsaken art for the study of chemistry, clearly, however, he came out of retirement to portray this new member of Ireland's leading aristocratic family, his loyal patrons since the earliest days of his career.


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Investors still shunning stocksJuly 19, 2012: 9:32 AM ET
Maybe it's the heat but investors have slowed their flight for the exits.
U.S. stock mutual funds lost only $1.47 billion during the week ended July 11, according to the Investment Company Institute. A week earlier, investors pulled out more than twice that much: $3.2 billion. Investors have now withdrawn money from the stock market for 20 of the past 21 weeks.
There is a lot to worry about. Europe is far from out of the woods and this week's non-committal comments from Fed chair Ben Bernanke are causing some unease. Not to mention, it's an election year and that ever elusive fiscal cliff is starting to loom a little larger.
So far this month, the S&P 500 (SPX), Nasdaq (COMP) and Dow Jones industrial average (INDU) are all just marginally higher.
For the first six months of the year, investors pulled an estimated $51.4 billion from U.S. stock mutual funds. By comparison, these funds lost $13.6 billion during the first six months of 2011 and $24.6 billion during the first six months of 2010.
Related: 6 worst performing ETFs
Despite investors' penchant for running toward the exits, stocks have had a pretty good year so far. The S&P 500 is up 9%, while the Nasdaq is up nearly 12% and the blue-chip Dow has inked gains of nearly 6%. Still, most analysts said the rest of the year will be challenging and fraught with volatility, according to a recent CNNMoney survey.
Meanwhile, bond mutual funds took in $6.4 billion in assets during the latest week, compared with the prior week's $1.4 billion inflow.
Related: 6 best performing ETFs
Hybrid funds, which invest in both stocks and bonds, gained $1.8 billion during the second week of July, building on the prior week's $1.1 billion inflow. Taking the middle road has been good for hybrid funds, which have enjoyed inflows for much of 2012.


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You are downloading MyJio: For Everything Jio- Version 5.0.17
This apk is safe to download from this mirror. This is an original app file and free of any virus.
This apk is safe to download
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Solo VPN - One Tap Free Proxy
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Frozen Keyboard - Myanmar
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Cloud Print
Google Calendar
Microsoft Word
Microsoft Excel


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Nothing If Not Critical: Selected Essays on Art and Artists
A.A. Knopf, 1990 - 429 pagina's
More than one hundred essays on the world of art encompassing pieces on artists ranging from Goya to Warhol.
Wat mensen zeggen - Een review schrijven
LibraryThing ReviewGebruikersrecensie - philipjohn - LibraryThing
Robert Hughes must be one of the finest users of language at work in the field of art criticism. His comments, whether you agree with them or not, are always a joy to read. Volledige review lezen
Nothing if not critical: selected essays on art and artistsGebruikersrecensie - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Volledige review lezen
The Decline
Nineteenth Century
8 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue body canvas Caravaggio career catalogue Cezanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early eighties English exhibition expressionist face fantasy feeling figure Frank Auerbach French Gallery Gauguin Gogh Goya Goya's hero Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin Pre-Raphaelite R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface Susan Rothenberg things tion Titian turned visual wanted Warhol watercolors York


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Welcome to Wagga Motors Isuzu Trucks - NSW
As an Isuzu dealer, Wagga Motors Isuzu Trucks provides an in-house Customer Care Centre, with customers also having access to an extensive range of service and support programmes designed to ensure that Isuzu truck ownership is a positive and rewarding experience for all concerned.
Located in Wagga Wagga, NSW we are your #1 choice for Isuzu vehicles.
We have been serving Wagga Wagga for many years and our website contains news and information on the popular range of Isuzu Trucks.
Visit our virtual showroom to see the latest range of Isuzu Truck models, browse our Internet Used Vehicle stock, online specials, book a service or purchase Isuzu Truck Genuine Parts and Accessories from our comprehensive catalogue.
Operating Hours
Monday - Friday: 8:30am - 5:30pm
Saturday: 9:00am - 12:00pm
Monday - Friday: 8:00am - 5:00pm
Saturday: By Appointment
Monday - Friday: 8:00am - 5:00pm
Saturday: 8:30am - 12:00pm


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GKM needed a new logo design and created a contest on 99designs.
A winner was selected from 61 designs submitted by 17 freelance designers.
Logo required for a new web site that will consolidate various services now offered into a single web site
Accepted File Formats:
Adobe Illustrator
I am a photographer working almost exclusively with real estate. I work with property owner ocassionally, but my primary work is with real estate agents/brokers.
Currently I offer a variety of services, each of which has its own domain and web site. I would like to consolidate each of the services into a single web site that will link to each of the now separate web site, so I need a logo for this new web site. If possible the new logo should somehow incorporate elements of the other logos currently in use. That is not critical, however.
Here are the services offered and the web sites associated with each:
General photography: http://www.garykmeyer.com
Virtual Tours: http//:www.metro360.com
Elevated Photography: http://www.MetroAerialPhotos.com/indextest.php
Floor Plans: http://www.metrofloorplans.com
The new domain's name is metrorealtymarketing.com
Once the logo is awarded a web design contest will follow.
Find out how a design contest works or learn more about our logo design services.


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This Antique Brass Zippo Lighter proves that the most simple design is usually the most impressive and elegant. Sparing on the design elements, lighters in the Pure line of Zippo lighters rely on their gorgeous finish to make a bold statement. Choose from a world of chrome, brass, silver, copper, powder coat, titanium, gold plate and even solid gold finishes to make your Zippo lighter suited perfectly to your style. This Antique Brass Zippo Lighter boasts the most eye-catching Antique Brass finish you'll ever see on any lighter. Your Zippo lighter is also stamped on the bottom for authenticity.
This Antique Brass Zippo Lighter takes approximately 2 business days to leave the warehouse plus ship time.
Product Reviews for Antique Brass Zippo Lighter
Sku: CAR-201FB
Regular Price: $28.95
Sale Price: $24.95


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PRO+ Premium Content/Storage
Access your Pro+ Content below.
DAS revs up for a resurgence
This article is part of the Storage issue of Vol. 7 No. 7 September 2008
Once seemingly headed to the great storage junkyard, DAS may well prove to be the classic car of the storage market as it re-emerges with improved performance and new Web 2.0-friendly uses. DAS has hung around even after the advent of networked systems because it's cheap, easy to use and doesn't require nearly as much storage expertise as SAN management, making it much easier to find administrators for DAS. "DAS is a huge part of the market and it gets no respect," says Lee Johns, director of marketing, Hewlett-Packard (HP) StorageWorks entry storage and storage blades. "Anytime anyone wants to talk about storage, they want to talk about the SAN." SAS drives replacing SCSI drives gave DAS a boost, he says. Johns says HP was seeing "a general sort of slow decline" in DAS adoption, but "the performance of small form-factor SAS drives has really helped" DAS pick up again. "We're seeing innovation and growth in DAS business," says Praveen Asthana, global director of storage and networking at Dell. "[Vendors] are putting some storage...
Access this PRO+ Content for Free!
Features in this issue
Are full backups a thing of the past?
In the not-so-distant past, we relied on tape backups for operational recovery, disaster recovery and long-term data retention. But are full nightly backups to tape still needed now that we have new disk-based technologies like snapshots and continuous data protection?
Storage administrators find some relief for backup headaches
Our View: Whom do you trust?
Dedupe moves beyond backup
SMBs move beyond the VTL interface
Midrange online backup offerings help SMBs get on the cloud
Ask the Experts: RTOs and RPOs
Is there a standard ratio between RTOs and RPOs, or are they independent of each other?
CDP in depth
Continuous data protection (CDP) technology is now a viable alternative to traditional backup software and storage system-based replication software. But CDP products can vary significantly, especially in the context of different storage architectures. Depending on specific environments, companies may have to evaluate very different criteria before settling on a CDP product.
The lure of open-source backup programs
Disk-to-disk backup enticing in many forms: Survey Says
Disk-to-disk backup enticing in many forms
Dedupe myths and methods
Exaggerated claims, rapidly changing technology and persistent myths make navigating the deduplication landscape treacherous. We list the top five dedupe myths and provide tips to help you get a deduplication product that fits your organization's needs at a competitive price.
No rush to deploy iSCSI
Small disks, big specs
Hard disk drives have been around for more than 50 years, but the technology is on the cusp of big changes--SAS, a shift to the 2.5-inch form factor and a steady increase in disk drive capacity--that will affect enterprise storage for years to come.
DAS revs up for a resurgence
Ballooning storage by the numbers
LTO top tape format by far: Survey says
Ask the Expert: NFS vs. CIFS
What should you consider when choosing between Network File Sharing (NFS) or Common Internet File System (CIFS)?
DC power can cut costs, but conversion isn't easy
Centralize virtualization at the switch
There are a number of ways you can virtualize your storage, but because a switch-based virtualization engine works out-of-band, there's no need for server agents, making it the most scalable and highest performing of all virtualization architectures.
Price of SAS drives dips
Backup apps' reporting tools become more versatile
Archiving, DR join backup as online services
Backup software by the numbers
Why are you using a VTL or why have you decided not to use one?
Virtual server backup tips
Virtualized servers yield many benefits, but they can also add complexity to backup operations. There are three main ways to back up a virtual server. Here's how to determine which method is best for your virtualized server environment and storage requirements.
What storage product would you like to see on the market that isn't now?
New life for NAS
Quality Awards IV: On top again: CommVault Galaxy, EMC Retrospect
CommVault's Galaxy solidified its position as the top enterprise backup product by finishing first for the third time in the four years we've conducted the Quality Awards. Among the midrange products, EMC Retrospect retained its crown as group champion.
Our View: When good admins go bad
Columns in this issue
Gen2 virtual tape libraries: Hot Spots
From disaster recovery to capacity optimization and dedupe, the next phase of VTL products promises change.
Backup by the numbers: Backup Purchasing
Results from Storage magazine's most recent Purchasing Intentions survey reveal that respondents will have to expand or alter their backup systems to protect ever-growing data stores.
Connecting the backup dots: Editorial
Break those backup bottlenecks: Best Practices
Backup performance tuning is an art, but identifying infrastructure bottlenecks is more of a strict mathematical exercise once you know the important numbers. And understanding the source of existing and potential bottlenecks makes it easier to find and resolve them.
Coping with cloud storage: Editorial
Migration projects need automation boost: Hot Spots
If you have a data migration project in the works, challenge your storage vendor, storage software vendor or third-party consulting firm to deliver a solution that reduces the time, risk and cost of your project.
Don't get stuck with old backup ideas: Best Practices
The time has come to shed your traditional, compartmentalized view of backup and embrace a recovery-centric data management focus.
Keep it simple, stupid: Part deux: Storage Bin 2.0
Are you one of those companies that leaves inactive data on the most expensive architecture and applies stringent (expensive) processes to that same data? If so, wise up!


