text:
Welcome to our "Fall-ized" home. I added sprigs of bittersweet to a simple wreath that always hangs on our door. The deep red-orange color of these berries has really attracted me this season, so I've used it several places in our home to create a bright pop of color against our mostly neutral palette.
The second pop of orange is the linen pillow I made for the sofa.
I've recently made a couple of new purchases for this room from a Barbara Cosgrove sample sale. Barbara is from Kansas City and her daughter happens to be one our neighbors.
My second purchase was this pair of lamps. Barbara helped me select these based on a photo I showed her of my living room. I love the larger scale - my old ones look ity-bity in comparison. She said the most common mistake is using shades that are too small.
I love a cozy sofa full of pillows.
I made this pillow with a half yard of "pumpkin" linen I purchased from Nell Hills.
These are a fun new addition to the store for for Halloween.
My third purchase from the sale - I'm obsessed with this pair of artichoke lamps.
I put them on the mantle for now, but I'd love to have them on a console table at some point.
Here is a view of the room coming back from the dining room.
And the room complete with a peek at Emma's shopping cart in the corner and her lamb chair.
The dining room sporting another pop of the deep orange.
Just outside the dining room on the side porch - I've moved my herbs from the garden to make them more easily accessible.
I love this framed print of our wedding day - Mike had it done (picked it out all by himself) for our first anniversary.
The view upon entering our bedroom.
Another orange linen pillow - this one embroidered with our monogram.
Thanks for taking my


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Saturday was on of those days me and my sister spend a relaxing day shopping. Sometimes you just need to go out and do whatever it is you want to do. I really wanted to go shopping for a while. Each of us had a few items in our mind, but unfortunately we didn't come back home with everything we wanted. But it gives us a new opportunity to go back ones more.
We had dinner in Antwerp, typical Belgian food. I think we try to come up with excuses to go out and have dinner. Going home with the train was a little more stressful though. Luckily we made the train and got home at a decent hour.
Wearing: coat, sweater and pants: H&M - Shoes: New Look

subset: commoncrawl


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The beautiful little town of Hanalei could almost have been designed as a holiday island paradise. Its stunning beach, mountain scenery and its mostly fabulous weather conditions mean that you are going to want to spend most of your holiday outdoors. Renting a holiday cottage or villa in Hanalei is the best way to maximise your time and allow you to experience the town and area's delights at your leisure. Combined with the fact that your Hanalei holiday rental may be the most cost effective choice, the decision should prove to be a shrewd one.
The bay on which Hanalei is located boasts beautiful white sands. Hanalei beach is perfect for lazing around or taking part in traditional beach games, as well as for enjoying a dip in the clean, warm waters. The conditions are often perfect for surfing, with locals and visitors alike keen to engage. When the water in the bay is rough, there remains an area towards the west of the bay which is reasonably sheltered for bathing. The pier at Hanalei is very important to the culture of the town and is used for fishing, as well as social and musical gatherings. The pier was featured in the musical, South Pacific.
The small town that is Hanalei is famed for its dedication to Kauai's island history and culture. Its art galleries contain carvings produced by indigent tribes people from local wood, with many souvenirs available for purchase. The Waioli Mission House and Church date back to the early part of the nineteenth century and were established by Christian missionaries to Kauai from the US mainland. Regular music and celebratory events are held, where you will be given the opportunity to taste poi, a locally produced Hawaiian delicacy. The freedom of your holiday rental will also allow you to sample the local island cuisine at the town's traditional restaurants.
Renting a holiday cottage or villa in Hanalei allows you the freedom to hire a car and explore the island, with your family, at your leisure. The magnificent golf courses scattered around the island are sure to be of interest, however, to all with a love of the sport. Princeville, adjacent to Hanalei, has two excellent courses for golfers to practise their swing, while Kauai Lagoons on the east coast was designed by Jack Nicklaus. Puakea is the island's latest golfing extravaganza, with eighteen challenging holes and a backdrop of scenery to literally take your breath away.


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Crash - Burnin Up (The Rich City Anthem) (Starring Glenn Plummer) [Unsigned Hype]
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Dolly has been added as the headliner for the Providence Performing Arts Center fundraiser in Providence, Rhode Island on November 1st. Pre-sale tickets are currently available to Dollyite members. Tickets will go on sale to the general public on August 14th.
Dolly has also added Clearwater, Florida to the next leg of her 2008/2009 Backwoods Barbie Tour. Dolly will be playing Ruth Eckerd Hall in Clearwater on October 20th. Dollyite members can purchase pre-sale tickets starting this Wednesday, August 6th, at 10 AM local time until Thursday, August 7th at 10 PM. Tickets for Clearwater go on sale to the public this Friday, August 8th, at 10 AM local time via Ticket Master.
Meanwhile, the Backwoods Barbie tour rolls on and is receiving rave reviews! Variety gave positive remarks to Sunday's L.A. show, saying "Parton remains as slyly bodacious as ever, and she is singing as well as ever" while The Los Angeles Times said "Parton can compete with any diva, but she sparkles most when she's just herself."


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The Hope College Orchestra will present its first concert of the season on Friday, Oct. 3, at 7:30 p.m. in Dimnent Memorial Chapel.
The public is invited. Admission is free.
The show will open with "Overture to La Cenerentola," by Gioacchino Rossini, and continue with "Simple Symphony for String Orchestra," by Benjamin Britten. Next will be "Concerto for Piano and Orchestra No. 2 in C minor, Op. 18," by Sergei Rachmaninoff, followed by "Les Preludes, Symphonic Poem No. 3," by Franz Liszt.
The concert will feature pianist Adam Clark in his debut performance as a new member of the Hope music faculty. He will be performing the "Piano Concerto No. 2 in C minor," by Rachmaninoff.
An active soloist and chamber musician, Clark has performed to great acclaim throughout the United States, as well as in Belgium and Italy. Of his playing, "New York Concert Review Magazine" wrote, "Clark brought out much beauty in Chopin's soulfully embroidered melodies. He played with thoughtful expressiveness" and "achieved an excellent blend [with the orchestra]." His competition awards include first prize in the San Luis Obispo Symphony Concerto Competition and second prize in the CCM Concerto Competition. He has been noted for his role as producer and performer for the "Back to Bach" series in Cincinnati as well, which presented, over the course of two evenings, the complete solo piano concerti of J.S. Bach.
The Orchestra is directed by Richard Piippo of the Hope music faculty, who is an associate professor of cello and chamber music at the college. Piippo has taught at Hope since 1999.
Dimnent Memorial Chapel is located at 277 College Ave., on College Avenue at 12th Street.


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We're finally featuring a bull in our Supercar Teardown series, where we crack open supercars to peer inside. Luckily, the Lamborghini Diablo's packed with a gorgeous 5.7-liter V12. Let's take a closer look.
While the Ferraris featured here (the F40, F50 and 360) have all been some pretty clean examples, this Diablo does not fall under that category, requiring a full rebuild of all 12 cylinders. In these shots you can really see the Lamborghini tractor lineage due to the just-get-it-done appearance of most of the engine's components. Yes, it's an exotic, but not in the hermetically-sealed Ferrari sort of way. We can definitely appreciate that.
(If you've got a Supercar Teardown story that you'd like to share, please email me at firstname.lastname@example.com and we'll feature it in an upcoming installment!)
[via lamboweb, Photo Credit: nomadicentrepreneur @ Flickr]


text:
It's been a long road to the big screen for Aaron Guzikowski's script "Prisoners," which landed on the "Black List" of the best unproduced screenplays of the year, back in 2009.
After seeing a slew of leading men (such as Mark Wahlberg and Leonardo DiCaprio) enter and exit its cast over the years, the film finally made its debut at the Telluride Film Festival on Friday to overwhelmingly positive reviews. The response suggests that the 2-1/2 hour thriller about two Pennsylvania families' search for their missing daughters could be another contender in an awards race that, if you believe the festival hype, will be extra crowded this year.
Starring Hugh Jackman as one of the fathers searching for his daughter, "Prisoners" features a star-studded cast that includes Jake Gyllenhaal, Viola Davis, Terrence Howard, Maria Bello and Paul Dano.
The R-rated drama directed by Canadian Denis Villeneuve ("Incendies") is drawing comparisons to other high-end genre fare such as David Fincher's "Seven" and Clint Eastwood's "Mystic River" -- rare Hollywood products these days.
According to Variety's Scott Foudas, the film features "career-best performances" from Jackman and Gyllenhaal, who plays the cop assigned to the case.
The Oscar-nominated Villeneuve is also partnered with Gyllenhaal on the film "Enemies," which will debut at the Toronto International Festival next week. With "Prisoners," the director has been praised for his precision, control and ability to create "unrelenting tight tension," according to Indiewire's Rodrigo Perez.
The critic adds, "Villeneuve continues to prove his deeply confident footing in modern day cinema, bringing intelligence and muscular and mannered nuance to a somber and extremely tense studio drama that doesn't deign to ever spell things out."
It seems the biggest challenge "Prisoners" will have is luring in audiences interested in seeing "every parent's nightmare" played out on the big screen in what appears to be an exhausting ride. According to The Hollywood Reporter, the film "doesn't flinch from graphic moments of violence and terror."
Produced by Alcon Entertainment and scheduled to be released by Warner Bros. on Sept. 20, "Prisoners" will likely need to first succeed at the box office before it can be considered a true player.


