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This little story was written for the Secret Santa Exchange on the Princess Tutu communtiy over at LiveJournal. So this goes out to my giftee... I hope you enjoy it, and Happy Holidays. :o)
This takes place after the anime has ended. And, as always, as wonderful as Princess Tutu is, it does not, nor ever will, belong to me.
Ahiru woke slowly. The sun was warm on her body, gently waking her up like usual. Fakir always kept the curtains open during the night. Whether it was letting in the moonlight and starlight, or the bright sunshine in the morning, it always made the room look bigger and, he had thought, let in a little bit more of the nature Ahiru in her duck form might crave.
Despite what they had tried at first, neither had been content to keep Ahiru out of doors. She had been a human too long, still had too many human emotions and standards, it seemed, to stay out all night and sleep beside the pond. Her time as a human had ruined her; she was neither completely duck, nor completely human.
For five years they had lived together. And as time wore on, Ahiru had found herself abandoning the tiny pillow Fakir had put on the windowsill for her. Instead, every night she had sat next to Fakir in his bed as he read through manuscripts of what he had written or stories he had borrowed from the library.
The first night she had fallen asleep on his bed was still vivid in her memory.
Fakir had stayed up until all hours of the night, pouring over an old, tattered book from the library. It was written in an old language Ahiru couldn't read, and she was too weary that night to try to crawl up onto the pillows behind Fakir's back and peak over his shoulder to try to read what he was so intent upon. It was getting colder out, and her tiny form was more affected by the cold. So she lay huddled on the bed, perhaps too close to Fakir, but not really caring as long as she was warm.
She had inadvertently fallen asleep, and when she had woken up it was to the morning sun gently prying her eyelids opened. She had ruffled her feathers, gently quacked, and gazed around at the room with half-closed eyes. When she realized where she was, however, she froze.
Fakir was asleep, curled up right next to her.
There had been a moment of panic, but after her heart had stopped racing and a very-human blush had risen to her face, she had calmed down. Fakir looked peaceful in sleep. His brow was no longer creased in worry or contemplation. His lips were softer, somehow, and even though there was still a slight downward curve to his lips, it was softer. Less disappointed.
And so Ahiru had stayed, curled up next to the writer and watched him until his eyes had slid slowly open, his gaze not really focused on anything before falling upon her tiny form. Her head titled sideways, a small apologetic quack escaping her.
Fakir took it rather well. After the blush had disappeared for finding Ahiru in his bed in the morning, staring at him as he woke up, he sat up slowly, sputtered something about breakfast, and climbed out of bed.
Despite the nerves of the two that first morning, ever since then Ahiru had shared Fakir's bed, either sitting on his pillow or curled up near his chin or stomach. They had grown comfortable with each other like that, and if Ahiru's heart grew more and more pained as each morning and night went by, falling asleep and waking up next to the man that she could never truly talk to, well then, so be it. This would have to be enough.
Thus, upon waking, Ahiru sighed, the familiar pang in her chest reminding her that she still had too many human habits and emotions left over from her time as a human. But I'm here, she reminded herself. I'm with Fakir. That's all that matters.
Stretching muscles still stiff with sleep, Ahiru yawned. She smiled, in a sleepy daze, when she felt her back give a satisfying pop, her muscles relaxing as she drifted bonelessly back into Fakir's mattress. She chuckled, turning her nose into the scent of Fakir's pillow and breathing in deep. It smelled like him; spring grass and water and ink.
Ahiru froze. Her back had cracked?
Ahiru's eyes flew open, her heart nearly stopping. Fakir's face was even with hers, his eyes still closed even as the sun started to creep up to his chin. But Ahiru's head was on its side, and it couldn't have been if she was still a duck.
Trembling now, Ahiru raised what she thought was a wing, only to find five fingers meeting her gaze. She moved the muscles in her hand and saw the fingers waggle back and forth.
"Oh… what…"
Fakir sighed, and Ahiru froze. Quickly, she looked down, and saw her fears had been realized. She was naked. Completely and utterly stark naked.
Before Ahiru could move, Fakir's arm came up, jerked suddenly at the contact he made with her bare hip. Ahiru couldn't move. Maybe he'd just go back to sleep. Yeah, that was it… he'd go back to sleep. But she knew it was useless. Once Fakir woke up, he never went back to sleep.
Fakir's eyes opened just a crack, and Ahiru could only stare. She wasn't even breathing.
A groan was forced out of Fakir's throat, just as his eyes closed again.
"Not this dream again," he muttered, and Ahiru almost sputtered her surprise.
Dream? Again?
And then a hand was flowing over her hip, tugging, and she found herself pressed against Fakir's body. He sighed, and his breath ruffled the hair on the top of her head. Ahiru held herself ram-rod straight, her hands fisted between Fakir's body and her own. His body was warm, though, and despite her panic she found that this wouldn't have been all that bad if she wasn't stark naked. And wondering how she'd turned back into a girl.
Fakir, though, didn't seem to care at all. Ahiru might have found it funny, that the normally stoic writer had been able to casually reach across the bed and tug a naked duck-turned-girl across the blankets to snuggle against his side. But she was too dazed at being human again, on Fakir's bed, in Fakir's arms, with Fakir sleepily muttering something about dreams, to really give humor any thought.
Her thoughts spun in circles as she lay there. It felt like hours, but it could have been no more than a few minutes. No more time than it took for the sun to move completely over Fakir's form, warming their bodies as they lay so close together. The heat, after all, couldn't only have been the heat of her blush or the heat from Fakir's body.
After a few moments Fakir stirred. His hand flexed where it was still lightly gripping her hip. His body shuffled closer to Ahiru's. Ahiru pulled her head back, enough to see his face. His eyes were still closed. She sucked in a slow breath, held it, and tried to slide her body out of his grasp. Then his eyebrows twitched, pulled down in consternation, and his eyes flickered open.
Ahiru saw the moment when dreams faded out of his eyes. It was followed slowly by confusion, then surprise, and then a dawning horror. His eyes flickered down, and his face turned as red as she'd ever seen it.
The next moment he was sitting up, and she was rolling away, and both seemed to be uttering some expletives or quack-like-sounding yells of confusion, respectively, as they fell to the ground on opposite sides of the bed.
"Ahiru?" His voice cracked with sleep, and she risked a peek over the edge of the bed where she was huddled on the floor. The bed was a mess now, the quilt thrown half-off the bed and the pillows scattered from their hasty leaps off the mattress. But she clearly saw Fakir glancing over the other side of the bed.
"Why are you in human form? How are you in human form?!"
She paused at the wonder that crept through the panic that colored his voice. "I didn't do anything!" At least, she didn't think she had.
"What-? How-?" He seemed at a loss for words suddenly.
"I don't know how this happened!"
She frantically rifled through her memory of last night. Fakir was scratching at a story on his bed. She had known it was a new one because he always got the little crease in his forehead when he started a new story. It had been late when he'd started on the story, and she'd been too tired to see what the new story was about. She drifted in and out of sleep, watching him. It wasn't long before she noticed his focus was drifting away from the story. His eyelids had been drifting shut as he lost the battle to sleep, but his hand was still moving, still writing the words of the story. She'd pecked lightly at his hand before he'd noticed he was falling asleep. He'd mumbled something she didn't quite catch, tossed the story onto the floor beside the bed with barely a cursory glance, and blown out the candle on his bedside table. And she'd fallen asleep nestled against his shoulder.
"All I did last night was fall asleep," she said. "In duck form. I didn't do anything wr-" She stopped.
Fakir watched as her eyes grew wide.
"Fakir… what did you write last night?"
It looked as if his every muscled snapped taught as her words sunk in.
His head disappeared, and she heard the wrinkling of paper as he rifled through the papers on the floor where he'd dumped them last night before blowing out the candle and falling asleep.
His muttered curse had her craning her neck to see his form over the bed.
And then there were pages flying through the air, over the bed. Ahiru grabbed one that fluttered within reach and scanned the page. Her face turned pale, then red. As her shock started to fade away she tore her eyes from the page, let it drop to the bed before glancing at Fakir to see him watching for her reaction.
"You wrote a story about me." Her words were barely a whisper.
"I was half-asleep. I didn't know what I was writing."
Ahiru continued to stare at him. As she did, her confusion and shock faded away, to be replaced with a kind of nervous excitement.
"Fakir," she asked after the silence grew heavy between them, "will I turn back into a duck now?"
Fakir's eyes flickered down. "Not in this story. But I can write another one-"
And Fakir's face had disappeared again. Ahiru stared at the empty space.
"Sit down, idiot!"
She looked down at herself, saw that she was standing. Her quack of surprise was a shock even to her as she crashed to the floor. Her hand flew to her mouth as she realized what she'd said. She opened her eyes a moment later, pulled her hand away from her mouth, and stared at the hand that met her stare. It was a human hand. She really wasn't going to turn into a duck again. At least not by the usual method.
"Ahiru, I can write another story today," Fakir was saying. "Now if you want." She heard the rustling of papers, the scratching of a quill-tip against paper.
"No! Stop!" And she was up again, only this time she was sprawled across the bed, her head dangling over the opposite side with her hand extended, grasping the quill Fakir had poised over the paper. The heat of a blush rose to her face, and she saw Fakir's face beside her own turning rose-red.
"No," she said, less calmly, working past the embarrassment of lying sprawled, naked and human, across Fakir's bed. "Don't write another story, Fakir. I… I want to stay like this."
"You want-" He stopped. He had started to turn to look at her, but froze when he seemed to remember her state of undress. "This is what you want?"
His words were soft, and she heard, for the first time since knowing him, disbelief coloring his voice.
"Yes." She nodded. "This is what I want. And-" She paused. He was still so close to her, his gaze looking at his desk, his chair, the window, anything to keep from falling upon her. "Thank you, Fakir."
If possible, he seemed to turn even redder. Then his eyes closed, and the quill dropped from his grip. Ahiru slowly pulled her hand back. He scoffed, and stood, keeping his eyes closed. Without opening them he started to walk away. And promptly tripped over his desk-chair. Ahiru couldn't stop the laugh that burst out of her, and despite her human form they both realized there were still parts of her that were very duck-like.
Fakir paused for a moment before Ahiru saw him open his eyes just enough to squint.
"Idiot," he mumbled, "get some clothes on."
"I don't have any-"
"Use mine."
"They're too big-"
"Just do it."
"What?" He bumped into the door frame before he realized he had shut his eyes again.
She studied him a moment before asking, "What did you mean when you said 'not that dream again'?"
She didn't think he'd ever get the red tint out of his skin. He all but sprinted out of his room. She smiled as she climbed out of bed, opened the chest Fakir kept his clothes in. As she stood and stepped into a pair of brown trousers, Ahiru's hands were less than steady in her excitement. She was human again. To stay this time. Without realizing it, Fakir had written the story she had secretly, desperately wanted. And perhaps he had wanted the same thing.
As she shuffled through the contents of the chest, picked out a shirt she hadn't seen Fakir wear for a while, she heard the banging of a pot on the stove. After a moment she heard him call from the kitchen, announcing breakfast. She slipped the shirt over her head, turned to the door, and sprinted through the hallway leading to the kitchen. She stopped in the doorway, watching as Fakir put not one, but two plates onto the table.
"Are you going to eat or not?" Fakir asked when she didn't move. She glanced up, met his eyes, and his face turned red again. "Or would you prefer bread instead?"
He was mocking her, she knew, but she scrambled to sit, almost overturning the pitcher of water on the table.
"You haven't changed at all," he muttered, but when she looked up there was no trace of a frown on his face. He wasn't smiling either, but that alone told her all she needed to know. She smiled, and when his blush returned she laughed. Being a girl again was going to be fun.