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A Coventry man has been sent to prison for 2 years and 4 months for trying to sit...
Operation Trivium 9: police across Europe prepare week-long crackdown on
Published Sun, 08/10/2017 - 11:21
Police from six European countries will be taking part in Operation Trivium next week, targeting cross-border criminality seeking to deny criminals the use of the roads.
Coordinated by TISPOL (The European Traffic Police Network), officers from the UK, Ireland, Spain, the Netherlands, Lithuania, and Romania will be stopping vehicles and checking drivers' details with the purpose of making a significant impact on mobile criminality across Europe.
Operation Trivium 9 will take place from Monday 9 to Friday 13 October.
A special European Operations Control Centre, based at Europol headquarters in The Hague, will be operating throughout the week, providing officers with real-time information on individuals and vehicles who may be connected with crime. Participating countries (Irelands, Spain, Lithuania, Romania, the Netherlands and the UK) will all have their own control centres where information can be requested and shared.
Operation Trivium 9 is led for TISPOL by Superintendent Paul Keasey, who stresses the importance of international cooperation in fighting mobile criminality.
"We are once again committed to ensuring that borders hold no barriers when it comes to bringing about justice," he says.
"We have a range of effective tactics to ensure that Trivium 9 will make a big contribution to safer, more secure roads, and in particular to protecting the most vulnerable members of society."
Operation Trivium was introduced by TISPOL (the European Traffic Police Network) and has grown to provide a consistently effective mechanism for disrupting criminal networks who are active in human trafficking, modern day slavery, illegal immigration and a wide range of other crimes.


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Senior defender Paul Pate (Gil Talbot).
CAMBRIDGE, Mass. – Seniors Jeff Cohen and Kevin Vaughan have been honored on the New England Intercollegiate Lacrosse Association (NEILA) All-New England first team, it was announced Wednesday afternoon.
Senior Paul Pate and sophomore Daniel Eipp garnered spots on the NEILA All-New England second team, while Cohen, Pate and Vaughan earned spots on the Senior Scholar-Athlete team after averaging more than a 3.0 cumulative grade-point average and excelling on the field.
Cohen, an attackman, ranked second in the country with 3.43 goals per contest and stood 11th with 4.0 points per contest during his senior season. A native of Syosset, N.Y., Cohen, who paced the Ivy League with 48 goals, 56 points and eight man-up tallies, was also honored unanimously to the All-Ivy League first team. He became Harvard's all-time career goal scorer (142 tallies) and his 167 career points (142-25-167) are tied for sixth in team history, while his 48 goals this spring rank seventh most in a single year in school history.
The attackman, who recorded 10 hat tricks as a senior, enjoyed six straight games with three goals or more from Feb. 28-March 24. Cohen netted a season and career-high seven goals in the Crimson's 11-7 win over Michigan March 31 and added five-goal efforts against Holy Cross (Feb. 28), Duke (March 12), Brown (March 17) and Dartmouth (March 24).
Vaughan, a midfielder from Ridgewood, N.J, who also earned unanimous All-Ivy first team honors, led Harvard with 19 assists, while ranking third with 17 goals and 36 points. Vaughan, who served as one of the Harvard captains for the second consecutive year, was tabbed to the Tewaaraton Award Watch List, as well as the Inside Lacrosse Preseason All-America third team and Preseason All-Ivy League team. Vaughan also tied for second on the Crimson with 33 ground balls during his senior campaign.
Pate, also a captain of the Crimson, started all 12 games he appeared in at defense. A native of Manhasset, N.Y., Pate collected 12 ground balls on the year. Pate, who received NEILA All-New England second team honors last spring as well, served as the leader of the Crimson defense, which held opponents under 10 goals in six contests this year.
Eipp, an attackman and native of Groton, Mass., who garnered All-Ivy second team accolades, tallied 24 goals, dished out 18 assists and amassed 42 points to rank second on Harvard in all three categories during his sophomore season. Eipp, who garnered Inside Lacrosse Preseason All-Ivy League honors prior to this season, ranked fourth in the Ivy League with 3.0 points per game and scored five man-up goals. He amassed a season and career-high seven points (4-3-7) in Harvard's 15-10 win over Dartmouth March 24, and also enjoyed a six-point effort (3-3-6 at Holy Cross Feb. 28) and a five-point game (3-2-5 at Georgetown March 10).
Harvard concluded the 2012 season 6-8 overall and 2-4 in the Ancient Eight, while owning a 5-2 record at home.


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The application links against </usr/local/lib/HXRuntime Carbon Mach-O.dylib>, which is missing.
We believe that this is a false-positive in Apple's automated rejection tools. While 2011r1 will not have this 'problem', you can work around it via the following command line invocation:
[email@example.com ~] install_name_tool -id '@executable_path/rbframework.dylib' '/My Application.app/Contents/MacOS/rbframework.dylib'
The rest of the post is a technical explanation of what is going on and can be skipped if you are not interested. Also, it describes the current implementation details and is in no way an API contract or something to rely on.
The bulk of the REALbasic framework is implemented in C++ and lives in the 'rbframework.dylib' file next to your executable. When you build an application, the REALbasic linker hardcodes the relative path to that dylib. This can be seen by running 'otool -L' on your binary:
[firstname.lastname@example.com ~] otool -L '/My Application.app/Contents/MacOS/My Application' My Application: @executable_path/rbframework.dylib (compatibility version 0.0.0, current version 0.0.0) /System/Library/Frameworks/Carbon.framework/Carbon (compatibility version 0.0.0, current version 0.0.0) /usr/lib/libSystem.dylib (compatibility version 0.0.0, current version 0.0.0)
Dylibs also have an 'install name', which is used solely by 'ld' (the linker that comes with Xcode). When you link a binary using Xcode, ld takes the install name of the library it's going to link in and then embeds it in your resulting binary. Since REALbasic does not use ld, we have simply left the install name for rbframework.dylib at its default. This can be seen by running 'otool -l' and searching for the install name's load command:
[email@example.com ~] otool -l '/My Application.app/Contents/MacOS/rbframework.dylib' ... Load command 5 cmd LC_ID_DYLIB cmdsize 72 name /usr/local/lib/HXRuntime Carbon Mach-O.dylib (offset 24) time stamp 1 Wed Dec 31 19:00:01 1969 current version 1.0.0 compatibility version 1.0.0
Our guess is that Apple has an automated tool that is looking at the install name of rbframework.dylib and rejecting it because it does not exist. However, since the install name is unused by anything but ld64, it is a false positive and not something Apple should be looking at.
While a future version of REALbasic will contain an install name that does not trigger this false positive, a temporary solution is to manually change the install name via install_name_tool, as mentioned above.


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About us
Who We Are
For nearly 60 years, WWF has been protecting the future of nature.
The world's leading conservation organization, WWF works in 100 countries and is supported by more than one million members in the United States and close to five million globally. WWF's unique way of working combines global reach with a foundation in science, involves action at every level from local to global, and ensures the delivery of innovative solutions that meet the needs of both people and nature.
How We Work
Conserve the world's most important forests.
Safeguard healthy oceans and marine livelihoods.
Fresh Water
Secure water for people and nature.
Protect the world's most important species.
Double net food availability; freeze its footprint.
Create a climate-resilient and zero-carbon world, powered by renewable energy.
These things are not just "nice to have". . . they are "need to haves." They are the things that make it possible for us to live. And so, to ensure our very survival, they must be kept safe.
It's a big job. And no one person or organization can do it alone.
But together we can.
WWF-US is part of the WWF global network which has worked for nearly 60 years to protect the future of nature. In 2016, WWF embraced a bold new strategy and transformation designed to make the organization stronger and even more effective in tackling the challenges ahead. In this video, Marco Lambertini, Director General, WWF International, talks about WWF's new way of working and commitment to conservation results.
Together, we can achieve WWF's mission to conserve nature and reduce the most pressing threats to the diversity of life on Earth.
Together, in partnership with foundations, governments, businesses, communities, individuals and our more than six million members, we can conserve many of the world's most ecologically important regions.
Together, we can
- Protect and restore species and their habitats
- Strengthen local communities' ability to conserve the natural resources they depend upon
- Transform markets and policies to reduce the impact of the production and consumption of commodities
- Ensure that the value of nature is reflected in decisions made by individuals, communities, governments and businesses
- Mobilize hundreds of millions of people to support conservation
Together, we can protect life on our planet—including our own.
Because together, anything is possible.
together possible
"Conservation endures as a living discipline because it is inhabited by a magnificent collection of people. Only by working together can we create solutions to the most vexing problems we face."Carter Roberts
President & CEO
Donate to WWF
Be the hero nature needs—make a tax-deductible donation today and help save vulnerable wildlife and wild places.