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March 20, 2013
Appearing on Piers Morgan's CNN show on Tuesday night, filmmaker Michael Moore argued that because 200 million Americans have decided not to own firearms, the 100 million who do should have their access to the Second Amendment curtailed and made into criminals for owning weapons the government wants to ban.
"Take up the gun control thing. What can the American public, the majority of whom want an assault weapons ban, want a universal background check, et cetera. What can they do if their politicians are simply too cowardly to act on their behalf because of the power of the NRA?" Morgan asked.
Moore replied that politicians will have to be voted out of office before the Second Amendment can be destroyed. "And the politicians need to be reminded that there's nearly five million members of the NRA and there's 303 million Americans who are not members of the NRA. You know, Wayne says there's 100 million Americans that own a gun. Well, there's 200 million that don't," he said.
Moore then personalized the argument by creating a shooting situation with Harry Reid's grandchildren. Reid, the Senate Majority leader, told Dianne Feinstein earlier this week that her radical effort to outlaw semiautomatic weapons would not be included in an anti-gun bill that will be introduced in the Senate in April.
"If a man with an assault weapon goes into the school where Harry Reid's grandchildren go to school tomorrow and kills his grandchildren, what — would he stand in front of that microphone at 5:00 and say, I know how Dianne, you know, had to witness the mayor getting murdered and I just — my grandchildren just got killed today, but you know, we can't get it passed because we just don't have the votes," Moore said.
By the way, people who know what's coming are taking advantage of our healthy & delicious storable food!


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Cohen misquoted
Please allow me to correct two erroneous impressions contained in your otherwise accurate report on Tuesday concerning my visit to the hospital room of former president Chen Shui-bian (陳水扁) on Monday ("US rights advocate Cohen visits former president," Dec. 18, page 1).
It is not accurate to state, as Democratic Progressive Party (DPP) Legislator Gao Jyh-peng (高志鵬) reportedly said, that I am "planning to establish a committee to review Chen's human rights."
What I said was that I hoped to return in February of the coming year as a member of a committee established by the Ministry of Justice to evaluate the implementation of Taiwan's new human rights legislation, and in that connection, I may see Chen again.
It is also not accurate to state, as Vice Minister of Justice Wu Chen-huan (吳陳鐶) reportedly said, that I believe Chen's medical issue is a "domestic issue," erroneously implying that I do not think it is also an international law issue.
Actually, my reference to "domestic issue" came after Minister of Justice Tseng Yung-fu (曾勇夫) raised a different question — the timing of any further executions in relation to the scheduled visit of the foreign experts invited to evaluate Taiwan's human rights implementation. Plainly, execution of the death penalty in any country raises both international and domestic issues, and in the context of our useful discussion, my reference was clearly meant merely to indicate that the timing of any execution is obviously the responsibility of the minister of justice, ie, "the ball is in his court."
Jerome Cohen
Gao remarks misleading
I am sorry to see that the Taipei Times has repeated the misleading reports about remarks by DPP Legislator Gao Jyh-peng (高志鵬) regarding the recent visit of professor Jerome Cohen.
Cohen is a member of the international review committee (actually a pair of committees) of eminent international human rights experts that has been invited by the government and charged with conducting the review of Taiwan's first state reports under the International Covenant for Civil and Political Rights (ICCPR) and International Covenant for Economic, Social and Cultural Rights, in lieu of the two UN committees in Geneva, to which Taiwan is denied access.
The committee members have already begun reviewing the state reports on paper, but the main, public review sessions will take place in late February, and that is what Cohen was referring to.
However, the article (following some of the Chinese-language reports) makes it seems that there is some new committee that is specifically going "to make a complete review of Chen's human rights."
The work of the committees is a bit more far-reaching than that. Indeed, they are considering the entire scope of human rights conditions in Taiwan, closely patterning their deliberations and their conclusions on the standard practices of the UN treaty bodies.
Thus, it is unlikely that, in addition to their official "concluding observations" on each covenant, the committees would issue any separate statement of support for Chen. What is quite possible is that the committee evaluating Taiwan's compliance with the ICCPR will express concerns about aspects of Taiwan's prison conditions in general, and at most, Chen's situation might be cited as an illustrative example of that.


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shoggoth wrote:Did you test it on the SuperVidel? Since sources are available, maybe it could be interesting to make some initial/rudimentary SuperVidel-patches for higher resolutions etc.
I'll have more spare time in a week or so - I can put the base source on a mercurial server so if anyone feels like trying patches they will collect in one place. It would also be a good way for me to fix/document bits to assist with anything like that.