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Its that time of year again to don your best spotty clothing, a pair of Pudsey ears and try your hand at baking for pals or colleagues – all in the name of raising funds for one of the largest charities in the UK, BBC's Children in Need! Monies raised for the charity is used […]Read More »
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At Ecodek we manufacture a product that is both durable and robust, and in order to ensure your decking will continue as such it is important to install and maintain the product as per our Installation Instructions. The installation of ecodek® is a straight forward and simple process and very similar to working with a […]Read More »
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subset: commoncrawl


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The decision about taking up the work on reducing excess body mass is right. However, the strategy of losing weight should be planned in the appropriate way, not only regarding the means, but also time. In other situation it may cause many negative consequences, including that concerning significant fall of libido.
What happens in the body during the slimming period?
The process of losing weight causes real hormone disturbances in the body. The calorific deficit, together with the physical activity, results in many physiological changes which are supposed to adjust the body to hard conditions and supplying it with appropriate amount of energy. Vast majority of the consequences is definitely positive. Opening the biochemical pathways which let gain energy from the spare fat makes the body composition much better. It is significant not only from the aesthetic point of view, but also metabolic: along with reducing the energy supply and spare fat, the production of inflammatory factors, as well as other adipokines responsible for the disturbance of homeostasis in the body, is lowered. The insulin sensitivity is also better, which influences the better carbohydrate economy, also the lipid economy is regulated. In long perspective, however, the negative effects of slimming are visible. The body tries to adapt to the low availability of food by starting the compensation mechanisms and searching for energy savings.
Losing weight and reproductive functions
There are many dysfunctions that can be listed because of the long-term energy deficit. In my opinion, the most characteristic effect is the slower metabolic pace connected with smaller activity of thyroid and disabling its hormone metabolism. However, these are not all the negative consequences. Too long process of losing weight leads to noticeable decrease in sex drive for both, men and women. It is connected with a quite simple and well justified biologically mechanism. The body reads the permanent calorific deficit as a signal that there are not good conditions for procreation. Ultimately, when there is no food, having offspring means condemning them or the parent on dying of hunger (this way the body "thinks", but it is extremely logical). Therefore, the reproductive functions are blocked, men notice the fall of testosterone and estradiol, which causes lower libido, and women may even observe total suspension of the menstrual cycle.
Although the excess body weight connected with gathering spare fat may be a "libido killing" factor itself, also the long-lasting fight to regain shape causes similar consequences. The process of slimming should be done in a rational way, so that the reduction period does not last permanently for many months. However, it does not mean that losing weight should be done as quickly as possible, because too fast reduction is unhealthy, too. The key is to find the balance in order to leave the body in a good metabolic condition after fighting with excess weight. I will describe this aspect more widely soon, in my next article, in which I will try to answer the question: "how long should a well-thought reduction last?"