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Penny necesitaba un nuevo diseño de página web y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 71 diseños de 16 diseñadores freelance.
Our website has been in its current form for several years. Although feedback from visitors suggests that it is user-friendly and easy to navigate, it is looking quite dated. We would like to replace the site with a more modern look. We don't particularly want to change the structure of the website but just give it a fresher look.
Trevor Roberts Associates
We want a new look for our current website http://www.tra-ltd.co.uk. We don't want the site to be radically different from the current one because we would like it to still be recognisable to existing clients.
We deliver training and consultancy services for local government in the UK. Our clients are cost-conscious so we don't want the site to look "too expensive".
We have recently commissioned a new logo (see http://tra-ltd.co.uk/TRA_Final.gif ) and we would like the site to incorporate the new logo and for the overall style of the site to be complimentary to that of the logo.
We require Photoshop .PSD files. Please deliver your design consisting of templates for both homepage and a regular content page.
- we want to present an image which is professional, confident and solid
- colour scheme - the new logo can be used in B&W or a variety of colours. We have not fixed on a colour scheme yet and intend to go with whatever shceme is used in the new website. We are open to suggestions, but our initial thought is to go with a blue scheme (either toning shades or a main blue plus a contrasting colour for minor details)
- logo/company name - the logo can be used with or without the company name and with company name in lower case or title case
- strapline - the design should incorporate the strapline "specialists in trianing and consultancy services for local government"
- we would like to incorporate photos eventually so page should include space for these
- regular content page - this will contain much more text than the home page so simple design needed - see existing website for typical content
- navigation - we would like to maintain the left navigation but have fewer options permanently visible, with sub-menus appearing as you click on a main menu option eg ( http://www.cssplay.co.uk/menus/flyo…level.html ) We envisage around 8-10 fixed options with sub-menus coming off. Probably up to 3 levels of sub-menu needed.
- we don't want anything too flashy
- we don't want anything over-stylised - and this should be reflected in the choice of font - keep it simple
- we don't want a cluttered homepage - stick with logo, news headlines and not much more
- we don't want multiple columns of content text in the same page as this can be distracting - one main column or with perhaps a right-hand promo column preferred


text:
Your Search did not match any results
We suggest you try the following to help find what you're looking for:
Trending Questions
Oracle Hospitality Suite8 Property combines all hotel processes into a single software solution. From reservations to housekeeping, from restaurant to sales and marketing, this software suite supports all areas of your hotel while focusing on your most valuable asset: your guest. This product is available in EMEA only.
Simplified rate configuration with day type rates.
Comprehensive housekeeping information at a glance.
Enhanced profile information, including drill-down functionality.
Advanced reporting, including export functionality to a variety of formats for further processing.
Oracle Hospitality Suite8 provides a fully integrated hotel management system. All hotel processes are combined in one single software solution.
Engage a Sales Expert


text: Why Camelback?? The Sales Event you have waited 3 years for!!!Chapman BMW on Camelback is the Centrally located on 12th Street and Camelback and is the Counties only BMW CPO exclusive future retail Center!!Chapman BMW on Camelback uses real time market analytics to offer the best value on all Certified Pre Owned BMWS. Camelback has the Valleys largest and most diverse BMW inventory in stock as well as access to hundreds of off lease and Factory demos starting at $12995!! Don't see exactly what you are looking for no problem we will get it for you!! Why buy just a used BMW when you can buy a Certified Pre Owned BMW that has been rigorously inspected and meticulously reconditioned before being awarded a 5 year unlimited mileage protection plan!!! All 2015 to 2017 BMW Certified by BMW have no payment for 90 days and rates starting at 1.99%!!Why buy new??? Over 50 Factory Demos in stock with special finance rates from 2.49% for up to 72 months and the 5 year unlimited mileage protection plan included!!. Are you a current BMW owner, ask about the owner loyalty incentive!! All Prices displayed are plus tax, title, license Doc and $695 Kahu!!!!!.602.308.4269 Think Camelback for your BMW!!!


text:
Taiwan's last ambassador to South Africa, Loh I-cheng (陸以正), said he remembers the nation's former president Nelson Mandela, who died on Thursday, aged 95, as "a great leader with a human touch."
"Most nation-to-nation relationships are interest-driven and based purely on business. However, maybe as a result of the 27 years he had spent behind bars, Mandela had the human touch that was rarely seen in other political leaders... He will always be remembered for his humble demeanor," Loh said on Friday.
South Africa severed its 48-year diplomatic relationship with the Republic of China at the end of 1997 and established ties with the People's Republic of China in the following year.
Loh served as an ambassador to the African nation between 1990 and 1997.
Loh said the first person he met after he was posted to South Africa in November 1990 was not then-South African president F.W. de Klerk, but Mandela, who had been released in February that year after being imprisoned for decades as a political prisoner for fighting apartheid.
"I did so to embarrass the president at the time, because I was worried by rumors that had started circulating even before I moved to South Africa that its government was exploring the possibility of establishing diplomatic relations with China," Loh said.
"Therefore, I decided to pay Mandela a visit in his hometown before submitting my letter of credence [to De Klerk]. That visit helped lay a solid foundation for our friendship," Loh said.
Loh said that he and Mandela often talked and dined together, adding that they later became so close that Mandela even paid a visit to his residence in Taipei when he visited Taiwan in 1993 and that Mandela also invited him to a court hearing for his divorce case from Winnie Madikizela-Mandela, his second wife.
On South Africa's severance of ties with Taiwan, Loh said the decision was a result of many factors, including the South African Communist Party's (SACP) influence over the African National Congress (ANC), the ruling party, of which Mandela was the president.
The SACP is a partner of the tripartite alliance with the ANC and the Congress of South African Trade Unions.
"One night, at the end of 1996, Mandela invited me over for dinner. He told me in a roundabout manner that the SACP was pressuring him into making a decision that he would not have otherwise made, and that he would always remember the help Taiwan had given when he was most in need," Loh said.
Thanks to Mandela's warning, officials at Taiwanese embassies in the South African cities of Johannesburg, Cape Town and Durban had sufficient time to make the necessary arrangements for the expected severance of ties, Loh said.
Loh added that despite his government switching recognition to China, Mandela still personally saw him off at the airport and awarded him a medal that was regarded as his nation's highest honor.
"However, I was so infuriated by the end of our diplomatic relationship that I put on a long face when Mandela came to the airport. I even blatantly told him I would never wear the medal he gave me," Loh said.
Separately yesterday, former president Lee Teng-hui (李登輝) lamented the passing of Mandela, to whom he granted Taiwan's highest honor for foreign nationals, the Order of Brilliant Star with Special Grand Cordon, during Mandela's 1993 visit.


text:
Applications directory
From Openmoko
(Difference between revisions)
(→Internet: new format test.)
m (→More about Internet applications: format)
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* [[Browser|Overview of Internet applications]] - Screenshots, website, availabiltiy
* [[Browser|Overview of Internet applications]] - Screenshots, website, availabiltiy
* [[:Category:Internet Applications|Internet applications
* [[:Category:Internet Applications|Internet applications ]] in the Openmoko Wiki
== Office ==
== Office ==
Revision as of 20:36, 24 September 2008
| Editing: (2008/09/27) This page is being edited by Kempelen: Categories and descriptions, may rename or cut&paste later.
If this note persists without edits in the history, feel free to remove the Editing template from the page.
The purpose of this page is not to be exhaustive, but simply to provide an easy shelter where everybody can add links for Openmoko-related programs. Applications, scripts, projects, distributions, images at all maturity levels are welcome. Please limit each entry to one line. You may create a new wiki page or just provide an outgoing link.
- Minimo - Mozilla based browser
- Midori - Webkit based browser
- Mokopedia - Read small Wikipedia dumps offline
- Openmoko Mail - E-mail client
- Pidgin - Instant messaging client (ICQ, MSN, Jabber, Yahoo and more.)
More about Internet applications
- Overview of Internet applications - Screenshots, website, availabiltiy
- Internet applications articles in the Openmoko Wiki


text:
Rebco Racing Enterprises' Outlaw Disc Brake Calipers - Calipers You Can Count On
Calipers You Can Count On
Rebco Racing Enterprises' line of Outlaw disc-brake calipers offers plenty of choices for racers looking to get the most out of their brakes. The Outlaw line currently offers seven different models of calipers with multiple sizes available for each. All but one is constructed from billet aluminum, which provides superior strength over a cast caliper. The lone exception, the Outlaw GM caliper, is targeted to the budget-conscious racer and is constructed from high-strength, cast aluminum.
Wondering which model is best for you? No problem; Rebco's full-color catalog gives the vital stats for every model, including dimensions, specifications, features, and suggested usages. If you are still not sure, Rebco welcomes a call to its info/tech line.
ManufacturerRebco Racing EnterprisesDept. CT125130 Piney Grove Rd.Cumming, GA 30040 770/844-1777www.rebcoracing.com