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Élie Joseph Cartan
Born: 9 April 1869 in Dolomieu (near Chambéry), Savoie, Rhône-Alpes, France
Died: 6 May 1951 in Paris, France
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|Main Index
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Élie Cartan's mother was Anne Florentine Cottaz (1841-1927) and his father was Joseph Antoine Cartan (1837-1917) who was a blacksmith. Let us trace these families back one more generation. Anne Cottaz was the daughter of François Cottaz and Françoise Mallen while Joseph Cartan was the son of Benoît Bordel Cartan (who was a miller) and Jeanne Denard. Joseph and Anne Cartan had four children: Jeanne Marie Cartan (1867-1931); Élie Joseph Cartan, the subject of this biography; Léon Cartan (1872-1956), who followed his father and joined the family blacksmith business; and Anna Cartan (1878-1923), who became a teacher of mathematics. Élie lived with his family in a house on Square Champ-de-Mars in Dolomieu. He remembered his childhood spent with the (quoted in [3]):-
... blows of the anvil, which started every morning from dawn. ... his mother, during those rare minutes when she was free from taking care of the children and the house, was working with a spinning wheel.The family were very poor and, as Élie Cartan later said, his parents were (quoted in [3]):-
... unpretentious peasants who during their long lives demonstrated to their children an example of joyful accomplished work and courageous acceptance of burdens.In late 19th century France it was not possible for children from poor families to obtain a university education. It was Élie's exceptional abilities, together with a lot of luck, which made a high quality education possible for him. When he was in primary school he showed his remarkable talents which impressed his teachers M Collomb and M Dupuis. The latter said:-
Élie Cartan was a shy boy, but his eyes shone with an unusual light of great intelligence, and this was combined with an excellent memory.Cartan may never have become a leading mathematician were it not for the young school inspector, later important politician, Antonin Dubost (1844-1921). Dubost was at this time employed as an inspector of primary schools and it was on a visit to the primary school in Dolomieu, in the French Alps, that he discovered the remarkable young Élie. Dubost encouraged Élie to enter the competition for state funds to allow Élie to attend a Lycée. His teacher M Dupuis prepared him to sit the competitive examinations which were held in Grenoble. An excellent performance allowed him to enter the Collège de Vienne which he attended for the five years 1880-1885. Throughout his school career Dubost continued to support the young boy and obtain further financial support for him. After the Collège de Vienne, he then studied at the Lycée in Genoble for the two years 1885-87 before completing his school education by spending one year at the Janson-de-Sailly Lycée in Paris where he specialised in mathematics. The state stipend was extended to allow him to study at the École Normale Supérieure in Paris.
Cartan became a student at the École Normale Supérieure in 1888 where he attended courses by the leading mathematicians of the day including Henri Poincaré, Charles Hermite, Jules Tannery, Gaston Darboux, Paul Appell, Émile Picard and Édouard Goursat. Cartan graduated in 1891 and then served for a year in the army before continuing his studies for his doctorate at the École Normale Supérieure. While Cartan was in the army, where he reached the rank of sergeant, his friend Arthur Tresse (1868-1958) was studying under Sophus Lie in Leipzig. On his return, Tresse told Cartan about Wilhelm Killing's remarkable work on the structure of finite continuous groups of transformations. Cartan set about completing Killing's classification and he was able to benefit greatly from a six-month visit by Sophus Lie to Paris in 1892. During the two years 1892-94 that Cartan spent working on his doctoral thesis, he was supported by a prestigious bursary from the Peccot Foundation. Cartan's doctoral thesis of 1894 contains a major contribution to Lie algebras where he completed the classification of the semisimple algebras over the complex field which Killing had essentially found. However, although Killing had shown that only certain exceptional simple algebras were possible, he had not proved that in fact these algebras exist. This was shown by Cartan in his thesis when he constructed each of the exceptional simple Lie algebras over the complex field. His first papers, published in 1893, were two notes stating his results on simple Lie groups. Robert Bryant writes in [12] that in the 1893 note:-
... Über die einfachen Transformationgruppen ... he announces, in particular, that he has found examples of Lie groups corresponding to each of the 'exceptional' root systems found by Killing. One of the things that I find remarkable about this work is the way that Cartan found interpretations of the exceptional groups as transformation groups.Cartan published full details of the classification in a third paper which was essentially his doctoral thesis. He obtained his doctorate in 1894 from the Faculty of Science at the Sorbonne. He was then appointed to the University at Montpellier where he lectured from 1894 to 1896. Following this, he was appointed as a lecturer at the University of Lyons, where he taught from 1896 to 1903. In Lyons in 1903 he married Marie-Louise Bianconi (1880-1950), the daughter of Pierre-Louis Bianconi who had been a professor of chemistry but had become an inspector in Lyons. Élie and Marie-Louise Cartan had four children: Henri Paul Cartan; Jean Cartan; Louis Cartan; and Hélène Cartan. The eldest son, Henri Cartan, was to produce brilliant work in mathematics and has a biography in this archive. The two other sons died tragically. Jean, a composer of fine music, died of tuberculosis in 1932 at the age of 25 while their son Louis became a physicist at the University of Poitiers. He was a member of the Resistance fighting in France against the occupying German forces. After his arrest in February 1943 the family received no further news but they feared the worst. Only in May 1945 did they learn that he had been beheaded by the Nazis in December 1943. By the time they received the news of Louis' murder by the Germans, Cartan was 75 years old and it was a devastating blow for him. Their fourth child was a daughter Hélène who became a teacher of mathematics at the Lycée Fénelon.
In 1903 Cartan was appointed as a professor at the University of Nancy but he also taught at the Institute of Electrical Engineering and Applied Mechanics. He remained there until 1909 when he moved to Paris [3]:-
In 1909 Cartan built a house in his home village Dolomieu, where he regularly spent his vacations. In Dolomieu Cartan continued his scientific research but sometimes went to the family smithy and helped his father and brother to blow the blacksmith's bellows.His appointment in 1909 in Paris was as an assistant lecturer at the Sorbonne but three years later he was appointed to the Chair of Differential and Integral Calculus in Paris. From 1915 to 1918, during World War I, he was drafted into the army where he continued to hold his former rank of sergeant. He was able to continue his mathematical career and, at the same time, work in the military hospital attached to the École Normale Supérieure. He was appointed as Professor of Rational Mechanics in 1920, and then Professor of Higher Geometry from 1924 to 1940. He retired in 1940 but did not stop teaching at this point for he went on to teach at the École Normale Supérieure for girls.
Cartan worked on continuous groups, Lie algebras, differential equations and geometry. His work achieved a synthesis between these areas. He added greatly to the theory of continuous groups which had been initiated by Lie. After the work of his thesis on finite continuous Lie groups, he later classified the semisimple Lie algebras over the real field and found all the irreducible linear representations of the simple Lie algebras. He turned to the theory of associative algebras and investigated the structure for these algebras over the real and complex field. Joseph Wedderburn would complete Cartan's work in this area.
He then turned his attention to representations of semisimple Lie groups. His work is a striking synthesis of Lie theory, classical geometry, differential geometry and topology which was to be found in all Cartan's work. He applied Grassmann algebra to the theory of exterior differential forms. He developed this theory between 1894 and 1904 and applied his theory of exterior differential forms to a wide variety of problems in differential geometry, dynamics and relativity. Dieudonné writes in [1]:-
He discussed a large number of examples, treating them in an extremely elliptic style that was made possible only by his uncanny algebraic and geometric insight and that has baffled two generations of mathematicians.In 1899 Cartan published his first paper on the Pfaff problem Sur certaines expressions différentielles et le probleme de Pfaff Ⓣ. In this paper Cartan gave the first formal definition of a differential form. Victor Katz writes [26]:-
His definition was a "purely symbolic" one; namely, he defined "differential expressions" as homogeneous expressions formed by a finite number of additions and multiplications of the differentials dx, dy, d z , . ., and certain differentiable coefficient functions.Over the following years he wrote several other important papers on this topic including Sur l'intégration de certaines systèmes de Pfaff de caractère deux Ⓣ (1901). In 1936-37 he delivered a series of lectures at the Sorbonne which covered his contributions to the topic. The lectures were published in 1945 in the book Les systèmes différentiels extérieurs et leurs applications géométriques Ⓣ.
Cartan's papers on differential equations are in many ways his most impressive work. Again his approach was totally innovative and he formulated problems so that they were invariant and did not depend on the particular variables or unknown functions. This enabled Cartan to define what the general solution of an arbitrary differential system really is but he was not only interested in the general solution for he also studied singular solutions. He did this by moving from a given system to a new associated system whose general solution gave the singular solutions to the original system. He failed to show that all singular solutions were given by his technique, however, and this was not achieved until four years after his death.
From 1916 onwards he published mainly on differential geometry. Klein's 'Erlanger Programme' was seen to be inadequate as a general description of geometry by Weyl and Veblen, and Cartan was to play a major role. He examined a space acted on by an arbitrary Lie group of transformations, developing a theory of moving frames which generalises the kinematical theory of Darboux. In fact this work led Cartan to the notion of a fibre bundle although he does not give an explicit definition of the concept in his work.
Cartan further contributed to geometry with his theory of symmetric spaces which have their origins in papers he wrote in 1926. In these he developed ideas first studied by Clifford and Cayley and used topological methods developed by Weyl in 1925. This work was completed by 1932 and so provides [1]:-
... one of the few instances in which the initiator of a mathematical theory was also the one who brought it to completion.Cartan then went on to examine problems on a topic first studied by Poincaré. By this stage his son, Henri Cartan, was making major contributions to mathematics and Élie Cartan was able to build on theorems proved by his son. Henri Cartan said [24]:-
[My father] knew more than I did about Lie groups, and it was necessary to use this knowledge for the determination of all bounded circled domains which admit a transitive group. So we wrote an article on the subject together [Les transformations des domaines cerclés bornés Ⓣ, C. R. Acad. Sci. Paris 192 (1931), 709-712]. But in general my father worked in his corner, and I worked in mine.Cartan discovered the theory of spinors in 1913. These are complex vectors that are used to transform three-dimensional rotations into two-dimensional representations and they later played a fundamental role in quantum mechanics. Cartan published the two volume work Leçons sur la théorie des spineurs Ⓣ in 1938 [37]:-
In the preface to the two volumes ... M Cartan points out that, in their most general mathematical form, spinors were discovered by him in 1913 in his work on linear representations of simple groups, and he emphasises their connection ... with Clifford-Lipschitz hypercomplex numbers. ... M Cartan's book will be indispensable to mathematicians interested in the geometrical and physical aspects of group theory, giving, as it does, a complete and authoritative survey of the algebraic theory of spinors treated from a geometrical point of view.We have given a list, as complete as possible, of all Cartan's French or English books at THIS LINK.
We have given brief extracts from reviews of some of these books at THIS LINK.
As to his teaching abilities, Shiing-Shen Chern and Claude Chevalley write [14]:-
Cartan was an excellent teacher; his lectures were gratifying intellectual experiences, which left the student with a generally mistaken idea that he had grasped all there was on the subject. It is therefore the more surprising that for a long time his ideas did not exert the influence they so richly deserved to have on young mathematicians. This was perhaps partly due to Cartan's extreme modesty. Unlike Poincaré, he did not try to avoid having students work under his direction. However, he had too much of a sense of humor to organize around himself the kind of enthusiastic fanaticism which helps to form a mathematical school.He is certainly one of the most important mathematicians of the first half of the 20th century. Dieudonné writes in [1]:-
Cartan's recognition as a first rate mathematician came to him only in his old age; before 1930 Poincaré and Weyl were probably the only prominent mathematicians who correctly assessed his uncommon powers and depth. This was due partly to his extreme modesty and partly to the fact that in France the main trend of mathematical research after 1900 was in the field of function theory, but chiefly to his extraordinary originality. It was only after 1930 that a younger generation started to explore the rich treasure of ideas and results that lay buried in his papers. Since then his influence has been steadily increasing, and with the exception of Poincaré and Hilbert, probably no one else has done so much to give the mathematics of our day its present shape and viewpoints.J H C Whitehead writes [48]:-
Élie Cartan is one of the great architects of contemporary mathematics.The authors of [6] write:-
Cartan was one of the leading mathematicians of his generation, particularly influential for his work on geometry and the theory of Lie Algebras. In the bleak years after World War I he was one of the most prominent mathematicians in France. He eventually became a notable influence on the Bourbaki group, of which his son Henri, another distinguished mathematician, was one of the seven founder members.William Hodge considers Cartan as [23]:-
... a great mathematical genius taking in the scene in a broad survey, and picking out the essentials, so that with a master-stroke he goes straight to the heart of a problem. His knowledge of innumerable special cases, and his mastery of intricate argument, enabled him to advance his subject by giant strides, and make a lasting mark on the vast range of mathematical endeavour. By his death, the world has indeed lost one of the great architects of modern mathematicsRobert Hermann writes [22]:-
Cartan is certainly one of the greatest and most original minds of mathematics, whose work on Lie groups, differential geometry, and the geometric theory of differential equations is at the foundation of much of what we do today. In my view, his place in mathematics is similar to that of the great turn-of-the-century masters in other areas of intellectual life. Just as Freud was influenced by the mechanistic world view of 19th century science, but used this background to create something new and revolutionary which has profoundly influenced 20th century thought, so Cartan built, on a foundation of the mathematics which was fashionable in the 1890's in Paris, Berlin and Göttingen, a mathematical edifice whose implications we are still investigating. His work was highly intuitive and geometric, but was also based on a formidable combination of original methods of calculation and analysis, ranging in mathematical expertise from algebra to topology.For his outstanding contributions Cartan received many honours, but as Dieudonné explained in the above quote, these did not come until late in career. He received honorary degrees from the University of Liege in 1934, and from Harvard University in 1936. In 1947 he was awarded three honorary degrees from the Free University of Berlin, the University of Bucharest and the Catholic University of Louvain. In the following year he was awarded an honorary doctorate by the University of Pisa. He was elected to the Polish Academy of Sciences in 1921, the Norwegian Academy of Science and Letters in 1926, the Accademia dei Lincei in 1927 and elected a Fellow of the Royal Society of London on 1 May 1947. Elected to the French Academy of Sciences on 9 March 1931 he was vice-president of the Academy in 1945 and President in 1946. He became an honorary member of the London Mathematical Society in 1939. A crater on the moon is named for him.
A celebration was held on 18 May 1939 in the Sorbonne to celebrate Cartan's 70th birthday. Many tributes were made by friends and colleagues who described his contributions to a wide range of different areas of mathematics. In 1969, to celebrate the 100th anniversary of Cartan's birth, a conference was held in Bucharest. The proceedings was published [5] and our list of references contains several papers delivered at that conference, namely [17], [18], [19], [30], [31], [33], [45], and [46]. The conference 'The Mathematical Heritage of Élie Cartan' was held in Lyons, France from 25 June to 29 June 1984 to celebrate the 115th anniversary of Cartan's birth.
Article by: J J O'Connor and E F Robertson
Click on this link to see a list of the Glossary entries for this page
List of References (49 books/articles)
A Poster of Élie Cartan
Mathematicians born in the same country
Additional Material in MacTutor
- Élie Cartan's books
- Reviews of Élie Cartan's books
Honours awarded to Élie Cartan
(Click the link below for those honoured in this way)
|Speaker at International Congress
|Speaker at International Congress
|Speaker at International Congress
|LMS Honorary Member
|Fellow of the Royal Society
|Lunar features
|Crater Cartan
Cross-references in MacTutor
- History Topics: The quantum age begins
- Chronology: 1890 to 1900
- Chronology: 1950 to 1960
- Scientific Research Society of Zurich
- 1954 ICM - Amsterdam
- 1986 ICM - Berkeley
- 1900 ICM - Paris
- 1924 ICM - Toronto
- 1928 ICM - Bologna
- 1932 ICM - Zurich
- 1936 ICM - Oslo
- 1962 ICM - Moscow
Other Web sites
- Dictionary of Scientific Biography
- Encyclopaedia Britannica
- Mathematical Genealogy Project
- MathSciNet Author profile
- zbMATH entry
- ERAM Jahrbuch entry


