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|Bloomfield, CT
|High School:
|Watkinson School
#34 Stan Dulaire - Career Stats
Career Game-by-Game Stats: 2011-12 | 2010-11 | 2009-10 | 2008-09
Named a Team Captain for 2011-12
2010-11: Was a starter in 27 of the Pioneers 29 games his junior season...Played 26.4 minutes per night...Averaged 7.4 points per game and was SHU's top-rebounder at 5.3 rebounds per game...Shot 52.6% (80-152) from the field on the year...Ranked 15th in the NEC in rebounding and 6th in offensive rebounds per game (2.45 pg)...Hauled in a career-high 12 rebounds at home against Bryant...Scored in double figures in eight games...Posted a season-high 12 points including the game winning free throw to complete a 20-point second half comeback in the win over Hartford...Matched those 12 points and added five rebounds at Wagner...Just missed his first career double double with 10 points and nine rebounds at Long Island...Had 11 points with eight rebounds in home win over New Hampshire.
2009-10: Saw action in 25 games as a sophomore...Played 10.0 minutes per game...Averaged 2.4 points and 1.5 rebounds per game...Shot 55.6% (25-45) from the field...Scored a career-high 14 points making five-of-five and four-of-seven at the line at home against LIU...Finished with seven points and a season-high six rebounds in a loss at Fairfield.
2008-09: Appeared in all 29 games as a rookie...Averaged 10.4 minutes per game...Posted numbers of 2.1 points and 1.4 rebounds per game...Scored a season-high 10 points with a season-best seven rebounds at Boston College...Tied his career high with 10 points at CCSU, finishing the game with three dunks.
High School: Attended the Watkinson School where he played basketball for four years for coach Jose Qua. Was team captain, MVP and all-league his senior year. Averaged over 20 points per game his senior year and finished his career with over 1,000 points.
Personal: Son of Stanford and Marie Dulaire. Has one brother, Scott, and a sister, Alecia. Sports Management major. Favorite sports team is the LA Lakers. Favorite athletes are Kobe Bryant and Michael Jordan. Favorite movie is He Got Game and favorite TV show is Family Guy. Favorite food is pizza. Likes rap music. Enjoys drawing cartoon characters. Considers his parents his role models "because of their work ethic."


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I currently live in North Carolina and this past fall I had tall fescue sod and an irrigation system put in my backyard. This spring I used Scotts fertilizer (in March). Since then I have been watering my lawn twice a week for 25 minutes each session (unless it was already raining).
I was cutting my lawn once every couple of weeks for the past couple of months. In the last two weeks I have started doing it once a week (I learned that you do not want to cut more than 1/3 of the blade with each mow). I use a bagged lawn mower and take the grass clippings away from my yard.
A couple of weeks back I noticed that my fescue was starting to wilt (see attached pictures). I have tried doing some research online but the only information I can find points to Brown Spot disease. Looking at my grass it does not appear to match the description of brown spot disease though.
Why is my fescue wilting and what can I do to make it green again (and stay green)? I am considering consulting with TruGreen but figured I would seek advice online first.

subset: commoncrawl


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Just Straight Out Dumb: Kalamazoo Drug Dealer Gets 23 Years After Snitching On Themselves On A Youtube Video While Under Investigation! (Showing Off Bags Of Money)
" A Kalamazoo man who was pictured in the "Ecstasy Line Promo" on YouTube was sentenced on Friday to federal prison for dealing crack cocaine in and around Kalamazoo. Marjuan Fleming was sentenced to 23 years in prison by Judge Robert Holmes Bell of the U.S. District Court in Grand Rapids, according to the Kalamazoo Valley Enforcement Team. Fleming, also known as "Grandad" was seen on the "Ecstasy Line Promo" flashing large wads of cash while being surrounded by others brandishing handguns and and also displaying great amounts of money, said a KVET press release. Following his imprisonment, Fleming will serve six years of supervised release. Fleming's conviction was the result of a covert investigation conducted by the Kalamazoo Valley Enforcement Team and the United States Drug Enforcement Administration."
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One of our family's favorites Christmas activities is decorating our home. From the lights on the outside of the house, to the Christmas tree, to the stockings on the mantle, wherever you look you'll see a piece of Christmas.
Each decoration holds a special part of our family's Christmas spirit, and every year, we create at least one handmade decoration to add to our collection. Sometimes our handmade décor lasts only one year, while others become valued pieces that last from year to year, priceless pieces of our family history.
Kids love creating Christmas decorations, and there are so many quick and easy holiday décor projects that you can create with your children. Here are a few ideas to get you started on your own handmade holiday collection!
- Homemade Ornaments: Our Christmas tree has ornaments on it right now that I made when I was a little girl. There are several different types of ornaments that are perfect for kids to create themselves or with a little help from mom. Salt dough ornaments are very popular these days, and with a few cookie cutters and stamps, you can create just about any ornament you could imagine to hang on your tree. My girls made some super cute and festive ornaments with their Very Merry Ornaments kit from ALEX! Ornaments are easy to personalize too, which makes them even more special.
- Make a Banner: Banners are another fun and festive project idea for the holidays. With a strand of ribbon and some construction paper, you could create a banner with a variety of Christmas themed objects like trees, snowflakes, snowmen, and Santa hats. Hang them on a wall, across a mantle, or even atop a window or door frame. We used the Christmas Banner craft kit from ALEX Toys to make a felt banner that is sure to be used for many more Christmases to come! All the prepared and easy to use felt pieces created colorful holiday items that added a pop of Christmas cheer to my daughters' room.
- Popsicle Stick Crafts: Popsicle sticks can be used to create all sorts of holiday inspired crafts, from popsicle stick trees, to ornaments, to even a whole nativity scene! They are durable, easy to glue together, and super inexpensive. We love popsicle sticks at our house!
- Advent Calendars: Advent calendars are a fun and festive way to count down the days till Christmas, but they can also be an important part of your holiday décor. We made a tree-shaped advent calendar last year that had little hooks on each number where we hung an ornament. Each day, the kids would take turns hanging that ornament on the tree. It was so much fun, and the kids even helped me make it. There are tons of creative advent calendar ideas out there, and may use items you have right at home!
What handmade holiday projects are you planning on making this year?
Today's guest blogger is Angie Knutson, a homeschooling mom of four children, ages 4 to 11. Angie shares tips about motherhood, parenting, homeschooling, and crafting on her own blog, which she launched four years ago and also writes for many popular parenting blogs in addition to her contributions here on the ALEX blog. Follow her on Twitter at @MyFourMonkeys.


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Hors Classe "Les Ménétrières" 2009 - Wine
Hors Classe "Les Ménétrières"
This south-east facing vineyard, which, at its northernmost point, reaches the village boundary of Fuissé itself, covers less than a hectare of ground.
Vineyards' age
A third of the vines are 40 years old, a third are 20 years old and the final third are 10 years old.
The soil, which is derived from alluvial deposits, consists of a mix of deep silt and clay containing few stones. The subsoil features streaks of limestone and limestone marls, while the top layers are rich in stone-free limestone deposits derived from the light marls of the Dogger bank..
The nose suggests great ripeness. Subtle creamy notes are blended into a complex array of Chardonnay fruit notes underpinned by honeyed aromas, toast and quince paste. The aromas are superbly rich and generous. On the palate, this wine is powerful and intense, with a vivid finish. Because of its power and richness, this wine would benefit from being allowed to mature for a few years.
Wine and food pairing
Due to its impressive richness and balance, the wines of les Ménétrières deserve to be matched to dishes of great refinement, such as a sole Meunière, a terrine of foie gras, grilled lobster, sea bass or poulet de Bresse with cèpes, but it's also a perfect partner for such cheeses as Vacherin Mont d'Or, Saint-Marcellin or even a Saint-Maure.
Our Wines
Version Francaise
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Earn points, on your own or with your family, and travel sooner than expected throughout Europe.
Being afraid of flying is more common than one would think; one out of three people are afraid of flying to some degree. Fortunately, it's also one of the most treatable phobias with a high success rate.
To ensure the highest possible chance of success, our course is backed by scientific research and our instructors are active aviation professionals and experienced behaviour therapists. In addition, a team of clinical psychologists and behavioural therapists will determine if participants will truly benefit from the course and they will also guide participants over the two days.
Fear of flying (or aviophobia) is often described as the intense fear of being on an airplane. However, fear of flying can be experienced at any other moment related to air travel. For example, during the booking process, when packing, or on the way to the airport.
Being afraid of flying is more common than one would think; one out of three people are afraid of flying to some degree. Air travel has undoubtedly become an essential part of modern life. A fear of flying can therefore drastically limit life's possibilities, both in private and professional spheres. For example, a business man can miss career opportunities because he's unable to meet partners abroad, the family has limited holiday options because mum had a bad flight in the past and so on. Fortunately, it's also one of the most treatable phobias with a high success rate.
Fear of flying is also an umbrella term for more specific fears such as:
Being scared of flying exists as a phobia in itself but it can also be a symptom of another, larger disorder. Common underlying causes of fear of flying are:
As with all phobias, the fear level will differ from person to person. Some people are still capable of flying, while others will go to extreme measures to avoid any type of air travel.
Some travellers experience fear of flying after an unpleasant flight experience. A bad flight experience can have a negative effect on other flight experiences in the future. Others causes are related to the overestimation of the risk of an accident. Air travel is one of the safest means of travel; it is even vastly safer than travel by car or train. Unfortunately, this can be hard to recall with the heavy media coverage of airplane crashes, airport incidents and terror attacks involving airports or planes.
Another common cause is the fear of not being in control. For some people it can be quite scary to put their lives in the hands of someone else, even though pilots put flight safety at the very top of their priorities.
Finally, fear of flying can also be part of a bigger underlying issue. In this case, fear of flying is a symptom rather than an independent phobia. For example, a person with claustrophobia may be afraid of flying because the aircraft cabin is a confined space or someone suffering from anxiety disorder may feel an extreme fear of getting a panic attack on board.
Brussels Airlines is the leading Belgian airline and a member of the Lufthansa Group and Star Alliance. From our hub at Brussels Airport, we connect the capital of Europe to more than 90 destinations in Europe, Africa, North America and Asia.
Brussels Airport is Belgium's main airport and connects Brussels to more than 200 destinations worldwide through 78 international airlines. Nearly 22 million passengers choose to fly via Brussels Airport, making it one of the most important economic hubs of the country.
Ghent University is a top 100 university and one of Belgium's top universities. The Department of Experimental Clinical and Health Psychology of Ghent University has put together some practical treatment guidelines based on behaviour therapy that offer the best possible chances of success.
Registration and payment
After completing the registration form, you will receive an email with payment instructions. The registration fee for this course is € 999, VAT included (or € 825.62, excl. VAT). Included in the price: Analysis of the questionnaires, interview with a psychotherapist, the entire two-day programme at the airport, a return flight under supervision of a psychotherapist on a commercial flight, meals, coffee breaks and airport car park.
Complete the questionnaire
Once we have received your payment, you will receive another email with a login and password. With these credentials you can access the 5 questionnaires that will help our psychotherapists understand your particular fear of flying better.
Completing the questionnaires should take no more than 30 minutes.
In-person interview with a psychotherapist
When a psychotherapist has fully assessed your questionnaire results, they will contact you personally for an in-depth interview. The results of the questionnaire and the interview will determine if you are a suitable participant for the treatment.
Should the psychotherapist decide that you have other causes that need to be treated first, the registration fee will be fully refunded.
The fear of flying course consists of two parts, on two separate days. During these days, you will meet several airline professionals and psychotherapists who will provide you with guidance.
You will get a detailed explanation of the many technical aspects of flying by experienced Brussels Airlines pilots, while specialized psychotherapists will give you a better understanding of fear and how to overcome it.
How does an aircraft fly? How is an aircraft constructed? What are the sounds one hears on board and what do they mean? How safe is an aircraft and how is flight safety ensured? A Brussels Airlines pilot explains.
Guided aircraft visit with the pilot. Learn all about important aircraft parts such as flaps, slats and speed breaks. The flight instruments in the cockpit are explained and you will learn more about what you experience as a passenger in the cabin.
What is fear and how can you learn to overcome it? A closer look at the anxiety symptoms one can experience. Tips & tricks for getting through your flight.
To overcome your fear, it is essential to put what you've learned into practice. On our course, we don't use a flight simulator; we go on a real Brussels Airlines flight. You will be guided in small groups by the psychotherapists. The crew on the flight is also notified of your attendance and they will keep an eye on you as well.
Group discussion about each other's anxieties and expectations. Preparations for the flight are taken together with the psychotherapists.
Bus ride to the airport with the other participants and psychotherapists.
Flight accompanied by a psychotherapist. Normally a flight of about 90 minutes is chosen.
At the destination airport there will be about half an hour to prepare for the return flight and to analyse the anxieties experienced.
You return to Brussels. Your psychotherapist is still with you, but you should now be ready to do this on your own.
How did you experience the return flight and were there any problems? Discussion with your therapist and fellow participants.
You will be asked to complete the questionnaires a second time to evaluate your progress. You chances of success are high. Of our participants, 81.3% have fully conquered their aviophobia and can now fly with confidence, while the remaining 18.7% are considerably less fearful and capable of flying without stress.
Complete the enrolment form below.
Afterwards, you'll receive an email with further instructions.
For more details in the enrolment steps and the course programme, go here.
Attention: The course is only available in Dutch and French. A good working knowledge of Dutch or French is needed to participate to the course.
Participants need to be at least 18 years old.


