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When it was initially released in 2003, "The Room" was panned by critics, with many calling it the worst movie ever made, and the box office turnout was a disaster. But despite all the negativity, "The Room" has developed quite the cult following since its release, with midnight screenings selling out around the world, and has brought attention to its writer/director/producer/star, Tommy Wiseau.
With the popularity that "The Room" has garnered over the years, the guys at RiffTrax have decided it is time for a live spoof of the B-movie. Fathom Events will be airing the special event live in theaters on May 6 in the U.S. and Canada, and an encore will be shown on May 12 in the U.S. Tickets are on sale now, and can be purchased by visiting the Fathom Events website or your local box office.
Written, directed, produced by, and starring Wiseau, "The Room" tells the story of Johnny, a successful banker in San Francisco, who is engaged to the beautiful Lisa. But what Johnny doesn't know is Lisa has been having an affair with his best friend, Mark. Johnny must uncover the truth about Lisa before he goes completely insane.
Recently, the Chico Movie Examiner talked to Wiseau about "The Room" and the upcoming RiffTrax Live event. Check out the full interview below.
David Wangberg: I actually haven't seen "The Room" in its entirety, but I did watch some clips online through YouTube. But I tried to find it at Best Buy and Redbox and the rental store in my town, and it wasn't there. Why is this film so hard to find, unless it's through Netflix or Amazon, even though it has a cult following?
Tommy Wiseau: Did I talk to you before?
DW: No, I've never talked to you before.
TW: Oh, OK. Your voice [sounds] familiar. Actually, you can find it very easily on Amazon.com, that's number one. And number two, you can find it if you enter theroommovie.com; we sell it directly. Actually, right now, we're happy where we are. Basically, we've screened "The Room" for the past 12 years; I don't know if you're familiar with that.
DW: Yeah.
TW: So you can actually go see it in a theater near you. If not, send us an email; we'd like to accommodate the needs of your community that want to screen "The Room."
DW: OK. I saw it on Amazon and on Netflix's DVD catalogue, but it wouldn't get to me in time before this interview.
TW: Yeah, no problem. Eventually, you will see the entire thing. [laughs]
DW: Well, I do plan on seeing it when they do the RiffTrax. Is it OK if that becomes my first viewing of "The Room," or should I try to watch it beforehand?
TW: Well, that's up to you, you know? I always encourage people with [however they] want to see it. RiffTrax is very… first of all, I'm not a fan of RiffTrax. However, I support [them], because they have a sort of different entertainment… different [than the] cookie cutter from Hollywood. I think they are nice people, and that's the reason we issued [the] license.
They'll be screening "The Room" in 700 theaters across the U.S. on May 6 and 12, as well as in Canada on May 6. To respond to your question, it doesn't matter when you watch it. I always encourage people to see it in a theater. If you don't have access to it, eventually, you will have access to it. [laughs]
DW: And it's screening in 700 theaters nationwide, and a lot of the people who are going to see it will probably have never seen the film beforehand. What's some advice that you have for those who are going to see it for the first time?
TW: I would say you can laugh; you can cry; you can express yourself, but please don't hurt each other – and just have fun with "The Room." That's basically what I've been preaching to people for almost 12 years. It's something different, [that's] number one, and number two, everything you see in "The Room" was done intentionally.
It's not like [what people are blogging about] with, "Oh, this is a problem; that's a problem." I've been involved with [the] entire production from shooting to editing, et cetera, et cetera. Sometimes you can see a certain imperfection, but I say let it go, you know? I mean, you can do so much with a movie. I'm talking as an editor; I did not edit, but I was part of [the editing process approval].
DW: When "The Room" came out, it got a lot of bad reviews. Were those something that you just had to look past, or did they affect you in some way?
TW: That's a good question, David; I commend you. That's a very good question actually. I'm a very optimistic person, so it does affect me to certain degree, but I grew up in a family where you could say whatever you want, and you cannot [get] punished, with respect to all the siblings or your environment.
It does affect me as a filmmaker as well as an actor, but at the same token, people are… my statement is that Hollywood was not ready to see something different, because I don't know if you know, but I never pitched it to a big studio and said, "Hey, let's produce my movie." I produced it from scratch, and I'm very proud of it.
Some of the blogging you hear about with "The Room"… let me give you an example. People say the script did not exist, so we put [together] that little teaser trailer in [relation] to the script. It does exist. A lot of stuff happened. For example, Blu-rays are available on Amazon as well as DVD, and you can see very clearly what went on behind the scenes, which we have a clip on the DVD and Blu-ray.
To respond to your question, it did affect me somewhat, but at the same token, I'm the kind of person that says, "Well, they can say whatever they want, and I'll do my stuff." [laughs] If you have a good spirit, it doesn't affect you as much, if they think they can affect you. Do you know what I'm saying?
DW: Yeah. And you've said in other interviews that you aren't bothered by the fact that RiffTrax is going to be poking fun at this movie…
TW: That's what I'm saying right now. Again, that's a good question, because I support them fully, and I said, "You can say whatever you want." Again, to me, I don't know about your take, but based on what you're asking me, based on their form of entertainment, I think "The Room" has potential one of the best movies they have riffed, you know? There are so many funny lines. For example, "Two's great, but three's a crowd"; "How's your sex life"; et cetera, et cetera. I can recite the entire script.
Long story short, you have a lot of different situations within "The Room" that you can use it very easily. And I think it's funny because it's easy to understand for the audience, and at the same time, they can be making fun of it, and there's nothing wrong with that. I support them; I say this openly. I'm not a fan of the RiffTrax [as a whole], but I support them. The idea is different, and it seems to me that people really appreciate it and like to be a part of it.
DW: Was there any hesitation when they first approached you about it?
TW: Oh, yeah, absolutely. There was big hesitation. [They said] "What do you want to do?" I said, "I'm tired of you making fun of 'The Room.'" [laughs] But at the same token, let me give you an example. For my screening, I [have always encouraged] people to express themselves in the past 12 years, except I tell them always, "[Don't do it] in a hated way."
You may not like "The Room"; it's OK with me. I have no issue, but I do have an issue when you steal my stuff, [and] you don't pay for the license or if you do something crazy, pretend that everything is hunky-dory, and then say, "Oh, it's a parody." You have to draw the line [with] parody. If I assume you are making money from my project, I'm entitled to charge you for license.
To respond to your question about RiffTrax, we had a discussion about four years ago when they riffed it the first time. To be honest, I didn't like it, because – again, this is the thing I learned – it's my project, and I think I should be compensated for it. At the same time, I should be informed about it. It's different if you're doing one minute or three minutes; I let that go. But if you're talking about the entire film, this is original material. Everything was done from scratch from the music to the storyline to creating the characters. It's a process; it's a very intensive process.
I was talking just recently to one of the big executives from a network, and they said, "Oh, today, you can just grab an iPod and make a movie." I said, "Wait a minute; I disagree with you." To be that easy, sure, everybody will be doing what these people are doing, but who's watching, you know? We're still in the same process when you want to put something, say radio programming or interview, we have a certain format we abide by. We're living proof that a job [needs to be done] a certain way, but at the same token, we still obey by certain formats. [That's the same] with "The Room."
When I saw RiffTrax, I was very skeptical, but I said, "Wait a minute. We've screened already for 12 years; it doesn't hurt us at all." Plus, I am pro-freedom. I say this many times, because sometimes people put me on the spot at a Q&A at my event. I say, "Just ask. What do you want to ask? Ask whatever you want." If you're making fun of "The Room," fine. If you want to play football, that's fine with me. If you want to yell, that's the idea behind it. [laughs]
So I approved, and we worked with them, as you know, and I'm promoting their event – that's May 6 and May 12, and we're doing it in Canada on May 6. I'm hoping next year, we'll do it again; we'll see how successful it will be. I think they [will] get really good, I will say, feedback from fans of "The Room" as well as from me. That's where we stand. Move on, next question.
DW: [laughs] And it's not like they're being mean-spirited about it, either. They're just having fun.
TW: You see, that's a good statement. I hope you can go, David; I'm sorry if I call you David. That's OK with you, right?
DW: Yeah, that's fine.
TW: I think you are absolutely correct. You see, that's the idea. What I would say of "The Room"… people have thought I'm just laughing or, "Oh, now he changed his mind"; I don't know if you've seen some of the reports and statements. No, I never change my mind, and I never will. I think entertainment is… I don't know if you know "I Love Lucy," if you're familiar with it.
DW: Yeah, I've seen it before.
TW: So, it's [a] perfect example. It's a funny show – to actually laugh. I would say you can outplay comedy, but you create situations and [if] you provoke the audience in certain ways, they will laugh. "The Room" is the same thing. Johnny is yelling and screaming, and there's a reason for it. To be honest, I did not anticipate that I would be talking for 12 years about "The Room," and we still continue to do it. Maybe it is destiny or something, but I am happy where I am now.
DW: Other than San Francisco, there are a lot of screenings for this film across the nation like midnight showings and all that.
TW: Yeah, we screen all over. Other screenings we have include Chicago, New York, [the] main cities, and we have small cities as well. Some people screen it every two months, but we have regular screenings for the past 12 years. International screenings, for example, London, at the [Prince Charles] Cinema, I believe it's screened every month for eight years. Australia is the same thing, and [there is] New Zealand, as well as Canada. We also have screenings in Europe and other countries come and go.
DW: Do you make it out every single one of them, or do you just go to one here and there?
TW: [laughs] That's a good one. Thank you for asking. No, I just don't have time for that. I travel once a month on tour. The next one is actually a big event – a midnight showing here in Los Angeles on June 5 and 6. And then we have Philadelphia for a special event, and we go to Europe and to other cities as well. I just don't have time. I usually have a regular screening in Los Angeles and as many screenings as I can, but I'm working on a new project. I don't know if you've heard about it; it's "The Neighbors."
DW: Yeah, I've heard about it.
TW: We're very happy to work with Hulu and other people, and other projects come and go; I'm very open about other projects. I'm ready for a big studio to call me, man. [laughs] OK, move on, next question.
DW: Is "The Neighbors" done filming for the season, or are you still in production on it?
TW: We are still in production. We are shooting another four episodes; [there are] four episodes now available on Hulu, and on the contrary, we are supposed to produce four more [episodes] and at the end four more. We're leaning toward producing at 16 [episodes]; we'll see what happens.
We're open with TV people, because I actually want to put "The Neighbors" on a regular [network]. That's the idea behind it; we'll see how successful we are. But we got a really good reaction. I don't know if you know, but we screened "The Neighbors" with "The Room" – a combo screening – for the past six months. Again, people like to see it in the theater as well.
DW: For "The Room," I was reading that you used both HD and 35mm cameras that you purchased. Do you still have those in your possession, and do you alternate using them?
TW: Yeah, well, with those cameras, we actually may be dedicating… I'm thinking of creating "The Room" museum or something like that. It's a good question. We just recently put a little trailer [together related] to the equipment. People don't realize that, for example, some of the equipment I used from "The Room" I use for "The Neighbors."
You see, this is another thing where people don't realize that nothing happens by accident. You have to plan certain stuff and with every mistake I make, I admit it; there's nothing wrong with that. But at the same token, if you have a vision, you can create something and hope that people enjoy it.
DW: What did filming "The Room" teach you about the filmmaking process, and how has that helped you in later projects?
TW: Oh, that's a good question. Again, I commend you. It [taught] me a lot. First of all, let me go back and tell you about my background. I'm a professional stage actor, but my background is also [in] business. My business background did help me to produce "The Room" if I think about it. I didn't realize that my skills… for example, I built a couple of buildings in the Bay Area. It did help me with my organization, for example. It's very complex, when you try to do directing, acting, and producing – it's a lot of different skills you need.
Sometimes, I notice that I have to make a decision instantly. Some of the decisions I make [are] correct; some of them are partially correct. When shooting "The Neighbors," I always try to refresh myself and say, "OK, what did I do wrong? How can I improve production?" One of the big obstacles that production [taught] me is that you can replace everybody, and you can still have a project. That was very tough for me, and very stressful, because I always believed the first crew we hired – I hired with my assistant – would complete the project, [and] it did not happen that way.
It's sad, because I thought people really believed in my project, and it didn't come out right. But at the same token, I learned that we have a lot of – especially in Hollywood – a lot of skillful people who actually are very honest and very dedicated to their craft, whether it's the lighting, grip guy, my assistant, set design, et cetera, et cetera. I learned a lot from "The Room."
Again, this is the thing, I remembered today I had a meeting with [the] actors, and I said, "Hey, look, this is the first project for some of you." [For] 90 percent of our actors, that was their first project. And I [wanted] them to be a part of it from beginning to end, but it did not come out the way I planned, to be honest. But that's their loss, not mine, you know? [laughs]
Because, again, you can learn in school – I learned a lot of stuff in school – but when you do it [the] practical way, what you're actually doing is two different things, and that's the story here, you know? The more you do it, the better you are. You ask me about HD or 35mm [cameras], I can tell you what the difference is or whatever you want me to talk about. Again, I learned so much that I was actually proud of myself, but it's just too bad that some of the people quit.
For example, I replaced the crew four times. Because I had to replace someone, every logical person in business will tell you the same thing I'm telling you right now, to replace someone who you need costs more money than the person puts in to do work. People don't realize that, you know? Money's one thing, but then you repeat yourself with the instructions, the accommodations, et cetera, et cetera.
So, that was pretty challenging. Also, it was challenging, [because] we needed a second unit when we shot in San Francisco. Everything, I would say, is a first-class production as well as everything's original, [and] that's why I'm proud of "The Room." And I think I'll be prouder with my life. [laughs] Whatever people say [that is] negative, that's their problem, not mine.
DW: I saw online that there's going to be an adaptation of "The Disaster Artist," and James Franco is going to direct it and possibly star as you?
TW: Yes, I think he will [star in the film].
DW: If Franco does portray you, what are the things he would have to do in order to create the perfect portrayal of Tommy Wiseau?
TW: That's a good question. I don't know if you knew, but [we have a] certain agreement, where we're not supposed to talk about it, but we can just say general [things]. So, first of all, Seth Rogen and James Franco, my understanding is they will produce [a film about the making of] "The Room," based on the Greg Sestero book, and James Franco will play me, and David Franco will play Greg Sestero.
To respond to your question, as I say to James Franco and others, "You know what? You're the director, you're the producer, you can make magic." So the idea is that I'll be much more involved with production, but it's up to them. I'm involved a little bit, but, again, I cannot talk about it.
Long story short, it's up to them how deep they can… I think [James Franco] is a very talented person, as well as his brother. So, I think they will do a pretty good job, but it's up to them on how we'll do it. He said very openly that he'll be very respectful. [I said that] to a reporter, and they said, "James Franco respectful? Are you kidding me?" And I said, "Well, you know what? He's a good actor. It's up to him on how he wants to spin."
Greg Sestero's book, I'm not supporting 100 percent, I don't know if you heard or not. I'm supporting only about 40 percent; that's the bottom line.
DW: I had to reach out to people who had seen "The Room" to get some fan questions, and one of my friends wanted to ask you: How do you get your roses to be so red?
TW: That's a good question. First of all, [they're] real roses, that's number one. We always had real roses on the set, not the plastic [kind] or whatever. And keep in mind, what you see, [whether it's] DVD or Blu-ray, it's actually from 35[mm], not HD. Hopefully, I will eventually finish writing the book [about the] differences between HD and 35mm, because I still would say that we don't have a book [on that], and I did have a certain agreement from Panasonic that they would do some way to use both cameras, but it didn't come out right.
Let's put it this way. By the time "The Room" is done – we shot on both formats – HD [captures] a good red color, but I agree with you because red color – I'm surprised you asked; it's a good question – because, when you shoot a red color, and you don't have good lighting, you may have a little shadow from the colors; I don't know if you know that. And some of the movies, when you see someone filming a person wearing a red dress or jacket, you will see imperfection and that's related to lighting and the camera, and the lens. So the fire, when we're shooting the fire from the candles, we're using a special lighting. Again, it's the same principle.
So, to respond to the question, it was very complex. It was a test on how we could shoot, you know. But the main thing is lighting. I learned from acting and production school and different workshops that when you are a filmmaker and you try to film a movie, you know what kind of equipment you use best? Lighting. Not camera so much, but lighting and also lens. These two are things you can use for the rest of your life.
DW: Tommy, that was the last question I had for you, and my recorder is about to die on me. I thought it had more life on it, but apparently not. Thank you for taking the time.
TW: OK, thank you very much. Again, we're doing the special screening with RiffTrax on May 6 and May 12 in the U.S. – and in Canada on May 6. I would like to say thank you very much. You can laugh, you can cry, you can express yourself. And I love you all, OK? Thank you.