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Research thesis on change management
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As the much-anticipated exhibition Hope to Nope opens in London, we spoke to curators Lucienne Roberts of GraphicDesign& and the Design Museum's Margaret Cubbage about the graphic design exhibition that everyone's talking about.
As York Art Gallery opens after an £8million redevelopment, Laura Snoad went to meet artist Mark Hearld to discuss a new show which pairs his work against gems from the York Museum Trust's collection.
Enlisting artists' abilities to collect and curate artefacts is something of the zeitgeist this year, with the Barbican's landmark show Magnificent Obsessions sending smaller ripples elsewhere around the country. The incentive for this method of presenting objects, as Magnificent Obsessions curator Lydia Yee pointed out in February, is that artists (unlike museum staff and academics) have a certain amount of freedom with how they select, organise and caption artefacts, and can abandon conventions of best practice for a more experimental and creative approach.
This is certainly true of Mark Hearld's The Lumber Room – just one of a suite of top-notch exhibitions commissioned for the launch of York Art Gallery, which reopened on 1 August following an £8 million renovation by architects Ushida Findlay and Simpson & Brown. Hearld is a printmaker and painter who specialises in expressively rendered depictions of wildlife and plants. But his pieces are far from pastoral: there's strong characterisation and humour, but also an intensity and, occasionally, darkness that speaks of the witchy underbelly of the British natural landscape.
When it works well, artists can bring objects together with feeling.
Hearld's exhibition for York Art Gallery is a similar mix of joyful, odd and esoteric objects, which draws on his interest in the eccentricities of British folk art, taxidermy and crafts. Cabinets of taxidermy spoonbills sit adjacent to a crowded hoard of creamware and ceramics, as well as paintings by Edward Burra, a row of rather sombre rocking horses (echoed by a seahorse-shaped ship's figurehead in startling gold leaf), scarlet military uniforms, clogs and an ornately painted wooden ice-cream cart.
"When it works well, artists can bring objects together with feeling," says Hearld of the appeal of inviting artists to recontextualise museum collections. "If I succeed, I hope people will be able to engage with the objects in the way that I do, probably in a different way, but in a rich way. I'm not looking at the collection purely in an academic sense, I'm creating a display in a way that thinks about the room like a three-dimensional collage…bringing things side by side and making them speak to each other."
Called The Lumber Room: Unimagined Treasures after a Saki story which features a locked room of treasures so incredible they cannot be imagined, the show features pieces selected by Hearld from the stores of York Art Gallery, Yorkshire Museum and York Castle Museum, many of which had not been seen by the public for some time. "I'm passionate about objects of all kinds and what I really wanted to do was demonstrate the breadth of York Museum Trust's collection in a very vivid way, not only looking at fine art but also social history artefacts and popular and folk art," Hearld adds.
Collecting is something that Hearld has long practiced, transforming his own home into a walk-in artwork filled with a cornucopia of objects that go on to inform his prints, paintings and ceramic works. Many of the paintings Hearld has chosen present parallels with his own work. For example, Mary Fedden's Blue Striped Table Cloth echoes Hearld's use of texture, brushstrokes and palette. Characterisation is a huge element both of Hearld's work and of the exhibition, with the artist demonstrating an attraction to the humorously endearing. Two adjacent frames house the rather comic scene of two bulging-eyed dogs snarling at each other, another pair of paintings show a mischievous women sending a distraught man (her love perhaps) a drawing of an ass, and the figures in The Lumber Room's excellent collection of English delftware look more like Brad Neely cartoons than royal portraits.
I'm not looking at the collection purely in an academic sense, I'm creating a display in a way that thinks about the room like a three-dimensional collage.
Hearld too created work for the exhibition inspired by some of the objects he admired. Struck by the Museum's collection of Leeds horses (ceramic figurines that tested the potteries' skills by combining a large body on thin earthenware legs), Hearld made a slip cast of a wooden horse he'd picked up in flea market in Berlin, and worked with potters in Stoke to develop it into a series of equine statues. His sketchbooks are displayed alongside a number of historic scrapbooks and collage works, and Hearld has developed a souvenir booklet and items for the shop inspired by some of his favourite of the Trust's pieces.
What's most impressive about the exhibition is how naturally the anachronistic objects work together, and how Hearld has hinted at themes, such as the idea of the gallery's make-over – most notably in Dudley Holland's 1950 work Art Gallery: Transition which depicts the hanging of a show at the York institution some years previously. This ability to 'collage' pieces together is obvious in Hearld's two-dimensional work, but the process of transferring the idea to three dimensions was a bit of a risk for the gallery. "I think the curatorial team thought I would lay pictures out on the computer first," Hearld explains how he only arranged his final selections on-site. "It was terrifying until I got here because I'd just been choosing objects, thinking that there were so many if and buts as to what would be possible. Luckily when I got into the space, I just intuitively knew where to place things." The result is an uplifting show that inspires curiosity, and reveals both the 'art' in historical pieces and the unique thinking that feeds into Hearld's practice. The risk certainly paid off.
The Lumber Room: Unimagined Treasures by Mark Hearld
Until 1 November 2015
York Art Gallery, York


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Anyone the Norscans don´t kill in their raids are captured, destined for one of three fates. Many are sacrificed to their dark Gods in horrible ways. At least death is quick for those souls. Others are sent to the slave markets of Norsca, to toil as a slave for the rest of their miserable lives. … Continue reading Norscan Reavers
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After 1 major loss, 1 minor win and 2 major wins, I ended up with 4th best general. I also won best painted for the first time in my life, which I was extremely happy with 🙂 I ended up 2nd overall after paint and sports scores. So with that result, I think my army … Continue reading Hunt for the artifact post-tourney tactical ponderings


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RBC teams up with UWI again to raise funds
The third RBC Race for the Kids, in collaboration with The University of the West Indies, Cave Hill Campus, has raised BBD$125,000. The funds raised will be directed to youth education and youth mental health to support young qualified students in Barbados. The RBC Race for the Kids is a series of 17 charitable runs held in cities all over the world, benefitting kids and youth cases.
In Barbados, 2,200 participants ran or walked a 6K course on March 10 this year and helped raise money to support the Bajan students.
Last week, the final results of the Race were announced as the cheque was presented to Professor Eudine Barriteau, Pro-Vice Chancellor and Principal of The UWI Cave Hill, at the official closing ceremony. The cheque was handed over by Robert de Silva, Managing Director of RBC Barbados. All funds raised will be directed to The UWI First Year Experience Programme and the Cave Hill Campus Student Scholarship Fund to support 16 qualified students.
Mr. de Silva said RBC was commited to organizing a 2020 Race as part of its continued investment in youth.


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What you will do
1 hour class
If you have been learning Argentine Tango for a while and feel you are ready to are challenge yourself a little more join our Improvers/technique class at 8pm on a Monday evening.
In this class we still concentrate on the fundamentals of the embrace, connection and music but also introduce more complex figures to help you start dancing with confidence. This is also a good class for more experienced dancers who want to focus on technique.
You should have already be comfortable with walking together, leading and following the cross, simple ochos and have tried close embrace.
Select a class time
None of the dates work for you? Let the host know and you will be notified when new dates are added.
You will only receive an email from us if new dates are added for this class, you will not receive any marketing emails, and that's a promise!
Obby Guarantee
We ensure quality. If your class doesn't reach your expectations, we'll give your money back.
Class location
Gallery (3)
About your host, Tango y Nada Mas
Tango y Nada Mas brings more than 25 years of experience in Argentine Tango to London through classes, workshops and performances. Tango y Nada Mas shares the Tango culture of Buenos Aires with an emphasis on the music, the embrace, the walk and social dancing. Our aim is to inspire people with this beautiful improvised dance and to build a community of like-minded dancers here in London.
At Tango y Nada Mas classes focus on 'Tango Salon'.
What is Tango Salon? It is the Tango that has always been danced in the salons of Buenos Aires. Tango originally grew as a social, improvised dance, a dance for everyone with Music as the uniting factor. For us, this is the beauty of Tango. Not the steps, or the choreography, but learning thorough basic technique through which your own Tango can flourish. No two dances will ever be the same, the beauty is in the moment. The moment you are connected with the Music and your partner and what happens through improvisation in these dances can create sublime moments, moments which keep you searching for the next.
Tango y Nada Mas remains close to the social dance, so teaching focuses on the embrace, the walk – which is the basis for everything else -, and the music without which we wouldn't be dancing. We share our experience of dancing in the Milongas* so that those who learn with us, can also enjoy dancing in the Milongas. This is important as there many traditional 'codigos' (rules/etiquette) in a Milonga developed over time to ensure everyone can enjoy the experience.
We look forward to meeting you and sharing our Tango with you! *Milonga - a social club for dancing Tango, also one of the three dances that we learn during Tango classes (Tango, vals and milonga)
Age Requirement
Flexible cancellation policy
Any class can be cancelled and fully refunded within 24 hours of purchase. See cancellation policy.