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|Bruce Cromer
Actor (AEA Member)
Acting/Movement Teacher
Voice-Over Artist
Fight Choreographer
|Directing Experience
Wright State University -
and PART TWO (1780),
APPROACHES and PERESTROIKA,
SHADES OF NIGHT (Shakespeare's Supernatural),
Contemporary Commedia Farce)
Xavier University
Shakespeare Theatre of New Jersey
(Summer Professional Training Program) -
Human Race Theatre Company -
THE TEMPEST (In School Tour),
Cincinnati Playhouse (Skilken-Brown Tours) -
|Teaching Experience
Professor at Wright State University, 1987- Present
Has taught courses on: Acting Warm-ups, Text Analysis, Playing Objectives,
Character, Body Language, Modified Laban for the Stage, Stage Combat I and II
(Unarmed, Broadsword, Rapier and Dagger, Single Sword, Smallsword, Quarterstaff),
Comedy of Manners (Restoration, Moliere, Sheridan, Wilde, and Coward), Acting
Shakespeare, Shakespearean Movement, Masks and Physical Comedy, Acting
Professionally, Improvisation, Auditioning, Acting for Non-Majors, Modern Realism
(Chekhov, Ibsen and Shaw), Contemporary Acting
Shakespeare Theatre of New Jersey, Madison, NJ
Xavier University, Cincinnati Ohio
March Madness Stage Combat Workshop, Cincinnati, OH
Human Race Theatre, Dayton, OH
Muse Machine, Dayton, OH
Arts Connections, Cincinnati, OH
Cincinnati Playhouse, Cincinnati, OH
Seattle Experimental College, Seattle, WA
Cincinnati Conservatory of Music, High School Summer Workshops
Alabama Shakespeare Festival MFA Program
and ASF Conservatory Program, Anniston and Montgomery, AL
Excerpts from Reviews
For Richelieu in THREE MUSKETEERS, at the Shakespeare Theatre of New Jersey
"Bruce Cromer, who was so maniacally creepy as Titus in Titus Andronicus, is creepy as Cardinal Richelieu, too — in a more savory way.."
MorristownGreen.com - June 18, 2019
For Titus in TITUS ANDRONICUS, at the Shakespeare Theatre of New Jersey
"Cromer's Titus is genuinely pitiable as his wits dwindle because the actor makes clear how the general's pride in country and family is not simply
wounded but rather shattered to the core."
NJ.com - July 26, 2018
For Bruce in THE COMPLETE WORKS OF WILLIAM SHAKESPEARE: ABRIDGED, at the Human Race Theatre Company
"Almost as big of a star as Shakespeare, local legend Bruce Cromer is the elder statesman of the ensemble and alleged Shakespeare expert—he is, after
all professor of theatre at Wright State University, and developed "the Cromer Method," part of the good-natured fun of the banters and asides to the
League of Cincinnati Theatres - June 4, 2018
For Peter Quince in A MIDSUMMER NIGHT'S DREAM, at the Shakespeare Theatre of New Jersey
"As director of the mechanicals, Bruce Cromer kills it with Peter Quince's exasperation."
Montclair Local - July 6, 2017
For Tracy Mills in THE LEGEND OF GEORGIA MCBRIDE, at the Ensemble Theatre Cincinnati
"Smartly directed by D. Lynn Meyers, Georgia McBride's biggest asset is fave area actor Bruce Cromer, taking a break from years of iconic stage roles for
a diva sashay across the ETC stage. ...He had the audience at hello."
River City New - September 9, 2016
""Bruce Cromer in a dress" is a great gimmick to sell tickets, of course. But anyone who's studied his work knows that his physicality as an actor could
either make or break this production. His acting is usually quite masculine, very strong. But he is infinitely talented. ...Whatever the formula was, it
worked as I quickly forgot that I was watching Ebenezer Scrooge in stilettos."
The Sappy Critic - September 7, 2016
For Menenius in CORILANUS, at the Shakespeare Theatre of New Jersey
"Some of the actors in this cast are so comfortable speaking the verse that they can play with the language and use it to build believable characters. ...
Let me single out the top three in this large cast who demonstrate that they really know how to play Shakespeare. Bruce Cromer is particularly adept
playing Menenius Agrippa, a Polonius-like mentor, politician, and part-time philosopher. He is at ease with the verse and we not only clearly hear what he
says, we clearly understand what he says and who he is."
North Jersey.com - July 21, 2016
"Bruce Cromer delivers the humanity and the hubris of the patrician Menenius. "
Curtain Up - July 13, 2016
For Willy Loman in DEATH OF A SALESMAN, at the Cincinnati Shakespeare Company
" From the outset, Cromer's performance is heartbreaking. Even before he speaks, we know this man is broken. There's a fragmented energy about him,
as if Willy is trying to reclaim his grasp on reality. Every time Cromer moves, he exudes desperation. It's hard to imagine that this is the same actor who
was bounding around the Ensemble Theatre Cincinnati stage as Homer in "An Iliad" just a year ago. "
Enquirer - October 18, 2015
"Bruce Cromer is compelling as the title character Willy Loman, a Brooklyn everyman who embodies the 99 percent. Even when stooped under the actual
(or imagined) weight of his traveling merchandise, Cromer's Willy is in constant motion, rummaging through his suit pockets for a handkerchief to wipe
his brow or to clean his glasses, a telling physical expression of the desperate and confused grasping in his everyday life. "
League of Cincinnati Theatres - October 19, 2015
For Holofernes in LOVE'S LABOUR'S LOST, at the Shakespeare Theatre of New Jersey
"As Holofernes, Cromer articulates his thoughts with a melodramatic vibrato – and in the play-within-a-play about the "Nine Worthies," adept physical
comedy as well. "
Star Ledger - June 30, 2015
"Jeffrey M. Bender as Don Armado and Bruce Cromer as Holofernes jauntily handle the crowd-pleasing, tongue-twisted fellows who seem to 'have been at
a great feast of languages, and stolen the scraps.' "
New York Times - July 3, 2015
For Estragon in WAITING FOR GODOT, at the Cincinnati Shakespeare Company
"Each actor plays a comic type, but performances are nuanced, personalized and constantly engaging. As thoughtfully provocative as Beckett's script is,
it's also full of opportunities for flat-out slapstick and physical humor, something Cromer is especially good at — as he wrestles with his boot to begin the
show or drops his pants at a particularly somber moment. "
CityBeat - January 20, 2015
For The Poet in AN ILIAD, at the Ensemble Theatre Cincinnati
"Panelists for the League of Cincinnati Theatres (LCT) have awarded Ensemble Theatre's production of AN ILIAD with a 5 star recommendation. ....
Panelists raved about the production: "Every element of it worked beautifully, from the versatile, 'meta' setting design, pacing, and, finally, Bruce Cromer'
s riveting performance as the poet. I rarely find a production so flawless, but this one sweeps the audience away, emotionally and intellectually." Bruce
Cromer "is stellar; his mercurial shifts into different characters, from gods to heroes to warriors and their women, his wonderful physicality, the agility
with which he owns and uses the stage is just mesmerizing…this may be the best performance by an actor that I've seen In Cincinnati."
League of Cincinnati Theatres - October 20, 2014
"On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre
Cincinnati. Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer
does everyone of them (sometimes interacting with one another) with both imagination and detail. ...It's also a celebration of theater, and Cromer is an
absolute marvel to watch: after 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a
production that no theater fan should miss."
CityBeat - October 17, 2014
"Cromer already has a reputation as an actor's actor, a guy who is likable, compelling and so very physical that he dominates nearly any stage he
inhabits. But this performance is a genuine tour de force as he bounds around Brian C. Mehring's warehouse of a set, falling to his knees, clambering up
ladders and leaping from floor to platform as if he were auditioning to play Batman."
Cincinnati Enquirer - October, 2014
For Subtle in THE ALCHEMIST, at the Shakespeare Theatre of New Jersey
"Monte has assembled a stellar cast of actors whose comedic talents are wonderfully utilized. Bruce Cromer as Subtle is so convincing, you may start to
believe his supernatural abilities."
Broadway World.com - August 16, 2014
"Of course, this madcap mayhem would only be possible with a cast of über-talented actors, all of them STNJ veterans. Bruce Cromer is magnificent as
the wily avaricious Subtle, aka Dr. Necromancer.."
NJ Arts Maven - August 10, 2014
For Charles Strickland in RACE, at the Human Race Theatre Company
"Bruce Cromer supplies one of his most brilliantly understated performances as the meek and mousy Charles Strickland, whose insistence to talk to the
press about his questionable actions is met with disdain by Jack and Henry. Thanks to Cromer's superb embodiment of Charles' humility and seemingly
Jekyll & Hyde guise the play thoroughly maintains its gripping guessing game foundation."
Dayton Most Metro - April 12, 2013
For C.S. Lewis in FREUD'S LAST SESSION, at the Ensemble Theatre Cincinnati
"Bruce Cromer, I believe, is at his best in parts that demand intelligence, a quick and deep-thinking mind. Cromer is good at deconstructing a part, finding
the inner drive of a character, charting the evolution of a character's twists and turns. When he plays characters of deep intelligence, we see the cogs in
the mind turning, as we should. There is a gentle, caring, self-effacing prudishness to Lewis that Cromer gets just right."
tonydallastheatrereviews.blogspot.com - January 29, 2013
"Cromer is a perfect match in a subtle performance that has an outward lilt and inward tight control. His Lewis suggests complexity, decency and
Cincinnati.com - January 24, 2013
For Atticus Finch in TO KILL A MOCKINGBIRD, at the Cincinnati Shakespeare Company
"...when a standout actor like Bruce Cromer takes on the appealing leading role, well, apparently that spells great box office."
Cincinnati.com - June 16, 2012
For Dan in NEXT TO NORMAL, at the Ensemble Theatre of Cincinnati
"Enter Bruce Cromer, the region's best actor, whose performance helps Hendy shine. He's a decent singer surrounded by terrific vocalists but it doesn't
matter because he inhabits Dan as he inhabits every role."
Cincinnati.com - June 16, 2012
For Richard in TIME STANDS STILL, at the Ensemble Theatre of Cincinnati
"Fresh from "Speaking in Tongues" at Playhouse, ...Bruce Cromer adds another memorable performance to a season that started with his splendid
Thomas More at Cincinnati Shakespeare. (And despite months of rumors, he will return as Scrooge in Playhouse's "A Christmas Carol" next year –
Cincinnati.com - March 15, 2012
"Cromer, one of Cincinnati's most versatile professional actors (already this season he has played the virtuous Sir Thomas More in A Man for All Seasons
at Cincinnati Shakespeare; the cantankerous Ebenezer Scrooge at the Playhouse; and a series of morally corrupt men in Speaking in Tongues at the
Playhouse), convincingly captures Richard, a caring mentor and hardworking editor who still must deal with the daily pressures of negotiating the
contents of a news magazine."
CityBeat - March 16, 2012
For Neil, Pete, and John in SPEAKING IN TONGUES, at the Cincinnati Playhouse
"...The actors play multiple roles and more of the story becomes evident as the narrative unfolds. ...In the second act, we meet five new characters with
unfulfilled lives mired in current frustrations. Cromer (who's enacted roles from Ebenezer Scrooge for the Playhouse to King Lear for Cincinnati
Shakespeare) plays Neil, a weirdly incomplete man who can't get over an obsession with Sarah, a woman with a commitment phobia played by Russell.
She's a patient of Valerie, a high-strung psychologist played by Warner. Valerie's aloof husband John (Cromer again) is a suspect in her disappearance,
as is a redneck neighbor Nick (Duffy, who comes back as the police detective character he played in the first act). If this sounds a tad confusing, well,
rest assured that Bovell's tale unfolds more clearly with such an accomplished cast. ."
CityBeat - February 14, 2012
For Scrooge in A CHRISTMAS CAROL at the Cincinnati Playhouse
"How could any performance of this beloved, over familiar classic possibly be revelatory? The secret is Yellow Springs' own Bruce Cromer, one of our
region's true theatrical treasures. Here's the man, after all, who convincingly portrayed all the characters — including Juliet — in the Dayton Philharmonic'
s recent concert, Romeo, Juliet and Prokofiev. And his performance as Ebenezer Scrooge in the Cincinnati Playhouse's current production is making me
see A CHRISTMAS CAROL in a whole new light."
Dayton Daily News - December 24, 2011
For one-man version of ROMEO AND JULIET, with the Dayton Philharmonic Orchestra
"In a most exciting combination, master actor Bruce Cromer narrated the play with the music. ...Cromer commands the ear as authoritatively as the
clarion call of a trumpet. There were, in reality, two orchestras on the stage. The Philharmonic is a collection of the voices of many different instruments,
each with its special characteristic. Bruce Cromer has nearly as many voices in his arsenal of expressions. The final lines...left the audience breathless
for a moment before they all leapt to their feet. "
Oakwood Register - October 19, 2011
For Sir Thomas More in A MAN FOR ALL SEASONS at the Cincinnati Shakespeare Company
"This weekend one of the finest actors in our area, Bruce Cromer, will conclude a run in A Man for All Seasons. ...It's a tour-de-force performance, worthy
of praise wherever it might be presented."
CityBeat - September 30, 2011
"Cromer delivered a quiet tour de force as a man who died for his principles. Cromer ... lets us see the intellect and the emotions – conviction, faint hope,
near-despair. .... Cromer ... keeps the audience hanging on every word."
Cincinnati.com - September 12, 2011
"Cromer makes him witty, caring, sharp and cantankerous, an admirable verbal combatant — ultimately more fearful of being unfaithful to his conscience
than to his king."
CityBeat - September 12, 2011
For Apemantus in TIMON OF ATHENS at the Shakespeare Theatre of New Jersey
"The cast includes ... the brilliant Bruce Cromer as philosopher Apemantus."
[Q] OnStage - July, 2011
"Bruce Cromer is superb as the cynical philosopher Apemantus, the only man who does not take money from Timon. Limping around with a crutch, his
face marked with a perpetual sneer, he's twisted physically as well as mentally."
NJ Arts Maven - July 10, 2011
"Bruce Cromer skillfully plays Apemantus, the philosopher who warns Timon early on of his folly, and returns later with a gleeful "I-told-you-so" attitude."
Star Ledger - July 12, 2011
"Bruce Cromer provides wry commentary as the philosopher Apemantus..."
Daily Record - July 12, 2011
"Also impressive is Bruce Cromer as Apemantus, a cynical philosopher with a crippled arm and a sharp tongue."
Curtain Up - July, 2011
For Butch in NEXT FALL at the Ensemble Theatre of Cincinnati
"The always terrific Bruce Cromer mines into the character of Butch, and, as usual, discovers something priceless with a myriad of facets. Underneath his
immediate worry roils everything he knows and doesn't want to know, believes and doesn't want to believe."
Cincinnati Enquirer - January 27, 2011
For Benedick in MUCH ADO ABOUT NOTHING at the Cincinnati Shakespeare Company
"Any time Bruce Cromer is on an area stage the rule is: go see him. He's a smart actor who can illuminate just about anything - most Cincinnati audiences
know him as Playhouse's marvelous Scrooge in A CHRISTMAS CAROL, but he's also the best classical actor living in the region. If you think you don't
like Shakespeare, let Cromer be your guide."
Cincinnati Enquirer - September 7, 2010
"....a playful and well-paced performance by Bruce Cromer, as Shakespeare's most determined bachelor..."
City Beat - September 7, 2010
For Oliver Lucas in THE VERTICAL HOUR at the Human Race Theatre
"Cromer routinely finds attractive nuances in the script and maintains an engaging rapport with McCafferty while oozing intimidating charisma."
Dayton City Paper - February 12, 2010
For Henry in LION IN WINTER at the Cincinnati Shakespeare Company
"Henry II and Eleanor are big, juicy roles, running a gamut of emotions as husband and wife adroitly use every other member of the extended family to win
the game. Neither of them have small emotions – they are a king and queen and the most worthy of opponents. ...What make Cromer and Fracher so good
always is that no matter what they're playing, they keep it real. However they arrive at their characterizations -- there's plenty of intelligence and intuition
involved – the resulting performances are a gift for the audience."
Cincinnati Enquirer - September 12, 2009
"The cast is led by guest artist Bruce Cromer as King Henry... Cromer, who teaches acting at Wright State University, is a frequent guest artist at CSC and
other professional groups in the region (including his on-going Scrooge at the Playhouse in the Park's annual "A Christmas Carol"). Indeed, the biggest
laugh of the night came when Henry compared himself to King Lear, ...a Shakespearian role that Cromer performed for CSC in 2008. It's always a treat to
watch him work. He hits the right notes and always brings up the level of performance of the cast members around him."
Journal-News - September 17, 2009
For Arnolphe in SCHOOL FOR WIVES at the Shakespeare Theatre of New Jersey
The Garden State's greatest stage performers --- "Best Actor: Bruce Cromer. In playing the much-too-old man who craved a much-too-young lass, Cromer
ran around the stage, jumped over furniture, and slammed into walls — while sparkling even more than the 18-carat ring on his finger."
The Star-Ledger - Sunday, June 13, 2010
"We should hate the sexist Arnolphe. But his desires are so endearingly simple and his frustrations so obvious that the audience has to feel a little
sympathy for his plight. At least that's the case in Mr. Cromer's formidable comic portrayal."
New York Times - July 19, 2009
"Cromer, though, gets center stage for most of the time. He deserves it. His is a deeply physical performance, but it's so rooted in reality that the evening's
over before one realizes that the actor has been bouncing around the stage all night long. That's because it's psychologically true, too, which is the
greatest achievement in this fine production. There's something real even in the most cartoonish moments. Most poignant: the moment at the end of Act
One when Cromer's Arnolphe tells us that he has indeed fallen for the young woman for whom he never expected to feel such passion."
Independent Press - July 17, 2009
"Bruce Cromer has the exhausting role of Arnolphe and handles it with such agility and vocal pyrotechnics that you might worry that he can last a full
month in the part. He is a perfect foil for the rest of the company and they take full advantage."
NewsRoomNewJersey.com - July 14, 2009
"Bruce Cromer is outstanding in the role of Arnolphe. On stage the entire two and a half hours, he is the source of the production's physical energy. As
costumed by designer Emily Pepper, he is the spitting image of Moliere himself, an appropriate appearance considering that the playwright introduced that
role in 1662."
Recorder Community Newspapers - July 16, 2009
"Particularly impressive is Bruce Cromer's Arnolphe. While he performs to solid comic effect as part of a clown trio with Jackson and Sanders (and
makes a memorable final comic exit), Cromer avoids the common error of making Arnolphe more of a fool than he is in the text. Surely Arnolphe is
ridiculous and foolish, but here he is also human and believable. Cromer plays Arnolphe as a nerdy, unromantic type who would not have had any
success with the opposite sex when he was twenty. As he blathers on with his silly notions about keeping Agnes innocent and uneducated, it seems that
his real motivation might be his fear that only such a girl would marry him."
TalkinBroadway.com - July 2009
For Frederik in A LITTLE NIGHT MUSIC at the New Stage Collective
"Bruce Cromer should be enough to get everyone in the door. He is, of course, Playhouse's delightful Scrooge every year in A CHRISTMAS CAROL. He's
also one of the best actors in the region (and a WSU professor.) He was a first-rate Salieri in AMADEUS for Cincinnati Shakespeare earlier this season and
– who knew? – along with everything else he sings. He is a grand Fredrik -- warm, self-aware, sexy."
Cincinnati Enquirer - May 1, 2009
For Grin Dell and Rattler Man in BROTHER WOLF at the Human Race Theatre company
"You won't forget masked monster Grin Dell scuttling and clambering all over the theater, popping up in the aisles or behind the spectators, seeking his
next meal. ...played by Bruce Cromer...the main attraction in a unique presentation of the play by Preston Lane with songs by Laurelyn Dossett. ...Cromer
also delivers a powerful Act 2 soliloquy as the snake-wielding charlatan Rattler Man."
Dayton Daily News - February 3, 2009
For Salieri in AMADEUS at the Cincinnati Shakespeare Company
"There's a lot to be said for a top regional actor in a great role in a big, theatrical – make that operatic – script that has the propulsion of a jet on a runway.
...AMADEUS is guest artist Bruce Cromer's show."
Cincinnati Enquirer - September 6, 2008
"Since the theater season just opened last weekend, it's probably too soon to call AMADEUS something like the production of the year. But Cincinnati
Shakespeare Company has certainly set the bar high as Bruce Cromer (Salieri) and Christopher Guthrie (Mozart) both turn in award-worthy
performances... ...Cromer once again proves himself to be the region's leading stage performer..."
Middletown Journal - September 10, 2008
For Lear in KING LEAR at the Cincinnati Shakespeare Company
