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|The Sol System
|Ruled by
|Richard Nixon's head
|Member of
|First appearance
|"Space Pilot 3000" (1ACV01)
|Wikipedia has information unrelated to Futurama
Earth is a life-supporting planet in the Sol System, and home planet of humans, many animals and plants as well as robots. Despite being conquered several times by various aliens, by the 31st century, humans are again the dominant life form on the planet. Earth's government is a planet-wide democracy that is clearly modeled after (if not directly descended from) America's government of today. Even the flag, Old Freebie, is similar to the American flag. As of 3005, the population of Earth is 989,547,695 (US#017).
The government is largely run by clones, though in 3000, Earthicans elected Richard Nixon's head President of Earth. Although frequently invaded by Alien forces, Earth seems to be a military power to be reckoned with. Much like American money, Earthican currency depicts presidents. In terms of wealth, Mom is the richest person on the planet, Zapp Brannigan is responsible for protecting the world from various alien invasions as well as expanding Earth's empire.
The Earth, along with Sun and The Moon, was created ca. 4.5 billion years ago. 500 million years ago first lifeforms crawled onto land, and 65.5 million years ago The Brain Spawn caused the extinction of dinosaurs (6ACV07). Finally, the Human race evolved.
Between the 21st and 31st centuries most of Earth's cities were destroyed multiple times. One of the most notable destructions was the First Destruction of New York City in the 24th century started by Bender. That destruction even caused a the Second Middle Ages, and "getting twenty-fourth century" becoming a popular slang term. However, by 31st century, the cities have been rebuilt and planet's technology level is extermly high. The planet had been united in a process mostly led by United States of America. Dozens, if not hundreds of other planets and minor planets (including Mars, Neptune and Pluto) have been colonized. During to that, human population by the year 3011 is not known.
In 3004, Earth was moved further from the Sun causing a normal year to become 372 days long. Later in 3007, the planet was stolen by the Alien Scammers, who renamed it New Scammadonia. A few days later, however, a fleet comprised of displaced Earthicans and other victims of the Scammers managed to reclaim Earth. The planet briefly stopped rotating in August of 3010, as a result of the Thubanian invasion. Amy Wong managed to fix the problem by "bringing back" the planet's rotational energy from Thuban 9.
One of the most important places in the entire universe by the 31st century, Earth is a huge glowing utopia (sort of) the planet is at the height of existence, major technological advancements have been achieved by humanity, the wheel is obsolete and hovercars are prominent, sentient robots possibly have a higher population than humans themselves and space travel has excelled significantly, journeys to other galaxies take but a few hours because spaceships can move billions of times the traditional speed of light. Many people who lived in the 20th and 21st are preserved in jars albeit only their heads, this technology was invented by Ron Popeil. Almost everything electrical is a robot with feelings, from intergalactic spaceships to toasters.
Life forms
Many species of aliens have migrated to Earth and live in peace with the life forms already on Earth, the Decapodians specifically came to Earth in the 23rd century. By the 21st century, anchovies and cows have gone extinct. Mutants have since developed in the sewers especially in New New York, the vermin and confined to the sewers.
Earth gets invaded by aliens multiple times a week. However, almost all attempts to take over the planet have been unsuccessful.
Locations of Interest
- France: Paris
- Germany
- Italy: Pisa, Rome
- Norway
- Robo-Hungary: Thermostadt
- Russia
- Sweden
- United Kingdom
- Vatican
North America
- Mexico: Tijuana
- United States of America: Atlanta (Underwater), Los Angeles (Wasteland), Milwaukee, New Jersey, New New York (Built on the ruins of Old New York), San Francisco, Washington, D.C. (Earth capital)
South America
- The Moon - First landed on in 1969, the landing site was lost for centuries until Fry and Leela rediscovered it.
- Hubble Telescope - Destroyed by Fry during a space battle in 1ACV12
- Intergalactic Stock Exchange
- Orbiting Meadows National Cemetery
- Wozniak Nerd Academy
Additional Info
- In scientific terminology (as well as the planet-naming conventions used within the show), Earth could also be called Sol 3 (or Sol III).
- In "That Darn Katz!", the Earth's rotation was changed from counter-clockwise to clockwise. However, it appears that this has been fixed since then.
- Around the year 3000, Earth's population was about 10 billion
- As of "Crimes of the Hot", the Earth's year is 372 days.
- All Episodes (Except Where the Buggalo Roam


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On April 2, 2010, on Facebook, Ancestry.com posted this: "For centuries April 1st has been a day when pranksters rule, leading friends on a wild goose chase. Some of our ancestors do that year round. Have you found an elusive ancestor who took you on a path full of twists and turns? How did you finally solve the mystery?"
Several of my ancestors took me on paths of twists and turns to find them. Here is one of my favorites, with a successful solution to the mystery, as I replied on Facebook:
Definitely! My 2nd great-grandfather Sherman A BRADLEY came to Milwaukee , Wisconsin, from Connecticut about 1857. I was led on a merry chase by the 1900 Census that said his father was born in England, his mother in Scotland. No matches in any immigration records!
So I worked to link him to the right Bradley family in Connecticut – and there are a great many. In Wisconsin marriage records [he married twice], his parents were recorded as Leming H Bradley or L. H. Bradley and Mary Simons. I found a likely match for his father's birth as Leaming Hawkins Bradley in Litchfield, Connecticut, and a marriage there of Seyming Bradley and Mary Simons, both via the Barbour Collection of Connecticut Vital Records. [Note: Capital L and S are often misread for the other one, and Leaming is often misspelled.] No birth record for Sherman was found there, however.
An 1850 census entry with Leaming's father Horace Bradley and two brothers John and Clark in Dodge County, Wisconsin, suggested I was on the right track. A genealogy book on Ancestry.com had this Bradley family, but only said Leaming Bradley and Mary Simonds "had several sons." But I knew then that Seyming [Leyming] WAS Leaming – and he had sons.
The final link? Milwaukee City Directories – on microfilm, borrowed from the Family History Library – had entries from 1862 to 1872 for L. H. Bradley or Leming H. Bradley and one spelled correctly as Leaming H Bradley. YES! He had the same occupation as son Sherman A. Bradley, and lived just a few blocks from Sherman, his wife Hannah and their son Jesse, born 1866.
With the link finally made – using many sources and records – I have my Bradley ancestors all the way back to the arrival of Stephen Bradley in New Haven CT from Yorkshire, England, about 1645. So yes, English ancestors. And Leaming Hawkins Bradley's grandfather, Aaron Bradley, married Lorrain Abernethy, and her ancestors were Scottish, of which they were quite proud.
One last confirming clue. A family tree from my uncle showed that there was a Revolutionary War soldier in the Bradley line. In fact, Aaron Bradley, L. H. Bradley's grandfather, served in the Revolutionary War when a teenager, working in the artificer's shop and as a guard for prisoners held in Litchfield. And so the many genealogy puzzle pieces finally fit together!
Please follow me on Twitter: http://twitter.com/BBPetura
Please join my group Finding Family for Free at GenealogyWise:
Thank you!