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The Epson Home Cinema 1080UB is a 1080p LCD projector, designed with superior black levels in its class as the main selling point. Epson dismissed the square, blocky look of most projectors (and, for that matter, Epson's newer models) in favour of a sexy, contoured look. The projector has no sharp edges, instead implementing rounded sides and corners, and is white. The design is aesthetically pleasing and easily distinguishes the Epson Home Cinema 1080UB from other projectors.
Looking at the unit from the front, the lens is edged off-centre to the right side, while the left side shows the vent for the fan. The infrared receiver is neatly squeezed in between these two. Sidling to the rear, the various inputs can be seen. 2 HDMI v1.3 inputs are included, typical for 1080p projectors. Next to those are a PC input, as well as an RS-232 input. One component, one S-video and one composite input are clustered together on the left side of the rear panel. A 12-volt trigger is also on the back for use with a motorized screen.
All the necessary buttons for proper functioning are placed on the top of the 1080UB. Power, Source, Menu and Aspect buttons, as well as the directional buttons needed to navigate the various menus are all arranged in a straight line. The whole unit weighs only 12 lbs, which makes it very light and easy to put on a single-shelf wall-mounted component shelf without worry; if ceiling-mounting the projector is not an option for you. The overall look and design is very sleek and appealing, with every button and input easily accessible, even if the unit is mounted on the ceiling.
The design of the unit has one major drawback. Unlike, say, the Panasonic PT-AE2000, the Epson Home Cinema 1080UB does not support anamorphic lenses. This means a constant-height home theatre is not an option for this projector. However, the intended demographic are not those who would opt for this type of setup. Based on the design and simple setup, Epson was trying for mass appeal, as opposed to hardcore theatre buff, with this projector. However, people who prefer a 2:35:1 home theatre should avoid this model.
Once the unit is turned on the lens offers focus and throw distance rings, which can offer any screen size from 40 to 150 inches, depending on the distance between the unit and the screen. The 2:1 zoom lens can easily fill a 100-inch screen from as little as about 10 feet away and as far as 22 feet away. The unit also gives the user the option to shift the image, if the projector's position is far from optimal. At around 15 feet, I can nudge my image about five or six feet in every direction without losing picture quality. This gives the projector great flexibility in placement and a distinct advantage over most DLP projectors on the market.
Another advantage that most LCD projectors have over DLPs is the noise level. The color wheel in DLP projectors is often prone to higher noise levels than LCDs, which don't utilize the wheel. Unfortunately, the Epson Home Cinema 1080UB has a loud fan and, depending on the Color Mode, can get distracting. On basic settings, however, the noise is tolerable and will not be noticed, especially if the movie watched has a relatively active sound field. By the same token, if the unit is about 5 feet from the audience, noise should not be intrusive.
Another slight problem with the unit is involved with the initial calibration. Out of the box, the color temperature on every mode is a tad high. For example, on Theatre Black 1, the best choice most people would find for color film viewing, the color temperature is 7500K out of the box, as opposed to the proper 6500K. With slight modifications, the colors come out looking spectacular, though. The differences in this setting are very slight, but videophiles will enjoy tweaking the picture quality.
Upon entering the Main Menu, there are Signal, Settings, Memory and Info tabs. The Signal tab gives various scaling and noise reductions options, while Settings offers convenience features such as Child Lock, Sleep mode and High Altitude Mode. The Memory tab saves and loads the Color Mode settings previously configured.
The Info tab gives information about the present signal coming to the unit. It accepts every signal known up to 1080p/24. I have used the projector to watch standard definition DVDs output in both NTSC and PAL, to watch Blu-rays and HD DVDs outputting at both 1080p/60 and 1080p/24, and have hooked up my laptop using the PC input. Using all those forms of input, I have never encountered any compatibility problems. Lamp life is included in the menu as well. Epson states each lamp should last between 2000 and 3000 hours.
Depending on the type of material being viewed, Epson offers seven Color Modes, each with their own strengths. Dynamic is about as bright as you can want in a home theatre projector. Epson boasts a 1600-lumen max output in their spec sheet, and the projector dishes out this level with Dynamic mode. It's mostly used for television viewing with a fair amount of ambient light. I used the setting once during a bright sunset. The fan roared to life, about three to four times the volume as it normally runs and the unit overheated in about 10 minutes.
Living Room and Natural offer bright pictures with slightly different color schemes. Living Room is slightly brighter and should be used when a little light is seeping into the room, whereas Natural has slightly more accurate colors, although slightly dimmer. I find both settings too bright, and rarely use the projector with ambient light anyway.
When watching a feature length movie, Theatre, Theatre Black 1 and Theatre Black 2 are more appropriate. The difference between the three is in the color temperature and brightness settings. While Theatre is slightly darker, the colors in Theatre Black 1 are slightly more accurate. The latter is my preferred setting for both films and games. Theatre Black 2 is calibrated for black and white films, as the color temperature is a bit cooler, giving the black and white photography slightly better contrast.
The final Color Mode is X.V.Color, which is used by appropriate components via the HDMI ports. However, no Blu-ray discs support this color space. I've used this mode when playing an Xbox 360, but I find the picture much too dark for gaming, especially titles in the survival horror genre, where darkness prevails.
If the colors in any mode are not to your satisfaction, then every mode can be altered through the Image settings in the Main Menu. There are options to change brightness, contrast, color saturation, tint and skin tone levels. Vertical and Horizontal edges can also be sharpened through the menu's Sharpness option. For videophiles, the Gamma, RGB and RGBCMY levels can be tweaked as well. Casual movie buffs may not spend much time altering these settings, but for those discerning about picture quality, the wealth of image modification options are certainly vast.
Epson states the static contrast ratio to be 4 000:1, and the dynamic contrast ratio to be a whopping 50 000:1. Watching 'Wall-E' on Blu-ray is spectacular, and the Epson Home Cinema 1080UB brings the picture to life. With its dynamic iris turned on, darks are deep, with shots of space looking inky black, while still giving the small white stars in the distance their due brightness. The lighter scenes have nice detail while keeping colors accurate. Scenes in the vast highway shopping malls show terrific detail, and on my 100-inch screen, it feels like being in the movie. Color saturation is spot-on and the color transitions are smooth and accurate. In short, this is a stunning transfer, which the projector replicates with great aplomb.
I tested a decidedly less stunning picture, the region 2 (PAL) release of 'Life on Mars: Season One' from the UK. The style is dingy and replicates 1973 Manchester for television viewing. The transfer, though not up to 'Lost' standards, is appealing in its own right. The series was shot on 16mm film and the transfer keeps the grain intact. The Epson Home Theatre 1080UB has no trouble keeping the presentation as gritty as possible. In fact, the 1080perfect Video Processing does a terrific job in scaling the picture. The difference in seeing this show shown by the projector and seeing it upscaled to 1080p by Oppo's flagship, VRS chip-infused DV-983H is almost negligible. There is a slight difference, but it is quite minimal.
I'm something of an avid gamer and couldn't resist testing two games with opposite design and style, Dead Space and Mirror's Edge. Dead Space is a third-person shooter survival horror title from Electronic Arts. The ship within the game is dark, dreary and very creepy. The Epson Home Theatre 1080UB replicates the atmosphere very well, giving you discernible detail in all the dark corners of the ship. The bright green life bar and ammo indicator are still clearly visible as well. Thankfully, thanks to the UB technology, black corners are black, and not some sort of dark grey, which keeps the heightened level of suspense at a fevered pitch. Mirror's Edge, also from Electronic Arts, in sharp contrast, is a stunningly bright game. The levels are open, often outdoors, and very white. The buildings and sky show very little detail, but there are still slight shadows and textures, which the projector shows as it was intended. The scenes are never blown out and the edges remain sharp and distinct.
The Epson 1080UB is a terrific machine and is a great value all around. The only real drawback is the lack of anamorphic lens support. The strange color temperatures are not much of a problem because they can easily be fixed. The unit may also run louder than other LCD projectors, but as long as it is not sitting directly over your head, it's not overly distracting. The positives far outweigh the negatives with this projector. The breadth and wealth of setup options and the terrific picture quality for all media make this an easy recommendation.