"With a mane of grey hair and a beard to match, he makes Lear a man simultaneously powerful and vulnerable, angry and poignant; in fact, Cromer gives
Lear a manic swing that's vividly fearful."
Cincinnati CityBeat - April 2, 2008
For Prospero in THE TEMPEST at the Cincinnati Shakespeare Company
"Cromer again reminds us that he is our region's finest actor. His Prospero is kingly, as a deposed monarch should be, with all the positives and
negatives that go with power."
Cincinnati Enquirer - May 5, 2007
"This Tempest is crowned with Cromer's insightful performance as magus-in-charge Prospero. He delicately balances flights of intelligence, empathy and
pure affection with the lowest, most visceral yearnings after bloody vengeance, reveling in this last full flowering of Shakespeare's magical language."
Cincinnati CityBeat - May 9, 2007
For Charlotte von Mahlsdorf (and others) in I AM MY OWN WIFE at the Human Race Theatre
"...Master actor Bruce Cromer created an unforgettable experience in his one-man/woman show I AM MY OWN WIFE. ...Cromer plays 30 parts, some one-
liners but several, in different voices and languages, are characters which must develop to full dimensions. "
Oakwood Register - January 30, 2007
"Cromer again proves himself to be one of the region's finest actors as he moves seamlessly between characters, which include the playwright himself,
the friend that Charlotte apparently turned into the police and a host of reporters, soldiers and other incidental characters."
Pulse Journal - January 26, 2007
For Baptista/Grumio in TAMING OF THE SHREW at Shakespeare Theatre of New Jersey
"Bruce Cromer excels as Baptista..."
Star Ledger - July 25, 2006
"Bruce Cromer clowns as Petruchio's servant and adds amusing bewilderment as Kate's harassed father Baptista."
Variety - August 1, 2006
For Prospero in THE TEMPEST at the Human Race Theatre
"...an intense Bruce Cromer confidently leads a talented 12-member cast as the magician Prospero... ...Cromer gives equal weight to Prospero's eccentric
pursuits and ultimate desire for reconciliation..."
Dayton City Paper - February 8, 2006
For Scrooge in A CHRISTMAS CAROL at Cincinnati Playhouse
"Cromer's take on Scrooge is complex. He's not just sour, he's smart - sarcasm drips from every syllable. Cromer can't resist his inclination for physical
comedy, and he indulges in some big, laugh-drawing bits. Somehow, Cromer pulls it together and makes it all fit with Scrooge's emotional re-awakening,
which he lets us see clearly. He is no passive observer."
Cincinnati Enquirer - December 5, 2005
"Cromer is funny and edgy: He's gleefully wicked at the outset, taking pleasure in being stingy and dyspeptic... When his conversion is complete, Cromer
makes Scrooge highly animated, cavorting around the stage ("I'm making a perfect fool of myself!") and being genuinely human ("I'm really quite a baby!").
It's a performance to be treasured, re-energizing this tried and true show."
City Beat - December, 2005
For George in WHO'S AFRAID OF VIRGINIA WOOLF? at Cincinnati Shakespeare Festival
"Two of our region's finest actors, Bruce Cromer and Amy Warner, are playing George and Martha... Their performances are breathtaking in their range."
City Beat - May 9, 2005
"Cromer builds from a mild Dick Cavett-like intellectuality to a crescendo of vindictiveness displayed in the third act of this play."
Cincinnati Post - 2005
"Cromer is going to be a revelation for fans who don't trek up to Dayton to see him deliver jaw-dropping performances on his home ground and know him
best as Bob Cratchit in Playhouse's annual A CHRISTMAS CAROL. George is the spine of WOOLF... Cromer is masterful and together they are marvelous
as the sparring partners who love and hate and complete each other."
Cincinnati Enquirer - May 5, 2005
For Morgan in THE DRAWER BOY at the Human Race Theatre
"...Cromer (well known to Cincinnati audiences for many roles at Ensemble Theatre and for playing Bob Cratchit in A Christmas Carol for many years at the
Cincinnati Playhouse) gives a believable texture to Morgan, whose gruff exterior belies his depth of caring for his lifelong friend."
City Beat - February 2, 2005
For Dr. Robert Smith in BLUE/ORANGE at Ensemble Theatre of Cincinnati
"Cromer's Smith will stand as one of this season's best performances, chilling in his lack of conscience, his self-satisfaction and delicious in his stylish
delivery of erudite if cruelly inappropriate comments."
Cincinnati Enquirer - October 9, 2003
For Biff in DEATH OF A SALESMAN at the Human Race Theatre
"Bruce Cromer as Biff in a poignant and powerful performance that will stand as the pinnacle of these two acts. His jittery tension during collisions with
Willy, his abject despair during a crucial moment in his young life and his eventual triumph over himself are all palpable and immediate..."
Dayton Daily News - 2003
"To say that Bruce Cromer (Biff) delivered a tour de force performance would be an understatement. ...Whether playing a Shakespearean king, an over-the-
top screen legend or an ex-football star forever changed by the sight of his father's adultery, Cromer is one of Dayton's theatrical gems and year after year
he proves it to amazing proportions."
The City Paper - 2003
For the one-person show UNDERNEATH THE LINTEL at Ensemble Theatre of Cincinnati
"Cromer uses an appropriately headlong, frantic pace for the librarian — if you recall John Cleese's work in MONTY PYTHON'S FLYING CIRCUS, you get a
taste of what he's doing... Cromer is a delight to watch. He vibrates around the stage: his arms and legs play odd angles as he pleads with the audience.
...Cromer brings a vitality to the script that makes it come to lively, funny life."
City Beat - October 10, 2002
"Cromer gives a brave and beautiful performance..."
Cincinnati Enquirer - Oct. 11, 2002
"There is a rare and stunning occurrence in theatre when an actor makes a transcendent move from performing a character to creating the illusion of
becoming the character. ...Bruce Cromer achieved this feat... He brings to his role of the librarian in the one-man show UNDERNEATH THE LINTEL
stunning authority, passion, and energy."
Cincinnati Post - October 12, 2002
For Barrymore in I HATE HAMLET at the Human Race Theatre (in the Victoria)
"Echoing his phenomenal performance as Macbeth a few months ago, Bruce Cromer is flawless as...John Barrymore. Cromer's enthusiastic portrayal
simply astounds."
Impact Weekly - 2002
For Macbeth in MACBETH at the Human Race Theatre
"Cromer probably wouldn't admit his performance as Macbeth is theatre perfection, but it is. He not only masters the intricacy of the Bard's sophisticated
grace but Cromer's delivery of the dialogue flows so effortlessly it seems Shakespearean is his native tongue."
Impact Weekly - February 7, 2002
"...Bruce Cromer and Lisa Ann Goldsmith...as Lord Macbeth and his lady... Working beautifully together, they give two of the best performances seen
regionally this season. Mr. Cromer invites us into Macbeth's mind, where we witness the temptation, flashes of conscience and, superbly, the
megalomania. It radiates from him."
Cincinnati Enquirer - February 6, 2002
"Bruce Cromer is the total package as Macbeth... He has a tortured, craggy face that epitomizes his emotions; his bare-chested fight scenes show him to
be qualified as a buff warrior too."
City Beat - 2002
For Bob Cratchit in A CHRISTMAS CAROL at Cincinnati Playhouse
"Bob Cratchit (Bruce Cromer), whose bumbling waltz around his employer's stinginess provides humor in an early scene, is also quietly compelling as an
ordinary man upholding his family."
Cincinnati Post - December 3, 2001
For Albany in KING LEAR at Cincinnati Playhouse
"Bruce Cromer and John Rensenhouse are impressive in supporting roles, as the unfortunate spouses of Lear's elder daughters."
Cincinnati Enquirer - September 9, 2001
For Officer Brown in NOVA TOWN at the Victoria Theatre with Rhythm In Shoes
"The pivotal role of Officer Brown requires an actor, dancer, and athlete. There is only one Bruce Cromer and he is the perfect Officer Brown, the cruel
and corrupt cop."
Oakwood Register - October 10, 2000
For Prior Walter in ANGELS IN AMERICA at the Human Race Theatre
"Bruce Cromer again delivers a tour de force performance as Prior..."
City Beat - September 18, 1997
"Cromer balances love, grief, tenderness, anger and a sassy gallows humor in his riveting portrayal of Prior Walter..."
Columbus Dispatch - April 27, 1997
"Cromer's Prior is a delight to watch as he goes from bawdy humor to dark pain as the AIDS-infected prophet."
Gay People's Chronicle - May 2, 1997
"Bruce Cromer is alternately flamboyant and agonizing as the doomed Prior."
The Dayton Voice - 1997
For Cyrano in CYRANO DE BERGERAC at Wright State University
"Cromer's portrayal of the title role is wonderful, as expected because his strengths as an actor of movement find an expansive home in this play, but
also because of his characterization."
Dayton Daily News - May 4, 1996
For Lee in TRUE WEST at the Human Race Theatre
"Cromer is a classically trained performer in a community that's been hung up on popular entertainment and contemporary novelty for years. Yet he's
always kept his hope and his body in fighting trim, which he most definitely is in this agile, muscular, rewardingly detailed portrayal of Lee, the bad, hard-
drinking, uneducated, dangerous, head-slapping brother in Shepard's incredibly humorous but disturbing play."
Dayton Daily News - 1996
For Virgil in BUS STOP at the Human Race Theatre
"Only Bo's guardian and pal Virgil Blessing remains unattached, but he has Inge's last word. Having an actor with Bruce Cromer's stage presence in
what might seem a minor role lends authority to this production."
Dayton Daily News - 1992
For Charles Dickens in A CHRISTMAS CAROL at the Human Race Theatre
"Bruce Cromer is superb as Dickens. He lets the colorful prose roll off his tongue much like it might have been if Dickens had been there himself.
Cromer weaves in and out of the action with wonderful subtlety, never pulling focus until he is ready to narrate again or play one of his menagerie of
Kettering-Oakwood Times - 1991
For Stan in CAPTAIN FANTASTO at the Seattle Children's Theatre
"Cromer plays an aging hippie whose son Wally escapes into a series of fantasies where he becomes Captain Fantasto. Cromer also plays the villains in
Wally's fantasies and...does an excellent job hamming it up as the embodiment of evil, mad laughter and all. As Stan, Wally's dad, Cromer seems perfect
as a child of the 60s."
Magnolia News - September 26, 1990
For Treat in ORPHANS at the Human Race Theatre
"Cromer is solid once again in the ugly part of Treat. He pulls no punches when called to deliver them verbally or physically. He is quite powerful in the
moving closing seconds of the play."
Dayton Daily News - June 4, 1988
For Harry in THE SEA HORSE at the Human Race Theatre
"Cromer, as Harry, gives a first rate and detailed performance that carries THE SEA HORSE farther than it might otherwise travel."
Dayton Daily News - January 15, 1988
For Happy in DEATH OF A SALESMAN at the Alabama Shakespeare Festival
"Bruce Cromer plays Happy with such finesse that his terrible moral traits can only make you shudder, when he starts to prance and move on the ladies.
Bruce has the body controls of a dancer."
Storer Cable - 1985
For Charles in THE SCHOOL FOR SCANDAL at the Alabama Shakespeare Festival
"Bruce Cromer lights up the stage as Charles Surface, the roguish nephew who sees nothing unusual in auctioning off his 'relatives' to pay for his
gambling debts. Indeed, the auction scene is one of the highlights of the play."
The Dispatch - 1985
For Lysander in A MIDSUMMER NIGHT'S DREAM at the Alabama Shakespeare Festival
"Bruce Cromer is fine and in excellent athletic form as Lysander..."
Anniston Star - December 15, 1985
For Marlowe in SHE STOOPS TO CONQUER at the Alabama Shakespeare Festival
"Combining Dawn Spare and Bruce Cromer as the comic lead couple was nothing short of sensational casting."
Montgomery Advertiser - 1984
For Macduff in MACBETH at the Alabama Shakespeare Festival
"One of the psychological peaks which moved the audience most was Bruce Cromer, as Macduff, during his response to the news that his wife and
children had been murdered..."
Montgomery Advertiser - 1984
For Romeo in ROMEO AND JULIET at the Alabama Shakespeare Festival (tour)
"Bruce Cromer's Romeo is a fine, fair-haired boy whose passions never once trip up his tongue. He can somersault from stone benches, bound gracefully
from balconies and fence like Errol Flynn. He's everything Shakespeare's impetuous young lover ought to be."
Charlotte Observer - October 9, 1982
"And Romeo (Bruce Cromer) was robust and athletic as he dashed about stage and, on occasion, somersaulted and leaped from Juliet's balcony. ...The
tomb scene was a theatrical symphony. Shakespeare's famous lines were spoken with grace and eloquence by Cromer..."
Tuscaloosa News - September 29, 1982
"Bruce Cromer, in the role of impetuous Romeo, handled his difficult role with apparent ease. Some unexpected acrobatics in the balcony scene and a
well-choreographed sword fight kept the audiences wondering what to expect next from this energetic actor."
Florence Times - 1982
For Hamlet in HAMLET at the Alabama Shakespeare Festival
"His is a fresh, take-charge, thoroughly American Hamlet...a Hamlet of very considerable control and power."
Montgomery Advertiser - 1982
"The role of Hamlet demands an exceptional actor, capable of not only putting Hamlet on the stage but bringing him to life in the mind of the audience.
Bruce Cromer performed this task with very little difficulty. There is strength and power in Cromer's interpretation, but overshadowing this is his
overwhelming emotion. Cromer relates Hamlet's thoughts and feelings often without a spoken word — surely a sign of a professional."
Jacksonville News - 1982
"Bruce Cromer, as Hamlet, is the driving force behind the play's energy. He sustains a captivating intensity with his character that makes us believe and
sympathize with Hamlet's troubles. Cromer gives us both the richness of Shakespeare's text and the richness of Hamlet's character — including a
generous dose of his humor."
Anniston Star - 1982
"Bruce Cromer...proved to be adept at handling the many soliloquies and flings with insanity that the characterization demands."
The Leeds News - 1982
"The performance of Bruce Cromer in HAMLET is fantastic... Energetic and emotional but tensely controlled... Cromer was greeted with a standing
ovation following the play's dramatic ending."
Sand Mountain Reporter - 1982
For Sebastian in TWELFTH NIGHT at the Alabama Shakespeare Festival
"Bruce Cromer as...Sebastian reminds us that this season's Hamlet is also a very handsome romantic lead."
Montgomery Advertiser - August 1, 1982
For Prince Hal in HENRY IV at the Alabama Shakespeare Festival
"Bruce Cromer was excellent as the fun-loving Prince Hal...one of his best endeavors at the Festival. He allowed the audience to see him grow from an
irresponsible youth to the royal defender of his country."
Daily Home - 1981
"Bruce Cromer's portrayal of Prince Hal captures the duality of the heir to the throne — the man who later puts aside his boisterous ways and assumes his
regal responsibilities..."
Birmingham Post-Herald - July 23, 1981
For Lysander in A MIDSUMMER NIGHT'S DREAM at the Alabama Shakespeare Festival
"Demetrius (Arthur Hanket) and Lysander (Bruce Cromer) were good as the interchangeable suitors... From the beautiful poetry the youngsters were
speaking with fetching conviction, slapstick would suddenly erupt. Yet throughout all this there was never a hint that the action was a way for the actors
to escape the words they were speaking."
Shakespeare Quarterly, 1981
Theatre Season
(click on underlined links for more
June/July 2019
Cardinal Richelieu in THE THREE
MUSKETEERS at the Shakespeare
Theatre of New Jersey
August/September, 2019
Directing PETER AND THE
STARCATCHER at
Wright State University
November/December, 2019
Scrooge (15th year!) in
A CHRISTMAS CAROL at the
Cincinnati Playhouse in the Park
|Rich Sofranko, Photographer
|Voice-Overs and
ThinkTV, Dayton, OH -
OUR OHIO (twenty or so episodes),
(character voices),
(on-camera reader) Click here to watch
The Community Solution -
Dayton Philharmonic Orchestra -
THE COMPOSER IS DEAD (Narrator)
|Resident Artist with the Human Race Theatre Company,
Professor of Acting and Movement at Wright State University,
and Certified Teacher with the Society of American Fight Directors
|Rich Sofranko,
|Excerpt from
Human Race Theatre Company
with Bruce Cromer, Richard Marlatt, and Jake Lockwood
|Excerpt from
Human Race Theatre Company
with Bruce Cromer and Lisa Goldsmith
|Professional Acting Credits
Focus Features - 2019
DARK WATERS (Kim Burke)
Shakespeare Theatre of New Jersey - 2005-2019
THE THREE MUSKETEERS (Richelieu)
TITUS ANDRONICUS (Titus)
A MIDSUMMER NIGHT'S DREAM (Egeus/Quince)
CORIOLANUS (Menenius)
LOVE'S LABOUR'S LOST (Holofernes)
THE ALCHEMIST (Subtle)
AS YOU LIKE IT (Duke Senior/Duke Frederick)
TIMON OF ATHENS (Apemantus)
THE SCHOOL FOR WIVES (Arnolphe)
THE TAMING OF THE SHREW (Baptista/Grumio)
LIFE OF GALILEO (Sagredo/Cardinal Bellarmin)
Cincinnati Playhouse in the Park - 1997-2018
A CHRISTMAS CAROL (Scrooge, Bob Cratchit)
SPEAKING IN TONGUES (Pete, Neil, John)
KING LEAR (Albany)
BARRYMORE (Frank)
Ensemble Theatre of Cincinnati - 2002-2018
ST. NICHOLAS (The Critic)
THE LEGEND OF GEORGIA MCBRIDE (Tracy
AN ILIAD (The Poet)
FREUD'S LAST SESSION (C.S. Lewis)
NEXT TO NORMAL (Dan)
TIME STANDS STILL (Richard)
NEXT FALL (Butch)
THE WAYFARER'S REST (Dylan)
BLUE/ORANGE (Dr. Robert Smith)
UNDERNEATH THE LINTEL (Librarian)
staged reading of THE MAIDS (Madame
Human Race Theatre Company - 1987-2018
SHAKESPEARE: ABRIDGED (Bruce/Jess)
RACE (Charles Strickland)
THE 39 STEPS (Clown 1)
I AM MY OWN WIFE (Charlotta, etc.)
BROTHER WOLF (Grin Dell, Rattler Man)
THE VERTICAL HOUR (Oliver Lucas)
(Alexander) --- with Dayton Philharmonic Orchestra
THE DRAWER BOY (Morgan)
THE ODD COUPLE (Vinnie)
OF MICE AND MEN (Slim)
DEATH OF A SALESMAN (Biff)
I HATE HAMLET (Barrymore)
MACBETH (Macbeth)
NOISES OFF (Gary/Roger)
THE TEMPEST (Prospero)
TRUE WEST (Lee)
PRELUDE TO A KISS (Peter)
BEAUTY QUEEN OF LEENANE (Pato)
ORPHANS (Treat)
A CHRISTMAS CAROL (Dickens, etc.)
MRS. CONEY'S CHRISTMAS (James)
and PERESTROIKA (Prior Walter)
HOMEWARD BOUND (Kevin)
BUS STOP (Virgil)
KEELY AND DU (Cole)
THE SEAHORSE (Harry)
Xavier University (AEA Guest Artist) - 2013-2018
BURIED CHILD (Dodge)
THE CRUCIBLE (Danforth)
Cincinnati Shakespeare Company - 2005-2015
DEATH OF A SALESMAN (Willy Loman)
WAITING FOR GODOT (Estragon)
DEAD (Claudius)
HAMLET (Claudius)
TO KILL A MOCKINGBIRD (Atticus Finch)
A MAN FOR ALL SEASONS (Thomas More)
MUCH ADO ABOUT NOTHING (Benedick)
LION IN WINTER (Henry II)
AMADEUS (Salieri)
KING LEAR (Lear)
THE TEMPEST (Prospero)
WHO'S AFRAID OF VIRGINIA WOOLF? (George)
Dayton Philharmonic Orchestra - 2011
One-man version of ROMEO AND JULIET
New Stage Collective - 2009
A LITTLE NIGHT MUSIC (Frederik)
New Horizon Theatre Company - 2001
ARMS AND THE MAN (Bluntschli)
Repertory Theatre of St. Louis - 2001
KING LEAR (Albany)
Rhythm In Shoes at the Victoria Theatre - 2000
NOVA TOWN (Officer Brown)
Santa Fe Stages - 1994-97
EINE KLEINE HAMLET (Horatio)
A MACBETH (Ross)
NEVILLE'S ISLAND (Roy)
THE SCHOOL FOR WIVES (Horace)
TARTUFFE (Damis)
THE ILLUSION (Pleribo, Adraste, Florilame)
Milwaukee Repertory Theatre - 1990-91
INHERIT THE WIND (Davenport)
YOU CAN'T TAKE IT WITH YOU (Tony)
A CHRISTMAS CAROL (Young Scrooge, Topper)
Seattle Children's Theatre - 1988
CAPTAIN FANTASTO (Stan)
Alabama Shakespeare Festival - 1979-86
HAMLET (Hamlet)
ROMEO AND JULIET (Romeo and Tybalt)
MACBETH (Macduff)
SCHOOL FOR SCANDAL (Charles Surface)
DEATH OF A SALESMAN (Hap Loman)
KING LEAR (Edgar)
RICHARD III (Richmond)
ALL'S WELL THAT ENDS WELL (Bertram)
LOVE'S LABOUR'S LOST (Longaville)
CYMBELINE (Guiderius)
MIDSUMMER NIGHT'S DREAM (Lysander)
HENRY IV (Prince Hal)
MERRY WIVES OF WINDSOR (Fenton)
TWELFTH NIGHT (Sebastian)
COMEDY OF ERRORS (Antipholus of Syracuse)
TAMING OF THE SHREW (Lucentio)
PYGMALION (Freddie)
TWO GENTLEMEN OF VERONA (Proteus)
AS YOU LIKE IT (Jacques de Boys)
Clarence Brown Theatre, Knoxville, TN - 1984
RICHARD III (Richmond, First Murderer)
THE QUESTIONS OF HAMLET (Horatio, Laertes)
Conservatory Theatre Company, Seattle WA -
THE GAME OF LOVE AND CHANCE (Mario)
THE GLASS MENAGERIE (Tom Wingfield)
Wright State Summer Theatre - 1979
RODGERS AND HART (Singer/Dancer)
WAIT UNTIL DARK (Mike Talman)
LIFE WITH FATHER (Clarence, Jr.)
THE IMPORTANCE OF BEING EARNEST (John
Otterbein Summer Theatre - 1978
YOU KNOW I CAN'T HEAR YOU... (George)
LITTLE FOXES (Oscar Hubbard)
FORTY CARATS (Peter Latham)
NOT NOW, DARLING (Arnold Crouch)
|Narration for ROMEO
AND JULIET with the
Dayton Philharmonic
click here to listen
|Fight Choreography Experience
Wright State University -
(three productions), RESTORATION (Nahum Tate's KING LEAR), STREETCAR NAMED
DESIRE, ROMEO AND JULIET (with Charlie Cromer), PETER PAN, FENCES,
BARNABY RUDGE, PICNIC, JEKYLL AND HYDE, CYMBELINE (with Charlie Cromer),
(two productions), GREASE, KISS ME KATE, CYRANO DE BERGERAC, ROMEO AND
JULIET (two productions), HAMLET, PHANTOM, COMPANY, STREETCAR NAMED
Cincinnati Shakespeare Company -
NOISES OFF, HENRY VI PART ONE and PART TWO, RICHARD III, DEATH OF A
Xavier University -
Human Race Theatre Company -
Alabama Shakespeare Festival -
RICHARD III, KING LEAR, TWELFTH NIGHT (two productions), TWO GENTLEMEN OF
VERONA (two productions), ROMEO AND JULIET, MACBETH (two productions),
Cincinnati Playhouse -
Santa Fe Stages -
Wittenburg University -
Chautauqua Theatre of Defuniak Springs (FL) -
University of Dayton -
Antioch Shakespeare Festival -
Clarence Brown Theatre -
Ohio Renaissance Festival -
assorted Quarterstaff, Rapier and Dagger, and Single Sword fights
Film Work - THE DREAMCATCHER