subset: commoncrawl


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undue delay in issuance of Birth Certificate by HDMC old hubli office
- 1186 Days ago
- 0
- 0
Do you see something wrong happening around you? Do you have a problem related
to your locality, city or your country & don't know where to go? Have
you ever come across a government official not doing his job honestly? Do you
know somebody who has committed a crime? Do you see corruption around
you? Do you feel strongly for something & don't know whom to tell?
Here's a social platform for you to let it all out! Raise Your Voice is a public forum - of the people, for the people and by the people - to discuss all such issues, whether personal or common, which you would like to share & discuss and bring it to the notice of concerned people.
So go ahead, Raise Your Voice now.


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Blueberries and summer. I cannot imagine one without the other. It is virtually impossible. Beyond my control. The same way a certain scent, caught unexpectedly in passing, can- in a single heartbeat- transport you to another time and place.
Scents and tastes and memories link and embed themselves deep in the mushy hardware of our brain, micro-threading bits of life experience into electrical impulses that spark and conjure images and emotions that rival the blinking hot concept of time travel. Sun warmed wild mint, for instance, jolts me into my six year old body faster than you can wish for blueberry pancakes, tugging me into a swirl of loneliness and boredom I can almost taste, the heat and dust of a summer afternoon prowling a parking lot, looking for a tiny piece of shade apart from the bees.
In a perfect world I would have been blueberry picking, roused from innocent rumpled sleep before first light by a beloved grandmother or a tender hearted aunt, and given a small metal pail to fill, tasting every other silvery blue berry I picked, listening to my steady companion hum I'll Fly Away.
But I have no blueberry stories of childhood.
My picking days came later. As a young mother bending and reaching under a cobalt Cape Cod sky, plucking berries into buckets. Back then summer was forever woven with the fate of blueberries. Scattered on clean white scoops of yogurt in an antique bowl, baked into tender blueberry breads drizzled with lemon glaze (the cherished, hand written recipe given to me by an old friend, Ms Graysea - it was her mother's famous blueberry cake), or bursting out of muffin tops glittering with sugar, and scented with cinnamon.
But the truth is I cannot rewrite my childhood. Nor change what is beyond my control to change. And I do not believe in destiny. I am not a fatalist. I do not believe in a master plan. I wrestle with mystery and meaning every single day, with nary a satisfactory answer in sight. It seems to me that nothing happens for a reason. And everything happens for a reason.
Because life is for learning.
And each day breaks with a fresh beginning.
So darling. What will you choose today?
Make it good.
Karina's Gluten-Free Blueberry Scones Recipe with Whole GrainsRecipe posted July 2011.
Scones are my favorite way to employ fresh, seasonal blueberries. Quick to make and bake, and sporting very little sugar, these gluten-free dairy-free scones boast several whole grains, plus rice bran for a touch of fiber. No white starches. The whole grain flavor is lightly nutty. The texture is far superior to scones made with all starches.
Prepare a 9-inch round cake pan by lining it with a circle of parchment paper. Set aside.
1 cup sorghum flour
1/2 cup GF millet flour or GF oat flour
1/4 cup almond flour or hazelnut flour
1/4 cup quinoa flakes
1/4 cup flax seed meal or rice bran
1/3 cup organic sugar
2 teaspoons baking powder
3/4 teaspoon sea salt
3/4 teaspoon xanthan gum
1/4 teaspoon ground nutmeg
1/4 cup organic raw coconut oil
2 large organic free-range eggs, beaten
Up to 1/3 cup non-dairy milk, as needed
2 teaspoons bourbon vanilla extract
3/4 cup fresh blueberries, washed, patted dry
In a large mixing bowl, combine the dry ingredients by whisking till blended (sorghum flour through nutmeg).
Add in the coconut oil and whisk or mix to distribute. If the coconut oil is solid, the flour should get a bit crumbly and sandy. If it is liquified, the dough will be wetter.
Add in the eggs and beat. The dough will be thick and stiff.
Add the non-dairy milk a little at a time and beat until you see the dough relax and become smooth and pliable. It should be slightly sticky, but not wet or thin. My dough took the full 1/3 cup liquid (and weather was humid). Use only the amount of non-dairy milk you need to get the dough to stick together. You may need less (or more) than I did.
Add in 1/2 cup of the fresh blueberries and mix briefly.
Scoop the scone dough into the lined cake pan and using oiled or wet hands pat the dough into an even round loaf. Press the remaining blueberries into the top.
Using a sharp knife, slice the dough to create eight wedges.
Set the pan aside and allow the dough to rest for fifteen minutes.
Preheat the oven to 375º F.
Think about sweet things.
Kiss your favorite person.
When the oven temperature is ready, place the pan in the center rack and bake for 20 minutes.
Carefully remove the scones from the pan and place them on a baking sheet.
Brush the tops with a little non-dairy milk and bake for another 5 minutes, or so, until the scones are firm and slightly golden around the edges.
Serve warm with your favorite vegan butter, jam, or honey.
Yield: Makes 8 scones.
Cook time: 30 minutes
All images & content are copyright protected, all rights reserved. Please do not use our images or content without prior permission. Thank you.
Recipe Notes:
We thought these new scones were terrific. Better than the average gluten-free starch fest. Son Alex (who assisted me in photographing these delicious little bakery-worthy gems) said, "These are incredible! And this is coming from a not-crazy-about-scones person".
If you need to substitute alternative flours, please know that flour choices influence texture and baking time. Use medium weight flours to sub the brown rice, almond meal and millet flours. Starches will change the taste, texture and nutritional value.
I am currently avoiding FODMAPs (fructose, fructans, sugars and starches that are hard to digest).
I have not made these scones without eggs yet, but I have made other vegan scones in the past, quite successfully. If you need to sub the eggs, check out my other scone recipes for egg-free guidance.
I love the organic raw coconut oil I used in this recipe. It helped give these scones a delightful flavor.
And yes, this recipe will work using moo-cow dairy ingredients rather than the non-dairy I used. For more substitution help, please see my guide to baking with substitutions here.


