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Busan's 7th Asian Film Market closed its four-day run yesterday at the Busan Exhibition Convention Center (BEXCO) with Royston Tan's [pictured] 69 winning the Asian Project Market's Busan Award.
A total of 1,098 market badge holders from 690 companies attended, up from last year's 1,080 badge holders from 583 companies. Organisers reported about 70 deals including titles such as Masquerade, The Thieves and Paganini: The Devil's Violinist and "a significant increase" in market screening from 64 to 80 year-on-year, and 281 online screenings.
Although attendees echoed opinions of previous years that it is a good place to meet people but often deals are closed later at TIFFCOM or AFM, several deals were also struck at the Asian Film Market this year, and certain expectations turned on their heads.
"This is my first time here and I was pre-warned that it is great if you have an Asian film, but I had a Canadian film. We were imagining we'd make contact here and close later, but managed to close a deal to Korea here in addition to meeting buyers from Japan, Taiwan and Hong Kong," says Filmoption International vice president of Distribution and Sales Andrew Noble.
Filmoption sold The Good Lie by Shawn Linden, which world premiered in the World Cinema selection, to Priya for Korea.
"The screenings here are brilliant, the audiences amazing, and the venues fantastic. It's all very well organised. The buyer was in the festival screening audience and the audience adored it. All three screenings were packed. It makes a huge difference to have a distributor see the film that way. We had no such expectations – we had hoped but mostly were just counting on this to lead up to AFM. But now we will proceed with a little confidence in the back pocket," he said.
The European Film Promotion (EFP) also announced a slew of deals from their umbrella stand (see separate story).
"We talked to our sales agents and they are all very satisfied with this year's Asian Film Market," said EFP Film Sales Support staff Cornelia Klimkeit. "It was good to follow up meeting from Toronto here. A lot of deals were struck or almost completed. Some will follow up at AFM after initiating negotiations here but many were completed or almost completed here."
"What's very interesting is that Memories Corner from last year, closed a deal to Japan after the market and this year will be released there by Medalien Media. But it isn't just films in the festival that can sell here and so it's worthwhile for our sellers to return," she said.
Other deals reported to organisers include Korean sales company CJ Entertainment selling Deranged, Spellbound, Perfect Number and Masquerade to Twin for Japan. The last film also sold to Joy N Contents for Thailand. Amongst other Korean companies, Indiestory sold Dancing Cat and Mother to Agaligo for Thailand, and Mirovision sold Japanese Oscar entry and BIFF selection Our Homeland to Edko for Hong Kong. The company also sold fest title Melo to Sundream for Hong Kong.
US sales company CMG (Cinema Management Group) sold Creature and No Tell Motel to JNCG for Korea and Still to SYcomad for Korea. Zambezia, Khumba and The Collection also sold to Westec for Cambodia.
France's Celluloid Dreams/Nightmares sold Outrage Beyond to Maywin Media for Russia as well as 10 films' VOD rights to China.
The market closed with a raft awards including the new Technicolor Asia Award and the Arte Award. See below for full list.
Asian Project Market (APM) Winners List
(Award/Winner/Project title)
Busan Award ($20,000) - Royston Tan, 69
Kodak Award (KW20m worth of negative film) – Juhn Jaihong, Café Flower
CJ Entertainment Award ($10,000) – Yang Ya-Che, The Rouge-sang de Chine
Lotte Award (KW10m) – Kim Tae Yong, The Movieteller (working title)
PanStar Cruise Award (KW10m) - Teddy Soeriaatmadja, An Innocent Trip to New York
KOCCA Award (KW19m) - Min Kyu-dong, Lucky Boy (working title)
Technicolor Asia Award ($25,000 worth of post-production services) - Mohsen Abdolvahab et al., Persian Gulf
International Relations Arte Prize (€6,000) - Park Jung-bum, Pawel


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Year of publication
- 2000 (3) (remove)
Document Type
- Preprint (3) (remove)
Is part of the Bibliography
- no (3) (remove)
- Physik (3) (remove)
- Baryon number conservation and statistical production of antibaryons (2000)
- The statistical production of antibaryons is considered within the canonical ensemble formulation. We demonstrate that the antibaryon suppression in small systems due to the exact baryon number conservation is rather different in the baryon-free (B=0) and baryon-rich (B>1) systems. At constant values of temperature and baryon density in the baryon-rich systems the density of the produced antibaryons is only weakly dependent on the size of the system. For realistic hadronization conditions this dependence appears to be close to B/(B+1) which is in agreement with the preliminary data of the NA49 Collaboration for the antiproton/pion ratio in nucleus-nucleus collisions at the CERN SPS energies. However, a consistent picture of antibaryon production within the statistical hadronization model has not yet been achieved. This is because the condition of constant hadronization temperature in the baryon-free systems leads to a contradiction with the data on the antiproton/pion ratio in e+e- interactions.
- Comment on 'Comparison of strangeness production between A + A and p + p reactions from 2 to 160 A GeV', by J. C. Dunlop and C. A. Ogilvie (2000)
- A recent paper on energy dependence of strangeness production in A+A and p+p interactions written by Dunlop and Ogilvie (Phys. ReV. C61 031901(R) (2000) indicates that there is a significant misunderstanding about the concept of strangeness enhancement and its role as a signal of Quark Gluon Plasma creation. In this comment we will try to clarify some essential points. 25.75.Dw, 13.85.Ni, 21.65.+f
- Highlights of CERN workshop on charm production in A + A collisions (2000)
- Models and experimental effort concerning open and hidden charm production in nuclear collisions discussed at Cern Workshop in December 99 are reviewed. The most recent development is also mentioned.


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Security Zones play an important part in securing Adobe Campaign Classic installations. Their configurations are listed in the global serverConf.xml configuration file or in the instance configuration file config-<instance>.xml as a nested series of securityZone and subNetwork elements.
In Managed Services (Adobe hosted) deployments of Adobe Campaign Classic access to these configuration files are restricted to TechOps and the configuration itself is automatically generated from configuration management. This makes it a tedious and error prone back-and-forth process to update and configure as customers' environments change.
Typically, changes in customers' environments are related to making sure a customer's user gets access to the Campaign instance with the Windows Console application.
Using the Security Zones Self Service User Interface, two kinds of Security Zone entries can be managed:
- More entries for the vpn security zone. These entries inherit all the permissions assigned to the vpn security zone and allowing all users assigned to the vpn security zone to access the system. These entries are to be used for Windows Console users.
- More entries for a web services security zone. These entries inherit all the permissions of the vpn security zone and are granted the allowUserPassword and sessiontokenOnly permissions. These entries are to be used for web services consumers.
The Security Zones Self Service User Interface is installed by Adobe upon request by customers.
If your instance has been provisioned with the Security Zones Self Service User Interface, you see a Security Zones entry in the Explorer's navigation tree of the Campaign Classic Console:
To edit the Security Zones, click the Explorer tab and select Administration > Configuration > Security Zones.
The list shows existing configured Security Zone entries. After first installing the Security Zones Self Service User Interface, the list will be empty.
- In the bottom half of the window on the right, you can edit the currently selected entry.
- To add an entry, click the Create icon. A dialog with a form pops up to enter the entry data. Select Ok to check the input and save the entry or Cancel to cancel creating an entry.
- To remove an entry, select it and click the Delete icon. A dialog pops up to confirm the deletion. Select Ok to remove the entry or Cancel to cancel and keep the entry.
- You can also duplicate an existing entry by right-clicking it and selecting Duplicate... from the pop-up menu.
|No validation necessary as the label is purely informative
A validation failure is indicated with a dialog box indicating the problem. The entry can only be saved if validation is successful.
The configuration entries are mapped to <securityZone> elements in the instance configuration file as follows:
|Web service
An entry is created as a <subNetwork> element inside an <securityZone> element as follows:
|@name attribute of the <subNetwork> element
|@label attribute of the <subNetwork> element
|@mask attribute of the <subNetwork> element
The @proxyMask attribute of the <subNetwork> element is globally defined and cannot be edited for individual entries. See the section Configuring the @proxyMask below.
All security zones entries entered in this user interface are stored in the database only and require an explicit process for them to become active:
- When the instance restarts the startup script forces the transfer of the configuration entries stored in the database into the instance's configuration file. Generally, an instance restart is forced daily.
- To immediately test your configurations click the Transfer Security Zones button to show this dialog:
Upon clicking the Ok button, the entries from the database are transferred into the instance's configuration file. By default, this configuration is not reloaded on your instance. To have it reloaded and thus activated immediately check the Check to reload configuration after transfer box.
If instance is composed of multiple containers, other containers update within 30mn.
The @proxyMask for the <subNetwork> element is global configured with the adbSecurityZonesProxy option.
Twitter™ and Facebook posts are not covered under the terms of Creative Commons.


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Thank you to everyone for participating in Day 1 of our giveaways! I look forward to giving away many more prizes
To celebrate Season 5 airing on PBS beginning March 2nd, we're giving away prizes from past guests for 13 days! Stay tuned on the blog for giveaways every day, and every giveaway you enter, you'll also be entered to win the Grand Prize, a copy of Sew it All TV Season 4 on DVD!
The winner of Steffani Lincecum's book, Patternmaking For a Perfect Fit is Debbie, who said, "I sew with lace when embellishing socks or shirts I have embroidered! FUN!" Congrats Debbie, please email email@example.com with your mailing address to receive your prize!
Today we're giving away a package of Sulky Fabri-Solvy (8″x9 yards). Use the fabric-like water-soluble stabilizer for tons of cool projects, including this vest from episode 402, Investments. Get the full instructions here.
To enter to win this prize, answer the following question in the comments section below: "What was your favorite episode from season 4?" Refresh your memory with the episode guide here.
Good luck! One winner will be chosen and announced tomorrow, along with the Day 3 prize!