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Mercer International Inc. (Mercer International) is a northern bleached softwood kraft market pulp producer that generates and sells excess green energy to regional utilities. The company manufactures NBSK pulp from wood chips, pulp logs and carbon neutral or green energy using carbon-neutral biofuels. It also produces bio-chemicals. Mercer International also offers bio-materials such as cellulose filaments. The company partners with automotive and manufacturing, and construction industries to develop new commercial product applications for cellulose filaments. It has presence in Germany, Canada and the US. Mercer International is headquartered in Vancouver, British Columbia, Canada.
Mercer International Inc. Key Recent Developments
May 02, 2013: Mercer International Reports Revenue Of Ōé¼198.3m In Q1 2013
Feb 13, 2013: Mercer International Reports Revenue Of Ōé¼834.1m In 2012
This comprehensive SWOT profile of Mercer International Inc. provides you an in-depth strategic analysis of the companyŌĆÖs businesses and operations. The profile has been compiled by GlobalData to bring to you a clear and an unbiased view of the companyŌĆÖs key strengths and weaknesses and the potential opportunities and threats. The profile helps you formulate strategies that augment your business by enabling you to understand your partners, customers and competitors better.
This company report forms part of GlobalDataŌĆÖs ŌĆśProfile on DemandŌĆÖ service, covering over 50,000 of the worldŌĆÖs leading companies. Once purchased, GlobalDataŌĆÖs highly qualified team of company analysts will comprehensively research and author a full financial and strategic analysis of Mercer International Inc. including a detailed SWOT analysis, and deliver this direct to you in pdf format within two business days. (excluding weekends).
The profile contains critical company information including*,
– Business description ŌĆō A detailed description of the companyŌĆÖs operations and business divisions.
– Corporate strategy ŌĆō AnalystŌĆÖs summarization of the companyŌĆÖs business strategy.
– SWOT Analysis ŌĆō A detailed analysis of the companyŌĆÖs strengths, weakness, opportunities and threats.
– Company history ŌĆō Progression of key events associated with the company.
– Major products and services ŌĆō A list of major products, services and brands of the company.
– Key competitors ŌĆō A list of key competitors to the company.
– Key employees ŌĆō A list of the key executives of the company.
– Executive biographies ŌĆō A brief summary of the executivesŌĆÖ employment history.
– Key operational heads ŌĆō A list of personnel heading key departments/functions.
– Important locations and subsidiaries ŌĆō A list and contact details of key locations and subsidiaries of the company.
– Detailed financial ratios for the past five years ŌĆō The latest financial ratios derived from the annual financial statements published by the company with 5 years history.
– Interim ratios for the last five interim periods ŌĆō The latest financial ratios derived from the quarterly/semi-annual financial statements published by the company for 5 interims history.
Note*: Some sections may be missing if data is unavailable for the company.
Key benefits of buying this profile include,
You get detailed information about the company and its operations to identify potential customers and suppliers.
– The profile analyzes the companyŌĆÖs business structure, operations, major products and services, prospects, locations and subsidiaries, key executives and their biographies and key competitors.
Understand and respond to your competitorsŌĆÖ business structure and strategies, and capitalize on their weaknesses. Stay up to date on the major developments affecting the company.
– The companyŌĆÖs core strengths and weaknesses and areas of development or decline are analyzed and presented in the profile objectively. Recent developments in the company covered in the profile help you track important events.
Equip yourself with information that enables you to sharpen your strategies and transform your operations profitably.
– Opportunities that the company can explore and exploit are sized up and its growth potential assessed in the profile. Competitive and/or technological threats are highlighted.
Scout for potential investments and acquisition targets, with detailed insight into the companiesŌĆÖ strategic, financial and operational performance.
– Financial ratio presented for major public companies in the profile include the revenue trends, profitability, growth, margins and returns, liquidity and leverage, financial position and efficiency ratios.
Gain key insights into the company for academic or business research.
– Key elements such as SWOT analysis, corporate strategy and financial ratios and charts are incorporated in the profile to assist your academic or business research needs."