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By adding the rush fee this item will ship out the next business day when added before Noon Eastern Standard Time Monday through Friday. Please note: Weekends and Holidays are not considered business days.
This rush fee does not apply to your entire order, it only applies to items with the prefix LDD. If you have more than one LDD item, only one rush charge is needed as it will apply to all LDD items in your order.
If you have additional items with different prefix codes, please look in the item description to see if rush service is available.
Rush processing speeds the processing time in our warehouses only. You may still need to use expedited shipping methods to receive your order in time. If you have any questions, please contact us.
Please note this item is considered a Personalized Product and cannot be returned. All sales of Personalized Products are final. If there was an error on our part with the personalization, we will reprint and reship for free.
Please note: Due to the nature of all personal care products, that this item cannot be returned for sanitary reasons. All sales of this item are final. If you would like to see the product before placing a large order please contact us to order a sample.


text:
ant printable letter a is for ant coloring page
{Free Printable} Free Printables For Banners | Free Printable Templates | Free Printable Cards, Crafts, Cutouts and many more.
Download free printable worksheets, printable coloring pages, printable papers, printable lines, printable graphs, printable envelopes, printable labels etc for all your art projects for the special occasions. Right click your mouse – then save the image and use your printer to print it out!
ant printable


text:
The Pagan Witch
Secrets of the Waite-Smith tarot
First established in 2014, The Pagan Witch is a leading online provider of metaphysical products that also oversees a thriving digital community. Though we focus on the Pagan and Wiccan communities, we carry a wide variety of goods, including incense, candles, and Celtic & fairy jewellery, that appeal to pagans & non-pagans alike. We even have customers in non-pagan churches that come to us for incense and unadorned chalices because they have found our prices, product quality, and customer service to be better than those of companies that cater to their own particular faiths.
Our goals are simple:
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To provide a discreet shopping experience. We understand that many of our customers would prefer not to receive packages that scream "I am buying Pagan and Wiccan supplies" ... even those who are out of the broom closet may have neighbours or delivery people who are less than understanding about pagan faiths. For that reason, our company name and logo will not appear on your package. If your package is shipping to a United States address, all that is on our shipping labels and boxes is your address, our company initials, and our return address. [Please note that we are required to disclose our name and the package contents on customs documentation for international packages, so we regrettably cannot offer discreet labelling on packages shipping outside of the United States or to military APO/FPO addresses.]
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Discover newly revealed secrets, hidden for a century, about the fascinating origins of the most widely used tarot system in the world. With never-before-seen material from Arthur Edward Waite's own secret order, an exploration of the world that inspired Pamela Colman Smith, and a practical guide to interpreting the cards, Secrets of the Waite-Smith Tarot will breathe new life into your readings. Drawing on Waite's unpublished writings, historic photographs of Smith, and much more, Secrets of the Waite-Smith Tarot unlocks the symbols and correspondences of the cards. Explore the comparisons between the court cards and the stage characters that influenced Smith; learn about her intuitive understanding of the Tree of Life and how that wisdom is reflected in her minor arcana. From stunning artwork and sample spreads to influential colors and music, this groundbreaking book draws back the curtain to reveal the true legacies of Waite and Smith.


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If this blog were any indication, seasonality would seem to have passed me by.
There's been no I-need-to-come-up-with-something-new-to-make-with-my-endless-supply-of-CSA-zucchini-and-kale dilemma.
No there-are-so-many-amazing-fruits-and-vegetables-in-the-farmers-market-that-I-bought-several-flats-worth-that-will-go-bad-if-I-don't-make-this-crumble-tart-jam-cake-right-now panic.
Instead, I visit my local farmers market like clockwork every Monday. I fill my bag. And then I eat everything out of hand or simply prepared.
Cherries? If they make it home from the market, I can barely wash them before a dozen pits are piled in a bowl.
Blueberries? Straight into my morning yogurt.
Peaches? Eaten dripping down my chin and trickling to my elbow over a sink that, more often than not, has a few dishes to catch any remaining juice.
Heirloom tomatoes? They've only just started appearing around here but the first few I've snagged have been sliced and topped with fresh mozzarella, a sprig of basil, and a drizzle of olive oil.
Sure, a fleeting garlic scape or two made an appearance in June, but most of my baking and cooking over the Summer months has revolved around my pantry. It started innocently enough. There was the pomegranate syrup that jumped from tomato tarte tatin to carrots. Then the pistachios that flitted across a salad and landed in biscotti. Now I've grabbed the rose water from the biscotti and am adding it to my first truly summer dessert of the season.
Enough chatting and let's get on with it. I give you plum cake!
Let's start with the plums. They're the little ones sold by the pint. You can fit three comfortably in your hand, maybe four. (These are not the nearly apple-sized monsters you'll find in the grocery stores!) The ones I've been using reveal bright red flesh under their dark purple, nearly black, skin.
Now, the batter. It uses brown sugar instead of white, deepening the cake's sweetness. I add a little bit of my current pantry obsession – rose water – and lime zest, the batter speckled with tiny green flakes. Overlook the fact that the original recipe calls for nearly 10 minutes in a stand mixer – I suspect that a few minutes with a whisk and a strong arm will bake up just fine.
Scoop the batter into the pan, arrange the plums on top, and pop it into the oven where the batter puffs and the plums sink. No wonder Dorie Greenspan calls it Dimply Plum Cake. Seriously, how can you not love a cake that sounds like a smile?
As you'd expect, Dorie doesn't disappoint.
Cut a slice, and you can see how the juices that have pooled into the impressions left by the plum pits continue to seep into the cake below. Take a bite and your teeth cut smoothly through the plum skin that has melted into the golden dense cake. The slightly tart plums and specks of lime mingle with the sweet brown sugar cake and hint of rose, lingering in your mouth after nothing but crumbs remain on your plate.
If you can, save a square or two for breakfast the next day.
One more note before we get to the recipe. Since it's the first Wednesday of August (August!), drop by the Jerusalem Post to read my next Come to the Table column. This time we're talking about Panama and the ceviche recipe that a chef gave me on my trip there a few years back.
Dimply plum cake with lime and rose
This recipe is an adaptation of Dorie Greenspan's Dimply Plum Cake that I discovered via Deb at Smitten Kitchen. I changed up the flavoring a bit, using lime zest and rose water. Feel free to substitute your favorite stone fruit (maybe even berries) and citrus zest. The cake is dense an a bit crumbly – Deb is spot on when she likens its texture to a coffee cake. You can keep the cake on the counter for 2 days, tightly wrapped, but it's amazing a few minutes out of the oven when the plum juices are still pooling. If you don't have a stand mixer, you can use a whisk and some muscle and everything should turn out great. Don't try to replace the butter with margarine as the cake doesn't turn out as nicely.
Makes 16 small servings.
– 5 T unsalted butter – make sure to bring to room temperature
– 3/4 C brown sugar
– 2 large eggs
– 1/3 C flavorless oil (I used canola)
– 1 lime for zest
– 1 1/2 t rose water (I use Cortas brand)
– 1 1/2 C flour
– 2 t baking powder
– 1/4 t salt
– 8 very small plums (3 or 4 should fit comfortably in your hand; if you want to be exact, they should just shy of 2 inches in diameter)
Prep. Preheat oven to 350°F. Grease and flour an 8×8 square pan.
Mix. Using a stand mixer, beat the room temperature butter until soft and creamy, about 3 minutes. Add the sugar and beat for another 3 minutes. Add the eggs one at a time, beating after each addition for another minute. So, that's 8 minutes total so far. Add the oil, lime zest, and rose water and beat until smooth and creamy – "satiny" as Deb describes.
Add. You're supposed to first whisk together the dry ingredients, but I cheat. Here's how: Add flour, baking powder, and salt to the bowl. Don't mix it into the wet ingredients yet. Use a spoon to gently mix together just the dry ingredients so that there are no big lumps of baking powder in one spot and a pile of salt in another. Then turn the mixer back on until the dry ingredients are just incorporated with the wet.
Cut. Slice the plums in half – I used Deb's tip of slicing on either side of the pit so you don't have to twist the halves to get the pit out. And, as a special bonus, you get a leftover slivers of plum to snack on while baking.
Arrange. Use a spatula to help pour the batter into the pan. Using an offset spatula, or, if you don't have one, a spoon and a steady hand, spread and even out the batter. Arrange the plums, flesh side up in a 4X4 matrix. Gently push them down into the batter.
Bake. Bake the cake for 30-40 minutes until the cake puffs up and turns golden. When you stick a toothpick in, it's OK for a few crumbs to cling, as long as the batter is not still liquidy.
Cool. Let cool for at least 15 minutes and then run a knife around the edges to help remove the cake from the pan.