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PhotographyBay.com posts D3X sample photos
PhotographyBlog.com has posted a gallery of sample JPEGs shot with a production-ready Nikon D3X.
Images from the 24.5 megapixel camera cover a whopping 6048×4032 pixels, positioning the D3X as a studio-ready rival to medium format digital systems in a standard DSLR form factor.
The samples cover the complete range of sensitivity options, allowing viewers to draw their own conclusions about whether the D3X's ISO 6400 performance is in line with high expectations. Although the posted gallery is JPEGs only, the folks at PhotographyBlog also shot some raw images with the new camera, and are planning to publish those as soon as a raw converter is available for the new model.
Check out the images and see for yourself – just be prepared for some long downloads on those 24.5 megapixel files!


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For everything you give, we want to give something back.
Manufacturer Offers
- $500 cash back
Applies to multiple models.
The standard features of the Toyota Tacoma SR V6 (A6) include 3.5L V-6 278hp engine, 6-speed automatic transmission with overdrive, 4-wheel anti-lock brakes (ABS), side seat mounted airbags, curtain 1st and 2nd row overhead airbags, driver and passenger knee airbag, airbag occupancy sensor, air conditioning, 16" styled steel wheels, ABS and driveline traction control, four-wheel drive, electronic stability.
Applies to multiple models.
Applies to multiple models.


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Commercial, Services
By Staff Writer | July 1, 2011
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Vancouver, Canada-based CHC Helicopter has launched operations in Australia for Woodside Energy. CHC will provide air support for production and drilling campaigns. The company has also moved into new headquarters in Perth to facilitate its newest offshore oil and gas contract. Three EC225s will be flying out of Karratha and Broome, with a fourth helicopter to be added later for its facility in Exmouth. CHC Helicopter services began with the introduction of two AgustaWestland AW139s at the company's new hangar in Karratha.


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Or... Select one or more travel options:
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Our Tauck Directors are the world's best travel companions. They're more than just your "tour guides." They're the difference between a trip, and the trip of a lifetime.
Our small ship cruises combine the rewards of sailing aboard handpicked ships with exclusive experiences ashore that take you to the heart of your destination.
It's the little things that make a Tauck small ship cruise so personally rewarding… and such a memorable cruising experience. Like sailing on yachts and expedition vessels to ports where bigger ships can't go... with fewer guests onboard, more intimate settings and more personalized service for you. And all-included experiences ashore that inspire with unique access to history, nature, culture and daily life. Creating more cherished memories than you ever thought possible.
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Select one or more travel options, then click the "find your trip" button below.
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By | December 20, 2012 Send Feedback
Gogo signed an agreement with Inmarsat to become a reseller of the Global Xpress (GX) Ka-band network in the commercial air transport market. The partnership will enable Gogo to deliver a faster in-flight connectivity for its commercial airline customers when GX gains the ability to deliver full global coverage in 2014.
(Gogo's 'Test One' Aircraft)
Initially GX will be provided through a constellation of three satellites, Gogo said.
"Inmarsat has assembled a great team and we are confident in the execution plan we've put in place. With the addition of Inmarsat's Ka-band service, Gogo has the ability to provide the most complete range of solutions, which enable us to service the full-fleet needs of our current and future airline partners; regardless of aircraft size, mission or location," said Michael Small, CEO of Gogo.
Inmarsat GX Managing Director Leo Mondale calls the GXnetwork "future-proof" with more than enough broadband capacity for future growth. Gogo did not say which of its customers will be the first to access its GX network, or when it plans to go live with the Ka-band signal. More
Follow @AvionicsMag


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Welcome to Purchasing Home!
Current Bid Opportunities
UNA Surplus property found at Government Auctions
The Procurement Office of the University of North Alabama provides services to the University community in the areas of procurement, inventory control, printing services, central stores, and the University's debit card program (known as the Mane Card program). The Procurement Office is committed to supporting the University Fiscal and Administrative Affairs division's mission and goals, and strives to provide a leadership role through honesty, integrity, and efficiency in all aspects of its operations for the University as a whole.
The Procurement Office welcomes you and invites you to use the information and services available through this web page. If you have any questions or desire additional information about any of our services, please contact us by mail, telephone, or e-mail. Thank you for visiting our page.
Suppliers who want to receive bid invitations must request inclusion in writing with a list of commodities qualified to supply, an email address for bid receipt and sales contact information.
Purchasing Card Usage Report
Instruction for filling out Purchasing Card usage report form:
- Fill in all information (you can type directly into the document)
- Print for Final Signatures
- Attach Original Receipts
- Forward to the Office of Procurement for processing


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DWTS Season 11, Week 6 – Odds & Ends Media Part 1
So much to report today! Good thing Heidi has collaborated with me on this one again!! 🙂
First up, more news on next week's shows. According to Playbill, the 200th show, along with Rod Stewart and Taylor Swift, will include a broadway performance from the cast of "Mary Poppins".
The 200th episode of "Dancing with the Stars: The Results Show," which airs Nov. 2 at 8 PM ET on ABC, will feature the cast of Mary Poppins. Led by Caroline Sheen as Mary and Nicolas Dromard as Bert, the company will perform "Step in Time." The performance will mark the second time "Dancing with the Stars" has hosted a Disney on Broadway musical. Last year, the cast of The Lion King performed "Circle of Life."
Also, for you Damian Whitewood and Peta Murgatroyd fans like myself, stay tuned. She's confirmed to me at facebook that the two will be dancing in the Results show again this week. They've been tweeting about it too. *dies* I love these two!! 🙂
There is also more news on Maks' and Brandy's special Halloween appearance on The Ellen Show today from The Examiner. Apparently, he's going to be escorting Brandy as Prince Charming. Brandy will be dressed as Minnie Mouse. Be sure to tune in today on ABC. It's an Ellen show you won't want to miss.
Speaking of Maks and Brandy, more pics have been released of their "OK" shoot and the full interview has been released. Here is one of the pictures and a snippet from the article. Be sure to see and read more at the link. 9 photos in total.
What's the most important thing being on Dancing With the Stars has taught you?Brandy: Staying in the moment. Dance is all about trusting the moment and letting the dance flow through you, instead of over analyzing.
It's a lot of exercise. How are you feeling?Brandy: Great, very energized. I'm starting to develop some calf muscles and we all want those Britney Spears legs, so if I keep dancing and keep doing my lunges, I'll have some killer legs. And my midsection is looking a little muscular. Not a six-pack yet but watch out, Janet Jackson!
What surprised you about doing DWTS?Brandy: The level of fear that comes with the show is unexpected. You are so
nervous on Mondays. There's judgment, constructive criticism and being compared to other people. I'm really proud that I'm able to get out there every Monday.
Maks: I think she retains choreography quick, but she still gets nervous on Mondays and it can jeopardize our performance. But I feel like now, week by week, she gets more and more comfortable.
Are you enjoying the costumes?Brandy: Oh, when I wear the costumes I feel like a completely different
person. With the hair and the makeup — I feel like a real-life Barbie doll. My favorite so far was the one for the samba. It was really tight at the top and flowy at the bottom. I felt really sexy in it and I don't feel sexy a lot in my real life!
In other fun interviews out there, Lacey talks to TooFab. Here is a take from that interview.
On her chances of winning with partner Kyle Massey …"You never have any idea with this show. Obviously, we 'd love to be at the end, but at the same time we're happy we've made it this far!"
On Audrina's elimination …"She's so lovable and so sweet and was doing amazing on the show. I was definitely shocked to see her go. At this point in the game though, we're shocked no matter what. We're like a family, we never want to see anybody go. She'll be really missed."
On why Bristol Palin's lasted so long, despite low scores …"She's more of the underdog and she knows she's the underdog. She's working her butt off, she's sweet and such a great girl, she's having a blast."
On dancing with Kyle …"He's like a little brother. He's super fun at all of our rehearsals. And I totally understand how my mom felt raising me and my brother."
On what we haven't seen on the show …"Kyle has a basketball he named Jacko Wilson. It can't leave his sight during rehearsals. He'll go talk to it for 5 minutes. We play basketball, kickball with Jacko. It's really fun."
On their toughest competition …"At this point, it's hard to say. We're all really consistent at this point, but there are ones that will definitely make it to the finale, like Jennifer [Grey]."
And YOU GO William Shatner on Jimmy Kimmel!! Check out who he thinks is "America's Greatest Dancer" and even compares him to Fred Astaire and Gene Kelly in one. I have to say he's pinned it about Derek. What do you think? He loves Dancing With The Stars. See why here.
More coming up Guys. So, stay tuned!! 😉


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We offer great cabinets for your kitchen or bathroom at competitive prices. Our cabinets are made from real wood not particle board, so you can get the beautiful and functional kitchen or bathroom you dream of without the worry that they won't stand the test of time.
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Don't know where to start? Try our Get Started Guide.
Discontinued Cabinets on Sale2019-04-11
We have discontinued our Brentwood and Soft Shaker cabinets as we are replacing them with the Classic Shaker series and the Franklin series of cabinets. Since they have been discontinued we have marked down the prices on our website for them. The price you now see on our website already reflects that markdown. These cabinets will be available while supplies last. Once we run out they will be gone forever. Give us a call and let one of our designers work out a plan using the sizes we still have available and save some money on your new kitchen or vanity cabinets. Once these are gone they will be gone for good.
Free Designs2018-12-17
Wholesale Cabinets Warehouse does free designs for our clients. If you are looking for new cabinets all we need are the dimensions of the room and our design staff will prepare a cabinet layout for you including plan and elevation drawings and a 3D rendering of what your kitchen might look like. Just give us a call to get your project started.
Check out our cabinet styles2018-12-17
We have added several new styles this year to our cabinet line up so make sure to check out all that we have to offer. We currently have 3 different Shaker cabinets, a flat panel option and several raised panels. We also currently have a few options not listed on our site which would include our Deluxe Shaker in a dark grey, Brentwood in dark grey and the Bristol Antique White with or without glaze. If you don't see what you are looking for give us a call and let us know because we just might have something for you.