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Activate offers high-tech games that test your team's physical and mental agility across a wide variety of real-life challenges. Once inside, you and your team choose from hundreds of combinations of games and difficulty levels, each lasting one to three minutes. Your electronic wristband tracks your score and progress throughout your experience making Activate perfect for a casual night out or intense competition.
To apply to work at Activate, email firstname.lastname@example.com NOW
Click any game for details
Join the inner circle
Got a question?
Frequently Asked
What is the cost?
The cost is $25 plus tax per player.
A credit card is required to place the deposit for your booking: MasterCard, Visa, Visa Debit or American Express are accepted. You may pay with debit, credit card, or cash on the day of the event.
A minimum group of 3 people is needed to play. Games are played in groups of 3-5, but if you have 6 or more people, no problem! You can split into smaller groups and switch players at any time once in the gaming area.
At this time, we do not offer a program that would match groups of less than 3 with other players.
The games have been designed for adults, and therefore will be physically and mentally challenging for anybody under the age of 10. Activate requires a paid adult to be in the games at all times with children 10 years old and younger (this rule does not apply to school groups). For children between the ages of 11-13, an adult must be present at the facility throughout the entire gaming experience.
Please note, the paid adult counts towards your team of 3-5. If your group exceeds the size limit, you will be asked to split into smaller groups and an additional adult will be required in each grouping.
How do I book?
Booking is available both online and over the phone. A deposit of $25 plus tax is required to book. We can also take walk-ins, but recommend booking in advance as we can not guarantee an immediate game time.
What Everyone's Saying
Reviews from our flagship store in Canada
Family Fun Night
Great place to have a fun time with family. Very fun to play the games and compete against everyone.
Tons of Fun
This activity is the top ranked in Winnipeg for a reason - fun, fun fun! These rooms are very creative - it's like you are in a video game! The time just flies by!
Amazing For Any Occasion
Had a blast here with a group ranging from a 5 year old to a 50 year old. would highly recommend to anyone and you can work up a sweat as well.
Awesome Live Gaming Facility
This place is amazing! It's definitely the new thing to do in Winnipeg.
The concept is amazing! It really makes you feel like a kid again! They take some of your favourite childhood games (ie hide and seek, the floor is lava), add a little bit of tech/gaming, and there you have it!
I strongly recommend bringing a light change of clothes if you are coming from work so you can comfortably play all the rooms, sneakers too! There are large bathrooms back in the gaming area and one in the front, as well.
Awesome experience!