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Jacques Azagury is one of the most illustrious couturiers of the 21st century, working from his Knightsbridge atelier to create fabulous evening dresses that are adored by some of the most glamorous women in the world. As a former designer and close friend of Lady Diana, Azagury helped to transform her into a global fashion icon, and thus the perfect choice to design the costumes for the biopic film about the princess's life. Jacques Azagury launched his perfume collection in 2013 in partnership with Intertrade Group. An explosion of creativity captured in six pure transparent crystal flacons, each accented by a coloured ring chosen by the designer corresponding to each fragrance's name: Black, Green, Yellow, Pink, Wenge, and White. A colour palette inspired by the designer's passion for travel, his scents are intricate olfactory compositions made special by the use of rare ingredients. Jacques decided to use a colour code for his perfumes, believing that assigning a name would take away the mystery of the collection. The all-white packaging comprises a linear, clean, reflective design that aims not to interfere with or overshadow the colourful essence the perfume contained within.
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Via Portogallo 11/125 I - 35127 Padova, ItalyPh: +39 049 762 5241Fax +39 049 762 5177 email@example.com


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Frequent fliers take note: longer lines and wait times are headed your way. This Sunday, the FAA will implement furloughs that will increase wait times in major airports by up to 210 minutes.
Rep. Kevin Brady of The Woodlands anticipated the cuts earlier this week, warning his social media followers that the White House is about to cause some "#PoliticalJetLag" for travelers.
Will Obama close runways to make you #WaitAtTheGate? Will his #TarmacTieUp cause #PoliticalJetLag for u? Why not #CutWastefulSpendingFirst?
— RepKevinBrady (@RepKevinBrady) April 17, 2013
Transportation Secretary Ray LaHood and Federal Aviation Administrator Michael Huerta said they could find no other way to meet the automatic spending cuts, which LaHood called a "dumb idea". The sequester requires the agency cut $637 million from their budget, which they will do by reducing controller hours by 10 percent.
Brady says the administration could direct cuts elsewhere, they are simply choosing not to.
"They want you to wait at the gate while they hold press conferences to convince you there is no possible way this government can save some of your hard-earned tax dollars," said Brady. "The truth of the matter is that instead of cutting consultants, conferences, executive travel and staff parties out of their rapidly growing budget, they made a cynical, political decision to close runways and send air traffic controllers home. Why? So fliers will feel maximum pain over these minor sequester savings."
Sen. John Cornyn called the cuts round two of the "scarequester".
#Scarequester round 2: Flight delays: Furloughs begin at airports Sunday bo.st/17Jjpcd via @bostondotcom
— JohnCornyn (@JohnCornyn) April 18, 2013
The FAA has not released delay estimates for major Texas airports. The nation's largest airports are expected to experience "moderate to heavy" delays, with effects rippling to other airports.