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Short Pages in this Wiki
Short pages are pages that have little content. This listing is sorted by shortest page. Consider adding more content to the pages if necessary.
MAJOR SPOILERS: Andrew Ryan Connection? (~6 characters) Blood in the Streets (~15 characters) Written in the Clouds (~15 characters) Shock Duration Aid (~58 characters) Health (~61 characters) Higher Learning (~79 characters) Shock Tactics (~85 characters) Armed Revolt (~86 characters) Stone Cold Pinkerton (~87 characters) Grand Largesse (~88 characters) Vampire's Embrace (~91 characters) Welcome to Monument Island (~93 characters) First Class Ticket (~95 characters) Gunsmith Shop (~98 characters) Bronco Boost (~106 characters) Undertow Boost (~111 characters) Undertow Aid (~112 characters) Burial at Sea - Episode 1 Audio Diaries (~118 characters) The Roguish Type (~120 characters) Working Class Hero (~121 characters) Dress for Success (~124 characters) Tin Soldier (~125 characters) The Bird or The Cage (~125 characters) Boots (~126 characters) Coins in the Cushion (~129 characters) On a Clear Day (~135 characters) Pinkerton Detective Agency (~139 characters) Sniper Rifle (~139 characters) Devil's Kiss Boost (~139 characters) The Bird or the Cage (~144 characters) Master of Pyrotechnics (~150 characters) Industrial Accident (~152 characters) Possession For Less (~154 characters) Crow's Boost (~161 characters) Here Little Piggy (~162 characters) Shock Chain Aid (~162 characters) Saw the Elephant (~166 characters) Kitted Out (~168 characters) Devil's Kiss Aid (~172 characters) Bronco Aid (~194 characters) Big Game Hunter (~210 characters) Key Locations (~212 characters) Shield (~213 characters) Crow Trap Aid (~213 characters) Charge Boost (~213 characters) Loose Cannon (~213 characters) Sender Aid (~227 characters) Locked Chest Locations (~233 characters) Post-Credits Scene (~237 characters) Street Sweeper (~238 characters)
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Career Exploration is, broadly speaking, the process of matching yourself to the working world. It is often a time-consuming process, but one that can be rewarded with a satisfying way to spend your time and make a living. Many people will go through a process of career exploration several times over the course of their life—in college when choosing a major, when selecting a career, when transitioning into another career, and when looking for ways to stay active after retirement—so the resources below are designed to introduce you to the steps one can take on the path to effective exploration and some resources to help you on your way.
Develop a Career Plan
- Use the FOCUS 2 Assessment Tool to identify your interests, explore career options, and create a career plan
- Professional Development Checklist for Undergraduates
Academic and Professional Planning
- SOU Majors
- Career Development Handouts
- Career TV
- College Board
- What Color Is Your Parachute?
- CareerOneStop
- What Can I Do With This Major?
Identify Your Skills, Interests, and Values
Industry Research
- Oregon Labor Market Information System (OLMIS) & Jobs in Oregon
- Occupational Outlook Handbook - OOH
- Occupational Information Network - O*Net
- Jackson County Non-Profits
- Medford/Jackson County Business Directory - The Chamber
- Largest Employers in Jackson County - The Chamber
- Oregon Department of Education
- Career Guide to Industries
- CareerInfoNet - Career Videos
Salary Information
Additional Resources


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Contact Us
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To reach us by mail, please use the following address:
Silver SnowballAttn: Ed Freeman37 Fuller StreetHalifax MA 02338-1909 USA
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I know it is easy , But This Is my first tutorial and I wanted to get used to DragoArt tut making , but it does help some people who want to learn how to draw 3D.
DragoArt members upload artwork and drawing tutorials! They are also allowed to leave comments on tutorials, profiles, etc. Many more features, as well; it's way better than just being a boring guest! Register Now!


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Photos of How Beer Is Made at Half Moon Bay Brewing Company
How Beer Is Made at the Half Moon Bay Brewing Company
It's hard to say what the biggest draw is at California's coastal Half Moon Bay Brewing Company: The seafood is fresh, the views are idyllic, and the brews there are the real deal. But were I pressed, I'd argue that the beer is the best part. All of the restaurant's craft brew offerings are created a door away — and beer doesn't get any fresher than that! While there, I checked out the digs (with a glass of beer in hand, natch). Get a closer look at the action.


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Straight VOD Gay VOD
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Watch on TV with Roku® Streaming Video Player
For as low as 8¢ per minute, you can watch AEBN's library of premium adult movies on your TV, using your Roku streaming player! Get premium HD movies on demand, no PC or Mac required. There are no recurring membership fees and you pay only for what you watch. We offer pay-per-minute and 48-hour rental options.
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ROKU® is a registered trademark of Roku, L.L.C. AEBN is not affiliated with nor has it been authorized, sponsored, or otherwise approved by Roku LLC.


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Export 3 results:Author Type [ Year]
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"Altered diffusion tensor imaging measurements in aged transgenic Huntington disease rats.", Brain structure & function, vol. 218, issue 3, pp. 767-78, 2013 May. Download paper (645.02 KB)
"Identification and characterization of Huntington related pathology: an in vivo DKI imaging study", NeuroImage, vol. 63, issue 2, pp. 653-662, 09/2012.
"Microstructural changes observed with DKI in a transgenic Huntington rat model: Evidence for abnormal neurodevelopment.", NeuroImage, vol. 59, no. 2, pp. 957-67, 2012 Jan 16.


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IPhone Apps and Games iPhone today, 16th of January, are on sale (and FREE) on the App Store. Hurry up! We do not know when will that price and, frankly, today there are many games with great discount! You're going to lose?
Applications and Games iPhone (all versions)
Compatible with iPhone 4, iPhone 4S, iPhone 5
Share these great deals for Apple iPhone with your friends on Google+, Facebook and Twitter with the buttons you'll find at the beginning of the article, thanks!
iPadizate , best blog on the Apple iPad.


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Hello Artists, Entertainers and Friends,
The debut of the new exciting Midwest Fantasy Show is only a month away! The Midwest Fantasy Show will be held in conjunction with the Midwest Haunters Convention on July 13-15, 2007. This is a tremendous double venue event for Columbus Ohio ~ and will be held at the Doubletree Hotel -Worthington I-270.
*** Please register to attend the Midwest Fantasy Show and workshops and book your HOTEL rooms today! Please note: Lodging will be harder to find closer to the event due to major car show in town; stay at the Doubletree if you can. ***
An incredible gathering of national speakers, artists and entertainers will converge for unique educational opportunities, for both shows, offering professional training, social events and world-class shopping opportunities for a variety of industry related products, services and supplies.
Join us at the Friday the 13th Artists/Entertainers Jam Session for a party where guests will hone, show-off and share their skills in various mediums including face painting / makeup, balloon twisting, magic, juggling, and henna. Special party surprises are in the works!
Saturday night will feature a Fantasy Halloween Body Art Fashion Show presented by the U.S. Body Painting Festival at the Scareparts Masquerade Party. This will be a spectacular event with body painted models presented by celebrity makeup artists including the Wolfe Brothers, Pashur and Pam Trent (among others). Please visit the Midwest Haunters Convention website for more details on the Scareparts Masquerade Party and related events (pageant, costume party, etc.).
Education is the focus of the Midwest Fantasy Show and it offers great value and opportunities. A full press release is below and additional information is available on the website and upon request. www.MidwestFantasyShow.com; 614-433-9343 www.MidwestHauntersConvention.com; firstname.lastname@example.com;
Please forward this information to your friends and associates! We appreciate your support getting the word out for our exciting first year! See you in July!
All the Best,
Neena and Producers
Midwest Fantasy Show Debuts in Columbus Ohio
6/09/07, Columbus Ohio The Midwest Fantasy Show, to be held July 13-15, 2007 in Columbus Ohio at the Doubletree Hotel-Worthington, is a convention for family entertainment professionals including professional Makeup Artists, Face and Body Painters, Airbrush Artists, Henna, Magicians, Balloon Twisters, and more.
The Midwest Fantasy Show is hosted in conjunction with the Midwest Haunters Convention. These events offer over 45 classes at all levels covering a variety of topics in tracks. The Midwest Fantasy Show features a Makeup, Face and Body Painting Track, Arts and Entertainment, and Business Track.
Admission to the Midwest Haunters Convention Tradeshow is free with access to over 50 vendor booths. Midwest Fantasy Show vendors include Silly Farm, the Wolfe Brothers, the U.S. Body Painting Festival, Amerikan Body Art, Bloody Mary and Pashur.
The Midwest Fantasy Show seminars feature a variety of classes from face painting, makeup, magic, juggling, balloon twisting and business. Makeup Artist seminars are featured by top industry experts including the Wolfe Brothers, Pashur, Heather Banks, Erika Harrison/henna, Pam Trent, Robbie Hay and Gene Flaharty and others. Makeup classes offered at a range of levels and interests are featured and shared between both shows.
Other classes are instructed by celebrity professionals ~ Chris Handa with magic, Dizzy Doc with balloon twisting, juggling with Luke among many others.
Additional intensive training workshops are offered pre- and post convention including: Face Painting by the Wolfe Brothers, Henna Art by Erika Harrison, Family Entertaining
by Heather Banks and an Airbrush Workshop by Pashur. Photo courtesy of Funhouse Faces: Neena and Kelly Collins
Special events include a Friday the 13th Makeup Artist/Entertainers Jam Session and a Fantasy Halloween Body Art Fashion Show; both hosted by MFS Sponsor: the U.S. Body Painting Festival. The Midwest Haunters Convention features a wealth of educational and social activities throughout the weekend including haunt tours, special receptions and the Scareparts Masquerade Party on Saturday night.
Both major industry events will draw top talents in from around the country to Columbus, Ohio- creating unique education, social and shopping opportunities! Weekend registration is $79 for Saturday and Sunday Seminars for combined Midwest Fantasy Show and Midwest Haunters Convention seminars. The Midwest Fantasy Show is sponsored by the U.S. Body Painting Festival.
To register for the seminars, workshops and social activities please visit www.MidwestFantasyShow.com or contact Neena Collins email@example.com 614-433-9343.
Neena Collins | Funhouse Faces
2430 East Powell Road
Lewis Center, Ohio 43035
Midwest Haunters Convention and Midwest Fantasy Show
July 13-15, 2007 Columbus, Ohio. Holiday Inn Worthington
www.MidwestHauntersConvention.com Myspace\MidwestHauntersConvention
www.MidwestFantasyShow.com Myspace\MidwestFantasyShow