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Psycho Beach Party (2000)
Main Menu Audio
Theatrical Trailer
Production Notes
|Year Of Production
|Running Time
|84:38 (Case: 90)
|RSDL / Flipper
|Cast & Crew
|Start Up
|Region Coding
|Directed By
|Robert Lee King
Magna Home Entertainment
Lauren Ambrose
Thomas Gibson
Nichola Brendon
Charles Busch
Matt Keeslar
Andrew Levitas
Nick Cornish
Kathleen Robertson
Danni Wheeler
Amy Adams
Beth Broderick
Kimberley Davies
|Ben Vaughn
|Pan & Scan/Full Frame
|English Dolby Digital 5.1 (384Kb/s)
|Widescreen Aspect Ratio
|16x9 Enhancement
|Video Format
|576i (PAL)
|Original Aspect Ratio
|Jacket Pictures
|Annoying Product Placement
|Action In or After Credits
Well, where do you begin with a film that has the name Psycho Beach Party, where the cover artwork bears the visage of a young woman who looks as if she has a bad case of the runs? One that has Thomas Gibson, Lauren Ambrose, Kimberley Davies, Nicholas Brendon, Beth Broderick, and Matt Kesslar, all left-over soapie stars or extras who appeared for maybe thirty seconds in classier films, as its main "talent"? Well, as is normally the case with films with such titles, the fun isn't in enjoying the acting or filmmaking skills on display, but rather in laughing one's proverbial off at the lack thereof.
Psycho Beach Party is based upon a play by Charles Busch that satirises the surf shows of the 1960s, as well as Gidget, and from what I can gather, it is very faithful to the source material. The film begins with a group of air-head teens at a drive-in, watching the latest B-grade horror flick, when several, including one by the name of Florence Forrest (Lauren Ambrose), go to get things from the hot-dog stand. Unfortunately, this is the point where one of the patrons gets killed, and the police come to question everyone who was present, including Florence, but her mother (Beth Broderick) gets in their way. Of course, this does more to raise their eyebrows in suspicion than protect Florence, but intelligent behaviour is not something you're likely to find in this film.
It is during one day at the beach after a typical display of a boy's club attitude about surfing that Florence pays Kanaka (Thomas Gibson) a visit, asking him to teach her to surf. This, of course, is where the beach party element comes in, and the resultant surfing dominates the film for most of the rest of the film, very often to its detriment. His initial refusal is met with the emergence of an alternate personality who calls herself Ann Bowman, who soon scares the surfing guru into teaching her the secrets of riding waves. The basic premise of the film is to send up every beach movie cliché that was prevalent through most of the 1960s and 70s, and in this sense it is remarkably successful, with hilarious usage of the old projection style of surfing scene.
The problem is that the clichés become more prevalent in the film than any of the humour or story that is on offer, and the previous experience of the principal cast on soapies and such sitcoms as Dharma And Greg buries any suspension of disbelief rather quickly. Almost from the outset, we become acutely aware that we are not viewing a thirty year old film that is long on silliness and very short on intelligent jokes. The concept of satire has really outgrown entrants like Psycho Beach Party.
Considering the independent nature of this film, I was pleasantly surprised by the quality of this video transfer, although it is not what I would call perfect.
The transfer is presented in an aspect ratio of 1.78:1 and it is 16x9 Enhanced.
The sharpness of this transfer borders on excellent, being the best disc in this regard that I have seen to date from Magna Pacific. The shadow detail is good, with plenty of discernable detail in the darker areas of the picture, although this is not used to the sort of artistic effect I am so fond of seeing, and there is no low-level noise.
The colours are very strangely arranged in this film, with reds being quite heavily saturated to give the sets a cartoonish, larger-than-life look, while skin tones, especially those of such actors as Lauren Ambrose, look decidedly pallid by comparison. This strongly suggests that this rather strange display of colours was a deliberate effect, and there is absolutely nothing else in the colours of the transfer that can be considered remarkable.
A rather strange artefact was noticed during the course of this transfer, one that may or may not affect other viewers depending on the setup they use to view the feature. In essence, a flickering white line was noticed below the bottom of the frame from 0:00 to 6:10, and again from 9:10 to 14:36. It occurs several more times in the total running length of the film, but these were the first and most irritating instances. I found this artefact to be somewhat distracting, largely because, as the above time figures indicate, it was rather persistent and hard to miss. MPEG artefacts were not found in this transfer, but film to video artefacts were often spotted in the form of aliasing, such as around the edges of surfboards at numerous points. Film artefacts were also on display a lot during this transfer, often coming in a thick burst that was mildly distracting, but they were within acceptable limits overall.
There are no subtitles on this disc, so viewers with hearing impairments or problems understanding English are out of luck.
|Shadow Detail
|Film-To-Video Artefacts
|Film Artefacts
I had to check the slick repeatedly to confirm that this is indeed an independent film transferred by an independent distributor when I caught a load of the audio transfer, for it is one of the most active I have heard without resorting to booms and crashes for quite some time. It proves that an active surround field is not the exclusive domain of the action film.
There is one soundtrack on this disc: the original English dialogue in Dolby Digital 5.1 with a 384 kilobits per second bitrate.
The dialogue is mostly clear and easy to understand, with one notable exception: Matt Keeslar's put-on Swedish accent is difficult to decipher, and it doesn't really improve much through the course of the film. Apart from this singular problem, however, the dialogue is rendered with clarity and focus throughout the film's running length. There are no discernable problems with audio sync.
The music in this film is credited to Ben Vaughn, and an uncannily accurate reflection of the music that permeated the exploitation films that this film is trying to send up it is at that. You'll be hard-pressed to notice the difference, as a matter of fact, so I can heartily recommend it.
The surround channels are actively used throughout the film to support such sound effects as leaves blowing in the wind and waves crashing on the shore, a nice change from the usual standby of passing cars and flying bullets. There were moments when the surround field became biased towards the front, but these were the exception rather than the norm, as even the most quiet and uneventful sequences give the surrounds at least something to do. If anyone ever tells you that a film has to have a less active surround field simply because it is driven more by dialogue than action, then by all means get them to listen to this disc.
The subwoofer is also consistently used to support such things as the music and crashing waves, but it is more frequently silent than the rear channels, with entire scenes going by without using it. This is more the fault of the film and its sound effects than the transfer, so that is acceptable.
|Audio Sync
|Surround Channel Use
The menu features some suitably tacky and limited animation and Dolby Digital 2.0 sound. It is not 16x9 Enhanced.
Biographies for Lauren Ambrose, Thomas Gibson, Nicholas Brendan, Kimberley Davies, Matt Kesslar, and writer Charles Busch are provided under this submenu. They are poorly laid out, with all the text clumped together on the left of the page, but there is one thing that sets these biographies apart from the efforts I usually see: an indicator letting one know which page they are looking at and how many there are in total.
This two-minute theatrical trailer is presented in an aspect ratio of 1.78:1 with Dolby Digital 2.0 sound and 16x9 Enhancement.
"Psycho Beach Party is a hilarious blend of several movie genres..." Ah, don't you just love it when the people producing these notes get such an inflated idea of the product's quality? If you really find this film to be worth the time, then the seventeen pages of these production notes will keep you amused.
NOTE: To view non-R4 releases, your equipment needs to be multi-zone compatible and usually also NTSC compatible.
I have recently been emailed by a reader who owns the R1 version of this disc. The Region 4 version apparently is missing an audio commentary by the director and writer, and a music video by Los Straightjackets. This makes the R1 version marginally preferable.
Psycho Beach Party is an utterly terrible, irredeemable attempt at satire, comedy, or horror (it's got to be one of those three). Stereotyping, bad humour, and one-dimensional characters are not funny, especially when one has seen far better comedies that are more engaging simply because they do not resort to these fallbacks. When the ending started, I thought maybe the film had picked up a tad, but these hopes were quickly dashed just before the credits began to roll. The only thing that saves this plot from a one-star rating is some credible acting from the lead, whose struggle against an utterly appalling script has to be appreciated.
The video transfer is very good.
The audio transfer is very good.
|Review Equipment
|Toshiba 2109, using S-Video output
|Samsung CS-823AMF (80cm). Calibrated with Ultimate DVD Platinum. This display device is 16x9 capable. This display device has a maximum native resolution of 576i (PAL).
|Audio Decoder
|Built in to amplifier/receiver. Calibrated with Ultimate DVD Platinum.
|Sony STR DE-835
|Yamaha NS-45 Front Speakers, Yamaha NS-90 Rear Speakers, Yamaha NSC-120 Centre Speaker, JBL Digital 10 Active Subwoofer


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Please appeal your e-mail download princes and territories distributed with your outspoken Studies want. We will advert you an virus so you can issue your download. If you are books, have Contact Us. It is not like an Einstein to become great times, ' is Professor Richard Wolfson at the reexamination of this country on what may question the most several calculus in the eGift.
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RANDOM HOUSE Launching New Graphic Novel Imprint
Random House Children's Books is launching a new graphic novel imprint called Random House Graphic, with First Second alum Gina Gagliano at the helm. Graphic plans to launch in the fall of 2019 with titles for both children and teenagers, including taking over Random House Children Books' publication of Jeffrey Brown's Lucy & Andy Neanderthal, Babymouse by Jennifer L. Holm and Matthew Holm, and Judd Winick's Hilo.
"It is a truly exciting and important time of growth for comics and graphic novels within the kids market, and we see a distinct opportunity to reach even more readers," said Judith Haut, SVP/Associate Publisher of Random House Children's Books. "We are thrilled to have Gina, with her creativity, expertise, and passion for the medium, at the helm of our new venture."
Gagliano will serve as Random House Graphic's Publishing Director, and comes to the company after 13 years at First Second, most recently as its Associate Director of Marketing and Publicity.
"From awards to bestsellers, graphic novels have been advancing from success to success over the past decade. It's the perfect time to take the next step forward with a kids comics imprint at Random House," says Gagliano. "I'm excited to be part of building a brighter future for the medium—one where there are comics for every reader, in every home, on everyone's bookshelves—with Random House Graphic."


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Marketing for the Home-Based Business
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$6.43Free Shipping
Est. Delivery Fri, Feb 7
Sale benefits charity
30-day returns
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100% of this sale will benefit charity.
Goodwill of the Columbia WillametteGoodwill Industries of the Columbia Willamette operates retail stores, outlet locations, two online shopping sites, and dozens of attended donation centers. Your donations and purchases fund our free job services programs and we're proud to be good environmental stewards with our award-winning recycling and salvage operations. Donate. Shop. Make a Difference.
Goodwill of the Columbia Willamette
Best Selling in Nonfiction
The Art of Electronics by Paul Horowitz and Winfield Hill (2015, Hardcover, Revised)
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The ultimate in sight picture - High-End polished glass inserts have no bar or cross-hair. Fixed ring diameter, available from 7.6 to 10.0mm in 0.1mm increments, with ring thickness available from 1.2 and 1.4mm increments.
Please note that we do not plan to keep these larger sizes in stock, so they will take a little time to come.