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Welcome to Tully Sugar Limited
About Us
Tully Sugar Limited is a wholly owned subsidiary of Chinese agribusiness company COFCO.
We operate one of the largest sugar mills in Australia based in the regional township of Tully, located on the Bruce Highway in Far North Queensland. Tully is famous for its high rainfall as celebrated by the town's giant "Golden Gumboot".
Our principal activity is the milling of sugar cane to produce raw sugar of internationally recognised high quality. All our sugar is exported. Molasses is produced as a by-product of the sugar extraction process and is a valuable cattle feed supplement. The molasses we produce is sold into both the domestic cattle feed and the international markets.
Our infrastructure is extremely reliable and efficient, benefiting from a strong record of reinvesting in our people and plant. We pride ourselves on the quality of our personnel and our early adoption of leading technologies.
The Company also owns and operates a number of cane farms, has commercial and residential real estate interests in Tully and is a Registered Training Organisation.
Milling operations typically occur over the period June to November each year. During that time 99% of the energy we use is "green" renewable energy sourced by firing our 3 steam boilers with the biomass (bagasse) produced after extracting the juice from the sugar cane.
Since 1998, in addition to meeting our own energy requirements, we have been exporting 10 Megawatts of excess renewable energy into the Queensland electricity grid when our plant is operational.
We are one of the very few sugar mills that continues to allow tourists to inspect our operations as part of guided tours organised through the Tully Visitor Information Centre.


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Redesigned Bristol Dragway Website Gets the Green Light
With the 2013 season in the staging lanes, Bristol Dragway fans have one more reason to get excited about what lies ahead. After a complete overhaul, Bristol Dragway's new website gets the green light and is up and running with pages of information designed to help every visitor plan their trip to historic Thunder Valley.
Featuring an easier-to-navigate layout and added features, the new Bristol Dragway site puts more control in the hands of users. The website, still located at www.bristoldragway.com, also provides race fans with details about upcoming events and includes a news section to keep everyone current with race promotions and results.
Always on the leading edge of social interaction, Bristol Dragway officials designed the new website to allow visitors close interaction with staff and other fans. The regularly-updated blog, "Inside Thunder Valley," provides fans with an inside glimpse of the inner workings of Bristol.
"We think fans will believe this website is more user-friendly," said Jerry Caldwell, Executive Vice President and General Manager of Bristol Dragway. "Not only is it easier to navigate, it provides fans more opportunities to interact with us and communicate their thoughts. We're very proud of the end result and think the fans will enjoy the new site."
Visitors to the page may offer feedback through various social media options, including a new comment option on all articles. An instantaneous Twitter feed and link to the Bristol Dragway Facebook page also add to the social connectivity of the new site.
From the Ford Thunder Valley Nationals to each Street Fights Series event, the new website will provide visitors with up-to-date information about each event in Thunder Valley.
For more information about Thunder Valley, please visit the new Bristol Dragway website at www.bristoldragway.com or call (423) 764-DRAG.