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Coursera - Introduction to Swift Programming
Introduction to Swift Programming is the first course in a four part specialization series that will provide you with the tools and skills necessary to develop an iOS App from scratch. By the end of this first course you will be able to demonstrate intermediate application of programming in Swift, the powerful new programming language for iOS. Guided by best practices you will become proficient with syntax, object oriented principles, memory management, functional concepts and more in programming with Swift.
This course is unique in its dedication to teaching Swift programming. With new features and capabilities you will be at the forefront of writing iOS apps.
Please note that to take part in this course (and the full specialization) it is required to have a Mac computer and, though not required, ideally an iPhone, iPod, or an iPad. NOTE: This course has been designed and tested (and content delivered) on a Mac. While we are aware of hacks and workarounds for running Mac in a virtual machine on windows we do not recommended a PC.
- Title: Introduction to Swift Programming
- Author: Parham Aarabi
- Subject: Developer
- Format: MP4
- Language: English
- Size: 483.33 MB
- visit official website


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You are never expected to drive the Jaguar XJL Ultimate. That's for your driver to worry about.
Once you grasp that concept you can sit back and enjoy the sheer luxury of the latest top-of-the-range Jaguar from the rear seat, as the world flies past the window.
Not content with having a pretty impressive top-of-the-range model already, Jaguar has decided to up the ante and create the Ultimate, an even better top-of-the-range Jag than the one before it. Feeling the urge to quaff a glass of champagne, Pocket-lint was the first in the UK to borrow one, complete with suited driver, for the morning to see if it really is worth the price.
The car comes in two options: a standard XJ Ultimate model or the long-wheel based version. We got the XJL and the one with the incredibly powerful 5.0-litre V8 supercharged petrol engine. There is a more conservative 3.0-litre V6 turbocharged diesel as well, but hey, if you're investing in a car like this you aren't really going to be fussed about fuel consumption. Needless to say, the V8 had absolutely no issues getting us out of trouble when we needed it and as our driver told us: "You need power to get out of a situation, not to put yourself in one." Wise words.
Beyond the bonnet the car offers a beautiful line that exudes the prowess we've come to expect from Jaguar. In London, heads turned.
READ: Jaguar F-type pictures and hands-on
At the two luxury hotels where we stopped (Coworth Park in Ascot and the W in Leicester Square) doormen where eager to rush to open our door. That's not something you can guarantee with an all-too-common Aston Martin, for example.
The dramatic styling is accompanied by 20-inch Maroa forged alloy wheels and, don't worry, there's a badge that tells people this is top of the range.
You are definitively making a statement here, and it's not a bad one.
That kudos and cool value quickly seeps inside the moment the rear passenger door is opened for you: from the 15-channel, 20-speaker surround sound system by Meridian spotted on the door, to the central console that dominates the interior.
It is the console that is the start of your luxury experience. It houses your champagne glasses, a work table, a host of connectors for your gadgets, the remote control for the entertainment system, and numerous buttons for the air conditioning, seat settings and the chilled champagne cabinet.
The worktable slowly rises into place with the press of a switch before swivelling around into position - it has full 360-degree movement. It is strong enough to support a laptop for working and there is space for your phone or glass next to it. It's not without its issues though. It would have been far easier if the button just raised and lowered the table in one swoop rather than your having to hold a switch to do the whole process, for example.
While the glasses have a deep enough compartment - that's Paul Smith purple by the way - to store neatly away, the drinks holders don't. If you've got a bottle of water in the hole you won't be able to shut the table. Annoying.
Get beyond the table and you have the joys of the individual air con settings as well as the ability to manage the heat of your seat. Yes, you can have the car determine how warm or cold your bottom should be. There is also a cigarette lighter-cum-charging socket.
After that and there is another compartment, mainly to store the remote for the entertainment system, as well as various connectors for iPhones, DVD players and the like. Finally there is a hidden compartment that reveals space for a champagne bottle - chilled, of course.
Further buttons on the side of the seat let you recline it for longer journeys, set whether you want a massage, and how far you want the passenger seat in front of you moved forward - not on the driver's side, of course. Everything you do, your driver can do too if you really can't be fussed with that level of control.
READ: Jaguar XKX concept car
Directly in front of you is a seatback screen that comes with a built-in TV tuner and DVD player and each of the three passengers can watch something different at the same time. To stop the cacophony of noise all the TV sets are supplied with Bluetooth headphones - they sound really good - and the front passenger can also watch TV without disturbing the drive, who just gets the boring satnav thanks to some dual-screen magic.
Jaguar, understanding you might want to do more than watch episode of Cash In the Attic, has included docking stations for the iPad 3 and the car comes with two as standard alongside a wireless keyboard to make typing even easier. The iPads are constantly charged.
Sadly for us the XJL we had came straight from the factory and didn't have its assigned iPads, but that didn't stop us slipping our white iPad 3 in instead.
For your privacy there are screens for the side and rear windows, and they are good enough to completely block photographers' flashes, Jaguar tell us - important if you are someone who gets "papped" a lot.
With so many toys and pleasures to hand it's hard to wonder what more you could ask for.
Of course toys are one thing, what about performance? The car is quiet, but not quiet enough for you to miss the sound of that powerful engine, while the ride is incredibly comfortable. We covered about 40 miles in our test drive from Ascot to the centre of London via the M4 and enjoyed the experience. This is a car that will certainly keep you comfortable on journeys of over two hours.
While the V8 is a thirsty bugger, Jaguar have included an eco mode that, when in traffic and stopped, cuts out the engine automatically based on whether you've got your foot on the brake - the model we were in was an automatic. While that technology can be found on other cars, its nice that Jaguar has included it here and should save you some money if you are more a city passenger.
As a complete package we like the Jaguar very much indeed. There are plenty of nice little extras that are there to be enjoyed: the chilled champagne cooler, the worktable, the iPad dock and, of course, the ride.
READ: Jaguar XJ review
For those that do want to drive it themselves, the driver's cockpit is well organised and the full electronic dash easy to read and use as it changes according to the information at hand. Go into sports mode and the dials change to red; at key turns, the clock face becomes the satnav direction. It's all very clever.
Jaguar is very much a company that is embracing tech in a good way, and more than by just giving you an iPhone connector.
Whether you buy a XJL Ultimate or happen to book one for your next ride, one thing is for certain, you'll be beaming when you step out with a sense of excitement that will only rub off on to others.
The Jaguar XJ ranges from 3.0 V6 Diesel Luxury 275PS at £56,260 to a 5.0 V8 S/C Petrol Supersport LWB at £95,235.
The Jaguar XJ Ultimate as featured here costs £121,980.