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Apple's new TV streaming service launches on Friday 1 November 2019, so you may well be wondering exactly what shows will be on Apple TV+ and whether they will be any good. Here's our complete list of what you can watch on Apple TV+ if you subscribe to the service, and what you can watch even if you don't have a subscription.
Even before Apple's 25 March "Showtime Event" at which it announced its streaming service, Apple had been unable to keep rumours and snippets of information about its plans from getting out, so we already knew about many of the shows that are in the works at Apple. Since the event we've learned about even more shows and seen trailers for the new projects.
At the March event Apple invited various actors, writers and directors onto the stage to pitch their work to the audience. We saw Steven Spielberg, Reese Witherspoon and Jennifer Aniston, Jason Momoa and Alfre Woodard, Kumail Nanjiani, Oprah Winfrey, and even Big Bird, take to the stage and describe the new shows that they are making for Apple's customers.
In this article we'll be looking at what new shows will be premiering on the Apple's TV+ subscription service (you can jump to that section here), and also at what you can watch on Apple's TV app without paying the subscription to Apple TV+. We've also got an article focusing specifically on the best Apple TV+ shows.
What can you watch on Apple TV without a subscription?
Back in January 2008, soon after Netflix started streaming, and long before Amazon Prime Video existed, Apple started selling TV shows and films on iTunes. Ever since, movies and TV shows have been available to rent or buy from the iTunes Store. Sometimes movies are available on iTunes before they launch on DVD, and long before appearing on Netflix.
More than a decade later and you can still find tons of movies, TV shows and more on the iTunes Store and you can either buy or rent them there and watch on your iPhone, iPad, Mac or TV (via an Apple TV set-top-box or other supporting device). Occasionally movies and shows are available on iTunes before they appear anywhere else - in fact, some movies even come to iTunes before they have left the cinema - and TV shows are often available to download and watch at the same time as they premiere on TV.
But there's a lot more competition now with Amazon also offering rentals, and the catalogues of both Amazon and Netflix growing with popular programmes and original series. It's often the case that a movie or show that would need to be rented or bought from Apple can be streamed on Netflix or Amazon at no extra cost.
Rather than switch the iTunes store to a subscription service, Apple's embraced this situation by being up front about where you can get the best deal on the movie or show you want to watch. Currently, you can use Apple's TV app (on an iPhone, iPad, Mac, Apple TV, Roku, Amazon Fire or 2019 Samsung TV) to search all your subscription and on demand services for a show or movie you want to watch. The app will show you if it's available to buy or rent on iTunes, or if you can get it cheaper, or for free elsewhere. The TV app will tell you exactly where it is available and whether you can buy, rent, or subscribe to watch it. You then decide where you want to watch it, and are directed to that app.
Thus the TV app will help you find the content you want to watch, and showcase content that you might like, but you won't actually watch it within the TV app. Instead, once you've found the show you wish to watch, you will be sent to the relevant app to watch it there (be it Amazon, iPlayer, or Netflix). The exception to this is if it is movies or shows purchased from iTunes, content you have uploaded yourself, or content that is available in one of the Apple TV Channel's, which are third-party streaming services you can subscribe to from within the Apple TV app (there aren't many of these in the UK right now).
And, of course, if you subscribe to the Apple TV+ streaming service, you will watch all that content in the TV app too.
So in a nutshell here's what you can watch on Apple's TV app:
- Shows purchased from iTunes Store
- Movies purchased or rented from iTunes Store
- Content you have uploaded yourself
- Content that is available in an Apple TV Channel - third-party streaming services you can subscribe to from within the Apple TV app
- Anything on Apple's TV+ if you subscribe
If you have an iPhone, iPad you can use the TV app to find where content is available so that you can decide to watch it in the relevant app. If you have an Apple TV you can also use the TV app to find content and then watch it in the required app (assuming that app is available in the Apple TV App Store - it most likely is). On a Mac running Catalina you will find the Apple TV app, but you may find the choice of content to be more limited due to the limited number of streaming apps on the Mac.
If you aren't keen on subscribing to Apple TV+ read: How to get Apple TV+ for free.
How to use Apple's TV app to find shows
In the UK the Apple TV app lets you browse content from BBC iPlayer, ITV Hub, My5, Prime Video, Netflix, and more, along with the iTunes store. Elsewhere the TV app will offer a similar wealth of content from various apps. In the UK we still see Netflix recommendations under Where to Watch, but in the US it appears that no Netflix content is highlighted by the TV app.
- Open the TV app on your iPhone, iPad or Mac. (Soon the TV app will work on Macs, various smart TVs, Roku and Fire TV stick - more information about where you can use Apple's TV app here).
- Search for the TV show or movie you want to watch.
- You will see results that indicate where the show or movie is available and whether you can buy or subscribe to watch it. So, if it's available on one of the services you subscribe to you can watch it there.
- Choose the version that you want to watch and it will open in the relevant app. (Later this year an update to the TV app will mean it opens inside the TV app, regardless of which service you are using - unless that service happens to be Netflix, in which case you'll need to go to the Netflix app).
We cover how to use the TV app on the iPhone and iPad and how to use the TV app on the Apple TV, as well as How to watch Apple TV on a Mac.
What shows will be on Apple's TV+ streaming service?
There will be even more choice in terms of what you can watch when Apple launches its upcoming TV+ subscription service on 1 November 2019.
Apple has been spending billions on creating lots of new shows to be streamed via the Apple TV app. In addition to what we saw at the March Showtime event, there have been multiple reports about the different talents Apple is working with and the shows that are being produced.
Amazing Stories
Apple has bought Steven Spielberg's Amazing Stories. During the Showtime event keynote, Spielberg said he would be "resurrecting this 93-year-old brand and offering to multi-generational audiences a whole new batch of Amazing Stories".
He revealed that in one story a World War II pilot's plane magically travels through space and time from the past and into the present day.
Back in May 2018 it was revealed that 'Once Upon A Time' co-creators Adam Horowitz and Edward Kitsis would be the executive producers on the show.
Each episode will be disconnected, but there will be one compelling narrative running throughout that will link the first season.
This is a sci-fi, post-apocalyptic drama set in a future where all humans are blind - except for a pair of twins. It will star Jason Momoa (of Aquaman and Game of Thrones) alongside Alfre Woodard (12 Years a Slave, Captain America: Civil War) and comes from Peaky Blinders creator Steven Knight and The Hunger Games director Francis Lawrence.
Apparently the show will include scenes of a violent and sexual nature, despite claims that Apple was intent on making only family-friendly shows.
See will premiere on Apple TV+ on Friday 1 November. Here's how to watch See
Sesame Workshop: Helpsters
Apple has a deal with Sesame Workshop for a programme that will apparently teach kids to code.
Helpsters will feature a new muppet, called Cody. Cody is described as "a monster who loves to help". This is one of several projects in the works in collaboration with Children's Television Workshop.
The show will premiere on 1 November.
Peanuts: Snoopy in Space
Another one for the kids. This DHX Media project will be developing new Peanuts content with one show called Snoopy in Space.
Snoopy in Space will be available to TV+ subscribers on 1 November.
Little Voices
Little Voices is described as a dramedy set in New York, with characters attempting to find their "authentic voice". It will be produced by J.J. Abrams with original music by Sara Bareilles.
There will apparently be ten episodes of the show, but the launch date isn't yet known.
My Glory Was I Had Such Friends
J.J. Abrams will also produce this drama series, based on Amy Silverstein's book about the group of women who supported her when she was waiting for a heart transplant. Staring Jennifer Garner (13 Going On 30, Alias).
Little America
This one is being co-written by Kumail Nanjiani and Emily V. Gordon who wrote The Big Sick. It's about American immigrants and will be produced by Master of None co-creator/executive producer Alan Yang.
Nanjiani appeared on stage during the Apple event and revealed that each episode will be directed by an immigrant or the children of an immigrant. It is based on the true stories of immigrants, many of which were printed in Epic Magazine's Little America series.
The Morning Show
Apple has also bought a new drama starring Jennifer Aniston and Reese Witherspoon.
The company beat others in a bidding war for the two-season show, based on the book Top of the Morning: Inside the Cutthroat World of Morning TV by Brian Stelter. The book looks at the lives of morning TV presenters.
Aniston and Witherspoon will co-star alongside Steve Carell. Aniston and Witherspoon are also co-owners and executive producers along with Michael Ellenberg's Media Res company, which will produce the show. The series was to be written and executive produced by Jay Carson (who was behind House of Cards) but Jay Carson left the project due to "creative differences" according to Variety.Apparently Apple has also voiced concerns about the humour of the script, according to a Wall Street Journal report in September 2018.
The Morning Show will start streaming on 1 November 2019.
A Christmas Carol
Apple's said to be preparing to stream A movie adaption of Dickens' A Christmas Carol starring Will Ferrell and Ryan Reynolds.
We expect to see this in time for Christmas 2019, although it could be delayed until December 2020.
Apple has signed up Oprah Winfrey to create original programmes for it. The multiyear deal will see Winfrey create "original programs that embrace her incomparable ability to connect with audiences around the world," according to a statement from Apple.
Two documentaries are in the works. Toxic Labor looks into sexual harassment in the workplace, the other will focus on mental health and it is said that Prince Harry is collaborating on that documentary.