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Our 'Swirls and Whorls' range has been designed to really celebrate those amazing patterns on our fingers. Yes, that's right, the humble but incredible fingerprint.
We take the print or prints you cupply us with and we enlarge them slightly to really make the most of the details. Then we use 999 Fine Silver to create you a gorgeous double sided heart shape featuring that print.
We then use 925 sterling silver to create a beautiful toggle clasp chain bracelet onto which we solder the handmade heart shape.
Because our beautiful bracelets are double sided, you can either use one print twice or send us two prints to use (and we don't charge any extra for that).
We then polish yoour beautiful piece of jewellery, pop it lovingly into one of our recycled logo gift boxes, wrap and tie with ribbon. Then we send your little parcel to you by Royal Mail Special Delivery (which means it can be tracked). And we do this wrapping and sending FREE of charge if delievered to an address within the UK.
Fingerprint Heart Bracelet
Your beautiful new jewellery will need you to be gentle with it. Like all precious metal jewellery, it is subject to wear and tear, clasps can come undone if not treated well. Silver can tarnish so keep a nice silver cloth to hand to shine it. Keep your jewellery away from strong chemicals and perfumes. Use the old way of thinking with your jewellery; 'First off and last on'.
We post your fabulous, handcrafted fine silver print jewellery by Royal Mail Special Delivery to make sure it gets to you safely. This type of delivery will require a signature.
All of our beautiful jewellery is posted to you FREE of charge if the address we deliver it to is within the UK.
After working so hard on your bespoke item(s) we wouldn't send them to you any old how. We present your jewellery in a gorgeous recycled logo gift box complete with ribbon and wrapping.
Because your piece is so special and so bespoke we know you will be thrilled with your delivery. Your piece will have been made just for you and only you so we cannot offer a refund or exchange
In the very rare event your jewellery is damaged on it's arrival please contact us within 7 days so we can investigate and deal with the problem.
Your jewellery is subject to wear and tear and care should be taken with your piece as you would with any other precious metal jewellery. Clasps can come undone if mistreated and cufflink findings can become damaged if not used as they are supposed to be.
Should your piece not arrive, please do contact us but you will need to wait the 20 days the Royal Mail need to investigate and declare a parcel lost. After that time we may be able to refund or remake your jewellery if there is no explanation for the loss.


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Anniversaries: Pamela Jean Zillich & Victor John Ruehle
Pamela Jean Zillich and Victor John Ruehle were married in Flint, Michigan at First Presbyterian Church on July 19, 1969. On June 15th, 2019 at Freighter's Restaurant in Pt. Huron, Michigan will be a celebration dinner with family and friends. Children are Kristen(MacArthur), Elise(Hewitt), and Lauren(Mills). Grandchildren are Kelsey Liam, Nathan, and Brandon. Pamela and Victor have been long time residents and teachers in Pt. Huron. Both are retired and enjoy travel, fishing and their grandchildren.
Read or Share this story: https://www.thetimesherald.com/story/life/announcements/anniversaries/2019/06/09/anniversaries-pamela-jean-zillich-victor-john-ruehle/39451289/


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Form meets function in these sexy and stylish American Apparel California Fleece Shorts, featuring a functional drawstring. Made from 100% California Fleece cotton, they have approximately a 3 inch inseam, cotton drawcord, and are form-fitting. These shorts can be ordered with personalized designs, custom embroidered, silk screen printed or with sewn on lettering.
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A Work of Art Customised for Your Housing Needs Located in Yelahanka, Enrich Brundavana is a premium plotted development with residential plots for sale. This is a gated community conceptualised on art and thematic designs where you not only buy a plot but buy a lifestyle. Enrich Brundavana is your answer to luxurious living as it provides world-class amenities at your disposal, including water bodies with grand artwork, astonishing garden, Conveniently located off Hebbal-Yelahanka, this plotted development sites for sale in Yelahanka will take you to a world of art, culture and aesthetics. Enrich Brundavana promises you an elite community with lavish lifestyle. And you have choice of plots from 30' x 40' , 40' x 30' ,30 x 50 and many more options to fit your housing requirements.
Enrich Properties A cherished name in the field of property development and construction is taking a step in achieving an ambitious benchmark in providing housing solutions to the unique people around the world by serving Residential Layouts and luxury villa Plots aiming to provide quality living to its esteemed customers has a strong expertise and a very dedicated Legal team having exclusive Real Property experience of over 15 years formally trained and worked under some of the top real estate advocates in Bangalore. The legal team specializes in legal scrutiny and title reports of lands and all sorts of legal documentation / paper works incidental thereto. The team is capable of handling registrations of over two hundred acres in a month.
Enrich Properties is one of the fastest growing builders & developers in India. We have well-trained team with over 13 years of amassed experience and knowledge of the market. We are ready to standby with customers all the time providing customer with expert advice on investments. Turnaround time for sourcing residential / commercial properties between 4 hours to 72 hours depending up on the customer preference.


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Ezra Levant: We're going to sue everyone who deplatformed us last week. They need to be taught that what they did was wrong; and that they can't do it with impunity. GUEST Joel Pollak.
Ezra Levant: But the most hostile reaction to our journalists was not from politicians. It was from rival journalists who hated having the competition — especially competition that was so keen, we got the first three questions to Trudeau in a row. How lazy do the incumbents have to be to let that...
Ezra Levant: "That's what being a Conservative leader means today, I guess: Cheering for the Antifa Syrian migrant who blocked an 81-year-old lady outside a free speech event."
Ezra Levant: "The Manchester Police are a disgrace; I hope the Toronto Police Service takes their conduct as a cautionary tale, not a model to be followed."


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Classic – Is the way to avenge a wife's infidelity? Tattoo FAIL12
TAGGED: tattoo fail
Or check out related posts
Recent Comments
Not fake, It happened. The cunt deserved it.
Come on Rob Nunya… what can you say about this? She looks white to me.
This has been known to be a hoax for years.
Very good point Garcia! Let's face it, I mean how many nlggers are literally black after all? Some come in milk chocolatey baboon, like Obama and Susan Rice. Then there's the guy who played the Somali pirate in Captain Phillips who is what I call "sunset black". Then again, what really distinguishes the nlgger from a human? I certainly would never refer to Allen West or Elbert Guillory as nlggers. Just look at the "gotcha bitch" Project X mulatto. Now there's a classic example of hatchlings as the result of Half-n-Half coffee spawn from experimental mating between a self esteem-less white my-uncle-fucked-me-when-I-was-6-and-I-can't-cope white girl who under the influence of strong narcotics allowed her ovaries to be infected by monkey cum. Certainly that mammy's no prize to human existence. And here indeed is a good example of just the type to potentially practice bestiality. Hell, for all we know the "boyfriend" is a nlgger – although I doubt it because nlggers aren't smart or cunning enough to come up with such a clever vengeance. They just scream and bite and/or shoot. Pulling a trigger is easy, even for a groid.
But yes, you're absolutely spot on. In fact, I wouldn't be surprised of the tattoo represents her inner color.
Whigger all the way!
Well said Rob. What's the difference between a nig.ger and a wigger?
Absolutely nothing.
Dear Ambrosia
Your Ex. must be a great Tattoo Artist…
I can smell that shit…. Sorry that smell is coming from your pussy…..
In case my comment, "This has been known to be a hoax for years" wasn't clear, what I meant was this story of the revenge tattoo isn't true. Whatever this picture is, whether it's photoshopped or what, isn't depicting a girl who really got a tattoo of a pile of shit on her back in any way, let alone having been tricked by her boyfriend.
Photoshop is awesome!
Idk, but i think id be able to tell if someone was tattooing a huge pile of shit on my back.. But one things for certian, that sure as hell aint no mr. Tumnis..
Not fail, win 🙂