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Maptool X by Wall Street Images
Evaluate the competitive landscape of Wall Street – in real time!
Wall Street Images' Maptool X is an innovative investment and analytical mapping tool for self-directed investors, financial professionals, students, and market enthusiasts, which aids in stock market research and investment analysis.
Maptool X allows you to compare and contrast large, midsize and small companies so that you can visually identify the dominant players in a Wall Street industry. The app uses up-to-date stock market data to create highly visual and interactive maps, reminiscent of old world Darwinian map styles. The dynamic Maptool X landscape updates and shifts companies in every Wall Street industry to different territories as they grow and smaller in size.
With Maptool X, you can easily:
• Search for companies by name or ticker symbol in our detailed database covering all U.S. traded stocks
• Create a favorites list
• Browse maps by industry or sector breakdowns
• Customize your maps by filtering and sorting companies by size
Maptool X also offers an intuitive interface capable of extracting detailed data about each company's financial metrics, ratings, news, and stock quotes.
Other features include:
• Tutorial section to help guide you through customizing and understanding your maps
• Map elements that demonstrate the "barriers to entry" and "forces of competition" within a Wall Street Industry
Maptool X is available in Apple's App store. Download it today to take full advantage of this powerful analytical tool for visualizing stock market data in a competitive landscape!
Developer Website: http://www.wallstreetimages.com/


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Phoenix Media Group is a web design and media development company that is focused on providing cutting edge, high quality websites using the most modern interactive and multimedia tools at affordable prices.
We are based in Ireland with a diverse client base, including non-profits, non-governmental organizations and corporate businesses.
We are a highly qualified and experienced company whose number one priority is providing superior customer service and support including full training and technical support for the life of your website. We also deliver user-friendly, browser-based Content Management Systems and custom graphic design work on-time, every time.


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Fiber-Reinforced Cooling System Hoses
Cooling system hoses with DuPont™ Vamac® and DuPont™ Kevlar® products help create automobile cooling systems that are exceptionally strong and durable and have longer life
Products from DuPont work together to help create cooling system hoses with exceptional strength, chemical resistance, and durability in automobiles.
Vamac® ethylene acrylic elastomer and Kevlar® brand aramid fiber help contribute to service life goals in heavy-duty engine cooling system hoses.
Cooling System Hoses
Compounds of DuPont™ Vamac® ethylene acrylic elastomers are chosen because they:
- Are rated for service up to 175°C (357°F), and can withstand excursions up to 200°C (392°F)
- Stay flexible and provide vibration damping at temperatures as low as -40°C (-40°F)
- Resist chemicals, oil, oxidation, and mechanical abuse
DuPont™ Kevlar® aramid fiber was chosen because it helps reinforce the hose and increases burst strength.
Cooling System Hoses
Automobile cooling system hoses made from DuPont™ Vamac® and DuPont™ Kevlar® demonstrate:
- Improved temperature performance and chemical resistance
- Proven long-term performance


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This article will provide a survey of the nature of Hebrew poetry and provide examples of the various forms of parallelism exhibited in the six poetic books of the Bible.PDF Download
Few individuals in church history are as popular as Augustine of Hippo. Old-earthers claim him as support for figurative interpretations of Genesis 1. But what did Augustine really say?PDF Download
No results found in .
Answers in Genesis is an apologetics ministry, dedicated to helping Christians defend their faith and proclaim the gospel of Jesus Christ.


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Here is your number one source for a variety of cars and parts for demolition derby.
This page was last updated: October 30, 2012
*** ROLLING SHELLS - $400 and up ***** DRIVER CARS - $900 and up ***
1973 Oldsmobile 98
Solid roller (I'm keeping the motor, trans and radiator)
Has 12 bolt BIA. Railroad track front bumper
Clean, solid car -
Or complete for $700
1976 Pontiac Grand Safari
Not Mayhem quality but a very good fair car
1974 Chevy Impala 2-door Custom
No motor, no transmission. Both bumpers included. Has 10 bolt BIA rear end. Metal Mayhem quality car -
1976 Chevy Impala, 4-door post
No motor, no transmission.
Both bumpers included.
Needs trunk repair at rear. Trunk mounts are fine.
1971 Buick Estate Wagon
Complete car, clean Oklahoma title -
sale pending
Website Designed
for Your Business


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Be On The Lookout For A New Telephone Scam
There is a new telephone scam occurring that you should keep an eye out for. Remember, not everyone is really who they say they are.
A woman in Iowa received a phone call from a man in which he stated her name, address, the last four digits of her social and her bank. The caller masqueraded as a government official saying that she owed $500 to a cash advance company that was taken over by the government.
Once she called her bank and the Federal Trade Commission, she realized it was a scam.
She then proceeded to call the man back and tell him that she wasn't going to pay the money. Once she did, the caller told her that yes it was a scam and that he was from Afghanistan. He told her that it didn't matter because he had everything he needed from her and that he was now going to kill her.
What seemed to be a harmless identity theft scam turned into a much more serious matter. The woman was very concerned over the safety of her daughter and now has to get a completely new bank account and change all of her credit cards.
Out of curiosity she checked out the telephone number that called her on Google and found blog threads of other people that had been scammed by the same number and that had actually payed the amount of money requested.
You can check out a video of the full interview here.
Make sure you are very attentive when answering your phone from an unknown caller. You never know what someone might say to you and it could all be lies anyway.


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At ESPN Insider, Craig Custance writes about how that rule, named by many as the Wade Redden rule, would impact the Rangers who would need to carry Redden's cap hit on their roster for the final two years of his contract.
The NHL offer provides teams one year to transition to a lower salary cap so Redden could be on the Rangers roster this year, the Rangers are currently at $62 million and still need to sign Michael Del Zotto.
Custance writes that the issue would be after the season when Derek Stepan and Ryan McDonagh are both due raises, but the NHL proposal does try and curb how much players can make in their second contract.
The NHL proposal would allow the Rangers to be able to trade Redden but still absorb some of his cap hit.
Adam Rotter: I don't worry about this and at worst, if the Rangers need to carry Redden this season, it will be another body to add for defensive depth. Overall though, I don't see Redden every playing for the Rangers again. Either an amnesty buyout will occur, as it should to help teams in the transition period, or the Rangers will find someone willing to take him on to meet the salary floor and add a veteran on defense. Redden's actual salary is down to $5 million per year over the final two years of the deal and defensemen are always at a premium. Something will be worked out and Redden won't be a problem for the Rangers.


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Today I appeared on the Massachusetts/Vermont radio station The River to discuss the state of presidential race (click here for the audio), and why President Obama is ahead. I said, in short, that Obama is winning because of the issues.
This is not what your hear in the punditocracy. We hear that Mitt Romney is a terrible candidate. We hear that he has no positive agenda. We hear that Obama has run a ruthlessly negative campaign. We hear the electoral map favors Obama. We hear the demographics favor Obama.
To the extent that the above is true, it all comes back to a more fundamental point. America is a center-left country right now.
If America was center-right, if America was disgusted with ObamaCare, the stimulus and the regulations, then Romney wouldn't have it this hard.
He would not make so many gaffes. He would not have constantly to duck specifics and dance around his past record. His business record would not be a problem. The electoral map would not have so many states immediately out of reach for him. The gender gap and race gap would not be so enormous.
Further, the attacks from Romney would be drawing more blood. Obama doesn't sweat the "Solyndra" smears. He repeatedly touts his record of support for "home-grown clean energy." He doesn't worry about being called a redistributionist, he stands by his call for asking more of the wealthy to help "pay down the debt."
Romney's problem is the Republican Party's problem. Whatever frustrations people may have about the pace of recovery under Obama, it is still clearly remembered that Bush-style conservatism is what wrecked the economy in the first place.
And no one the Republican Party has taken any responsibility for that, publicly learned any lessons from that, or proposed any new ideas because of that.
That's why Obama is winning.