Oprah will also bring her Book Club to Apple TV+.
Apparently Apple is working on adapting a "gritty Israeli TV show" for the US market. Show-runners Howard Gordon and Warren Leight worked on 24, Homeland and Law and Order. The show centres on two elderly Vietnam vets - one of whom is played by Richard Gere.
This will be Apple's first International series, an English language adaption of French series Calls. Each story is based around the audio recording of a 999 (911) call. According to The Hollywood Reporter, Calls "takes storytelling innovation to the next level, allowing audiences to experience short stories through real-life audio sources and minimal visuals."
Time Bandits
Apple has bought an adaptation of Terry Gilliam's 1981 film Time Bandits. It's the story of six dwarves on the run from the Supreme Being. Gilliam will reportedly be a "non-writing executive partner", according to Deadline.
The two-part series will be co-written and directed by Taika Waititi - who bought us Thor: Ragnarok.
Mythic Quest
This comedy is coming from Always Sunny in Philadelphia's Rob McElhenney and Charlie Day and is set in a video game development studio. Apparently the show will will explore the intricacies of the human condition through hilarious and innovative ways, according to the Hollywood Reporter. McElhenney will star in the show as well as write for it.
It seems that games studio Ubisoft is involved too.
Based on Gregory David Roberts' 2003 novel, which is based on Roberts' life. The main character is a convict who flees an Australian prison for Bombay where he meets gangsters and criminals.
Eric Warren Singer (American Hustle, The International) will write and produce the series and the lead character will be payed by Charlie Hunnam (Sons of Anarchy, Pacific Rim).
Hailee Steinfeld (of Pitch Perfect 2&3, Enders Game and Edge of Seventeen), will star in Dickinson - a series about American poet Emily Dickinson, born in 1830.
It's said to be a coming-of-age comedy about the early life of Dickinson.
Jane Krakowski (Unbreakable Kimmy Schmidt, 30 Rock) has also joined the cast as the mother of Emily Dickinson, according to Variety.
Dickinson will be available to stream on Apple TV+ on 1 November.
This will be a psychological thriller written by Tony Basgallop. The first of ten half hour episodes will be directed by M. Night Shyamalan.
Toby Kibbell, Lauren Abrose and Rupert Grint (Harry Potter) will star in the show.
Servant will be premiere on 1 November.
This is a coming-of-age story about a young Muslim girl. It has already been screened at the Sundance Festival.
This is a remake of a 1990's US show. The series follows four kids who must release fictional characters from works of literature with help from a ghost in a bookstore.
The show will be one of those available at launch on 1 November 2019.
Isaac Asimov's Foundation
Apple has landed a TV adaptation of Isaac Asimov's science fiction novel trilogy Foundation. It's based in a galaxy where humans live under the control of the Galactic Empire.
According to a Deadline report, the project from Skydance Television will be produced by David S. Goyer and Josh Friedman as well as Skydance's David Ellison, Dana Goldberg and Marcy Ross.
Goyer's credits include The Dark Knight, Batman Begins, Ghost Rider, and more. He also co-wrote the upcoming Terminator reboot.
Friedman's credits include Avatar 2, the War of the Worlds remake and Terminator: The Sarah Connor Chronicles.
The show will star Lee Pace (Halt and Catch Fire, Guardians of the Galaxy) and Jared Harris (Chernobyl, Mad Men) according to the Hollywood Reporter.
The Sky is Everywhere
The Sky is Everywhere will be adapted from a young adult novel of the same name. The protagonist is the younger sister of a girl who died suddenly and the story details how she copes with the loss of her sister, and her developing relationships with the fiance of her sister and another boy who moved to the town.
The Mosquito Coast
This adaptation of the novel The Mosquito Coast will star Justin Theroux (whose uncle published the story and later made it into a movie staring Harrison Ford).
Masters of the Air
This series will be about World War II bombers. It's said to be a follow-up to the hit HBO series Band of Brothers and is the first show to be produced by Apple's own studio, Masters.
Mr. Corman
This drama series is written, produced and stars Joseph Gordon-Levitt (Third Rock from the Sun) as a school teacher struggling to cope with life as an adult in Los Angeles.
This show is being made in conjunction with the BBC and will star Imelda Staunton (Harry Potter). It's an eight-part series that will be released in 2020.
Central Park
This will be an animated musical comedy series staring Kristen Bell and Josh Gad (who last worked together on Frozen), as well as Hamilton's Leslie Odom Jr and Daveed Diggs, Tituss Burgess from Unbreakable Kimmy Schmidt, Transparent actress Kathryn Hahn and Academy Award nominee Stanley Tucci, according to Digital Spy.
The series is based on a family of Central Park caretakers who have to save the world.
It's from the creator of Bob's Burgers, Loren Bouchard and is being co-written with Josh Gad and Nora Smith. Apple is committed to 26 episodes over two seasons.
This is the story of a young hunter who comes to Ireland with her father to wipe out the last pack of evil wolves, but instead befriends a wild native girl who runs with them. The film comes from Irish animation studio Cartoon Saloon.
Swagger is a drama series based on the life of Kevin Durant, a Basketball player. It will be written and directed by Reggie Rock Bythewood who wrote Notorious B.I.G. biopic Notorious.It's being
Untitled drama from La La Land writer
La La Land's Damien Chazelle has been signed up by Apple to write and direct a drama series for Apple.
House of Cards studio MRC is also involved with the show.
Untitled: 'You Think It, I'll Say It'
This Reese Witherspoon-produced show was supposed to star Kristen Wiig but Wiig has left the show and it is currently on hold. The comedy series is based on Curtis Sittenfeld's short story collection titled You Think It, I'll Say It.
For All Mankind
This space drama comes from Star Trek veteran Ronald D. Moore and is set in a universe where the space race never ended. Joel Kinnaman (Altered Carbon) stars as a NASA astronaut.
It will premiere on 1 November.
Truth Be Told
This crime drama, based on a novel called "Are You Sleeping" by Kathleen Barber, sees a murder case reopened after a Serial-style podcast publicises it.
The series is being written by Nichelle Tramble Spellman, who also wrote The Good Wife.
Reese Witherspoon's production company, Hello Sunshine, is co-producing it for Apple and Oscar-winner Octavia Spencer will star as the protagonist, Josie.
Truth Be Told will debut on 6 December.
CIA undercover agent inspired drama
Brie Larson (Captain Marvell) will star as CIA agent Amaryllis Fox in a show based on Fox's real life experiences. As yet untitled, although a Fox's biography Life Undercover: Coming of Age in the CIA was released in October 2019 so it may use that name.
The Banker
Samuel L. Jackson and Anthony Mackie will star in this film about two 1950's African American entrepreneurs, Bernard Garrett and Joe Morris, who recruited white man, Matt Steiner, to pose as the head of their business empire.
The movie will debut at AFI Fest on 21 November 2019 and then will be released in US cinemas on 6 December.
It should arrive on Apple TV+ on 31 January 2020.
Defending Jacob
Chris Evans (Captain America) stars as a father who discovers that his 14-year-old son, played by Jaeden Martell (It) is suspected of killing his classmate in this short series based on a novel by William Landry. Michelle Dockery (Downton Abbey) will also star in the series.
This ten episode series will tour the world's most innovative homes and meeting the people who designed them.
Home Before Dark
This mystery drama is based on a true story. 11-year old aspiring journalist Hilde Lysiak discovers a cold case murder covered up by her town. Staring Brooklynn Prince and Jim Sturgess.
Losing Earth
A drama about politicians, scientists, and activists trying to stop climate change in the 1970s and '80s. The drama is based on a New York Times article that appeared in the summer of 2019.
On the Rocks
Written and directed by Sofia Coppola and staring Bill Murray, this film follows a young mother (Rashida Jones) who reconnects with her larger-than-life playboy father on an adventure through New York.
It's not yet known if the film will have a cinema release prior to its release on Apple TV+.
Lisey's Story
This eight-part miniseries will star Julianne Moore (The Kids Are All Right, Crazy, Stupid, Love, What Madie Knew) and is an adaptation of the Stephen King novel with King actually writing all the episodes.
It will be produced by J.J Abrams' production company Bad Robot.
Based on Min Jin Lee's book, Pachinko will tell the story of four generations of a Korean immigrant family, touching on the theme of forbidden love in Korea, Japan and America. Staring Soo Hugh.
Ted Lasso
This comedy series will star Jason Sudeikis as Ted Lasso, a character that appeared in an NBC Sports video a few years ago. The character is an American football coach who goes to coach football in the UK despite not knowing how to play football (or soccer as it's known in the US) and thinking only in terms of American Football.
Prehistoric Planet
Natural history series will use CGI to follow the last days of the dinosaurs. It's being produced by BBC Studios' Natural History Unit.
Cartoon Saloon animated film
Back in June 2018 Apple was seeking to acquire animation rights to a movie from Academy Award-nominee Cartoon Saloon, according to Bloomberg.
The company was negotiating with Cartoon Saloon - the studio behind Secret of Kells, The Breadwinner and Song of the Sea - for rights to an animation that hadn't yet been made.
Apple would have to release the film to cinemas prior to making it available for download in order for it to qualify for an Academy Award.
Vital Signs
This show was one of the first to be announced as an Apple project, with the Dr. Dre produced show said be a semi-autobiographical tale of Dre's life. Since 2016 when the show was first discussed there has been no more word, so perhaps it will never happen.
Ed Sheeran documentary Songwriter
Apple is said to be making a documentary about singer Ed Sheeran.
The documentary will be directed by Sheeran's cousin Murray Cummings.
Apparently the documentary will be released in the cinema as well as on Apple's own platforms (via Deadline).
The Elephant Queen
In this documentary Victoria Stone and Mark Deeble embedded themselves for four years together with the family of a giant elephant matriarch named Athena. The film follows the elephants' search of food and water after their watering hole dries up.
The Elephant Queen will debut on 1 November.
An article in the Daily Telegraph suggested that Apple is in discussions with mobile network EE (which is part of BT) regarding a deal that could see EE distributing Apple TV set-top boxes to its customers.
Should the deal go ahead, EE customers might be able to watch the BT Sport channel via the Apple TV.