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Replacement Gasket commonly fits unit model # .
Compatible with OEM part # TBP60124.
This gasket is not OEM product, and is not manufactured, licensed, authorized, or sold by Delfield. OEM Numbers and Equivalent Models are used for reference only and no inference or implication beyond that should be taken or is intended. Our gaskets are replacement parts and are not authorized, sponsored or endorsed by the OEM.


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CHICAGO — Last week the Chicago Bears showed fans what their new defense was supposed to look like in a preseason-opening win over Philadelphia.
On Thursday night, they took a little step back, but still managed to haul in a 20-19 come-from-behind victory over Jacksonville in the second preseason tilt. And luckily for the Bears' defense, there is not only plenty of time to correct the mistakes, but they are also clearly fixable — unlike the situation around this time last season.
"I like where our team is headed," new defensive end Jared Allen said. "But we just have to watch the film and clean up some little details."
Allen got his first action as a Bear on Thursday, nearly getting a sack while disrupting things in the backfield on four different occasions. And low and behold, even Shea McClellin made a play from his new linebacker slot, slashing into the backfield for a tackle for a loss early in the first half.
"He's seeing things a little bit differently, but Shea's real smart, and he's very athletic," linebacker Lance Briggs said. "The thing about him in practice, and even tonight in the game, he's always around the ball."
And in the end, the Bears only surrendered 19 points.
But the defense as a whole was not good, especially early on. In four of their first five scoring drives, the Jags settled for field goals. But that all came in just over two quarters — which means Jacksonville had five scoring drives in just over a half. Yes, that Jacksonville.
And for a team that does not believe in the old bend-but-don't-break motto, that just won't do.
"No, no, that's not in my NFL pedigree," safety Ryan Mundy said. "That's not how we do it. That's not our mindset here at all. We want to be a great defense; this is a defensive city, and there's a lot of tradition and history on this defense. And we have to live up to that. We're excited about that challenge and opportunity."
The Jags chipped away and nickel-and-dimed the Bears to death, and should've gotten the win for it. But Jordan Palmer hit Ka'Deem Carey across the middle and then Senorise Perry along the sideline to put the Bears into the end zone late to turn it around.
Still, they trailed from the get-go, and even the come-from-behind victory didn't erase the defensive deficiencies that stuck out early.
A lot of the problems came against the pass, too, where Chicago's coaching staff continued to rotate safeties in and out, searching desperately for a winning combo.
The first safety tandem of the night, Mundy and Danny McCray, was not good. Jacksonville's no-name attack picked them apart.
The second grouping of Adrian Wilson and Brock Vereern? A little better. By the time M.D. Jennings and Marcus Trice made it onto the field, not many fans were paying attention. I was. They were also not very good.
"I think we're a humbled group," linebacker Lance Briggs said. "One thing is, we're working really hard to clean it up right now."
A couple of guys who made strong cases for more regular-season playing time Thursday were wideouts Chris Williams and Marquess Wilson, defensive lineman Willie Young and safety Chris Conte. They did not suit up to play in this one, thus they did not mess anything up.
And new No. 2 quarterback Jimmy Clausen was decent, going 11-for-15 for 94 yards. The guy now pushing him, Palmer, kept the pressure on by going 6-for-9 for 73 yards while leading the Bears down the field for the game-winner with just under a minute left. And keeping the positives on the offensive side, rookie running back Carey burst for a 15-yard run to set up a 1-yard, fourth-quarter touchdown run that made it a game down the stretch.
But the defense looked a lot like it did last year as it allowed the Jags to run away early.
Luckily it's just preseason.
Jay Taft: 815-987-1384; firstname.lastname@example.com; @jaytaft


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Manage your bedroom lighting with this bed's innovative lamp assist feature. Lamp assist allows you to plug your lamps directly into the bed and turn them on or off with a touch switch located on each side of the headboard. The conveniently located touch switches ensure you won't need to get out of bed to turn off your sleeping partner's reading light, or fumble about in the dark to turn on a light when something gets you out of bed at night.
A true centerpiece for your bedroom, this sleigh bed is where you can expect to have a perfect night's sleep.The panel headboard along with the bed rails and footboard is constructed of solid pine and covered in a mink wood finish that adds a rustic look. Don't be fooled by its traditional appearance though, this bed features Lamp Assist technology which allows you to turn off lamps on either side of the bed without getting up. With a 6" gap between the floor and side rails you can easily store smaller or seasonal items under the bed.
The Tildon King Sleigh Bed with Panel Headboard by Aspenhome at Reeds Furniture in the Los Angeles, Thousand Oaks, Simi Valley, Agoura Hills, Oxnard, Calabassas, Malibu, California area. Product availability may vary. Contact us for the most current availability on this product.
Create a tranquil atmosphere in your home with the Tildon collection. Common features in this collection include antiqued bronze hardware, glass doors or table tops designed with trellis fretwork, wood paneling and solid pine wood covered with a mink finish. A variety of storage options along with modern twists such as 3-way touch pathway lighting, AC/HDMI/USB outlets, and lamp-assist touch lighting allow for full convenience in your home. The clean lines of this collection hint at a contemporary style that pairs well with the distressed rustic wood to give a homey feel.
The Tildon collection is a great option if you are looking for Rustic
Contemporary furniture in the Los Angeles, Thousand Oaks, Simi Valley, Agoura Hills, Oxnard, Calabassas, Malibu, California area.
These images are representative of this group as a whole and may differ from this item.
Browse other items in the Tildon collection from Reeds Furniture in the Los Angeles, Thousand Oaks, Simi Valley, Agoura Hills, Oxnard, Calabassas, Malibu, California area.
This item has been tagged as: Bed, Bedroom Furniture, Twin Size Bed, Full Size Bed, Queen Size Bed, King Size Bed, California King Size Bed, Bookcase Bed, Book Case Bed, Canopy Bed, Bed with Canopy, Captain's Bed, Daybed, Headboard and Footboard Bed, Headboard, Footboard, Headboard & Footboard, Pier Bed, Poster Bed, Sleigh Bed, Upholstered Bed, Wall Unit Bed, Double Bed, Day Bed, Storage Bed, Home Furnishings, Furniture, Bed frame, Furnishing For Bedroom, Bedroom Furniture Set
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Samsung released a preview of a new anti-iPhone 5 ad it will run in newspapers tomorrow morning, and Apple fans are already mocking it.
They have a valid point. It seems like Samsung padded its comparison of the Galaxy S III and the iPhone 5 with a ton of extra features while omitting features exclusive to the iPhone 5.
Here's a look at some of the ads Apple fans have sent me on Twitter:
This one comes from iMore's Rene Ritchie:
Here's another from @r0unak:
And one more from Tim Sears, my favorite of the bunch:


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The Inter-American Press Association (IAPA) Feigns Unawareness That Its Own Members Were Behind the Honduran Coup – Español
By Jean-Guy Allard
Translation: Machetera
The Inter-American Press Association (IAPA) that bemoans the "limitations" on press freedom suffered by media opposed to the coup d'etat, avoids recalling that two of the main conspirators behind the coup which led to the expulsion of President Zelaya from Honduras are also its main (and practically only) Honduran members.
Associated for decades with the CIA and located in Miami, USA, the IAPA has issued "denunciations" of the electricity cutoffs to Channel 36 and Radio Globo, through which they are trying to give themselves a legitimate image.
The IAPA criticizes the climate of "instability and restrictions surrounding the press" in Honduras "in recent months," which in some cases, it notes, has led to "self-censorship."
Just as hypocritically as the other press organization corresponding to North American intelligence, Reporters Without Borders, which attributes a new "wave of censorship" to President Zelaya's return, the IAPA acts as though it is completely unaware that its own members are those who fostered the Micheletti regime.
Carlos Roberto Flores Facussé, the former president of Honduras (1998-2001) and the owner of the La Tribuna newspaper, and Jorge Canahuati Larach, the billionaire owner of the La Prensa and El Heraldo newspapers are among the conspirators who brought about the coup.
For those who may be unaware, the IAPA which aims to represent press freedom in America is nothing more than the cartel made up of the largest proprietors of communications media on the continent. Created in New York in 1950 through a U.S. intelligence operation, it was a pirate takeover of the legitimate pan-American organization created in Havana in 1943.
The IAPA is so closely linked to the Central Intelligence Agency (CIA) that its headquarters in Miami is named after its founder, Jules Dubois, a CIA agent and former U.S. military intelligence colonel who died miserably in a Bogota hotel in 1966, under hazy circumstances.
Over the years, this association of press magnates intervened in UNESCO in order to defend the control of information by private business, participated in the dirty propaganda war against the democratic government of Salvador Allende, and kept quite silent during the coup against Venezuelan President Hugo Chávez. In the meantime, it has never missed an opportunity to attack Cuba.
A real network of magnates from the corporate press, the IAPA manipulates information far and wide across the continent, in parallel with its radio and television stations which pursue the same destabilizing objectives. Through the servile collaboration of its providers, the press agencies, the IAPA continually expands its attacks against Latin American leaders which are then taken up by its media affiliates.
In Honduras, the television, radio, cable and Internet circuits are entirely in the hands of very few individuals: Rafael Ferrari, Miguel Andonie Fernández, Rodolfo Irías Navas – all of them, primary "shareholders" in the Micheletti coup.
These millionaire communication media barons are such business professionals that some, such as Rafael Ferrari, also have their tentacles in U.S. chain franchises such as Burger King, Dunkin' Donuts and Pizza Hut.
Instead of dedicating itself to stopping cold the fascist impulses of its associates Flores Facussé and Canahuati Larach, the IAPA went so far as to organize a "meeting" in Caracas with the reactionary Venezuelan press, under the pretense of "discussing the situation of freedom of expression," but really to attack President Hugo Chávez all over again. The IAPA and Venezuelan Press Group held their meeting last Thursday and Friday in Caracas, in order to discuss the situation of freedom of expression throughout the continent.
The adjunct Secretary General of the Latin American Federation of Journalists (Felap), Nelson del Castillo, denounced this IAPA maneuver, pointing out that this mafia organization "has fathered the derailment of democratic processes, in the name of certain liberties, when the only intention is to violate the rights of the people and keep them in the most backward political, economic and social [state]."
Machetera is a member of Tlaxcala, the network of translators for linguistic diversity. This translation may be reprinted as long as the content remains unaltered, and the source, author, and translator are cited.


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Even if you know what you want to say, how do you make sure it sticks with your audience? That's the issue when you're crafting your message, the core of any presentation, speech or even a one-on-one conversation where you want to be sure to get your points across.
This week, my video offers the glue that's needed to make a message memorable, building on the content Stephanie Benoit outlined in her video submission. She's chosen her goals as the basis for her three key points -- all related to the business she's creating, called Forward Movement, which is intended to empower women with retreats, books and inspirational examples to help them move forward. My advice offers her examples of three ways she can rework the message to make it more memorable--"sticky"-- for her and for her audience, and even inspiring. She even gets to have fun with it, if she wants.
Stephanie's next step will be to choose one of these approaches and rework her message (using my suggestions or similar approaches she comes up with) in time to put the newly revised message on a video in week 12. Next week, we'll be tackling her number-one priority: Building up her confidence and reducing her fear of public speaking. So Stephanie's next video needs to ask me any questions she has about her number-one priority, and also to share with me any experiences or issues she thinks are impacting her ability to feel confident when she speaks. What's holding you back? What do you really fear? Once we know those things--and any other questions she has--I'll be able to coach her to a more confident stance.
As usual, offer your reactions, encouragement and advice here in the comments or on The Eloquent Woman on Facebook. Reader feedback is really encouraging to Stephanie, and I appreciate it, too.
Related posts: Stephanie Benoit's video about her message
15 Weeks to Step Up Your Speaking (describes contest and program)


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I lean back and stretch, before glancing at the time in the lower right corner of the computer screen.
Joseph should have called by now to confirm his lunch bolus.
Standing up, I stretch again-- then walk upstairs to the kitchen, drop into a seat at the counter and slide Joseph's bright yellow and green logbook in front of me.
Hmmm.... 155 before breakfast-- that means the spike will be a bit higher. But if today is anything like the last few days, he'll probably coast into the low-to-mid 100s.
We've had some out-of-left-field highs of late, so I'm not entirely confident in my prediction.
A few minutes go by and I look at my watch, then at the clock on the microwave.
He should have called at 11:30, right after lunch...
But then I remember something.
It's Friday... the field trip... his class went downtown to see a musical performance.
I get up and rummage quickly through a stack of papers next to the phone-- until I find my half of the permission slip.
"Students will arrive back at school by 11:30 am," it says.
I look at my watch again.
Relax, I tell myself, he's probably just finishing his lunch...
Several more minutes pass before the loud ring of the phone causes me to jump.
"Hi, Mom," Joseph says, his voice sounding tired, "lunch was 93 grams."
"Cool, Bud-- and what was your bg?"
"Okay, let's see now - "
"Mom... "
A pause.
"... before that, I was 37."
For a second, I'm convinced I didn't hear him right.
"Thirty-seven," he says again, a little more slowly.
"Wha- where-- when were you 37?" I sputter, trying to stay calm.
And failing miserably.
Because all I can picture is Joseph on a loud school bus, packed with middle schoolers.
A blood sugar of 37.
"It was when I got off the bus-- I felt really low and I went to the health office and checked and took some glucose- "
"Wait-- did you feel low during the bus ride back to school?"
"Well, kind of... I mean, I felt hungry. But I figured we were gonna eat lunch once we got back."
"How many tabs did you take?"
"I took five and then ate lunch about seven minutes later."
"So after seven minutes, the glucose brought you up to 81, and then- "
"No, I was 81 after I had lunch."
"Oh, Honey-- you've gotta check again before you eat, to make sure the glucose is bringing you up."
"Well, the blueberry bagel I had didn't really slow things down. I was fine-- and Mom, it was kinda cool the way all the girls were worried and wanted to give me hugs and stuff."
Despite hearing the smile in my son's voice, I can't stop feeling sick about this.
What if he was 37 just a few minutes earlier? While he was still on the bus, miles from the school?
I try to shake this thought as we calculate his lunch bolus.
"Bud, why do think you went low? Were you more active this morning? Did you give yourself extra insulin? A correction? A bolus for a snack?
"Mom-- no, none of those things. I just got on the bus this morning, sat at the concert, got back on the bus- Mom, it happens. I have to go-- recess is almost over.
"All right, Bud... " I say, straining to sound normal, "I'm sorry, go ahead-- I'll... I'll see you later."
Shaking, I sit back down in my chair, and stare through wet eyes at the logbook in my hands. At the "37" I've written in it.
Because I can't find a single reason for that number.