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Page 1
|1 of 1
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HASKINS & SELLS CERTIFIED PUBLIC ACCOUNTANTS NEW YORK LOS ANGELES CHICAGO NEW ORLEANS PHILADELPHIA BULLETIN SEATTLE DETROIT KANSAS CITY CLEVELAND DENVER BOSTON ATLANTA ST. LOUIS TULSA BALTIMORE WATERTOWN PITTSBURGH LONDON SAN FRANCISCO SHANGHAI VOL. III N E W Y O R K , M A R C H , 1920 No. 3 The Twenty-fifth Anniversary THE close of business March 3, 1920, marked the end of the first quarter century in the life of Haskins & Sells. March 4, 1895, saw its inception. On the occasion of the twenty-fifth anniversary, it is perhaps fitting that we should pause and reflect and record some of the firm's history in this number of the BULLETIN. The span of twenty-five years has been marked by many changes. Much history has been made. The country has passed through periods both of elevation and depression. The whole economic aspect has been changed by the Great War. Ideas, relations, outlook, have all been transmuted by the fierce fires of the gigantic struggle. Altogether, however, the span has been marked by progress. The profession of accountancy has not failed to keep pace with the general forward movement. In 1895, not a single state had recognized the profession. Today, only two states have failed to pass laws accrediting the public accountant. His duties and responsibilities have increased both in number and scope. Education has come to be generally recognized as a prerequisite of his calling. The firm of Haskins & Sells, from its humble beginning at No. 2 Nassau Street, New York, has grown into an organization international in its activities. An executive office and twenty practice offices, all occupying about thirty-three thousand feet of floor 17 space, are now required to give the necessary attention to clients. The members of the firm number fifteen. There are twenty-six managers and assistant managers. The staff is comprised of four hundred and forty-two accountants, who are carefully selected and as carefully instructed and trained in the firm's traditions, ideals and technique. There are one hundred and forty-two secretarial, clerical and other employes. The total is six hundred and twenty-five. Whatever measure of success this may be adjudged is due to cooperative devotion to the tenets of the profession. To serve the public skillfully, faithfully, and with satisfaction in matters of accounting has been the ambition of the firm. To acknowledge no failures would be lacking in conscience and foolhardy. Mistakes there have been and some painful. But mistakes are human and are forgiven if they are not the result of wrong motives. It is therefore pleasant to look back over the period and regard the consideration with which our friends and clients have received our efforts to serve them. It is stimulating to realize what their confidence has meant. It makes us wish for its continuance in the future. If the occasion of a twenty-fifth anniversary is an appropriate time for resolutions, we are prompted to take this occasion to dedicate our best efforts to greater service in the years to come.
Object Description
Twenty-fifth anniversary
Haskins & Sells -- History
Haskins & Sells
Haskins & Sells Bulletin, Vol. 03, no. 03 (1920 March), p. 17
|Originally published by: Haskins & Sells
|Deloitte Digital Collection
|Digital Publisher
|University of Mississippi Libraries. Accounting Collection
|Date-Digitally Created
|HS Bulletin 3-p17


text:
Login by Facebook account
Click the button below to login to Sakhi Fashions us
|Email Id
Often, weavers create more than one piece of a particular saree, especially if they are in demand. This could lead to a situation where you think you are wearing an exclusive and unique colour combination of a saree only to be stopped in your tracks at a party when you find someone sharing your glory. SoUnique sarees ensure that you have the only piece of a particular colour or design of saree so that you can rest assured that your look won't be duplicated. The SoUnique sarees featured on Sakhi online include pure cotton, pure silk, silk cotton, Silk Kota, organza, Tussar, Kanchivaram, Banarasi and chiffon sarees. They come is traditional single colour bodies with contrast border, multi-coloured bodies as well as unique features such as woven wonder, border attached and alternate colour borders. Some of the sarees also have unique design concepts such as half-and-half style, checked pallu and extra wide borders that add to their exclusivity and give them a designer look. The sarees come in a variety of colours, including dark, bright, sober and light, to suit almost any occasion.[ - ]
Regular Price: $ 250
Special Price $ 175
Regular Price: $ 85
Special Price $ 70
Regular Price: $ 120
Special Price $ 75


text:
A security check on a US company has reportedly revealed one of its staff was outsourcing his work to China.
The software developer, in his 40s, is thought to have spent his workdays surfing the web, watching cat videos on YouTube and browsing Reddit and eBay.
He reportedly paid just a fifth of his six-figure salary to a company based in Shenyang to do his job.
Full story: US employee 'outsourced job to China'