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It's More Than a Bike
The Conquest Cycling team that consists primarily of cyclists from Grace Church conducts a weekly bike ride on Sunday afternoons that focuses on fellowship and fitness. They are lead by Dave Alves, John Wright and Eric Carlton. Five years ago, they put their passion for fellowship and cycling to work for God's kingdom by fixing bikes for people in need of transportation. One day, a volunteer noticed many of the people we served at Circle City Relief (CCR) arrived on bikes that were broken down. A broken pedal, no brakes or no seat were just a few of the issues. After he brought this to our attention, we share it with our Conquest riders. After a few discussions, they decided to come down one Sunday a week and fix bikes for free! They then give them away to people in need.
The bike repair area at CCR has quickly grown to become a very busy area. They arrive at 10:30 a.m. and set up tents, bike repair equipment and tools, and begin to work. A line of people usually forms with bikes and they don't stop until the last one is repaired. By the time it's all over, they will have repaired around 20-30 bikes.
The impact on the community is tremendous. Homeless men, women and children can't afford a car or gas, and don't even have money for bus transportation. So, they use bikes as their main source of transportation to get to work, an interview or see family. One gentlemen just needed a bike that would help him get to the store to get medication for his bed-ridden father.
The community looks forward to bike repair day. Not only for the bikes, but for the fellowship. The Conquest Cycling guys have created relationships with people in the neighborhood and engaged with individuals to get to know them on a personal level while sharing the Gospel of Jesus Christ.
Conquest is always in need of bikes to recycle, restore and repurpose. Please consider helping them by donating a bike so they can get it in the hands of someone that needs it most. To donate, contact us.
Post a Comment
Hey Tammy!I responded on the blog, but wasnât sure youâd see it. Yes, we can take them any day we are open (we are only closed on Fridays). Feel free to stop by the office entrance and drop them off. William or Cheri should be at the front desk! Thank you so much for this kind donation!
Posted by Grace Church on July 11, 2019 @ 9:23 am
We have about 4-6 bikes that we would like to donate to Grace Community Church - is there a day and time that we can drop them off?
Posted by Tammie Horkay on July 10, 2019 @ 6:04 pm
Yes we do! You can drop it by our 146th Street campus at 5504 E 146th Street in Noblesville. THank you.
Posted by Grace Church on February 20, 2019 @ 10:55 am