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6 Johnny Cash's dark California days
By Robert HilburnOctober 12, 2013, 11:00 a.m.
A new biography by Robert Hilburn peers deeply into Johnny's downward spiral, and ultimate redemptionBy Robert HilburnOctober 12, 2013, 11:00 a.m.
Johnny Cash's life in the 1960s is mostly remembered as a time of glorious achievement — from the landmark prison albums at Folsom and San Quentin to the launch of the ABC-TV series featuring such guests as Bob Dylan and the Doors that led to his becoming a giant figure in popular culture, a symbol to millions, no less, of the best of American social values.
But Cash also experienced excruciatingly dark times in the decade, fueled by drugs and guilt over the breakup of his marriage.
Cash, 26, moved to California with his wife, Vivian, and his first three daughters in the summer of 1958, hoping for a career in the movies. It was a heady time. Thanks to such hits as "I Walk the Line" and "Folsom Prison Blues," he was the hottest young country artist in years and had just been lured away from tiny Sun Records by Columbia Records. Cash, whose musical approach was flavored by elements of folk, blues and gospel music, wasn't a great singer technically, but the heart of his music conveyed elements of human struggle with inspiration and conviction. His trademark "boom-chicka-boom" instrumental sound (pioneered by guitarist Luther Perkins) felt as steady and affirming as an amplified heartbeat.
He bought an upscale, $75,000 home on Hayvenhurst Avenue in Encino that was previously owned by Johnny Carson and just down the street from where the Jackson family would later set up their compound.
The first three years were happy ones, but things started unraveling amid drug and marital tension as well as an embarrassing B-movie film debut (he played a crazed gunman in the film-noirish "Five Minutes to Live"). He would star in more films, including "A Gunfight" in 1971 with Kirk Douglas, and several made-for-TV exercises, but he never earned the reputation of a serious actor.
Hoping for a new start away from the glare of Hollywood, Cash moved his family to the relatively isolated village of Casitas Springs in Ventura County in 1961 — but things only got worse.
Hating confrontation, Cash stopped coming home for months at a time and struck up affairs with other women, notably June Carter, who joined his touring group in 1962. As he fell deeper into drugs, his behavior became so self-destructive that those around him feared for his life. The year 1965 would bring particular humiliation and pain.
One of the most vivid childhood memories of Cash's two oldest daughters, Rosanne and Kathy, was watching their mother, Vivian, puffing anxiously on a cigarette as she stared through the living room window of their Casitas Springs home on those rare nights when she thought her husband might actually be coming home. Vivian imagined him in the arms of June Carter, or dead somewhere of a drug overdose, and she prayed to see the headlights in the driveway that would prove her wrong. On most nights, Vivian gave up around 1 a.m. and tried to grab a few hours sleep before getting the girls ready for class at St. Catherine-by-the-Sea elementary school.
Though Cash was showing up less and less often, she held out hope that he would be home one night in June 1965 after his manager, Saul Holiff, phoned to say that Johnny was on the way. Vivian took her familiar place at the window and let the girls, who now numbered four, stay up late to greet their father, whom they hadn't seen in months. By 2 a.m., she knew she was going to be alone with the children again.
It was nearly a week of day-and-night vigils before Cash's camper — which he named "Jesse" after the outlaw Jesse James — headed up the driveway. Despite all the pain he had caused her, she wanted to run to him just like the day he arrived home at the Memphis airport after a three-year Air Force stay in Germany. As he approached the front door, her nostalgia gave way to resentment. Cash, feeling guilty and defensive, sensed her fury, and an argument broke out immediately. Finally, he shouted that he wanted a divorce. He had broached the subject before, but never so angrily.
Johnny Western, a musician-friend, says Cash told him that he offered Vivian a half-million-dollar settlement, though he must have been kidding himself if he thought he could put that much money together. Most of the new Columbia contract income was going to pay off old loans. Vivian shouted back, refusing even to consider a divorce, and he stormed off to his office sanctuary.
As Kathy recalls, "Dad would try so hard to stay positive, to make light of things, to always have a great sense of humor, but he would get into these moods where he just seemed to shut down and didn't want to talk or really do much of anything except spend time by himself in his office."
Rosanne remembers the period as frightening and heartbreaking.
"It just got to where it was like somebody else was coming home, not my daddy," she says. "The drugs were at work. He'd stay up all night. He and my mom would fight. It was so sad. He would always be having accidents. He turned the tractor over one day and almost killed himself, and we had to call the fire department after he set fire to the hillside. One time he took me on his lap and put his arms around me and said, 'I'm glad to be alive,' because the tractor could have rolled over on him. He held me so tightly. I felt so close to him. I wished it could always be like that. But then he'd be gone again."
The girls finally got to see their dad before they left for school the next morning, but he was gone by the time they returned home. As he had so often, he wanted to escape. He drove his camper to the nearby home of his nephew Damon Fielder.
Damon slid in beside Johnny in the camper on the morning of June 27, and the pair started out on the short drive to the Sespe Creek entrance of the Los Padres National Forest watershed. The forest is one of the many natural wonders of California and one reason why Cash was drawn to Casitas Springs. Covering nearly 1.8 million acres, it stretched from the breathtaking Big Sur coastline to mountain ranges to the south and was home to many protected species, including the California condor.
Getting into the passenger seat was Damon's first regret of the day. Cash was a terrible driver under the best of circumstances — and it was clear from his dazed look that he had already been into the amphetamines he favored. The resulting series of starts and stops made the camper feel like something from a slapstick comedy.
As Damon crashed against the door while the camper careened along the rugged dirt road, his patience was also taking a beating. Watching Cash take a swig of whiskey and down a few more pills, Damon couldn't hold his tongue any longer.
"Why do you take those things?"
"I like to control my moods and they help me do that," Cash replied unapologetically.
"Well, you're an idiot."
Cash just scooped up more pills from an old fruit jar as the camper bounced along the dirt trail.
Damon was so upset he didn't want to sit near Cash as he stopped near a promising fishing spot. "I'm going to fish over there. I don't want anything to do with you," he told Cash, who replied, "That's fine. I don't want to be by you, either." Damon headed to a secluded stretch of water.
His tranquillity was broken by a strong smell in the usually pure Los Padres air. It was smoke, and it was coming from the direction of the camper. He rushed back to find Cash on his knees in front of the truck, fanning a fast-spreading blaze. There was a spent package of matches by his side. Damon figured his uncle had started the fire to keep warm and in his drugged state had let it get out of control.
As flames swept through the nearby brush, he realized they needed to get out fast. He called for Cash to come along, but the belligerent singer said he wasn't going anywhere. Damon tried to grab his uncle, but Cash resisted, and he was too strong to budge. In a panic, as the fire surrounded them, Damon grabbed a thick tree branch and swung at Cash's head as hard as he could. The blow brought Cash to his knees, but it didn't knock him out as Damon had hoped. Cash got up and stumbled over to the shallow creek, where he sat down, thinking he'd be safe.
Damon raced for help, warning other campers along the trail and eventually hooking up with a fire helicopter crew. His heart was racing until the helicopter landed and he saw his uncle was still alive in the creek. This time he had no trouble persuading him to vacate the area. The pills and whiskey had begun to wear off, and the water was cold.
Watching Cash get into the helicopter, Damon knew he'd helped save his uncle's life. He was crushed a few days later to hear that Cash told his mother, that Damon had left him in the forest to die.
Cash was equally disingenuous when asked by forestry officials investigating the cause of the 508-acre burn how the fire got started. He blamed it on sparks from a defective exhaust system on his camper. When a judge later questioned Cash, he was equally defiant: "I didn't do it, my truck did and it's dead, so you can't question it." Asked during a deposition about the loss of 49 of the region's 53 condors in the blaze, he didn't make any friends when he snapped, "I don't care about your damn yellow buzzards."
Columbia Records canceled plans for a live recording at the Kansas State Reformatory — which, in retrospect, was a stroke of good luck. Cash was in such bad shape physically and emotionally that the prison album would probably have been a disaster, ending any chance that there would ever have been a Folsom Prison album.