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Title: Felina
Walt wipes some snow off the window to reveal the Volvo logo. He gets in, wearing a coat and holding a box. He coughs and goes into the dash and takes out a *Marty Robbins Greatest Hits* cassette tape. He also finds a screwdriver, which he uses to try to hotwire the car. A police car approaches
WALT: Just get me home. Just get me home, I'll do the rest.
The police car passes by and drives away. Walt lowers the mirror above him and finds the keys to the car. He starts the car and music starts playing. Walt hits the window and the snow falls off
Walt pulls up to the gas station in the Volvo he stole and starts to pump gas into it. He goes into the trunk and takes out some pills. He uses the pay phone
WALT: Yes, hello, this is David Lin from the New York Times, may I speak with Susan, please? Thank you. Hi, Susan? It's David again. I was just calling to see if we can set…well, yes, I figured we'd have to do the interview by phone since they've already left New York, but what we'd really like to get is a photo of Mr. and Mrs. Schwartz to go along with the article. When are they scheduled to get home? Oh, so they'll be home tonight? Gotcha. Now, the address I have on them is Upper Kenyon Road, is that still? No, it isn't, oh. Let me get a pen. Where do they...Desuki, I see. And the address? Is that up near the opera house? I hear that's nice. Well, I'll be in contact with my photographer to check on his schedule. No, no, it's their call, I know how busy Mr. and Mrs. Schwartz are. Thank you, this should make one hell of a story. Goodbye.
Walt hangs up the phone, takes off his watch, and places it on top of the pay phone
ELLIOT: I'm just saying, it's apples and oranges. Listen, I maintain. If I want pizza, I go to a pizza place. If I want Thai, I go to a Thai place. I mean, what is the earthly point in comparing pizza to Thai food?
GRETCHEN: Did I marry you? What has happened to your intelligence? This is different.
ELLIOT: They're completely, there's no...
GRETCHEN: Oh, come on, are you the man I married?
Walt is sitting on a bench in their yard in the darkness
ELLIOT: I am the guy who wants to end this ridiculous conversation, kick off my shoes, and have a very large glass of wine.
GRETCHEN: Well, I'm gonna tell you to be my guest.
Gretchen and Elliott enter the house and Gretchen inputs the security code. Music begins playing
GRETCHEN: Alright, wait, the answer is twenty-one.
ELLIOT: No.
GRETCHEN: Yes, yes, because it has history. Come on. Prohibition, the sweet smell of success.
ELLIOT: And Perse has Thomas Keller. Game set match.
Walt closes their front door and walks toward the house
GRETCHEN: The whole vibe is so Yountville. You transplant it to Manhattan, it starts to feel, I don't know...
ELLIOT: If you could transplant it to Islamabad, I would still eat there.
GRETCHEN: Ooh, there's a good bar.
ELLIOT: What, Islamabad?
GRETCHEN: No, Napa, we have to go to Napa.
ELLIOT: Oh my God, all this talk of food, you think Guana left us any?
GRETCHEN: She doesn't think we're coming back until Wednesday, unless you told her otherwise.
Walt enters the house and looks around
ELLIOT: No, I haven't talked to her. Oh, look here. Just a pear, that'll be perfect. You wanna get us a rich bottle of wine?
GRETCHEN: Mmhmm.
ELLIOT: You think we have any of those crackers with the sun-dried tomato and they were kinda slightly peppery, not too peppery.
GRETCHEN: We don't have them?
ELLIOT: No.
GRETCHEN: I don't know, ask Guana.
ELLIOT: We haven't had them in forever, I don't know why she doesn't get those anymore.
GRETCHEN: Why don't you talk to her?
ELLIOT: I don't know, she's got that whole thing with her daughter. Anyway, Napa?
GRETCHEN: Yeah.
ELLIOT: How long is it since we've been?
GRETCHEN: Two years, Thanksgiving, Jesus, two years.
ELLIOT: Yeah, too long, right?
GRETCHEN: Is this okay?
ELLIOT: Oh, that looks perfecto. You wanna get the fireplace? Is it good? Is it ripe?
GRETCHEN: You know, we could invite George and Dolores, they could come up from Moran, and Bill and Mariam Cohen, and we could have a little spa action, right? And then we could do some sort of wine in the- *screams*
Gretchen has turned around to see Walt, holding a picture frame and looking at the other pictures on the shelf. Elliott runs to her side
WALT: Hello, Gretchen, Elliott. I really like your new house.
ELLIOT: Walt.
Walt puts the picture down
WALT: Are we looking east? Oh my God. You must have one great view of the Sangre de Cristos.
GRETCHEN: Walt. What are you doing here?
WALT: I saw you on Charlie Rose. You looked great. You both did.
GRETCHEN: If you are here to, to hurt us.
ELLIOT: Walt, whatever it is you're planning-
WALT: Actually, I'm here to give you something. It's out in my car. How about the three of us take a walk to it. It's just parked down the road. I couldn't get it past your gate.
Elliott stands in front of Gretchen and lifts a knife to Walt
WALT: Elliott, if we're gonna go that way, you'll need a bigger knife.
Walt, Elliott, and Gretchen are piling money on Elliott and Gretchen's table
WALT: Keep stacking, it'll all fit. *coughs* That's alright, just throw it on top. Gretchen, would you mind? We don't wanna lose any under the furniture. Alright, that is $9,720,000.
GRETCHEN: Where did it come from, and why is it here?
WALT: I earned it, and you are going to give it to my children.
GRETCHEN: What? Why?
ELLIOT: Walt, I don't think-
WALT: On my son's eighteenth birthday, which is ten months and two days from today, you will give him this money in the form of an irrevocable trust. You will tell him that it is his to do with as he sees fit, but with the hope that he uses it for his college education and the betterment of his family.
ELLIOT: Walt, I'm not sure that we follow. Why, I mean, why in particular would we-
GRETCHEN: If you wanna give your kids drug money, go do it yourself.
WALT: I can't. My wife and son hate me. They won't take my money. Even if they did, the federal government wouldn't let them. But two rich benefactors who are known for their charitable endeavors, who would think nothing of, for instance, writing a twenty-eight million dollar check to help victims of methamphetamine abuse? Well, I'd have to think that your money would be very welcome.
GRETCHEN: It wouldn't make any sense coming from us.
Walt: It certainly would. My children are blameless victims of their monstrous father. A man you once knew quite well. Call it a beau gestes, call it liberal guilt, call it whatever you want, but do it. And you are not to spend a single dime of your own money. If there are taxes or lawyer's fees owed, you will take it right from here. You will use my money, never yours.
ELLIOT: Okay, Walt. Sure, that sounds reasonable. So, what happens next?
WALT: I guess we shake on it and I leave.
Walt shakes Elliott's hand, then goes to shake Gretchen's. She is hesitant, but shakes his hand
WALT: I can trust you to do this?
ELLIOT: Yes. Absolutely, you can.
Walt waves his hand and two red dots appear on Gretchen's and Elliott's chests
GRETCHEN: Oh!
WALT: Don't move. Don't, don't dare move a muscle, you don't want them to think that you're trying to get away. Just breathe. Just this afternoon I had an extra $200,000 that I would've loved dearly to have left on top of this table. Instead, I gave it to the two best hitmen west of the Mississippi. Now. Whatever happens to me tomorrow, they'll still be out there, keeping tabs. And if for any reason that my children do not get this money, a kind of countdown will begin. Maybe a day or so later. A week. A year. When you're going for a walk in Santa Fe or Manhattan or Prague, wherever. And you're talking about your stock prices without a worry in the world. And then, suddenly, you'll hear the scrape of a footstep behind you, but before you can even turn around. Pop!