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|EPM Scientific
US-MA, Senior Principal SAS programmer needed for multi-billion dollar organization 452431245510-MZ
|Senior Principal SAS programmer needed for multi-billion dollar organization
The Biotech Giant has also recently made a number of acquisitions and is looking to speak with the best in the business to join the team and assist in expansion plans to a global scale. This is a very exciting and challenging opportunity that will offer someone a broad scope of responsibility to harbour personal growth and development.
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Это будет список интересных мне ресурсов. Как-то так.
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The McCanns told a court of their "devastation, desperation, anxiety and pain" when a former Portuguese detective accused them of faking their daughter's abduction and hiding her body.
Gerry and Kate McCann delivered personal statements at Lisbon's Palace of Justice in the libel case brought by them against Goncalo Amaral over his claims in a book and documentary about their role in the girl's disappearance.
The couple both gave powerful descriptions of the impact that the allegations have had on them, their other children and their struggle to find their daughter after she went missing in Praia da Luz on the Algarve in 2007.
Wearing a black dress with floral print, Mrs McCann was the first to give her statement and answer questions from the judge and the lawyers for both sides.
Answering questions from judge Maria Emilia Castro, she admitted once saying that she would like to be in a coma to stop the pain.
She also told the court that when she read Mr Amaral's claims she was "quite desperate because of the injustice I felt towards my daughter and our family as a whole".
"It was very painful to read and I also felt anxious and fearful because of the damage I felt it was doing here in Portugal," she said.
"We were working so hard, we were the only ones trying to do everything in our power to find Madeleine. It was hard enough in itself without all our efforts being crushed in this way.
"It just intensified the pain and fear that there was no point and we might as well give up."
The 46-year-old explained that her young son Sean had asked her about Mr Amaral's allegations after hearing them on the radio while travelling on the school bus.
"Sean asked me in October 'Mr Amaral said you hid Madeleine'. I just said that he said a lot of silly things," she said.
Sean and his twin sister Amelie were aged two when Madeleine, who was nearly four, went missing.
Mr Amaral, who led the initial investigation into Madeleine's disappearance, released his book The Truth Of The Lie three days after the case was closed in 2008.
He later took part in a documentary for Portuguese television which the couple said had made even more serious claims, extracts of which they had watched on Youtube.
"We have had very many sleepless nights over the publication of this book and certainly when we first heard about these things, it caused distress, anxiety and a lack of appetite," Mr McCann said.
The 45-year-old said the documentary was "even worse than the book". "It starts off by stating right at the beginning that Madeleine is dead, that there was no abduction and essentially claims that me and my wife and our friends are liars.
"It says that we would be so cold and ruthless as to hide our daughter's body rather than try and help her, should something have happened.
"And of course, it has no factual basis or supporting evidence and any evidence that is not in agreement with his thesis is ignored."
As the couple left the court grounds after talking to reporters, an elderly woman with a placard shouted "Long Live Goncalo Amaral" at them.
They had earlier spoken of the lack of support that they perceived from the Portuguese people because of Mr Amaral's claims.
"It is distressing and upsetting because we need the Portuguese people to help us to find Madeleine," Mrs McCann said.
"It also makes me feel uneasy and uncomfortable when I come to Portugal because I think people are thinking negative or really bad things about us."
Answering questions from Mr Amaral's lawyer, Miguel Cruz Rodrigues, she also said she could not recall if she had been supported by Hollywood actress Angelina Jolie after Madeleine went missing.
Speaking to the media outside court, Mr McCann told of his fear Madeleine's kidnapper may "strike again" and claimed that whoever was responsible will have been "laughing" at Mr Amaral's claims.
He said: "There's no doubt that the damage done has been severe – we've got people here screaming things.
"If that is representative of what people in this country and other countries think then we are fighting a losing battle. I hope it's not."
He also spoke of his hope that the current investigation into Madeleine's disappearance would lead to a "real breakthrough".
The couple's latest visit to Portugal comes after Scotland Yard detectives last week returned to the country to help interview suspects in the case.
Officers from the force's Operation Grange joined their Portuguese counterparts in Faro last week as they interviewed people of interest in relation to Madeleine's disappearance in 2007.
The suspects were believed to include three workers from the Ocean Club in Praia da Luz who have been linked to a string of burglaries in the area before Madeleine's disappearance.
The return of British detectives came after they joined their Portuguese counterparts last month in searches of three areas of land near to where Madeleine went missing.
After the searches, police said it was the "first phase of this major investigation which has been agreed with the Portuguese" but that there was "still a substantial amount of work yet to be completed in the coming weeks and months".


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Newtown vigil marks two weeks since shootings
NEWTOWN -- On the two-week anniversary of the horrific shooting at Sandy Hook Elementary School, about 50 people braved fierce wind and cold on the snow-covered soccer field at the Fairfield Hills campus for an interfaith vigil Friday.
The vigil opened with the song, "Let There Be Peace on Earth.''
Sponsored through the Newtown Interfaith Clergy Association, the 45-minute program by leaders of Christian denominations and Jewish, Buddhist, Islamic and Baha'i faiths centered on hope, peace and healing for the families and friends of the 27 victims -- the killer, Adam Lanza, shot his mother, Nancy Lanza -- as well as the Newtown community.
"Once again we needed to be together, and to stand together ... and your faith leaders want you to know we stand with you in the midst of this tragedy,'' said the Rev. Jack Tanner of Newtown Christian Church.
The ceremony began at 9 a.m. At 9:30 a.m., the time Lanza blasted his way into the school, there was a moment of silence.
The interfaith touch was most poignant when Rabbi Shaul Praver of Congregation Adath Israel in Newtown and the Rev. Mel Kawakami of Newtown United Methodist Church together invoked the 21st Psalm from the Old Testament: Praver chanting the verse and Kawakami reciting the scripture.
Brother John Burrow read from the Quran as he called on God to provide a comfort to the aching hearts of victims' families and the community. Muslims believe that small children are like "birds of paradise'' whom God gathers to him and that love is everlasting, he said. He also asked for patience against adversity.
Monsignor Robert Weiss of St. Rose of Lima Roman Catholic Church, pastor for families of eight of the children killed, read from the prophet Jeremiah's comfort to a nation in crisis "much like we are now in Newtown.''
Through the scripture, Jeremiah speaks of God's promise of hope and reward for a mother who mourns the death of her children. Weiss suggested that the community sympathizes with neighbors who have lost their children and assured that God will again fulfill his promise and bring "the healing we need.''
"We are your hurting children from many faiths and cultures ... Hear our prayers for all your children,'' prayed the Rev. Leo McIlrath of Newtown, the ecumenical chaplain at The Lutheran Home in Southbury.
In closing, Praver led a tune with a refrain as he asked the standing audience to repeat, "Love will win the day.''
On Friday afternoon, families of the shooting victims were invited to visit the memorials in Sandy Hook and take any items they wanted before they are disassembled after the new year.


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SET 1: AC/DC Bag > Divided Sky > Wilson, Reba, Horn, Uncle Pen > Bouncing Around the Room, Timber (Jerry The Mule) > Lawn Boy > Possum
SET 2: Golgi Apparatus, Esther > Tweezer, My Sweet One > Bathtub Gin, You Enjoy Myself > The Lizards, Run Like an Antelope
SET 3: La Grange, Ya Mar[1], Foam, The Oh Kee Pa Ceremony > Suzy Greenberg, Fee, Rocky Top, Caravan > Hold Your Head Up > If I Only Had a Brain > Hold Your Head Up > Mike's Song > I Am Hydrogen > Weekapaug Groove
ENCORE: Contact > Big Black Furry Creature from Mars
ENCORE 2: Good Times Bad Times
Add a Review
March 27, 1993
25 years ago
Warfield Theatre
Set 1: Llama, Guelah Papyrus, Rift, Stash, Reba, My Friend, My Friend[1], Uncle Pen, Sample in a Jar, I Didn't Know[2], David Bowie[3]
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
Encore: The Squirming Coil, Carolina
[1] Beginning featured Trey on acoustic guitar.
[2] Fish on trombone.
[3] All Fall Down signal in intro.
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< Back to Theatre
Philippe Decoufle Company DCA: Contact
Philippe Decoufle is a creator of dreamlike performances, who finds inspiration in both high and popular culture and who challenges expectations with the use of the burlesque and thebizarre. With Contact, he creates a musical and visual comedy, a tale of out human - and sometimes superhuman - passions.
As an artist trained in mime, bodily expression, the circus and dance by the likes of Isaac Alvarez, Annie Fratellini, Merce Cunningham and Alwin Nikolais, directing a musical is a natural conclusion for Decoufle. He rewrites what the musical means for him, borrowing from carabets, musicals and even flirting with Bollywood. Musical is simultaneously the subject, the source material, the dramaturgical structure, and the form. The score for this new endeavour has been created by Nosfell and Pierre Le Bourgeois, an opera from another world.
In Contact, we witness the culmination of Decoufle's trademark cinematographic prowess and his fragmented sense of trickery and illusion, expressed through an extraodinary troupe of sixteen dancers, actors, singers and musicians.
Show Information
Tuesday, 16th June 2015
Thursday, 18th June 2015
Venue Information
Sadler's Wells
Rosebery Avenue
Map | Seating Plan
(5mins) Take Upper St towards the City Road crossroads. Continue straight and turn right into Rosebery Avenue, where the theatre is 100m down on the right.


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Brand New State of the art facility, which includes Executive conference room, pilots lounge, snooze room and flight planning.
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