Touring resumed in mid-July and continued into the fall, breaking only for a couple of recording sessions until a fateful Texas swing that ended in Dallas in October. Things had improved enough that bass player Marshall Grant, who normally handled tour receipts, wasn't on guard when Cash volunteered to take the receipts with him and deposit them in the group's joint bank account.
After the Dallas show, Cash flew to El Paso, one of his favorite drug supply points, where he asked a cab driver to take him to Juárez and get him some pills. The driver assured him that it would be no problem, so Cash waited — feeling like an outlaw, he said — as the driver went into a Juárez bar to buy the drugs. "I slid down a little lower in the back seat each time someone looked my way," he wrote in "Man in Black," his 1975 autobiography. "I had never done it this way before."
Back at his hotel, Cash popped a few pills and killed time before the evening flight to Los Angeles by searching for antique guns in some pawnshops. He was looking at a Colt .44 Army pistol, long one of his favorites, when he was approached by a man he suspected was a plainclothes policeman. Cash assumed he was curious about the gun in his hand.
"I collect antique pistols," Cash volunteered.
"It's a nice one," the man replied, in what Cash described as a friendly manner.
After some more small talk, the man asked Cash what time his plane was leaving, and Cash told him.
On the way back to the hotel, he started worrying even though he had hidden all his pills in two socks, one of which he'd put inside his guitar and one in the lining of his suitcase.
By the time Cash got to his seat on the plane, he figured he was home free. Then he saw two men walking down the aisle toward him. One was the man from the pawnshop.
The man asked Cash if he had a gun, and when he nodded that he did, he was ordered off the plane. In an empty room in the terminal, the men went through his luggage and guitar case. They found the pills, but they still didn't seem satisfied.
Finally, one asked, "Where's the heroin?"
Cash became angry. He told them he had never taken heroin. The men explained they had assumed he was into heroin because they had seen the cab driver huddling with a known heroin dealer in the Juárez bar.
Cash was relieved, but the officers pointed out that he had still broken the law. He was taken to the county jail until a bond hearing the next day.
When Grant learned of the arrest, he hired a former El Paso County judge, Woodrow Wilson Bean, to represent Cash. Hoping to minimize publicity, Bean — whom Cash proudly pointed out was believed to be a distant relative of the legendary Judge Roy Bean — asked that newsmen be barred from the hearing, but the request was rejected.
Cash was on edge during the hearing. He cursed at a reporter and threatened to kick a photographer's camera. In the end, he posted a $1,500 bond and was released pending arraignment.
As he headed home, Cash felt as if a mask had been ripped off, leaving him looking like a hypocrite for singing all those gospel songs and telling people they could overcome their problems. He'd been in minor scrapes with the law before, but until now, knowledge of his drug use had been limited to country music insiders. Now his fans knew the truth. Hundreds of newspapers across the country carried a photo of him being escorted out of the courthouse in handcuffs, his face grim, looking all the more sinister behind dark glasses.
This time, at least, Vivian's wait wasn't in vain. Cash went straight home and was contrite. Humiliated and fearing the effect of the arrest on his career, he reached out to both his wife and his parents, talking more openly than before about his addiction and vowing to turn himself around. After years of disappointment, Vivian wanted to take his pledge to straighten up as a sign that he also was going to give up June Carter and rededicate himself to his family. But it was too late.
Vivian angrily showed him the newspaper photo of him in handcuffs and his daughters told him that kids were saying bad things about him in school. For the first time in his life, he said, "I felt real shame."
Meanwhile, Holiff was working tirelessly to persuade promoters not to give up on Cash. Most did continue to book him, but there was one highly publicized exception. Officials at Texas A&M University canceled plans for a show. "The administration didn't feel it was wise to present an entertainer with a cloud hanging over him," said the dean of students. "We try to provide a clean, Christian atmosphere for our students."
But some students came to Cash's rescue. Not only did more than 2,000 sign petitions protesting the cancellation, but a student committee worked out a deal for Cash to perform on the scheduled date at a nearby off-campus club.
When Cash returned to El Paso for the arraignment in December, he entered a no-contest plea to the charges. The next day, newspapers throughout the country carried photos of Cash walking from the courthouse, Vivian at his side. But there was no hiding the damage. Vivian told friends it was the most embarrassing moment of her life.
Leaders of the National States' Rights Party, a white supremacist group in Alabama, seized on the photo, which, when reproduced in grainy newsprint, made Vivian look dark-skinned and possessed of facial features some considered African American. Whether outraged by the apparent miscegenation or eager to get back at him for his protest stance in the song "Ira Hayes" (Native Americans were also a target of white supremacists), the group reprinted the photo in its newspaper the Thunderbolt and undertook an aggressive campaign against Cash.
The group urged its readers to boycott Cash's recordings and referred to Cash's "mongrelized" children.
Fearing a backlash among fans, especially those in the South, Holiff launched a counteroffensive. He contacted Vivian's father, Tom Liberto, asking for a copy of Vivian's marriage certificate —which would state her race as Caucasian — and a history of her bloodlines. Liberto sent him the marriage certificate and a letter in which he detailed Vivian's Italian, Dutch and English heritage. The material was sent to the Thunderbolt.
During this period Cash received a few death threats, and a handful of protesters showed up at some dates in the South, but there was no sign that record sales or concert attendance were suffering.
In March 1966 Cash appeared before U.S. District Judge D. W. Suttle, who gave him a 30-day suspended sentence and a $1,000 fine rather than the maximum penalty of a year in jail. Cash had pleaded for leniency: "I know that I have made a terrible mistake and would like to go back to rebuilding the image I had before this happened."
For all his talk about wanting a divorce, Cash was torn inside. Chief among his concerns was the children.
"I knew I was going to leave Vivian, but then I'd look at those four little girls," he recalled. "I said, 'Man, I'm gonna give up something that's gonna break my heart, but my heart will be broken more if I don't marry June.' When I was in California, my big reason for staying stoned all the time was her. I wanted to be somewhere else in my mind."
Both married to others, Cash and Carter had a far more stormy relationship in the 1960s than his fans assumed. But they were bound by several factors. Besides a physical attraction, they shared a religious faith and the love of making music. The outgoing June also helped the shy, withdrawn Cash deal with the constant career demands.
With the marriage dissolving, however, Cash's California dream was over. He moved on his own to Nashville, where he continued to battle drugs.
Within days of the arraignment, he was back on pills. Overdoses and near overdoses were so common that everyone in the touring party cited various times and places: Johnny Western mentioned Waterloo, June Carter named Des Moines, Grant alluded to a string of towns. In addition, there were the near-fatal drug-induced accidents, including the time Cash borrowed June's Cadillac and crashed it into a telephone pole, breaking his nose and knocking out four upper front teeth.
To break the tension, Luther Perkins came up with a piece of advice people in Cash's camp would repeat for years: "Let him sleep for 24 hours. If he wakes up, he's alive, if he doesn't, he's dead."
Two years later, in a different part of California, Cash would begin his march to superstardom with a triumphant concert at Folsom State Prison. By 1970, he was the biggest-selling record artist in the country. But he was fighting drugs again in the late 1970s and 1980s, and his sales sank so sharply that he was dropped by Columbia. At the start of the 1990s, Cash believed his record career was over and his musical legacy wasted.
But California was to again play a major part in his life. Cash was headlining the now-defunct Rhythm Café in Santa Ana on Feb. 27, 1993 — the day after his 61st birthday — when he was approached by Rick Rubin, a hugely successful rock and rap producer who felt Cash was still capable of great work. Three months later, they sat down in Rubin's home above the Sunset Strip and began work on a series of albums that would contain some of the most remarkable music of Cash's career. He would return to Los Angeles several times over the next decade to work with Rubin. The albums not only reestablished Cash's musical legacy, but extended it.
Their collaboration was highlighted in 2002 by the music video of "Hurt," directed by Mark Romanek, that offered a glimpse of the artist in such fragile condition that even June advised him not to release it. But Cash approved the release of the video, a final act of immense artistic courage.
This article is adapted from "Johnny Cash — The Life," being published this month by Little, Brown. Hilburn was The Times pop music critic from 1970-2005.