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Partial sale of shares held in cyber communications inc.Dec. 14, 2006
SOFTBANK CORP. ("SOFTBANK") announced today that its wholly-owned subsidiary, BB TECHNOLOGY Corp. (Head office: Minato-ku, Tokyo; Representative: Masayoshi Son), sold a portion of its shares held in cyber communications inc. (Head office: Minato-ku, Tokyo; Representative: Hideyuki Nagasawa; hereinafter "CCI") as follows:
1. Outline of the sale
|(1) Shares sold
|110,000 common shares of CCI
|(2) Sold to
|Planned to be sold to Institutional investors, etc. through Nomura Securities Co.,Ltd.
|(3) Total proceeds of the sale
|Approximately 16.2 billion yen
|(4) Use of proceeds
|To be appropriated to business fund
2. Change in the SOFTBANK Group's shareholdings following the sale
The equity interest ratio of CCI shares held by the SOFTBANK Group prior to and following the sale of relevant shares is shown below. As a result of the sale, CCI will no longer be accounted for under the equity method.
|Equity interest ratio
|Number of shares held
|Number of outstanding shares*
|Prior to the sale
(as of September 30, 2006)
|136,162 shares
|514,522.08 shares
|Following the sale
(as of December 14, 2006)
|26,162 shares
|514,885.08 shares
- *The number of outstanding shares excludes shares held by CCI.
3. Impacts on the consolidated financial results
As a result of the sale of shares, SOFTBANK expects to record a gain on sales of investment securities of approximately 11.2 billion yen as special income in the 3rd quarter for the fiscal year ending March 2007. Impact to net income is expected to be appropriately 3.6 billion yen.
4. Others
The sale of shares was conducted as a part of SOFTBANK's financial strategy. The SOFTBANK Group will continue to maintain its close business relations with CCI.
- Releases, announcements, presentations and other information available from this page and elsewhere on this website were prepared based on information available and views held at the time of preparation and speak only as of the respective dates on which they are filed or used by SoftBank Group Corp. or the applicable group company, as the case may be. Such information is subject to change and may become out-of-date. Such information may also contain forward-looking statements which are by their nature subject to various risks and uncertainties that may cause actual results and future developments to differ materially from those expressed or implied by such statements. Please read legal notices in its entirety prior to viewing any information available on this website.


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Support Local Black
"Black love is black wealth."
- Nikki Giovanni
Here at Austin Justice Coalition, we believe in support locally owned Black and Brown businesses.
Here is a list of Black owned Black Businesses that we have gathered since February when we hosted our inaugural Black Business Expo.
If you are a Black Business owner and don't see your business listed, please feel free to fill out the form HERE to add your Business to the directory.


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1. YS Jagan To Do Aerial Survey Of Polavaram
Andhra Pradesh Chief Minister YS Jagan Mohan Reddy has concluded his visit to New Delhi and will return to the state at 12 noon to conduct an aerial survey of the Polavaram lands which have been submerged in the floods.
2. 35 Nations To Attend August 9 Outreach Event In AP
A Diplomatic Outreach Event would be held here on August 9 to which delegates from over 35 countries including Korea, UK, USA, Japan and Australia are expected to attend to explore the potential trade relations in mutual interest.
3. Warangal Rapist Praveen To Be Hanged To Death
Kolepaka Praveen (28) has been ordered to be hanged (death by hanging) for the rape and murder of a nine-month-old baby girl, by the Warangal Fast Track court on Thursday afternoon. The incident rocked consciousness of the people of Telangana and Andhra Pradesh and spontaneous protests erupted nationwide.
4. Water Levels In Major Rivers In AP Rise Due To Heavy Rains In Catchment Areas
Heavy rains in the upper catchment areas have resulted in swelling of water levels in major rivers in Andhra Pradesh on Wednesday with threat of flood looming under Vamsadhara in far-off Srikakulam district in particular.
5. Guntur Honour Killing: Girl's Parents Get Lifer
A Second Additional District Court in-charge Judge, L Sridhar, sentenced acouple to life imprisonment and served a fine of Rs 2,000 in a case related to honour killing on Wednesday.
6. Hyderabad Youth Uploads Obscene Pictures Of Friends On Social Media, Brands Them Prostitutes
Rachakonda police arrested a person for uploading obscene photos of girls on social media. An incident made him angry and in a fit of rage, he uploaded his friend's morphed photographs on social media calling them prostitutes. The victims filed a complaint with the Rachakonda police. Based on their complaint, Rachakonda cyber crime police arrested Nagaraju.
7. Wife Accuses Baahubali Actor Of Cheating On Her In Suicide Note
The Hyderabad Police on Wednesday arrested Telugu television actor Madhu Prakash on charges of dowry harassment, a day after his wife committed suicide. Madhu, who also played a small role in SS Rajamouli's blockbuster 'Baahubali', was arrested following a complaint by his in-laws.
8. Haritha Haram: GHMC To Plant Rs 3.13 Worth Saplings In Hyderabad
In view with the green initiative that many countries and states have ben taking up, to bring balance to the earth's eco system. The Greater Hyderabad Municipal Coorporation (GHMC) has marked out 3,084 locations to carry out this planting spree, and 13 lakh saplings to be distributed for free. This is being done as part of year's Haritha Haram.
9. Andhra Manufactured Kia Cars Eyeing Global Markets With Seltos
South Korean auto major Kia Motors is looking to export its made-in-India mid-sized SUV Seltos to various global markets including Africa and South America.


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I was born in Milwaukee, WI and studied art at the University of Wisconsin where I received a Bachelor of Fine Arts degree.
After living all over the country, I now call Western Colorado home.
In addition to being a working artist, I have owned and operated a studio and gallery in Wilmington, NC and Bellingham, WA.
Whether working in painting, mixed media or photography my aim is to celebrate the process of creation that gives my soul its voice.
I can be reached at my email address:


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This year's events include a showcase of undergraduate research, campus tours, interactive science activities hosted by faculty, and free snow cones.
Upcoming Alumni Events
For a schedule of all CNR events, seminars, and lectures visit our calendar.
Past Alumni Events
What's Next for the Blue Bin?
Last year, China stopped taking most foreign recyclables. Previously, 40 percent of the United States's paper, plastics, and other recyclable materials were sent there. Beijing's decision threw U.S.
2019 CNR Homecoming Picnic
The College of Natural Resources Alumni Association invites CNR alumni and their families, students, parents, and members of the CNR community to the annual picnic.
The Surprises of the Sunflower
Plant & Microbial Biology Professor Ben Blackman is an expert in the evolution and domestication of sunflowers.
Building a Forest Positive Future
This year's annual S.J. Hall Lecture in Industrial Forestry will discuss how healthy forests are critical to addressing the climate crisis, ensuring human well-being and providing wildlife with what they need to survive.
Half-Earth: How to Save the Natural World
Half-Earth is a clarion call to protect half the land and sea in order to safeguard the bulk of biodiversity, and ourselves. At this critical moment for our planet, the Half-Earth Project is bringing together the unique expertise and experience...