text:
|Oracle Fusion Middleware Data Visualization Tools Tag Reference for Oracle ADF Faces
12c (184.108.40.206.0)
dvt:stockGraph stockGraph stock graph
UIComponent class: oracle.adf.view.faces.bi.component.graph.UIGraph
Component type: oracle.dss.adf.graph.Graph (stockGraph)
Use the <dvt:stockGraph> tag to create an ADF data visualization stock graph. Stock graphs display stock prices and, optionally, the volume of trading for one or more stocks in a graph. There are many types of regular stock or candle graphs. Here is a list of subtypes that a <dvt:stockGraph> tag supports -
The <dvt:stockGraph> tag provides a complete set of attributes and child tags required to create any stock graph. Use the graph's "subType" attribute to specify the graph type. One of the most commonly useful child tags is the <dvt:series> tag. Use a set of <dvt:series> tags, within a <dvt:seriesSet> tag, to change stock marker colors, for instance. Use child tag <dvt:stockMarker> to change rising and falling colors of the Candle Stock graphs.
The Graph's layout is dominated by five major components: title, subtitle, footnote, legendArea, and plotArea. The plotArea plots the data and is always rendered, but the other four components are optional, and can be placed in different locations within the graph. Within the area allocated to the whole graph, space is first allocated to the titles, if present. The title and the subtitle are displayed side by side at the top of the graph by default, and the footnote is displayed at the bottom of the graph. Space is next allocated for the legendArea, which displays the marker color and label associated with each series. It can be positioned in one of four locations: left, right, top and bottom. The legend can use as much as 40% of the graph space. The plotArea and its labels occupy the remaining space.
Use the data binding dialogs to bind the simple graph tags to a data control, which is typically based on a rowset (see data binding documentation for details). Another common way to provide data for the graph is to use the "tabularData" attribute to create a grid. This requires use of a backing or managed bean.
The graph requires a simple grid of numeric data points to plot a graph. The grid's row and column labels are used to identify components within the graph. By default, the rows appear as the series and the columns appear as the groups. Various Stock graph subtypes require different numbers of columns per group. The STOCK_HILO_CLOSE and the STOCK_OHLC_CANDLE subtypes, both require four columns per group, for each stock marker in the graph displays stock's open, high, low and close value. The STOCK_HILO_CLOSE_VOLUME and the STOCK_OHLC_CANDLE_VOLUME subtypes, both additionally need a column to display the volume of trading on y2Axis. These two subtypes requires five columns per group. Similarly, the subtype STOCK_HILO_CLOSE requires three columns per group and the subtype STOCK_HILO_CLOSE_VOLUME requires four columns per group being high, low, close with volume. And the Candle graph subtypes STOCK_CANDLE and STOCK_CANDLE_VOLUME, require two and three columns per group, respectively.
The rows in the grid usually appear as the series in a stock graph. The graph legend identifies each series in the graph, with a labeled symbol that shows color and other appropriate attributes. Use a set of <dvt:series> tags, within a <dvt:seriesSet> tag, to change stock marker colors. The <dvt:seriesSet> tag contains attributes that change the default attributes for all series. The <dvt:seriesSet> tag also contains the <dvt:series> tags that override attributes for individual series.
Here is an example of a Stock graph with a <dvt:seriesSet> tag that defines default color for all series. The <dvt:series> child tag overrides this color for the first series in the graph. -
<dvt:stockGraph id="stockGraph1" subType="STOCK_HILO_CLOSE">
<dvt:seriesSet defaultColor="#336699">
<dvt:series index="0" color="#99ccff"/>
Use the graph's "seriesEffect" attribute to add predefined gradient effects on stock markers for Candle Stock graphs.
Use the graph's "seriesRolloverBehavior" attribute to turn on highlighting behavior when the cursor moves over a stock marker or a series-specific legend component.
The markerText tag defines if and where the marker text should appear in relation to stock markerss. Use the attribute "markerTextPlace" to specify the location of the text.
The title and the subtitle, if present, are displayed side by side at the top of the graph by default. Use the graph's "customLayout" attribute to change this default setting. The footnote, if present, is displayed at the bottom of the graph.
The legend displays the marker and associated color of each series. It also displays the legend title and lists any reference objects that are present. The legend can be positioned in one of four different locations: left, right, top and bottom. Use the attribute "alongGraphEdge" to attach it to the edge of the graph. The legend can be removed with the "rendered" attribute.
Stock graphs plot the data within the plotArea. The plotArea integrates the axes and the data markers. Generally the horizontal axis is an ordinal/category axis (o1Axis). The primary vertical axis is data axis (y1Axis), which shows stock prices. When any stock or candle stock graph includes the volume of trading, the graph appears as a split dual-Y graph where the volume appears as bars in the lower part of the graph on the secondary y2Axis. The stock markers in the Candle stock graphs show the lesser of the open and close values at the bottom of the candle. The greater value appears at the top of the candle. If the closing value is greater than the opening value, then the candle displays rising color, which is green, by default. If the opening value is higher than the closing value, then the candle displays falling color, which is red, by default.
DVT stock graph supports number formatting on its Y1 and Y2 axis tick labels as well as for marker text that appear on the stock markers. Users can customize the number formatting by adding <af:convertNumber> to the <dvt:y1TickLabel>, <dvt:y2TickLabel>, <dvt:y1Format>, and <dvt:y2Format> tags. The following is an example of how to configure these tags:
<dvt:stockGraph value="#{binding.dataModel}">
<af:convertNumber pattern="#{appPrefs.markerTextPattern}" />
<af:convertNumber pattern="#{appPrefs.tickLabelPattern}" />
Automatic Scaling and Precision
Graph automatically determines the scale ( e.g. 4K ) and precision ( e.g. show 2 decimal points - 0.25 ) based on the values that are being displayed. This automatic formatting still occurs when <af:convertNumber> is specified. The graph tags that support <af:convertNumber> child tags ( e.g. <dvt:y1TickLabel>, <dvt:y1Format>, ...) also have scaling and autoPrecision attributes that can be used to control graph's automatic number formatting. By default, scaling="auto" means graph will auto-calculate the scale. For example, 40,000 will be formatted as "40K". By default, autoPrecision="on" means that graph will auto-calculate the precision of the number. For example, 0.230546 will be displayed as "0.23". If the autoPrecision is 'on' then all of the <af:convertNumber> fraction digit settings ( e.g. min/maxFractionDigits or pattern) are ignored.
Graph typically uses categorical attributes ( e.g. product, geography, year, etc. ) on an ordinal axis and for the marker tooltips. To specify how categorical attributes should be formatted, an application needs to specify <dvt:attributeFormat> tag for each categorical attribute to be formatted. The <dvt:attributeFormat> tag needs to identify the categorical attribute that is being formatted by name as well as specify a converter to use when formatting the attribute. For example,
<dvt:stockGraph value="#{bindings.StockView1.graphModel}" subType="STOCK_HILO_CLOSE">
<dvt:attributeFormat id="af1" name="MarketDate">
<af:convertDateTime pattern = "yyyy-MM-dd hh:mm:ss a" timeZone="US/Pacific"/>
The name of the categorical attribute is the name of the attribute/layer that was added to the Graph DataModel. The Graph model can be set declaratively by updating the pagedef. Here is the associated view pagedef for the above graph:
<graph IterBinding="StockView1Iterator" id="StockView1"
xmlns="http://xmlns.oracle.com/adfm/dvt" type="STOCK_HILO_CLOSE">
<graphDataMap convert="false" leafOnly="true">
<item value="Symbol"/>
<item value="MarketDate"/>
<item value="High"/>
<item value="Low"/>
<item value="Close"/>
Configuring Date Formatting
If there is a single categorical Date attribute being displayed on the O1Axis, then Graph displays a TimeAxis instead of the typical O1 / Ordinal Axis. The TimeAxis will show dates in a hierarchical format as opposed to as a single label on an O1 Axis ( e.g. June 27, 2001 ). To show a single label on the O1 Axis, the TimeAxis should be turned off ( e.g. timeAxisType="TAT_OFF" ) and a <dvt:attributeFormat> should be used to specify the date format.
The Stock graph displays a time axis when dates (object type java.util.Date) are specified for the column labels. Several timeXXX attributes are defined on the graph tag to customize the time axis. The child tag timeAxisDateFormat controls the format in which the time axis labels are displayed.
Use the <dvt:timeSelector> tag to activate the graph's TimeSelector feature, which allows an end user to select a time range on a time axis. This is typically used in master-detail graphs where the selected time range in the master graph drives the content of a detail graph, table, or other component. A backing or managed bean is required to use this feature.
The default graph size is 300 pixels tall by 400 pixels wide. Change this using the "inlineStyle" attribute. Set inlineStyle="width:500px; height:350px;", for instance, to change the graph size to 350 pixels tall by 500 pixels wide. The width and the height can also be specified in percent. Use percent for height only when the graph is added to an explicitly sized container or one that manages layout, otherwise graph will behave differently for different browsers. Use the "dynamicResize" attribute to resize the graph based on its container size.
Several graph types support animation. Animate the graph during initial rendering using the attribute "animationOnDisplay". The graph can also be animated when the data changes using the attribute "animationOnDataChange". Use the attribute "animationDuration" to specify the animation duration. The indicator colors for increase and decrease in the data value are specified by attributes "animationUpColor" and "animationDownColor", respectively.
Use a <dvt:alert> tag for the graph to define an additional data point that needs to be highlighted with a separate symbol, such as for an error or warning. Wrap all <dvt:alert> tags in a <dvt:alertSet> tag.
Use the <dvt:referenceObject> tag to create either a reference line or a reference area. The reference object can be associated with any data axis or series. Multiple reference objects can be associated with a single series or an axis. Use the attribute "location" to specify whether the referenceObject should displayed in the front or the back of the data markers. Use graph's "referenceObjectDisplay" attributes to specify when the referenceObject would be displayed: the value "RO_AUTOMATIC" displays it only when the mouse hovers over the component with which the referenceObject is defined. Wrap all <dvt:referenceObject> tags in a <dvt:referenceObjectSet> tag.
Use the shapeAttributes tag to specify interactivity on an individual graph component. A backing or managed bean is required to use this feature.
Here is an example of a stock marker in a Stock graph using a clickListener to display data value :
<dvt:stockGraph >
<dvt:shapeAttributes component="component="GRAPH_STOCKMARKER"" clickable="true" clickListener="#{clickListener.processClick}"/>
The "processClick" method in the backing bean will look like:
public void processClick(ClickEvent event) {
ComponentHandle handle = event.getComponentHandle();
if (handle instanceof DataComponentHandle) {
DataComponentHandle dhandle = (DataComponentHandle)handle;
System.out.println("Data value: " + dhandle.getValue(DataComponentHandle.UNFORMATTED_VALUE).toString());
Wrap all <dvt:shapeAttributes> tags in a <dvt:shapeAttributesSet> tag.
The af:showPopupBehavior tag can be used within the <dvt:seriesSet> to display popups for data objects within the graph. Only the "click" and "mouseHover" trigger types are supported. When using hover popups, it is recommended that tooltips be disabled, since having multiple types of hover feedback can be confusing to the user.
Context menus can be defined by using any of the context menu facets that are defined on the graph. The "bodyContextMenu" facet specifies a context menu that is displayed on any non-selectable object within the component. The "contextMenu" facet specifies a context menu that is displayed on any selectable object within the graph. The "multiSelectContextMenu" facet specifies a context menu that is displayed when multiple objects are selected. Each facet supports only a single child component. Selection must be enabled and supported for the specific graph type in order for an object to be considered selectable. Context Menus are currently only supported in Flash.
Due to technical limitations when using the Flash rendering format, the context menu contents are currently displayed using the Flash Player's context menu. This imposes several limitations defined by the Flash Player:
Additionally, since Flash's request for context menu items is a synchronous call, so a server request to evaluate EL is not possible when the context menu is invoked. To provide context menus that vary by selected object, the menus will be pre-fetched if the context menu popup uses contentDelivery="lazyUncached". For context menus that may vary by state, this means that any EL expressions within the menu definition will be called repeatedly at render time, with different selection and currency states. When using these context menus that are pre-fetched, the application must be aware of the following:
Tooltips are useful to display identification and or detail information for data markers. They can be very useful in smaller graphs without enough space to display markerText. Use attributes "markerTooltipType", "seriesTooltipLabelType", and "groupTooltipLabelType" to customize tooltip content. The graph automatically displays tooltips for components like title, subtitle, footnote, legendText, and annotations when their text is truncated. There is no option to change this behavior.
Zoom and scroll attributes are not supported for the stock graph.
The <dvt:graphFont> tag is used for font formatting. Text color, style, size, and font name can be specified using this tag. This tag is used as a child tag for any of the graph's text component tags. All text component tags have other formatting attributes like horizontal and vertical alignment, text string, and whether or not the text should be rendered.
Use the <dvt:specialEffects> tag to specify gradient effects on many graph subcomponents. This tag must be defined as a child tag of the component tag and is not available for any text components. Note that the "seriesEffect" attribute setting always overrides the special effects settings.
The <dvt:stockGraph> tag can have the following child tags:
af:dropTarget, <alertSet>, <annotationSet>, <attributeFormat>, <background>, <graphFootnote>, <graphPlotArea>, <graphSubtitle>, <graphTitle>, <legendArea>, <legendText>, <legendTitle>, <markerText>, <o1Axis>, <o1MajorTick>, <o1TickLabel>, <o1Title>, <referenceObjectSet>, <seriesSet >, <shapeAttributesSet>, <stockMarker>, <timeAxisDateFormat>, <timeSelector>, <y1Axis>, <y1BaseLine>, <y1MajorTick>, <y1Title>, <y1TickLabel>
In attachment mode, the graph will be displayed in HTML5 or PNG, depending on the browser being used. Limited client interactivity, such as tooltips, is available. The following features are not supported in attachment mode:
|Apply Request Values
|The ClickEvent is delivered when the component is clicked.
|Invoke Application,
Apply Request Values
|Event delivered to describe an attribute change. Attribute change events are not delivered for any programmatic change to a property. They are only delivered when a renderer changes a property without the application's specific request. An example of an attribute change event might include the width of a column that supported client-side resizing.
|popup component containing the context menu that will be shown on right click on any non-selectable object within the component. The af:popup must contain an af:menu to display the context menu. This facet supports only a single child component.
|popup component containing the context menu that will be shown on right click of any selectable data object within the component. The af:popup must contain an af:menu to display the context menu. This facet supports only a single child component.
|popup component containing the context menu that will be shown on right click when multiple data objects are selected. The af:popup must contain an af:menu to display the context menu. This facet supports only a single child component.
|Supports EL?
This attribute is deprecated. The UIComponent APIs should be used instead. Specifies path to an XML file that contains settings for graph properties that are not exposed in the areaGraph tag.
|Default Value: 1000
Specifies the animation duration in milliseconds. The default value is 1000.
|Valid Values: none, auto, alphaFade, conveyorFromLeft, conveyorFromRight, cubeToLeft, cubeToRight, flipLeft, flipRight, slideToLeft, slideToRight, transitionToLeft, transitionToRight, zoom
Default Value: none
Specifies the type of animation to apply on data change. Valid values are:
|Valid Values: none, auto, alphaFade, conveyorFromLeft, conveyorFromRight, cubeToLeft, cubeToRight, flipLeft, flipRight, slideToLeft, slideToRight, transitionToLeft, transitionToRight, zoom
Default Value: none
Specifies the type of animation to apply when the component is initially displayed. Valid values are:
|Only EL
|a method reference to an attribute change listener. Attribute change events are not delivered for any programmatic change to a property. They are only delivered when a renderer changes a property without the application's specific request. An example of an attribute change events might include the width of a column that supported client-side resizing.
|Only EL
Specifies a binding reference to store a specific instance of UIGraph from a backing bean. Set this attribute only to access code in a backing bean. For example, to reference a graph component in the SampleGraph class, use the following code:
|Refers to a backing bean method that performs navigation processing for the graph and returns an outcome String. Or a static outcome String can be specified. The JSF NavigationHandler selects the page to display next by matching the outcome String against the navigation rules in the application configuration resource file. The application writes the Navigation rules.
|The listener interface for receiving click events on the graph components. Here is an example of clickListener implementation that displays a component name on a click action -
|Valid Values: whenAvailable, lazy, immediate
Default Value: whenAvailable
Specifies whether to fetch content with page load or after page load. Valid values are lazy (default) and immediate.
Specifies custom layout information when the graph automatically places and sizes its components. Valid values are:
|This attribute is deprecated. The 'id' attribute should be used when applying persistent customizations. This attribute will be removed in the next release.
|Valid Values: auto, on, off
Default Value: auto
Specifies the display for the data cursor:
|Valid Values: auto, on, off
Default Value: auto
Specifies the display behavior for the data cursor:
|Specifies callback for overriding the error message that the Graph displays when it is not provided with enough data to draw a graph. Only EL is supported.
|Valid Values: none, single, multiple
Default Value: none
Determines the data selection mode for the graph. Valid values are:
|Default Value: false
Indicates whether drilling is enabled.
|Valid Values: FIXED_SIZE, DYNAMIC_SIZE
Default Value: FIXED_SIZE
Specifies whether to resize the component based on its container size. Valid values are FIXED_SIZE (default) and DYNAMIC_RESIZE.
|Specifies error text to display when graph has no data.
|Default Value: FLASH_DEFAULT_FONT_LOADING_ALL
Specifies whether default fonts are loaded in FLASH from the middle tier. Valid values are FLASH_DEFAULT_FONT_LOADING_ALL or FLASH_DEFAULT_FONT_LOADING_NONE. The default value is FLASH_DEFAULT_FONT_LOADING_ALL.
|Valid Values: TLT_MEMBER, TLT_DIM_MEMBER, TLT_NONE
Default Value: TLT_MEMBER
Specifies whether group information for a graph appears in tooltips and, if so, identifies the kind of group information that appears in tooltips. Valid values are:
|Specifies the identifier for the component
|Valid Values: HTML5, FLASH, PNG, PNG_STAMPED, AUTO
This attribute is deprecated. Use the oracle.adf.view.rich.dvt.DEFAULT_IMAGE_FORMAT context parameter instead. The component will use the specified default if possible, falling back to alternate output formats as needed based on the client browser.
|Default Value: 300
This attribute is deprecated. Use inlineStyle attribute to specify the image width and height instead. For examples: inlineStyle = "width:500px; height:350px;".
The default height is 300 pixels.
|Default Value: 400
This attribute is deprecated. Use inlineStyle attribute to specify the image width and height instead. For examples: inlineStyle = "width:500px; height:350px;".
The default width is 400 pixels.
|Style of the outer element(enclosing div) of the component
|Provides a declarative way to customize the tooltips that appear on the graph. By setting the markerTooltipTemplate attribute to a tokenized string, an application can quickly format all the marker tooltips. This feature is a more performant alternative to the customTooltipCallback, since tokens can be sent to the client instead of preconstructed tooltip strings. This reduces the graph payload significantly, especially for large datasets.
The markerTooltipTemplate attribute accepts a String that may contain any number of a set of predefined tokens. When the tooltips are generated, the tokens are replaced with the information corresponding to each marker. Valid tokens are:
|Valid Values: MTT_NONE, MTT_VALUES, MTT_CUM_VAL, MTT_PERCENT_VAL, MTT_TEXT, MTT_PERCENT_VAL_VALUES, MTT_PERCENT_VAL_TEXT, MTT_PERCENT_VAL_VALUES_TEXT, MTT_VALUES_TEXT
Default Value: MTT_VALUES
Specifies whether tooltips are displayed for markers and, if so, identifies the kind of information that appears in the tooltips. Valid values for marker tooltips are:
|This attribute is deprecated. Use the child tag o1Title and its text attribute instead. Use to specify the text of the o1 axis title.
|Default Value: true
Deprecated. It is not useful anymore.
Indicates whether an action can be performed through a partial page submit. Valid values are:
|the IDs of the components that should trigger a partial update. This component will listen on the trigger components. If one of the trigger components receives an event that will cause it to update in some way, this component will request to be updated too.
|Default Value: true
Indicates whether an image map should be rendered for a PNG image. The default value is true.
|Default Value: true
Specifies whether the component is rendered.
|Only EL
|The listener interface for receiving scroll events on the graph. The event triggers when an axis of a graph is scrolled. Here is an example of scrollListener implementation that displays the range of the Y1 Axis and the O1 Axis -
|The listener interface for receiving selection events on the graph.
|Valid Values: SE_NONE, SE_GRADIENT, SE_AUTO_GRADIENT
Default Value: SE_AUTO_GRADIENT
Determines the series effect that is used for a graph. Valid values are:
|Valid Values: RB_NONE, RB_DIM, RB_HIGHLIGHT
Default Value: RB_NONE
Specifies the behavior when the mouse rolls over one bar in a series. Valid values are:
|Valid Values: TLT_MEMBER, TLT_DIM_MEMBER, TLT_NONE
Default Value: TLT_MEMBER
Specifies series information in a tooltip. Valid values are as follows:
|Specifies the short description of the graph. This is particularly useful in the screen reader mode.
This attribute is deprecated. Skinning should be used instead. Applies a style to the graph based on the specified XML file. Valid values are the name of a standard graph style or the path of a custom XML file that you want to set as a style for this graph.
Predefined graph styles are:
To specify a custom style, enter the entire path to the xml file. For example: /text/myStyle.xml.
|Sets a CSS style class to use for this component. Note that width and height should be set using the inlineStyle property.
|Specifies a vector of
oracle.dss.rules.RuleBundle objects that specify different colors based on data values or characteristics. For example, a styleRuleBundle might contain a stoplight rule that sets the following colors:
The following example refers to a style rule bundle called myRuleBundle that is stored in the backing bean SampleGraph:
Specifies the type of graph. Valid values are:
Specifies a list of data that the graph uses to create a grid and populate itself. The List consists of a three-member Object array for each data value to be passed to the graph. The members of each array must be organized as follows:
|Valid Values: CTAI_AUTOMATIC, CTAI_YEAR, CTAI_MONTH, CTAI_DAY, CTAI_HOUR, CTAI_MINUTE, CTAI_SECOND
Default Value: CTAI_AUTOMATIC
Specifies the interval along a continuous time axis only if you want to override the value that the graph calculates automatically. Valid values are as follows:
|Valid Values: TAT_DEFAULT, TAT_IRREGULAR, TAT_MIXED_FREQUENCY, TAT_DEFAULT_STRICT, TAT_IRREGULAR_STRICT, TAT_MIXED_FREQUENCY_STRICT, TAT_OFF
Default Value: TAT_DEFAULT
Indicates the type of time axis data and the expected behavior if requirements for a specific type are not met.
The following types of time axis data are supported:
The constants that specify time axis type also indicate the expected behavior when the requirements for a particular time axis type are not met. The following kinds of behavior are possible:
Valid values are as follows:
|Specifies explicit time range end date for the time axis. TimeRangeMode property must be set to TRM_EXPLICIT. Only EL is supported.
|Valid Values: TRM_OFF, TRM_RELATIVE_LAST, TRM_RELATIVE_FIRST, TRM_EXPLICIT
Default Value: TRM_OFF
Time range mode on a time axis. Valid values are:
Also see the following related properties: relativeTimeRange, timeRangeStart, and timeRangeEnd.
|Specifies explicit time range start date for the time axis. TimeRangeMode property must be set to TRM_EXPLICIT. Only EL is supported.
|Specifies relative time range(in milliseconds) from the last data point or from the first data point on the time axis. timeRangeMode must be set to TRM_RELATIVE_LAST or TRM_RELATIVE_FIRST. Only EL is supported.
|Specifies a method reference that returns an instance of
java.util.TimeZone. The graph uses this time zone when it formats dates. The following example refers to the method myTimeZone in the SampleGraph backing bean: timeZone="#{sampleGraph.myTimeZone}"
|This attribute is deprecated. Use the child tag graphTitle and its text attribute instead. Specifies the text of the title.
|Specifies the graph's data model. This must be an instance of oracle.adf.view.faces.bi.model.DataModel or oracle.adf.view.faces.bi.model.GraphDataModel
|Valid Values: NONE, AUTO
Default Value: AUTO
Specifies the type or types of visualEffect to apply. Valid values are:
|This attribute is deprecated. Use the child tag y1Title and its text attribute instead. Use to specify the text of the y1 axis title.
|Only EL
|The listener interface for receiving zoom events on the graph. The event triggers when an axis of a graph is zoomed. Here is an example of zoomListener implementation that displays the range of the Y1 Axis and the O1 Axis -