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Maoists release Paolo Bosusco
Bhubaneswar: The hostage crisis has finally come to end today with the release of 51-yr old Italian national Paolo Bosusco who was held captive by the Odisha unit of the Maoist party for the last 28 days.
On Wednesday, top Maoist leader and Secretary of the State Organising Committee of the CPI(Maoist) Sabyasachi Panda in an audio message said that Bosusco will be released through a "democratic process". Though Panda refuted having personally received copy of any joint statement issued by the Odisha government and the Maoist-appointed two mediators, he acknowledged quoting reliable sources that the joint statement contained the 13-point charter of demands raised by the Maoists which was one of the preconditions for the release of the Italian national.
On March 14, Bosusco, a Puri-based tour operator was taken hostage by the Maoists alongwith Italian tourist Claudio Colangelo while they were trekking in tribal dominated Kandhamal district. Though Colangelo was set free as a "goodwill gesture" on March 25, Bosusco was not released with the Maoists remaining firm on their demands that included the release of five prisoners.


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Federally Related Mortgage Loan Law and Legal Definition. – Federally Related Mortgage Loan Law and Legal Definition. The term "federally related mortgage loan" includes any loan (other than temporary financing such as a construction loan) which–(A) is secured by a first or subordinate lien on residential real property (including individual units of condominiums and cooperatives) designed principally.
C2-2-05: Whole Loan Purchasing Process (02/23/2016) – Contents of the Purchase Advice The Purchase Advice will contain the following information: each mortgage, identified by a Fannie Mae loan number (which the servicer should enter into its records immediately because it must be used in reporting all subsequent activity related to the mortgage to Fannie Mae); and
30 Year Fixed Fha Rate Chase Mortgage Rates | See This Week's Rates | SmartAsset.com – 30-year fixed-rate fha, 4.50%, -, Compare Rates. Aside from the jumbo and FHA offers above, these chase mortgage rates assume a.
Lease purchase contract – Wikipedia – A Lease-Purchase Contract, also known as a Lease Purchase Agreement, is the heart of rent-to-own properties.It combines elements of a traditional rental agreement with an exclusive right of first refusal option for later purchase on the home. It is a shortened name for Lease with Option to Purchase.
Fha 30 Yr Fixed Rate Monthly Interest Rate Survey | Federal Housing Finance Agency – Monthly Interest Rate Survey (MIRS) The survey provides monthly information on interest rates, loan terms, and house prices by property type (all, new, previously occupied), by loan type (fixed- or adjustable-rate), and by lender type (savings associations, mortgage companies, commercial banks, and savings banks), as well as information on 15-year and 30-year fixed-rat e loans.No Pmi Loan PMI Calculator – Mortgage Calculator PMI Payoff Date. – *PMI fees vary, depending of the amount down payment and the loan, from around 0.3 percent to 1.15 percent of the initial loan amount per year.
Mortgage loan – Wikipedia – Upon making a mortgage loan for the purchase of a property, lenders usually require that the borrower make a down payment; that is, contribute a portion of the cost of the property. This down payment may be expressed as a portion of the value of the property (see below for a definition of this term).
A lease purchase agreement means the seller gives the buyer. the purchase price and then typically obtains a loan for paying the seller.
Loan | Definition of Loan at Dictionary.com – Loan definition, the act of lending; a grant of the temporary use of something: the loan of a book. See more.
Questions and Answers – ffiec.gov – Answer: A lender uses the reporting definition, 203.2(k)(2), to determine whether to report a particular application, origination, or purchase as a "refinancing" in the loan purpose field; a lender uses the coverage definition, 203.2(k)(1), to determine whether the institution has sufficient home purchase loan activity, including refinancings.
· What is 'Purchase-Money Mortgage'. A purchase-money mortgage is a mortgage issued to the borrower by the seller of a home as part of the purchase transaction. Also known a seller or owner financing, this is usually done in situations where the buyer cannot qualify for a mortgage through traditional lending channels.
Conventional Loans And Pmi 30 year fixed fha rate home And Loan Loan Renovation – In terms of being a best bank to get a home loan from, U.S. Bank offers conventional fixed-rate loans, as well as adjustable-rate options, FHA and VA loans, jumbo loans, and options for investment properties.conventional loans – Blown Mortgage – Click here to get matched with a conventional lender. What is PMI? Private mortgage insurance, or PMI, is what you will have to pay if you put less than 20 percent of the price of the house down. For example, if the home is $250,000, you need to put down $50,000 to be at 20 percent.
HARP – HARP ended 12/31/2018 **. HARP loan applications had to be filed on or before 12/31/2018 and delivered for purchase by Fannie Mae or Freddie Mac no later.