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Toybox: A simpler, cleaner way to write tools...
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Joined: 25 May 2010
Posts: 553
Location: State of Jefferson
Posted: Wed 18 Sep 2013, 23:34
Post subject:
Toybox: A simpler, cleaner way to write tools...
Subject description: (and another MCB)
There have been a few references to Rob Landley's
toybox project
, but no threads dedicated to it and no explanations of contributing or writing applets ("toys" in toybox terminology). So I thought I'd start one.
If you want a more clear explanation of what toybox is than "busybox, done right", please visit the homepage that I linked. This post is about the how.
Tree layout:
generated/: Files that the build system creates; all can be removed.
generated/help.h needs Python to build, so it's included in the tarball; if you add a new toy you need to disable help or have python 2.
lib/: all the toybox common code. This provides functions that are shared by a number of toys; do not add functions to it unless they are used by at least two toys.
kconfig/: Build system (toybox uses kconfig, like the Linux kernel and busybox)
scripts/: Build and convenience scripts, including test.sh.
scripts/test/: where test scripts live.
toys/: Individual commands. The available commands are picked up from the four subdirectories:
toys/posix/*.c: Implementations of the SUSv4/POSIX{2008,2013} command line tools.
toys/lsb/*.c: Implementations of LSB command line tools (md5sum, sha1sum, mknod, dmesg,...)
toys/other/*.c: Implementations of other command line tools. While there is no standard for these, they are widely used on Linux systems and may be needed for a regular system to boot or for many packages to build.
toys/pending/*.c: Not quite finished code. Generally speaking, this may be (a) placeholder skeletons, (b) toys that work but need cleanup, or (c) toys that do part of what they should do.
General features of a new toy:
The official example is
; I'm going to try to explain that.
A toy must start with a multi-line comment in this general fashion:
/* hello.c - A hello world program. (Template for new commands.)
* Copyright 2012 Rob Landley <email@example.com>
* See http://pubs.opengroup.org/onlinepubs/9699919799/utilities/
* See http://refspecs.linuxfoundation.org/LSB_4.1.0/LSB-Core-generic/LSB-Core-generic/cmdbehav.html
// Accept many different kinds of command line argument:
USE_HELLO(NEWTOY(hello, "(walrus)(blubber):;(also):e@d*c#b:a", TOYFLAG_USR|TOYFLAG_BIN))
config HELLO
bool "hello"
default n
usage: hello [-a] [-b string] [-c number] [-d list] [-e count] [...]
A hello world program. You don't need this.
Mostly used as an example/skeleton file for adding new commands,
occasionally nice to test kernel booting via "init=/bin/hello".
Things to note here:
The "See http://..." should link to a standard for the utility you are implementing.
If there is no standard in POSIX 2008/2013 nor in LSB 4.1, write "No standard." Links to a manpage or text description of a file format are sometimes provided after that.
The build system looks at everything from the first line not starting with " *" to the first line to begin with "*/".
Note that the usual comment close with a space before it won't work.
(You will get truly spectacular build failures that way...)
The name in USE_... must match the name following "config", and the first argument to NEWTOY is the name of the command.
The second argument to NEWTOY() is the
option string
-it tells what options/arguments to parse and how.
"(string)" means that the long option "--string" is supported.
"b:" means that -b requires a string:
-b blah
"c#" requires a number, in decimal, octal (leading 0), or hexadecimal (leading 0x):
-c1 or -c=07 or -c 0xDEADBEEF
"e@" means that the number of occurences of -e are counted.
"d*" stores multiple arguments (as a linked list):
hello -d abc -d def
saves both "abc" and "def"
Everything after "help" is used as both the kconfig help and the command help (toybox command --help / toybox help command)
#define FOR_hello
#include "toys.h"
// Hello doesn't use these globals, they're here for example/skeleton purposes.
char *b_string;
long c_number;
struct arg_list *d_list;
long e_count;
char *also_string;
char *blubber_string;
int more_globals;
GLOBALS() is a macro that expands to a struct specific to the applet.
However, you don't need to worry about the name of the struct:
it is #define'd to be "TT." so here you can use "TT.blubber_string" to access the string passed with --blubber.
The count from "e@" is stored in TT.e_count, and so on.
Now, perhaps you're wondering about the order.
Whenever you have a modifier that saves some information (:@#*), it gets saved in the GLOBALS().
The order in the "option string" is the reverse of the order in GLOBALS();
the first variable in GLOBALS() is always the last modifier in the option string.
: always maps to char *; @ and # are of type long. (option)* maps to a pointer to a linked list (struct arg_list).
After accounting for everything in the option string in GLOBALS(), you can add pointers or non-array types to the end of it. If you need global storage, this is what you are expected to use.
The rest of the arguments are broken up as follows:
toys.optargs: a char ** (basically, the part of argv that isn't flags, options, and similar).
toys.optc: the number of arguments in toys.optargs
toys.optflags: for every option or long option in the option string, there is a bit set in this.
You can check what options were passed by doing a binary AND of this and the automatically generated FLAG_ macros. In the example these are the values.
FLAG_walrus = 1
FLAG_blubber = 2
FLAG_also = 4
FLAG_e = 8
FLAG_d = 16
FLAG_c = 32
FLAG_b = 64
FLAG_a = 128
(toys.optflags & FLAG_e) will be either 0 (no -e) or 8 (at least one -e).
That's the argument parsing part of toybox. Ask questions if you find it unclear.
After this I'd like to start covering the convenience and wrapper functions.
Convenience funtions fall into several categories; the main ones are loopfiles, dirtree, and llist/dlist. I'll start with dirtree first (probably using lspci or acpi as an example?).
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Joined: 25 May 2010
Posts: 553
Location: State of Jefferson
Posted: Sat 21 Sep 2013, 11:29
Post subject:
As an example, here's an explanation of the acpi toy.
/* acpi.c - show power state
* Written by Isaac Dunham, 2013
* No standard.
USE_ACPI(NEWTOY(acpi, "ab", TOYFLAG_USR|TOYFLAG_BIN))
config ACPI
bool "acpi"
default y
usage: acpi [-ab]
Show status of power sources.
-a show power adapters
-b show batteries
#define FOR_acpi
#include "toys.h"
int ac;
int bat;
This has been cleaned up already, so it's default "y".
The GLOBALS are for counting power sources.
int read_int_at(int dirfd, char *name)
int fd, ret=0;
FILE *fil;
if ((fd = openat(dirfd, name, O_RDONLY)) < 0) return -1;
fscanf(fil = xfdopen(fd, "r"), "%d", &ret);
return ret;
This function is a simple way of getting an int from a sysfs file.
I use openat() rather than open() because it's rather awkward
to keep making string copies and changing names, but keeping track
of an int is simple.
Then, since fscanf is the simplest way to read an int, I fdopen() the
file descriptor to get a FILE pointer...
OK, I used xfdopen(). What's the difference?
The x...() functions are "die on error" wrappers.
fdopen() fails if malloc() fails, which results in a null pointer.
But if malloc() fails, you need to free memory, and many programs won't
be able to continue. So we just bail here.
Before we continue, let me show you part of the dirtree-related header entries.
// dirtree.c
// Values returnable from callback function (bitfield, or them together)
// Default with no callback is 0
// Add this node to the tree
#define DIRTREE_SAVE 1
// Recurse into children
#define DIRTREE_RECURSE 2
// Call again after handling all children of this directory
// (Ignored for non-directories, sets linklen = -1 before second call.)
#define DIRTREE_COMEAGAIN 4
// Follow symlinks to directories
#define DIRTREE_SYMFOLLOW 8
// Don't look at any more files in this directory.
#define DIRTREE_ABORT 256
#define DIRTREE_ABORTVAL ((struct dirtree *)1)
struct dirtree {
struct dirtree *next, *parent, *child;
long extra; // place for user to store their stuff (can be pointer)
struct stat st;
char *symlink;
int data; // dirfd for directory, linklen for symlink, -1 = comeagain
char name[];
Now, we get to the interesting part.
This is the callback function.
int acpi_callback(struct dirtree *tree)
int dfd;
errno = 0;
if (tree->name[0]=='.') return 0;
if (strlen(dirtree_path(tree, NULL)) < 26)
return DIRTREE_RECURSE | DIRTREE_SYMFOLLOW;
The last test is a very crude way of checking if we are in
the right directory.
The return value is a bitmask. If we return 0,
the caller goes on to the next entry.
For sysfs, the only hidden entries (that have a leading '.') are
./ and ../; we must return 0 on both of these,
since we don't want to end up in the parent directory or stuck in a loop.
dirtree_notdotdot(tree) should also work to detect this.
When we return DIRTREE_RECURSE, the caller tries to treat the
current entry as a directory.
Without DIRTREE_SYMFOLLOW, the caller treats symlinks as files, and
fails to follow them. Since sysfs uses lots of symlinks, I'm following
if (0 <= (dfd = open(dirtree_path(tree, NULL), O_RDONLY))) {
int fd, len;
if ((fd = openat(dfd, "type", O_RDONLY)) < 0) goto done;
len = readall(fd, toybuf, sizeof(toybuf));
if (len < 1) goto done;
if (!strncmp(toybuf, "Battery", 7)) {
if ((toys.optflags & FLAG_b) || (!toys.optflags)) {
int cap = 0, curr = 0, max = 0;
if ((cap = read_int_at(dfd, "capacity")) < 0) {
if ((max = read_int_at(dfd, "charge_full")) > 0)
curr = read_int_at(dfd, "charge_now");
else if ((max = read_int_at(dfd, "energy_full")) > 0)
curr = read_int_at(dfd, "energy_now");
if (max > 0 && curr >= 0) cap = 100 * curr / max;
if (cap >= 0) printf("Battery %d: %d%%\n", TT.bat++, cap);
} else if (toys.optflags & FLAG_a) {
int on;
if ((on = read_int_at(dfd, "online")) >= 0)
printf("Adapter %d: %s-line\n", TT.ac++, (on ? "on" : "off"));
return 0;
That goto found its way in in the cleanup.
Toybox follows the Linux kernel's policy on gotos, which is that they are
suitable for error handling when you need to do a little cleanup before
void acpi_main(void)
dirtree_read("/sys/class/power_supply", acpi_callback);
And that is how to use dirtree_read(), which is the caller I was mentioning.
Call it with a pathname and callback, and
1) it calls the callback with a "struct dirtree *" of the original path.
2) If the return value indicates that it should recurse, dirtree_read
checks whether it is looking at a directory, symlink, or file.
If it's a directory, or DIRTREE_SYMFOLLOW is set and it's a symlink,
dirtree_read opens the path and repeats (1) for each entry in the directory.
And yes: acpi_main is the main function.
When you call a command, the multiplexer calls
void <command>_main(void);
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In 1972, Washington enacted the Public Records act to assure citizens of the state transparency
and access to government. As a state agency, we are subject to the provisions of the Washington state
public disclosure laws (RCW 42.56)
governing access to public records and will respond accordingly. There may be exemptions to disclosure
that may prohibit the college from releasing certain documents. The college will provide a brief
explanation for any exemption to disclosure.
Within 5 business days of receiving a request the college will:
Records not exempt may contain personal or other information which may require us to
notify affected individual(s) of the request. We may provide affected individual(s)
a reasonable opportunity to seek court protection from disclosure.
There generally is little cost for electronic copies. However, not all documents
are available electronically. Current costs for documents include:
Some records are exempt from public disclosure law. Following are some examples:
The Family Educational Rights & Privacy Act of 1974, 20 U.S.C. § 1232g, prohibits the disclosure
of personally identifiable information in student education records without the student's
written consent. Records (or portions of records) marked [1] are student records protected from
disclosure under RCW 42.56.070(1) and 20 U.S.C. §1232g.
RCW 5.60.060(2)(a) protects communications between an attorney and the attorney's client(s) for
the purpose of obtaining or providing legal advice. The attorney-client privilege also protects
communications within a client agency to gather information for obtaining legal advice or to
convey attorney-client communications. Records (or portions of records) marked [2] are privileged
attorney-client communications protected from disclosure under RCW 42.56.070(1) and 5.60.062(2)(a).
RCW 42.56.290 protects attorney work product, consisting of drafts, notes, memoranda, research,
attorney-client communications, and other records prepared, collected, or assembled in litigation
or in anticipation of litigation that reveal factual or investigative information or that
reflect the opinions or mental impressions of an attorney or attorney's agent(s). Records
(or portions of records) marked [3] consist of attorney work product protected from
disclosure under RCW 42.56.290.
RCW 42.56.250(2) protects applications for public employment, including the names of applicants,
resumes, and other related materials submitted with respect to an applicant for public employment.
Records (or portions of records) marked [4] are public employee application materials
protected from disclosure under RCW 42.56.290.
RCW 42.56.250(3) protects the personal addresses, phone numbers, email addresses, social
security numbers, and emergency contact information of public employees and volunteers, as well
as the names, birthdates, addresses, phone numbers, and social security numbers of dependents.
Records (or portions of records) marked [5] are exempt from disclosure as personal employee
information protected under RCW 42.56.250(3).
RCW 42.56.250(2) and 42.56.050 protect personal information in files maintained for public
employees to the extent that disclosure would violate their right to privacy. Records (or portions
of records) marked [6] are exempt from disclosure as containing private information in employee files
protected under RCW 42.56.250(2) and 42.56.050.
RCW 42.56.230(6) protects personal financial information, including credit/debit card numbers,
electronic check numbers, credit expiration dates, or bank or other financial account numbers.
Records (or portions of records) marked [7] are withheld as containing personal financial information
protected under RCW 42.56.230(6).
Portions of public records marked [8] are withheld as containing individual Social Security Numbers
protected from disclosure under RCW 42.56.070(1) and 5 U.S.C. § 552(a).
RCW 42.56.420(4) protects information regarding the infrastructure and security of computer and
telecommunications networks, including security passwords, security access codes and programs, and
access codes for secure software applications. Records (or portions of records) marked [9] are
withheld as containing systems security information protected from disclosure under RCW 42.56.420(4).
All information that you provide Seattle Colleges, even your email communications, are considered public
records. As a public organization, Seattle Colleges is required to respond to public records requests
and disclose information from its purchasing records that may consist of other vendors' confidential
information. Therefore, please do not include any sensitive information or materials such as trade secrets
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want disclosure of such information, you must hire an attorney to file an injunction.
Amanda Simpfenderfer,
Public Records Office
(206) 934-3873
Board Member Institution of the League for Innovation


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