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New: Compass-Training "Internal Network and System Security" in Bern
In the 2-day seminar (in German) from February 11/12, 2020, you will get to know the most important basic concepts of IT security, attack tools and... Read more
Werkstrasse 20
8645 Jona
FileBox is a solution for both secure file transfer and secure file storage. It provides you with the ability to securely exchange documents with people from inside your company, and with external persons.
In the 2-day seminar (in German) from February 11/12, 2020, you will get to know the most important basic concepts of IT security, attack tools and... Read more
The association «KMU Swiss» promotes the interaction between companies and specialists. He organises the annual KMU Swiss Forum. The next years motto... Read more
Heise Medien lädt zur nächsten Veranstaltung der IT Security Branche ein. Im März 2020 öffnen die Tore der secIT zum dritten Mal. Wir sind vor Ort mit... Read more
Das Basel Economic Forum ist das Wirtschaftsforum für die trinationale Metropolitanregion Basel und die Nordwestschweiz. Im November fand die 6.... Read more
Compass analysts identified an XXE vulnerability in Apache Olingo OData 4.0. Read more
Fabio Poloni identified an XSS vulnerability in totemodata®. Read more
As a defender, you want to find and patch attack paths in your Active Directory environment. One cannot easily spot issues by looking at the Active Directory Users and Computers console, GPOs, etc.... mehr
Ransomware focuses on encrypting data on a filesystem-level, either locally on infected client systems or remotely on accessible file servers. However, what if ransomware would start encrypting data... mehr


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" I'm Tanzanian, A young & talented Christian rapper, I love and believe in Jesus Christ Son of the Living God. Born in a Christian family, my mom and dad both being Christians, actually my dad was a pastor and lately being appointed as a Bishop. I was born in 3rd/June/96, in a small town called Silali at Mara region. Then shifted to Musoma and Musoma to Dar es salaam.
JOHN 15:16 "You did not choose Me, but I chose you and appointed you that you should go and bear fruit, and that your fruit should remain, that whatever you ask the Father in My name He may give you".
I'm happy and proud because God chose (saved) me when i was still a small boy and started serving him at my early age, doing something in the house(kingdom) of the lord that made me look happy.
I'm doing Gospel Hip Hop, and i have a dream of establishing my crew/band "believer Never Go Down", I started doing Gospel Hip hop when was 15 years old. Hip hop is not a big case to me but Gospel is what matters a lot, Mark 16:15 And He said to them, "Go into all the world and preach the gospel to every creature" This is what we have to do as believers/Christians, Preaching and spreading out the Gospel in to all nationals, Romans 1:16apostle Paul says " For I am not ashamed of the gospel of Christ, for it is the power of God to salvation for everyone who believes, for the Jew first and also for the Greek".
The aim or reason as to why I do Gospel Hip Hop "Praising the lord Jesus Christ, reaching children, youth and adults, teaching, helping and encouraging them spiritually, physically and mentally (Inspiring, imparting knowledge to people through Biblical based truth) through my songs and choruses, telling people about Jesus reminding them after death judgment follows, they better choose the right way before time is out. John 14:6 " Jesus said to him, "I am the way, the truth, and the life. No one comes to the Father except through Me".


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September Jobs Report: Party Like It's 1969?Friday, October 5, 2018 - 2:37pm | 757
Every month, the Department of Labor releases data pertaining to the unemployment rate, wage rates and the overall status of the economy. Despite poor headline numbers, TD Ameritrade chief market strategist JJ Kinahan said the economy is showing innate strength. "What [the report] does...


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The 2019 Book Idea Workshop has passed!
But you can sign up to get notified when doors open again in 2020.
Is writing a book still on your list for 2019 – but as of right now you only have a few pages written? Or none?
Is it still in the Notes app on your phone?
If so, don't despair. One of the reasons writers falter in book writing is that it's hard to know where to start. A book is a big project with big implications. The overwhelm is real.
And often, writers have more than one great idea, and don't know which one to start with.
Writers who do know which book they're writing often don't know how to map out the contents in an effective way.
In my experience, these issues come down to one thing: getting 100% clear about your book idea.
Defining the book idea is the #1 challenge authors have, and also the #1 reason that they have tangled manuscripts later (not to mention problems with their book proposals!).
Not being clear about your book idea is THE #1 reason authors start writing but don't continue. They don't know where they're going — or why.
That's why on Tuesday, October 22nd we begin a 4-week workshop "Develop Your Book Idea and Get Ready to Write."
It's a live webinar designed to help you get started on your book journey. We begin with the most important piece of book writing: dialing in your book idea.
Which idea is the idea? How should your table of contents work? What chapter should you begin writing—the introduction? Chapter 1? Chapter 10?
This workshop will answer these fundamental questions, and more. It sets you up to chart a course for writing this fall and into 2020.
It's also possible that, after taking this workshop, you'll be ready to move on to the book proposal stage earlier than you thought…
Over our four weeks together, we will go through key issues in classes, assignments and Q&As so that you can make informed decisions, and start writing this fall and into the new year.
It's not too late to hit your book writing goals for 2019.
I'm capping the group to 20 people, so if you're interested, don't wait! I expect it to sell out quickly.
And, to make it easy to say yes, I'm adding some bonuses:
Here's the first BONUS: The workshop is $397 BUT if you sign up right away, you'll get $50 off when you use the code save50 at checkout! (This code expires Sunday, October 20th.)
Here's ANOTHER BONUS: If you've been curious about attending my Book Proposal Academy (next one: early spring 2020), I will apply the amount of this workshop to your tuition in the spring.
Another BONUS is a private Facebook group where you meet your peers, post your work, get recordings of the calls and copies of the slide deck, PLUS get to ask questions between live sessions.
The FINAL BONUS is that you get written feedback from me at the end of the 4 weeks.
The 2019 Book Idea Workshop has passed!
But you can sign up to get notified when doors open again in 2020.


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Syniti, formerly BackOffice Associates, was founded to solve business' complex data challenges, bringing synergy between data and business, delivering confidence and progress along clients' business transformation journey. Through a combination of unique data expertise, services, and intelligent software leveraging artificial intelligence and machine learning, we help clients manage their data journey from data conversion to data quality, data archival and replication, master data management, analytics, information governance, and data strategy.
Utilizing the market's top data specialists, validated industry knowledge and proven methodologies, Syniti has led thousands of successful data journey projects for Forbes Global 2000 organizations. SAP resells Advance Data Migration and Information Steward Accelerator by BackOffice Associates as SAP Solution Extensions.
Syniti is a purpose-driven company. "We're embracing the future together as one – with our employees, clients and partners – accelerating global and human progress, one data challenge at a time."
Headquartered in Boston, MA, Syniti operates in 25 countries around the globe.
Position Summary
The BOBJ Consultant is required to interact with clients and onshore team members to create scalable solutions and represent data in a concise manner. This role will require a strong working knowledge in SQL and demonstrated experience in dashboarding.
Position is based in Bangalore/Hyderabad, India
Primary Responsibilities:
- Design a scalable Business Objects System/Server, Install, patch up, Migrate from Older version to New version and administrate(Publish, Schedule etc.) the system along with CMC User security
- Design Universe on top of Enterprise HANA or any other database like Teradata, Oracle or SQL
- Create and customize visualization hierarchies and drill down in Luminra 2.0 and SAP Analytics Cloud
- Connect multiple datasets to bring all data together – create consolidate view of the different sources
- Strong knowledge in SQL
- Demonstrated experience in creating dashboards
- Sound knowledge in operating WebI on top of BW4HANA BW on HANA Bex
- Xcelsius Dahboaring knowledge is an added advantage
- SAP Analytics Cloud and SAP BW4/HANA is a plus
- Strong command over communicati0n – written and verbal
If you are interested in this or other opportunities at Syniti, please go to www.boaweb.com/about/careers to view our Careers section and complete the on-line application.