Gretchen screams
WALT: Darkness. Cheer up, beautiful people, this is where you get to make it right.
Walt nods and the dots disappear. Walt leaves the house as Gretchen sits down and starts crying
Walt drives over to the side of the road and flashes his headlights three times. Skinny Pete and Badger run across the road and get in his car.
Walter snaps his fingers
PETE: Oh, yeah, right.
They both hand him laser pointers
BADGER: You know, I don't exactly know how to feel about all this.
PETE: For real, yo. Whole thing felt kinda shady, you know, like, morality-wise?
BADGER: Totally.
Walt hands them two stacks of money
WALT: How do you feel now?
PETE: Better.
BADGER: Yeah, definitely improving.
WALT: What's this I hear about blue meth still being out there?
PETE: What do you mean?
WALT: Have you heard anything? Is it still being sold?
BADGER: Yeah?
Walt looks back at them
WALT: By whom?
BADGER: It's you, right? I mean, aren't you still cooking?
PETE: Damn, man, we were sure that it was you, 'cause that shit is choice, yo. Better than ever! I mean, umm...you know...
WALT: Jesse.
BADGER: Seriously? *to Pete* You said he moved to Alaska.
PETE: That's what I heard. Right on, Jesse. Passing the torch.
BADGER: Damn, man. Couldn't he at least throw a brother a bone?
Walt drives away
Jesse, in a seemingly dream-like state, is in a woodworking room. He's making a box. He picks it up and admires it, then as he turns away, reality kicks in and Jesse is still chained up and cooking meth
Walt, at Denny's, makes a fifty-two with his bacon
WAITRESS: Woah, what happened there?
WALT: It's my birthday.
WAITRESS: You? Well, happy birthday.
Walt looks in his trunk. He's in his house and gets the ricin. He walks back out. Heisenberg is written on the wall of his home
HANK: It's easy money, 'til we catch ya. Walt, just say the word and I'll take you on a ride-along, you can watch us knock down a meth lab. Get a little excitement in your life.
WALT: Yeah, some day.
Walt leaves his house
Lydia sits down at a table
WAITER: Welcome to the Grove, would you like to see a menu?
LYDIA: No, thank you. Chamomile tea with soy milk, please.
WAITER: You got it.
Lydia plays with the sugar and pulls out Stevia. Todd approaches and sits down at the table
TODD: Hey, how you doing?
LYDIA: Good.
TODD: How's things? Hey, I like your, uh, shirt.
LYDIA: My blouse?
TODD: It's nice, yeah, the color. It's a nice color on you. It's kind of a, I don't know exactly what you'd call it, but it's kind of a cornflower?
Walt pulls up a chair and sits at their table
WALT: Before you say or do anything, just hear me out.
LYDIA: Todd?
WALT: Nobody knows that I'm here. Just listen for two minutes and then I'll leave. Please.
Lydia gets up, Walt grabs her arm
WALT: Please. Just two minutes of your time, that's all I ask. Please.
Lydia sits back down
WALT: You're running out of methylamine, aren't you? I can do the math. You've been at it long enough, you must be running low. I have a new method that requires no methylamine, and it's easy, and it'll keep you in business, and, Todd, I can teach it to you.
LYDIA: How did you know to find us here?
WALT: Ten A.M. Every Tuesday morning, you and I met here. You're rather schedule-oriented I guess- *coughs* Sorry. I need the money. I've spent almost all of mine already just trying to stay one step ahead of the police.
TODD: Mr. White, I don't think--
LYDIA: How much would it cost us?
WALT: Nothing short of a million. And believe me, for this, that is giving it away.
LYDIA: I think Jack should do this.
TODD: Yeah, I don't know, I...
WALT: Well, listen, I could come up there tonight and, uh, talk to him. He'd get it. This is a win-win situation.
WAITER: Hi, what can I get for you two?
LYDIA: He's just leaving. Good seeing you again, take care.
WAITER: *to Todd* For you?
TODD: I'm good.
LYDIA: And I'm gonna need more Stevia.
Walt leaves the café
TODD: Okay, no disrespect for the man, but doing business with him? Right now, that's not-
LYDIA: Of course we're not doing business with him. Todd, please, don't make me walk you through this. Jesus, did you look at him? We'd be doing him a favor.
Lydia pours the Stevia into her tea
Walt is in the desert, humming to himself and building a device synced up to his car keys. As he bends over to fiddle with it, his ring falls out from his shirt. He puts it back inside his shirt
MARIE: *on answering machine* Truce, alright? Skyler, I have news about Walt, you need to hear it immediately, so if you're there, pick up.
SKYLER: Hey. What's up?
MARIE: Walt's in town.
SKYLER: Yeah?
MARIE: That car they thought he stole in New Hampshire, they found it in a Denny's parking lot right on Central. And your old next-door neighbor, the one on the right. What's her name, Becky?
SKYLER: Becky's on the left, Carol's on the right.
MARIE: Becky, Carol, whatever. She saw him at your old house, just this morning, plain as day. He's there walking out of your house and he calls her by name.
SKYLER: He didn't hurt her, did he?
MARIE: No, he's just like, "Hey, Becky!" Or Carol, whatever. She said he looked exactly like the Unabomber, she's positive it was him. Skyler, we're getting calls from all over town. He's here, he's there, he's gonna blow up city hall, apparently he has some sort of manifesto, he wants to be on the six o'clock news, it's just-
SKYLER: Who's making these calls, him?
MARIE: There are two or three different voices. We're not sure if they're crank calls, or people he's put up to it, or if they're actual anonymous tips. And it's stretching them thin, which is, maybe, the point. As far as I'm concerned, I told them that there are three places he would go. To you, to me, or to Flynn.
SKYLER: Right.
MARIE: They're watching the high school. They're probably watching your place too. I mean, I know that's what Hank would do. There's no way Walt's getting to you, they are absolutely going to catch him, no doubt about it. That arrogant asshole thinks he's some criminal mastermind, but he's not. But on the off chance, on the million-to-one chance, you be on the lookout, okay?
SKYLER: Thanks.
MARIE: You got it.
Skyler hangs up her phone and puts out her cigarette
SKYLER: Five minutes.
WALT: Five minutes.
Skyler takes out another cigarette and lights it
SKYLER: You didn't kill anybody sneaking in here, did you? You didn't hurt anybody?
WALT: No. Didn't have to.
SKYLER: You look terrible.
WALT: Yeah, I feel good.
SKYLER: So, talk. Why are you here?
WALT: It's over and I needed a proper goodbye. Not our last phone call.
SKYLER: So, you're going to the police?
WALT: They'll be coming to me.
SKYLER: If you're in custody, what stops those people from coming back? Those people you worked with. When I still had the house, three men came in the middle of the night, wearing masks, threatening Holly and Flynn and me. They told me not to talk about that woman I saw at the car wash, and if you're in custody and they find out-
WALT: They're not coming back. Not after tonight.
SKYLER: What's tonight?
Walt walks toward Skyler and takes out his wallet
SKYLER: We don't want your money, Walt. I thought Flynn made that clear.