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Explore the cosmopolitan city of Houston with its world-class dining, arts and nightlife. Spend time in the 'Live Music Capital of the World' in Austin. Sample the wines of Fredricksburg, one of the USA's largest producers of wine, and uncover the history of the Battle of the Alamo in San Antonio on this self-drive adventure through the heart of Texas.
- 8 nights accommodation
8 days car rental
- Austin's vibrant food scene
- Wine tasting in Fredericksburg
- San Antonio Riverwalk
- Daily, Houston return
|per person, twin share
|fr $1,289*
*Terms and Conditions
*All prices are quoted in NZD per person, twin share, include saving if applicable, based on travel in low season departure on 5 Sep '19. Prices exclude international and domestic airfares unless specified, tipping, items of a personal nature and visas if required. Offers are subject to availability and can change without notification due to fluctuations in charges and currency and are valid for sale until sold out. A deposit must be paid at time of booking and full payment must be received 60 days prior to departure unless specified. For full terms & conditions please ask your local helloworld store.
HLO Ref# 13454


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Home / Casual / How much power does the Delorean time machine need?
How much power does the Delorean time machine need?
88 mph
In order to travel through time, the vehicle integrated with the flux capacitor needed to be traveling at 88 mph (140.8 km/h) and required 1.21 gigawatts of power
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Are any of involved in local elections, running, supporting candidates, whatever? I'd like to promote local elections as much as I can this fall.
Nomad Women's Yippy Rain Boot
Here's an idea I had: how about if let commenters send me a blurb about a local candidate they like and I do a small fundraiser for them (say $500)? That might be a nice way to raise a little money and also raise awareness and excitement about local elections.
Delicacy Womens Angel-41 Rhinestones Embellished Strappy Sandals
I'm too busy to do much of anything in terms of canvassing, since I have a young baby, but we have some very exciting local elections this fall here in Monroe County. You might have some interesting local elections too.


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Howard Lee Carnes: ObituaryObituaries December 3, 2018
October 07, 1935 – December 02, 2018
Howard Lee Carnes, age 83, of Gainesville, passed away Sunday, December 2, 2018.
Mr. Carnes was born in Forsyth County to the late Soloman Robert and Margaret Self Carnes. He was preceded in death by sisters and brothers, Martha Carnes, Ausbon Carnes, Leota Carnes, John Carnes, and Marshall Carnes. Mr. Carnes was a textile worker at New Holland Mill for 45 years.
Survivors include son and daughter-in-law, Randy and Margaret Renee Carnes, Gaffney, South Carolina; son, Vince Carnes, Gainesville; daughter, Sony Jones Lopez; grandchildren, Victoria Carnes, Justin Carnes, Jessica Carnes, Casey Jones, Heath Jones, Cody Lopez, Dallas, and Angel; sister, Kathleen Dorsey, Gillsville; brothers, William Carnes, Cleveland, and Robert Carnes, Banks County.
Funeral services will be held 2pm Tuesday, December 4, 2018 at the Chapel of Barrett Funeral Home. The Rev. Doug Merck will officiate. Interment will follow in Concord Baptist Church Cemetery in Cumming.
The family will receive friends from 6-8 pm Monday, December 3, 2018 at the funeral home.
To leave a message or condolence with the family, visit barrettfh.com.
Barrett Funeral Home, Cleveland.


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"[Didier Deschamp's] been fortunate enough and talented enough to win it as a player and a coach, which is a historic achievement. It was fantastic for me to have him as a role model. I love working with people whose names have gone down in history."
Kylian Mbappe discusses his delight at having a French legend as national team coach.
"When I was young I was part of the Sheva generation. He was one of my idols, one of my favourite players. When I came to Chelsea, met him and saw what a good person he is, I was obsessed with him. Because of the language, he was next to me all the time. I learned everything from him, every training session and even off the pitch. He couldn't play on that level in England and when I arrived he was already near the end of his career. I was so happy to have an opportunity in life to be his friend."
Zenit St Petersburg defender Branislav Ivanovic reflects on getting to befriend one of his idols in Andriy Shevchenko while at Chelsea with The Athletic.
"This is the highest level in the world, and our football has an exceptional opportunity to have a club represent New Caledonia at a World Cup. The World Cup is the dream of any footballer so it especially motivates everyone in New Caledonian football to see that we can reach the peak."
Hienghene Sport coach Felix Tagawa looks ahead to his side's FIFA Club World Cup adventure.


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Welcome to the 2019 NAB Show. The is the Advantage Video Systems Booth SL14818 show recommendation list. These are the companies that we feel meet your needs and we have negotiated with for our guests. Please let us know if you need any other recommendation and enjoy the conference! Also please let them know you we referred by Advantage Video Systems to get the special pricing we have negotiated for you.
Below is the list of booths in your category just click "Back to Categories" to return to the main menu.
Cinegy - SL8716 - Develops software solutions for collaborative workflow encompassing IP, capture, editing and playout services tools, integrated into an active archive for full digital asset management.
CatDV (Square Box Systems) - SL5421 - Developer of the award-winning CatDV suite of products. CatDV is a digital asset management system with production management capabilities.
axle ai ,LLC - SL15116 - axle ai makes it Radically Simple to search and use media files. Teams who previously had no quick way to find, review, reuse, and share content can now easily tag, auto-tag, and search footage. With the axle ai Premiere Pro CC panel and Avid and FCPX workflows, axle ai just catalogs and watches your storage; you don't have to rename or move media. axle ai makes low-res copies of your media, then sends it to your choice of local or cloud-based AI engines for analysis.
Apace Systems - SL13313 - Media asset management(MAM)/unstructured search, media workflow and specialty media storage, global remote editing capability in support of Adobe Creative Cloud/TP.
Evertz - N1503 - Offers an extensive 10/25/100GE product portfolio, leveraging our globally deployed Software Defined Video Networking (SDVN) solution with MAGNUM control to deliver the most advanced, robust and reliable IP based solutions.
Evolphin Software - SL10227 - The Evolphin Zoom product suite is a complete media asset management (MAM/ DAM) solution reimagined. Created from the ground up to address the needs of Marketers, Designers, and IT groups, Zoom is highly performant & massively scalable. Extending well beyond traditional MAM/ DAM and Video Asset Management (VAM), Zoom leverages a unified information repository to store, manage & post-produce any type of digital file including 4K/6K/8K UHD footage, graphics, animations, and Microsoft Office documents.
Tightrope Media Systems - Renaissance Hospitality Suites - Ren Exhibitor - C - VISIT US AT THE RENAISSANCE HOTEL, ADD US TO YOUR SHOW SCHEDULE FOR UPDATES & DIRECTIONS. Tightrope Media Systems offers award-winning solutions in the Broadcast and Digital Signage markets.
5th Kind - SL1623MR - CORE by 5th Kind exists to help you do what you do, better. Our obsessively engineered platform facilitates seamless and secure collaboration across your business, no matter if you're a startup or a multi-national corporation. And the best part? You don't need a PhD in programming to fully realize its potential.
Empress Media Asset Management - SL10224 eMAM is a powerful, scalable, and configurable media asset management platform that provides an online proxy library of digital content with rich collaboration tools while managing native resolution content in storage and archive.
Imagen - SL5021 - Imagen is an intuitive video management platform that enables sports organizations, media companies, and enterprise businesses to intelligently manage their video content with enhanced functionality, control, and insight. Imagen is being used by global organizations to manage and distribute their expanding video and media libraries - enabling fast, easy, secure and controlled access to content through the highly customizable platform.