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Kenneth Mcdonald
Marion County High Guin, AL Class of 1970
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Public Advocate Mark Green, a Democratic candidate for mayor, released a report this month concluding that "foster care remains a dangerous or losing proposition for too many children" in New York City. At a press conference held to announce the findings, Green stood beside Cecil Reed, a man whose son died while in foster care. Green said that the number of verified reports of maltreatment of children in foster care doubled from 1996 to 2000, even while the number of children in foster care fell by 24 percent. He added that one in 40 children throughout New York City is reportedly abused, compared to one in 20 children in foster care.
Immediately, officials at the Administration for Children's Services dismissed Green's study as a political ploy, a hastily assembled document lacking independent research. "We do not find it very helpful for real reform," said Jack Deacy, spokesman for the agency.
Green's report and press conference, and the reaction by the city, present a case study in the difficulty politicians have during the election season calling the public's attention to government performance. During campaigns, it may be hard for public servants running for office to resist making a play for headlines by overstating damaging information that comes their way. At the same time, when candidates are the bearers of bad news, city officials may find it tempting to accuse the candidates of political grandstanding, and thus avoid addressing troubling facts.
Examination of the Green document shows that it lacks original research and focuses almost exclusively on a set of negative findings in recent evaluations of the Administration for Children1s Services. These qualities, at first glance, make the report appear less substantial than it actually is. A close reading, however, reveals that the authors worked diligently to divulge the contents of a New York State study that state authorities have been shielding from public view since December 2000. It is not the fault of the authors of the report that the findings of the state's own study are, on the whole, damning.
The New York State Office of Children and Family Services examined case records of 401 children who were in foster care in New York City during 1999. The review was ordered in the settlement agreement of the Marisol et al. v Giuliani federal class action lawsuit. The Public Advocates office had to submit a Freedom of Information Act request in order to see the document. Journalists are also prohibited from seeing the document without a Freedom of Information Act request. Public information officials at the Office of Children and Family Services did not respond to requests for an explanation as to why they are making it difficult for the public to gain access to the document.
State auditors found evidence that the Administration for Children's Services has made great strides in some areas, especially in providing counseling services to foster children, and domestic violence services and housing assistance to parents. However, the reviewers also found many areas in which the performance of the system either did not improve or actually worsened. Comparisons are possible because the state did a case record review of New York City foster children in 1997.
In 71 percent of cases where the goal for a foster child was reunification with his or her parents, caseworkers failed to arrange a minimum of two visits a month between children and parents, as state law requires. (Visits when they do occur typically last an hour and a half in accordance with standard casework practices.) The failure rate was up from 57 percent in 1997.
Sixty percent of foster children were moved from placement to placement at least once, up from 54 percent in 1997. Agency officials failed to notify parents that their children had been moved in a third of cases. Only a quarter of children with siblings in separate placements were able to visit with brothers and sisters as state law requires, down from 38 percent in 1997.
The state mandates a twice-yearly conference between agency caseworkers, supervisors and parents. By statute, the conference is supposed to serve as a forum for parents to learn what the agency requires them to do to win their children back and a place for parents to make plans to meet those requirements. Following the conference, the plans are codified in a document called the Uniform Case Record. Failure to comply with the Uniform Case Record is one of the most common transgressions cited in city petitions blocking reunification of parents and children. State auditors found that in 70 percent of the records they reviewed, conferences took place without parents present. In 62 percent of those cases, parents had not been invited to attend. An additional 10 percent of parents had been invited but had been unable to make it because caseworkers scheduled them when parents could not attend. Following conferences that took place in the absence of parents, only seven percent of parents were given a copy of the resulting Uniform Case Record. Fifty-six percent were not informed in any way of the results of the conference.
While it is true that Green did not mention the positive trends found by the Office of Children and Family Services, it is also true that the Office did not find nearly as many positive as negatives trends. Still, Green should have included the positive findings because they would have added credibility to his report - and because they were spectacular. Seventy-one percent of parents who needed parenting skills classes were given referrals to those classes in 2000, up from 38 percent of parents in 1997. Sixty-seven percent of parents who needed housing assistance got it, up from 25 percent in 1997. Eighty percent of parents needing psychiatric treatment were referred to psychiatrists, up from 37 percent in 1997. A stunning 76 percent of parents needing domestic violence services got them, up from 13 percent in 1997. Nothing stands in the way of the city itself from trumpeting the positive findings in the New York State audit. On the other hand, there was a real obstacle - a governmental gag order - stopping advocates and the public from seeing the negative findings and calling the city to account.
It is entirely understandable that officials at the Administration for Children's Services felt assaulted by Green's report, particularly since Green unveiled it in front of reporters at a news conference calculated to highlight the risks to children's safety in foster care. That many more reports of child maltreatment in foster care are being substantiated today hardly proves that the risks to child safety in foster care are increasing. It may just as easily indicate that child protective investigators are taking the abuse of children in the city1s foster homes more seriously than ever.
Still, the agency's sense of injury should not have given it license to avoid explaining the genuinely negative findings made public by Mark Green. The Administration for Children1s Services has much to be proud of, but even its officials must know that foster care remains, as Green said, a dangerous and losing proposition for many children.
Peggy J. Farber is freelance journalist specializing in children's issues. Her reporting on conditions of NYC children has appeared in City Limits Magazine as well as on National Public Radio.