WALT: He did, and I don't have any to give you. I spent the last of it getting here. All I have to give you is this.
He takes out the lottery ticket and places it on the table
WALT: Call the DEA once I leave and tell them I was here. That I forced my way in, tell them, tell them I wanted bacon and eggs on my birthday and that I gave you that ticket. Those numbers are GPS coordinates.
SKYLER: For what?
WALT: A burial site. That's where they'll find Hank and Steve Gomez.
Skyler begins to cry
WALT: It's where I buried our money and the men who stole it from us, the men who still have it, they murdered Hank and Steve and put them in that hole. Now, you trade that for a deal with the prosecutor. You get yourself out of this. Skyler. Skyler. All the things that I did, you need to understand-
SKYLER: If I have to hear one more time that you did this for the family-
WALT: I did it for me. I liked it. I was good at it. And I was really...I was alive.
Skyler takes the lottery ticket and looks at Walt
SKYLER: Flynn'll be home soon.
WALT: Before I go, may I see her?
Walt pets sleeping Holly gently then turns around to leave
Two agents watch as Flynn gets off the school bus and walks home. Walt watches too from a distance. After Flynn goes inside, he walks away
Walt pulls up to the Neo-Nazi camp. Kenny walks over to let him in
KENNY: Whew, damn, man, this thing's a classic. What block you got in it, the 500 or the 425?
WALT: Couldn't tell ya.
KENNY: Well, the 500, that's the one you want. No replacement for displacement.
Kenny gets into Walt's car
WALT: Where to?
KENNY: To the clubhouse.
Walt enters the camp and parks in front of the house
KENNY: Just park it over here. No, no, just straight in, man. Alright, fine, eh, whatever.
Walt and Kenny get out of the car
NEO-NAZI: Hey, how you doin'? Put your arms out and turn around like this.
The Neo-Nazi searches Walt and takes his keys and wallet
KENNY: While you're at it, you should lift your shirt up, give us a spin.
WALT: Christ, I'm not wearing a wire.
Walt lifts his shirt up and spins around
WALT: Good? My wallet and keys?
NEO NAZI: You'll get 'em back, just relax.
Kenny whistles and everyone goes inside
KENNY: *to Neo-Nazi* Stay here, keep your eyes open.
JACK: Jesus, what are you doing with that head of hair? Is that real?
WALT: Yes.
JACK: That's not a wig? Seriously? What were you doing before, shaving it?
WALT: Yes.
JACK: Christ, that is one fine head of hair. I mean, otherwise you look like shit, but...
WALT: Hello to you too, Jack. Can we talk business?
JACK: Mmm, I don't think so, no.
WALT: Did Todd tell you what I'm offering?
JACK: Yeah, he told me. The thing is, we're not really in the market.
WALT: You're running out of methylamine, what happens then?
JACK: Yeah, we'll get more. That Quayle woman's got her own setup, the heat's off her. She could break loose a barrel every now and again. It ain't broke, so why fix it?
WALT: Todd, would you please explain to your uncle. Explain to him the benefit of what I'm offering.
TODD: You really shouldn't have come back, Mr. White. I'm sorry.
Kenny cocks his pistol and puts it to Walt's head
WALT: Wait, Jack.
JACK: Oh, gee, I don't know. Anywhere but my living room? Take him out back.
WALT: Jack, you owe me. You owe me.
JACK: I owe you? What for?
WALT: Jesse Pinkman. You promised that you would kill him and you didn't. Instead you partnered with him. You're his partner now!
JACK: Stop. Partners. What are you talking about?
WALT: He's alive, isn't he? And he's cooking for you. What, are you gonna lie?
Jack gets up and walks to Walt
JACK: Him being alive is not him and me being partners. Not by a damn site. What, you think I'd partner with a rat? *to Todd* Where is that piece of shit?
TODD: He's finishing up a batch.
JACK: Well, go get him, bring him here.
TODD: Uncle Jack...
JACK: No, no, no, this one here? Calling me a liar? He just insulted you, he insulted me, all of us. Jesus. Hustle it up, come on, let's get this over with. *to Walt* I'm gonna show you just how wrong you are. Then I'm puttin' that bullet in your head myself.
Todd gets Jesse and they both walk back to the clubhouse. Jesse is still in chains. In the clubhouse, Walt slowly tries to reach for his car keys as Jack paces back and forth and Kenny messes with the recliner. Jesse and Todd enter the room
JACK: Yeah. Yeah, you see what I'm talkin' about, you son of a bitch? Does this look like a partner to you? Come here, take a look. Come here!
Walt walks over to Jesse and looks at him
JACK: Take a look at him. Have a gander. This is my partner, right, partner? Right, buddy? Hard-working, good partner. Fifty-fifty partner. Would you hurry this shit up, make it quick.
Walt tackles Jesse to the ground
JACK: Todd, get him off him, would ya?
KENNY: Yeah, Toddy, get 'em both off. *laughs*
Outside, Walt's trunk opens up and the gun inside opens fire on the clubhouse. Todd crawls on the ground to look out the window
TODD: Jack. Jesus. Mr. White-
Jesse gets up and begins choking Todd. They both fall to the ground as Todd struggles. Walt looks around and picks up a gun, then walks over to Jack, who is slowly dying. He cocks and aims the gun at Jack
JACK: Wait, wait.
Jack reaches over, picks up a cigarette, and smokes it
JACK: You want your money, right? Huh? You wanna know where it is? You pull that trigger and you'll-
Walt shoots Jack in the head. Jesse struggles to get his chains off then stands up. Walt puts the gun down and slides it over to Jesse. Jesse picks up the gun and aims it at Walt
WALT: Do it. You want this.
JESSE: Say the words. Say you want this. Nothing happens until I hear you say it.
WALT: I want this.
Jesse looks at Walt's wound then drops the gun
JESSE: Then do it yourself.
Jesse walks out of the clubhouse as Todd's phone rings. Walt picks it up
LYDIA: Pick up the phone.
WALT: Hello?
LYDIA: Is it done? Is he gone?
WALT: Yeah, it's done. He's gone. They're all gone.
LYDIA: Todd? Who is this?
WALT: It's Walt. How are you feeling? Kind of under the weather, like you've got the flu? That would be the ricin I gave you. I slipped it into that Stevia crap that you're always putting in your tea.
LYDIA: Oh my God.
WALT: Well. Goodbye, Lydia.
Jesse opens the car door and looks back at Walt. Walt nods and Jesse nods back. He gets in the car and speeds away. As he slams through the gate, he starts laughing hysterically
Walt opens his jacket and looks at his wound, then coughs. He walks over to the lab and touches the equipment as the police approach.
We look straight down on Walt as he tumbles into frame, lying flat on his back on the floor. His eyes stare up at us, lifeless. And yet his final expression is one of faint satisfaction.
We slowly crane up, up, and away from him. Walt shrinks smaller and smaller in frame. Police officers approach him now -- four, six, eight of them. They move in cautiously, their guns aimed.
They're too late. He got away.
We continue skyward, looking down on Walt, rising as high as we can go. Off this image, slowly fading to black...
Watch the behind the scenes video here
Vince Gilligan
Bryan Cranston
Anna Gunn
Aaron Paul
Dean Norris
Betsy Brandt
RJ Mitte
Bob Odenkirk
Laura Fraser
Jesse Plemons
Matt Jones
Charles Baker
Michael Bowen
Kevin Rankin
Adam Godley
Jessica Hecht
Skip Macdonald, A.C.E.
Mark Freeborn
Arthur Albert
Michael Slovis ASC
Dave Porter
Sharon Bialy CSA
Sherry Thomas CSA
Bryan Cranston
Diane Mercer
Moira Walley-Beckett
Thomas Schnauz
George Mastras
Peter Gould
Sam Catlin
Melissa Bernstein
Michelle MacLaren
Mark Johnson
Stewart A. Lyons
Vince Gilligan