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Friday 25th April 2014
Feast of the Life Giving Spring.
Blessing of the warm water spring at Stoney Middleton 11am
Saturday 21st June 2014
Open Day at Pisani Chapel.
Come and celebrate a thanksgiving Akathist with us at 11am followed by Blessing of the Waters at the spring adjacent to the Chapel at 2pm.
Click below for directions
Saturday 26th July 2014
Liturgy and Blessing of the Wells 11am St. Martin's Church Stoney Middleton


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Romaine And Arugula Salad With Toasted Seeds
By á-170456
Rate this recipe 0/5 (0 Votes)
- 2 teaspoons sesame seeds (preferably black and white)
- 1 teaspoon whole coriander seeds
- 2 tablespoons fresh lemon juice
- 1 teaspoon finely-grated lemon peel - (packed)
- 1/3 cup extra-virgin olive oil
- 1 large romaine lettuce head torn bite size
- 4 cups baby arugula leaves
Servings 8
Step 1
Combine all seeds in heavy small skillet. Add large pinch of salt. Cook over low heat until white sesame seeds are pale golden, stirring occasionally, about 8 minutes. Using potato masher, press mixture in skillet until coriander seeds are coarsely crushed.
Place lemon juice and peel in small bowl. Whisk in olive oil. Season dressing with salt and pepper. (Seeds and dressing can be made 8 hours ahead. Let stand at room temperature.)
Combine romaine and arugula in large bowl. Add dressing and half of seeds; toss to coat. Sprinkle with remaining seeds and serve.
This recipe yields 8 servings.
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Basic Info
|Product Name:
|Economical glass tumbler gold rimmed
Product Material :
Soda-lime lead free glass
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|highball : Dia7.1*H13.5cm
|short: Dia7.1*H8.7cm
Normal brown inner boxes with safety master carton.
Lead time:
35-45 days
3000 pcs per size
Handcrafted by skilled craftsmen using old world technology
Dishwasher and microwave safe
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Dishwasher-safe on warm gentle cycle with mild detergent.
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FOB Tianjin
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Robert demonstrates his Amicus short scale 12-string
Wednesday, 07 June 2017 by Sean
Emerald customer Robert LeBlanc has kindly sent us a video he recorded on his Amicus short scale 12-string.
- Published in Customer Profiles, Videos
Tagged under: 12-string, Amicus, emerald guitars, Robert LeBlanc, Short Scale
Ha Ha Tonka receive Amicus from generous Emerald customer
Tuesday, 09 May 2017 by Sean
An Emerald Guitars customer has made the incredibly generous gesture of presenting a band with an Amicus, our short scale 12-string, after being 'floored' by their sound.
- Published in News
Tagged under: 12-string, Amicus, Bloodshot Records, emerald guitars, Ha Ha Tonka, Jon Allen, Short Scale


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The Same River Twice: Nature, Identity and the Canadian Landscape
Craig, Pauline
MetadataShow full item record
This Major Paper is offered in the context of an ongoing journey, several expeditions, concurrent passages. Traveling over, around and inside thoughts, words and lived experiences, it examines notions of wilderness and human relations with the natural world. Situated in the context of wilderness environments in Ontario, this paper is an account of contacts between the author and her home through literary representations, relationships, and embodiment. It is both a grasp and a gift in that it is an attempt to take hold of ideas and sensations, to make meaning, while at the same time offering glimpses into human perceptions of, and relationships with the natural world. In its form and content this paper presents disjunctures between theory and practice; self and other; linguistic practices and the idea/event of a journey; sensing/perceptions of the natural world and language. Here nature moves beyond popular definitions and assumptions to include ideas of a wilderness as actor, process, a state of mind, a realm of power, mystery, spirit, a relational Other. Some of the central questions inspired by and carried along this written journey are: Can perception/writing be anything besides a restructuring of the world? Is there wilderness within language, within perception? How does one perceive/represent/live supposed binaries like self and other, freedom and constraint, or belonging and abjection, bound up within self and within relationships? How does human embodiment as part of nature affect these relationships? How do we ask in respectful ways? How do we ask without probing?


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Alexander Gottfried Friedrich Gode-von Aesch, or simply Alexander Gode (October 30, 1906 – August 10, 1970), was a German-American linguist, translator and the driving force behind the creation of the auxiliary language Interlingua.
Born to a German father and a Swiss mother, Gode studied at the University of Vienna and the University of Paris before leaving for the U.S. and becoming a citizen in 1927. He was an instructor at the University of Chicago as well as Columbia University, where he received his Ph.D. in Germanic Studies in 1939.
Alexander Gode died of cancer in hospital. He was preceded in death by his first wife, Johanna. Gode was survived by two daughters from his first marriage, his second wife Alison, and their two children.
Gode was involved with the International Auxiliary Language Association (IALA) from 1933 on, sporadically at first. In 1936 the IALA began development of a new international auxiliary language and in 1939 Gode was hired to assist in this work.
After André Martinet was brought in to head the research in 1946, the two men's views came into conflict as Gode thought that Martinet was trying to schematize the new language too much, conflating it with Occidental. Gode saw no need to invent a language, as a product of some a-priori design. Instead, he and the former director of research, Ezra Clark Stillman, wanted to record the international vocabulary that, in their view, already existed. This would be done – and was being done before Martinet – by systematically extracting and modifying words from the existing control languages in such a way that they could be seen as dialects of a common language, with their own specific peculiarities. When Martinet resigned in 1948 over a salary dispute, Gode took up leadership and got full reign in implementing this vision. The result was Interlingua, the dictionary and grammar of which were published in 1951.[1]
In 1953, the role of IALA was assumed by the Interlingua Division of Science Service, and Gode became the division director. He continued his involvement with Interlingua until his death by translating scientific and medical texts into it. He won awards for this from the American Medical Writers Association and the International Federation of Translators.[2]
Gode was one of the founders and first president of the [3]
Gode, Alexander (1941). Natural Science in German Romanticism. Columbia University Press.
Gode, Alexander (1943). Portuguese at Sight. Thomas Y. Crowell Co.
Gode, Alexander (1951). Interlingua English Dictionary. Storm Publishers.
Gode, Alexander (1951). A Brief Grammar of Interlingua for Readers. Storm Publishers.
Gode, Alexander (1954). Interlingua a Prime Vista. Storm Publishers.
Gode, Alexander; Blair (1955). Interlingua: A Grammar of the International Language. Storm Publishers.
Gode, Alexander (1962). French at Sight. Ungar Pub Co. Gode, Alexander (1972). Anthology of German Poetry Through the 19th Century. Ungar Pub Co. Gode, Alexander; Kraus, Wright (2000). Last Days of Mankind. Ungar Pub. Co. Szczesny, Gerhard (1969). The Case Against Bertold Brecht. Gode. Ungar Pub. Co.
1906 births
1970 deaths
American linguists
Linguists from Germany
Interlingua speakers
Constructed language creators
American translators
Male translators
20th-century translators
Alexander Gode von Aesch Papers - Biographical information, photographs, and correspondence collected by the University Library at Albany State University, New York
Biographias - Alexander Gottfried Friedrich Gode-von Aesch - Biography in Interlingua
November 1970 newsletter from the American Medical Writers Association - Obituary (in PDF format)
Union Mundial pro Interlingua
External links
^ Gode's Interlingua Manifesto published in 1959
^ A history of Interlingua in Interlingua Union Mundial pro Interlingua
^ Alexander Gode Medal American Translators Association website
American Translators Association
Language education
Grammar · Phonology
vs. Esperanto · vs. Ido
Gode · Martinet
Vanderbilt Morris
Auxiliary language
Constructed language
See also
Daim, Wilfried (1970). The Vatican and Eastern Europe. Gode. Frederick Ungar. .
Petersen, Caron (1969). Albert Camus. Gode. F. Ungar.
Nettl, Paul (1952). National Anthems. Gode. Storm.
Giedion-Welcker, Carola; Herder (1952). Paul Klee. Gode. Viking Press.
Frankl, Oscar Benjamin (1949). Theodor Herzl, the Jew and the Man: A Portrait. Gode. Storm.
Gode, Alexander (1983). Dece Contos. Beekbergen.
Gode, Alexander (1980). Discussiones de Interlingua. Beekbergen.
Gode, Alexander (1975). Un Dozena de Breve Contos. Beekbergen.
Daim, Wilfried (1970). The Vatican and Eastern Europe. Gode. Frederick Ungar. .
Petersen, Caron (1969). Albert Camus. Gode. F. Ungar.
Nettl, Paul (1952). National Anthems. Gode. Storm.
Giedion-Welcker, Carola; Herder (1952). Paul Klee. Gode. Viking Press.
Frankl, Oscar Benjamin (1949). Theodor Herzl, the Jew and the Man: A Portrait. Gode. Storm.
Gode, Alexander (1983). Dece Contos. Beekbergen.
Gode, Alexander (1980). Discussiones de Interlingua. Beekbergen.
Gode, Alexander (1975). Un Dozena de Breve Contos. Beekbergen.
Latin, English language, Esperanto, Spanish language, Ido (language)
New York City, United States, American Civil War, Hawaii, Western United States
Brown University, Duke University, Northwestern University, Vanderbilt University, Barack Obama
Brown University, New York City, Ivy League, Cornell University, Princeton University
Bible, Latin, Literal translation, Language, Culture
Canada, Authority control, France, Italy, Switzerland
Esperanto, Interlingua, Constructed language, International auxiliary language, Native Esperanto speakers
Science, Metaphysics, Calculus ratiocinator, Logic, Semiotics
Interlingua, Alexander Gode, Ezra Clark Stillman, International Auxiliary Language Association