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Renovated Florida Beach House
At home with fashion designer Stephanie Carter
Most rising stars in the fashion industry would set their sights on New York or Los Angeles, but Stephanie Carter, founder of her own fashion house, Judith March, opted for a runway less traveled. At 31, she has come a long way from her family's Alabama farm to make a splash in the world of fashion—all the while retaining close ties to her Southern roots and small-town sensibilities.
When the clothing designer set up shop in Florida, she was initially content to live in a dated '80s beach house a block from the Gulf in Seagrove, an older waterfront village. But when the time came to update her digs, she turned to Paige Sumblin Schnell, a designer at Tracery Interiors. "We met through mutual friends who owned a local wine bar," recalls Stephanie. "I loved her shop in Rosemary Beach, and then we realized we grew up 40 miles apart in rural Alabama." It was a perfect fit. "I gave Paige my vision. She took it and ran."
Surrounded by the pattern and color of her fashion career, Stephanie prefers to dial down the volume at the end of the day. "The house is a backdrop intentionally muted and monochromatic to allow Stephanie to experiment with fabrics, patterns, and colors with different seasons," explains Schnell. For continuity and a sense of calm, the interior designer used the same shadowy gray paint throughout the house, changing the percentages of the formula to create varying intensities. "It's a surprisingly complex color, changing during the day depending on the light," she notes. The house is surrounded by trees that also influence the color tones in different spaces.
"A fashion designer must be changing constantly, which is good, because I get easily bored," admits Stephanie. "I wanted a home with good bones, one that would give me the option to mix things up." The multi-shades-of-gray palette sets the perfect stage for layering and pairing of textures and materials.
Schnell relaxed the living room with a jute rug and a cowhide ottoman, and happily incorporated vintage items Stephanie had collected. The roof of the house was raised to create the living room's vaulted ceiling, which is clad with pecky cypress. The height introduces volume and natural light, and accommodates Stephanie's cherished antique doors that sit above the mantel.
A scalloped archway added to the foyer sets the stage for the elegant touches to come in the living room, including a ballroom-worthy chandelier and stately antique sideboard with mirror. The dining room table is another of Stephanie's prized possessions. Schnell combined it with an upholstered bench with scalloped back, an antique crystal chandelier, and slipcovered chairs in tune with Stephanie's casual approach to family meals and entertaining.
To enhance the home's wide-open, sun-washed feel and to link the living room and sunroom, Schnell opened up walls on either side of the fireplace. The symmetrical openings encourage traffic from indoors to out, while bringing in more Florida sun. A new two-sided fireplace also makes both rooms more inviting.
Like Stephanie's approach to fashion, the house sways from glam to kid-friendly without missing a beat. For all the sophistication, it's still a beach house and home to Stephanie's 6-year-old son, Fox, who is decidedly all-boy. Consequently, there's nothing fussy about Fox's bedroom. Custom-designed twin beds, which appear to hang from the ceiling on ropes, are actually grounded on platforms. Old gym lockers offer playful and practical ways to store toys and shoes.
Before the renovation, there was a balcony at the top of the stairs. Schnell capitalized on this previously wasted space to create a dressing area accentuated with an archway similar to the one in the foyer.
The space that might witness the most activity, however, is not a room but Stephanie's closet, a capacious sanctuary carved out of found space under the raised roof. The master suite is truly Stephanie's inner sanctum. Enlivened with personality through unexpected pairings of textures and materials, the room is as moody, cloistered, and dramatic as a vintage haute couture gown. Sweeping curtains of raw silk hang from industrial hardware.
Stephanie believes that living apart from the hustle and bustle of the industry affords more leeway for creativity when designing. She also maintains that there is inspiration in the moment—anything can inspire the next collection. "My home is my anchor and my blank canvas," says Stephanie. "It allows me to be me."
Photography: Colleen Duffley
Interior Design: Paige Sumblin Schnell and Anna Kay Porch, Tracery, 72 Main St., Rosemary Beach, FL 32461; 850/231-6755, traceryinteriors.com.
Paint ("Ozark Shadows, #AC-26, changing percentages for varying intensities): Benjamin Moore & Co., 888/236-6667, benjaminmoore.com.
Chandelier: Bohlert-Massey Interiors, 850/231-3940, bohlertmassey.com.
Chairs; sofa: Lee Industries, 800/892-7150, leeindustries.com.
Cabinet above mantel (antique): Antiques on Holiday, 850/837-0488, antiquesonholiday.com.
Lounge chair by mantel (#C3277-01); fabric ("Campbell"/White): Lee Industries, 800/892-7150, leeindustries.com.
Pillow in lounge chair (discontinued): Dwell Studio, 877/993-9355, dwellstudio.com.
Cane-back chair by mantel (family heirloom): antique.
Chair-seat fabric (custom): Lewis & Sheron, 404/351-4833, lsfabrics.com.
Area rug (Jute/Natural): Surya, surya.com.
Wing chair (#C1937-01); fabric: Lee Industries, 800/892-7150, leeindustries.com.
Cocktail ottoman (custom); ottoman fabric (cowhide): Tracery, 850/231-6755, traceryinteriors.com.
Flooring on main level ("Wirebrushed Red Oak"/Regal finish): Seashore Floor Co., 850/267-3677, seashorefloor.com.
Pretty Living Room Sideboard
An antique Belgian sideboard with a mirror anchors one end of the living room; the dining area is at the opposite end of the space.
See more of the living room and details on the following slide.
Sideboard (antique, Belgian); mirror over sideboard (antique): Antiques on Holiday, 850/837-0488, antiquesonholiday.com.
Lamps on sideboard ("Perm" #L114): Aidan Gray Home, 888/273-4229, aidangrayhome.com.
Mercury glass accessories on sideboard: Tracery, 850/231-6755, traceryinteriors.com.
Hints of Silver
Silvery details, like mercury glass accessories and antiqued glass, give the living room alluring touches of patina.
Lofty Living Room in Lovely Neutrals
An archway gracefully connects the foyer to the central living area. The living room's ceiling was lofted, allowing space for an elaborate crystal chandelier. Cotton- and linen-upholstered seating pieces gathered around the fireplace are sophisticated, comfortable, and durable for owner Stephanie Carter and her young son. The cowhide ottoman is a custom design by Tracery, the interior designer's firm based in Rosemary, Florida.
Sofa (#C3977-03); fabric ("Wesley"/Silver): Lee Industries, 800/892-7150, leeindustries.com.
Pillows on sofa (patterns discontinued): Dwell Studio, 877/993-9355, dwellstudio.com.
Round side table beside sofa: Beau Interiors, 850/534-0700, beauhomeinteriors.com.
Armoire: antique.
Light and Restful Sunroom
Outdoor views and cozy armchairs from Lee Industries offer comfort.
See sunroom details on the following slide.
Pair of chairs (#3026); chair fabric ("Wesley"/Silver): Lee Industries, 800/892-7150, leeindustries.com.
Pillows on chairs ("BengalBazaar"/Graphite): CR Laine, crlaine.com.
Drapery: discontinued.
Drapery hardware: galvanized pipe from hardware store.
Chest between chairs: 2-drawer industrial bin.
Lamp on chest (discontinued): Barbara Cosgrove Lamps, 816/221-3461, barbaracosgrovelamps.com.
Coffee table: antique.
Urn beside chair (antique): Antiques on Holiday, 850/837-0488, antiquesonholiday.com.
Art of horse (giclee): Leftbank Art, 800/888-7004, leftbankart.com.
Flooring on main level ("Wirebrushed Red Oak"/Regal finish): Seashore Floor Co., 850/267-3677, seashorefloor.com.
Designer's Details
A small antique urn holds decorative spools of golden thread, alluding to Stephanie's stylish career in fashion.
Staircase and Family Photographs
A metal balustrade was replaced with horizontal wood railings in keeping with the home's new rustic flavor, including wire-brushed oak floors with a whitewashed finish. Family photos line the walls leading up the staircase.
Round wood table in foreground: Beau Interiors, 850/534-0700, beauhomeinteriors.com.
Table lamp (discontinued): Barbara Cosgrove Lamps, 816/221-3461, barbaracosgrovelamps.com.
Picture lights in stairwell ("Anette 9-inch Picture Light"/Bronze #RL2275, by Ralph Lauren): Circa Lighting, 877/762-2323, circalighting.com.
Cozy on the Couch
Louis, a tiny Havanese, snuggles in the sofa pillows from Dwell Studio.
Open Gray Kitchen
Opening into the dining room, the renovated and enlarged kitchen has a peninsula that provides seating for informal dining. The cabinets are painted Benjamin Moore's "Kendall Charcoal." Schnell designed a pair of custom light fixtures from vintage lamp parts and heavy rope. Stephanie loves to cook, so the kitchen is outfitted and arranged for casual eat-in dinner parties. The delicate window treatment over the kitchen sink was sewn by a seamstress at her fashion firm.
See kitchen details on the following slide.
Cabinetry (custom): Tracery, 850/231-6755, traceryinteriors.com.
Cabinet finish ("Kendall Charcoal" #HC-166): Benjamin Moore & Co., 888/236-6667, benjaminmoore.com.
Cabinetry hardware: Pottery Barn, 800/922-5507, potterybarn.com.
Range; oven hood; dishwasher: Thermador, 800/735-4328, thermador.com.
Apron sink ("Shaws Original Single Bowl Fireclay Apron Kitchen Sink" #RC3018): Rohl, 800/777-9762, rohlhome.com.
Faucet ("blanco Master Gourmet"/Satin Nickel #440630, discontinued); pot filler faucet ("Blanco Grace Wall-Mounted Pot Filler"/Satin Nickel #441170): Blanco America, 888/668-6201, blancoamerica.com.
Countertop: soapstone.
Window treatment (custom, by Stephanie Nichols): Judith March, 850/267-0293, judithmarch.com.
Light fixtures over island (custom, from vintage lamp parts and heavy rope): Tracery, 850/231-6755, traceryinteriors.com.
Bar stools ("Wave Stool," by Go Home Ltd): Tracery, 850/231-6755, traceryinteriors.com.
Colorful Mementoes in the Kitchen
A colorful Crosley portable turntable and artwork by 6-year old Fox give the gray kitchen personality.
Dining Room with Elegant Details
Although the dining and living rooms are one continuous space, the dining room's ceiling was not lofted to preserve the intimacy of the eating area. A versatile bench along the wall and slipcovered side chairs from Lee Industries surround an antique table.
Details on the following slide.
Table (antique); chandelier: Antiques on Holiday, 850/837-0488, antiquesonholiday.com.
Chandelier refurbishing: Baker Lamps & Linens, 205/981-3330, bakerlampsandlinens.com.
Banquette ("Marche Bench"/Hand-Rubbed Black #SOF132HB); fabric (white cotton): Noir, 310/527-5501, noirfurniturela.com.
Dining chairs (#C5978-01); chair fabric ("Palazzo"/Slate): Lee Industries, 800/892-7150, leeindustries.com.
Wall sconces: Bohlert Massey Interiors, 850/231-3940, bohlertmassey.com.
Draperies (discontinued): Fabricut, 800/999-8200, fabricut.com.
Fabrication: Judith March, 850/267-0293, judithmarch.com.
Art: owner's collection.
Antique Dining Table
The glass-topped antique dining table adds an interesting touch to the room.
Master Bedroom in Silver and Grays
A headboard from Lee Industries is paired with custom-designed drapery hardware crafted of galvanized water pipes for a mix of the industrial and the elegant—much like Stephanie's own fashions. The window and bed draperies are silk in two colors, gray and eggplant.
Details on the following slides.
Headboard (#32-66H); headboard fabric ("Majestic"/Smoke); Euro shams: Lee Industries, 800/892-7150, leeindustries.com.
Bed cover ("Vintage Washed Belgian Linen Quilt"/Fog): Restoration Hardware, 800/910-9836, restorationhardware.com.
Bolster pillow (discontinued): Ankasa, ankasa.com.
Bed canopy (custom design using galvanized water pipes): Tracery, 850/231-6755, traceryinteriors.com.
Draperies and bed drapery (gray silk and eggplant silk, discontinued): Fabricut, 800/999-8200, fabricut.com.
Fabrication: Judith March, 850/267-0293, judithmarch.com.
Bedside table ("Miami Round Base Table" #IMIA31B): Four Hands, 512/371-7575, fourhands.com.
Lamp: owner's collection.
Chair: vintage.
Art beside chair: owner's collection.
Master Bedroom Sitting Area
A cozy slipcovered chair is a peaceful spot for reading in the dramatic master bedroom.
Chandelier (antique): Antiques on Holiday, 850/837-0488, antiquesonholiday.com.
Lounge chair (#C1844-01); slipcover fabric ("Jolie"/White): Lee Industries, 800/892-7150, leeindustries.com.
Pillow in lounge chair (designed by Stephanie Carter): custom.
Dresser: vintage.
Chandelier Details
Above the reading chair hangs a glittering antique chandelier.
Antique Sliding Panels
Schnell had a set of antique doors fabricated into sliding panels for the bath.
Sliding door: antique.
Area rug (cowhide): Tracery, 850/231-6755, traceryinteriors.com.
Restful Master Bath
Sconces from Currey & Company illuminate the soaking tub and pebbled tile floor.
More of the master bath on the following slide.
Tub ("Dual Acrylic Bathtub on plinth" #USADP60): Elizabethan Classics, elizabethanclassics.com.
Sconces ("Oyster Shell Wall Sconce" #5335): Currey & Co., 877/768-6428, curreycodealers.com.
Flooring (pebble tile): Island Stone, islandstone.com.
Feminine Details in the Master Bath
Elegant and contemporary finishes mix, including marble countertops and a pair of mirrors with feminine details.
Vanity cabinet (custom): Tracery, 850/231-6755, traceryinteriors.com.
Countertop: Carrara marble.
Sinks ("Verticyl" #K-2882-0): Kohler, 800/456-4537, kohler.com.
Faucets ("Catalina 8-inch Widespread Lavatory Faucets" #6302): California Faucets, 800/822-8855, californiafaucets.com.
Pair of mirrors (by Go Home, discontinued): Tracery, 850/231-6755, traceryinteriors.com.
Spacious Master Closet
The reconfigured upstairs provides space for an expanded closet with plenty of area to show off Stephanie's array of shoes and bags, from cowboy boots to stilettoes to vintage luggage.
See more of the master closet on the following slide.
Area rug (cowhide); built-in cupboards and shoe rack (custom): Tracery, 850/231-6755, traceryinteriors.com.
Bench: owner's collection.
Master Closet Shelves
"The great thing about clothes is that you can be Jackie O. today and Janis Joplin tomorrow," says homeowner and fashion designer Stephanie Carter.
Stephanie's clothing: Deja Vu, 850/267-0293 x 313, shopdejavu.com, and JudithMarch, 850/267-0293, judithmarch.com.
Pretty Dressing Area
Stephanie Carter and son Fox play at her dressing table while Louis, a Teeny Tiny Havanese, watches from his bed in a vintage Louis Vuitton suitcase. The dressing area was created by enclosing an open balcony at the top of the stairs. The space has floor-to-ceiling mirrors, a vintage dressing table, and antlers where Stephanie displays jewelry and accessories sold at Deja Vu.
Dressing table (vintage); chandelier (antique): Antiques on Holiday, 850/837-0488, antiquesonholiday.com.
Mirror: custom.
Chair: vintage.
Wall antlers for jewelry: antique.
Whimsical Child's Bedroom
Fox's bedroom is a six-year-old's dream: Twin custom beds appear to hang from thick ropes, but are grounded on platforms. Fish artwork behind the beds keeps the mood youthful.
Beds (custom design): Tracery, 850/231-6755, traceryinteriors.com.
Bed cover ("Vintage Washed Hand-Quilted Belgian Linen Coverlet"/Mist): Restoration Hardware, 800/910-9836, restorationhardware.com.
Toy cabinet: antique.
Fish art: Kathleen's Kottage, 850/267-5600, kathleenskottage.com.
Striped area rug (discontinued): Dwell Studio, 877/993-9355, dwellstudio.com.
Table between beds (vintage steel shoe locker, by Go Home): Tracery, 850/231-6755, traceryinteriors.com.
Toys: owner's collection.
Stephanie Carter: A Southern Fashion House
A visionary and a pragmatist, Stephanie Carter cuts a stylish swath as founder and designer at Déjà Vu, Judith March, and Jacque + Janis. At the age of 21, Stephanie sold her Mustang for $4,000 to start a traveling trunk show that she took to country clubs and sorority houses. Next, she opened her first Deja Vu shop in Panama City Beach, Florida, followed by boutiques in Seaside, Key West, and Fairhope, Alabama. Stephanie's experience as a retailer allowed her to recognize the need for whimsical and sophisticated dresses at attainable prices.
Turning Designs into Brands
Buoyed by the popularity of Déjà Vu, in the summer of 2009 Stephanie invested her talents and passion into creating her own brand, Judith March, which currently is carried in more than 1,200 boutiques.
Next year, the designer is forging ahead with the launch of Jacque + Janis, an upscale line of women's clothing.
Fashion Inspirations
From her earliest ventures as a teen model and budding entrepreneur, Stephanie drew inspiration from diverse style-setters. In the world of fashion, celebrities come and go, yet Stephanie's personal icons have remained constant: Jacqueline Kennedy Onassis and Janis Joplin.
Granted, the two personalities were polar opposites in terms of fashion, philosophy, and a whole lot more, yet Stephanie's loyalties have never wavered. Now, as she expands her fashion empire with a new corporate entity of designer-label fashions that swing from sophisticated to bohemian in the blink of an eye and a splash of color, it's only fitting to pay homage to her longtime muses.