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I'm afraid I let myself be swept away with the masses when it came to buying this foundation. The idea of a HD ready foundation for less than £15 was pretty appealing even though I already have more foundations than anyone would ever need.
So here it is – I got this in Golden Beige (I am a MAC NC35):
At Boots there were 2 more shades up from Golden Beige, which doesn't leave that much choice for Asian and Dark skinned ladies. Even I found that Golden Beige was the slightest bit too light.
The Pump Applicator:
One pump is enough to use all over the face although my skin is so dry at the moment it just sucks the base right up.
The product is fairly liquid with a good medium coverage on the skin. It has a slightly oily feel to it – its for me now since my skin is dry but I'm not so sure how it would settle on oily skin.
This foundation doesn't smell funky, and it does blend quite nicely into the skin.
It certainly made me look more alive than Make Up Forever's foundation..
Before (no make up):
Bleh. Add the base – you can see what the foundation looks like on my skin for a colour match anyway:
After – excuse the fact I've managed to get foundation on my lashes! The result is quite even, quite soft – however it is quite dewy and almost slightly oily looking.
Is this good for photography? Hell no! A greasy lardy face doesn't really look great in pictures especially not all over.
Close Up – its that GLOW thing again:
I wouldn't call this a PhotoReady foundation – I don't see any difference between this and my other favourite foundations on camera. If anything its too oily and shimmery to look good on camera.
But as a general all purpose base, its pretty nice. There's no smell, it blends quickly, it gives you a radiant finish.
I wouldn't personally rush out and buy this again although I'll quite happily use it up.
The foundation is on sale here for £12.99.


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Prince Harry given free run of Arizona town's womenfolk
'Thank you,' pants ecstatic waitress
Prince Harry has been given the green light to deflower the maidens of a small US town, after the town manager explained reports Cap'n Windsor had been warned off "fornicating" as "a total fabrication".
The UK tabs were cock-a-hoop yesterday about reports that the mayor of Gila Bend, where Harry is completing a weapons course, had warned the wannabe chopper pilot away from the town's womenfolk.
While Gila Bend is miles away from anywhere in the Arizona desert, the townsfolk were clearly familiar with old English customs such as droit de seigneur, and were already loading their shotguns to fend off the famously rambunctious royal.
"Some of the dads won't take too kindly to a prince fornicating the night away and drinking into the small hours," Mayor Ron Henry reportedly said. "It is a very quiet town with a lot of good Christian people. This isn't a party town."
He also said, somewhat cryptically, "Beauty is in the eye of the beholder, and we have some very pretty girls here."
However, according to the Daily Beast/Newsweek, the reports are "a total fabrication".
"The mayor is very upset about all this," town manager Rick Buss told the Beast. "We're honoured to have the prince here, and we will respect his privacy."
Buss said it was the reporter who'd brought up the subject of "fornicating" in a chat with the trusting mayor. "The reporter started asking him things like, 'Oh, what about if Prince Harry went chasing after one of your daughters?'"
As it happens, Harry appears to have already had a taste of the local delights, already leaving one local girl gasping: "Thank you, and thank you for choosing this place to come and eat."
In fact, said Josie Villagas, a waitress at Gila Bend's Little Italy Restaurant, Harry said it was "the best pizza to eat in the world". ®
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text: Body N Balance LLC offers therapies which compliment allopathic treatment. Quality of service is primary, as we guide our clients in a direction of lifestyle change that targets wellness of the mind, body and spirit. We are trained in a variety of modalities and offer male and female massage therapists who tailor their massage to the needs of each client.


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This sticker represents the hippie counterculture.
- All-weather vinyl sticker
- Die cut to heart shape
- Size: Approximately 3 X 3 inches
- Sticky back for outside placement
- High-quality vinyl, UV protection, and waterproof
- Lifespan is of 2-5 years
- These vinyl stickers are best stuck to flat hard clean surfaces, anything with a smooth hard finish.
- This is a decorative, self-adhesive, laminated, easy to apply vinyl sticker. Ensure that the surface that you are applying the sticker to is dry and clean while sticking on it.
- We're not just here to make a quick buck; we care about our customers and our high-quality products!
- Peel and Stick on Laptops, Tablets, Walls, Hard Shell Suitcases, Windows, Car/Truck Bumpers, Lockers, Notebooks, Bottles, Camping Gear, or just about anything rigid!
- Our Stickers are professionally made to make it so easy that anyone can do it without a problem.
Clean a smooth, flat surface, dry, apply sticker from the center and smooth outward.
On occasion, air bubbles can appear during application, simply pop any bubbles with a pin and press air out. Repeat as necessary.
Place on any smooth surface: water bottle, car, bicycle, phone, laptop, etc.


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Welcome to Ally Physical Therapy in Livonia and Canton, MI
From its Livonia MI location, Ally Physical Therapy provides physical therapy for the communities of Livonia MI, Canton MI, Redford MI, Farmington Hills MI, Garden City MI, Novi MI and surrounding areas.
ALLY PHYSICAL THERAPY, LLC is a leader in providing best possible physical therapy in Southeast Michigan/Detroit metro area serving Livonia, Redford, Farmington Hills, Garden city and Northville. We are experts in Orthopedic Rehab, Musculoskeletal injuries, sports injuries, work related injuries, auto injuries, Back and Neck pain Rehab, Geriatric Rehab, Neuro Rehab, Industrial Rehab, TMJ or Jaw pain, pre-natal/post-natal rehab and Vestibular Rehab.
Let ALLY be your provider of physical therapy in Michigan to provide efficient and optimum care. Our physical therapists have extensive experience in all the above mentioned categories with 10+ years of experience in various settings and are affiliated with APTA (American Physical Therapy Association) and are PTPN members (Physical Therapy Providers Network) which means that the practice is owned and operated by Physical Therapy Practitioner.
Focus of our care is to Empower Your Health and get you better faster so you can live a pain free and quality life. We always optimize our skills through continuous education in Rehabilitation such as Orthopedic Rehab, Manual Therapy, Vestibular Program, Sports Rehab and Geriatric Rehab.
Coordination of your care with your physician and case manager to improve your health lies in our core values and principles. At ALLY PHYSICAL THERAPY, LLC, we respect your privacy and we have 5 private rooms for comprehensive evaluation and treatment along with huge exercise area with modern equipment to improve your strength and endurance.
We treat all age groups having sports injury to arthritic changes in their life. At ALLY PHYSICAL THERAPY, LLC you will get more one on one time with THERAPIST to help you achieve better functional outcomes. Also you will see the same therapist through continuation of care to monitor and change your treatments effectively.
At ALLY PHYSICAL THERAPY we have tools that can measure your progress and functional outcomes and relay it to your physicians so they can make efficient decisions, also our staff takes pride in co-ordination of care with your physicians. We are adapting to current healthcare environment with Electronic Medical Records. ALLY PHYSICAL THERAPY might not be your nearest physical therapy place but we sure are more efficient and outcome/result oriented than most.
Our staff at ALLY PHYSICAL THERAPY can provide services to Assisted Living Facilities and Specialized Rehab facilities. Feel free to contact our facility near Detroit at (734) 525-3000 and speak with the Administrator regarding Rehab or Insurance Questions.