text: Thursday, March 07, 2013 2014 APTA Conference and Exposition Call for Proposals: Submission Site Opens March 15 Share your practical knowledge and cutting-edge ideas at the 2014 APTA Conference and Exposition, June 11-14, 2014, in Charlotte, North Carolina. APTA is seeking submissions focused on effectiveness of care; patient- and client-centered care across the lifespan; professional growth and development, including interprofessional collaboration; and value and accountability. The submission site opens March 15. The deadline for proposal submissions is July 15. Submissions are encouraged for 90-minute educational sessions and 1-day preconference courses. APTA is especially interested in topics related to: Cardiovascular/pulmonary chronic disease management health and wellness innovative collaborative care delivery models innovative models of clinical education innovative models of practice needs of special populations older athletes orthopedics/manual therapy pain management rural health For further information, visit www.apta.org/Conference/Submissions. For questions or to discuss specifics about programming, contact Mary Lynn Billitteri, APTA professional development. Comments This is a great tool. I'm glad I came across this. I'll definitely be submitting some things here soon. Thanks for sharing! Posted by Anne L on 2/7/2014 11:58 AM


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General Overview
Leukemia is cancer of the white blood cells and their parent cells. The word cancer refers to diseases in which certain cells in the body become abnormal and the body produces too many of these cells.
- What is leukemia?
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Find answers in our in-depth report on leukemia:
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The key to traveling with cancer is to make travel preparations that will promote comfort, safeguard your health, and maintain your treatment goals as much as possible. Here are some tips to help smooth the trip.
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Hairy cell leukemia (HCL) is a rare form of cancer involving white blood cells called B lymphocytes. Learn more here.
When a parent has a serious illness, the children hurt too. Fortunately, a host of resources are available to help parents help their kids. Read more here.
Learn more here about childhood cancers and their treatments.
Clinical trials enable physicians and researchers to test patients' responses to promising new drugs and treatments. Find out if a participating in a clinical trial is right for you.