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The world's scariest and most exhilarating train journeys, chosen by our rail expert
Tren a las Nubes, Argentina
Completed in 1932, the "Train to the Clouds" is one of South America's great railway journeys. It is a 16-hour, 270-mile round trip that departs once a week from the Argentinian city of Salta. Initially built for economic reasons, it now operates solely for the benefit of tourists. The line passes through tobacco fields and lowland ranches, 29 bridges and 21 tunnels, before climbing to more than 4,200m at La Polvorilla viaduct, making it the third highest railway in the world.
By Anthony LambertPicture: AP/FOTOLIA/Russell Pearce


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The exhibit is in the first floor gallery of Byerly Hall at 8 Garden Street, Radcliffe Yard, Cambridge, MA 02138.
There will be a fellow's presentation by T. Marie at 4 p.m. on Wednesday, January 29, at the Harvard Film Archive, followed by the opening reception at Radcliffe's Byerly Hall Gallery at 5:30 p.m.
From January 30 through February 26, the exhibit will be open weekdays from 9:30 a.m. to 5 p.m.
Somewhere between keystroke and brushstroke, between sensors and the sensory, between zero and one, lie the oneiric, hard-wired optics of the work of artist T. Marie. In this exhibit, T. Marie combines methodologies from painting, film, photography, and animation to traverse and explore the disciplines at the threshold of convergence. Included will be portions from the years-in-the-making THREE LUMINARIES, a triptych of time-based pixel paintings in dialogue with J. M. W. Turner's The Slave Ship, Claude Monet's Les Nuages, and Édouard Manet's Olympia.
T. Marie received a BFA in film, animation, and video from the Rhode Island School of Design and an MFA in film and video from the Milton Avery Graduate School of the Arts at Bard College. Her works have been screened and exhibited at the Toronto International Film Festival, the International Film Festival Rotterdam, the New York Film Festival, and the Yebisu International Festival of Art & Alternative Visions, among others. In 2007 T. Marie was selected as one of the best new young artists in the United States by the Hudson Valley Center for Contemporary Arts.