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Boys' T-Shirts
Zumiez offers a huge selection of boys t-shirts from the best skate and streetwear brands, like DC, Element, A-Lab, Enjoi, Trukfit, Volcom, Neff, and many more. All the best boys tees including graphic tee shirts, short and long sleeved tees, and striped and solid boys shirts. Be sure to check 'em out.


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For the preview of our newest brand, American Beagle Outfitters, we enlisted Vine Superstar Brittany Furlan's dogs to model the newest trends from our Spring 2014 collection. Read on to learn more about Meghan and Wicket and why they love American Beagle Outfitters. Plus, make sure you preview the entire collection at ae.com/dogs and watch the Dogumentary.
Dog Names: Meghan (Meggypoos) and Wicket
Dog Ages: Megypoos is 7 and Wicket is 6.
Dog Breeds: Meghan is a Long-haired Dachshund and Wicket is a Yorkie.
Do they do any tricks?
Both dogs can roll over, speak on command, give paw, sit and lay down
Why did you think your dogs would be a good models for our newest line?
They're both as cute as pie
What are your dog's favorite places to hang out?
Anywhere I'm hanging out.
Would you recommend American Beagle Outfitters to other dogs?
Are your dogs single or attached?
They're both too attached to their mother to seek out relationships with others.
Ride in the car vs. walk in the park?
Car rides all the way.
Rope vs. fetch?
Favorite treat?
Happy Hips (Chicken Breast flavor)
What was it like meeting your dogs for the first time?
I was so excited but they were both so small as puppies I had to make sure not to love squeeze them to death.
Nappers vs. players?
Nappers, all day every day.
What words do they know?
Treat treat, outside, hungry, go for a ride, where's mommy?, go get your baby, sit, lay down, roll over, speak, come, bathy (they hate that one), kissy, sleep with mommy, up, where's daddy?
Who are your dog's best friends?
Each other!
Where do your dogs sleep?
With me
Is there anything your dogs won't do?
Eat asparagus.
What makes your dog bark?
Intruders, knocks on the door, men who dance
What is the funniest thing that your dogs do?
The, "I have to go to the bathroom dance"- Wicky
The, "I'm gonna roll all over your new rug" -Meg
How would you describe your dogs' #AEOStyle?
Chill yet fashionable.
When you heard American Eagle Outfitters was coming up with a clothing line for dogs what were your first thoughts?
I was like, "I just hope they incorporate a hole for them to pee pee out of."
Where would your dog wear American Beagle Outfitters?
What would be the perfect look for you to match your dog?
All denim errrrythang
Want to learn more about Brittany, Meghan and Wicket? Follow them on Vine and Instagram.


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I have always had sensitive skin which goes red after cleansing and any type of treatments. The woman who threaded my eyebrows once totally freaked out over how red the skin around my brows went – it looked like clown make up.
As well as general sensitivity, my face gets red throughout the day, and stays red. I've never thought of it as a huge problem but it is annoying and it tends to come with some itching and general irritation.
It was actually Chase Aston of the Body Shop who mentioned the Clinique powder to me when I went to a Body Shop Event, but turns out it wasn't due for release in the UK yet. Well – it has been released now in the UK (Exclusive to Selfridges & Clinique Online for now). I plonked down £24 for a jar of this pale yellow powder. Soft yellow should neutralize red.
They Say: Unique mineral treatment measurably reduces redness on contact. It's lab-certified. Under its care and cover, visible redness and broken capillaries virtually disappear-instantly and for hours. Patent-pending formula helps skin "keep its cool." Oil-free, talc-free. With anti-bacterial brush. Appropriate for skins with mild-to-moderate Rosacea or reactive redness.
Now, there are obviously lots of yellow/banana toned powders you can try – Everyday Minerals, Bobbi Brown and Benefits Bluff Dust springs to mind, so there are other options.
This powder is very fine textured, I have no issues with that. It does tone down the redness in my skin, for sure, but it is also a very pale yellow. I am yellow based and I think it makes me look a little too yellow. This isn't a powder for all over – this is for targeted areas. If you apply too much it can look at bit ashy.
It did make me look less red and suppressed the redness of for a few hours. I wouldn't use it as an all over powder at all, but with a light hand and around the nose, chin and cheeks where I get red. (I use it with a light hand – test it first if you have dark olive – black skin). The finish is pretty matte, no shimmer.


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GE announce the development of the FlexEfficiency 50 Combined Cycle Power Plant. GE statest that this plant will work better with wind and solar that are intermittent and where a supply of electricity is needed to ramp up when the sun or wind decrease and electrical production decreases from these sources. The new plant can then be ramped quickly back down.
The company says the plant combines jet engine and gas turbine technology. The plant reportedly is 61 percent efficient and provides unprecedented operational flexibility.
"For years, we have been working to develop technology that can, in the same breath, deliver breakthrough efficiency and deal head-on with the challenge of grid variability caused by wind and solar," says Paul Browning, vice president of thermal products for GE Power & Water. "The need for combined flexibility and efficiency is even more pressing today as countries around the world establish new emissions standards."
"With global energy demand expected to double by 2030 and electricity generation accounting for 40 percent of greenhouse gas emissions, utilities and government bodies are taking a hard look at how to produce power more efficiently," said Ricardo Cordoba, president of GE Energy for Western Europe and North Africa. "This innovation can have a dramatic effect on CO2 emissions and offers a nimble, efficient and cost-effective way for us to help E.U. countries in their pursuit of 20-20-20 energy goals


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So good you can almost smell the gunpowder.
Call of Duty has it's work cut out to beat Battlefield 1.
Like with FIFA and Pro Evo, gamers tend to fall into one of two camps when it comes to first person shooters, it's a generalisation but it seems you are either CoD or Battlefield.
Straight away from the opening sequence of EA's Battlefield 1, you can feel every explosion and bullet whizzing past your head.
The beautiful graphics set your imagination running and you begin to imagine the smells of burned out tanks and gunpowder.
As with other series of war games moving forward into the future some weapons have lost their feel and their sounds have become silenced and futuristic.
This is not an issue with Battlefield 1 as a whopping sound system turned up full blast would probably have your elderly neighbours running for the nearest air raid shelter.
The single player missions have me totally engrossed and can be dealt with however you choose, be it stealthily disposing of enemies without them even knowing you are there or full on frontal attacks all guns blazing.
The latter will most certainly see you die more but is great if your sitting down for a quick half hour blast.
Multiplayer in Battlefield 1 has some really nice touches. Playing as either an assault, medic, support or scout class you are given different loadouts which can be customised with items you receive from your battlepacks.
The action is fast paced but if you want to just chill and pick off the enemies as they pass by then there are plenty of hiding places on the enormous maps and lots of well camouflaged spots for you to hide in. As well the face paced action on foot there are a good selection of vehicles for you to enjoy ranging from horse back to motorbikes, tanks, planes and more.
Having played hundreds of video games since the early 80's the ones that stand out are those that leave you with a very tangible feeling of satisfaction. The first time I sprinted up behind an enemy and went in on a bayonet charge gave me that feeling and has kept me going back for more. Graphically stunning, boasting immersive audio and the ability to control the pace of my gameplay will keep me at Battlefield 1 for a long time to come. Highly recommended, 9.5/10.


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Randolph, Massachusetts
|This article is a stub. Help us to expand it by contributing your knowledge. For county and town page guidelines, visit U.S. County Page Content Suggestions.
Randolph is a town in Massachusetts. It was formed in 1793 and was previously called Braintree. It can be found in Norfolk county. For more information, contact the county at 41 S. Main St., Randolph 02368. On the attached map, Randolph is shown as 22 in Norfolk county.
For information about the state of Massachusetts see Massachusetts Family History Research.


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What Google Earth's night maps tell us about fishing in the Philippines
Posted on 18 February 2014
Google Maps' new layer, tellingly called Black Marble, reveals the glow of cities and tiny specks of village lights lining up the contours of land masses -- and then there are the lights on the sea, lighting up the ocean night skies to attract fish. As it turns out, Black Marble is a mine of information on the extent of fishing in the Philippines. WWF's Tuna Strategy Leader Dr Jose Ingles investigates.By Jose Ingles
A new layer of maps for Google Earth was made available, called the Black Marble: a composite view of Earth's lights taken by a Suomi National Polar Orbiting (SNPO) Satellite from 824 km above. The night lights of 2012 were taken during 9 moonless days in April and 13 days of October. It took 312 orbits of the SNPO satellite to cover every land and island on the planet, generating 2.5 terabytes of data that was plotted as a layer to the blue marble map.
Viewing in awe the city lights, tiny specks of village lights lining up the contours of land masses, I realized that the map likewise captured lights on the sea. These were mainly fishing fleets, lighting up the ocean night skies to attract fish--although the lights from oil platforms are highly visible as well.
Using the location of these lights, a polygon was drawn on the approximate location where the lights fall on the water. This is a tedious process of toggling between the blue and black marble layers to determine whether the lights fall on water or on land. The resulting figure below reveals highly interesting observations:
- Many of the light fishing locations are near islands, coasts and quite distinctly, many are within the 15 km zone that is off limits to commercial-scale fishing. For the Philippines, the most visible lights were observed along North, Western and Northeast Palawan, in between major islands and passages. These are purse seine boats targeting round scads, bigeye scads and squids.
- Surprisingly, the brightest lights were observed along the Sulu Archipelago, between the islands of Basilan and Sulu, and north-east of the Tawi Tawi group of islands. These are purse seine and ring net boats targeting sardines.
- The entrance to Manila Bay is flooded with lights that extend up to Subic Bay. These are probably purse seine and ring net fleet vessels as well.
- There were faint lights scattered over the hotly contested Spratly Islands, despite the on-going territorial disputes.
- Light fishing does not happen in the middle of large bodies of water such as the Sulu and Celebes seas, although some lights were observed in the middle.
- In the Philippines, light fishing is used in conjunction with Fish Aggregating Devices (FADs). Boats with powerful lights (producing between 2000-5000 watts) attract the catch, and then detach from the FAD to drift together with the fish. Meanwhile, the "catcher" vessel, once clear of the anchored FADs will start the encircling and brailing of the catch.
As the cost of acquiring these satellite data decreases, their use in fisheries management is a welcome development. It provides an accurate, almost real time set of information that may be used in fisheries management, in marine spatial planning and in monitoring the movement of fishing fleets as they follow the movement and occurrence of certain species of fish.