text:
How to Use
Click here for Photo Analysis Worksheet.
* The image on this screen has a resolution of 72 dots per inch (dpi), and therefore will print poorly. You can obtain a larger version of this image, but be aware that the file may take as much as 32 seconds to load with a 28.8K modem.


text:
So I'm reading a note yesterday on a nice little old lady:
"When I went back into the room the patient was clearly intoxicated and verbally abusive. Her husband took off his belt and tried to hit me with it. Security was called and the husband was physically restrained, though he bit a guard in the process. The patient was put in 4-point leathers and given Haldol when she attempted to punch a nurse. Sorry, please ignore that, it's the wrong chart. Please rewrite it as: her head CT was normal, and I think she has benign positional vertigo. She and her husband were satisfied with this, and I gave her a prescription for Antivert. She'll follow-up with Dr. Grumpy next week in his office."


text:
Cathy over at WeLoveDC.com has a terrific recap of Let Teddy Win Night, including some fantastic and funny photos by Chris Rief.
After reading the article, click through to Chris's Flickr photostream for a great slide show that's also a wonderful tribute to Nationals Park.
Photo by Chris Rief aka Spodie Odie
Filed under: The Movement | Tagged: Chris Rief, Nationals Park, welovedc, welovedc.com | Leave a comment »


text:
Travel Insurance
Consulate of Cuba in Dubai
Dubai - UAE
Cuban Consulate in Dubai
Diplomatic representation of Cuba. Information on consular services of the Consulate of Cuba in Dubai. On this website you will find general information about the Consulate of Cuba in Dubai.
Diplomatic mission
There is no Consulate of Cuba in Dubai
Telephone number
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Consulates in Dubai:
Many people mistake Dubai to be a country in the Middle East and are under the assumption that foreign embassies hold a mission in Dubai. On the contrary, Dubai is the 2nd largest city in the country of United Arab Emirates with the capital city being Abu Dhabi. Foreign embassies are located in the capital and in Dubai there are sattelite consulate missions representing these foreign embassies. Consulates in Dubai are bilateral sattelite missions representing foreign countries in the greater Dubai region. In Dubai there are many foreign workers especially from countries like India, Bangladesh, Sri Lanka and Pakistan. Dubai Consulates representing these countries play an important role in servicing these people when they are in need of consular assistance.
Dubai Consulate Assistance
- Dubai is an important international financial center for the region and many foreign companies, especially South East Asian corporations have chosen Dubai as their regional headquarters. There is a thriving expat community in Dubai and also tourism to Dubai is becoming a very important source of income for the city. To serve the interests of these foreign companies, expatriats and tourists many countries around the world have representations in Dubai in the form of Consulates or Honorary Consulates. These Dubai Consulates can offer Consular assistance to Dubai citizens as well as foreign workers, foreign and local businesses and tourists visiting Dubai. The Dubai consulates are reachable by email or telephone for all inquiries regarding consular services.
Find your hotel close to the Consulate of Cuba in Dubai
Consulate of Cuba in Dubai


text:
Deep Energy Retrofit X10 Part 3: Gathering Data
A version of this article appears in the July/August 2013 issue of Home Energy Magazine.
July 01, 2013
This is the last article in a series of three that have summarized the design, construction, and performance of ten Northern California deep energy retrofits (DERs) that have been monitored by Lawrence Berkeley National Lab (LBNL). In the prior two articles, the projects were identified as either remodels or retrofits, depending on the extent of the intervention and aesthetic changes. The first article ("Deep Energy Retrofit X10," HE May/June '12, p. 38) summarized the remodels. The second article ("Deep Energy Retrofit: Part 2," HE Mar/Apr '13, p. 36) summarized the retrofits. Both articles provided very basic summaries of annual post-retrofit energy use. In this article, we will briefly review all the projects. We will then present detailed results of the monitoring, and key findings of this research and offer a list of recommendations.
To read complete online articles, you need to sign up for an Online Subscription.
Once an order has been placed there is an automatic $10 processing fee that will be deducted with any cancellation.
The Home Energy Online articles are for personal use only and may not be printed for distribution. For permission to reprint, please send an e-mail to firstname.lastname@example.com.


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If this is your first visit to our forums, welcome!
The Data Access Worldwide support forums were offline due to a recent security incident. Our systems have since been reviewed, scanned, hardened and now restored with the expectation of normal, uninterrupted operation. As you may know, it is considered unwise to publish details about security events. Accordingly, except to say "we're back" we will not be disclosing specific details of the incident.
We are working with a well-recognized cyber security consulting firm to assist us with analysis of the incident, hardening of our environment and to determine if any personally identifiable information (PII) was impacted by this event. At this time, there is no evidence that any PII was impacted, and we will continue to assess our obligations in light of the results of the internal investigation.
The incident affected the forum's message content as of January 3, 2020. The restored environment operational now is from the previous day's backup, so messages posted after January 2. 2020 are no longer available. Please review the forum content for any missing posts you may have made and re-post them so support and communication can continue as usual.
We appreciate your patience and understanding during this time and apologize for any inconvenience.
The Data Access Worldwide Team
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It's been a bad week. I've likely cried more than I ever have. I'm not one of those "boys don't cry" types, but am still in shock. Maybe someday I'll write about it.
One of the most remarkable things (at least to me) about the brain is its ability to remember songs and lyrics, long after we last heard them, or even remembered they existed.
Although I haven't heard the album in over 35 years, somewhere during the week my brain dragged out a song from my childhood that I'd long since forgotten about, and been playing it nonstop in my mental background. It's from Free to Be You and Me (1972) and is "It's All Right to Cry." It was, ironically, sung by football great Rosey Grier.
Normally my earworms drive me nuts, but this one has been very soothing. Thank you, Mr. Grier, wherever you are.
And thank you all for your good wishes and understanding.


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