text:
Top Tolar ADR, Arbitration & Mediation Lawyers - Texas
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Naman, Howell, Smith & Lee, a professional limited liability company, with offices in Austin, Fort Worth, San Antonio, and Waco, was founded in 1917. The firm has over 60 attorneys and has been providing legal services for over 90 years in Texas. The firm has a broad regional and statewide civil practice in various areas, including litigation, business, construction, estate planning,...
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Matthews, Shiels, Knott, Eden, Davis & Beanland, L.L.P. is a law firm that handles legal matters throughout Texas and the Southwest. The Firm provides representation in a variety of areas, including business and corporate, real estate, landlord/tenant, labor and employment, tort defense pursuant to CGL, D&O and other types of insurance policies, business litigation, creditor's rights,...
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Need an attorney in Tolar, Texas?
FindLaw's Lawyer Directory is the largest online directory of attorneys. Browse more than one million listings, covering everything from criminal defense to personal injury to estate planning.
Detailed law firm profiles have information like the firm's area of law, office location, office hours, and payment options. Attorney profiles include the biography, education and training, and client recommendations of an attorney to help you decide who to hire.
Use the contact form on the profiles to connect with a Tolar, Texas attorney for legal advice.
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We welcome Cheddar to the Altice USA family!
You're here because you have an interest in live and on-demand news, and to that we say, SAME! Cheddar covers the most innovative products, technologies, and services that enrich and transform our lives. If you're seeking a unique and live approach to news in technology, media, and entertainment, you're in the right place.Find the career opportunity that's the best fit for you!
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We've all have broken God's law. No one can say he is not a sinner until some means is provided (not to take away the law) but to remove the sin, which is the transgression of the law. Jesus sacrifice/payment takes/removes our sin. Once our sins have been removed, there is no transgression of the law.
Rom 4:15 the law worketh wrath: for where no law is, there is no transgression.
Romans 5:13 For until the law sin was in the world: but ""sin is not imputed"" ""when there is no law""
Impute: Strong's Concordance #1677, Verb, Greek word = ellogao
Definition: to charge to one's account, impute
Usage: I charge to, put to one's account, impute.
Impute Theology: Google
ascribe (righteousness, guilt, etc.) to someone by virtue of a similar quality in another.
"Christ's righteousness has been imputed to us"
Genesis 15:6
Abram believed the LORD, and he credited (imputed) it to him as righteousness
James 2:23 And the scripture was fulfilled which saith, Abraham believed God, and it was imputed unto him for righteousness: and he was called the Friend of God.
Rom 4:8 Blessed is the man to whom the Lord will not impute sin.
Rom 4:11 Abraham received the sign of circumcision, a seal of the righteousness of the faith which he had yet being uncircumcised: that he might be the father of all them that believe, though they be not circumcised; that righteousness might be imputed unto them also:
(NOTE: God imputed righteous onto Abraham. When Abraham placed his FAITH in Gods promises)
Rom 4:22 And therefore it was imputed to him for righteousness.
(NOTE: Thru FAITH, righteousness was IMPUTED onto Abraham)
Rom 4:23 Now it was not written for his sake alone, that it was imputed to him;
(NOTE: Thru our FAITH placed in God. He will also IMPUTE Christs righteous onto us)
Rom 4:24 But for us also, to whom it shall be imputed, if we believe on him that raised up Jesus our Lord from the dead;
(NOTE: When we believe/trust Christ out sins are imputed/transfered into him & His righteousness is imputed onto us)
Rom 4:25 Jesus was delivered for our offences, and was raised again for our justification.
(NOTE: A sinless Christ bore & took upon Himself. Every believers sin & thru Faith placed in Christs sin atoning sacrifife & resurrection. A sovereign God "Declares us Righteous")
2 Corinthians 5:19 To wit, that God was in Christ, reconciling the world unto himself, not imputing their trespasses unto them; and hath committed unto us the word of reconciliation.
(NOTE: Our trespasses/sins are forgiven and will not be imputed onto us. We are reconciled to God. When we place our faith in the Sin Atoning Sacrifice, found in the death, burial & resurrection of Christ Jesus. aslo see 1 cor 15:1-4)
Christ's righteousness (Jer 23:6 & 33:16) is imputed/transferred (Rom 4:3-8) onto us & our sins are imputed/transferred onto Christ. While the Temple was operating the High Priest had authority to impute/transfer sin (Lev 16:21). Christ is our Great High Priest (Heb 4:14) Also see Lev 4 & Rom 4.
(NOTE 2: Justify - definition: Theology - declare or make righteous in the sight of God.
Rom 5:13 For until the law sin was in the world: but sin is not imputed when there is no law.
Rom 10:4 For Christ is the end of the law for righteousness to every one that believeth.
(NOTE: Christ sinless sacrifice paid the laws required wage "DEATH". And Christs righteousness is IMPUTED to everyone that trust him. Reread Rom 4:24 & also see 2 Cor 5:21)
Rom 3:
20 by the deeds of the law there shall no flesh be justified in his sight: for by the law is the knowledge of sin.
(NOTE: No one is justified thru thrir works)
22 Righteousness of God which is by faith of Jesus Christ unto all & upon all them that believe
(NOTE: It's thru the faithful righteousness "OF" Christ. And our faith placed in His faithful sin atoning works. Found in Christ's death (sins required wage) burial (proof he died) & resurrection (God's receipt, payment receive & accepted)
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Illinois' impending solar energy boom
The state of Illinois is about to see a 2,000 percent increase in solar energy projects by 2025 due to a new state law.
The boom will likely create thousands of new jobs. Dave Kolata, executive director of the Citizens Utility Board in Chicago, tells us about what's coming up for Illinois.
Hear all of Climate Cast by using the audio player above.


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Effective legal measure taken by Iran via JCPOA: MP
Tehran, Chairman of Majlis National Security and Foreign Policy Commission Heshmatollah Falahatpisheh advised officials to push legal course in the Hague Court of Justice by employing strong lawyers, saying Iran conducted an effective legal move through JCPOA.
JCPOA stands for official title of nuclear deal reached between Iran and 5+1 Group in 2015 under which Tehran received sanctions relief in return for limits on nuclear program.
In line with the World Court measure, President of the ICJ Judge Abdulqawi Ahmed Yusuf has sent an official letter based on Article 74, paragraph 4 of the Court rules, to the US Secretary of State Mike Pompeo calling on him to avoid taking any new measure and not to change the conditions.
Talking to IRNA, he added that sending the letter by the court reveals that the international institute considered itself authorized to examine Iran's complaint and this means the issue of sanctions can be followed up through the channel of international law.
Noting that International Court of Justice bears responsibility regarding international claims, he said that most of the cases pertain to Iran-US disputes.
Although JCPOA has strong political aspects, Iran did not enter a power game and took a legal action through the JCPOA, he said.
Islamabad-e Gharb MP reiterated International Atomic Energy Agency's (IAEA) confirmation of Iran's nuclear program on several occasions, saying that European states and other countries, except the US, have hailed Iran's policy of complying with the JCPOA.
In today's world, legal experts are concerned about collapse of the legal regime by the US. Therefore, Presidential Office had better pursue the case using strong lawyers, Falahatpisheh said.
He also hailed Foreign Minister Mohammad Javad Zarif's move to file a lawsuit against the US, saying that the move can serve as a prelude to success, on condition that it lead to a ruling against the US.
Source: Islamic Republic News Agency - IRNA


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